text:
Yo Bykes: Poor Arab, 1
Yo Bykes
It's Electric
Advertising Agency: DDB, India
Creative Director: Ravinder Siwach
Copywriter: Ravinder Siwach
Photographer: Mukul Raut
Published:February 2012
7 comments
whitekarasAug 30, 2012 - 2:26
my guess is, it's electric, it's expensive.
my guess is, it's electric, it's expensive.
it can make a wealthy Arabian goes bankrupt.
somecopywriterAug 30, 2012 - 3:31
Great concept and photography. Nice lateral thinking campaign overall.


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Wal Mart opened another one of its express stores in Eastern Carolina Wednesday.
The newest location is in Ayden.
The smaller store has many of Wal Mart's best selling grocery items, even a pharmacy, but has a very limited clothing section.
Store manager Heidi Hale says the location is more convenient for customers, who until now, would drive to the nearby Wal Mart in Greenville.
The Ayden Wal Mart Express is the fifth in the state and only the tenth in the nation. Two months ago another express store opened in Snow Hill.

subset: commoncrawl


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Publisher's Description+
From Ahlcon: It is a toolbar of my personal site. here you get many special features which you will not get in any other toolbar that you can chat direct from you toolbar no need to sign it or sign out just see you friends and start your chat and you can get the exact temperature of your city.
read more +


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Mobile Warming Heated Carnegie Pullover Half Sleeve - Mens Chartreuse
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Fight leads to assault chargeJanuary 22,2013
MONTPELIER A simple assault charge from the weekend has been upgraded to aggravated assault, police said Monday.
Todd A. Ploof, 46, of Montpelier, was charged following a fight around 8 p.m. Friday in his River Street apartment with another man in which Ploof bit the victim, police said.
The victim received medical treatment and was released from the hospital, police said. Ploof also obtained medical treatment, which police characterized as an attempt to stall going to jail.
Ploof was being held at the Northeast Regional Correctional Facility in St. Johnsbury over the weekend and as of Monday night. He will answer the charge in court Tuesday.
Following the incident, the victim left a River Street residence late Friday night and met with police at the front of the House of Tang restaurant, police said.
Police did not describe the victims injuries, citing health privacy law.MORE IN Central VermontNORTHFIELD Residents gathered Monday to pay their respects to those in the military who fought... Full StoryMONTPELIER A patriotic parade Monday led to a moving ceremony at Montpelier High Schools... Full StoryROXBURY Vermont State Police say a Roxbury woman drove drunk Friday. Full Story
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Colsen International b.v.
based in HULST, NETHERLANDS
Colsen is situated in Hulst (The Netherlands). Our customer base is in the food-processing industry and in the communal & industrial waste water area. Colsen is specialized in the execution of projects in the area of water treatment and energy production via (anaerobic) digestion. The Colsen activities range from problem solving, design and engineering, project ...
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ERA Environmental Consulting, Inc.
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Macpresse International is an Italian company headquartered in Vernate (Milan). Macpresse has been designing and installing recovery facilities for recycling secondary scrap materials for over 40 years. Macpresse provides scrap-handling solutions in the following sectors: recovery of first/secondary materials, processing of municipal solid waste (MSW) and industrial ...
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Posts Tagged: women's rights Results 8
Reproductive Rights Take More Hits
Legal abortion could become a thing of the past in a handful of states if anti-choice efforts are successful. Note that I don't say abortion will become a thing of the past, because the need for abortion will persist, but safe and legal abortion will be outlawed as a spate of new state-level laws curtail the procedure and shut down clinics.
Happy 40th, 'Free To Be...You and Me'
A new book celebrating the 40th birthday and impact of one of the greatest cultural touchstones of 1970s American childhood, "Free to Be… You and Me," has just been published. "When We Were Free To Be You and Me: Looking Back at a Children's Classic and the Difference it Made," is a rich compendium of essays from people involved in the Free To Be project and others who, like me, were children affected by its lessons.
Framing Abortion as a Religious Question
After an entire first Presidential debate that ignored women's issues, and a second debate that ignored them until the very last minute, election-watchers concerned about the future of our uteri were getting quite antsy. No mention up to that point of LGBT issues, reproductive rights, equal pay for equal work, childcare, or even education.
What's Up With All the Rape Jokes?
Everybody's talking about rape. From Daniel Tosh to Todd Akin, it's all the rhetorical rage. While rape jokes may be more pervasive than ever these days, I think it's fair to say that we've grown weary of arguments about rape humor — especially since the current political rhetoric regarding women's bodies gives us something deeper at which to be offended. The suggestion that women's bodies possess magical powers allowing them to suppress the fertilization of their eggs by rapists' semen — in the event of "legitimate rape," that is — and the proposal that fetal "personhood" begins weeks before a woman can even know that she is pregnant must cause even the most conservative women to shudder. At least in secret.
The Sandra Fluke Factor
Sandra Fluke — she of the Limbaugh slut-shaming and the Jewish boyfriend — gave a strong speech about contraception and women's health at the DNC last night. Bumped up to primetime, the young activist got the crowd excited and did an admirable job hitting the Republican candidates hard over their party's series of legislative attempts against reproductive rights and health care that are now known as "The War on Women." She enumerated the worst aspects of that war quite clearly:


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Burraco is a card game for 2 or 4 players. It originates from South America and belongs to the Canasta family of card games. These days Burraco enjoys strong popularity in Italy. When played with 4 people, 2 teams of 2 players are formed.
The game is played with two complete decks of french cards complimented with 4 jokers. Each player receives a hand of 11 cards and two extra sets of 11 cards are set aside as 'pots'. Pots act as replacement hands later in the game. The remaining cards, placed face-down on the table, become the draw stack. The uppermost card of the draw stack is then taken and placed face-up on the table. This card then forms the play stack.
To take their turn, players begin by either drawing one card from the draw stack or by taking all of the cards in the play stack. Having drawn, the player can then meld cards to collect points for his/her team. Melding is achieved by placing card combinations, as explained below, on the playing field. To end his/her turn, a player must dispose of one unwanted card to the play stack.
Players can meld two different types of card combinations;
* Groups - 3 or more cards of the same face value, regardless of suit.
e.g. Q-Q-Q or 5-5-5
* Sequences - 3 or more cards of the same suit in ascending order. Aces may feature either below the 2 or above the K in a sequence.
e.g. ♣6-♣7-♣8-♣9
Melded cards combinations can be added to in later rounds. Once a meld has 7 or more cards, it is then termed a "buracco".
The game closes once a player/team has reached a pre-determined score limit (either 1, 505, 1005 or 2005 points). New rounds will be dealt until the set score limit has been reached.
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Burraco is a card game for 2 or 4 players. It originates from South America and belongs to the Canasta family of card games. These days Burraco enjoys strong popularity in Italy. When played with 4 people, 2 teams of 2 players are formed.
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Tristar Woodworking LtdPosted on 2014/01/26 by Wallace
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Mix Brazil Cultural Association: 1860-2010
1860 — There are 4 million salves in the United States.
A gay couple cannot get married.
2010 — Barack Obama is elected America's 44th president.
A gay couple cannot get married.
A battle still remains.
Mix Brazil Cultural Association
Illustrator Pedro Utzeri
Advertising Agency: Neogama/BBH, Brazil
Creative Directors: Márcio Ribas, Wilson Mateos
Art Director: Pedro Utzeri
Copywriter: Patricia Leme
Art Buyer: Mariah Bayeux
Account Supervisors: Sandra Karila, Thássia Freitas
Planner: Eduardo Lorenzi
Other Advertising Agencys: Kiyoshi Takahashi, Daniel Terlizzi
Advertiser's Supervisor: André Fischer
3 comments
In Colonial Brazil, slavery was more a social than a racial condition.
Shouldn't the opening caption read: "In 1860 — There are 4 million SLAVES in the United States."(?!)


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The emergency department in Lenoir County says crews battled a fire Monday during the early morning hours.
Crews responded to the fire on Capitola Ave. around 1 a.m. The location is near Grainger Stadium.
It is unclear what caused the fire and if there were any injuries. We will bring you the latest information as it becomes available.


text:
Eddard Stark by DavidDebWatch
©2012-2016 DavidDeb
amazing work
i love ned !!!! always will be one of my favs !!!!!
i love ned !!!! always will be one of my favs !!!!!
oh dear lord. another gorgeous piece and yes, really happy it's Ned! I say this everytime I know but I am really envious of your talent!
Beautiful work. Brilliant, you are so talented.
Beautiful I can't say much more I loved Eddard Stark he was a brilliant character and you've captured the struggle the man had throughout the series. Awesome.
I really cant get to liking characters in movies or series... The ones I like, tend to be killed.
awesome as usual
amazing!! ♥ i just love it!
Love the background! Amazing work as always
The shading simply rocks, I love his expression and Sharpe..ahh I mean Sean Bean was a good choice for the role.
Well done!
That is so great, just like all your work. I'm so inspired by you every time you submit something.
I love it, like all your work!
I am only curious.... have you read the books? :>
yeah, I'm starting book 5 'Dance with Dragons' or tome 13 individual
Oh After watching all episodes of film I also ordered all books to read it I m reading 4th book now yet, but my "too curious" boyfriend was stupid enough to read loudly all back covers of the books before we even started reading.. stupid spoilers too bad we'll have to wait sooo many years for the last parts of the series, which are not written yet.... I believe it will be worth it!
Wonderful as usual! Its incredible the details your are able to create in that small image!
amazing shading


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Update Notes
Updated on: 09/13/2015
Update Notes
Updated on: 09/13/2015
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Hi Everyone! It's been fun knitting with you these past few weeks! Time really flies!
Today's post is my last, and will focus on the second round of increases, casting off, and sharing an FO (finished object in knit-speak)! My FO is a little bit lopsided, since I added about 10 stitches to only one sleeve (so that I could show you how that looks), but I still think it looks awesome and will actually wear it! (You can't even tell that one sleeve is about an inch wider!)
Increase round 2 is performed much like increase round 1. It just brings us back to k1 p1 ribbing. You simply work a M1P (Click here for a video for M1, but instead of knitting the bar between the stitch just knit and the next stitch on the needle, you'd purl it.) between the two knit stitches in every wide rib between the sleeve markers.
Then, for the finale, we switch to seed stitch (also called moss stitch in the UK) and work a few rounds, then cast off. I recommend casting off in stitch pattern (if you are supposed to purl, purl, then pass the cast-off loop over, and vice versa if you're supposed to knit.) Click here for a video. This will create a more elastic cast-off edge. I also recommend casting off with a needle size that's 2 sizes (1 whole mm) larger than the needle you used for the rib…so…use your "body" needle to cast off. I cast off my shrug a few rows early, your seed stitch border will be a few rows wider than mine.
When your shrug comes off the needle, the seed stich border may seem a little bit wavy. You'll just want to lightly steam this edge, so that it will lay flat. If you find that your edging seems too loose (this may be the case if you've added a large number of stitches at the under arm) your best bet is to mist the ribbing lightly with water and stretch it lengthwise. Let it dry like this, and it will be tighter and less floppy.
In my photos, I'm wearing my shrug pinned at the front to show what this looks like, since we've had a few questions about adding a button. If you want to add a buttonhole to the front edge, a good point to do that is in the first few rows of the seed stitch border. You could just do a "yo k2tog" which will make a small hole.
Here's the back. My husband took the photo and didn't tell me that the collar wasn't lying exactly flat…but you get the idea! I could block this so that the back is flat, but I like the ribs that the Textured Stripe pattern creates, so I'll probably leave it like this.
This has been a lot of fun! I can't wait to see all of your FO shots in our Flickr Group! Or share them with us in the Customer Gallery (like this one from Mary Jo).
Look out later this summer for our charity KAL/CAL!
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Posted in Community, Knit-Along, Knitting | 32 Comments » Comments
Hi Everyone! I hope you're having a great week!
In our last installment of the Textured Circle Shrug KAL, we picked up all around the neck opening and started working on our ribbing.
In this installment, we will proceed to Increase Round 1. In this round, we work a few RLI (in every other knit rib) between the markers that we placed to denote each "sleeve" portion of the shrug. (The pink arrows in the picture below show the stitches over which the increases are worked.)
You work your ribbing from the beginning of round marker to your sleeve marker, then begin the increases. Work increases all the way around to the second marker. Then, work normal ribbing across the top / back neck of the shrug, all the way to the second sleeve. You'll work increases all the way across this second sleeve section, and then work regular ribbing across the back.
I talked a little bit about the RLI at the end of last week's post, if you're just joining us, be sure to check it out.
Here, again, is the link to the video on www.knittinghelp.com that shows how to do a RLI. In this pattern, RLI means to knit into the right leg of the stitch below the next one on the left hand needle, and then knit the next stitch.
I took some photos of how this looks in our shrug:
Here is how the stitch pattern starts out, with a k1 p1
Next, we knit into the right leg of the stitch below the next one on the needle:
Next, knit into the next stitch on the needle. (Once you do this a few times, this step will become very fluid.)
Here is what the ribbing looks like after this step. Every OTHER knit rib (between the markers that denote our sleeve sections) has two knit stitches.
Now, just proceed in this new rib stitch until we get to Increase Round 2. Next week, we will work this second round of increases and FINISH THE SHRUG!
How are you coming along with your shrug? Where are you up to? Let us know!
And, for those of you who are finished already, share your project with us in the Customer Gallery.
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Posted in Community, Knit-Along, Knitting | 47 Comments » Comments
Hi Everyone!
I've been on the road teaching a workshop for the last few days, so I apologize in advance for the quality of the photos in today's post. Since I was teaching all day, most of these were taken at night in the hotel.
Thank you to everyone who stepped up to answer questions since the last post! I was traveling and didn't have my laptop, so I really appreciate it.
Today's post will focus on picking up stitches and knitting the ribbing along the neckline of the shrug.
I tried to get some good photos of where / how I picked up my stitches, but this is actually a very individual process. (Here is a video from www.knittinghelp.com that shows how to pick up stitches.)
I tend to use the stitches along the outermost edge of the knitted fabric, while some teachers will tell you to pick up a little farther into the fabric. Wherever you choose to pick your stitches up, you'll be fine, as long as you pick up the number of stitches recommended by the pattern. The two kinds of stitches that you will find at the edge of the fabric are what look like bumps (first arrow) and lines (second arrow.) You can pick up into either of these.
You just insert the needle into the fabric and draw the working yarn through the loop that you've created.
Begin picking up stitches at the right back section, and continue around the right front.
At the cast-on edge, you just pick up one stitch for every cast on stitch, and then continue down the left front, and end at the left back right at the spot that your stitches are waiting for you on the scrap yarn.
Transfer these stitches to the needle. Now you're ready to work your ribbing in the round.
For people who have added stitches at the under arm, you will fold the little flap of extra stitches up, and pick up sts along that top/cast on edge.
Place markers like I have in the photo below, so that you remember which sts are added, and which are part of the original pattern. This way, you can still follow the original pattern instructions for your size when you are ready to do your increases.
The pattern instructions themselves are fine, but the way that RLI is described in the pattern notes makes the increase section not quite work out.
My next post will describe the increase section in detail.
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Time to move on to to the SLEEVES section. This week's installment is pretty easy, technique-wise, but there's a lot of knitting to do (both sleeves).
The last time we talked about the sleeves, we had placed them on a length of scrap yarn to be worked later:
Now transfer the sleeve stitches back onto your US8 needle.
When all of the stitches are back on the circ, the sleeve will look like this:
If you are happy with the width of the sleeve, you'll just attach your yarn here at the beginning of a RS row. Continue with the pattern, just following the directions as indicated. You'll begin working in Textured Stripe wherever you left off in the stitch pattern. On my sleeve, before I put the sts on the scrap yarn, I had completed 5 rows of reverse stockinette and so now I'll start right in on 8 rows of stockinette stitch.
The instructions say to work 2 rows even, this just means to work two rows straight (no increases or decreases) whether you should knit or purl according to the stitch pattern.
Sizes 40-42 (44-46, 48-50, 52-54) begin working decreases to narrow the sleeve as it goes down the arm. If you don't want to narrow the sleeve, just work straight (no increases or decreases) in textured stripe until the sleeve is the length indicated in the pattern, or to desired length.
Other sizes just work straight (no increases or decreases) in textured stripe until the sleeve is the length indicated in the pattern, or to desired length.
The length indicated in the pattern is FROM THE UNDERARM…so measure from where you are starting TODAY, not from the very top of the sleeve.
You simply cast on a few stitches at the underarm.
I've cast on about 10 st (using the "knitting on" method) at the under arm, to show those who want to modify the sleeve width how this would look.
To see how to cast on sts, check out the "Cast on" videos at.www.knittinghelp.com.
Here's what the sleeve with extra stitches looks like as you knit it:
You can cast your stitches on where I did, at the beginning of the first RS row, or you can cast half on at the beginning of the row and half at the end, or all at the end. It depends, really, on how many extra stitches you need. The more you cast on, the more the seam will move around the arm. If you're casting on more than about 10 sts, I'd cast on half at the beginning of this first row, and half at the end, so that the seam stays in the center of the sleeve.
Here is what my shrug looks like with the sleeves finished. (I've lightly steamed mine, just so that you can see how it looks; you do not need to steam your knitting at this point.)
You can see that I've done two different sleeves. The one on the left is done "normally" without increasing at the under arm. For the sleeve on the right, I've added extra stitches at the under arm. I've done this so that I can work the next step of the pattern as an example for everyone. Your sleeves will (hopefully) be the same. Your sleeves may also be longer or shorter than mine, depending on how you prefer them to look.
Next week, we'll pick up stitches and start working on the ribbing.
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Posted in Community, Knit-Along, Knitting | 45 Comments » Comments
Just to recap: last week we cast on for the shrug, knit the yoke, and tried on the shrug to make sure it fits.
In today's post, we will go through some of the possible fit problems that you may have run into while trying on your shrug after last week's installment.
Once we do that, we will make fit adjustments, place our sleeves on scrap yarn to be worked later, and finish the body of the shrug.
Next week we will finish the sleeves, and in the following post we will begin the neckline trim.
This is the point at which you have an opportunity to try on your shrug (if you have not done so already) and make any adjustments in the size before continuing with the project.
In my last post, I transferred my whole shrug to a long piece of yarn so that I could show you how the project looks at this stage, and also to show how you could make sure that your shrug fits. (See last post for photos.)
There are several possible fit issues that might come up at this stage, and we will discuss possible solutions to them in today's post.
Some possible fit problems:
Fit issue #1 will be handled next week when we get to the section of the pattern marked "SLEEVES." Since we are simply finishing up the body for right now, and your body section fits properly, we don't do anything different at this point.
Fit issue #2 is corrected by just working a few more rows of the shrug, continuing on in both Textured Stripe AND increasing every RS row. You can simply knit a few rows, try the shrug back on, see if it fits, and repeat that process until you get your custom fit…
OR you can figure out figure out exactly how many more rows you need to complete by doing the following:
Working these extra rounds will also increase the width of my sleeve by one inch. If that isn't quite enough extra width at the sleeve for your fit issue, you can add more stitches next week when we get to the "SLEEVES" section of the pattern.
Fit issue # 3: For this fit issue, you will need to rip back a few rows, until the fit across the back feels good to you, and then add more stitches to the sleeve next week when we get to the "SLEEVES" section of the pattern. You can use the steps in the example above to determine exactly how many rows to rip back in order to get your exact fit.
Fit issue # 4: For this fit issue, you will just rip back a few rows until the back fits you the way you like it, and should not need to add stitches next week when you get to the "SLEEVES" section of the pattern. (Since both your back and sleeves were too big) …but you can if you do need to!
The arrow on the left in the photo below shows how ripping back a few rows will make both the back and sleeves smaller, while the right arrow shows that adding a few rows will make both sections larger:
Now that you've solved your fit issues (if you had any) let's move on to finishing up the body of the shrug.
At this point, the pattern reads:
NEXT ROW(RS): Place next 50(58, 66, 69, 77, 85) sts for first sleeve on scrap yarn to be worked later, rejoin yarn and work to marker, place last 50(58, 66, 69, 77, 85) sts for first sleeve on scrap yarn to be worked later.
So, what you do is just thread a darning needle or tapestry needle with a length of yarn (abot a foot long or so) and use the darning / tapestry needle to remove the 50(58, 66, 69, 77, 85) sts from your circular needle. Then, you knit or purl (whatever you should do according to the Textured Stripe pattern) across the back, then just place the last 50(58, 66, 69, 77, 85) stitches onto another length of yarn.
It will look like this:
Skip ahead in the post to: NEXT ROW (RS)
Step 1:
The entire shrug is on a length of waste yarn. Run your circular needle through ONLY the back section (section between the 2 markers.)
Step 2:
Cut the scrap yarn at center back, pull the cut end out of the back stitches, tie.
Now just tie the ends of the scrap yarn.
Now, the pattern says to "work one row even." This just means to work one row in Textured Stripe pattern without doing any increases or decreases. From this point in the pattern until we begin the next section, you will only be working with the stitches used for the body.
So, work your one row, then go on to:
NEXT ROW (RS): Continue in textured stripe, bind off 3 sts at beg of next 10(8, 0, 16, 0 0) rows. Then, 4 sts at beg of next 6(8, 14, 4, 16, 16) rows.
Stitches are decreased here in order to give a curved shape to the back of the sweater, so that it slopes inward and will help the ribbing to hug the wearer's lower back, rather than hanging loosely around the body.
Here is what my shrug looks like at this point:
(See my flickr set for more photos)
Here's how to transfer the stitches onto scrap yarn. You can do this same process to save the sleeve stitches:
Thread a darning needle loaded with waste yarn through the stitches on the needle.
Remove the sts from the knitting needle onto the darning needle.
Transfer sts from darning needle to yarn.
I'd like to invite everyone to post your progress shots to the flickr pool for this KAL. And, if you're still having any "so…what am I doing wrong here?" questions, this would be a great place for you to post photos of what your knitting looks like, so that your fellow "KALers" (including me) can help out.
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Posted in Community, Knit-Along, Knitting | 50 Comments » Comments


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I'm fascinated with bicycles...with how they work, how they're built, how they're used, and what they have to offer. I'm pursuing an MS in Civil Engineering specifically to design and construct cycling infrastructure for transportation planning.
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We are happy to welcome Kate McDermott as a guest blogger this week. Kate is the creator and founder of Art of the Pie. Since 2006 she has taught the time-honored craft of pie making to thousands. One of the most highly sought-after culinary instructors in the North America, Kate is widely acknowledged as one of the best makers of pie ever. Named "Food Rock Star" by Seattle Magazine, Kate has given her Art of the Pie workshop to food luminaries and has received high praise from Ruth Reichl (former editor of "Gourmet"), Dorie Greenspan, Gluten Free Girl (Shauna Ahern) and many others. In 2008 her pie was featured in "Saveur" Magazine's Top 100 Issue and appeared on the cover. She has been written about in numerous books, magazines & blogs by award-winning authors. Always friendly, fun, and down-to-earth, Kate, a practitioner of kindness, aspires to pass on the craft of pie-making to as many as she can.
Apples ripe and ready to pick. The smell of the wood smoke in the air. Crisp fall air on my face. And pulling a freshly baked apple pie right out of the oven is my idea of a perfect afternoon.
I've been thinking about incorporating cheese into my pies for some time now. With the onset of the Autumn I moved it to the top of my list of recipes to create and share. Kerrygold was kind enough to send me some of their cheese to work with and I found that the addition makes for a subtle savory tang that really marries well with apples.
I tried three Kerrygold cheeses, Dubliner, Reserve Cheddar and Aged Cheddar and found that each was a wonderful addition to Apple Pie. I began by adding about 1 ounce (2 Tablespoons) of Dubliner grated cheese substituted for the same amount of Kerrygold Salted Butter. I was able to taste the cheese in the unbaked dough but when baked, I really felt that it needed more in order to pair nicely with my apples.
Next I tried grating 3.5 ounces (1/2 of block) of Kerrygold Reserve Cheddar, and 9 Tablespoons of butter. Putting that much cheese in, really gave it a cheddar zing! If you are a sharp cheese lover, this is right amount for you!
On my third pie, I returned to the Dubliner and used 2 ounces (4 Tablespoons) grated in addition to the 12 Tablespoons of Butter. I use both Salted and Unsalted butter in my pies with great results without adjusting the salt in my recipe. This cheese-butter combination is just the right amount.
After grating with the coarse side of my box grater, I chopped the cheese up a bit finer with a knife. The pie will have a little freckling on top where the cheese bits make their presence known. It's very subtle and I think it looks quite pretty!
For the filling I used a number of varieties of apples to make a wonderful mélange of tart to sweet. At hand from my neighborhood trees were Gravenstein and King apples plus a few more unnamed varieties. Some Pippins, Golden Russet, or Bramley's Seedling from the farmers market would be great additions as well as your own regional favorites. If I'm shopping my grocery produce section, I ask the produce manager if a taste might be possible. I really like to make sure that there will be good fruit flavor in my pie. Then I pick one or two from each "pieworthy" variety and put them all in to the filling!
I had a tablespoon or two of grated Dubliner still on my counter so I mixed that into the pie filling for some extra cheddar flavor, too, and it was delicious! This Apple Cheddar Pie will become a mainstay not only in my fall kitchen, but the crust will be one I will return to for some of of my savory pies, too.


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Bilingual Book in Polish and English: Frog - Żaba. Learn Polish SeriesThis illustrated story has been designed for bilingual children and others wishing to read a parallel text in English and Polish. For ease of understanding, the languages are displayed together just one or two sentences at a time.The aim was to make translation as direct as possible but always using everyday language of native speakers.Basil, Rosemary and the Pansy sisters are lively, chatty
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Dowcipy Angielsko-Polskie 1 (English Polish Joke Book 1)
Language Learning Joke Books (Book 16)Dowcipy Angielsko-Polskie 1 English Polish Joke Book 1 są świetnym sposobem dla Polaków do praktykowania Angielskiego - i dla cudzoziemców którzy próbują nauczyć się Polskiego. Świetnych żartów takich jak:A social worker visited an old lady every week. The old lady was quite poor so the social worker was quite surprised when the old lady gave her a present. When she got home she opened her present
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$14.83The fifth book in Thorogood's groundbreaking series of cultural guides takes Poland as its subject. Written and produced in collaboration with the Adam Mickiewicz Institute, Speak the Culture: Poland provides a fast track to understanding the key events, figures and customs of this richly creative country in the heart of Europe. The book begins with an overview of the country's cultural
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The Hound of the Baskervilles (Polish Language)
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$16.99The ultimate quick and easy guide to learning Polish Polish can be a difficult language to master. It is pronounced phonetically and has several unique characters in its alphabet, but with Polish For Dummies in hand, you'll find yourself speaking like a local in no time. Packed with practical lessons, handy cultural facts, and essential references (including a Polish-English mini-dictionary and
Polnisch Lernen - Parallel Text - Bilingual Leichte Geschichten (Deutsch - Polnisch)Polnisch lernen mit Paralleltext ist eine sehr lohnenswerte und effektive Art um eine neue Sprache zu erlernen. Ihr Wortschatz wird aufgefrischt, während neues Vokabular sofort in die Praxis angewendet und verstanden wird. Unsere speziell dafür geschriebenen Geschichten sind besonders für den eReader konzipiert worden. Satz für Satz wird die Deutsche Übersetzung angezeigt.Besonders Empfohlen für


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Ann C. Gunter
Office: Suite 4400, Room 4411
On Leave: AY 2014-15
Ann C. Gunter's work addresses the visual and material cultural of the ancient Near East and its Eastern Mediterranean neighbors. Her primary research interests include artistic and cultural interaction between the Mediterranean and the Near East; the relationship between material culture and social and cultural identity; and the reception of ancient Greek and Near Eastern art in the nineteenth and twentieth centuries.
Among her recent publications are Greek Art and the Orient (Cambridge University Press, 2009) and contributions to A Companion to the Archaeology of the Ancient Near East (Wiley-Blackwell 2012) and Critical Approaches to Ancient Near Eastern Art (in press). She is currently editing A Companion to the Art of the Ancient Near East (Wiley-Blackwell) and preparing for final publication the Late Bronze and Early Iron Age ceramics from the site of Kinet Höyük, on Turkey's Mediterranean coast.
Selected Publications
Ann Gunter, Greek Art and the Orient, (New York: Cambridge University Press, 2012).
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text: If you haven't had the chance yet, please take a few minutes to click over and take my blog survey! I want to make Mad in Crafts a more reader-friendly blog, and I need YOUR input to do it. The survey isn't very long, it's totally anonymous, and you don't have to answer any questions that don't strike your fancy. Thank you so much for helping to make Mad in Crafts even better!


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In reference to Obama�s speech of Jan. 16 pertaining to gun control in which he proclaims, �We will be judged in the future by the way we provide love and care for our children,� it brings this to mind: Perhaps he should reconsider his pro-abortion stand. I�m not denying the fact that ultimate care should be provided for our children, but it should pertain to living unborn children as well.
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We previously covered a study on how Memory Training Aids ADHD. Thanks to Eidi Neurolerning Blog the software used to train children's memory has been identified as RoboMemo from a company called CogMed based in Sweden. The training takes five weeks and costs £690 GBP.
11 Responses to "RoboMemo Memory Training for ADHD"
By FrazzleDazzle 17th April 2008 - 1:12 am
That is awesome news, Maria! Thanks so much for sharing. I am keeping tabs on several other CogMed participants, and they all say the same thing regarding memory as you see in your son. How old is he? I am happy for you and your son, I hear it is very hard work. Unfortunately, it is not known for helping temper~ Have you tried high EPA omegas with him? They help my teenager guy a LOT.Reply
By Maria 14th April 2008 - 10:42 pm
well, my son just finished the five weeks training and it was really good. His math grades starting gradually improving after just two weeks in the program and his follow through in class has also improved quite a lot according to his teachers. I wish I could say his temper got better but that didn't change much… in all, this program is outstanding. His attemtion definately improved..Reply
By FrazzleDazzle 16th March 2008 - 10:19 pm
BrainDuck, you probably know that my child has recently completed the Dore program, and you comment "True Believers in DORE should probably stay away in case it is somehow contaminated with Evil Phonics?" was uncalled for. CogMed was recommended to my son by his neuropsych evaluator. He has never had any signs of dyslexia or any need for us to look at "the evil phonics" that you mentioned. I am beginning to see some EFs coming though, but he may have a ways to go that CogMed could top off. I have done quite a bit of reading up on it, and do not believe that CogMed has ever claimed to treat some of the difficulties of dyslexia that you were insinuating that would be in competition with phonics=based programs. Is there newer information out there in the research that points to CogMed working for dyslexics in comparison to the phonics you were referring to?Reply
By myomancy 15th March 2008 - 11:09 am
Thanks for the info. Do you keep an eye on the Intelligent Insights / IQ Corner blog? A fairly technical blog on intelligence testing and what is intelligence. They have had interest stuff on working memory such as this one on cognitive load and memory [ http://intelligencetesting.blogspot.com/2008/03/cognitive-load-instructional-theory-and.html ].Reply
By Brainduck 14th March 2008 - 11:09 pm
Ummm – can I point out that some of the research into Cogmed was done at York, and therefore True Believers in DORE should probably stay away in case it is somehow contaminated with Evil Phonics? 😉
http://www.york.ac.uk/res/wml/ProjectonWM.htm (bottom of page)
You might find this site: http://www.york.ac.uk/res/wml/indexteachers.htm useful for background information on working memory in various developmental disorders.
I don't know much about RoboMemo in particular, but working memory in developmental disorders is an area I'm really interested in, so if you've specific questions which the site above doesn't answer, please feel free to ask. Applying what we know about WM to actually treating people is still rather new so there's not that much research I can cite yet, and usual disclaimers of 'I am not remotely qualified to treat anyone for anything' apply, but I'll do my best.
AFAIK RoboMemo is not language based, it's a computer programme, and lots of the follow-up is by telephone, so being physically distant may be less of an issue than for other treatments.Reply
By CS Tan 12th March 2008 - 2:59 am
Robomemo, if indeed it is as effective as claimed, can potentially become a "best seller" among parents with ADHD children. This method is indeed attractive to many because it deals with the problem without medication. But because of limited training centers, only the "haves" will be able to give RoboMemo a go at present. Good luck and we hope to see lots of feedbacks from your training in future.Reply
By FrazzleDazzle 12th February 2008 - 9:57 pm
Maria, will be interested in seeing how it goes for you and your son, and what you both think of it. He should be nearly through by now.Reply
By Maria 14th January 2008 - 2:50 am
Hi, My boy is add too and I am going to sart the program next week. Do you want me to tell you how it goes after Istart? That way Ican see if it is language based, but I think it is not.
I will let you know.
By Andrew 23rd October 2007 - 1:41 am
My boy got ADD symptom, I don't think local Doctor did the proper curing on him, I need your information and help on your training.
We live in Taiwan, I don't know if this training got language barrier, if you got the experience on this kind of case and think that's a worthy trial for us, please let us know how to cooperate with you. Once need our attendence to your site for 5 week's training, please let me know to arrange it. Better happen during school's vacation, like start around Jan.
Or please let me know if tere is any suggestion we can do here.
We appreciate your response as you know.
Sincerely yours
Andrew ChuangReply
By Shirley Hunt 29th September 2007 - 6:33 pm
Please send me information about robo memoryReply
By Alvaro 27th September 2006 - 2:41 am
You may be interested in this interview with the main researcher behind RoboMemo Cognitive Training Program


text:
Revenue from the gift store and espresso bar are used to support the educational and volunteer programs provided by Friends of Vista House, as well as special Vista House projects that help preserve and maintain the building.
The Friends of Vista House Interpretive Store Mission Statement:
"To provide visitors to the Vista House with items which are interpretive of the Vista House, the Columbia River Gorge, the State of Oregon and the Pacific Northwest. The items selected for display and sale in the Interpretive Store may include Gorge history, flora, fauna, geology and geography, Northwest Native American culture, and items related to the Historic Columbia River Highway. Vista House is dedicated to Oregon Pioneers, so items relating to pioneer crafts and skills are also appropriate. Exceptional quality is a requirement for sales items."
Be sure and check out the Espresso Bar for specialty coffee, cold drinks and other refreshments.
Our Mission: To help preserve and protect the historic Vista House and to provide information and interpretive programs about it's history and the Columbia River Gorge.
Friends of Vista House is a 501(c)3 organization and all donations and membership fees are tax deductible.
This is a must see for anyone interested in the Vista House. Select here to view the movie.
Help us keep the doors to the Vista House open. Take a minute and select here for membership information.


text:
Picks are based on fundamental strength
It's not all champagne and caviar
Join the NASDAQ Community today and get free, instant access to portfolios, stock ratings, real-time alerts, and more!
On Mar 18, 2014, Zacks Investment Research downgraded
Office Depot, Inc.
) to a Zacks Rank #5 (Strong Sell). The shares of this office
supplies retailer have tumbled 14.4% year-to-date.
Why the Downgrade?
Estimates for Office Depot have been showing a downtrend since
the company posted disappointing fourth-quarter 2013 results on
Feb 25, 2014. Over the past few quarters the company has been
struggling to regain its momentum.
The soft industry trends and severe competition from online
giants resulted in declining sales at Office Depot. The company
recently merged with OfficeMax to capture incremental market
share, streamline cost structure and compete better with industry
Looking at the company's performance in the trailing four
quarters, it has missed the Zacks Consensus Estimate by an
average of 122.2%. In the most recent quarter, earnings fell
short of the estimate by 200%.
Office Depot posted adjusted fourth-quarter 2013 loss per
share of 3 cents as against the Zacks Consensus Estimate of
earnings of 3 cents and break-even results in the prior-year
quarter. Revenues of $3,486 million also fell short of the Zacks
Consensus Estimate but grew 33% year over year.
Further, management foresees headwinds across product lines
and distribution channels during 2014. As a result, the company
projects total revenue to be lower than 2013 pro-forma combined
Given the uncertainties, analysts have become less
constructive on the stock's future performance. This is evident
from the movement witnessed in the Zacks Consensus Estimate that
tumbled 56% to 11 cents for fiscal 2014 and 40% to 33 cents a
share for fiscal 2015 in the past 30 days.
Other Stocks to Consider
Not all retail stocks are performing as disappointingly as
Office Depot. Some better-ranked stocks include
Barnes & Noble, Inc.
) carrying a Zacks Rank #1 (Strong Buy), while
ITOCHU Corp.
) and
Kingfisher plc
) hold a Zacks Rank #2 (Buy).
The views and opinions expressed herein are the views and opinions of the author and do not necessarily reflect those of Nasdaq, Inc.
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Listen Now
The Thistle & Shamrock: A Case For Guitar
Listen Now
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Virtuoso players in Scotland, Ireland, Brittany and beyond are setting a new standard for roots-inspired acoustic guitar music.
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Two lesbians eat some pussy before using double sided dildo
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Downloadable PDF Version
The California State University promotes student success through opportunity and a high-quality education that prepares students to become leaders in the changing workforce, making the CSU a vital economic engine for California.
- Is the nations largest four-year public university system
- Has 23 campuses and eight off-campus centers
- Educates approximately 460,000 students
- Employs 47,000 faculty and staff
- Educates the most ethnically, economically and academically diverse student body in the nation
- Is renowned for the quality of its teaching and preparing job-ready graduates
- Stretches 800 miles from Humboldt in the north to San Diego in the south
Working for California
The CSU plays a critical role in preparing future leaders with the skills and knowledge necessary for them to thrive in the workforce and help drive Californias economy. With 100,000 annual graduates, the CSU is the states greatest producer of bachelors degrees and drives Californias economy in agriculture, information technology, business, hospitality, life sciences, healthcare, public administration, education, media and entertainment.
- For every $1 the state invests in the CSU, the CSU returns $5.43
- The CSU sustains more than 150,000 jobs in the state
- CSU-related expenditures create more than $17 billion in economic activity
- 95% of students come from California
- One in ten employees in California is a CSU graduate
- More than a third of CSU students are first generation college students
- 77% of students receive financial aid
- 103,637 degrees conferred (2013-2014)
3 Million Alumni Strong
The impact of the CSU and its alumni is unparalleled. With the graduation of the Class of 2015, the university will surpass the milestone of having 3 million living alumni. The CSU is celebrating this Class of 3 Million during the entire 2014-15 academic year. With 3 million alumni, every day the CSU is impacting California, the nation and the world.


text: Update Your Record The UK Alumni Association is interested in your life changes over the years and in keeping you connected to the University of Kentucky! We would like to keep up with where you live, where you work, children you have who may be future Wildcats, your accomplishments and how to reach you by mail, email and phone. We would also like to keep you informed of student and faculty accomplishments, other campus news, sports, alumni events, and special benefits and services for alumni. This can only be done if we have your good contact information. You are encouraged to update your alumni record information if you've had any changes in address, email address, telephone numbers, marriage status, children, etc. There are several ways to update your information: Login to the My Wildcat Community to review and update your information. If you are already registered and have a username and password, please Login. If you are not yet registered, please complete the First-Time Login process. Doing so will pre-populate the fields below with your current record information. Please be sure to provide your current email address since we are sending more communications and information about opportunities via email. OR Complete the online Update My Information Form. OR Download this PDF Form, which you can fill in using your keyboard. You can then either save the file and send it as an email attachment to firstname.lastname@example.com or fax it to 859-323-1063 or mail it to the address below. OR Email your updates to firstname.lastname@example.com. OR Call 1-800-269-ALUM (2586) or 859-257-8905 and we will be happy to assist you. The office hours are 8:00 a.m. to 4:30 p.m. EST. OR Write to us at UK Alumni Association, 400 Rose Street, King Alumni House, Lexington, KY 40506. To update your Children's legacy information please go to: www.ukalumni.net/legacyupdate


text:
American Megamillionaire Gets Russki Space Heap!
By Elizabeth Weil
Published: July 23, 2000
This is a story about wealth and space and America and Russia, and it begins with one man, Walter Anderson -- a man with white hair and pale skin, square, gold-rimmed glasses and a physical presence so profoundly unprepossessing it's almost impossible to remember what he looks like. Anderson is 46 and worth almost a billion dollars. He lives in Washington -- the city he grew up in, a city he hates; his hatred of the government is, as he puts it, ''personal'' -- in an apartment adorned with a painting he commissioned based on a Smashing Pumpkins lyric, ''I am still just a rat in a cage.'' ''That's what we are,'' Anderson explains, ''rats in a cage. And we're going to gnaw through the bars because we've got about a 30-year window here, and we'll starve if we don't get out.'' The cage Anderson refers to is the planet earth itself, and he has taken it upon himself to ensure we get off. In 1989, Anderson gave $80,000 to finance the International Space University; in 1991, $100,000 to found the Space Frontier Foundation; in 1994, $5 million to start the Foundation for the International Nongovernmental Development of Space; and between 1996 and 1999, $40 million to build the Roton, a manned, reusable spaceship. Then a few months ago, in one of his eriodic calls to me, he rang me up: ''I'm in Russia!'' Anderson was midway through three days of talks with Yuri Semyonov, president of the private Russian space corporation Energia, and in a move that would later marginalize NASA from the Anderson-Russia-America love triangle, he was arranging for a new company, called MirCorp, to lease the space station Mir.
It was not an act of open defiance. In most ways it was an act of trust, devotion and faith. Anderson had been dreaming of leaving Earth since he was a little boy. He wired the Russians $7 million before he even signed Mir's lease. Anderson put up $31 million toward the lease, which will eventually cost $200 million a year. It will give MirCorp the rights to Mir for the remainder of its lifetime, the use of two or three manned Soyuz rockets annually, as well as two or three unmanned Progress rockets, the exclusive control over Mir's visitors and technologies, 40 days of active operation and the privilege of fixing Mir up. All of this has put Anderson more cozily into bed financially with Energia, thereby creating a situation highly threatening to NASA. The American space agency, after all, was already embroiled with the Russians in the way-over-schedule, way-over-budget, politically Pollyanna-ish International Space Station, a project that was announced 17 years ago under President Ronald Reagan, that had already incurred several Congressional hearings and that space patriots in Washington were determined to make ''the only space in space.'' Specifically, at the time Anderson leased Mir, NASA was blaming the Russians for being two years behind in launching the service module, or living quarters, for the International Space Station. (It was finally launched on July 11.) Worse, rumor had it among space experts that NASA could not technically complete the International Space Station without Russian help. And many inside the agency feared that the Russians would lose interest in the International Space Station altogether if they kept their own space station up.
A less brusque man than Anderson might have chosen to sweet-talk and pacify the NASA brass out of their TKTK. But Anderson, arrogant in such matters, is, as he terms himself, an anarcho-capitalist. He flies around the world in his private jet pledging allegiance first and foremost to the laws of GATT. Thus instead of calling NASA, Anderson called his friend Chirinjeev ''Baboo'' Kathuria, a 35-year-old megamillionaire Sikh. Kathuria told Anderson that he, too, was ''interested'' in Mir, which in megamillionaire-speak meant he was willing to chip in $4 million, to form MirCorp, and start upending last century's notions of relations in space.
On a Friday evening late in March, Anderson and I sit on the dully plush mezzanine of the American Hotel in Amsterdam, prepping for the coffeehouses, where Anderson likes to smoke and cavort with disaffected world youth. I first met Anderson two years ago while researching a book on the Roton spacecraft. Among his first words to me were, ''Please don't make me famous.'' But by the spring of the year 2000, he has invited me to interview him over the course of a weekend in Holland, the Tuesday after which he'll launch the world's first privately financed manned mission off Earth. The following Thursday the two professional Russian cosmonauts he has hired will enter Mir to see if it can be repaired.
Already I know that MirCorp is registered in Bermuda, run out of Amsterdam and structured as a 40-60 partnership with the space corporation Energia (38 percent of which is owned by the Russian government). I know Anderson's plans include rehabbing the station and expanding its volume to 9 or 10 times its present size. I know he wants to sell joy rides on Mir to wealthy individuals (Dennis Tito, a 59-year-old money manager and former rocket engineer, is the first to sign on, planning to spend 10 days on Mir sometime early next year) and advertising on Mir to commercial companies (''we'll paint it up like a Nascar''). Anderson expects to offer access to Mir equipment to corporations and governments and to sell intellectual rights on Mir's considerable patents so that, as Anderson puts it optimistically, ''NASA won't be able to build so much as an air lock without paying MirCorp something first.'' Eventually he intends to move into even more dubious but potentially lucrative markets, like in-orbit satellite assembly and satellite repair. I do not know if Anderson's vision amounts to a dream or a pipe dream, a gift or a curse. For certain, he harbors a taste for grand, most likely fantastical, visions. Once at a space conference he'd underwritten, Anderson told me he believed that more than half the American space shuttle missions carry classified cargo. ''If I discover dirty satellites, nuclear wearpons in orbit,'' he then said with a giddy grin, ''am I going to pretend they're not there? No.''


text:
The 5 Handbags You Need to Survive Any Social Occassion
My Style | 3 Ways to Wear Boden Trousers
Which Designer Handbags Do You Still Dream of Owning?
How to Have Healthy Nails Year-Round
Edie Campbell Shares Her Beauty Secrets
Do You (Or Would You) Wear a Celebrity Fragrance?
How to Stand Out On Online Dating Sites
Which Actresses to Follow on Instagram
Cooking Brunch With Gizzi Erskine
Top Career Advice to Take into the New Year
Brighten Up Your Desk With 9 Fun Accessories
Amy Poehler's Surprising Career Advice: Care Less
Contact The Team
In the Press
← News From NYFW: Polo Necks, Prince of Wales Checks and Big Grins


text:
The 2012 Marshall Lecture, slated for April 19, has been canceled because of a scheduling conflict, Fort Vancouver National Trust officials announced Tuesday.
This year's edition of the annual George C. Marshall Lecture was to feature Sergey I. Kislyak, Russian ambassador to the United States, in a public address at Hudson's Bay High School. His appearance was canceled because of an unforeseen visit to Washington, D.C., by Igor Shuvalov, Russian first deputy prime minister, on the same day.
Jenny Storer, Fort Vancouver National Trust spokeswoman, said there was not enough time to find another speaker, so the event was canceled.
Trust officials said in a news release that they extend "their sincere thanks to everyone associated with the planning of this event."
The Marshall Lecture series is one of several Celebrate Freedom events organized by the nonprofit Fort Vancouver National Trust. It is named for the Nobel Peace Prize winner whose namesake plan helped reconstruct Europe following the Allies' victory in World War II. From 1936 to 1938, Marshall was commander of the Vancouver Barracks. He was appointed Army chief of staff in 1939 and served in that capacity during the war.
The next Celebrate Freedom event is Flag Day at 3:30 p.m. June 14 at the bandstand on the Fort Vancouver National Site Parade Ground.


text:
Sanjiko cosplay by NyandaleeWatch
©2012-2016 Nyandalee
One Piece: Sanji (fem. ver.)
Cosplay by Hikaru
Photo by AlexStubborn
Cosplay by Hikaru
Photo by AlexStubborn
Sweet cosplay ^^
Hm, I wonder, if Sanji is alway flirt with women then will Sanjiko flirt with men? Tough question indeed.
WOW! That's pretty cool!!! Somehow I love this Sanji more than the original xDD
Goregous! Simply gorgeous! And very good in its style.
Hey this is such a nice cosplay
Sanji is confused on the implications of swooning over this beautiful lady.
Ooooooh! Beautiful cosplay!
loved that cosplay


text:
Tue, 09 Oct 2012
The train set to end all train sets – 12 inch gauge, 360 metres of track, fab yellow ride-on train.
The Hobbit book signed by moviemaker extraordinaire Peter Jackson is up for sale, with proceeds going to the fight against breast cancer.
One for the 'weird but undoubtedly cool' files, the 'Carbeque' – a cross between the boot of a BMW and a BBQ.
If you consider yourself a wordsmith-of-sorts, go for a spot at Wellington's Fishhead Magazine as editor for a day.
A quilt made of vintage CanTeen bandannas featuring bandannas designed by sports stars Dan Carter, Maria Tutaia and Paige Hareb
Full training and costume is provided for all budding Santa Claus wannabes
Cool tudor(?) playhouse built by Hamilton Girls' High students
And one of the cars used in the filming of Bret MacKenzie's flick "Two Little Boys" sold last night for $855.
12 inch gauge railway - Listing #: 520611362
The Hobbit - signed by Peter Jackson. Listing #: 521137007
Carbeque - Listing #: 520774603
Quilt made out of CanTeen bandannas - Listing #: 520450872
Girls Built a Playhouse - Listing #: 520499959
Ford Laser 1982 - Listing #: 517156522
Become a fan of RadioLIVE on Facebook
on Twitter.
Talking about Macular Degeneration with Dr Dianne Sharp
Business wrap with Shamubeel Eaqub
Tickled by David Farrier
Politics in 60 Seconds, 28 May 2016
James Webb Space Telescope
A Man Can Make A Difference. Trailer


text:
No. 8 Michigan State routed the fourth-ranked Michigan men 75-52 to take the outright lead in the Big Ten Conference.
EAST LANSING, Mich. — Michigan State turned a highly anticipated, historic matchup into a showcase of what its proud program is capable of doing this season.
Gary Harris scored 17 points and Derrick Nix had 14 to help the eighth-ranked Spartans rout No. 4 Michigan 75-52 Tuesday night in the rivalry's first matchup of top-10 men's teams.
"It was the perfect storm," Michigan State coach Tom Izzo said. "We played about as well as we can."
The Spartans (21-4 overall, 10-2 Big Ten) lead the conference by a half-game over top-ranked Indiana.
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The Wolverines (21-4, 8-4) have lost three of four, but the setbacks on the road against Indiana and Wisconsin were nothing like this game, when they were held to a season-low point total.
"It was an embarrassing loss," said Michigan guard Trey Burke, who scored 18 points on 7-for-11 shooting.
Michigan State led by as many as 16 points in the first half and enjoyed 30-point leads in the second.
"We probably played our best game in three years," Izzo said. "And they probably played one of their worst."
Michigan coach John Beilein agreed.
"That was the worst we've played in a long, long time, and credit Michigan State for that," he said.
Tim Hardaway Jr., who turned down Beilein's suggestion to work on his shot during halftime warmups, was 1 of 11 from the field and scored a season-low two points.
"I'm not sure we're as good as we played, but I'll take it," Izzo said. "It was a big win for Michigan State."
Other Top 10 men's game
At No. 7 Florida 69,
No. 25 Kentucky 52
Scottie Wilbekin had 14 points and eight assists and Pat Young recorded his sixth double-double of the season (12 points, 11 rebounds) as the Gators (20-3, 10-1 Southeastern) beat the Wildcats (17-7, 8-3).
Florida snapped its losing streak in the series at five and coach Billy Donovan improved to 2-7 against Kentucky's John Calipari.
Wildcats freshman Nerlens Noel, who leads the nation in blocked shots, injured his left knee in the second half and was taken to a hospital. No details were given on his injury.
Top 5 women
At No. 1 Baylor 89, Texas Tech 47
All-American Brittney Griner had 10 points and 11 rebounds for her 54th career double-double, and the Bears (23-1, 13-0 Big 12) rolled past the Raiders (18-7, 8-5).
Baylor has won its last 52 home games.
No. 3 Connecticut 105,
at Providence 49
Kaleena Mosqueda Lewis scored 17 points to help the Huskies (23-1, 10-1 Big East) defeat the Friars (7-17, 2-9).
• A member of Pennsylvania's 1979 Final Four team was fatally stabbed by his wife, who told police she had caught him looking at child pornography, according to court documents.
Matthew White, 55, was found stabbed in the neck in bed at his home Monday, police said. As Maria Rey Garcia-Pellon was being taken into custody, according to a police affidavit, she said, "I caught him looking at pornography, young girls. I love kids. I had to do it." She was charged with first-degree murder.
White set Penn's career record in field-goal percentage for players with a minimum of 200 made baskets, shooting 59.1 percent.


text:
HourlyMore than 30 hrs/week
-- HIGH DEMANDING JOB -- 10 to 12 hours.
You'll send emails and reply to others. You need an eye to proof read emails and some interest in doing good work.
DATA ENTRY position needs to be filled.
You'll be using an excel sheet to send emails.
I need someone who's fast, committed, dedicated and creative.
You must be familiar with setting up email - familiar with good english and grammar.
If you are aggressive and can put your time and energy into this project, please let me know. You'll be asked to GO THE EXTRA MILE. I'm looking for someone who knows the value of hard work and wants to add value to what we're doing.
Skills: english
About the Client
United States
Dallas 12:28 AM
Jobs Posted
38% Hire Rate, 1 Open Job
Total Spent
4 Hires, 0 Active
Avg Hourly Rate Paid
61 Hours


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this stock has showed some pretty god support right in the 3.00 to 3.15 range, we just do not seem to be through that 3.15 range. It seems to stop at that point. Just be patient, however, one should note when it dips its on low volume and after that 1 day this week, when it sold down into the 2.60 range it came back strong back to $3 on high volume, so it sure looks as if individuals are accumulating this stock on any dips below $3..


text:
Classic Car Chronicles: the Plymouth Road Runner
Enthusiasts tend to be a little humorless about their favorite performance cars, which makes it all the more remarkable that one of the muscle car era's leading icons is a budget supercar named after a cartoon bird: the legendary Plymouth Road Runner.
The rise of the supercar
Before the 1970s, most domestic automakers offered options on a strictly à la carte basis: each option sold separately. That was great for racers (professional or amateur), who could simply order the cheapest, lightest, most stripped-down model with the biggest engine available and skip all the unnecessary extras.
Then came 1964 and the birth of the Pontiac GTO. Originally an option for the A-body Pontiac Tempest, the GTO transformed the big-engine, midsize performance car concept from a special-order oddity to a merchandising bonanza. Pontiac promoted it aggressively and it became a huge hit, inspiring many imitators.
Paradoxically, though, GTO-style "supercars" were bad news for street racers: crucial performance options were now often restricted to performance models saddled with hundreds of dollars worth of tinsel that young buyers didn't need and couldn't afford.
That was the case with Plymouth's rival to the GTO, the GTX. Introduced in 1967, the GTX was a midsize Plymouth Satellite with sporty trim, a 440 cu. in. (7.2 L) V8 and standard TorqueFlite automatic transmission. Although the GTX could beat the stuffing out of most stock GTOs, it was a lot more expensive than the Pontiac, and sales were depressing.
The econo-racer concept emerges
An alternative was suggested by famed Car and Driver editor Brock Yates, who sent a memo to Chrysler-Plymouth general manager Bob Anderson proposing that Plymouth offer customers a no-frills econo-racer: a low-priced intermediate with a big engine, four-speed gearbox and full instrumentation as standard equipment. Anderson loved the idea and forwarded Yates' memo to Chrysler-Plymouth product planners Jack Smith and Gordon Cherry for development.
Although Plymouth had all the mechanical pieces necessary to build such a car, Smith and Cherry thought it needed more pizzazz than what Yates suggested. While watching Saturday morning cartoons with his children, Cherry had a brainstorm: a tie-in with Warner Brothers' popular Road Runner character, whose maddening ability to elude Wile E. Coyote suggested exactly the sort of image Plymouth was after.
Smith agreed, as did Chrysler-Plymouth's ad agency, but senior management thought the Road Runner idea much too frivolous. Dealers loved the concept, however, and Smith and Cherry finally pushed it through. A licensing deal was struck with Warner Brothers for use of the Road Runner and Coyote characters, and Chrysler's engineering department even modified the Road Runner's horn to approximate the sound of the Road Runner's trademark flippant "Beep, beep."
The Road Runner arrives
Introduced with Plymouth's revamped 1968 intermediate line, the Road Runner was essentially a two-door Belvedere sedan with cartoon graphics and a heavy-duty police/taxi suspension. A four-speed manual transmission was standard, as was Chrysler's 383 cu. in. (6.3 L) V8, with "Coyote Duster" air cleaner decals and 335 gross horsepower. (The 426 cu. in. (7.0 L) Hemi was a $714 option.)
Base price was only $2,870, undercutting a comparably equipped GTO by around $500, which was a lot of money in 1968. Naturally, the budget price entailed certain compromises, including bench seats, taxicab-grade upholstery and rubber mats instead of carpeting. More than $1,000 worth of options were available, from power steering to matte black hood paint, but none altered the Road Runner's low-rent ambiance. Initially, all Road Runners were pillared two-door sedans, but a two-door hardtop became available later in the year.
Chrysler-Plymouth's projected first-year sales were only 2,500 units, but in an era of Rowan & Martin's Laugh-In and the Smothers Brothers, buyers could appreciate a performance car that didn't take itself too seriously, particularly since it was also cheap, fast and quite rugged. Some 44,599 Road Runners went out the door in 1968 and Plymouth probably could have sold more if they had ordered enough parts.
For 1969, Plymouth added a convertible and an assortment of new options, including an "Air Grabber" pop-up hood scoop and the 440 cu. in. (7.2 L) V8. The Road Runner, which was Motor Trend's 1969 Car of the Year, was now inspiring its own imitators, including the Dodge Super Bee and Ford's Torino Cobra. Production eventually rose to 82,109 units, not including the still-available GTX, which meant Plymouth was now selling more sporty intermediates than Pontiac.
The Road Runner returned for 1970, but sales fell to 41,484 units thanks mainly to skyrocketing insurance premiums. That tally included 1,920 copies of the be-spoilered Road Runner Superbird, a limited-edition NASCAR homologation special.
The Road Runner and other Chrysler intermediates got a swoopy, "fuselage-style" redesign for 1971, with gaudier graphics and gimmicky new options like a pistol-grip shifter. Although the new Road Runners were attractive, punitive insurance rates limited sales to a disappointing 14,218 units. Plymouth responded with smaller standard engines: the 340 cu. in. (5.6 L) V8 for 1972 and a 318 cu. in. (5.2 L) engine for 1974, offering a modest 150 net horsepower.
End of an era
Despite the loss of muscle, the Road Runner returned for 1975, its graphics now looking somewhat ill at ease on Plymouth's restyled, more formal-looking intermediate offerings. In 1976, the Road Runner became a trim package option for the compact Plymouth Volare, where it survived through 1980.
By then, the cafeteria approach to optional equipment was on the way out, replaced by Japanese makers' strategy of offering options in strict trim-level groupings. Today, true à la carte ordering seems to be a thing of the past.
The econo-racer idea still pops up occasionally, usually for racing homologation, but today's lightweight factory specials often cost significantly more than their heavier, more luxurious siblings. Still, as long as there are cars, there will be people enticed by the idea of a stripped-down body with a big engine and a minimum of frills.
What's been missing since the demise of the Road Runner is its tongue-in-cheek whimsy. Perhaps the closest modern equivalent is the reborn MINI, but that's hardly a muscle car. There's nothing like the Road Runner today, which is what makes its deliberate, self-conscious silliness so much fun.
About the author: Aaron Severson graduated from college with a women's studies degree and a box of old car magazines, pilfered from his father. Since then, he has worked extensively as a professional writer and editor, but in 2008, his ongoing fascination with the auto industry led him to found his own automotive website, ateupwithmotor.com, where you can read the full version of this article.The views expressed by this author do not necessarily reflect those of Angie's List.
slow road runners
My buddy Tom Wineland's built 289 V-8 Mustang ('68 Calif. Special) used to blow the doors off MOST Road Runners!! And when I saw what a 340 Duster did to "Hank's Hemi" at O.C.I.R. (Orange County International Raceway) I was excited.
I could actually afford a 340 Plymouth Duster / Dodge Demon / Dodge Dart. My 340 had one option 3.91 posi. I beat everybody. Then I lost by 1/2 car length to a 440 6 pack 4-speed GTX (he had headers, I didn't + we raced from a ROLL instead of a dead stop) I looked around and sure enough: Mr. Norm's Grand Spaulding Dodge in Chicago, Ill. had a PAXTON SUPERCHARGER KIT for the 318, 340 and 360 V8 for only $395. Barry Murphy and I installed it and I had a car that would absolutely FLY. 290 rear wheel horsepower in 1972 was a MONSTER. P.S. we weren't stupid racing around schools & kids. We'd go out behind warehouses where NOBODY could get hurt. One final thing: I only paid $76.34 per month for the car. and....AND I still have it!! I'm 63 y/o and my 1971 Duster 340 Now with headers, cam, high rise, and a Holley 800 dual feed double pumper waiting for it's 4 th paint job. WOW.
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3. The industry is full of advertisements and misinformation
4. I wish I knew what experiences other people have had
That's very difficult to answer without seeing the house. As one poster said, the prep is the most important part. On newer homes that don't have a lot of peeling paint, the prep can be very minimal even as low as a couple or a few hundred dollars for the prep labor.
On a 100 year old home with 12 coats of peeling paint on it, then the prep costs can be very high and can easily exceed 50% of the job's labor cost.
A 2100 sq ft two story home could easily cost $1000 just for the labor to prep for the paint job. That number could climb too. Throw in lots of caullking or window glazing, and you could be talking a couple or a few hundred dollars more for labor.
Painting that home with one coat of paint and a different color on the trim could run roughly $1000 or more just for labor. Add a second coat and that could cost close to another $1000 for labor.
For paint, you may need 20 gallons of paint. You can pay from $30-$70 for a gallon of good quality exterior paint. The manufacturer of the paint should be specified in any painting contract. Otherwise, the contractor could bid at a Sherwin-Williams $60 per gallon paint and then paint the house with $35 Valspar and pocket the difference. $25 dollars per gallon times 20 gallons? That's a pretty penny too.
That was the long answer to your question. The short answer is $2000 to $4000 and up, depending upon the amount of prep, the number of coats, the amount of trim, and the paint used.