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Mudcrutch, Schizos, and Conchords
...plus the best of the rest in San Diego clubs this weekend
Barnaby Monk 5:30 a.m., June 29
Posted April 4, 2011
Son of a gun! There is still a trace of that road. Who'd a thunk it? For as long as I've known of the plank road, I'd wondered what it was like to travel on it. Pretty bumpy, very slow, and a real demand on one's patience. We sure have come a long way from that road as late as the 1920's to I-8 today.
Yes, there is still part of this road left off the I-8 near Buttercup in the Imperial County side. Just about a miles from the Buttercup Ranger Station.
We have come a long way and traveled a long way since them old days.

subset: commoncrawl


text:
AerieLogic's formal verification products include imPROVE-HPK/HDL and the (OCP) Hardware Protocol Kit.
What does HPK stand for?
HPK stands for Hardware Protocol Kit
This definition appears very rarely and is found in the following Acronym Finder categories:
- Information technology (IT) and computers
See other definitions of HPK
Other Resources:
We have 22 other meanings of HPK in our Acronym Attic
- Abbreviation Database Surfer
- « Previous
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- High Plains Journal (US farm and ranch news publication)
- High-Performance Jacket (ammunition)
- Human Pancreatic Juice
- Health Promotion Journal of Australia
- Houston Peace and Justice Center (Houston, TX)
- Highland Park Junior High (school)
- Hawaii Pacific Journal Index (magazine index; University of Hawaii)
- High Plains Junior Rodeo Association (Texas)
- Hämeenlinnan Pallokerho (Finnish ice-hockey team)
- Hardware Porting Kit
- Head-Shots Per Kill (gaming, Counter-Strike)
- HEAT (Helpdesk Expert Automation Tool) Plus Knowledge (software)
- Hibernia Portal Keep (Dark Age of Camelot MMORPG)
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- Hematopoietic Progenitor Kinase 1
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- Heart of the Plains Kennel Club (Lubbock, TX)
- Hyde Park Korean Church (Chicago, Illinois)
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Samples in periodicals archive:
Aerielogic's formal verification products imPROVE-HPK, imPROVE-HDL and the Hardware Protocol Kits are already in use at several major semi-conductor companies and at smaller design centers.


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Comes with comforter, 2 pillow cases, and 3 throw pillows. I think it's a queen size
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perfect for reading on the bed. not sure if the light work because we barely used this. has a nice cup holder and buttons for the light and massage.
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All Late Models. All the Time.
Your soruce for dirt late model news, photos and video
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Our weekly roundtable considers Bloomquist's Firecracker 100 victory, Bobby Pierce's Summernationals success and the exhaustion of tire-cheating scandals. | Story
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Denying tires were bad, Bloomquist doubts tests
June 27, 2016, 1:48 pm
SARVER, Pa. (June 25) — Scott Bloomquist of Mooresburg, Tenn., is no stranger to overcoming controversy in the sport of Dirt Late Model racing. It was just last season that the 52-year-old Hal…Full Story
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Richmond: Kentucky oval's Ironman Classic pays $10,050-to-win for June 25 SNBS race.


text:
|Publication number
|Publication type
|Application number
|Publication date
|Apr 21, 1998
|Filing date
|Jun 6, 1995
|Priority date
|Jun 6, 1995
|Fee status
|Also published as
|Publication number
|James F. Alves
|Original Assignee
|Hughes Missile Systems Company
|Export Citation
|BiBTeX, EndNote, RefMan
|Patent Citations (12), Referenced by (28), Classifications (13), Legal Events (9)
|External Links: USPTO, USPTO Assignment, Espacenet
The present invention relates generally to electronic imaging cameras, and more particularly, to ambient light automatic gain control apparatus and methods for use in such electronic imaging cameras.
The major purpose of gain control circuits used in electronic video imaging cameras is to adjust the amount of light gathered and/or the degree of sensitivity of light-to-electricity producing elements used in the camera, so that the electrical signals generated by the camera, while viewing objects of interest, are widely spread across the available output dynamic range and limited in their degree of saturation or clipping. The changes in gain are required so that, as light levels rise and fall during the course of a day or during variable weather conditions, the image produced by the camera possesses adequate contrast while viewing objects of interest.
Existing automatic gain control (AGC) circuits used in video cameras, such as in home camcorders, for example, assume that the overall background, or a selected portion of a scene viewed by the camera, is a suitable indicator of the overall ambient illumination levels for the objects that are to be imaged. In many cases, this assumption is not true and the AGC circuits therefore adapt the camera gains to an incorrect ambient light level resulting in poor image contrast.
Accordingly, it is an objective of the present invention to provide for ambient light automatic gain control apparatus and methods for use in electronic cameras that overcomes the limitations of conventional automatic gain control circuits.
To meet the above and other objectives, the present invention provides for apparatus and methods that perform automatic gain control (AGC) for electronic imaging (video) cameras, especially in outdoor surveillance applications. The present invention uses fiber optic technology to collect ambient light and couple this light onto a small portion of a light sensing element of the camera. A reference voltage produced by the light sensing element in response to the light from the fiber is used by AGC circuits in the camera to control the integration time of the sensing elements, the gain of the camera's video amplifier, and lens aperture, if necessary. These camera gain controls are adjusted to maintain the reference voltage derived from the light provided by the fiber optic link 13 to be within a predefined range as the ambient light level varies due to weather conditions and time of day. As the gain controls begin to approach maximum usable settings under dark conditions, lights are turned on to illuminate the area viewed by the camera and the gains are set based on a nighttime AGC technique that is not part of the present invention.
The present invention provides an improved means and method for adapting the gain controls of video cameras, especially those used in outdoor surveillance applications, when viewing rapidly moving objects under dynamically changing ambient lighting conditions. The present invention allows an electronic imaging camera to create high contrast images of desired objects moving through the field-of-view of the camera regardless of the specific background light levels within the field-of-view. The present invention does not add to the electronics required for modem video camera AGC circuits, involves no moving parts, and automatically compensates for inherent changes of the camera in response to light levels as the temperature of the camera varies. Also, the present invention does not require high speed AGC responses when objects move rapidly through the field-of-view of the camera.
With the present invention, the overall ambient light level is directly monitored by a few sensing elements of the camera regardless of what objects are viewed by the camera. A separate light sensor and associated electronics to sense the ambient lighting conditions is avoided by the present invention since a small portion of the existing multi-element imaging sensor of the camera is used as the ambient light sensor. The problems and costs associated with trying to match the response of a separate ambient light sensor to the response of the light sensing elements of the camera over an extremely wide range of outdoor light levels and over temperature variations is also avoided since the same sensor element is used for both imaging and ambient light sensing.
A specific application for which the invention is ideally suited for is a traffic surveillance camera mounted to view a single lane of traffic from overhead. The present invention monitors the overall ambient light level of the sky through a fiber optic assembly and allows the camera to dynamically adapt its gains such that high contrast images of passing vehicles and their license plates may be generated regardless of the ambient lighting conditions or the light levels reflecting off of the road surface.
Common AGC circuits for cameras utilize the light levels input through the lens to set gain levels. Since the camera looks at the road surface in this application, the light reflecting off the road surface is what the camera uses to set the gains. Light levels from the road surface do not always provide a good indication of the ambient illumination conditions for passing vehicles. For example, direct sunlight reflections off of the road surface near sunrise and sunset can reflect high levels of light towards the camera despite relatively low levels of overall ambient illumination. Under these conditions, the conventional AGC approach generates low levels of gain resulting in low contrast images of passing vehicles, especially at high speeds.
Various weather conditions or road surface materials can also affect the light reflecting properties of the road and cause poor gain settings to be chosen by the camera. The present invention ensures that the camera gains are set properly to produce high contrast images of vehicles by adapting the camera gains based on overall ambient skylight levels and not based on unreliable road reflectance properties.
The present invention may be employed in an automatic license plate reader developed by the assignee of the present invention. This invention may also be employed with a transportation management systems that are used on electronic tollways. The present invention may be employed in a remote emissions sensor manufactured by the assignee of the present invention. The present invention may also be used to improve AGC circuits for video imaging sensors utilized in missile seekers manufactured by the assignee of the present invention.
The various features and advantages of the present invention may be more readily understood with reference to the following detailed description taken in conjunction with the accompanying drawings, wherein like reference numerals designate like structural elements, and in which the sole drawing FIGURE is a cross sectional side view of ambient light automatic gain control apparatus in accordance with the present invention for use in such electronic imaging cameras.
Referring to the drawing FIGURES, it illustrates a cross sectional side view of ambient light automatic gain control apparatus 10 in accordance with the present invention for use in an electronic (video) imaging camera 30. The apparatus 10 is used to control automatic gain control (AGC) circuits 20 of the camera 30. The apparatus 10 comprised of two parts: an optical portion 40 that collects light from the sky, and couples it to a light sensing array 35 of the camera 30 using a fiber optic link 13, and an electronics portion 45 that utilizes the automatic gain control circuits 20 in the camera 30.
The optical portion 40 of the apparatus 10 is generally illustrated in the top portion of the drawing FIGURE. The optical portion 40 of the apparatus 10 comprises a smooth glass hemispherical dome 24 that is secured to a metal base plate 22 having a threaded flange by means of a metal ring collar 25 and robber gasket 23. The metal ring collar 25 also connects to a plastic stand-off tube 21 that is secured to a body 30a of the camera 30 or to the environmental housing 11. The metal base plate 22 has a central hole that is threaded on its exterior surface and accepts a fiber optic SMA connector 13 that passes through an opening 12 disposed in the environmental housing 11 or in the camera 30 (not shown) if the environmental housing 11 is not used.
The fiber optic link 13 is comprised the fiber optic SMA connector 13 disposed at one end, a length of optical fiber 18 having a protective jacket 16 thereover, and a metallized end 17 disposed at the opposite end of protective jacket 16. The optical fiber 18 is coated with black glass to minimize light reflections. The optical fiber 18 extends from the metallized end 17. The optical fiber 18 is polished at its end adjacent to the SMA connector 14 and sits flush with the end of the metal tip 15.
The camera 30 is comprised of a body 30a having a threaded mounting hole 31 or lens mount 31. The metallized end 17 of the fiber optic link 13 is disposed in an opening 32 in the body 30a of the camera to provide strain relief for the optical fiber 18. A cavity 33 is disposed adjacent an internal end of the threaded mounting hole 31. A protective glass window 34 is disposed at the back end of the cavity distal from the threaded mounting hole 31. The protective glass window 34 has an opening 36 therethrough through which the optical fiber 18 passes. A CCD array 35 or other light sensing means 35 is disposed adjacent to the protective glass window 34. The optical fiber 18 is polished at its end and is bonded or otherwise secured using optical cement 37, for example, to the surface of the CCD array 35 so that it illuminates a predetermined number of elements 35a of the CCD array 35.
In operation, skylight enters the optical portion 40 of the apparatus 10 through the smooth glass hemispherical dome 24, which located outside of the camera 30 or outside an environmental housing 11 of the camera 30 if it is used. The dome 24 is mounted above the camera 30 and is generally oriented level with the horizon even if the camera 30 and housing 11 are tilted. The apparatus 10 performs best if the dome 24 is positioned higher then and away from all nearby objects that can cast deep shadows onto it or prevent it from viewing the entire sky.
Diffuse glass is used for the dome 24 so that direct sunlight is not inadvertently coupled directly into the optical fiber 18 resulting in an artificially high measurement of overall ambient skylight. Glass is used for both the dome 24 and optical fiber 18 instead of plastic because glass maintains a more constant transmissivity over repeated exposure to weather and ultraviolet rays and passes wavelengths of light in approximately the same proportions as most camera lenses.
The size of the dome 24 is chosen to be small enough so as not to be an inviting perch for birds or other small animals yet large enough so that a random bird dropping, dirt or snow particles, or spider webs, do not significantly affect the light gathering function of the dome 24. The polished end of a optical fiber 18 is located inside the dome 24 and points directly towards the apex of the dome 24 along its axis of symmetry. The end of the optical fiber 18 is positioned far enough away from the apex of the dome 24 to ensure that the fiber will collect light over the entire hemisphere of the dome 24. Optical fibers 18 with high numerical apertures (NA 20.9) are used.
The open end of the dome 24 and the end of the optical fiber 18 are protected from the environment by the metal base 22, ring gasket 23, and metal collar 25 that attach to the hard plastic stand-off tube 21. The metal SMA connector 14 is used at the end of the optical fiber 18 to allow it to be easily attached and detached to and from the metal base 22 of the dome 24. A thermostatically controlled heating resistor (not shown) may be attached to the metal base 22 to conduct heat to the end of the optical fiber 18 and the dome 24 to prevent condensation or ice from forming on the end of the optical fiber 18 and inside the dome 24 during low temperature and high humidity conditions. The optical fiber 18 is jacketed with a protective jacket 16 made of pliable material to protect it during assembly and disassembly and camera maintenance procedures. The jacket material is not electrically conductive and nor is the stand-off tube 21 to avoid attracting lighting.
The other end of the optical fiber 18 is bare and is physically attached to one of the comers of the CCD array 35 using conventional techniques developed to bond fiber optic reducers to CCD arrays in the medical industry. The optical fiber 18 is coated with black glass to minimize internal reflections of light from the camera lens inside the camera 30 and also to minimize the scattering of light from outer edge of the optical fiber 18 onto CCD elements not meant to receive light from the optical fiber 18. The optical fiber 18 passes through the small hole or opening 36 in the protective glass window 34 for the CCD array 35 then bends upward to exit the camera 30 through the opening 32 adjacent a top edge of the lens mount 31. As the optical fiber 18 leaves the surface of the CCD array 35, it is positioned to avoid interference or shadowing of the light entering the camera 30 through the lens. The hole 32 in the lens mount 31 where the optical fiber 18 exits the camera 30 is placed sufficiently far back in the lens mount 31 so lenses will not touch the optical fiber 18 when they are attached to the camera 30 but not so close to the CCD array 35 that a very sharp bend in the optical fiber 18 is required. The optical fiber 18 leaves the camera 30 through the metal tip 17 that is embedded in the lens mount 31 and hole 32 to provide strain relief for the jacketed portion of the optical fiber 18 outside the camera 30.
The length (loss) of the optical fiber 18 and the transmissivity of the dome 24 are selected so that the amplitude of the skylight coupled onto the CCD array 35 is comparable to the average light intensity of the objects of interest when viewed through the lens. The length of the jacketed section of the fiber optic link 13 is also chosen to allow some slack so that the fiber optic link 13 can be easily disconnected from the dome 24 during assembly and camera maintenance procedures.
The AGC control circuitry 20 uses the skylight level on the CCD array 35 provided by the optical fiber 18 to always be ready to form high contrast images of objects of interest regardless of what the lens may view at the moment. The electronics portion of the apparatus that accomplishes this task is described in the following paragraphs.
In a typical video camera 30, AGC is implemented using either of two basic techniques. The first uses some portion (or all) of the CCD array 35 as a reference area. Light is focused onto the reference area by the lens and the average voltage produced by the reference area over time is used as a reference signal which is input into feedback control circuits to adapt the lens aperture, camera shutter speed, and/or gain of a video amplifier to maintain the reference output voltage at a fixed constant level as light levels input through the lens vary. The second approach senses the peak video level wherever it may occur on the CCD array 35 and uses the same feedback circuits used in the first method to maintain this peak level at a fixed constant level as input light levels vary.
These traditional AGC approaches do not produce adequate imaging results for automatic license plate reading applications where resolution requirements restrict the field-of-view of the camera 30 to approximately one traffic lane and high traffic speeds result in vehicles passing through the field-of-view in only a few frame times. Under these conditions, traditional AGC controls cannot react fast enough to the rapid appearance of a vehicle in the field-of-view and the light illuminating the reference area or the peak level over the CCD array 35 prior to (and during) the arrival of the vehicle is often a poor indicator of the light that will reflect off of a license plate.
The apparatus 10 of the present invention solves these problems by coupling light by way of the optical fiber 18 from the entire sky onto a small reference area (comprising a plurality of elements 35a) at one corner of the CCD array 35. The reference light level is therefore a direct indicator of the ambient light level illuminating license plates or other objects of interest. During daylight hours, the largest instantaneous dynamic range over which the camera 30 must image license plates is given by a white plate in direct sun versus a dark colored plate in shadow. Most modem video cameras barely provide this dynamic range at an appropriate gain and level setting. The amount of light collected and coupled to the reference area 38 by the optical fiber 18 is designed as needed to generate a light level within this dynamic range.
The ambient light level (Lux) versus reference voltage level necessary to keep the reference voltage constant is shown in Table 1
TABLE 1______________________________________Ambient Light Reference Ambient Light ReferenceLevel (LUX) Voltage (IRE) Level (LUX) Voltage (IRE)______________________________________436 84.1 709 83.5450 84.5 724 83.5480 85.2 680 83.5491 85.2 699 83.5500 85.2 709 83.5540 85.2 724 83.5565 85.2 742 83.5575 86.4 748 83.5582 86.4 736 84.9590 86.4 723 84.6600 86.4 745 84.6611 86.4 610 84.0668 87.6 658 84.9680 83.5 546 84.9699 83.5______________________________________
The AGC circuits 20 maintain the output voltage of the reference area 38 to the chosen level as ambient lighting conditions change over time by adjusting the integration time of the CCD array 35 and gain of its video amplifier 41. If it is not possible to maintain the reference voltage at the chosen level for a particular lens aperture setting, a new and known aperture setting is chosen using a motorized iris and a compensating change is made to the chosen reference level that the AGC circuits 20 are attempting to maintain.
In this manner the gain settings of the camera 30 are dynamically adjusted to produce a high quality image of the license plates or other object of interest regardless of what the camera 30 images at any given moment. Since average skylight levels do not change rapidly with time relative to video frame rates, the standard AGC response times are more than adequate to track the reference light level changes and therefore the high costs associated with high speed AGC controls are avoided. As night approaches, maximum camera gains cannot prevent the reference signal level from falling. As the reference level falls below a critical threshold, external lighting is required to maintain adequate imaging of the license plates. The camera 30 can then switch to a more traditional AGC approach during fixed illumination conditions provided by artificial lighting. As the reference level rises above a critical threshold during sunrise, the camera 30 is switched to use the present automatic gain control apparatus 30.
The present invention also envisions a method of automatically controlling the gain of an electronic imaging camera 30 having a multi-element light sensing array 35 and a video amplifier 41. The method comprises the following steps. Light from the sky is collected. The collected light is coupled to the predetermined plurality of light sensing elements 35a of the light sensing array 35. A reference voltage is produced in response to the light coupled to the predetermined plurality of light sensing elements 35a. The gain of the video amplifier 41 is then adjusted in response to and as a function of the reference voltage. In addition to adjusting the gain of the video amplifier 41 in response to the reference voltage, the integration time of all light sensing elements of the array 35 may be adjusted as a function of the reference voltage, the shutter speed of the shutter of the camera 30 may be adjusted as a function of the reference voltage, and the shutter speed of the shutter of the camera 30 may be adjusted as a function of the reference voltage.
Thus, ambient light automatic gain control apparatus and methods for use in electronic imaging cameras has been disclosed. It is to be understood that the described embodiment is merely illustrative of some of the many specific embodiments which represent applications of the principles of the present invention. Clearly, numerous and other arrangements can be readily devised by those skilled in the art without departing from the scope of the invention.
|Cited Patent
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|Plaubel, Feinmechanik & Optik GmbH
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|Fuji Photo Film Co., Ltd.
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|Jun 3, 1983
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|Kernforschungsanlage Juelich Gesellschaft Mit Beschraenkter Haftung
|Entrance system for a photodetector having a 180 degree image angle and detector provided therewith
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|Jan 29, 1991
|Fuji Photo Film Co., Ltd.
|Camera automatically operable in a flash photographic mode for providing color-balanced images
|Aug 1, 1989
|Apr 23, 1991
|Mitsubishi Denki Kabushiki Kaisha
|Automatic white balance circuit capable of effectively adjusting white balance under a flashing light source
|Jan 29, 1993
|May 23, 1995
|Bayport Controls, Inc.
|Surveillance camera system
|Title not available
|Title not available
|Title not available
|Dec 17, 1991
|Jul 9, 1992
|Eastman Kodak Company
|Method and apparatus for automatic exposure control in an electronic imaging system
|Citing Patent
|Filing date
|Publication date
|Jan 17, 1997
|Oct 5, 1999
|Raytheon Company
|Light sensor and thresholding method for minimizing transmission of redundant data
|Nov 21, 2000
|Oct 22, 2002
|Symagery Microsystems Inc.
|Ambient light detection technique for an imaging array
|Jan 25, 2000
|Sep 9, 2003
|Watec Co., Ltd.
|Auxiliary amplifier selection circuit for a CCD camera
|Mar 18, 2004
|Dec 4, 2007
|Symbol Technologies, Inc.
|System and method for sensing ambient light in an optical code reader
|Nov 22, 2004
|Dec 30, 2008
|Stenger Thomas A
|Wildlife-sensing digital camera with instant-on capability and picture management software
|Oct 25, 2005
|Jun 9, 2009
|Zoran Corporation
|Camera exposure optimization techniques that take camera and scene motion into account
|May 31, 2007
|Jan 26, 2010
|Microsoft Corporation
|Computer-controlled lighting for video communication
|May 11, 2005
|Sep 7, 2010
|Delphi Technologies, Inc.
|Method of operation for a vision-based occupant sensing system
|May 29, 2012
|Csr Technology Inc.
|Camera exposure optimization techniques that take camera and scene motion into account
|Feb 22, 2010
|May 29, 2012
|CSR Technology, Inc.
|Control of artificial lighting of a scene to reduce effects of motion in the scene on an image being acquired
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|Mehul Patel
|System and method for sensing ambient light in an optical code reader
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|Fultz William W
|Method of operation for a vision-based occupant sensing system
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|Shimon Pertsel
|Camera exposure optimization techniques that take camera and scene motion into account
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|System and method of material handling using one or more imaging devices on the transferring vehicle and on the receiving vehicle to control the material distribution into the storage portion of the receiving vehicle
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Rain plays havoc with Tatura cricket
All cricket games except one were washed out thanks to rain on the weekend.December 18, 2012 4:22am
The rain at the weekend, although welcome, put a dampener on cricket. All games except the B-grade game at Howley Oval were washed out.
The C-grade game at Tatura Park was abandoned when water got through undetected rodent holes in the covers.
The B-grade game finished badly for Tatura with the team losing outright to Mooroopna. Tatura resumed its innings at none for 28 chasing Mooroopna's seven declared for 306. The rot started when captain Jim Pyke was unavailable and couldn't add to his 26 from the previous week.
After some brief resistance from Blair Jenkins (14), Gary Dealy (14) and Jack O'Toole (12) the side was all out for a disappointing 81. Mooroopna then enforced the follow on. Batting a second time Tatura made a better start reaching three for 84 courtesy of Jenkins (14), Lou Worm (15) and Emal Somers who went on to make 54.
Apart from a late order 15 from Xavier Dowell, the rest of the team capitulated when some resolute defence could have avoided the ignominy of an outright loss. The last three wickets fell without addition to the score, and Tatura was all out for 127, 10 minutes before stumps.
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Cancer nurse's future secured
The Shepparton Biggest Ever Blokes Lunch committee will continue to fund the prostate cancer specialist nurse position at Goulburn Valley Health for the next four-and-a-half years.
Slow start but important win for Lions
Mulwala has overcome a sluggish first half to record an important victory beating Echuca United by 45 points on Saturday.
Promoted: Fighting for the CFA
The brave and selfless women and men of our CFA brigades need our support like never before and I will stand with them all the way.
A special day for the region's
MURRAY Plains leaders were given a rare insight into life at Victorian State Parliament during a special leadership forum on Tuesday.
The Australian Sheep and Wool Show
SPONSORED: TAKE a trip to Bendigo this July and enjoy a country-style holiday, plus a jam-packed program of events at the Australian Sheep and Wool Show 2016.
The Australian Sheep and Wool Show
SPONSORED: TAKE a trip to Bendigo this July and enjoy a country-style holiday, plus a jam-packed program of events at the Australian Sheep and Wool Show 2016.
Swans flex muscles
Avenel win easy
Hall offence
Berrigan Shire councillor Daryll Morris says he has been sickened by some of the vitriol and personal attacks to surface since the council's proposal to redevelop Finley's Memorial Hall and School of Arts site was revealed in October last year.
The Australian Sheep and Wool Show
SPONSORED: TAKE a trip to Bendigo this July and enjoy a country-style holiday, plus a jam-packed program of events at the Australian Sheep and Wool Show 2016.
Have a pie for a mate
If you are in the mood for a warm treat next Friday and want to get involved in the recent push to aid struggling dairy farmers, then Ambience Bakery Cafe will have you covered.
Talented Kayla's Canadian tour
Deniliquin's Kayla Smith will travel to Canada on Wednesday to compete in two major athletics meets.
Lawyers arrive to discuss Murray Goulburn claim
About 30 Murray Goulburn suppliers turned out to a Shepparton meeting last week with lawyers proposing legal action against the big processors.
Youngsters give it their all
Benalla Rovers soccer players represent at Country Leagues Football Association Championships.
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This weekend in Barcelona
Our editors' selection of the best galleries, concerts, gigs, cafés, restaurants, bars, clubs, films and more that you won't want to miss this weekend in Barcelona
Our editors' selection of the best galleries, concerts, gigs, cafés, restaurants, bars, clubs, films and more that you won't want to miss this weekend in Barcelona.
The Blues Brothers
John Landis. USA, 1980. Original version, Spanish subtitles. 132'.
Dan Aykroyd and John Belushi star in this classic fast-paced musical full of cameos, rhythm and surprises. Jake Blues gets out of prison, and his brother, Elwood, tells him that the Santa Elena orphanage, the only home they ever knew as kids, is at risk of being closed down for financial reasons. So the guys try to raise money by getting the band back together by any means possible.Read more
Summer Nights at La Pedrera: The Oldians
Spend a fresh summer night with The Oldians at La Pedrera as they present their fifth album, 'Out of the Blue', a combination of oldies and jazz featuring vocalist Saphie Wells.Read more
John Digweed + Undo
It hasn't taken long for this clubbing master of ceremonies to make his name known around the globe. Labelled progressive, his sensual sessions provoke mass hypnosis, and can move 250,000 people at a time. We're not even going to bother listing all of his friends and collaborators or how many pies he's got his fingers in. Just know that tonight at The Loft, you'll want to be in the company of John Digweed.Read more
Allioli Olé: Santa Petarda
On the last Friday of every month, the big gay Catalan party that is Allioli Olé turns the city upside-down in two counts: first, from 8pm to 9pm at Punto, get a two-for-one with 'pa amb tomàquet' (delish tomato bread). Get an invitation there that you can take to Tango starting at 1.30am to enjoy a wild night with go-go dancers in drag and DJs. They'll be handing out colour-coded stickers to make it clear if you're available (green), unavailable (red) or unsure (yellow). You'll be hearing lots of big Catalan music dance hits, testing out your drinking skills with the 'porró', and taking part in a photo contest that could win you a bottle of your favourite poison and ten mixers to go with for you and your friends.Read more
30drop live! + DJ Kosmos + DJ Dafoe
The DJ 30drop started out in 1996 with a focus on Detroit techno and other seriously techno sounds, with a reference to industrial sounds of Birmingham as well. Over time he evolved more toward the industrial, the experimental and noise, and conceptually he started getting more and more interested in astrophysics, quantum physics and 'new science'. The music 30drop plays aims to relect the theory of multiverses via a solid techno with repetitive beats, cosmic melodies and syncopated harmonies.Read more
Barcelona Eat Local Food Tours
Get an off-the-beaten-path cultural food tour experience within two of Barcelona's most iconic neighborhoods, Sant Antoni and Poble-sec. This tour in English takes you away from mass tourism and close to freshly made and local food from premium vendors who have been feeding Barcelona for generations and inspiring world-renowned chefs. On the Food Tour you will taste a dozen classic yet modern dishes, sip vermouths and cavas from old family-owned cellers, learn how locals source fresh products for their dinner tables, and discover modernista architecture from the 1900s, medieval routes and the people that shaped the history and character of these neighbourhoods. You'll cover approximately 2km in 3.5 hours.Read more
Guided tours of La Torre de les Aigües
Following restoration works on this symbol of the neighbourhood of Poblenou, it's now possible to take a journey through the history of the Torre de les Aigües del Besòs, one of the few remains still standing from the industrial past of Barcelona's coastal area. It was built in 1882 by the modernista architect Pere Falqués and is a quality example of local heritage. Standing more than 60 metres tall, it recalls the important project undertaken at the time to provide drinking water to the city of Barcelona. Today, you can appreciate the full significance of the space and its architectural structure with a visit to the Torre; the guided tour will take you back to Barcelona as it was in 1880, to the industrial past of Barcelona and Poblenou.Read more
KDA + Wookie + Playless
KDA is a mystery. Nobody knows exactly who's behind those initials. Some say he's an English producer. Others say he's a famous artist who is well-known but for a different style. And you might hear that he's a new talent who just wants to hide his real name and identity. Whatever the truth is, his music speaks for itself with sublime remixes for artists including Chvrches, Vaults, Frances and Katy B. KDA's influences run the gamut from A Tribe Called Quest and Jill Scott to Maya Jane Coles and Tame Impala.Read more
Mecal Air 2016
For the eighth year in a row, Plaça del Baluarte in Poble Espanyol hosts the Mecal Air short-film festival, where the best shorts from the latest edition of Mecal Pro, the Barcelona International Festival of Short Films and Animation, are shown. The screenings take place every Friday in June, July, August and September, and each session's programme features a specific theme: horror, sex, comedy, romance, etc.Read more
Luis de Morales. Between the human and the divine
His name may not be as well-known as contemporary El Greco, but Luis de Morales was certainly one of the best Spanish painters of the 16th century. Dubbed 'The Divine' thanks to his concentration on works with religious themes, he painted using a style of extreme realism. Living at the time of the Counter-Reformation, and influenced by different schools including the Lombardy and Flemish ones, De Morales produced numerous portrayals of the Virgin mother and child, his meticulous, detailed approach creating rich, starkly memorable paintings that are very much of the Mannerist movement.Read more
Brian Hunt + Nacho Casado (La Familia del Árbol)
Double concert at Atrium with British/Spanish singer-songwriter and producer Brian Hunt, who was also a member of bands including Half Foot Outside and Templeton, and who was a key figure at the start of Russian Red's career. Hunt presents his latest EP, 'Love / Unlove' (2016). Sharing the bill with him is Nacho Casado, lead singer of La Familia del Árbol, which is his space-folk band that released 'Odisea' in 2015. His solo performance tonight features more intimate and stripped-down versions of his songs.Read more
Time Out wine tasting
Travel round Catalonia via its wines, vineyards and wineries. From north to south, east to west, with this Catalan wine tasting you'll discover the terroir that makes Catalan wines so special and unique. Learn about traditional Catalan wine varieties and new trends. Each and every one of the wines you sample come from small producers who work their land using organic methods and with care and respect.Read more
The Lumineers
The band from Denver (Colorado, USA) led by Wesley Shultz, who were nominated for 2013 Grammys for Best New Artist and Best Americana Album, bring their blend of folk pop to Barcelona. The Lumineers present their second album, 'Cleopatra' (2016), which they say was inspired by the likes of Bruce Springsteen, John Steinbeck, Bob Dylan and Leonard Cohen.Read more
Brunch in the park: Magda + Benoit & Sergio + Bedouin + Hamid
Summertime also means the return of open-air electronica parties in the Joan Brossa gardens with Brunch in the Park. This is a great chance to enjoy the sunshine and top international DJs in stellar surroundings. The first session's headliner is Magda, a polish-born DJ who grew up in Detroit, and in 1998 hooked up with Minus and started opening for Richie Hawtin. With an open mind, Magda does whatever she feels like: from producing a high-quality tequila to collaborating in the fields of technoogy, fashion and art. She's on at 8pm, but from 1pm you can groove to tunes from Hamid, Bedouin, and Benoit & Sergio to warm up for a hot night.Read more
Pride 2016: Illa Fantasia
To celebrate Pride family-style, what's better than a day with the kids splashing around on the infinite slides and pools at this water park? Good music, great ambience, sunshine and everyone in the pool!Read more
Guided tours of La Torre de les Aigües
Following restoration works on this symbol of the neighbourhood of Poblenou, it's now possible to take a journey through the history of the Torre de les Aigües del Besòs, one of the few remains still standing from the industrial past of Barcelona's coastal area. It was built in 1882 by the modernista architect Pere Falqués and is a quality example of local heritage. Standing more than 60 metres tall, it recalls the important project undertaken at the time to provide drinking water to the city of Barcelona. Today, you can appreciate the full significance of the space and its architectural structure with a visit to the Torre; the guided tour will take you back to Barcelona as it was in 1880, to the industrial past of Barcelona and Poblenou.Read more
MiniGrec 2016: Opening party
Since it was first organised in 2013, the MiniGrec opening party has become a favourite with Barcelona families. It's not a theatre performance, but you will get information about the family shows on the programme in July. Find out what's on, and what you can't miss in the fun setting of the wonderful world of the circus, the theme of this year's party. The Amargós Rose Garden, that green foyer to the Teatre Grec, is the setting for activities and workshops linked to the circus arts. You'll find a master of ceremonies, live music and entertainment, as well as workshops to learn circus acts and a performance by Sabanni the clown with his magic show. It's an afternoon for the whole family to plan your summer full of stories, adventures and fun.Read more
Tensal + Neiland + Audiolux
Héctor Sandoval (aka Tensal) is part of the PoleGroup label and one half of Exium. Two decades ago he released some of the best underground techno albums and toured the biggest clubs, and now he's opening the summer season of Astra Space Travel, along with resident DJs Neiland and Audiolux.Read more
It's comfortable to explore Barcelona by a bike or a scooter. You can rent it on http://bikesbooking.com


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