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Visual Arts Library
Natan Nuchi(1951 - )
WorksYellow Star
Israel / United States
Painter Natan Nuchi was born in 1951 in Nahalal, Israel, and came to the United States in 1969. From 1969 - 1974, he lived in Los Angeles, where he studied art privately. In 1974, he moved to New York, and has been living there since. In the early 1980s, he became interested in the Holocaust and Jewish history and consequently started to make paintings that draw on Judeo Christian iconography with images reminiscent of concentration camp victims. In the mid 1980s, he exhibited in New York and received notices in the professional art magazines. In 1992, he had his first solo show of Holocaust related art in Israel at the Haifa Museum of Israeli Art. In 1995, he had a solo show at the B'nei B'rith National Jewish Museum in Washington, D.C., and he participated in the exhibition, "After Auschwitz: Responses to the Holocaust," in contemporary art at the Royal Festival Hall in London. The exhibition subsequently traveled in England and Germany.
Since the early 1990s, Nuchi has also worked with the computer, and in 1997 had a solo exhibition of his computer art at the Ramat Gan Museum of Israeli Art. In addition, his interest in the Holocaust and the way it is remembered has taken a more critical turn, and he branched into conceptually based installations. With these installations he participated in 1997 in Israel and in 1999 in a New Jersey statewide series of exhibitions dealing with Holocaust related art. From 1999 - 2004, he paintings took a turn to more abstracted and metaphorical images - which look like fingers - and also figures, digits, body parts, phalluses, women in robes, and more. His work is in many public collections, including The Jewish Museum, The Metropolitan Museum of Art in New York, The New York Public Library, and the Israel Museum. The public venues where his work has been shown in solo exhibitions include the Haifa Museum, The Ramat Gan Museum of Israeli Art, the B'nai B'rith National Jewish Museum in Washington, D.C., and in numerous group exhibitions in New York, Israel, England, and Germany.
You may also visit Natan Nuchi's website here.
Further Reading
Ahronson, Meir. Romantic Means in the Age of Information. Catalogue, Haifa Museum, 1992.
Ahronson, Meir. ...The Fear Rising From the Works. Catalogue, The Museum of Israeli Art, May, 1997.
Aviv, Naomi. Natan Nuchi And the Black Mystery of What Happened in Europe Shishi Magazine. April, 1995.
Baigell, Matthew. Artist and Identity in Twentieth-Century America. Cambridge University Press, 2001.
Baigell, Matthew. Jewish American Artists and the Holocaust. Rutgers University Press, 1997.
Bar-Kadma, Emanuel. Uprooted. Yediot Aharonot, December 17, 1992.
Baruch, Adam. Where is the Israeli Art. Maariv, April 29, 1998.
Bohm-Duchen, Monica. After Auschwitz: Responses to the Holocaust in Contemporary Art. Lund Humphries Publishers, U.K. 1995. p. 104. Artist's statement p.153.
Bohm-Duchen, Monica. The Uses and Abuses of Photography in Holocaust-Related Art. Indiana University Press, 2003.
Brenson, Michael. The Figure as Image of the Psyche. The New York Times, November, 1985.
Castle, Frederick Ted. Art in America. March, 2001.
Castle, Frederick Ted. Review of one man show. Art in America, November, 1984.
Henry, Gerrit. Review of one man show. Art in America, June, 1993.
Hubbard, Sue. After Auschwitz. Contemporary Art, Winter 1995/96 U.K., vol. 3, number 1.
Kuspit, Donald. The Abandoned Nude: Natan Nuchi's Paintings. Catalogue, 1992.
Levy, Itamar. In the Regions of the Normal Art. Ha'aretz Daily Newspaper, January 29, 1993.
Maor, Haim. Light and Bones. Al-Hamishmar, January 15, 1993.
Maor, Haim. Yellow Star at Night. (Interview), Studio Magazine, December 9, 1999.
McGovern, Adam. Review of one man show. Cover Magazine, April, 1992.
Nuchi, Natan. A Nice Holocaust, Without Victims and Without Horror. Studio art magazine, August, 2002.
Sgan-Cohen, Michael. A Man is Slowly Shut Inside Skin and Bones. kol ha'ir Jerusalem, April 1989.
Sgan-Cohen, Michael. Touching the Essence: The Work of Natan Nuchi. Catalogue, Haifa Museum, 1992.
Scot, Peter. Crimes Against Humanity. Zigmagazine 13, Fall, 2000.
Soltes, Ori Z. Natan Nuchi: Isolation and Interconnection. Catalogue, 1995.
Tov, Naomi Siman. To Reinvestigate Symbols of Evil. Ha'aretz Daily Newspaper. April 15, 1997.
Tsur, Uzi. How to teach pictures to a dead hare.. Haaretz, February, 2004.
Zimmer, William. Veiled Time. The New York Times, February 21, 1999.
Zimmer, William. Review of one man show. Arts Magazine, November, 1985.
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I am having pain in my bottom and in my vagina...
This pain im having in my bottom and vagina is a sharp pain and an just wondering if anyone else had experienced this type of pain and if its normal?? Please help me its really uncomfortable!
Posted: 06/12/2013 by savannahmartin_66
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I'm 34 weeks pregnant by the way I forgot to mention that!posted 06/12/2013 by savannahmartin_66
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Barber: Choral and Organ Works / Brown, Filsell, etc
1 CD / Guild / 1998-05-01Works: Samuel Barber: Reincarnations, for 4 voices, Op. 16; Vanessa, Op. 32; The Virgin Martyrs, Op. 8 no 1; A Stopwatch and an Ordnance Map, for male chorus & 3 tympani, Op. 15; Agnus Dei; Antony and Cleop...
Performers: Ades, Thomas [Conductor/Composer]; Alcantara, Joseph; Eley, Damian; Filsell, Jeremy [Keyboard]; Gwinnell, John; Little, Emma; Mason, Leonie; Palmer, Tim; Rooze, Richard; Smallwood, Lydia
Conductors: Adès, Thomas
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May 4, 2016
11-23-05 - A 66-year-old Davis woman who was burned over 80 percent of her body is still alive, despite earlier reports from the Associated Press that she had passed away.
The woman's name hasn't been released.
Police Chief Danny Cooper says the woman called a church and a
church employee called for emergency help.
Firefighters found the woman standing in the bathroom of her
smoke filled home with her clothes burned, but Cooper says nothing
in the house was burning.
Click Here to access the online Public Inspection File
Viewers with disabilities can get assistance accessing this station's FCC Public Inspection File by contacting the station with the information listed below. Questions or concerns relating to the accessibility of the FCC's online public file system should be directed to the FCC at 888-225-5322, 888-835-5322 (TTY), or firstname.lastname@example.com.


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Witness for the Prosecution
Nearly 40 years after Pol Pot's Killing Fields, will his henchmen never be punished for murdering 2 million people?
Him Huy begins. Not on trial, his memory is clear. As a young farmer, he joined the Khmer Rouge and was soon dispatched to Tuol Sleng prison, S-21, where Duch, the hardened head of Khmer Rouge security, trained his hand-picked staff in brutality. Duch promoted the promising Him Huy to deputy chief of the prison's security guards. "I had more than 10 guards under me," Him Huy says with a measure of pride. Among his responsibilities: transporting prisoners to the killing fields, as many as 70 at a time. As Him Huy describes it, Duch tested the young deputy's loyalty by ordering him to kill a load of Cambodians trucked from S-21 to Cheong Ek. Him Huy complied, shouting at the prisoners to kneel along the edge of a freshly dug pit, while he swung a long metal bar and struck each person on the back of the neck. When he was finished, he had filled the hollowed-out earth with piles of limp bodies. Asked why he talks about this now, he says it makes him feel much better. "I thought the Khmer Rouge was a good movement." He hastens to add that Duch made all of the decisions; the guards just executed them. "I am a victim of the Khmer Rouge. Not just me. All of the S-21 guards."
Norng Chan Phal places his hands on the picnic table and looks over at Him Huy. It is his turn to speak. As child prisoners at S-21, he and his brother saw their mother suffer the guards' savage assaults. Indeed, tribunal documents and testimonies detail the guards' prescribed responsibilities under the careful watch of deputy chief Him Huy and others. When the Khmer Rouge frantically evacuated the prisoners from S-21 as Vietnamese invaders poured into Phnom Penh, Norng Chan Phal was 9 years old. He and his brother hid, undetected, under a pile of prisoners' clothes. When it was safe, they peeled back the clothing and went to look for their mother. Instead, they found battered corpses.
Outside the tribunal's chambers, 61-year-old Prak Sakhorn and her 5-year-old granddaughter are inside the enclosure, waiting to witness the trials. As for many, the morning's ride was their first time on a bus, or anything other than a bicycle or an animal-drawn cart.
Prak Sakhorn was in her 20s during the massacres. Asked about that period, she demurs and talks about her life today in a village where she earns a meager living and barters food for clothing and other essentials. Many Cambodians like her, mired in poverty, have little time or energy for coming to terms with their country's past.
Enter the ethereal. More than 95 percent Buddhist, Cambodia's population is culturally unfamiliar with openly acknowledging and analyzing human failures. Banned by the Khmer Rouge, the unofficial national religion is again an overt, celebrated part of everyday life, grounding Cambodians in daily moral prohibitions against killing, taking something not freely given, sexual misconduct, overindulgence, untrue speech, and intoxication. Cambodians find comfort in the overriding precept of karma that takes this painful accountability from the here and now and puts it into the next life.
With trauma defining so much of Cambodia's history, memory is a curious part of the collective consciousness. Layered underneath the daily hardships is the past that people shared. But beyond the corruption, the poverty, and the widely accepted Buddhist precepts, the government revises history to obscure its own culpability. And while documentarians work feverishly to ground the nation's history in facts, eyewitness accounts, and archival materials, there is no universal view about what happened, at least not on the surface.
A tribunal judge explains that the court is not addressing the victims so much as it is beating back myths and providing a "truthful narrative" to their children and grandchildren. "People thought it was legend, that it didn't [happen], that it couldn't have really happened. Many parents didn't ever want to talk about it."
The tribunal's most important legacy may be a civil society where citizens are attuned to their past, even if it is culturally difficult to engage in a national dialogue.
This is the life work of Youk Chhang, a child survivor of the killing fields. The country's caretaker of memory, the 52-year-old man with a warm, toothy smile is the peripatetic executive director of the Genocide Museum's Documentation Center of Cambodia.
With his archive-filled research center, Youk Chhang creates curricula and trains thousands of Cambodia's high school teachers. He must counter other versions of what transpired and just who is to blame, which are proffered by millions of former Khmer Rouge members and their offspring. Youk Chhang is intent on breaking down the treacherous societal schisms that these conflicting views form. If truth prevails, it will unify the country, he says. His focus is on the next generation.
Cradling copies of the first-ever Cambodian-written publication on the atrocities that he and his team compiled, Youk Chhang concedes that publishing accounts, posting pictures, and talking about the genocide is difficult for Cambodians who would much rather "put their painful memories behind them."
But "we cannot move forward," he continues, "unless we grasp what happened and why it happened."
This article originally appeared in Moment magazine's July/August issue. Moment magazine is an independent bimonthly of politics, culture, and religion, co-founded by Nobel Prize laureate Elie Wiesel. For more go to momentmag.com.


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Johannesburg, South Africa
Pretoria, South Africa
Cape Town, South Africa
Durban, South Africa
Mbombela, South Africa
Bloemfontein, South Africa
Polokwane, South Africa
Port Elizabeth, South Africa
East London, South Africa
Upington, South Africa
Mahikeng, South Africa
East Africa Bureau Chief, Robyn Kriel, holds degrees in broadcast journalism and musical theatre from Texas Christian University in Fort Worth, Texas. Based in Nairobi, Kenya, Robyn reports extensively on the region. Robyn is the recipient of numerous awards, including an Edward R. Murrow award for in-depth reporting and a David Burke award for Bravery in Journalism. In 2011 she was credited by Michelle Obama for her "courageous reporting from Zimbabwe."


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Last weekend, in my Market Forecast, I wrote:
"For the new week, things might be on the weak side to start the week. Global economic concerns, in addition to the sequester budget cuts at home, may put the stocks on the defensive. SPX 1500 is the nearest support. We'll have to see how things hold up and if the dip-buyers continue to buy the dips."
The market did start out on the weak side on Monday. But, in the afternoon, dip-buyers rushed in. By the close, SPX pushed just above 1525. On Tuesday, the market broke out higher. The Dow was really strong and closed the day with a new all-time high! We locked in some of our profits. That evening, in my article, I thought that the market should continue higher. Indeed, the market melted up a little bit each day throughout the week. SPX ended the week above 1550. The Dow had a record-breaking week, and, we came up with some nice winning trades!
For the week, the Dow was up +307.41 points; SPX added +32.98 points; Nasdaq gained +74.63 points. Both gold and oil were little changed. Gold traded around $1580/ounce, while oil was kept under $92/barrel. At the time of this writing, Asian markets were mostly up; but, China slid. Here's where the US markets stood after Friday's close:
On Friday, SPX added +6.92 points to close at 1551.18. The daily MAs and MACD went up.
Nasdaq gained +12.28 points to close at 3244.37. Its daily MAs and MACD also went higher.
Both Nasdaq and SPX broke above their respective resistance levels (Nasdaq 3200; SPX 1520). For the new week…
To read the rest of this article, please subscribe to HappyTrading "Premium Articles" by going to the Premium Services (click here) page. If you are already a subscriber, please click here: Market Forecast 3/10/13.


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Bugzilla – Bug 33360
inclusion of $(TALLOC_LIBS) in src/mesa/drivers/osmesa/Makefile causes a build failure
Last modified: 2011-01-24 13:50:31 UTC
I tried to build mesa 7.10 on Debian and had a failure that appears to be the inclusion of $(TALLOC_LIBS) in src/mesa/drivers/osmesa/Makefile
Removing $(TALLOC_LIBS) allowed the build process to complete.
I suggested to revert commit 5a3ac74 in http://lists.freedesktop.org/archives/mesa-dev/2010-October/003664.html and Julien agreed in http://lists.freedesktop.org/archives/mesa-dev/2011-January/004666.html but nothing has happened...
Can you test Mesa git as of commit 7d6abd254a46e37a27401c3ae0ce0645d8b0decd?
I did a git reset --hard followed by git pull and the source then rebuilt successfully.
OK, closing this bug.


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Printable Area
Crack the raw olives with a hammer or rolling pin against a wooden chopping board and place in a large bowl or bucket.
Soak the olives in water to cover for at least 1 week. Make sure you change the water everyday. This is to remove the bitterness of the olives.
Once the olives have soaked for a week, strain the water and add clean fresh water to the bowl.
Add the salt, garlic cloves, thyme, bay leaves and optional wild fennel. Mix well.
Place all the solid ingredients (herbs and olives) into an airtight glass or ceramic jar. Pour in enough of the salted water to cover the olives. Close the jar and ensure it is airtight.
Store in a cool dry place for at least 2 weeks before eating your first olive.
Serve with drinks.


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Skip About Menus
About Menu
1. Who works at the National Security Agency/Central Security Service (NSA/CSS)?
The NSA/CSS workforce comprises civilian employees and military service members-Army, Navy, Air Force, Marine Corps, and Coast Guard. A diverse array of professionals is represented including: mathematicians, civil engineers, electrical engineers, intelligence analysts, language analysts, physicists, computer scientists, researchers, security officers, data flow experts, budget analysts, contract specialists, finance managers, and many more.
2. How do I become an NSA employee?
As one of the nation's premiere intelligence agencies, NSA offers unique and challenging employment opportunities. Because we protect some of our nation's most coveted information while exploiting that of our adversaries, each NSA employee must be a loyal, trustworthy U.S. citizen and must qualify for a TOP SECRET clearance. For more about careers and the hiring process, visit the careers section of our web site and check out full-time employment opportunities or one of the many scholarship, internship, or high school work/study programs. Once you find something that fits your interests and qualifications, you can apply on line.
3. My company can help NSA. How can I get a contract?
First register with the NSA Acquisition Resource Center (ARC) at www.nsaarc.net to highlight your company's capabilities and identify points of contact. To be awarded contracts, current and potential vendors must also register in the Central Contractor Registration (CCR) System, the primary vendor database for the Department of Defense, NASA, Department of Transportation, and Treasury Department at www.ccr.gov. The CCR collects, validates, stores, and disseminates data in support of NSA missions.
4. Can NSA/CSS help my company test its systems for security or protect its information?
As part of our Information Assurance mission, NSA provides guidance, products, and services to protect classified and unclassified national security systems against exploitation from interception, unauthorized access, or related technical intelligence threats. If your company provides support to defense or national security, you may qualify for assistance. Check the Information Assurance section of our web site for more information.
Date Posted: Jan 15, 2009 | Last Modified: Jan 14, 2011 | Last Reviewed: Jan 14, 2011


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BAA 2012 Winners Announced
Press Release from British Animation Awards:
Aardman Animations, Harry Potter, the Quay Brothers, Gorillaz and The Gruffalo's Child are among the winners at the ninth British Animation Awards (BAAs) held Thursday at the BFI Southbank.
Hosted by comedian Thom Tuck, the biennial British Animation Awards honor the finest achievements in animation produced in Britain over the last two years.
BAA Awards Director Jayne Pilling announced at the ceremony that Paddington Bear has been voted Britain's Favorite Ever Animated Character. The cuddly bear from Peru beat a shortlist of other distinguished characters including Super Ted, Aleksandr Meerkat and Wallace and Gromit in the special vote run by BAA in conjunction with animation group Animation UK to celebrate the illustrious heritage of characters created in the UK that could disappear if the animation industry continues to decline in this country.
Aardman Animations' produced commercials Nokia: Dot and Nokia: Gulp directed by Sumo Science took the awards for Best Commercial: Stop Motion and Best Commissioned Animation. Nokia: Dot and Gulp both have Guinness World Records: Dot for having the smallest stop-motion character and Gulp the largest stop-motion animation set.
Harry Potter and the Deathly Hallows Part 1: The Tale of the Three Brothers animated sequence swept up the BAA for Best Film/TV Graphics.
The Gruffalo's Child and the Quay Brothers' Maska took joint first place in the Best Long Form category. Whilst BAFTA winner and Oscar nominee Grant Orchard sauntered home with the BAA for Best Short Film for A Morning Stroll produced by Studio AKA.
In the children's categories Cartoon Network's The Amazing World of Gumball picked up two BAA's winning Best Children's Series and also the children's jury judged Children's Choice Award. Astley Baker Davies took home Best Preschool Series for Ben and Holly's Little Kingdom and Happy Films' Bookaboo collected the BAA for Best Mixed Media Children's Series.
Best Music Video was awarded to Kate Anderson for Liz Green's Displacement, Coca Cola: Siege grabbed the Best Commercial: 3D and Tempo: Bike won Best Commercial: 2D.
The Best Student Award went to Royal College of Art Graduate Mikey Please for Eagleman Stag.
In the Public Choice categories voted for by the public at over 20 screenings across the country, Bertie Cris p by Francesca Adams voiced by Kathy Burke, Tamsin Greig and Mark Benton won the Best Short Film, Gorillaz: Stylo took the Best Music Video, and Pilsner Urquell Legends: The Day Pilsner Struck Gold picked up Best Commercial.
The first ever BAA Sting Competition, an exciting new category where animators were asked to create a special sting for the Awards, proved hugely popular. The winners were picked by a jury from online favorites with Karrot Animation taking the public vote, Mole Hill and Chris Tichborne the Professional category and Chloe Rodham the Student and recent Graduate category. The winning stings were shown during the award ceremony.
In place of a statuette all the winners took home a BAA, a unique artwork created especially for the occasion by a range of leading international and UK animation artists. In recognition of the awards acronym the artworks need to feature sheep with the option of a visual reference to the UK and animation.
BAA Director Jayne Pilling said: "At a time when the UK Animation industry faces an uncertain future we have been overwhelmed by the strength and breadth of talent featured in this year's awards and would like to warmly congratulate all our winners."
The BAA's are the only awards to recognize all forms of animation and reward the work of both new and established animators for short films, animated graphics for film and television, children's series, music videos and commercials.


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Would you prefer your child to be learning in a truly secular classroom? If so, how would such a classroom be created?
Truly Secular Classroom
If your idea of a secular classroom is one in which a particular religion is not promoted or enforced among the students (and not one in which religion is flat-out banned) then I'm happy to report that my entire US of A public school education was secular. I did have one teacher who tried to promote creationism in middle school, but I put a stop to that (I was Lutheran at the time, btw). He didn't use coercion, though.
"Nothing left to do but smile, smile, smile."
Father to Abbey Road, husband to Star.
Survival is the ability to swim in strange waters--Frank Herbert.
What history are they teaching that has to be shown from a religious viewpoint?
It would be difficult to talk about how the USA was colonized without mention of religion.
Melissa (order a Pet Portrait at Etsy and buy a painting at ArtPal as well as a matching shower curtain at FineArt America)
Whatever, I do what I want.
What history are they teaching that has to be shown from a religious viewpoint? Just for my knowledge.
You said any mention of G-d. This leads me to believe that when someone mentions G-d even from a non-religious viewpoint, you'd prefer they didn't.
Old member, same account.
Sam: mom and Hep B positive. Guess which defines me better.
Clearly a Hufflepuff.
Ok I revise my "no mention of" statement. I would like religious freedom promoted and no specific holidays be celebrated. For me this looks like the traditional Christmas tree (called a holiday tree) with the obligatory menorah to the side. None of that needs to be in a public school IMO.
A 3/3/00, S 4/24/00, E 1/22/02 and E 11/16/09
Parenting without a sense of humor is like being an accountant who sucks at math.


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Trumpet Man
Mounted Print
By Justin Bua
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Photos To ART
Decorate with photos you love. With Photos to Art, you can transform your favorite snapshots into one-of-a-kind works of art that you'll be proud to hang on your wall. Choose from artistic canvas, custom framing, wood mounting and more to update your décor with art that is totally you.
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Groundbreaking artist Justin Bua is internationally known for capturing the cultural relevance of the underground urban world in his artwork. Born and raised in NYC, Bua was fascinated and influenced by its raw, visceral street life, and the birth of Hip Hop, which inspired his distinct "Distorted Urban Realism" style. Starting as a commercial artist, Bua designed and illustrated myriad projects, from skateboards, CD covers, and apparel to advertising campaigns. His unique vision, melding urban rhythms, graffiti, and classical art training, speaks to a diverse audience by representing the lives of both the revered and the marginalized, the heroes and the underdogs of his time.
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The Seattle Division covers the entire state of Washington. See the map and the information below for specific contact information and counties covered.
Resident Agencies
Along with our main office in Seattle, we have nine satellite offices, known as resident agencies, in the state. Please send mail for these offices to the following address:
1110 3rd Avenue
Seattle, WA 98101-2904
|View/download high-res map
Phone: (360) 734-2980
Counties: San Juan, Whatcom
Phone: (425) 252-3500
Counties: Island, Skagit, and Snohomish
Phone: (360) 709-3370
Counties: Grays Harbor, Lewis, Mason, Pacific, and Thurston
Phone: (360) 394-8150
Counties: Clallam, Jefferson, and Kitsap
Phone: (509) 458-8100
Counties: Adams, Ferry, Grant, Lincoln, Okanogan, Pend Oreille, Spokane, Stevens, and Whitman
Phone: (253) 272-8439
County: Pierce
Phone: (509) 946-9311
Counties: Asotin, Benton, Columbia, Franklin, Garfield, and Walla Walla
Phone: (360) 695-5661
Counties: Clark, Cowlitz, Skamania, and Wahkiakum
Phone: (509) 453-4859
Counties: Chelan, Douglas, Kittitas, Klickitat, and Yakima


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If you've been dreaming of going to Europe but don't know exactly where to start, the European Whirl is your best option. Taking in the usual destinations of Paris, Rome and Amsterdam, it also ventures out east to Prague and Berlin. Both of which are currently on Europe's 'must see' list. The perfect combination of culture, relaxation and of course, good times!
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The Library and Archives Reading Room is open Tue-Fri 9 am – 5 pm. NB! New materials are delivered 10 am - 4 pm.
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text:
Something Mild
Jump Tomorrow is one of those movies that beautifies and simplifies reality so that as you watch it you have the sensation of sinking slowly into a warm bath, comforted by the growing suspicion that maybe life is doable after all. Not just doable, in fact, but delicious and light. The movie is kind of like Vicodin, except you don't pass out and there's no Judy Garlandesque aftertaste. It's just a pleasure to watch--and then it's over.
British writer-director Joel Hopkins, making his feature debut, says he was tired of gun-crazy British indies. In a way, then, this unfashionably romantic comedy proves what brass balls he really has. But forget about guns: In the world of Jump Tomorrow, there aren't even cell phones. No SUVs, either--and very little in the way of Frappuccinos. I want to go to this world.
Here colors are saturated, as are emotions. Walls are blank--except for maybe a funky Sixties chaise-longue thing off to one side. Faces really pop--especially that of Tunde Adebimpe, who plays our hero, George. I'm pretty sure he was hired for his looks as much as anything: Apparently, Hopkins spotted Adebimpe on campus at NYU when he was casting the earlier, short version of Jump Tomorrow and knew immediately that he had found his leading man. Adebimpe was an animation student, but it turns out he's also a wonderful actor.
George is a shy cubicle worker who dresses as if he were perpetually interviewing for an insurance job in 1957. His parents are dead, and he's set to marry his Nigerian cousin in a passionless, semi-arranged union that he believes would have pleased his folks. Of course, shortly before the wedding, he meets a hellzapoppin' Latin supergirl, the Espanglish-speaking Alicia (Natalie Verbeke). She sees a ladybug on his neck and says it signifies luck in love. She renames him Jorge, and seems to take a really long time borrowing his pen. (Something's cookin' in the metaphor kitchen.)
Soon after, Jorge meets Gérard (Hippolyte Girardot), a Frenchman whose girlfriend has just dumped him. This guy is so lonely that he offers to drive George upstate to Niagara Falls for the wedding, even though he cries whenever weddings are mentioned. Alicia and her British boyfriend/professor (James Wilby) happen to be hitchhiking in the same direction. (It's implausible, yeah, but so what?) There's a visit to a tacky theme hotel, where Gérard takes a bubble bath in a giant champagne glass while planning George's strategy for stealing Alicia. That night, watching a Spanish soap opera, George has the first of several fantasies wherein he's a hot-blooded Latin amante boldly seducing his panting prey. (It's our only glimpse at George's inner life.)
Even aside from its foreigners-in-America theme, Jump Tomorrow owes a little to Jim Jarmusch. For one thing, its point isn't to tell a story so much as to dwell in a series of sweet, well-constructed scenes, thereby conveying a specific worldview without ever proclaiming much of anything. But the movie's world is more transparent and far more romantic than Jarmusch's. Hopkins believes that women do quite well without men, but that men (or straight ones, anyway) are basically lost without women. Since I agree wholeheartedly, I really dug the movie--especially the crucible/sleepover at the B&B of Alicia's mom (Patricia Mauceri), where each character reveals his or her true nature under the influence of food and music.
But unlike some Jarmusch films, Jump Tomorrow doesn't leave a lasting impact. That's partly because we rarely get inside any of the characters--and also because the film is a traditional romance at heart, and unchallenging by design. (Even the cultural stereotypes are predictable.) It's probably no coincidence that Gérard, who seems to be the director's alter ego, is a master at chocolate mousse. A fine mousse is an act of love, as Gérard might say. It's something to be labored over and admired--and then eaten fairly quickly.
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Control of White Grubs with Beneficial Nematodes on School Athletic Fields and Golf Turf 2001
Download the entire report in pdf format
Project Leader(s): Jody Gangloff-Kaufmann and Jillanne Burns, Suffolk CCE with collaborator Tamson Yeh, Nassau CCE.
Cooperator(s): Al Arnold, Hauppauge School District, Suffolk Co.
Ed Matthews, Suffolk County Parks
Type of grant: Implementation, continuing
Project location(s): Hauppauge High School athletic field, Hauppauge NY
Timber Point Golf Course, Great River, NY
Abstract: The objectives of this project are to familiarize school athletic field managers and county golf course workers with turf infesting grubs and alternative management strategies. The goal is to hold a demonstration project and hands-on workshop for each audience. Participants will be able to sample for grubs, recognize damage, use proper thresholds for management decisions, and gain confidence in non-chemical control options.
Background and justification: White grubs may be the most important insect pests of athletic turf in New York. While patchy and sporadic in nature, grubs can cause serious damage to turf, and to the untrained eye, this damage might resemble other cultural or disease problems. White grubs are commonly managed with conventional insecticides, such as chlorpyrifos and carbaryl. As public awareness focuses on the risks associated with pesticides, and chemicals like chlorpyrifos are phased out of use, athletic field managers are forced to seek alternatives. This trend provides an excellent opportunity for Cornell Extension and the Integrated Pest Management Program to demonstrate grub sampling, thresholds, and the use of beneficial nematodes for grub management to practitioners, such as school grounds staff and golf course managers. Many New York state schools already follow no-pesticide policies for athletic field maintenance and would benefit from learning how scout and to use beneficial nematodes, when necessary, to manage damaging grub populations. In addition, Suffolk County has recently passed a pesticide phase-out law that will require golf courses to become nearly organic by January 2002. Golf course managers will need to understand the alternative pest control options available to them and will benefit from demonstration of their use.
A successful integrated pest management program relies on the use of sampling, thresholds, and knowledge of pest biology. In addition, an important control strategy is the use of beneficial organisms. The use of beneficial nematodes for white grub control in turf has been explored for a number of years. It is well established that several species of nematodes, including Heterorhabditis bacteriophora and Steinernema glaseri, are effective in many situations for the control of grubs. Some environmental parameters of nematode use have been established by researchers in New York, thus improving the chances of using them successfully.
Previous IPM efforts have focused on the use of nematodes on golf course turf with more limited demonstrations in school athletic field turf. Demonstrations were successful in both situations and it would be of great use to bring this type of information to schools and golf courses on Long Island. Local need is such that many school districts are phasing out pesticide use, leaving the field managers worried that they will have no grub control options. In addition, county owned and operated golf courses are subject to a pesticide phase-out law that will leave many workers with little idea of how to manage pests effectively. Our goal is to give practitioners a working knowledge of the use of beneficial nematodes for grub control. At the same time, this project will help practitioners accurately determine whether the problem is grub related and whether treatment will be necessary. It will also teach them how to use a biological strategy when necessary.
1. To teach proper grub sampling and identification
2. To instruct practitioners in the use of economic thresholds
3. To demonstrate the use of beneficial nematodes (H. bacteriophora) for control of white grubs
Procedures: Preliminary grub sampling was done in late August to locate appropriate fields in which to test the effectiveness of entomopathogenic nematodes for grub control. Heavily infested areas were identified on a fairway at Timber Point Golf Course (Suffolk County) and at Hauppauge High School, Hauppauge NY (Suffolk County). Sampling indicated that grubs (mostly Oriental beetles) in each area had surpassed the threshold of 8-10/sq ft, or 1 per 4" diameter golf course cup cut. Four treatments plus one control were applied in a randomized complete block design plot in each location. Each treatment was 3x3 square. Treatments included: H. bacteriophora, S. carpocapsae, a newly marketed species, Heterorhabditis marilatus, and a new formulation of H. bacteriophora from BioWorks, Inc. All were applied at a rate of 1 billion per acre with _" of water, by hand application. This procedure was slightly different from the original plan of applying nematodes of the same species and supplier at two different rates. Unexpectedly, we were offered the new H. marilatus and the new formulation from BioWorks, so we decided to compare effectiveness by species/formulation rather than by rate.
Analysis of the plot was to be conducted as a workshop to be held in each location. Hauppauge school district had generously offered to host all employees of any other school district interested in attending the workshop. All municipal golf course employees of Suffolk County were to be invited and encouraged to attend the workshop at Timber Point.
Results and discussion: As a result of the events of mid-September, our hands-on workshops were delayed. Due to later budget constraints we decided not to hold the workshops at all. To salvage the project, we chose to analyze the effectiveness of the nematode applications by quantifying the numbers of grubs in each plot, both alive and dead. These data were collected on October 2nd by randomly selecting four 4" cup cores, using a standard golf course cup cutter. Cores were examined for live and dead grubs. Statistical analysis was performed on the number of remaining live grubs in each plot. The majority of grubs collected were Oriental beetles. A smaller number were Asiatic garden beetles. Results showed that the number of grubs found alive at each location was greatly different, as might be expected. Timber Point Golf course was more heavilty infested with grubs by late September than the athletic field at Hauppauge School District. This may have been because Timber Point golf course is irrigated on a regular basis, whereas Hauppauge SD fields are not irrigated. Another factor may have been the enormous presence of ants at Hauppauge. A gigantic ant colony was discovered in and nearby our plot that stretched for dozens of square feet beneath the turf. Ant predators may have contributed to lower numbers of grubs in this field.
Comparison of the data by two-way ANOVA (by reps and treatments) yielded no significant differences in the numbers of live grubs and therefore no measureable difference between the nematode treatments (p=0.964). Variation within and between plots was high and this may have obscured results. Although many grubs collected from plots appeared to be or may have been infected with nematodes, infection was not detectable in any grubs under a dissecting microscope. This may have been due to the delay of our collection date


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"You're No Good" is a song written by Clint Ballard, Jr. which first charted for Betty Everett in 1963 and became a number 1 hit in 1975 for Linda Ronstadt. The original version of "You're No Good" was cut by Dee Dee Warwick for Jubilee Records in 1963 with production by Jerry Leiber and Mike Stoller.
"After the Dance" is a slow jam recorded by singer Marvin Gaye and released as the second single off Gaye's hit album, I Want You. Though it received modest success, the song served as one of Marvin's best ballads and the song served as part of the template for quiet storm and urban contemporary ballads that came afterwards.
"Soft and Wet" is a song written and performed by American musician Prince. It was his first single, released in 1978 from his debut album, For You. The track is in the funk-disco vein, comprising drums, bass guitar and synthesizers.
"Don't Play That Song (You Lied)" is a song written by Ahmet Ertegün and by the wife of Ben E. King, Betty Nelson. It was first recorded by soul singer Ben E. King. The title track on King's third album Don't Play That Song!, it reached #2 on the U.S. R&B singles chart and #11 on the pop chart when released as a single on Atco Records in 1962 (see 1962 in music).
"You'll Never Find Another Love Like Mine" (written by Kenny Gamble & Leon Huff) is a song performed by R&B singer Lou Rawls on his 1976 album All Things in Time. The song proved to be Rawls' breakthrough hit, reaching number one on both the R&B and Easy Listening charts as well as number four on the dance chart and number two on the US Billboard Hot 100, where it was kept from the top spot for two weeks by "You Should Be Dancing" by The Bee Gees and "(Shake, Shake, Shake) Shake Your Booty" by KC and the Sunshine Band, respectively. This was only the second time that one of Rawls' records managed to reach Billboard's pop top ten. It was the first big hit for Philadelphia International to feature the reformulated MFSB, after many of the original members left Gamble and Huff for better opportunities. The song started Rawls' live shows from 1977 on.
"Fantasy Is Reality" is a song recorded by the funk band Parliament. It was the only single released from the band's 1977 album Live: P-Funk Earth Tour. The song was originally recorded during Parliament's period at Invictus Records.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version did not appear on an album until 1977's anthology Looking Back. The most well-known version of this song was done by Aretha Franklin, who had a million selling, top 10 hit on both the Billboard Hot 100 and Billboard's R&B chart in 1973. It reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. This peak at number three made Franklin the first artist in the history of the Hot 100 chart to have a hit song peak at each position from one to ten on the chart. To date, only two other artists have achieved this feat (Marvin Gaye in 1983 and Madonna in 1996). Aretha's version of the song was ranked by Billboard as the No. 11 song for 1974. The song's lyrics tell of a person who has been abandoned by their love interest, but who will continue to attempt to contact and win back that person until (s)he returns.
"Don't You Worry 'bout a Thing" was a hit single from Stevie Wonder's 1973 album Innervisions, which reached #16 on the Billboard Pop Singles chart and #2 on the R&B chart. The song's lyrics convey a positive message about taking things in stride and accentuating the positive.
"Don't Let Go" is a song written by Jesse Stone. The song was first a hit for Roy Hamilton in 1958. The Roy Hamilton version reached #2 on the R&B charts and #12 on the pop charts.
"Shoeshine Boy" is a 1975 R&B/pop single by Eddie Kendricks. The single was the last of his three number-one U.S. R&B hits and one of his final crossover singles, peaking at number eighteen on the Billboard Hot 100.
"The Payback" is a funk song by James Brown, the title track from his 1973 album of the same name. The song's lyrics, originally written by trombonist and bandleader Fred Wesley but heavily revised by Brown himself soon before it was recorded, concern the revenge he plans to take against a man who betrayed him. The song is notable for its spare, open arrangement and its use of wah-wah guitar - a relative rarity in Brown's previous funk recordings. Released as a two-part single (featuring a radio announcer at the beginning of part one) in February 1974, it was the first in an unbroken succession of three singles by Brown to reach #1 on the R&B charts that year - the last chart-toppers of his career. It also peaked at number 26 on the Billboard Hot 100. It was his second, and final, single to be certified gold by the RIAA.
"Back in Love Again" is a song by American singer and songwriter Donna Summer from her I Remember Yesterday album. Summer combines her trademark disco beats with a 1960s sound on this track. The song is actually a re-working of a track called "Something's in the Wind", which was a B-side to "Denver Dream", a single released by Summer in The Netherlands and Belgium in 1974. The song peaked at #29 on the UK singles chart.
"Be My Girl" is a song performed by American R&B group The Dramatics, issued as the second single from their seventh studio album Joy Ride. The song peaked at #53 on the Billboard Hot 100 in 1976.
"I'm in Love" is the name of a song written by Bobby Womack in the 1960s in response to some of the heat he'd been receiving after marrying the widow of the recently deceased Sam Cooke. The song was given to Wilson Pickett and his version became a top-ten R&B hit on Billboard's chart in 1968, peaking at number four as well as peaking at number forty-five on the Billboard Hot 100. However, the version to achieve the most success came in 1974, when Aretha Franklin released it as a single. Her version topped Billboard's R&B chart for two weeks and also peaked at number nineteen on the Billboard Hot 100. Wilson Pickett's version is most recently used as the back-track for Nature of the Beast's "When it's Good". Tom Petty and the Heartbreakers covered the song in concert in the early 1980s, and a version is featured on their set The Live Anthology. Womack himself recorded his version of the song in 1968 shortly after Pickett's version was released.
"Here I Am (Come and Take Me)" is a 1973 song by Al Green, the second single released from his album Call Me. The song reached #10 on the Billboard Hot 100 and #2 on the Hot Soul Singles chart. It was certified as a gold record by the Recording Industry Association of America. A cover version by UB40 peaked at #7 on the Billboard charts in July 1991.
"Call Me (Come Back Home)" (known as simply "Call Me") is a song by Al Green, released in 1972 as a single from his album Call Me. It peaked at number ten on the Billboard Hot 100 and number two on the R&B singles chart. It was certified gold by the RIAA.
"Coldblooded" is a song written and recorded by James Brown. It was released in 1974 as the B-side of "Funky President (People It's Bad)" and charted #99 Pop. It also appeared on the album Hell. Writing in Rolling Stone, Robert Palmer praised the song as a "sure-fire disco [smash], the kind of no-nonsense party music one expects from Soul Brother Number One."
"Jody's Got Your Girl and Gone" is a 1971 R&B single by Johnnie Taylor. The single was his second number one on the U.S. R&B chart and crossed over to the Billboard Hot 100, peaking at number twenty-eight..
"Walk Away from Love" is a 1975 song recorded by American singer David Ruffin. The single, produced by Van McCoy and written by Charles Kipps, was number one on the US R&B singles chart for one week in early 1976. "Walk Away From Love" was Ruffin's only number-one R&B hit, and only one of two top-ten pop hits for Ruffin on the Billboard Hot 100 the other being My Whole World Ended (The Moment You Left Me), peaking at number nine. Backing vocals were performed by Faith, Hope & Charity.
"Get on the Good Foot" (sometimes known simply as "Good Foot") is a funk song performed by James Brown. It was released in 1972 as a two-part single and became a number one R&B hit and also peaked at number eighteen on the Hot 100..The song was also included on the double album of the same name released that year.
"Dancing Machine" is a 1973 song recorded by The Jackson 5, released as a single in 1974. The group's first US Top Ten hit since 1971's "Sugar Daddy", "Dancing Machine" hit #1 in Cash Box and reached #2 on the Billboard Hot 100. In addition, it hit #1 on the R&B charts. Billboard ranked it as the No. 3 song for 1974. It brought The Jackson 5 their second Grammy Award nomination in 1975 for Best R&B Performance by a Duo or Group with Vocals, losing to Rufus and Chaka Khan's "Tell Me Something Good".
"Hot Pants (She Got to Use What She Got to Get What She Wants)" is a song by James Brown. Brown recorded the song in 1971 and released it that year as a three-part single on his People Records label, which was then distributed by his primary label King. It was a number-one R&B hit and reached number fifteen on the pop chart in the U.S. "Hot Pants" was Brown's final release under King's purview before he (and the People label) moved to Polydor Records. The song's lyrics are an ode to the captivating power of the title garment, which members of the band first saw on their 1970 European tour.
"You Ought to Be with Me" is a song by Al Green. Released from his album, Call Me, the single spent a week at number one on the Hot Soul Singles chart. It was also successful on the pop chart, peaking at number three on the Billboard Hot 100 singles chart in late 1972. It sold over one million copies and was certified gold by the RIAA.
"Sing a Song" is a hit song by R&B/funk band, Earth, Wind & Fire, which was written by Maurice White and Al McKay. It was released in 1975 and included on the band's 1975 double-live album, Gratitude. "Sing a Song" spent two weeks at number one on the R&B singles chart in January 1976, and it was also successful on the pop chart, peaking at number five on the Billboard Hot 100. "Sing a Song" was also a hit on the disco/dance chart peaking at number five.
"I'm Gonna Love You Just a Little More Baby" is a song written, produced and recorded by Barry White.


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'The Prospect'
by Adrienne Rich; introduced by James Crews
W hen Adrienne Rich published her third collection of poems, Snapshots of a Daughter-in-Law in 1963, the book was met with scathing criticism. Her first, A Change of World (1951), had been selected by W. H. Auden for the Yale Younger Poets Award, and The Diamond Cutters, and Other Poems (1955) had been praised for its attention to formalism and tradition. Snapshots marked a shift in subject matter for Rich as she turned more towards the autobiographical and began to examine the changing roles of women in 1950s and 60s America. In "Split at the Root: An essay on Jewish identity" (1982), Rich reflected on the harsh reviews: "I was seen as 'bitter' and 'personal'; and to be personal was to be disqualified . . . . I didn't attempt that kind of thing again for a long time". Moving with her husband and their children to New York City led to her involvement with the anti-Vietnam, Civil Rights and feminist movements which would further electrify her work. Her marriage fell apart, and two years after beginning a lifelong relationship with the novelist Michelle Cliff, Rich published The Dream of a Common Language (1978), a collection of poems in which she openly explored her sexuality for the first time.
Rich went on to write more than twenty volumes of poetry as well as several works of nonfiction, including the feminist classics, Of Woman Born: Motherhood as experience and institution (1976) and On Lies, Secrets and Silence (1979). She attracted international attention when she turned down the National Medal of Arts: "I could not accept such an award from President Clinton or this White House because the very meaning of art as I understand it is incompatible with the cynical politics of this administration . . . . [Art] means nothing if it simply decorates the dinner table of the power which holds it hostage".
"The Prospect", published a decade before Rich's embrace of free verse, seems to suggest a threat. The poem's speaker is anxious at first to escape her city rooms with her lover, to "be gone / When next the telephone breaks the waiting air". It is unclear from whom or what they are running. Images of a calm new life on a mythical coast where, "seas of light / Dip past the golden rocks", are undermined by the hyperbolic language and exacting rhymes used to describe them. The speaker finally confesses: "I sometimes dread / The promise of that honey-breeding air". There are echoes here of the fierce realism Rich would come to espouse, seeing in constant longing a dangerous separation from the world. For, only when we are "eating the rind of fact" can we be truly engaged in each moment.
The Prospect
You promise me when certain things are done
We'll close these rooms above a city square,
And stealing out by half-light, will be gone
When next the telephone breaks the waiting air,
Before they send to find us, we shall be
Aboard a blunt-nosed steamer, at whose rail
We'll watch the loading of the last brown bale
And feel the channel roughening the sea.
And after many sunlit days we'll sight
The coast you told me of. Along that shore
Rare shells lie tumbled, and the seas of light
Dip past the golden rocks to crash and pour
Upon the bowl-shaped beach. In that clear bay
We'll scoop for pebbles till our feet and hands
Are gilded by the wash of blending sands;
And though the boat lifts anchor, we shall stay.
You will discover in the woods beyond
The creatures you have loved on Chinese silk:
The shell-gray fox, gazelles that at your sound
Will lift their eyes as calm as golden milk.
The leaves and grasses feathered into plumes
Will shadow-edge their fine calligraphy;
And in the evening you will come to me.
To tell of honey thick in silver combs.
Yet in the length of moments unendeared
By sameness, when the cracks of morning show
Only a replica of days we've marred,
With still the same old penances to do;
In furnished rooms above a city square,
Eating the rind of fact, I sometimes dread
The promise of that honey-breeding air,
Those unapportioned clusters overhead.
Adrienne Rich (1953)
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The new Full Moon Saloon
John Saki of the Fells Point restaurant Louisiana bought the neighboring blues club the Full Moon Saloon a couple weeks ago.
Sun food czar Elizabeth Large wrote about Saki's culinary plans for the new club in last week's Table Talk. Here's an update on the nightlife side.
Saki plans to keep the same name, but redo the interior and exterior and bring in live jazz and blues bands. He wants to book regionally and nationally touring groups and pair them with local acts.
"We're going to keep the music alive, but we're definitely not going to keep it as a dive bar," Saki said.
The old Full Moon was the definition of a dive bar: a dirty blues joint where beer was served out of Coleman coolers and on a good night, two dozen people showed up to watch the band play.
Ideally, Saki wants to re-open the Full Moon in six months. But you know how these things go.
Elizabeth and I will keep you posted.
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Categories: Bars & Clubs


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text:
gas stations that sell kerosene in south jersey
gas stations that sell kerosene in south jersey
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gas stations that sell kerosene in south jersey
Kerosene (paraffin) Lamp overview
By: Sinek Dragi |
A kerosene lamp is a lighting device that utilizes kerosene as a fuel to produce a flame. In Britain, the kerosene lamp is often referred to as a paraffin lamp.
read more
Top 3 Hill Stations in South India
By: Harry Carlin |
Travel Tips
South India encompasses several charming hill stations which are blessed with sky kissing hills that are awesome to cherish. Some popular hill stations in South India are Ooty, Munnar, Kodaikanal, Coorg, Horsley hills and so on.
read more
India Tours- Top 5 Most Preferred Hill Stations in South India
By: Subhash Kandpal |
South India is considered as Incredible India's backbone with such scenic splendors' that even words lack the valor to define them. The popular tourist destinations in South India are affluent with cultural heritage, scintillating picturesque spots, serene environment and astounding nature's blessings that tourists from all points on the globe pay a must visit for a marvelous and revitalizing South India tour, which serves as an eternal luminous life time experience.
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Ten most extraordinary gas stations in the world
By: Emma Murphy |
It is common to go sightseeing to some beauty spots or heritages but it is quite rare and abnormal to have a look at a gas station. Most of us just think a gas station is a place for filling fuels whe
read more
Three must visit hill stations in South India
By: Harry Carlin |
Travel Tips
South region is sanctified with verdant areas, cascading waterfalls, hill stations, tranquil ambiance, magnificent temples and lost more. All these splendid attractions can be explored in different destinations of southern part of India.
read more
Top 5 Hill Stations of South India
By: Sandhya Sharma |
This article highlights the top 5 hill stations of south India. A trip to these hill stations is an incredible experience as there are a number of attractions to explore as listed out in this article.
read more
Most Popular Hill Stations of South India
By: perfection11 |
Travel & Leisure
South India has an abundance of beautiful hill stations such as Ooty, Munnar, Idukki, Coorg, and many more. People flock here from all over the world to enjoy few days of scenic beauty, peace and tranquility.
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Popular Hill Stations in India
By: Ayush Aggarwal |
Embark upon a delightful journey to the various hill stations of Kerala to experience the best of natural exoticism. Most of these hill stations are located on the highland area of Western Ghats and overlook the beautiful Nilgiri Mountains. Travelling to these hill stations is an experience in its own as the horse shoe cut roads hold some of the most beautiful sights that a traveler can enjoy.
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Less Popular Hill Stations in India
By: Mayank Gupta |
Exotic locations
For lot of Indians a vacation in Hill station means traveling to Manali or Gulmarg. There are several hill stations in India that despite blessed with natural beauty are dying for some attention from tourists. Here are the best less popular hill stations in India. Instead of visiting Manali or Srinagar, why don't you visit these less popular hill stations.
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Radio Stations in The Phoenix Area
By: Nancy Niblett |
Music is something we can agree on. Well, not so much our own tastes in music, but more that everyone listens to music. No matter what style of music you like you probably listen to it on a daily basis. Music is a huge part of our culture. People listen to it everywhere they go, such as in the car, waiting in line for something, at the office, or just relaxing at home.
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Most Bizarre Gas Station on Earth
By: Jim Baker |
News and society
It is quite common to go traveling and sightseeing to beautiful destinations and heritages. However, it is quite strange to have a look at gas stations. We often think that gas stations are places for filling fuels when our vehicles are run out of fuels. But there are several gas stations drawing the attention of many tourists each year. These buildings make us surprised due to their original structural designs. They surely look like amazing masterpiece of great architecture. Although they seem odd in comparison with other simple gas stations, they are actually museums of art on our earth. Let's have a look at these photos to have fun
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Vacation: on Hill Stations
By: sonia malhotra |
Adventure Tourism
The Indian Hill stations have always attracted plenty of tourists from all over the world. As Hill stations are the best place to enjoy and also you can go for adventure sports like trekking mountaineering and many more. Nature lover can enjoy the nature beauty, pilgrims can go to various religious places located in Shimla, Kullu, etc. Photographers can capture the moments in their camera; also a
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Exotic India Hill Stations Tour
By: sanjog kumar |
Travel & Leisure
India's natural beauty is truly hypnotic. For this reason, the tourists from India and abroad swarm the mesmerizing hill stations of India every year. A large number of vacationers, from all pockets of the world, take the India hill stations tour to relax in peace.
read more
Gas Station Fuel Supplier Different Types of Gas Station Fuel
By: Brant Reed |
Those who are in charge of ordering supplies for a gas station will need to think about where to order their fuel. A proper gas station fuel supplier will be able to deliver the fuel of your choice, and put it into the machines and pumps that you have to serve the public...
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Charisma of Indian hill stations
By: Selina Taylor |
Travel Tips
Munnar is situated about 1600meters above the sea level which makes it an exotic hill destination of India. It is located at Iddukki district in Kerala. Munnar is known for its mesmerizing greenery, mountain scenery, calmness and cool refreshing air that attract honeymooners and tourists throughout the year.
read more
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text:
May 4, 2016
Chicago's teachers union leader says hundreds of thousands of students will return to classrooms Wednesday after delegates overwhelmingly voted to suspend a seven-day teachers strike.
Chicago Teachers Union President Karen Lewis told a Tuesday evening news conference that the union's House of Delegates voted about 98 percent in favor of ending the strike after hearing details of a tentative contract agreement. She says some members remained unhappy with some of the economic terms of the proposal.
Lewis says union leaders recognized they "couldn't solve all the problems of the world with one contract and it was time to end the strike."
The teachers walked out last week over issues including evaluations and job security and students have been out of school for seven days.
Chicago Mayor Rahm Emanuel is calling the tentative agreement that led to the end of the city's teacher's strike "an honest compromise."
Emanuel told a Tuesday evening news conference that union delegate's decision to suspend the seven-day strike after hearing details of the proposed deal a "new day" for the city's schools.
Emanuel had called the walkout a "strike of choice" and pushed for a quick resolution after parents were forced to find alternatives for about 350,000 students. He went to court to try to force teachers back to class, with city attorneys contending the strike was an illegal act that presented a danger to the health and safety of the district's students.
Copyright 2016 by The Associated Press. All Rights Reserved.
Click Here to access the online Public Inspection File
Viewers with disabilities can get assistance accessing this station's FCC Public Inspection File by contacting the station with the information listed below. Questions or concerns relating to the accessibility of the FCC's online public file system should be directed to the FCC at 888-225-5322, 888-835-5322 (TTY), or firstname.lastname@example.com.


text:
shldr2thewheel Mar 18, 2013 8:03 PM
in response to wittschewoman
- delete items you no longer need from your hard drive.
- move items you infrequently use to an external hard drive.
- purchase a larger capacity internal hard drive.
Linc Davis Mar 18, 2013 9:45 PM
in response to wittschewoman
First, empty the Trash if you haven't already done so. Then reboot. That will temporarily free up some space.
According to Apple documentation, you need at least 9 GB of available space on the startup volume (as shown in the Finder Info window) for normal operation. You also need enough space left over to allow for growth of your data. There is little or no performance advantage to having more available space than the minimum Apple recommends. Available storage space that you'll never use is wasted space.
If you're using Time Machine to back up a portable Mac, some of the available space will be used to make local snapshots, which are backup copies of files you've recently deleted. The space occupied by local snapshots is reported as available by the Finder, and should be considered as such. In the Storage display of System Information, local snapshots are shown as "Backups." The snapshots are automatically deleted when they expire or when free space falls below a certain level. You ordinarily don't need to, and should not, delete local snapshots yourself.
To locate large files, you can use Spotlight as described here. That method may not find large folders that contain a lot of small files.
You can also use a tool such as OmniDiskSweeper (ODS) to explore your volume and find out what's taking up the space. You can delete files with it, but don't do that unless you're sure that you know what you're deleting and that all data is safely backed up. That means you have multiple backups, not just one.
Proceed further only if the problem hasn't been solved.
ODS can't see the whole filesystem when you run it just by double-clicking; it only sees files that you have permission to read. To see everything, you have to run it as root.
Back up all data now.
Install ODS in the Applications folder as usual.
Triple-click the line of text below to select it, then copy the selected text to the Clipboard (command-C):
sudo /Applications/OmniDiskSweeper.app/Contents/MacOS/OmniDiskSweeper
Launch the Terminal application in any of the following ways:
☞ Enter the first few letters of its name into a Spotlight search. Select it in the results (it should be at the top.)
☞ In the Finder, select Go ▹ Utilities from the menu bar, or press the key combination shift-command-U. The application is in the folder that opens.
☞ Open LaunchPad. Click Utilities, then Terminal in the icon grid.
Paste into the Terminal window (command-V). You'll be prompted for your login password, which won't be displayed when you type it. You may get a one-time warning not to screw up. If you see a message that your username "is not in the sudoers file," then you're not logged in as an administrator.
I don't recommend that you make a habit of doing this. Don't delete anything while running ODS as root. If something needs to be deleted, make sure you know what it is and how it got there, and then delete it by other, safer, means.
When you're done with ODS, quit it and also quit Terminal.


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The most common symptom of coronary artery disease is angina (also called angina pectoris). Angina is often referred to as chest pain. It is also described as chest discomfort, heaviness, tightness, pressure, aching, burning, numbness, fullness, or squeezing. It can be mistaken for indigestion or heartburn. Angina is usually felt in the chest, but may also be felt in the left shoulder, arms, neck, back or jaw.
If you have angina or any of the symptoms listed below that last for more than 5 minutes, SEEK EMERGENCY TREATMENT (CALL 9-1-1) WITHOUT DELAY. These symptoms could be the signs of a heart attack (also called myocardial infarction or MI) and immediate treatment is essential.
Calling 9-1-1 is almost always the fastest way to get life-saving treatment. Due to the possible benefits of taking aspirin early on during a heart attack, emergency personnel may tell you to chew an aspirin if there is no medical reason for you to avoid aspirin. When they arrive, emergency personnel can promptly begin treatment, and they are trained to revive someone whose heart has stopped. Also, you're likelier to get treated faster at the hospital if you arrive by ambulance. If you are having symptoms, do not drive yourself unless there is absolutely no other option.
If you have been prescribed nitroglycerin and you experience angina, stop what you are doing and rest. Take one nitroglycerin tablet and let it dissolve under your tongue, or if using the spray form, spray it under your tongue. Wait 5 minutes. If you still have angina after 5 minutes, call 9-1-1 to get emergency help. DO NOT DELAY. Due to the possible benefits of taking aspirin early on during a heart attack, emergency personnel may tell you to chew an aspirin if there is no medical reason for you to avoid aspirin. After calling 9-1-1, continue taking your nitroglycerin as prescribed.
Studies show that women's symptoms are less likely identified as heart disease related. The symptoms of coronary artery disease and heart attack can be different for women than they are in men. Women are also less likely to recognize the symptoms of a heart attack and seek treatment. By learning and recognizing the symptoms, women can become assertive in their treatment. The most common symptoms of heart disease in women are:
On average, symptoms of heart disease appear 10 years later in women than men. Women tend to have heart attacks 10 years later than men do.
In addition, women often report their symptoms before having a heart attack, although the symptoms are not typical "heart" symptoms. In a multi-center study of 515 women who had an acute myocardial infarction (MI), the most frequently reported symptoms were unusual fatigue, sleep disturbances, shortness of breath, indigestion and anxiety. The majority of women (78%) reported at least one symptom for more than one month before their heart attack. Only 30% reported chest discomfort, which was described as an aching, tightness, pressure, sharpness, burning, fullness or tingling.
Reference: McSweeney J, Cody M, O'Sullivan P, Elberson K, Moser D, Garvin B. Women's Early Warning Symptoms of Acute Myocardial Infarction. Circulation. 2003; 108(21):2619-2623
A type of angina brought on by an imbalance between the heart's need for oxygen-rich blood and the amount available. It is "stable," which means the same activities bring it on; it feels the same way each time; and is relieved by rest and/or oral medications. Stable angina is a warning sign of heart disease and should be evaluated by a doctor. If the pattern of angina changes, it may progress to unstable angina.
This type of angina is considered an acute coronary syndrome. It may be a new symptom or a change from stable angina. The angina may occur more frequently, occur more easily at rest, feel more severe, or last longer. Although this angina can often be relieved with oral medications, it is unstable and may progress to a heart attack. Usually more intense medical treatment or a procedure is required. Unstable angina is an acute coronary syndrome and should be treated as an emergency.
A coronary artery can go into spasm, disrupting blood flow to the heart muscle (ischemia). It can occur in people without significant coronary artery disease. However, two thirds of people with variant angina have severe disease in at least one vessel, and the spasm occurs at the site of blockage. This type of angina is not common and almost always occurs when a person is at rest - during sleep. You are at increased risk for coronary spasm if you have: underlying coronary artery disease, smoke, or use stimulants or illicit drugs (such as cocaine). If a coronary artery spasm is severe and occurs for a long period of time, a heart attack can occur.
Angina is a warning symptom of heart disease – but it is not a heart attack. The symptoms of a heart attack (also called myocardial infarction or "MI") are similar to angina.
Share this information with your family members and caregivers so they can recognize the symptoms of a heart attack and when to seek emergency treatment.
Nitroglycerin is the most common vasodilator used for acute cases of angina. It works to dilate or widen the coronary arteries, increasing blood flow to the heart muscle and to relax the veins, lessening the amount of blood that returns to the heart from the body.
This combination of effects decreases the amount of work for the heart. Nitroglycerin comes in tablet or spray form. If you have angina, it is important that you keep this medication with you at all times.
If you have been prescribed nitroglycerin and experience angina, stop what you are doing and rest. Take one nitroglycerin tablet and let it dissolve under your tongue, or if using the spray form, spray it under your tongue. Wait 5 minutes. If you still have angina after 5 minutes, call 911 to get emergency help.
For patients diagnosed with chronic stable angina: If you experience angina, take one nitroglycerin tablet and let it dissolve under your tongue, repeating every 5 minutes for up to 3 tablets spanning 15 minutes. If you still have angina after taking 3 doses of nitroglycerin, call 911 to get emergency help.
[Reference: ACC/AHA 2007 Guidelines for the Management of Patients With Unstable Angina/Non–ST-Elevation Myocardial Infarction. Journal of the American College of Cardiology, 2007. 50(7):1-157.]
Download a Free Guide on Coronary Artery Disease and Treatment Options
Use of Aspirin with unstable chest pain: After you call 9-1-1, if you do not have a history of aspirin allergy or bleeding, emergency personnel may advise that you chew one full (325 mg) aspirin slowly. It's especially effective if taken within 30 minutes of the onset of symptoms.
Do not drive yourself to the hospital. In many cases, the emergency personnel can begin to give you heart-saving care right away.
To prevent damage to your heart muscle, do not delay seeking medical treatment.
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Reviewed: 01/10
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text:
On Friday, the Browns learned the new rules and regulations meant to keep the game safer and players on the field.
BEREA, Ohio -- The National Football League has instituted several rule changes and points of emphasis for the 2014 season, and a crew of officials was in Berea Friday to go over the new regulations and officiate on-field work.
Rookie quarterback Johnny Manziel drew one of the several flags that flew during Friday's training camp practice, and it came in the form of an unsportsmanlike conduct penalty when he flipped the ball over the crossbar following a touchdown run.
Under the new rules, Manziel used the goal post as a prop, which is against league rules because New Orleans tight end Jimmy Graham delayed a game when he bent a crossbar while dunking the ball in celebration last season.
"The rule -- and I needed to do a better job explaining it to them -- is the goal post is now considered a prop," Browns coach Mike Pettine said following practice. "I think the obvious thing is you just can't spike it anymore after some of the incidents last year with the goal post being bent and the game being delayed. For obvious reasons, they decided to outlaw that.
"Even now, whether it's a finger roll, a fade away jumper, anything, it's considered you're using it as a prop and it'll be a flag. I'd rather learn that lesson in practice and use it as a coaching moment than in the middle of a game."
Among the other rules changes, the NFL has outlawed the rolling into the sides of a defender's legs. Cut blocking is still legal, so long as it is done to the front of a defender's legs. No longer are blockers allowed to cut from the side or roll up from behind a defender.
Also, there will be no stopping of the clock after a quarterback sack with under two minutes remaining in a quarter. Under the old rule, the clock stopped until the ball was set for the next play.
The replay system has expanded, and now, on-field officials will consult with senior members of the officiating department in New York to review a play, of which fumbles, backward passes and kickoffs are now eligible to be reviewed.
Under the "Points of Emphasis" portion of the rules, any grabbing of a wide receiver's jersey or uniform is considered defensive holding, and wide receivers are prohibited from using their hands to push off and gain an advantage against a defender.
Thigh and knee pads must continue to be worn by all players, except for punters and kickers, and any simulation of movement by an offensive lineman is now considered a false start.
Lastly, officials have been instructed to pay close attention to hands to the face and five-yard illegal contact penalties during the upcoming season.
"It's been a rule on the books, and it's something that we teach our guys," Pettine said of the illegal contact penalty. "We want to take advantage of the rule and make contact early, but you can't grab. 'Cover with your feet.'
"I know it's being coached the right way, but sometimes, it gets a little bit gray because at the top of the play, there's some collision, a question of a defender protecting his own space, an offensive guy pushing off. I think that's probably one of the hardest things for the officials to officiate."
Browns safety Tashaun Gipson left Friday's practice early and was unable to return to the field. Following practice, Pettine was informed by athletic trainer Joe Sheehan that Gipson was "being evaluated" for an injury.
In addition to Manziel's flip over the crossbar, the Browns' offense took great pleasure in celebrating each touchdown during Friday's practice, and the players let the defense know when a good play was made.
"I think they were a little frustrated over time with the defensive backs," Pettine said. "They've been very physical with them and they won a lot of the battles. I think that just spilled over. Any time they got a chance to get in the end zone, they wanted to make sure everybody knew it."
At the end of Friday's practice, the challenge period consisted of coaches on both sides of the ball having to field a punt from Spencer Lanning to see who would get to wear the special orange jerseys during Monday's practice.
Seven of the eight coaches caught the punts, and the offense won the right to wear the orange jerseys for the first time during Monday's practice because coaching intern Mike LaFleur fielded the last of the kicks to seal the win.
"The defensive coaches decided to take the jersey thing a step further and they wore orange shirts too," Pettine said. "I thought we had doubled our amount of ball boys out here at practice. I wanted to put it in their hands.
"I would of lost a lot of money if you would have said we'd put eight coaches out there catching knuckle-ball punts and seven of them would catch it. Those guys stepped up. It was impressive. We'll just be in white and brown jerseys tomorrow, but then, the offense will wear the orange jerseys on Monday."


text:
April 10, 2012
ATHENS, Ga. --- The University of Georgia Athletic Association along with the Food Bank of Northeast Georgia are teaming up to alleviate hunger by hosting a canned food drive at the 2012 G-Day Game on Saturday, April 14 at 3 p.m.
"Through this food drive, we have an opportunity to bless people within the local community with thousands of meals," said Georgia football head coach Mark Richt.
Now in its fourth year, fans are asked to bring in a bag of canned food to be admitted to the annual game. Bins will be set up at the Main Gate as well as gates 2, 4, 6 and 9 to accept the canned goods. All canned food will go to assisting families in Northeast Georgia.
"The 12,000 pound goals set by the Athletic Department will provide more than 9,000 meals," said President of the Food Bank of Northeast Georgia John Becker. "This is a significant food drive for us, and we are grateful for the support of the UGA Athletic Department and the fans."
Founded in 1993, the Food Bank of Northeast Georgia annually distributes more than 9.2 million pounds of food to more than 230 community-based hunger-relief organizations in Northeast Georgia. In addition to food distribution, the Food Bank leads five direct distribution programs: The Mobile Pantry Program, The Brown Bag Program, The Stock the Pantry Program, The Kids Cafe, and the Food 2 Kids Program. For more information about the Food Bank, call (706) 354-8191 or visit www.foodbanknega.org.
For more information on how to become involved with the food drive, please contact Tina Laseter at 706-354-8191 or email firstname.lastname@example.com.
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