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n.— «The individuals who work at the depot are mortuary affairs specialists, referred to as "92-Mikes" in Army parlance.» —"Fallen Troops' Belongings Handled With Care at Maryland Depot" by Steven Donald Smith in Aberdeen Proving Ground, Md. DefenseLINK Mar. 17, 2006. (source: Double-Tongued Dictionary)
3 Responses
Edward Rice says:
92-Mike, or 92M, is a military occupational specialty (or "MOS") for people doing mortuary work. Each MOS has a 2-digit front part followed by a one-letter ending, and everybody in the US Army has one. They range from "rocketry guidance engineer" to "cook, mobile mess." A book titled "84 Charlie Mopic", which is about Viet Nam and came out in the late '70's (I think) refers to an MOS of "84C" (cameraman) with specialty of "moving pictures." 11B (one-one bravo) is a light-weapon infantryman, or a basic grunt. Googling on any of these brings up a generous number of online cites, some leading to reliable cites offline. ehr
Grant Barrett says:
Thanks, Edward. Your information gibes with what I found myself.
Ben Zimmer says:
More discussion of the 92-Mikes in this New Yorker piece from Aug. 2004.
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News Details
550 farmers demonstrate in France
550 farmers came to Angers, Western France, on May 23rd, 2011 for a huge demonstration. This demonstration involved producers from all sectors and once more you could see the desperation of farmers in Europe and the anger that prevails in rural areas.
Please visit the website of the EMB member association APLI for more information and pictures: www.apli-nationale.org
More News
Poll: Hogan not popular among dairy farmers
A majority of Dutch milk producers are of the opinion that Commissioner for Agriculture Phil Hogan does not acknowledge the problems that many farmers are facing and therefore want him to leave.
Commissioner Phil Hogan in Bavaria - spontaneous protests of milk producers
Please find here a press release (DE) of our member organisation Bundesverband Deutscher Milchviehhalter (BDM) on the rally of German milk producers in Herrsching (Bavaria) on the occasion of Commissioner Phil Hogan's visit.
Press release: Milk prices only cover 66 per cent of costs
New results for July show German dairy farms' slip in profitability
Open Letter to Jean-Claude Juncker, President of the European Commission:
Remove Commissioner Hogan from his office!
Press release: Is the EU getting rid of its dairy farmers?
EMB demands structural measures for the dairy market
Press release: Your policy ruins dairy farmers!
Big Day of Action against the EU Milk Market Policy in the EMB member countries
Update: Dairy farmers' protests throughout Europe on 12th November 2015
Day of action with strong protests against ignorant EU milk policy - Dairy farmers call for Market Responsibility Programme

subset: commoncrawl


text:
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The Purge: Election Year
This pseudo-political horror-thriller is an ugly provocation, one that feels especially crass in light of national tragedies like the recent shooting in Orlando.
This pseudo-political horror-thriller is an ugly provocation, one that feels especially crass in light of national tragedies like the recent shooting in Orlando.
Sometimes you have to wonder how certain movies get made.
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Ken Loach's "I, Daniel Blake" wins the Palme d'Or at the 69th Cannes Film Festival.
Barbara Scharres on the cats of Cannes 2016.
An article about Roger Ebert's reviews getting republished in the Chicago Sun-Times.
Chaz Ebert remembers the late Paul Cox and shares an article about Cox speaking with students at the 2009 Cannes Film Festival.
A report by FFC Seongyong Cho about Andrew Ahn's "Spa Night," which recently played the Jeonju International Film Festival.
FFC Gerardo Valero returns to "The Shawshank Redemption" to investigate how it remains the #1 film on IMDb.
A celebration of actor Warren Oates in anticipation of an upcoming retrospective at the Film Society of Lincoln Center in NYC.
A look at the legacy of "Independence Day," as reflected in films that tried to top it, including its sequel.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
"I love his films. I study his films. I watch his films when I'm looking for inspiration."
So says John Lasseter, director of "Toy Story" and "A Bug's Life," about Hayao Miyazaki. Other animators agree that the quiet man from Japan with the mop of grey hair may be the best animation filmmaker in history. His films are so good they force you to rethink how you approach animation.
Lasseter is one of the most successful animators in Hollywood. That he would take time to personally shepherd Miyazaki's "Spirited Away" into a release by Walt Disney is a tribute to the older craftsman. The movie opens on Friday. Lasseter, who directed the English-language soundtrack for the film, joined Miyazaki at the recent Toronto film festival.
"The very first screening of 'Spirited Away' outside of Japan was at the Pixar animation studios," he said, "and I was stunned at how amazing this film was. North America hasn't had a chance to discover Miyazaki's films. In the animated community he's a hero, like he is to me."
Miyazaki and his partner at Studio Ghibli, Isao Takahata ("Grave of the Fireflies"), have created work of astonishing depth and artistry; his "Princess Mononoke" was one of the best films of 1999. "Spirited Away," which won the Berlin Film Festival, has passed "Titanic" at the Japanese box office and is the first film in history to gross $200 million before even opening in North America.
The new film, which may be his best, tells the story of an 10-year-old girl and her parents who wander into a tunnel in the woods and find what looks like an amusement park. It turns, for the girl, into a "Alice in Wonderland"-type adventure, populated by a sorceress, ghosts, spirits, two-eyed dust balls, a helpful young boy, a boiler-room man with eight limbs, and a fearsome river creature whose body has sopped up decades of pollution.
When I went to talk with Miyazaki, who is 62, I reminded him that in 1999 he said he was going to retire. Now here was another film. "I wanted to retire," he said, "but life isn't that easy. I wanted to make a movie especially for the daughters of my friends. I opened all the drawers in my head they were all empty. So I realized I had to make a movie just for 10 year olds, and 'Spirited Away' is my answer."
Revealing. Many directors pitch their movies at 10-year-olds and then claim they are for the "whole family." Miyazaki makes a film that adults found fascinating at the Berlin, Telluride and Toronto festivals, and claims it is for 10-year-olds.
Speaking through a translator, he said Lasseter "turned into a human bulldozer" to assure the American release: "Without him I don't think we'd be sitting here."
Miyazaki, who is suspicious of computers, personally draws thousands of frames by hand. "We take [handmade] cell animation and digitize it in order to enrich the visual look, but everything starts with the human hand drawing. And the color standard is dictated by the background. We don't make up a color on the computer. Without creating those rigid standards we'll just be caught up In the whirlpool of computerization."
He grinned. "It was an absolute order from the commander." He is the commander.
He defines hand drawing as "2-D" and computer animation as "3-D." "What we call 2-D is what we draw on paper to create movement and space on a piece of paper. The 3-D is when you create that space inside a computer. I don't think the Japanese creative mind is very suited for 3-D."
I told Miyazaki I love the "gratuitous motion" in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.
"We have a word for that in Japanese," he said. "It's called ma. Emptiness. It's there intentionally."
Is that like the "pillow words" that separate phrases in Japanese poetry?
"I don't think it's like the pillow word." He clapped his hands three or four times. "The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it's just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb."
Which helps explain why Miyazaki's films are more absorbing and involving than the frantic cheerful action in a lot of American animation. I asked him to explain that a little more.
"The people who make the movies are scared of silence, so they want to paper and plaster it over," he said. "They're worried that the audience will get bored. They might go up and get some popcorn.
But just because it's 80 percent intense all the time doesn't mean the kids are going to bless you with their concentration. What really matters is the underlying emotions--that you never let go of those.
What my friends and I have been trying to do since the 1970's is to try and quiet things down a little bit; don't just bombard them with noise and distraction. And to follow the path of children's emotions and feelings as we make a film. If you stay true to joy and astonishment and empathy you don't have to have violence and you don't have to have action. They'll follow you. This is our principle."
He has been amused, he said, to see a lot of animation in live-action movies like "Spider-Man."
"In a way now, live action is becoming part of that whole soup called animation. Animation has become a word that encompasses so much, and my animation is just a little tiny dot over in the corner. It's plenty for me."
It's plenty for me, too.
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Kyle Hendricks allowed two runs over 6 2/3 innings in a 9-2 win over the Reds on Wednesday.
Anthony Rizzo had a three-run, inside-the-park homer in Wednesday's win over the Reds.
Addison Russell slugged a solo homer against the Reds on Wednesday.
Cubs LHP prospect Carson Sands hurled seven scoreless innings Tuesday in a win for Low-A South Bend.
Willson Contreras will start behind the plate and bat cleanup Wednesday versus the Reds.
Jason Heyward is not in Wednesday's lineup versus the Reds.
Clayton Richard (blister) struck out two batters in a scoreless inning Tuesday in a minor league rehab appearance with Triple-A Iowa.
Jon Lester had to settle for a no-decision but was excellent Tuesday, holding the Reds to one run over 7 1/3 innings in a 7-2 extra-innings victory.
Javier Baez was hitless in his first six trips to the plate but launched a grand slam in his seventh at-bat in the 15th inning of Tuesday's win over the Reds.
Cubs sent C Tim Federowicz outright to Triple-A Iowa.
David Ross will start behind the plate Tuesday versus the Reds.
Addison Russell is not in Tuesday's lineup against the Reds.
Cubs OF prospect Ian Happ collected three hits Monday in a win for Double-A Tennessee.
Cubs OF prospect Billy McKinney tripled and drove in four runs Monday in a win for Double-A Tennessee.
Tommy La Stella (hamstring) went 2-for-3 with a two-run homer and a single Monday in his first minor league rehab game with Triple-A Iowa.


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Sir Obadiah
In The Spirit! Living My Life Right On The Most High's Commandements. Proverbs 10:4 Hee becometh poor that deal with a slack hand but the hand of the diligent maketh rich.

Proverbs 14:15 The simple beleeveth every word but the prudent (wise) man looketh well to his going.

2 Chron 20:20 And they rose early in the morning and went foorth into the wilderness of Tekoa and as they went forth Yahushaphat (Jehoshaphat) stood and said Hear me, O Yahudah (Judah) and yee inhabitants of Yahrusalym (Jerusalem) Believe in YAHUAH your Alahym (God) so shall you be established believe his Prophets so shall ye prosper.


text:
Blade wins 8 journalism awards
EEOC reaches first-ever settlement in anti-gay bias case
Murdered Bangladeshi activist's nephew honors uncle's legacy
Get our top stories emailed to you every Thursday and specials offers from our partners.
A quick note to all you college-bound students out there. Did you know that the...


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Shirley, I just wanted to let you and everyone at USA Screen Printing & Embroidery what a great job you have done for Beckett Bros. Floor Co. since you have been providing us with T-shirts with our company name. We are celebrating 100 years of being in business in Oklahoma City, owned and operated by the same family ( 3rd generation) that started Beckett Bros. Floor Co. in 1910. As part of our celebration, we wanted to have t-shirts, jackets, hats, etc. made using the previously designed logo that USA SP & E designed for us and incorporate the 100 years into the design. Of course as usual, a great design was created and we began ordering the clothing items. Shirley Tiller has always been so helpful, professional and diligent in working with our company to get the items we would like with a great logo. This is very important to us and Shirley goes the extra mile to make sure that everything will meet our expectations. We appreciate her help and she has been a big part of our celebration. I would recommend to any business considering purchasing clothing with a company name & logo to take advantage of USA S P & E expertise and customer service. They are the best!! Thank you, Judy Beckett
Oklahoma City Brewskis
1. Brewski Construction Inc
9421 NW 122nd StYukon, OK 73099
2. Brewski Construction Inc
15689 NW 150th StYukon, OK 73099
Showing1-2 of 2results
Nancy's is a cozy bar/restaurant whose patrons run the gamut with respect to age and musical tastes. Karaoke begins around 8pm, and is fun and entertaining, whether you are a spectator or participant. The DJ has over 100,000 songs in his library and he does a good job of making sure there's a decent mix offered throughout the evening. Some of the regulars have pretty good voices. Occasionally someone will get on stage after they've enjoyed a bit too much liquid bravado, but they're just as fun to cheer on as the others. We arrived early on a Sunday night with a friend visiting from Australia. At first we weren't quite sure what to think of the place but as the evening went on, we found ourselves among a lively and friendly crowd. About the food -- the apricot chicken was a little overcooked and lacked flavor but the pork tenderloin was wonderful. Important notes: 1-the a/c is extremely efficient, so bring a wrap or sweater if you tend to chill easily. 2-don't pick a song with swear words, or if you do, make sure you don't actually sing them. The owner WILL make the DJ turn it off. (not a bad thing, IMHO)
Ok, hats off to Sherlocks. They have been around since I first started going out dancing in the late 1970's, and this is still my favorite place to dance. The crowd varies from night to night, but seems to draw people over 30, so if you are looking for a place to dance in a comfortable and relaxed atmosphere, Sherlocks is it. Service is consistently good, and the lighting is great. This little club is laid out perfectly, with seating a little bit above and around the dance floor. The music is a mix of hip hop, line dances like cupid shuffle and spanky leg, old rock n roll, country and western, something for everyone. You will see people here in everything from jeans to suits. I have checked out the various dance clubs in Okc, and the techno music or top 40 stuff is not for me. You will always find some good music here. Some nights they are full, sometimes is is a smaller crowd, just depends. Ladies nights Sunday Tues Wed Thurs get in free, which is a great deal. They still do the Gator, which is great fun to watch. Come once and you will be hooked.


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Monkey's Tribute
All about Monkey
Pet Tip
Pet Insurance – Pet tip 135
Every pet owner knows that keeping an animal can be expensive. Between their food, their toys, and their annual check ups, pets can rack up some major bills. The fact is that these costs come part and parcel with having …
- Owner:
- Angelica Cardona
- City:
- Parkland
- Province, Country:
- FL, United States
- Type/Breed:
- Syrian Hamster
- Date of Birth:
- 05/06/06
- Date of Death
- 07/28/07
- Sex:
- Female
- Height:
- Not Provided
- Weight:
- Not Provided
- Coat Colour:
- Gold with white band
- Eye Colour:
- black
Monkey was the first pet that I ever bought on my own. I loved her and will continue to love her as if she were a person. Now my baby has made her way to heaven to sit with my dogs and other pets that have gone to their eternal rest. Monkey, Mommy loves you and I'll see you again someday.


text:
Today's Horoscope
By Rick Levine
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Taurus (Apr 20 - May 20)
Thursday, Jun 30th, 2016 -- Sometimes you must hold your ground, yet other times it makes more sense to yield. It's tempting to avoid conflict today by acquiescing to someone else. Unfortunately, a strategy of propitiation is like putting a bandage over a deep wound. Thankfully, calmly addressing your powerful feelings makes it possible to regain the trust and joy that you once thought were gone for good. Believe it or not, vulnerability is your friend. Get this in your email inbox FREE -- Signup now!
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be quiet! Dark Base 900 PRO review
GeForce GTX 1070 2-way SLI review
DeepCool Captain 240 EX review
Palit GeForce GTX 1080 GameRock Premium Edition + G-Panel review
ASUS ROG Strix GeForce GTX 1080 review
Samsung 750 EVO 500GB SSD review
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Nvidia GeForce GTX 1070 review
GeForce GTX 1070 FCAT Frametime Analysis Review
Creative Labs MuVo TX
Posted by: Hilbert Hagedoorn on: 05/30/2004 04:09 PM [ 0 comment(s) ]
The 31 grams weighing one AAA battery powered MUVO ladies and gentlemen is next to being a storage device also a voice recorder and hey ... you know what ? It can also playback music in MP3 and WMA format. It's equipped with fast USB 2.0 port, has a nice little LCD which you can use to select music and for example change the 5 band graphical equalizer. Read article
Tagged as: Creative
« PixelView GeForce FX 5900 XT GL · Creative Labs MuVo TX · Asetek Waterchill Antartica Watercooling »


text:
|Publication number
|Publication type
|Application number
|Publication date
|Mar 16, 2004
|Filing date
|Aug 29, 2002
|Priority date
|Aug 30, 2001
|Fee status
|Also published as
|Publication number
|Herbert Schuehrer, Klaus Renner
|Original Assignee
|Klocke Verpackungs-Service Gmbh
|Export Citation
|BiBTeX, EndNote, RefMan
|Patent Citations (7), Referenced by (36), Classifications (21), Legal Events (4)
|External Links: USPTO, USPTO Assignment, Espacenet
The present invention relates to a fragrance dispenser for dispensing perfume and other scent carriers.
People perceive objects and other people to a significant degree in part through their sense of smell, and their behavior is profoundly affected by this. Even small concentrations of aromas can influence people's moods and, consequently, their behavior.
Fragrance dispensers take advantage of these biological mechanisms, be it to create a generally pleasant atmosphere, or for a deliberate commercial exploitation to effect a certain human behavior, such as, e.g., to encourage a buying mood.
This stimulating effect becomes significant especially when decisions of far-reaching consequence are to be made, for example at important conferences and meetings.
A multitude of technical packaging approaches are known that have as their purpose to create a fragrance concentration, over an extended period of time in a certain volume, that is intended to enhance the desired behavior.
A fragrance dispenser of the type under consideration is disclosed in patent document WO 00/06464, wherein a porous material that serves as storage for a liquid product is contained in a reservoir. Upon exertion of pressure onto any of the walls of the reservoir, a portion of this product is emitted into the ambient air through an opening as a spray or dispersion.
Patent document WO 00/21853 attempts to improve the aesthetic appearance of this type of fragrance dispenser in such a way that the reservoir is encompassed over a large surface by a band-like packaging element, which may contain punched out patterns and/or imprints.
It is an object of the present invention to significantly improve the operation of fragrance dispensers of the last-named type.
This object is met, according to the invention, by a fragrance dispenser having a reservoir to receive an aroma carrier, the fragrances of which can escape at least partially through a dispensing opening when pressure is exerted onto the reservoir.
The starting point of the invention is an absorbent element, e.g., a sponge, felt, or cardboard, in a thermoformed package as a reservoir. This element serves to fully absorb an aromatic carrier substance (e.g., perfume oil). This element is significantly smaller in its volume than the space formed by the package, so that an atmosphere that is enriched with the fragrance can form inside the package. At a suitable location, the thermoformed or cover film has a small opening, which is sealed, e.g., by an adhesive label, adhesive dot, or peel-off film. This seal is removed for activation purposes. Through this opening the fragrance-enriched air can emanate from the interior of the package to the outside. Pressure that is exerted onto the package causes more intensely enriched air to flow into the environment. The shape of the thermoforming film is designed such that it regains its original shape once the pressure has been released. The air volume in the interior of the package returns to its original size by drawing in non-enriched air, which can again become enriched with fragrance. The process can then start again. Packages without this resetting function are also possible; in that case the release of aromatic substances is achieved by giving the outlet opening an appropriate size so that the air circulation is suitably modified.
The thermoformed package that serves as a reservoir may be enclosed, according to one embodiment of the invention, with a packaging element, preferably one that is composed of a band-like enclosure made of a sealable carton. This enclosure serves to provide an optical optimization, and as a carrier for advertising texts and a functional description, and to support the technical function.
In a further improvement, provision may be made for supplementing and enhancing this display function of the band-like enclosure in such a way that the enclosure is given also technical functionality in the activation of the fragrance dispenser, specifically in the form of an interaction with the seal of the thermoformed package.
A number of embodiments will be explained in more detail with reference to the following drawings.
FIGS. 1A, 1B and 1C are, respectively, a top view and left and right cross-sectional views through a first embodiment of a fragrance dispenser according to the invention.
FIG. 2A shows a top view of a variation of the first embodiment and FIG. 2B is a detail view of part of the variation of FIG. 2A.
FIGS. 3A, 3B and 3C are, respectively, a top view and left and right cross-sectional views through a second embodiment.
FIGS. 4A and 4B illustrate the function of the second embodiment.
FIGS. 5A and 5B are, respectively, a top view and section through a third embodiment.
FIG. 6 illustrates the function of the third embodiment.
FIG. 7 is a top view and section through a fourth embodiment.
FIG. 7A is a detail view of a modified part of the fourth embodiment.
FIG. 8 illustrates the function of the fourth embodiment.
FIG. 9 illustrates the function of a fifth embodiment.
FIG. 10 illustrates the function of a sixth embodiment.
FIG. 11 is an illustration of a seventh embodiment in perspective.
FIGS. 12A and 12B are, respectively, a longitudinal section and top view of the thermoformed package of the fragrance dispenser according to FIG. 1 without a band-like enclosure.
FIGS. 13A, 13B and 13C are, respectively, a longitudinal section, a top view and an end section of the fragrance dispenser according to FIG. 11 with a band-like enclosure.
FIGS. 14A and 14B show two sections illustrating the function of the fragrance dispenser according to FIGS. 11-13.
FIGS. 15A-C, 16A-C, 17A-C and 18A-C show partial sections through variations of the seventh embodiment with recloseable seals.
FIGS. 19A-C and 20A-C show partial sections through variations with non-recloseable seals.
FIGS. 21A-C and 22A-C show sections and an illustration in perspective of an eighth embodiment of the fragrance dispenser as a thermoformed snap-off package.
FIGS. 23A-E and 24A-D are illustrations showing designs of the packaging element.
FIGS. 1A, 1B and 1C show, as a first embodiment, a fragrance dispenser 20.0, the basic design of which corresponds to the design of a thermoformed package 2.0 that will be described below with reference to FIGS. 11 through 13. The use of the fragrance dispenser 20.0 without an additional packaging element as external packaging allows for a wide range of designs of the thermoformed bowl 20.1 thereof, which may be modeled on a commercially available product, such as, e.g., a perfume bottle. The dispensing opening 20.2 for fragrance from the thermoformed package 20.0 is initially sealed by means of an adhesive label 20.3. The adhesive label 20.3 is coated with adhesive in the region k; a one-sided extension 1 is not coated with adhesive and serves as a pull tab. The opening 20.2 and the adhesive label 20.3 may also be affixed on a flat cover film 20.4. To secure the fragrance dispenser, e.g., on a tile, an adhesive patch, or disc, 20.5 is affixed on a suitable place on the fragrance dispenser 20.0. The fragrance dispenser contains a porous element 20.6 impregnated with an aromatic carrier substance.
The fragrance dispenser 21.0 according to the variation in FIGS. 2A and 2B is identical in its basic design with the fragrance dispenser 20.0. The fragrance dispenser 21.0 is elongated in its sealing area, where it has a punched out section 21.1 from which the fragrance dispenser may be hung. A cut 21.2 or also an additional punched out section, may be provided between the punched out section 21.1 and the outer contour of the fragrance dispenser, which permits the fragrance dispenser to be hung to a closed system.
FIGS. 3A, 3B and 3C show, as a second embodiment, a fragrance dispenser 22.0 in the form of a thermoformed snap-off package as will be described below with reference to FIG. 21. As a fragrance dispenser without external packaging it thus also offers the widest possible range of design options, like the fragrance dispenser 20.0 described with reference to FIGS. 1.
FIGS. 4A and 4B show the function of the thermoformed snap-off package 22.0; the fragrance medium emanates after the nose 22.1 is snapped off, as will be explained in greater detail below with reference to FIG. 11. In FIG. 4A, the package is being compressed and fragrance is being emitted. In FIG. 4B, pressure has been released and fresh air is flowing into the package.
FIGS. 5A and 5B show, as a third embodiment, a fragrance dispenser 24.0 in the form of a thermoformed snap-off package without external packaging and with two thermoformed bowls. The basic design corresponds to the package 8.0 to be described below with reference to FIGS. 12. To initiate the snap-off function, the thermoformed snap-off package is provided with indentations 24.2.1 and 24.2.2 in the region of a scored line area 24.1. The scored area 24.1 extends through at least one snap-off nose 24.3, 24.4 in such a way that an interconnected free-standing package with free dispensing opening(s) is obtained after the bending
FIG. 6 shows the fragrance dispenser 24.0 in its activated and stand-up position after it has been snapped open to provide openings at noses 24,3 and 24.4.
FIG. 7A shows, as a fourth embodiment, a fragrance dispenser 26.0. Its basic design is identical to that of the fragrance dispenser 24.0, but is extended, on one side, by a tab 26.1.1, which is delimited against the actual package by a perforation, scoring, or embossed line 26.2. The perforation, scoring, or embossed line 26.2 is provided with indentations 26.3.1.and 26.3.2 to facilitate its bending. The tab 26.1.1 has on its edge a cutout 26.4.1. Cutout 26.4.1 may be replaced by a cutout 26.4.2 that is open towards the outer contour of the dispenser, as shown in FIG. 7B. On the opposite side, the fragrance dispenser 26.0 has a projection 26.6 that is aligned with cutout 26.4.1 or 26.4.2. The cutout 26.4.1 or 26.4.2 and the projection 26.6 may be provided either on the tab or on the package.
FIG. 8 shows the fragrance dispenser 26.0 in its activated condition. To activate the fragrance dispenser, it is snapped open along its scoring 26.5; the tab 26.1.1 is bent around its perforation line 26.2 and is locked into the cutout 26.4.1 or 26.4.2, so that a triangular structure with a stable base results.
A fifth embodiment of the fragrance dispenser 26.0 is shown in FIG. 9 and is provided with only one thermoformed bowl. The region between the scoring 26.5 and perforation 26.2 thus serves only as a firm base. The thermoformed bowl may also be disposed in the region between the scoring 26.5 and perforation 26.2.
FIG. 10 shows a variation presented as a sixth embodiment with reversed positions of the cutout 26.4 and projection 26.6.
In the embodiments that will be described below, the fragrance dispenser is enclosed by an additional packaging element serving as an external package
FIG. 11 shows, as a seventh embodiment, a perspective view of a fragrance dispenser 1.0 in its activated condition. This dispenser includes a thermoformed package 2.0 that is shown in FIGS. 12. FIGS. 13 show the complete package.
The fragrance dispenser 1.0 is composed of a thermoformed package 2.0 as a reservoir and a packaging element 3.0 in the form of a band-like enclosure. The thermoformed package 2.0 consists of a thermoplastically shaped thermoforming film 2.1 and cover film 2.2. The thermoforming film 2.1 is shaped such that it regains its original shape after it has been deformed to release the fragrance. The cover film 2.2 is sealed onto the thermoforming film 2.1 to form a gas-tight enclosure that encloses a hollow space 2.4. Into the hollow space 2.4 a porous element 2.5 is placed, element 2.6 being wetted with a liquid fragrance carrier prior to sealing the cover film 2.2 onto the thermoforming film 2.1. The thermoformed package 2.0 is extended on one side with a projection 2.6. The air in the hollow space 2.4 becomes enriched with the fragrance molecules that escape from the porous element 2.5. The thermoformed package is penetrated by an outlet opening 2.7 that is sealed with a sealing element, such as, e.g., an adhesive disc 2.8, or by means of an adhesive label (not shown here), until it is activated.
The thermoformed package 2.0 is enclosed by a band-like enclosure 3.0, preferably of paper or cardboard, in such a way that the edge region in an area of overlap 3.1 (FIGS. 13B and 13C) of the band-like enclosure 3.0 is sealable. The connection in the area of overlap 3.1 may be created either by sealing or by gluing. The dimension LT of the thermoformed package 2.0 is generally identical to or smaller than the dimension LB of the band-like enclosure 3.0 so that the thermoformed package 2.0 does not protrude out of enclosure 3.0.
To this extent the basic design of the embodiments already described is largely identical. The embodiments differ in the design of the opening region regarding its cooperation between the band-like enclosure and thermoformed package, as will be explained below
In the region of the closed outlet opening 2.7, the band-like enclosure 3.0, in this embodiment, has two perforations 3.2 parallel to the longitudinal axis of the package.
The perforations 3.2 are connected at their ends by an additional perforation or embossed line 3.3, which extends perpendicular to the longitudinal axis.
To activate the fragrance dispenser 1.0, the center section 3.5 of the band-like enclosure 3.0 is pulled open along the perforations 3.2, removing disc 2.8 from opening 2.7. The embossed line 3.3 serves as a hinge. The adhesive for the adhesive disc 2.8 (or label) is selected such that its adhesion to the band-like enclosure 3.0 is greater than its adhesion to the thermoformed package 2.0. After flipping up the center section 3.5 of the band-like enclosure 3.0 the fragrance dispenser is thus open.
Utilization of the package of FIGS. 11-13 is illustrated in FIGS. 14A and 14B. As shown in FIG. 14A, once the fragrance dispenser 1.0 is open, the emission of aromatized air L1 can be increased by exerting pressure onto the band-like enclosure 3.0. After the pressure has been released, as shown in FIG. 14B, the thermoforming film 2.1 of the thermoformed package 2.0 regains its original shape and non-aromatized air L2 can flow into the thermoformed package. To reseal the package, the center region 3.5 is pressed against the deep drawn package 2.0. The process can now repeat itself.
FIGS. 15A, 15B and 15C show, respectively, a top view and two sectional views of a first variation of the seal area of the seventh embodiment, similar to the variation shown in FIGS. 11-13. For improved handling, the center region 3.5 between the perforation lines is designed as a projecting tab in this embodiment.
In a second variation shown in FIGS. 16A, 16B and 16C, which are, respectively, a top view and two sectional views, the tab 3.5 of the band-like enclosure 3.0 has been moved inward; to make the tab 3.5 easier to grasp a cutout 3.6 has been punched out in the lower adjoining area. The sides of the tab 3.2 may be either punched or perforated. To open the fragrance dispenser 1.0, the tab 3.5 is grasped through the cutout 3.6 and pulled up. To reclose the package 1.0, the tab 3.5 is pushed back into its original position.
In a third variation-according to FIGS. 17A, 17B and 17C, which are, respectively, a top view and two sectional views, the band-like enclosure 3.0 has a punched out hole 3.7 in the region of the outlet opening 2.7 of the thermoformed package 2.0. The outlet opening 2.7 is covered with the aid of an adhesive label 3.8 as a seal, with the dimension a of the label 3.8 being smaller than the dimension b of the punched out hole. The region c of the label 3.8 is coated with adhesive on the area that is in contact with the thermoformed package 2.0. The region d of the adhesive label 3.8 is free of adhesive and formed into a tab that may be folded over. In the region e the adhesive label extends underneath the band-like enclosure 3.0 so that a locking point results when the label is removed. For resealing, the label 3.8 is pushed back.
In a fourth variation according to FIGS. 18A, 18B and 18C, which are, respectively, a top view and two sectional views, the outlet opening 2.7 of the thermoformed package 2.0 is sealed with an adhesive label 3.8. In the region of the adhesive label 3.8 the band-like enclosure 3.0 has two perforation lines 3.2, with the perforation spacing f being larger than the width a of the adhesive label 3.8. The perforation lines 3.2 are connected by a perforation or embossed line 3.3 that serves as a hinge. The adhesive label 3.8 extends beyond the embossed line 3.3 by the dimension g and can thus not be completely removed. The grasping area h of the adhesive label 3.8 is free of adhesive. To open the fragrance dispenser, the region between the two perforation lines 3.8 is held and pulled open along the perforation lines 3.2 to the embossed line 3.3, and the fragrance dispenser is thus opened. To close it, the pulled-open section is pushed back into its original position.
FIGS. 19A, 19B and 19C, which are, respectively, a top view and two sectional views, show, as a fifth variation, a non-recloseable opening variation of the fragrance dispenser 1.0. The outlet opening 2.7 of the package 2.0 is sealed with an adhesive label 3.8. In the region of the outlet opening 2.7 the band-like enclosure 3.0 has a punched out hole 3.9 that is a little larger than the outlet opening 2.7 of the thermoformed package 2.0. The adhesive-free area i of the label is folded over and extends beyond the end of the package. The label 3.8 can be removed by pulling on its pull tab 3.8.1.
A sixth variation according to FIGS. 20A, 20B and 20C, which are, respectively, a top view and two sectional views, essentially contains the characteristics as they have been described with reference to FIG. 19. However, the pull tab 3.8.1 does not project beyond the package 1.0. To make the pull tab 3.8.1 easier to grasp, a cutout 3.9 is provided in the edge region of the band-like enclosure.
FIGS. 21A, 21B and 21C, which are, respectively, a perspective view, a sectional view and a top view, show, as an eighth embodiment, a fragrance dispenser 4.0; it is based on a thermoformed snap-off package 5.0 as it is already in use for other products; therefore it will not be described in detail. Provided in the thermoformed snap-off package 5.0 is an element 5.3 that is wetted with a liquid fragrance carrier, as described with reference to FIGS. 11-14. The reservoir 5.0 is also encompassed by a band-like enclosure, the basic design of which is described with reference to FIGS. 11-13. In the region of a breakaway seam 5.1, which extends over a snap-off nose 5.2 of the thermoformed snap-off package 5.0, the band-like enclosure 6.0 has a circumferential perforation 6.1.
For activation purposes, the band-like enclosure 6.0 with the enclosed thermoformed snap-off package 5.0 is snapped open in the direction of the arrow z.
FIGS. 22A, 22B and 22C, which are, respectively, a perspective view, a sectional view and a top view, show a variation of the fragrance dispenser as described with reference to FIGS. 21, with a reservoir in the form of a thermoformed snap-off package 8.0 with two thermoformed bowls 8.1 and 8.2, each equipped with an absorbent element 8.3 and 8.4 to receive identical or different aroma carriers. Two snap-off noses 8.1.1 and 8.2.1 are arranged towards the center, offset from one another. In the center a scoring 8.5 extends over the thermoformed snap-off package 8.0 and its snap-off noses 8.1.1 and 8.2.1 as a desired breakaway point. The thermoformed snap-off package 8.0 is also encompassed by a band-like enclosure 9.0. In the center, and thus located above the snap-off scoring 8.5 of the thermoformed package 8.0, the band-like enclosure 9.0 has a circumferential perforation 9.1. On the underside of the package 7.0 an adhesive label 10.0 is affixed in such a way that its side that faces away from the package adheres only to itself.
For activation purposes, the two package ends are bent in the direction of the arrows y and the band-like enclosure 9.0 and thermoformed snap-off package 8.0 are thus snapped open. The adhesive label 10.0, which is also joined in the process, connects onto itself and holds the bent package 7.0 in its position; it can now easily be stood on its front ends. The two snapped open snap-off noses 8.1.1 and 8.2.1 allow the fragrances to escape and mix together.
FIGS. 23A, 23B, 23C, 23D and 23E, which are, respectively, a perspective view, a top view, a side view, an end view and detail view, and FIGS. 24A, 24B, 24C and 24D, which are, respectively, a perspective view, a top view, a side view and detail view, show further developments of the fragrance dispenser outside the opening area.
In FIGS. 23, the band-like enclosure 11 is extended by a tab 11.1 that has a punched out hole 11.1.1 and thus provides an option to hang the package. In FIG. 23E, tab 11.1 is replaced by a tab 11.1.2 provided with an additional punched out line s for easier hanging.
In the variation according to FIGS. 24, the tab 12.1 is integrated on the rear of the package. FIG. 24D shows, in region z, the band-like enclosure 12 from behind. The side shape 12.1.1 of the tab 12.1 is perforated and pre-punched. The two side perforations 12.1.1 are joined at their upper ends by a further perforation or embossed edge 12.1.2, the pre-perforated tab 12.1 has a punched hole 12.1.3 that permits a later hanging. In the region of what will later be the tab end, a punched hole 12.2 is provided, which is to facilitate grasping of the tab. To hang the dispenser, the tab 12.1 is grasped through the punched out section 12.2 and bent back and up over the embossed edge 12.1.2. The bent tab 12.1 extends beyond the band-like enclosure 12 and thus offers an option to hang the fragrance dispenser.
This application relates to subject matter disclosed in German Application Number 201 14 352.6, filed on Aug. 30, 2001, the disclosure of which is incorporated herein by reference.
The foregoing description of the specific embodiments will so fully reveal the general nature of the invention that others can, by applying current knowledge, readily modify and/or adapt for various applications such specific embodiments without undue experimentation and without departing from the generic concept, and, therefore, such adaptations and modifications should and are intended to be comprehended within the meaning and range of equivalents of the disclosed embodiments. It is to be understood that the phraseology or terminology employed herein is for the purpose of description and not of limitation. The means, materials, and steps for carrying out various disclosed functions may take a variety of alternative forms without departing from the invention.
Thus the expressions "means to . . . " and "means for . . . ", or any method step language, as may be found in the specification above and/or in the claims below, followed by a functional statement, are intended to define and cover whatever structural, physical, chemical or electrical element or structure, or whatever method step, which may now or in the future exist which carries out the recited function, whether or not precisely equivalent to the embodiment or embodiments disclosed in the specification above, i.e., other means or steps for carrying out the same functions can be used; and it is intended that such expressions be given their broadest interpretation.
|Cited Patent
|Filing date
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|William J. Faso
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|Valois S.A.
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|Oct 30, 2003
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|E-Anthree Systems Inc.
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|S.C. Johnson & Son, Inc.
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|Package for wipes
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|Nov 12, 2013
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|Unitized package and method of making same
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|Jun 3, 2014
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|Jul 1, 2014
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|Device for containing and releasing a sample material
|Oct 22, 2012
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|Volatile material dispensing system having an adjustable diffusion apparatus
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|Thomas Jaworski
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|Jan 5, 2006
|Martens Edward J Iii
|Volatile material expiration indicating system
|Jun 30, 2004
|Jan 5, 2006
|Leonard Stephen B
|Volatile material dispensing system with illuminating device
|Jan 23, 2006
|Jun 8, 2006
|Christianson Jeffrey J
|Air freshener with frame and refill holder
|Dec 22, 2004
|Jun 22, 2006
|Annette Livingston
|Repelling rodents
|Sep 28, 2006
|Mar 29, 2007
|Klocke Verpackungs-Service Gmbh
|Packaging with applicator
|Dec 15, 2005
|Jun 21, 2007
|Kimberly-Clark Worldwide, Inc.
|Applicator that is used to apply one or more materials to a surface
|Dec 27, 2005
|Jun 28, 2007
|Kimberly-Clark Worldwide, Inc.
|Packaged consumable products with user-selectable aromas
|Apr 3, 2006
|Nov 1, 2007
|Majerowski Amelia H
|Air freshener with holder
|Jun 22, 2007
|Nov 15, 2007
|Majerowski Amelia H
|Air freshener with holder
|Aug 31, 2006
|Mar 6, 2008
|Kimberly-Clark Worldwide, Inc.
|Package for wipes
|Mar 23, 2007
|Mar 6, 2008
|Grimard Denis R
|Package for wipes
|Oct 24, 2005
|Jul 10, 2008
|Nicolas Duru
|Device For Atomising A Product, Particularly A Perfume
|Jan 10, 2008
|Jul 24, 2008
|Valois Sas
|Fluid dispenser assembly
|Dec 20, 2007
|Nov 13, 2008
|Nicolas Duru
|Piezoelectric spraying system and corresponding refill
|Dec 20, 2007
|Nov 27, 2008
|Nicolas Duru
|Method of dispensing fluid sprayed by a piezoelectric sprayer system, and sprayer system for implementing such a method
|Feb 19, 2009
|Aug 20, 2009
|Klocke Verpackungs-Service Gmbh
|Packaging unit with protective section
|Oct 30, 2008
|May 6, 2010
|Greenland Steven J
|Device for containing and releasing a volatile substance
|Feb 24, 2011
|Greenland Steven J
|Unitized package and method of making same
|May 19, 2011
|Piezoelectric spraying system and corresponding refill
|Nov 9, 2009
|Dec 1, 2011
|Julie Corbett
|Thermoformed liquid-holding vessels
|Sep 25, 2014
|Apr 2, 2015
|Quick Llc
|Sample collection device for optical analysis
|U.S. Classification
|239/34, 239/36, 239/60, 239/57
|International Classification
|Cooperative Classification
|European Classification
|Nov 6, 2002
Owner name: KLOCKE VERPACKUNGS-SERVICE GMBH, GERMANY
Free format text: ASSIGNMENT OF ASSIGNORS INTEREST;ASSIGNORS:SCHUEHRER, HERBERT;RENNER, KLAUS;REEL/FRAME:013464/0104;SIGNING DATES FROM 20020917 TO 20020923
|Sep 24, 2007
|Maintenance fee reminder mailed
|Mar 16, 2008
|Lapse for failure to pay maintenance fees
|May 6, 2008
|Expired due to failure to pay maintenance fee
Effective date: 20080316


text:
That makes no sense since both needs to have a display, whether …
- Tags: 3D CG, Announcements, GTA, PS3, Video Gallery, Xbox 360
Comment on GTAV "Has Best Graphics Yet" by Anonymous:
That makes no sense since both needs to have a display, whether it's be a TV or a monitor.
You're going by controls, so this makes more sense…
Console = controller
Computer = keyboard & mouse
Anonymous made other comments on this post:
- GTAV "Has Best Graphics Yet":
"Computer = monitor" This made my day.
- GTAV "Has Best Graphics Yet":
You're not serious are you? :P
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You guys who say people are annoying are even more annoying. :D
- GTAV "Has Best Graphics Yet":
Did you actually ever look at a PC/console comparison of the Crysis port? They've massively scaled down the graphics in practically every way. The console port may feature some "altered" lighting effects, but they are hardly "better", and in most cases the changes look considerably less realistic, with blown highlights and oversaturated colors attempting to oscure the lack of detail. The foliage is far more sparse and less detailed, and tons of objects are missing from the the environment or …
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This article feels off topic.
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Get fat then lose fat.
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Miyamoto only worked on the physics and gameplay aspects of this game (what he does best). Everything else was handled and supervised by Aonuma (who's been involved since LttP and OoT and been the director of every Zelda game since MM).
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Cozumel Dive Paradise & Hotel Cozumel - Dive Package
IslaMar Villas & Dive Paradise - Dive Package B - 7 Nights
Personal Experiences
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Derrick and I had a great time. We got our fill of diving. On the 4th day in fact, I was so tuckered out, I didn't think I would make it, but we persevered and did all 15 tanks of your ISLAMAR/DIVE PARADISE Dive Package B! The break in the sun was exactly what the doctor ordered ..rest assured, you have my business in the future and I'm glad to have been lucky enough to have found someone who is renowned for their business acumen and operates with such respected integrity in the community. Thanks again for everything that you did Sherri!
R. Dugan ~ Plano, TX
This is our 6th time at IslaMar Villas! This is our home away from home in Cozumel. Sherri, thank you so much for all you do. Zuri is fabulous. We will be back again!
Gilda & Warren S. ~ Houston, TX
Just returned from Cozumel where we participated in the FP&M Turtle Salvation program and it was the highlight of our trip. Our guides picked us up at our hotel right on time. They were very nice and one spoke fantastic English. Being able to participate in the extraction of newly hatched baby sea turtles from their nests and then watching them scurry into the ocean was so amazing. There were 4 nests hatching that evening so we were interacting with baby turtles for several hours. Those little turtles are SO adorable and so VERY determined to get to the water. This activity exceeded our expectations. I would recommend it to anyone who loves nature and wants to help this endangered species. It is awesome that cozumelinsider.com donates its resources to handle the bookings for this activity to help raise funds for this great cause. Thanks for an awesome experience!
T. Daily ~ Arizona
Hello: Sorry about all the calls and e-mails yesterday ~ it appears that we had a problem with yahoo email and receiving your confirmations. But I had your staff send the confirmations to my work e-mail and all is good. Your staff was very helpful, customer service friendly and courteous and I think your agency is great! My wife is a travel/booking agent and she agrees with me and plans to use your services in the future to book excursions for her clients. Thanks again and have a good day;
Michael Weinberger ~ not given
It is so safe and comfortable. Love all the people. Love the ocean, love the house, love the food and most of all, love Sherri, Jacqueline and Zuri. Zuri is so much fun. We tried to teach each other a lot of new words! Love the cats and Ron has made friends with all the dogs. We bring them K.C. treats! See you next year!
Ron & Lynda R. ~ Kansas City, MO
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The 28th Paris Edition Kept Secret Until the Very Last Minute!Read More »
Le Dîner en Blanc de Paris took place last night in utmost secrecy. 2016 is proving to be a trying year for Paris. With the Seine river's recent flooding, the workers' union protests, and the upcoming (and highly anticipated!) UEFA Euro 2016, Dîner en Blanc organizers decided to keep the venue, and even the event date, secret until the very last moment. Everything came together wonderfully last week on Wednesday, J...
Thank you 2015!Read More »
Thank you! Thank you Diner en Blanc Brisbane members for your support and enthusiasm in celebrating Brisbane's fourth Diner en Blanc. It truly was a memorable occasion and so wonderful to see everyone get into the spirit. For us, all of the hard work pays off when we see you all having a great time, making new friends, and contributing to the spectacle in our city. This year's secret location was magical - Queens Park - right at the ...
Double check your detailsRead More »
Make sure you arrive at the exact meeting place and time! Below are the addresses...
Recipe IdeasRead More »
Tomorrow (Thursday 15 October 2015) our Catering Store closes. Get in quick to or...
Special Features of Brisbane Diner en Blanc 2015Read More »
Diner en Blanc is an incredible spectacle. Every year the location is secret, whi...
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Jacquelyn V.
Already busting..
Sandra B.
Hi! Any chance a date is locked in for 2016? I'm m...
Sandy M.
want my passcode to register for 2016!
Meryl D.
Completely agree with you Maureen, this year was t...
Maureen C.
Interesting. Absolutely loved the venue! My though...
Read More » Most viewed questions
Is Dîner en Blanc an illegal activity?
For almost 30 years, Le Dîner en Blanc de Paris has been taking place without authorization, in some of the city's most prestigious sites. The first editions were not easy to pull off. Today, French authorities know that the event is always well organized and that guests are always respectful of public property. Moreover, the event's photogenic quality helps promote the city's image as a stylish Metropolis. On the other hand, all events produced according to Le Dîner en Blanc International guidelines require local hosts to acquire the proper authorization, permits, and insurances before proceeding with their event.
How many Dîner en Blanc events are there in the world?
Since the founding of Dîner en Blanc International in 2012, the event has quickly spread to over 70 cities around the world, with close to 120,000 guests participating each year. The largest and most internationally recognized Dîner en Blanc remains the original Paris event. Launched nearly 30 years ago by François Pasquier and his close friends, Le Dîner en Blanc de Paris now attracts almost 10,000 people annually, with 15,000 guests attending the 25th anniversary edition in 2013.
Is it possible to organize a Dîner en Blanc in my city?
Dîner en Blanc International has established an exclusive service to facilitate the organization and management of Dîner en Blanc events around the world. This turnkey service enables interested local teams to produce Dîner en Blanc in their own city, while connecting to the international network. For more information, write to email@example.com.
How can I participate?
You can register for Le Dîner en Blanc by one of the following three methods: by being part of the Hosts or Leaders' personal network and getting invited by them (Phase 1); by knowing someone who registers during Phase 1 and asking them to sponsor you for Phase 2; or, by signing up to the waiting list and registering during Phase 3.
What are the key rules of the event?
Le Dîner en Blanc is an evening like no other. Once registration is confirmed, each guests' participation becomes mandatory, regardless of weather conditions. Participants arrive at a designated departure point with their table, chairs, and picnic materials, and then make their way to the secret location with their Table Leader by chartered bus or organized public transportation. They take all of their belongings with them at the end of the night, including leftovers and trash, and they leave the site as clean as it was upon arrival.
What must guests wear?
All guests must dress elegantly in head-to-toe white. This means no ivory, no off-white, and no beige… Originality is always encouraged, as long as it stays stylish and tasteful.
What must guests bring?
A square folding-table and two white chairs; a white picnic basket and/or bag including a gourmet meal for two, a white tablecloth and cloth-napkins, cutlery, dishware, and glassware; and a garbage bag.
What kind of table do I need to bring?
The table must be square, foldable, and easy to carry. The size must be between 28 and 32 inches (71 and 81 cm). The table does not have to be white as it will be covered with a white tablecloth.