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Last Revised: 18 June 2014. Replaces 1 June 2013 version in its entirety.
By Using the Typekit Service, or by installing any portion of the Service software, you are agreeing to the following terms and conditions. Please read them carefully.
Overview Table
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|Base Terms
1. Definitions.
The Agreement contains capitalized terms that are defined in Section 7 below.
2. Base Terms.
Your Use of the Service is governed by these Additional Terms of Use ("Additional Terms"), which supplement the Adobe.com Terms of Use ("General Terms") located at www.adobe.com/go/terms and which are incorporated into these Additional Terms by this reference.
2.1 Subscription Plans and Fees.
2.1.1 The Service features free individual Subscription Plans as well as fee-based (paid) individual, business, and enterprise Subscription Plans that allow You to access Licensed Content for Use in Your Published Media. Some paid Subscription Plans also include a Trial period.
2.1.2 You may not be asked to provide a credit card number with certain free Subscription Plan options. However, if You subscribe to a paid Individual or Business Plan Subscription Plan You will be required to provide a credit card and the corresponding Subscription Plan fee will be charged to Your credit card immediately upon sign-up. Thereafter the Subscription Plan fee will be charged to your credit card in advance on a recurring monthly or annual basis, as applicable.
2.1.3 Once paid, Subscription Plan fees are non-refundable. In the event Your credit card cannot be charged when Your Subscription Plan payment is due, We may attempt to notify You. If You do not respond to provide Us with updated credit card information and pay the applicable Subscription Plan fees in a timely manner, We reserve the right to suspend Your access to the Service.
2.1.4 All Subscription Plan fees are exclusive of all taxes, levies, or duties imposed by taxing authorities, which are Your responsibility, excluding only United States (federal or state) taxes.
2.2 Paying for Your Subscription Plan; Upgrading; Overages.
2.2.1 If You subscribe to a paid Individual or Business Plan Subscription Plan, You agree to make payment promptly and in advance of receiving access to the Licensed Content.
2.2.2 Subscription Plan fees are subject to change upon 30 days' notice posted on typekit.com. If upon 30 days' notice (prior to the end of your then-current Subscription Plan term), Adobe changes Subscription Plan fees, any subsequent Use of the Licensed Content by You will constitute Your acceptance of such changes. If You are in the middle of a pre-paid Subscription Plan term, any change in Subscription Plan fees will apply at the time of renewal of Your Subscription Plan term, after Your pre-paid Subscription Plan term has expired.
2.2.3 Each Subscription Plan includes limitations on the volume of Usage. These limitations apply with respect to the Licensed Content and may also be listed in Your Account profile. If Your Use of the Licensed Content exceeds the limits designated for the Licensed Content or for Your particular Subscription Plan ("overage(s)"), whether You are an individual, Reseller, or Typekit Enterprise Plan or Creative Cloud Enterprise subscriber, and regardless whether overages occur intentionally or unintentionally, We reserve the right, in our sole discretion, to bill You at the address provided in Your Typekit Enterprise Plan or Creative Cloud Enterprise sales order, or Your Individual or Business Plan Account and to charge You or Your credit card immediately for the overage, to upgrade Your Account to an alternate Subscription Plan appropriate to Your Usage levels, or to suspend Your access to the Licensed Content until Your Account, or the charges for the overage is paid in full. You agree to pay Us promptly upon request all amounts due on Your Account.
2.2.4 If You are subscribed to a free individual Subscription Plan, You understand that some Licensed Content accessible by You may migrate to a paid Subscription Plan at some point in the future. As a result You may be required to upgrade or change Your Subscription Plan selection in order to continue receiving access to such Licensed Content.
2.2.5 If You should ever upgrade from a free individual Subscription Plan to a paid Subscription Plan, or if You should ever upgrade from one paid Subscription Plan (including during a paid Subscription Plan Trial period) to a more expensive paid Subscription Plan, then the term of any then-existing free Subscription Plan, or paid Subscription Plan (including any Subscription Plan Trial period) will end at the time You upgrade, and the applicable fee for the new paid Subscription Plan will be charged to Your credit card immediately. Thereafter the Subscription Plan fee will be charged to Your credit card in advance on a recurring basis as described in Section 2.1.2 above.
2.2.6 If You should ever downgrade Your paid Subscription Plan You acknowledge that doing so might result in the loss of certain features, or a decrease in the Usage capacity or Usage limits associated with Your Account. We do not accept any liability for such loss.
3. Your Rights and Obligations; Limitations and Restrictions on Your Use of the Licensed Content.
3.1 Use of the Licensed Content by You. Depending on the Subscription Plan You select, the categories of Licensed Content available for Your Use may vary. Some Service features, functionality or categories of Licensed Content described in these Additional Terms may not be available with all Subscription Plans. Upon registration, access or Use of any portion of the Licensed Content, and in accordance with the particular Subscription Plan You select (and payment of Subscription Plan fees, if applicable), Adobe hereby grants to You a nonexclusive, non-assignable, non-transferable, limited right and license to access and Use the Licensed Content in and in connection with the design and development of Published Media as permitted by these Additional Terms, and only for as long as You maintain an uninterrupted Subscription Plan, subject to the following:
3.1.1 Desktop Publishing. If Your Subscription Plan provides for Use of the Licensed Content for desktop publishing, then
(a) You may only Use Typekit Desktop (including Licensed Content We permit to be downloaded, installed or otherwise made available to You through Typekit Desktop) on the Permitted Number of Computing Devices;
(b) Once installed to Your Computing Device, You may access the Licensed Content through Typekit Desktop, to select from among the available Licensed Fonts those You wish synchronized to Your Computing Device for Use in desktop publishing;
(c) You may Use Licensed Fonts that have been synchronized to Your Computing Device to design and develop Published Documents and You may embed and distribute the Licensed Fonts within Your Published Documents so that when others view, print or interact with Your Published Documents they will see Your content displayed (and can edit portions of Your Published Documents like inputting text into form fields, if applicable) with the Licensed Fonts as You intended;
(d) You may only embed those characters (i.e. subset) of the Licensed Fonts that are necessary to display, print and view (or edit, if applicable) the Published Document; and
(e) You may only Use and distribute Licensed Fonts embedded within Your Published Documents as described in this Section 3.1.1.
3.1.2 Website Publishing. If Your Subscription Plan provides for Use of the Licensed Content for website publishing, then
(a) You may Use the Licensed Content to design and develop Your Published Websites or webpages (and must Use any Kit We require for such purposes) and You may reference or encode a link to selected Licensed Fonts within Your Published Website design so that when others view or interact with Your Published Websites, they will see Your content displayed with the Licensed Fonts as You intended; and
(b) You may only Use Licensed Fonts within Your Published Websites as described in this Section 3.1.2.
3.2 Use of the Licensed Content by Publishers on Whose Behalf You Create Published Media. Publishers on whose behalf You create Published Media may continue to access and Use the Licensed Content You designed into that Published Media if each such Publisher subscribes to the Service or executes a separate agreement with Adobe for access to the Service. You agree to provide Your Publisher clients with a copy or notice of these Additional Terms (accessible at www.adobe.com/go/terms).
3.3 Reselling the Service.
3.3.1 If You are an Agency (as defined in Section 7 below), You have a limited right to resell the Service (only in connection with services You provide as an Agency to Your own customers or clients), however Adobe may place limits on the number of Published Media that may be registered with the Service by an Agency, or the scope of services provided to such Agency.
3.3.2 If You are a Reseller Platform (as defined in Section 7 below), You agree that You will not Use any portion of the Licensed Content without express prior written permission from Adobe. If You are a Reseller Platform Using one of our free font services, then You need only give prior written notice to Adobe in the form of an email containing Your name and that of Your Reseller Platform, with the subject line, "Reseller Platform Notification" sent to: firstname.lastname@example.com.
3.3.3 Reseller Platforms will Use the Licensed Content as permitted by law, including without limitation, import or export of data or software laws, and data protection and privacy laws and rules applicable to personal or personally identifiable information.
3.4 Obligations, Limitations, Restrictions and Prohibited Uses of the Licensed Content.
3.4.1 Making copies of Documentation. You may make copies of the Documentation, but no more than the amount reasonably necessary for Your internal reference in connection with Your Use of the Licensed Content.
3.4.2 Continuing access to the Licensed Content. On-going access to the Licensed Content may require a recurring Internet connection to provision, activate, or synchronize the Licensed Content, or to authorize, renew or validate Your access to the Licensed Content. In some cases, Licensed Fonts You design into certain Published Media will be viewable by You and by third parties that access or view the Published Media only for as long as You maintain an uninterrupted Subscription Plan (including payment of all Subscription Plan fees, if applicable).
3.4.3 Linking-Back to the Service. Free individual Subscription Plans or paid Subscription Plan Trial periods may include Licensed Content provided with an accompanying link-back badge or other logo that is automatically added to any page loading the Service, or certain brand element guidelines or display requirements. Removal or obfuscation of any required badge or logo linking back to the Service is prohibited, and You agree to display any required badge or logo and to follow any related brand element guidelines provided to You.
3.4.4 Included open source components. Portions of the Licensed Content may use or contain open source software components and software programs. Your Use of such Licensed Content will be additionally governed by the terms of any open source license specified in the copyright files or license notices accompanying the Licensed Content.
3.4.5 Preserve existing notices. The Licensed Content may be provided to You with certain proprietary notices, including patent, copyright, and trademark notices. You must preserve exactly as provided to You (and not remove or alter) all such proprietary notices displayed in or on the Licensed Content.
3.4.6 Prohibited Uses of the Licensed Content. Except as may be permitted pursuant to any open source license terms applicable to certain open source components that may be included in or distributed with the Licensed Content, You are expressly prohibited from:
(a) Hosting the Licensed Content on Your own server or other self-hosting option or service;
(b) Including, bundling, embedding, or otherwise distributing any Licensed Content within Your Published Media, or sublicensing Your access to Use any part of the Licensed Content to any other person, except as described in Section 3.1 of these Additional Terms;
(c) Allowing external output of the Licensed Content from within Your Published Media, or distributing any portion of the Licensed Content on a standalone basis or in any way that would allow another person to Use the Licensed Content to author new content outside of Your Published Media;
(d) Adding any functionality to, or otherwise changing, altering, adapting, translating, converting, modifying, creating, or making or having made any Derivative Works of any portion of the Licensed Content;
(e) Disassembling, decompiling, reverse engineering, or otherwise attempting to discover the source code of the Service or Licensed Content, or defeat, bypass, or otherwise circumvent any software protection mechanisms in the Service or Licensed Content, except to the extent applicable laws of the jurisdiction where You are located specifically prohibit such restrictions, in which case You must first request the information from Adobe and We may, in our discretion, either provide the information to You or impose reasonable conditions, including reasonable fees, on Your Use of the Software or Licensed Content to ensure that Adobe's and/or its Licensor's Intellectual Property Rights in the Licensed Content are protected;
(f) Assigning, granting a security interest in or over, or otherwise transferring any part of Your rights to Use the Licensed Content;
(g) Attempting to copy, move or remove Licensed Content from the locations or folders on Your Computing Device where We have installed such Licensed Content, or otherwise attempting to access or Use the Licensed Content other than by subscribing directly to the Service Using the means We provide for such purposes; and
(h) Copying or distributing the Licensed Content (except as expressly permitted for Licensed Fonts embedded in certain types of Published Media according to Section 3.1.1 of these Additional Terms) for Use in a service bureau arrangement, like with a commercial printing service provider.
3.4.7 Compliance With These Additional Terms. Upon reasonable notice, Adobe may request records relevant to Your compliance with these Additional Terms and You agree to provide such records to Adobe within thirty (30) days of receipt of our request.
3.5 Rights You Grant to Adobe for Customer Fonts You Make Available Through the Service. You may have occasion to provide Customer Fonts to Adobe for hosting through, Using, or in connection with, the Service, Licensed Content, or Published Media. While Adobe does not claim ownership of Your Customer Fonts, We need certain rights from You in order to respond to Your requests and to facilitate Use of the Service by You and others. Therefore;
3.5.1 With respect to Customer Fonts You provide to Adobe for hosting through the Service, You hereby grant to Adobe a worldwide, nonexclusive, transferable, royalty-free, and fully paid up license to access, use, copy, edit, adapt, translate, reformat, reproduce, publish, transmit, distribute, publicly perform, and publicly display the Customer Fonts, including a nonexclusive, sublicenseable right and license to all Intellectual Property Rights in and to the Customer Fonts, and the designs embodied in them, to apply Adobe's proprietary outline hinting and smoothing customizations, programmatic encoding rules and instructions, obfuscation, segmentation and subsetting techniques, algorithms, and other processes, as well as all related resources and documentation (collectively, "Adobe Font Optimizations") necessary to modify and convert the Customer Fonts to multiple formats so that they may be used, reproduced, displayed, published, hosted and distributed by Adobe through the Service in connection with Published Media; and
3.5.2 You represent and warrant that You have not entered into any agreements or other arrangements that would prevent You from granting the rights granted in this Section.
3.5.3 While You retain rights to Customer Fonts You may provide to Adobe for hosting on or through the Service, You acknowledge and agree that all Adobe Font Optimizations applied by Adobe to the Customer Fonts are owned by Adobe. For the avoidance of doubt, Adobe owns all Intellectual Property Rights that are embedded in the Adobe Font Optimizations, modifications, and other work done by Adobe to convert the Customer Fonts to multiple formats so that they may be distributed on and through the Service and Used in multiple environments.
3.5.4 Regardless of the licenses granted by You to Adobe in this Section, You acknowledge and agree that Adobe is free to use any ideas, concepts, know-how or techniques You provide to Adobe, for any purpose, without any compensation to You and Adobe may promote the fact that You are an Adobe customer in its promotional materials and on its websites.
4. Other Rights and Obligations.
4.1 Support. Technical support is provided only to paid Subscription Plan participants in accordance with the level of service subscribed. In connection with providing technical support, We may need to communicate with You or Your staff and request access to Your systems or networks. If You do not provide Us with such cooperation, it may limit the scope of support We can provide to You.
4.2 Termination.
4.2.1 You acknowledge and agree that Your right and license to Use certain Licensed Content and to incorporate the Licensed Content into Published Media are sub-licenses granted to You by Adobe as a licensee of various content licensors and, further, that Your rights to such Licensed Content are dependent upon the continued enforceability and applicability of any agreements between Adobe and its content licensors. Should the relevant agreements between Adobe and its Licensors expire or terminate, You understand You may no longer have the right to Use such Licensors' Licensed Content in any way that is different than was Used prior to such agreement expiration or termination.
4.2.2 We reserve the right at any time, with or without notice and for any reason, to temporarily or permanently limit, modify, suspend, or discontinue the Service or its prices (or any part thereof), Your access to the Service, any Licensed Content, or Service Interfaces. Adobe will not be liable to You or to any third party for any such limitation, modification, suspension, or discontinuation of the Service, Licensed Content, or Your access thereto.
4.2.3 We may suspend or terminate Your Account and right to Use the Service and/or Licensed Content if at any time You violate these Additional Terms, fail to maintain a valid Account in good standing, or fail to pay any required Subscription Plan fees.
4.2.4 We, in our sole discretion, may temporarily or permanently suspend Your Account's access to Service Interfaces if Adobe determines instances of abuse, excessively frequent requests to the Service, or other excessive Usage via a Service Interfaces.
4.2.5 Any attempt to interfere with the operation of the Service or Licensed Content in any way may carry criminal penalties and be subject to investigation and prosecution.
4.3 Cancellation and Refunds.
4.3.1 If You wish to cancel Your Service Account You are responsible for doing so properly. You may cancel Your Service Account at any time by signing-in to Your Account profile and clicking on the no-questions-asked "cancel my account" cancellation link. An email or phone request to cancel Your Account is not considered cancellation.
4.3.2 If You subscribe to a paid Subscription Plan and You cancel Your Account or Subscription Plan before Your next payment due-date, then Your cancellation will take effect immediately and You will not be charged again.
4.3.3 If You subscribe to any free or paid Subscription Plan that includes a free trial period and later cancel Your Account within the free trial period, You will not be charged.
4.3.4 There will be no refunds for cancellation, downgrade, or other changes made to pre-paid Subscription Plans. In order to treat everyone equally, no exceptions will be made to the Service refund and/or cancellation policy.
4.4 Effect of Termination or Cancellation.
4.4.1 Upon termination of Your Account, whether by You, or by Us due to a breach by You of these Additional Terms, We will close Your Account without further notice.
4.4.2 Termination or cancellation of Your Account, or of Your Use or access to the Service, will result in the immediate deactivation or deletion of Your Account and the forfeiture and deletion of all content in Your Account, including Your entire Service configuration and website design data, and once deleted, this information cannot be recovered or retrieved.
4.4.3 Upon the termination or expiration of Your Account or subscription, Your obligation to pay all sums due to Adobe will be accelerated and the same will become immediately due and payable.
4.4.4 If You have any questions regarding the Service or these Additional Terms, please see the Service support page located at https://typekit.com/help.
5. Business Plans.
If You are subscribed to the Service under a business Subscription Plan (as such plan is defined or described at https://typekit.com/plans and if the particular Service feature, functionality or category of Licensed Content described is available under Your Subscription Plan) then Your terms of use are as set forth in Sections 1 through 4 above, and in this Section 5, except if You enter into a separate business, enterprise, or font publishing and licensing agreement or similar instrument with Adobe, then the terms of any such agreement and any related sales orders or other order forms will supersede these Additional Terms.
5.1 Service Level Agreement or SLA. The following terms and conditions apply separately to each business Subscription Plan:
5.1.1 Service Availability. "Service Availability" is defined as that time that the Service is capable of receiving, processing, and responding to requests (calculated as a percentage by dividing the number of minutes the Service is available during a given calendar month by the number of total minutes in the given calendar month) as measured on a monthly basis by the Pingdom monitoring service and excluding in all cases Adobe's scheduled maintenance of the Service and force majeure, defined as acts of God, terrorism, labor action, fire, flood, earthquake, governmental acts, orders, or restrictions, denial of service attacks, and other malicious conduct, utility failures, or any other cause of Service unavailability that is beyond Adobe's reasonable control.
5.1.2 Service Availability Objective. Adobe will make reasonable efforts to ensure the Service is operational at least 99.9% of the time measured on a monthly basis.
5.1.3 Service Availability Guarantee. In the event the Adobe does not meet the Service availability objective described in Section 5.1.2 in the given month, and provided You otherwise continue to meet Your obligations under these Additional Terms, then for each day in such month that the duration of the Service unavailability event exceeds four (4) continuous hours, You are entitled to receive a one (1) day Service credit, subject to the requirements of this Section 5, applied to Your Account at the conclusion of the then-current Service subscription term.
(a) For the purposes of calculating the Service availability objective, Adobe will only consider the Service "unavailable" if You opened a trouble or issue ticket with the Service support team within three business days of the Service unavailability event.
(b) To obtain a credit for Adobe's failure to meet the Service availability objective, You must request such credit in writing no later than the calendar month following the month of the Service unavailability event giving rise to Your credit request.
(c) In the event of a conflict between the data in Your records and Adobe's records, the data in Adobe's records will prevail.
(d) The Service credit offered in this Section is be Your sole and exclusive remedy for any failure of the Service or any failure of Adobe to meet the Service availability objective. Any unused Service credits will expire upon termination of the Service or Your Subscription Plan agreement.
(e) To report a Service unavailability event, outage or other problems, send a message to the email address for Service support that was provided with Your particular Subscription Plan, or send an email to: firstname.lastname@example.com. Your message should provide a description of the issue and specify the date and period of the outage or unavailability, and can include the url to the relevant Pingdom website monitoring report, if available.
6. Typekit Enterprise Plans.
If You are subscribed to the Service under the Typekit Enterprise Plan Subscription Plan (as such plan is defined or described at https://typekit.com/plans/enterprise and if the particular Service feature, functionality or category of Licensed Content described is offered to You under Your Subscription Plan), then Your terms of use are as set forth in Sections 1 through 5 above, and in this Section 6, except if You enter into a separate business, enterprise, or font publishing and licensing agreement or similar instrument with Adobe, then the terms of any such agreement, including any related sales orders or other order forms, will supersede these Additional Terms. For clarity, the Typekit Enterprise Plan Subscription Plans are separate and distinct from other enterprise plan offerings, including any Creative Cloud Enterprise plan, which may be offered or made available to You under additional or different licensing and pricing terms.
6.1 Adobe represents, warrants and covenants that, to the best of its knowledge (a) it owns or has rights to the Licensed Fonts and Licensed Content, and (b) its provision of the Service (including licenses granted by Adobe to users of the Service) does not (i) breach any third party agreement, (ii) infringe the Intellectual Property Rights or proprietary rights, or rights of publicity or privacy of any third party, (iii) violate any applicable law, statute, ordinance or regulation, or (iv) result in the dissemination of any software viruses or any other computer code, files or programs that may interrupt, destroy or limit the functionality of any computer software or hardware or telecommunications equipment.
6.2 Adobe will provide enterprise level VIP support, which includes priority handling of issues during business hours, via email or telephone.
6.3 Notwithstanding the terms set forth in Section 3.5.4 above with respect to publicity, Adobe will not promote the fact that You are an Adobe customer in its promotional or publicity materials or on its websites without Your prior approval.
Capitalized terms used in these Additional Terms have the meaning as defined below. Capitalized terms not otherwise defined here have the same meaning as defined in the General Terms located at located at www.adobe.com/go/terms.
7.1 "Account" means the account (including any Adobe ID and user profile) You create when You first register with the Service, including any unique keys or identifiers Adobe provides to You or otherwise uses to associate You with your account.
7.2 "Adobe," "We," or "Us" means Adobe Systems Incorporated, a Delaware corporation, 345 Park Avenue, San Jose, California 95110, if this agreement is entered into while You are in the United States, Canada, or Mexico; otherwise, it means Adobe Systems Software Ireland Limited, 4‑6 Riverwalk, Citywest Business Campus, Dublin 24, Ireland.
7.3 "Agency" means an individual or commercial business that provides web or graphic design, advertising, marketing, or similar services to its own customers or clients and which services include creating and/or maintaining Published Media.
7.4 "Customer Fonts" means the fonts and/or font families licensed separately by You directly from a third party for Your Use through the Service pursuant to this Agreement.
7.5 "Computing Device" means a virtual or physical device or an Internal Network (i.e., a private, proprietary network resource accessible only by Your individual employees or contractors and specifically excluding he Internet or any other network community open to the public) with the recommended operating system, hardware, or other configuration that accepts information and manipulates it for a specific result based on a sequence of instructions, including without limitation, desktop computers, laptops, tablets, telecommunication devices, Internet-connected devices, and hardware products capable of operating a wide variety of productivity, entertainment, or other software applications.
7.6 "Derivative Work(s)" means binary data based upon or derived from the Licensed Content (including any portion of the Licensed Software) in any form in which such binary data may be recast, transformed, or adapted including, but not limited to, binary data in any format into which the Licensed Content may be converted.
7.7 "Documentation" means the explanatory written materials and files and/or other user documentation that accompanies the Licensed Content, or is published, made available or otherwise provided to You by Adobe, in connection with Your Use of the Service.
7.8 "Kit" means the computer, web or other medium-compatible software package created by You through the Service comprised of Your preferred settings, Licensed Font choices, and formats, style sheets, and other software code, along with any JavaScript that may be delivered through the Service to wrap and identify each Kit and corresponding Publisher and to manage and track Use of Licensed Fonts in connection with Published Media.
7.9 "Licensor(s)" means the third party that has licensed to Adobe any of the Licensed Content, which Adobe makes available for Your Use.
7.10 "Licensed Content" means the Licensed Fonts, Licensed Software, and the Service, Service Interfaces, and Service Interface tokens.
7.11 "Licensed Fonts" means the fonts and/or font families that Adobe licenses to You through the Service for Your Use pursuant to these Additional Terms.
7.12 "Licensed Software" means the Service and any and all software with which this Agreement is provided, including but not limited to any software files containing the Licensed Fonts and any scripts, scripting logic, or other code that is used within the Service or bundled with Typekit Desktop, or embedded within exported file formats (and any Updates and Upgrades or Documentation relating to any of the foregoing) that Adobe makes available to You through the Service to enable You to access and receive the Licensed Content.
7.13 "Permitted Number of Computing Devices" means the maximum number of Computing Devices to or upon which Typekit Desktop may be installed (including the number or instances of simultaneous Use permitted by Your particular Subscription Plan) and from which the Services may be accessed.
7.14 "Publisher" means the individual or entity (You or Your client or customer on whose behalf You may act) that owns or controls the content, other than Licensed Content, appearing on or in Published Media.
7.15 "Published Document(s)" mean any publicly distributed form of digital document (i.e. Word, PDF, EPUB, etc) that Uses Licensed Fonts, whether or not embedded, including for display, viewing or consumption by anyone accessing the Published Document.
7.16 "Published Media" means, individually and collectively, any Published Document or Published Website.
7.17 "Published Website(s)" means respectively websites, webpages or webpage content that You design, develop, or create and that is published and integrates, accesses, and publicly displays Licensed Fonts Using Typekit Web.
7.18 "Reseller Platform" is any service that allows its customers or clients to choose fonts for websites or other products that it provides on their behalf (e.g., blogging platforms, social network profiles, etc.)
7.19 "Service(s)" means the Typekit service website accessible from www.typekit.com, including Typekit Desktop, Typekit Web, and all other services, features or content made available from, in, or through the Typekit service website.
7.20 "Service Interface(s)" means any plugins or application interface provided by or through the Service that allows You programmatic access to the functionality of the Service and allows You to preview the Licensed Content, or to otherwise create, configure, modify, and publish Kits, and fetch metadata about the fonts in the Service font library.
7.21 "Subscription Plan(s)" means each respective Service subscription plan option, including Trials, as well as any related Use terms and conditions, allowances, limitations, restrictions and fee schedules described for each subscription plan at https://typekit.com/plans, which are incorporated in these Additional Terms by this reference.
7.22 "Typekit Desktop" means those features of the Service made available through the download or installation of Adobe software to Your Computing Device, that facilitate Your access and Use of the Services or Licensed Content for desktop publishing purposes (i.e., for creating Published Documents).
7.23 "Typekit Web" means those features of the Service that facilitate Your access and Use of the Services or Licensed Content (including web-formatted versions of Licensed Fonts) for creating Published Websites.
7.24 "Updates and Upgrades" means any updates, revisions, modifications, or additions that may be made and deployed or provided by Adobe to You at any time to upgrade, augment, or enhance the Service, to the extent not provided under separate terms. Adobe is not liable to You in any way whatsoever for any such changes.
7.25 "Use(s)," "Using", or "Usage" means any and all use You make of the Service in connection with Your download, integration, access, syncing, use, or display of the Licensed Content.
7.26 "You" and "Your" means any individual, entity, or Agency that creates and Uses an Account to access the Services on its own behalf or on behalf of its clients or customers in connection with Published Media.
Typekit Desktop EULA and SaaS TOU-en_US-20141806


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Supply chain: PRTM's Global Supply Chain Trends 2010–2012 survey carries mixed messages
June 28, 2010
Senior management is optimistic about economic recovery, but their global operations are ill-prepared to meet a significant upturn in demand, according to a new survey conducted by global management consultancy PRTM. The findings are part of PRTM's Global Supply Chain Trends 2010–2012 Survey—the largest annual survey of global supply chains ever conducted by the firm.
With nearly 350 participants from across industries in Europe, the Americas and Asia, the survey provides insight into management efforts to recover from the recent financial crisis and to position supply chains as an enabler of revenue and margin growth.
While optimism abounds—more than half of survey respondents expect average gross margins to surpass 10 percent over the next three years—three-quarters of respondents cite demand and supply volatility, coupled with poor forecast accuracy, to be the biggest roadblocks they face in capturing profits from the economic upturn.
Driven by short-term exigencies, many survey participants did not strengthen critical capabilities during the recession. "Only a small percentage truly improved supply chain flexibility and the processes needed both to capture an increase in demand and to better manage volatility," said Reinhard Geissbauer, director, PRTM's Global Supply Chain Innovation practice.
Complexity also poses a significant concern. More than 85 percent of companies expect the complexity of their supply chains to grow significantly by 2012, due to the challenges of expanding services to new global customers—their primary source of revenue growth. Specifically, more than three-quarters of respondents expect an increase in the number of international customer locations; more than two-thirds expect a higher number of product variations will be required to fulfill local customer expectations and to counter shrinking revenues.
Geissbauer said serving customers in an increasingly complex global environment extends the risk management challenge across the entire supply chain. "Dealing with cost pressures of their own, many companies have increased efforts in asset management and have shifted supply chain risks upstream to their suppliers." So it comes as no surprise to Geissbauer that between 65 and 75 percent of survey participants now list end-to-end supply chain practices like advanced inventory management or improved delivery to customers at the top of their management agendas.
The report summarizes five key supply chain challenges with which global companies are struggling: 1) Consumers are increasingly price sensitive and less brand-loyal, resulting in commoditization and a permanent increase in supply chain volatility, 2) While most participants are looking to international customers for future market growth, few are prepared for the complexity that results from serving global customers with regionally customized products, 3) End-to-end supply chain cost optimization will be critical in the future, 4) Risk and opportunity management should span the entire supply chain, including the supply chains of key partners, and 5) Existing supply chain organizations are not truly integrated or empowered—specifically, 30 percent of survey participants say that problems with the supply chain organization—such as lack of integration between product development and manufacturing functions—are standing in their way of capturing the benefits of the economic recovery.
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subset: commoncrawl


text:
Women@Work's employer mentors offer three tips for parents reentering the job market.
I had the privilege of participating in an event called Straight from the Source: Employer Representatives Mentor Women, hosted by Women@Work in Westport, Connecticut, yesterday.
Women@Work, co-founded by Eliza Shanley, is a great organization that is "dedicated to Keeping Women at Work Through All of Life's Ages and Stages." They offer a wide range of services which help mid- to senior-level women professionals advance their careers and find jobs. Often times these women took time off to raise their families and are now faced with reentering the workforce in a tight job market.
Every month or so, Women@Work holds an event where they ask individuals from various corporations to meet with its members to discuss two major topics: where they see opportunity in the marketplace, and what key advice they'd give professionals looking to reenter the job market.
I was very excited to attend this event because I could offer a unique perspective – not only could I talk about how I see the job market in the internet space, but I could discuss what job trends TheLadders sees across multiple industries and functions, as well as provide some practical tips to make every person at the event a more effective job seeker.
Eliza opened the event by moderating a short panel discussion with me and representatives from home furnishings retailer Pottery Barn and financial services firm Morgan Stanley Smith Barney.
Although we all came from very different industries and company cultures, a few themes seemed universal:
A positive attitude goes a long way.
When you're going in for an interview or even an initial phone screen, you need to be in a good mood and show the interviewers that you want the job. No one wants to work with a Negative Nancy!
Research is key.
Employers want to know you took the time to read their website, recent news articles about the organization, etc., and that you have a good understanding of how they work and what's going on in their world. Prove in your cover letter and during the interview that you've done your homework. Whenever possible, find someone you know who works at the company and grab a cup of coffee with them to learn more about the organization and its culture.
It's more than just skill set.
When a hiring manager gets a job requisition approved, they want someone who can not only do the job, but also fit in with the company and team culture. Assume that a portion of every screening and interview is devoted to determining how well you will fit in with the company's culture and the make-up of your specific team.
After the panel discussion, we broke out into smaller groups where the attendees could sit with each panelist and ask and every question they had about the job market and the search. A lot of this time was devoted to going over the dos and don'ts of resume writing and networking.
This was a really great event. The attendees were very enthusiastic and each speaker brought something different to the table. Thanks again to Eliza Shanley and Women@Work for putting together such a polished event! I look forward to working with this group again.
Amanda Augustine is the Job Search Expert for TheLadders. She provides job search and career guidance for professionals looking to make their next career move. Have a question for Amanda? Submit your question here for a chance to have it answered in her weekly column, and be sure to follow her at @JobSearchAmanda on Twitter and "Like" her on Facebook for up-to-the-minute job-search advice.


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Situated near Wake Forest in the affluent Wakefield Plantation Community, the Holiday Inn Express® Hotel & Suites North Raleigh - Wake Forest offers comfortable accommodations for your business trip or Raleigh vacation. The hotel's convenient location on Hwy 1 puts you minutes from I-540, making it easy to explore the entire Raleigh area.
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Imagine having all the business tools you need right at your fingertips. This hotel features free Wi-Fi access and a 24-hour Business Center to help you stay productive. If you need to host a meeting, we have 1,100 square feet of space. And, this hotel's location in Raleigh, NC offers easy access to companies like Century Link, Novozymes, K-Flex USA, Amcor, Southeastern Baptist Theological Seminary and Covidien.
There is so much to see and do in Raleigh, NC, and this hotel's address is near it all. With ice skating rinks, batting cages, shopping and dining, the Factory has something for the entire family. Players of all skill levels enjoy teeing off at Heritage Golf Course. Don't miss a chance to see the birthplace of Wake Forest University.
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Archive for the 'soccer games online' tag
American Football: How it All Began
Every year, millions of people around the world anticipate watching Super Bowl Sunday but don't know anything about its origins. Most Americans consider it a "holy day" where families and friends unite to support their favorite teams. While the teams huddle up and the fans booed and cheered, food merchants, especially the pizza parlor owners, are enjoying a boost in sales all because a tackle game with an inflated cow bladder evolved into one of the most-loved American games of all time.
If you travel back to 11th century England, you will find hundreds of men clashing over this primitive ball just to deliver it into their goal post – the middle of their opponent's town. The physical aggression of the game was much worse back then that injuries and even deaths were common. Today, even with clear rules and the wearing of improved protective clothing, lasting injuries from this smash-mouth game are still common. In fact, there is a very rare chance for a quarterback or a running back to make it through the entire season without injuries. Sadly, helmets which are supposed to protect the players from getting a concussion have now become deadly weapons. Moreover, players are also in danger of dehydration since the season starts early September when it is still too hot and humid.
Despite the dangers, lockouts and the changes in the sport itself, American football remains a people's favorite. Walter Camp, the Father of American Football was the first man to make modifications in this rugby-like sport. From the original 15 players, he lowered it down to the 11 players known today. He was also the reason why there is quarterback and a center player as well as the existence of the line of scrimmage. In the past, the possession of the ball is just like in a soccer game. Now with the line of scrimmage, the offensive team will maintain possession as long as they don't commit any violations. In addition he also created the safety, penalties, interference and the neutral zone. Other relevant names in football include Knute Rockne, Gleen Warner, Eddie Cochems and Amos Alonzo Stagg. The latter created the popular football huddle, the T and punt formations and the end round. With Stagg's number ranges, you can now easily tell which one of the players are quarterbacks, linebackers and whatnot.
American Football has changed over the years. In the past, you can never run the ball with your hands as it is strictly played with the feet just like soccer. Tackling the opponent as low as the knee was not even permitted until 1888. There was even a time when you can only hit, dribble or kick, but never throw or run the ball to make a touchdown. But with the addition of forward pass and the modifications with the rules and regulations, you can now enjoy a sometimes bloody but worthwhile sport. So the next time you watch Super Bowl Sunday and a child next to you ask how it all began; do you have the right answers?


text: On Friday, March 1, at 730pm, UAHuntsville will collaborate with Randolph's Upper School choir and present a concert of Multi-Cultural and American choral music, Songs from Many Lands. The Concert will take place at UAH in Roberts Recital Hall. Admission: $5/free for students with I.D. We welcome guest conductor, Dr. Miguel Felipe. Miguel Ángel Felipe was born and began his musical studies in Ann Arbor, Michigan. Today, Dr. Felipe is Director of Choral Activities and Assistant Professor of Music at the University of Hawai'i at Mānoa in Honolulu, Hawai'i. He also serves as director of music and liturgy at the Lutheran Church of Honolulu. Most recently, he was Visiting Director of Choral Activities and Assistant Professor of Music at the Oberlin College & Conservatory, Artistic Director of the Boston Choral Ensemble, and Artistic Director of the International Meeting on Choral Music at the University of São Paulo, Ribeirão Preto, Brazil for the 2010 and 2011 seasons. Before that, he was Interim Choral Director and Visiting Lecturer in Music at Mt. Holyoke College, Associate Director of Choral Studies at The Boston Conservatory, and Assistant Conductor of the Harvard-Radcliffe Collegium Musicum at Harvard University. He has conducted choirs at the University of Cincinnati, Boston University, The Boston Conservatory, Brown University, and Harvard University. He has led community choirs in Maine, Massachusetts, and Ohio, and has served as a clinician and adjudicator throughout the Eastern US and in South America and Southeast Asia. For more on Dr. Felipe, see his website: http://miguelfelipe.com/ We are grateful to have Dr. Felipe with us all week working with our choirs and lecturing on a variety of musical topics. This collective effort was made possible because of a generous grant from the UAHuntsville Office of Diversity and Multi-Cultural Affairs and the Randolph School. The UAHuntsville Concert and Chamber Choirs are conducted by Dr. Erin Colwitz. Her bio is here: http://www.uah.edu/la/departments/music/faculty-staff/directories/full-time/273-main/liberal-arts/music/music-faculty-bios/1793-erin-colwitz The Upper School Choir at the Randolph School is conducted by Mr. Chris Walters. Chris Walters has served as the Director of Choirs at Randolph School in Huntsville since 2011. Chris is also currently completing a D.M.A. in choral conducting from Boston University, where he studied with Dr. Ann Howard Jones. He holds degrees in music education, sacred music, and choral conducting from Vanderbilt University and Emory University. In addition to community musical theatre roles, Chris has sung as a tenor soloist with Vanderbilt University Opera Theatre, the Emory University Concert Choir, with the Salisbury Singers of Worcester (MA), and with Dale Warland and the Berkshire Choral Festival of Sheffield (MA). Mr. Walters is also a part of the vocal faculty at UAHuntsville. Dr. Felipe's Schedule for the week of Feb. 25 is below (all rehearsals are open to the public; if you are interested in attending one of the rehearsals, please contact Dr. Colwitz): Monday, Feb. 25 915-1005am: Randolph's Upper School Choir Rehearsal 1245-205: UAH Concert Choir Rehearsal 220-340: UAH Advanced Conducting Lecture Tuesday, Feb. 26 1255p-140p: Randolph Junior High Choir Rehearsal Wed., Feb. 27 830-915: Lecture to Randolph's Music Fundamentals class (Freshman) 1255-140: Randolph Junior High Choir 2-330p: Randolph's Upper School Choir Rehearsal 500: Early dinner with students Thursday, Feb. 28 930-1030: Lecture to UAH Music Forum (all music majors) 1245p-205: Clinic with UAH Chamber Choir 630-800: Lecture to Randolph's parents (tentative) Friday, March 1 1230-300: Rehearsal #2 (with UAH C/C and Randolph Upper School Concert Choir in choir room -- 201) 315-430: Rehearsal #3 (with UAH and Randolph in Roberts Recital Hall) 730: Concert at UAH, Roberts Recital Hall


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I have a client experiencing problems using the same account on multiple computers. Here are the details:
Two people are sharing the same credentials using the iSync connector so they could modify the same calendar correctly. We had issues with permissions on shared calendars...
The same two people login with the same credentials using Active Sync on the iPhone. They are using the same account so either one of them could modify the calendar over the air. This is also because shared calendars do not work with the iPhone over the air.
When one of them deletes an event (either over the web interface, iCal or iPhone), it re-appears after an hour or so. This is causing big scheduling problems with them.
They're running OS X 10.5.5 with iSync Connector 5.0.2672