text:
I have a router d-link dir-300, flashed to dd-wrt v24. By the unknwon reasons web interface not working. Spawning in console httpd, didnt help. Now I need a DMZ ip. How I can setup it with standard ssh session?
migrated from stackoverflow.com Dec 1 '12 at 8:41
This question came from our site for professional and enthusiast programmers.
This might get more coverage on ServerFault.
However, the preferred way to do this is through the web interface. I assume that you tried going to 192.168.1.1 for your router's web interface and tried to use the interface there. The below link recommends checking iptables if you can't access it for some reason.
To answer your actual question, you can set the dmz related variables that are located here:


text: I hate this, this is so damn hard. I look online and all the jobs are for experienced folks. I need to get a job this summer, so where i do i start looking? I am going to all of these job websites and they dont have anything for highschool students listed. Any good sites im missing?

subset: commoncrawl


text:
More From Better Roads' annual Bridge Inventory
Poor pavement costs Md. residents about $6.2 billion...
Posted by Staff Report on Mar 01, 2013
More than two-fifths of Maryland's major locally and state-maintained roads are in either poor or mediocre condition, one-quarter of bridges ...
The State of Our Bridges
Posted by Equipment World Staff on Nov 11, 2011
Our exclusive annual research into bridge conditions in the United States. Over regulated, underfunded and disheartening." That's how Brian Olson, bridge replacement ...


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Blonde girl walking around is showing her ass and pussy in
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Thurman Miller Allen
Jul. 24, 1905
Latah County
Idaho, USA
Jun. 9, 1967
Clark County
Washington, USA
Born Monday, 24 Jul 1905
Died Friday, 09 Jun 1967
Age 61 y 10 m 16 d
Thurman Miller Allen was born on Monday, 24 Jul 1905 in Troy, Latah, Idaho to Albert Willis Allen and Mary Louisa (McFarland) Allen. He lived in South Troy, Latah, Idaho on 07 May 1910. He lived in South Troy, Latah, Idaho on 23 Jan 1920. He lived in Lewiston, Nez Perce, Idaho on 04 Apr 1930. He lived in Lewiston, Nez Perce, Idaho on 23 Mar 1942. He enlisted in the army 23 Mar 1942 at Spokane, Spokane, Washington. He went overseas Feb 1945 on the "Queen Mary". He was honorably discharged from the US Army Sep 1945 after serving six months in Belgium ranking TEC4 as a cook. He never married. He died on 09 Jun 1967 in Vancouver, Clark, Washington. He was buried in Jun 1967 in Moscow Cemetery, Moscow, Latah, Idaho.
His siblings:
i. Ray D. Allen was born on Friday, 25 Jan 1889 in USA. He died on Thursday, 05 Dec 1889 in Logan County, Kansas (0 y 10 m 10 d).
ii. Oscar Willis Allen was born on Saturday, 08 Oct 1892 in Fowler, Otero, Colorado. He married Viola Mae Whitesel on Easter Sunday, 12 Apr 1914 in Juliaetta, Latah, Idaho. He died on Tuesday, 10 Apr 1973 in Clarkston, Asotin, Washington (80 y 6 m 2 d). He was buried on Saturday, 14 Apr 1973 in Normal Hill Cemetery, Lewiston, Nez Perce, Idaho.
iii. Charles Henry Allen was born on Saturday, 15 Oct 1898 in Fowler, Otero, Colorado. He married (1) Eda Olive Harris on Monday, 04 Oct 1920 in Moscow, Latah, Idaho; (2) Peggy Agnes Preville on Tuesday, 08 Mar 1949, in Moscow, Latah, Idaho. He died on Wednesday, 09 Dec 1987 in Spokane, Spokane, Washington (89 y 1 m 24 d).
iv. Carrie Allen was born on Monday, 09 Feb 1903 in Troy, Latah, Idaho. She married (1) Everett Elias Emmett on Monday, 22 Dec 1924 in St. Helens, Columbia, Oregon; (2) Walter Leroy Clawson on Saturday, 06 Oct 1928 in Vancouver, Clark, Washington; (3) Kenneth Clayton Hutchison on Tuesday, 16 Jan 1951 in Vancouver, Clark, Washington. She died on Tuesday, 02 Jul 1991 in Gresham, Multnomah, Oregon (88 y 4 m 23 d). She was buried on Monday, 08 Jul 1991 in Willamette National Cemetery, Portland, Multnomah, Oregon.
I remember him as being very quiet and nice.
~~~ submitted by Jorene Clark Miller
Family links:
Albert Willis Allen (1859 - 1925)
Mary Louisa
Allen (1866 - 1933)
Oscar Willis Allen (1892 - 1973)
Hutchison (1903 - 1991)
Thurman Miller Allen (1905 - 1967)
Calculated relationship
Washington, TEC4 US Army World War II.
Moscow Cemetery
Latah County
Idaho, USA
Plot: Old Section Block 3
Maintained by:
Lola Knutson Pollock
Originally Created by:
Kathleen Peck Probasco K...
Record added: Oct 11, 2007
Find A Grave Memorial# 22095033
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Uncle Thurman was such a sweet, kind, man. Remembering him with great fondness.
Lola Knutson Pollock
Added: Jul. 25, 2013
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Join Date: Apr 2007
Location: utrecht netherlands
Posts: 147
Gamertag: DUTCHY xgx
100% skill and cunning BIG SPOILER
extinguisted written walkthrough for 100% skill and cunning BIG SPOILER !!!!
the video walkthrough is okay but it has lots of mistakes and does not give you the achievements, maybe this is easier.
keep in mind that you must check quickly without mistakes, so save a lot and check the stats often that it is still 100%, if not, then reload your last save and try again.
save extra while trying the fingerprints, use only 3 points to search, do not use 5 points, check which one is the right one, then reload, set the same search points and you can give the answer in less then a few seconds.
(sorry for my english, not allways so good)
go to crime scene;
- check generator;
take liquid from generator with swap tool
take paste from generator with collection tool
take blood sample from generator
- check bottle on floor;
take liquid sample with swap tool
- check grate at the wall
- ask the dokter all questions (the guy that stands at the crime scene and who called the police)
go to lab;
- check liquid on generator; search
take solution; 3-5-6-8
- check paste from generator; search
take solution; 2-4-5-8
- check unknown chemical from jug; search
take solution 3-6-8
- check bloodsample from generator; search
take solution 2
go to levasque home;
ask all questions to ms levasque, if there are more options, take the one on the right side, just continue until there are no more questions left.
go to garage;
you'll see a machine inside a plastic space.
turn the machine on and leave it for now.
go to brass;
ask him to get lyle to the office
give brass evidence; blood on generator
ask lyle all questions
go to morgue;
ask the doktor everything
swap around the mouth
use collection tool at the left wrist
check bag with pil in it;
swap liquid on pil
use collection tool on white powder
go to lab;
- check makeup; search
take solution; 2-5
- check stain from victims wrist; evidence match
match with caulk on generator
- check fluid from pil victims esophagus; search
take solution; 2-4-6
- check powder from pil victims esophagus; search
take solution 1-7-8
- check fluid from pil victims wrist; evidence match
match with lyle's blood sample on generator
- check pil; set it on 60, make it clear and slide a bit with the pil until the number becomes visible
medical database;
- check the number of the pil
go to morgue;
- ask the dokter about the pil
go to garage;
- check the machine
- check the meter
go to crime scene;
- ask the 'dokter' some more questions
- let him take you to the boiler room
at the boiler room;
- check gas can;
take sample from fluid with swap tool
take fingerprint from the side of the gas can with the brush tool
- check the big machine next to your colleague
- check the grate
- check caulk;
take powder sample from the caulk with collection tool
take fingerprint from the caulk with brush tool
go to lab;
check fingerprint gas can; search 3 points!
take solution 2
(keep in mind this can be different with yours, depends on which points you choose to use, just save before trying and if you make a mistake or you take too long, just reload)
check fingerprint from caulk; search 3 points!
take solution 2
check gasoline found in boiler room; evidence match
match with liquid sample on generator wick
check white paste on furnace; evidence match
match with caulk found on generator
go to brass;
ask him for a warrant to search the levasque house
give brass evidence; fluid found on pil victim esophagus
go to levasque house bedroom;
check stain on floor;
swap the stain
check pil on floor;
take it
swap liquid from pil
check stain left of pil on floor;
spray the stain and swap
check night table;
take bottle with pills
go to lab;
check fluid pil found on floor; evidence match
match with fluid found on pil victim esophagus
check fluid found on stain on floor; search
take solution; 2-4-6
check bottle of pills; search
take solution; 1-7-8
check fluid found on pil (at lev. house); evidence match
match with fluid found on pil victim esophagus
check bloodsample found on floor; evidence match
match with lyle's blood sample found on generator
set it on 60, match the pil found on victim esophagus with the pills found at the night table at the levasque house. slide a bit until the sight becomes visible.
brass will contact you, go to him, he has some info about the dokter. talk to him until you get all the info, incl the info about the buildings.
ask him for a warrant to get the dokter at the office
give brass evidence; papers about furnaces pipes
ask the dokter;
- pipes in good working order
evidence; papers about furnaces pipes
- did he touch the pipe
evidence; fingerprint dokter on caulk
- did he tamper with the generator
evidence; fingerprint on gas can
- about the pills, knows that name
evidence; bottle pills found at levasque house
go to brass;
ask him for a warrant to get ardell to the office
give brass evidence; bottle with pills
ask ardell;
- about the pills
evidence; her dna found (option 3)
ask the most right question and after that ask the questions about lyle.
then she will freak out and won't say anything anymore.
she will be arrested and a cutscene will follow which brings you back at the lab.
brass will contact you again, he says ardells bag is at the office, maybe there will be some clues.
ardells bag;
check the antifungal cream;
take it
check the key card;
take fingerprint with brush tool
go to lab;
medical database;
- check the antifungal cream
brass will contact you again, this time about the gas company, you can go to the boiler room to investigate the gas pipe.
go to boiler room;
- check the pipe;
take the piece of a fingernail
use the casting cream on the pipe
go to lab;
(if this is your first play through, you will have to solve the star challenge, see the video walkthrough)
check the fingernail found on caulk; set it on 60, slide the nail a bit until you can see it clearly.
go to brass;
ask him for a warrant to search the levasque house, incl lyle's room
give brass evidence; piece of fingernail
go to levasque house, lyle's room;
-check desk;
take the pocket knife
- check pocket knife;
at the side is a toothpick, take it
- check toothpick;
use collection tool on white powder
- check left side of the room;
take chisel on cabinet
go to lab;
- check white powder on toothpick;
take solution; 5-8
- check antifungal cream;
take solution; 1-4-6-8
set it on 10, match the mold of the chisal mark (from the pipe) with the chisel from lyle's room
go to brass;
ask him for a warrant for lyle
give brass evidence; the chisel found in lyle's room
ask lyle question;
- did he tamper with the pills
evidence; toothpick with white powder
case solved with 100% skill and cunning.
Join Date: Feb 2009
Location: The Edge of Sanity
Posts: 62
Gamertag: LFCGorsty
Thanks, been struggling on getting the 100% skill achievement for a while, kept getting 1 thing wrong, this guide is perfect.
100% (Retail)
Assassins Creed 2, Avatar: TLA: TBE, CSI: Hard Evidence, CSI: Deadly Intent, CSI: Fatal Conspiracy, Fallout 3 (1550G), LEGO Batman 2: DC Super Heroes, Lost: Via Domus, Madden 06, Madden 09, Madden 12, NCIS, Prototype 2, SEGA Mega Drive: Ultimate Collection, TMNT, WWE SmackDown! vs RAW 2009, WWE SmackDown! vs RAW 2010, WWE SmackDown! vs RAW 2011, WWE Legends of Wrestlemania, WWE '12
100% (Arcade)
Minecraft, Battle Los Angeles, The Walking Dead (Episode 1-2)
Join Date: Apr 2010
Posts: 8
Gamertag: Stony99
hopefully this will work man thanks
Join Date: Aug 2009
Posts: 164
Gamertag: DaMasta477
woohoo tyvm for this! didnt think i would get the 3 skill ones but now i did complete it 100%.
just a minor edit you dont actually have to do the star puzzle you can just skip over it..
great guide ty again!
Join Date: Dec 2007
Posts: 161
Gamertag: Wendy2643
That worked like charm... ty for taking the time to write it up.
100% Retail Games: 33
100% Arcade Games: 16
awesome. thanx for the help
Join Date: Sep 2007
Location: OH
Posts: 128
Gamertag: SteakSalad
I was a little nervous when I read "extinguisted," but your guide worked like a charm for getting 100% cunning and skill. Saving after nearly every chemical or fingerprint analysis and following this guide worked perfectly. Thanks very much for taking the time to post this helpful guide!
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Uniform brands Liverpool's Ropewalks area
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Along the way I have created and deleted pages here and there trying to work out how to do stuff. And with some of those pages I have tried different template files too.
Now I have the third attempt at creating a page with the title "Poem" but the slug comes up as poem-2-2 or something like it. When I try to edit the permalink it just goes straight back to poem-2-2 or whatever despite only having one poem page.
I also notice that one of my plugins which has the option to include pages in the menu (WP book) has about 4 poem pages to check to omit.
Hope I can sort this out. I have tried reinstalling plugins, using a clean up plugin to clean the db but no joy.


text:
We are proud to introduce Backblaze Online Backup 4.0, our fastest release for backing up and recovering customer data. There are a lot of cool things in 4.0, but making sure our customers can backup and recover their data fast is at the top of the list. We have always allowed customers to backup and….
There's Nothing to See Here – Backblaze 3.0
When Backblaze 1.0 was introduced it was a good product that solved a problem. Over the years many people have used Backblaze to backup and restore billions of files. As with most software there were always things that could be done to improve the product and over time we added features such as Refer-a-Friend, Safety….
Backblaze Mobile for Android
It's arrived! Starting today, you'll be able to download Backblaze Mobile for Android and have access to all of your backed up data, anywhere you go! This is a companion app to the Backblaze online backup service, and allows users to access, download, experience, and share the data that they have backed up with Backblaze…..
SEO Serendipity: Our Road Back to HTTPS Leads to Google Love
Yesterday we switched our entire website and this blog to HTTPS, thus securing every Backblaze web page with encryption between our servers and your browser. Ironically, this is how we started 7 years ago, then switched some of the pages to just HTTP (including the home page), and now flipped back. Why did we do….
Backblaze Launching Refer-A-Friend
Help Your Friends and Yourself You back up your computer. You go to bed every night, wrap yourself up in a blanket burrito and think about how peaceful your life is now that you have an online backup; and hard drive crashes no longer loom in the back of your mind. Sometimes you think about….
Release 2.5.1
Release Date: 4/28/2014 Version: 2.5.1 Windows version: 184.108.40.2065 Mac version: 22.214.171.1242 Normally "dot" releases such as 2.5.1 are about making little improvements that go unnoticed by nearly everyone. For example, in 2.5.1 we sped up the file scanning process on the Mac platform by utilizing BSD layer OSX system calls. We also added .pvm files….
Backblaze Mobile Update 1.8
Backblaze Mobile 1.8 is here! We've added search, making it easier to find and retrieve files on the go! What's New: Search — search for any backed up file by name Speed optimization Bug fixes Why Is Search Important? Search will help you find and view your files and folders while you're away from your….
Backblaze 2.5 – The Tranquility Release
You shouldn't have to worry about data backup. It should just work. No data limits, no throttling, no worries. That's Backblaze. Here's a look at what's new in Backblaze Online Backup Release 2.5. Account Page From any web browser you can log in to your Backblaze account to see how things are going. Most of….


text:
Students should refer to the General Education Requirements for AAS degrees and speak to an advisor. The A.A.S. model includes the State of Illinois Human Diversity requirement.
Communications (3 CH)
Fine Arts & Humanities course (3 CH)
Social & Behavioral Sciences course (3 CH)
Physical & Life Sciences course (3 CH)
Mathematics course (3 CH)


text:
Guarantee your seats in advance with a subscription.
Help us continue to provide the outstanding performances you've come to expect!
Paté de Fuá fuses jazz, tango, and classical music with their eclectic instrumentation of accordion, bandoneon, banjo, trumpet, cabrófono, guitar, dobro, bass, drums, and vocals. Part of Celebrate Mexico 2010.
Tickets & Information:
Tickets & Information: (202) 467-4600
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Tickets remain on sale for the Clark County Chapter of the National Football Foundation and College Hall of Fame Scholar Athlete Awards Banquet, which takes place next week.
Washington State University athletic director Bill Moos will be the featured speaker for the 20th-annual banquet. The event will be at 7 p.m. on Jan. 18 in the commons at Hudson's Bay High School.
Tickets cost $30 and can be purchased by contacting Rich Biggs at 360-828-3712 or firstname.lastname@example.com.
The event recognizes area high school senior football players for their 2011 seasons, their community involvement and academic achievement. Six players will be awarded scholarship money for college.
In addition to announcing scholarship winners, the banquet will honor Mountain View's Adam Mathieson with the Gary Boggs Award as head coach of the year, and Columbia River's Darryll Antisdel with the John Hadley Award as the assistant coach of the year.
— Paul Danzer
Prairie adds Hall inductees
Prairie High School will add three more names to its hall of fame on Friday.
Jeff Bockert, Dawn Kisselburgh and Richie Sexson will be honored at 6:45 p.m. Friday, just prior to the Prairie-Kelso boys basketball game.
Bockert was an All-State football player at Prairie as a junior and senior, earning All-America honors as a senior. He played for the 1991 national championship University of Washington team before transferring to Portland State, where he was a two-time All-American. He was also a standout in basketball and track and field.
Kisselburgh was a 20-time high school All-American in gymnastics, winning an all-around state championship as a senior and a state title in the vault as a sophomore. She also shined in track and field, and went on to compete in gymnastics at Southern Utah.
Sexson was a three-sport starter from his sophomore to senior years in baseball, basketball and football. He signed a letter of intent to play baseball at Portland, but signed with the Cleveland Indians, embarking on a 12-year big league career.
Docherty will play golf at Chico State
Alistair Docherty, the Class 4A district boys golf champion for Union last fall, made a verbal commitment to attend and play golf for Chico State.
Docherty was the 4A Greater St. Helens League player of the year and won the Oregon Junior Amateur title last summer.


text:
- Ensemble:
- Format:
Ein Deutsches Requiem
arranged for Chamber ensemble
SB vocal soli, SATB choir, flute/piccolo, oboe, clarinet, bassoon, horn, timpani, 2 violin, viola, cello, double bass
Arranged for Chamber ensemble. Composed by Johannes Brahms (1833-1897). Edited by Joachim Linckelmann. Arranged by Joachim Linckelmann. Score available separately - see item CA.2705550. Requiem, Mourning, death. Set of instrumental parts (except strings). With Language: German. Op. 45. Duration 70 minutes. Published by Carus Verlag (CA.2705559).
Item Number: CA.2705559
Brahms conceived the original orchestral version of his Requiem for a choir with over 200 singers. Most performances of the work will be sung with far fewer singers, resulting in a clear imbalance between the larger orchestra and smaller choir. The present arrangement for chamber ensemble minimizes this problem and makes it possible for choirs with modest budgets to perform this unsurpassed masterpiece. Surely practiced instrumentalists or ensembles will be happy to participate in a performance of this chamber version of the Requiem.


text:
Not a very exciting picture, but an interesting bit of Seattle history.
Lake Washington bicycle path, Seattle, September 21, 1902
"At the beginning of the 19th century, most people walked to their destinations, rode astride or in a carriage behind a friendly steed, took a streetcar, or pedaled chain-driven bicycles, which arrived in the 1890s. By 1900 more than 40 Seattle firms were selling bicycle models ranging in price from $25 to $150. Bicycle clubs attracted hundreds of members and miles of bike trails were maintained throughout the area. Mayor George Cotterill (1865-1958) championed the development of some of the first bike routes ever built by an American city."


text:
Our Work
Sisu Cbc can assist with projects such as: Community/social housing, rebuilding areas of conflict, construction of schools and hospitals, health and malnutrition programs, energy, environmental, children's specialist sports programs , mining, agricultural, tourism development and more.
Click here to read about our work.
Our Story
For the founders of the Sisu Charitable Trust, following careers over 30 years in various sectors of business in the commercial world, their personal life experiences and journeys motivated them to explore how they could bring their combined commercial skill sets together to give back to communities and people.
Click here to read about our story.
About Us
We are part of an innovative and dynamic charity specializing in facilitating funding for humanitarian and government approved commercial projects around the world, working within an ethical and socially responsible remit. Our team is vibrant and passionate in all that we do.
Click here to read about us.


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Our Best Lunch RecipesMy all-time favourite quick and easy lunch recipes will never let you skip the meal ever.


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FreakScore is a weighted average of all aggregated professional and user review scores. Read more
This product has a FreakScore of 4.7* out of 10 based on 2 scores.
*Score is uncertain and deviates toward category average due to low number of scores.
Our newest GPS brings Brunton know-how to the GPS world. Atlas™ Read more


text:
Brian Melton '12
After double majoring in German and Computer Science, Brian now works at Microsoft Corporation in Seattle as a Content Developer in the Patterns and Solutions group for Microsoft Office 365. He credits his German major with giving him a wealth of experiences.
"My German major afforded me the opportunity to spend a year abroad with the American Junior Year program and it was undoubtedly the experience of a lifetime. I'll never forget the great people I met and worked with as Co-president of the Heidelberg Deutschklub, as well as the professors who taught me and mentored me during my years at Heidelberg."
Krista Mizenko '12
Krista pursued a double major in Chemistry and International Studies--but couldn't leave out her love for the German Language and Culture. During her time at Heidelberg she participated in various clubs such as German club, and spent a year abroad in two places: Glasgow, Scotland and Heidelberg, Germany. It wasn't until her semester in Heidelberg, Germany for an internship with BARMER-GEK (Germany's largest insurance provider) that she began to think about health as a broader, multi-dimensional realm.
"My love for science, culture, and travel has led me to my current endeavor--studying Global Health for a Master's in Public Health at George Washington University. Currently, I am finishing up a semester studying in Dhaka, Bangladesh with BRAC (NGO) and look forward to where this will take me next!"


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She knows I like blondies so she invite her elder sister to join us. Imagine what I felt when I saw her!
Boy Invited His Girlfriend To Meet His Father
But she didn't know that everything what boy have, it belongs to daddy too.
Curious teen wanna see what her step brother have under towel.


text:
Meet and Communicate with Fun Singles Near You on JDate
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Just a lawyer in a new city looking for a jewish girl
RayCharles1 is a 26yr-old single man in Centennial, ColoradoView Profile
News junkie. Love yoga, riding my bicycle, playing golf, reading, going to the movies and getting to know people. Love to be around po...
8171156 is a 65yr-old single woman in Centennial, ColoradoView Profile


text:
Craftsy Member since April 2013
I'm enrolled in these Craftsy classes:
2015 Craftsy Block of the Month
Dot-to-Dot Quilting
Machine Quilting Negative Space
Machine Quilting with Templates
Creative Quilt Backs
Craftsy Block of the Month 2012
My mother taught me to embroider when I was 8 or 9 years old. Then followed crocheting and knitting and sewing. Learned to quilt from Hancock Fabrics Block of the Month club and then I found quilting books and magazines and then TV and Fons and Porter. Love quilting. It takes a back seat to golf and gardening in the summer. I also play the organ just for a change of pace. I had to retire I didn't have time to work anymore.
Take Craftsy with you!
Craftsy Apps for iOS and Android. Read more »


text:
Abc launcher
Zbyněk Šrubař
- February 5, 2012
( 192)
Are you tired to scroll through application list to find what you are looking for? Do you want a quick launcher from desktop?
This simple widget allows you to start easily any application you have in your phone. First it sorts all applications by alphabet. Then by selecting a range of alphabet, where name of your application belongs to, you will get to lower menus until you find your application. So all you need to know is the name of application. Just try it and you will see.
To add the widget press on Home: Menu->Add->Widget->Abc launcher
Wait couple of seconds (on some devices it can take more than 1 minute) before the widget initialize. It shows "Initializing …".
If you will find any problem or you are missing some feature, don't hesitate to contact me by e-mail or at the webpage.
Known issues: Widget is not compatible with Vodafone 845 default launcher.
Quick question... How do you get it running?? i downloaded it but don't know how to run it on my Samsung galaxy phone.
Good but has bugs Nice app but developer needs to sort the bugs. Won't work when only one app letters. Eg get to Gma only displayed and won't display Gmail icon.
awesome it is very good app for me becoz i used go launcher before it that launcher was very slow nd hangs at every beginging of a big app but it is very fast at my samsung s3
Poor Its not installing on Live with Walkman- WT19i
Simple n Convenient I like this app, but a feature I'd like to see added is the ability to alter font (style, color and size).
gago kau fakar ka hnd gumagana
What's New
- fixed rare Force Closes
Wunderlist, Office, Bing wallpaper: Arrow, a fast & battery efficient launcher.
Cool Launcher is a quickly launcher, you can launch your favorite app anywhere.


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An Insight event exploring Obsidian Tear, Wayne McGregor's latest work for The Royal Ballet, was live-streamed for free via the Royal Opera House YouTube channel on 11 May 2016. The live-stream is still available to be watched by clicking the video above.
During the event, The Royal Ballet's Resident Choreographer worked with artists from the Company to rehearse extracts from the ballet. He also spoke about the creation of his work together with its composer and conductor Esa-Pekka Salonen.
Obsidian Tear is a visceral exploration of myth and modernity, inspired by Salonen's orchestral work about the Ancient Greek goddess of the night Nyx.
The ballet has its world premiere at the Royal Opera House on 28 May alongside Kenneth MacMillan's The Invitation and Christopher Wheeldon's Within the Golden Hour.
Subscribe to the ROH YouTube channel to receive notifications about future live-streams:
Obsidian Tear / The Invitation / Within the Golden Hour runs 28 May-11 June 2016. Tickets are still available.]]>
A ROH Insights event exploring Liam Scarlett's new ballet Frankenstein was live-streamed for free via the Royal Opera House YouTube channel and this page on 7 April 2016.
The event features The Royal Ballet's Artist-in-Residence Liam Scarlett discussing the creation of his first full-length narrative ballet alongside designer John Macfarlane, who explains his vision for the production design. Viewers get a sneak peek at the choreography when dancers from The Royal Ballet rehearse an extract from the performance.
This new co-production with San Francisco Ballet has its world premiere at the Royal Opera House on 4 May and this event provides a glimpse into what audiences can expect from Scarlett's reimagining of Mary Shelley's classic gothic tale.
Subscribe to the ROH YouTube channel to receive notifications about future live-streams:
The production is a co-production with San Francisco Ballet and is generously supported by the Monument Trust, Sarah and Lloyd Dorfman, Simon and Virginia Robertson and the Frankenstein Production Syndicate.
The Royal Ballet's Frankenstein Insight was live-streamed on 7 April 2016 from 7pm BST.
Frankenstein runs 4–27 May 2016. Tickets are still available.]]>
Updated 20/11/15: You can now watch the full Insights event above
The upcoming ROH Insight event focused on Damiano Michieletto's new Royal Opera production of Cavalleria rusticana / Pagliacci will be live-streamed via the Royal Opera House YouTube channel from 7.15pm GMT on 19 November 2015.
The event, hosted by Director of The Royal Opera Kasper Holten, will see Damiano, his cast and production team explore the production, the tradition of verismo opera and why composers such as Mascagni and Leoncavallo chose to write gritty operas about real life as opposed to romantic fantasies.
Taking part in the Insight alongside Kasper and Damiano will be sopranos Carmen Giannattasio and Eva-Maria Westbroek, and musicologist Nigel Simeone.
Subscribe to the Royal Opera House YouTube channel for notifications about further live streams:
Cavalleria rusticana / Pagliacci runs 3 December 2015—1 January 2016. Tickets are still available.
It is a co-production with Opera Australia, La Monnaie, Brussels and The Göteborg Opera. It is staged with generous philanthropic support from The Royal Opera House Endowment Fund.]]>
'Don Quixote is a must-have in every classical company's repertory', Carlos Acosta told an ROH Insights audience earlier this Season. 'It's a wonderful vehicle for youngsters to prove their technique and prove themselves. It's big, old-fashioned dancing that involves the whole corps de ballet.'
This summer, The Royal Ballet performs Carlos's production of Don Quixote in Washington D.C. and Chicago as part of the Company's US tour.
As part of the Insights event, Carlos summarized the challenge that lay ahead of him in creating a new production of a classic ballet back in 2013:
'How can I interpret what Petipa [the original choreographer of Don Quixote] was doing and bring it up to date, so it becomes fresh, more human, and more "now"? To get that vision I needed to bring in a designer who wasn't from the world of ballet. Tim Hatley was the man for it – as soon as I told him my vision, he began to suggest ideas. The challenge is that something may live in your head, but then you have to translate it. It was a great journey.'
As well as choreographing the production, Carlos has danced the role of Basilio in the ballet. He will reprise the role this summer, and the dual role of dancing in his own production presents him with unique challenges: 'It's fun but you're always concerned that the windmills aren't moving in time', he said. 'You don't rest!'
Watch more films about Tour 2015 productions on our YouTube channel:
The Royal Opera House would like to thank all tour supporters and Aud Jebsen for her support of The Royal Ballet touring programme.]]>
Royal Ballet Principals Laura Morera, Nehemiah Kish and Edward Watson recently rehearsed Kenneth MacMillan's Song of the Earth with former Director of The Royal Ballet, Monica Mason and Principal Dance Notator Grant Coyle as part of an ROH Insights event.
Originally created in 1965, the ballet is a powerful exploration in ballet of love, loss and renewal, featuring a narrative inspired by six T'ang-dynasty poems. MacMillan summarized it thus: 'A man and a woman; death takes the man; they both return to her and at the end of the ballet, we find that in death there is the promise of renewal.'
The ballet's choreography sees MacMillan draw on non-classical and modernist movements, danced to Gustav Mahler's Das Lied von der Erde – six songs featuring tenor and soprano voices.
To watch more films like this, subscribe to the Royal Opera House YouTube channel:
Song of The Earth will be performed with The Four Temperaments and Untouchable as part of a Royal Ballet mixed programme running from 27 March–14 April 2015. Tickets are sold out, though returns may become available and there are 67 day tickets for each performance.
The programme is given with generous philanthropic support from Sarah and Lloyd Dorfman.]]>
'I grew up in the theatre [but] if anything, I hated classical dance,' confessed Zenaida Yanowsky, one of The Royal Ballet's most experienced dancers, at a recent ROH Insights event.
The Lyon-born Principal's exposure to dance began at a very young age. Brought up in France and Spain by contemporary dancers, she spent a lot of time behind the scenes at her parents' rehearsals and performances. Yet, despite this early exposure to dance, her artistic passions lay elsewhere and she was more interested in painting and singing, so much so that she surprised her mother when she made a sudden decision to become a professional ballet dancer: 'There was never any expectation from my Mum and Dad,' she said. 'It was very clear that they would never push us, but they were so involved and so in love with they did, that the passion for the art form was contagious.'
Aged 14, she attended a ballet summer school in Cuba that had a lasting impact on her. 'When I came back from that trip,' she told interviewer David Pickering, 'I said to my mum: "I think I want to dance!"'.
After winning competitions, including a silver medal at the prestigious International Ballet Competition in Varna, Bulgaria, she joined Paris Opera Ballet and thought she had achieved her dream. But she soon realized that the French company wasn't for her: 'It was an amazing experience but I couldn't fit in properly,' she remembered, reflecting on a year and a half in Paris. 'I planned on going to Amsterdam but I went to a trial class at The Royal Ballet, just because I was going via London. I didn't think think at any point that I would be offered a contract. I thought there was no way that they would take me, because of my size [Zenaida is 5ft 8 inches tall]. I was wrong, which is great'. She joined as a First Artist in 1994, and quickly moved up the ranks to become a Principal seven years later.
In 21 years with the Company, Zenaida has fine-tuned an enormous repertory, performing classics such as Manon and the iconic The Rite of Spring, 21st century works including Alice's Adventures in Wonderland and The Winter's Tale, and contemporary works by emerging choreographers.
It is this last genre in which the dancer's versatility and stamina have truly shone and it soon became clear that she was a natural for contemporary dance. 'I think I understood it because I saw it so many times and I grew up with it,' she said. But she also succeeded at portraying the classical roles of the British tradition that she didn't believe were for her at first: 'I didn't come from the Royal Ballet School and didn't have Frederick Ashton's fast footwork, that evolved over time. I thought I'd never do an Ashton but then Sylvia came along. I thought they'd cast it wrong, with Darcey [Bussell], Marianela [Nuñez] and me. We all looked at each other and said "Are you sure? This is miscast - we can't do this at speed!". I've never done anything like it stamina-wise, it's like a triathlon!'
Another challenging role Zenaida picked out is Odile/Odette in Swan Lake: 'Technically it's very demanding because at the beginning you have to be soft. I am ultimately, an illusionist - what I want is for the audience to see this bird swimming on a lake and if I don't give that illusion then what's the point? You want to do a good job and do the role justice.'
When asked about favourite roles, Zenaida was unable to pick one single part, but Manon is definitely up there: 'I imagine it's what an actor feels when they get to perform Shakespeare,' she said.
Challenges for Zenaida continue off-stage as she's mother to two children: 'I try my best to spend as much time as I can with them. There've been times when I had to do a show with very little sleep and sick kids, but you learn to manage'.
Zenaida Yanowsky's upcoming performances include roles in The Four Temperaments and In The Night. Visit her people page on the ROH website to be kept up to date with her forthcoming roles.]]>
'It's very tempting when you do an opera as well-known as The Magic Flute', begins Toby Spence, 'to go through the motions as if you're on train tracks, without thought… But none of us are doing that'.
The English tenor, who returns later this month to the Royal Opera House to perform as the young Tamino in Mozart's comic opera, has sung the role on practically every major international stage for the past 20 years. But he told a recent ROH Insights event that he embarked with enthusiasm on this role once again because David McVicar's classic production of Die Zauberflöte, despite having been around for more than a decade, has remained 'truthful to the story'.
The production was last staged by The Royal Opera in 2013, but this revival – the fifth – was overseen personally by the director himself , to work tirelessly with the cast with 'almost forensic detail'. Once on stage as Tamino, Spence does not just get a chance to demonstrate amply his vocal abilities with Mozart's wonderfully lyrical arias. His acting skills too are on full display, such as when his character undergoes a test of silence to rescue his beloved Pamina from the evil sorcerer Sarastro. 'As you can imagine, for a singer, scenes of silence are not that challenging', Spence says jokingly. 'I feel like a bit of a mime!'
It is not just the captivating story with its magical setting, however, that makes Die Zauberflöte a favourite among audiences the world over. For the singer, this is Mozart at his best, a vivid example of a musical genius who manages to exemplify all the characters' colourful personalities with clever and very subtle melodies. Spence explains that unlike Tamino – for whom the composer wrote arias in major keys to emphasize maturity – Papageno gets quite a distinct musical treatment: 'He's not very self aware and has every key given to him. He does flats; he does sharps. He modulates all over the place. I do believe that Mozart was that brilliant to be able to premeditate that', he says.
Spence recognizes it is a privilege to be able to perform an opera so radiant with 'universal themes of love, of opposites, of unity, of balance... They're extraordinary, huge themes and I can't think of an opera that engages so wholeheartedly with humanity's biggest questions'.
Die Zauberflöte runs 23 February–11 March 2015. Tickets are still available.]]>
Update: 13 November 2014 - Unfortunately due to matters beyond our control we are no longer able to live stream this event.
Physicist, broadcaster and musician Brian Cox is to chair a special ROH Insights session exploring the relationship between physics and music at the Royal Opera House on 24 November 2014.
Produced in collaboration with the Institute of Physics, What makes the perfect song? will feature a panel of experts from both disciplines.
'The best arias in opera have some of the simplest tunes, yet some of those arias will last for centuries while other tunes being produced now may be forgotten in a year or two, and we want to ask why,' says Royal Opera House Creative Producer Tom Nelson. 'You could never forget Luciano Pavarotti's performance of Nessun Dorma being used at the 1990 FIFA World Cup, but are there examples of contemporary songs that we will still be using as the theme tune for the 2116 World Cup? I think it's a fascinating question.'
'We will also look at the structure and lyrics of songs and ask at a scientific level whether there is something in a tune that provokes an emotional response, or just produces something catchy.'
Tickets for the event will be available exclusively to those signed up to the Royal Opera House student scheme. Tickets are very limited in number but are available to book now.]]>
Casting has been confirmed for Ludovic Ondiviela's new ballet Cassandra.
The cast includes Lauren Cutherbertson as Cassandra, Gary Avis as the Doctor, Thomas Whitehead as the Lover, former Royal Ballet Principal Mara Galeazzi as the Mother, Yuhui Choe as the Nurse, Paul Kay as the Brother/Nursing Assistant, Romany Pajdak as the Nursing Assistant and Ana Silvera as Ancient Cassandra.
Prior to the performances, Deloitte Ignite audiences will be offered a rare and detailed glimpse into the creation of a new ballet on 9 September at a Cassandra insight event on 9 September.
As well as interviews with the cast and creative team, the event will also allow audiences to watch an in-depth rehearsal with Lauren Cuthbertson and Thomas Whitehead.
Cassandra runs from 30 October-1 November. Tickets are available for both the production and the Insight event. Ana Silvera is generously supported by PRS for Music Foundation.
Deloitte Ignite, curated by The Royal Ballet with the National Gallery's Minna Moore Ede, runs 5–28 September 2014 and includes a wide range of free and paying events. Tickets are still available.
Award-winning and internationally-acclaimed Royal Ballet Principal Steven McRae is a delightfully versatile performer. Whether cast as the love-struck Prince Siegfried in Swan Lake or the tap-dancing Mad Hatter in Alice's Adventures in Wonderland, the Sydney-born dancer rises to and excels in every challenge. But if there is one role he confesses is 'in my blood and in my bones', it's the title character of Romeo and Juliet, which the ballet star learnt and first performed on very short notice.
'I was at home on a Saturday evening and at midnight I got a phone call from [Royal Ballet Principal] Roberta Marquez', McRae recalls of his early years as a Soloist at the Company. 'She said: "I'm in Paris, and I've just done Don Quixote, but I have to do it again tomorrow, and my partner just hurt himself. Can you come and do it?"' He accepted instantly.
Despite having never danced with the ballerina, and arriving at the theatre with just under an hour to spare before curtain call, his performance was so well received that, upon his return to London, he was asked to understudy the part of Romeo. It didn't take long for him to debut in that role: 'The next day [former Principal] Johan Kobborg hurt himself, so that's when my chance appeared'.
For McRae, Romeo was not just a turning point in his life and career, but also a role he feels he has made his own. 'I had watched every single show since joining the Company, so when it came to actually doing it, I guess I knew it.' But he attributes much of his success with the ballet to Kenneth MacMillan's amazing choreography: 'The man was a genius. If you let the steps do the talking, it works.'
Listen to an extended version of the extract:
This interview was recorded at an ROH Insights event in April 2013. Find out more about upcoming events
Romeo and Juliet runs 19 September-2 December 2015. Tickets are still available.
The production is supported by Boodles and staged with generous philanthropic support from Peter Lloyd, Lindsay and Sarah Tomlinson and the Jean Sainsbury Royal Opera House Fund.


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Royal Diamond Casino is a family run business in Vancouver (Canada), where it was established in 1987 by Gary Jackson. "The Diamond" as it is known by many custMore
$1 mil. - $5 mil.in Revenue
10 - 20EmployeesContact people at this company
Plaza Of Nations B106-750 Pacific Boulevard S.VancouverBritish ColumbiaV6B 5E7Canadaview map
(604) 899-1061(604) 687-4279Fax
ProPub_Iteration_NT.411[03] SEIDXWK-23


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Car will not warm up unless moving engine will be warm and the second you move warm air comes out. A/C works no matter standing still or moving no antifreeze has been changed for a while (2 years or more) so I cant imagine it would be air needing to be bleed. possible thermostat but why not all the time is there a sensor to prohibit cold air blowing going faulty? IDK any help is appreciated.
by jfoolmoon in Clear Brook, VA on April 07, 2011


text:
New World Order (Rated M for violence)
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April 14th, 2012 (3:38 PM).
Unova Champion
Join Date: Oct 2010
Location: In a van down by the river.
Age: 22
Gender: Male
Nature: Lonely
Posts: 893
Absolutely Torn Zero but I already got an idea for the Metal Wani's line. Basically it starts out as a dark blue metal plated alligator, turns into a weregator, then turns into a T Rex esq dinosaur, then turns into a spinosaur type dinosaur. I'm not going to capture the Wani because I've got something else in mind so anybody can have this monster if they want to.
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text:
In "Encoding, Decoding," Stuart Hall describes the economy of interpretive work in relation to televisual broadcast media, the viewer and contemporary research of the late 1970's. For the contemporary analyst, Hall's position is paradoxical throughout as he is both writing from the subjective position that resists the traditional theoretical "sender/message/receiver" conceptualizations of the time, while remaining unknowingly stuck within the conceptual gyre of history. Hall's attempts to resist this tradition are thwarted by his use of the same assumptions he endeavours to rectify. Hall relies on the assumption that what he perceives to be "useful," "normal," "effective," "obvious" and "meaningful," coincides and reduplicates the subjective perceptions of the "we," "our" and "the researchers," to whom he implicitly appeals throughout the paper. This paradox however is only noticeable to a contemporary reader who has had the benefits of the passage of time, exposure to the various evolutions of critical interpretation and access to contemporary communications technology like the Internet.
Twenty years ago David Harvey begins the chapter "Postmodernism" in his book The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change, with a significant and succinct insight into the relevance and impact of theoretical evolution over time:
Over the last two decades 'postmodernism' has become a concept to be wrestled with, and such a battleground of conflicting opinions and political forces that it can no longer be ignored. (39)
If postmodern theory (and the twenty or so years of theoretical evolution since) has taught us anything, it is that internal and external conflict, complex crisis, fragmented meaning and addictive, subjective rationalization have become some of the primary operating assumptions (socially, discursively or otherwise) in our increasingly globalized world.
Even at the time of Hall's writing, the complexification of material (between objects and things) semiotic (between concepts and structures) interpretative modalities looms daunting and ominous over his thought. He gestures towards this confusion throughout but quickly moves past it in order to assert his own subjective, 'more (and useful)' explanation rather than risk of seeming the fool (128). The wonderful irony of offering and writing what Hall deems "useful" in parenthesis, appended by the conjunction "and," is even more meaningful to a contemporary reader. Hall's fear of appearing foolish in the eyes of his implied readers is his subjective blind spot. This gap is made most obvious (and ironic) in his discussion around "the (ideological) effect of concealing the practices of coding" (132). Rather than explore the merits of his confusion, Hall relies on parenthetical textual gesticulation before retreats to the comfortable support of an implied audience, "But we must not be fooled by appearances," Hall writes, because if 'we' do, presumably his whole argument would appear to fall apart and itself become meaningless. Hall's subsequent recourse to the Saussurean notion of the arbitrariness of the sign is a reasonable move and the only widely accepted or available means of justification at Hall's moment in the history of theoretical evolution. With the benefit of the passage of time and with access to nuanced evolutions and expansions in theoretical interpretation since, a contemporary analyst can assume the position of their own implied foolishness, which has become intimate to contemporary modern life and in doing so, try to pay attention to confusion because, well, what is there to lose?
The rules and regulations of modern cultural, discursive and capital economies have become negotiable by the info-democratization of the Internet, as such the only soluble currency left to modern individuals is their time and they way they use it. By paying, in attention, to particular matters of concern, especially ones thought to be useless, problematic or confusion. And with the benefit of having instant access to the vast databases of information and other users online, anonymous users are newly able to generate interesting, useful and unexpected meaning from traditional sources that have been obscured by history and the isolated subjectivities of authoritative authorship, capital investment or discursive frameworks by side stepping the ubiquitous domination truth-power-knowledge relations of modern codes, systems and structures online.
Hall's analysis comes very close to acknowledging the contemporary modern user's eventual turn to embracing foolishness in his closing discussion of the oppositional code. One can only assume that Hall feels he "must" term the "oppositional code" as such, because he is effectively trapped in history and subject to the powerful circulations power-force relations of his particular time and place in the world (138). Free from the historical assumptions of Hall's implied audience and the posturing the authoritative approval of his local community (presumable academics), the anonymous online user instead embraces their periphery position and is able to neutralize the constant mediation of violent, ideological or hegemonic dominance which has become naturalized by paying attention to whatever whimsical, esoteric confusion appeals amid the constant, monotony of cybercultural capital.
Today, Hall's historical, theoretical positions of the hypothetical "professional," "negotiated" and "oppositional" codes may be subsumed into what could be termed the 'user' code. The term 'user code' is deployed to unshackle Hall's astute, yet historically unrealizable observation that "He/she [who] detotalizes the message in the preferred code in order to retotalize the message within some alternative framework of reference," and creates "significant political moments," by reframing the interpretive stakes as subjective, intimate, essential, accessible and newly possible. Even Hall's use of the hybrid pronoun "He/she" connotes the contemporary turn to operating, knowingly or not, in the anonymous (androgynous) user mode. The modern anonymous user code allows new critical moments of political agency free from history and the oppositional binarism that assumes there is always some better, greater, more just war, hegemony or agenda that can replace the existing state of affairs.
Modernity is all war. It is crisis and it is meaningless. Hall is able to glimpse this insight in his criticism of the professional code's "conflicts, contradictions and even misunderstandings [that] regularly arise between the dominant and the professional significations and their signifying agencies" (137). By using the modern user code Hall's historical, theoretical conceit, is free to become a practical, contemporary operating assumption for users online and in the world. In the user mode of existence, new forms of interpretive dexterity, flexibility and creativity are opened up and given attention, and potential blinders of historical assumptions and their staid modes of opposition, resistance and contingent defiance may be ignored.
By moving with this tenuous assumption as their operating protocol, anonymous users are able to stabilize their various, disparate subjectivities and achieve new, actual political agency and aesthetic expression. Anonymously dodging and weaving through the tiny gaps which inevitably open up in and between the interstices of systems and structures of modernity, users become able to use each other and modernities systems, (use in the sense of play, not of abuse) to recognize and bring their individual subjectivities to bear upon one another. By virtue of this intimate, active and omnipresent interpretive, interpersonal work sharing fears, pains, guilts, hopes, desires, moralities, pleasures, loves and agencies, the user becomes able to understand, that it is the accumulation and volume of shared differences and experiences that mediates across the disparate subjective conditions of a given community, and when operating in sync rather than in opposition- can be a powerful new force. From the accretion of these virtual choices made online tends to emerge anomalies. These anomalous users with particular capacities are relating online in gradients of self-awareness and anonymity, and activating the power of anonymous user volition and motivating and enabling new modes of becoming, which are able to affect actual, unified, coherent, meta-critical anonymous user's hyper-awareness is powerful, is possible and is effective.
Hall places agency throughout his paper in the processes (or codes) which are designed to allow, permit and restrict movement and as a result ends up playing by the very rules of modernity he is attempting to demystify. Although bringing in Saussurian linguistics, Marxist materialism and Roland Barthes' early semiotic theory to bear on the economies of interpretive work, Hall remains trapped by his historical position, a conceit he freely admits in the first word of his paper, "Traditionally…" (128). Hall assumes contingency of the process of use, when in fact no "normal," contingent process exists. What makes a communicative circuit ever totally "complete"? Who determines its finitude or efficacy? Stuart Hall? "The Researchers"? The mystical "professionals" or "elites"? What about the rest of us? These contentious assumptions regarding the qualities of moral or substantive character that Hall relies on throughout, are the hallmarks of his own situation and modern subjectivity.
It is that very feeling, that unspoken (unspeakable?) urge to assume that ours in particular is a more privileged position than others in the world that traps us in the gyre of modernization. For the fool however, even false appearances, knowingly or not, can become meaningful. By sharing and exchanging experiences of so-called falseness, assemblages of fools become able to relate, empathize and share the great burden of modern foolishness which is always already trust upon them by themselves and the global populations of fools and non-fools alike.
Online, in material semiotic cybertextual discourse, vast, heterogeneous communities of global users, existing alone in gradients of known and unknown foolishness, are free to becomes a local community of anonymously foolish modern users. Under the neutralizing veil of anonymity, the panoptic moralizing judgment of modernization becomes diffused and bearable. Relieved from this omnipresent critical modern experience, users are able to communicate, articulate and act (both online and in the world) in new and effective modes, free (to greater or lesser extents) from inherited fears and historical assumptions. Online anonymous users may cry aloud from the void in cybertext:
Heeeeeeey! Everyone look at me! I'm a fool! What is so terrible about being a fool?! Yes I am a fool, does that make my life any less "meaningful" or "important"? Not to me is doesn't–nor does it to all my fellow fools alive in the world RIGHT NOW! Isn't that right fellow fools?
And in response, a torrent of support from the implied anonymous audience comes in the form of 'likes,' 'tweets,' 'posts,' 'pics,' 'clips' and 'links'. This support is real, it resonates, circulates and proliferates mainly because it feels good. It feels something like love, and so it spreads. Today, modern fools online are newly able to become aware of their shared, isolated, modern subjective position, their humanity in ways Hall could not have imagined. As they do, the possibilities of new forms of mobility, agency and being multiplies, becomes stronger and more stable–first among those users brave enough to risk acknowledging their own foolishness, and then hopefully by the rest of us.
Hall's perspective is at a distance from the contemporary analyst as he is trapped by his historical moment. In his world, communications technology in the Mass Media era was commandeered by corporate, professional and elitist interests. Media was merely audio-visual and present in peoples lives only through the print and advertising industries, network cable television and Hollywood. With the technological evolution of the Internet, came an explosion of individual, user to user exchange, communication and foci of interest. This material semiotic big bang is still very much reforming every aspect of modern life in the globalized, industrialized world. Online, users traces of communication exist in cybertext, free from the limitations of history, temporality, materiality and subjectivity. These footprints can be analyzed with respect to how users use material semiotic cybertextual discourse, and what techniques and strategies are generating the most interest in new, creative and effective ways. By pursuing enquiries in this fashion, the contemporary analyst may use the users mode of analysis to make meaning from entropy, and articulate particular idiosyncratic orders amidst the apparent chaos and say something that actually resonates with their own personal experiences in modern life.
Today, experienced, creative and interested analysts can perceive relations that exist in the interstices between the modern modes of signifying codes which Hall usefully describes in his important paper. By paying attention to the mediation and affect in economies of interpretative work unfolding between users online and in the world, the contemporary analyst may operate under the user's assumption that the existing modern codes of order are not actually total, and do not compel their personal, subjective interests. But instead, users see these codes as opportunities to think, understand and become in new, different and creative ways. Contemporary analysts attuned to this peculiar, if not foolish impulse to turn abuse of use into playful use, are more able to engage in the user mode and perceive the mediation of this affect in and among the economies of contemporary cybertextual communicative exchange. In this way, it becomes possible to make new meaning from the violent chaos of modern material semiotic power-truth relations online and in the world, and to reveal and trace the important mediation of affect in and among new emerging forms of culture, politics, aesthetics and ethics generated, knowingly or not, by individuals operating in the user mode of existence.


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HourlyHours to be determined
We require a tester to conduct testing on a US cellphone. The testing will be of SMS, web and mobile web. These will be simple tests requiring you to sign up to premium services and document the process (this can be done live through skype)
This will be on the T-Mobile network and only US residents with a T-Mobile handset or the capability of acquiring a T-Mobile handset should apply.
Client Activity on this Job
Last Viewed: 3 years ago
Hired: 1
About the Client
Dublin 4 11:28 PM
Jobs Posted
52% Hire Rate, 1 Open Job
Total Spent
18 Hires, 2 Active
Avg Hourly Rate Paid
17 Hours


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The Lost & Damned (PS3), Download or buy as part of EFLC now!
The Lost & Damned (PS3), Download or buy as part of EFLC now!
Jan 29 2010, 08:33 AM
Post #1
Group: Gold Member
Posts: 3,416
Joined: 18-February 09
Member No.: 48,547
NOTE: Considering this has been around for quite a while on XBox you will find Q&A's have already been posted on the site. To avoid unnessasary repeat posts please check here or here first.
This post has been edited by marney1: Apr 13 2010, 01:17 AM
Apr 14 2010, 05:21 PM
Post #2
doesn't play well with others...
Group: Staff
Posts: 2,316
Joined: 28-March 08
From: michigan...
Member No.: 38,893
XBL Gamertag: your mother...
PSN Name: artistadam
Xfire Identity: i said your mother!!
i'm having a good 'ol time in liberty city again... the bikes are so fun to drive now that, i've only used a car a couple of times and a taxi twice... i'd rather just ride to my destination ... and the new weapons are SWEET!! the auto-pistol so far is my favorite... the grenade launcher is cool but, i still prefer the RPG's right now... and that sawed-off shotty makes quick work of vehicles and enemies... too bad it's only a 2-shot clip...
and the story isn't as strong as niko's "land of opportunity" story because your stepping into the shoes of an already established character in the world of liberty city so, it makes connecting with him less important it seems... i feel like i am trying to continue his legacy, which is what i'm sure luis lopez will feel like... instead of laying the foundation for his future like with niko... you just don't feel the connection like you did in IV...
and i've read that johnny isn't exactly a likable character but, i find him to be very likable as he's trying to do what's best for the lost, even if their way of life isn't exactly sunshine... but, billy is a real asshole and probably the representation of what a gritty biker gang should be like... johnny seems to have the best interest of his fellow bikers in mind whereas billy has the best interests of sex/drugs/rock'n'roll in mind... some of his friends are pretty cool like clay and jim... and the lost clubhouse is frikin sweet!! ... the new minigames you play there are entertaining...
i'm about 45% completed but, i have no clue how that translates to progression with the story since i've done a few races and turf wars... as well as a couple bike thefts...
This post has been edited by bOnEs: Apr 14 2010, 05:25 PM
Oh, good one. The "you're on the internet so you must have no life" insult isn't moronic or unoriginal at all. You must, without a doubt, be a very important member of society, not at all a waste of the already barely valuable gift of life.
As is the case for everyone who takes issue with people who make them sad on the internet, you are one of two kinds of people:
You are exactly what you claim I am, and that is a lonely, pathetic basement dweller. You life is spent eating eight pounds of junk food per day, masturbating to anything you find online that's even remotely feminine, and wishing you had good looks and social skills. You continue to live with your mother until she dies of a combination of lung cancer and liver failure brought on by the chain-smoking and heavy drinking she used to cope with what a failure you are. Your mother mercifully dead and free of the living embodiment of failure she regretfully thrust from her loins, the bills start to pile up and you, unemployed and unable to pay these bills (of course), lose the house and everything in it. Somehow even more of a failure than you already were, you wander from place to place eating out of dumpsters and sleeping in your own filth until you finally die of AIDS, which you contracted from a diseased whore you scrounged up enough money to pay for, so you could finally lose your virginity while at the same time pretending that your mother was back in your life.
You are the type who was an athlete in high school, who was genetically doomed to be an idiot but managed to finish school and even get a college scholarship because you were so good at a worthless children's game. You went off to college with a suitcase full of polo shirts and condoms, the polo shirts, because you're a douche, and the condoms to prevent you from impregnating the dim-witted young college girls whom you could never touch without the aid of Rohypnol, a drug you refer to as "roofies" because you can neither spell or pronounce Rohypnol. You scrape by with borderline D's for the next four years, and leave the campus to go out into the real world where your realize you're not intelligent or talented enough to do anything of value with your life. Misery and minimum wage ensues for thirty years, then you blow your brains out, and your corpse, alone and forgotten, is not discovered until the smell of rotting flesh seeps under your door and your bodily fluids finally soak through the floor of your studio apartment and into the room below you. Your body is cremated, the ashes scraped into a garbage bin because there was no one in your life who valued you enough to pay for a casket, funeral, or burial plot.
You're undoubtedly one of the two, otherwise you would have better things to do than complain about the theme of a forum that doesn't care about anything you have to say.
|Lo-Fi Version
|Time is now: 26th May 2016 - 12:46 AM


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Buffalo Gary Jean
SALE $49.97 was $119.00 Item #19380M12601BU
Sorry, this product is currently not available on buckle.com.
- Regular fit bootcut zip fly jean
- Mid-rise, 19" bottom opening
- Leather applique on back pockets
- Hand sanding, tacking and grinding details
- Leather Buffalo label on back
- 99% Cotton, 1% Spandex.
- Machine wash cold with like colors. Do not bleach. Tumble dry low. Iron medium if needed.
- Made in China.
Have a Question?
Email Guest Services.
G Fits transition well between slim and regular fit categories.
Buffalo Gary Jean is rated out of 5 by 1.
Rated 5 out of 5 by moe52707 from AWESOME JEANS I bought these Jeans for my husband for a gift and he is a very picky man! He loves these jeans! They are very true to size and very comfortable! You will love them!
Date published: 2015-01-18


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The edible lawn: Wild weeds are a tasty springtime treat
A bowl full of dandelions, violets, clover leaves and plantains that are all edible and can be found growing in your yard.
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Last updated in April 2015
Political relations
Following the suspension of diplomatic relations between the Federal Republic of Germany and Cambodia in 1969, Germany re-established official relations with the Cambodia's Supreme National Council (SNC) in 1992. After the 1993 elections, Germany's representation at the SNC was converted into a diplomatic mission.
Cambodia and the German Democratic Republic maintained diplomatic relations from 1969 to 1975 and from 1979 until the reunification of the two German states.
Germany actively supports Cambodia's development and democratisation process. The cornerstone of relations is the extensive development cooperation between the two countries. In addition, Germany has for many years been funding a mine clearance programme and helping with conservation efforts at the Angkor Wat temple complex, as well as supporting the work of the Khmer Rouge war crimes tribunal.
Economic relations
In 2014, German imports from Cambodia (mainly garments and footwear) totalled approximately EUR 955.9 million. Well-known German buyers of Cambodian textiles and shoes are Adidas, Puma, Deichmann, C&A, Aldi, Lidl and Tchibo. The volume of German imports from Cambodia grew by EUR 119.8 million, or 14.3 per cent, compared with the previous year. In 2013, Germany ranked fifth among the largest markets for Cambodian goods worldwide, after the United States, China, Singapore and the United Kingdom.
In 2014, German exports to Cambodia were worth EUR 72.89 million, an increase of 28.9 per cent compared with the previous year. In terms of import-export turnover, Cambodia ranked 76th among Germany's trading partners in 2014.
German businesspeople residing in Cambodia have joined forces to create the German Business Group Cambodia (ADW), which serves as a point of contact for German companies interested in doing business there and provides active assistance to them. In June 2011, the European Chamber of Commerce in Cambodia (EUROCHAM) was opened in Phnom Penh. It was co-founded by the ADW the French Chambre de Commerce Franco-Cambodgienne" (CCFC) and the British Business Association of Cambodia (BBAC).
The number of German tourists visiting Cambodia grew from 81,651 in 2013 to 84,143 in 2014. Germans thus account for nearly 2 per cent of foreign visitors, well behind tourists from East and Southeast Asia, the United States, France and Australia.
A bilateral investment promotion and protection agreement between Germany and Cambodia entered into force on 14 April 2002. The agreement is designed, among other things, to protect companies from expropriation without compensation and secure the free transfer of foreign exchange.
Development cooperation
Cambodia is a partner country of German development cooperation in Southeast Asia. Germany is one of the country's principal bilateral donors, ranking fourth after Japan, China and the United States. German development cooperation is geared to Cambodia's development strategy (Rectangular Strategy) and, through measures coordinated with the country's other development partners, is helping Cambodia to attain its Millennium Development Goals, which are based on the global objectives of the United Nations. So far, Germany has made available to Cambodia a total of EUR 358.77 million in bilateral government development cooperation since 1993.
German-Cambodian development cooperation focuses on rural development and building a health care system. There are also projects addressing the cross-cutting issues of good governance, human rights and promoting democracy (including the advancement of women's rights, decentralisation, administrative reform and the setting up of an Audit Office). The German programmes are largely implemented by the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) and the KfW Development Bank. Features of Germany's government-funded development cooperation are long-term commitment, lasting contributions to the establishment of well-functioning institutions and close cooperation with Cambodian partners. Other projects are funded by non-governmental organisations such as the Protestant and Catholic churches (Brot für die Welt and Misereor), German Agro Action, Malteser International and Germany's political foundations. These efforts are complemented by the substantial engagement of private donors.
For the two-year period 2013-2014, the Federal Ministry for Economic Cooperation and Development (BMZ) has made new commitments worth some EUR 47 million. Since 1997, Germany has also provided around EUR 1 million annually for humanitarian mine clearance in Cambodia, which is still littered with more land mines and unexploded ordnance than almost any other country in the world.
Cultural relations
German cultural policy in Cambodia focuses on supporting the preservation of the country's cultural heritage, developing the education and higher education sectors, showcasing German culture as well as promoting the German language.
With funds from the Federal Foreign Office, Cologne University of Applied Sciences' Restoration and Conservation Institute has for several years been helping preserve the world-famous temples at Angkor Wat – a major internationally acclaimed contribution. This German Apsara Conservation Project (GACP) encompasses the restoration of the Apsara Reliefs in the Angkor Wat temple complex as well as an emergency consolidation programme to preserve natural stone reliefs at other temples in Angkor. Restoration work on the Preah Ko temple has been completed.
Since 2008, excavations led by the German Archaeological Institute (DAI) have been under way at the Prohear burial site in Prohear, a village in Prey Veng Province, in cooperation with the Cambodian Ministry of Culture and archaeologists from the Memot Centre for Archaeology in Phnom Penh. In 2013, the German-Cambodian Conservation School opened its restoration workshop in Phnom Penh, which serves the entire Southeast Asian region. The number of applicants is constantly growing.
The German Academic Exchange Service (DAAD) promotes academic cooperation through the secondment of a long-term German academic teacher to Cambodia and by awarding short- and long-term scholarships to Cambodian students. In 2002, a new Media and Communication Studies department was established at the Royal University of Phnom Penh with support from the DAAD and the Konrad Adenauer Foundation. In 2014, the DAAD enabled 36 German scholarship holders – from students to university lecturers – to spend time studying and researching in Cambodia and provided 37 Cambodians with the opportunity to study, teach or pursue research in Germany.
A growing number of concerts and exhibitions by German artists and screenings of German films are being organised in Phnom Penh, some of them with the support of the Goethe Institute. German artists regularly perform at the Phnom Penh International Music Festival, which is held every autumn. The cultural institutions Art Plus Foundation and Meta House, which were established in early 2007, receive support from the German Embassy and the Goethe Institute in organising German cultural programmes.
The Cambodian-German Cultural Association (KDKG), which was founded in Berlin in 2012, also helps support these institutions. The Art Plus Foundation, the Meta House and the Goethe Institute's language mediator have been working under one roof since June 2010, sharing the premises of the German-Cambodian Cultural Center.


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Jay Robert Leeuwenburg
Position: G-C-T
Height: 6-3 Weight: 294 lbs.
Born: June 18, 1969 in St. Louis, MO
High School: Kirkwood
College: Colorado (school history) (Leeuwenburg college stats)
Drafted by the Kansas City Chiefs in the 9th round (244th overall) of the 1992 NFL Draft.
Weighted Career AV (100-95-...): 48 (1602nd overall since 1950)
1997 Game Log: Regular Season · Playoffs · vs.


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I have Xbox 360 & My friend is having many games of Xbox 360. But every time i have to borrow it from him. So now i have decided to write all the disc & keep it with me. So can anyone Help me with this...!
How to write Xbox 360 games....???
I have Xbox 360 & My friend is having many games of Xbox 360. But every time i have to borrow it from him. So now i have decided to write all the disc & keep it with me. So can anyone Help me with this...!
How to write Xbox 360 games....???
Firstly you require some minimum requirement for burning Xbox 360 games you need to have the following things :
- DVD+R Dual Layer Burner
- Firmware Flashed Or Chipped 360
- ImgBurn
- Xbox 360 PAL = Europe, NTSC = North America, Region Free = Any console, ISO + DVD File.
- Insert a Blank DVD writable DL Disc into the drive.
- You must have your iso + dvd ALONE in a folder.
- If you open for ImgBurn and if you click then on write image file on CD, click on the icon with the file + to magnifying glass and you open the DVD FILE.
- The Test Mode and Verify should not be ticked.
- Click the open book at the bottom right of imgburn.
- Once youve clicked on the company, click Change For: and select DVD+R DL
- Make sure Layer Break is set to 1913760, click on, Tools > Settings > Write - Layer Break. USer Specified : 1913760 > OK.
- Copies is set to 1 and Write Speed is either 2.4x or 4x.
- Click on the write icon of the button.
- Wait for disc to finish burning, once finished, exit imgburn then eject disc, into 360.
You have a iso burner with DVD-R burnable dvds. Use software like Magic ISO Power ISO or my favorite Nero 7. I have done the same with my xbox myself with like 3,000 games.
You need DVD + R DL Disk are 8.5gb and a double layer dvd author Xbox 360spiele burn, while most of the game at 360 on 7gb size.
hi i am currently learning how to do this but what i dont understand is that in these tutorials it has files that i dont have i have downloaded assassins creed brotherhood and it has about 75 files in it and none of them are .iso .dvd but it does have a .sfv file all of the other files are acb360.r then a number in order, what am i supposed to do with this?
Just try and find an iso burner on Google and burn all your 75 files in it. That will create an iso file. Which will be helpful. And then refer the above post what to do with that iso file. Hope this helps you out.
i have tried every way i could find on the internet to burn Xbox 360 games but them all ends up like a "movie" when i put the disc into the console.
i've changed the layer break to 1913760 and i've configured the burner to DVD+R DL.
i am using IMG burn
can anyone please help me?