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Advertising in the HUB
As the community center for the UW Seattle campus, the HUB views communications about campus events, programs, and activities intended for UW students and the promotion of the educational mission of the University as central to our mission. To this end, the HUB offers multiple methods for event promotion for use by the UW campus community.
Inside the HUB: Chalking any surface inside the HUB and on the HUB patios is strictly prohibited.
Outside the HUB: Outdoor chalking is allowed to advertise campus events by RSOs, ASUW, and GPSS. Outdoor chalking must meet the following:
- Chalk must be water-soluble and non-aerosol.
- Chalking is allowed on concrete or asphalt walkways.
- Chalking is not allowed on brick, stone, or marble walkways, or any vertical surfaces (i.e., building walls, poles, public art, stairways, fences, etc.).
- The organizer's name must be included.
- Fines for violations of this policy will be levied based on the labor and materials needed to remove chalk by UW Facilities Maintenance staff.
Clip Stands/Easels
HUB Event Services provides clip stands and/or easels for events held in the HUB. Requests may be submitted to HUB Event Services as part of the HUB reservation or event planning process. Clip stands or easels are provided on an as-available basis and solely for meetings and events held in the HUB.
Inside the HUB: In accordance with WAC 478-136-030, solicitation and distribution of handbills in public areas of the HUB is strictly prohibited. Distribution of handbills or literature may occur within a reserved HUB space and only by those hosting and attending the event or activity within that reserved space. Groups are encouraged to reserve a HUB Literature Table through HUB Event Services for distribution of materials.
Outside the HUB/Campus: UW and non-UW entities are permitted to distribute handbills and other materials on pedestrian walkways around campus, but may not block the flow of traffic on these walkways or interfere with scheduled events on the HUB Lawn or HUB Patio. RSOs are encouraged to utilize the Resource Center tents, tables, and chairs for such distribution.
Housing Ads in the HUB
Please contact the ASUW Vice-President regarding ads for off-campus housing.
HUB Bulletin Boards
The HUB has 11 bulletin boards for public postings. All postings must be reviewed and stamped at the HUB Main Desk prior to posting.
HUB Digital Signage
The HUB Video Wall is located on the east side of the HUB Street and is visible from the 1st-3rd floors of the south atria. Ads and promotions for HUB and campus events, programs, or activities are welcome on the new digital displays.
HUB Events Calendar – HUBCal
All public meetings and events held in the HUB are automatically listed in the HUB Events Calendar and appear on this website as Today in the HUB. The HUB Events Calendar may be used to advertise non-HUB events held in other campus locations. The list of events is incorporated into the HUB website and HUB digital signage. There is no cost to submit campus events to the HUB Events Calendar.
HUB Indoor Banners
The HUB provides space along the HUB 2nd floor atrium walkways and stairways to display banners.
HUB Lawn Signs
The HUB Lawn is a favorite place for advertising upcoming events. Since the HUB Lawn is a reservable space, requests for HUB Lawn Signs are approved by HUB Events Services and must be submitted via HUB Reservations website.
HUB Literature Tables
The HUB provides 4 spaces on the HUB first floor and 1 in the HUB Games Area for groups to distribute literature or materials. Since the HUB Lawn is a reservable space, requests for HUB Literature Tables are approved by HUB Events Services and must be submitted via HUB Reservations website.
HUB Main Desk Literature Bins
The HUB Main Desk has 14 slots for distribution of literature or brochures as space allows. There is no cost for using the HUB Literature Bins.


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It was all smiles and hugs at J. H. Rose High School in Greenville Thursday morning as 37 seniors from Pitt County officially graduated high school and received their diplomas.
The students, who came from all five of the county's high schools, were all one credit shy of graduating in June when the school year ended. But thanks to their hard work and an intensive summer school program, they all completed the last course requirements and became the newest members of the class of 2010.
Many of the new graduates say they plan to begin their college careers in the fall.

subset: commoncrawl


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1st time jam makers (girlfriend and I) and this was soooooooooo easy and turned out great. We tripped the recipe, pureed the strawberries (used 7 cups) and decreased the sugar to 3 cups (9 cups in total) and the results were still plenty sweet. This will now become a July tradition, strawberry jam, little wine and lots of laughs.
Sets perfect every time as long as directions are followed to the "T". Simple and always delicious it's a staple in our house.
I altered the sugar content. I used 3 cups instead of 4. I also pureed the strawberries. It turned out fine. Still a very sweet, but not as bad as using 4 cups of sugar.


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The Nashville Flea Market this month was a little disappointing. The weather was bad on Friday and Saturday, so by Sunday a majority of the vendors were absent. As in gone home.
We couldn't make it to the fairgrounds until Sunday so that was a little sad.
As usual I'm sharing pictures of things that interested me…..
what a pair, I'm fringe crazy
two beauties
It looks like someone drew a diagram showing the internal organs!!!
I fell in love with this chair and meant to ask the price but forgot all about it, duh.
rust love
monstrous pieces of furniture
I brought this one home.
There was some wonderful painted furniture and I took lots of pictures. I'll share those in a few days.
Sign up to receive my posts in a reader here, or email sign-up on my sidebar, and a Facebook like is always cause for a happy dance.
Thanks for stopping by,


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Q10159 - HOWTO: Moving a Reef Tank, Part 2
Now that all the preparations are made and all the eventualities within reason have been planned for it is time for the big move. During the move, try to do things as systematically as possible as this will save crucial time. The first thing that you want to do is siphon as much water as you can without leaving the corals high and dry. Don't throw this water out, as this will be the water that you'll use for packing the animals, so fill the bags you are using for transport and place the bags within the Styrofoam boxes. The reason that you want it out first is twofold: first, it enables you to provide clean water for your charges for their trip, and second, you took it out before you started stirring up the tank so the water remains clean and without any detritus. Also by lowering the water level, it will be easier to work in the tank. While the water is being drained, all of the equipment should be unplugged with the exception of the lights, this will reduce the likelihood of any electrical shock while the animals are being removed. Once the water is removed it is time to start taking out the animals. Start first by removing the animals that are easiest to remove, that is those that are not wedged in or holding something else in. Since you are going to remove everything in the tank, removing the easiest pieces will save time in the long run. Carefully remove each piece and then place it in its individual bag. For the more delicate pieces of coral that you have (Acropora, Xenia, Anthelia etc.) it may be necessary to hang these upside down in the bag from a piece of Styrofoam. Simply place a rubber band over their base and wrap this rubber band over a small block of Styrofoam. Then place this block in the bag with the animal hanging upside down. This method of shipping will prevent the animal from being smashed during transit as well as allow any detritus on the base rock to fall to the bottom of the bag rather than sit on the animal.
Once the easy pieces are removed, the larger or more firmly attached pieces should be removed and placed in their bags. Please make sure that all of the bags have adequate water in them for the size of the animal in them. Don't try to scrimp in terms of space or water when placing the animals in their respective bags. The weight of animals and water should be balanced within their boxes both in terms of overall weight in each box, but also in terms of weight distribution within the box so that a box doesn't inadvertently tip over in transit. Also, if you can possibly avoid it, do not place more than one specimen in each bag. Eventually all of the corals and other invertebrates will be removed, leaving only the live rock and fish remaining in the tank. Even though the invertebrates are now in their bags, do not seal the bags yet. This will be done last once everything is packed so that as much oxygen as possible will be in the bags during shipment.
The next step is removal of the live rock, which is slightly different than the removal and packing of the corals. For shipping purposes, it is desirable to have the largest pieces in the bottom of the box. What I do when shipping live rock is first place a couple of thick garbage bags in the Styrofoam box and then fill the bag with an inch of water. Then place the largest pieces of live rock in the bottom of the box with smaller and smaller pieces placed on top. This is done to prevent the larger pieces from crushing the smaller pieces. Next cover the rock with paper towels (a good quality kind that doesn't break down immediately when wet) and allow the towels to touch the water. This will allow the rock to remain moist and clean unlike when newspaper is used which may bleed ink or other compounds into the water and is also denser than paper towels; which may reduce the ability to exchange oxygen. Once again the bag should not be sealed at this time.
The last remaining inhabitants to be removed should be the fish and any non-sessile invertebrates (i.e. shrimp, snails, etc.). These should be captured as quickly as possible and placed in the remainder of the bags that were filled with the original clean water. These bags should then be placed in their own box and not sealed. If a biological filter is part of the tank's set-up it should be shipped just like the live rock, moist rather than submerged.
Once the animals and everything else has been removed, the tank should be marked so that when new water needs to be made up once the trip is completed it can be done in an expeditious manner by simply filling the tank to the mark. The remainder of the water can be drained off and the equipment can then be removed, wrapped and carefully packed for shipping. If possible, use the original cartons for shipping as these will greatly reduce the chances of breakage; particularly for the glass pieces like heaters and electrodes. If these are not available, bubble wrap or like material should be used for wrapping.
These hard goods should then be placed in the mover's van or your vehicle for transit. At this point it is time to do final preparations for shipping the animals. If oxygen is available it should be placed in the bag and the bags should then be sealed and placed in the boxes that should also be sealed. If oxygen is not available then an air pump should be used to introduce air into the bags before they are sealed. If it is hot or cold, heat packs or cold packs should be added to the boxes before they are sealed: try and keep the temperature relatively constant. Once all of the boxes are sealed, they should be placed in their transit vehicle. If they are going to be exposed to extremes of temperature, they should be wrapped in blankets.
If the animals are going to be in transit for less than 30 hours there is nothing that should be done for them during their trip as long as they were packed properly with lots of water. If they are going to be in transit for greater than this period then a few grains of carbon should be placed in each shipping bag. Also if the trip is longer than 30 hours then periodically along the way the bags should be opened to allow for additional oxygen to be introduced. Even better if it is possible for long trips partial water changes should be done for the most delicate fish and corals.
Once the animals have arrived at their final destination, the first thing that should be done is to open the bags to allow oxygen to enter the water. Air pumps should not be used to force air into the water as this may drive off CO2, which would cause the pH to rise and this would result in any ammonia that had accumulated becoming more toxic. Once the bags are oxygenated, the tank should be set up in reverse order of how it was taken down. Water should be placed in the tank to the mark that was made plus an additional 10 to 20% to make up for that which was lost during transit. Salt should be added to this to bring it to the proper salinity and the water's temperature should also be within a degree of the temperature of the water in the bags. This temperature may only be 66 or 68 degrees, but at this point the concern is to not shock the animals and get them into a stable environment as soon as possible. In a best case situation water should be made up for the new tank and left in the new residence before the move. This will reduce the caustic nature of newly prepared seawater on the animals and make it much easier to make the move. Once again this is where it is beneficial to have a new fish friend in the new location. If this is not possible, a water conditioner might be added to the new water at this point to reduce some of the caustic properties which freshly made up saltwater has. Any improvements or changes to equipment should be made while this water is being made up with the primary consideration being not to cause any delay in getting the animals back into their home.
Once the water is in satisfactory condition and the equipment is reinstalled, the live rock should then be removed from its packing box and the paper towels removed. If anything has died in transit, it should also be removed at this time. The rock should be placed together loosely so that large gaps are present between the rocks: rather than it resembling some great wall. Once the rock is in place the invertebrates should be acclimated to the new water for 20-30 minutes with as much water from their bags as possible being placed in the tank so as to reduce any chances for shock. At this point, the fish should also begin to be acclimated for introduction, once the corals are back in the tank. During this time, any extra water that came from the original tank that is in the shipping bags should be added to the tank. While the corals and fish are floating in the tank to be acclimated, the water level should be high enough to start and run the equipment. If any problems exist, correct them. The lights should also be turned on at this time, but not at full strength, as you don't want to shock the animals since they have been in the dark for quite some time. The corals should then be placed in the tank in close to their final desired places. Please note however that they don't have to be placed perfectly as right now we are more concerned with saving time than perfect placement. Once these are placed within the tank the fish can be gradually introduced.
Once the fish are in the tank I have found it advantageous to leave the lights on the first night for 10 or 11 hours in order to allow the fish to get accustomed to their new surroundings. This also allows the corals time to drive off some of the CO2 and waste that they have accumulated while being in the dark by allowing their algae to metabolize these waste products. At this point it might also be a good idea to provide some carbon filtration and good water flow to further remove any waste products that have accumulated. Over the course of the next few days the lights can be placed on their regular schedule.
Going through all of this effort may seem extravagant; however, the final result of a successful move with minimal losses is well worth the effort. If you have a job where you frequently need to move, I strongly suggest that you keep the size of your reef small, in order to reduce the stress on both yourself and the inhabitants that frequent moving will undoubtedly produce.
Mike Paletta is the author of
The New Marine Aquarium
Ultimate Marine Aquariums
. He has been in the hobby for over 15 years and has written numerous articles for Aquarium Fish Magazine, Tropical Fish Hobbyist and Aquarium Frontiers.
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|Found 168 Recipes
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Egg Souffleby cheftel At Panera they have an Egg Souffles and here is my try. My family enjo..
Onion-Asparagus Omeletby qui I have a tiny pan for making one poached egg. Now, who makes one poac..
Egg White and Veggie Scrambleby EmmyThiel I love a colorful, high protein meal after my morning run, and this is..
Creamy Dreamy Scrambled Eggsby carrak Avocados make the world go around, and definitely give scrambled eggs ..
crustless quicheby robyn247 Needed a low calorie breakfast item with lots of protein
Veggie Omeletby AnnabelMcCarroll My family is close friends with a family that owns a local breakfast a..
Cornbread Frittataby wearefamily My family loves a good frittata and I love making them! It's a quick a..
Wormy Baconby Maddy Yates Bacon is really good and I turned it into something delicious and fun ..
3 Cheese Chile Relleno Bitesby TableSeven My boys love this dish! Preparation is quick and the flavors are big ..
Ground Turkey Omletby meburrous Nutritional Info Calories: 500 Protein: 40g Carbs: 50g Fat: g
Spicy Scrambled Eggsby meburrous Nutritional Info (bread included) Calories: 507 Protein: 50 g. Carb..
Dan's Breakfast Pizzaby dsowonikjr I'm a big fan of Eggs and so is my wife, so I came up with this one to..


text: [Author Prev][Author Next][Thread Prev][Thread Next][Author Index][Thread Index] Re: Tales from the Crypt/Court Subject: Re: Tales from the Crypt/Court From: Becky Schaller <firstname.lastname@example.com> Date: Tue, 25 Sep 2001 05:55:38 -0700 In-reply-to: <email@example.com> Reply-to: Assessment Reform Network Mailing List <firstname.lastname@example.com> Sender: Assessment Reform Network Mailing List <email@example.com> Well, they have it both ways here in Arizona. And I understand they can continue to have it so until someone decides to call them on it. That means a court case. Would someone outline what that would mean -- how that might happen? Yes, Government/Civil Disobedience 101. How does one prepare? How much might it cost? And what are options for funding? Also, might it be a worthwhile thing to do? Or is it likely that a lot of money would be spent only to have the rules changed so that they clearly state they can have it both ways. Becky Schaller Remember, if tests are part of the approved curriculm, then we can see them; if they are not part of the approved curriculm, then they are extra-curricular, and can't require our children participate. They can't have it both ways!!! Michelle Prev by Author: Re: Teacher Liability for giving and not giving Tests/Preparing Students Next by Author: Re: A teacher seeking advice.../To Bill Previous by thread: Re: the plot thickens Next by thread: Mismatch Index(es): Author Thread


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Kerang Turf ClubAlexandra Park, Kerang VIC 3579, Australia0458 291 892
Get together your Family for a Boxing Day at the Kerang Racecourse in 2013. The ultimate way to wind down after a big Christmas Day at home. Get out and about at Kerang's social event of the year! Reserve your packages today.
Over $1,000 in Fashions on The Field.
Koondrook Traders Lady of the Day Terry White Chemist Contemporary Racegoer 18-35 Husk St & Surf Fashionable Young Person U18 Ooh La La Hat of the Day Gravity Clothing Gent of the Day Sportspower Fashionable Boy & Girl Nicks Splendid Shoes Shoes of the Day
Live Music by Bendigo Duo in2u
Gates open at midday.
Buses available from Swan Hill and Barham.
For Barham bus contact Lakes Buses.
Swan Hill bus will be leaving from the big Cod in Curlewis Street at Midday and returning at 5.30pm. $10 return. Must be prebooked. Tickets can be made via the packages page or calling 0458291892
0458 291 892


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'Hard Earned' Shows the Challenges of Making a Living and a Life
An upcoming documentary series from Kartemquin Films tells stories about people working to make a living and working to make a life following the economic recession.
BizVizz: A Mobile App Inspired by a Documentary Film
Independent journalist Tom Roston talks with filmmaker Brad Lichtenstein, who directed a documentary, then created a corporate accountability app. The app is in Apple's App Store today, and the film re-airs on PBS's Independent Lens tonight.
BizVizz: The Making of a Documentary App
Filmmaker Brad Lichtenstein recounts his journey for creating BizVizz, a corporate accountability app inspired his documentary As Goes Janesville.


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The is a 2 piece set made up of a Gravy Boat and its underplate. It is a Gorgeous Pattern with Grapes and Vines encrusted in gold with Cobalt Blue. Fine china by Coalport in the Hazelton Pattern,
Gravy measures 9" across with handle, 3.5" deep and 3 3/4" high. The underplate measures 8" across x 6" deep. The set is in Excellent little used condition. I have other matching serving pieces listed. Marked as shown with Coalport Fine China made in England A.D. 1750 "Hazelton"
Vintage and Antique Items picked from Local Estates
A Selection of Pottery, Glass, Jewelry, Lighting, China Patterns, Kitchen & Housewares, Corning, Pyrex, etc


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Sunflower International Youth Hostel
Real Reviews
Real reviews from fellow travellers
These are trusted reviews from guests who have actually stayed here. We hope you find them helpful.
Note: we only give a property a rating once it has received a minimum of 3 reviews.
- Page:1/1
- " Reception Staff was lil bit retardet... No free tourism information like maps The whole Staff was not really friendly "
- 28 Mar 2016 Jurij Germany
- " Smell from toilet/ducting; needs improvement. "
- 05 Mar 2016 Mei Po Mable Hong Kong
- " Large bathrooms and lots of showers but located next to the bar area. Rooms were fine. They have an area to smoke (if you do), drink, and play pool. You can walk onto a balcony and chat with your friends. It was a good place to stay in Nanjing and I would stay there again. "
- 16 Oct 2015 Anonymous USA
- " I really like staying in that hostel but maybe just because of the nice people i med there. Its near the confusions temple and some other touristic places I stayed in a small 6 bed room. They are really basic. The bathrooms has cabin shower and there are squat and sitting toilets. !! Important: Take you own padlock with you. Apparently you could open all Hostel padlock with the key they give you for yours. "
- 27 Aug 2015 Constance Germany
- " Overall, nice hostel in the Confucius Temple area. Dorm was clean & comfortable. Notes to travelers: if following directions from hostel, hostel is on the left--look for small doorway. There is a small grocery store on the same side as hostel a few doors before the hostel that sells cheaper toilet paper & you have to walk thru common area to use restroom/showers. "
- 03 Jul 2015 Anonymous USA


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The FDM Getting Back to Business Programme will provide you with professional business training, mentoring and fast track career progression to help you return to work after a break in your career. More>>
Find out what makes a Top Employer, and how Workingmums.co.uk Top Employers platform is helping working mums access the employers with a real commitment to flexiblity.
What makes a top employer?
For working parents – and the majority of people working in the UK are going to be working parents at some point in their career – the answer is overwhelmingly flexible working. Flexible working comes top of almost every survey of employee benefits. Top employers recognise that it is not only employees who benefit.
Research shows flexible working reduces sickness leave, reduces staff turnover, boosts morale, raises retention levels, reduces recruitment costs, increases productivity and can cut overheads. So why aren't all employers keen to offer it? One of the problems still appears to be a lack of understanding of all the potential benefits it can bring. Too often employers see it only as an employee benefit and therefore as a bit of a burden to them. Many tend to implement it on an individual basis rather than creating truly flexible organisations. This is where Workingmums.co.uk comes in.
Its Top Employers Platform aims to spread good practice so that employers can see for themselves how the leading companies are taking things forward and potential employees can apply from jobs from them. To become a Top Employer, companies have to show that there are committed to openly supporting flexible working and diversity across their organisation. This includes being able to show that they do not just implement flexible working but ensure that flexible workers do not get sidelined in their career and have opportunities to move forwards whatever their working pattern. They also need to be able to demonstrate that their policies are innovative and show that they are monitoring how they benefit the company.
It is not just about having good written policies but being able to demonstrate through case studies, testimonials and information such as improved retention rates, reduced absenteeism and improved productivity that they are both an employer of choice for working families and are reaping the business benefits of that. The policies of those included on the platform range from providing support networks for parents or women, including mentoring programmes to the range of flexible work they provide as well as support with childcare.
Gillian Nissim, founder of Workingmums.co.uk, says: "When I set up Workingmums.co.uk five years ago it was to put businesses with family friendly policies in direct contact with professional women with years of experience who needed to work flexibly. The idea was that this would prove mutually beneficial and the response we have had over the last five years has more than demonstrated that this is the case. Our Top Employers platform gives the most innovative businesses a place where they can promote what they are doing and share good practice for the benefit of everyone."
The companies featured on the Top Employers platform recognise the long-term importance of retaining and attracting skilled professionals. Companies like Starbucks, for instance, offer a range of flexible working in their 24/7 business. Through their Partner Life service they also offer parenting support, such as sessions on childcare, children's well-being and managing work life balance, via a dedicated counsellor who is available online or on the phone round the clock. Partners – employees – get discounts and share options and have the opportunity to influence company policy through a scheme called Partner Blend, which is where a group of elected representatives gather feedback from their peers, which they then discuss face to face with the leadership team. For working mums there is also a return to work bonus payment.
Another retailer on the Workingmums Top Employers platform is H&M. Despite the straitened economic times, it is looking at offering part-time manager posts in some stores. This is unusual in retail and is evidence of its commitment to working mums. Some 80% of its workforce are women, including a large number of its area managers. Darrin Taylor-Smith, H&M's UK Recruitment Manager, says: "Working mums often have the experience they need to hit the ground running straight away – it's fantastic." For more details about workingmums.co.uk's Top Employer platform, click here. For information on Workingmums Top Employer Awards 2012 which have just opened for nominations, click here.


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Aesthetics of Unova Dex?
View Single Post
January 5th, 2013 (9:35 AM).
Join Date: Jan 2013
Location: Eenope.
Gender: Female
Nature: Naughty
Posts: 21
Milotic is a good example. This is a BW thread? xD
But some of the designs just... aren't that creative to me in BW. I mean, their colors may be gorgeous, and their designs sensical and clever... but it doesn't have that Pikachu glow, or that Milotic beauty!
Ducklett and Swanna. Nice, fitting, sharp colors. The ugly duckling becomes a beautiful swan. They are drawn like Pokemon. Why don't they
like Pokemon? Well, let me compare Altaria, who reminds me a lot of Swanna. It has more going for it than "oh that's a stylized bird drawing." Its body is a cloud, for one (hipster Altaria snarks at Cloudy Unova Trio).
Leavanny is a good example of this. She's made of leaves, so what? Well, she makes her own clothes of leaves, as well. Also, it's very humanoid (contrasts nature and humanity for brownie points!). And this might be irrelevant, but one interpretation of its name is "leaf nanny", which makes perfect sense - especially since it's (EXCUSE THE POSSIBLE SEXISM) very womanly shaped!
Also, Garbador makes trash look good.
(No no, you're fine! I'm just eager to have a big discussion with lots of opinions. xD)
edit: I was ninja'd! Twice! You're totally right, by the way. It even has a mechanical feel due to the coloring, the sort of "armor" skirt, and the bandaid on the chest. (I'm calling it a bandaid.) I have seen some hate on it for having an unproportionally sized head, however. :/
Click the pic to go to my art shop~ I draw humans and ponies (
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well, i got lucky and found one at a bike shop, the last one they had. i need another for another stem though. does anyone know of a place online that sells them?
the front part is smooth, has wedged shape and knurls on it to keep it from spinning when you tighten the back bolt...back bolt is recessed.


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Photos: Prison Tactical Units
Posted by Peter Hvizdak on 06/16/2012 3:42pm EDT tags: Photo
A Correctional Emergency Response Team (C.E.R.T.) celebrates its 30-year anniversary Saturday 6/16/12 at the Webster Correctional Institution in Cheshire, Conn. with an event, open to the public, that shows off the various Connecticut Department of Correction C.E.R.T. teams. According to a DOC brochure, the mission of the Tactical Operations Unit is to provide the Commissioner of Correction with a contingent of specially trained and equipped personnel fully prepared to rapidly respond to emergency situations with the Department of Correction. Demonstrations include the tactical Special Operations Group, C.E.R.T. teams, K-9 teams, Hostage Negotiating teams and mission specific teams. C.E.R.T. was instituted in 1982 and created to ensure that Connecticut's prison system was able to quickly manage and handle incidents in a professional and timely manner. Photo by Peter Hvizdak /New Haven Register [insertSlideshowjava xml="http://nhregister.slideshowpro.com/images.php?album=336725" api="newhaven"]


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I'm in the market for a new camera to take everyday pics of my fam. Recommendations? Something that won't break the bank but takes good quality pictures.
Camera recommendations?
Mama to
Lila Amrita 7/8/05
Comments (4)
Well. . you can't go wrong with a digital SLR. But um. . those can be bank breakers. When I was ready to buy a pointNshoot and quit carrying around my 10 pound camera all the time, I went with canon power shot - i like it b/c it is almost as adjustable as an SLR, takes great pix, and even has video!
the flash is nothing to write home about though. . .
Sarah- BF'ing,babywearing, cosleeping,TEDing, Jesus loving semi-crunchy working/wahm to
A, born 31 weeks, PE, 3lb3oz 27 days in the NICU
You really can not go wrong with a Canon OR Nikon. BOTH brands are great.
The rest depends on what YOU want out of your camera. I still have a rebel xTi (starter level dSLR) and love it. I find it to be easy to carry around, though it is true, no dSLR is going to be a *pocket* camera.
IF you want something like that, a P&S is your only option. And if oyu never plan to really *get into* photography...a good p&s should be all you need ;)
Dakota02, Jax05, Maddox07, Wyatt09�
^agree with Kim
And I still shoot with an entry level dSLR (A Canon Rebel T1i)
I have a point n shoot, which is pretty much become my DS's camera as it has zero battery life in less than 2 yrs, so if you're going that route don't get a Fujifilm finepix
I may get a new point n shoot one day to take around, but I've taken my dSLR to the zoo and such, and it's nice b/c I've gotten high quality pics, which makes me happy. I was sooo tired of missing moments with my point n shoot b/c it was just soooooooo slow, If you want to take control of your camera, a dslr is a good way to go! And an entry level camera will still give you quality images.
Ditto to the can't go wrong with Canon or Nikon. My "pocket" camera is a Canon Powershot. Takes excellent photos in most situations and has a "kids and pets" option that takes the photos faster so you don't miss as much.
My son loves it -- it's very hardy as he's 4 and has a tendency to drop things.
I also have a Canon T1i (dSLR). If you check online you can often find really good deals on the entry level dSLR cameras -- my friend just found a deal for the T1i, two lenses, an extra battery and a bag. She paid about half what I paid just for the camera!
Mom to Bud.Man, Wild.Woman & Crazy.Hair


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Kerastase Resistance Ciment Thermique
Kerastase Resistance Ciment Thermique is a heat-activated, leave-in
reconstructing milk for hair weakened by harsh chemicals, frequent blow-drying
or other heat-styling. Ciment Thermique strengthens your hair from within while
sealing the cuticle for smoothness and resilience. You'll feel the softness and
smile at the shine.
Kerastase products are designed to enhance your hair's natural beauty. Kerastase has created a number of hair care collections, each to target specific hair types. The Kerastase Resistance Ciment Thermique is part of the Resistance line for weak, damaged hair.
Guaranteed AuthenticGuaranteed Authentic
Folica is an authorized distributer of this product and guarantees its authenticity.Close
- Protects and strengthens your hair's outer layer with Vita-Topseal
- Strengthens the internal structure of your hair with Vita-Ciment
- Heat-activated
Apply a quarter sized amount to towel-dried hair. Work it through your hair
in sections, focusing on the middle level and ends and avoiding roots (which can
weigh hair down).
Distribute and detangle using a wide-tooth comb by starting with the ends and working your way up toward the roots. Do not rinse and style as usual. For even more reinforcement, use with Kerastase Ciment Anti-Unsure (a fortifying treatment for weakened hair).
Aqua/Water, Cyclopentasiloxane, Propylene, Glycol, Dimethiconol, Triethanolamine, PEG/PPG-17/18 Diemthicone, Phenoxyethanol, Carbomer, Behentrimonium Chloride, Polyquaternium-4, Potato Starch Modified, Hydroxypropyl Guar, Methylparaben, Limonene, Amodimethicone, Cetyl Alcohol, Quaternium-87, Behentrimonium Methosulfate, Quaternium-33, Trideceth-6, 2-Oleamido-1,3-Octadecanediol, Geraniol, Linalool, Cetrimonium Chloride, Citral, Dimethyl Tin Dineodecyl Ester, Parfum/Fragrance. C25582/1.


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May 24, 2016
LAREDO, TX (KGNS) - Three Democratic races in Webb County will go into run-offs. This is now on a lot people's minds.
The three races are Justice of the Peace Precinct 4, County Commissioner Precinct 4, and Webb County Treasurer. Early voting for the run-offs will be May 19th, with voting day on May 27th.
Tonight on KGNS News at Ten, reporter Orlando Garza brings us more information.
Click Here to access the online Public Inspection File
Viewers with disabilities can get assistance accessing this station's FCC Public Inspection File by contacting the station with the information listed below. Questions or concerns relating to the accessibility of the FCC's online public file system should be directed to the FCC at 888-225-5322, 888-835-5322 (TTY), or email@example.com.


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by Eugene Hernandez/indieWIRE
>> IFP's Script to Screen Offering De Fina, Anders, and Many Many More
IFP's eighth annual "From Script to Screen Conference" is slated for this
weekend (April 9 - 11) at the Fashion Institute of Technology in Manhattan
-- the event is the organization's second largest event after the annual
Featured programs include a Master Class with producer Barbara De Fina
("Kundun," "Casino," "Kicked in the Head"). She will be interviewed by
"Kicked" director Matthew Harrison. While the conference will close with a
special session with filmmaker Alison Anders ("Sugar Town" "Mi Vida Loca").
Also on tap is a preview screening of Lisanne and Tristine Skyler's
"Getting to Know You," which premiered at the 1999 Sundance Film Festival
-- the showing will be followed by a Q & A session with the film's actors
and producers. Other participants in the 1999 conference include:
GreeneStreet Films producer John Penotti, Sunshine's Jed Alpert, filmmakers
Brad Anderson and Tony Bui, Miramax's Jack Lechner, script readers (and
indieWIRE writers) Kevin Dreyfuss and Amy Veltman, Attorney and film rep
Steven Beer, Sloss Law's Paul Brennan, and producers Good Machine's Anthony
Bregman and Mary Jane Skalski, Eva Kolodner from Killer Films, John Hart
(Hart/Sharp), and Gill Holland (CineBlast!).
[For more information, visit the IFP website at:
>> Fox Lorber, Non Fiction Films and Wellspring Become Winstar TV & Video
WinStar New Media Company, Inc. has consolidated its TV and video
businesses -- Fox Lorber Associates, Non Fiction Films and Wellspring Media
-- into the newly named WinStar TV & Video. WinStar New Media President
Stuart Rekant announced that Richard Lorber has been named Co-Chairman and
Al Cattabiani has been named President of WinStar TV & Video. Mindy Rosenthal
has been named COO of the company.
The company produces movies and other programs for video, TV, online and
theatrical venues, its library includes such acclaimed films as "My Dinner
with Andre," "Z," and "The Umbrellas of Cherbourg," along with movies by
Francois Truffaut, Lina Wertmuller, and Akira Kurosawa.
>> Frieda Lee Mock Doc Wins Top Cleveland Fest Prize
The 23rd Cleveland International Film Festival awarded its Roxanne T.
Mueller Award for Best Film to Frieda Lee Mock's documentary, "Return With
Honor." The festival which wrapped up last week, increased its attendance
by 10%, reaching the 35,000 attendee mark. The Festival's "Best American
Independent Feature Film" award went to Kieran Turner's "24 Nights", while
the Georgia Mae Campbell Award was given to Joel Hopkin's "Jorge."
Julie Blumberg's "Between Girls" won the award for Best Women's Short,
while Terri Randall's "Daughter of the Bride" won for Best Documentary
Short and Adam, Jordan and Scott Fields won the Best Ohio Short Film award
for "Script Doctor." The award for Best Student Short went to Stuart
Acher's "Bobby Loves Mangos," and the Best Narrative Prize went to Henry
Barrial's "The Lonelys."
[For more information, visit the festival website at:
SUBMIT A BRIEF suggestion by email email@example.com, or to the office at:
110 W. 57th St.
New York, NY 10019
Phone 212/581-7642
Fax 212/581-1857.


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All organizations, regardless of number of employees, are vulnerable to workplace violence, which can occur in any type of economy. The potential impact of workplace violence can not only destroy employee morale and productivity, but also devastate lives and the company itself.
The University of Georgia released a study that found workplace violence costs the United States $70 billion annually, with $64.4 billion attributed to loss in workplace productivity.
How is workplace violence defined? According to the Occupational Safety and Health Administration (OSHA), workplace violence is defined as violence or the threat of violence against workers that occurs at or outside the workplace, and it ranges from threats and verbal abuse to physical assaults and homicide – one of the leading causes of job-related deaths.
A turbulent economy can make matters worse, especially with the unemployment rate still at a very high level and pay cuts and layoffs dampening spirits. Employees are faced with a tremendous amount of stress and anxiety as they worry about job security, financial stability and bills.
Anger, frustration and emotional instability can build and possibly trigger violent behavior. Recently publicized incidents, such as the University of Alabama in Huntsville mass murder, continue to remind us of the horrifying reality of workplace violence. It can happen – anywhere.


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Wilson, Leigh G. (2006) Psychoanalysis and literary and cultural studies in Britain. In: Modern British and Irish criticism and theory: a critical guide. Edinburgh University Press, Edinburgh, UK, pp. 167-176. ISBN 0748624503Full text not available from this repository.
|Item Type:
|Book Section
|University of Westminster > Social Sciences and Humanities
|Depositing User:
|Miss Nina Watts
|Date Deposited:
|06 Jun 2006
|Last Modified:
|06 Nov 2009 12:20
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|Edit Item (Repository staff only)


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Andrew Carnegie: Ruthless and Rich: PBS Documentary Looks beyond His Philanthropy
Butters, Patrick, The Washington Times (Washington, DC)
"Andrew Carnegie was a flat-nosed Scot with a snow-white beard. Though he unleashed thousands of libraries across the world, he could be anything but Santa Claus."
So says "The Richest Man in the World," a two-hour documentary on the man most remember as a philanthropist. The program airs tomorrow night on PBS.
Narrated by David Ogden Stiers (of the "M*A*S*H" TV series), the film shows us a man who grew up in the squalor of Dunfermline, Scotland. His father was a skilled weaver, an idealist who was crushed by the Industrial Revolution. The family immigrated to Pennsylvania when Andrew was 12.
For most of his life, Carnegie was under the thumb of his domineering, penny-pinching mother, who would exhort: "Look after the pennies, and the pounds will look after themselves." He would not marry until after her death. By then, he was 51.
He emerged in an era of completely unregulated business. Carnegie began working in a cotton mill and then became a telegraph messenger. This enabled him to run among the wealthy as he delivered their messages. He moved up to telegraph operator at age 17 by teaching himself how to send messages.
We learn early that the steel magnate found success by taking the initiative, regardless of the cost or whom it hurt. He went to work for the Pennsylvania Railroad, eventually becoming a superintendent
"Watch your costs and the profits will take care of themselves," was his credo. Make the trains bigger, run them faster, cut wages, make employees work longer - 13 hours a day, seven days a week. (They could take July Fourth off.)
He inspired competition among his plant employees. If a crew fell behind, its members would be fired. He hired men to act as spies among the workers. Unions were the bane of his existence.
Craft workers became - like Carnegie's hand-weaver father - machines. Yet the man's foresight was amazing. He knew iron bridges were the wave of the future, so he invested heavily in iron companies.
When the Iron Age was over, Carnegie turned to steel in 1873 and became its king. …


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though it is not always good idea to eject only FULL tapes(in case of Disastor), but i belive there is always better if Netbackup admin have a option to choose if he would like to eject only FULL or based on treditional way..
Vault FULL tapes
We would like the option to vault only FULL tapes for given volume pools please. Having read a number of forums I believe there's quite a call for this which should be relatively easy to implement as a tick-box option within the vaulting profile.
Without this option we are stuck purchasing many more tapes than we need for given departmental/customer pools or running out of space on our library and then manually ejecting tapes that are not part of the regular vaulting policy because they don't fill up quickly enough to need to be vaulted daily.
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Comments 4 Comments • Jump to latest comment
I agree, My tape library is already off site so I want to maximize the amount of data written to tape and only off site to long term storage when they are Full. If I dont do this my library fills up with Full media not yet old enough to go off site - Pointless as they are no use in the library. Getting budget to buy more library slots is not easy. My other option is to use a short time which leads to tapes going off site part full and taking up storage space in Archive storage.
A simple software fix could avoid it.


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Welcome to the extraordinary collection of Rock Carvings designs. Here you'll find many carvings and drawings of mankind and different animals! It looks original, enigmatic and funny. Any design you choose will attract people's interest, no doubt! Enjoy it!
This great product in from our department Men and Pillowcase category can be printed just for you in the size and style you like. The design rock_carvings_creature9 was created by SentinelM and uploaded to Spreadshirt for you to have printed on a Pillowcase. Next to a host of other great designs, you can find this rock_carvings_creature9 design in Spreadshirt's Robotics category. If you are interested in topics like Culture or Drawings, then you'll love rock_carvings_creature9 designs by SentinelM. Spreadshirt also offers a huge selection of personalised T-shirts, hoodies and accessories for the category Robotics as well as top Enigmatic clothing. SentinelM's designs have already impressed many of our customers, so we are sure that we've got right stuff for you! Spreadshirt is your shop for great designs of all kinds – whether it's Culture, Drawings or Enigmatic. We are sure that you will find something nice in our shop, there are many amazing personalised Robotics T-shirts, jumpers or accessories for you to find! Tags: Design ID: 13558898
Royal blue Europe - European Union T-Shirts Designed by Mi-Enno
England Thong Designed by DramaQueen
st_george T-Shirts Designed by fullonteeshirts
I Am Your Father 2 (dd)++ T-Shirts Designed by artpolitic
Tested on Animals - Didn't Fit T-Shirts Designed by Thinkstuffs
Willberry Wonder Pony tee Designed by 2395767
union jack t shirt Designed by fullonteeshirts
Network Schematics for Dummies Designed by DoctorFrank
Good night and sweet dreams! This pillow case can be personalised to your liking, and you can be sure to create a stand-out item to keep the peace at night in style. You'll enjoy the pleasantly soft fabrics, too.
still to fill


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I don't remember if this has been posted in the past and I can't find one like this... just curious how many of us stay home and how many work outside the home. I'll try to cover everyone in my poll options. And while I realize taking care of kids is the hardest job of all (and I really mean that), for this poll when I refer to "work at home moms", I am referring to those who work for a paycheck from home.
If you will change your plans after baby is born (for instance, work outside the home now but plan to be a sahm mom after august), pick what you WILL be doing after your LO arrives.


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Chicago investor buys new Oak Lawn apartment community
A Chicago investor has snapped up a new Oak Lawn rental community.
Sherman Residential purchased the 334-unit Aura Wycliff apartments at the Dallas North Tollway and Wycliff Avenue.
The 4-story apartment project was built by Dallas' Trinsic Residential Group and was more than 95 percent leased when it sold.
"We were excited to acquire the property and benefit from the projected growth in the Metroplex with such a well-positioned investment grade property, "Scott Gould, Senior Vice President of Acquisitions with Sherman Residential, said in a statement.
The apartments will be renamed Axis on Wycliff.
Jeff Price, Brad Takala and Jorg Mast with commercial real estate firm JLL brokered the sale.
The Wycliff apartments are the second complex that Trinsic has built in that area and sold.
The developer sold its Aura Medical District apartment community at 4730 Fairmount St. near Medical District Drive to a Boston-based Berkshire Group investor.


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Mike Santorelli RSS
Canucks Game Day: Emerson Etem returns to lineup to face old Anaheim teammates
ANAHEIM DUCKS (29-19-8) AT VANCOUVER CANUCKS (22-22-12) Thursday, Feb. 18, 7 p.m., Rogers Arena TV: Sportsnet Pacific, Radio: TSN 1040 Here are five things we're thinking about prior to this latest visit from Ryan Kesler, Kevin Bieksa and their Duck … Continue reading
The Morning Skate, June 3: Streaking Comets, Bolts Blue, Hawks Ban, Bye-Bye Blatter
"Do you believe in miracles?" Al Michaels asked in 1980. The USA's hockey collegians pulled off an unlikely upset of the powerful Soviets, winning gold at the 1980 Winter Olympics. Those games were held in Lake Placid, a small ski … Continue reading
Canucks free agency: Would you bring back Mike Santorelli?
J.P. Barry, Mike Santorelli's agent, says his client really enjoyed his time with the Canucks. Barry on if ua Mike Santorelli would resign in VAN :"I'm sure he would – he loved playing for his hometown team." #Canucks — News1130 … Continue reading
Canucks Hat Trick: Gallagher on 'jaw-dropping Sedins,' priceless Tanev, and Order of Canada candidate Santorelli
Since the Sedin twins have been with the Canucks, Vancouver hockey fans have had countless opportunities to marvel at the way these two guys play. Yes, there have been disappointments in the playoffs over the years. But for the most … Continue reading
Tambellini's Factory Hockey serving Canucks players in run-up to training camp
Jeff Tambellini's hockey training business takes a big step up. Continue reading
Super-tweeter, super-instagrammer David Booth signs with the Leafs
The numbers liked him, but finding the net was a struggle. David Booth, bought out by the Canucks in June, is now a Toronto Maple Leaf. Leafs sign David Booth to a one-year deal. — Jonas Siegel (@jonasTSN1050) July 22, … Continue reading
Has Trevor Linden and co. done enough to win back the fans?
When El Presidente Trevor Linden joined the Canucks management team this summer, he sent out a letter to season ticket holders. In that letter was the option for people to cancel their season tickets and refund their deposit if they … Continue reading
Canucks Under the Microscope: Brad Richardson
Today's specimen in our Under the Microscope examination of the entire Canucks roster is centre Brad Richardson. Ben Kuzma is your guide. Name: Brad Richardson Age: 29 Position: Centre Career stats: GP: 464, G:54, A:74, Pts. 128, PIM: 222 Contract … Continue reading
Canucks Under the Microscope: Mike Santorelli
Our Under the Microscope series, which takes a look at every member of the Canucks' roster, has been going strong for the past three weeks. We've investigated Henrik Sedin, Chris Tanev, Alex Burrows, Zack Kassian, David … Continue reading
Canucks report card 2013-14: The fans give out their grades
It's never fun to grade. After all, you want all the kids to do well. To have studied, to have listened to the teacher, to have been prepared for their tests. That would be the perfect situation. And then there's … Continue reading


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- Accessions
- Archiving the arts
- Digitisation consortium
- Discovery: finding archives and their collections
- Explore Your Archive
- First World War and archives
- Fundraising for archives
- London 2012
- Volunteering research project
- 20-year rule and records of local interest
- Manorial Documents Register
- Transforming Archives
- The Higher Education Archive Programme
Explore Your Archive
Explore Your Archive is a campaign designed for archives of all kinds throughout the UK and Ireland. In this section you will find a downloadable toolkit as well as how to tips to help you create events and promote stories relevant to your collections and communities. The aim of the campaign is to increase public awareness of the essential role of archives in our society, to celebrate our network of collections and emphasise the skills and professionalism of the sector.
The Explore Your Archive campaign, which is coordinated by The National Archives and the Archives and Records Association (UK and Ireland), is now in its third year. This year the main launch week for the Explore Your Archive campaign will run from 14 to 22 November 2015.
Start using the toolkit now
Take a look at the toolkit and start thinking about how you might take part. The toolkit can be used for any event you are planning, but is particularly useful ahead of the annual launch week. When you are ready to develop your stories, you can download all the relevant materials below, including artwork and a template press release.
Download the toolkit below to find everything you need to take part in Explore Your Archive:
Explore Your Archive toolkit (PDF, 7.82MB)
Explore Your Archive Event Template (XLS, 0.03MB)
Explore your archive mini toolkit 2015 (PDF, 0.74MB)
Explore Your Archive social media evaluation form (DOC, 1.45MB)
Explore Your Archive social media plan toolkit (PDF, 0.30MB)
Explore Your Archive downloadable resources (ZIP, 14.48MB)
Posters, templates and social media tips (ZIP, 8.40MB)
Archi've Remembered poster PowerPoint template (ZIP, 1.61MB)
Posters for 2014 (ZIP, 34.67MB)
Magna Carta toolkit (PDF, 0.74MB)
Magna Carta toolkit materials (ZIP, 31.64MB)
Magna Carta Mini Toolkit - Extra Images (ZIP, 0.99MB)
Story box animation
This Explore Your Archive story box animation video is designed to be used on all archive websites in the United Kingdom and Ireland. You can embed the video from Vimeo by clicking on 'Share' and copying the link address into your CMS editor or webpage.
Alternatively you can download the video directly:
Story box animation video (ZIP, 3.45MB)
Activities in 2014
The campaign week for 2014 built on what was achieved in 2013, with over 200 archives taking part, a BBC Breakfast show appearance, and over 6.5 million people reached through social media. See the social media and web engagement analysis of the 2014 campaign and the Explore Your Archives 2014 Evaluation.The key findings in 2014 were:
- more archvies took part
- the vast majority felt EYA 2014 was a success for their service and for the sector
- over one third of archives learned new skills
- EYA website rated very highly and used by most archives
- high level of engagement with digitial campaigns via social media
For 2015 we are:
- encouraging more archives to participate in the launch week - whether they are big or small, there is something in the campaign for every archive
- publicising the campaign week earlier with a view to reaching more archives and encouraging more participation
- continuing to build on the skills people have and introducing some new ones such as the periscope app
- redesigned our website making it easier to upload details of events taking place and including a search facility so that you can look for events taking place in your area
- sending out a social media plan giving examples and tips of how you can engage with your audience
The Explore Your Archive toolkit for 2015 include:
- ready-to-use artwork, and a new set of artwork to support First World War activities
- case studies and hints and tips from events and activities that worked well in the 2013 Explore Your Archive campaign
- new advice on best use of social media
- new Explore Your Archive marketing material
- further development of the public website - exploreyourarchive.org
Badges and pencils
We produced a family of badges which included Archi've Explored and Arch'ive Discovered. If you would like to order your free badges, please email firstname.lastname@example.com stating whether you would like a mixture of badges or just Archi've Remembered. Usually we will send 100 badges.
For a pack of 100 assorted Explore Your Archive pencils, please email email@example.com.
Explore Your Archives 2014 Evaluation (PDF, 0.35MB)
Contact us
For any enquiries about how to use the toolkit, or to find out more, please get in touch: email@example.com
This page contains PDF, XLS, DOC, ZIP files. See plug-ins and file formats for help in accessing these file types.


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Dimension Data, the USD5.8 billion global specialist IT solutions and services provider, today announced it has been positioned by Gartner in the Leaders' Quadrant of the Magic Quadrant for Communications Outsourcing and Professional Services (COPS) 2012 (1) report.
Compiled by Gartner analysts, the Magic Quadrant examined 21 vendors of IT services for business communications systems worldwide, employing two main evaluation criteria. These include 'ability to execute' and 'completeness of vision'.
Dimension Data CEO Brett Dawson said: "We are extremely proud to be positioned in the Magic Quadrant and be recognised for our ability to execute and completeness of vision.
Dawson noted that being positioned as a leader in the Magic Quadrant for Communications Outsourcing and Professional Services 2012 report comes on the eve of the launch of the next version of the company's enhanced support service, Uptime.
Uptime provides organisations with a support offering that helps them manage the full life cycle of their IT environment and optimise IT support spend. Dimension Data is the first systems integrator to come to market with proactive support services for multi-vendor environments.
"Our global scale, footprint and reach, combined with our ability to offer our clients a complete suite of global services - consulting, procurement, professional, support, IT outsourcing and now managed ICT services - is unmatched in the marketplace, and the group remains focused on becoming the number one services-led systems integrator in the world," Dawson concluded.
To read Gartner's 2012 Magic Quadrant for Communications Outsourcing and Professional Services, visit: http://www.dimensiondata.com/COPSMQ.
Dimension Data
Founded in 1983, Dimension Data Holdings is an ICT services and solutions provider that uses its technology expertise, global service delivery capability, and entrepreneurial spirit to accelerate the business ambitions of its clients. Dimension Data is a member of the NTT Group. www.dimensiondata.com
The Magic Quadrant
Gartner does not endorse any vendor, product or service depicted in its research publications, and does not advise technology users to select only those vendors with the highest ratings. Gartner research publications consist of the opinions of Gartner's research organisation and should not be construed as statements of fact. Gartner disclaims all warranties, expressed or implied, with respect to this research, including any warranties of merchantability or fitness for a particular purpose.
(1) Gartner, "Magic Quadrant for Communications Outsourcing and Professional Services, Eric Goodness, Christine Tenneson. December 2012.
Editorial contacts
Dimension Data South Africa
Our comments policy does not allow anonymous postings. Read the policy here


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NCDOT Hosting Public Meetings For Rodanthe Bridge Fixes
Updated: 01/07/2014 - The North Carolina Department of Transportation is asking for your input on two of their long-term alternative options for the Rodanthe Bridge.
Updated: 01/07/2014 - The North Carolina Department of Transportation is asking for your input on two of their long-term alternative options for the Rodanthe Bridge.
Updated: 07/21/2014 - Hurricane information can now be found in the WITN News app.
Posted: 12/03/2013 - Forecasters say the 2013 Atlantic hurricane season, which officially ends Saturday, has delivered the fewest hurricanes since 1982.
Updated: 11/19/2013 - Despite being late in the season, Subtropical Storm Melissa found enough energy to form in the central Atlantic.
Posted: 11/08/2013 - One of the strongest storms on record slammed into the central Philippines on Friday, killing at least four people, forcing hundreds of thousands from their homes and knocking out power and communications in several provinces.
Updated: 10/22/2013 - Tropical Storm Lorenzo formed in the Atlantic Ocean On Monday.
Updated: 10/06/2013 - Karen has weakened from a tropical storm to a remnant low. Any moisture for this system well move east over Florida. No more advisories will be issued on the system.
Updated: 09/30/2013 - Tropical Depression #11 has formed about 1,900 miles east of the North Carolina coastline.
Updated: 09/17/2013 - So far this year we haven't had any hurricanes hit the United States, but organizations like the Red Cross, are still preparing for the worst with 75 days left in the season as of Tuesday.
Updated: 09/20/2013 - The tropical wave over the southern Gulf of Mexico is showing no signs of organizing on Friday.
Updated: 09/16/2013 - Tropical Storm Humberto has re-formed far out over the Atlantic.
Updated: 09/05/2013 - Gabrielle remains a weak tropical storm Thursday morning. The storm will pass near Puerto Rico on Thursday.
Updated: 08/27/2013 - Around 7:30 in the morning, two years ago today, Hurricane Irene made landfall on Eastern Carolina.
Updated: 08/26/2013 - With no hurricanes thus far, it may seem like a quiet season. But looking at the statistics, the tropics haven't been exactly "quiet".
Updated: 08/21/2013 - From 2001 to 2010, GOES-12 was the eye in the sky for the eastern seaboard. NOAA has recently announced the satellite's retirement from service.
Updated: 08/17/2013 - Erin is a tropical storm in the deep Atlantic Ocean. An area of low pressure is moving into the Gulf of Mexico with possible strengthening this weekend.
Updated: 08/08/2013 - Each August the National Oceanic and Atmospheric Administration revisits their hurricane outlook from May and adjusts the forecast based on current climate trends.
Posted: 08/05/2013 - Drier air will stay with us on Monday as the summer season takes a short break.
Updated: 12/17/2013 - As of 8:30 pm the National Hurricane Center indicates Dorian is a post-tropical cyclone that will have no impact on our area.
Updated: 07/28/2013 - What was Tropical Storm Dorian has dissipated in to an unorganized area of moisture.
Updated: 07/15/2013 - We'll get a much needed break from the rain this week, but the heat that comes with it is here to stay.
Updated: 07/12/2013 - Chantal's remnants will continue to push toward Florida over the weekend.
Posted: 07/07/2013 - The National Hurricane Center says Tropical Storm Chantal has formed over the central tropical Atlantic and is racing West-Northwestward toward the Lesser Antilles.
Updated: 06/19/2013 - The second named tropical storm of the season formed in the southern Gulf of Mexico on Wednesday afternoon.
Updated: 06/11/2013 - Now that the dust has settled, it's time we take a look what Tropical Storm Andrea brought to Eastern Carolina and how we fared.


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May 24, 2016
Tallahassee, Florida - September 21, 2011 -
The inside lanes on Tennessee Street between Dewey Street and Copeland Street, will be closed, Thursday night, Sept. 22 from 7 p.m. until 6 a.m., while City of Tallahassee crews perform sewer repairs.
Motorists are reminded to use caution while traveling through the work zone.
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text: As of late Friday Tropical Storm Fred is the only system of importance in the Atlantic Ocean. Fred is about 3,000 miles off the North Carolina coast and will not pose a threat to our area. In fact, it appears that Fred will weaken to a tropical depression by Sunday and Monday as he stays well out to sea. Otherwise the tropics are very quiet and I don't expected any development over the next few days. We are now passed the highest peak of the tropical season and eastern North Carolina has been fortunate. We are certainly not out of the woods since big storms have occurred as late as the middle of October. However, with each passing day our chances of going another year without a storm improve.


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1 of 1 people found the following review helpfulApril 11, 2008Reviewer: Michael in New HampshireDecent taste, very good price, decent quality protein blend along with vitamin/mineral complex to help while dieting. Another plus is that it mixes very well with plain cold water. Very low carbs, almost no fat for this type of product. It's a good deal and worth the money.
October 29, 2010Reviewer: Jennifer in TexasIt takes some minor alterations, but this is a really good shake! I use one heaping scoop (which is just over half a serving) with about 8oz water, 1 tsp instant coffee, 1 tbsp splenda and sometimes I'll add some flavorless benefiber, then I mix it up with ice in my magic bullet blender and I get a great and filling chocolate shake. I feel good using this product as a meal replacement in my low-carb low-cal diet plan.This review is specific to Complete Protein Diet Drink Mix, Double Rich Chocolate


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Judy Davis Movies and Career Information
Apr 23, 1955
Apr 23, 1955
Judy Davis is an Australian film, television and stage Actress. She has won seven Australian Academy Awards and two British Academy Awards. Early in her career, Davis starred on stage opposite Mel Gibson in Romeo and Juliet in 1978. Her other theatre roles include Edith Piaf in Piaf at the Perth Playhouse, Insignificance at the Royal Court London, the title role in Hedda Gabler with the Sydney Theatre Company, Hapgood in Los Angeles and Irina in The Seagull at the Belvoir St Theatre in Sydney. She first came to attention on screen for her role as the fiery Sybylla Melvyn in the 1979 film My Brilliant Career, which won her two BAFTA Awards. She received Academy Award nominations for A Passage to India and Husbands and Wives. For her television work she has won three Emmy Awards, for Serving in Silence, the title role in Life with Judy Garland: Me and My Shadows and The Starter Wife. Her other films include, Winter of Our Dreams, Heatwave, High Tide, Impromptu, Naked Lunch, Absolute Power, Deconstructing Harry, The Reagans The Break-up and The Eye of the Storm.
- Judy Davis Movies before 2015
- Young and Prodigious T.S. Spivet 2013
- Eye of the Storm 2012
- Marie Antoinette 2006
- Swimming Upstream 2005
- Gaudi Afternoon 2003
- Man Who Sued God 2001
- Merry Wives of Windsor (Die lustigen Weiber von Windsor) 2000
- Celebrity 1998
- Deconstructing Harry 1997
- Children of the Revolution 1997
- Blood & Wine 1997
- Absolute Power 1997
- New Age 1994
- Husbands and Wives 1992
- Naked Lunch 1991
- Barton Fink 1991
- Passage to India 1984
- Heatwave (1982) 1983
- My Brilliant Career
- First Option
- Kangaroo
- High Tide (1987)
- Winter of Our Dreams
- Alice (1990)
- Ref
- Impromptu
- Dark Blood
- Impromptu (1991)


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Difference between revisions of "Revision proposal on Colour Content (RDA 7.17)"
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Summary of CILIP response: Agrees; has preference for option 2.
Summary of CILIPresponse: Agrees; has preference for option 2.
CILIP discussed whether the instructions were intended primarily to distinguish monochrome (including black-and-white and tinted) from polychrome content, and the importance of retrieving content by its colour (for example monochrome red, that is, black-and-red).
CILIP discussed whether the instructions were intended primarily to distinguish monochrome (including black-and-white and tinted) from polychrome content, and the importance of retrieving content by its colour (for example monochrome red, that is, black-and-red).
Summary of BL response (highlights only; more details in the actual response):
Summary of BLresponse(highlights only; more details in the actual response):
Preference for option 1.
Preference for option 1.
Agree that single vocabulary & set of instructions for recording color content of all resources is desirable.
Agree that single vocabulary & set of instructions for recording color content of all resources is desirable.
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Agree with ALA analysis of tinted/toned.
Agree with ALA analysis of tinted/toned.
Agree to retain sepia as a term
Agree to retain sepia as a term
Latest revision as of 10:34, 7 October 2013
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Link to paper: Colour Content (RDA 7.17), revised July 2013
Proposal or Discussion Paper:
If this goes forward, should it be as a proposal or as a discussion paper?
If we're not yet sure whether we want to go with Option 1 or Option 2, I would think we'd want to go with a discussion paper. Steve Kelley (CC:DA) 7/23/2013
There are precedents for a revision proposal giving options. So long as the options are fully documented (as they are in this case), the JSC can express a preference and then work with the preferred option to produce a final revision. I believe that the JSC would like to have this issue resolved, if possible, at the November meeting. I would therefore recommend that we submit this as a proposal -- even if we decide to present both options. -- John Attig (7/24/2013)
Send as a proposal--Dominique Bourassa, CC:DA, July 23, 2013
I think there are a number of thorny issues still to resolve, but perhaps there's no harm in sending it forward as a proposal. -- Francis Lapka, RBMS Liaison, July 24, 2013
Instructions, vocabulary, or both?
Option 1 continues to present a set of instructions. Option 2 defines a vocabulary. Does CC:DA want to submit both options or just one?
I would favor sending both options. First, because I can't quite decide between the two, and second, and more importantly, because John Attig recommends it. Steve Kelley (CC:DA) 7/23/2013
I favor sending both options. --Dan-Lipcan (talk) 04:14, 24 July 2013 (PDT) (ARLIS/NA)
Tinted and toned as colour content:
Is there agreement to the narrow definition given here? Is there any interest in expanding the definition?
I favor the narrow definition. I know that technically the photo is no longer black & white if it's tinted/toned, but it's tinted/toned on top of the underlying black & white photo. I favor not being too literal about black & white being colors. Black & white refers to a type of photography that pretty much everyone can understand, even if it actually results in a range of black, grays and white (when my niece was young she referred to black & white movies as "gray & white"). Steve Kelley (CC:DA) 7/23/2013
The narrow definition is fine with me. Like Steve, I favor "not being too literal." --Dan-Lipcan (talk) 04:17, 24 July 2013 (PDT) (ARLIS/NA)
I think the narrow definition is problematic, in part because I think tinted and toned describe the process, not the color. But even if we retain these instructions in the element for color, I worry that you have to go to the glossary to note that the terms "tinted" and "toned" apply only to black and white film, but not to other production processes. Also, the glossary definitions make reference to film only; does this mean the terms are not applied to photographic *prints*?
I agree completely with these statements in the report: "A black and white image that has been tinted is no longer black and white. If we are attempting to describe its colour content, then describing it as "black and white" seems inappropriate and misleading." This element should record the color of the resource *as issued* (or as produced). If it was issued in color, then "black and white" is not appropriate. If part of the production process involved black and white film, then this information should be recorded in a separate element. -- Francis Lapka, RBMS Liaison, 7/24/2013
I've discussed this with our staff working with still and moving images and their opinion is that tinted and toned resources are at their core black & while images. However, they feel strongly that the process of being tinted or toned be stated upfront and so the use of the term black & white with the qualifiers proposed seem an ideal method of doing this. They objected to the use of the term "color" as the descriptor believing this to be very misleading even if the fact that the material was tinted/toned was given in a note. -- Adolfo Tarango, CRS Liaison, 7/24/2013
I think that describing a resource as it appears, rather than what it used to be, is a basic (unstated) RDA principle. It certainly informs how reproductions are described, for example. If that really is an RDA principle, then I think we should be describing a tinted and/or toned image (still or moving) in terms of the colors in the resource, instead of describing it as black and white, which it no longer is. Of course, there are the related issues that we're describing content (Chapter 7) instead of manifestations (Chapter 3).... Kathy Glennan (talk) 10:13, 24 July 2013 (PDT)
I wonder if these terms were actually used in AACR2 cataloging for photographic prints. They seem to have been picked up for RDA from Archival Moving Image Materials: A Cataloging Manual (AMIM). This has historically been considered an important thing to mention for moving image cataloging. If RDA is going to include photos here, it probably should say photographic prints as well as film. In rereading Wikipedia so far as I can tell, the tinting and toning of photos is applied as the prints are developed and not to the negatives.
For a photograph, it's easy to tell what color something has been tinted or toned to so perhaps that was what people did under AACR2. I have no experience in this area. It is less easy to identify specific colors with a motion picture where the colors used may vary between sequences and it is not uncommon for both tinting and toning to be used. No one is going to what the whole film to figure whether there is just one or two colors or many. Even if there are many, to just say "color" would be misleading. I agree with Adolfo that the users of these materials consider these films to be black and white. I think this is due their monochromatic nature based on the original black and white film stock. Plus, if we start referring to a 1920 film as color, we'll just look silly. --Kelley McGrath, OLAC liaison, 7/24/13
A couple other semi-random thoughts.
Catalogers of commercial materials may not realize a film has tinting or toning unless the publisher makes a note of it. On the other hand, many films from this era that were originally tinted and toned are distributed in black and white due to deterioration of the color.
Wikipedia (target: http://en.wikipedia.org/wiki/Film_tinting) notes that "The director D.W. Griffith displayed a constant interest and concern about color, and used tinting to a unique effect in many of his films. His 1915 epic, The Birth of a Nation, utilized a number of colors, including amber, blue, lavender, and a striking red tint for scenes such as the 'burning of Atlanta' and the ride of the Ku Klux Klan at the climax of the picture." Nevertheless, a majority of the recent records for this film that I paged through in Connexion just have "b&w." IMDB lists it as b&w and notes that "Most versions issued before the 1992 restoration have no color tintings" (target: http://www.imdb.com/title/tt0004972/alternateversions). So there may be both b&w and tinted versions available that produce a very different experience.
An interesting discussion of the problems of preserving and restoring tinted and toned films: target: http://www.nfsa.gov.au/research/papers/2012/10/25/dying-light-tinted-film-projects-national-film-and-sound-archive/
Perhaps something like "black and white (color tinted)" might work as a compromise.
--Kelley McGrath, OLAC liaison, 7/24/13
Tinted and toned as production method:
Add a separate section (3.9.4) for Production Method for Tinted and/or Toned Images or leave it in Colour Content and raise the issue for JSC discussion?
I think most catalogers are going to think of tinting/toning as a matter of colour, not production method, and I definitely think that users of records will be looking for it as colour related information. I would leave it in Colour Content and raise the issue for JSC discussion. Steve Kelley (CC:DA) 7/23/2013
I favor leaving it in Colour Content and raising the issue with the JSC. --Dan-Lipcan (talk) 04:19, 24 July 2013 (PDT) (ARLIS/NA)
I favor treating tinting and toning as production methods (because they *are* production methods and *do not* record the hues or colors present in the resource). A separate section (3.9.4) would be appropriate. -- Francis Lapka, RBMS Liaison, 7/24/2013
I think a change in coloring (just like a colorized film) equates to a change in content/expression so I favor keeping this info in chapter 7. It seems a little different than the other things listed at 3.9. --Kelley McGrath, OLAC liaison, 7/24/13
Grey scale:
Retain this with the limitation to digital images?
I would favor retaining it with limitation to digital images. Steve Kelley (CC:DA) 7/23/2013
I agree. --Dan-Lipcan (talk) 04:12, 24 July 2013 (PDT) (ARLIS/NA)
I agree with Steve and Dan--Dominique Bourassa, CC:DA, July 23, 2013
I agree, too. --Kelley McGrath, OLAC liaison, 7/24/13
Text and background:
Should this be generalized further by removing "for a resource intended for persons with visual impairments"?
I would favor leaving the qualification, because that's when it's really important to know that information about the resource. I doubt the usefulness of requiring catalogers to record every text/background color combo used for style purposes. Steve Kelley (CC:DA) 7/23/2013
I wouldn't want catalogers to think they'd need to record every instance of alternate text/background colorings (this is an Alternative, after all), but I can imagine a situation where one might want to record foreground/background colors of textual content because the resource was designed that way for aesthetic purposes. To my reading, this instruction explicitly prohibits that option. I think it should be generalized; could the wording be adjusted to include the typical "if considered important for identification or selection" phrasing, and would that cover appropriately resources for the visually impaired? --Dan-Lipcan (talk) 04:35, 24 July 2013 (PDT) (ARLIS/NA)
I agree with Dan: I think the instruction should be generalized with the wording "if considered important ...". I can imagine cases (for example some artists' books) where it would be important to record such information. –Dominique Bourassa, CC:DA, July 23, 2013
Dan raises an interesting question. I wonder, however, if such circumstances might already be accommodated by 220.127.116.11 Details of Colour Content. If so, the scope of this element should probably be limited to resources intended for users with visual impairments. -- Francis Lapka, RBMS Liaison, July 24, 2013.
General comments about this proposal
A typo in the credit for the definition of "colour": Thurstan, not Thurston. --Robert J. Rendall (talk) 12:36, 22 July 2013 (PDT)
Typos in the first 18.104.22.168 example, both options: "black-and-white" has retained its hyphens. --Dan-Lipcan (talk) 04:02, 24 July 2013 (PDT) (ARLIS/NA)
The first example in 126.96.36.199 is the only one followed by the phrase "Colour content recorded as: colour, black and white." I think other examples, such as the 4th one, should be followed by this phrase or the phrase has to be removed from the first example. It is also unclear if expressions such as "some color" or "chiefly colour" are enough in themselves or if they need to be followed by some indication of black and white content—Dominique Bourassa, CC:DA, July 23, 2013.
22.214.171.124. states "Colour content does not include matter outside the actual content of the resource (e.g. the border of a map, the cover of a book)." I am wondering if there could be an alternative to record this type of information. The BNF, for example, records this type of information. Their records say things such as "ill. en noir et en coul., couv. ill. en coul." I am sure some international agencies would like to have the possibility to continue to record the color content of covers.—Dominique Bourassa, CC:DA, July 23, 2013.
For the inconsistencies mentioned in the first paragraph (Background), it may be worth mentioning that the Machine Actionable Data task force noted a related inconsistency: "The TF has given cursory consideration to the possibility of treating Illustrative Content (RDA 7.15) as extent; the extent-like quality of this element is especially apparent when the option is taken to quantify the illustrative content (e.g. "48 illustrations"). The element currently attempts to cover two functions: to indicate the secondary character of an expression with primary character that is not "image", and to indicate the extent of that secondary content. Including this element in the extent revision may correct some current inconsistencies (e.g., why is the word "illustration" used for the secondary character when the same character as primary is termed "image"?)." -- Francis Lapka, RBMS Liaison, July 24, 2013
I am pleased to see that you've included the small (but significant) change in 188.8.131.52, so that "information on hand-coloured items" is now "information on item-specific hand colouring." Might it also, however, be a good idea to point out this change somewhere in the introductory portion of the proposal. -- Francis Lapka, RBMS Liaison, July 24, 2013
Final Proposal and Constituency Responses
Summary of LC response Agree with this approach, and have a slight preference for Option 1.
- 184.108.40.206: would prefer to use "If considered for important for identification or selection" instead of "If desired"
- 188.8.131.52: What is the distinction between the a) and b) paragraphs? Should catalogers just apply 18.104.22.168.1-18.104.22.168.5, as applicable?
- 188.8.131.52.2: should sepia be labeled as an exception?
- 220.127.116.11.5: should the phrasing follow the if-and-then construction?
- Glossary: should the definition for sepia use the word "toning"?
Summary of DNB response: Agree; prefer option 2.
Summary of ACOC response:
- Do not support controlled vocabulary for colour-related terms; thus prefer option 1.
- Improve readability of option 1 by removing headings at 184.108.40.206.1 (etc.) following the approach in option 2.
- Do not support introducing "color" as a variant spelling. Adequately addressed by 0.4.3.7; let the examples illustrate this.
- Do not agree with approach to tinting and toning. These are more appropriately production methods.
- Some of the proposed Glossary additions are problematic (black and white are not technically colors); shades of black appears tautological.
Summary of CILIP response: Agrees; has preference for option 2.
CILIP discussed whether the instructions were intended primarily to distinguish monochrome (including black-and-white and tinted) from polychrome content, and the importance of retrieving content by its colour (for example monochrome red, that is, black-and-red).
Summary of BL response (highlights only; more details in the actual response): Preference for option 1. Agree that single vocabulary & set of instructions for recording color content of all resources is desirable. Agree with exception for grey scale. Agree with ALA analysis of tinted/toned. Agree to retain sepia as a term
Summary of CCC response: Do not support; neither option presents improvements over the existing text. Might be better to narrow the scope of 7.17 and add sub-elements to 3.6 (Base material) and 3.7 (applied material).
126.96.36.199 is not limited to illustrations -- it applies to all content of the resource. Do not want to record "black and while" for all textual resources.
Need rationale for introducing a choice at 126.96.36.199 to describe either the resource or the content of the resource.
Definition of colour, i.e. the exclusion of black and white cannot be justified by their not being primary colours or colours derived from primary colours.
No need to add "or color"; LC-PCC PS handles the American practice.
Grey scale: Agree with retaining the exception to limit this to digital images.
Tinted/toned: CCC suggests that the processes of tinting and toning are not simply ones of changing the colour. These are processes of applying material to the resource. This belongs in 3.7.
Hand colouring: CCC suggests ALA consider 3.6 and 3.7 for manifestation-level hand colouring, restricting 3.21 to item-specific hand colouring.


text:
Graduate Destinations
There is a wealth of information that describes what happens during a girl's schooling at Brisbane Girls Grammar. But we also recognise that what happens upon her graduation is of great interest and importance.
A Girls Grammar education prepares our girls for the world beyond our white picket fence. We provide the skills, learning opportunities and experiences to help them develop into independent young women who are well prepared for future lives, studies and careers.
Life after Girls Grammar
The overwhelming majority of graduates of Brisbane Girls Grammar School go on to undertake some form of further recognised studies after graduation. The vast array of options now available to students mean our girls now go on to study at universities all over Australia, and internationally. Reflecting our life-wide approach to learning, a small number of students are choosing to defer their studies and take part in organised exchanges, employment opportunities or volunteer work.
- In 2014, 100 per cent received offers to undertake a Bachelor Degree, with 90 per cent receiving their 1st, 2nd or 3rd preference.
- 25 university scholarships were offered to students in 2014 to Queensland, interstate and international universities.
- Two students have been offered scholarships to international universities.
- The top three offers by discipline in 2014 were Arts/Humanities/Social Science; Business; and Health.
- Five students received the Australian Student Prize in 2014, giving national recognition to academic excellence and achievement in secondary education. Girls Grammar had the most prizes awarded to any girls' school in Queensland in 2014.
Inspiring Grammar Women
We have so many stories to share about the successes and achievements of our former students across academia, business, law, medicine, science, sports, the arts, diplomatic, and humanitarian fields. Read more about our profiled alumni and honoured alumni.
Grammar girls, Grammar women
We maintain a strong connection with our past students. In fact, when you enter the Girls Grammar community you enter an extraordinary global network of more than 4,500 women. And we actively engage with this network, bringing women back into the School's fold to share their experiences, make new connections, and to inspire our students and young graduates. Read more about our Grammar Women series.


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text:
The American Handel Festival ended its stay in Seattle with a full weekend of performances, including "Esther" and "Acis and Galatea," March 25-27, 2011.
The final weekend of the American Handel Festival in Seattle, which has explored the composer's output to the tune of some 30 concerts over the past two weeks, offered performances of "Acis and Galatea" and "Esther." Composed in 1718, both works were set to English texts, and they carried within them the seeds of the monumental series of English oratorios that was to occupy Handel's final years after the production of opera had become commercially unsustainable.
Presented at Town Hall on Friday by Pacific MusicWorks, the festival's "Acis and Galatea" came to us courtesy of the celebrated Boston Early Music Festival, in its local debut. Co-directed musically by BEMF's Paul O'Dette and Seattle's own Stephen Stubbs, it was one of those "play-within-a-play" productions, semi-staged, with handsome costumes by Anna Watkins but without scenery. Stage director Gilbert Blin conceived it as an imaginary rehearsal for a performance.
What we saw was a rather Pirandello-esque spectacle — the five characters of this Arcadian love story in search of a composer. The principals took their turns on center stage, and then moved off to the side to enjoy what my English compatriots still call "a nice cup of tea" while someone else took over the vocal thread.
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Movement was largely stylized. Blin drew from his actor-singers a vocabulary of gesture faithful to the pre-Romantic tradition, with the performer aiming not to embody, but to represent in a more dispassionate way, the emotions of the character in question. This made it easier for the persons of the story to shift when necessary out of character and become simply the tenors, soprano and bass of the ensembles that frame the plot.
Once or twice there was a danger of distraction, when someone was gesturing upstage while another of the principals was singing. For the most part, however, the conception worked beautifully — and musically, the performance was an unalloyed delight. Aaron Sheehan and Teresa Wakim in the title roles made an attractive pair of lovers; the two other shepherds' parts were finely touched in by Jason McStoots and Zachary Wilder; and the Polyphemus, Douglas Williams, a formidable stage presence, laid so firm a foundation for the harmony that the texture of the ensembles sounded more lucid than ever. The BEMF Chamber Ensemble, too, played superbly, with some spectacular tootling on the sopranino recorder by Kathryn Montoya over Williams's uproarious "O ruddier than the cherry."
Stephen Stubbs' performance of "Esther" in St. James Cathedral on Saturday brought clean singing and playing by Doug Fullington's Tudor Choir and the Pacific MusicWorks orchestra. Sharon Mercer and the indefatigable Ross Hauck were excellent as Esther and Assuerus. Charles Robert Stephens was suitably formidable as the unsavory Haman in this regrettably still relevant tale of historical anti-Semitism, and Zachary Wilder, Matthew White, Catherine Webster and Thomas Thompson filled the roles of a variety of Israelites capably.
Handel had a genius for ending substantial works with a light touch, so it was perhaps appropriate that the festival's last offering was a relatively lightweight concert in Town Hall on Sunday afternoon by Ingrid Matthews' splendid Seattle Baroque Orchestra. It seemed almost perverse to bill the program as "Handel's Grand Concertos" and then not to include anything from the supreme Opus 6 set, but the concertos and sonatas we did hear were expertly and often beautifully done. Thanks to Marty Ronish for bringing the American Handel Festival for the first time to Seattle — but what are we devotees to do with ourselves in the Handel-less weeks to come?
Bernard Jacobson: email@example.com


text:
aspirations in ink by FromAshesToEdenWatch
©2012-2016 FromAshesToEden
day 97 of 365: i had to deal with our plane tickets to taiwan all day, so i was writing down some future aspirations. of course japan is on there too, it's the reason why i came to china! kyoto, fukuoka, and yokohama are the places i'm looking at to make my home when i get there :3