text:
And the reviews are in:
"Divers thought the ST1 was one of the 'smoothest breathing' regulators of the bunch and gave it the highest ergonomic scores of all the regulators in this review. The comfort swivel helped boost comfort scores and test divers had praise for the user control knob and soft purge cover. This reg also received the highest score for Ease of Breathing and was the only reg rated Excellent by test divers for dryness. When we polled our test divers for their top reg in the price category, the ST1 was a clear Testers' Choice." - Scuba Lab
Atomic Aquatics ST1 Regulator
Why Stainless Steel & Titanium?
Stainless Steel delivers virtually the same corrosion resistance as Titanium at a lower price. Stainless Steel does not require protective chrome or nickel plating processes that can be harmful to the environment and is 100% recyclable. The ST1 second stage features all-Titanium components as in the T2 and B2 models.
A Breath of Fresh Air
Environmentally conscious topside...natural breathing at depth
The ST1 is another industry first from Atomic Aquatics. The first stage is beautifully machined from a special grade 316 Stainless Steel that is twice the strength of brass with corrosion-resistance approaching Titanium. The use of Stainless Steel means we are doing our part for clean air when divers are out of the water. The legendary Atomic design means divers also breathe easy at depth.
First Stage:
First stage machined from solid 316 Stainless Steel
Atomic Jet Seat high-flow piston first stage
Freeze protected factory-sealed first stage also prevents contamination such as silt and sand
Nitrox ready for mixtures up to 40%
First stage ports: 2 HP fixed / 5 LP on swivel cap
Second Stage:
All-Titanium second stage construction same as Atomic T2 and B2 models
Patented Atomic Seat Saving Orifice (Titanium)
Patented Atomic Automatic Flow Control (AFC)
Rapid adjustment knob for manual second stage de-tuning in special situations
All-stainless steel Atomic Comfort Swivel standard
A new high-flow second stage case lowers breathing effort at any depth from shallow water to beyond the limits
Dual material second stage cover enables entire front to be used for purge
Dual silicone comfort fit mouthpiece with tear-resistant bite tabs
2 year / 300 dive service interval
Limited Lifetime Warranty – not contingent on proof of service
Wide exhaust deflector to disperse bubbles for enhanced visibility
Here are some important answers to frequent questions regarding Atomic regulators...
What is Natural Breathing?
Atomic Aquatics has achieved what no other manufacturer has in a high-performance regulator – Natural Breathing. All Atomic regulators breathe with a natural and controlled air delivery sensation at any depth or breathing rate. Inhalation on the surface will feel the same as it does during your deepest dive. This is in part due to the AFC (Automatic Flow Control) employed in our second stages. This patented innovation is a simple device that adjusts the airflow automatically to compensate for the effects of depth. Atomic Aquatics regulators are the smoothest breathing regulators available...period.
What are the diving benefits of Titanium?
First, it is unbelievably lightweight which reduces stress during your dive and makes it a perfect travel regulator. Second, Titanium has no equal for corrosion resistance which means more safety, reliability and repeatable performance. And finally, its beautiful appearance stands apart from any other regulator.
Unparalleled light weight means less stress
In our mission to invigorate the diving experience, the first priority is on reducing stress – travel stress, gearing-up stress, jaw-clinch stress. The best way is to use the lightest material possible. But light weight must never compromise strength or durability. Titanium is the perfect solution. When you hold a Titanium Atomic regulator in your hand, you immediately realize the difference from other regulators. That means less stress for you from packing your gear bag, to donning, to even the final minutes of a long dive.


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Here is a rundown of New Year's Eve TV programming:
ABC-Dick Clark's Primetime New Year's Rockin' Eve with Ryan Seacreast-8pm
Ryan Seacreast hosts featuring Jenny McCarthy of The View and Fergie of the Black Eyed Peas as co-hosts. A slew of performances will take place including appearances by Miley Cyrus, Melissa Etheridge, Blondie, Macklemore & Ryan Lewis, Jason Derulo, Fall Out Boy, Jennifer Hudson, Icona Pop, Enrique Iglesias and Robin Thicke. The program will also feature a performance by Billy Joel, who will be playing a show in nearby Brooklyn, N.Y. at the Barclays Center.
Carson Daly will also be in Times Square to host an NBC special starting at 10 p.m. ET. Angela Kinsey of The Office fame will be on hand to help co-host the event, which will feature performances by Train and The Voice stars Tessanne Chin and Cassadee Pope. Mariah Carey and Blake Shelton are expected to appear, too.
Fox will celebrate New Year's Eve with a special hosted by Mario Lopez. J. Cole, Krewella, New Politics and Panic! At the Disco will perform.
Rodney Atkins, Susan Boyle and Blues Traveler will perform on Fox News Channel's All American New Year, with Elisabeth Hasselbeck and Bill Hemmer as hosts.
BET will host a special New Year's Eve event with a 106 & Party special, featuring hosts Lil Mama and Mack Wilds. A$AP Rocky, Trey Songz and August Alsina will perform.
PBS will air the New York Philharmonic Gala Concert featuring featuring guest cellist Yo-Yo Ma.

subset: commoncrawl


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UIS Pride
Great People, Great Place.
The University of Illinois Springfield employs over 1000 faculty and staff.
Generosity at UIS
- Each year, employees give generously to the annual State and University Employees Combined Appeal (SECA) charitable giving campaign.
- Faculty, staff and alumni purchase custom UIS license plates to support student scholarship funds. For each original plate issuance, renewal, or transfer of plates, the University receives $25 for student scholarships.
- The annual Staff Scholarship Silent Auction is a fun way to support scholarships for UIS staff members.
Faculty and staff facts:
- Full-time faculty: 218
- Part-time faculty: 161
- Academic Professionals: 211
- Civil Service: 303
- RAMP Administrators: 9
- Part-time (extra help and academic hourly): 201
- UIS has more than 34,000 living alumni located throughout the world.


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The Goodguys 18th Southeastern Nationals CharlotteWritten by Eric Geisert on April 1, 2012
If someone wanted you to come up with a formula to create a perfect car show, what would it be? Thousands of the best cars from the surrounding seven-state area? Timed autocross racing to test the driving skills of your average hot rodder? A swap meet that offers great items at good prices? An area set aside for displays for hundreds of manufacturers of parts and services you're interested in? Well, lucky for us, Goodguys perfected that formula years ago and has implemented it for nearly two decades in Charlotte, North Carolina.
The Goodguys Rod & Custom Organization has made a fine art out of creating an experience for rodders that is fun, easy going, and memorable. And, by holding their event for pre-'73 cars and trucks inside the Charlotte Motor Speedway, hot rodders get a couple of other benefits: you can "rent a ride in a rocket ship" (where you are a passenger for three laps around the track at 185 or so miles per hour) or you can have The Rookie Experience (where you get to drive NASCAR training cars up to 150 mph for eight laps). There is also time set aside on Saturday where rodders can take their own ride onto the banked oval track, albeit mandated at much lower speeds than the rocket ship rides.
The Southeastern Nationals is billed as a three-day show but, if you show up on Thursday, you can partake of a poker run that goes to various hot rod shops and ends up at nearby Fatman Fabrications. But the main attraction of the show is, of course, the thousands of hot rods that show up to crowd the infield of the facility. It's also an event where not only are dozens of those car owners rewarded with specialty awards, but the finalist for the Goodguys Muscle Car of the Year award is picked at this event as well as a handful of Builder's Choice cars, picked at this show by Detroit Speed's Kyle and Stacy Tucker. The Southeastern Nationals is also the ninth stop of 10 shows where STREET RODDER picks 10 of its finalists for the magazine's Top 100 program, sponsored by Painless Performance Products.
Goodguys also recently started a new program, called Super Sunday, where they allow any American-made or -powered car and truck into the show, regardless of year of manufacture, but only on Sunday. It's been a great success, too, as Sundays were usually when many of the rodders took the time to head home, but now a whole new group of enthusiasts can attend the show with their rides. By reinventing itself every few years, the Goodguys organization continually gives rodders what they want in a car show, and will continue to do so for years to come.
The Gasser Look
Goodguys Autocross
Painless Performance Products presents STREET RODDER TOP 100
For the Top 100 program, STREET RODDER attends 10 particular car shows each year and picks 10 vehicles at each to make up the Top 100. For more on where those shows are and how they're voted on, check www.streetrodder.com.
Tech Tip
Watts to Amps
Converting watts to amps for correct fuse selection is very simple. Example: If you have a headlight that is advertised at 90 watts, you simply divide the watts by the system voltage and you will get the amps it will consume; 90 watts divided by 12 volts equals 7.5 amps.
More Photos From This Article View Slideshow
You can build a cool custom out of nearly anything, and even a '41 Chevy can play the part. Frank and Smokey Potter, of Berlin Heights, OH, concentrating the efforts with a chopped top, rear skirts, and wide whites with flipper caps.There are some very subtle flames running down the side of Gary Feenstra's '26 Ford sedan. You don't see a lot of T sedans at hot rod shows much nowadays but, after seeing this one, makes us wonder why as it is one sharp-looking ride.A fair amount of thought went into this one by mixing several items from different years and cars to make a great statement. Scott Harrison from Machipongo, VA, owns it, and it uses the hood sides from Buick, the body of a '28 Ford Sport coupe, the wide-five wheels are '36-39 Ford, and the engine is a Chevy.Another nice custom belongs to Rick Hughes from Green Mountain, NC. His '50 Pontiac has a 455/400 engine and trans combo along with a sano white pleated interior.Claiming it to be a "real barn find," the owner of this '55 Chevy wanted $8,500 for it out in the swap meet area. The Goodguys swap meet in Charlotte has gotten bigger every year, and many a project can be started by walking the aisles.See? They don't all have to be Fords! Len Beal's '33 Pontiac was very nice, and rolled in from Harrogate, TN. The red color on the wheels was carried through to the interior with a simple wide pleat layout on the bench seat and door panels.
There are five classes of autocross racing, and in the Street Rod division Bob Cross, in his Deuce coupe, was only 5 seconds behind the eventual winner: Donny Freise. Freise's fastest was a 39.739-second run, followed closely (by less than 1 second!) by his wife, Angela, with a 40.724 in the very same black Deuce roadster, though she may have been slowed down in at least one pass with a passenger (Brandon Flannery from Goodguys was literally hanging onto his hat). For comparison, the slowest time in the Street Rod class was a 64.816-second run put in with a '38 Chevy, while the fastest time of the meet was recorded with a '66 Chevelle in the Street Machine class (39.221).Steve DeMarco, Clinton, NC / 1930 Ford Tudor Steve DeMarco looks like he's having fun with his sedan, which is chopped 3 inches in the front and 6 inches in the rear (he reshaped the rear section of the body to resemble a Model T sedan). With a scratch-built chassis equipped with airbags on each corner, the car runs a small-block Chevy with the intake converted to look like a Hemi with six Rochester carbs.Jason Graham, Portland, TN / 1930 Ford Tudor Jason Graham won a Top 100 award with another car in the past, and he's done it again with this '30 Ford sedan. Chopped 7 inches and on top of a custom Z'd frame, the rod gets its go from a 392 Hemi (topped with four Strombergs) and backed to a five-speed transmission.Greg Shreffler, Westminster, SC / 1932 Ford five-window Looking like a throw-back to the '60s, Greg Shreffler's coupe is not only Ford 302 powered, but it uses a fair amount of Holman-Moody dress-up parts for the engine. The off-white firewall, a red pleated interior, and gray cast five-spokes all work to keep the theme together.Don Jackson, Mooresville, NC / 1950 Chevy DeLuxe Performance Vehicle Works built this beast, which is powered by a twin-turbo LS3 bolted to a six-speed transmission. They built the chassis using Corvette C6 suspension up front and a Ford 9-inch out back. C6 brakes are on each corner and the rollers are new Camaro wheels.
Howard Wagner, Wrentham, MA / 1930 Ford roadster Originally built in the '50s, this Model A hot rod was recently restored by Rich Oakley to exacting standards for its owner, Howard Wagner. A 241 Dodge Red Ram Hemi, a '39 Lincoln tranny, and a '47 Studebaker dash with '48 Buick instruments are all original to the car, which was owned in the '60s by Pete Miller of Lima, OH.Rick Wedgeworth, Johnson City, TN / 1964 Ford Thunderbird Now here is something you don't see every day! Under that long hood is an '03 4.6L, 32-valve, supercharged Cobra motor. With RideTech 'bags, Billet Specialties wheels on each corner, and Dakota Digital gauges inside, Rick Wedgeworth's 'Bird is sure unique.Mike Moore, Indian Trail, NC / 1934 Plymouth coupe In the family for decades, this Plymouth took almost four years to build, and was finished off with body and paintwork by Ron Dudley. A 350 ZZ4 and 700-R4 engine and trans combo is in place, and the interior was done by Hot Rod Interiors.Frank Tetro, Melbourne, FL / 1932 Ford roadster You should be able to spot the quality a mile away with this one: it was built at Bobby Alloway's shop in Tennessee. Frank Tetro got a superstraight, all-black Deuce roadster that is motorvated by a 468-inch big-block Chevy backed to a five-speed trans. The chassis has been stretched 3 inches and the top handmade.Keith Colby, Gainesville, GA / 1928 Ford roadster pickup Keeping up with his brother, who won a Top 100 award at the Goodguys Puyallup event with his own car earlier this year, Keith Colby's all-steel roadster pickup was originally built in the late '90s by San Diego's Paul Bos with a '65 327 engine and a Halibrand quick-change rear. Keith is more than happy to keep the flame alive with this one.Ted Debruhl, Spotsylvania, VA / 1962 Chevy Impala Clean and simple is the way Ted Debruhl wanted his Chevy, and that's the way he got it. Norwood Wooding at Wooding's Auto Body saw to that, and he set up Debruhl's Bow Tie with a ZZ4 motor and 13-inch disc brakes before upholsterer Chuck Hanna finished it off.


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text:
The stars came out to wish Kenny Florian a happy retirement on Tuesday's new edition of "UFC Tonight" on FUEL TV.
Florian, a cohost of "UFC Tonight," announced his official retirement from the sport this past weekend prior to The Ultimate Fighter Finale.
On "UFC Tonight," with training partners, coaches, family and friends weighing in during a surprise retirement video, Florian was all smiles.
Check out the embedded clip to the right.
With his fighting career now over, Florian will focus on his UFC broadcasting duties, which include color commentary at this weekend's UFC on FX 3 event.
Florian (14-6 MMA, 12-5 UFC) first debuted with the UFC in 2005, when he was a middleweight runner-up on the groundbreaking first season "The Ultimate Fighter." In fact, UFC president Dana White first discovered "Ken-Flo" when he saw him during a 2005 scouting trip for Drew Fickett, who ultimately defeated Florian via close split decision in a regional show. White, though, was impressed and offered Florian a spot on the show anyway. Despite his small size for the division, Florian made it to the tournament's finals, where he ultimately lost to Diego Sanchez.
Florian, who spent most of his career in the lightweight division, ultimately competed in four different weight classes during his 17-fight UFC career. His final two came in the featherweight division, where he admitted to grueling weight cuts to make the 145-pound limit for a final but unsuccessful title run.
From 2005 to 2010, Florian went 11-2 with 10 stoppages. The only losses came to Sean Sherk and B.J. Penn, the first two of three eventual title fights. However, he posted wins over the likes of Clay Guida, Takanori Gomi, Joe Lauzon and Sam Stout, among others, during non-title bouts.
The Massachusetts native and former Boston College soccer player remained a fan favorite throughout his career, and he has been a go-to ambassador for many UFC ventures.


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Out of Stock
Item # KEG0004
Don't worry though, we have a lot more Drivetrain Small Parts in stock than that.View Similar Products
K-Edge Chain Catcher - Braze-on $0.00
The violence of the spring classics' cobbles can make a chain do bad things mid-shift. It's for this very reason that pro team mechanics have long fashioned one-off metal widgets to keep chains from dropping between the inner chainring and the bottom bracket. Like 44t Record chainrings and custom-embroidered saddles, these anti-drop chain retention devices have long been exclusive to the pros. That is, until now. With the K-Edge Braze-on Chain Catcher you get the same safeguards: your chain will never shoot inward beyond the inner chainring, giving you the confidence to slam it into the small ring at will when you round a corner on an unknown race course and are faced with the fleeting terror that comes with the first sighting of an abrupt climb. The real benefits, aside from quick and worry-free shifts, are protection for your lovely carbon fiber race bike and your chain will be right where you want it to be when you aim to grind your rivals into the tarmac.
The K-Edge Braze-on Chain Catcher is made specifically for braze-on front derailleur tabs. What this really means is that you need to use either a braze-on front derailleur, or a clamp-on front derailleur that does NOT have an integrated clamp (i.e. it's a braze-on front derailleur mated to an adapter clamp.) It's made from CNC-machined 6061 T6 aluminum in Boise, ID. It weighs 10g and is available in six colors -- Black, Blue, Gunmetal, Gold, Red, and White. It comes with 2 mounting bolts -- 20mm for Shimano or Campagnolo, and a 25mm for SRAM. It's worth noting, too, that the instructions are phenomenal.
Tech Specs
View more Drivetrain Small Parts
Reviews & Community
Simple but works
I have tried a few chain guides, all will work if installed properly. This model allows you to make adjustments to it without messing up your front derailleur operation. Every other model makes you loosen both the chain guide and FD. Love the colors too, I got a Red one!
Makes the most reassuring clink ever
- Familiarity: I've used it several times
After building up a new bike, my first carbon frame mind you, I wanted to ensure that there was nothing that would do damage to it. So to help with scuffs, or chain damage, I wanted to make sure that I was covered with my K-Edge. This has been perhaps the most reassuring part of this build that I have made. This $20 part has already caught my chain at least two times so far, delivering the most reassuring clinking sound I have ever heard. In fact, I got to test it on my first ride. Thank you K-Edge and Competitive Cyclist for helping me stay riding, and my bike in the best shape possible! Get this for your ride, you won't know why you'll need it until you find out why on a steep hill. Get it.
Don't build your bike without it!
- Familiarity: I've put it through the wringer
This $20 item is worth every penny! Shift with confidence anytime knowing that your chain is not going to drop ! Putting one on my other 2 road bikes! Don't leave home without it! It's the best $20 you'll spend!
- Familiarity: I've used it several times
A MUST MAVE!!! I made the mistake of buying one AFTER my chain dropped and wedged between the crank and frame. Leaving a nice dent from the chain and scratching the clear coat off. My brand new (2wk old) carbon fame…..the first bike I've had that is glossy and not flat black. I literally want to throw up! Another lesson learned the hard way.
Peace of mind - a bit tricky to install
- Familiarity: I've used it several times
I never had issue with my chain dropping on my alum road bike, but brought this product to protect my new carbon bike. Installing was a bit tricky - hint - hold the chain catcher & derailleur cage while tightening the bolt to the keep correct spacing of the chain catcher & derailleur position.
simple, elegant and functional
- Familiarity: I've put it through the wringer
Excellent design, simple to adjust, many colors to match components or frames. Nothing is worse than downshifting in the front and having your chain drop when you're about to attack on a steep climb. This has saved the day on several occasions.
Works great
- Familiarity: I've used it several times
This is a great product that works flawlessly and as intended. Looks great as well and like the fact that you can adjustable how close want to chairing.
WHY not have one?!?!
- Familiarity: I've put it through the wringer
The K-Edge Chain Catcher maybe be the best little component you can buy for your bike. It saves you from chipping your frame that you have been saving up for years. As well as from dropping your chain as your about to win your next race.
If you don't want to drop your chain ever again I suggest going with the K-Edge chain catcher.
Every bike should have one
- Familiarity: I've put it through the wringer
It will make your life so much easier. I cant count how many times the k-edge has saved me in a race.
It's a small price to pay when buying a new bike. You'll save your frame and more importantly your dignity.
It is a win win item!
- Familiarity: I've put it through the wringer
Expensive............crazy so! But worth it when changing chain rings and when you don't want that dreaded chain drop! Just wished I had thought of this little gadget. So bottom line is..................it's worth every penny!
$40 but in comparison to a $4k frame !!!! its a great investment and it works
K-Edge Chain Catcher - Braze-on
This little thing has saved me a few times this season. Such a simple little thing that makes such a big difference! It's one of those things that you can't really appreciate, but thinking about it now I realise my chain never dropped this season!
Buy it
I can't believe this hasn't been made earlier, popped it on my 7 year old dura ace 7700 FD works like magic, no more dropped chains on bumpy roads. and it looks pretty cool too, the red matches my frame nicely. seems a little pricey for something i probably could have had the school metal shop make for me for free in college


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This has been a very challenging week for cupping. Why? I can't taste.
It all started on December 21st when we were flying to my sisters house in Tucson for Christmas. Ben turned to me on the airplane and sneezed directly into my gaping mouth. (I wonder if you can buy those full face shields the dentists use these days, for protection when your kid is sick. It's just a given he is going to sneeze directly on me at some point).


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President Barack Obama took to Twitter on Monday to answer questions about the fiscal cliff. Here are his answers.
Storified by Ivan Lajara � Mon, Dec 03 2012 11:59:11
Over 300,000 Americans have spoken out on extending middle-class tax cuts. What does $2k mean to you? Tell us w/ #My2k: http://on.wh.gov/9sC0QwGThe White House
Good to see lots of folks on twitter speaking out on extending middle class tax cuts. I'll answer some Qs on that at 2ET. Ask w/ #My2k -boThe White House
hey guys - this is barack. ready to answer your questions on fiscal cliff & #my2k. Let's get started. -boThe White House
Photo of Pres Obama's hands typing #My2k answers @ whitehouse: http://pic.twitter.com/DhsfAN1bpetesouza
Photo of Pres Obama answering #My2k questions on twitter right now @whitehouse: http://campl.us/m5HYpetesouza
Mr. President, can you assure us that any "fiscal cliff" negotiations regarding entitlement reform will not hurt the most needy? #My2KPhillip M. McKenzie
.@pmmckenzie we can reduce deficit in balanced way by ending tax cuts for top 2% + reforms that strengthen safety net & invest in future -boThe White House
Mr. President, why won't keeping tax rates low across the board encourage more hires and therefore more tax revenue? #my2kMike Vanderwyst
.@mike5673 high end tax cuts do least for economic growth & cost almost $1T. extending middle class cuts boosts consumer demand & growth -boThe White House
@BarackObama #My2k As a recent college grad w/o a full time job, these cuts wouldn't help me, would they?Mandi
.@dontbeaprat cuts w/out revenue=reductions in student loans; work/study & college tax credits expire. Bad for growth. like your hair! -boThe White House
.@dontbeaprat cuts w/out revenue = reductions in student loans; work/study & college tax credits expire. Bad for growth. like your hair! -boThe White House
@whitehouse what is your opposition to taking away deductions for the 2% rather than up the rate? Seems like a reasonable compromise #My2KHunter
.@huntertred not enough revenue, unless you end charitable deductions, etc. less revenue=more cuts in education etc http://wh.gov/5rTh -boThe White House
@BarackObama Mr. President, Why not place more emphasis on reducing government spending, than on raising revenues? #My2K #WHChatDavid Osteen
.@davidosteen (part 1) already cut $1T+ in gov spending last yr. Discretionary spending lowest as % of GDP since ike. #my2kThe White House
.@davidosteen (part 2) Open to more smart cuts but not in areas like R&D, edu that help growth & jobs, or hurt vulnerable (eg disabled) - boThe White House
As a home owner, I worry deductions for home owners are at risk. Is that the case? #My2kEmma Robertson
.@soitgoesem breaks for middle class impt for families & econ. if top rates don't go up, danger that middle class deductions get hit - boThe White House
@whitehouse Is there a minimum ratio of revenue increases to spending cuts that you're looking for, or simply a balanced approach? #my2kJason Feinman
.@jjfein don't expect 100% my budget; room to negotiate. if you incl $1T+ in cuts already made, rough balance b/w rev & cuts does trick -boThe White House
Who will win it all first: Chicago #WhiteSox, #Bulls, or #Bears? #NFL #NBA #MLB cc: #My2k @BarackObama @whitehouseMica
.@Mica4Life da bears still gotta shot, despite sad loss this weekend! plus rose will return for playoffs!!! -boThe White House
Gotta go. Thx. Keep pressure on Congress. Call, email, tweet your Member & tell them what 2k means to you. Lets get it done. #my2k -boThe White House


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Jump to Content
U.S.A. (Composer's Medley-Cuban Conservatory) 1948
U.S.A. Stuff 3003
Umbrella man, The E#15
"Umbrellas of Cherbourg," Theme from (3335), S#304
Unchained Melody 2466
Under a Blanket of Blue 2699
Under a Strawberry Moon 552
Under Paris Skies 2465
Underneath the Arches 1241
Unforgettable (3076), S#460
University March Songs (No Score) 2722
University of Southern California Football Song "Lights out March" 1775
Until 1756, 3115
Until the Stars Fall down 553
Until Tomorrow 551
Untitled (It's Time for Love
Untitled (Concerto)
Untitled Too 3209, 2949, 3212
Up a Lazy River 1167, 2952, 2957
Up up and Away 3422
Uptown Saturday Night 548, 2712
Us on a Bus 550
Use Your Imagination 2100
Vagabond Dreams 132
Vagabond Lover 467
Valse bluette [arr. by Dell Lampe] E#358
Valse Triste [Eddie Sheasby arr.; 1938] 181
Vampin' 2113
Vanessa 3039
Vanity 2140
Varsovienne, La (2 arr.) 1894
Vassar Drive 2043
Vaya Con Dios 2290
Velvet Glove,The 2353
Very Thought of You, The 468, 613
Very Thought of You, The - Medley #9 [Bye Bye Blackbird] 3353
Vesti La Giubba [Verdi] 470
Victors, The (Michigan) March 1599
Victors, The [Michigan] (2722), S#128
Victory March 110
Victory Polka 469
Victory polka NO#
Victory Train 497
Viene Su 2467
Vieni, vieni E#418
Vienna beauties NO#
Vienna, city of my dreams NO#
Vienna Life 111
Vienna life [arr. Eddie Sheasby, 1936] NO#
Vienna Woods, Tales from - Blue Danube (Old-no Score) 3248
Vienna woods (3248, 3148), S#611
Viennese waltzes (3154) [Vilia; Wien, Wien; Merry Widow]S#612
Vilia (From the Merry Widow) 1630
Violets NO#
Violin concerto E#359
Violin Medley [when a Gypsy Makes His Violin Cry; Play Fiddle Play; Dark Eyes; Two Guitars; Play Gypsies, Dance Gypsies] 2183
Voice in the Wind 471
Voices of Spring 1768
Volare 2838, 2855
Vous Qui Passez 549
Wabash Blues Medley ("Old Times" Album) 2963, 1853
Wait for Me, Mary, If That's the Way You Want it 1440
Waitin' for the Train to Come in 1488
Waiting E#372
Waiting 1496
Wait'll I Get My Sunshine in the Moonlight 1456
Wake the Town and Tell the People 2464
Walk Hand in Hand 2561
Walk Talk 614
Walkin' down to Washington [arr. Al Woodbury, 1960?] NO#
Walkin' my baby back home (3036), S#482
Walkin' to Missouri 2265
Walkin' with My Honey 623
Walking happy [inst.] (3405), S#28
Walking in the Rain, Just 2624
Walking Music 1445
Walter Winchell Rhumba [New] 2782, 1673
Walter Winchell rhumba S#365
Walter's rhumba E#362
Waltz at Maxim's (2880), S#345
Waltz of the flowers [2 arr.] (1441), S#614
Waltz of the Puppets 2134
Waltz you saved for me, The E#14
Wanna be loved NO#
Wanted 2508
Warren Medley 1513
Warsaw Concerto 1457, 2180
Warsaw concerto (2786), S#298
Wasn't it You 1477
Washington (March) 2722
Washington Square [Vocal] 3259
Watch what happens [inst.] (3447)S#81
Water Loo 1450
Way back home E#382
Way Back Home [No Score] 3186
Way down under 1388
Way down yonder in New Orleans [arr. by Fred Van Eps] E#416
Way down yonder in New Orleans [Joe Graves Vocal + Trumpet] 3216
Way you look tonight E#361
Way we were, The (3513) [arr. BB]S#99
Way You Look Tonight, The 1481
Way you look tonight, The (2144, 2239), S#299
We Are the Boys from Florida (March) 2272
We Could Make Such Beautiful Music Together 1487
We Did it Before 555
We Just Couldn't Say Goodbye 1749
We Kiss in a Shadow 2105
We Live for Love Tonight 1462
We musn't say goodbye E#375
We Three 1433
We Want to Be Happy 2072
We Want to Say "Hello" 2179
We will always be sweethearts [arr. Eddy Sheasby, 1936] NO#
We'd like to Make Ourselves at Home (See HB-32) HB-214
Weddin' Day 1806
Wedding Waltz,The [How Can You Forget] 119
Wedding waltz NO#
Weeping willow tree NO#
Welcome to My Dreams 1479
We'll Be Together Again 1486
We'll Gather Lilacs 1413
We'll Never Know 136
We'll never know NO#
Well, Well, Well 1411
Wells Fargo Wagon, the 2823
Went out of My Way 1420
We're Never Too Busy to Say Hello 1951
West Point March 2722
West Side Story (Overture) 3194
West Virginia 1421
West Wind 1444
We've Got a Lot of Livin' to Do 3258
What a difference a day makes E#369
What Am I Gonna Do about You 1469
What a Town 2729
What are you doing? [arr. John Newsome, 3-75]S#98
What Did I Do 1758
What do we care if it's one o'clock NO#
What Do You Hear in Your Heart 1416
What Does a Soldier Dream of 1422
What goes on E#363
What Goes on Here in My Heart? 1539
What Good Would the Moon Be? 1428
What Have We Got to Lose? 556
What I did for love [arr. BB]S#87
What Is it with You? 1451
What Is this Thing Called Love? 1435
What kind of fool am I? (3196)S#159
What Makes the Sunset 1436
What More Can I Ask for? 1426
What Now, My Love? 3332
What People Dream about 2622
What Word's Sweeter than Sweetheart 1418
Whatcha Say 1443
Whatever Lola Wants 2403
What'll I Do? 1670
What's a Man Supposed to Do? 1480
What's Good about Goodbye? 1617
What's new E#365
What's New? [no score] 2701
What's new [arr. Ray Austin](3528, 3265), S#36
What's New?, So [different tune] 3397
What's the reason? E#415
Whatta Ya Gonna Do 1463
When Am I Going to Kiss You Goodmorning 2709, 1485
When Day Is Done (Paul Whiteman 3236, 197
When I fall in love (2178), S#190a
When I grow too old to dream E#370
When I leave the world behind E#381
When I write my song E#360
When I'm 64 (No Score) 3495
When Irish Eyes Are Smiling 3321, 137
When I Saw you 1417
When It's Springtime in the Rockies (Hitz) (No Score) 2664
When Mother Nature Sings Her Lullaby 139
When Mother Nature sings her lullaby NO#
When My Baby Smiles at Me 3301
When my baby's by my side E#374
When my dreamboat comes home E#380
When My Dreamboat Comes Home 2594
When the Boys Come Home 1494
When the Circus Comes to Town 142
When the Leaves Begin to Fall 1424
When the Lights Go on Again 1423
When the One You Love 1464
When the Shepherd Leads His Sheep Back Home 1419
When the White Lilacs Bloom Again 2612
When the White Roses Bloom 2705, 1471
When they ask E#366
When they played the polka E#379
When Will You Say You're Mine? 2471
When You Left Me 1762
When You Walk in the Room 1478
When You Wish upon a Star 1789, 133
When Your Lover Is Gone 1472
When You're near Me 3085
When You're Smiling 1474
When you're smiling [medley] (3199), S#408, S#40
Where 1497
Where Am I Without You 1412
Where are you? E#417
Where Are You Gonna Be When the Moon Shines 1955
Where Do I Go from You 2070
Where Did the Night Go 2206
Where in the World 1495,1414, 3464
Where or When [3 arr.] 1446
Where or when (2468), S#287, S#473
Where the Blue of the Night [Short Segment] 2922
Where Ya Goin? What's the Hurry? Where's the Fire? 1901
Where You Are 1490
Wherever There's Me There's You 1453
Wherever You Are 1461
Whiffenpoof Song, The 517
Whiffenpoof Song, The (College Medley) 1989
While the Angelus Was Ringing 2022
While you're away E#367
While You're Away 1447
Whirling bridge NO#
Whisper Time 1483
Whispering 1473
Whispering E#364
Whispering (2966, 1473)S#474
Whispering Medley ("Old Times" Album) 2966
Whistle a Happy Tune, I 3070
Whistling Away the Dark [from "Darling Lili"] 3457
Whistling in the Dark 1459
Whistling in the Night 1460
Whistling Waltz, The 1546
White Christmas 2858
White Christmas medley [1945---3 arr.] [incl. Jingle bells; Sleigh ride; Let it snow; Xmas Concerto], (1454), S#70
White Christmas [Christmas Medley, 1954] 2516
White in the Moon the Long Road Lies 1448
White sails E#378
White Shadows 141
Whiteman Medley 2469
Who (845), S#300
Who Are You 1476
Who can I turn to (3306), S#156
Who Cares What People Say 1489
Who Did 1431
Who Do You Know in Heaven 1875
Who Knows 1468
Who Needs You 2638
Who Put That Dream in Your Eyes 1679
Who stole my heart E#377
Who Stole My Heart 1432
Who Told You That Lie 1465
Who wouldn't love you E#368
Who Wouldn't Love You (Kay Kyser) 3283, 2060
Whole World, The 2806
Whole World in His Hands, He's Got the 2806
Whole World Is Singing My Song, The 1470
Who's Got Your Heart 138
Who's My Baby 1430
Why E#385
Why did you make me care? NO#
Why do I love you (2069), S#297
Why Does it Get So Late So Early 1694
Why Does it Have to Rain on Sunday 1442
Why Don't We Do this More Often 1475
Why don't we do this more often [new] (2801), S#193
Why Don't We Say We're Sorry 1467
Why Don't You Believe Me 2276
Why Don't You Fall in Love with Me 1439
Why dream? E#414
Why Fight the Feeling 2071
Why, Oh Why 1521
Why Shouldn't I 1539
Wild Goose, The Cry of the 1917
Wilhelmina 2025
Will I Ever Tell You 2804
Will you remember [arr. Eddy Sheasby] NO#
Will You Say You're Mine 2471
Will You Still Be Mine? 2470
William Tell 579
Wilkommen (3408), S#277
Winchester Cathedral [inst.] (3401), S#29
Windmills [no score, gt + vlns] (3485)S#73a
Wine & Roses, Days of 3238
Wing Ding Tonight 3116
Winter Blossoms 53
Winter blossoms NO#
Winter Wonderland E#424
Wise Old Owl 1438
Wish I Wish Tonight, The 1415
Wish You Were Here 2184
Wish you were here medley [I've got you under my skin; I concentrate on you](2886) S#107
Wish you were waiting for me E#371
Wishing 217
Wishing Waltz, The 1449
Witch is dead, The E#46
Witchcraft (2811)S#126
With a Hey and a Hi 1683
With a Little Bit of Luck 2642
With a song in my heart E#373
With a song in my heart (3077), S#301
With Every Breath I Take 2289
With My Eyes Wide Open I'm Dreaming 1928
With my head in the clouds E#376
With My Head in the Clouds 1452
With plenty of money E#383
Without a word of warning E#384
Without My Walking Stick 140
Without You 1482
Wizard of Oz Medley 246
Woman/Man NO#
Wonder how I look NO#
Wonder When My Baby's Coming Home 1492
Wonder Where My Baby Is Tonight 2423
Wonder Why 2141
Wonderful Day like Today, on a 3349
Wonderful One 1437
Woodchopper's Ball [publ. arr. Glenn Osser]S#401
Woodpecker Song 1484
Woody Herman (Cavalcade..."Woodchoppers") 2720
Woofer Tweeter (Cha-cha-cha) 2874
Words of love NO#
World Is Mine, The 2209
World Is Waiting for the Sunrise, The 1429
World Is Your Balloon, The 2151
World of No Goodbyes, a 2987
World on a String, I've Got the 2315
Would I Love You 3102
Would Ja Mind 131
Would You 3127
Would you NO#
Would You Believe Me 1427
Wouldn't it Be Lovely 2627
Wrong Note Rag, The 2330
Wunderbar [arr. Bill Jones] (2605) S#228
Xmas song (1382), S#71
Xmas stuff E#386
Yam, The E#13
Yellow Bird [Headdress Ball #3, 1978] NO#
Yesterday (3409) [arr. Ray Austin]S#259
Yesterdays (3105)S#303
You E#394
You are too beautiful (1401)S#285
You can't hold a memory E#393
You can't pull the wool over my eyes E#403
You couldn't be cuter NO#
You do something to me E#387
You do something to me (2473), S#394
You do the darnndest things E#402
You get under my skin NO#
You go to my head E#401
You grow sweeter NO#
You inspire E#391
You know who wears it [arr. Jack Elliott; Georgio's 20th Anniv. Banquet, n.d.] NO#
You light up my life [arr. Sid Appleman]S#48
You should have told me E#389
You taught me to love again E#400
You were meant for me (1584)S#475
You'll never know (1701)S#454
You'll never remember E#390
Young at heart (2358)S#187
Young at heart [arr. Reitan] NO#
You're a builder upper E#292
You're a sweet little headache E#399
You're just in love (3089)S#390
You're nobody til somebody loves you (3297)S#124
You're pretty terrific NO#
You're sensational (2562)S#140
You're so different NO#
You're the dream E#397
You're the dream NO#
You're the moment E#392
You're the only star in my blue heaven NO#
Yours and mine NO#
Yours for the asking NO#
Yours is my heart alone E#398
Zhivago/2001 [arr. Bob Ballard, 9-3-73] NO#
Zigeuner NO#
Zip-a-dee doo-dah E#388
BOX 1: PUBLISHED SHEET MUSIC [N.B.---most items in this box are represented by arrangements in Series I; sheet music bearing arranger's notations has been left with the related arrangement]
PUBLISHED SHEET MUSIC: A lot of livin' to do (Charles Strouse), 1960
PUBLISHED SHEET MUSIC: A room without windows (Ervin Drake), 1963
PUBLISHED SHEET MUSIC: A Successful campaign (arr. Henry Wehrmann), n.d.
PUBLISHED SHEET MUSIC: A Sunday kind of love (Barbara Belle, et al.), 1956
PUBLISHED SHEET MUSIC: A treasury of million record song hits [incl. A guy is a guy; After my laughter came tears; Anna; Are you lonesome tonight?; Autumn in Rome; Carolina moon; Early autumn; Good luck, good health; God bless you; Goodnight, Irene; I believe; Music, Music, Music; On top of old Smoky; So long (it's been good to know yuh); Swedish Rhapsody], n.d.
PUBLISHED SHEET MUSIC: A very precious love (Sammy Fain), 1958
PUBLISHED SHEET MUSIC: Addie's at it again (Jack Lawrence & Stan Freeman), 1964
PUBLISHED SHEET MUSIC: "Airport" Love Theme (Alfred Newman), 1970
PUBLISHED SHEET MUSIC: Alfred Hitchcock Presents (Charles Goundod; piano version by Gregory Stone), 1956
PUBLISHED SHEET MUSIC: Alfred Hitchcock Theme, The (Charles Gounod; piano version by Lyn Murray), 1962 [used for ACE Awards, 1964]
PUBLISHED SHEET MUSIC: All-American square dances [incl. more than 50 numbers], 1941
PUBLISHED SHEET MUSIC: All or nothing at all (Jack Lawrence & Arthur Altman), 1940
PUBLISHED SHEET MUSIC: Almost (Jack Lawrence & Stan Freeman), 1964
PUBLISHED SHEET MUSIC: Around the world in 80 days [8 themes from] (Victor Young), 1956
PUBLISHED SHEET MUSIC: Baby face (Davis-Akst), 1926
PUBLISHED SHEET MUSIC:"Benji" Benji's Theme: I feel love (Euel Box), 1975
PUBLISHED SHEET MUSIC: Best things in life are free, The (Ray DeSylva, n.d.)
PUBLISHED SHEET MUSIC: Bewitched (Howard Greenfield & Jack Keller), 1964 [lead sheet used at ACE Awards]
PUBLISHED SHEET MUSIC: Big country, The (Jerome Moross), 1958
PUBLISHED SHEET MUSIC: Big Ten College Football Songs, The, 1945
PUBLISHED SHEET MUSIC: Bowling song, The (Charlie, Harry & Henry Tobias), 1950
PUBLISHED SHEET MUSIC: By the light of the silvery moon (Edwards), 1909
PUBLISHED SHEET MUSIC: Bye, bye blackbird (R. Henderson), 1948
PUBLISHED SHEET MUSIC: Calypso is like so [anthology plus dance instructions], 1957
PUBLISHED SHEET MUSIC:"Cardinal, The" Main Theme from (Jerome Moross), 1963
PUBLISHED SHEET MUSIC:"Cardinal, The" Waltz from (Jerome Moross), 1963
PUBLISHED SHEET MUSIC: Carolina in the morning (W. Donaldson), 1922
PUBLISHED SHEET MUSIC: Carolina moon (J. Burke), 1928
PUBLISHED SHEET MUSIC: Chansons francaises de Paul Misraki [5 songs], 1943
PUBLISHED SHEET MUSIC: China nights [Shina no yoru] (Yaso Saijo & Nobuyki Takeoka), 1956
PUBLISHED SHEET MUSIC: Costa Mesa plateau, The (June Hoadley), 1963
PUBLISHED SHEET MUSIC: Cumana (Barclay Allen), 1947 [Freddy Martin publication]
PUBLISHED SHEET MUSIC: Curfew shall not ring tonight, The (Peter DeRose), 1936
PUBLISHED SHEET MUSIC: Dancing (Jerry Herman), 1963
PUBLISHED SHEET MUSIC:"Darling Lili" vocal selections (Henry Mancini), 1970
PUBLISHED SHEET MUSIC: Diamonds are a girl's best friend (Jule Styne), 1949
PUBLISHED SHEET MUSIC: Disorderly orderly, The (Leon Carr), 1964
PUBLISHED SHEET MUSIC: Dizzy Fingers: Zez Confrey's novelty piano solos, 1923
PUBLISHED SHEET MUSIC: Do you ever think of me? (E. Burnett), 1920
PUBLISHED SHEET MUSIC: Doctor Dolittle [all tunes in one vol.] (Leslie Bricuse), 1967
PUBLISHED SHEET MUSIC: Don't marry me (Richard Rodgers), 1958
PUBLISHED SHEET MUSIC: Down in the depths (Cole Porter), 1936
PUBLISHED SHEET MUSIC: Down in the valley (Frank Luther), 1943
PUBLISHED SHEET MUSIC: Dream (J. Mercer), 1945
PUBLISHED SHEET MUSIC: East of the sun (Bowman), 1938
PUBLISHED SHEET MUSIC: Everything beautiful happens at night (Harvey Schmidt), 1963
PUBLISHED SHEET MUSIC: Faith (Jack Lawrence & Stan Freeman), 1964
PUBLISHED SHEET MUSIC: Flight of the bumble bee, The (Nikolai Rimskii-Korsakov), 1932
PUBLISHED SHEET MUSIC: Forty French hits of our times, 1956
PUBLISHED SHEET MUSIC: Friendliest thing, The (Ervin Drake), 1963
PUBLISHED SHEET MUSIC: Georgy girl (Tom Springfield), 1966
PUBLISHED SHEET MUSIC: Get me to the church on time ["My Fair Lady"] (Richard Rodgers), 1964 [used at ACE Awards]
PUBLISHED SHEET MUSIC: Girl from Ipanema, The (Antonio Carlos Jobim), 1963
PUBLISHED SHEET MUSIC: Girls & boys (Richard Lewine), 1959
PUBLISHED SHEET MUSIC: Give (Don R. George), 1955
PUBLISHED SHEET MUSIC: Gluecks-traum (Walter Brenner), 1961
PUBLISHED SHEET MUSIC: Golliwogg's cake-walk (Claude Debussy), 1908
PUBLISHED SHEET MUSIC: Grant Avenue (Richard Rodgers), 1958
PUBLISHED SHEET MUSIC: Green berets, The (Barry Sadler & Robin Moore), 1966
PUBLISHED SHEET MUSIC: "Guns at Batasi" March from (John Addison), 1964 [used at ACE Awards]
PUBLISHED SHEET MUSIC:"Guns at Batasi" Love Theme from (John Addison), 1964 [used at ACE Awards]
PUBLISHED SHEET MUSIC: Happy hornblowers (Frank Cordell), 1954
PUBLISHED SHEET MUSIC: Hawaii, my island (Harry Owens & Glenhall Taylor), n.d.
PUBLISHED SHEET MUSIC: Hawaiian paradise (Harry Owens), 1934
PUBLISHED SHEET MUSIC: Hello, Dolly! (Jerry Herman), 1963
PUBLISHED SHEET MUSIC: Here and now (Noel Coward), 1963
PUBLISHED SHEET MUSIC: Hey, look me over (Cy Coleman), 1960
PUBLISHED SHEET MUSIC: Hill Billy Record Round-up [incl. 28 songs], n.d.
PUBLISHED SHEET MUSIC: Home before dark (Jimmy McHugh), 1958
PUBLISHED SHEET MUSIC: Honey (Bobby Russell), 1968
PUBLISHED SHEET MUSIC: How can you forget? (Richard Rodgers), 1938
PUBLISHED SHEET MUSIC: How insensitive [Insensatez] (Antonio Carlos Jobim), 1964
PUBLISHED SHEET MUSIC: I could have danced all night ["My Fair Lady"] (Richard Rodgers), 1964 [used at ACE Awards]
PUBLISHED SHEET MUSIC: I enjoy being a girl (Richard Rodgers), 1958
PUBLISHED SHEET MUSIC: I feel merely marvelous (Albert Hague), 1958
PUBLISHED SHEET MUSIC: I get a kick (Cole Porter), 1934
PUBLISHED SHEET MUSIC: I gotta have you (Richard Lewine), 1959
PUBLISHED SHEET MUSIC: I had a ball (Jack Lawrence & Stan Freeman), 1964
PUBLISHED SHEET MUSIC: I have dreamed (Richard Rodgers), 1951
PUBLISHED SHEET MUSIC: I remember Mama (Charles Tobias & Henry Tobias), 1948
PUBLISHED SHEET MUSIC: I think that you & I should get acquainted (Jule Styne), 1964 [used at ACE Awards]
PUBLISHED SHEET MUSIC: I want to be with you (Charles Strouse), 1964
PUBLISHED SHEET MUSIC: Idolizing (Sam Messenheimer et al.), 1926
PUBLISHED SHEET MUSIC: If I can help somebody (A. Bazel Androzzo), 1958
PUBLISHED SHEET MUSIC: If I had my life to live over (Larry Vincent et al.), 1943
PUBLISHED SHEET MUSIC: I'll dance at your wedding (Ben Oakland), 1947
PUBLISHED SHEET MUSIC: I'll have the last waltz with mother (Harry Tobias et al.), 1931
PUBLISHED SHEET MUSIC: I'll keep the lovelight burning (Harry Tobias, et al.), 1942
PUBLISHED SHEET MUSIC: I'll remember her (Noel Coward), 1962
PUBLISHED SHEET MUSIC: I'll take romance (Ben Oakland), 1937
PUBLISHED SHEET MUSIC: I'm looking over a 4 leaf clover (H. Woods), 1927
PUBLISHED SHEET MUSIC: Impossible dream (Mitch Leigh), 1965
PUBLISHED SHEET MUSIC: In God we trust (Albert Sherman), 1943
PUBLISHED SHEET MUSIC: International Song Book [contains 37 national anthems], 1937
PUBLISHED SHEET MUSIC: Is it really me? (Harvey Schmidt), 1963
PUBLISHED SHEET MUSIC: It only takes a moment (Jerry Herman), 1963
PUBLISHED SHEET MUSIC: It's a lonesome old town (Harry Tobias & Charles Kisco), 1930
PUBLISHED SHEET MUSIC: It's all over but the memories (Irving Kahal & Sammy Fain), 1951
PUBLISHED SHEET MUSIC: It's been a long, long time (Jule Styne), 1945
PUBLISHED SHEET MUSIC: It's de-lovely (Cole Porter), 1936
PUBLISHED SHEET MUSIC: Joey, Joey, Joey (Frank Loesser), 1956
PUBLISHED SHEET MUSIC: June in January (Robin-Rainger), 1934
PUBLISHED SHEET MUSIC: June night (A. Baer), 1924
PUBLISHED SHEET MUSIC: Just a memory (R. Henderson), 1927
PUBLISHED SHEET MUSIC: Just for once (Albert Hague), 1958
PUBLISHED SHEET MUSIC: Leeds' 40 more hits of our times, 1954
PUBLISHED SHEET MUSIC: Legion airs [incl. more than 50 songs of the armed forces], 1960
PUBLISHED SHEET MUSIC: Let it snow! let it snow! let it snow! (Jule Styne), 1945
PUBLISHED SHEET MUSIC: Lily Belle (Dave Franklin & Irving Taylor), 1945
PUBLISHED SHEET MUSIC:"Limelight" Terry Theme from (Charles Chaplin), 1953
PUBLISHED SHEET MUSIC: London is a little bit of all right (Noel Coward), 1963
PUBLISHED SHEET MUSIC: Lonely (Noel Coward), 1963
PUBLISHED SHEET MUSIC: Lorna's here (Charles Strouse), 1964
PUBLISHED SHEET MUSIC: Love goes on forever (Bert Lown & Roger Van Duzer), 1962
PUBLISHED SHEET MUSIC: Love is the thing (Neil Moret), 1935
PUBLISHED SHEET MUSIC: Love, look away (Richard Rodgers), 1958
PUBLISHED SHEET MUSIC:"Love Story" Theme (Francis Lai), 1970
PUBLISHED SHEET MUSIC: Mad, passionate love (Dave Coleman & Dick Sherman), 1958
PUBLISHED SHEET MUSIC: Malaguena (Ernesto Lecuona, arr. 2 pnos by Grace Helen Nash), 1932
PUBLISHED SHEET MUSIC: Mame (Jerry Herman), 1966
PUBLISHED SHEET MUSIC:"Man from UNCLE," Theme from (Jerry Goldsmith), 1964 [used at ACE Awards]
PUBLISHED SHEET MUSIC: Margie (Davis-Conrad-Robinson), 1920
PUBLISHED SHEET MUSIC: Martha (Friederich von Flotow), 1938
PUBLISHED SHEET MUSIC: Mary's a grand old name, n.d. [refrain only]
PUBLISHED SHEET MUSIC:"MASH" theme: Suicide is painless (Johnny Mandel), 1970
PUBLISHED SHEET MUSIC: Miss you (Henry Tobias), 1942
PUBLISHED SHEET MUSIC:"Moldau, The" (Bedrich Smetana, arr. piano by Michel Michelet), 1943
PUBLISHED SHEET MUSIC: Money tree, The (Mark McIntyre), 1956
PUBLISHED SHEET MUSIC: Moon on my pillow (Charlie Tobias, Elliott Tobias & Henry Tobias), 1942
PUBLISHED SHEET MUSIC: Moonlight & roses (Villa Moret), 1925
PUBLISHED SHEET MUSIC: Mother's little sweetheart (Charles Rosoff), 1963
PUBLISHED SHEET MUSIC: My gal Sal (Paul Dresser), 1932
PUBLISHED SHEET MUSIC: My girl is just woman enough for me (Albert Hague), 1958
PUBLISHED SHEET MUSIC: My home town (Ervin Drake), 1963
PUBLISHED SHEET MUSIC: My lord and master (Richard Rodgers), 1951
PUBLISHED SHEET MUSIC: My rebel heart (Jerome Moross), 1958
PUBLISHED SHEET MUSIC: Nevada (Walter Donaldson & Mort Greene), 1943
PUBLISHED SHEET MUSIC: Night song (Charles Strouse), 1964
PUBLISHED SHEET MUSIC: Non dimenticar (P.G. Redi), 1952
PUBLISHED SHEET MUSIC: Oh, you beautiful doll (N.D. Ayer), 1911
PUBLISHED SHEET MUSIC: On the sunny side of the Rockies (Bob Ingraham & Harry Tobias), 1937
PUBLISHED SHEET MUSIC: One note samba (Antonio Carlos Jobim), 1962
PUBLISHED SHEET MUSIC: Ooo, Ernest (Harry Tobias et al.), 1922
PUBLISHED SHEET MUSIC: Other half of me, The (Jack Lawrence & Stan Freeman), 1964
PUBLISHED SHEET MUSIC: Papa Tree-top Tall (Hoagy Carmichael), 1936
PUBLISHED SHEET MUSIC:"Patton" Theme (Jerry Goldsmith), 1970
PUBLISHED SHEET MUSIC: Pixie Holiday (Harry Sukman), 1953
PUBLISHED SHEET MUSIC: Pretty baby (Van Alstyne-Kahn), 1919
PUBLISHED SHEET MUSIC: Put on your Sunday clothes (Jerry Herman), 1963
PUBLISHED SHEET MUSIC:"Rawhide" (Dmitri Tiomkin), 1958 [used at ACE Awards, 1964]
PUBLISHED SHEET MUSIC: Rhapsody in Blue (George Gershwin), 1924
PUBLISHED SHEET MUSIC: Ribbons down my back (Jerry Herman), 1963
PUBLISHED SHEET MUSIC: Ride the wind (Richard La Salle), n.d. c1968
PUBLISHED SHEET MUSIC: Rocky Mountain express (Charles Tobias et al.), 1963
PUBLISHED SHEET MUSIC: Rodger Young (Frank Loesser), 1945
PUBLISHED SHEET MUSIC: Rondo capriccioso (Felix Mendelssohn), n.d.
PUBLISHED SHEET MUSIC: Sail along, silv'ry moon (Percy Wenrich), 1937
PUBLISHED SHEET MUSIC: Sam Fox TV Music Handbook, Vol. I [incl. more than 50 standards], n.d. (c1960)
PUBLISHED SHEET MUSIC: Samba Miramar (Albert Tracey & Joseph Hamory), 1960
PUBLISHED SHEET MUSIC: Sayonara (Irving Berlin), 1957
PUBLISHED SHEET MUSIC: Scared (Cliff Friend & Berkeley Graham), 1936 [Freddy Martin on cover]
PUBLISHED SHEET MUSIC: Selected Hammond tunes [Ballerina; Beyond the blue horizon; Blue Hawaii; Charade; Java; Tangerine; That's amore; Too young], 1963
PUBLISHED SHEET MUSIC: She wore a yellow ribbon, n.d.
PUBLISHED SHEET MUSIC: Shelter of your love, The (Richard La Salle), 1968
PUBLISHED SHEET MUSIC: Shine on, harvest moon (Norworth), 1951
PUBLISHED SHEET MUSIC: Simple little things (Harvey Schmidt), 1963
PUBLISHED SHEET MUSIC: Sky is extra blue, The (Johnny Rotella), 1953
PUBLISHED SHEET MUSIC: Smile, smile, smile! (M.J. Brown), 1916
PUBLISHED SHEET MUSIC: Something to live for (Ervin Drake), 1963
PUBLISHED SHEET MUSIC: Songs of Andy Russell, The [All or nothing at all; I love you much too much; I'll remember April; My heart isn't in it; Tico-Tico], 1944
PUBLISHED SHEET MUSIC: Sound off (Willie Lee Duckworth & Bernard Lentz), 1961
PUBLISHED SHEET MUSIC: Spinning song (Felix Mendelssohn), n.d.
PUBLISHED SHEET MUSIC: Standard song favorites [selected by Jean Schwartz; incl. Chinatown, my Chinatown; Rockabye your baby with a Dixie melody], n.d.
PUBLISHED SHEET MUSIC: Star of hope (Phil Boutelje & Harry Tobias), 1951
PUBLISHED SHEET MUSIC: Sunday (Richard Rodgers), 1958
PUBLISHED SHEET MUSIC:"Sunflower" theme: Loss of Love (Henry Mancini), 1970
PUBLISHED SHEET MUSIC: Sunrise, sunset (Jerry Bock), 1964
PUBLISHED SHEET MUSIC: Sweet Sue, just you (Vincent Young), 1928
PUBLISHED SHEET MUSIC: Sweetest march of all, The (Al Sherman & Harry Tobias), 1955
PUBLISHED SHEET MUSIC: Sweetheart tree, The (Henry Mancini), 1965
PUBLISHED SHEET MUSIC: That old gang of mine (Henderson), 1923
PUBLISHED SHEET MUSIC:There'll be no new tunes on this old piano (Johnny Lange & Hy Heath), 1952 [Freddy Martin on cover]
PUBLISHED SHEET MUSIC: This is the life (Charles Strouse), 1964
PUBLISHED SHEET MUSIC: Tico-tico (Zequinha Abreu), 1943
PUBLISHED SHEET MUSIC: Too many people alone (Harvey Schmidt), 1963
PUBLISHED SHEET MUSIC:"Topkapi" (Manos Hadjidakis), 1964 [used at ACE Awards]
PUBLISHED SHEET MUSIC: Two faces in the dark (Albert Hague), 1958
PUBLISHED SHEET MUSIC:"Vulcan Affair, The" Main Title (Jerry Goldsmith), 1964 [short score used for ACE Awards]
PUBLISHED SHEET MUSIC:"Wagon Train" theme: Wagons Ho! (Jerome Moross), 1959 [used at ACE Awards, 1964]
PUBLISHED SHEET MUSIC: Wait for me, Mary (Charlie Tobias et al.), 1942
PUBLISHED SHEET MUSIC:"What a way to go": Louisa's Theme (Nelson Riddle), 1964
PUBLISHED SHEET MUSIC: When I speak your name (Arthur Altman), 1958
PUBLISHED SHEET MUSIC: When the circus comes to town (Henry Tobias), 1963
PUBLISHED SHEET MUSIC: Where did we go? Out. (Richard Lewine), 1959
PUBLISHED SHEET MUSIC: Wish you were here (Harold Rome), 1952
PUBLISHED SHEET MUSIC: With a prayer in your heart (Wm. A. Dillon, Henry Tobias & Harry Tobias), 1956
PUBLISHED SHEET MUSIC:"World of Henry Orient, The," Main Title (Elmer Bernstein), 1964 [short score used at ACE Awards]
PUBLISHED SHEET MUSIC: World outside, The (Richard Addinsell), 1942, 1958
PUBLISHED SHEET MUSIC: Wouldn't it be loverly? (Frederick Loewe), 1956
PUBLISHED SHEET MUSIC: You are beautiful (Richard Rodgers), 1958
PUBLISHED SHEET MUSIC: Your love for me (B. Parker), 1957
PUBLISHED SHEET MUSIC: Zei gezunt (Harry Tobias & Paul Zandberg), 1961
PUBLISHED SHEET MUSIC:"Zorba the Greek": Cretan Dance Theme (Mikis Theodorakis), 1964 [used at ACE Awards]
PUBLISHED SHEET MUSIC:"Zorba the Greek": Hortense theme (Mikis Theodorakis), 1964 [used at ACE Awards]
PUBLISHED SHEET MUSIC:"Zorba the Greek": Piraeus cafe theme (Mikis Theodorakis), 1964 [used at ACE Awards]
PUBLISHED ARRANGEMENTS: Al compas del mambo (Perez Prado), 1950
PUBLISHED ARRANGEMENTS: Alexander's Ragtime Band (arr. Jerry Rosen), n.d.
PUBLISHED ARRANGEMENTS: Are you from Dixie? (George L. Cobb; arr. T.M. Taylor), 1916
PUBLISHED ARRANGEMENTS: Around the world (Victor Young; arr. Johnny Warrington), 1957
PUBLISHED ARRANGEMENTS: Ay caramba, Cha cha cha! (Obdulio Morales; arr. Chico O'Farrill), 1946
PUBLISHED ARRANGEMENTS: Baby it's cold outside (Frank Loesser; arr. Jack Matthias), 1949
PUBLISHED ARRANGEMENTS: Basin Street Blues (Spencer Williams; arr. Johnny Warrington), 1957
PUBLISHED ARRANGEMENTS: Beer Barrel Polka (Lew Brown; arr. Bob Haring), 1939
PUBLISHED ARRANGEMENTS: Best of everything, The (Alfred Newman; arr. Johnny Warrington), 1959
PUBLISHED ARRANGEMENTS: Blue skirt waltz, The
PUBLISHED ARRANGEMENTS:[Sukynka valcik] (Mitchell Parish & Vaclav Blaha; arr. Vaclav Fisher),1948
PUBLISHED ARRANGEMENTS: Caissons go rolling along, The (Edmund L. Gruber; arr. David Bennett), 1944
PUBLISHED ARRANGEMENTS: California, here I come (arr. Jerry Rosen), 1980
PUBLISHED ARRANGEMENTS: Can can, The (J. Offenbach; arr. Bob Fisher), 1946
PUBLISHED ARRANGEMENTS: Chopin waltz medley no. 2 (Frederic Chopin; arr. Fred Barovick), 1950
PUBLISHED ARRANGEMENTS: Come to the Mardi Gras [Nao tenho lagrimas] (Max Bulhoes & Milton de Oliveira; arr. Johnny Warrington), 1947
PUBLISHED ARRANGEMENTS: Cumana [for symphonic band & full band] (Barclay Allen; arr. David Bennett), 1954
PUBLISHED ARRANGEMENTS: Diary of Anne Frank Overture (Alfred Newman; arr. Edward Powell & Earle Hagen), n.d.
PUBLISHED ARRANGEMENTS: Five pennies, The (Sylvia Fine; arr. Jimmy Lally), 1959
PUBLISHED ARRANGEMENTS: Getting to know you (arr. Jerry Rosen), n.d.
PUBLISHED ARRANGEMENTS: Gigi (Frederick Loewe; arr. Johnny Warrington)
PUBLISHED ARRANGEMENTS: Hava Nagilah (arr. Jerry Rosen), n.d.
PUBLISHED ARRANGEMENTS: Have you seen my love (Marion Sunshine; arr. Alberto Iznaga)
PUBLISHED ARRANGEMENTS: High Hopes (James Van Heusen; arr. Johnny Warrington), 1959
PUBLISHED ARRANGEMENTS: High Noon (Dimitri Tiomkin; arr. Johnny Warrington), 1952
PUBLISHED ARRANGEMENTS: Historia de un amor (Carlos Almaran; arr. Mario Paz S.), 1955
PUBLISHED ARRANGEMENTS: How come you do me like you do (Gene Austin & Roy Bergere; arr. Will Hudson), 1926
PUBLISHED ARRANGEMENTS: Hungarian Dance no. 5 (arr. Jerry Rosen), n.d.
PUBLISHED ARRANGEMENTS: I cover the waterfront (Johnny Green; "an Artie Shaw arr. scored by Jerry Gray"), 1939
PUBLISHED ARRANGEMENTS: I'll take romance (Ben Oakland; arr. John Cacavas), 1962; AND (arr. Will Schaefer), 1965
PUBLISHED ARRANGEMENTS: I'm old fashioned (Jerome Kern; arr. Jack Mason), 1942
PUBLISHED ARRANGEMENTS: I'm on my way [Mi despedida] (Obdulio Morales; arr. Chico O'Farrill), 1956
PUBLISHED ARRANGEMENTS: In the mood (Joe Garland; arr. Glenn Miller), 1939
PUBLISHED ARRANGEMENTS: It began in Havana (Barclay Allen et al.; arr. Charles Hathaway), 1947 [Martin Music]
PUBLISHED ARRANGEMENTS: It happened in Monterey (Mabel Wayne; arr. Mark Weinstein), 1947
PUBLISHED ARRANGEMENTS: It's dlovely (Cole Porter; arr. Jack Mason), 1936
PUBLISHED ARRANGEMENTS: Lara's Theme (arr. Jerry Rosen), n.d.
PUBLISHED ARRANGEMENTS: Lil Darlin (Neal Hefti), 1958
PUBLISHED ARRANGEMENTS: Love is a many-splendored thing (Sammy Fain; arr. Johnny Warrington), 1955
PUBLISHED ARRANGEMENTS: Love makes the world go round (arr. Jerry Rosen), n.d.
PUBLISHED ARRANGEMENTS: Mississippi mud (James Cavanaugh & Harry Barris; arr. Johnny Warrington), 1952
PUBLISHED ARRANGEMENTS: Misty (Erroll Garner; arr. Johnny Warrington), 1959
PUBLISHED ARRANGEMENTS: Mona Lisa (Jay Livingston & Ray Evans; arr. Johnny Warrington), 1949
PUBLISHED ARRANGEMENTS: Moon River (Henry Mancini; arr. Joe Reisman), 1961
PUBLISHED ARRANGEMENTS: Muskrat ramble (Edward Ory; arr. Van Alexander), 1944
PUBLISHED ARRANGEMENTS: National songs for assembly (arr. C. Paul Herfurth), 1949
PUBLISHED ARRANGEMENTS: One note samba (Antonio Carlos Jobim; arr. Glenn Osser), 1964
PUBLISHED ARRANGEMENTS: Over there (George M. Cohan; arr. Paul Yoder), 1945
PUBLISHED ARRANGEMENTS: Pepe (Dory Langdon & Hans Wittstatt; arr. Johnny Warrington), 1961
PUBLISHED ARRANGEMENTS: Peter Gunn (Henry Mancini), 1958
PUBLISHED ARRANGEMENTS: Pennsylvania Polka (Lester Lee & Zeke Manners; arr. Jimmy Dale), 1946
PUBLISHED ARRANGEMENTS: Quiet night of quiet stars [Corcovado] (Antonio Carlos Jobim; arr. Glenn Osser), 1964
PUBLISHED ARRANGEMENTS: Remember me? (Harry Warren; arr. Paul Weirick), 1937
PUBLISHED ARRANGEMENTS: Rodger Young (Frank Loesser; arr. Johnny Warrington), 1956
PUBLISHED ARRANGEMENTS: St. Louis Blues (W.C. Handy; arr. Charles L. Cooke), 1951
PUBLISHED ARRANGEMENTS: Saturday Night Fever (The BGs; arr. Tom Evans), 1978
PUBLISHED ARRANGEMENTS: Serenade in blue (Harry Warren; arr. Charlie Hathaway), 1942
PUBLISHED ARRANGEMENTS: Seventy Six Trombones (arr. Jerry Rosen), n.d.
PUBLISHED ARRANGEMENTS: Shine on, harvest moon (Nora Bayes & Jack Norworth; arr. Jimmy Mundy), 1939
PUBLISHED ARRANGEMENTS: Shrimp boats (Paul M. Howard & Paul Weston; arr. Lou Leaman), 1951
PUBLISHED ARRANGEMENTS:"Slattery's People," Theme from [tv show] (N.C. Scott), 8-6-64
PUBLISHED ARRANGEMENTS: Sophisticated Lady (Duke Ellington; arr. Will Hudson)
PUBLISHED ARRANGEMENTS: Stouthearted men (Sigmund Romberg; arr. Warren Fitzgerald), 1977
PUBLISHED ARRANGEMENTS: Strange are the ways of love (Dimitri Tiomkin; arr. Johnny Warrington)
PUBLISHED ARRANGEMENTS: Strike up the band (George Gershwin; arr. Jerry Sears), 1950
PUBLISHED ARRANGEMENTS: Stripper, The (David Rose), 1962
PUBLISHED ARRANGEMENTS: Swanee (George Gershwin; arr. Schoebel & Macomber)
PUBLISHED ARRANGEMENTS: Tailgate ramble, The (Wingy Manone; arr. Frank Comstock), 1949
PUBLISHED ARRANGEMENTS: Tammy (Jay Livingston & Ray Evans; arr. Johnny Warrington), 1957
PUBLISHED ARRANGEMENTS: Tango of roses (Schreier-Bottero; arr. David Brubeck), 1938
PUBLISHED ARRANGEMENTS: Tequila (Chuck Rio; arr. Johnny Warrington), 1958
PUBLISHED ARRANGEMENTS: Thanks for the memory (Leo Robin & Ralph Rainger; arr. Jack Mason), 1937
PUBLISHED ARRANGEMENTS: That Cuban cha-cha-cha (Irving Fields; arr. Chico O'Farrill), 1956
PUBLISHED ARRANGEMENTS: That's entertainment (Arthur Schwartz; arr. Johnny Warrington), 1955
PUBLISHED ARRANGEMENTS: Tonight (Leonard Bernstein; arr. Johnny Warrington), 1957
PUBLISHED ARRANGEMENTS: Tremendo cha-cha-cha (Eduardo Bianco; arr. Joe Loco), 1954
PUBLISHED ARRANGEMENTS: Tropical merengue (Rafael Munoz; arr. Joe Loco), 1955
PUBLISHED ARRANGEMENTS: Waiting for the Robert E. Lee (Lewis F. Muir; arr. Jack Mason), 1939
PUBLISHED ARRANGEMENTS: Way down yonder in New Orleans (Henry Creamer & J. Turner Layton; arr. Johnny Warrington)
PUBLISHED ARRANGEMENTS: When Irish eyes are smiling (arr. Jerry Rosen), n.d.
PUBLISHED ARRANGEMENTS: Why wait [rock & roll mambo] (Perez Prado; arr. Horace Diaz), 1958
PUBLISHED ARRANGEMENTS: You are my sunshine (arr. Jerry Rosen), n.d.
2.3.1-Mills Music Inc. Catalog, 1937
2.3.2-Do. Presents a thesaurus of five decades of music, 1937
2.3.3-Leeds' Catalogue of Copyrighted Musical Works, 1942
2.3.4-Famous Music Corp./Paramount Music Corp. Complete Catalogue, 1944
2.3.5-Edward B. Marks Music Corp. General Catalog for piano, vocal, violin, instrumental, 1947
2.3.6-Leeds Music Corp. Catalog, c1947-50
2.3.7-Do., c1947-50 [2 copies]
2.3.8-Jerry Vogel Music Co., Inc. Famous Irish Songs, c1947-50
2.3.9-Robins/Feist/Miller: The Big Three Catalogue, 1947
2.3.10-Famous Music Corp./Paramount Music Corp./Burvan Music Corp. Complete Catalog, 1954
2.3.11-Song favorites by Harry Tobias, 1955
2.3.12-Edward B. Marks Music Corp. A selected list of songs; old & new standout standards, c1955
2.3.13-Do. Partial list of song & instrumental successes, 1886-1957, c1958
2.3.14-Music Publishers' Holding Corp., c1958
2.3.15-Robbins/Feist/Miller: Combined Big Three Catalog, 1958
2.3.16-Robbins/Feist/Miller: The Big 3 Catalog, 1961
2.3.17-Chappell & Co., Inc., 1963
2.3.18-Leeds' International Hits Stage Band Series for the young dance band, c1965
2.3.19-UNPUBLISHED MUSIC SENT TO FM: Barclay Allen. "Aviva" [all 1964-65; piano, sometimes + solo line]
a-"The Dawn Theme"
c-"Hawaiian"; "High Tide"
d-"Jazz Waltz"
e-"The Lorelei"; "Low Tide"
g-"Night Theme"; "Not mine"
h-"Oh no!"
i-"Peggy"; "The Piano Man"
j-"Seventy-six"; "The Sound of Christmas"; "Steady as you go"; "Strange paradise"
k-"The Telephone Song"; "This I'd miss"; "To live today"
2.3.20-UNPUBLISHED MUSIC SENT TO FM: Ray Austin. "You are the love of my life" [1969; lead sheet; see also Irwin Webb below]
2.3.21-UNPUBLISHED MUSIC SENT TO FM: Bob Ballard. Fifteen themes adapted from 19th c. operas [1964; lead sheets]
2.3.22-UNPUBLISHED MUSIC SENT TO FM: Bob Ballard. "If the world were mine" [1967; lead sheet; adapted from Mascagni]
2.3.23-UNPUBLISHED MUSIC SENT TO FM: Jay Day. "Cuckoo song, the" [1965; lead sheet]
2.3.24-UNPUBLISHED MUSIC SENT TO FM: Jay Day. UNPUBLISHED MUSIC SENT TO FM:"I'm not exagerating" [1979; lead sheet]
2.3.25-UNPUBLISHED MUSIC SENT TO FM: Jay Day. "Wolfie, wolfie" [1965; lead sheet]
2.3.26-UNPUBLISHED MUSIC SENT TO FM: Carl Dengler. "I like your smile" [1982; lead sheet]
2.3.27-UNPUBLISHED MUSIC SENT TO FM: Carl Dengler. "The magic of a Caribbean moonlight" [n.d.; lead sheet]
2.3.28-UNPUBLISHED MUSIC SENT TO FM: Bernie Farr. "A heavenly affair" [1962; lead sheet]
2.3.29-UNPUBLISHED MUSIC SENT TO FM: Bernie Farr. "I just called" [1963; lead sheet]
2.3.30-UNPUBLISHED MUSIC SENT TO FM: Bernie Farr. "I worship you" [1962; lead sheet]
2.3.31-UNPUBLISHED MUSIC SENT TO FM: John Hugh Flanagan. "Lonely" [1964; lead sheet]
2.3.32-UNPUBLISHED MUSIC SENT TO FM: Dennis Grillo. "Elegy for Fran" [full band arr.]
2.3.33-UNPUBLISHED MUSIC SENT TO FM: Joseph Hamory. "Dans un monde meilleur" [n.d.] [piano]
2.3.34-UNPUBLISHED MUSIC SENT TO FM: Jo Ann Hill. "I'm glad there is you" [n.d.; gt.]
2.3.35-UNPUBLISHED MUSIC SENT TO FM: Jo Ann Hill. "Nearness of you" [n.d.; gt]
2.3.36-UNPUBLISHED MUSIC SENT TO FM: Red Nalto Hill. "Genie, magic is my genie" & "The one for me" [1964; lead sheets]
2.3.37-UNPUBLISHED MUSIC SENT TO FM: Michael "Peanuts" Hucko. "Ata ai masho," "Lullaby of love," "Raggedy Ann" [lead sheets]
2.3.38-UNPUBLISHED MUSIC SENT TO FM: Paul L. Johnson. "Resando por ti" [n.d.; piano w/ voice part]
2.3.39-UNPUBLISHED MUSIC SENT TO FM: John Pearson. "How I needed you" [1964; lead sheet]
2.3.40-UNPUBLISHED MUSIC SENT TO FM: John Pearson. "Younger generation" [1964; lead sheet]
2.3.41-UNPUBLISHED MUSIC SENT TO FM: James Roosa & Eugene Megs. "Christmas in California" [1965; lead sheet]
2.3.42-UNPUBLISHED MUSIC SENT TO FM: Cindy Walker. "Blue for the Emerald Isle" [n.d.; lead sheet]
2.3.43-UNPUBLISHED MUSIC SENT TO FM: Irwin Webb. "You are the love of my life" [1972; lead sheet]
2.3.44-UNPUBLISHED MUSIC SENT TO FM: Julian Woodworth. "That night the stars fell down" [1964; piano w/ voice part]
2.3.45-MUSIC OF OTHER BANDS:"Anything goes" [Alt Sax 1]
2.3.46-MUSIC OF OTHER BANDS:"Chanson d'amour" [1st Tbn; "Art & Dotty Todd"]
2.3.47-MUSIC OF OTHER BANDS:"Charleston Medley" [Vln/Director; "Bud & Cece Robinson," 1957]
2.3.48-MUSIC OF OTHER BANDS:"Daddy" [Pno; "McGuire Sisters," 1953]
2.3.49-MUSIC OF OTHER BANDS:"Daddy" [Ten 1]
2.3.50-MUSIC OF OTHER BANDS:"Dave Barry" [empty black folder w/ gold embossed lettering]
2.3.51-MUSIC OF OTHER BANDS:"Fanfare 1" [Conductor; "Kaye Stevens"]
2.3.52-MUSIC OF OTHER BANDS:"Fanfare 69" [Tbn 2]
2.3.53-MUSIC OF OTHER BANDS:"His reflection" [Bar Sax; "Blackburn Twins," 1954]
2.3.54-MUSIC OF OTHER BANDS:"I sing the songs bow" [Drms; "Andy Williams"]
2.3.55-MUSIC OF OTHER BANDS:"If she" [pno; photocopy]
2.3.56-MUSIC OF OTHER BANDS:"Kiss me, Kate" [vlns; "Howard Keel"]
2.3.57-MUSIC OF OTHER BANDS:"Let's put the show on the road" [Bar Sax; "Blackburn Twins," 1954]
2.3.58-MUSIC OF OTHER BANDS:"Like old L.A." [Ten Sax 1; "arr. W. Kirkland," 1960]
2.3.59-MUSIC OF OTHER BANDS:"Love lost" [5 vlns, vla, vc; "Four Freshmen"]
2.3.60-MUSIC OF OTHER BANDS:"Madison intro" [Tpt 3; "Dorothy Dorben; arr. Gus Donahue"]
2.3.61-MUSIC OF OTHER BANDS:"Marie" [Drums; "Carol Channing; arr. by Earl Greenberg," 1958]
2.3.62-MUSIC OF OTHER BANDS:"Me & my shadow" [Bar Sax; "Blackburn Twins," 1954]
2.3.63-MUSIC OF OTHER BANDS:"Morning" [vlns; photocopy reads "American Mike" at bottom of page]
2.3.64-MUSIC OF OTHER BANDS:"Old soft shoe" [Vln A; "Ray Bolger"]
2.3.65-MUSIC OF OTHER BANDS:"Once before I go" [Gt, Drms; "Andy Williams, arr. Artie Butler"]
2.3.66-MUSIC OF OTHER BANDS:"Our father played the Palace" [Bar Sax; "Blackburn Twins," 1954]
2.3.67-MUSIC OF OTHER BANDS:"Prullie & Talow" [CB; copyist is "Merton A. Oliver, 1955"]
2.3.68-MUSIC OF OTHER BANDS:"Shick" ["Knobby"]
2.3.69-MUSIC OF OTHER BANDS:"Sleepy Boobie" [Gt; "Mundy"]
2.3.70-MUSIC OF OTHER BANDS:"Tourist song" [Alt Sax 1]
2.3.71-MUSIC OF OTHER BANDS:"Two lovers" [full score pg. 1; arr. "J. Harbert & J. Bryant"]
2.3.72-MUSIC OF OTHER BANDS:"Una voce poco fa" from Barber of Seville by Rossini [2d vln; "property of Earl Wilson's Music Library, Los Angeles"]
2.3.73-UNIDENTIFIED PARTS: 4 pp. apparently Pno [4/4; no key signature, seems to be in A minor]
2.3.74-UNIDENTIFIED PARTS: 1 pg. Tpt 3 ["SER" of title legible; 4/4; F sharp major]
2.3.75-UNIDENTIFIED PARTS: 1 pg. probably Tbn [bears illegible base of FM stamped number; 4/4; begins in E major]
2.3.76-UNIDENTIFIED PARTS: 1 pg. Tbn [text: "Elucidate! Yeh, let's, Uh huh! Emphaticlly!"; 4/4; A major]
2.3.77-UNIDENTIFIED PARTS: 1 pg. instr. uncertain [lacks clef, key signature; 4/4 4 bb. ending]
2.3.78-UNIDENTIFIED PARTS: 1 pg. treble Bb instr. [chromatic passage marked "solo" ascends to D sharp 2nd ledger line; pg. "3"; 4/4; B major]
2.3.79-UNIDENTIFIED PARTS: 1 pg. probably CB [emphasis on I & V of key suggests CB; 4/4; D flat major]
2.3.80-UNIDENTIFIED PARTS: 3 pp. Vlns [on vellum, pp. "2,3,4"; 4/4; begins D major, ends in C major]
2.3.81-UNIDENTIFIED PARTS: 1 pg. probably Vln [6 bb. treble clef ending; begins in 3/4 switches to 4/4; G flat major]
2.3.82-UNIDENTIFIED PARTS: 1 pg. Tpt ["the strip" legible in rt. hd. top corner; 4/4; key uncertain]
2.3.83-UNIDENTIFIED PARTS: 1 pg. Sax [fragmentary; 4/4; ends in F major]
2.3.84-UNIDENTIFIED PARTS: 1 pg. probably Sax [fragmentary; 4/4; key change at H, b. 2 to D flat major]
2.3.85-UNIDENTIFIED PARTS: 1 pg. Sax 3 ["200" at upper left; passage at G is marked "soli"; 4/4; "soli" passage is in E major]
2.3.86-UNIDENTIFIED PARTS: 1 pg. instr. uncertain [4/4; probably treble clef, since three sharps are written at top left (not on score, of course) and final note would be an E in treble clef]
2.3.87-UNIDENTIFIED PARTS: 1 pg. treble instr. ["Allen Di Rienzo, copyist"; 4/4; F major]
2.3.88-UNIDENTIFIED PARTS: 1 pg. Pno [in pencil; 4/4; D flat major]
2.3.89-UNIDENTIFIED PARTS: 1 pg. treble instr. [4/4; begins in Bb modulates to D major]
2.3.90-UNIDENTIFIED PARTS: 1 pg. Tbns [photocopy; 4/4; in C major]
2.3.91-UNIDENTIFIED PARTS: 2 pp. treble instr. [4/4; C major]
2.3.92-UNIDENTIFIED PARTS: 1 pg. CB ["Play theme last Theme End"; 4/4; D major]
2.3.93-UNIDENTIFIED PARTS: 1 pg. Tpts [4/4; B flat major]
2.3.94-UNIDENTIFIED PARTS: 1 pg. Vlns [4/4; E flat major]
2.3.95-UNIDENTIFIED PARTS: 1 pg. Vlns [photo copy; 4/4; E flat major]
2.3.96-UNIDENTIFIED PARTS: 2 pp. Tbns [286 & "over Naples" legible at top; 4/4; D major]
2.3.97-UNIDENTIFIED PARTS: 1 pg. Pno [4/4; C major]
2.3.98-UNIDENTIFIED PARTS: 1 pg. Tbn [4/4; D major to G major at letter C]
2.3.99-UNIDENTIFIED PARTS: 1 pg. instr. uncertain [4/4; no clefs; no key signature; ends w/ 2 b. rest]
2.3.100-UNIDENTIFIED PARTS: 1 pg. Tbn [4/4; A major]
2.3.101-UNIDENTIFIED PARTS: 1 pg. Pno [4/4; C major; Famous Music Corp. paper]
2.3.102-UNIDENTIFIED PARTS: 1 pg. bass instr. [4/4; f minor]
2.3.103-UNIDENTIFIED PARTS: 3 pp. Pno [4/4; G major; "concerto" style---lots of passage work]
2.3.104-UNIDENTIFIED PARTS: 1 pg. treble instr. [3/4; F major]
2.3.105-UNIDENTIFIED PARTS: 1 pg. 3rd Sax [4/4; E major; Cameo Music Paper, yellow]
2.3.106-UNIDENTIFIED PARTS: 1 pg. Tbn [4/4; Gb major; Cameo Music Paper]
2.3.107-UNIDENTIFIED PARTS: 1 pg. Clar [4/4; G minor; "S.G.B." centered at top of page]
2.3.108-UNIDENTIFIED PARTS: 1 pg. Alto Sax [4/4; C major]
2.3.109-UNIDENTIFIED PARTS: 1 pg. Vln 1 & 2 [4/4; C major; at end: "Intro- We'll meet again"]
2.3.110-UNIDENTIFIED PARTS: 1 pg. treble inst. [4/4; F major]
2.3.111-UNIDENTIFIED PARTS: 1 pg. Clar/Ten Sax [4/4; F major then C major; piece is 71 bb. long]
2.3.112-UNIDENTIFIED PARTS: 1 pg. probably Tbn [4/4; no clefs & no key signature; piece is 70 bb. long]
2.3.113-UNIDENTIFIED PARTS: 1 pg. Drums [4/4; "Play on/off" centered at top of pg.]
2.3.114-UNIDENTIFIED PARTS: 1 pg. Vocal w/ Tpt cue [4/4; A major; text consists of string of interjections beginning w/ "Elucidate!"]
2.3.115-UNIDENTIFIED PARTS: 2 pp. Tbn [4/4; F major; ends on C 4 ledger lines; incl. rehearsal letter X]
2.3.116-UNIDENTIFIED PARTS: 1 pg. Tpt [4/4; C major; piece is 33 bb. long; pencilled insert at b. 17]
2.3.117-UNIDENTIFIED PARTS: 1 pg. Tbn [4/4; D major then C minor; fragmentary heavily inked number at top right somewhere in 200's (possibly stamped number?)]
2.3.118-UNIDENTIFIED PARTS: 1 pg. Tbn/Tpt [4/4; D major then E major; continuity incl. "vocal" by other player]
2.3.119-UNIDENTIFIED PARTS: 1 pg. Tbn/Tpt [4/4; E flat major then E major then F major]
2.3.120-UNIDENTIFIED PARTS: 1 pg. treble instr. [4/4; key unclear, no key signature; piece is 88 bb. long]
2.3.121-UNIDENTIFIED PARTS: 1 pg. treble instr. [4/4; F major; piece is 42 bb. long w/ D.S. at end; coda marked "Free"]
2.3.122-UNIDENTIFIED PARTS: 1 pg. treble instr. [4/4; probably Bb, no key signature or clef; part partly in pencil]
2.3.123-1 pg. treble instr. [4/4; begins in C major continues into Bb then back to C; piece is 79 bars long]
2.3.124-UNIDENTIFIED PARTS: 1 pg. treble instr. [4/4; no clef or key signature; small fragment contains bb. 51-66]
2.3.125-UNIDENTIFIED PARTS: 2 pp. treble instr. [4/4; E major; consists of bb. 90-142 (where piece ends)]
2.3.126-UNIDENTIFIED PARTS: 1 pg. score of string parts [two 4 beat versions of string passage, one using 6 voices & the other using 5 voices]
BOX 1: BIOGRAPHICAL---CORRESPONDENCE; CLIPPINGS; PHOTOS, etc.
3.1.1-Biographies of FM
a-FM's own info sheet (c1968)
b-entry from Stambler's Encyclopedia of Popular Music (1965)
c-entry from Penguin Encyclopedia of Popular Music (c1985)
d-Dave Dexter Jr. liner notes from audiodisc Freddy Martin (1944-46) vol. 2 (1980)
e-obituary from The Annual Obituary, 1983
3.1.2-Biographies of FM "sidemen" & arrangers
a-Bunny Berigan (tpt)
b-Buddy Clark
c-Elmer Feldkamp (singer, arr.)
d-Jack Fina (pianist, arr.)
e-Merv Griffin (singer)
f-Dell Lampe (arr.)
g-Russ Morgan (piano/arr.)
h-Terry Shand (singer/pianist/arr.)
i-Eddie Stone (singer)
j-Stuart Wade (singer)
k-Helen Ward (singer)
a-FM to J. Gerson Shass [Marlo Music], 2-24-56
b-Dave Gordon [Gordon Music Co.] to FM, 5-2-62
c-Marshall Robins [Commander Publications] to FM, 9-17-64
d-W.J. Gough [Ralph's Grocery Co.] to FM, 12-6-66
e-FM to Paul Houdayer [Beverly Hilton Hotel], 12-21-66
f-Gus [possibly Harold H. Ehrmann, Las Vegas] to FM, 1973
g-Tony Zoppi [Publicity Dir., Riviera Hotel, Las Vegas] to FM, 7-24-74
a-Les Devor. "Vegas vagaries," Las Vegas Review-Journal (4-26-56)
b-[ad for Freddy Martin at Hotel Riverside in Reno] Territorial Enterprise (10-17-58)
c-"Freddy Martin's Big Band revives fond memories for night club crowds," Entertainment in the Reno Area (10/17-23/58)
d-"Woody still rides high...," Miami Herald (5-26-63) [this article is about Woody Herman, but the Herald has mistakenly used FM's photo]
e-"Freddy Martin to open Hilton Hotel, Miami Beach; set by Jackie Gleason," Variety (n.d., c10-66)
f-"Freddy Martin due for Gleason podium," The Miami Herald (10-1-66)
g-Douglas G. Brown. "Desert martini," Palm Springs Desert Sun (10-7-66)
h-Jerry Gillam. "Inaugural glitter, glamor to rival movie premiere," LA Times (1-1-67)
i-Francis Raffetto. "Martin Band has happy audience," The Dallas Morning News (2-11-67)
j-Forrest Duke. "The visiting fireman," Las Vegas Review-Journal (5-20-67)
k-Frank Meyer. "Bon vivant's music magnificent," Miami Beach Sun (12-17-67)
l-Philip Elwood. "Big night for Big Bands," SF Examiner (9-29-73)
m-John Wendenborn. "Audience delights to Big Band," The Oregonian (10-1-73)
n-C.A. Thom. "Pleases older audience," The Oregon Journal (10-1-73)
o-Alden Cross. "Big Band's audience gets its money's worth," Spokane Spokesman-Review (10-8-73)
p-Maggie Hawthorer. "Whiting's night at Cavalcade," Seattle Post-Intelligencer (10-8-73)
q-Jamie Portman. "Stay-away band fans missed nostalgic treat," Calgary (10-9-73)
r-"Big Band Cavalcade," Variety (10-10-73)
s-Ned Powers. "Big Band Cavalcade exciting and exacting," Saskatoon Star-Phoenix (10-12-73)
t-Donald Davies. "Tonight we love the Big Band sound," Madison [WI] (10-17-73)
u-H. Carl Mueller. "Big Band back in town," Milwaukee Sentinel (10-19-73)
v-Anthony P. Carideo. "Memories sweeten Big Band sound," The Milwaukee Journal (10-19-73)
w-"Freddy Martin brings his Big Band Cavalcade back," Where Magazine (10-73)
x-Corbin Patrick. "Big Band Cavalcade packs Clowes Hall," Indianapolis Star (10-22-73)
y-Russell Wragg. "Big Band Cavalcade proves delight to local audience," Charleston News & Courier (11-18-73)
z-Ralph Thibodeau. "Big Band Cavalcade good musical retreat to WWII," Corpus Christi Caller (12-9-73)
aa-Jim Willis. "Big Band sound brings back that time of togetherness," Memphis Press-Scimitar (2-15-74)
bb-Helen McNamara. "Murray McEachern," International Musician (2-75)
cc-Jody Jacobs. "Cranking up for birthday bash," LA Times (7-18-76)
3.1.5-Tape Logs (Martin Music, Fremart & Maestro copyrights) [lists contents of 4 tapes, most numbers feature soloists of early 1950's: Barclay Allen, Murray Arnold, Merv Griffin; Tape #3 is titled "ABC Radio Aircheck Freddy Martin Coconut Grove"; about 65 arr. listed, all on alpha list from late 1950s]
3.1.6-Misc. lists of numbered & unnumbered arrangements
a-"Gene Merlino vocals" [about 50 unnumbered arr. listed on 2 pp., photocopy]
b-12 pp. ordered by instrument; each player's list has about 12 numbered & unnumbered titles
c-"Freddy - Parts missing" [3 pp. of about 75 numbered & unnumbered titles]
d-*7 pp. order unclear, but shows old numbers not otherwise found in these papers [on left] and alpha list from late 1950s [on right], suggesting that this list was used in creating newer system or in coordinating renumbering process
e-"New music listing" [30 alphabetically ordered sheets; written on Louis F. Dow Goodwill Advertising letterhead; # correspond to alpha list from late 1950s; 90% #s in 2000-3000 range]
f-"Listed L.S." [32 alphabetically ordered sheets; written on backs of Freddy Martin purchase order forms, Maestro Music letterhead, etc., # correspond to alpha list from late 1950s; 90% #s in 2000-3000 range]
g-[Supplement to "Listed L.S."; same handwriting, written on Maestro Music letterhead; # correspond to alpha list from late 1950's but titles different from "Listed L.S."]
h-"Entered in catalogue" [# correspond to alpha list from late 1950's; # chiefly in 2900s]
i-"Somewhat later alpha list..." [# correspond to alpha list from late 1950's; # chiefly 2900-3100]
j-[Concert list on yellow legal-size lined paper; # do not correspond to alpha list from late 1950's; some pieces listed---"Star Wars" & "Fiddler on Roof"---suggest date of about 1975 ]
k-List of Stamped Number items found in FM's traveling case on arrival at Holt Atherton
l-"Cole Porter Index" [lists 21 Porter standards; # do not correspond to alpha list from 1950's]
m-"Partial list of 3 violin material"
n-"to stay in the books & numbered" [items on this list are on stamped # list; several occur on no other stamped # inventory]
o-Unidentified list of standards; many not in FM alphalist, several dating from mid-1970s or later [blue ink on music folder]
p-"To come out" list [2 pp. yellow legal-size lined paper; many titles are on alpha list from late 1950's w/ different #; # on this list ranging from 32 to 659 do not correspond w/ any other list]
q-"Band of Tomorrow Vocals" list [2 pp. handwritten list incl. BofT 1-70]
r-"Hazel Bishop TV material" list [10 pp. handwritten list incl. HB-37 thru HB- 216; 2 pp. typewritten list ranging from HB-1 thru HB-63]
s-"Extra black catalogue small & large" [the alphalist from late 1950's]
t-"The Freddy Martin Library Index/On the stand/The Song Book III" [a subject guide to Martin's repertory; subdivisions incl. "Instrumentals: Slower, Instrumentals: Brighter; Vocals: Slower, Vocals: Brighter ; The Latin Things; The Medleys; Freddy Martin Hits; Disco Things; there is further subdivision by type of dance; lists about 250 numbers, none of which correspond to alphalist from late 1950s, but do correspond to large numbers stamped on parts ]
u-"Florida Index" [brief version of Freddy Martin Library Index]
v-KTLA TV Show, 1961-1962 [Freddy Martin taped 53 television shows for KTLA between June 1961 and June 1962; lists exist of numbers used in sequence performed on thirty-two shows w/ dates]
w-"Pop Concert,/4-26-66/Dallas"
x-"Dallas/SMU/2-10-67" [incl. stamped numbers]
y-"Revised sets/7-18-67" [incl. Set A,B,C,D each w/ about 10 numbers; many of these titles are not on FM alphalist from late 1950s(see Series I, Boxes 1-115) or stamped numbers list (see Series I, Boxes 131-147), but do bear numbers ranging from 2 through 107---perhaps they are from some other band's "book"?]
3.1.7-Cavalcade of Bands---Programs & lists, 1973/74
3.1.8-Merv Griffin TV Show---flow chart, 7-14-78
3.1.9-San Diego Gas & Electric Holiday Party---flow chart, 12-16-78
3.1.10-Merv Griffin Party---flow chart, 3-9-79
3.1.11-"Radio program for Monday, October 27, 1980" [incl. stamped numbers]
3.1.12-"Cue sheet for El Bandito Shrine Club, Saturday, Feb. 21st" [probably 1981]
3.1.13-"Program for the Ramona Bowl - Hemet, Thursday, July 16, 1981"
3.1.14-Directors' Guild Awards---flow chart, 1983
3.1.15-Princess Cruises---four programs, 1983
3.1.16-Undated El Bandito & al-Malaikah Shriners' events
3.1.17***-Undated alphabetical lists of FM repertoire by TEMPO [incl. chiefly stamped numbers items; four pages handwritten on back of unused music paper]
3.1.18-Undated miscellaneous events
a-"For the Assembly Debs" [on Hotel Texas, Ft. Worth stationery]
b-City of Los Angeles awards of some sort [incl. Employee of the Year]
c-"Show order" [incl. chiefly numbers not on FM alphalist, possibly other band?]
d-19 arr., all w/ stamped list numbers [2 versions, one on yellow legal paper]
e-"Footlighter Show"
f-"A Guide" [lists excerpts from 10 FM standards; probably flowchart for "Record Cavalcade" (Stamped Number 500)]
g-"Friday Night/Nelson Eddy"
h-"Bergman - Fanny & Alex"
i-"After all winners"
j-"Emile Ardolino/Musical variety/Waltz of the flowers"
3.1.19-Misc. Business Papers
a-"Freddy Martin/Beverly Hills, California" letterhead
b-Maestro Music Corp. Royalty Statement Form [2 blank copies]
c-Advertising flyer & cover letter from Roslyn Publications, Inc., n.d.
d-Reminder to return meter card monthly to Xerox Corp., n.d.
e-Memo regarding possible hirees for date at Ambassador Hotel, LA, n.d.
f-Roslyn Publications contracts w/ Maestro Music Corp. for use of latter's FM arr., "Tonight we love" [Chaikovskii lst Piano Con. theme] in two books of organ arr., 2-24-64
g-Union Oil Co. form & cover letter requesting investor permission to cap well, 9-12-73
h-Licensing request form from RCA to Maestro Music Corp. for FM arr. Chaikovskii Piano Concerto, 10-1-73
i-Teledyne, Inc. offer to purchase stock & letter of transmittal to shareholders, 12-13-73
j-Columbia Artists Festivals Corp. contract w/ FM for Big Band Cavalcade in Toronto, 3-12-74
k-"The Siegel's itinerary - 1974," 7-74
l-Licensing request form from Pickwick International, Inc. to Maestro Music Corp. for Leonard Worth songs, 7-31-74
m-Flier attacking gasoline shortage as created by oil companies for profit (c June 1979)
n-Interoffice Memo from Flamingo Resort Hotel, Santa Rosa (10-24-79)
o-Undated program for unidentified film awards event [5 typed pp.; does not incl. music list; Fall 1980 or Spr 1981]
p-Bill from Valle Music Reproduction (9-20-83)
3.1.20-Freddy Martin Payroll Summary, 1959 [lists players and wages]
3.1.21-Freddy Martin Payroll Summary, 1960
3.1.22-Freddy Martin Payroll Summary, 1961 [incomplete]
3.1.23-Big Band Cavalcade contracts , Fall 1974
3.1.24-Miscellaneous undated notes
3.1.25-List of names & addresses found on envelopes etc. in papers
3.1.26-PHOTOGRAPHS: 5x7 b/w portraits FM [3 identical]
3.1.27-PHOTOGRAPHS: 8x10 b/w of FM w/ Liberace, Claire Alexander at Cocoanut Grove [c1965]
3.1.28-PHOTOGRAPHS: 8x10 b/w of FM w/ one unidentified male & one female star at Cocoanut Grove [c1965]
3.1.29-PHOTOGRAPHS: 8x10 b/w of FM w/ unidentified female star at Cocoanut Grove [c1965]
3.1.30-PHOTOGRAPHS: 8x10 b/w of FM w/ Mr. & Mrs. Morey Amsterdam [?] at Cocoanut Grove [c1965]
3.1.31-PHOTOGRAPHS: 8x10 b/w portrait of FM
3.1.32-PHOTOGRAPHS: 8x10 b/w of FM w/ Clyde McCoy at time of releases of their Mercury albums [4 different]
3.1.33-PHOTOGRAPHS: 8x10 b/w of FM w/ tenor saxophone [c1980]
a-Lin Rogers' pencil sketch of FM playing soprano sax [c1970]
b-blue regimental tie
3.2.2-Printed Matter
a-postcard w/ b/w photo of Gold Coast Hotels in Chicago (c1955)
b-adv. placard for FM at "Top o' the Strip," Dunes Hotel [Las Vegas] (c1958-62)
c-Reader's Digest. The story of the great bands, 1936-1945, 1965 [booklet to accompany record set]
d-The Statler Hilton Plaza, Miami Beach FL [illus. brochure, c1965]
e-Cavalcade of Bands: Freddy Martin Orchestra , 1966 [advertising flyer for CTA Convention, LA] [2 copies]
f-San Diego City Fire Fighters 1967, 9th Annual Ball (10-14-67) [program]
g-Baltimore Orioles 1968 Exhibition Games. Miami Stadium (Sp 1968)
h-Key Magazine (9/18-25/69) [FM on cover]
i-Traveling with CN [Canadian National RR adv. brochure] (c1973)
j-Assembly Hall, University of Illinois - Champaign [site of FM Cavalcade of Bands performance, 10-20-73]
k-Carnegie Hall (Nov 1973) [incl. FM Cavalcade of Bands performance]
l-The Composer & Conductor no. 20 (3-74)
m-Distillery, Rectifying Wine & Allied Workers International Union of America Convention, LA Hilton, May 18, 1978 [flowchart for floor show]
n-"Bon Vivant Dinner-Dance/featuring the great Freddy Martin..., The Mid- America Club, Friday, June 23, 1978" [program/menu]
o-"New Year's Eve 1980 in the Grand Ballroom/Sands, Las Vegas" [FM performance]
p-Freddy Martin in Disneyland Main Street Electrical Parade, Friday, June 22, 1980 [list of times]
q-copy of strike issue of Local 47 [LA] American Fed. Musicians newspaper (10-80)
r-"Freddy Martin/May 14-15/Golden West Ballroom-Restaurant [Norwalk, Calif.]" (n.d.; 1980s)
s-"Carmelo's again presents Dave Wells & the Big Band sounds of Trombone City, Wedensday, July 22nd [1981]"
t-"Mr. Natural" [photocopy of cartoon; n.d.]
u-Notes for proper drummer performance of slow rhumba [pencil on music paper]
v-envelope addressed to: "Mr. & Mrs. Freddy Martin/9348 Santa Monica Blvd./ Beverley Hills, Calif."


text:
Bloomington, IN (Sports Network) - Will Sheehey's 19 points paced five Indiana
players in double-figure scoring as the top-ranked Hoosiers overwhelmed Ball
State in a 101-53 domination at Assembly Hall. Sheehey made good on 8-of-9
field goal attempts and Jordan Hulls netted 17 points on 7-of-10 shooting for
Indiana, which finished with a 60.3 percentage from the field in moving to 6-0
on the young season. Cody Zeller contributed 15 points in just 20 minutes of
action to the rout, with Victor Oladipo adding 13 points and Christian Watford
11 to go-along with a game-high 10 rebounds. Ball State (2-2), on the other
hand, shot an anemic 30.9 percent in suffering its second straight lopsided
defeat to an in-state opponent. The Cardinals dropped a 68-48 decision to
Indiana State on Tuesday. Majok Majok led Ball State with 18 points.
Final Score: (6) Syracuse 87, Colgate 51
Syracuse, NY (Sports Network) - Syracuse faced its most familiar opponent on
Sunday and came away with its customary lopsided win. James Southerland poured
in 18 points to lead the sixth-ranked Orange in an 87-51 rout of Colgate at
the Carrier Dome. Brandon Triche added 15 points and Michael Carter-Williams
dished out a career-high 13 assists for Syracuse (4-0), which faced Colgate
for the 165th time and posted its 47th straight win over its nearby Central
New York rival. The Orange also extended their home winning streak to 25
straight games, the longest in the history of the Carrier Dome, which opened
in 1980. Syracuse hasn't lost at home since a 64-56 setback to Georgetown on
Feb. 9, 2011. Murphy Burnatowski, John Brandenburg and Pat Moore each scored
eight points to lead Colgate (3-4), which had a two-game win streak stopped.
The Raiders haven't beaten Syracuse since 1962 and haven't lost by single-
digits since a 73-65 decision in November 2000.
Final Score: (15) Michigan State 63, Louisiana 60
East Lansing, MI (Sports Network) - Keith Appling scored 19 points, Branden
Dawson had 12 and the 15th-ranked Michigan State Spartans held on to beat the
Louisiana Ragin' Cajuns, 63-60, at the Breslin Center. Appling also compiled
six rebounds and five assists, while Dawson's inability to seal the win with
free throws gave Louisiana an opportunity to tie the game. Down 10 with 3:09
remaining, the Ragin' Cajuns closed to within 62-60 inside the final minute.
Elfrid Payton missed a layup after recording his seventh steal of the game.
Michigan State's Denzel Valentine managed to get back on the play and block
the shot. However, Kevin Brown was on the spot to convert the putback. The
Spartans came up empty on their next possession and Shawn Long failed to
connect on a drive to the hoop. Dawson grabbed the rebound and went to the
line with six seconds to play. He made the first attempt but missed the
second. Michigan State (5-1), though, prevailed when Payton's deep 3-point try
was off the mark.
Final Score: (17) Gonzaga 81, Davidson 67
Orlando, FL (Sports Network) - Elias Harris scored a game-high 24 points to go
along with 10 rebounds, as No. 17 Gonzaga downed Davidson, 81-67, in the
championship game of the 2012 Old Spice Classic. Kevin Pangos added 23 points
while connecting on 5-of-9 three-point attempts for the Bulldogs (6-0), who
also captured the title of this event in 2008. Kelly Olynyk contributed 14
points in the victory. Nik Cochran paced Davidson (3-3) with 17 points, while
Jake Cohen netted 13 and De'Mon Brooks poured in 12 as the Wildcats had their
two-game win streak snapped.
Final Score: (20) Oklahoma State 81, Portland State 58
Stillwater, OK (Sports Network) - Markel Brown scored 23 points and Le'Bryan
Nash added 20 as 20th-ranked Oklahoma State put on an impressive overall
display in an 81-58 rout of Portland State at Gallagher-Iba Arena. The
Cowboys, ranked in the top 25 for the first time since 2007 following their
recent championship at the Puerto Rico Tip-Off, shot 57.1 percent from the
field en route their first 5-0 start since the 2009-10 season. Brown hit
on 10-of-14 attempts, while Phil Forte went 5-of-7 in a 15-point effort.
Oklahoma State also shined on the defensive end, limiting the Vikings to just
39.6 percent shooting for the game. Renado Parker and Michael Harthun each
finished with 12 points for Portland State (1-3), which dropped its third
straight following a season-opening win.
Final Score: (21) Connecticut 73, Stony Brook 62
Storrs, CT (Sports Network) - Shabazz Napier sparked a 3-point second-half
barrage that propelled the 21st-ranked Connecticut Huskies to a 73-62 victory
over the Stony Brook Seawolves. Napier, the reigning Big East player of the
week, scored 19 points for Connecticut (5-1), which was coming off Monday's
loss to New Mexico in the championship game of the Paradise Jam in the Virgin
Islands. Niels Giffey had 15 points and eight rebounds for the Huskies, whose
last eight made field goals were from behind the arc. Dave Coley paced Stony
Brook (4-2) with 15 points, while Tommy Brenton added 14.
Final Score: (23) Colorado 89, Air Force 74
Boulder, CO (Sports Network) - Josh Scott scored 20 points and pulled down
seven rebounds, lifting the 23rd-ranked Colorado Buffaloes over the Air Force
Falcons, 89-74, on Sunday. Andre Roberson added 18 points and 13 rebounds for
the Buffaloes (5-0), who shot 56.6 percent from the field and went 7-of-13
from beyond the arc. Askia Booker and Spencer Dinwiddie each tallied 15 points
and seven rebounds. Michael Lyons had 20 points to pace the Falcons (5-1), who
were trying for their first 6-0 start since the 1982-83 season. Todd Fletcher
donated 18 points.
The Sports Network


text:
i already install zimbra, but i get error, DNS error resolvig from MX from yyy.com
my topology
Server -- switch -- router mikrotik -- ISP
I dont have local DNS and i use DNS from the ISP
i already buy a domain and want use own mail server with IP Private (Local IP) but can access from Public,
in my domain i also create mail.mydomain.com in MX record.
someone have the same problem and solved when they use Split DNS,
i already use split DNS, but still have same problem,
Can some one help me to get out from this problem?
Many Thanks,


text:
We are Willow Wood.
A play-based school in Winnetka for children ages 18 months to 5 years
Willow Wood provides a warm, nurturing environment that promotes social, physical and intellectual development. We achieve this through a play-based curriculum that helps children develop imagination, ingenuity and confidence.
Our curriculum includes a wide variety of classes, after-school programs and summer camps to suit all families and ages. Our programs are taught by a dedicated faculty that has an impressive background in early childhood education.
Parents, teachers and students grow and learn together at Willow Wood. As a parent-run school, there are many ways to take part in the Willow Wood community. From social events to classroom visits, we want you to enjoy your time with us.
This morning Willow Wood Preschool had a fantastic Halloween Party at Kohl's Children's Museum. With Kohl's exclusively open just to Willow Wood, it was a fun morning filled with lots of laughter, fabulous costumes and memory making moments that make this Willow Wood tradition such a treasured event.


text:
I thought it might be useful to share some of our experiences as well our setup to help one another out with issues we may encounter.
- Are you running a production service?
We've been running a production service for about a month 90 users split between 2 severs, both running ZCB 5.018
- Have you had synchronization stop working for no apparent reason for a number of users (not all)?
We've had this happen at least 2 times in the last 2 months without a reasonable explanation. Simple restart of the controller starts the synchronization again but calendar entries created during the downtime don't get synchronized even after a restart.
- Any other issues that have surfaced for you? Any resolutions?
- How many users do you currently have on each servers (if you have more than one)?
- How many users do you anticipate to have? Does anyone expect to get to 250 users?
- Since the mail is stored on the BES servers and there could potentially be 250 users/server, what, if any mechanisms do you have to avoid storage/disk space issues?
So far the largest profile we have is 1GB and this only after being on BES for about 1.5months. This also has me a bit worried about data corruption.
- Have you looked into any sort of disaster recovery process?


text:
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text:
Tallahassee, Florida - Florida A&M University lifts the suspension on its famed marching band a year-and-a-half after the hazing-related death of band member Robert Champion.
He died in November 2011, after he was beaten by members of the Marching 100 during a hazing ritual on a band bus in Orlando.
Since then, FAMU has instituted a wide-ranging anti-hazing plan. It includes new procedures for reporting and investigating claims of hazing, new faculty positions to enforce anti-hazing rules and a revised process to join the band.
The band also has a new director. Sylvester Young says he is starting to select students for the new Marching 100 and he has high hopes for the band's future.
"They are returning with all of the glamour and the glitter and the excitement that they've always had. But they're coming out of this I would say stronger and smarter and, of course, more focused."
Young says it's still too soon to know whether the Marching 100 will be ready to perform at football games this fall.
"We're always moving toward that, but we're taking it one week at a time. It's just that sensitive and, of course, we're not going to perform unless we are at the level that we really, really want to be because of the reputation of the band and we don't want to do less than what we're capable of."
Young is a graduate of FAMU and a former director of the marching band at Ohio University.