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Blue and White Porcelain Vase
Item#: 432349
Dimensions: 8" dia. x 14" h
Item#: 432349
In stock, ships UPS. Expect delivery within 10 days.
Introducing Custom Quick Ship Upholstery
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Item#: 432349
In stock, ships UPS. Expect delivery within 10 days.
This long-necked vase in a dramatic depiction of hand-painted blue and white florals is an export ware inspired piece with true sophistication. While not for use with real flowers, this decorative piece is a stunning accent for a country or estate living room.
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Atlanta, GA (AP) - Lt. Gov. Casey Cagle says tax reform isn't
something that has to happen this year.
Speaking to reporters in his office on Tuesday, Cagle gave the
recently released recommendations of the Tax Reform Council "mixed
reviews" and said the Legislature will have "an enormous amount
of debate and discussion" of the proposals during the session.
Cagle said that while lawmakers are required to consider the
proposals, they are still early in the process and legislation or a
vote are far down the road.
Among the tax panel's recommendations is reviving the 4 percent
state sales tax on groceries -- a move Cagle says he opposes because
of its impact on poor Georgians and concerns over the tax's
potential to generate enough revenue to justify the change.
Cagle was overwhelmingly re-elected to his second four-year term
as lieutenant governor in November.
(Copyright 2011 by The Associated Press. All Rights Reserved.)


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By DEAN SCHABNER
All the riders who were trapped on the Joker's Jinx roller coaster that got stuck Sunday at Six Flags America in Upper Marlboro, Md., have been rescued, after near five hours, the amusement park announced.
Prince George's County firefighters using ladder trucks from Fairfax and Joint Base Andrews rescued the riders from the roller coaster, which was stuck on the tracks about 75 feet above the ground, according to a statement from Six Flags.
The riders, who were given food, water and sunscreen while they waited to be rescued, were each individually harnessed before being removed.
There were no reports of injuries.
According to Six Flags, the ride has a computerized safety system that can cause such the ride to stop if there is a problem detected.
"While we are not yet sure what caused the stoppage, the ride performed as it is designed to," the Six Flags statement said.
"The ride will remain closed until the park completes a thorough investigation and both the staff and ride manufacturer have determined the ride is safe for operation," the statement said.
Copyright 2016 Nexstar Broadcasting, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.


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This summer the Royal Opera House's historic Costume, Furniture, Props, Art and Musical Instruments Collections were successfully moved from storage in Dover to their new home at the Bob and Tamar Manoukian Costume Centre in Purfleet. This purpose-built store was designed around the needs of the historic items and ensures that one of the most significant theatrical costume collections in the UK is preserved for future generations of designers, makers and researchers to enjoy.
Preparations for the move began more than two years ago, as the ROH Collections team began to plan how to ensure the safe transit of these thousands of precious pieces of ROH history. This started with measuring the 2,000 costume bags in which some of the Costume Collection is stored, to give an idea of the space needed in the new Bob and Tamar Manoukian Costume Centre – and also to inform the design of the bespoke racking being built to house the collections.
A painstaking review of Costume, Furniture, Props, Art and Musical Instruments Collections ensured that each item in the Dover store was accounted for and its correct location recorded. Detailed shipping lists meant the movement of the collections could be accounted for at all times.
Each item of furniture was individually wrapped in Furniguard®, with particular care taken with such fragile items as the 19th-century 'crush machine', originally used to dispense drinks and cocktails and the origin of the name of the Crush Room. Tutu boxes were carefully stacked and wrapped on pallets, costume bags were secured to their rails and the archive boxes were carefully placed in cages.
The move itself commenced on 8 June 2015. The Collections team worked with moving professionals Harrow Green over three weeks to re-locate all of the objects to their new home. Some items were trickier to move than others – the enormous Giant costume worn by Jonathan Gunthorpe in the ROH2 production of Gentle Giant posed its own problems, while the team had to make bespoke packing for costumes too large and fragile to hang on a rail or to store in standard size costume boxes.
In the Bob and Tamar Manoukian Costume Centre the historic collections are now stored on bespoke racking that is nearly four metres tall. In order to reach the higher shelves and rails there has been a new addition to the Collections team – a Mobile Elevating Work Platform that goes by the name of Hugo. Large costumes and items of furniture are also accommodated in specially designed shelving.
The ROH Collections share the Bob and Tamar Manoukian Costume Centre with the ROH Costume Department and South Essex College. The new facility enables the Collections team to work more closely with the professionals creating costumes for current ROH productions, and with the next generation of costume makers. At the Bob and Tamar Manoukian Costume Centre we will be able to open up wider access to the Royal Opera House's historic Costume, Furniture, Props, Art and Musical Instruments Collections, to inspire and enrich the work of others.
Find out more about ROH Collections.]]>
The Bob and Tamar Manoukian Costume Centre at High House Production Park in Purfleet was officially opened today by Rt Hon Greg Clark MP, Secretary of State for Communities and Local Government.
The Costume Centre is home to more than 20,000 costumes from the current ROH repertory, as well as historic costumes, musical instruments and furniture from the archive collection.
A new BA (Hons.) Costume Construction degree course, in partnership with the ROH, South Essex College and the University of the Arts London, is also taking place in the Costume Centre's bespoke workrooms. The first students started in September and are being trained in high quality costume making skills.
'This is a landmark moment for us as we see our wonderful new building officially opened and fully operational. With costumes being made for the Royal Opera House stages, historic costumes and artefacts carefully stored and preserved, and the next generation of costume makers learning their craft alongside professionals,' says Royal Opera House Chief Executive, Alex Beard.
The ROH Collection team packing the tutu worn by Margot Fonteyn as The Firebird in the 1954 Sadler's Wells production. Nicholas Hare architects © Alan Williams Photography
Archivist, Laura Brown, in the store at the Bob and Tamar Manoukian Costume Centre. Nicholas Hare architects © Alan Williams Photography
Costume worn by Joan Sutherland as Lucrezia Borgia in The Royal Opera's Lucrezia Borgia. Nicholas Hare architects © Alan Williams Photography
Collections Assistant, Paris Hart, packing the headdress for Peter Rabbit from The Royal Ballet's Tales of Beatrix Potter. Nicholas Hare architects © Alan Williams Photography
Costume Construction degree students in the Bob and Tamar Manoukian Costume Centre. Nicholas Hare architects © Alan Williams Photography
Head of Costume at Thurrock, Amanda Hall, in the Bob and Tamar Manoukian Costume Centre. Nicholas Hare architects © Alan Williams Photography
The Costume Centre is the latest addition to the growing cultural hub at High House Production Park, which already includes the Bob and Tamar Manoukian Production Workshop, the Backstage Centre run by Creative & Cultural Skills, and the Acme Studios for artists. The first government-backed National College for the Creative and Cultural Industries is also set to open on the site next year.
Visitors to High House Production Park can explore the new Costume Centre by taking a tour of the site or booking an Inspiration Day.
The building of the Royal Opera House Bob and Tamar Manoukian Costume Centre was made possible with the support of the European Regional Development Fund, Bob and Tamar Manoukian, Thurrock Borough Council, the Foyle Foundation, the Royal Opera House and South Essex College.
Paper and pencils at the ready for The Big Draw event at High House Production Park in Thurrock on Saturday 24 October from 12 noon until 4pm!
This event is part of an international drawing festival, which will see thousands of activities taking place around the world throughout October.
Author Philip Pullman and Children's Laureate Chris Riddell opened the festival at the Bodleian Libraries in Oxford last month.
Pullman's acclaimed children's story The Firework-Maker's Daughter has been adapted into a family opera, with performances taking place in the ROH's Linbury Studio Theatre this Christmas.
'I'm really looking forward to The Big Draw because drawing is such a pleasure that I want everyone to share it', said Pullman. 'The feeling of a sharp pencil moving over a piece of good paper is a delight to the hand as well as to the eye. By far the best way to see things clearly is to draw them, and looking and drawing are a key to understanding the world in quite different ways from listening and reading. Literacy is vital, of course, but it would be wonderful to give everyone — adult as well as child — a chance to master picturacy as well.'
This year's festival theme is 'Every drawing tells a story' and the event at High House Production Park will take the ballet The Nutcracker as its focus.
Newcomers to drawing and experts alike can learn from skilled and experienced artists and there will be plenty of activities to get involved with including designing costumes with the Royal Opera House and still-life drawing of instruments with Thurrock Music Services.
Find out more about The Big Draw event at High House Production Park
For more information about The Big Draw festival, visit www.thebigdraw.org.uk]]>
This July, Royal Opera House Thurrock will be hosting FUSED 2015: A festival of choruses and costume, here's what's coming up:
Don Giovanni BP Big Screen
On Friday 3 July, High House Production Park in Purfleet will host the free BP Big Screen live relay of Mozart's Don Giovanni. The Royal Opera's production, directed by Kasper Holten and with designs from Es Devlin, features an excellent cast, including Christopher Maltman as Don Giovanni, Dorothea Röschmann as Donna Elvira, Rolando Villazón as Don Ottavio, and Albina Shagimuratova as Donna Anna.
Enjoy an evening of free opera, with exclusive backstage films, competitions and the best performances relayed live to the big screen. Bring a picnic and share the experience with friends, family, and the tens of thousands of people also watching from across the UK.
For more information about this screening, visit the BP Big Screen Purfleet venue page.
All Change
On Thursday 9 and Friday 10 July at the Civic Hall in Grays, the Royal Opera House Thurrock Community Chorus and RM19 Youth Singing Group join forces for the first time to present All Change. Inspired by the new Royal Opera House Bob and Tamar Manoukian Costume Centre, All Change combines chorus numbers from existing repertory with new imaginings of existing pieces, in an exploration of some of the timeless themes of opera.
For more information and to book tickets, visit the All Change production page.
Costume Party
An afternoon of free festival fun for the whole family on Saturday 11 July, with the chance to dress up in the Royal Opera House's famous costumes, make your own outfits and accessories, meet the opera diva Carmen, watch the Firebird dance, and much more.
Events will take place from 12 noon across the High House Production Park site and will include activities with Kinetika, the High House Artists Studios, and The Backstage Centre. Refreshments will be available all day and there will be prizes awarded for the best selfies taken on the 'virtual catwalk' – participants can even gain their own Discover Arts Award. Wacky outfits welcome!
See directions to the High House Production Park in Purfleet.
Find out more about how you can get involved with ROH Thurrock.
The Royal Opera House Thurrock Community Chorus is generously sponsored by Prudential plc and Thurrock Borough Council.
RM19 is generously supported by Thurrock Borough Council, Mrs Lily Safra, Bernard Sunley Charitable Trust and The Sargent Charitable Trust.]]>
How many archivists does it take to change a lightbulb? Well, only one actually – but it takes a team effort to pack away objects of the historic ROH Collections, as we prepare to move the Costume, Furniture and Musical Instruments Collections from the current store in Dover to the new Bob and Tamar Manoukian Costume Centre in Thurrock. All the objects we're moving must be stored to archival standards, to protect them from damage on the move and so prolong their lifespan.
The size, shape, material and conservation needs of an object are always taken in to consideration when deciding on how it is to be packed. Our many shoes are placed in archival boxes that have been lined with wadding and acid-free tissue paper. The wadding moulds the shoe and takes pressure off the side it is resting on. The space inside the shoes are carefully filled with small rolls of wadding, preserving the shape of the shoe and preventing new creases forming.
More unusual and large objects, such as a rat's head mask from The Royal Ballet's 2003 production of The Sleeping Beauty, are also placed in boxes lined with acid-free tissue paper. Puffs and rolls of acid-free tissue paper are placed around the item to minimize movement in the box during transportation and thus prevent damage to it.
Many of the costumes can be hung on hangers, which are then put inside bespoke Tyvek bags. There are over 2,000 costume bags on 155 rails to move. Some costume items, such as cloaks and robes, are too heavy to be hung so they are carefully packed away in to costume boxes. If the costume has to be folded to fit inside the box, rolls of tissue paper are placed in the folds to stop creases forming in the material.
A headdress designed by Cecil Beaton for the Covent Garden Opera Company 1963 production of Turandot proved to be a particular challenge. The headdress is stored on a mannequin head and is very large and fragile, with parts sticking out and hanging at all angles. The team had to show a bit of ingenuity to prepare it for transfer. This involved redesigning a box so that that the headdress was held fast during the move whilst at the same time protecting the delicate pendants.
Find out more about the Costume and Furniture Collections here.]]>
In a bid to address the current shortage of high quality costume makers, a new degree course in Costume Construction has been announced by the Royal Opera House, University of the Arts London (UAL) and South Essex College.
The UAL-accredited BA (Hons.) course will be based at the Bob and Tamar Manoukian Costume Centre at High House Production Park in Thurrock and will focus on the cutting and making of costumes for opera, ballet, theatre, film and TV. Modules over three years will include hand sewing techniques, pattern cutting, garment construction, and the history of costumes throughout the years. Students will also get the opportunity to work with professionals from the Royal Opera House on costumes featuring in new Royal Ballet and Royal Opera productions.
Students will be taught how to make costumes that are lightweight and flexible for Royal Ballet dancers to perform in, as well as create costumes that are made to last many years as productions may remain in the ROH repertory for up to four decades. They will also learn how to make a range of different styles of costumes from leotards for contemporary ballets, to historically accurate costumes for opera productions set in specific periods of history.
'This course is a fantastic example of industry and higher education coming together to invest in young people, training them alongside the very best professionals in their field, and giving them skills that employers so desperately need,' says Alex Beard, Chief Executive of the Royal Opera House. 'The skills the students will learn on this course will give them the foundation to work not only in opera and ballet, but also in theatre, film or fashion, expanding the job opportunities even wider for the graduates.'
As well as hosting the Costume Construction course, the Bob and Tamar Manoukian Costume Centre will also be home to more than 20,000 Royal Opera House costumes and wigs, as well as historic costumes from the ROH Collection. The High House Production Park is also home to the ROH's Bob and Tamar Manoukian Production Workshop, the Backstage Centre, and High House Artists' Studios.
To find out more about the BA (Hons) Costume Construction degree, visit the South Essex College website.
The building of the Costume Centre is supported by Bob and Tamar Manoukian, European Regional Development Fund, Thurrock Borough Council, the Foyle Foundation, the Royal Opera House and South Essex College.
The first, government-backed, National College for the Creative and Cultural Industries is to be established at the Backstage Centre, High House Production Park, opening in September 2016.
Managed by Creative & Cultural Skills on behalf of a consortium of employers and industry organizations including Live Nation, Royal Opera House, White Light and the Association of British Theatre Technicians, the new National College will provide specialist training in the technical skills needed by the creative and cultural industries. This is in response to significant development in the industry, with the creative economy growing at four times the rate of the national economy, and the value of the UK's creative industries exports standing at over £15 billion per year.
With headquarters at The Backstage Centre in Thurrock, the National College will provide opportunities for students to train alongside the professionals who use The Backstage Centre to rehearse, record and film. The National College will specialize in the delivery of Creative Apprenticeships working with Creative & Cultural Skills' National Skills Academy network of training providers to deliver across the UK.
Business Secretary Vince Cable said: 'The talent which brings plays, operas, and films to life on screen and stage is the driving force behind our world-leading creative sector. UK creative industries generate £71 billion in revenue each year and support 1.71 million jobs. It's not something we're just good at - we are the best in the world. We must continue to invest in the next generation of talent. That is why today I am proud to announce the National College for the Creative and Cultural Industries, which will train the technicians to support our country's next award-winning directors, musicians and actors.'
Alex Beard, Chief Executive of the Royal Opera House and Chair of High House Production Park said: 'The creation of the National College at The Backstage Centre is a hugely important development in the breadth of opportunities now being offered from High House Production Park. We already have the Royal Opera House's sets and scenery built on site, and the new Bob and Tamar Manoukian Costume Centre will open in September. To have such a concentration of professional craftspeople and training facilities for both students and professionals in backstage and technical skills in one place is unprecedented and will help enormously in equipping people with the right skills for jobs in the creative industries. It adds to what the Park can offer to Thurrock's young people but will also be national resource for young people from across the country.'
Pauline Tambling, CEO, Creative & Cultural Skills, said: 'This is a very exciting time for us all. There is an acknowledged shortage of highly qualified technical workers with hands-on industry experience, and there are rapid changes in the technology that technicians use to do their work. To be able to have a National College where we can train people in these often unseen skills, and to provide apprenticeships and industry experience, is absolutely vital.']]>
The Royal Opera House Bridge has now been in place for more than two years working to increase opportunities for children and young people in our region to connect with great arts and culture. We've been networking, co-investing, partnering and collaborating with schools and cultural organizations across Hertfordshire, Bedfordshire, North Kent and Essex.
We were recently awarded an additional three years funding from Arts Council England, allowing us to continue our work until 2018 but in order to look forward to growth and further development, we must first look back. We've created a map to share just a few of the projects we're working with, and today, we launch our 2013/14 Annual Review.
We wanted to take this moment to share some of our headlines. For example, did you know that we've worked with 72 young cultural ambassadors to help them develop links between their schools and cultural organizations? Or that we're working with Kent County Council to commission arts and cultural providers to improve public health? And that we've driven over 13,000 miles and been on 286 train journeys to meet our partners in fish and chip shops, boats, living rooms and film studios?
Over the last year, we've invested in 12 new partnerships committing £291,000 to programmes including the 'Inspire' Programme in North Kent and Pop up Projects which reached 5,140 pupils in Canvey Island and Thurrock.
We've also worked with Portas Pilot towns, working with more than 75 local artists and creative organizations and resulting in over 17,000 residents taking part in local cultural activities.
We recognize the importance of collaborative networks and support organizations and so have invested in the Bedford Culture Network who are nurturing links between cultural and education providers to strengthen the overall provision in the area.
We're excited about what the future holds for arts and culture across our region as we see an increase in doorstep opportunities for young people to engage with cultural learning. We are incredibly proud of our achievements so far, and you can read more about them in our Annual Review. I hope you enjoy reading more about our work, and finally, my thanks go to the Bridge team and all our partners for all their enthusiasm and hard work over the last two years.
Royal Opera House is one of 10 Bridges across England publicly funded by The Arts Council England over three years to help to connect children and young people with great art and culture.]]>
Work has begun on the new Bob and Tamar Manoukian Costume Centre at the High House Production Park in Thurrock.
The Costume Centre, which is due to open in 2015, will house more than 20,000 costumes for opera and ballet productions currently in repertory, as well as the Royal Opera House archive collection, which includes around six thousand items that date back to the 19th century.
Currently, Royal Opera House costumes are kept in locations across the UK, including Aberdare and Dover; the new centre in Thurrock will hugely reduce the carbon footprint of transporting costumes, as well as allowing for more efficient management and preservation of costumes still in use. The centre will also provide permanent workrooms for students, in partnership with South Essex College, and offer specialist placements with the Royal Opera House Costume Department.
'With the completion of the Costume Centre, there will be outstanding facilities for costume production and training, as well as for historic costumes and the running costume stock of the Royal Opera House all on site,' says Matt Lane, Head of ROH Thurrock and Thames Gateway. 'We know that these incredible materials and spaces will inspire visitors, excite learners and offer new opportunities for even more people to engage with the creative industries'.
The High House Production Park in Thurrock is a 14-acre site, home to state-of-the-art facilities specially designed for the creative industries. A creative hub, the Park is home to the Bob and Tamar Manoukian Production Workshop, where all Royal Opera House sets and scenery are built; Acme Studios, which provide space for up to forty artists; and The Backstage Centre, a training facility for those who want to work in creative arts. Find out more about learning projects and events in Thurrock.
'It's great to see the next site development getting underway. Businesses and learners alike feel inspired by the Park already, and they can't wait for the new centre to open its doors in 2015,' says Andrea Stark, Chief Executive of the High House Production Park.
'The new Costume Centre will be an exemplar in low carbon design,' says Andrea. 'In addition, alongside this building project, the Royal Opera House is running an innovative low carbon programme called Culture Change. This is helping many small companies and freelancers in our sector to increase their resilience by learning how to reduce their carbon footprint and improve their bottom line.'
To find out more about our work in Thurrock or join us for a tour of the Production workshop, visit our website.
To see if you are eligible for our free business support programme, visit the Culture Change pages or view a short film about the programme.
The building of the Costume Centre is supported by Bob and Tamar Manoukian, European Regional Development Fund, Thurrock Council, the Foyle Foundation, the Royal Opera House and South Essex College.
This year's FUSED Festival came to a close at the Backstage Centre in Thurrock with a powerful world premiere of A Little Thing Called Life. Created and performed by RM19 – the Royal Opera House Thurrock Youth Vocal Group – the piece took inspiration from the themes of Giuseppe Verdi's Requiem, cleverly mixing singing, chanting, rap music and hip-hop with drumming, guitar playing, clapping and inventive staging. The 70 performers, many of them in their teens, delivered a compelling message about the feelings, desires, hopes and aspirations of young people.
Joshua Ridgway, performer, 14
'It was a great experience. I love performing. I used to do ballet and have seen a few operas, but this was completely different from anything I've done. It's good to come out of my shell and do what I love. And this took it to the next level. I was able to mix with so many different people. It was the best experience I've ever had.'
Aurora Barrett, performer, 15
'I've found lots of people here in Thurrock with the same sort of ambitions and fun personality that I have. I loved singing with them, and we made our own production! It was packed with all of our emotions, all of our feelings. We wanted to express how we felt towards different aspects of society. And although we may born in different communities or have different ethnicities, we are united in this society.'
James Green, performer, 15
'It was a brilliant experience. I performed in the circle, playing the djembe, an African percussion instrument. Being a musician, it's great to be able to create ideas and get to perform them. It makes you feel happier to be doing that. It's a lot more inspiring. It's a great feeling knowing that you've written the piece, you're performing it and you're the one who is making it brilliant.'
Audrey Stowers, James' great-aunt
'I'm so, so proud of James. It's unbelievable what he's doing. Tonight was lovely, really beautiful. I liked all of it, the music, the singing, the choreography. These programmes [by the Royal Opera House] are very important in our community, because they give the children opportunities and things to do. When I was in school, there was nothing like that around here.'
Shay D, Lyricist
'It's been amazing working with all of these young people. Everything on the show tonight was made by them. My job was to get their emotions and feelings out, get them to write the lyrics, to write down little stories. Obviously they were learning about Verdi's Requiem, so they got to see that, like in opera, it's all about expression and really deep emotions. It's been incredible!'
RM19 is free to join and open to anyone aged 11–25 who lives, works or studies in Thurrock. For more details and to find out how you can join, please visit our website. RM19 is generously supported by the Ernest Cook Trust, Julian Metherell, the Lucille Graham Trust, Bernarr Rainbow Trust and Thurrock Borough Council.]]>


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Acid Bath
Birth Place: Houma, Louisiana, US
Years Active: 1991–1997
Genres: Sludge Metal
Years Active: 1991–1997
Genres: Sludge Metal
Acid Bath was a seminal American sludge metal band from Houma, Louisiana that was active from 1991 to 1997. Acid Bath combined doom metal roots with influences from black metal, death metal, hardcore and blues-rock. In a ''Pit Magazine'' interview, vocalist Dax Riggs classified their sound as "death rock" (referring to death as a dominant lyrical theme, rather than deathrock), and also classified the band's music as a blending of stoner metal and doom metal. Acid Bath was an incarnation of two bands, Dark Karnival which featured Audie Pitre and Sammy "Pierre" Duet, and Golgotha which featured Dax Riggs, Tommy Viator, and Mike Sanchez. Tommy Viator was later replaced by Jimmy Kyle. Joseph J. ... Continue Bio >>
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I have a video with an overlay that i need to fade in. When i add a crossfade it starts fully opaque and then fades out. The exact opposite of what i want to achieve. How do i reverse the crossfade effect without also reversing the video?
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If the overlay has transparency, you could use an Add strip instead. Then keyframe the Multiply setting for it going from 0.0 (invisible) to 1.0 (fully visible).


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I have a 2001 accord LX and would like to know if I can replace the cabin air filter myself. It looks like the glove box may need to come off to access the filter and not sure how to do this. Can anyone provide detailed description of how to access and replace the cabin air filter? Thank-you.
by DBoy in Chesterfield, NJ on July 06, 2010


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Clarence Seedorf's representative Deborah Martin has made it clear that the Botafogo midfielder would be available if AC Milan were to approach him for the position of head coach.
The San Siro side is in the market for a new coach after giving Massimiliano Allegri the sack on Monday morning following disappointing performances in 2013-14.
The club has appointed Mauro Tassotti as caretaker boss ahead of Wednesday's Coppa Italia match against Spezia, but Seedorf is believed to be sitting in pole position to get the role on a permanent basis.
"There is not much to say about everything that has been written about Seedorf, but a number of things that have been reported are incorrect," the Dutchman's agent told La Gazzetta dello Sport. "I was personally involved when Clarence signed for Botafogo and he has a clause in his contract that allows him to leave the club without compensation on certain occasions, as long as he doesn't play for another team.
"I would also like to point out that Clarence now has all the necessary papers to coach and has taken all the steps needed in Netherlands and Brazil."
Seedorf, 37, left Milan for Botafogo in the summer of 2012 after a 10-year spell with the Rossoneri.
- Sports & Recreation
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- Massimiliano Allegri
- Mauro Tassotti


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"Museumsdorf Cloppenburg" Cloppenburg by Mariajoy
Cloppenburg Travel Guide: 16 reviews and 37 photos
This small town in Niedersachsen is the setting for the outdoor museum of rural buildings. The museum is just a few minutes walk from the station and we spent a few hours there looking round on a gloriously sunny Autumn afternoon.
Check the Bremen tourism site for more information.
- Pros:A beautiful rural setting
- Cons:could be a bit bleak in December
- In a nutshell:Very typically German
Reviews (13)
We took the train to get to the Museumsdorf in Cloppenburg. From Diepholz where we were staying, we boarded the train to... more travel advice
Outside the local police station in Cloppenburg is a collection of about 15 road signs! I hope they ARE just a... more travel advice
I'm not sure what is going on here but we saw this washing line of baby clothes strung across a building (not a house -... more travel advice
Inside the little country houses, visitors can see "how they used to live" - as everything has been carefully... more travel advice
Travelogues (1)
- 1
Comments (12)
It's sad that the attitude of the staff can turn an otherwise enjoyable dining experience into a rather nasty event. The rest of Cloppenburg seems lovely, however.
LOL, I can believe you gave that restaurant a 2 out of 5 satisfaction rating! What has to happen for you to give 1 out of 5?! The service sounded dreadful!
Bad service, bossy waiters, dogs, smoking, meat in every dish even the potato soup... it sounds like they have tried really hard to recreate the stereotypical German restaurant! Funny story :).
I didn't know that Cloppenburg was worth a visit. Thanks for showing me a nice place in my own country :)
How cute this is !! I like museum villages very much and might go vist one day. But won't go to this restaurant, it sounds... too busy to take care of customers. better some freshly baked bread :-))
Fascinating place. Sounds like you could have starved to death in that restaurant. There's nothing worse than being ignored.....
What an interesting museum ! Reminds me of the Weald and Downland.
Hi Maria, I've never heard of this place before, but it looks really interesting. I'd be too fidgety to put up with that kind of restaurant, though. Maybe the town was named after the department store chain, LOL.
i adore such open-air museum with its spirit of history. very interesting photos of the German style houses and wind-mills. Moreover, there are real funny local customs :-)))
Lovely place but it seems that the four legged locals are way friendlier than the two legged ones. Just outrageous behaviour!
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Use the updated 4.21 version (0.1.2) it's at the bottom of the post.
Use the updated 4.21 version (0.1.2) it's at the bottom of the post.
will the 4.21 pkg work with 4.30 cfw?
Once I get banned and give this a try I'll make sure to send you support buddy, I've been waiting for an easier unban solution for quite a while (even though I've never been banned). Still need the 4.30 dump? I gotta go now but I'll PM you it later.
You won't get banned if you use the tool, because sony wont have your Console ID to ban you
Hi! Is there a way to make sure that sony can´t ban my psn account? The console is not a problem now
Not publicly..
Blackscreen error may be fixed.
Added Rogero 4.30 compatibility.
No more LV2 dumps needed, I will release soon.
ah ok
What's the tool you're talking about?
Sorry for my bad english
PS Unban, the tool i posted...
I have a problem, i've got a screen with this error code 80710092. A solution please ?
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Digital Impact Awards
The Digital Impact Awards sets the industry-wide benchmark in digital stakeholder engagement. The event honours the best corporate digital communications work in Europe.
Now in its seventh year the programme has honoured some of the best digital work across Europe and will continue to do so this year. If you have any questions regarding the awards please contact Brian Donnelly or call +44 20 7998 6263.
Submit your entries by Wednesday 15 June to receive a £100 discount from your total entry cost. The final deadline is Wednesday 6 July. The 2016 programme is now open for entries


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Admission: Free
Meeting Place: Lodge Lawn
Eggs, eggs, and more eggs! Every year the Easter Bunny leaves more than a thousand toy-filled eggs for youngsters to find. Bring your baskets and enthusiasm as you and your little ones search for these multi-colored treasures. The hunt will be divided by age groups. Maximum age for collecting eggs is 12 years. The hunt will start promptly at 2 p.m. Immediately following the egg hunt we will have several Easter games to play.
Explore DeGray Lake Resort State Park with our helpful maps and brochures! Just click on an icon to view, or right-click on your mouse to save a
copy to your computer.


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UCSU Update
By Monteith Mitchell
The Legislative Council of the University of Colorado Student Union approved a $400 student fee to fund campus building projects on April 29. The fee will help finance new buildings for the Law School, ATLAS, and a Visual Arts Complex, and support expansion for the Leeds School of Business and campus information technology improvements.
The fee will go into effect when the first project, the Law School, is built and occupied, and will last for approximately 20 years, or until the construction debt is paid off. It will start at $100 a year and increase in $100 annual increments until it reaches $400. About 20 percent of the revenues will be set aside for financial aid to cover the increase for qualifying students. The fee goes before the Board of Regents and the Colorado Commission on Higher Education for approval next month.
In the general elections held last month, Garrett Stanton (political science major, history minor), Veronica Crespin (political science major), and Joseph Neguse (double major in economics/international emphasis and political science) were elected tri-executives for 2004-2005.
UCSU oversees a $27 million budget generated by student fees and other revenue for the operation of cost centers, and also serves as the liaison between the student body and university administration. Three branches, an executive, a legislative and a judicial are governed by the student-adopted Constitution.
For more UCSU news, visit www-ucsu.colorado.edu.
Journalists Get the Scoop on Environmental Issues
Staff Benefit from a Fresh Perspective on the University
UCSU Update
Inside CU Home | About Inside CU | Previous Issues | Contact Us
A bimonthly publication produced by the Department of University Communications
© 2004, The Regents of the University of Colorado


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Reduce Sodium for Good HealthAs health experts fight among themselves about how much sodium is safe to eat, the reality is that most of us can get by on far less salt (our biggest source of sodium). In fact, much of the salt in restaurant meals and packaged foods is overkill, just excess salt used to pander our palates in the simplest way. But gradually shaving off a little salt here and a little salt there is critical to good health, not just as a way to lower blood pressure but to keep the heart, kidneys, and bones healthy. It's also a way to let other flavors shine through in foods and open your palate to a whole new world of flavor.
1. Cook OftenOutsourcing meals to food companies and restaurants may be convenient, but it definitely won't keep a lid on salt. Order buffalo chicken fajitas at one popular chain and expect 6700 mg sodium (that includes three tortillas and fixings). Hydrate with a 24-ounce diet cola (90 mg sodium) and splurge on molten chocolate cake for dessert (820 mg sodium) and your net sodium expenditure is 7610 mg, or a heaping tablespoon worth of salt. By cooking at home, chances are you won't come anywhere close to using that much.
Time-Saving Tip: If cooking every night sounds tiring, make big batches of dried beans, marinara, or full recipes on weekends. Portion into small batches and freeze until needed. Use our Get Cooking Guide (March's Healthy Habit) to help get started.
2. Pair Takeout with FreshFor times when you can't cook, dilute the sodium of takeout or frozen family meals by adding equal amounts of fresh steamed vegetables. Take what one popular Italian chain calls a single serving (we call it huge portion) of five-cheese ziti and heat on the stovetop with one (9-ounce) bag of fresh spinach until greens wilt. Divide into two meals. That simple swap cuts sodium in half and whittles calories down from 1050 to a more reasonable 540. Added bonus: the spinach ups the nutrition ante with generous amounts of fiber, vitamins, and antioxidants.
Restaurant Tip: If eating out, split an entrée to cut sodium in half. Order side salads and steamed veggies sans salt to round out the meal.
3. Practice the Incremental ApproachNo need to say sayonara to salt, but research shows that small cutbacks of 25% salt in a recipe will go unnoticed. Really. It's a scientific fact that salt is an acquired taste; the more you eat, the more you become accustomed to it. So turn the tables on that science and gradually cut back on amounts by using a little less salt than a recipe calls for each time you cook. Eventually you'll bring levels down to reasonable amounts. If you salt foods automatically, practice the same approach, gradually weaning yourself away from larger amounts.
Kitchen tip: Measure out all the salt called for in a recipe. Put 25 percent of it back in the salt shaker and cook with the remaining 75 percent. Do this for two weeks. Then cut back again.
4. Label It LowProcessed convenience items amount for about seventy-five percent of the sodium in most diets. So this is the place to hit hardest with your sodium lowering strategies. Ideally, shift away from highly processed to more minimally processed and fresh foods. But if you must buy processed, zero in on the nutrition facts label to figure out what brands are doing the best job of keeping sodium levels low. See Top 10 Best Processed Foods and Top 10 Lower-Sodium Foods.
Shopping tip: For the biggest impact, look for lower sodium versions of products you eat frequently. The top ten sodium sources for most Americans are meat pizza, white bread, processed cheese, hot dogs, spaghetti with sauce, ham, ketchup, cooked rice, white rolls, and flour tortillas.
5. Take Salt-free ShortcutsIt's not necessary to give up all convenience products to keep sodium levels in check. Consider using salt-free convenience ingredients in soups, stews, and casseroles. Then add salt to taste, using sparingly. Most plain frozen vegetables are salt free. Ditto for dried beans, chickpeas, and vegetables canned without salt.
Kitchen tip: Toast dried herbs and spices in a small amount of oil to add underlying flavor to any dish. Say you're making chili. Toast the chili powder, oregano, and cumin in oil so that the oil can carry flavor into the salt-free beans and tomatoes.
6. Ratchet Up Fruits & VeggiesEven if you're having trouble ditching the salt shaker, do try including lots of fruits and vegetables at meals. Research confirms that eating potassium-rich foods (most types of produce sport generous amounts of this mineral) actually helps blunt the impact of sodium by reducing blood pressure and dilating arteries. If you really want to neutralize some of sodium's damaging impact, reach for these high potassium all-stars frequently: oranges, bananas, potatoes, tomatoes, dried apricots, melon, and kidney beans.
Cooking tip: Roasting carrots, eggplant, tomatoes or any vegetable with a splash of olive oil and a grind of fresh pepper can result in rich-flavored side dishes that don't need salt.
7. Make Your Own Salad DressingDrenching salads with bottled dressing is pretty much akin to sprinkling salt on your mixed greens since most dressings pack as much as 300 to 500 mg sodium in a 2-tablespoon serving. And most of us don't stop at just 2 tablespoons. But the core ingredients in salad dressing, oil and vinegar, are sodium free. Mix the two with a dab of mustard, any kind works but Dijon is the usual choice, and the sodium numbers are so minimal it's not even worth counting.
Kitchen tip: Whisk together 1 tablespoon olive oil, 1 tablespoon vinegar and 1/4 teaspoon Dijon mustard for a low-fat vinaigrette. Optional add-ins: dried herbs, chopped shallots, lemon zest, fresh ground pepper. See how step-by-step in Making a Basic Vinaigrette.
8. Ease up on Salty CondimentsAt 190mg sodium per tablespoon, ketchup doesn't sound like a salty offender. And it probably isn't if you use it sparingly. But slathering ketchup on burgers and fries, drizzling large quantities of soy sauce (900mg sodium per tablespoon) on sushi, or heaping on the pickle relish (240mg sodium per tablespoon) can add up. For some, it's enough to just cut back on amounts of high-sodium contents, using them judiciously. Also good options: low-sodium versions of soy sauce and salt-free ketchups.
Kitchen tips: Try replacing ketchup with a fresh homemade salsa. Chop roasted bell peppers, drizzle with olive oil and pepper, and use as a relish for burgers or fish.
9. Salt with StyleSome of the salt used in foods is an automatic or learned response. You throw salt in the water for boiling pasta. You add salt to a pot of boiling vegetables. You sprinkle salt on potato wedges before roasting. The truth is, it's easy to skip that step and save salt for finishing a dish. For finishing, choose a specialty salt for the most impact. A fine grind sea salt has the same amount of sodium as regular iodized salt, but flavors and colors are unique and set the mind and palate up to enjoy a food.
Staging tip: Since the terms "low sodium" and "low salt" have come to mean deprivation for some folks, entice guests and family by describing a dish as cooked with "a touch of sea salt."
10. Use Fresh Herbs & Spice RubsSalt may be a great flavor enhancer, but foods that taste salty are often one-note-flavor wonders, lacking depth and complexity. Instead of letting salt dominate a dish, try building in many different flavors with spice rubs and fresh herbs. Think of ethnic cuisines. Indian curries are not built on salt; they're built by toasting multiple spices. Jamaican jerk is not about salt but a blend of flavorings including allspice, thyme, and onion. The more flavors you build into a dish, the less salt you'll end up needing.
Kitchen tip: To make fresh herbs last a week or more, treat them like flowers. Snip stems and place in a glass filled with water.
BONUS: Rock the CitrusA rule of thumb among chefs and the single easiest trick for brightening the flavor of any dish, particularly recipes made with less salt, is to add a splash of lemon juice or stir in a finely grated bit of lime, lemon, or orange zest. When acidic ingredients like citrus (vinegar works too) are added to soups, salads, and entrées at the end of cooking they help brighten and round out flavors. It's hard to miss the salt when your palate detects a fresh bite of citrus.
Kitchen tip: When zesting oranges, lemon, and limes, opt for organic varieties since their peels are free of waxes and chemicals.
Top Ten Ways to Reduce Sodium
These 10 easy steps, both large and small, let you keep the lid on sodium without a whole lot of sacrifice. By: Maureen Callahan, MS, RD


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Rising Stand-Up Star Darryl Lenox at Punch Line Sacramento
* Additional fees apply. No coupon or promo codes necessary to enjoy the displayed discount price.
The last date listed for Comedian Darryl Lenox was Sunday September 15, 2013 / 7:00pm.
Currently at Punch Line Sacramento
Comedian Tiffany Haddish (HBO's Def Comedy Jam) at Punch Line
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Having grown up in foster care in South Central Los Angeles, actress-comedian Tiffany Haddish likes… More
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Featured review from Kathleen Johnson
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Darryl is one of the funniest men I've heard in years! We couldn't stop laughing :-)
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One of the funniest comedians we've heard in many, many years-what a very funny guy! Darryl will make you laugh the entire time :-)
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I enjoyed my night, however the comedian prior was more of the humor I like.
Quotes & Highlights
"One of the most complete experiences in comedy this year." —Stage Time Magazine
Watch Darryl Lenox's recent appearance on Conan.
About the Ticket Supplier: Live Nation - Punch Line Comedy Club Sacramento
For over 10 years the nation's best comics have appeared at the Sacramento Punch Line. Stars such as DL Hughley, Bill Bellamy, Shawn Wayans, Mark Curry and Chris Rock took their first comedic steps on the Punch Line stage, entertaining thousands while perfecting their craft. The Punch Line's dedication to comic tradition has earned it the Sacramento News and Review readers' choice award for the best comedy club.


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About vVv Doomhammer
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- Birthday 01/17/1986
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- Full Name Jordan Kahn
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- Alias Doomhammer
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New to vVv for Archeage? Click Here!
vVv Doomhammer replied to vVv AmpeD's topic in ArcheAge-What's your name? Jordan "Doomhammer" Kahn -Where are you from? Los Angeles, CA -What previous MMO's have you played? SwtoR, Rift, Aion, WoW, City of Heroes, Guild Wars, Guild Wars 2, Warhammer Online -What type of class do you generally play? Tank -What class do you plan on rolling in Archeage? Tank (Battlerage, Defense, Auramancy) -Where did you hear about vVv Gaming? Staff member since 2009. President for the year following LordJerith's departure.
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vVv Doomhammer replied to vVv LordJerith's topic in ArcheAgeI am interested in playing by posting below xD I playing a tank, probably a battlerage defense auramancer, or "Abolisher."
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In game I'm vVvDoomhammer
Awesome, thanks. Follow up question: What informs the mid game decision between taking towers and static farming? Can you give me an example of each?
What does game flow look like?
vVv Doomhammer posted a topic in SmiteSo I got home from some travel and for no reason I can explain decided to try a game or six of Smite. It's definitely come a long way since beta, but with that growth comes the standardization of the meta. My question for those who are knowledgeable is: what does the normal flow of a game look like? As an example, in LoL I would say something like: EARLY GAME 2 bot, 1 mid, 1 top, 1 jungle Everyone guards the jungle from invades until jungle camps spawn Close lanes help jungler with some damage on starting buff (blue or red) In lane everyone focuses on farming and poking, cautiously looking for a kill Jungler farms jungle, and looks for (or forces) opportunities to gank lanes (or counter-gank) Continues until first tower goes down MID GAME Once one tower is down, that lane starts to roam Teams try to execute their strategy (split push, siege, farm to late game, dive kill, etc.) Objectives are important Continues until 5ish items on most people LATE GAME Teams are strong Only Baron is critical as neutral objective Teams look for a pick, then take lane objectives. Or an ACE and push deep Inhibitors are the goal (multiple quickly, one by one slowly, or one and push to win) Not too expansive, but kind of outlines a basic game experience. There are exceptions, but they'll be the deviations from this skeleton. So what would this look like for Smite as a basic game flow?
Glad to be back home. Time to play some games.
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Players currently on Titanfall PC Beta - Origin ID's
vVv Doomhammer replied to vVv Pherzghul's topic in TitanfallI got in! Thanks to the wonderful people at EA support. My ID is vVvDoomhammer. Let's kick it!
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TItanfall Beta
vVv Doomhammer replied to vVv Zodyak's topic in TitanfallI don't know how many people are going PC over X1. I also don't know what the deal is with keys being available to give away. That being said, if someone can get me a beta key for PC I will sponsor your unborn children to get into vVv.
A Quick Thank You
vVv Doomhammer replied to vVv sK1ppY's topic in Off-TopicI hear your voice in my head when I read this. I'm so glad you're around again!
Playing World of Warcraft? I will. . . .
vVv Doomhammer replied to vVv LordJerith's topic in World of WarcraftIt has been a long time since I have seen a true LordJerith Run Guild. This will be an interesting way to separate the wheat from the chaff. Especially if we're on an adult schedule (no 10 hour binges, but evenings only), only the best will truly shine.
vVv Gaming Returns to LoL with acquisition of Team VEX and Training Facility in Southern California!
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Fight for the Freljord a League of Legends Inhouse 3v3 ARAM Tournament!
vVv Doomhammer replied to Magicmooch's topic in League of LegendsI'll be honest, I didn't see this update until I got on today to compete. Which is fitting for a Carl. "Oh, hey guys, what's going on? Where is everyone?"
League of Legends World Finals Virtual Pubstomp!
vVv Doomhammer replied to Magicmooch's topic in News & AnnouncementsI'm almost sad I'll be missing this. I mean, I'll get to be at the live event, but I also have to wear pants, so it kind of breaks even.