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Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb Reviews
Strangelove, or, "How I learned to stop worrying and love the bomb", tells the story of what could happen if the US nuclear programme went wrong. Based around the fears of many Americans, and much of the Western World, at the height of the cold war, a US air force general, who is the only one who has the codes to launch and bring back a fleet of planes carrying nuclear weapons, goes mad, and orders his entire fleet to attack the Soviet Union.
As the story unfolds we see the pure exceptional talents of Sellers in three characters, the bumbling British RAF pilot, Lionel Mandrake, the worried and hysterical US President, and the former, (perhaps still), Nazi weapon specialist, Dr Strangelove.
Through each of these characters, alongside marvellous acting from George C. Scott and Peter Bull, we see the fleet of H-Bombs draw closer to the USSR from four different perspectives, as the possibility of a nuclear war draws ever closer.
Released to cinemas just a year after the Cuban Missile Crisis, where the world came closer to nuclear war than ever before, Kubrick, in all his wit and talent, took a very real possibility, exposing the weaknesses of the safeguards of nuclear warfare, and made audiences laugh with joy, despite the fact the event could have happened just later that afternoon.
With Peter Sellers, George C. Scott, and the direction of Stanley Kubrick, the film makes for an incredibly entertaining ride, where we are taken along with each of the characters, and allowing us to look right into the weaknesses of the nuclear programme.
The acting of each and every character is purely fantastic, and a quality which most people would find hard to top. The cinematography, in the style of a documentary like handheld camera, adds to the realism, whilst at the same time, adding to the ridiculous and humorous connotations of a nuclear war breaking out.
The script, based on a serious novel called Red Alert, was adapted perfectly for the funny and sharp style Kubrick was aiming for, balancing moments of serious action and tension, with the laugh out loud moments following straight after.
It is hard not to laugh at the fantastic film which Kubrick has produced. Whilst it may be more than 50 years old, and the cold war has come to an end many years ago, Dr Strangelove still impacts on audiences today, in the same way it did in 1964. A fantastically funny, brilliantly acted, and exceptionally directed story, which only the master team of Sellers, Scott and Kubrick could achieve.
It somehow makes gut wrenching suspense out of a collection of one dimensional stock characters played with panache and crackerjack comic skill, headed by the superlative Peter Sellers, in 3 distinct roles, including the title one.
Stanley Kubrick, not known for comedy (Maybe Lolita?), takes exactly the right approach here, The scenes and cinematography are stunningly photographed B &W and mostly realistic. The laughs fly furiously throughout, even as the tension get ratcheted increasingly up to the last frame. Music is meticulous as always, from military choruses to the haunting Vera Lynn 'We'll meet Again' as the world (Spoiler alert?!)comes to its inevitable end. Writer Terry Southern was a talented satirist and fiction writer, but his material in the hands of lesser directors (Candy - with a huge cast of sixties icons) can go very flat and pureile. Kubrick is a genius, and his films have mostly held up over many years, expecially this one.
The cast is stellar, starting with George C. Scott (who really should have done more comedy) as a gung ho and stupid General, film noir tough guy favorite Sterling Hayden as a red-baiting General who has gone utterly impotent - and bonkers - and, British comedian Peter Bull as the childish and venal Soviet Ambassador. Then Sellers: as well intentioned and ineffective President Merkin Muffley, the hapless British miltary observer Mandrake who tries to talk Sterling Hayden out of destroying the world (one of the funniest quiet reacting performances in film history), and of course, diabolical and utterly original Dr. Strangelove, an ex-Nazi scientist who is beyond funny, yet still unbeliveably frightening.
This film has stayed with me since childhood. I was terrified and obsessed wtih the end of the world and I still havne't recovered. Every time Strangelove comes on TV, I am hooked till the end when the mushroom clouds fly. I do wonder if younger people that have no memory of the cold war perennial nuclear threat would appreciate this at all, I'll have to test it out with my nephew, after which time I may revise this review.
"The hot-line suspense comedy."
Dr. Strangelove is a timeless classic. It's littered with hundreds of hilarious instances, be it a cowboy pilot riding a nuke to his death or a Nazi doctor fighting his own arm. The film is probably the funniest movie I have ever seen is one of Kubrick's many amazing films. This has everything needed to be a great comedy. It has a director who knows how to present the material. It has three actors who just kick ass at being hilarious, Peter Sellers, George C. Scott and Slim Pickens. It has backgrounds that are telling jokes while characters are telling jokes. It's the perfect comedy.
A general, Jack D. Ripper(brilliant) goes a little off his knocker and sends his planes an order of Plan R, which means they're going to nuclear war. While planes on their way to Russia the president is meeting with top men in the Pentagons War Room. They then learn if the planes make it to Russia and attack, a new weapon("Doomsday Weapon") will automatically destroy the world.�
Dr. Strangelove: Of course, the whole point of a Doomsday Machine is lost, if you keep it a secret! Why didn't you tell the world, EH?�
Ambassador de Sadesky: It was to be announced at the Party Congress on Monday. As you know, the Premier loves surprises.�
The greatest thing about Dr. Strangelove is how smart and stupid it is at the same time. Most comedies that attempt to do something even close to what Kubrick was here, will just come off as stupid. Kubrick is as sharp as he ever was and would be here. There just aren't that many comedic masterpieces out there. Most of the comedies I love, I wouldn't call great films or masterpieces, but this is an exception; it is a masterpiece, from a director who seemed to only be able to make masterpieces.�
There's nothing not like here. If you don't laugh, there's probably something wrong with you. My peers whom I saw this with give me little hope in our generation(I'm a senior in high school). It's probably all the over the top dialogue we hear now in movies like Step Brothers and The Hangover. Hopefully there are still teenagers out there who can appreciate the genius of this film.�
I feel I need to go more in depth about just how good Sellers and Scott are in this movie. My two favorite comedic performances are theirs in this movie. Every time they want to make us laugh, they succeed. They don't have to say anything at times and they are still hilarious. Scott's facial expressions while the president is on the phone was laugh out loud funny and facial expressions rarely make me laugh. Sellers doesn't play one comedic performance to perfection but three. He fights his arm from saluting Hitler and has crazy good voices for each character, along with perfect timing in scenes where he is on the phone.
Dr. Strangelove is one of those movies that you will remember everything about, which is a good sign of a perfect film. It's a movie that doesn't have a throwaway scene or even a throwaway line. It is essential viewing. You shouldn't do anything before you see this movie. Go get it. Now.�
President Merkin Muffley: Gentlemen, you can't fight in here! This is the War Room.�


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Unparalleled Store-Based Insight
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Steve is the right man to turn to when trying to understand the realities of the UK grocery retail environment, and how that can and should affect FMCG marketing strategy.
Steve provides unique insights that no one else offers about the core competencies of retail. He lives and breathes grocery and I trust and value his opinion.
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1991 Cadillac Eldorado Reviews
1991 Cadillac Eldorado Reviews and Owner Comments
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1991 Cadillac Eldorado (3 Reviews)
this is my second 1991 eldo. i just found one with 66,000 miles. before these eldos i had a 91 toronado this car was handed down to 3 new drivers. the car would not quit. my friend has a 91 rivera with 246,000 miles on it. this is 3rd 91 riv. gm did something right with these models.
Great Car..replaced fuel injectors...mass air flow sensor 71,000 miles and still running strong
best car i ever owned. 300,000 mi. on it and the only thing i replaced was the altinater and the gas and oil.


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Tainted Waters: The Wrath of Suicune [OOC]
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November 24th, 2012 (9:46 AM).
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It's for Suicune, Entei, and Raikou, so it will be well known in Johto mostly. Aria mostly liked Johto's legends, and learned the song during her travels in that region.
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The girl you just called fat? She is overdosing on diet pills. The girl you just called ugly? She spends hours putting makeup on hoping people will like her. The boy you just tripped? He is abused enough at home. See that man with the ugly scars? He fought for our country. That guy you just made fun of for crying? His mother is dying. Copy and paste this into your sig if you think bullying is wrong. You never know what it's like until you walk a mile in their shoes. -
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Ohio State Highway Patrol is investigating a fatal crash that killed a Norwalk woman.
OHP says the accident happened Saturday night after 7PM on the Ohio Turnpike near US Route 250 in Milan Township.
A ccording to troopers , K imala Lowry of Norwalk lost control of her car and traveled off the right side of the eastbound lanes of the turnpike. The vehicle struck a guard rail and a ditch before coming to a rest.
L owry was taken to Fisher Titus hospital where she was pronounced dead. Her passenger suffered minor injuries in the crash.


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It's rare when a grinder specialist like Cal Clutterbuck gets a chance to have goal of the night, but when he (and his magnificent Movember mustache) put his main skill of hitting opponents into the act to help score goals, we're sold. Clutterbuck's monster hit on Jakub Voracek helped loosen the Blue Jackets defense up enough to get Clutterbuck in place to bury the eventual game-winner past Mathieu Garon.
Video: Phil Kessel displays incredible hand-eye coordination on goal
This has been a tough postseason for Phil Kessel haters.
The supposed "choker" is on a team that's in the Eastern Conference Final, but Kessel obviously isn't just in for the ride with the Pittsburgh Penguins. He scored his 18th point in 17 postseason games by scoring the 1-0 goal against the Tampa Bay Lightning in Game 6.
(Watch that goal in the video above.)
It was a dramatic first period, with a Jonathan Drouin goal getting disallowed and Andrei Vasilevskiy making some huge saves on tough chances.
Can Pittsburgh protect this slim lead with 1-0 down one period? We'll see, but either way, what a great postseason for Kessel.
Judge for yourself: Was Drouin's would-be 1-0 goal offside?
To start the seemingly pivotal stretch, Andrei Vasilevskiy made an outstanding save on Evgeni Malkin on what sure looked like a scary chance.
The play swiftly shifted from the Tampa Bay Lightning's end to the Pittsburgh Penguins' side of the ice, and it seemed like Jonathan Drouin scored a big 1-0 goal in Game 6.
As it turns out, the goal was disallowed thanks to an offside goal review.
Here are a few viewpoints on that moment in GIF form … you can get a fuller view via the video above.
The general feeling among those who don't have a horse in the race is that it was the right call. (Lightning fans were, uh, not happy.)
Lightning coach believes Drouin 'is going to be dominant in this league'
At some point, it will probably be kind of boring to hear members of the Tampa Bay Lightning organization praise Jonathan Drouin.
At least if Drouin re-signs with the Bolts after quite the affirming postseason and his ascension amid injuries.
These days? It's still sort of entertaining.
In the latest case, Jon Cooper was asked to compare the development paths for Nikita Kucherov vs. Drouin. After empathizing with the pressure Drouin carries as a high-end pick (vs. Kucherov's ability to come in under the radar), Cooper had some very positive things to say about No. 27.
" … So many people think, well, you're just going to step in the league at 18 and be dominant," Cooper said. "I truly believe Jonathan is going to be dominant in this league, but it's hard to do at 18. He had to work through it, and that's it."
Drouin, now at 21, has 12 points in 15 playoff games.
In other Lightning news, it sounds like the team will roll with 11 forwards and seven defensemen, an alignment that has been working well lately and also came through at times during the 2015 postseason.
The Penguins, meanwhile, replace Beau Bennett with Conor Sheary.
WATCH LIVE: Pittsburgh Penguins at Tampa Bay Lightning – Game 6
Tonight could be the final game of the Eastern Conference Final between the Pittsburgh Penguins and Tampa Bay Lightning. You can catch Game 6 via the NBC Sports Group's television and digital platforms.
Pittsburgh at Tampa Bay (8:00 p.m. ET)
The television broadcast of Game 6 is on NBCSN. To stream the game using the NBC Sports Live Extra app, click here. The Bolts lead the series 3-2.
Here's some relevant reading material to get you ready for tonight's game:
—Malkin guaranteed a Penguins win in Game 6
—Lightning coach doesn't seem flustered by Malkin's guarantee
—Kucherov continues to be clutch for the Bolts this postseason


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Xuzhou Museum covers an area of 12000 square meters constituted by three parts: exhibition building, temporary imperial palace of Emperor Qianlong of the Qing Dynasty and Tushan Hill Tomb. There are eight display halls in the exhibition building with thousands precious relics on display, just like the treasure of ancient Xuzhou, beautiful terracotta warriors, paintings and calligraphies collected by Deng Yongqing and the furniture of Qing Dynasty.
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Take No.2, 11, 49, 608 or tour bus to Yunlong Hill Station
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2:29 p.m. local time, Park City, UT... Touting a "new spirit that seems to be emerging" with more new filmmakers than ever before, Sundance Institute head Robert Redford is kicking off the festival now at a press conference at the Egyptian Theater on Main St. Alongside Redford, Sundance Film Festival director Geoff Gilmore is boasting of the 58 first time filmmakers, including "In Bruges" director Martin McDonagh, a playwright whose film is having its world premiere tonight to kick off the festival. indieWIRE will have a full dispatch from the opening later today. [Eugene Hernandez]
By Indiewire | Indiewire January 17, 2008 at 10:31AM


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Questions about the Sony RX10's 1:1 (Square) aspect ratio and RAW
Started Dec 21, 2013 | Discussions thread
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Sgt_Strider • Senior Member • Posts: 2,203
Questions about the Sony RX10's 1:1 (Square) aspect ratio and RAW
What's the largest resolution with 1:1 ratio and RAW? Does Sony crop out the excess pixels or that they just append some sort of header so that applications like Lightroom will recognize the 1:1 crop?
Can videos be shot with a 1:1 aspect ratio?
Sony Cyber-shot DSC-RX10
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Doherty Safehouse
Revision as of 13:32, 9 August 2012 by Gtabot (talk | contribs) (Robot: Changing Category:Safehouses in GTA San Andreas to Category:Safehouses in San Andreas in GTA III Era)
The Doherty Safehouse is a safehouse located in Doherty, San Fierro in Grand Theft Auto: San Andreas. The safehouse is located opposite the driving school. Carl Johnson, the player character, can purchase the safehouse for $20,000. The safehouse does not have a garage and vehicles can not be stored there. Carl Johnson always faces backwards while walking out the safehouse.


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Junior Chris Enriquez crossed the finish line in 32:58.9 to come in 234th place at the NCAA Division I Cross Country Championships.
Nov. 23, 2013
TERRE HAUTE, Ind. - Long Beach State junior Chris Enriquez wrapped up the 2013 cross country season at the NCAA Division I Championships at LaVern Gibson Cross Country Course in Terre Haute, Ind., Saturday morning. Enriquez was the first 49er in over 25 years to qualify for the NCAA Cross Country Championships.
In cold, windy and muddy conditions, Enriquez moved up one spot over the final two kilometers of the 10K course to place 234th with a time of 32:58.9.
Last weekend, Enriquez ran a lifetime-best 29:55 in the 10K at the NCAA West Regional in Sacramento. He earned all-region honors with a 10th-place showing. Enriquez was also an All-Big West performer, crossing the finish line in fifth at the conference championships.
Men's 10K Team Results (Top-Five)
1. Colorado (149 points)
2. Northern Arizona (169)
3. Oklahoma State (230)
5. Oregon (274)
Men's 10K Individual Results (253 runners)
1. Edward Cheserek - Oregon (29:41.1)
2. Kennedy Kithuka - Texas Tech (29:59.1)
3. Maksim Korolev - Harvard (29:59.5)
4. Futsum Zienasellassie - Northern Arizona (30:05.7)
5. Jim Rosa - Stanford (30:08.9)
6. Stanley Kebenei -Arkansas (30:10.1)
7. Andrew Colley - NC State (30:12.5)
8. Ben Saarel - Colorado (30:14.1)
9. Patrick Tiernan - Villanova (30:15.7)
10. Luke Caldwell - New Mexico (30:17.2)
234. Chris Enriquez - Long Beach State (32:58.9)
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Ramirez, Bergstrom Posts Top-20 Finish At Big...11/01/2014 - Cross Country
Long Beach State sophomore Kevin Ramirez and redshirt junior Tim Bergstrom posted top-20 finishes...
49er Cross Country Heads To Riverside For Big...10/30/2014 - Cross Country
The Long Beach State men's and women's cross teams travel to the Inland Empire for the third time...
Pantoja, Bautista Run To Top-10 Finish At...10/18/2014 - Cross Country
Long Beach State junior Cameron Pantoja and sophomore Sam Bautista finished in the top-10,...
Mandel, Nunez Compete At ISU Pre-National...10/18/2014 - Cross Country
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Cross Country Heads To Indiana For Pre-National...10/17/2014 - Cross Country
The Long Beach State men's and women's cross country teams returns to action this Saturday as the...
Mandel, Pantoja Lead 49ers At Stanford...09/27/2014 - Cross Country
Long Beach State sophomore Pauline Mandel was the top runner for the women's team finishing in...


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OvaScience, Inc. ( OVAS ) saw a big move last session, as the company's shares fell nearly 10% on the day. The move came on pretty good volume too with far more shares changing hands than in a normal session. This reverses the recent trend for OVAS, as the stock is now up nearly 17% in the past one-month time frame.
The life sciences company has seen a flat track record when it comes to current year estimate revisions over the past few weeks, and the consensus for earnings hasn't been in a trend either. This recent price action is discouraging, so make sure to keep a close watch on this firm in the near future, and especially on earnings estimates following the recent slump.
OVAS currently has a Zacks Rank #4 (Sell) while its Earnings ESP is 0.00%.
Some better-ranked stocks in the same sector include Alexion Pharmaceuticals, Inc. ( ALXN ), Alkermes plc ( ALKS ) and Biogen Idec Inc. ( BIIB ). All these stocks hold a Zacks Rank #1 (Strong Buy).
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The brief resurgence of Anne at court is short-lived, as Jane Seymour rapidly replaces her in the king's affections, a process speeded up by Henry's near-fatal jousting accident and Anne's hysteria-induced miscarriage.
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Your order must total $99.00 before tax and shipping. Free Shipping on Ground Deliveries only going to one delivery location in the continental U.S. only, additional locations are $8.95 each. May not be combined with other coupons or promotional offers. Coupon not valid on our selection of Tervis or Louisville Slugger products. Offer not valid on previous orders.
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Set of 100 jotter cards on double thick stock color of your choice. Jotter cards are the just right for penning quick notes and capturing great ideas. Cards are 3" x 5". Printed with flat ink color of your choice. Positioning only as shown. Envelopes are not available for this item.


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In a small win for Seattle Mayor Greg Nickels, the state Wednesday asked outside experts to study the mayor's proposal for a four-lane Alaskan...
In a small win for Seattle Mayor Greg Nickels, the state Wednesday asked outside experts to study the mayor's proposal for a four-lane Alaskan Way tunnel.
Gov. Christine Gregoire and state legislative leaders gave the project's expert review panel a Feb. 13 deadline — about a week before ballots are sent to Seattle residents for an all-mail advisory vote. Ballots must be postmarked by March 13 to be counted.
Voters face two questions: yes or no on a four-lane tunnel — smaller than the six-lane version Nickels and the state originally proposed — and yes or no on a six-lane elevated replacement for the aging Alaskan Way Viaduct.
City officials, the expert panel and a state project team examined the four-lane-tunnel idea for a week in January. The panel said the idea "shows promise," but the state stopped the inquiry. Nickels asked for studies to resume.
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Now, state leaders are seeking the panel's views about whether a four-lane version would really slash the bigger tunnel's $4.6 billion price down to $3.4 billion, as the city contends, and whether it's safe to use the shoulders of a four-lane highway as exit lanes to boost capacity at rush hour, as the city suggests.
Gregoire's staffers would not discuss whether she will seriously consider a four-lane tunnel.
"This is about responsibility to the voters, so they can make a decision," spokeswoman Holly Armstrong said.
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This review is from: Nippon Labs WP-1WH Wall Plate for Keystone Insert, 1 Hole, Color White
Pros: Very inexpensive if you need a lot of these.
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Hey Angeli,
Im going great. I have my neighbour and my work mate on OxyShred now because they are motivated cos I have lost 14kg now and still going.
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Hey, thanks for your email Angeli. Yes i have received my OxyShred thanks for that, the taste is amazing got the Kiwi Strawberry flavour First day i tried it i felt absolutely energise which made me work harder during my workout, i also felt less hungry during the day so yeah so far so good. Really happy with the product at the moment. Currently on day 4. Will keep you up to date after my 30days. Thanks,
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Hi Angeli,
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G'day Ange,
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Greg.P from Pakenham, VIC
Hey Angeli,
Thanks for your email, I received my OxyShred really quick so thanks for the fast shipping. I got the new mango flavour and i must say, it is pretty good. It is not as sweet as the other flavours. I don't feel a rush of energy when I drink OxyShred but I feel really energised and I find that I can workout harder and for longer which is good. I also find that i sweat heaps too. Will give you another update in a few weeks. Cheers.
Linda. L from Campbellwon, NSW
… read more OxyShred Reviews


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Exhibitionism: The Rolling Stones
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Dawit Abebe
Other Resources
SELECTED WORKS BY Dawit Abebe
Dawit Abebe
X Privacy 1
Mixed media drawings on paper
140 x 100 cm
In Dawit AbebeŌĆÖs observations of human kind, strange figures turn away from the world. As silent witnesses, their often-gaunt affliction and melancholic surroundings suggest they are bodies in exile, or the subjects of an unknown trauma. Together, they command the foreground of AbebeŌĆÖs narrative drawings, in which proportions become distorted through surreal re-imaginings of a parallel reality. Their limbering forms can be seen hurling shadows along vertical lines, as their bodies dwarf cities in their wake. Devoid of individual description, these hybrid ŌĆśbeingsŌĆÖ become stationed in permanent view, eclipsing whatever there is to be witnessed ahead of them: the fate of mankind perhaps.
Dawit Abebe
X Privacy 2
Mixed media drawings on paper
140 x 100 cm
Wide chested, with compressed rounded heads, centred upon long spinal cords, AbebeŌĆÖs beings defy anatomical perfection
(Background series, 2014)
. Navigating a labyrinth-like virtual world, these subjects become surrounded by travelling signs and symbols, those fragmented bits of shredded scroll-like paper, official documents, patches of urban landscapes and roaming camera devices allude to a political underbelly. The fragility of AbebeŌĆÖs figurative yet unfamiliar subject reflects the temporal conditions of human experience rushed by inevitable transformation.
Dawit Abebe
X Privacy 3
Mixed media drawings on paper
140 x 100 cm
In Ethiopia, the project of modernity is one characterised by the collision between tradition and cross-cultural associations. AbebeŌĆÖs schematic compositions recall the scales of Ethiopian Jazz, as much as they do an impressionistic rendering of the European nude. Rooted in an urban locality, his practice is increasingly concerned with questions of modern surveillance and human interaction in the face of new technologies
(Project X, 2014)
. While rapid development of technology is galvanising change in cosmopolitan Africa, it has brought about the alienation of traditional values within certain communal groups and societies. The artist gives form to a vision of human experience that is uprooted from an everyday reality; his occupied subjects seem to be caught within the revolutionary current of EthiopiaŌĆÖs past, one marked by the inescapable shadows of landless citizens.
Dawit Abebe
X Privacy 4
Mixed media drawings on paper
140 x 100 cm
AbebeŌĆÖs poetic inflections lead him into a study of human behaviour, through which the body becomes a vehicle for the navigation of modern surroundings.
By way of examining the transformations of interaction between bodies and structures, technology and forms, there emerges a unique conception in the public sphere. AbebeŌĆÖs beings exist between borders, and having done away with the bureaucracy and confinement of everyday life, they are given an imagined autonomy born of a doubling of concurrent states of being both anywhere and nowhere.
Dawit Abebe
X Privacy 5
Mixed media drawings on paper
140 x 100 cm
Dawit Abebe
No.2 Background 1
Mixed media painting
150 x 130 cm
Dawit Abebe
No.2 Background 3
Mixed media painting
150 x 130 cm
Dawit Abebe
No. 2 Background 5
Mixed media painting
150 x 130 cm
┬® Osei Bonsu, 2014
Dawit Abebe exhibition at the KH ŌĆō Kristin Hjellegjerde Gallery, London.
May, 2015, by David Franchi, London Art Reviews
The KH ŌĆō Kristin Hjellegjerde Gallery, London, proposed ŌĆ£Background 2ŌĆØ, an amazing exhibition by Dawit Abebe. It had different but involving ideas. Abebe is an Ethiopian artist who works and lives in Addis Ababa. He did not move to another country. Therefore his work maintains a sort of genuineness, and returns a fresh and uncorrupted point of view on changes happening in the area.
Dawit Abebe, in fact, is exhibiting also at Pangaea II, the latest show of the Saatchi Gallery, London. The focus of Pangaea II is the new developments on the African and South American continents.
In a sort of witty ŌĆśspin offŌĆÖ, Kristin Hjellegjerde Gallery, London, presents this artist of stunning abilities ŌĆō both for the ideas expressed but also in the technique using the media. The subject of his work is the contemporary complicated relationship between history and technology, and the ways in which these two elements live together today.
The exhibition ŌĆ£Background 2ŌĆØ was made of backward portraits. Abebe has also chosen different age groups for his subjects, putting the accent on the older generation. There were eighteen canvases on display, in which the depicted subjects were man only and taken from the back.
Dawit Abebe said: ŌĆ£From the back, because in our culture it means they are looking at the past. In recent years Africa has seen big developments. I feel that the coming of technology has seen a rapid transformation in Ethiopia. The younger people know less of our own history and are more involved with pop culture and social media.ŌĆØ
Read the entire article here
New Nairobi agency unveils the best of East African art
4th July 2014, By Zihan Kassam, Daily Nation
From Ethiopia were works by Ephrem Solomon and Dawit Abebe, both of whom are experiencing a rapid trajectory having recently been acquired by world-renowned art collector, Charles Saatchi. Ephrem Solomon is represented by Circle in Kenya.
Since his set of three paintings titled ŌĆśThe Poor Gambler,ŌĆÖ ŌĆśUntitled,ŌĆÖ and ŌĆśThe Gambler 4ŌĆÖ sold for a total of Sh704,400 at the November auction, SolomonŌĆÖs work has skyrocketed in demand, experiencing an impressive increase in value.
Walking into the ŌĆśEast African EncountersŌĆÖ exhibition at the Ramara showroom last month, Dawit AbebeŌĆÖs gigantic mixed media painting ŌĆśIn Between 6ŌĆÖ (180x140cm) was straight ahead and stopped all in their tracks.
An anonymous male figure is set to the left of the canvas, his frame tilted diagonally so that his feet rest at the bottom-centre of the work.
Like slides of a muddled kaleidoscope, gashes of paint in hazy geometric layers seem to eclipse each other. A natural colorist, Abebe works in a truly symphonic palette of vermillion and oxidised reds, orange, green, piercing blue, scribbly charcoal black, stark white and varying shades of ivory.
Evoking crucifixion, this enigmatic male figure has his arms outstretched and pinned back.
Because his body is so intentionally disproportionate, it is highly emotive. His wide chest, tapered legs, and fractioned body exude a strain that is hard to pinpoint. The character appears strong and wise, too wise for this world, perhaps. There is a feeling that he is rising and yet somehow still chained to fate.
Upon closer inspection, we see a murky world behind him (possibly representing the past) and a clear path before him (the future?). It is as if trying to break through to the foreground but the strong posts of a jagged fence are in the way.
There is definitely an interference. Perhaps that is why he finds himself in that strange place, ŌĆśIn BetweenŌĆÖ. We wonder, is Abebe portraying himself?
From Kenya, Jaroljmek selected some unconventional and radical artists; Kota Otieno, a free spirit who operates under the radar, perpetually astonishes his audience with ingenious use of materials.
Read the entire article here
X-privacy by Dawit Abebe
October 2012, Addis Rumble
Quite often the galleries at Alliance Ethio-Francaise in Addis Ababa seem too large for the work of only one artist. A number of solo-shows have left the visitor (at least this one) with the feeling that the artist was forced to produce an unrealistic amount of work to fill up the large spaces, and that this unfortunately happened at the expense of quality. However, this is not the case for Ethiopian artist Dawit AbebeŌĆÖs soloshow, X-Privacy.
Dawit satiates the galleries with a variety of work in different media that guides the visitor through his somewhat melancholic universe. A number of small-scale canvasses frame the view of a stunning wall-size painting in one end of the main gallery. The sidewalls are occupied by large drawings on paper in massive frames, leading up to a large installation in the other end. Two empty beds with TVŌĆÖs are hung from the ceiling and two of DawitŌĆÖs characteristic humans try to hold on to the sheets that connect them with the beds.
From canvasses to paper drawings to installation, Dawit maintains a red line through his exhibition and presents one of the best solo-shows the Alliance has presented this year. The show runs through October 25, so donŌĆÖt hesitate to stop by!
Read the entire article here
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ROLE: Editor-in-chief of the Talysh-language Tolishi Sedo newspaper and consultant of the Institute for Peace and Democracy.
FOCUS: Minority rights, in particular Talysh rights, Mammadov has been a fierce critic of the government, particularly of governmental discrimination against non-Turkic minority groups in Azerbaijan.
ARRESTED: 21 June, 2012 in Baku.
CHARGE: Drug possession (Article 234.4.3 of the Azerbaijani Criminal Code). On 3 July 2012, the editor's lawyer, Anar Gasimli, announced that Mammadov had been charged with the additional crime of high treason (Article 274) and inciting hatred based on nationality, ethnicity, social status or religion (Article 283.2).
CONVICTED: On September 27, 2013, Mammadov was sentenced to five years in prison.
CASE DETAILS: Mammadov was arrested on 21 June 2012 by officers of the Nasimi District Police Department. Police allegedly found heroin during a search of Mammadov's apartment, and he was subsequently charged with drug possession. During the search, one of the police officers reportedly asked Mammadov's father why his son defended the Talysh people. "Didn't he know how it could end up?" the law enforcement official is alleged to have asked.
Mammadov denies the allegations of drug possession and said he believes he has been targeted for political reasons. The Ministry of Internal Affairs denied that Mammadov's detention is politically motivated and stated that he was arrested because he had committed a crime. Mammadov was reportedly beaten in custody and photos documenting this abuse have been sent to the Nizami District Prosecutor.
On 23 June 2012 the Nizami District Court sentenced Mammadov to three months' pre-trial detention at the Shuvalan preliminary investigative detention centre. On September 10, 2012, Mammadov asked to serve the subsequent term under house arrest; this was rejected and his detention was extended. Mammadov was reportedly beaten on multiple occasions while in pre-trial detention.
CURRENT STATUS: Imprisoned
BACKGROUND INFORMATION: The Talysh are a minority group who mostly live in the southern regions of Azerbaijan near the Iranian border. Tolishi Sedo is the only Talysh-language newspaper in Azerbaijan, and one that has become notorious for the reprisals faced by its employees. A previous editor-in-chief of Tolishi Sedo, Novruzali Mammadov, died in prison in 2010 while serving a 10-year sentence on politically motivated charges of high treason. Hilal Mammadov served as the head of Novruzali Mammadov's defence committee.
Compiled by ARTICLE 19 from a variety of sources. Current as of 25/03/2015.


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A View From the Front Row: Vogue.fr Looks Back at Haute Couture Week Spring/Summer 2013
Haute Couture week. The opportunity afforded to a select few designers to demonstrate the expertise and savoir-faire of their artisans through some of the most breathtaking creations to ever take to the runway.
The Spring/Summer 2013 installment was a whirlwind, with designer's transporting us from a Spring garden, to the Arabian nights, to the future of fashion by way of a healthy dose of good old fashioned Hollywood glamour.
Take a look back at the highlights.
By Eliza Chubb.
Karl Lagerfeld set the scene for a spectacular show by transforming Paris' Grand Palais into a Goethe and Schiller-inspired woodland with a neoclassical amphitheatre at its heart. Models sporting dramatic headdresses and intense black eye make-up paraded a collection featuring the classic Chanel two-piece updated with statement shoulders, evening gowns with light-as-air puffball skirts and structured, sequinned floor-length dresses. The traditional bridal gown finale featured two brides walking hand-in-hand, leaving the fashion set to speculate that Lagerfeld was making a bold statement about the same-sex marriage laws in France, a hot topic at the moment.
Valentino Haute Couture writes the textbook on exquisite craftsmanship. The gowns in this season's collection have an ethereal quality, with sheer overlays, shimmering embellishment and skirts which are so expertly structured they appear to hang perfectly of their own accord. A standout of the show was the piping detailing which appeared on the opening looks.
The Elie Saab show will have delighted Hollywood stylists in search of award-season gowns, with plenty of the label's elegant sparkle and shimmer. The Lebanese designer's signature beaded lace was once again the fabric of choice, creating the irresistible interplay of prettiness and seduction which makes Elie Saab's take on glamour the stuff of red-carpet dreams.
Jean Paul Gaultier's Indian-inspired collection was a departure from the classic elegance which often dictates Haute Couture. The hippie-chic dresses had a nonchalant, relaxed quality, topped off with low-slung belts and statement earrings, and the vibrant colourways transformed the runway into a Technicolor feast for the eyes. Layering was everywhere you looked, with bold stripe prints, contrasting bands of different fabrics, jackets worn over dresses and patchwork mash-ups of material, print and colour.
For his latest Haute Couture offering at Dior, Raf Simons took his captivated audience for a stroll in the garden, where the motif of spring, of the reborn Dior of the Simons era, was ubiquitous. The pieces bore exquisitely crafted floral details in beading and embroidery, and the fluidity of nature was contrasted with the modern, structured quality of bodices, tailored trousers and voluminous skirts.
Dutch designer Iris van Herpen's collection, entitled Voltage, was charged with an overwhelming sense of modernity and progress. An electric showstopper served as the opener, with more than 300 volts passing through the body of a performance artist, generating a spectacular violet light effect. The clothes were created from a never-before-seen flexible 3D fabric, could this be the future of Haute Couture?
The Maison Martin Margiela Artisanal Collection is only in its second season but my, did it make a statement. The Spring/Summer 2013 offering brings the age old traditions of Haute Couture into modernity, expressing an eco-conscience by up-cycling old material collected from all over the world. Beaded art deco fabrics were reworked into dresses with the most untraditional zip closings, recycled velvet was transformed into slinky column dresses, and the final three looks of the collection were made entirely from sweet wrappers.
The wind came in from the East at Armani Privé, as Giorgio Armani presented a collection with a definite Arabian Nights-feel. Sleek separates were the focus, with jackets, waistcoats and cropped, flared trousers crafted from ornate silks topped off with fez-style hats. The final flourish of the collection's regal feel was the wand-like embellishment, which the designer revealed was inspired by a sceptre.
Atelier Versace covered all couture bases. For daytime, Donatella and co presented a series of gold pinstripe suits and dresses with a business-meets-glamour appeal. For evening, Versace's signature seductive edge found form in body-conscious cuts, short hemlines and thigh-high splits which celebrated the female silhouette. A message of feminine power from one of fashion's most successful women.
Giambattista Valli's creations are the perfect party pieces. The muted palette of the show was marked by an opening black and white section, featuring elegant trench coats and dresses with wonderfully structured skirts, which blended seamlessly into a series of pastel looks, only to be punctuated by two vibrant yellow dresses. The floral motif reigned supreme once again, with a particularly sumptuous dress embellished with flowers crafted from feathers.
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