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Bitez Garden Life Hotel & Suites – All Inclusive - Bodrum
You will be spoilt for choice in terms of dining at this all-inclusive resort as there are 2 restaurants serving breakfast, lunch and dinner where you will find great menu choices and a nice spot to eat during the day. Beach amenities include sun loungers and umbrellas. The on-site spa is the place to be for rest and relaxation, offering a Turkish bath/hammam, a sauna and massages. Spend time lounging by the pool with a cool drink, having a spot of lunch at the restaurant or simply enjoying the beverage selection at the lounge bar before dinner.
This all-inclusive resort is great if you are bringing the kids along as it offers a children's pool and a free children's club (ages 3 - 15). Guests can make use of the free WiFi.
Bitez Garden Life Hotel & Suites – All Inclusive - Bodrum
Hotel Info: 1-877-214-4288from $33
- Family Room
- Standard Room
Also popular with travelers from the USA
At a glance
Key facts
Hotel size
- This hotel has 209 rooms
- This hotel is arranged over 2 floors
- Check-in time 2 PM-Midnight
- Check-out time is Noon
Required at check in
- Credit card or cash deposit required
- Government-issued photo ID required
- Minimum check-in age is 18
Travelling with others
- Free children's club (ages 3 - 15)
- No pets or service animals allowed
- Free WiFi in public areas
- Free WiFi in rooms
- Free self parking
Other information
- All-inclusive
In the hotel
- Children's club (free)
- Free buffet breakfast daily
- 2 restaurants
- Bar/lounge
- Snack bar/deli
- Poolside bar
- Beach sun loungers
- Beach umbrellas
- Children's pool
- Full-service spa
- Billiards or pool table
- 24-hour front desk
- Dry cleaning/laundry service
- Luggage storage
- Accessible bathroom
- In-room accessibility
- Roll-in shower
In the room
- Air conditioning
- Balcony
- Private bathroom
- Shower only
- Hair dryer
- Satellite TV channels
- Desk
- Free WiFi
- Phone
- Refrigerator
- Free bottled water
- Daily housekeeping
- In-room safe
Special features
All inclusive
This resort is all-inclusive. Onsite food and beverages are included in the room price (some restrictions may apply).
Food and beverages
- Buffet and à la carte meals, snacks, and local beverages included
- Gourmet or à la carte dining limited to 1 meal per stay
Kids' club
- Supervised activities for children between 3 and 15 years old
- Onsite entertainment and activities
Not included
- Laundry/dry cleaning services
Guests can indulge in a pampering treatment at the resort's full-service spa. Services include massages. The spa is equipped with a sauna and Turkish bath/hammam.
DiningOnsite venue - This buffet restaurant specializes in international cuisine and serves breakfast, lunch, and dinner.
Onsite venue #2 - This restaurant specializes in seafood and serves dinner only. Reservations are required.
Bitez Garden Life Hotel & Suites – All Inclusive - Bodrum's small print
Optional extras
Safes in guestrooms can be used for EUR 2 per day
We have included all charges provided to us by this hotel. However, charges can vary, for example, based on length of stay or the room you book.


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Action Research: A Missing Component in the Emergence of Social and Cross-Cultural Psychology as a Fully Inter-Connected Global Enterprise
Version of Record online: 26 MAR 2008
DOI: 10.1111/j.1751-9004.2008.00100.x
© 2008 The Authors. Journal Compilation © 2008 Blackwell Publishing Ltd
Social and Personality Psychology Compass
Volume 2, Issue 3, pages 1162–1181, May 2008
Additional Information
How to Cite
Liu, J. H., Ng, S.-h., Gastardo-Conaco, Ma. C. and Wong, D. S. W. (2008), Action Research: A Missing Component in the Emergence of Social and Cross-Cultural Psychology as a Fully Inter-Connected Global Enterprise. Social and Personality Psychology Compass, 2: 1162–1181. doi: 10.1111/j.1751-9004.2008.00100.x
Publication History
- Issue online: 26 MAR 2008
- Version of Record online: 26 MAR 2008
- Social and Personality Psychology Compass 2/3 (2008): 1162–1181, 10.1111/j.1751-9004.2008.00100.x
- Abstract
- Article
- References
- Cited By
Action research, as envisaged by Lewin, uses research to solve a social problem and provide theoretical knowledge. It involves a cyclical–spiral of planning, action, and evaluation with feedback between parties, taking into account power and value differences and empowering change agents. This has been all but abandoned by social psychologists today. Contemporary 'participatory' action research has migrated to fields like education and development and community studies that emphasize a social constructionist epistemology with a qualitative approach of recording bottom-up processes of social change and community self-awareness. The globalization of psychology affords new opportunities for a return to more top-down Lewinian traditions, where academics in the developing world – embedded within a cultural milieu of interconnectedness and relatively exempt from pressures to publish or perish – can work together with academics in wealthy countries to produce a process oriented psychology that is capable of making a difference under conditions of climate change and the end of cheap oil. Asian social psychology, where strongly indigenous psychologies have taken root in growing economies, may take a leading role in this movement.

subset: commoncrawl


text:
3 Reviews
I am a long time low carber and this is a staple for me. I cook it in a deep pizza pan and cut it up like a pizza and wrap up individual slices for lunches and snacks. It really feeds my pizza jones!
This wowed us. I do like quiche usually but this didn't have that distinct eggy texture of quiches and I think that was a pleasant change. I'm not sure if it's because I used egg-beaters instead of eggs or if it was the various cheeses that changed the texture. We loved it. It's one of those recipes that we want to try with different non-pizza toppings to see if it's good as a standard quiche, but then we're torn because we want to make it again exactly as is too!
Delicious! This easy to follow recipe was a hit with my family. I used a cup of mushrooms and a cup of cooked sausage for toppings. My youngest thought eggs and tomato sauce were a weird combination, but that didn't stop her from eating it all up. A keeper for sure.


text:
Marx Barbecue
0  Reviews
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A rifle is used to shoot twice at a target using identicalcartridges. The first time, it is aimed parallel to the ground anddirectly at the center of the bull's eye. The bullet strikes thetarget at a distance of HA below the center,however. The second time, the rifle is similarly aimed, but from1.88 times the distance from the target. This time the bulletstrikes the target at a distance of HB belowthe center. Find the ratioHB/HA.
I really have no idea where to start? All I think I knowis that Hb would incorporate 1.88x? Can anyonewalk me through the steps? would be greatly appreciated!thanks :)


text: So I'm giving up my old-school JanSport backpack for a messenger bag. Pretty set on the Chrome Metro, but I have one question... left or right shoulder? I've never even really swung anything around me while on a bike, but my guessing is that if you are right handed, you generally get a left shoulder bag... and if you are left handed, you generally get a right shoulder bag. Is this correct?


text: Severe weather has been quite different this year compared to 2011. By the end of April the United States had been hit by 630 tornadoes. That compares to just over 1,000 at the same time in 2011. There are at least a few reasons for the difference. First, Pacific Ocean temperatures appear to be changing from a La Nina to El Nino. Second, the clash between hot and cold air has not been as great during this spring season as temperatures remained milder than average in our area. Third, the jet stream has been further north this year compared to last year. A near normal season is expected through the end of this month. Tornado season usually diminishes across our area by late May and June.


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Guest reviews
Recent Reviews
- All reviews
- Positive
- Neutral
- Negative
Wireless internet access, a restaurant, a bar and a conference room are available to guests. Guests arriving in their own vehicles can park in the car park. All accommodation units feature air conditioning and a bathroom. Features include a safe, a telephone and a TV. In each of the bathrooms, guests will find a shower, a bathtub and a hairdryer. A gym is among the leisure options available to guests. Copyright GIATA 2004 - 2016.


text:
MEB Faculty
John HeidelbergAssociate Professor of Biological Sciences
Section Head
Contact Information
E-mail: firstname.lastname@example.com
Phone: (213) 740-5791
Office: AHF 209D
Curriculum Vitae
- B.A. Biology, Maryville College, 1987
- Ph.D. Marine-Estuarine-Environmental Sciences, University of Maryland, 1997
- Senior Editor, The ISME Journal: Multidisciplinary Journal of Microbial Ecology, 08/10/2006-
Description of Research
Summary Statement of Research Interests
Dr. John Heidelberg's research interests are the field of microbial genomics. Specifically, he is studying the metabolic potential of the common and abundant marine bacteria by sequencing these organisms' DNA. Because we are unable to bring the vast majority of bacteria into a pure culture, we are unable to use more common microbiological techniques to study these uncultured bacteria. Therefore, Dr. Heidelberg employs on of the newest DNA sequencers to look at the genomes of these bacteria without the need of first growing the bacteria in pure culture.
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Service to the Profession
Editorships and Editorial Boards
- Department of Biological Sciences
- University of Southern California
- Allan Hancock Foundation Building
- Los Angeles, CA 90089-0371
- Phone: (213) 740 - 1109
- Email: email@example.com


text:
This is just lovely!! Can you post the params for this? Thnx
Love it!!! )
very nice
It looks more like 11:45pm to me . Hope you sent a bunch of these to Patty, for her birthday . -->
a masterful piece of art. very beautiful
Great one!
Stunning work.
beautiful gift
So beautiful to look at, awesome work Susanne.
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what a lovely gift... its bloody red so I'm sure she will love it!


text:
"BUNDANOON … Brigadoon??" Bundanoon by tiabunna
Bundanoon Travel Guide: 30 reviews and 83 photos
Bundanoon is easy to find, it's about half way between Canberra and Sydney, just east of the Hume Highway, tucked away in the hills of the Southern Highlands. It's been a favourite weekend escape for Sydneysiders for over a century: particularly in pre-WW2 days, when travel was mainly by train and accommodation in guest houses. It seems that the village subsequently went into something of a decline for some years, but the area now has regained popularity as a day trip destination by road and as a relaxed residential area in a leafy rural setting.
We were simply passing through on our way to Kangaroo Valley, so this page gives only a quick snapshot. What has attracted visitors over the years is not just the pleasant feeling of the town, but the relative coolness of the Highlands and the natural attractions, in particular the nearby National Parks. In recent years the "Highlands" theme has been followed as a basis to hold Australia's largest annual gathering of Scottish Clans. And many Australians can lay claim to at least one Scottish ancestor!
- In a nutshell:A pleasant little Southern Highlands hideaway
Reviews (5)
We had not walked far from the Fitzroy Falls when there was an unmistakable sound: a sort of metallic ratcheting,... more travel advice
Fitzroy Falls are one of the main attractions in the Morton National Park and also a the site of a major office of the... more travel advice
Bundanoon is almost on the edge of the Morton National Park, though we didn't visit the area closest to the town . It... more travel advice
Photo 1: Soldiers Memorial Hall Photo 2: The Bundanoon Community Quilt Photo 3: Main street, Bundanoon Photo 4: Sign at... more travel advice
Comments (15)
The Fitzroy falls are spectacular, they would be amazing with a lot of water going over! Its a very scenic spot going by your photos.
lovely page - we used to live really close to here and i have had many a coffee in the bicycle shop (once I also bought a bicycle there) - so they had fires too in Feb!
OW!!! I forgot I had been to Fitzroy falls and Bundanoon will have to sort some pics out..Thanks for reminding me George.
Another great page, George. LOL! You DO love your coffee! The Lyre Bird photo is magic. I am making a list for when Dad visits.Bundanoon is on it. Thanks
Little old towns like Bundanoon are always fun to explore - you never know what sort of quirky things you might come across! Morton NP has some wonderful scenes and your Lyrebird sighting was an extra bonus!
Nice to see where Wal lives and you make it sound so much more exciting than he does :))
We always follow you on beautiful unbeaten paths, George, and on top of that a lyrebird! Merci.
hi nice to come travellg around yr side of the world as u seem to enjoy doing the same this way!miss my driving around the Aussie sites!but nice to see yr lovely pics.flew over here once in an open back airforce plane &2 yrs ago flying back from Sydney...
Very picturesque Fitzroy Falls!The Morton National Park seems to be so attractive for a trip. And you were happy to see it! Brilliant shot of a lyrebird. Thanks George for the virtual tour!
I love the no horse photo! It is great to have a live recital by a lyrebird!
tiabunna's Related Pages
Bundanoon Travel Guide
Member Travel Pages
- "Bundanoon"
- "BUNDANOON … Brigadoon??"
- "My Home Bundanoon NSW"
- "Dear old Bundy"
- "Sleepy, out of the world time town"
- "Relax at Solar Springs"
- See All...
"Do it while you can"
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Have you been to Bundanoon?Share Your Travels
Latest Activity in Bundanoon
- Posted in Travel Antarctica Forum "Re: AM I CRAZY?"
- Wrote a Review Find a lyrebird in Bundanoon Off The Beaten Path
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- Commented on one of Adagio1's Bundanoon travel pages
Photos in BundanoonSee All Photos (18)
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text:
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Am i right in remembering this was the same corner Bautista came into contact with Stoner? That time Bautista was on the inside and he didn't see Stoner either!


text:
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Is Dr. Wolk accepting new patients?
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What insurance does she accept?*
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text:
For installing GD graph prerequisite libraries are needed libgd-graph-perl and can be install from sudo apt-get install libgd-graph-perl and sudo cpan -i GD::Graph.
But when i try to install on machine without root its not install as no access. can any one guide how to install. Waisted whole day on this.


text: You need to use a commercial potting mix. Miracle Gro has a good brand, as does Fafard. And, in many cases the potting mix already has plant food mixed in so all you need to do is pour it into the pot and plant it. You can buy potting soil like this at any garden center or Wal-Mart, Lowes, or Home Depot. Just be sure to use a large container if you plan on growing larger veggies such as tomatoes. And, be sure the pots you use have drainage holes and that you have a sunny spot to set them in. Vegetables need at least 8 hours of sun a day.


text:
A scholarship is financial aid that does not need to be repaid. Total aid awarded in loans, grants, and scholarships may not exceed a student's total Cost of Attendance.
Private Scholarships
Scholarships Applicable to All GSEP Students
Students are encouraged to seek scholarships from private organizations. Some examples are:
- Gates Millenium Scholars Program Scholarships are available to continuing Gates Millennium Scholars in the area of education to help fund the cost of education by covering unmet need and self-help aid. Application deadline is January 13, 2016.
- Hispanic Scholarship Fund Multiple scholarship programs are available with different requirements. All applicants must be a U.S. citizen, legal permanent resident, or an eligible non-citizen and pursuing a first graduate degree. See website for application timelines and deadlines.
- Scholarship Foundation of Santa Barbara Scholarships are available to eligible graduate students based on financial need, potential, and motivation. Scholarship awards range from $500 to $5,000 per academic year. In order to be eligible, students must be a U.S. citizen or permanent resident and must have attended at least four of the six years between grades 7-12 at a Santa Barbara County school. The application deadline for the 2016-2017 academic year is January 31, 2016.
- JVS Scholarship Program Jewish Vocational Service offers scholarships to Jewish students who are permanent residents of Los Angeles County and have financial need. Applicants must be a U.S. citizen or permanent resident. The online application for the 2016-2017 academic year opens January 15, 2016 and closes on March 31, 2016.
- National Council of Jewish Women/Los Angeles (NCJW/LA) This organization provides scholarships to those who live and attend school in the Greater Los Angeles area. The selection of recipients is based on merit without bias in regard to race, ethnicity, religion, age, or national origin. The scholarships range from $1,000 to $2,000. Applications are accepted February 1, 2016 through May 1, 2016 for the first cycle of awards. Applications for the second cycle are accepted from August 1, 2016 through November 1, 2016.
- 200 Free Scholarships for Minorities This free scholarship list is created by Black Excel with over 1,000 scholarships. Most are awarded on an annual basis.
MFT students:
- CAMFT Educational Scholarships California Association of Marriage and Family Therapists Educational Foundation offers several scholarships for members of CAMFT. The application deadline is December 31, 2015.
- Future Counselors of America Scholarship Annual scholarship awards of $1,000 to those majoring in psychology and who seek a career in relationship counseling or a related field. Applicants are selected based on academic achievement and a 500 to 900 word essay. The application deadline is June 30, annually.
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- APA Scholarships, Grants, & Awards American Psychological Association and its affiliate organizations provides a wide range of grants and scholarships. Use this website to search for relevant awards.
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- Psi Chi Awards & Grant Psi Chi sponsors a wide variety of awards and grants each year for graduate psychology students who are members of Psi Chi. Please visit the Psi Chi website for application deadlines and other eligibility requirements. For information on the Psi Chi Student Group click here.
- Future Counselors of America Scholarship Annual scholarship awards of $1,000 to those majoring in psychology and who seek a career in relationship counseling or a related field. Applicants are selected based on academic achievement and a 500 to 900 word essay. The application deadline is June 30, annually.
PsyD students:
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Educational Administrators:
- AASA Educational Administration Scholarship Award American Association of School Administrators created these scholarships to support outstanding graduate students in school administration who intend to go into superintendency. Scholarships awards are $2,500. Application deadline is October 15, 2015.
Teacher Preparation students:
- Toshiba America Foundation Grants Education grants are provided to elementary and secondary school classroom teachers, grades K-12, with a focus on math and science. Grant amounts range from about $1,000 - $5,000+.
- CABE Teachership Award The California Association for Bilingual Education Teachership Program awards $2,000 scholarships to graduate students seeking a career in pursuing their bilingual teaching credential. Students must be nominated by a CABE chapter, region representative, or individual nominator. Two recipients are selected in each region.
Dissertation students:
- AAUW Dissertation Fellowship American Association of University Women offers support to outstanding women committed to improving their schools and communities through their research studies. Candidates must be U.S. citizens or permanent residents. Open to applicants in all fields of study. Please visit the website for all fellowships and grants available.
- AERA Dissertation Grant The American Educational Research Association, along with funding from the National Science Foundation (NSF), offers a grant program that supports research projects that are quantitative in nature and is available to support doctoral students in dissertation. Awards are $20,000 for one year and are not renewable. Applicants may be U.S. citizens, U.S. permanent residents, or non-U.S. citizens. The application deadline is January 2016.
- AERA Minority Dissertation Fellowship The American Educational Research Association offers this program for members of racial and ethnic groups historically underrepresented in higher education who are in dissertation. A one-year stipend of $19,000 and up to $1,000 in travel support is awarded beginning July 1 or later and is nonrenewable. Applicants must be U.S. citizens or U.S. permanent residents. The application deadline for the 2016-2017 competition is November 2, 2015.
- APA Dissertation Research Award The purpose of the American Psychological Association Science Directorate award program is to assist science-oriented doctoral students of psychology with research costs. Awards may be up to $5,000. Application deadline is September 15, 2016.
- NAEd Spencer Dissertation Fellowship The Spencer Foundation provides fellowships to doctoral students who are in dissertation in the field of education. Applicants do not need to be U.S. citizens. Application deadline for the 2015 program is due October 1, 2015. Fellowships must begin during the 2015-2016 academic year and fellows will receive up to $25,000 for one academic year.
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Pepperdine Scholarships
We offer an extensive list of scholarships from endowed, non-endowed, and University funds.
Awards are made based on a variety of criteria, including academic merit, financial need, specific academic programs, and the promotion of cultural diversity at the school. Recipients typically receive between $1,000 and $4,000 for one academic year. Scholarships are generally awarded at the start of the academic year and students must be enrolled full-time (6 units each term) in order to remain eligible.
No Application Required
Pepperdine scholarships do not require a separate application (with the exception of a select few which are listed under the Application Required section). All newly admitted students are considered for these scholarships as part of the application review process. Thus, there is no need to contact the Financial Aid Office regarding your eligibility. These scholarships are for first year students only and therefore are not renewable.
Students who apply for financial aid are considered for the following scholarships:Benjamin M. Bendat Endowed Scholarship
Chester H. McCall Endowed Scholarship
Chiang Kai-Shek Scholarship
Diversity Scholarship
Earl V. Pullias Endowed Scholarship
EdD Organizational Leadership Faculty Scholarship
Evelyn B. Blake Endowed Scholarship
Glen and Gloria Holden Scholarship
Joseph Chung Endowed Scholarship
Karen L. Olson Psychology Scholarship
MA in Social Entrepreneurship and Change Scholarship
Mattie Chissell Memorial Scholarship
Michael Y.F. Chau Scholarship
Olaf H. Tegner Endowed Scholarship
Pat Lucas Endowed Scholarship
Paull Scholarship
PsyD Contribution to Diversity Scholarship
Randy Clark Endowed Scholarship
Yvonne Henin and Sadek Ayoub Scholarship
Application RequiredThe scholarships listed below require separate applications. Please review the scholarships for information regarding eligibility criteria, as well as who to contact with questions.
Associated Women for Pepperdine (AWP) Scholarship
Eligibility Criteria:
- Must be a member in good standing of the Church of Christ (the International Church of Christ does not count).
- Recipients are selected on the basis of financial need, merit, character, and church membership.
Application Process:
- Eligible students will be invited to apply mid-June.
- First time applicants must submit a personal statement of church involvement and a letter of recommendation from an elder, deacon, or minister.
- Current AWP scholarship recipients are required to submit a personal statement describing how they have continued to contribute to their church community.
- Application must be submitted to the Financial Aid Office.
- Application deadline is July 15th.
Who to contact for additional information:
GSEP Financial Aid Office
Phone: 310.568.5775
Email: firstname.lastname@example.com
Community Leadership Scholarship
Eligibility Criteria:
- Must demonstrate financial need and academic achievement.
- Must be an aspiring leader and active community member.
Application Process:
- Must submit a personal statement and a letter of recommendation.
- Application must be submitted to the Financial Aid Office.
- Application deadline is July 15th.
Who to contact for additional information:
GSEP Financial Aid Office
Phone: 310.568.5775
Email: firstname.lastname@example.com
L.A. Sherriffs Department University Partnership
Eligibility Criteria:
- LASD University students and their qualifying spouse and children (must apply to the program by age 25) as well as city, county, state and federal employees.
- Employees must be in good standing.
- A completed employment verification form must be submitted to GSEP Financial Aid Office each term.
Application Process:
- Eligible students must submit an employment verification form to receive the discount before or during the term.
- Verification forms can be obtained by contacting the Financial Aid Office.
- Discount cannot be applied to previous terms.
- Please visit https://gsep.pepperdine.edu/admission/lasdu-partnership/for more information.
Who to contact for additional information:
GSEP Financial Aid Office
Phone: 310.568.5775
Email: email@example.com
Marco Garcia Memorial Fellowship
Eligibility Criteria:
- Must be enrolled full time in a psychology program
- Must be Mexican or Mexican-American
Application Process:
- Eligible students will be invited to apply in August
- Applicant must be enrolled for the subsequent spring trimester as the funding is awarded in the spring term
- Must submit a three-page essay and one letter of recommendation from a Pepperdine University faculty member or clinical supervisor
- Application must be submitted to Kerri Heath
- Application deadline is September 15th.
Who to contact for additional information:
Kerri Heath, Senior Advancement Officer
Phone: 310.258.2880
Email: email@example.com
City Year University Partnerships Program
Eligibility Criteria:
- Must be a City Year corps member, alum, or staff
- Maximum of two awards per year
Application Process:
- To get the application fee waived and to be considered for the scholarship, a service verification letter must be requested by emailing firstname.lastname@example.com with "Pepperdine GSEP" in the subject line. Within the email, include the site where you served and your corps graduation month and year. This letter will be sent electronically by City Year to GSEP's Admissions Office and added to your applicant file.
- You are also required to contact the Admissions Office. Please state that you served with City Year and reference our partnership.
- Please visit the City Year Alumni website for more information
Who to contact for additional information:
Barbara Moore, Director of Recruitment and Admissions
Phone: 310.568.5744
Email: email@example.com
Urban Fellows Grant
Eligibility Criteria:
- Psychology and education students doing practicum or clinical experience in an underserved community
Application Process:
- Application and personal statement required
Who to contact for additional information:
- Psychology: Rebecca Reed, MA, Clinical Training Coordinator
Phone: 310.568.5776
Email: email@example.com
- Education: Dr. Collatos, Associate Professor
Phone: 310.568.5671
Email: email@example.com
The Endowed GSEP Fellows Fund
Eligibility Criteria:
- Must be an African American male matriculating in the PhD in Global Leadership and Change program.
- Must demonstrate a strong commitment to Christian values and be actively engaged in both the church and the broader community.
- Scholarship recipients must agree to complete a technology/leadership project in collaboration with a GSEP approved local or global partner before the end of the academic year in which the fellowship is awarded.
Application Process:
- Must submit an essay (approximately 300 words) addressing involvement in and contributions to the church and the broader community. It should address experience with technology and propose a planned technology/leadership project.
- Must submit two letters of recommendation from either a church or community leader
Dr. Helen Easterling Williams, Dean and Professor of Education, GSEP
Phone: 310.568.5616
Email: email@example.com
The GSEP Endowed Faith/Missions Fellowship
Eligibility Criteria:
- Must be an African American, American Indian/Alaska Native, Asian Pacific Islander American or Hispanic American student matriculating in a GSEP doctorate program that focuses on technology and/or leadership.
- Must demonstrate a strong commitment to Christian values and be actively engaged in both the church and the broader community.
- Scholarship recipients must agree to complete a technology/leadership project in collaboration with a GSEP approved local or global partner before the end of the academic year in which the fellowship is awarded.
Application Process:
- Must submit an essay (approximately 300 words) addressing involvement in and contributions to the church and the broader community. It should explain the student's global mindset and delineate the planned global leadership project.
- Must submit two letters of recommendation from either a church or community leader
Who to contact for additional information:
Dr. Helen Easterling Williams, Dean and Professor of Education, GSEP
Phone: 310.568.5616


text:
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Sarah Lawrence College and The Untermyer Performing Arts Council (UPAC) will present a performance of the Chinese Dance Company of New York on Saturday, August 6th at 7:30 pm in the College's Reisinger Concert Hall. The performance is free of charge and open to the public. Seating is limited.
Founded in 1973, the Manhattan-based Chinese Dance Company of New York is in residence at the Chinese Cultural Center in New York's Chinatown. Led by Artistic Director Mr. Qi Jiang, the company performs each year at over 500 events and reaches an audience of over 180,000 people with its repertoire of traditional and contemporary folk and classical dances.
The Company's dancers and musicians include internationally recognized artists from performance stages and academies throughout mainland China, Taiwan and the United States, who present their work in Chinese dance and Peking Opera styles.
The performance, a UPAC on the Road presentation, is part of this summer's theme "Around the World in 90 Days." It is the Council's second collaboration with Sarah Lawrence College.
For further information, call the UPAC Arts Line at (914) 375-3435 or visit UPAC's Web site.


text:
Audio with Steve Hanson, Federation Chairman -
Thursday, March 03, 2016
Steve Hanson, a beef producer from Elsie, Neb., was elected chairman of the Federation of State Beef Councils at the recent 2016 Cattle Industry Convention in San Diego. In that role he will serve as vice chair of the Beef Promotion Operating Commit
(full story)
Audio with Nancy Jo Bateman, Executive Director North Dakota Beef Commission -
Thursday, October 15, 2015
Audio with Nancy Jo Bateman, Executive Director North Dakota Beef Commission More than 70 staff members from state beef councils across the country joined the Federation of State Beef Councils in Denver, Colo. this week for the Federation&rsquo
(full story)
Federation information on this page funded by the Beef Checkoff.
For more information about the Federation of State Beef Councils contact our staff:
Todd Johnson
Senior Vice President
Federation Services
Email Todd
Walt Barnhart
Director of Federation Communications
Email Walt
...taking care of our needs while we are out in the fields taking care of our animals and our land."
Become a Member
© Copyright 2016 National Cattlemen's Beef Association


text:
The University Writing Center (UWC) provides writing support through multiple means to all members of the EMU community—undergraduate and graduate students, international students, post-baccalaureate students and faculty.
Click here to learn about the services offered by the UWC, such as one-to-one consulting, online writing consulting for select programs, and workshops.
The UWC main location will be open for the Summer 2016 term Monday, May 9, through Wednesday, June 22.
M-Th 9 am - 3 pm
F Closed
Please click on the link below for UWC satellite hours and locations.
Ypsilanti, MI, USA 48197


text: Hey guys, recently I started facing this very irritating issue in my Windows XP Service Pack 3 (SP3) running system. I have been using HP C4580 Photosmart Printer. Recently, some kind of compatibility issues started occurring with the HP Solution Center and the adobe Flash Player which is installed in my system. I am unable to understand but some kind of bug is creating the issue between both the applications. Please help me solve the issue and get rid of it as soon as possible.


text:
Class 3 District 6 at Hermann-Semifinals...
Montgomery County 79 Winfield 75
South Callaway 64 O'Fallon Christian 54
The Cardinals will hold their final full-squad workout today in Florida before the start of exhibition play. The Redbirds kick off Grapefruit League... more
Cardinals pitcher Jaime Garcia is returning to Cardinals' camp in Florida today after receiving a cortisone shot in his left shoulder. Doctors found no... more
Jannik Hansen scored the game-winner midway through the third period as the Canucks clipped the Blues 1-0 in Vancouver. Jaroslav Halak stopped 34 shots in net for the losing side. St.
Saint Louis is at home tonight against Duquesne. The eighth-ranked Billikens have won 19 straight to improve to 25-and-2 overall and 12-and-0 in the Atlantic 10.
Class 2 District 4 Semifinals...
Class 2 District 4 Tournament at New Haven-Semifinals...
Cardinals Hall of Famer Ozzie Smith and Budweiser are pushing the federal government to make Opening Day a national holiday.
The Cardinals are planning to be without reliever Jason Motte for Opening Day. The right-hander says it would be a "push" or him to be ready on his current... more
The Blues open up the second half of the NHL season tonight in Vancouver against the Canucks. St.
The KLPW Radio Athlete of the Week is Sophomore Lauren Gerlemann from New Haven High School.
Back in their days, Presidents Theodore Roosevelt and William Howard Taft were known for trust-busting. In an era of price-fixing, crony capitalism and corruption their actions helped to create more opportunities in the marketplace by creating competition.
Our nation's founders were well versed in the lessons of the history that preceded them. They knew of power's natural tendency to escalate into greater power.
So they included the Bill of Rights, based on the notion of individual self-determination.


text:
Anime North CM Location!Journal Entry: Sat May 11, 2013, 11:52 AM
Hey guys!
This year I'll be at A02!
... I'll be right by the dealers room and Pro Plaza! I'll be selling the usual keychains, buttons and prints... and doing copic commissions all through the weekend!
Come visit me! I'll be lonely and need someone to talk to...
I'll be doing print trades on Sunday! So come by and viiiiiissssiiit!
See you guys then~
©2009 Kjherstin
- Listening to: Taetiseo - Twinkle
- Watching: Fairy Tail
Anime North CM Location! by 5ammayWatch
©2013-2016 5ammay
Somehow once again I have forgotten necessary non-art things... Do you have any extra plastic bags and keychain rings/ charm chains that I can pay you for >__<?
im on c08.. so far from the people i know.. XD i'll see u there but first.. i'll see u next wednesday..? may 22 for printing right..?
I'll VISIT YOUU
and omg you are on the other side of where i'm sitting... >__________>
I'm in E04 :3
and omg you are on the other side of where i'm sitting... >__________>
I'm in E04 :3


text:
Lets take a look at the many video-game-to-film failures:
Final Fantasy: The Spirits Within (2001) - With nearly a $140 million budget, the movie was a massive flop, earning a paltry $32 million. Not only did it suck, but it caused the studio to lose over a $100 million. Nuff' said.
-Doom (2001): Another massive flop, finishing with a $-62 million. You have to be special to screw up a plot this simple.
-House of the Dead (1996): One of the worst movies I've ever seen and also in the 100 worst movies of all time on imdb.com. Directed by Uwe Boll, a modern day Ed Wood, it barely made its $12 million budget back.
-Wing Commander (1999): A movie that takes in place in space with massive dogfights starring Matthew Lillard and Freddie Prinze Jr.? Wow. It finished with $-25 million.
-Alone in the Dark (2005): Another Uwe Boll piece of shit. It was one of the lowest grossing movies of 2005, barely earning $5 million and finishing $15 million in the negative. If Christian Slater ever wants to get back in the game, he should stop doing movies like this.


text:
Call our certified SCUBA Instructors
Mon - Sat - 8AM - 6PM PST
I purchased the DG02 because I liked the simplicity and ability to switch to gauge mode to use as a bottom timer. Dive 1 (80) was uneventful, however during the SI, the computer seemed to fall into some sort of demo mode. I had an air computer as backup and dove tables for my second dive with Eanx 32. At about 20 feet, the DG02 kicked back to dive mode, but then started to shut down as the readout became vague, eventually going blank. Although I completed the dive safely, the computer never turned on again. Scuba.com was prudent in refunding me once I sent the unit back.
Was this review helpful? Yes No
6 out of 14 people found this review helpful.
Strong and durable. Many uses.
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13 out of 24 people found this review helpful.
Goes on slick, stays put.
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9 out of 16 people found this review helpful.


text:
- 70Promote
Phone Cases
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Protect your iPhone with a one-piece, impact resistant, flexible plastic hard case featuring an extremely slim profile. Simply snap the case onto your iPhone for solid protection and direct access to all device features.
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This review is from: HDMI Male to Female Right Angle 90 Degree Adapter Cable Connector Coupler HDTV
Pros: Works as advertised and relieves strain put on hdmi cable coming out the back of an htpc build. Seems well constructed, and makes solid positive contact for holding itself and cables in place.
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text:
Tales from the Archive
Broadway blocking scripts and sheet music with handwritten notes! Original playbills and reviews for thousands of New York productions from the 1960s-1990s! Costume photos and production stills from famous downtown drag performances!
- Busch, Charles, Interview by Richard Niles, n.p., 10 February 1990, Niles/Busch Coll. #6, Box 7, Folder 57.Led by Richard Niles, this interview with Charles Busch examines Busch's career performing female roles. Within the text, Busch discusses the ways in which he chooses costumes, develops storylines, and adheres to ritual. This in-depth, but short, interview considers Busch's methods of interchanging between genders quickly and competently. Charles Busch identifies the ease he finds in this transition. Intriguingly, in this interview, Busch deepens the distinction between himself and "drag queens" of the same era. Furthermore, he discusses why he is unable to utilize many of the same theatrical devices as his contenders because his audiences "believe" him as a woman, fully and genuinely. Alongside this, Charles Busch considers how his costuming dictates his characters. From there, he will begin to develop a story after a costume has already been developed.
With no more than general knowledge of Charles Busch, I was quickly entranced by his interviews. The way the man speaks of his craft is fascinating. He discusses and pioneers many of his own techniques for playing women. It was enlightening to observe how he develops stories around his characters so that they may exist more genuinely. Furthermore, it was fascinating how Charles captured his audiences as a believable woman rather than a parody or farce. Charles Busch cites influences from melodrama like Sarah Bernhardt and former cross-dressing actors. He etches out his place amongst these other artists with his own unique and complicated style. While reading the interview, alongside viewing photos from the archive, Charles Busch was brought to life in his words. –Jimmy Mura
- Program for Ghosts, London and Stratford-Upon-Avon, May 31, 1993-July 24, 1994, MMC Collection #1, Box 58, Folder 1933.Ghosts by Henrik Ibsen is regarded as one of the most important pieces of dramatic literature to date. This particular production was conceived by the Royal Shakespeare Company in the mid 1990s, and I loved the way the program was designed. Unlike Playbills as we are used to them on Broadway, there are no advertisements or fluff to fill pages. It's a simple folded flap giving the history of the playwright, the production history, and the history of the play itself along with the usual cast list and bios. Having a playbill from a production is special because there is a sense of being there when the event occurred; that this was not simply a production that was deemed significant by other people's reviews of it. But this play is significant because Mr. Harris or someone close to him saw this production and knew it was important. The amount of reviews of this production that accompany this program testify to its significance, even if 20 plus years later it's a widely forgotten production, especially given that it was produced by a company as renowned as the Royal Shakespeare Company. –Emma Bilderback
- Review on Importance of Being Earnest, New York, MMC Coll. #1, Box 148, Folder 4372.I was researching Oscar Wilde initially as a very broad topic. I honed in onto this article because it mentioned homosexuality as an important factor relating not only to Oscar Wilde and his works but also the society around him. I had known of Oscar Wilde's sexuality but had only associated it with his private, personal life. The author of this article, Julius Novick however, declares a different perspective, one that states that Oscar Wilde in fact invented the concept of homosexuality as we know it today. Novick interestingly enough critiques human nature before he actually reviews the show, paying homage to Wilde who counter attacked society's distaste for anything different by flaunting his dandyism, frivolity, and impudence, those qualities being the resulted symbols of a new subculture. The archive allowed a glimpse into a social shift with Wilde as the catalyzer, something textbooks would either fail to mention or gloss over, and gives an explanation to the stereotypes of a specific community whether good or bad in the eyes of society.
- Walter Kerr, "Stage View: 'No Joan Can Ever Outplay Shaw's Ideas'" The New York Times (January 1, 1978), MMC Coll.#1, Box 130, Folder Labeled Shaw, Bernard: Saint Joan.
In this theatrical review of Bernard Shaw's Saint Joan at the Circle in the Square Theatre, Kerr attempts to break apart the reasons behind the fascination of playing Joan of Arc, and explain its faults in the eyes of an actor, the audience, and Shaw. The author uses Lynn Redgrave and her performance, who was currently playing Joan of Arc at Circle in the Square, as an example of one of many actresses who "make good tries" at the part. Kerr explains that the best way she has done this is by ignoring Shaw's directions of the lines at times. Kerr goes into detail about the flaws and virtues of Joan's character that are written in the play, and included in the Circle's production. He explains that the other parts in Saint Joan will only come across if done the way Shaw wrote them, otherwise they will not give Joan anything to work off of. The author gives a good, and in-depth review of the story and the performance. However, he stands strong in the flaws made by the actors, and made by Bernard Shaw in the writing of the play. –Reanna Bell
- Anthony Tommasini, "A Composer's Death Echoes in His Musical," New York Times (February 11, 1996), MMC Coll. #1, Box 67, Folder labeled Jonathan Larson, New York City, 1996.Jonathan Larson is such an interesting person himself to learn about, but when you add his hit musical Rent you hit this high, something that you wouldn't have thought of. If you're a musical theatre person you know the music from Rent and you might even know some of the backstory, but for someone who doesn't this newspaper article by Anthony Tommasini introduces this side that is not known by many. This article goes deep into Larson's personal life and how it came to form one of the biggest musicals of that decade. Readers learn that Larson first saw La Boheme, the opera that Rent is loosely based on, when he was a child and that is what started his creative thoughts in motion. It was also interesting to see that Larson specifically made an attempt to thank his mentors, in particular Stephen Sondheim who helped him obtain a grant that put Rent into a theatre. From reading this article my ideas about researching theatre history have changed drastically. I now see the importance of primary sources and getting information from the people who knew Larson the best. Tommasini was able to take interviews that occurred before Larson's death and create a more interesting article where he was able to gain information from people like Stephen Sondheim as well as the director of Rent. –Lizzie Jaspan
- "Gay but not Good," The Soho Weekly News, (April 8, 1976), 31, 35. MMC, Coll. #001A, Box 1, Folder 35. The William Harris Papers. Marymount Manhattan College."Gay but not Good" is a review written by William Harris on the two plays, Joe Orton's What the Butler Saw and Frank Hogan and Walter Kurban's The Soft-core Kid. They are both farces but Harris finds Orton's play to be far superior than the other. I was interested in the way Harris described the use of farce. I can see where it would be a particularly useful device when writing about homosexuality in a time that it was not as widely accepted in the U.S. but in a city that was the center of gay culture. Harris writes that "farce illustrates, through its hysteria and velocity, the anarchy underlying a well-ordered society and our existence." The taboo subject matter is written in a comedic way but informs the audience that it does exist. Harris writes of the lack of communication, mistaken identity and misunderstandings that are key in farce plays. It seems all too appropriate because these are most likely experiences members of the gay community had in everyday life. It is a reminder that theatrical devices were developed and used with a purpose.–Keira McGill
- Soloski, A. "Holly Hughes's Supreme Challenge: Independence Day," Village Voice (May 16, 2000), p. 77. Marymount Manhattan College, Coll. #1, Box 57, Folder 1910.This Village Voice review of Holly Hughes's Preaching to the Perverted was quite motivating and insightful. Hughes was one of four to sue the NEA for its decency clause that infringed the First Amendment, a case that first won but not in the Supreme Court decision. Despite her fame of being a witty and comical performance artist, Hughes took this one-woman show as an opportunity to avoid self-pity on the NEA case. Alexis Soloski, claims that this intention was not clearly executed, saying, "but Hughes falters when she veers away from this kicky, ironic tone and adopts a more somber, pedantic one…Perhaps Hughes ought to try another flavor." She continues with Lois Weaver's unnatural directing choices, which did not help the show. This article was refreshing because Soloski mentions several standpoints, shedding both negative and positive light while still trying to understand Hughes's viewpoint within the context. Critics were often quick to diminish Hughes's radical and sexual performance work, but this review made it clear to comment on theatrical and audience driven components. –Michelle Rivera-Correa
- Nightingale, Benedict New York Times Stage View article on Samuel Beckett, February 26, 1984, MMC Coll. #1, Box 18, Folder 364.After watching a short clip of "Not I", an experimental play written by Samuel Beckett in 1972, I decided to look into experimental theater while browsing through the archives. Samuel Beckett had an average sized folder that apparently is not fussed with often. I was glad to dust off the cobwebs of an article that would reveal to me three collaborations Beckett had with Billie Whitelaw that I had not previously heard of. Billie Whitelaw was the woman whose incredibly active lips were the fast-moving focus of "Not I". My attention was drawn to the Whitelaw Beckett collaboration, but that was not the only information provided by the author, Benedict Nightingale. Nightingale wrote the article in 1984, and admits that when he was invited to see the world premiere of Beckett's "Breath" in 1969, he declined and stayed home to watch a movie instead. Fifteen years later he is writing a "Stage View" of how he is just beginning to discover this peculiar playwright. He closes the article stating: " Seeing the best of Beckett's later work is like opening a door a crack, and finding a universe bleakly unfurled beyond" (5). One of the most fascinating aspects of any playwright's career is who they are able to win over with their works and how long it takes them to do so-sometimes months/sometimes years. The theater truly is a constant and it never stops changing.–Sarah Cetrulo
- Playbill for Guys & Dolls, Cape Cod Melody Tent, n.d., MMC Coll. #004, Box 007; Folder 56. Martin Papers. Marymount Manhattan College.
This is a playbill from a production of Guys & Dolls that was choreographed by George and Ethel Martin. Unlike modern day programs, it seemed to lack advertisements as well as a list of supporters. Furthermore, one of the pages had the lyrics to some of the songs which is something I have never before seen in a playbill. Something I really appreciated was the fact that not only were the performers showcased with short biographies and headshots within the playbill, but also the creative directors which of course included a short descripton about the Martins. It got me thinking about how much less the creative minds of an operation are spotlighted for their hard work nowadays. On a very surface level and pertaining to my research of the Martins, it gave me a picture of what they looked like which also helped me understand the sort of standards that were placed on looks at the time and also knowing what they looked like gave me more of a connection to researching in general! –Myranda Lowe
- Newspaper Advertisement Clipping, Cabaret. MMC Harris Papers Coll #1, Box 43, Folder 1358. Fosse, Bob. The New Yorker. Marymount Manhattan College.Directed and choreographed by the one and only Bob Fosse, Cabaret played at The Ziegfeld: A Walter Reade Theatre, Liza Minnelli as "Sally Bowles" and Joel Grey as "Emcee." Fosse's movie musicals were always quite the spectacle for audiences. At the time, Liza Minnelli was a well-known singer and up and coming actress. Dating at 1972, this movie musical was all the rage. Fosse recreated the 1966 Broadway musical due to its immense popularity through a multitude of productions all over the world. He wanted to revamp the choreography and drama. His clever and precise movements were nothing short of Bob Fosse magic. Receiving a whopping four out of five stars, this movie musical was at the top of the to-see list with its ominous plot of the rise of the Nazi Party, love story, and wonderfully entertaining songs and dances.–Gabriela Niaves
- "Kismet Costume Plot," Brooks Costume Company MMC, Coll. #4A, Box #5, Folder #68. Folder labeled Subject Kismet Miscellaneous. The Martin Papers. Marymount Manhattan College.
I found an interest in costume design and costume construction for the stage. Looking through the Martin Papers, what I found was a costume plot written by Brooks Costume Company, which was a script-like file that dictated the different costumes for each individual actor for each act and scene for the musical Kismet (performed from 1956-1965). What had really caught my eye was the attention to detail for each scene. The time and setting was the first thing you read on the costume plot. This helped identify the general costume style and what kind of attire each character would be wearing at this time of day. The act number and scene number was then titled. Under the act and scene number, men and women are divided in separate groups and each separate character has specific descriptions of each character's costume pieces from head to toe. What I love about this find in the archive was that it showed how much detail the costume designer had put in and all the factors from the script the designer had to consider. – Joshua Noriega
- William Harris, "Post-Modern Cattle Call," Village Voice, (November 27, 1984), pg 111, MMC Coll. #1, Box 13, Folder 186.Mr. Harris's particular view on auditioning made me smile. It was so familiar to what we are taught to expect now. Though this article reflects on a chorographer call, it could be extremely useful to theatre historians as they try to decipher the audition experience of performers throughout the twentieth century. This is also very helpful to my topic of research, the American theatrical identity of "off beat" artists in the 1980s. How the postmodern world changed theatre, how the innovations changed how we looked at theatre and the performers themselves.–Allie Willison
- Cueing Script for Follies, New York, January 2, 1971, MMC Coll#0044, Box #004, Folder: Follies Cuing Script, Undated.This source is part of the paperwork George Martin put together when he served as the Stage Manager for the 1971 production of Follies. In George Martin's paperwork the early stages of keeping track of information such as props, blocking and scene breakdowns is evident and contact sheets are laid out. Throughout my research it has become clear just how much the invention of Microsoft has changed how stage managers format paperwork and enabled them to include more than just the bare essentials. One piece that enforced this was his cueing script and how it was formatted and laid out. He included a simple list of all the cues and the line or action that prompted each cue. Martin's paperwork gave me not only a fresh outlook on what stage managers used to do but they also made it clear just how critical tracking paperwork is for a stage manager and how much paperwork has changed since then, which is what I wanted to focus on in my report.-Julian Olive
- Forty-Second Street, program, Pacific Overtures, musical scores, 2 books Coll. #004. Martin Papers, Series: oversize Box 1.The source that I looked at while in the archives was a huge book filled with hand-written sheet music for the show Pacific Overtures. It included multiple copies of the songs, each copy including multiple changes, additions, and cuts to the piece. The sheet music is very fragile, yet still in good condition. Some blotches of ink on a few pages, but it does not hinder the musical notation. Corrections are hard to read at first, but as the pages go on, the writer started to make them in blue/red marker instead of pencil. The date of the published music appears at the top of each page. Some pages are accordion-style, and open up along the entire table. Some corrections are made on regular paper and placed in between the appropriate sheet music of where the correction is made. Some pages are marked with a "Stephen Sondheim" stamp in red at top left of page. Some pages have pencil smears on them, making the page look dirty but still readable. This source allowed me to hold in my hands aged sheet music that was worked on throughout the years by Stephen Sondheim himself. Seeing the corrections he made by hand on each page was interesting. Nowadays, I'm sure that with all the technology we have, corrections are made on an iPad/laptop, and printed out and given to the cast members within a day. So in the future, I don't believe there will be any sheet music with corrections (scribbles, circling, musical notations) like this on it, but instead will just be a bunch of sheet music with the corrections already printed in. –Nicholas Musumeci
- Irving Wardle, "A full-blooded American Musical," n.p. n.d. MMC Coll#1, Box 138, folder 4000. The William Harris Papers. Marymount Manhattan College.
In wanting to research more on Burlesque Theater, one thing that came to mind was the musical about that type of theater: Gypsy. It is a musical that shows the story of a typical "showbiz mom" and her two daughters (one of whom is Gypsy Rose Lee). Although, there were no folders specifically related to her, I found one that was a collection of clippings about the composer of Gypsy, Jule Styne. Among the clippings was this review of Gypsy when it was performed at the Piccadilly Theater, with the star Angela Lansbury as Mama Rose. What peaked my interest most about this particular review was the fact that Wardle characterized the performers of the Burlesque show as "faceless little people who long ravenously for public attention as though it were a basic food." This particular outlook on the people who performed in these Burlesque shows humanized them in a new light for me and also made me remember that they were performing during the Great Depression. And during this time, you did what you had to do in order to survive. –Jessica Munoz
- Radic, Leonard. "Annie's a Charmer," unidentified, undated clipping. MMC Coll.#4A, Box 3, Folder 8. The George and Ethel Martin Papers, Marymount Manhattan Papers.This article gave a ravishing review to the new Melbourne production of Annie. The show was seen as a warm, cozy, nostalgic, and bringing the theatre back to the days of wholesomeness. Radic reported that the show had great, memorable tunes, and some of the most spectacular set changes the theatre has seen in years; and thanks to the original director/choreographer team, George and Ethel Martin, the show shined. However, the actors shone as well. Each of the actors were noted to play their character spot on and with such precision, it was a joy to watch. I found this interesting because I knew of the success the show had in America, but I had no idea its popularity spread all around the world. The fact that the show was played to cheering audiences all over the world shows how sturdy of a play Annie is, and had me interested in dissecting its construction. –Megan Hoxie
- "Dramatizing Interracial Relationships", The Soho Weekly News (March 4th, 1976), MMC series 1, folder 30 [Fuggard, Athol; "The Blood Knot"; Manhattan Theatre Club; Franklin, Lester; "Behind the Bar/ In Front of the Mirror"; Mama Gail's; GaboThis article focuses on the shows "The Blood Knot" and "Behind the Bar/ In front of the Mirror." They are shows that are both dealing with interracial relationships, ranging from family to romantic relationships. William Harris reviews these two shows, looking at the play itself and the actors involved. While Harris finds both shows interesting, as they deal with breaking the shock of interracial relationships of any kind, he has his critiques as well. Harris wrote highly of "The Blood Knot," saying that the show was very powerful and the poeticism really came through from writer Athol Fuggard. His critique was of the actor David Leary and his portrayal of his character. Now with "Behind the Bar/ In front of the Mirror" Harris had much more to critique. Saying that the play is "confusing, unfocused, and ultimately unresolved." He goes on to talk about how Lester Franklin's play is not a naturalistic piece, and that the director as well as the actors seem to be "intimidated by the material." By looking at this source I was able to understand who William Harris was as a theatre critic. I learned that as a critic Harris truly tried to focus on both the positive and the negative. Going into the archives and getting to see these materials was very personal, and I enjoyed that. By getting to hold this review in my hands looking at the original, it was interesting to notice how two pieces so similar in topic William Harris looked at so differently. However, he did so in a way that if he did make a negative remark he backed it up with a positive one. –Christina Hart
- Review of Pacific Overtures, New York, January 15, 1976, MMC Coll. #1, Box 134, Folder 3899.This source was a critical review of Pacific Overtures, written by Robb Baker of the Soho Weekly News. The article was a very negative account of the 1976 Broadway Musical, calling the show "morally enraging" and offensive. The review described the show as being vacant and hollow, with an attempt at "orientalism" that somehow resorted to western theatrical traditions. The critic described the horrific rape scene coming off as insignificant, being exploited as a silly cat-mouse chase scene, and the event being "the most vulgar and reprehensible lapse of good taste in the history of American theater." The source was incredibly insightful as to one of the unfavorable opinions on the success of the show. There was lots of dispute on whether the production was good or bad, and Robb Baker had a very distinct and brash opinion. The article definitely made me more biased. It allowed me to see that musical theatre is not always so cookie-cutter, and that the American musical can be looked down upon if not executed well. Baker's writing was very persuasive and I agreed with many of the things he wrote about. This interested me because I wanted to know more. I was then curious to find other opinions on the production and compare other people's thoughts with the thoughts of Baker. –Sarah Glugatch
- Feingold, Michael. "Statue Wary". Review of Picnic, by William Inge, New York, April 21, 1953, MMC. Coll.#1, Box #18, Folder 1952. Series #2: Clippings. The William Harris Papers. Marymount Manhattan College.This review written by the critic Michael Feingold, discusses the paradigm for a problem Americans have with art, and how William Inge uses this paradigm in his play Picnic. Inge is centering his play on the women and their craving for penis according to Feingold, and he believes that cross-dressing is a better solution for Picnic, in order to have the maximum effect on the audience; in other words an all-male cast. Feingold also gives a good explanation on the foundational values in Inge's play, and how his ideas reflect the time period – 1930s. The staging of the play serves the three acts tactfully, because director Scott Ellis does it without intermission, which keeps the intensity at a high level. Picnic is a play that needs raw emotion and good actors, and how the actors prepared and acted in this play is different than what we do now, according to Feingold. –Olav Drangsland
- McFerran, Ann. Unidentified clipping. MMC, Coll. #1, Box #58, Folder #1931. The William Harris Papers. Marymount Manhattan College.This article is one of the many praising reviews of Adrian Noble's production of Ibsen's A Doll's House at the Royal Shakespeare Company in 1982. The author, Ann McFerran applauds the entire show as a whole by saying it was "as challenging and exciting as if it were being played by the first time." McFerran then dedicates the majority of her piece to describing the various characteristics and quirks that Cheryl Campbell brought into her performance of the leading lady, Nora. After a long and detailed list of the actress' strengths in the show, she sums it up by saying Campbell was "truly remarkable" and a "definitive portrayal" of the role. I found this particularly interesting since there are several similar articles reviewing the fantastic performances of actresses playing the role of Nora, such as Claire Bloom, but there are also critiques less friendly. So then while reading these reviews, it is up to the reader to decide if they are accurate perceptions, or if they are biased because of the feministic nature of the show. –Ashley Patten
- Smith, Dinita "After Playwright, An Actress Still" New York Times Clipping, July 4th, 1995, MMC, Coll. 4A, Box 3, Folder 2667. The William Harris Papers. Marymount Manhattan College.This review from the New York Times interviews Anne Meara, prominent 1960s actress and ½ of comedy team with husband Jerry Stiller, mother of comedians Ben and Amy Stiller. 1995 was the year Meara wrote and starred in her play "After-Play," a non-threatening comedy full of shtick and zest, which focused on aging parents and their children all with a comic-skit feel. Critics argued Meara did not delve into politics or show business, both of which she has a breadth of knowledge. This suggests that the 1990's saw a shift from mainly 60-70s era domestic comedy to greater interest in women in the workplace (such as Lily Tomlin or Carol Burnett) rather than at their husbands' side. The article is particularly revealing in that Meara admits to not wanting to act at all but being forced to as one of her actors dropped out in the last minute. Regardless of their place behind the scenes or on the set, it seems the Stiller-Meara brood have a definite comic talent that sees persisting success. –Isaac Moran
- Advertisement for Not About Nightingales, New York Times, 24 January 1999, Page 9, MMC Coll. #1, Box 149, Folder 4391.This advertisement for Tennessee Williams' Not About Nightingales drew my eye and instantly made me curious. Supposedly written between 1937 and 1939, Not About Nightingales was never performed during Williams' life. It was an untouched script until Vanessa Redgrave uncovered it in 1998 and set out to give it life onstage. After a short but acclaimed run in London the production transferred to Broadway where it won six Tony awards. The advertisement says little about the show itself, choosing to focus instead upon the fact that this is a new Tennessee Williams play. The Time Magazine quote on the top of the advertisement coupled with the ambiguous photograph reveals much about the way advertising has changed by the end of the 20th century. The marketing team of this production obviously knew the power and lure of Tennessee Williams, and chose to advertise a new play by a famous dead playwright, rather than advertise the plot of the show itself. In this way, the audience is drawn to see what is different about this play than say Glass Menagerie, and easily lends itself to analyze the work of Tennessee Williams. –Joseph Maybloom
- Feingold Michael, "People Want Plays, but the Theater's Going To Pieces: Missing in Action," Village Voice, (November 9, 1999), p73, Marymount Manhattan College, Call # 0001, Box 71, Folder 2352.
This article was comparing four shows at the time they came out. The four shows were Barefoot Boy With Shoes On, Fuddy Meers, An Experiment With An Air Pump, and Ancestral Voices. I had done a scene from Good People in Acting class in the Fall semester and this semester I am directing his play Wonder of the World for Directing II. I wanted to see what his plays were really about and when I found he was in the Archive atMarymount I was thrilled! I had never hear of the play Fuddy Meers but after reading the reviews and the playbill in his file, I am excited to read it soon. I found out that the theme of"Finding humor and hope in fractured lives" was something LindsayAbaire thrived in. As I am going to use this theme as I direct this semester, I also was thrilled that theater history was not boring! No offense to the class and professor (who is amazing), but sometimes old theater history can be hard to be interested in. Now in the second semester of Theater History, I am becoming more interested in the past but the first semester was difficult to be truly fascinated in. This article is history and is recent. I connect to the playwright and really see how people perceived his play. I also realized the newspaper I am reading today is a piece of history tomorrow. This just makes me want to write for the New York Times even more just to say I wrote history.–Irene Gonzalez
- Boston, T.L. Charles Busch (left) as Irish O'Flanagan in publicity still for "Times Square Angel," n.d. Black and White matte publicity still. MMC Coll. #006, Box 5, Folder 22. The Richard Niles/Charles Busch Papers. Marymount Manhattan College.
This photo of Charles Busch and who I presume to be James Borstelman is from a publicity still to raise awareness for Busch's play Times Square Angel. Charles Busch is more than just a pretty face; rather he is a renowned playwright, actor and 'drag legend' (as he calls himself). Busch brought a sense of humor to New York City that was missing, while managing to parody classic films such as "A Christmas Carol," "It's a Wonderful Life," and "The Bishop's Wife," all in creation of Times Square Angel. Originally I wanted to research burlesque theatre, but I morphed that topic into sexuality and drag queens which led to Charles Busch. After discovering this photo, I was then compelled to read Busch's copy of Times Square Angel, which still showed his editing marks. The believability that Busch held while in drag, and while creating comedy yet not making himself and the play a joke, is an incredible feat. –Anna Whitty
- Clipping for a review of Julius Caesar. Robert Zarken. New York, September 11, 1979. MMC Coll. # 1, Box 126, folder 3694. The William Harris Papers. Marymount Manhattan College.
Barry Kyle's politically charged production of Julius Caesar with a "sparse setting" lends the "bloody" violence in the play to be less about entertainment and more of a political statement. Within the program itself, Zarken claims it was "littered with references to assassinations in our lifetime since 1948." Kyle made another shocking political reference when he made the cover of the program the people of Iran with palms outstretched in reference to the Islamic revolution happening that same year. This is reflected in the play when the conspirators washed their hands in Caesar's blood and exit with their palms outstretched. I found this interesting to my topic of stage combat because Kyle's use of violence on stage was not for spectacle but to directly correlate with real life events. The audience was taken back into history but as Zarken remarks "perhaps we are looking towards it." Kyle's revolutionary production of Julius Caesar shows the kind of impact the world has on theatre and forces us to question how our world impacts the theatre we see today.—Sarah Spurling
- Unidentified author, "Open Meetings With Jerzy Grotowski," Unidentified date; Unidentified author, "Jerzy Grotowski In Person," Unidentified date. MMC, Coll. #001, Box #51, folder #164. The William Harris Papers. Marymount Manhattan College.
I could not really decide between these two. One of the reasons it was so difficult to decide was the fact that there were two of these! Only one of them, the later, had a year indicating the date of what the clipping was sponsoring (1981). What I found so remarkable about this was the fact that these two unidentified clippings, which look as casual as New York Times or Village Voice clippings, were advertising a meet-and-greet and lecture series with Grotowski. I always understood how much of a force he was, but it was not until I stumbled upon these clippings that I truly began to understand the fundamental stronghold influence he had on the landscape of theater. He was shaping it so much that the public wanted to know what he was thinking and his opinions. It feels casual, almost like an ad for a viewing of a house or a church; such a casual clipping, for such an extraordinary man. –Justin Brown
- Newspaper Advertisement Clipping, Anna Christie. MMC Coll #1, Box 88, Folder 2993. The William Harris Papers. Marymount Manhattan College.David Leveaux directed Eugene O'Neill's Anna Christie at the Roundabout Theatre Company, starring Liam Neeson, Natasha Richardson, and Rip Torn. Leveaux had a very direct view for the production. He wanted it to be simple and without flare. He wanted to focus on the passion and emotion of the play, despite having big time celebrities starring as the lead roles. The advertisement for the show remained true to David Leveaux's vision. The newspaper ad consisted of a simple animated drawing of the characters Anna and Matt in a small rowboat, with the title of the play displayed on the backend of the boat. –Karen Franco
- Edwardes, Jane. "A Doll's House," unidentified clipping. MMC, Coll. #1, Box #58, Folder #1931. The William Harris Papers. Marymount Manhattan College.
For my research topic, I am writing about how the theater affected feminism, an idea that grew throughout the 19th and 20th centuries, and continues today. As a woman in today's theater, I find it particularly interesting to see how my art influenced my gender's role in the world. This article looks at a production of A Doll's House, Henrik Ibsen's 1879 Norwegian play,through the lens of 1970's England. In it, Edwardes questions whether wondering if Nora would return to her family is "heretical." This is fascinating because when Ibsen wrote this piece, he deliberately left the ending open to interpretation regarding whether or not she would ever return to her family. It is interesting to note that as the ideas of feminism evolved over the centuries, so did the idea that Nora would not return to her role as a doll, until it becomes "heretical" to think otherwise. This one line reveals so much about the changing attitudes towards women in western society, and it would not be available had it not been preserved for future generations in the archive. –Kate Hopkins
- Scripts for A Funny Thing Happened on the Way to the Forum, New York, 1962-1965, Las Vegas (undated), MMC Coll. #4, Box #6; Programs for A Funny Thing Happened on the Way to the Forum, New York, 1962-1965, MMC Coll. #4A, Box #5, Folder #53. The George and
I was really interested in the Martins and their extensive involvement in the world of musical theatre all through the late twentieth century. What stuck out most to me in my research process was how many versions of scripts and playbills they had, specifically for A Funny Thing Happened on the Way to the Forum. Upon looking through the scripts, I noticed there were countless blocking, choreography, and dialogue changes in each, and there was never what would be considered a final script. When I looked through the playbills I noticed a correlation between the changes happening in the script and who was playing the role of Pseudolus; Zero Mostel, a household name for theatre and comedy, originated the role and won a Tony for Best Actor in a Musical. The show's original run was on Broadway from 1962-1964, with Mostel in the title role for almost the whole two years, and with a run that long there were bound to be changes to accommodate audiences and keep the show fresh for the actors. What I love about this find is it shows how flexible theatre can be to keep a show alive, fresh, and relevant for each new audience as well as the actors. –Brenna Hughes
- "A Hundred Thousand Women Have Done It," Performing Arts: San Francisco's Music & Theatre Monthly 7:1 (January 1973), p. 23, MMC, Coll. #001, Box 58, Folder 1931. The William Harris Papers. Marymount Manhattan College.
This article reveals dramaturgy used by The American Conservatory Theatre of San Francisco's production of Ibsen's A Doll's House. Most striking is a photo of Laura Kieler, a writer and friend of Ibsen's who became a model for his protagonist, Nora. When Kieler's husband contracted tuberculosis, she committed forgery in order to pay for their prescribed move to a southern climate, just as Nora secretly forges her signature in A Doll's House. The caption of the photo mentions that Ibsen even referred to Kieler as his "skylark," Nora's nickname in the play. This glimpse into Ibsen's creative process showed me how contemporary and immediate the themes of A Doll's House were to women during Ibsen's time, despite the taboo of its performance. I wanted to research past productions of A Doll's House because I will be seeing a current production at BAM, and thought that a comparison of past English productions would enhance my understanding of the piece. –Andrew D'Anneo


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On this XX%%% new computer there isn't a place to resize the pic - so I emailed it to myself making it smallest!! Vista is driving me crazy!! Thanks for checking
I did put some photos on photoshop - can see them but need to re-read as to how to post them. I'm feeling totally overwhelmed with all the new computer type things I'm doing at the moment - computer/digital camera and Sewing Machine!!Vista really isn't bad - and this new computer is soooooo fast - I also use a Verizon wireless connection.
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Hi everyone,
I am using the phone with third party gps software know as sygic and endomondo and I got a flashing GPS status (Ready GPS --> Searching --> Ready GPS and so on). It flashes after bit of seconds and so many times. Someone is here who know or suffered with the same problem and yes then how to solve it?


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New & Notable
DHRM Training Program
In partnership with the Department of Civil Service (DCS), the Governor's Office of Employee Relations (GOER) and Cornell University, PDP developed a training program for New York State Directors of Human Resources Management (DHRM) intended to increase strategic human resources skills and facilitate a fundamental shift in the way DHRMs think and act, with less focus on transactional issues and more focus on strategic thinking to accomplish agency goals.
The DHRM Training Program used a blended-learning approach to tie course content to human resource practices in New York State government. The program main component was completion of a six-course advanced human resources certificate through eCornell. Other components included mentoring sessions to tie course content to NYS work and completion of an action item plan that would outline how the DHRM would take strategic human resources concepts and operationalize them at their agency. In addition guest speakers with expertise in application of course content to NYS government were invited to speak at select mentor sessions.
When asked to describe the most meaningful or valuable part of the training, mentoring sessions and group discussions were mentioned with the most frequency. This comment illustrates why: "Being able to dialogue with colleagues involved in the same body of work — to hear their perspective on the various challenges we face, things they have put in place successfully and recommended for improvement was invaluable."
Through this training program, a community of practice (COP) was established and efforts continue to provide an ongoing forum for DHRMs to exchange ideas and work together on enterprise-wide initiatives.
PDP's Course Enrollments Reach All-time High in 2013-14.
One measure of examining PDP's major accomplishments over the years is enrollment in all instructional activities. PDP has an extended history of offering a comprehensive range of education and training programs for the public service workforce which continues to generate steady enrollments on an annual basis.
During the 2013-2014 program year the total enrollment for all programs increased by 28% over the previous year. PDP offered 2,914 courses, institutes, and workshops delivered in a variety of blended-learning formats from traditional classroom-based to both synchronous and asynchronous distance-based with an all-time high total enrollment of 147,093 workers. This represents a total of 393,269 contact hours of instruction across all of its offerings with Child Care Provider, Computer Skills, Child Welfare, STD/HIV Prevention, and Temporary Assistance Examiner representing the five highest in-demand program areas.
Dr. Philip McCallion is the 2014 Recipient of PDP's Distinguished Continuing Professional Education Leadership Award of Excellence.
PDP is proud to recognize Dr. Philip McCallion, Distinguished Professor, at the SSW UAlbany as the 2014 recipient of PDP's Distinguished Continuing Professional Education Leadership Award of Excellence.
Given annually by the Professional Development Program of Rockefeller College, this award acknowledges exceptional leadership and notable contributions to the field of continuing professional education for the public and not-for-profit workforce.
Awardees need not be Rockefeller College graduates. However, to be considered for this award, individuals must have a distinguished career in advancing public service and meet the following criteria:
- Commitment to excellence and service in continuing professional education;
- Leadership in innovative continuing professional education;
- Vision that advanced the field;
- Recognition by peers; and
- Exemplary scholarship.
Dr. McCallion's work exceed these criteria, and he is well respected for his ongoing commitment to excellence in fostering continuing professional education and training for the public sector in the field of aging. This is demonstrated by the many contributions he has made through his work with Adult Protective Services and the New York State Office for the Aging in building an aging prepared caregiver support system. In addition, he has done valued work with the Office for People with Developmental Disabilities, the Administration on Community Living, the Alzheimer's Association and numerous service providers throughout New York State. His contributions with these organizations and professionals helped build a competent and expert workforce supporting community services for individuals as they age.
His work has extended to other states as well as internationally in Ireland, the UK, Taiwan and Australia.
His ongoing efforts with the Albany Guardian Society to build professional capacity in the Capital Region to support successful aging as well as the vital work he has done through the Center for Excellence in Aging and Community Wellness supporting the, New York State Office for the Aging and the NYS Department of Health in promoting evidence based health practices for seniors are other examples of his commitment to support continuing professional education.
In addition to his capacity building work, he also has a distinguished record of accomplishment in research. Dr. McCallion's research achievements have been supported by numerous grants and awards from the National Institute on Drug Abuse, National Institute on Aging, the U.S. Administration on Aging as well as awards from a number of foundations. He has produced over 100 publications on interventions with older adults. He is editor of Housing for the Elderly: Policy and Practice Issues and is co-editor of Total Quality Management in the Social Services: Theory and Practice.
Dr. McCallion's efforts in building the capacity of the knowledge worker in the field of aging is a striking example of a unique educator who has made a difference at the intersection of policy and practice. The results of his undertakings have led to a better informed and skilled professional workforce.
As the 2014 recipient of the award, Dr. McCallion's work embodies the principles that PDP stands for.