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OXFORDSHIRE athletes Hannah England, Lawrence Clarke and Nathan Douglas will compete in the Commonwealth Games, it was confirmed this morning.
This trio will represent England at Glasgow 2014 in July after being named in a squad of 129.
England will compete in the ladies' 1,500m, with fellow Oxford City AC member Douglas contesting the men's triple jump.
Clarke, from Christmas Common, goes in the men's 110m hurdles, hoping to build on a bronze medal in 2010.
Former Oxford University student Ben Moreau will run for England in the marathon.
Latest Sport news
- Oxford United fans in a hurry to snap-up season tickets
- CRICKET: Shipton-under-Wychwood skipper Charlie Brain eyeing derby joy at Horspath
- CRICKET: Banbury skipper Lloyd Sabin excited to take on Division 1 champions High Wycombe
- CRICKET: Oxfordshire Over 50s B get off to flying start in County Championship
- Tennis fever sweeps Oxfordshire as Davis Cup comes to Abingdon
- Striker George Jeacock signs professional contract with Oxford United
- Oxford United supporters' group OxVox say season ticket rise is 'expected and accepted' by most fans
- Oxford United: Season ticket price increase necessary to compete in League One
- ICE HOCKEY: Highly-rated Ben Nethersell on board with Oxford City Stars as duo re-sign
- GOLF: Steady first round from Eddie Pepperell at Wentworth


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06 Jul 2014
The Turn of the Screw, Holland Park
'Only make the reader's general vision of evil intense enough and his own experience, his own imagination, his own sympathy will supply him quite sufficiently with all the particulars.
Die Meistersinger at the theatre in which it was premiered, on Wagner's birthday: an inviting prospect by any standards, still more so given the director, conductor, and cast, still more so given the opportunity to see three different productions within little more than a couple of months).
Opera houses' neglect of Janáček remains one of the most baffling of the many baffling aspects of the 'repertoire'. At least three of the composer's operas would be perfect introductions to the art form: Jenůfa, Katya Kabanova, or The Cunning Little Vixen would surely hook most for life. From the House of the Dead might do likewise for someone of a rather different disposition, sceptical of opera's claims and conventions.
Director Annabel Arden believes that Rossini's Il barbiere di Siviglia is 'all about playfulness, theatricality, light and movement'. It's certainly 'about' those things and they are, as Arden suggests, 'based in the music'.
George Enescu's Oedipe was premiered in Paris 1936 but it has taken 80 years for the opera to reach the stage of Covent Garden. This production by Àlex Ollé (a member of the Catalan theatrical group, La Fura Dels Baus) and Valentina Carrasco, which arrives in London via La Monnaie where it was presented in 2011, was eagerly awaited and did not disappoint.
Lyric Opera of Chicago staged Charles Gounod's Roméo et Juliette as the last opera in its current subscription season.
'The plot is perhaps the least moral in all opera; wrong triumphs in the name of love and we are not expected to mind.'
Anthony Minghella's production of Madame Butterfly for ENO is wearing well. First seen in 2005, it is now being aired for the sixth time and is still, as I observed in 2013, 'a breath-taking visual banquet'.
This concert version of La straniera felt like a compulsory musicology field trip, but it had enough vocal flashes to lobby for more frequent performances of this midway Bellini.
As poetry is the harmony of words, so music is that of notes; and as poetry is a rise above prose and oratory, so is music the exaltation of poetry.
From experiments with musique concrète in the 1940s, to the Minimalists' explorations into tape-loop effects in the 1960s, via the appearance of hip-hop in the 1970s and its subsequent influence on electronic dance music in the 1980s, to digital production methods today, 'sampling' techniques have been employed by musicians working in genres as diverse as jazz fusion, psychedelic rock and classical music.
On May 7, 2016, San Diego Opera presented the West Coast premiere of Great Scott, an opera by Terrence McNally and Jake Heggie. McNally's original libretto pokes fun at everything from football to bel canto period opera. It includes snippets of nineteenth century tunes as well as Heggie's own bel canto writing.
A foiled abduction, a castle-threatening inferno, romantic infatuation, guilt-laden near-suicide, gun-shots and knife-blows: Andrea Leone Tottola's libretto for Vincenzo Bellini's first opera, Adelson e Salvini, certainly does not lack dramatic incident.
Opera as an art form has never shied away from the grittier shadows of life. Nor has Manitoba Opera, with its recent past productions dealing with torture, incest, murder and desperate political prisoners still so tragically relevant today.
Published in 1855 as an entertainment for his two daughters, William Makepeace Thackeray's The Rose and the Ring is a burlesque fairy-tale whose plot — to the author's wilful delight, perhaps — defies summation and elucidation.
What more fitting memorial for composer Peter Maxwell Davies (d. 03/14/2016) than a splendid performance of The Lighthouse, the third of his eight works for the stage.
I suspect that many of those at the Wigmore Hall for The King's Consort's performance of the La Senna festeggiante (The Rejoicing Seine) were lured by the cachet of 'Antonio Vivaldi' and further enticed by the notion of a lover's serenade at which the generic term 'serenata' seems to hint.
Having enjoyed superb singing by a young cast of soloists in Classical Opera's UK premiere of Jommelli's Il Vogoleso the previous evening, I was delighted that the 2016 Kathleen Ferrier Awards Final at the Wigmore Hall confirmed the strength and depth of talent possessed by the young singers studying in and emerging from our academies and conservatoires.
On February 7, 1786, Emperor Joseph II of Austria had brand new one-act operas by Wolfgang Amadeus Mozart and Antonio Salieri performed in the Schönbrunn Palace's Orangery.
Those poor opera lovers in Cologne have a never ending problem with the city's opera house. Together with the rest of city, the construction of the new opera house is mired in political incompetence.
London remains starved of Wagner. This season, its major companies offer but two works, Tannhäuser from the Royal Opera and Tristan from ENO.
'Only make the reader's general vision of evil intense enough and his own experience, his own imagination, his own sympathy will supply him quite sufficiently with all the particulars.
Make him think the evil, make him think it for himself, and you are released from weak specifications'. So wrote Henry James in the Preface to his short story, The Turn of the Screw.
James's novella is characterised by the author's characteristic literary evasion: the 'gaps' in the narrative, which frustrate and provoke the reader, are an invitation to musical intimation and allusion — and the suggestiveness of Britten's score perfectly complements, even enhances, the author's tantalising elusiveness. By contrast, Annilese Miskimmon's new production for Opera Holland Park — the first Britten opera to be performed at OHP — makes the 'evil' explicit and specific, and, paradoxically, adds further conjectures and inferences.
One might think that the ruined walls of Holland House which form the backdrop for the stage would offer copious opportunities to evoke the shadowy recesses of James' country mansion, Bly — a repository of psychological and psychic instability. However, Miskimmon and her designer Leslie Travers choose to construct a school-room to house the entire action of the opera, picking up on James's insinuations that Miles' undisclosed 'crime' — which sees him expelled from school and which confirms that he is 'bad' — is that he has contaminated or corrupted his school fellows, presumably by divulging the sexual knowledge he has been taught be Quint. During Act 1, Miles draws a rectangle in one corner of the blackboard; in Act 2 this becomes the door through which Quint enters. In this way, Miskimmon takes an inference and escalates it into the production's central rationale.
So, we enter a classroom — presumably Bly has been converted into a boys' preparatory school in the years following the tragedy depicted in the opera — spanned by an elongated blackboard along one angled wall and a piano nestled at the other end, with school-boys' desks and a series of black panels suggesting a library in between. In Act 2 the panels swivel and form slanting screens casting shadows from which Peter Quint and Miss Jessel can surreptitiously emerge and fade.
The Prologue is sung by a laboratory-coat attired teacher (Robin Tritschler). As Tritschler ends eloquent, self-composed introduction to the 'curious story' which we will witness, a class of schoolboys in shorts and caps scamper to their desks. During the score's instrumental interludes — which mark the passing of time and convey the 'gaps' in the novella — the teacher and his young charges will re-appear, sometimes serving a practical purpose as stage hands, at other times enforcing Miskimmon's central idea about the ubiquitous threat to 'innocence'. As they are shepherded through the school rooms, one boy lingers, engaging in an ambiguous and sinister gaze with his schoolmaster — we are encouraged to ask the Jamesian question, 'who has corrupted whom and what is the nature of that corruption?'
In the original production, Peter Pears took the role of both the Narrator and Peter Quint; by assigning two roles to one singer, Britten increased James's ambiguity, but here a different singer is cast as Peter Quint, and Miskimmon's parallels between Bly past and present are more overt. Similarly, Britten's instrumental variations on the 'screw theme' which is presented at the end of the Prologue create accumulating intensity through ever-changing permutations and elaboration. But here — while conductor Steuart Bedford's appreciation of the musico-dramatic structure is deeply insightful and the rich array of affecting instrumental timbres that he coaxes from players from the City of London Sinfonia astonishingly detailed — the same visual image is repeated as the musical variations progress, growing in emphasis with each repetition.
Mark Jonathan's lighting design is imaginative at times: in the opening scene, the black wall panels are made translucent and through them we see the Governess travelling to Bly, cleverly creating a sense of physical distance and of her isolation. Similarly, the shapeless spaces beyond the panels form dark recesses in which hints of Quint's menacing form can be glimpsed. But, although performances start at 8pm, presumably to take advantage of the fall from twilight into night, there was little sense of nocturnal enchantment. In Scene 8 'Night', when Quint makes his seductive appeal to Miles, a cobalt glow infused the set but it did not match the unearthly beauty and enigmatic enticements of Britten's instrumental colours, and Quint's very obvious position atop the panels was too blatant, lacking mystery.
The singular set posed other problems, mostly relating to the fact that there was no opportunity to juxtapose the suffocating interiors which are the Governess's domain at Bly with the excitement and expanse of the world beyond the mansion's walls into which Quint lures Miles. So, when the Governess takes young Flora down to the lake which the former governess, Miss Jessel, spectrally inhabits, the schoolmaster's desk must do service for the ghostly waters while Flora clutches her doll standing upon a shore formed by a line of chairs; when she identifies the waters as the 'Dead Sea', she is naming not the dark depths across which she, we guess, communes with Miss Jessel, but rather identifying a geographical location on a map pulled down by the schoolmaster to cover the blackboard. (It's interesting to recall that originally Britten and his librettist Myfanwy Piper planned to name the opera, 'The Tower and the Lake' — a title latent with Freudian overtones).
There are some neat directorial touches. Miss Jessel is first seen writhing on the master's desk, and it is upon this desk that Miles dies. Tritschler's red hair becomes a powerful visual symbol, as both Miles and Flora share his auburn colouring, perhaps suggesting shared lineage, and recalling James's scandalous, red-headed Quint.
But, overall I lamented that the juxtaposition between repression and freedom was neglected in favour of a narrative of child abuse. For, Quint may be dangerous but he also represents a liberating freedom in the face of the Governess's stifling over-protectiveness — the latter is just as potent a threat to childhood innocence. In the course of the opera Quint and Governess battle for the right to act as surrogate parent to the children, who have been neglected by their guardian and are inadequately served by the unsophisticated, rather limited Mrs Grose, but Miskimmon offers little sense of the intensity or perilousness of their struggle — although the intended recipient of Miles' final cry, 'Peter Quint, you devil!' is intentionally equivocal. Certainly we are led to deduce that public school is 'horrid'; but in James and Britten, Miles senses that Governess has other reasons for keeping him at home: 'Well, I think also, you know, of this queer business of ours the way you bring me up. And all the rest!'
Miles wants to see more of 'life', and we need to see, or at least sense, the opposition of the indoors and out, for it is when Miles roams in the garden at Bly, away from the Governess's claustrophobic embrace, that he submits to Quint's enchantment and indulges his own desire for 'adventure'. And, just as Miskimmon's Peter Quint is a flesh-and-blood villain, there is little sense also of the Governess's decline from the strong, confident young professional arriving at Bly to a fragile girl wracked by self-doubt, tormented by her sense of her own culpability.
Thus, while Ellie Laugharne sang with energy and passion, revealing a full, rich soprano, she was unable to convincingly portray the Governess's growing instability as her fears escalate and inhibit her judgement. There were occasional signs of her emotional deficiencies and weaknesses — a physical stiffening in the warm, honest embrace of Diana Montague's Mrs Grose, for example. But, her passionate outburst of grief at the close — 'Ah, Ah don't leave me now! Ah! Miles! What have we done between us?' — was directed away from the child weakening on the desk behind her, and thus did not fully reinforce her awareness of her shared guilt.
The two children were particularly striking — thrillingly engaging both musically and dramatically. Dominic Lynch's Miles was a wonderful portrait of adolescent precocity and powerful emotional manipulation. His pure soprano was astonishingly penetrating and strong; in his night-time rendezvous with Quint, Lynch's focused, confident responses to Quint's alluring cries were a potent sign of his receptiveness to promises of freedom, establishing the intensity of the boy's communion with Quint. Lynch's 'Malo Song' — still and calm, accompanied by a lovely cor anglais solo — was a wonderful moment of eerie, bewitching quietude. Rosie Lomas was chilling as Flora, incredibly youthful in demeanour, convincingly vicious in her childhood 'games' with her younger sibling, her soprano crystalline yet sympathetic.
Diana Montague (replacing Anne Mason who was originally cast in the role but who is now indisposed for the run) was absolutely superb as Mrs Grose; the expanse and depth of her mezzo was utterly redolent of the sweeping maternal embrace which Mrs Grose offers the children, modulated by notes of unease and concern.
As Peter Quint, Brendan Gunnell sang with poised and sure tone, and if the seductive runs of his nocturnal enticement scene lacked a little 'other-worldliness' they were smoothly and clearly articulated. Gunnell's Act 2 Colloquy with Elin Pritchard's Miss Jessel was fervidly theatrical; Pritchard brought copious physical and vocal presence to the rather weakly characterised role.
In many ways, this Colloquy — which sets W.B.Yeats, 'The Second Coming' — is the linchpin of the opera, yet once again I felt that Miskimmon didn't find quite the right dramatic note. The ghosts chillingly proclaim that the 'Ceremony of innocence is drowned'; that is, Yeats and Britten assert, the ceremony of innocence, its rituals, must be 'drowned' in order to liberate the individual so that the child can progress to adulthood — though Yeats' image of apocalyptic agony, 'Things fall apart; the centre cannot hold', certainly intimates that breaking conventions may have good or bad results. But, this ambiguity is removed by ubiquitous presence of the science master and his prepubescent charges which shifts the focus onto destruction of innocence itself — and, in so doing, the 'meaning' of opera is relocated, or at least some of the shades of ambiguity removed.
Miskimmon takes a focused line and she sticks to it. There are some clever and imaginative touches and she is well served by her cast. But, this Screw would benefit from being more sensitive to the Jamesian silences and to the score's enigmas and equivocations.
Claire Seymour
Cast and production information:
The Governess, Ellie Laugharne; Peter Quint, Brenden Gunnell; Mrs Grose, Diana Montague; Miss Jessel, Elin Pritchard; The Prologue, Robin Tritschler; Miles, Dominic Lynch; Flora, Rosie Lomas; Director, Annilese Miskimmon; Conductor, Steuart Bedford; Designer, Leslie Travers; Lighting Designer, Mark Jonathan. Opera Holland Park, Tuesday, 1st July 2014.


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posted on 10/08/2007: 896 views
Municipal Affairs Department of the Abu Dhabi Municipality is supervising the finishing touches being given to the Sheikh Zayed Mosque, one of the ten largest mosques in the world. Director of the Sheikh Zayed Mosque Project Khoulah Al Sulaimani said that the main prayer hall of the mosque is expected to be opened during the final days of the month of Ramadan.
The carpet to be spread in the prayer hall arrived yesterday from Iran and preparations are going on for fixing it. The 5000sq-metre carpet is the largest of its kind in the world and is hand-made with 35 tons of wool and cotton. More than 200 workers spent twelve months weaving the spectacular piece of art in 28 different colours derived from a host of herbs.
Meanwhile, the 30-million dirham chandeliers have also arrived from Germany and the preparations continue for fixing them at different parts of the mosque. The chandeliers plated in copper and gold are considered world's largest.
Public Relations Director at the Municipal Affairs Department Mubarak Saif Al Mazroui said that the Sheikh Zayed Mosque is a magnificent addition to the Islamic architectural splendour, and will become a landmark in UAE and the region as a whole. The main prayer hall under three large domes can accommodate over forty thousand worshippers. (Emirates News Agency, WAM)
|31 May 2016
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|30 May 2016
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|29 May 2016
|UAE participates in 4th interfaith dialogue in Copenhagen
|25 May 2016
|Participants in inter-faith conference praise UAE's efforts in promoting tolerance
|25 May 2016
|Grand Imam of Al-Azhar praises UAE's efforts in projecting true image of Islam


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solarbeat 01 gives each planet in our solar system a music-box like sound. As each planet passes, it makes a sound, and combined with all the other planets, it creates an hypnotic yet beautiful music. Pluto doesn't make a lot of sound, but when it does, you'll know it.
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Unless you inherited your home from a relative or a complete stranger gave you his home out of the goodness of his heart, you'll probably need to take out a mortgage loan when you buy your home. A mortgage obligation also creates a lien, or a legal right that the lender has regarding your property. Your lender can, and likely will, require that you carry what it deems to be an adequate amount of homeowners insurance. If you fail to do so, the lender could initiate foreclosure proceedings, and you could lose your home.
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Reviewer1665042发表于 Mar 05, 2012
The Best


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Place a wok or large frying pan over medium heat and add the vegetable oil. When the oil is hot, add the garlic and chiles and stir-fry until fragrant, 3 to 4 minutes. Add the pork belly and stir-fry until the fat is translucent, about 3 minutes.
Tilt the wok to pour off all but 1 to 2 tablespoons of the fat. Add the leeks and stir-fry until tender, about 3 minutes.
Add the sugar and stir-fry for 1 minute more. Stir in the soy sauce and serve immediately.
Reprinted with permission from Root-to-Stalk Cooking: The Art of Using the Whole Vegetable, by Tara Duggan, copyright 2013. Published by Ten Speed Press, a division of Random House, Inc.
Summer is the season for low-alcohol drinks, from session beers to spritzes. Talia Baiocchi tells Melissa Clark about how some of these drinks, long popular in Europe, are making their way to the U.S.


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Penelope Cruz happy to turn ugly for characters
London: Actress Penelope Cruz says she isn`t worried about looking bad in her movie roles and is happy to change her looks to suit her characters.
"I`m not scared to be ugly when I work. So I often ask for more moustache or black bags under my eyes," contactmusic.com quoted Cruz as saying.
The 37-year-old also prefers to spend hours on her dialogue delivery because then she becomes less critical of herself and more open to experiments with her character.
"I love to spend hours with the dialogue coach because it creates a distance from myself. That way I don`t hear Penelope talking - I don`t criticise myself so much and have more freedom to try things."
"My grandmother was very gypsy in her spirit and she taught me to love words, especially poetry and flamenco and music and drama," she said.
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4055 N Broadway St
(773) 871-7155
(N Of Irving Park Rd)
Driving directions
158 reviews
Moving to or from Chicago, IL, 60613? Get FREE truck rental rate quotes at U-Haul Moving & Storage of Up-Town. U-Haul rental trucks are specifically engineered from the ground up to assist moving families, not freight. Our moving trucks have more safety features than other moving trucks in the industry including gentle ride suspension and high visibility mirrors to assist the driver. Whether you are moving a smaller apartment or a large four-bedroom house, U-Haul truck rentals in Chicago, IL will provide you with the moving truck rental you need to get from point A to point B. Find the perfect size moving truck to assist with your move, U-Haul is home of the $19.95 rental truck!
Simply click on each moving truck shown above to view individual truck specs including: safety features, towing capacity, fuel economy and of course, the available space-per-truck size. Each rental truck is individually priced to help save you money, time and energy on your move to or from Chicago, IL.
U-Haul cargo van rentals and pickup trucks in Chicago, IL are perfect for home improvement projects, deliveries and other small loads. Rent cargo vans or pickups to save money on local moving or deliveries. Cargo van and pickup truck rentals are popular with local business, college students and smaller housing moves in Chicago, IL, 60613. Our moving van rentals include air conditioning, rub rails to protect your belongings and come equipped with a hitch to tow a trailer rental. U-Haul is the home of the $19.95 cargo van rental in Chicago, IL, reserve a van for your moving needs from U-Haul Moving & Storage of Up-Town!
They had poor customer service from beginning to end of my experience and I will never recommend them for my moving needs.
I did an online application to pick up from here and when I got e-mail that I wasnt picking up from the location I was concerned and called in. First girl I spoke to said they only had trailers available (even though I made a reservation over a week in advance there were multiple trucks there when I got there on Sunday)
Instead of transferring me she hung up on me. When I called back all of sudden there was a truck that was available just minutes after.
When I picked up my truck the system for entering in drop off location is very poor and without me agreeing the associate working gave me a drop off location far away from my drop off location ( I was paying extra for one way drop off for convenience). I then had to call customer service and after having my call dropped twice and being transferred 4-5 times I finally was able to get the drop off location I requested originally.
This experience was the worst customer service I have ever received and I will be looking at other moving trucks needs the next time I move.
My reservation included furniture pads. When I first arrived I was told that there were none left. They eventually found some, but that would have been problematic had I gone without. It's important to have everything that a customer has reserved.
The person I checked in with and the person who gave me my car were very unpleasant to deal with. They seemed miserable, barely looked at me, and were rude. I was annoyed when I checked in and annoyed when I dropped my car off. I also received a call about 2 hours before I was supposed to drop my car off asking when I was returning the truck. But I had already dropped it off. It's just a truck but the employees made it a miserable experience.
I had a set time to pick up a uhaul van and I didn't even get helped until 30 mins after my set time to pick up the van. When I got there, there was no one to be found in the office or in the maintenance area...seems odd to walk into a business and it seem like a ghost town. I walked around to the back of the building where there was a guy getting a storage box for a couple who said they had been there for an hour and got helped late and their order was inaccurate, etc. so that was the hold up. Then I get the van and there is 1/4 tank of gas and I had the rental for 3 days...really, they couldn't have filled it up so I didn't have to fill up 3x over the course of the 3 days...
Maybe inform your customers of the actually prices you're charging rather than being dodgy and ripping people off. It would have been nice to know about the fees BEFORE renting the van.
The phone rep at uhaul General phone number was extremely rude. I even had to wait THIRTY NINE minutes on hold to wait for manager to come to phone to complain about her. I requested and did receive a copy of the call which has already gone viral on you tube and social media. The uhaul rep I spoke with should be terminated. I will NEVER USE UHAUL AGAIN
Great experience.
We arrived a few minutes before they opened for the day and the staff was very friendly and let us in right away.
help driver make sure mirrors adjusted properly
Have equipment ready at specified time especially when we confirm three times.
Poor customer service.
Nice people. Efficient. Knowledgeable staff.
Quick to pick up and depart
The van smelled like smoke when I got in, but otherwise everything went well.
Enjoyable experience for renting vehicles
Everything is good just would be better if customers can park the cars in uhaul lot when they rent the trucks
Very helpful cheerful staff. Vehicle was in perfect order. In and out on the road quickly. What more could you ask for.
I purchased boxes along with my truck rental, and I was told that I could return any extras for a refund (so I didn't have to worry about getting too many).
I ended up purchasing around 5 more boxes than I needed, so I returned them with the truck, but I was not issued a refund.
I wrote to the store to inquire about what happened, and they informed me that any boxes returned with the truck would be put in the "take a box leave a box" pile, and I would not be refunded.
The boxes I returned were brand new and unused, still flat and completely unchanged from when I picked them up. I was never told that I couldn't return the boxes with the truck (which seems like a normal assumption to make), and I also find it incredibly hard to believe that the manager would take brand new boxes and give them out for free when they easily could have just added them back into the inventory in the store. I feel like I was scammed into buying extra boxes and then not compensated for the items I returned. The manager never responded to me after my first inquiry. Very unhappy with this.
Uhaul was fine, being towed wasn't.
Very good service
Ubox reservation totally screwed up - sent without being filled. Calls placed to Uptown NEVER returned - 12 of them so far... love the uhaul brand, but this location is a DISASTER - avoid for all but van rental and supplies.
I have rented from this location twice in the past 6 weeks. The first vehicle was a 10' smaller truck, very clean, very nice interior and well maintained. Good experience overall. This most recent rental, a 15' truck was not as good. The truck was very dinged up, dirty, low on gas, the interior smelt like garbage and was disgustingly dirty. If I had to use the truck again I would of asked for a new or clean truck. Was a terrible truck to rent.
I had ordered a 15 ft truck a month in advance and from a location close to my apartment. A 15ft truck had been confirmed by several people and then I found out the day before they didn't have it. Not only that, i had to go to a farther location to pick up a 20ft truck(I got charged for extra mileage). Maneuvering this around the city was very fun. Also had to wait in line for the truck for 45 min. U-haul has been around for quite some time and its sad they still haven't figured it out.
The guys there are great. Hard workers & very nice
I used to live in a condo building on Belle Plaine and our back windows looked out over this location's parking lot. Please know that astounding numbers of prostitutes use open trucks to conduct their business.
This website is owned and operated by Web Team Associates, Inc.
Copyright ©
U-Haul International, Inc. All rights reserved.
U-Haul International, Inc.'s trademarks and copyrights are used under license by Web Team Associates, Inc.
To reserve by phone, call 1-800-GO-UHAUL (1-800-468-4285)


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Sending the same ornament to different places? If you order more than one of an item and want them shipped to different addresses, please order them individually. We will ask you for the individual shipping addresses later in the ordering process.
Friends or Sisters Christmas Ornament
Personalized Christmas Ornament
For two girls or women who are as close as can be whether sisters, best friends, cousins or any other relationship in which they do everything together and they have no secrets between them. This versatile ornament celebrates the tight bond between two girls or two women and can be personalized with their names as well as a title, special saying or private joke between them. Choose from blonde or brown hair color or a combination of hair colors. This personalized friends ornament is a great gift for twin girls, sisters, best friends, cousins or besties of all kinds.
Material: Resin
Ornaments shown on our site are personalized, as examples only, so you can see where we put the words/names you give us. Some ornaments allow you to select hair or uniform color. If there is no color choice, it is not available on that particular ornament. We will do everything possible to catch any mistakes in spelling, etc., but are not responsible if we do as you request, and it is then not correct. The ornament you see above is the way it will look when you get it, except for the personalizing instructions you give us and any optional attributes you select.
Read what our customers say about our Personalized Christmas Ornaments and their shopping experience!Hover over testimonials to stop scrolling
11/21/2015 - "Found things there I couldn't find elsewhere. Kathy S."
11/21/2015 - "These ornaments are so cute. To have them for keepsakes is wonderful. Melissa S."
12/21/2015 - "Have purchased several ornaments throughout the year, everyone loves them. Luba Z."
12/6/2015 - "Good experience. Found most of what I was looking for. Ricardo A."
3/8/2016 - "I am very pleased with my purchase. I had it personalized and it came out great. This isn't the first time I've ordered from you and was happy with everything I ordered. I will continue to be a loyal customer plus I will tell my friends about your website.Dawn I"
12/11/2015 - "These wonderful ornaments are a yearly keepsake tradition for my children! The site is easy to use and there are so many to choose from. Janet W."
12/30/2015 - "We are planning a cruise this year and we gave the cruise ship ornament to eat of our seven children and their spouses complete with there names, the cruise name and the year! It was a great way to give this gift of a cruise to our children as we celebrate our 50th wedding anniversary. They all loved the ornaments.Danna W."
12/5/2015 - "Easy to use and navigate website. Zach S."
8/10/2015 - "Ornament shop has the best customer service EVER! Their staff and their products are simply the very BEST! I look forward to ordering from them every year! Jana R."
8/30/2015 - "I am very pleased with OrnamentShop. About a year ago I purchased a "First Christmas" baby ornament, for a child in my family. I made a mistake on the year he was born. I confirmed it and everything. These people went above and beyond to find the order and correct it for me. It may have even been personalized by the time I realized my mistake. With no extra charge or complaints,it was fixed and shipped. I will always go to OrnamentShop first when I am looking for something unique and special. Beverly P."


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Capital Life
Just moments from Logan Brown there is now Grill Meats Beer, from the same team, with food made to the same high level and attention to detail, but in a more casual, relaxed setting.
Despite my tolerance - over-reliance even - on puns, the name of the place doesn't appeal to me, but everything else is rather faultless. A breezy menu of starters and share plates, salads, plus steaks, burgers and ribs from the grill.
You could have a good time from the starters alone - venison salami, romesco dip with grilled bread, albondigas (Spanish meatballs) with smoked tomato sauce. My friend Kim and I share the popcorn monkfish and the JFC - Japanese Fried Chicken.
The popcorn fish consists of crunchily fried morsels of tender monkfish, livened up by the accompanying orange aioli, and is, one assumes entirely without judgment, inspired by KFC's popcorn chicken. Similarly the JFC is evidently modelled on the Japanese dish, karaage - and excellently so, with lusciously fried pieces of chicken and spicy sriracha mayo for dipping.
What's very cool is that GMB offers smaller versions of most dishes, which is why I felt confident about inhaling all that animal protein before even getting started on my main: A "mini me" version of GMB's chicken burger, with brined and grilled chicken thigh, bacon aioli, lettuce, onion knots and a brioche bun.
It's completely spectacular - the chicken so juicy and tender and full of rich flavour, the bhaji- style onions adding crunch and the salty, smoky tint of bacon in the aioli just plain fun. And why aren't all burgers served on brioche? Soft, sweet, a delicious component of the whole.
Kim orders GMB's Pulled Pork Banh Mi, which is a Vietnamese baguette with the delightful combination of said pulled pork, plus chicken liver parfait, lettuce, pickled carrot, cucumber, coriander, mayo and hot sauce.
You'd think it would be impossibly rich but somehow the light-textured parfait and the soft-sweet strands of slow- roasted pork create something very moreish without being too intense.
It's worth noting that if you're a vegetarian there's not a lot for you here - one of the restaurant's two "not meat" items contains salmon.
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A Christian school in Wisconsin is discriminating against LGBT kids even though the school utilizes federal tax dollars, the Baraboo News Republic reports. The principal at St. John's Lutheran School in Baraboo sent a letter to parents demanding they provide students' birth certificates and...
Earlier this month, the Florida Department of Health began to print birth certificates that include both same-sex parents. "The Department is also issuing these amended birth certificates to same-sex couples who previously had a child during their marriage," Equality Florida reported. Show More Summary
You get over here and listen to all these songs RIGHT NOW.
That's not how it works. The post Punk Rocker Burns His Birth Certificate On Stage to Protest NC Bathroom Bill appeared first on RedState.
Against Me! singer says, "Goodbye to gender" to protest state's "bathroom law."
A new lawsuit seeks to allow trans people the right to change their gender on birth certificates without expensive sex reassignment surgeryand could provide a way to fight back against HB2.
The lead singer of Against Me! lit her birth certificate on fire during a show in North Carolina on Sunday in protest of HB2.
Transgender punk rocker Laura Jane Grace had a fiery message for North Carolina's anti LGBT law.
Against Me!'s Laura Jane Grace staged a fiery protest against anti-LGBT legislation.
North Carolina may already have signed its controversial House Bill 2, but the debate over its constitutionality is far from over. The legislation, which is more commonly referred to as the state's "bathroom law," states that anyone who wants to use a public restroom in the Tar Heel State must do so based on the gender they were assigned at birth. Show More Summary
Laura Jane Grace took a powerful stand against North Carolina's anti-queer legislation Sunday night when the trans musician burned her birth certificate on stage during her Durham, North Carolina, show. In the wake of other musicians...Show More Summary
The transgender front woman for Against Me! declared "goodbye gender!" in her fiery protest of the state's discriminatory laws.
Laura Jane Grace is saying a fiery goodbye to gender. On Sunday night, the trans lead singer of punk band Against Me! burned her birth certificate during a show in Durham, North Carolina, to protest the state's controversial HB2 legislation. Grace...Show More Summary
Leave it to Against Me! frontwoman Laura Jane Grace to come up with a trailblazing way to protest North Carolina's anti-LGBTQ bathroom bill. When Grace, who is transgender, announced that she and her band would follow through with their show in Durham on Sunday night "as a form of protest" ... More »
Against Me!'s Laura Jane Grace became one of the loudest musical protestors of North Carolina's HB2 bill on Sunday, burning her birth certificate onstage. "Goodbye gender!" She declared onstage in Durham.The controversial House Bill 2 forces transgender people to use restrooms that match the gender on their birth certificates. It is a particularly close issue for...
We've written before about Against Me! singer Laura Jane Grace's transgender activism, as well as her previous statement on North Carolina's controversial House Bill 2 (HB2). HB2 states that all people must use the bathroom for the gender that is demarcated on their birth certificates, forcing trans men and women to use certain bathrooms against their […]
Kansas is set to ban trans folks from being able to modify their birth certificates to reflect their true gender identities.
It seems that just about nobody in music is behind North Carolina's House Bill 2, the discriminatory bathroom bill that forces trans people to use the bathrooms corresponding to the genders listen on their birth certificates. And people in music are finding different ways to protest it, whether it be canceling shows or issuing statements. […]
Last night, Against Me! singer Laura Jane Grace performed in Durham, North Carolina, as "a form of protest" against the state's House Bill 2. The bill prohibits transgender people from using bathrooms and locker rooms that do not match...Show More Summary
The singer-songwriter takes a stand against the state's transphobic bathroom bill.


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Gate Petroleum Company
1000 - 4999
100 - 500 Million
Energy->Oil, Gas, Coal
SIC Code:
5411 - Grocery Stores
Full company description is available with the free trial.
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Have you been searching for Gate Petroleum Company's contact information for hours? Have you been trying to find Gate Petroleum Company's domain format email addresses?. Gate Petroleum Company is a Oil, gas, coal and is based in Jacksonville, FL and more information like linkedin facts, phone numbers, cfo executives and facebook profiles can be found within the Lead411 profile. If you sign up for our free trial you will see our email@example.com addresses.
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Herb Peyton
Located in Jacksonville, FL Gate Petroleum Company has Herb Peyton serving as the organization's CEO. Need Herb Peyton's email, linkedin, phone numbers, facebook, wiki and biography? You can find essential contact information in Gate Petroleum Company Lead411 profile, along with their Gate Petroleum Company email addresses using the domain. Search for Gate Petroleum Company on Lead411 under the Oil, gas, coal industry. Some possible email formats for Herb Peyton are firstname.lastname@example.com, firstname.lastname@example.com, email@example.com, and firstname.lastname@example.com. If you sign up for our free trial you will see our email@example.com addresses.
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World Fuel Services Corporation
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U-Gas, Inc.
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Company Directory > Gate Petroleum Company


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Russian culture
Originally published 04/23/2013
Peter Pomerantsev: Russia is Dying of Conformity
Peter Pomerantsev is a television producer and nonfiction writer. He lives in London.
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Home > Press > Bellamkonda Named Georgia Cancer Coalition Scholar
Dr. Ravi Bellamkonda, a professor in The Wallace H. Coulter Department of Biomedical Engineering at Georgia Tech and Emory University, is one of 13 scientists named as a Georgia Cancer Coalition Distinguished Cancer Scholar for 2007. One of only two professor level awardees, he will receive $150,000 in funding annually for five years to support his research efforts. The coalition selects scientists engaged in the most promising areas of cancer research; Bellamkonda's area of interest is nanotechnology for cancer imaging and therapy.
Bellamkonda was recruited from Case Western Reserve University in Cleveland, Ohio, where he had developed a successful research laboratory. As a part of the Brain Tumor Program at the Winship Cancer Center at Emory, he is developing collaborations for researching a patient-specific, targeted anti-tumor therapy. Bellamkonda studied engineering at Osmania University in India; earned his Ph.D. at Brown University in Rhode Island; and completed his fellowship at the Massachusetts Institute of Technology in Cambridge.
"He is forging a truly interdisciplinary approach to cancer nanotherapeutics and diagnostics," said Don Giddens, dean of the College of Engineering at Georgia Tech. "His work to develop nanotechnology-based strategies for early detection of cancer, targeted therapeutics and patient specific medicines is very promising."
The coalition cooperates with Georgia's research universities, medical schools, hospitals and nursing programs in recruiting research scientists, with the goal of strengthening the state's research talent, capacity and infrastructure. Since its inception in 2001, the Georgia Cancer Coalition has named 91 Distinguished Scholars; eight have been from Georgia Institute of Technology. The scholar funding is an investment not only in Georgia's future as a national leader in cancer control, but also is valuable in attracting increased funding to Georgia for cancer research. For starters, the coalition contracts with the sponsoring institution to provide at least a dollar-for-dollar match. The review committee examines the scholars' history of grants, publications and patents, and considers the researcher's potential for attracting future funding. In fiscal year 2006, Georgia Cancer Coalition Distinguished Scholars were responsible for securing $48 million in privately and federally funded research grants to the state of Georgia.
Scholar selection is based on how the applicant's research relates to the goals of the coalition, the research priorities of the National Cancer Institute and the strategic plan of the sponsoring institution. Each application is reviewed by both an external scientific review committee and an advisory review committee, appointed by the coalition in cooperation with Georgia's research universities. Kate Canterbury, director of research programs, staffs the coalition committees. Members rank scholars according to predetermined scientific and technical criteria.
"The National Cancer Institute has identified areas of discovery that hold promise for making significant progress against all cancers. The Distinguished Cancer Clinicians and Scientists program is the cornerstone of the Georgia Cancer Coalition's efforts to advance scientific discovery into the prevention, treatment, causes, and cures of cancer. These scientists play an important role in positioning Georgia as a national leader in cancer research," says Bill Todd, President and Chief Operating Officer of the Georgia Cancer Coalition.
The Georgia Cancer Coalition is an independent, not-for-profit organization that unites government agencies, academic institutions, civic groups, corporations and health care organizations in a concerted effort to strengthen cancer prevention, research and treatment in Georgia, with the ultimate goal of making Georgia one of the nation's premier states for cancer care. The mission is to reduce the number of cancer-related deaths in Georgia. The coalition is the first of its kind in the nation and is fast becoming a national model.
About Georgia Tech
The Georgia Institute of Technology is one of the nation's premiere research universities. Ranked eighth among U.S. News & World Report's top public universities, Georgia Tech's 17,000 students are enrolled in its Colleges of Architecture, Computing, Engineering, Liberal Arts, Management and Sciences. Tech is among the nation's top producers of women and African-American engineers. The Institute offers research opportunities to both undergraduate and graduate students and is home to more than 100 interdisciplinary units plus the Georgia Tech Research Institute.
For more information, please click here
Megan McRainey, Institute Communications & Public Affairs
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Issuers of news releases, not 7th Wave, Inc. or Nanotechnology Now, are solely responsible for the accuracy of the content.
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The Wallace H. Coulter Department of Biomedical Engineering at Georgia Tech and Emory University
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text:
|By Marketwired .
Article Rating:
|June 24, 2014 07:00 AM EDT
VANCOUVER, BRITISH COLUMBIA -- (Marketwired) -- 06/24/14 -- True Gold Mining Inc. (TSX VENTURE: TGM) ("True Gold" or the "Company") is pleased to announce that SENET (Pty) Ltd. ("SENET"), a leading South African based mineral process and engineering firm, has been awarded the engineering, procurement and construction management ("EPCM") contract for the Karma Mine in Burkina Faso, West Africa.
"We are very pleased to have engaged SENET as EPCM contractor for the Karma Mine," stated Peter Carter, COO of True Gold. "SENET is very familiar with Karma, having worked with our Owner's team on the project from an early stage, including leading the Feasibility Study(1), construction of the fresh water barrage, and detailed engineering and construction-level design work. In each instance, we have been impressed with their ability to identify potential cost savings, which could cumulatively lead to significant reductions in capital for the overall mine build."
SENET is recognized worldwide for their extensive African mine construction experience, having worked on more than two dozen mines throughout the continent, including leading engineering, construction and procurement for the Yatela, Kalsaka, and Ayanfuri heap leach gold mines in West Africa.
SENET will work closely with our Burkina Faso based senior management team, who have extensive mine building experience around the globe. Peter Carter, True Gold's Chief Operating Officer and Vice President Engineering, was involved in the construction and start-up of the Kumtor Gold Mine in Kyrgyzstan and, as Operations Manager, helped oversee construction at the Boroo Gold Project in Mongolia. Steve Cole, Karma Project Manager, was Project Director with Aurora Energy Resources and Engineering Manager for Fronteer Gold, where he managed engineering studies and projects related to the company's gold projects in Nevada. Chris Wentzel, Karma Construction Manager, has supervised gold and copper mine construction projects in African jurisdictions such as Guinea, Sierra Leone, Eritrea and Mali.
(1) See Technical Report, entitled "Updated Resource Estimate and Feasibility Study on the Karma Gold Project," prepared by P&E Mining Consultants Inc. dated effective December 17, 2013, a copy of which is available under the Company's profile on SEDAR at www.sedar.com.
About True Gold
True Gold Mining Inc. is where gold comes to life. We are committed to growing a successful gold exploration, development and production company, by focusing on projects with low costs, low technical risks and solid economics. The Company's board, management and technical teams have proven track records in gold exploration, development, operations and production worldwide.
Additional information about the Company and its activities may be found on the Company's website at www.truegoldmining.com and under the Company's profile at www.sedar.com.
Dwayne Melrose, President & CEO
Neither TSX Venture Exchange nor its Regulation Services Provider (as that term is defined in the policies of the TSX Venture Exchange) accepts responsibility for the adequacy or accuracy of this release.
Certain statements made and information contained in this news release and elsewhere constitutes "forward-looking information" within the meaning of Canadian securities legislation. Any statements that express or involve discussions with respect to predictions, expectations, beliefs, plans, projections, objectives, assumptions or future events or performance are not statements of historical fact and may constitute forward-looking statements. Such forward-looking statements are based on certain assumptions and are subject to risks and uncertainties which could cause actual events or results to differ from those reflected in the forward-looking statements, including, without limitation, with respect to statements regarding officer appointments and resignations, the potential to growing a successful gold exploration, development and production company, ability to find projects with low costs, low technical risks and solid economics, expectations that corporate social responsibility ("CSR") programs and local community engagement will reduce project risk, continued excellent community relations that will bear clear benefits for local residents and the Company, including improved project design, reduced costs, water for community use and reduced social impacts, continued local community support for the development of the Karma Project, the possibility that the key personnel in the Karma Project CSR leadership team may not perform as anticipated or remain with the Company, accidents, and risks and uncertainties relating to equipment breakdowns, risk of undiscovered, title defects and surface access, labour disputes, the potential for delays in exploration and permitting activities, the potential for unexpected costs and expenses, commodity price fluctuations, currency fluctuations, political risk, the potential for growth and scalability of the Karma Project including, but not limited to, potential for additional mining centres, continued exploration success, risks and uncertainties relating to the interpretation of drill results and the estimation of mineral resources and reserves, the geology, grade and continuity of mineral deposits, the possibility that bottle roll tests will be indicative of ultimate column test results, the potential initial resource estimate on the Kao North discovery, and other risks and uncertainties including those described under Risk Factors in each management discussion and analysis and in the Company's annual information form which are available under the Company's profile at www.sedar.com.
Forward-looking information is based on various assumptions including, without limitation, the expectations and beliefs of management, the assumed long term price of gold, that the Company will receive required permits and access to surface rights, that the Company can access required financing to be in a position to consider a production decision, appropriate and sufficient equipment and labour will be available and accessible to the Company to meet its development goals, retention of key personnel and that the political environment within Burkina Faso will continue to support the development of environmentally safe mining projects. Should one or more of these risks and uncertainties materialize, or should underlying assumptions prove incorrect, actual results may vary materially from those described in forward-looking statements. Accordingly, readers are advised not to place undue reliance on forward-looking statements. The Company does not undertake to update any forward-looking statement that may be made from time to time by the Company or on its behalf, except in accordance with applicable securities laws.
True Gold Mining Inc.
Vancouver Office:
Tel: 604-801-5020
[email protected]
True Gold Mining Inc.
Investor inquiries:
Blaine Monaghan
Tel: 604-801-5020
[email protected]
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text:
Spain set to impose tax on iPod, iPhone
Spain is set to impose a "digital canon" anti-piracy tax on all electronic devices capable of recording, copying, or storing sound and images, beginning July 1. The tax would add €3.15 (around $4.90) to the price of an MP3 player such as an iPod, and also provides for a €1.10 (around $1.70) tax on all mobile phones with integrated MP3 music capabilities, such as the iPhone. Pedro Farré, authors' rights director for author and publisher group SGAE, said, "we are satisfied that this ministerial order has been approved after so much delay, and we now hope the manufacturers will pay the canon. Technically, the manufacturers pay the canon - whether they pass the cost on to the public is their decision."
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So does this mean that people in Spain are then free to pirate as much content as they want onto their devices once they've paid the tax? If not, what's the point? Why should honest people who always pay for their music be forced to pay this tax?
Forget being innocent until proven guilty, this is being found guilty with no recourse whatsoever to prove your innocence.
Posted by Charles Starrett on June 25, 2008 at 3:09 PM (CDT)
i would gladly pay $5 more on music players if it went to a "Shut Down the RIAA" fund….
Posted by Charles Starrett on June 25, 2008 at 3:31 PM (CDT)
Well, in spain we have to pay piracy-tax for every digital sotrage system, CD, DVD, HDD and now also for every digital audio/video player. It doen't mean that we can piracy as much as we want, is just a tax and if we use the storage system to save our photos, our documents or everything without copyright we have to pay also the tax, if we download legal or ilegal music from internet we have to pay. We are paying always, and we can't do anything more. PAY PAY PAY….
Posted by Charles Starrett on June 26, 2008 at 5:46 AM (CDT)
Is this legal now you guys are part of the EU?
Posted by Charles Starrett on June 26, 2008 at 11:51 AM (CDT)
Legal, smegal…what power does the EU still have, now that Ireland has rejected the Lisbon Treaty's idea of central control and the dissolving of local governmental power?
Posted by Charles Starrett on June 29, 2008 at 8:52 AM (CDT)
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