text:
updated today
UltimateStockAlertss is one of the best enewsletters I have ever seen. (Google them). They have
had a string of winners and I have already added 30% to my trading account following them for
a few months.
Forget #$%$ trades and sing all the way to the bank with UltimateStockAlerts . This will be the biggest gain of your life
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should go up big today
Want alerts on momentum stocks before the run happens? I have the solution…Google "lionstockalerts" and thank me later.
I have a significant position and I am hanging in the red. My thoughts were that if Mitsui will pay $1M for a 6 months lease, why wouldn't they pay $15M+ for the technology itself plus almost $10M in cash and no debt? They have the customers in Asia that would be the perfect fit for the tech and they would be taking very little risk above what they already agreed to pay.
Sentiment: Buy
I stumbled upon ULTIMATESTOCKALERTS and haven't looked back since. Their last Nasdaq alert delivered 33% in a few days.
No comments for 5 days? I guess there is not much interest in this company!
I must be honest with myself. This stock is a loser. I am sorry that I bought it, and I guess I will just have to take a loss so that I can buy stock that is going up in value.
Good luck to all, and happy trading! ;-)
PRHL looks ready to explode. Check out the news that was just released
start your research on GRWC, this cannabis play rents grow facilities to growers and has been racing up the chart.
looking for a runner? check our GRWC, this one could be ready to explode, Its a cannabis play so as more states legalize it could continue to run.
Looking for day/swing momentum trades? LionStockAlerts has you covered. They call it like it is without all the fluff.
ULTIMATESTOCKALERTS has been on fire. I just banked hard on their last alert. Sign up today and watch.
should go up to $6 today.
The was such an obvious scam
looking really good. Get ready for Monday.
Here we go....up up up
Here comes the wave... up up and away :)
Checked the ocean this morning............there was no waves............:o)


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Kanagana Ranaut, Virat Kohli and MS Dhoni in this ad would make you wish for a sequel to Queen watch video!
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1. Virat-Anushka spotted at the Chandigarh airport #ViratKohli and #AnushkaSharma were snapped together at dinner date last night… Good to see the duo back together #ViratAnushka #BollywoodChatterbox #ViratAnushkaPatchUp A photo posted by ...Indiatimes, 1 week ago SRK To Be Apples Brand Ambassador Virat andamp Anushka Spotted Together Again andamp More From Ent World Today Indiatimes, 3 weeks ago SRK To Be Apple's Brand Ambassador, Virat & Anushka Spotted Together Again, & More From Ent World Today Indiatimes, 3 weeks ago
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Honda CBR250R 5958 kms 89 hours - A new National Record Mumbai News.Net - Sunday 5th June, 2016 Besides these metros, the Golden Quadrilateral also connects Ahmedabad, Bengaluru, Bhubaneswar, Jaipur, Kanpur, Pune, Surat,Nellore, Guntur, ...Mumbai News.Net, 3 weeks ago Europe Markets: European stocks end with gains, led by miners Bombay News.Net, 2 weeks ago Burberry Boss Paid 75% Less On Gloomy Results Bombay News.Net, 2 weeks ago Student loan debt puts kibosh on graduates' startup plans Bombay News.Net, 2 weeks ago
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text: Home » Brake Discs & Pads » What Are Some Good Oem Replacement Brake Pad Brands What Are Some Good Oem Replacement Brake Pad Brands Just looking for some that will work good on a hyundai. Tags:Brake, Brands, Good, Replacement, Some Related Questions What Brand Is OEM Brake Pads And Rotors For 2004 Mazda6s Hatchback What brand is OEM brake pads and rotors for 2004 mazda6s hatchback? thank you oic, i thought they would use some other brand name like centric or something as Front Tires Making Rattling Noise. I have a 2004 Mitsubishi Eclipse and just today had the front brakes replaced. A friend of mine who did it for me also took off the rotors to Answers for The Question Jamie Bendix Bobweb "OEM" means Original Equipment Manufacturer. So I guess your saying "what companies made the brake pads for Hyundai vehicles?" I don't know the answer, but some good aftermarket brands are Raybestos (Pep Boys stores) and Napa Auto parts stores brands. To be sure the replacement pads are compatible, you might look for an internet direct parts source for OEM Hyundai parts to "get your cake and eat it too" by getting OEM parts at a discounted price. Mobile Auto Repair (mr Fix It) I almost stopped doing brakes way to many complaints about squeaky noises from brakes they were raybestos also i had a lot of brake shoes linings come loose or unglued it was bad so i looked and tries several brands auto zone junk pepboys junk i herd napa had a good one i never tried i found Wagner thurmoquiet works great they are quiet last a long time and wont turn your wheels black like auto zone ones did Baldie I usually get duralast from auto zone. i get the lifetime pads, and if they go bad, all i do is take them back and get new ones free. Mdk68gto Your best bet might be to stick with hyundai parts. Incoming search terms: Sorry no terms yet


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The Star Tribune reports Kevin Love won't have his hand re-evaluated until sometime next week. Some may think it's best to just shut him down for the final two weeks of the season, but head coach Rick Adelman doesn't feel that way.
NBA Rumor Central: Thunder shopping Serge Ibaka on draft day
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NBA Rumor Central: George Hill's future with Jazz
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Below are top resources on SparkPeople for Pilates Dvd.
As a fitness instructor, I get a lot of questions about Pilates, from what it is to how it benefits the body. I too was skeptical about how this "gentle" form of exercise—which, to me, looked a lot like lying on the floor—could... Read more
Everyone's holding their wallets and purse strings a little tighter these days. But that doesn't mean that you have to give up on getting fit just because times are tight. Exercise can be easy to fit into your day, just as it can be inexpensi... Read more
There's little I love more than a good run or high-energy kickboxing class where you leave completely covered and dripping with sweat. There's something about being drenched that signals—to me—that I've had a really good worko... Read more
Some days, I am just in a mood. I don't know what you call it, maybe stressed, bored, lonely, angry, sad, anxious, or tired. I call it "getting into a funk." When it happens, I have allowed my circumstances to dictate my attitude and... Read more
When I tell people that I'm a master Pilates trainer, I get a lot of interesting reactions. People who practice and love Pilates are quick to ask their burning questions or express their envy at my "dream" job. But many people who are l... Read more
If you don't want to invest in a workout dvd you may not like, try your local library first, they often have a great selection and most of the time you are able to renew a few times!... Read more
Did Pilates for the first time today. Found an @ home kit in store. It isn't as difficult as I thought...I enjoyed it :)... Read more
How come none of the workouts from Coach Nicole's fit firm & fired up is not in the search engine? I'm doing the dvd and I can't log it.... Read more
The pilates chair by Life's a Beach is wonderful! Never really done pilates before but tjis makes it simpler. I csn feel the workout after only 5 minutes.... Read more
Done with Dirty 30 yessssss... #fitness #dvd #awesomeworkout... Read more
Getting bored of the same old exercise DVD's? Don't forget your local library! Mine has a great variety of exercise DVD's that are free to try out. Want to see if you like yoga? Always wondered about pilates? Get a chance to try it out at no cos... Read more
Pilates: A Mind-Body ExercisePilates is a fitness workout that builds flexibility, strength, and endurance without adding muscle mass by focusing primarily on the abdominal, hip, and back muscles, called the body's "core" muscles. It was created more... Read more
Strengthening bodies and minds... Read more
I like to do Pilates twice a week. That's the minimum amount of core training I need to keep my persistent back problems at bay and to feel centered and limber. Fortunately for me, I've been teaching two mat classes for the past several years... Read more
For those of you avid gym-goers out there, you know how important it is to keep your gym bag stocked and ready to go! If you are anything like me, you also like to stay stylish, even while getting sweaty, which is why I designed my oGorgeous brand of... Read more
Well, I bought it the other day and decided to do it today instead of heading out for a walk. For some reason, I didn't feel like going out today and I was eager to try this new DVD out! Plus the park was full of footballers, my head has been hit by... Read more
Well I want to improve my flexibility so I thought both Yoga & Pilates would help me along with stretching. I have tried yoga at the gym and really am not a fan but pilates I find really fun and I got a good workout. I wanted to give them both a sh... Read more


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777 Is The Number Of God Because I Am God
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[quote:T Ceti H.C. Radnarg:MV8xOTAxMzQ3XzM0NDU4ODcwXzM3MThEOEVB] [quote:T Ceti H.C. Radnarg:MV8xOTAxMzQ3XzM0NDM3NjE5X0M1MjMwRjM0] I may be a grand hierophant,who knows...I'll go over the Giza pyramid...i already knew it was a power source without seeing the giza powerplant videos but here's something else...i may have this already but anyhoo..the kings chamber is actually the queens chamber and vice versa the kings below it as in >:Idol1:< the compass is the divine feminine(actual queens chamber) and the square the divine masculine(actual kings chamber)...and the actual queens chamber on top symbolizes the pineal gland with the 2 shafts that radiate from it symbolizing our ear canals going through the 2 sides of the brain...the pyramid symbolizes a working brain completed as a working power source...why do they still refer to the queens chamber as the kings chamber? may be because its always stubborn men lying about it,and down playing the female role,lol... [/quote]...anyone else remember this,or have you ever seen it in a book or spoken of like this? as i said I'm the white skinned version of the grand hierophant...an office you dont get any details of because we can do some unbelievable things...ask pain doc Dr.Gregory Ball,of shallowford rd Chattanooga Tenn.i still snicker when i remember his eyes getting as big as quarters,lol...or all those whom say its just a coincidence whom i allow around me, that i "guess" futures correctly...unless your a ex mother in law hypocrite who goes to church all the time and sees me and says a god wouldn't have anything to do with me,since i dont attend "church"... so they label what i do as demonic,lol..they haven't heard of esp and psi abilities we all have unless dogma robs us of it...i dont give my spirit's abilities away to no concepts or lies...i have,done, and will do the things the spirit says we can do and i have,done, and will do the greater things also...with or without anyone's "blessing"... [/quote]
Original Message
...going from a jesus to a god and then to a co-creator spirit within in this ascension process....i have grown within since the thread started so please bare with me..777=7.77 food pH level in the body...so if you want to be a god/creator in your temple and your kingdom>...first you must become a "jesus" in your temple/body and kingdom/mind with the keys...the first key is die-t<see the cross and the word die...and the second key is manna which is potassium iodide KI crystals<it looks like white colander seed as the codebook describes it...the diet and manna is to flush out all unnatural foods/drinks we have stored since birth because our kingdom/pineal gland and other 7 parts of your brain and temple/body, stores it instead of burns it or passes it out...eat what the codebook tells us to put into our body/temple and taking our manna and in about 6-8 months to clean our temple and kingdom out to be the jesus,but we continue the manna and diet... we will be god/creator spirit in our temple and kingdom with the 3rd key of positive attitude/thinking and remembering we are spirit within
...Romans 8:14>we all can be a jesus... sulfur based microscopic parasites live in mud critters>cattle,pigs,catfish,founder,etc. and is the hell referred to by "jesus" because cooking doesn't kill them(worms)..."their worm does not die and the flame is not quenched" is said of people in hell...and today's grocery store meat is also packed full of chemicals...only ocean fish doesn't have chemicals added and the jesus symbol is the fish with scales,but not bottom dwelling fish in the die-t
...this is how i because a "jesus" then a "god" in my own temple and kingdom and then a co-creator as i remembered i/we are spirit within that created the religious concepts...die-t and manna will get you to jesus state,then maintaining the 2 keys with the 3rd key will get you to a godlike state in your temple and your kingdom and then into our co-creator spirit within state...these keys i/we give to everyone....the bible is also metaphors of our ego traits freewill,humility,pride,desire and vanity to hang upon our cross and die to as humility at the head of the cross cry's out for the creator...pride and vanity are nailed together at the feet as free will and desire are nailed at the hands...the statute of liberty has 7 points in it crown because of the 2 sides of the brain,pineal gland,pituitary gland,thalamus,cerebellum and medulla...the torch symbolizes the pineal gland lit like a burning flame... the 8th brain part that all together form the divine feminine...and the bible is also about our 6 senses..
PS as "gods" code book gave us the diet and manna ,we must supply the other 3 keys of an open mind ,an open heart and positive thinking/attitude to produce the 5 pointed star of venus the morning star to rise in our hearts..after maintaining that, the 6 pointed star of 3 points above and 3 points below will be given making us a co-creator in our temple and kingdom...(((here's an recent edit ,the longer i have used the keys i remembered we are all co-creators with the same shared spirit and our spirit existed before the creation making us co-creators instead of gods,goddesses,saviors or prophets,
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Exposed U.S. voter database poses 'extreme' danger, researcher says
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The database contained personal data on more than 150 million people — including voters' addresses, full names and political stances.
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What was the most popular blog post on USA.gov this year?
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Amazon Uk or http://www.thomann.de/nl/hifi_koptelefoon.html
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Your favourite places to buy audio equipment? - Page 2
post #16 of 1910/10/11 at 10:52am
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Gear mentioned in this thread:post #17 of 1910/10/11 at 10:53am
- rroseperry
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You can buy from 32 Ohm online and if you're in the area, I think it's worth it to make an appointment.post #18 of 1910/10/11 at 11:25am
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- SimpleLeong
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There's only a few places in Singapore to test out and buy.
The Adelphi:
Hi-Fi heaven of Singapore. Just 3 minutes walk from City Hall MRT station. Majority of the mall is Hi-Fi stores, high end speakers, vinyl and headphones can be found there. Also the place where you can locate the Jaben. Typical Singaporean consumers don't even know what this place is, or exist, so the crowd is small, most people you can see there are audiophiles or people looking into buying good stereo set.
At the 4th floor of The Adelphi. Very Professional staffs, offers packages that sell at good price. Have lots of models and Amps available to be tested. A must to visit if you steps into The Adelphi. The store is either full housed or empty at different times, avoid going there in the evening Currently Jaben is the only place i could find Alessandro too.
Stereo have 2 outlets in the island. One located in Woodlands Causeway Point 4th floor. Another located in Orchard Road, Plaza Singapura 4th floor. Have almost all of the Headphones and IEMs you are looking for. Awesome customer service, friendly staffs, their senior staffs are very professional too. Although lacks Amplifier selections but they sell mainly the iBassos.
Yes! Both dealers i stated are my favorite, no much more "real" headphones stores i can find here. Farle is quite famous too for their selection of headphones and being the local seller of Cowon, but their service is really bad, unprofessional staffs with wrong attitude. Hope to get off Singapore soon for a holiday trip and get a chance to see other places Hi-Fi Stores in the near future!
post #19 of 1910/10/11 at 11:26am
- balancebox
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I'm located in Toronto Canada so buying headphone is expensive here
sennheiser stuff go www.razordogdeals.com (he also has ebay store)
recently brought sennheiser hd 598 only 24 duty/tax (flat duty as he stated) from UPS (thats pretty good for UPS)
www.futureshop.ca (sometimes have good deals buy one get one free)
i need a place to get AKG Q701
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About lollypop30001 : I am fun loving person that loves to help people. I am married to my best friend Bj.
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Today, my husband and I told my parents that I finally managed to conceive. My mom burst into tears of joy and said how great it was that she's finally going to be a "real" grandma, all within earshot of our adopted and now-devastated daughter. FML
by Anonymous / 08/19/2015 at 11:00am / South Africa / Kids
Today, while on a cruise that I paid for, I was forced to babysit my 5 bratty nieces while my sister and her deadbeat boyfriend relaxed in the kid free zone. FML
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Today, and pretty much every day, my co-worker takes off her shoes while working. The smell of her feet makes me dizzy. I don't know if she's oblivious to the fact that her feet stink, or she just doesn't care. It's affecting the quality of my work. FML
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Today, my overly-attached 14-year-old cat wanted attention while I was in a heated Skype argument with my girlfriend. Worked up from the fight, I raised my voice and said, "Not now, go away!" He ran to his little bed, had a heart attack and died. I was a complete dick to my cat in his last moments. FML
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The post 'Silicon Valley' Season Finale Doesn't Crash the Gates, But They Get There All the Same (TV REVIEW) appeared first on Glide Magazine.]]>
The Silicon Valley season finale premiered with a slight puff of smoke Sunday night as everything fell into place for the dudes at Pied Piper. Perhaps the showrunners thought their season was clever as it led up to the sale of the middle out compression company to Bachmanity, or perhaps they were busy with a second venture leaving this season to their assistants, whatever the case we missed out on a fabulously heart racing season-ender in favor of everything just making sense.
In what's been the dullest, yet satisfyingly driven season thus far, it seems we've finally seen the dudes get a handle on their constant self-sabotage. While Richard blew the 60-million-dollar to fund Pied Piper, he also saved himself from what would potentially have ended all of the dudes' careers due to their inability to gain a real uptick. Now, this season we did learn more about the technical business side of the startup process, but who cares when we get the same dull shit every week?
It seems my suspicions were confirmed regarding Big Head and his eventual world domination. The way I see it, he and Erlich will somehow keep Pied Piper successful which will lead to the take-over of Hooli, giving validation to the dudes as they conquer their past. Considering the historical incompetence people in power harbor, it makes complete sense. Next season is looking at the wrap-up of the storyline, and personally I would kind of like to see them fail, if for nothing more than to hint at a stronger future to come. Since I have no say in the matter, it's looking like we'll have to settle with something like, "oh they did it! Oh look they're interested in something else now. Here they go again…" TV tropes, they be tropin'.
Lori stepping out of the picture is a little disappointing. Like Jared, her timing and lack of understanding of other people makes for a big part of the comedic value that makes the show special. She could possibly pop back in next season, though it wouldn't really make sense in the long run. Similarly, CJ's short run should have the same results. It was very convenient to have the blog storyline wrapped up with a tiny bow, and while CJ was mostly not that exciting, she still added to the world with a certain dimension (i.e., XY chromosomes). Are we bound to single serve storylines when it comes to women entering the picture?
Something to look forward to: the newly formed Dinesh and Gilfoyle alliance. Both are too smart for their own damned good, both are assholes who love to see others squirm, and when their powers combine it's like an extra level of douchebaggery. If there ever was an indication of an uptick having to do with Pied Piper, it would solely revolve around their budding bromance. We've known they were best friends for years, and it's almost like they've broken the fourth wall to gain the info for themselves. On the other side of the spectrum we can continue to watch the wonderfully awkward interaction between Jared and Richard as Jared continues to believe he's Richard's best friend.
Something to hope never happens: with the possibility of Lori out of the picture, let's hope we're not subject to a whole new character with the same type personality. It worked with Lori because of Peter Gregory's sudden death, but trying to keep that element going will be just as dull as their up-down plotlines went this season. It's reasonable to believe that Pied Piper will flourish moving into next season, so it should be reasonable to not expect the continued "will they, won't they" concerning the fucking up of the company.
Driving the company to the video service will undoubtedly bring in new problems, but hopefully new successes as well. The more that's at stake, the more interesting things get. Consider the last two season finales with the complex dick math, and Richard's mad rush to the house. Has GoT taught us HBO likes its formulas when it comes to season structure? Where was that heart pounding excitement? It sure wasn't during the board meeting as we had already pieced together the true buyers of Pied Piper. Disappointing season and finale aside, one must still appreciate the glory of the series. If it ended tomorrow, it would still be better than a lot of the garbage currently packed up as entertainment. Silicon Valley is constantly teetering on the verge of absolute success, let us sit back as a people and hope for a difference moving into season four.
The post 'Silicon Valley' Season Finale Doesn't Crash the Gates, But They Get There All the Same (TV REVIEW) appeared first on Glide Magazine.]]>
The post Praise Be To 'Preacher' (TV REVIEW) appeared first on Glide Magazine.]]>
After a noteworthy slowdown in action over the last few weeks, Preacher picked up the pace once again to deliver an episode that was on par with the best the series has offered so far and portends great things for the series as a whole. That's provided, of course, they can maintain the same level of action and intrigue. That's a proposition that's still somewhat shaky, but series seems to be finding its footing and coming into its own.
It was helped by an extended cold open, which once again brought us back to the old west, and the mysterious cowboy in search of medicine in the tiny Texas town of Ratwater. His efforts were waylaid by a confrontation with the over-the-top villain McReady, whose exploits include murder, rape, and mayhem. Our still unnamed Cowboy took issue with McReady and his boys, and got his horse killed in the process. This delayed him long enough for his wife and child to die on his return trip, leaving us with the image of the man arming himself to the teeth and heading back out towards Texas.
This part of the story so far has been the one to remain most faithful to the comics (albeit with some slight editing of events due to time constraints) which is as exciting for the comic readers as it is confusing for the newbies. Who is this cowboy, and what is his connection with Jesse and his newfound powers? It'll be interesting to see how true to this subplot they remain (it gets wild, to say the least, in the books) but the mystery is compelling enough for right now.
Back in the present, Jesse has gotten comfortable with his powers as a means to improve the lives of his parishioners and his townsfolk. The local diner has turned into a makeshift confessional booth, where troubled souls can seek advice and absolution from their preacher. Jesse is getting a bit complacent with the implications of his powers, failing to see or recognize the potential to backfire that could come from not choosing his words more carefully. As we saw in the pilot with Ted, the nature of the voice can result in some unintentional consequences. This was reiterated once more with Odin Quincannon.
The town mogul at first seems to be taking his promise to serve God to heart, putting on a generally more cheerful demeanor and allowing those Austin liberals a chance to sell him on their green campaign for both the power company and the meat packing plant. This idea is shattered when, at the start of the meeting, Quincannon pulls out a shotgun and lays waste to the entire party in full view of the mayor.
While coming seemingly out of nowhere, it represents the dangers Jesse is facing with unchecked use of his power. Telling Quincannon to serve God is all well and good, but what, in his mind, does that actually mean? Could it be that the preacher has inadvertently created a fundamental extremist who thinks he's doing God's work by mowing down the sinners on the left? How does that bode for the other denizens of Annville?
Which brings up a question of consent as it pertains to Jesse's powers. Arseface has found himself in some troubled waters with both his father, Sheriff Root, and the rest of the town who continues to shun him. While superficially, his deformed look plays a huge part of this, there seems to be something else going on. The Sheriff has an angry breakdown after someone, probably the same kids who continue to bully Eugene, broke into his room and painted "Finish the job" in big letters on his wall, while also providing a rifle for his convenience.
Eugene reaches out to Jesse to help his father overcome his anger, and the preacher takes him to see Tracy, the girl in the coma whom Jesse has previously helped. Tracy's mother, on seeing Eugene in Jesse's truck, loses her mind, smashing the windshield and breaking the mirrors while screaming at about how she's going to kill him. This seems to be a subtle indication about what happened with Tracy—perhaps she, too, is a victim of a failed suicide attempt; part of some pact, maybe? at the very least, Eugene is somehow involved. Jesse, uses his voice and commands the woman to forgive Eugene, and in an instant she goes from rage to hugging Eugene in the middle of the street in broad daylight.
But there was something in her eyes, something that suggested this was not what she wanted to do. She didn't look happy as she hugged Eugene, she looked disgusted.
That's the danger of Jesse's power; people have to come to certain realizations and certain decisions on their own. Commanding them, even with a heavenly power, can cause more harm than good, a fact that our Jesse has yet to realize. It's a truth he's going to need to learn and to accept sooner or later, but the damage may already be done.
That's the fear of Fiore and DeBlanc, who spend most of the episode avoiding their phone like someone expecting a call from grandma. They've officially run out of patience, and presumably time if the sudden ominous silence of their direct line to heaven is any indication. For the first time, they confront Jesse themselves, having grown weary of waiting for Cassidy to come through with his promises—a gigantic grift, from the looks of things. The episode ends with the two angels and the preacher sitting in a diner booth, Jesse looking incredulous as the angels tell their tale.
Preacher continues to weave the disparate threads of its narrative together in interesting ways in a manner that stays true to the source material while telling an original story. I'm still somewhat on the fence about whether the series can maintain its momentum, but it was a marked improvement over last week and the week before that suggests the potential for further greatness as the series progresses. Things seem to be coming to a head quickly, and hopefully we can eventually chalk the initial low points as first season exposition blues. I may be skeptical, but Preacher is quickly winning my faith.
The post Praise Be To 'Preacher' (TV REVIEW) appeared first on Glide Magazine.]]>
The post Dead & Company Get Down With Donna Jean at Citi Field (PHOTOS) appeared first on Glide Magazine.]]>
The post Dead & Company Get Down With Donna Jean at Citi Field (PHOTOS) appeared first on Glide Magazine.]]>
The post TAUK Announce New Robert Carranza Produced LP – Due 9/16 appeared first on Glide Magazine.]]>
TAUK's newest studio album was recorded over the spring with the band splitting time between Carranza's Solar Powered Plastic Plant Studio in Los Angeles and their home studio in Oyster Bay, NY. After months on the road opening for Umphrey's McGee combined with the band's own headlining dates plus TAUKing McGee special engagements, TAUK are showing no signs of slowing down. This summer, the band can be found performing their unique brand of explosive instrumental soundscapes at festivals nationwide. An extensive fall tour to support the new album.
Watch the band talk about the new album below…
The post TAUK Announce New Robert Carranza Produced LP – Due 9/16 appeared first on Glide Magazine.]]>
The post ALBUM PREMIERE: Austin's The Watters Tap Into Soulful Americana on Debut LP 'Great Unknown' appeared first on Glide Magazine.]]>
The Watters recorded Great Unknown at Cacophony Recorders in Austin, Texas in January 2016. It features an array of Austin's best musicians including Trevor Nealon of Band of Heathens, Joe Woullard and Zumbi Richards of Golden Dawn Arkestra and Erik Hokkanan. The nine musicians (including a three piece horn section) are featured throughout the entire album. The original session was recorded live to tape to capture the live sound that distinguishes The Watters, before horns and vocals were overdubbed a month later.
Offering his own take on the process, Daniel Watters says, "The recording process for Great Unknown was very organic. We did the original sessions live to tape with the 5-piece rhythm section (piano, guitar, bass, drums vocals). We did two follow up sessions a month later, one for the horns which were tracked live together and one for lead vocals. The studio we tracked at was a great environment because it was a huge, open room with giant glass windows that looked out over the Colorado River. We spent a lot of time on the patio listening to music while we basked in the beauty of the river, which gave the sessions a smooth flow."
Clearly, the duo was onto something special as The Watters are currently the Austin Music Foundation's artist of the month. Today you can hear an exclusive sneak peek of Great Unknown right here on Glide Magazine. The 10 songs on the album are thick and soulful, at times reminiscent of groups like the Tedeschi-Trucks Band, Fleetwood Mac, and even a similar spunk to contemporaries like Lake Street Dive. Ultimately, the tunes on Great Unknown are as fun to dance along to as they are to jam in the background while sipping wine with friends on a summer night. This is feel-good music, and we all need a little more of that these days.
Listen to The Watters' debut album Great Unknown:
The Watters release Great Unknown this Friday, July 1st via All Day Dreamer Music. For more info visit wearethewatters.com.
The post ALBUM PREMIERE: Austin's The Watters Tap Into Soulful Americana on Debut LP 'Great Unknown' appeared first on Glide Magazine.]]>
The post Phil Campbell Takes The Temperance Movement To New Sonic & Artistic Levels (INTERVIEW) appeared first on Glide Magazine.]]>
With a heavier sound and deeper lyrics, The Temperance Movement have matured quite nicely; at the same time, not losing any of the spirit and energy they are known for. They're just better and White Bear is the proof in the pudding. With songs like "Get Yourself Free," "Battle Lines" and "Modern Massacre," you're in for a good ride through rock & roll from one of the best younger bands out there making music today. "There is definitely an element of what we've been up to in the last two years," stated Wilson. One of those elements being the exit of guitar player Luke Potashnick, a founding member of the band. "We thought it would be quite easy to find somebody else to join and it wasn't," Campbell told me about the predicament they ended up in when Potashnick informed them he was leaving. "So we had to kind of go back to the drawing board a little bit."
But everything has worked out and The Temperance Movement, now with guitar player Matt White on board, are primed for some road time, beginning with a US tour starting in July. Glide spoke with the band's singer/songwriter Phil Campbell last week about the new record, writing songs and growing up in Scotland. When he learned I had Scottish ancestors, he noted how many others have told him the same thing. "Lots and lots of Scots immigrated to America cause they read in letters from people over there how much better life was than it was here. It had much more sunshine and how much more work there was, so they fled over there. So I'm not at all surprised that you have Scottish ancestors."
Do you think it was any different growing up there as opposed to anywhere else?
I think it's a big difference growing up on the west coast of Scotland, in Glasgow, than if I was to grow up in say San Francisco. I think I would have been two very different people. Two different people with two very different experiences and two different sets of opportunities. That's two different hands of cards. It's all a bit of what you make of what you've got and music is something in Glasgow a lot of people turned their heads towards because it's a sociable thing, it's a creative pursuit. You're indoors most of the time, out of the sort of ominous cloud-filled skies of the west coast of Scotland. But it's a place of escape, music is a place to escape to. It's a place where you can express yourself and Scotland is not. I can express myself quite well and have learned to. But Scotland isn't known for that and I think a lot of people get into music, that's where they do it. They find their release in the music whether it be singing or playing the guitar or beating on the drums.
My experience of growing up here was I had a great loving family. I went to school the same as everybody else and for me I had parents that could both play the piano and I took to the piano quite naturally. I grew up in a house where that was normal. Some other people in life at my age I went to school with didn't have those opportunities. But I did have a piano in the house and I played it. There was music in the house and it was something that was encouraged, it was something that was valued and not laughed at or frowned upon. It was something I naturally got into. I knew very early on that I was going to do something with music but at the same time I knew that I couldn't really do it till I was older. I didn't really learn much at school. I've always just thought, I'm going to be a musician, I'm going to be a singer, I'm going to be a star (laughs).
The other thing though is that life doesn't always work out the way you think. You know, I always thought I was going to be a big star at twenty-one years old. It wasn't to be. I had the opportunity to but it didn't work. I had another opportunity in my twenties when I was living in London and it didn't work. It took until I was thirty-six years old when I got a phone call from Luke Potashnick from The Temperance Movement that that was where I was really going to get a chance to really do what I do, what I didn't even know that I did well, which was to sing and to write songs with other guys.
Did the folk songs and the traditional music of Scotland have any influence over your earliest songwriting, since you did have a piano in the house?
I wouldn't say that the sort of marching style, dancing, sort of bagpipes type of music had much of an influence but I would say that Celtic melody, the melancholy of the Celtic ballad, very much had an influence on me. It's something which was taken into the churches and was used to write hymns with and the melody and harmony and the sadness and the weight of those songs, that could be a tremendous influence on me. I love a really sad song, right. I'm very, very happy that The Temperance Movement does not really sing sad songs but for me personally, that's one of the great things about me that marks me as who I am. I have a love for a very, very sad, lamenting song. Over in America you have Leonard Cohen, you have that sort of New York sadness, and you have Tom Waits and the sort of mourning for America that no longer exists. And then you have Bruce Springsteen. And to me it connects with a Celtic melody and a Celtic story of loss and heartache and defeat and pride. You know, these kinds of things are very much in the language of Scottish music and very much in my heart.
How do you see the new record being different than the first one?
I think that both the music for the songs, the backing music for the songs, and the lyrics took on much more of our personality than the first album. The first album was written and was the best that we could do. We took it out on the road, we took three years, and by the time it came to record White Bear, talking for myself, I have developed a character onstage that has a lot of energy and humor and sort of excitement. I basically took a lot of that character that I had developed and sang with it on the second album. The band had become much tighter and much more of a force onstage just from having played and played and played and had started to form a personality of it's own. So we wrote in soundchecks when we were on tour in Europe. We recorded them. The guys would jam without me in the rehearsal room in London and send it up to me and I would write something on top of it. We were trying to, in a sense, do the music completely the opposite of how we did the first one. The first one was written across a table, three people, and then we went into the studio and recorded it and just did it all live, did live takes. But the second album we were trying to think of it a little bit more and it was done a little bit more separately.
What had been on your mind that shows up in these songs?
"Modern Massacre" is about the brutal sort of violent attacks around the globe currently. It's about how angry it makes me, and completely helpless it makes us all feel, you know. I think "3 Bulleits" is about the conflict, about wars that never end, about peace that is never reached, about politics and hatred, religious hatred; the kind of thing that keeps an argument going forever and ever and people dying forever and ever. "Get Yourself Free" is a little bit about trying to raise your mind up above that instead of trying to stay out of it. Remember that there's more to life than the shit that is happening to you. To get free yourself and put that positivity back into life somehow and try to readjust the balance. Somebody said to me a few years ago, "Oh, I want to change the world. I still think the world can change." And I said, "That's bullshit. The world ain't ever going to change. That's just the way it is." But you know, she's right. It just takes people to do that. It just takes everybody to believe that. You've got to at least start believing that yourself.
There's darker moments on the thing. There's "I Hope I'm Not Losing My Mind," which is about touring and missing our loved ones. "White Bear" is about addiction, those kind of clichéd acts that rock & roll people adopt to, about the pitfalls that we all can sort of get into and the darkness and trying to free yourself from it. There are a lot of different issues that we write about.
What about "The Sun & The Moon Roll Around Too Soon"?
I actually don't know really (laughs). It was something Paul Sayer [guitar player] came up with and he had one line, "The sun and moon roll around too soon." I think it's about enjoying every moment that you have, in the context of something being over sooner than you wanted it to be. I think it's about that, about time and we only have so much of it.
Which song would you say changed the most from it's original composition to it's final recorded version?
"Oh Lorraine." When we played that at first it sounded like the Doobie Brothers when we played it. It was jingly-jangly, it was very Americana. Something about it was great but it was just a bit difficult cause we sang it a bit yee-haw and when you're British rockers there's only so much, so far, you can go before you're wearing a cowboy hat. There was something good about it and Luke Potashnick, he really believed in the song and kept saying, "We need to do this, we need to do this." But we ditched it. We played it once or twice but it was like the Eagles, it was like the Doobie Brothers. But when we demoed it we put sort of a heavy backbeat just for the hell of it to just sort of see what that would sound like. Like the Beastie Boys, that sort of backbeat underneath it and that heavy bassline and I redid some of the lyrics and made it shift along a little bit more and made it a bit more concise. You know, it was a bit of a production job and it sounded like nothing else on the record and it sounded nothing like the song had originally sounded when it was first written. So that is definitely the song.
What about in terms of the lyrics? Was there a song that was the hardest to nail down, to get right?
There were a few songs that were difficult. A lot of the songs were partially written and then added a few lyrics here and there. I think one of the hardest ones was probably "White Bear," to be honest. We recorded the song without a lyric on it and it was six months later that I actually put a lyric on it. So it took a while for me to experience what I needed to experience in order to write the thing. That song was about getting to a point that I had to change my behavior or else I was going to lose, you know. So until you get to that point, that was when I was able to write that lyric.
Was any of this the cause of the band pulling out of Voodoo Fest in New Orleans last fall?
One of our guys left the band and it kind of stumped us. We thought it would be quite easy to find somebody else to join and it wasn't. So we had to kind of go back to the drawing board a little bit. The guy was leaving, he had to do it. We could see that he was a little bit unhappy and he didn't like touring that much and he backed out and said, "Well, I've got to go now and I'm going to go before you start doing the White Bear campaign." So we were like, alright, okay. But it did mean we had to cancel a few things, which is unfortunate, but it was just basically we had to meet Matt White and as I said, it was a bit like going back to the beginning with somebody but it was all in good time. There was the frustration that meant the release of the album was delayed and all that and stuff but we're on track now.
What do you have planned for the rest of the year?
We've got festivals, we've got America in July, we've got some European festivals through August, we've got America again in September and October. We take November off, in December we go to Germany, in January we go to France. Beyond that, I don't know. So there's two trips to America and a lot of Europe then too. We'll probably do a UK tour in February.
Who was the first real rock star you ever met?
That would have been Ricky Ross, who was the lead singer from my favorite band when I was a kid called Deacon Blue. They were a Glasgow band and I loved them. I met him outside a rehearsal room one time and to me he was just the greatest thing in the world. He's a great songwriter. Perhaps not world famous but he was to me.
What can you tell us about being a songwriter yourself?
I think writing songs is about telling the truth. Writing a lyric is hard when you don't know what it is you're trying to say. But it's always much simpler than you think it is. It's always easier because trying to put across a whole scenario or a huge complexity of feelings into just sort of a five word lyric, it may seem difficult but then when you get the right lyric you realize that it's just about keeping things very simple. What inspires me to write music, as other artists do, you have to put your soul and your heart into the songs. Humanity itself is what really drives me. I love it when I can see the strings, when I can see the person. I love it when I hear this struggle in the music. I love it when I hear what a song is about when it was written, if it was written during a divorce or when someone was far from home or in a struggle. I identify with that cause I identify with the humanity of it or the weakness of it. You take that weakness in your life and if you write a song with it then it becomes a strength to so many other people. You know, people tell us that they love our songs, that they have our songs played at their wedding or at funerals of people that they loved that passed, and it's because music, once you've written it and it's out there, it's spiritual rather than physical.
With lyrics being so important to people, are you getting more and more conscious of what you're writing about?
Yeah, I think that the more people that are listening to your music, the more you become aware of that so you stop writing quite so personally. And by that I mean, there are certain things you know everybody if they listen to your song they understand. In a way you have to write a song so that everybody can understand it no matter who they are. I mean, okay, so I speak mainly to English-speaking people because we sing in English. So there are huge audiences in the world that don't give a fuck about what I'm singing (laughs). But for the English-speaking audience, I think that the older I get and the more people that are interested in my music, I try to hone it down so it's not difficult to understand what I'm trying to say so you don't need an explanation of what I'm trying to say. And that's a very, very difficult thing because you can't always do that. Sometimes you fill a space with a lyric that just fills a space but it doesn't relate to the other lyrics on top. Then six months later you'll see that it makes complete sense. It's weird. It's a weird thing writing a song. And then people have all sorts of meanings for what they think it's about as well. So if I think it's about something, somebody will tell me it's not (laughs).
Do you remember one of the first songs you heard where the lyrics really hit home with you or blew your mind?
I always listened to lyrics, you know. I always listened to the words. Glen Campbell's "Wichita Lineman" was like the first song I can remember really loving cause the imagery of the song and the guy driving away from home and being alone and calling in on the radio to whoever is there and reminiscing about someone he loves and someone he will always love forever but they're apart. Then you see the road and the whole sort of image of this sort of highway. That's when I can remember really sort of loving a song and loving a lyric. I was about five or six years old listening to that song.
Do you think that people today have the patience for longer songs?
It depends. I don't really think it's necessary for a song to be any longer than four or five minutes at most. I mean, there's something wonderful about trying to say everything in three minutes. There's something wonderful about that. When you're writing at a certain pace, there's only so much you can say in four bars. There's only so many things you can repeat yourself in terms of structure in the song. We're not experimental that way. We're not Frank Zappa, right. We're not Captain Beefheart. We're not going to take it in some kind of weird direction. It's quite obvious where we're coming from. The length of a song, I mean, it's great if it's going to capture me but I'll get bored, to be honest.
As a band, what song on the new record do you think really highlights the guys behind you as musicians?
I would say "Get Yourself Free" because the chorus, you hear me singing at the top of my voice on the chorus, but underneath you hear the band moving around the chorus melody in a very, very cool blues rock way. It's one of the best moments, one of my favorite moments on the record, the chorus of that song.
Do you feel like you're a success now?
Yes I do. I mean, I know that we're not a massive success, like we're not the Foo Fighters or anything. But I feel in my heart what a person ought to feel when they've done their best and they feel as if they're being recognized for that. I feel satisfied that I'm on the right path in life. That was one thing that was never secure before The Temperance Movement. I was always filled with doubt and always trying to change my plan and try to adapt myself, cause for some reason there was someone whispering in my ear, "Music, music, music. That's your thing, keep doing it, keep doing it." But it wasn't right until I met the right people.
Group photo by Rob Blackham
The post Phil Campbell Takes The Temperance Movement To New Sonic & Artistic Levels (INTERVIEW) appeared first on Glide Magazine.]]>
The post Scarecrow Unite Blues and Hip-hop On 'The Last' (ALBUM REVIEW) appeared first on Glide Magazine.]]>
If you look at the history and timeline of American music, it seems only natural that two of our country's greatest contributions to the world – blues and hip-hop – would sooner or later cross paths. Sure, there have been endless samples of blues songs used in hip-hop, but few if any acts have taken on the task of fully bringing the two genres together. If that's not surprising, what is more surprising is that the one group completely dedicated to this idea is not American at all, but French. Scarecrow are relatively unknown here in the States, but since forming six years ago the group has gained a following around their home country. As its members proclaim, Scarecrow is a mash-up of dobros, turntables, blues singing and defiant French rapping.
Scarecrow's newest effort The Last seems to occupy its own space, falling somewhere between Alabama 3 and Gangstagrass, both groups of which are known for fusing different kinds of American Southern roots music with elements of hip-hop and dance. What makes Scarecrow especially interesting is the way they mix the English language and French, often in a single song.
The title track opens opens the album with a groovy bassline and serrated vocals before a slide guitar and the subtly building scratch of a turntable push their way into the music. The song is an establishment of the blues hip-hop concept and it's also a strong way to pull you into the dynamic of Scarecrow's music. "Blackcatbone" has an eerie, sinister quality, while "Suitcase Blues" is more of a stripped down, acoustically picked blues tune accompanied by the sounds of rain falling and a brief piano jam.
Even if you can't understand French, it is the more straightforward hip-hop tracks like "Shake It", "Tu Peux, Pas" and "Pendaison" that catch you. The flow of the language has always been conducive to rapping (MC Solaar?), and turntable master Antibiotik Daw uses this truth to his advantage as he spits out socially conscious lyrics with an aggressive, hard-hitting flow. "L'Importuné" is one of the standout tracks on the album as the group takes a bare bones approach and presents the blues hip-hop concept in its simplest form with greasy slide guitar, basic shuffling drums and quick-fire rap verses. Instrumental track "Like This" is also a standout, a funky groove that brings to mind the Beastie Boys' project The In Sound from Way Out!
Respect must be given to a group willing to be totally upfront with their musical concept. At times The Last comes off as a bit novel and the mix of French and English doesn't always work. Yet, there's a self-awareness to it all, and ultimately that doesn't hold the album back, as the members of Scarecrow are clearly huge fans of both hip-hop and blues. The Last is a worthwhile listen if you are looking to hear something different than standard hip-hop or blues, because it's a joyous collision of both. It's also interesting to be reminded of the special connection between two of America's largest musical contributions to the world, ironically by a group not from this country.
The post Scarecrow Unite Blues and Hip-hop On 'The Last' (ALBUM REVIEW) appeared first on Glide Magazine.]]>
The post 2016 High Sierra Music Festival Takes Off Thursday! (FESTIVAL PREVIEW) appeared first on Glide Magazine.]]>
Scott Itamura
During the drive up to Quincy CA, for my very first High Sierra Music Festival in the Summer 2005, a good friend of mine said, "Scott, I'm going to tell you something that has expanded my festival experience, my life and my world at large and I learned it at The High Sierra Music Festival." Grizzly Dome passed by us as we drove up the winding HWY 70 to our mountain destination. Then he said, "If you're at the festival and everything and everyone, is telling you to go right, take a left." I took those words to heart and haven't looked back since.
That first summer was my summer of love, my girlfriend looked deep in my eyes as Brett Dennen sang, "Just like the moon," on the Vaudeville Stage and told me that she was incredibly and totally in love with me and would spend her days taking left turns by my side. Since that first Summer, High Sierra has never let me down.
That, to me, is the beauty of High Sierra. That combination of all the incredible music, friendly atmosphere, and delicious food fuels a passion for life, love, living and wild animal dancing. These, in turn, open up countless opportunities for genuine human connection.
This year I am super stoked to team up with my long time friend, professional photographer and collaborator, Andrew Quist and Glide Magazine, at this year's festival as we share with you all of our crazy musical and non-musical adventures.
In writing this preview, Andrew and I decided to make a short list of bands we love and look forward to seeing again, as well as hit on a couple bands we've never seen but look forward to see. But like I've said above, there's going to be a lot of left turns. So there is no real way to know what we'll see, hear and dance to or the connections we'll make, I hope you'll join us.
ALO: Animal Liberation Orchestra is a High Sierra staple for me and a definite must see. With their melodic tones, tight harmonies, musical talent, hard earned craft and visual spectacle they will have you smiling, dancing, all while being surrounded by your friends and thoroughly enjoying yourself. Zak Gill, Dan "Lebo," Lebowitz, Steve Adams and David Brogan have been working together on their chops since they were young tikes and have long since become masters of rhythm and tone. Individually they have shared their abilities across many genres and on outside collaborative projects, but ALO is where I love them best!
Steve Poltz: I don't care where I am or who I'm with, if Steve Poltz is playing I drop it all and head to the his show. With his guitar, skill and talent he places a magic spell on his audience and transfixes them all while simultaneously taking them deep space traveling with every minute of his performance. Last Summer during his Vaudeville performance I was both in tears of laughter and introspectively reflecting on my own mortality as he told the crowd about having a stroke on stage during a live solo performance at World Cafe Live in Wilmington, Del, a year earlier. He's a true folk singer. He lives it and he love's it and it shows. Do yourself a favor and give him a listen.
The Tedeschi Trucks Band: I am beyond stoked to see this Grammy Award winning band for the first time. I have heard so many great things about them from friends, professional musicians and overheard eavesdropped random conversations. The husband and wife led blues rock band have made a name for themselves and built a solid reputation that has my attention. Mike Wofchuck of High Sierra's past resident drum troupe "Wofthump," recently said, "Tedeschi Trucks's music transcends genres and is a pure path to true music."
I will take it and see you there.
That is just a tiny sliver of all the options of musical experiences to be had. Other bands that I can't wait to see are Colorado's bluegrass masters Elephant Revival, Dr. Dog, Xavier Rudd, Thievery Corporation, Chris Robinson Brotherhood, The California Honeydrops, Jamestown Revival, The Record Company, The Del McCoury Band, and countless others.
Join us as we see music, take photos and dig deep into the roots of a myriad of bands' history, sound, style, setlists and form.
Andrew Quist
We're three days away! I feel like I'm comfortable saying that I am a High Sierra lifer. Since my first fest in 2004, High Sierra has been a fixture on my calendar. I'm just there . . . no matter what.
Essentially I got my start in music photography at High Sierra in 2006. I was front row for a late night show at The High Sierra Music Hall when all the stars aligned for two of my favorite bands to share the night's bill. Surprise Me Mr. Davis opened for My Morning Jacket. I was up front. The show was absolutely incredible and I decided I just had to be done simply watching shows. I needed to document the moments that melted my face. Within two years I was helping cover the fest for an online publication and within four or five years I was photographing My Morning Jacket on the main stage. It had all come full circle.
High Sierra is an amazing opportunity to join with friends, year after year, and share in the celebration of all that is right and good in the world. Together we experience four days of art and fellowship under the tall pines and mountains that make Quincy, California so special. I look forward to time with my good friend and now writing partner, Scott Itamura, as we endeavor to bring you coverage of what promises to be a very special year at High Sierra for Glide Magazine. While I'll be largely behind my camera, I thought I'd share what I'm excited about. What am I looking forward to musically? Well:
Ben Harper and the Innocent Criminals: I first saw Ben play at High Sierra a few years ago. Those that watched with me can surely remember how transfixed I was as I watched he and the Innocent Criminals perform an amazing set on the main stage. The intent and purposefulness of the music left me awestruck. I am so excited to see what this band has in store this year.
The Rhythm Council: (featuring Papa Mali, Henry Butler, Kirk Joseph and Robb Kidd): This is a big year for visits from the dirty south to High Sierra. Anders Osborne, JJ Grey and Mofro, The North Mississippi Allstars and more. Of this grip of southern funk crushers and rootsy traditionalists, The Rhythm Council will distill spirit down to its most basic, funky, swampy form. There's just something about the funk that oozes when Malcolm "Papa Mali" Welbourne mixes his guitar with Kirk Joseph's low end tuba. If these guys can't get you grooving then, and this is heavy, you're soulless.
Joe Russo's Almost Dead: This is Joe Russo's latest project that boasts incredible players like Scott Metzger, Marco Benevento and Dave Dreiwitz. Following his tenure in the post Grateful Dead supergroup, Furthur, Almost Dead pushes . . . well . . . further. This band is simultaneously expansive and rooted in all the elements that turned me on to an entire universe of music at the age of sixteen and changed my life forever.
And those are just three bands that I'm interested in. There's so much more! Mofro, Thievery Corporation, Leftover Salmon (thank GOD!), Anders Osborne, The Del McCoury Band (!), The New Mastersounds, Xavier Rudd and more and more! There's the parades, the copious craft beers, THE FOOD, the smiles, the "Happy High Sierra!" greetings, and all the friends that I know will be there. It's summer time!
The post 2016 High Sierra Music Festival Takes Off Thursday! (FESTIVAL PREVIEW) appeared first on Glide Magazine.]]>
The post Peter Gabriel & Sting Bring Distinctive Raspy Voices to Washington DC's Verizon Center (PHOTOS) appeared first on Glide Magazine.]]>
A sold out and thoroughly excited audience greeted Peter Gabriel and Sting at the Verizon Center on Thursday when they kicked off the east coast portion of their "Rock Paper Scissors" tour in Washington, D.C. Gabriel and Sting, who previously toured together for the Amnesty International shows in the 1980s, put their similarly raspy voices together on many songs throughout the set, often trading off verses or covering the other's song entirely. And while they played the radio-friendly choices-"If I Ever Lose My Faith in You" (Sting) or "In Your Eyes" (Gabriel) for example-it also included some not so obvious ones, like "Darkness" (Gabriel) or "Hounds of Winter" (Sting). Neither of the two is apolitical, so it was interesting that they worked in commentary about England into the set, especially poignant as it was the day of the Brexit vote. Sting covered the first verse of the Genesis song, "Dancing with the Moonlit Knight" and delivered its line "Selling England by the pound" with intensity before going into "Message in a Bottle," and Gabriel did a new song, "Love Can Heal," which he dedicated to the murdered British MP, Jo Cox. He and Cox had worked together in the past on humanitarian issues prior to her joining the English government, so it was a lovely homage.
The post Peter Gabriel & Sting Bring Distinctive Raspy Voices to Washington DC's Verizon Center (PHOTOS) appeared first on Glide Magazine.]]>
The post 'But I Dig That You're Tryin' – An Open Letter To 'Vinyl' appeared first on Glide Magazine.]]>
"I don't know if I do dig it. But I dig that you're tryin'"
- Lester Grimes
This past week, despite being announced for a second season shortly after it premiered, HBO pulled the plug on Vinyl, the Martin Scorsese/Mick Jagger helmed TV show that was every bit as pompous and arrogant as the era of rock'n'roll it pays homage to. The project had been in development since the '80s, and when things finally started to move forward Terence Winter used his power as show runner to rush through Boardwalk Empire's deeply flawed final season to help shape the Scorcese/Jagger vision to the small screen.
Everything about it seemed right. Scorsese's manic vision for New York, set the same year he released Mean Streets, his first feature film. Jagger's literal lifetime spent living as the definitive rock icon. And Winter as showrunner, who not only helmed Boardwalk Empire through good and bad years after being one of the pillars of The Sopranos writing room. Aside from the irksome way that Boardwalk was pushed out of the way, it seemed like a guaranteed smash hit.
Then came the pilot.
While I noted in my recap of that pilot that the two-hour run-time was a daunting obstacle that was bound to turn off casual viewers (it did), but aside of needing little fat trimmed, I still believe it was daring exhibitionist television. It was angry, sometimes savage, and occasionally bordered on arthouse, while defiantly re-writing the pre-dawn of punk-rock-era New York City.
By the season's halfway point, the best explanation I was able to piece together was with a conversation with fellow Glide Magazine contributor Danielle Houtkooper during SXSW. I described it as that moment in Mean Streets when the POV suddenly goes Snorricam on Harvey Keitel's Charlie Cappa while "Rubber Biscuit" plays at full volume. This was Scorsese's deliberate untidiness, a stylistic change on every conceivable frequency that's not set-up, explained, or accounted for.
Vinyl was a show constructed entirely for those moments, instead of just scattered throughout Scorsese's body of work. Even throughout the nine episodes that followed the pilot, with other directors calling the shots, you could see his fingerprints all over every scene.
It was also around this halfway point that the show's most glaring problem came to surface: it had buried its two best storylines. The story of Jamie (Juno Temple) lying her way into discovering the Nasty Bitz, and the story of Lester Grimes' (Ato Essandoh) spiteful return to music, but this time as the band's manager. Either of those two could have been the show's main character.
One of them should have been. Instead we got Bobby Cannavale as Richie Finestra, a dynamite actor who all but stole Boardwalk's third season as the big bad Gyp Rosetti, who felt… overexposed here. Even his character's name was a little too over-the-top in a show that embellished itself with reckless abandon.
Had he been relegated to a supporting role, he could've, perhaps, evolved into the adversarial role he needed, instead of a rebranded, drug-addled anti-hero that was too hard to scrape together that much empathy for. Which is more a compliment to Cannavale's skill as an actor if anything.
Still, some obvious oversights aside, most of the time Vinyl took chances, it paid off immensely. I interviewed Randall Poster, the show's Music Supervisor, earlier this year, and he spoke at length about working with Scorsese and his layered intricacies that went into crafting the show's soundtrack. Song's dotted the show's episodes like a treasure map, where finding the 'X' meant unlocking some kind of self-contained easter egg.
As Fargo showrunner Noah Hawley noted at the ATX TV Fest earlier this month, when Scorsese scores a single minute of film, you can have anywhere between 4 and 5 songs crammed into that time, which makes that minute of film epic in scope. When it came to building songs into the show's story, Vinyl went as far to the edge as it could without going over. Songs took over scenes, with lookalike actors giving a full lip-sync performance, sometimes on the edge of a scene, sometimes take it over without warning.
It was an unprecedented way to tell a story, which meant it would alienate those that stuck around after a 122 minute pilot that ended with the collapse of a building around a New York Dolls show. The show was at its best when it would spotlight the lesser figures of rock'n'roll lore, like Ian Hart as Zeppelin manager Peter Grant storming into the offices of American Century Records. It would stumble immensely when it would hire actors to play the likes of Robert Plant to Robert Goulet, Alice Cooper to Elvis, almost feeling like it was trapping itself in a timeline it wanted to rewrite on its own terms.
Despite some misguided moments, Vinyl's attempt to break the narrative form were nothing short of ambitious, and I'd like to think given time to grow, it might've been able to find its main characters and most compelling storylines. Looking back at its now one and only season, even though I didn't like everything about Vinyl, I dug that it was trying.
The post 'But I Dig That You're Tryin' – An Open Letter To 'Vinyl' appeared first on Glide Magazine.]]>


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Jaime Garcia (shoulder) pitched in a simulated game on Friday, the first time he had faced live hitters since succumbing to his shoulder injury on May 17.
The Mets are expected to call up prospect outfielder Brandon Nimmo on Saturday.
Anthony DiComo of MLB.com reports that the Mets are demoting outfielder Michael Conforto.
Willson Contreras will start in left field Saturday against the Marlins.
Ben Zobrist is not in Saturday's lineup against the Marlins.
Miguel Montero (knee) returned to the Cubs' lineup Saturday versus the Marlins.
Anthony Rizzo (back) is in the Cubs' lineup Saturday versus the Marlins.
Jon Jay (wrist, forearm) remains out of the Padres' lineup Saturday against the Reds.
Marc Carig of Newsday reports that the Mets are expected to officially sign Jose Reyes on Saturday afternoon.
Yankees designated 1B Ike Davis for assignment.
Astros purchased the contract of 1B A.J. Reed from Triple-A Fresno.
Yankees activated 1B Mark Teixeira from the 15-day disabled list.


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We have shopped at Adams Furniture many times and have been very satisfied. Customer service was exceptional and prices can't be beat anywhere in the area. We always go there for our furniture needs and have been pleased. We have purchased living room, bedroom, and dining room furniture and loved all of it. I would highly recommend checking them out.
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Free Justin's Almond Butter!
Plus extra 15% off your first order
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Don't shop here wasting your money!
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24. A WaterbedDoctor.Com
After talking to Mike for 2 days I was able to custom order my Cal King soft sided waterbed. I haven't gotten it yet as I just ordered it 2 days ago…
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I bought some expensive sofas but the price was so worth it, I bought them back in 2006 and its now 2014, and I still have not had any problems with…
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27. Craftmatic Adjustable Beds
I've had my bed for several years, now and would never buy another one. Mattress is miserable and it never really functioned as was shown on video…
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From Business: Sears Home Improvements is your trusted, long term partner. We've been helping customers improve their homes for over 125 years and we back our work with strong war…


text: 1K Views 1 7 10 Gave a Goodwill Mirror a Makeover for my Mantle Art is beauty Blogger Jenison, MI hol-i-day-ay! (celebrate!) on Jan 30, 2014 1K Views 1 7 10 Gave a Goodwill Mirror a Makeover for my MantleTo see more: http://arttisbeauty.blogspot.com/2013/01/goodwill-mantle-mirror-makeover.htmlHave Questions About This Post? Featured SlideshowReport this ad9 Budget Ways to Add Gleaming Metallic AccentsView Slideshow 10Be the 1st to comment!Add Photos [?] You can select multiple files by holding down the Ctrl key (or Command key on a Mac) and left-clicking on individual files. Each file can be up to 20 MB.or Embed VideoPlease enter a comment


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Tuesday, June 28, 2016 83
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DELAND – Robert Jones, 75, of DeLand died at 2:45 p.m. Wednesday (Nov. 28, 2012) at Bement Health Care. Funeral arrangements were incomplete at Calvert Funeral Home, 301 Illinois Ave., DeLand.


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Latest US-Americas news
Abdi set for 'Blade Runner' sequel
The BAFTA-winner boards Denis Villeneuve's follow-up, joining a cast that already includes Ryan Gosling, Harrison Ford and Robin Wright.
Latest UK-Ireland news
NFTS launches trio of initiatives to support women directors
A mentorship programme and paid internships are being introduced in a bid to help boost the number of female directors in the industry.
Latest Europe news
Karlovy Vary to close with 'Café Society', honour Jean Reno
Guests at this year's event will include Joshua Marston and actor Michael Shannon who will present new mystery-drama Complete Unknown.
Latest Asia-Pacific news
China box office: 'Now You See Me 2' beats 'Independence Day'
Lionsgate had its biggest opening in China with Now You See Me 2 on $43.64m from its first three days
Latest Africa-Middle East news
Kino Lorber acquires 'Sand Storm'
The distributor has picked up North American rights from Beta Cinema to Israeli film-maker Elite Zexer's directorial debut and Sundance selection.
BFI launches public consultation for next five-year plan
Public consultation open for industry and audiences; nine roadshow events planned.
First Dolby Cinema sites open in Asia
Dolby Laboratories has announced its first Dolby theatres in Asia at Wanda Cinema Line sites in Dalian, Changchun, Chongqing and Jinan.
Ingenious forms $200m venture with China's Hejing Culture
UK-based film financier Ingenious has formed a joint venture with China's Hejing Culture to produce and co-finance a slate of independent films in a deal worth $200m.
'Team Joy' kicks off for Truth
Dallas Buyers Club producer Truth Entertainment and writer-director Joe Tripician are starting work on a new project about father-daughter grifters.
Sarajevo CineLink 2016 selection revealed
Nine projects unveiled on top of six previously announced projects.


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Venus Williams Makes Pink Hair Look Wearable
Photo: Mediapunch Inc/Rex USA.
We can't take our eyes off Venus Williams' look from BET's Black Girls Rock event this past Saturday. We used to look at Jem — of Jem and the Holograms for you youngsters not up on your '80s cartoons — as our pink-hair idol, but Williams has us seriously rethinking our current color choices. With her cotton-candy-hued braids, she's put a funky, hip spin on the current red-carpet fave, the deep side-part.
If that hair wasn't enough for you, then consider her skin's lit-from-within radiance — she's seriously glowing in all the right places. We're not sure if it's the work of fabulous skin-care products or, you know, the result of being an incredibly healthy world-class athlete. That peachy blush on her cheeks, though? Now, that's something we know we can copy. Try Butter London's Cheeky Cream Blush in Honey Pie for a similar look.
Are you digging Venus' spin on red-carpet hair and makeup?
- Beauty |
- Celebs & Influencers | Venus Williams BET Black Girls Rock
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Jun 25, 2016


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County Real Property Manager Paul Parker has picked up papers to run for county register of deeds in the Republican primary.
Incumbent Pam Hurst is seeking re-election.
Ryan Epperson also picked up papers.
County Commission
District 1
Randy Fairbanks (R)
Fred Skillern (R)
District 2
Jim Fields (R)
District 3
Marty Haynes (R)
District 4
Warren Mackey (D)
Kirkland Robinson (D)
District 5
Greg Beck (D)
Isiah Hester (D)
District 6
Joe Graham (R)
John Allen Brooks (D)
District 7
Pat Fountain (D)
Perry Perkins (R)
Phil Smartt (R)
John R. Taylor Sr. (D)
Sabrena Turner (R)
District 8
Curtis Adams (R)
Tim Boyd (R)
Rusty Munger Jr. (D)
District 9
Chester Bankston (R)
County Mayor
Jim Coppinger (R)
Jim Hammond (R)
Chris Harvey (R)
County Clerk
Bill Knowles (R)
Bill Hullander (R)
Register of Deeds
Ryan Epperson (R)
Pam Hurst (R)
Paul Parker (R)
Criminal Court Clerk
Vince Dean (R)
Gwen Tidwell (D)
Brian White (D)
Circuit Court Clerk
Larry Henry (R)
Juvenile Court Clerk
Gary Behler (R)
Public Defender
Steve Smith (R)
District Attorney
Neal Pinkston
Criminal Court Judge
Division 1
Barry Steelman (R)
Division 2
Rebecca Stern (R)
Division 3
Don Poole (D)
Juvenile Court Judge
Rob Philyaw
Circuit Court Judge
J.B. Bennett (R)
Catherine Cate White (R)
Jeff Hollingsworth (R)
Marie Williams (R)
Division 4
Neal Thomas (R)
Part 1
Pam Fleenor (R)
Joe Manuel (R)
Part 2
Jeff Atherton (R)
City Court
Sherry Paty
Russell Bean
June 29, 2016
Senator Lamar Alexander on Wednesday paid tribute on the Senate floor to legendary Lady Vols coach Pat Summitt, who passed away Tuesday . Senator Alexander's floor remarks follow: ... (click for more)
Georgia Senator David Perdue on Wednesday released the following statement after voting against Washington's plan to assist the Commonwealth of Puerto Rico with its $72 billion debt: ... (click for more)
In remarks on the U.S. Senate floor on Wednesday, Senator Bob Corker honored the life and achievements of legendary University of Tennessee Lady Volunteers basketball coach Pat Summitt, who passed ... (click for more)
Senator Lamar Alexander on Wednesday paid tribute on the Senate floor to legendary Lady Vols coach Pat Summitt, who passed away Tuesday . Senator Alexander's floor remarks follow: Senator Corker and I have come to the floor to introduce a resolution honoring the life and achievements of Pat Summitt, the former University of Tennessee basketball ... (click for more)
Georgia Senator David Perdue on Wednesday released the following statement after voting against Washington's plan to assist the Commonwealth of Puerto Rico with its $72 billion debt: "Through irresponsible fiscal policies, the Puerto Rican government has found itself in a very serious financial situation. The Commonwealth needs help tackling its debt situation, but this ... (click for more)
So, am I the first to notice a trend? How many wrecks does exit 11 need before anyone asks "whats up with that?" I have lost count of the wrecks that continue to happen, even after last year's awful loss of life (which I believe 51 percent of the blame should fall on the THP officer on duty). The problem with this section of interstate are sight lines ... (click for more)
Randy Travis, one of the best at singing country songs that has ever been, had a song about three people who got killed when an 18-wheeler missed a stop sign. There was a farmer and a teacher, a hooker and a preacher on this bus and Randy tells us: "One's headed for vacation, one for higher education, An' two of them were searchin' for lost souls." In that wonderful song, the ... (click for more)
Soddy-Daisy baseball coach Jared Hensley has added a new role to his duties. Hensley, who has coached the baseball Trojans for eight years with a 177-111 record and state tournament appearances in 2011 and 2015, is the school's new athletic director. Hensley takes over for Steve Henry, now the school's principal. "With coach Henry now the man in charge at our school," ... (click for more)
Members of the Calhoun swim team were set and ready to compete on the pool deck at the Fairyland Club Monday night, but they never got wet as the meet was postponed by lighting, thunder and the overall threat of stormy weather. They made the long trip back about 24 hours later and the second time around wasn't nearly as productive as 21 less swimmers made the trip to the top ... (click for more)