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Yamaha PSR-510 Manual
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User reviews and opinions
|7:59am on Wednesday, October 27th, 2010
|Overall, I am VERY happy with my decision to purchase this television 14 months ago. i hate this tv, and will be selling it as soo... 2 months after the sharp factory warrenty expired i started having problems with my tv.
|12:43pm on Saturday, August 21st, 2010
|By the way, this review was being written on this product This TV has given me fine service. My only reservation is that the 32" version of it. Good TV Good TV but sharp had to replace it with a newer model which is more expensive and better. RIP 64 Series Aquos
|12:09pm on Thursday, August 19th, 2010
|Sometimes I wonder if companies actually take... Good price, reasonable input selection, good SD conversion Soft HD images, poor color saturation.
|6:05pm on Sunday, May 23rd, 2010
|This is a terrific large flat panel TV. The sharpness and color is exceptional. The factory defaults were too saturated, however. Strengths: Stunning resolution Vivid color Strong Video Processing Stylish Design Weaknesses: Not much.
|4:59pm on Wednesday, May 5th, 2010
|The TV is great , the delivery was outstanding and the delivery was on time First off, yes I do see banding on vertical and horizontal pans with solid bright back grounds.
|7:52pm on Thursday, April 22nd, 2010
|"I bought this 65" SHarp, after reading others reviews and was expecting a crystal clear, unmatched picture. After setting it up. "We just purchased the 65" sharp and everyone who walks in the room is amazed. We still sit speechless. The picture is unbelievable.
|1:52am on Friday, April 2nd, 2010
|This by far is one of the best if not THE BEST in the market right now! Simple but sleek lines make this TV stand on its own. Aside from its sharp. I have a SONY 56 "Attractive Design","Bright Image","Good Resolution","Good Connection Options","Simple Controls","Fast Setup","Reduced Glare".
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small non-rechargeable battery
Model Serial No. Purchase Date
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. tee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
IMPORTANT: When connecting this product to accessories and/or another
product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
s DSP Depth
The PSR-510 features a built-in digital signal processor (DSP) that can be used to apply a range of reverb and delay effects to the PSR-510 voices. The [DSP TYPE] button in the OVERALL CONTROL section (page 21) determines the type of effect to be applied, while the VOICE section [DSP DEPTH] button lets you individually set the amount of effect applied to each orchestration part.
XPress the [DSP DEPTH] Button....
Press the VOICE control section [DSP DEPTH] button. The current DSP depth value of the selected part will appear on the MULTI DISPLAY.
CSet the DSP Depth.....
Use the [+] and [] buttons, the number buttons, the data dial, or the [DSP DEPTH] button itself to set the desired DSP depth. The depth range is from 00 (no effect, direct sound only) to 15 (maximum effect). The default DSP depth value (06) can be recalled instantly by pressing both the [+] and [] buttons at the same time.
The PSR-510 delivers true stereo sound, and you can use this parameter to individually set the stereo (pan) position of each orchestration part to create a broad stereo image of your sound.
XPress the [PAN] Button....
Press the VOICE control section [PAN] button. The current pan value of the selected part will appear on the MULTI DISPLAY.
CSet the Pan Position....
Use the [+] and [] buttons, the number buttons, the data dial, or the [PAN] button itself to set the desired pan value. The pan range is from 7 (full left) to +7 (full right). A setting of 0 places the sound of the selected part in the center of the stereo sound field. Other settings produce in-between positions. 4, for example, would place the sound between center and full left. The center pan position (0) can be recalled instantly by pressing both the [+] and [] buttons at the same time.
The new pan value will apply from the next note played i.e. you cant pan the sound of a note while it is playing.
s Auto Harmony
Auto Harmony is used with the PSR-510s Auto Accompaniment feature except for Full fingering mode (see page 23). It automatically adds appropriate harmony notes to a single-note melody line you play on the keyboard. You can choose from 10 different types of harmony that can be assigned to the right-hand orchestration parts.
The Auto Accompaniment will continue playing even if you lift your fingers from the Auto Accompaniment keys. You only need to press the Auto Accompaniment keys when changing chords.
q Mode 4: Multi This is a combination of the Single and Chord 1 modes. In this mode the PSR-510 automatically discriminates between Single and Chord 1 mode fingerings and generates the appropriate accompaniment.
If more than two keys are played and all but the highest key are black keys, and the chord is not recognized by the Chord 1 mode, the highest note will be interpreted as the root of a minor (m) chord. If more than three keys are played and, excluding the highest key, are a mixture of black and white keys, and the chord is not recognized by the Chord 1 mode, the highest note will be interpreted as the root of a minor-seventh (m7) chord. If more than two keys are played and all but the highest key are white keys, and the chord is not recognized by the Chord 1 mode, the highest note will be interpreted as the root of a seventh (7) chord.
q Mode 5: Full In this mode chords played anywhere on the keyboard are detected and used for Auto Accompaniment. Otherwise the keyboard functions normally, and the entire range is available for playing. Chord recognition is the same as in the Chord 1 mode. Please note that in this mode all notes you play on the keyboard at any one time will be interpreted as the Auto Accompaniment chord.
A single note one octave lower than the lowest note of the chord is recognized as a bass note, and a single note eleven notes upper is recognized as a melody note.
Stop Accompaniment function
Chords played in the Auto Accompaniment section of the keyboard are also detected and played by the PSR-510 Auto Accompaniment system when the accompaniment is stopped (except for Full fingering mode). In this case the bass note and chord voices are selected automatically.
s Tempo Control
The [TEMPO] button can be used to control the tempo of AUTO ACCOMPANIMENT, SONG MEMORY, and MULTI PAD playback (see pages 41 and 44 respectively).
ZPress the [TEMPO] Button....
Press the OVERALL CONTROL section [TEMPO] button. The current tempo (beats per minute) will appear on the MULTI DISPLAY.
XSet the Tempo.....
Use the [+] and [] buttons, the number buttons, the data dial, or the [TEMPO] button itself to set the desired tempo.
The available tempo range is from 040 to 240 beats per minute. Each accompaniment style has a different default tempo which is automatically set whenever a new style is selected (but not when a new style is selected while the accompaniment is playing). The default tempo for the currently selected accompaniment style can be recalled instantly by pressing both the [+] and [] buttons at the same time.
Try different combinations of tracks with each style. Some styles will sound best with the full arrangement (all tracks ON), while others might suit your needs better if a smaller arrangement is used. To thin out an arrangement, the PHRASE 1 and PHRASE 2 tracks are the first ones youll want to turn OFF. Another way to use the tracks is to gradually build up the arrangement during the course of a song. Start with a small arrangement e.g. RHYTHM 1, BASS, and RHYTHMIC CHORD 1 then add tracks one by one as you want to thicken the musical texture. Some styles will actually sound quite different depending on the combination of tracks you choose. Try, for example, just RHYTHM 1, BASS, and PAD CHORD.
s Re-voicing the Tracks
To make the TRACK buttons even more versatile, the PSR-510 features a REVOICE function that lets you individually change the voices and several related VOICE section parameters assigned to each track. The parameters that can be changed using the REVOICE function are as follows:
Voice Number (Percussion Kit Number) Volume Pan DSP Depth Octave
ZSelect a Track to Re-voice....
Press the TRACK button corresponding to the track you want to re-voice while holding the [REVOICE] button. Both the selected TRACK and [REVOICE] button indicators will flash. At the same time, the number of the voice currently assigned to the selected track will appear on the MULTI DISPLAY.
At this point you can play the selected tracks voice on the keyboard. Keyboard percussion is automatically turned on if the RHYTHM 1 or 2 track is selected.
XMake the Required Voice Settings....
Use the [+] and [] buttons, the number buttons, the data dial, or the [VOICE SELECT] button itself to select a new voice for the selected track. You can also use the [VOL], [OCTAVE], [DSP DEPTH], and [PAN] buttons to change the corresponding parameters for the selected voice.
You can use the REVOICE function either while the accompaniment is playing or stopped. You cannot edit the orchestration parts while the REVOICE indicator is flashing. You can play the keyboard and hear the re-voiced voice except for OCTAVE changes.
CRepeat For All Tracks To Be Re-voiced....
Repeat steps 1 and 2 to re-voice all the tracks you want to change.
VConfirm the Re-voiced Data....
Press the [REVOICE] button when you've finished re-voicing the desired tracks to confirm the re-voiced data. The [REVOICE] button and selected track indicators will light.
BTurn REVOICE OFF to Restore the Original Voices...
BStop Recording.....
Stop recording by pressing the [ACCOMP] track button. Recording can also be stopped by pressing the [ENDING] button, [FADE IN/OUT] button, or the SONG [PLAY/STOP] button. The [REC] indicator will go out and the voice number will be shown on the MULTI DISPLAY a few seconds after recording is stopped. Song memory will return to the measure at which recording was started.
--- will appear on the MULTI DISPLAY while the PSR-510 is processing recorded data.
s Realtime Melody Track Recording
The SONG MEMORY MELODY tracks record the following operations and data:
Key on/off (i.e. notes played on the keyboard). Key velocity. Voice number (Percussion Kit Number). Volume. Pan. DSP depth. Harmony on/off & harmony type. Effect on/off & effect type. Sustain (footswitch) on/off. Pitch bend. Octave.
* MULTI PAD data cannot be recorded to SONG MEMORY.
ZSelect a Voice and Set the Voice Parameters...
Select the voice you want to record with (the R1 and R2 voices can be used), and set the voice effects and other parameters as required.
XSelect a Track and Engage the Record Ready Mode...
Press one of the MELODY track buttons [1] through [5] while holding the RECORDING section [REC] button. Both the [REC] button indicator and the selected MELODY track indicator will flash, indicating that the SONG MEMORY is ready to record. If the OVERALL CONTROL section [METRONOME] button indicator is lit the metronome will also begin to sound at the currently selected tempo, while the MULTI DISPLAY BEAT indicator dots flash at the current tempo. The current measure number in this case 001 will be shown on the MULTI DISPLAY.
Previously-recorded SONG MEMORY tracks that are turned ON (their indicators are lit) can be monitored while recording. If you dont want to hear any of the previous tracks while recording, simply press the corresponding SONG MEMORY TRACK buttons so their indicators go out. Only one melody track can be recorded at a time. If the MELODY track record ready mode is engaged, Auto Accompaniment is automatically turned off.
Gate Time Settings
MULTI DISPLAY GATE TIME MIN. (Most staccato) 10% 20% 30% 40% 50% MULTI GATE TIME DISPLAY 06 60% 07 70% Normal 08 80% 09 90% 10 MAX. (Most legato)
The current gate time setting is retained in memory even when the power switch is turned off, as long as batteries are installed or an AC adaptor is connected.
VPlay a Note or Chord....
Play the note on the keyboard corresponding to the pitch of the note you want to enter, or a chord if you want to enter a chord. You can then press the [STEP FWD (PLAY/STOP)] button while still holding the note or chord as many times as necessary to extend the length of the note or chord by the specified step size.
When several notes are played simultaneously, all the notes will be recorded at one time as a chord after the last key pressed is released. This is a handy technique for the chord progression recording.
To Enter a Rest Rests can be entered by pressing only the [STEP FWD (PLAY/STOP)] button immediately after specifying the required step size for the rest. The MULTI DISPLAY During Step Record During step recording the leftmost digit on the MULTI DISPLAY represents the current beat, and the rightmost two digits represent the current clock within the current beat (each beat consists of 96 clocks). The BEAT indicator dots function in the same way as they do in the Auto Accompaniment mode. Stepping Backward In the STEP RECORD mode the [RESET] button functions as the [STEP BWD] (step backward) button. You can use this button to step backward through the recording by the currently specified step size while erasing the data.
The following chart shows the step size and gate time settings required to enter a variety of notes:
MULTI DISPLAY (Beat/Clock) MULTI DISPLAY (Step Size) MULTI DISPLAY (Gate Time)
Press [PLAY/STOP]
Three times
Its also possible to specify the step sizes for all notes by specifying the shortest required step size and then using the [STEP FWD] button to enter all other note lengths.
In the case shown to the left, press and hold , press [STEP FWD] and then , and then release.
s Local & MIDI Output ON/OFF
The [LOCAL/MIDI OUT] buttons and indicators below the TRANSMIT CH [L] and [R] buttons can be used to turn local control and MIDI output ON or OFF as required. The status of the LOCAL and MIDI OUT indicators changes as shown below each time the corresponding [LOCAL/MIDI OUT] button is pressed:
When LOCAL control is turned ON (indicator lit), the PSR-510 is controlled by its own keyboard. When LOCAL control is off, playing the PSR-510 keyboard produces no sound it can only be played by MIDI data received via the MIDI IN terminal. When MIDI OUT is turned ON (indicator lit), operating the PSR-510 produces MIDI output. When MIDI OUT is turned OFF (indicator out) no MIDI output is produced by the PSR-510. LOCAL & MIDI OUT ON/OFF controls note on/off only. All other data is always output automatically. Since LOCAL & MIDI OUT ON/OFF status is memorized in the Registration Memory, you can select the tone generator to be used (PSR-510 or an external tone generator) by changing the registration memory. Auto accompaniment will not function when Left LOCAL OFF is selected. Auto accompaniment note on/off data will not be output when Left MIDI OUT OFF is selected.
s Voice & Polyphony List
The PSR-510 can play up to 28 individual notes at the same time (i.e. it has a maximum polyphony of 28). This number includes all voices used: dual, split, auto accompaniment, song memory, and multi pads. If the maximum polyphony of the PSR-510 is exceeded, the excess notes will be truncated (they will not sound). Another feature affecting polyphony is the fact that some PSR-510 voices actually use two voices at once, as shown in the voice list below. The effective maximum polyphony of the PSR-510 is correspondingly reduced when these voices are used.
The voice list includes the MIDI program numbers that control each voice when the PSR-510 is played from an external MIDI device.
MIDI Voice Program Number Number 42 43
Voice Name
Acoustic Grand Piano Bright Acoustic Piano Electric Grand Piano Honky-tonk Piano Electric Piano 1 Electric Piano 2 Harpsichord Clavi Celesta Glockenspiel Music Box Vibraphone Marimba Xylophone Tubular Bells Dulcimer
Chromatic Percussion
Drawbar Organ Percussive Organ Rock Organ Church Organ Reed Organ Accordion Harmonica Tango Accordion
Acoustic Guitar (nylon) Acoustic Guitar (steel) Electric Guitar (jazz) Electric Guitar (clean) Electric Guitar (muted) Overdriven Guitar Distortion Guitar Guitar Harmonics
Acoustic Bass Electric Bass (finger) Electric Bass (pick) Fretless Bass Slap Bass 1 Slap Bass 2 Synth Bass 1 Synth Bass 2
Violin Viola Cello Contrabass
Number MIDI Voice of Voices Program Number Number Used 87 1
Voice Name Tremolo Strings Pizzicato Strings Orchestral Harp Timpani
Strings Ensemble 1 Strings Ensemble 2 Synth Strings 1 Synth Strings 2 Choir Aahs Voice Oohs Synth Voice Orchestra Hit
Trumpet Trombone Tuba Muted Trumpet French Horn Brass Section Synth Brass 1 Synth Brass 2
Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet
Piccolo Flute Recorder Pan Flute Blown Bottle Shakuhachi Whistle Ocarina
Synth Lead
Lead 1 (square) Lead 2 (sawtooth) Lead 3 (calliope) Lead 4 (chiff) Lead 5 (charang) Lead 6 (voice) Lead 7 (fifth) Lead 8 (bass+Lead )
Number MIDI Number Voice of Voices Program Voice Name of Voices Number Number Used Used 2 Synth Pad 88 Pad 1 (new age) Pad 2 (warm) Pad 3 (polysynth) 91 Pad 4 (choir) Pad 5 (bowed) Pad 6 (metallic) Pad 7 (halo) Pad 8 (sweep) Synth Effects 96 FX 1 (rain) FX 2 (soundtrack) FX 3 (crystal) 99 FX 4 (atmosphere) FX 5 (brightness) FX 6 (goblins) FX 7 (echoes) FX 8 (sci-fi) Ethnic 104 Sitar Banjo Shamisen 107 Koto Kalimba Bagpipe Fiddle Shanai Percussive 112 Tinkle Bell Agogo Steel Drums 115 Woodblock Taiko Drum Melodic Tom Synth Drum Reverse Cymbal Sound Effects 120 Guitar Fret Noise Breath Noise Seashore 123 Bird Tweet Telephone Ring 125 Helicopter 126 Applause Gunshot * The following voices use only one voice 2 in the indicated ranges: 46 (Pizzicato Strings): all notes below C#2 and above
F5. 110 (Bagpipe): all notes above A#2.
Appendix s Style List
# Name Pop
16-Beat Pop 8-Beat Pop 8-Beat Light FolkRock Detroit Pop Pop Shuffle Pop Rock Showtune
Panel Name
16-Beat 8-Beat 8-Beat 16-Beat 12-Beat 12-Beat 12-Beat 8-Beat
Contemporary 16-beat pop. Bright piano/guitar-based 70s pop. Eight-beat easy-listening style with arpeggiated piano part. Guitar-based folk-rock. Motown-style rhythm, with modern touches. 70s European pop-shuffle. Upbeat, fast pop-rock. Try using your own chords in the intro and ending. Bouncy, fully orchestrated style from 40s/50s musicals. Use SYNC-START and press desired starting key for elaborate intro. Warm, romantic American soul ballad style. Romantic pop ballad Slow ballad with full arpeggios and fancy organ fills. Piano-based ballad with slow arpeggios. Huge drum fills in Intro and Fill In 2. Pop ballad style from the 60s and 70s, featuring gentle strings accompaniment in MAIN A and full orchestra in MAIN B. Slow rock ballad with triplet feel and classical overtones. Fast, 16-beat Eurobeat sound, for disco and house music. 80s English disco sound. Italian house music. Rap/dance feel, especially for one-chord songs. Try playing with CHORD 1 & 2 off. Contemporary soul ballad with funky bass. PHRASE 1 adds high string lines and PHRASE 2 adds bass. Fast, machine-like 6/8 computer groove with synth bass. Big band disco party style, hugely popular in Europe. Philadelphia disco style from the 70s. Disco sound with a Latin feel echoes of American TV themes from the 80s. Late 70s New York disco style. The world-famous (and recently revived) 70s Swedish disco sound. Updated Polka style. Latin percussion in Rhythm 2. Eight-beat rhythm and blues from the 60s. Upbeat West Coast soul ballad. Bright and brassy 60s Chicago Rhythm & Blues style. Gospel ballad groove for slow tempo songs. New Orleans R&B from the 50s. Chicago-type blues shuffle. Simple-but-effective Memphis R&B groove. Oaklands East Bay funk style, with fat horn section and big finale for ending. Funky guitar and funky brass stabs in a funky organ-driven shuffle. Funky! Fast, hard-driving rock. P2 brings in cymbal crashes with every chord change. Hard-driving boogie with distorted guitar. Mid-tempo guitar-based rock. Smooth pop-rock style. Try bringing in the instrument parts one by one. Slow rock pattern with triplet feel and House of the Rising Sun-style arpeggios. Slow rock ballad. Use RHYTHM 2 to add crash cymbal at chord changes. Take out PHRASE 1 & 2 (guitars) for smoother sound. Classical instruments like harpsichord and strings over a pop music rhythm section.
Boogie Woogie BOOGIE Twist Rockabilly 16-beat Rock & Roll Ragtime Dixieland Big Band Big Band Ballad Swing Swing Waltz BeBop Jazz Ballad Jazz Waltz Fusion Fusion Shuffle Mambo Merengue Beguine Bomba Guaguanco TWIST ROCKABILLY 16RK&ROLL
Traditional Jazz
58 RAGTIME DIXIELAND BIG BAND B B BALLAD SWING SWING WALTZ BEBOP JAZZ BALLAD JAZZ WALTZ FUSION FUSION SHFL MAMBO MERENGUE BEGUINE BOMBA GUAGUANCO 8-Beat 12-Beat 12-Beat 12-Beat 12-Beat Nine-Eight 12-Beat 12-Beat Nine-Eight 16-Beat 24-Beat 8-Beat 8-Beat 8-Beat 16-Beat 16-Beat
Contemporary Jazz
Latin Pop
Pop Bossa Bossa Nova Slow Jazz Samba Modern Cha Cha Latin Rock Ska Calypso Reggae 16 Reggae 12 Bluegrass Country Pop Country Rock POP BOSSA SLOW BOSSA JAZZ SAMBA MOD CHA CHA LATIN ROCK SKA CALYPSO REGGAE 16 REGGAE 12 BLUEGRASS C POP C ROCK 8-Beat 8-Beat 16-Beat 16-Beat 16-Beat 8-Beat 16-Beat 16-Beat 12-Beat 16-Beat 8-Beat 8-Beat 8-Beat Nine-Eight 12-Beat 12-Beat
Country & Western
Country Ballad C BALLAD Country Waltz C WALTZ
Country Shuffle C SHUFFLE Western Shuffle W SHUFFLE
s Style List
# Name World Music
88 Polka Traditional Waltz Sevillianas Bolero Lento
8-Beat Three-Four Three-Four 8-Beat 16-Beat 8-Beat 8-Beat Six-Eight Six-Eight
Traditional Polka style with acoustic instruments. Try altering the arrangement by bringing the accordion and the horn parts in and out. European waltz with guitar, accordion, clarinet, bass, drums and a string pad. Use CHORD 1 & 2 and PHRASE 1 for guitar/accordion arrangement. Fast waltz time almost flamenco style. Guitar-based style, quite romantic. Bolero Lento is related to Rumba and can be used as a slower variation. Spanish guitar style, with relatively full orchestration. Contemporary Indonesian pop sound. Traditional march style. Trombones at CHORD 1, trumpets at CHORD 2, french horn at PHRASE 1, piccolo at PHRASE 2, xylophone at PAD. Marching brass band. Change chords during the drum intro to add brass accents. Named after the Tarantula spider, whose bite might cause one to dance in this style, this rhythm is used in the popular song Funiculi Funicula. This slow waltz (or English waltz) style has been arranged in the style of a small band. Traditional ballroom style Tango. Latin rhythm best known from the opera Carmen. A standard ballroom dance. This style is suitable for many ballads and slow mellow jazz or swing tunes. Relaxed, ballroom waltz. Guitar is at CHORD 1, accordion at CHORD 2, pizzicato strings at PHRASE 1, clarinets at PHRASE 2 and mid-register strings at PAD. Strict tempo Foxtrot for ballroom dancing. Jive (or Boogie) is a fast ballroom dance. Rumba played in the style of a ballroom orchestra. Related to Beguine and Bolero Lento. Standard ballroom Samba. Guitar is at CHORD 1 & 2, with 2 playing the lower strings. Turning RHYTHM 2 on/off provides additional variation. Strict tempo ChaCha style for ballroom dancing. Try starting only with RHYTHM 2, BASS and CHORD , then bring in other instruments one by one. Flamenco-style rhythm, featuring Spanish guitar. Turning RHYTHM 2 on/off provides additional variation. Modern rap/hip-hop rhythm with turntable scratching and other effects. RHYTHM 1 & 2 can stand on their own as basic rhythm tracks. Hard-driving synth bass and space bleep synth percussion. Modern arrangement of old Japanese pop style. Upbeat Afro-Caribbean dance rhythm with kalimba at PHRASE 1 and xylophone at PHRASE 2.
q Page Memory Default Settings
ORCHESTRATION On/Off VOICE No. O 01 X 52 X 33 X 06 Off 1 O 06 O 53 O 37 X 35 Off 1 O 19 O 18 O 35 X 33 Off 1 O 57 O 89 O 51 O 48 Off 1 O 63 O 96 O 88 O 64 Off 1 O 30 O 85 X 86 O 102 Off 1 O 83 O 123 O 26 O 89 Off 1 O 13 O 115 X 12 O 33 Off 1 O 23 X 106 O 26 X 04 Off 1 O 62 O 67 O 33 X 01 Off 1 O 25 O 53 O 25 O 52 Off 1 O 06 O 05 O 06 O 51 Off 1 O 20 O 53 X 21 X 54 Off 1 O 04 X 01 X 02 X 03 Off 1 O 62 O 57 O 48 O 59 Off 1 O 54 O 92 O 53 O 92 Off 1 VOL PAN --3 --3 -2 -2 -2 ---2 -1 -0 OCTAVE ---1 -1 -1 --1 -1 -1 ---1 -1 -1 -1 --0 -0 -1 -1 -1 --0 -1 -1 -1 --1 -1 -1 -1 -1 -0 --1 -0 -0 -1 -1 ---1 -1 VOICE DSP HARMONY DEPTH On/Off TYPE 6 Off Off Off Off Off Off Off Off Off Off Off Off Off Off Off Off 6 AUTO OVERALL CONTROL MULTI CUSTOM ACCOMPANIMENT PADS ACCOMP EFFECT STYLE VOL TEMPO SPLIT POINT P.B. TOUCH 1/2/3/4 style00 On/Off TYPE No. Split mode Accomp. Range On/Off SENSE
4 preset Rap x4
4 preset Rave x4
4 preset Enka x4
4 preset Zouk x4
* The song memory has no default data, so all data it contains will be erased when a reset operation is executed. * The MIDI local on/off default settings are R=ON, L=ON.
* The MIDI OUT default settings are R=ON, L=ON. * The default [EDIT] button indicator setting is R1.
s Troubleshooting
Something not working as it should? In many cases what appears to be a malfunction can be traced to a simple error that can be remedied immediately. Before assuming that your PSR-510 is faulty, please check the following points.
PROBLEM The PSR-510 speakers produce a pop sound whenever the power is turned ON or OFF. Reduced volume Poor sound quality. Improper demo or song memory playback. MULTI DISPLAY has gone out and the panel setting has been set to default. POSSIBLE CAUSE/SOLUTION This is normal and is no cause for alarm.
The batteries probably need to be replaced. Replace all six batteries with new ones of the same type, as described on page 5.
Not all simultaneously-played notes sound.
You are probably exceeding the maximum polyphony of the PSR-510. The PSR-510 can play up to 28 notes at the same time including split, dual, auto-accompaniment, and multi pad notes. Notes exceeding this limit will not sound. Auto accompaniment wont sound right if youre using SINGLE type fingering when the SINGLE mode is not selected (page 26). Are you sure youre playing in the Auto-Accompaniment section of the keyboard? Are you playing chords that the PSR-510 can recognize (see chord types on pages 25, 26, and 27)? The orchestration part to which the voice is assigned must be turned ON (page 10). Make sure that the voice volume parameter for the orchestration part to which the voice is assigned is set to an appropriate level (page 13). The edit mode for the voice to which the changes are to be applied must be turned ON (page 12). Some sections of some styles have no data in the rhythm track. Try turning Auto Accompaniment on and fingering an appropriate chord. The Auto Accompaniment should begin to play. Sustain ON/OFF status will be reversed when POWER is turned on with the Footswitch pressed or the footswitch is plugged in while it is being pressed. Turn POWER OFF and turn it back ON to return to normal status. You may have executed the clear function from a point in the middle of the track, thus only clearing the data after that point. Press the [RESET] button to go to the beginning of the track, then clear. When sending Custom Accompaniment, Song Memory, Multi Pad, and/ or Registration Memory data to the PSR-510 as separate blocks from a sequencer or other MIDI device, either send all blocks in succession leaving no more than a 2-second break between blocks, or wait until the voice display appears on the PSR-510 after each block and send the blocks separately.
Voice & polyphony list.. 61 Voice assignment (Voice select). 12 Volume, accompaniment. 31 Volume, master.. 7 Volume, voice.. 13
Gate time.. 49
Harmony types.. 15 Headphones.. 6 Quantization.. 51
Percussion Kit List / Verzeichnis der Schlagzeug- und Percussion-Set
* < indicates the content is the same as that of Standard Kit. * Only 1 note can be played at a time when Keyboard Percussion is engaged. * The number in parentheses () after the percussion kit name is the MIDI program number. * The corresponding MIDI note numbers for the notes listed in the chart below are actually one octave lower. For example, the MIDI note number for note #36 (C1) in the chart is note #24 (C0). * < zeigt an, da der Inhalt identisch mit dem Standardset ist. * Bei aktivierter Keyboard Percussion-Funktion kann zu einem Zeitpunkt jeweils nur eine Note gespielt werden. * Bei der neben dem Namen des Percussion-Sets in Klammern ( ) gesetzten Nummer handelt es sich um die Programmnummer. * Die entsprechenden MIDI-Notennummern fr die in der unteren Tabelle aufgefhrten Noten liegen tatschlich eine Oktave tiefer. So ist beispielsweise die MIDI-Notennummer von Note #36 (C1) in der Tabelle die Note #24 (C0).
100 101
1: Standard (0)
Click (Square wave) Brush Tap Brush Swirl Brush Slap Brush Swirl W/Attack Snare Roll Castanet Snare H Soft Sticks Bass Drum H Soft Open Rim Shot Bass Drum L Bass Drum H Hard Closed Rim Shot Snare L Hand Clap Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree Voice One Voice Two Voice Three Voice Four Voice Are You Sure?
5: Analog (25)
< < < < Reverse Cymbal < Hi-Q Snare Analog L < Bass Drum Analog L < Bass Drum Analog M Bass Drum Analog H Closed Rim Shot Analog Snare Analog M < Snare Analog H Analog Tom 1 Analog Hi-hat Closed 1 Analog Tom 2 Analog Hi-hat Closed 2 Analog Tom 3 Analog Hi-hat Open Analog Tom 4 Analog Tom 5 < Analog Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < Scratch H Scratch L < < < < < < < < < <
6: Jazz (32)
< < < < < < < < < < < < < < < < < Natural Tom 1 Dark Hi-Hat Closed Natural Tom 2 Dark Hi-Hat Pedal Natural Tom 3 Dark Hit Hat Open Natural Tom 4 Natural Tom 5 < Natural Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <
7: Brush (40)
< < < < < < < Brush Slap L < < < < < < Brush Slap H < Brush Tap Brush Tom 1 Dark Hi-Hat Closed Brush Tom 2 Dark Hi-Hat Pedal Brush Tom 3 Dark Hit Hat Open Brush Tom 4 Brush Tom 5 < Brush Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <
8: Classic (48)
< < < < < < < Snare Classic L < Gran Casa L < Gran Casa M Gran Casa H < Snare Classic M < Snare Classic H Natural Tom 1 Dark Hi-Hat Closed Natural Tom 2 Dark Hi-Hat Pedal Natural Tom 3 Dark Hit Hat Open Natural Tom 4 Natural Tom 5 Hand Cymbal Long L Natural Tom 6 Hand Cymbal Short L < < < < < Hand Cymbal Long H < Hand Cymbal Short H < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <
MIDI Implementation Chart / Implementierungstabelle / Table
[Portable Keyboard] Model: PSR-510
FJ905N If-ED PRO 2 HD161HJ-B S50 3D CS-A95KE Drive W 1030 BL-PA300 KDL-L40HVX Dimension 5100 1000 D XD-553 Smaart V6 Adapter MC-E3002 KP-41S5B 24 V LD-2140WH PRS-500 Eheim 2215 NV-DS990EG Temporis 27 Belkin N1 Array LK-300 TV CQC3303N 5400 II Dvdr3440H-31 T-X55 SC-HT892 SH-E65 ST-500 DV-320-K 440 QEE Xciting 500 GR-B207EC Corolla DWS 6947 WIM 2070 PM-9805 Fatal1TY-AA8XE Duels Game 407 SW 21T9D-T PSS790 NP-HBC18 MX-M1100 Simulator PS-5000 D Ultralight DX2 Power SET M1962D PC E830 DVP3150V Spanish WLI-USB-kb11 Speaky PVR IC-EX309 504II EVA 9150 TCS603LT 82157 IMP-550 Manual Parasound Zamp SA-HE100 4core1333-fullhd Tiberian SUN H2534Y33 19 E LHT764 TX-8100 Train MS-6534 Nokia 7360 TD920 TC-26LX70 FW396C DX 2202 ZW5000 HK695 SDV4240 10 WPC54GS E442B Routes Dvdr1000-051 Keyboard Price MS-256EL ELP-TW100H YZ450F-2006 SM880 FR980-001 PCG-SRX51p-A TA-F35 Kxtga651 KDC-5080R HP-302 DS-61 Liquid MIX Friends RC-CD500 Review
manuel d'instructions, Guide de l'utilisateur | Manual de instrucciones, Instrucciones de uso | Bedienungsanleitung, Bedienungsanleitung | Manual de Instruções, guia do usuário | инструкция | návod na použitie, Užívateľská príručka, návod k použití | bruksanvisningen | instrukcja, podręcznik użytkownika | kullanım kılavuzu, Kullanım | kézikönyv, használati útmutató | manuale di istruzioni, istruzioni d'uso | handleiding, gebruikershandleiding
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text:
And the Children Will Rule Over Them
Selwyn Duke
While many are still oblivious to it and the effluent-stream media deny it's happening, there is an attack on Christmas. Like others, I would say "war," but that would be inaccurate. A conflict in its totality could be called a war; what transpires within a specific theater of operations during a war is better known as a battle. The war is on Christianity; Christmas is the most obvious front in this conflict because it is Christianity's most visible Holy Day and America's dominant religion-derived celebratory season.
So now the wholesale purging of all things Christian is at its starkest. All across the nation school districts are eschewing the word "Christmas," so we now hear of "Winter Break" or "Winter Celebration." Stores are following suit, with many refusing to hang "Merry Christmas" signs and even disallowing employees from wishing customers a Merry Christmas. Oddly, though, they still want Christians' money.
But it gets worse. Ridgeway Elementary School in Dodgeville, Wisconsin, had changed the name of the song "Silent Night" to "Cold in the Night" and had secularized the lyrics - it was part of their "Winter Program." They finally yielded to pressure (for now) from sane Americans and restored the song, but this is a prime example of the anti-Christian bias that is permeating academia. And as in so many districts, while the Nativity scene is off limits at Ridgeway, it's decorating its classrooms with Santa Claus, Kwanzaa, menorahs and even, here's a new slice of the occult, La Befana, who is some kind of witch. Equally outrageous, last year a school in Plano, Texas, banned red and green party supplies from a "Winter Break Party" because they were too suggestive of Christmas. Yeah, you shameless liars in the media, there's no attack on Christmas. Nor was there segregation in the South and the Holocaust never happened.
But I won't simply be a war correspondent here. Because this piece doesn't concern merely what we can complain about, but what we can do. And we can do a lot . . . if we have the will and fortitude.
The first thing we need to do is understand that the cultural transformation started a long time ago. First there was the unconstitutional separation of church and state ruling in 1947. Christians did nothing. Then there was the school prayer ruling in 1962. Christians did nothing. Since then we have been subjected to a seemingly endless and inexorable barrage of attacks upon faith and culture, with each incursion followed by an even more brazen and ambitious campaign. We gave them an inch and they wanted a foot. We gave them a foot and they wanted a yard. We gave them a yard and they wanted a mile. Now it's at a point where a lawsuit was filed to remove "In God We Trust" (our official national motto) from our currency. Remember math class and the "finish the progression" exercises? Two, four, six, eight . . . what comes next? It's not hard to understand where this is going. The pattern is plain, and only those completely unschooled in cultural mathematics can't close the loop. Unless the tide is turned, we'll end up wearing yellow crosses.
And turning the cultural tide is the key. Don't be fooled by the occasional legal victories and the money-whore department stores that have yielded to Christian pressure to perpetuate our culture. The former are merely small movements toward the ether on a ship that's steadily descending toward the netherworld. As for the latter, these businesses will tilt whichever way Mammon is blowing.
So, how do we turn the cultural tide? First, make no mistake about it, in the same way that "People get the government they deserve," they also get the culture they deserve. For example, if we didn't partake of decadent entertainment, it wouldn't exist. If people didn't buy pornography and drugs, they wouldn't permeate our culture either. And if the majority of us commenced saying "Have a great Fig Newton!" upon departing each other and persisted long enough, it would become the norm. So understand that for good or for ill . . . or for the ridiculous, we are the sculptors - culture is the clay.
Now, in the Catholic Church there is a part of the liturgy where all the parishioners cross their foreheads, mouths and hearts in rapid succession. This symbolizes the idea that the Lord should always be in our minds, on our lips and in our hearts. It's a great state to strive for, but this brings me to an observation of mine.
Oftentimes I'll be ready to depart from some fellow Christians and will, not surprisingly, close with "God bless." Despite this, it has been my experience (at least here in the Northeast) that even these people will not respond in kind. Instead, they react with a "See ya" or "Bye now" in a very mindless fashion, as if they didn't even take note of my words. Now, these are individuals who I know practice their faith, mind you, and they know that I certainly practice mine. Thus, it's not as if they would be averse to uttering those words any more than they would think that I would be averse to hearing them. So, what accounts for this failure to have the Lord "on their lips"?
The answer is that secularism is in their minds, on their lips and in their hearts. Oh, sure, they attend church and go through the motions and, to be fair, their faith does make them better people. But the sad fact of the matter is that they have been conditioned to be secular. They were raised in a secular age and, consequently, think, talk and feel secular. They may say they're Christian, but many of their actions speak otherwise. And instead of shaping the culture, the culture shapes them.
This is no small point, rather, it is the crux of the matter. Most of what people do is not the result of calculated action but of instinct, which is synonymous with saying that they are embracing the ways of the society that shaped their instincts.
This isn't always bad, of course. It's a good thing insofar as society's conventions accord with Truth. But when they don't, ah, there's the rub. So what Christians - and others who care about preserving Western civilization - need to do is re-examine their instincts and remake them when necessary. The following are my prescriptions.
When Parting from Others Say "God Bless"
If it sounds like something trifling and inconsequential to you, remember that if you take care of the little things, the big things will take care of themselves. And saying "God bless" to other believers shouldn't seem in the least daunting. In fact, we should feel it incumbent upon ourselves to do so.
But what about non-believers? Well, I would encourage you to muster up the courage to follow suit with them as well. That's a lot to ask, say you? Okay, let's be honest, I know many of you feel a bit squeamish about this. Weighing on your mind are concerns about how they will react and you feel more than a bit of, let's say, apprehension. So what's needed here is a good dose of perspective-bred courage.
If you're worried about "imposing your values," you need not be. If you feel consternation because you fear you may be "offensive," let not your heart be troubled. Proscriptions against these things are nothing but Machiavellian ploys.
Liberals never worry about imposing their values. Whether it's transforming their latest social-engineering scheme into curricula or legislation, or "sensitivity training"in the workplace, they forge on ahead, seemingly oblivious to the fact that a law or rule by definition is the imposition of a value. They continually impose values in the only way it can be done: through coercion. They use the long arm of the law.
This reminds me of the case up in Canada recently in which a woman, Jane Emlyn, demanded that her 14-year-old daughter, who plays on a hockey team with opposite-sex agemates, be allowed to use the same changing room as the boys. Her "position" is that the sexes should only be separated when actually showering. Now, I mention this because I read that while this libertinette indignantly proclaims the virtue of her cause and has petitioned the British Columbia Human Rights Tribunal for redress, the people in her area who oppose her voiced their opposition only "anonymously."
Ah, the fruits of modern Western culture. People who advocate for morality and common-sense are silent, while the morally bankrupt boldly go where no wacko has gone before.
The bottom line is that you are not imposing your values when you simply express your beliefs; you're merely giving them voice and exposure. But this is where the offensiveness ploy factors in. Along with the admonition against "imposing your values," telling people they're being offensive serves to stifle opposition. Why, we hear that and we're supposed to stutter and stammer, shake and quake and equivocate and be cowed into doleful submission.
But here's the dirty little secret: when liberals claim umbrage they aren't really offended, it's just that they don't happen to like what you're saying or doing. However, if they simply said so in so many words, they would seem intolerant. So what they do is place the onus on you with the "offensiveness" artifice. Then, instead of revealing themselves as the villain as they try to cut out your tongue, they make you seem like a villain who is cutting others with it.
It is this inherent dishonesty that is truly enraging. Liberals victimize their opponents by playing the victim and blaming the victim, and I'll have none of it. Remember that the imposition of values (lawmaking) is part of creating a government and society. Thus, it's not a matter of if we're going to impose values but simply what values will be imposed. So, shout your values from the mountaintops. Wear them on your shirtsleeves. Proclaim them proudly. Impose them. Offend the offensive. Free yourself. And to the liberals I will only say: I'm offended that you're offended. Stick that in your bong and smoke it.
Say Grace Before Meals and Engender a Spirit of Gratitude
If you're with your family, saying grace is one way in which you can live the faith around your children. It should be remembered that values are caught more than they're taught, and such a practice is part of the bare minimum for any Christian home.
It shouldn't end there, though. The great writer and philosopher G.K. Chesterton once said, "You say grace before meals, all right. But I say grace before I dip the quill into the ink." He also said that "Thanks are the highest form of thought." He was right, and in keeping with this we should make a habit of thanking God for everything from our car to our shoes to our toothbrush. In this way we can cultivate a spirit of gratitude in ourselves, which is a key to happiness and the antidote to the entitlement mentality.
Read the Bible With Family
Turn off the television and open the Good Book. If you and your children spend all your time immersed in the things of the secular world, well, you can finish the sentence.
Dress-up for Church
The phrase "Sunday best" exists for a reason. There was a time when people understood that church was the most important part of their week and attired themselves accordingly. Now I see parents rushing into services with kids dressed in soccer clothes. How about rushing to soccer in church-clothes? You can always perform a Clark Kent quick-change - sans phone booth, of course.
This is important, however, because how we dress tells the world what we think about our faith. We wouldn't saunter into a wedding or funeral dressed in a T-shirt and jeans, would we? Well, there's no event more worthy of exaltation than the worshiping of the Creator of the Universe. And for those who would ask, "God doesn't care about how we dress, does He?" I have a surprising answer: YES! He just may. After all, while I won't elaborate much here, how we dress affects our fellow man (imagine how people's mind-set would change if half a parish showed up in bathing suits), and how we influence others is of the utmost importance. Remember here that standards have been dumbed-down for decades now, and we can either be part of the problem or part of the solution.
And, lastly . . .
Wish Others a Merry Christmas!
I'm not going to worry about offending the offensive, and that's what secular grinches are. For, what is truly offensive is waiting for a faith's hallowed season and second highest Holy Day to launch your most vicious attack upon that faith. So, if anyone ever took umbrage at my Christmas salutations, my response would simply be, "Hey, I still want you to be merry!"
The above is just a short list of recommendations. Of course, there are other things one can do, and I don't claim that these practices are a substitute for true conversion, love of one's fellow man and the inculcation of virtue in oneself. But I do know one thing. Too many of us dispense with our faith as we give it nary a thought most all year and then are surprised when the elements of it we hold dear fall by the wayside. It's as if we think that we can neglect the tree and deny it light and water, then let someone take an axe, torch and carving knife to it, and it will still bear fruit we can pluck to satisfy our once-a-year sweet tooth.
But it doesn't work that way. When ground is relinquished all year long because the troops didn't take the field, it shouldn't surprise us when the land of Yuletide comes under intense bombardment from now proximal hostile forces. If we want to win the battle for Christmas, we had better start fighting the war for Christianity. And never forget that this is your culture. Cherish it. Preserve it. Defend it. Use it or lose it.
the Lord is no longer in our minds, on our lips and in our hearts,
we shouldn't be shocked when He is no longer in our media, on our
public lands, and in our stores. After all, our culture really is
just a reflection of us. So God bless you, I'm thankful that you read
this, and have a very merry and blessed Christmas.
© 2005 Selwyn Duke - All
Rights Reserved
E-Mails are used strictly for NWVs alerts, not for sale
Selwyn Duke lives in Westchester County, New York. He's a tennis professional, internet entrepreneur and writer whose works have appeared on various sites on the Internet, including Intellectual Conservative, nenewamerica.us (Alan Keyes) and Mensnet. Selwyn has traveled extensively in his life, visiting exotic locales such as India, Morocco and Algeria and quite a number of other countries while playing the international tennis circuit.
E-Mail: firstname.lastname@example.com
...school districts are eschewing the word "Christmas," so we now hear of "Winter Break" or "Winter Celebration." Stores are following suit, with many refusing to hang "Merry Christmas" signs and even disallowing employees from wishing customers a Merry Christmas. Oddly, though, they still want Christians' money.

subset: commoncrawl


text:
Steven Worthington
Postdoctoral Fellow
Steve holds a PhD in Biological Anthropology from New York University. He is originally from northern England, but has recently been living in New York and Helsinki, Finland. During graduate school Steve became interested in computational biology and statistical programming using R. His areas of expertise include multivariate exploratory data analysis and visualization, as well as phylogenetic and comparative methods. In his spare time, Steve relaxes by playing with his puppy "Beckett" and indulging his interest in photography.
Contact Information
CGIS Knafel K306


text:
The 1950s had a timeless style that makes for great Halloween costume now-a-days. If you are going as a lovely poodle girl to party, then be sure you pair your outfit with these earrings. The Earrings with Poodles are clip on metal earrings that feature a cute pink poodle dangling from them.
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text:
Saturday Night Live
Home › Forums › General Columbus Discussion › TV › Saturday Night Live
This topic contains 77 replies, has 32 voices, and was last updated by bayrea 1 year, 1 month ago.
September 28, 2009 6:54 pm at 6:54 pm #305271
joevParticipantLogin to Send PM
Two A-holes doesn't fit a TV-based plot.
But don't forget the also incredible Brian Fellow's Safari Planet. That goat has devil eyes.September 28, 2009 6:56 pm at 6:56 pm #305272
Chris SunamiParticipantLogin to Send PM
Yeah, Goth Chat was good, and so were the Mike Meyers versions. I don't think Colin's point –or mine– is that every variation on that has been bad, but that it's become a really lazy default sketch format for them.
Columbuzz wrote >>
Now that they're grown up and it isn't "cool" anymore to sneak downstairs and watch television, it's just not as fun and/or funny.
Right, and everyone's favorite cast is whoever was on when you were 13 and first started watching. Cast members before that are revered-but-dated comedy icons, cast members after that are weak imitations.
But anyone who's watched SNL for any length of time should know that better and worse times come and go as regularly as the cast members, that talented people are often completely wasted, that blacks and other minorities rarely get well-written characters or sketches, that there's almost never a good sketch after the second musical number, and that bad sketches always outnumber the good ones even on a good night. It's still the funniest show on broadcast television at 11:30 on Saturday nights –and a pop culture juggernaut.September 28, 2009 7:34 pm at 7:34 pm #305274
Walker EvansKeymasterLogin to Send PM
Oh, I should add that Smigel's TV Funhouse segments have been consistently awesome over the years. Similar to the Digital Shorts, they have nothing to do with live television or sketch comedy, but an awesome part of SNL nonetheless.September 28, 2009 7:42 pm at 7:42 pm #305275
blammoParticipantLogin to Send PM
Walker wrote >>
Oh, I should add that Smigel's TV Funhouse segments have been consistently awesome over the years. Similar to the Digital Shorts, they have nothing to do with live television or sketch comedy, but an awesome part of SNL nonetheless.
The best part of SNL in my book. It's amazing what you can get away with in cartoon format.September 28, 2009 8:10 pm at 8:10 pm #305276
Colin PerkinsMemberLogin to Send PM
Oh, I should add that Smigel's TV Funhouse segments have been consistently awesome over the years. Similar to the Digital Shorts, they have nothing to do with live television or sketch comedy, but an awesome part of SNL nonetheless.
Unfortunately he doesn't really do them anymore. At least he still makes appearances on the new Tonight Show as Triumph.September 28, 2009 9:57 pm at 9:57 pm #305277
Yeah, I loved TV Funhouse.
Also, Bronx Beat was probably my least favorite talk show rip off. Ug.October 4, 2009 3:58 pm at 3:58 pm #305278
Colin PerkinsMemberLogin to Send PM
Case in point:
Aside from the minute long exchange between Andy Samburg & Lady Gaga wearing bubbles, every single sketch last night was a TV show. And most were awful.
And Lady Gaga is trying really hard to distract people from the fact that her music is vapid.October 4, 2009 4:59 pm at 4:59 pm #305279
Mister ShifterParticipantLogin to Send PM
I don't remember laughing once last night.October 4, 2009 6:00 pm at 6:00 pm #305280
TaraKParticipantLogin to Send PM
The Obama bits just aren't funny. I'm never sure he's even trying. I mean, there's no imitation at all.October 4, 2009 6:04 pm at 6:04 pm #305281
catnfiddleParticipantLogin to Send PM
Wow, I thought it was one of their better shows in a while. I guess the bar was set pretty low. Lady Gaga surprised the hell out of me when she hit the piano.October 4, 2009 7:05 pm at 7:05 pm #305282
I usually fast forward the music bits.
And yes, while I actually thought the content of the Obama sketch was ok, Armisten's impression has gone from bad to worse.December 7, 2009 7:11 pm at 7:11 pm #305283
Walker EvansKeymasterLogin to Send PM
More of this please:
http://www.hulu.com/watch/113216/saturday-night-live-potato-chipDecember 7, 2009 8:17 pm at 8:17 pm #305284
Walker wrote >>
More of this please:
So bizarre. Liked it though. The sketch after the 2nd musical performance is usually kind of "anything goes" territory.December 7, 2009 8:28 pm at 8:28 pm #305285
th0mParticipantLogin to Send PM
i remember i did sort of an out-loud HA and a clap or something after this sketch hehehehe good stuffDecember 7, 2009 8:41 pm at 8:41 pm #305286
somertimeohParticipantLogin to Send PM
My funny meter must be off because I thought that was the worst 5 minutes ever, lol.


text:
Fire crews contain blaze at Maries Co. charcoal plant
Friday, July 27, 2012
BELLE, Mo. (AP) — Several fire crews have been fighting a fire at a charcoal plant in east-central Missouri.
The Osage County Fire Department says the fire at the Kingsford Charcoal plant in Belle was reported early Friday and that about a dozen fire crews have been at the scene. No injuries have been reported.
An Osage County dispatcher said the fire had been contained by Friday afternoon. The cause of the fire is under investigation.
Belle is a town of about 1,500 residents, located about 100 miles southwest of St. Louis.
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Wednesday Apr 27 2011
Higher gold prices make small-town jewelry stores bigger targets
By: Gus Thomson, Journal Staff Writer
Take an economic downturn that has hit the Placer County area hard. Add rapidly escalating gold and silver prices. And wait for criminals to strike. Lincoln, Auburn and Nevada City jewelry stores have all been hit in recent weeks by burglars, while a second Auburn store was victimized during store hours by a team of sneak thieves. The losses have been heavy. Downtown Auburn's Golden Swann lost diamond encrusted white-gold pieces valued at more than $21,000 in the April 7 theft. Lincoln Jewelers tallied up $50,000 in stolen jewelry after a late-night break-in with a heavy hammer March 8. Sierra Moon Goldsmith's was broken into early Monday, again by hammer-wielding thieves. Silver jewelry in display cases was taken while more valuable gold pieces stayed secure in the store's vault. At about the same time, thieves hooked a chain up to the security door of Nevada City's La Cache and yanked it off using a vehicle. One suspect – Robert Dean Henson, 29, of Sacramento, was arrested soon after near Dry Creek Road and Highway 49 in North Auburn. As of Wednesday, Auburn Police were indicating no leads in the Golden Swann or Sierra Moon cases. Jim Hutchings, of Naturally Mine of Foresthill jewelers, said that with gold prices at $1,500 an ounce – the highest in three decades – and silver at $45 an ounce, jewelers have more to lose and criminals more to gain these days. "They have to watch things a little closer – there's more value sitting out on our tables," Hutchings said. "These are desperate times for desperate people." Hutchings, who retired from the California Highway Patrol with 30 years of law-enforcement experience, said that he and his wife are always on guard when they're working a booth at an event. One will be watching the gold jewelry he makes and the other will be watching visitors. "If they're looking at us and not at the jewelry, then there's something wrong," Hutchings said. "So, I'm looking at them." Ben Asgharzadeh, Golden Swann co-owner, said he feels the gold has already been melted down and the diamonds fenced from the jewelry stolen less than a month ago from the shop. The store insured items in its safe but the items being displayed were not, he said. Asgharzadeh said he's not planning any stringent security upgrades at the Lincoln Way store. "I'm not going to make a jailhouse," he said. "I'm still going to make people feel comfortable here." Asgharzadeh said the economy was a major factor in the rash of thefts. "And it's going to get worse," he said. "People need money and they have to get it somewhere." As the price of gold has risen, the Golden Swann has seen its share of heartbreaking stories. One customer brought in gold so she would have money to feed her family. Another came in to trade gold for cash to buy insulin. The Golden Swann ended up giving her the money she needed, he said.


text:
December 5, 2012
Dwight Sanders with the certificate of recognition presented by the Missouri Association of School Administrators. This certificate is based on the same criteria as the Distinction of Performance award which is no longer being given by the Missouri Department of Elementary and Secondary Education.
Stories this photo appears in:
California School Board considers timing of next bond issue
Another Bond Issue
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Poway-based Siafu Software, a provider of IP storage appliances and software, announced today that it has added block-based replication for encrypted data on its SAN appliances. The feature adds asynchronous replication between its appliances, at no cost. Asynchronous replication is used by data storage users to replicate data between remote sites, for data protection and backup. Siafu is a developer of iSCSI storage hardware.
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Renault's new offering, the Scala is a C-segment sedan that is nothing but a refreshed and re-badged Nissan Sunny. This is the second car that Renault is launching of its sister brand, Nissan starting with the Pulse. And now with the Scala, Renault has a complete line-up of cars starting with a hatch; the Pulse, entry level sedan; the Scala, entry level SUV; the Duster, a premium sedan; the Fluence and a premium SUV; the Koleos.
The Scala is refreshed on the outside with the new grille, sporty hexagonal bumper and a smoked headlamp cluster on the front. Whereas the major change lies at the rear with a straight rear boot lid that also sports a thick chrome strip that run along either of the tail lamps and a new stylish tail lamp cluster that all add to the premium feel of the car. The Scala also gets a new sporty set of alloys. Overall, the Scala is a premium looking Sunny with a luxury tinge to the exterior treatments.
The interiors resemble that of the Sunny with no changes in the inside except for a lighter shade of brown on the dashboard plastic unlike the grey plastic in the Sunny that gives it a premium feel in the cabin and the rear seats get adjustable headrests.
The Scala will be offered with Renault's 'Complete Care' service package, which includes a 2+2 years/80,000km warranty and 24/7 Roadside Assistance.
The Scala is available in both petrol and diesel like the Nissan Sunny, The petrol Scala is powered by a 1.5 ltr engine that produces 99PS @ 6000rpm with a peak torque of 134nm @4000rpm and the diesel is powered by the standard tried and tested 1.5Ltr K9K dCi diesel engine that produces 86PS of power@ 3750rpm with a peak power of 200Nm @2000rpm. Both the engines are mated to a 5-spped manual transmission.
The petrol mill is expected to return a fuel efficiency figure of 16.96kmpl whereas the diesel mill is expected to return 21.4kmpl both ARAI certified.
Petrol Variant Price
RxE Rs 6.99 lakhs
RxL Rs 7.85 lakhs
Diesel Variant Price
RxL Rs 8.69 lakhs
RxZ Rs 9.57 lakhs


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Western Pygmy Rattlesnake
A small, colorful rattlesnake with a slender tail and tiny rattle. General color is light brownish gray, with a row of small, dark brown spots on the back and similar spots on each side. Most specimens also have a rust-colored stripe down the back. The belly is usually gray or dusky cream-colored, with numerous irregularly spaced bars. The head has a distinct black stripe that angles from the eye to the corner of the mouth, and a sensory pit located between each nostril and eye. The tail is thin and has a tiny rattle.
The disposition of this rattlesnake varies from individual to individual. Some will try to defend themselves vigorously by coiling, sounding their rattles, jerking their head, and striking at any movement. Others remain motionless and try to escape only when touched by a stick or snake hook. The sound of the vibrating rattle is a faint buzz, like the sound of a grasshopper, and can be heard for only about a yard away.


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Posts Tagged 'health conscious'
Fit Food Delivers Healthy, Convenient Meals
Healthy and convenience food normally don't belong in the same sentence. However a new Columbus business delivers healthy, ready-to-eat meals and snacks right to your doorstep – without it costing an arm and a leg. Monday through Friday, Fit Food delivers their menu of delicious yet health-conscious...April 8th, 2014 | Business Profiles | Read More
Native Cold Pressed to Open Short North Juice Shop
Two friends are out to create an oasis for the health-minded Columbus consumer. Native Cold Pressed will open their Short-North doors to serve raw, organic cold pressed juices. Co-Owners Nicole Salvo and Erin Thacker are gearing up for a February opening of the first stand-alone, cold pressed juice bar...December 31st, 2013 | Business Profiles | Read More
Bella Donna Cooks Prepares Personalized Meals for Busy, Health-Conscious Consumers
Imagine a week's worth of healthy, prepared meals, tailored exactly to your tastes, appearing in your refrigerator without even lifting a finger in the kitchen. With personal chef service Bella Donna Cooks, busy professionals and health-conscience consumers can stress less about what to make...September 12th, 2013 | Business Profiles | Read More


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Handling high resolution sprite images with CSS3
The iPhone 4 has introduced a new challenge to web developers due to its retina display using a higher dpi than most devices. What looked sharp in desktop browsers and other lower dpi devices appears blurry and pixelated on the iPhone 4 and potentially other devices which will have higher dpi screens. The current solution is to have two sets of images one for general and one for high dpi screens. You then switch it up using media queries depending on the screens dpi, this has been documented and discussed many times. Let's try a different approach.
So what's different?
The difference between my solution and others is mine requires only a single sprite image and doesn't need a special media query to keep the images looking sharp in higher dpi screens.
The above demo loads a single sprite image containing all my icons needed. This image is saved with everything double the size of what it should be.
How it works
The way I get it to display nicely for both dpi's is to use the CSS3
background-size property to shrink it down to the correct size. Since the iPhone 4 naturally scales the image up there is no artefacts or blurriness as the image is already the correct size so you don't need to use the special media query to make it render nicely.
.ico {
background: url(ico_sprite-32x32.png) -78px 11px no-repeat;
background-size: 96px auto; /* 192/2 = 96px */
.echeck { background-position: -54px -14px; }
.creditcard { background-position: -30px -38px; }
.cash { background-position: -4px -62px; }
If your sprite image is 192px wide then you shrink the width to 96px and set the height to auto to keep the correct aspect ratio. Setting the
background-position is also halved so if it's 108px down you set it too -54px to get the correct offset.
See some comparison images.
iPhone 3GS on the left, iPhone 4 in the middle and Opera Mobile 11 with 291 DPI set on the right
There are drawbacks
Of course this isn't perfect but in the correct situation is a much better solution. If you need to support older browsers or less capable then
background-size won't work, see background-size support. There is also file size being larger since the sprite image is double the resolution the image is roughly 30-50% larger in size than the smaller counterpart if you're working with a 8bit png.
Short URL: http://cssn.in/ja/034
Post filed under: css.
Roll on CSS SVG support!
You'd be able to create one SVG icon, and use that as the same background image for both display.
We can only wish. 🙁
Well good news, iOS5 supports inline svg so scalabale icons are one step closer.
Hmm.. the problem with web-browsing on a iPhone is that you can zoom in, so when you zoom in everything (HTML based) will look perfectly sharp, only the images will look ugly because of the zoomed in pixels.
Any solution to that?
Well, that's how we do things here for just some time now at the webviews our iPhone App. I almost never used the Media Query thing to load two different versions of images because that's too much expenditure if you have more than just a few ones. What I don't understand is why you make a sprite with so big white-space? Or is that just for training purposes?
Awesome good to know other people have come to the same conclusion.
What I don't understand is why you make a sprite with so big white-space? Or is that just for training purposes?
Purely just whipped up a quick demo, depending on the devices needed to be supported I would of used the
backgroud-clipproperty to stop the other icons flowing into view and tightly packed them.
I've used the same technique for mobile games and it works pretty well 🙂 The only drawback I see is to force downloading a bigger asset for less capable devices.
@ngryman & @Steven Wright –
Yep I would only recommend this with simple icon based images.
Yeah – nice to see this. I too have had this problem. Initially, I had a site with a header graphic (company logo), 4 column wide buttons with a graphic background – for portrait and landscape, then a promotion space with 4 carousel images.
Came to the conclusion the logo had to look sharp on iPhone 4 – doubling it was no real issue, cause being a simple 2 color it was tiny as an 8Bit png. The column wide buttons were updated to use webkit css gradients and rounded corners (duh!).
However, while your solution could work for all assets, if you have a color rich graphic (i.e. like a photo), not so much. In the case of our carousel – where there are already 4 graphics – making them double the pixel size just wasn't an option (2xwide x 2xhigh = 4 times larger).
Cool of you to share – but don't go mental and make a call on how important the asset is – branding – reused assets – key sections; sure, but not for everything.
Great idea – this technique is also working great for newer hi-res Android devices
Really interesting tutorial. What would you do for IE 8.0 though? Let's face it, it is the most used browser in U.S and Europe…
This demo was geared towards usage in smart phone that have rather good support for CSS3 not really that useful for desktops.
Not sure just a pure background-clip would eliminate the whitespace. You'd have to combine with :before or :after pseudo elements, but that would still require some amount of whitespace.


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May 5, 2016
Police say a drunk driving arrest turned into a lot more after officers noticed a semi-automatic handgun partially hidden in the car.
Greenville police have charged Derron Jordan with possession of a firearm by a felon, felony carry a concealed weapon and DWI.
Officers say they noticed a car around 12:20 a.m. driving down Greene Street that crossed over the yellow center line five times. When they stopped the car they saw that Jordan had the gun partially hidden beside him in the car's console. After seizing the weapon, they learned Jordan had prior felony drug and weapons convictions.
He was jailed on a $25,000 bond.
Click Here to access the online Public Inspection File
Viewers with disabilities can get assistance accessing this station's FCC Public Inspection File by contacting the station with the information listed below. Questions or concerns relating to the accessibility of the FCC's online public file system should be directed to the FCC at 888-225-5322, 888-835-5322 (TTY), or email@example.com.


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Colorado v Washington State
William Mancebo January 20, 2013 3:08 AM
PULLMAN, WA - JANUARY 19: Guard Mike Ladd #2 (left) and guard Royce Woolridge #22 (right) of the Washington State Cougars speak to the media after the game against the Colorado Buffaloes at Beasley Coliseum on January 19, 2013 in Pullman, Washington. The Buffaloes defeated the Cougars 58-49. (Photo by William Mancebo/Getty Images)


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Content Creation Service: Searching For Quality Content
A nice, simple, and low-cost way to make sure that your visitors will take another look at your website would be to offer quality content material in your internet site. If you can't discover time for you to compose or continually suffered the well known "writer's block," perhaps, now it's time to check out some article writing solutions on the internet.
An internet site showing off quality and information is a haven for many users. They don't have to hop derived from one of site to a new, because you happen to be supplying them all they need. The sole catch is maintaining your visitor's expectancy with fresh content articles are a draining job. To write down interesting articles requires cautious understanding of what tickles them or otherwise not. This is actually the primary reason some stay dormant for months at the same time as their owners won't hire authors.
Use caution when you need to make money from your site, you should be at the top. With that statement, we imply that you have to be visible about the search engines like google search engines. No person will ever see your site should you be onpage 2 or 3. Should you ever get periodic visitors, it's not going to convert well needlessly to say.
One smart way to maintain the increasing competition is to increase your presence. This is done by submitting quality articles to article directory sites, which distribute to their personal network. By doing so, you're broadening easy reach because your article advances on it's own online.
This can be done all on your own or choose to use articles service. If you insist carrying it out on your own, think about, 'How much is your time and energy worth?' Instead of spending too much time and hours writing your articles, you will want to allow writers with their job, so you focus on what matters to you personally most – your organization.
Articles Services Saves You Time.
Admit it, you hate creating articles. Well, it's not just you. Actually, most web owners glance at the unique way. Writing content that captures the tastes of the audience just requires a great deal of time to complete. Aside from that, additionally you need to ensure how the article is SEO optimized to rank high on the search engines.
Knowing Click through Rate.
If your article will get substantial clicks, it implies that your particular readers are interested in what the offers are. However, if it's getting low click via rates, this means it wasn't produced the way it needs to have been.
Drafting Content. Composing interesting posts doesn't require you to use a Degree in English or whatnot. Although it might seem difficult, getting the appropriate approach can make the work a little easier. It will help to concentrate on a single topic or set and never digress to avoid confusion. Again, you have the choice to use content creation service in the event you find this job, especially difficult.
Looking for a writing essay? Try our professional content service provider!
Author: royal2royal42This author has published 8 articles so far. More info about the author is coming soon.


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SALISBURY - The defending champions will take the field to green today at Lime Rock Park.
Ricky Taylor toured the 1.5-mile Lime Rock Park road course in 49.583 seconds (108.908 mph) to put the SunTrust Racing entry on the pole for today's Grand-Am Rolex Series Daytona Prototype race at the Memorial Day Classic at the track.
Taylor and co-driver Max Angelelli won the last year's debut for the Daytona Prototypes at Lime Rock.
Paul Edwards put up a fast lap of 49.646 seconds (108.770 mph) for the Spirit of Daytona Racing entry to secure the second spot on the starting grid.
Memo Rojas, in his Chip Ganassi Racing entry, was third fastest in qualifying (50.155 seconds, 107.666). Rojas and co-driver Scott Pruett, teamed up to win the first three events of the season. That winning streak was snapped May 14 at Virginia International Raceway when they finished second to the Action Express Racing entry of Joao Barbosa, Terry Borcheller and JC France. The Action Express entry was ninth in qualifying with JC France behind the wheel at Lime Rock.
Robin Lidell put Stevenson Motorsports at the front of the GT class qualifying field with a best lap of 55.351 seconds (97.559 mph).
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Daniella DaniellaFollow Daniella
27-year-old living in Adelaide, SA
Level 1 Traveler
1 tour
11 countries
Following 1 person
Followed by 1 person
Say something on Daniella's profile
European Vista
11 countries \ 22 days \ from US$2818 per person
Looking for mix of adventure & relaxation? This trip fits the bill. Destinations like Vienna, Prague, Paris, Rome & Amsterdam mean all your bases are covered. Free time options include a Tuscan feast & wine tasting or maybe mountain biking, paragliding & white water rafting. Your toughest decision is whether to go leisurely or adventurous...or both!
Daniella is now following Alana


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- Inhabitat – Green Design, Innovation, Architecture, Green Building - http://inhabitat.com -
Designboom's Shipping Container Summer Offices Make Us Green With Envy
Posted By Bridgette Meinhold On September 12, 2011 @ 5:48 pm In Architecture,Cargotecture,Design,Green Building | No Comments
We're green with envy over Designboom [1]'s summer offices [2] on the island of Sardinia, west of their home base in Milan. Seeking to get out of the city for the summer, the Designboom team tackled a DIY project [3] they've been dreaming about for years – they built an office out of shipping containers [4]! We're not sure what makes us more jealous – the fact that they get to work in Sardinia with views of the ocean, or that they get to work in awesome repurposed shipping containers.
Building permits in Sardinia are hard to come by and require jumping through a lot of hoops, so until they could fulfill the requirements Designboom opted for a temporary solution. Three 20-foot shipping containers were modified to create a temporary live-work [5] situation for the team over the summer – complete with running water, electricity, high-speed internet, and air conditioning. Two containers are set at a 90 degree angle from each other with an outdoor kitchen and dining area set up at their junction. The third container operates as the office's bathroom with a shower, composting toilet [6], washing machine, and a sink. The project is not quite finished, but the team hopes to complete it next summer.
The containers were outfitted with sliding glass doors behind the cargo doors and a glass main door on one side that provides natural daylighting and cross ventilation. When the winds blow strongly up from the sea, due to the position of the containers the cargo doors can be opened to create a wall for the dining area. No insulation [7] was used on the containers, but they were painted with SUPERTHERM® ceramic paint, which improves the reflectivity of a surface, thus reducing solar heat gain. After a few coats of this ceramic paint, the containers stay much cooler, and they hardly needed the AC at all.
Hey Designboom! Any chance we can work on a collaborative project next summer? Check out more great pics over at Designboom [2].
+ Designboom [2]
Images © Designboom, used with permission
Article printed from Inhabitat – Green Design, Innovation, Architecture, Green Building: http://inhabitat.com
URL to article: http://inhabitat.com/designbooms-shipping-container-summer-offices-make-us-green-with-envy/
URLs in this post:
[1] Designboom: http://www.designboom.com/
[2] summer offices: http://www.designboom.com/weblog/cat/9/view/16447/container-summer-residence-great-for-nature-lovers.html
[3] DIY project: http://inhabitat.com/tag/DIY
[4] shipping containers: http://inhabitat.com/tag/cargotecture
[5] live-work: http://inhabitat.com/barndominium-green-live-work-space-is-a-modern-update-to-the-vernacular-barn/
[6] composting toilet: http://inhabitat.com/tag/composting-toilet
[7] insulation: http://inhabitat.com/tag/insulation
Click here to print.
Copyright © 2011 Inhabitat Local - New York. All rights reserved.


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2008 Missouri Tigers Basketball Preview
This season, the Missouri Tigers (6-10 overall, 16-16 Big 12) should do better than last season's 10th place finish. Head coach Mike Anderson, who now starts his third season with the Tigers, has recruited seven athletic and talented players who can make a big difference immediately. This is a team on the rise that's prepped to have its first winning conference record since 2003-2004.
Senior forwards DeMarre Carroll (25.3 MPG, 13.0 PPG, 6.7 RPG, 1.3 APG, 53.6 FG%, 61.2 FT%) and Leo Lyons (22.1 MPG, 13.1 PPG, 5.7 RPG, 1.7 APG, 58.3 FG%, 64.0 FT%) will anchor the frontcourt. Carroll, who was the Big 12's 2007-2008 Newcomer of the Year, proved to be a fine rebounder and slasher. Lyons offers size ability and uncanny quickness. He is a true talent. Justin Safford (8.9 MPG, 2.3 PPG, 2.2 RPG, 0.6 APG, 40.0 FG%, 53.8 FT%), a sophomore, is a pure athlete with a fine jumper. His problem is consistency. There is not a lot of depth upfront and that is problematic.
Guard Matt Lawrence (26.1 MPG, 8.8 PPG, 2.9 RPG, 0.9 APG, 36.9 FG%, 91.3 FT%) has one of the best foul shots around. Additionally, if Lawrence is left alone, his shot can be deadly from just about anywhere. Junior J.T. Tiller (19.7 MPG, 6.8 PPG, 2.3 RPG, 1.8 APG, 44.1 FG%, 78.8 FT%) offers excellent defensive skills and could be a candidate for the shooting guard spot. The point guard spot may be filled by Delaware transfer Zaire Taylor, who knows how to set up plays, pass and defend. Freshman Miguel Paul, who is a steady player, may also see time at the point.
There's not a lot of experience but there is the beginnings
of team that should move up a few spots in the conference this season.
They may also make their first post-season appearance since 2006.
Don't expect to see these Tigers at the Big Dance in 2009
but the NIT is a real possibility. As far as 2010 is concerned,
this club has a shot at the NCAA Tournament. They are an up-and-coming


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Giuliani: Sonatine Op.71 No.3, The Last Rose Of Summer, Etc.
1 CD / Scandinavian Classic / 2010-10-26Works: Mauro Giuliani: Scottish National Airs; Etudes, Op. 100; Variations on "Folies d'Espagne", for guitar, Op. 45; Preludes, Op. 83; Divertissement, for guitar, Op. 106; Variations on "Nume perdonami", f...
Performers: Buhl-Mortensen, Kristian
read more Login or Create an Account to write a review


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January 20, 2014
Local author Theresa Monsey hosts a
Write on the River workshop on professional self-publishing this Saturday. She joined us to talk about the pros
and cons of self-publishing, the draw for authors to go that route and the shift that the publishing world is
taking towards digitally-published works.
The workshop is this Saturday, Jan 25 from 9 am - noon in Wenatchi
Hall at Wenatchee Valley College. For more info go to writeontheriver.org.


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June 23, 2000
There are two kinds of bone problems which seem to be increasing in persons with HIV: avascular necrosis, and more recently, osteopenia (called osteoporosis when it becomes more severe). At San Francisco General Hospital there have been about 50 hip replacements in the last eight years, about 20 of them in the last two years. Getty summarizes some of the current issues, using published reports and conversations with medical experts.
Copyright 2000 by John S. James. Permission granted for noncommercial reproduction, provided that our address and phone number are included if more than short quotations are used.
Back to the AIDS Treatment News June 23, 2000 contents page.


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[Intro: Jamie Foxx]
Kanye, it's Foxx, man
I'm just sayin' I was talkin' to the girls you know
And we don't put enough emphasis on the ladies sometime
You know, I was talkin' to this girl
She was talkin' about the music all fast in the club you know
She gotta drink water cause she thirsty
She danced like ninety-two hundred songs back to back
With ain't nobody really try to find out what she feelin'
Like how she feel... you know what she told me?
Are you gonna be? (Check it out, this is what she said)
Say that you're gonna be (Oooo, oooo, oooo, oooo, oooooo)
[Hook: Jamie Foxx (Luther)]
She said she want some Marvin Gaye, some Luther Vandross
A little Anita will definitely set this party off right
(are you gonna be, are you gonna be, are you gonna be
Are you gonna be, are you gonna be, well well well well)
She said she want some Ready For The World, some New Edition
Some Minnie Ripperton will definitely set this party off right
(are you gonna be, are you gonna be, are you gonna be
Are you gonna be, are you gonna be, well well well well)
[Verse 1: Kanye West]
It definitely will
You know what I told her
I told her to drive over in yo new whip, bring some friends you cool wit
I'mma bring the cool whip, then I want you to strip
See you is my new chick, so we get our grind on
She be grabbin me, callin me Biggie like Shyne home
Man I swear she fine homes, why she always lyin though?
Tellin me them diamonds, when she know they rhinestones
She got a light-skinned friend look like Michael Jackson
Got a dark-skinned friend look like Michael Jackson
I played Ready For The World, she was ready for some action
My dog said you ain't no freak , so you bout to prove my man wrong
I'mma play this Vandross, you gon' take yo pants off
I'mma play this Gladys Knight, me and you gon get right
[Hook - Jamie Foxx]
[Bridge: Jamie Foxx]
Smokey Robinson
Smokey Robinson
Freddie Jackson
Everything, everything (Well well well well)
Smokey Robinson
Ashford & Simpson (Are you gonna be)
Set the party, really set the party off right
(are you gonna be, are you gonna be, are you gonna be
Are you gonna be, are you gonna be)
Yes it will, yes it will (Well well well well)
Al Green, OH!
Al Green, OHHHHH YEAH!!!
Whatcha know about the Isley Brothers?
[Aisha Tyler]
Now Kanye, I know I told you to slow it down
It's good, it's all good, it's beautiful
But now I need you to do it faster baby
Can you please - do it faster, baby, do it faster
[Kanye West]
Damn baby, I can't do it that fast but I know somebody who can, Twista!
[Verse 2: Twista]
Got you looking at the glist on my hands and wrist
While I'm layin' back smoking on my cannabis
When it come to rockin the rhythm like Marvin and Luther
I can tell you ain't no messin' with Kan man and Twist
In the Chi and I be sippin Hennessey - play some R&B
While I smoke a b - you can preferably find that I'm a G
And all this (well well well well)
Come wit me and sip on some Evelyn Champagne
You ain't know Twista could work it like the Whispers?
Hit the stop light, move it to some Isaac
His rims still movin so I bump a lil' Spinners
While I'm smoking on a b - dippin through the streets
Bumpin R&B - and I got the heat - on the 23's
And I do it (well well well well)
Wit my Earth in the Wind smoking Fire
Let me get ya sheets wet listenin to Keith Sweat
Put you in a daze wit Maze
Fulfilling her wit every temptation, slow jam, and havin deep sex
You ready for the world girl, come on go wit me
I touch you all over your body baby don't say no to me
And every moment be controlling me
I love the way you be holdin me when I be listenin to Jodeci
And when I come over and bend ya ass, you be bumpin Teddy Pendergrass
I done hit it from the back, to the melody and rode it slow
Now I got to go up in it fast, but I'mma finish last
No matter how much of a thug you see
I still spit it like it's R&B, come to the club wit me
And when some Luther come on I hope you feelin me
And still will be in love wit me
[Hook - Jamie Foxx]
Bridge 2: Jamie Foxx ad-libs (w/ female singer)
[Hook - Jamie Foxx]
Slow Jamz is smooth, melodic track from Kanye West's debut album, The College Dropout, which was released in 2004.
Jamie Foxx's hook and Twista's fast-paced verse are some of the more memorable parts of the album.


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New Years Eve San Diego Dining
Ring in the New Year at The Westin San Diego. Enjoy a bright future, a prosperous New Year, health, happiness...and join us in celebration Dec. 31 as we look optimistically towards 2013. Enjoy our New Years Eve San Diego dining options.
San Diego New Year's Eve Dinner at Coast Restaurant
Monday, December 31, 2012
Prime Rib Dinner. $24.95
For reservations please call 619.338.3770.


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Email controlled Raspberry Pi dog treat machine
Give Judd (Visla breed K9) treats through emails, and get back a picture of him eating it. This is the idea behind the Raspberry Pi powered Judd treat machine. The Judd Treat Machine, as shown in the youtube video below, … Read more


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Two people hospitalized after crash on SR 40
Published: Thursday, January 14, 2010 at 10:20 a.m.
Last Modified: Thursday, January 14, 2010 at 1:10 p.m.
OCALA - Two people were taken to separate hospitals Thursday morning following a crash on State Road 40 near Southwest 133rd Avenue Road.
A 35-year-old woman was driving a four-door Plymouth, with her emergency lights activated, west on SR40. For an unknown reason, she drifted into the east-bound lane and collided head on with a pickup driven by a 51-year-old man.
Witness Wally Smith, 65, of Ocala, told the Star-Banner he was behind the Plymouth. He said the vehicle was traveling about 40 to 45 mph.
The speed limit on that section of highway is 55 mph.
Smith said he saw the Plymouth drift over and then suddenly he saw the truck land on top of the vehicle.
He said he immediately called 911, and that other motorists stopped to render aid.
The woman was airlifted to Tampa General Hospital; the man was transported to Shands at the University of Florida in Gainesville. They both are from Dunnellon.
Marion County Fire Rescue officials said it took 9 minutes to extricate the man from his truck and 16 minutes to remove the woman from her car.
The accident occurred at 8:15 a.m. State Road 40 was closed until shortly after 10 a.m.
The Florida Highway Patrol is investigating.
Reader comments posted to this article may be published in our print edition. All rights reserved. This copyrighted material may not be re-published without permission. Links are encouraged.
Comments are currently unavailable on this article


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Loading Vacation deals...
Do You Have What It Takes to Be a Road Warrior?
Ever wonder how your trips and points stack up against those of other frequent travelers?
Starwood published a year-end wrap-up featuring a variety of "biggest" and "most" accomplishments recorded by members of its Starwood Preferred Guest loyalty program.
Naturally, the data points are cherry-picked with an eye toward promoting the program's earning and redemption opportunities. They're still illuminating.
All figures are for the 2012 calendar year.
- Most points earned for hotel stays by a SPG member: 955,100.
- Most points earned solely for food and beverage purchases: 441,123.
- Most points redeemed for a single flight award: 870,000, for two business-class tickets between Los Angeles and Rome.
- Most points redeemed for a single hotel-stay award: 960,000, for 10 suite nights at the St. Regis Bali.
- Most points redeemed for an experiential award: 370,500, for court-side seats at the U.S. Open Men's Final.
- Most countries visited by a member: 24.
- Most Starwood hotels visited by a single member: 92.
- Most popular check-in time for elite members taking advantage of the check-in-anytime benefit: 10 a.m.
Reader Reality Check
How do those numbers compare with your earning and redemption for the year?
This article originally appeared on FrequentFlier.com.
You Might Also Like:
Read comments or add your own insight!


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Actives Times - November 2013
94 miles for senior nutrition | Not happy with work? Wait until you're 50 or older | At these coffee klatches, death is on the agenda | AARP chapter holds Medicare program as open enrollment continues through Dec. 7 | Medicare monthly premium to stay at $104.90 | LIR goes to Memphis | Senior Dining Menus for November | Senior Activities | Physical therapy helps all areas of the body | Alzheimers research focusing on the 'before' |
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Your child's feet will stay dry and protected with these Sof Sole® Kids' All Sport Lite Footie Socks 6-Pack that are made of 97% nylon and 3% spandex material for comfortable wear. Hydrologix technology provides effective moisture management.
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CFP: Special Issue of American Periodicals on War and Periodicals
American Periodicals is currently seeking submissions for a special issue on "War and Periodicals," guest edited by James Berkey (Duke University) and Mark Noonan (CUNY). The journal is devoted exclusively to scholarship and criticism relating to American magazines and newspapers of all periods.
With the Civil War sesquicentennial coming to a close and World War I centennial commemorations getting underway, the time is particularly ripe to engage in productive dialogue about war and periodicals. This special issue seeks to refract the already rich discussions taking place about war and culture through the lens of periodical studies. Writers for the special edition might address:
• periodicals as spaces of dialogue and/or dissent
Send abstracts to James Berkey at firstname.lastname@example.com by January 30, 2015. Completed essays should be no more than 7500 words and will be due September 2015. All submissions should conform to the style of American Periodicals (see http://www.amperiodicals.org/?page_id=11) and will undergo peer review in keeping with the procedures of the journal. The issue will appear in the fall of 2016.
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38-year-old Male
Seeking Women: 18 - 35
Irving, Texas
United States
Last Activity:
1 week ago
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About myself
Oh I see we have a new visitor today isn't that excellent. Yes please do take a seat right over there. One more to the class wont hurt. As you can see up on the board in bold is our topic at present Elegantd. A photo baring a likeness of our subject's image hangs just to the left. This is an informal class so please speak up freely and without worry. If there is no questions to start than I shall begin. Elegantd what kind of man is he? It would seem under these circumstances this question is most essential. After all this is a dating site. It would seem then I am tasked with the responsibility of defining him and his essential qualities as to make him palatable to the opposite sex, please bare in mind I am no miracle worker. But I shall give it the good old college try as it were. "A rose by any other name shall smell just a sweet" is a saying you are all very familiar with I am sure. What's in a name? Some say elegance is a characteristic used best to describe a woman. The moniker of Elegantd then would seem to suggest and overly feministic description of the man or at the least a sense of daintiness. Nothing can be farther from the truth. When the man and the name are compared humor arises from the juxtaposition of the two, for Elegantd can be at times anything but Elegant. Humor of the baser sort holds quite an appeal for the man however, highbrow humor does not entirely escape his attention. In short he is the type of man that loves to laugh and to see others laugh as well. As he once put it so elegantly "Love may be the key to opening a woman's heart but laughter is the crowbar to pry hers legs apart." Yes I know such words of wisdom, see what I have to work with.
The person I would like to meet
However, I did indeed take the contract to as he put it help him get lai….um…Well I am not sure that would be appropriate….lets see increase the likely hood of him getting to know more women in the biblical sense. Well it could be worse I was at least able to talk him out of using a cock shot for his photo. I suppose there is help for the world. But moving on, Elegantd does have some experience with the academic world as well as a few of his academic coeds as well. I am fairly sure all such meeting were above bored and adequately chaperoned as the young man did graduate with a degree in psychology and minor in neuroscience. I think it would be appropriate to say he fancies himself as intelligent after all he does have all those magazines in the bathroom. The ones in which he vociferously claims to have in order to read the thought-provoking and germane social commentary as well as the witty Op Ed articles. I am not confident in what fashion he employs their use but the pages are quite often stuck together and lets just say not on the articles or Op Ed sections. Elegantd is blessed with a capacious sex drive and enjoys the carnal arts indeed. A kind thoughtful lover that takes the quality time to insure his partner reaches the same bliss he himself does. A man who is dedicated to the idea that sex is not an end but rather a means by which one uses as a tool to enhance and reaffirm a loving committed relationship. Umhemm excuse me for some reason I feel rather like a used car salesmen. However, for all his foibles or perhaps despite them Elegantd is a very generous and kind man. He is loyal to a fault after all his has been with his right hand since puberty and I am glad to say without going blind.
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