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Jessica Simpson Brings Her Red Carpet Fashions to Public
Jessica Simpson is hoping to bring her red carpet fashions to her fans - she's launched a collection of prom dresses.
The singer, who has her own successful clothing label, has teamed up with U.S. Wedding outfitters David's Bridal to release the special occasion gowns, which range in price from $139 to $229. And the blond beauty is confident there will be something for everybody.
Simpson says, "Inspired by the fabulous designer gowns I've worn to red carpet events, my affordable collection is designed to fit and flatter a variety of body types and help girls achieve their own red carpet style for prom."
A rumor has risen that Simpson is eager to lose weight due to a threat from her fiance Eric Johnson on stopping their wedding. A source claims, "He is in tip-top shape and feels like Jessica is letting herself go", adding that Simpson is 'heartsick over vicious weight-related fights that are jeopardizing their wedding plans."
More Jessica Simpson News
- Ricky Gervais Is Back as David Brent in Hilarious 'Lady Gypsy' Music Video
- You'll Finally Get to Know More About This 'Gilmore Girls' Character on the Netflix Revival
- Chris Brown Kicked Out of Villa in Ibiza After Covering It in Urine and Vomit
- Kylie Jenner and Tyga Enjoy Movie Date in L.A.
- Watch Fergie's 'M.I.L.F. $' Music Video Starring Kim Kardashian and Chrissy Teigen
- Justin Bieber Posts Cryptic Message About Relationship, Says He'd 'Rather Be Lonely'
- Kim Kardashian on Butt Pads Allegations: 'I Don't Need Them'
- Lil' Kim Cancels Performance at Essence Festival


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● Patent No. US 7,125,828 B2: A machine dishwashing product in the form of a water-soluble pouch with two compartments where one is a liquid and one a powder was patented by the Procter & Gamble Company, Cincinnati, OH.
Gattefossé is a French privately-owned company, founded in 1880.
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subset: commoncrawl


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Mystery Word Cheats for iPhone - iPadHome / iPhone - iPad /
This page contains Cheats for Mystery Word organized by sections for iPhone - iPad. This game has "Puzzle" as genre, made by Gammabyte Entertainment, Llc, released on Apr 27, 2009. If you can't find a hint or secret in our list, then please check this page periodically for the latest updates.
- Developer: Gammabyte Entertainment, Llc
- Publisher: Gammabyte Entertainment, Llc
- Genre: Puzzle
- Release: Apr 27, 2009
- ESRB: Not Set
If you know cheats, secrets, hints, glitches or other level guides for this game that can help others leveling up, then please Submit your Cheats and share your insights and experience with other gamers.
Stuck in this game? Set a specific, clearly defined question and let other gamers answer your question or view answers to previously asked questions. If you think you are an expert then please try to help others with their questions.
Students take it home please aid my level 78...
Posted on: 04-14-2016
What is the name of a geometry shape that has only 8 letters...
Posted on: 05-13-2015
What is a computer paraphenilia with 6 letters?...
Posted on: 05-11-2015
What is the answer to level 70 mystery word... Asian capital...
Posted on: 04-23-2015
"Without me, books are unreadable" I need help...
Posted on: 03-22-2015
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Posted on: 02-15-2015
Please help, Lives in soil 9 letters?...
Posted on: 01-18-2015
Zombie Benjamins - Gameplay Video
- Jun 25, 2016, Views: 0
Super SteamPuff - Gameplay Video
- Jun 25, 2016, Views: 0
Zombie Castaways - Gameplay Video
- Jun 25, 2016, Views: 0
Soccer Hit - Gameplay Video
- Jun 25, 2016, Views: 0
- The Journey: Bob's Story, (PC)
- Deus Ex: Mankind Divided, (PS4)
- Skylanders Battlecast Cards To Life, (AND)
- LEGO Star Wars: The Force Awakens, (PS4)
- Mafia 3, (PS4)
- Forestry 2017 - The Simulation, (XONE)
- MX Vs. ATV Supercross Encore, (XONE)
- Tayutama 2: You're The Only One, (PC)
- Call Of Duty: Infinite Warfare, (PS4)
- Hyperburner, (iOS)
- Hero Siege: Pocket Edition, (iOS)
- Get 'Em, (iOS)
- Quest To Aztlan, (iOS)
- Paranormal Minis, (iOS)
- Station Manager, (iOS)
- Iron Mission - Classic Arcade Shoot'em Up, (iOS)
- Epic Flail (Noxus Ltd), (iOS)
- 2-bit Cowboy Rides Again, (iOS)
- Dungeons Of Chaos Unity Edition, (iOS)
- Rule With An Iron Fish, (iOS)
- Heroes Of Loot 2, (iOS)


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DC's Legends of Tomorrow
8pm HD
When a malfunction sends the Waverider crashing into 2046 Star City, our heroes face a startling version of their own future where they never stop Savage (guest star Casper Crump) and never return home. The city is in ruins and overrun by criminals, which thrills Rory. Sara is despondent over the destruction of her home and stunned when she learns what happened to her old friend, Oliver Queen (guest star Stephen Amell).
Beauty & The Beast 9pm New HD
Vincent and Cat realize they have to go into hiding now that someone is out to kill Vincent. Vincent wonders if Cat would have been better off without him and gets a glimpse into exactly what her life could have been.
Masters of Illusion
8pm HD
Hosted by Dean Cain, Masters of Illusion features amazing magic performed by cutting-edge illusionists, escape artists and performers displaying skills ranging from perplexing interactive mind magic to hilarious comedy routines—all in front of a studio audience. Magicians featured in this episode include Jarrett and Raja, Farrell Dillon, Jonathan Pendragon, Sos and Victoria, Fielding West, John Gabriel.
Masters of Illusion
8:30pm HD
Hosted by Dean Cain, Masters of Illusion features amazing magic performed by cutting-edge illusionists, escape artists and performers displaying skills ranging from perplexing interactive mind magic to hilarious comedy routines—all in front of a studio audience. Magicians featured in this episode include Nathan Burton, Tom Burgoon, Greg Frewin, Arthur Trace, Matt Marcy, Les Arnold and Dazzle and Tommy Wind.
Penn & Teller: Fool Us
9pm HD
Aspiring magicians are invited to perform their best trick to try and fool the world-famous team of Penn & Teller, who will get to see the trick only once and have to immediately try to work it out. Anyone who succeeds wins the right to perform with Penn & Teller in their celebrated show at the Rio Hotel & Casino in Las Vegas. The live studio audience and the TV audience watch along with Penn & Teller as they try to figure out the secrets. The magicians featured in the episode include Riley Siegler, Jade, Ran'd Shine and David Roth.
King of Queens 8pm
Now that Arthur is back from the hospital, Carrie thinks that it is a good idea that she and Doug get life insurance.
Mike & Molly 8:30pm
Adjusting to life as an engaged couple, trouble arises when Molly wants to start planning the wedding and Mike wants to go fishing with the guys.
Haven 9pm
Audrey meets a woman who claims to be her, and Nathan takes the lead at the department.
Bones 10pm
When the body of the host of a popular reality-TV show is found in an outhouse, Brennan and Booth must identify the killer from of a large pool of suspects, including many who were humiliated on the victim's show; and Booth learns that Brennan is juggling two relationships.
The CW Primetime Movie: Zombieland 8pm
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
Friends 10pm
An exchange between Ross and Rachel threatens to break up the friends; Chandler and Monica plan a romantic weekend getaway together; Joey finds out about Monica and Chandler.
iHeartRadio Summer Pool Party (2016)
8pm HD
The iHeartRadio Summer Pool Party 2016 will feature some of the biggest names in entertainment. Filmed at the legendary Fontainebleu Miami Beach, this one-hour special hosted by Joe Jonas and Hailee Steinfeld and co-hosted by social media star the Fat Jew, will highlight performances by Flo Rida, DNCE with special guest Hailee Steinfeld, Tinashe, Lukas Graham, Kygo and Jason Derulo, and more.
Whose Line Is It Anyway? 9pm New HD
Hosted by comedian Aisha Tyler, cast members Ryan Stiles, Wayne Brady and Colin Mochrie, along with guest comedians Greg Proops and Jonathan Mangum, put their comedic skills to the test through a series of spontaneous improv games that are prompted only by random ideas supplied by the studio audience. The four performers must use the little information they have and their wild imaginations to depict different characters and an array of scenes, as well as perform songs. After each round of improvisation, Aisha will dole out points to our four performers and declare a winner at the end of every episode.
The Flash
8pm HD
After recent events, Barry decides it's time to confront Zoom and comes up with a dangerous plan. Caitlin sides with Jay (guest star Teddy Sears) and deems it too dangerous for Barry to engage with the speed demon. However, Iris shows her support and brings forth a surprising ally. We see what Earth-2 Harrison Wells' life was like before coming through the breech.
Containment 9pm New HD
Lex and Leo clash over their next move after a failed plan threatens to unravel their entire case. When word begins to spread that there may be a way out of the cordon, Jana considers her options. Finally, an unexpected turn of events brings Jake and Katie closer than ever.
8pm HD
When things take a turn for the worse with Sara (guest star Caity Lotz), Oliver calls in a favor from an old friend who deals in the mystical, John Constantine (guest star Matt Ryan).
9pm HD
Castiel seeks out Metatron's (guest star Curtis Armstrong) help to stop the Darkness. However, Metatron is pretty happy with his new life as a freelance videographer for the local news and isn't inclined to help the Winchesters or Castiel. Meanwhile, Crowley is losing his hold on Amara.


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Copley looking for new bids for Community Center demolition
The Copley Township Board of Trustees agreed to reject all bids for the demolition of the Community Center, located at 1278 Sunset Drive, at the April 2 meeting.
Only one bid was received prior to that day's deadline for submissions, and it will be remain sealed, according to Fiscal Officer Janice Marshall.
The specifications outlined in the call for bids were incorrect, and potential contractors were made aware of that, Marshall explained.
Trustees, therefore, will put out a new call for bids, with the correct specifications. This time, the proposed project details will include demolition of a pavilion and two storage sheds on the property, according to Service Director Mark Mitchell.
Razing the building and other structures will prepare the site for construction of the township's new police facility.
Also at the meeting, trustees accepted about $14,954 in grant money from the Summit County Fiscal Office for the Moving Ohio Forward Demolition Grant Program to tear down and remove dilapidated buildings.
The township continues to use the grant funding to plug away at removing unsafe structures, as trustees approved a contract with Jim Gangle Bulldozing and Excavating Co. to demolish an abandoned home at 2463 Copley Road as part of the program. The job is expected to cost $6,990, according to Planning Director Matt Springer.
Also at the meeting, trustees discussed the upcoming auction of township property, set for April 17 in the Community Center, from 4 to 7 p.m. It has been 12 years since the township held an auction to sell its items determined to be unneeded, obsolete or unfit for use by the township, according to Mitchell. Public viewing of items to be auctioned off will begin at 1 p.m. on auction day.
The list of inventory that still is being gathered for the sale includes 2010 and 2011 Ford Crown Victoria police cars, as well as light bars with the blue lenses removed. Other items for sale include a walk-in freezer unit, several chandeliers and various pieces of office furniture, among other things, according to Mitchell.
Also, trustees agreed to allow members of the township's historical society to sell concessions during the event.
In other business, trustees:
- agreed to hire two seasonal employees to flow and grease fire hydrants;
- approved entering into a contract with MedPro for medical waste disposal at both fire stations;
- updated an agreement for equipment and apparatus sharing among nearby fire departments to include Chippewa, Granger, Sharon and Wadsworth to the list of the Code 10 Westside Group. The group previously included Copley, Bath, Fairlawn, Norton, Richfield and the Valley Fire District, according to Benson; and
- approved a resolution requesting the Summit County Engineer's Office prepare plans and specifications for repaving Sunset Drive, to be done once the new police station is built, said Mitchell.
The next Copley Board of Trustees meeting is set for April 16 at 6 p.m. at the Copley Township offices, located at 1540 S. Cleveland-Massillon Road.
More Community News
- School options presented at joint meeting
- Fans celebrate Cavs NBA championship
- Akron police planning for RNC
- Highland Square resident to serve as RNC delegate
- Celebrations mark Independence Day
- West Side News & Notes
- County inmates still staying elsewhere
- Fairlawn extends deadline for flood assistance program
- Copley shed to house portable toilet
- Copley All In for Cavs championship game
- Bath trustees withdraw road levy from November ballot
- Sharon residents warned about skimmers at gas pumps
- City getting tough on zoning infractions
- Trustees defer decision on school
- Coventry BOE says no to new tax levy
- School building options presented at joint meeting
- South Side News & Notes
- Mayor showcases village to investors
- Akron police planning for RNC
- County nearly ready for old Edwin Shaw demolition
- Eagles donates to K-9 program
Calendar of Events
- Rock-a-Bye Tales - 6/28/2016
- Kathy Johnson Trio - 6/29/2016
- The Big 5 Show - 6/29/2016
- Reading to the Rescues: ages 4 and older - 6/29/2016
- Heart to Heart Kids Time Camp - 6/29/2016
...More Events


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Take your art class to a portable device with some fantastic apps for learning about pop art. Whether you want to share a little pop art history, have your students create some of their own pop art, or open your students' eyes up to pop art from around the world, the mobile device is a great tool to integrate into your classroom.
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Intellian Technologies, a world leader in marine satellite entertainment and communications, announced the latest addition to its line of marine satellite TV antennas, the k4.
The K4 and k6 can be used in conjunction with an Intellian Technologies' Ku-band antenna to provide boaters all 500 DirectTV's HD and SD programming channels. Intellian's new Dual Antenna Control Unit (DACU) allows boaters to seamlessly switch between DirecTV's five satellites providing the same full digital and HD programming enjoyed by home viewers. With easy programming and full DirectTV programming access, Intellian Technologies with its new k4 ka-band antenna provides boaters the ability to watch HD NASCAR and NCAA Mega March Madnes simultaneously.
Intellian's patented Wide Range Search (WRS) and Dynamic Beam Tilting (DBT) technologies coupled with its innovative Ka-band RF components, solve difficulties of receiving Ka-band signals on the water, and optimize the antenna for high-performance maritime use. The proprietary Intellian Technologies WRS algorithm searches the wide range of side lobes to connect, providing faster satellite acquisition. In addition, the Intellian DBT design features a high-speed sub-reflector that rotates off axis, checking signal strength variation 50 times per second for precision tracking to ensure clear, uninterrupted reception even in rough seas or at high speeds.
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The Intellian k4 marine satellite TV antenna has a suggested retail price of $6,995.00, and can be purchased through authorized Intellian Technologies dealers and distributors worldwide
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Norwegian marine geophysical company PGS has extended its non-exclusive service agreement with Radio Holland for navigation and communication services onboard nine seismic vessels in its global fleet.
Four new fast ferries, owned and managed by Manly Ferries and operating in the busy waters of Sydney Harbour, will use Simrad technology for safe navigation.
Stena Line's ferry passengers are set to experience new levels of communication services following a upgrade to the VSAT connectivity on board, says Marlink, who


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Est. Mortgage:
5355 Water Dipper Rd Colorado Springs, CO 80911 (Powers)See your commute times
- Single-Family Home
- 4 Bedrooms
- 3 full Bathrooms
- 1,983 sqft
- $106/sqft
- Lot size: 6,098 sqft
- Built in 1993
- 49 Days on Trulia
Home Details for 5355 Water Dipper Rd
Show more
Information last updated on 05/17/2016 12:00 AM:
Public Records for 5355 Water Dipper Rd
Official property, sales, and tax information from county (public) records as of 06/2015:
- Single Family Residential
- 1,503 sqft
- Stories: 2 story with basement
- Parking Spaces: 2
- 8 Rooms
- Fireplace
- Tax Rate Code Area: DDM
- 3 Bedrooms
- Lot Size: 6,000 sqft
- Heating: Forced air unit
- Exterior Walls: Wood
- Construction: Frame
- Subdivision: PHEASANT RUN RANCH FIL NO 4
- 3 Bathrooms
- Built In 1993
- Parking: Built-in
- Roof: Composition Shingle
- Basement: Improved Basement (Finished)
- County: El Paso
Monthly mortgage for 5355 Water Dipper Rd
Home Expenses For 5355 Water Dipper Rd
Price History & Trends
Price History for 5355 Water Dipper Rd
|Sold view detail
|Public records Public records
|Sold view detail
|Public records Public records
Compare homes in the area to 5355 Water Dipper Rd
|Listing price for 5355 Water Dipper Rd
|Average listing price for all homes in Powers
|10% above listing price
|Median sale price for all homes in Powers
|7% below listing price
Contact Info
Listing Provided by
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Agent Phone: (719) 232-1564
RE/MAX Properties, Inc. has been a major force in the real estate industry since our founding in 1986. Our company has grown through the years and continues to grow today in this ever changing industry. RE/MAX Properties, Inc. strongly believes in providing our clients with reliable customer service and this philosophy has earned us the reputation of being the best in the real estate industry. RE/MAX Properties, Inc. is proud to offer top notch home buying, selling and relocation services for all of our clients. We have developed an edge against our competitors by offering well-developed, strategic programs that accelerate our clients, both buyers and sellers, to the top of the market. Today, RE/MAX Properties, Inc. has grown to be an industry leader in our area. Whether you are moving across the street or across the county we are here to help. We are available to serve you with all your real estate needs.


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Offshore Executive Conference: Gulf of Mexico — The Westin Houston, Memorial City
Adapt to Today, Build for Tomorrow
Whisper it quietly: The Gulf of Mexico remains the long-term 'must have' asset in virtually every major operator's portfolio. Production is still rising with several major deepwater projects recently on- stream and at least six more due to flow this year. Still, technological, operational and economic challenges lie ahead. The industry is responding with new collaborative alliances, partnerships and joint ventures, for greenfield developments as well as for operational efficiency from existing facilities and brownfield production enhancement.
This November, the Offshore Executive Conference: Gulf of Mexico will unite 250+ offshore oil and gas executives in Houston for an in-depth look at how to succeed in the current market and position your company for growth in the coming years. Don't miss this once-a-year chance for a day filled with in-depth industry coverage and exclusive networking opportunities.
ExxonMobil: Well Offshore Guyana Confirms 'World-Class' Oil Discovery
Permian Boosts Sand Demand With Longer Laterals


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Gordon Reflects On NASCAR TV Debut Mets End Yankees Head-To-Head Attendance Run Hockey Legend Gordie Howe Dies At Age 88 MIS Running Concert Alongside NASCAR Keselowski Talks Drivers Council, All-Star Race Keselowski Critical Of Jeff Gordon's Analysis Tigers Hold One-Day Sale For $6.01 Tickets Detroit Missed Out On Millions From TV Deal NASCAR's Drivers' Council Gains Visibility Childress, Hendrick Going To NASCAR HOF
Upcoming Conferences and Events
SBD/13/Sponsorships Advertising Marketing
Published January 13, 1995
Kmart and Little Caesars Pizza announced a joint title sponsorship of the Kranefuss/Haas Racing Team for the '95-96 NASCAR Winston Cup seasons. John Andretti will drive the Kmart/Little Caesars car debuting at the Daytona 500, as this is the second go around for Kmart in the Winston Cup Racing series. This is the initial involvement for Little Caesars in the motor- sports field. Kmart Senior VP/Sales and Operations Paul Hueber: "Winston Cup racing is a dynamic promotional opportunity with a strong appeal to our Kmart customers. NASCAR racing has proven itself time and again to be cost-effective, high impact sport which reaches a large, extremely loyal consumer audience" Little Caesars owners, Michael and Marian Ilitch, also own the Tigers, the Red Wings, plus the NPSL Rockers. Little Caesars VP Christopher Ilitch: "This brings new marketing opportunities and brand exposure within a sport that is growing rapidly and is known for strong fan loyalty" (Kmart).


text:
2011-09-23 16:05:00
Oregon Schools Superintendent Susan Castillo is one of several state school chiefs meeting with President Obama today. They're discussing ways to give states waivers from the No Child Left Behind Act. Castillo says School Districts need more flexibility in how to spend federal dollars. She's hoping waivers could be granted for Oregon during the current school year.
King Solomon Lane closed between Ferguson Road and King David. (7/25)
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Perfume really CAN make you prettier: Scientists find pleasant smells make female faces more attractive
- Team use fish oil (unpleasant) and rose oil (pleasant) to test theory
- Found odours change the way we perceive each other
Women's faces become more attractive if a pleasant smell is present, researchers have found.
They say that odours can change the way we look at attractiveness and perceive each other.
However, they found the effect does not extend to making people appear younger - simply prettier.
The research from the Monell Chemical Senses Center reveals that women's faces are rated as more attractive in the presence of pleasant odors.
In the study, published in open access journal PLOS ONE, 18 young adults, two thirds of whom were female, were asked to rate the attractiveness and age of eight female faces, presented as photographs.
The images varied in terms of natural aging features.
While evaluating the images, one of five odors was simultaneously released.
These were a blend of fish oil (unpleasant) and rose oil (pleasant) that ranged from predominantly fish oil to predominantly rose oil.
The subjects were asked to rate the age of the face in the photograph, the attractiveness of the face and the pleasantness of the odor.
Across the range of odors, odor pleasantness directly influenced ratings of facial attractiveness.
The research from the Monell Chemical Senses Center reveals that women's faces are rated as more attractive in the presence of pleasant odors.
'Odor pleasantness and facial attractiveness integrate into one joint emotional evaluation,' said Janina Seubert, a cognitive neuroscientist who led the research.
'This may indicate a common site of neural processing in the brain.'
Perfumes and scented products have been used for centuries as a way to enhance overall personal appearance.
Previous studies had shown perception of facial attractiveness could be influenced when using unpleasant vs. pleasant odors.
However, it was not known whether odors influence the actual visual perception of facial features or alternatively, how faces are emotionally evaluated by the brain.
The current study design centered on the principle that judging attractiveness and age involve two distinct perceptual processing methods: attractiveness is regarded as an emotional process while judgments of age are believed to be cognitive, or rationally-based.
While evaluating the images, one of five odors was simultaneously released. These were a blend of fish oil (unpleasant) and rose oil (pleasant) that ranged from predominantly fish oil to predominantly rose oil.
This suggests that olfactory and visual cues independently influence judgments of facial attractiveness.
With regard to the cognitive task of age evaluation, visual age cues (more wrinkles and blemishes) were linked to older age perception.
However, odor pleasantness had a mixed effect.
Visual age cues strongly influenced age perception during pleasant odor stimulation, making older faces look older and younger faces look younger.
This effect was weakened in the presence of unpleasant odors, so that younger and older faces were perceived to be more similar in age.
Jean-Marc Dessirier, Lead Scientist at Unilever and a co-author on the study said, 'These findings have fascinating implications in terms of how pleasant smells may help enhance natural appearance within social settings.
'The next step will be to see if the findings extend to evaluation of male facial attractiveness.'
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On November 8th, I posted the cards that were in my wallet all based on the continuing gravy train of INK Bold, Vanilla Reload, and Bluebird. Because of us darn bloggers (as at least some of my readers think) the game plan has changed, and so has what I'm packin' now.
Thank goodness I checked on my Citi Forward card and the continuation of my 5 points per dollar on restaurant spend. That bonus ended for me in July (when I switched to Ink) and I instinctively put it back in my wallet. A call to Citi confirmed the 5 points was over for me and the Forward card is now back out of my wallet. I'll replace it for two Ultimate Rewards points on dining with my Chase Sapphire Preferred card.
UPDATE: I redouble checked with TY Points (thanks guy) and I am still on five points per dollar for restaurants. It takes a village sometimes.
While I was on the phone with Citi, I checked on my long dormant Citi Preferred card to double check on the category bonus there as well. Nothing on the Citi Preferred so that one is still gathering dust.
My SPG card stays in the wallet for non-category bonus spending and I've still got my INK Bold card in my leather lover for gas stations… although I haven't figured out my next move yet on gift cards and prepaid cards, so don't know yet what will happen with that whole ball of confusion. I'll be checking with my blogging brethren for how they are going to play the game now and also looking for reader suggestions.
The Amex Blue Cash Preferred card remains the family card of choice for groceries with 6% cash back. I haven't used a cash back card in so long… I don't even know where it will be credited… or how?
Bluebird will be paying my bills for me as I got my $5K from a Vanilla on before the fiasco and still have a few more Vanillas in the safe deposit box for next month's refill. As of this date, I don't know if I will be playing the Hilton 6 points per dollar play with reload cards at drugstores. I value Hilton points at .5 cents each and have a boat-load at present. I'd personally rather have an extra SPG point which I value at 2.5 cents +.
Netspend, Amex Prepaid, and Amex by Target are sitting on the sidelines until I get some reports back from the experts. Unlike some of our unhappy brethren that think we steal from one another, bloggers typically openly share info among ourselves. Then again, many think we are in a secret society with a flag, an initiation ceremony, a secret handshake, and all that stuff. Do you know the handshake?
If Howie gets the links in correctly, as I know he will, another post will be done, another day will have gone by, and the next deal will be right around the corner. If it is too good to be true, it probably is for each individual deal, but the game itself still shows some amazing results!
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Wed, Jun. 22, 12:42 PM
Wed, Jun. 22, 11:00 AM
Wed, Jun. 22, 9:24 AM
Wed, Jun. 22, 7:21 AMPluristem's PLX-PAD cells shows positive effect in animal model of muscular dystrophy; shares up 11% premarket
- Thinly traded nano cap Pluristem Therapeutics (NASDAQ:PSTI) is up 11% premarket on light volume in response to its announcement of preclinical data that suggest its PLX-PAD cells may be effective in treating Duchenne muscular dystrophy.
- In a mouse model study, PLX-PAD cells reduced an enzyme called creatine phosphokinase (CPK), a marker of muscle degeneration or injury, by ~50% compared to placebo. In addition, analyses of tissue samples showed reduced levels of inflammation and necrosis (death of most of the cells in an organ or tissue) and evidence of regeneration of muscle tissue.
- PLX cells are mesenchymal-like adherent stromal cells derived from full term human placentas that may be administered without the need for HLA matching. According to the company, PLX-PAD (peripheral artery disease) cells have demonstrated the ability to stimulate the growth of new blood vessels in preclinical models inducing muscle tissue regeneration and improving muscle function.
- PLX-PAD is currently under development for the treatment of critical limb ischemia, intermittent claudication (leg cramps caused by the obstruction of arteries), muscle injury, pulmonary arterial hypertension and preeclampsia.
- DMD-related tickers: (NASDAQ:SRPT)(NASDAQ:BMRN)(NASDAQ:SMMT)(NASDAQ:PTCT)(NYSE:PFE)(OTCQB:MRNA)
Tue, May 10, 4:20 AM
- Pluristem Therapeutics (NASDAQ:PSTI): Q1 EPS of -$0.09 in-line.
- Press Release
Wed, Apr. 13, 9:16 AM
Mon, Feb. 22, 9:19 AM
Wed, Feb. 17, 1:22 PM
- Micro cap Pluristem Therapeutics (PSTI +27.4%) is up again today on a 3x surge in volume, adding to yesterday's 31% jump. Money flow has spiked in response to the news that NIH's National Institute of Allergy and Infectious Diseases (NIAID) will initiate studies in large animals to assess the company's PLX-R18 cell therapy as a medical countermeasure for the treatment of the hematologic aspects of acute radiation syndrome (ARS).
- Once the optimal dose is identified in large animals, a pivotal trial can be conducted which could support a Biologics License Application (BLA) under the Animal Rule approval pathway. Last September, the FDA confirmed that data from earlier NIAID trials were sufficient for the future design of PLX-R18 studies.
- The Animal Rule is an approval pathway for products that cannot meet the requirements for traditional licensure because efficacy studies in humans are not possible.
- Previously: Pluristem details development plan for second cell product (March 24, 2015)
Wed, Feb. 17, 12:45 PM
Wed, Feb. 17, 9:14 AM| Wed, Feb. 17, 9:14 AM | 6 Comments
Dec. 31, 2015, 8:05 AM
- The FDA designates Pluristem Therapeutics' (NASDAQ:PSTI) lead product candidate PLX-PAD cells an Orphan Drug for the treatment of women with severe preeclampsia, a common complication of pregnancy characterized by high blood pressure and signs of organ damage, often the kidneys. The standard-of-care intervention is delivery since there are no approved medicines for the condition. It is the leading cause of premature births, still births and neonatal and maternal deaths. Severe preeclampsia occurs in ~1% of pregnancies in Western countries.
- In preclinical animal model studies, PLX-PAD cells improved several parameters of the condition, including a reduction in systolic blood pressure, reduction in urinary protein excretion, increase in endothelial function and reduction of spleen weight. Data from an ongoing animal study to confirm the efficacy of PLX-PAD cells in an additional therapeutic pathway are expected in H1 2016.
- PLX cells are mesenchymal-like adherent stromal cells derived from full term human placentas.
- Among the benefits of Orphan Drug status is a seven-year period of market exclusivity for the indication, if approved.
Dec. 14, 2015, 9:21 AM
Dec. 8, 2015, 10:12 AM
- Pluristem Therapeutics (PSTI +0.3%) announces that it has received notice from United Therapeutics (UTHR +1.9%) that it is terminating its license agreement for cell therapy PLX-PAD for the treatment of pulmonary arterial hypertension. Full rights to the product candidate will revert back to Pluristem.
- A small Phase 1 study conducted by United in September 2014 showed an encouraging but limited efficacy trend.
Nov. 9, 2015, 8:41 AM| Nov. 9, 2015, 8:41 AM
Sep. 10, 2015, 6:41 AM
- Pluristem Therapeutics (PSTI +3.2%) FY15 results: Revenues: $0.4M (unch); COGS: $13K (+18.2%); R&D Expense: $23.4M (-6.0%); SG&A: $6.5M (-25.3%); Operating Loss: ($25.3M) (+9.3%); Net Loss: ($24.7M) (+8.2%); Loss Per Share: ($0.35) (+16.7%); Quick Assets: $53.1M (-9.7%).
- No guidance given.
Sep. 10, 2015, 6:05 AM| Sep. 10, 2015, 6:05 AM
Company Description
Pluristem Therapeutics, Inc. is a biotechnology company engages in the provision of cell therapy development. It focuses on cell therapies for the treatment of diseases such as muscle injury, acute radiation syndrome, pulmonary arterial hypertension and others. Its products include PLacental... More
Sector: Healthcare
Industry: Biotechnology
Country: United States
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text:
There are only so many minutes to go around, and Kentucky's incoming freshman class alone could more than fill up an entire game. The Wildcats once again have the nation's No. 1 recruiting haul heading to campus in 2013 -- one that already includes six top 20 prospects.
MLB Rumor Central: Doubront over Hahn in A's rotation?
95dDoug Mittler
MLB Rumor Central: Trevor Story the shortstop in Colorado?
109dDoug Mittler
MLB rumors roundup: New contract for Salvador Perez?
128dDoug Mittler
MLB rumors roundup: Latest on the Padres' shortstop search
170dDoug Mittler
Rumors roundup: More moves in Oakland?
214dDoug Mittler
Rumors roundup: Mariners, Marlins talking trade
219dDoug Mittler
NFL rumors roundup
356dTom Carpenter
NBA Rumor Roundup
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362dTom Carpenter
NBA Rumor Roundup
363dTom Carpenter
NFL rumors roundup
365dTom Carpenter


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Snow Blue's Eerie Adventures, a favorite attraction of Rocketeer
Find yourself on a trip simulating with uncanny accuracy the eerie halucinations and temporary fatalities from Snow Blue's movie. Enter the twelve bachelors' hut, the haunted woods, and the bunker of the Road-Raging Witch's den. But don't worry -- it will all end up almost ever after!
Beware Princess Mode
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A Pants Aflame production


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новости на русском
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Stolen Matisse painting worth around $3 mln returned to Venezuela
08 July 2014 [16:15] -
A painting believed to be a 1925 work by French artist Henri Matisse worth around $3 million was returned to Venezuela from the United States on Monday more than a decade after it was stolen from a museum in Caracas, Venezuela's government said.
The "Odalisque in Red Pants" (Odalisque a la culotte rouge)is thought to have been stolen from the Caracas Museum of Contemporary Art in 2002 but its disappearance went unnoticed for some time because the thieves put a fake in its place.
"It's generally well preserved," Culture Minister Fidel Barbarito told local television from Caracas airport where a white box containing the painting was shown upon arrival after a court in south Florida authorized its return.
"This is another achievement of the Bolivarian revolution, of a government in touch with the arts," the minister said, referring to the country's 15-year-old socialist government that began in 1999 with the election of the late Hugo Chavez.
Barbarito said the painting would undergo a delicate 72-hour "acclimatization process" and be back on display at the museum in around two weeks. There was damage to the edges of the work but not the painting itself, he said.
The painting was recovered in July 2012 in an undercover FBI operation at a Miami Beach hotel where Pedro Marcuello Guzman, 48, a Cuban living in Miami, offered the work to undercover police for about $740,000, admitting it had been stolen.
It was retrieved after his accomplice, Maria Martha Elisa Ornelas Lazo, 52, of Mexico City, arrived from Mexico carrying the painting in a protective tube.
Ornelas was released from prison in January while Marcuello is due for release later this year, the Federal Bureau of Prisons website showed.
The Caracas Museum of Contemporary Art, formerly the Sofia Imber Museum, purchased the painting from the Marlborough Gallery in New York in 1981 for $400,000.
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ED Conference 2008
The 2008 edition of the European Design (ED) Conference took place between May 16 and 18 at the Södra Teatern, in Stockholm. Following Athens in 2007, the Swedish capital was this year's host city for this one-of-a-kind celebration of European communication design.
If the conference venue moved from South to North, its fifteen speakers came from all corners of the continent – from Porto in the southwest to Moscow in the northeast, from Bergen in the northwest to Thessaloniki in the southeast – but also from its very geographical centre, which is located, according to the most internationally accepted calculations, 26 kilometres north of Vilnius, the capital of Lithuania. Not many of us Europeans know this, and other locations have claimed the title for centuries: from Dresden in Germany to Krahule in Slovakia or Frauenkirchen and even somewhere in Telemark, in southern Norway! The notion of a geographical centre for the continent has shifted during the continent's history, together with the perception, or interpretation, of what Europe and European actually means – and not only geographically.
Does, or should, a European Design Conference address issues such as this? Should there be a main theme or an issue to it? ED-Conference's unique format asks invited speakers to elect one particular project they have worked on and, following a short introduction to their work, develop a case-study presentation. This allows the audience to see and hear some of the facts, figures and stories behind some of the best work done in Europe today, something other design conferences fail to deliver. There is therefore no need for a 'central issue' or a 'larger picture' to be introduced. However, is there something that can be said from the sum of all these parts? Here are a few notes on all of the speaker's presentations:
GoldStudio, Denmark
Ole Lund is GoldStudio's founder, creative director and the head of the studio's soon-to-be-opened New York office. Grafitti artist Marco Pedrollo will soon head the Copenhagen branch, after seven years with the company. Both came to Stockholm to show how GoldStudio adopts a freer, less conventional and more 'artistic' expression in their projects for commercial and cultural clients. However, they didn't talk about GoldStudio's philosophy, work and clients on their own; they allowed other people to do it for them. Part of their 'Art vs. Design' presentation consisted of a video showing three of their competitors – a fashion stylist, a musician and a graphic designer – discussing and evaluating some of their work. This expressed, in Lund and Pedrollo's view, more about GoldStudio than what they actually could say about themselves. This video was a clever and refreshing strategy not to show so much the work, but rather to share some comments about that work and in the process bring peer evaluation to the stage. It was yet further proof of how GoldStudio is permanently breaking the advertising and visual communication industry's own rules, something you can only do when you have been working in the business for a long time – like Lund – but at the same time have surrounded yourself with people from various artistic fields, benefiting from their skills and world views.
Laboratorium, Croatia
The founders of Zagreb-based studio Laboratorium, Ivana Vucic and Orsat Frankovic, presented one of the most consistent talks of the conference. Under the title 'Packaging ego – or how to dig identity for creative clients', they showed examples of how often the designer's work is really about ego management. From the individual egos of 'creative clients' to the 'collective ego' of a cultural institution, from the 'multiplied ego' of an artists' collective exhibition to their own self-promoting 'designer ego'. Some of their work for artists and the cultural sector, such as Kristian Kocul's conceptual monograph or the catalogues for The Croatian Association of Artists show a deep belief in collaboration between designer and client. This understanding of collaboration is fundamental when you are creating work from other people's creative output, and in Laboratorium's case it is this understanding which allows them to question the very notion of authorship of the 'end result'. In the case of blablab®, Laboratorium's product label, that sense of dialogue and collaboration between designer and client/user can also be found: from the 'Growing Xmas Kit' to the 'Everlasting Adhesive Calendar' and the 'PriesTshirt', the user is always invited to complete the products and add meaning to them. In the end, Laboratorium's job really is, as they say, about 'communicating what the client wants to say'.
Graphic Thought Facility, UK
Andy Stevens, who founded Graphic Thought Facility in London with Huw Morgan and Paul Neale, showed how the same client can go from big to small in 15 years. In 1993 they got one of their first jobs through an interior designer friend: a commission to create the identity for a Japanese restaurant in Brighton named Oki-Nami (Big Wave). Back then, GTF was a small studio of three with little work, so they dedicated all their time to defining an attitude to the whole environment – something that ended up being called 'Japanese techno-rawness'. Exploring both the 'exoticness' and the cultural and visual clichés that were associated with Japan in the early 1990's (from 1970s Japanese advertising to the first models of the Sony Walkman), GTF managed to create an identity that was, in Stevens' words, both 'ignorant and respectful': a play on what could be expected of a Japanese restaurant (neon, manga, ideographic characters, origami) in a time when these concepts were not so common in the UK. The shop front's neon sign – for which Andy showed an impressive amount of sketches and alternatives – became the focal point of the whole identity, and originated many of the restaurants' printed materials, from menus to chopstick sleeves. In 2008, GTF were again called by Oki-Nami's owner Mike Dodd to rework the identity for the upcoming relocation of the restaurant. Now also partly owned by a famous Brighton native, Norman Cook (a.k.a. Fatboy Slim), Oki-Nami had made a name for itself, so Stevens, Morgan and Neale – now directors of a much bigger and well-known studio which their anthological exhibition now running at the Art Institute of Chicago attests to – had a much harder job on their hands. Despite this, Andy estimates that they spent much less time in redesigning the current identity. For them, a restaurant logo is not a brand; not only is there less investment involved, but the client is more open (even if more apprehensive) towards change. In Oki-Nami's case, change was of a subtle kind: through a reinterpretation of the essence behind the original neon sign, a more matured, settled identity was seen to meet the restaurant's current needs and context. GTF was successful in recreating an identity that captures what Oki-Nami is now, in a time when sushi places are common, we all have internet, and Japan is less exotic than it was 15 years ago.
46xy, Italy
Letizia Abbate of 46xy talked about the Milan-based studio's creative direction for two of the most important magazines in the history of design. Her presentation, titled 'domus vs. Abitare. Make a design magazine', compared the strategies behind the art direction for the two titles. First up, the 'historical magazine' domus. Founded in 1928 by Italian architect Gio Ponti, it has been a reference point not only for Italian, but also for global architecture and design. In 2004, the magazine's newly appointed editor-in-chief, Stefano Boeri, invited Mario Piazza and his studio 46xy to head the magazine's art direction. In Abbate's own words, they had some tough acts to follow: the magazine editors and art directors included some of the most important masters of the craft. But following Italo Lupi's mannerism, Alan Fletcher's picturism, Simon Esterson's neo-functionalism, 46xy wanted to recapture Ponti's original and long-gone eclecticism. So a new, more choreographic approach to the magazine's layout was needed, something that could encapsulate all the new forms of content that come into play in our contemporary (media) world, such as TV, cinema, the internet and all their new languages and narratives. During Boeri and Piazza's collaboration between 2004 and 2007, domus radically changed the way a design magazine is, well, designed – from its story-telling three-page covers to a whole issue without a single word. In 2008, the same team of editor-in-chief and art director did it again: with the total makeover of Abitare, also a historical magazine (founded in 1963 by Italo Lupi) on Italian architecture, design and visual arts but directed to a non-specialised audience. Boeri and Piazza have been exploring different ways to approach and understand reality through a magazine, exploring fresh narratives and projects. So both through a 'designer and architects' design and architecture magazine' and a 'design and architecture magazine for everyone', 46xy showed how a magazine, and especially a design magazine, is not only about showing pictures and type, but can also be a 'multiverse medium', a 'non-neutral container' of content.
Gorilla, Netherlands
Since October 2006, a visual column can be found on the front page of De Volkskrant, one of the Netherlands' main newspapers. This visual column, and the collective who puts it together every day, is called Gorilla, and in 2007 both were the recipients of not only the first ED-Award Jury Prize, but also of an ADCN lamp, a Dutch Design Award and a Reddot Design award. Gorilla consists of the Netherlands-based studios De designpolitie, Lesley Moore, and designer Herman van Bostelen. Representing the former and the whole collective, Richard van der Laken and Pepijn Zuburg came to Stockholm to talk about how Gorilla has been impacting on Dutch and international media. Reacting with words and images to the news of the day, Gorilla manages to comment on domestic and world issues in a direct, often witty, and always thought-provoking way. One of the most interesting aspects of the presentation was how, two years after its creation, Gorilla can now be seen as something larger than a small column in the corner of a front page. You can access all the Gorilla columns online on the newspaper's website, place your comments on each of them, download the respective PDFs (all Gorillas are vector-based artworks), print them at whichever scale you want, make a poster out of them (or as many as you want), even order a T-shirt with one. Gorilla is now more than just a column, it is a platform for (visual) communication.
Labomatic, France
Pascal Béjean started day two of the conference with music. He skipped the studio's portfolio introduction (only showing photos of their office before they moved in) and began talking about his case study, an 'intégrale' or anthology box set for French pop music legends Michel Berger and France Gall. For the sake of context, he played several of their songs from the 1970s and 1980s, and also some music anthems by – who else? – ABBA created at the same time. An unabashed music fanatic and collector, Béjean was not so much concerned with showing 'a great spectacle of graphic design' during his presentation, but rather with showing how for him, and for Labomatic, working with music is not about working for the 'music industry' – and all its marketing tools, tricks and product managers, whom he called 'saltimbanques' (circus performers) – but really working with the musicians, and sharing a part of their life in the process. The way he collaborated with France Gall (Berger died in 1992) on the box set was an example of this: going through years of photos, lyrics and memories allowed Labomatic to really create something special and unique, not merely a marketing stunt for an industry in crisis.
PetPunk, Lithuania
Gediminas Siaulys and Andrius Kirvela called their presentation 'Surviving between an Eastern yesterday and a Western tomorrow'. The young Lithuanian duo started by showing images of life in Lithuania before and after 1990 – when the country became the first republic to break free from the Soviet Union. A mixture of vernacular imagery, consumer products and their own work, these images showed by Kirvela – and randomly interrupted by Siaulys' jokes, comments and white board scribblings – included old and new toys, dodgy labels, 1920s posters, not-so-great clothes hidden behind much better graphics, animated traditional paper cutting motifs and a video for a Eurovision Song Contest act. All this culminated in their case study, an animated video for Vilnius, European Capital of Culture 2009. This playful video presents the Lithuanian capital not only as a peaceful town with 'streets breathing in nature' or 'kind citizens', but as a capital with the 'floating spirit of creativeness', using stuffed toys, live animal heads, paper type and a considerable amount of play-doh. As a young nation with a long history, which few people have visited, the organisers of Vilnius 2009 can play with people's perceptions of the city in this video using imagination, intrigue and humour. In this way, they wish to attract like-minded individuals – what they call experimentators – to come to their capital: curious, creative people, open to new experiences. Whether everyone in Vilnius identifies with this video we don't really know, but if Petpunk are anything to go by, Lithuanians – fortunately – don't seem to take themselves too seriously.
designersunited.gr, Greece
Following a hommage to the mayor of his hometown of Thessaloniki and a brief showcase of some projects, Dimitris Papazoglou of designersunited.gr focused on the studio's redesign of Makedonia, Thessaloniki's main daily paper and Greece's oldest running newspaper, affectionately known as 'the old lady'. For this job, designersunited.gr aimed not to totally change how the newspaper looked, but rather to redesign the Makedonia whilst maintaining the elements readers expected from the newspaper. So they looked to the past (both such sources as Papazoglou's own newspaper fanatic grandfather and the more recent examples of failed Greek newspaper redesigns) in order to bring Makedonia into a new era. This meant the desired approach to redesigning the newspaper should be, as Papazoglou mentioned, 'more architectural and less decorative' – less revolution, more evolution. Also in his own words, 'the final outcome (of a newspaper design) depends not only on the systematic methodology that the designer employs, but most importantly on managing the process itself, since interaction with journalists, cooperation with page makers, and training of employees are critical aspects in order to secure the newspaper's longevity and prosperity.' This notion of who-does-what, of content vs. form, of hierarchy, was essential for a newspaper where, according to Papazoglou, journalists used to sketch the layouts of their written pieces and hand them to the page makers. This meant Papazouglou himself 'lived' on the newspaper's headquarters for a few months, implementing not only Makedonia's new format (tabloid to berliner), new typefaces and a new distribution of content, but indeed changing the way the new design was understood, from the newspaper staff to its readers. Not only was this a remarkable achievement, but since the redesign Makedonia has had an impressive increase in sales.
Christian Altmann, Propeller
Christian Altmann, a Swiss designer based in Stockholm since 2006, filled in for Fernando Gutierrez, who sadly couldn't make it to Stockholm. Altmann is art director and graphic designer at Propeller, one of Scandinavia's top design agencies – a creative group of product, interaction and graphic designers and design strategists – part of Design Communication, a leading global design group with offices in Gothenburg, Stockholm, Tokyo, Detroit and Munich. Altmann chose as his case study the Looflighter, a 'revolutionary barbecue lighter' that has been entirely developed at Propeller. A technology created by Swedish inventor Richard Looft, this electric lighter starts any barbecue fire within seconds, uses no chemical accelerants and saves a huge amount of energy and resources. Propeller's job meant designing the lighter itself, coming up with the premium brand for it, and creating the graphics, campaign and packaging. Altmann's presentation was strikingly different to everyone else's, as it introduced the 'consumer product' dimension of graphic design, so often overlooked in design conferences. He also managed to bring a refreshing dimension of locality into the conference: you can actually buy the Looflighter in many places around Stockholm.
Henrik Nygren Design, Sweden
Out of the conference speakers, Henrik Nygren was the one who took the least time to get to the venue: his studio, located in a former brewery, is literally just a few blocks down from Södra Teatern. Distance, dislocation or displacement could however be said to be a recurring theme throughout his presentation, which did not focus on a specific project, but rather on the last 17 years of his career. Starting by describing how he feels to be in, and away from, his native island of Gotland, Nygren, who had no formal training in design, went on to talk about his unique educational experience with Paul Rand in Switzerland and on how he felt when he was made redundant from the agency he was leading back in 1991, at the height of his career. This life-changing incident meant he was on his own again, though as Nygren explained, a designer is never alone: he states one of the most important qualities of a designer's work is 'you are never alone, sitting in front of a screen. You must always work with others.' And those 'others' can be located anywhere, so a set of rules, a work methodology must be found. The visual identity for Baltic, a cultural centre in Newcastle, which he developed entirely by faxing out instructions and guidelines, is an example of that methodology. Similarly, so are his two 'false twin' books and posters for Swedish architecture and design office Classon Koivisto Rune, the redesign of Stockholm's Moderna Museet identity, or his solid, heavy box of six postcards for Gerry Johansson, Sweden's oldest living photographer. A process he simply explains with a set of verbs: 'plan, sort, refine, organise, calculate, create'.
Grandpeople, Norway
Magnus (Voll Mathiassen) and Magnus (Helgesen) represented Norway at the ED-Conference. The remaining third of Grandpeople, Christian Strand Bergheim, stayed in Bergen healing a broken ankle. As they say, Grandpeople hail 'from a country associated with a type of Scandinavian modernism that conflicts with their perception of true Norwegian culture and mindset'. So a focus on contrasts and nature occupies much of their work which is mainly for creative industry clients in Norway. Their projects, developed for music festivals, cultural institutions and record labels, show an elaborate, decorative use of illustration and typography, through which they try to steer clear of what is often expected from 'Norwegian graphic design' – whatever that means today. The case study they presented, 'Beast/Per/Music', is a series of compilations by recording artists from Power Blytt, a new electronic music label from Bergen. They were commissioned to come up with an identity for it, however there was no money for promotion, no brief and no real direction from the label: it was a typical 'white canvas' situation. So they came up with their own brief, starting from clichés associated with the compilation genre, such as 'face-on-the-cover', recognisable type arrangements and what they called 'light absurdities'. They then delved into Scandinavian nature (wood, stone, wildlife), Nordic culture (Viking and pagan motifs, traditional decoration) and came up with a series of 'sculptures with personality', odd three-dimensional shapes with jewellery, wooden legs and shiny bodies. Photographed in dark, mysterious lighting, these sculptures became the intriguing cover elements of this compilation, 'combining the awkward music compilation aesthetics from the 70/80s with Norwegian fairy tales/myths'. This combination resulted in 'a product that is strange, and that gives shelf impact that is directed at curious people (…) it is the 'face-on-the-cover' tactic, done differently'. It also encapsulates Grandpeople's philosophy: 'we don't want to create stuff that promotes indifference'.
OSTENGRUPPE, Russia
Eric Beloussov of Moscow-based Ostengruppe came on stage with Ksenia Filatova and Maria Privalova, who helped with translation and presented a series of past and present Russian visual and graphic references, ranging from 1920s Aleksandr Rodchenko posters and Stalin-era propaganda to current boy band billboards. Ostengruppe's case-study for the conference followed: their work for DOM, a cultural centre in Moscow, for which they created both the identity and, over the past five years, all visual materials (which include over 200 posters, CD covers, calendars, books and photo albums). Their aim for this project was to create 'a style' for DOM, an original, easily identifiable style that would clearly set it apart from mainstream visual communication in Russia. In Beloussov's words, 'we live amongst garbage', and they wanted DOM stand for something else. DOM's graphics, and particularly its posters, are according to Beloussov himself, 'bold, daring and experimental', and at the same time manage to both have the 'look of culture' and 'aggressively invade public space'. To arrive at that style, Ostengruppe went back in history and found inspiration in Russian constructivism and futurism to create a prolific, noteworthy body of work that, many decades later, may not be exactly 'a slap in the face of public taste' (the provocative title of Russian Futurists' 1917 manifesto) but can already be seen as part of Russian design history.
R2 Design, Portugal
Lizá Ramalho and Artur Rebelo began their presentation with a 'zoom in' into their universe, from outer space to Portugal, to Porto, to their neighbourhood, and finally to the detached house where their studio is found. They then went on to show some examples of their work, together with their own 'found images', showing how much the latter influences the former. From the five computers found discarded in the middle of nowhere which they used for a self-promotion poster, to the hand-written names on fisherman's boats which they photographed, processed and used on the identity for a short film festival, R2's work seems to be a play of elements from their own – almost vernacular – surroundings within a tightly controlled and detailed set of rules. Their case study, the 'Unfinished Trajectories' installation for Casa da Música, Porto's main concert hall, is also an example of this play of elements. Commissioned to create a temporary installation for one of the rooms in the Rem Koolhaas designed building, R2 chose an access corridor, and a book, to translate what they consider an important aspect of the concert hall: the very architectural experience of being and wandering around inside it. First they asked people to answer questionnaires about their feelings towards each of the building's spaces, and then organised that data according to disparate criteria (alphabetical order, scale, capacity, colour, number of characters, etc), creating unique, sometimes impossible itineraries and explorations of the space. Those trajectories were shown in the corridor and in a small book, which became seamless continuations of each other. From three-dimensional reality to two-dimensional printed page, and back again, like so much of R2's work.
Kokoro & Moi, Finland
Teemu Suviala, one of the two founders of Kokoro & Moi (the other is Antti Hinkula), came to Stockholm mainly to elaborate on how their studio got its (new) identity. And we're not talking about visual identity, his talk was really about how they got their name. Known before as Syrup Helsinki, a highly acclaimed graphic design studio with offices in Helsinki and New York, Syrup were the first graphic design studio to win the prestigious Finnish 'Designer of the Year' award in 2005. In 2007, Syrup Helsinki's parent company, the New York-based Syrup LLC, was acquired by the international digital agency network LBI International AB, and the Syrup Helsinki founders acquired the whole share capital of Syrup Oy. All these mergers and acquisitions meant that Suviala and Hinkula could either grow even bigger or stay small. They chose the latter path, stayed in Helsinki, but needed a new name. So the long process of getting a new name began, one that reflects their own philosophy in design: 'when you connect ideas that haven't been seen together before you can create something unique and new. You have also a pattern for this which is 1+1=3. Usually it's even more.' This process of random associations of names and things, something Suviala also called the 'superstupid' approach, started outside the Bølgen & Moi restaurant in Bergen, Norway. It then went all the way to Yugo, their long-time client in Tokyo, from there to Totoro (the big, 'huggable' Japanese cartoon character) and somehow, a few unexpected steps later, ended up in their final name. 'Kokoro' is Japanese for heart/mind/spirit, 'Moi' French for me and also Finnish for hello/bye. The name reflects their location, their ambitions (half of their clients are international) but also their open, curious and enthusiastic state of mind.
Erik Spiekermann, Germany
For a graphic designer audience anywhere in the world, Erik Spiekermann needs no introduction. The recipient of the first European Design Hall of Fame Award in 2007, he was invited to deliver the final presentation of this year's conference, and it sure was something to remember: Spiekermann is a fast-paced speaker, and his breathtaking talk spanned over 35 years of his career, from its highest points – the worldwide recognition of his Meta typeface, for example – to its lowest points – his departure in 2001 from MetaDesign, the worldwide design consultancy he founded in 1979. If nothing else, Spiekermann's career is proof of how wide-ranging a designer's career can be. Huge, high-profile clients like the German Railways, Bosch, Audi, The Economist magazine or the Berlin Transit Authority mean that Spiekermann's work ends up not being finished products, but rather sets of instructions or guidelines, which take years to implement and require patience, diligence, dedication and ultimately, time. One can take only so many notes at a Spiekermann talk, as it is ripe with humorous insights – even though 'you can never judge a people's humour if you don't speak the language', pearls of wisdom – 'design is what your clients have, you design corporate designs' – and a few life lessons – 'design is a verb: it is how we do something' and 'design is a noun, it is what we do.' As with all of Spiekermann's talks, there was a feeling of a generous sharing of experience with the audience, and at the same time an irrepresible excitement about what he does, and about what everyone in the room does. Spiekermann always seems to have so much more to say about graphic design, but there never seems to be enough time.
This year, there were perhaps two recurrent topics in the presentations. The first, well expressed by Thierry Van Kerm, the conference's Master of Ceremonies, is the so-called 'design job miracle'. Many of the speakers seem not to have a difficult time getting clients; they just seem to appear or call up. So is word-of-mouth, or even serendipity, more important to the design profession than self-promotion? Petpunk got a phone call out of nowhere from Vilnius Capital of Culture, commissioning them to make the animation video they presented. Grandpeople said you can eat 'stale bread' and live frugally, but should always manage to send out your work to magazines and books, as 'clients tend to show up' after seeing your work. In the case of R2, designing a poster for an architecture party led them to work on many identities for architects and even an architecture triennale, and jobs for architects still keep coming. Sometimes, you don't even need a client to see your whole portfolio; Komoro & Moi got a call from Mattel after they saw only the seconds-long hand-written intro to their website. Client miracles, however, don't always happen, so you need to keep your practice going: Henrik Nygren and Erik Spiekermann, who know a thing or two about expanding and reducing the size of their own practices, shared some insights on this with the audience. If for Nygren 'it's important to have enough work to say no' but at the same time 'keep it real', for Spiekermann 'the best new clients are old clients'. So in the end what really matters is doing your job well, as you will be famous for what you do best, regardless of how many publications you are in or how many distinctions you earn.
There was also a sense of flux, of constant motion, in most of the speakers' presentations. Although everyone converged in Stockholm for these three days, many speakers talked of how their work is done remotely, in transit, or for a distant client. Teemu Suviala had just arrived from New York, touched down in Helsinki airport, picked up his wife and baby son and flew straight to Stockholm. Ole Lund is constantly back and forth between New York and Copenhagen. Christian Altmann is actually Swiss, but lives in Stockholm. Erik Spiekermann is German, says he's based in Berlin but actually must live in hotel rooms, judging from the itinerary he has on his blog. Gorilla is made up of three studios based in Amsterdam, Rotterdam and Utrecht. R2 admit to doing most of their thinking on their three-hour drives from Porto to Lisbon to meet clients. Graphic Thought Facility have now their own retrospective show, the first graphic design exhibition at the Art Institute of Chicago. So if anything can be learned from three days of ED-Conference, it is that, like the conference's host city, the many centres of European graphic design are constantly changing. The new ED centre in 2009 will be shifting to Zurich.
May 26th 2008
2,182 Comments
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Granny, a lot more whites were/are on welfare. The housing projects were targeted for blacks and the welfare checks kept them there. When I worked for the city, that was our vacation spot because our boss's boss wouldn't go there. The cops wouldn't even go there after 5 PM for any reason. I sort of like welfare if it's a helping hand but it shouldn't be a way of life.szpork
>We had one ice cream truck in our neighborhood that played . Never could get them to sell me pot.I've also found that the best way to get an ear worm out is to sing the choral movement to Beethoven's Ninth. Since I don't speak German that well, I've learned it phonetically. Afterwords, my auditory mind is so wiped out, nothing can live.


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Paying teenagers as little as $10.80 an hour with a "starting-out wage" has polarised the opinions of Taranaki youth and the people who employ them.
The Government's new youth wage will replace the current new entrants and training wage and is set at 80 per cent of the $13.50 adult minimum wage.
It will apply for the first six months of employment and starts on April 1 next year.
Hawera teenagers Liam Buckland, 17 and Keani Broughton, 14, said they preferred the old wage levels.
"More money, that's always better," said Liam.
"I'm already an electrician apprentice and I get paid more than that. It's only a few dollars more but it adds up."
Keani, a Hawera High School student, said he was confident he could get a part-time job and would want to start off above that minimum.
However Buddy Sharpe, 16, said it "doesn't fuss me".
A correspondence student, he was interested in landscaping for a future job and if someone wanted to pay him $10 to get started, that was fine.
New Plymouth Pak 'n Save owner Peter Melody said it was a win-win for young employees and employers.
"It gives people who have never worked before the opportunity to get their foot in the door.
"When you're running a commercial business you have to look at costs and do things the most cost-effective way," Mr Melody said.
"If you're employing at a higher rate, you may as well employ an adult on a minimum rate and then the kids don't get chances."
Hawera Paper Plus owner Janice McCallum said the wage is too low and six months too long.
"These young ones that start working, a lot of them actually leave home at a similar time, so some of them have fairly similar expenses to any other adult."
Her business had more success getting good employees through the three-month trial.
"We've had a few staff not get through it, to be honest.
"Perhaps a 16 to 17-year-old working for that small amount is probably not going to be on their best performance anyway.
"Especially the unemployable that sometimes we see coming through - why would they get off their butts for $10?"
Campbell Mason said the starting-wage was a "brilliant" idea because he could offer training on the job while off-setting the costs.
A self-made 22-year-old who created his own Hawera cafe business, he said the biggest challenge starting out was finding someone willing to hire him with no experience.
"It's a safe option for an employer who can take someone on and if they prove their worth they can up their wage.
"It's just good business.
"If they prove they're worth more than $10 per hour I'll happily pay them to keep them as a worker."
- Taranaki Daily News
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Complete revamp on the cards for Waitara petrol station
Brexit brings some benefits for Taranaki people
Pro boxer called on to help young Taranaki offenders find their potential
Daffodils and kowhai planted on newly adopted Bell Block pathway by school
Rotokare halo project enhances a Taranaki treasure and its surrounds
Trip Advisor supplies more accolades for Pukekura Park
New information to be passed onto police regarding innocence claims
Police praise public response at crash site
Photographer finally displays Taranaki photos from 29 years ago
Google turns NZ streets into a giant game of Pac-Man
'Dare to believe' speech aids Taranaki bowlers
Upsets in opening round of club rugby
Chaos the dog is back from the brink
Losing hair supporting loved-ones
South Taranki iwi receives Crown apology
Taranaki paracyclist chops wood to raise funds
Petitioner says DHB has 'ripped' out service
Photographer finally displays Taranaki photos from 29 years ago
Convicted murderer Denis Luke's family appeal his release rejection
Police praise public response at crash site
Chiton-crab a rare find in Taranaki
Complete revamp on the cards for Waitara petrol station
Rotokare halo project enhances a Taranaki treasure and its surrounds
Long-time councillor Heather Dodunski standing for mayor after 24 years
New All Black Seta Tamanivalu primed for Chiefs return in home land of Fiji
Paceman Ryan McCone adds more depth to CD bowling stocks
Whangamomona cemetery could be opened, turned green
New information to be passed onto police regarding innocence claims
What's your expectation of former tropical cyclone Pam?Related story: Cyclone Pam hits New Zealand
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