text:
IIROC Trading Halt - GCO
VANCOUVER, March 12, 2014 /CNW/ - The following issues have been halted by IIROC: Company: Global Cobalt Corp.TSX-Venture Symbol: GCO Reason: At the Request of the Company Pending News Halt Time (ET): 8:36 IIROC can make a decision to impose a temporary suspension (halt) of trading in a security of a publicly-listed company. Trading halts are implemented to ensure a fair and orderly market. IIROC is the national self-regulatory organization which oversees all investment dealers and trading activity on debt and equity marketplaces in Canada. SOURCE Investment Industry Regulatory Organization of Canada (IIROC) - Halts/Resumptions
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text:
I followed a link in a thread about Target bikes here, and I discovered that Target is selling "stretching" bikes by a Taiwanese company called Giatex.
I had done a good bit of research before getting my Dahon, and thought I had heard of most folders. This is a new one on me. Don't know if I'd ever buy one, but it is an interesting method of folding (collapsing, really).
Anyone own one? Ride one? See one in-person?

subset: commoncrawl


text:
This competition is now closed, the winners are Gerry Gibney and Mary Clare Quillinan.
To celebrate that Nivea are the official skincare partners of this year's Electric Picnic Music and Arts Festival we have two pairs of tickets to giveaway, plus a Nivea festival survival kit full of Nivea products for men and women.
Nivea products will be available exclusively in the female and male showers at the Jimi Hendrix Campsite at this years Electric Picnic Music and Arts Festival, which is taking place on August 29-31 in Stradbally Estate, Co. Laois.
To be in with a chance to win a pair of tickets to Electric Picnic, simply answer the following question:
When is Electric Picnic 2014 taking place?
Email answers to email@example.com stating your full name, address and contact number with 'Electric Picnic' in the subject line.
Terms and conditions apply. General RTÉ Competition rules apply, a copy of which is viewable here. This competition will close on August 18 2014. One entry per person. There is no cash alternative and decision is final. Prize is non-transferrable.


text:
Good start, I like the mountains a lot.
Hi guys, this is my first map post in this forum, and I'll be using my "starting region for my next RPG" map. Done in GIMP.
I followed some tutorials and I got this final map. I think it's ok, but I may be blind with my "beloved brand new child".
The "handwritten" font represents villages and towns. The other font represents the land, like forests and rivers. I tried to follow all the hints on name positioning that I'd found.
Good start, I like the mountains a lot.
My Battlemaps Gallery http://www.cartographersguild.com/al...p?albumid=3407
Thank you.
I like the mountains too, but I am not satisfied with the rivers on the mountains, it seems strange to me. I will try to improve that in the next map.
Really nice map, I liked it. Good start from you mate!!!
I like the map. I agree about the rivers. I have the same issue when I do rivers. They never look right. I was given the suggestion of googling images of river maps. It has actually helped me to make better looking rivers. The mountains are not bad. They are better then what I can do freehand with a computer.
Thank you.
I did this map using this tutorial http://www.cartographersguild.com/tu...l-rpg-map.html
And for the mountains, this one http://www.cartographersguild.com/tu...ains-gimp.html
For the rivers, I'd found a better way, just use this tutorial http://www.cartographersguild.com/tu...mp-wilbur.html
Freehand is hard, but is awesome.


text:
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text:
Opel CDR 500 Manual
Preview of first few manual pages (at low quality). Check before download. Click to enlarge.
Opel CDR 500 CAR, size: 436 KB
Here you can find all about Opel CDR 500 like manual and other informations. For example: .
Opel CDR 500 manual (user guide) is ready to download for free.
On the bottom of page users can write a review. If you own a Opel CDR 500 please write about it to help other people. [ Report abuse or wrong photo | Share your Opel CDR 500 photo ]
Video review
Delco CDR500
User reviews and opinions
|8:23pm on Friday, September 3rd, 2010
|"I heard that this was a great brand to use out of all the others, so i wanted to try it. I waited until it was on sale. "While these discs are MII, they are lower quality than those MIS. It is still possible to backup all data without any problems.
|12:09pm on Wednesday, June 30th, 2010
|I cannot use it miss ordered tried for a week to get an RA# and no way sohave to eat this item which I cannot use! "High Quality","Durable". I use the discs to archive personal and friends non-copyrighted music on a digital format. "Highly Compatible","Label great - no smear".
|2:43pm on Saturday, June 26th, 2010
|Have not opened them yet. I am hoping I purchased what I need. I do not understand the 4X. Old Reliable As usual, Verbatim comes through. With nary a coaster in the bunch.
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
Steering Wheel Remote Control Adaptor
Opel Agila 09/00-08/04 (Three digit (e.g: CDR500) stereo model) Opel Astra 03/98-07/02 (Three digit (e.g: CDR500) stereo model) Opel Astra 08/02-02/04 (20-Way ISO C-part / Four digit stereo model) * Opel Calkibra 06/90-02/98 (Three digit (e.g: CDR500) stereo model) Opel Corsa 03/93-10/00 (Three digit (e.g: CDR500) stereo model) Opel Corsa 10/00-08/04 (20-Way ISO C-part / Four digit stereo model) * Opel Frontera 03/93-10/00 (Three digit (e.g: CDR500) stereo model) Opel Frontera 10/00-01/06 (Four digit stereo model) Opel Meriva 03/04 > (20-Way ISO C-part / three digit stereo model) * Opel Omega / Carlton 10/86-12/94 (Three digit (e.g: CDR500) stereo model) Opel Omega 04/94-05/00 (Three digit (e.g: CDR500) stereo model / With traffic master) Opel Omega 05/00 > (Four digit stereo model) Opel Signum 03/04 > (Three digit (e.g: CDR500) stereo model) Opel Signum 03/04 > (Four digit stereo model) Opel Sintra 03/97-08/99 (Three digit (e.g: CDR500) stereo model) Opel Vectra / Cavelier 08/81-12/95 (Three digit (e.g: CDR500) stereo model) Opel Vectra 10/95-09/02 (Three digit (e.g: CDR500) stereo model / With traffic master) Opel Vectra C 01/05 > (Three digit stereo / Four digit stereo) Opel Zafira 04/99-02/05 (Four digit stereo model) Opel Zafira 03/04 > (20-Way ISO C-part / three digit stereo model) *
* You also need CAW-OP210
Check for latest updates on: www.kenwood.eu
Vehicle Function Vol + Vol Mute * * Roller
Click Vol + Vol Mute Seek + Source Preset +/-
Hold Seek -
*Functions Given are a general guide, exact functionality may vary with Kenwood Model/Vehicle
cDR 500
English. ShortOverview. T h e f tP revention. O n / Of f wit ch S. 22 V o l u m eC ontrol. Tone Control. Radio.. T ra f ficA nnounceme nts RD S -E ON.. R a d ioS tat ionKeys. C D Operat ion. C a rT elephone SteeringWheel RemoteControl. Coding lnform atio n.. G e n e ral @ 99 A damOoe lAG 34
Short Overview
The radio CDR 500 enables receptionof VHF, mediumand long wave wavebands. It is equipped with a traffic radio decoder (TP) and receives data for Radio Data System (RDS). Six radio station keys enable the storage of a total of 30 radio stations. The unit is equippedwith a CD drive unit for playing standard CD's.
automatic radio station allocation @ [UMLI changewaveband detachableoperatingconsole @ [AS]
(seevehicle Thedisplay thevehicle opeIn ratinginstructlons) alsousedfor external is from display Information the radio.Two of can in basic typos displays be installed of thevahicle.
WheelRemote Control Steering no. symbol denotes
@ radio:advance station one CD:restart reverse search key forward search key increase volume reduce volume radio/CD selection mode
I digit display
tlttr ttrtr ttrtr fH! ffi lltfi fm !fits !#i H# fltrt flfl ililt tH! ffi." ffi." fis fifr ii#rsif,
fltrr till
fltrt !!Ht H.'t!tr!
!fltr flqfl
Operating Elements no. symbol denotes on/off: depress volume control: turn lefVright balance: pullandturn bass: turn Jl O pull treble: andturn 7/ tronlhackfader:turn O cD aperture o A ejectkeyandCD/radio O unlock operating console @ LEDunlock key O keys O t11-161radiostation O IRDSI RadioDataSystem @ ITPI trafficradio O Ol.\J
@ @ @ @
10 digit display The displaysof the 10 digitdisplayare instructions. describedin these operating The displaysof the 8 digitdisplaycorrespond to those of the 10 digitdisplaywith the exception of the waveband and certain radiofunctions.
Theft Prevention
Goding The unit is equippedwith a safetysystem againsttheft. A coded radiois of no value to the thief and thereforeyou shouldcode your unit (see the section"Coding"on page 32) and do not leavethe Radioor Car pass with the code numberin the vehicle. The radiois coded beforeit leavesthe plant. Detachable Operating Console The unit has a detachable operating console as an additional theft Drotection. A LED in the releasekey @ for the operating consoleblinks O after switching the off radioand the car ignition. Take the operating consolein its case when you leaveyour car. The unit will only work with its originaloperating console. Shouldthis be lost,a replacement operating consolemust be first adaptedby appropriate coding(see section"Adaptation of the OperatingConsole"on page 33).
Removingthe OperatingConsole Press release G) anddetach the key the operating console @. Refittingthe OperatingConsole Puttheoperating console backintothe recess press bothsides lock. and on to
On/Off Switch
Ol Depressknob O to turn the radio on or off.
Automatic Switch-On lf the unit has been turnedon by depressing knob (l , it is turnedoff by switching off the ignitionand removing key, or the simplyby lurning the ignition (in some off types of cars).The radiocomes on again automatically when the ignitionis turned on. You can deactivate and reactivate this automaticswitch-on the followingsteps: by. Switchignitionon. Turn radiooff with knob O. Keep radiostationkeys [1] and [3] O depressed. Turn radioon. The message "lGNlON"is shownon the display. Releasethe depressedradiostationkeys only after the confirmation signalhas given. The message"IGNIOFF' is shownon the display. The unit may now only be turned on and off with knob 0.
The same steps as described above are followedto reactivatethe automaticswitchon. The message"lGNl ON"is shownon the display. The automatic switch-on is activatedwhen and then the unit has been disconnected connected again to the operating voltage.
Set volume ^l. TurnknoblO. rz Set Balance lefUright
Volume Control
The volurne is regulated in accordancewith the speed of the vehicle. You can regulate this volume control. Set Volume Regulation Keep IUILI @ key depressed until the confirmationsignal is given. Set lhe desired volume increase using the searcfr buttons @ and @. "SD-VOL U or "SD-VOL +1" to "SD-VOL+5"appears on the display. Depressthe [UML] @ key again until the confirmationsignal is given in order to store the setting. is The automatic volume regulation not active in the setting "SD-VOL 0". lf you do not depressany key within10 seconds,then the previoussettingwill remain stored.
AutomaticCD Play-Back
lf a CD has been insertedinto the unit when switched off (see section "lnsert CD" on page 29), the unit will switchon automaticallyand play the CD.
. Pull knob(O. Turnknob. 7/ SetFaderforward/back
switchoff one The unit will automatically hour afterthe car ignitionhas been turned off. The automatic switch-offfunction is independent the automaticswitch-on. of
knobO. retractable Depress Turnthe knob. The knobretracts out.
. Depressthe knob to return it to retracted oosition. on When switching the set, the radiois set to the volumelevelyou last adjusted,if this level did not exceed the factory set basic volume level. lf the volumelevelwas higher,the radiois set to it's basic level.
the Youcan adjust toneusingthe rtraot' the ableknob O. Youcanadjust basa from independently each andthetreble into other. The knobretracts the neutral (middle setting). position J Adiustment of the Bass
grlcat Wavcband
seon tlte I unrlng radlo willautomatically previously tuned. A diflcolltrewaveband the using can lcrenlwaveband be selected IUMLI @ koY. until tho DprcBF [UML]keyrepeatedly the l8 dc:lradwaveband selected' the Dopreealng keyoncefromtheVHF will (Very HlghFrequency) sewaveband (Medium Wave). laotthoMWwaveband the will the Dcpreaalng keyagain select LW the (Long Wave). Depressing wavcband backto the will koyagaln switch IUMLI again. VHFwaveband is selected shown currently Thowaveband "M', "M AS"or ('U",'U AS", on th6 dlsplay "L').
Manual Adiustment to the Transmitter FrequencY. Touching search @ willdropthe key the by frequency 100 kHz. Touching search key (Dwill raisethe the bY frequency 100 kHz' Start Radio Station Search keY @ or @ untilthe search Depress of starts. Reception the search automatic will nextradiostation be selected. keysdepressed one Keeping of the search bandas longas the willsweep frequency again. the keyis released untila radio dormant remains The reception has stationis lockedin. lf the RDSfunction of reception the nextRDS beenactivated, will station be selected. transmitter
. Depress retractable knob @ ' the out. The knobretracts. Turnthe knob(tothe leftto reduce th the bass;to the rightto increase bass). Depress knobto returnit to its retrao' the tedposition. I Adjustment of the Treble
. Depress retractable knob O ' the out. The knobretracts. Pullthe knoboutfurther. Turnthe knob(tothe leftto reduce the the to to treble; theright increase trebl). Depress knobto returnit to its retrac' the ted position.
Displayot a VHFRadioStation Frcquency
Useof the RDSFunction is 'What RDS?'
Raaio Data System
RDSis a service the publicradioinstituof tionswhich beenintroduced has Eurooewideto facilitate search the desired the for VHFradiostation andits interference-free receDtion. In addition the programs to transmitted, RDStransmitters radiate digitaldata also a telegram containing information whichis automatically interpreted RDSreceivers. by lf RDSis switched thedesignation on, of the radiostationis shownon the display.
EachRDSstation transmits several at frequencies. The radioreceiver continually compares signalquality thesefrethe of quencies during iravelandchanges frequencies maintain to reception the stronof gestfrequency all times(bestreception at of the selected radiostation).The radio station designation thedisplay on remains unchanged. Activate RDS. Select VHFwaveband the. Depress [RDS]O.
lf the radiostatlon is nota RDStransset mitter, thena MEMORY will search be conducted theVHFadditional and memory will (seesection be automatlcelly updated "Update Additional page28). VHF Memor/', Deactlvate RDS Depress IRDSIO keyagain. The symbol'rgDS';is no longerdisplayed. Thefrequency displayed is instead the of radio station designation. radio lonThe no gerdetermines bestreception the frequency for that radiostation. Display the Frequency of a RDS Transmltter, Depress IUMLI @ key(approx. the 1 second) untilthe display switches from the radiostation designation to the over reception frequency. Thelrequency displayed approx. is for 5 seconds.
Display: RDS activated The symbol "RDS"is displayed.The searchfunctionwill nowonly reactto RDS transmitters. The radio will automatically select the frequency as well as the radio station which can be received best.
Selection of Regional Radio Statlone SomeRDSradio stations transmit regional programs. Theycan be allocated each to radiostation so thatalternative key transmitter frequencies shouldbe selected for onlythoseregional programs previously heard. Keep radio the station keysdepressed, i.e. [1] to [6] @ , for thosewhichareto be alloprograms, theconlircaled regional to until mation signal given. is "REGON"willbe displayeo. Repeat samestepsto deactivate the this function. "REGOFF"willbe displayed.
The functions for traffic radio are international and are designated bythe symbolTP = Traffic Program. Receptionof a radio station with traffic is shown on the display by the symbol "IP". Activate Traffic Radio (TP). SelectVHF waveband. Depresskey [TPI @. The symbol "[TP]"isshown on the display. The symbol "[ ]" is shownon the display when searchis beingconducted if the or receptionof the radio station is not possible. When a CD is beingplayed,the play-back is interrupted trafficannouncements. by The traffic radio function (TP) can also be activated during CD play-back. In this case, the designationof the radio station last heard is displayed 5 seconds. lf the for reception had been that of a radio station not transmitting trafficradio,then the strongest trafficradiotransmitter be searwill ched.
lf traffic radio is activatedand a transmitter is selected not transmittingtraffic radio, then the strongesttraffic radio transmitter will be searched. With the automatic radio station memory activated by the [AS] @ fey, the sweep will be continued until at least one tratfic radio transmitter has been found, provided the tratfic radio function has been activated beforehand.After memorizing, radio the will switch over to a memory slot with a trafprovidedthere is one fic radiolransmitter, available. Deactivate Traffic Radio Depressthe fIPl @ key again. The symbol f /"will no longerbe displayed. lf a traffic announcementis given, the button [TP] must be depressedtwice in order to deactivatethe traffic radio. The alternativesTP on or TP off are not memorized when allocating transmitters to the radio station keys.
Adjustment the Volumefor of TrafficAnnouncements
can be presetand independently the nor_ of mal volume level for the radio.
Thevolume thetraffic for announcements
lf_you notdepress Fpl keywithin do the 10 seconds, unitwillrevert thenor_ the to maloperation without memorizing any change thesetting. in During trafficannouncement playback you canadjustthe volume withthe O tey. Theradioreturns thevolume onlyby to set increasing volume the afterthetrafficannouncement finished. has Hearing Traffic Announcements only lf you onlywantto hearthetrafficannouncements, traffic Turnknob turn on. O to theleftuntilthenormal sound volume is reduced zero. to Onlythetrafficannouncements then are heard thepreset at volume. Interrupt Traffic Announcements Depress [TP] @ keyfor a shofttime, the in orderto interrupt trafficannounce_ the ments example (for during play_back). CD I ne trafficradiofunction remains activated.
An extension RDSis the EONfunction. of EONis an abbreviation Enhanced for: OtherNetworks (support othertransmitof ters). WithRDS-EON, certain Transmitting Institutions offerthe possibility hearing of traffic announcements by reception noneven of trafficradiotransmitters. radiounit The interprets information RDSdatafrom from alternative radiostations transmitting tratfic radio. Non{raffic radiotransmitters associa_ with ted RDS-EON treated trafficradio are as transmitters the radio by unit. "EoN"(10digirdisptay) ,,Tp,, or lJrg.symOot (8 digitdisplay) disptayed these is for trans_ mitters.
Preset the votume level for traffic announcements. Depressthe [Tp] @ key lapprox. 3 seconds) until the confirmationsignal is given. The presetvolumewill appearon the dis_ play, for example "Tp-VOL +l',. The desired setting between _3 and +3 can be selected using the search keys O and (D Ke.ep.the ITPI @ key depressed again ' untilthe confirmation signalis given. r he settingis then memorized.
Hearing Traffic Announcements vla RDS-EON Depress [TP] @. Tnesymbol key "[PJ"is displayed. Whena tratficannouncement is given, radio willswitch the unit overto a trafficradiotransmitter whichis in the EON network. Aftertheannouncement, unitwillrevert the previously to the radiostation heard. During traffic the announcement, desthe ignation the radiostationis shownon the of display. TheRDS-EON function alsoin oDeration is duringCD play-back thetrafficradio(TP) if hasbeenactivated.
Thereare memory slotsavailable a total for of 30 radiostations: 6 x U (VHF) 6 x M (M W) 6 x L (L W) 6 x U AS (VHF, automatic storage) 6 x M AS (MW,automatic storage) Memorize Radio Station. Select waveband. desired. Tuneto desired radio station. Keeponeof the radiostationkeys depressed to [6] @ until radio the [1] station selected be heard can again. During search, radio the the station disis played which waspreviously stored and allocated that key. to Theradio station is thusstored set and allocated thisradio to station The key. memory selected shown the is slot on display.
AutomaticStorageof RadioStations
. Selectdesired wavelength. until ' Keep[AS] @ keydepressed the confirmation signal given. is The radiostation search commences and thesymbol 7S"is shown thedisplay. on Afterthe search beencompleted, of has six the strongest transmitters thatwaveband in are stored.Theyare allocated the AS to memory slotsof the radiostationkeys. RDStransmitters automatically prewill be ferentially storedandallocated the first to memory slots. (TP)is turnWhen tratfic the radio function ed on either before during or automatic storage radio of stations, unitwillrecall the a memory witha stored slot trafficradio (not transmitter necessarily memory 1). slot
Recall Stored Radio Station. Selectdesiredwaveband. Depress one of the radio station keys [1] to [6] @ for a shorttime.
Useof VHFAdditionalMemory
ln addition to the radio station buttons, the memoryfor VHF in unit has an additional which all VHF radiostationsare stored which can be received.This memorycan be "pagedthrough"usingthe searchkeys' memorycan be reThe VHF additional assignedeithermanuallyor automatically usingthe automaticstorage(AS)' Paging Through the VHF Additional
Update VHF Additional MemorY Keep the IRDSI O key depresseduntilthe signalis given. The display confirmation shows "MEMORY'U"for a shorl time, followed by "MEMO" and the frequencies (sequentially). after The memorysweep is comPleted approx.30 secondsand the radiowill then returnto its normalmode of operation, whereby the strongesttransmitter received will be selected. The radio stations allocatedto the radio station keys will not be replaced by this function. is A furtherpossibility to recallthe function of the automatic storage (AS) of radio stations. This functionwill replacethe radio to stationswhich were allocated the AS memoryslots for those radiostations.
.t i i.J
AS co RDS
1-. i,i.- !'lri
Radio station on bufton 3, waveband VHF-AS (automaticstorage). lf you want to recall a radio station stored with AS:. Selectdesiredwaveband. DepresstASl @ key for a shod time. Depressone of the radiostationkeys [1] to [6] O for a short time.
Memory. Turnthe RDSfunction on. Depress of the search keys (D or one time. @ for a shod of or Thefrequencies designationsthose on are stations given thedisplay radio in are which stored theVHFadditional memory.
CD Operation
Inserlthe CD (lettered side up) into the slot untilthe CD is automatically receivedand taken. The display shows "T- CD" during this. After the CD has been accepted,the player beginswith first track on the CD. On the display,initially total numberof tracks the on the CD is shown "Txx CD", followed by ,,T 1 CD". After the last track has been played, playback of the CD beginsagain,startingwith the first track. lf the CD has been insertedincorrectlv. the display will show "EF-CD".
Title Selection Depress search keys (D oder @ for a short timeanduntil number thedethe for sired trackappears thedisplay. you on lf depress search the key { for a shorltime, just thetrack played be repeated. will Use of Search
The displaywill show the numberof the track as well as its durationin minutesand seconds, e.g. "3 02-42". A fast play-back; initially 10 times and then at 30 times the at normalspeed occursat a reducedvolume level. Eject CD Depress eject key @ until "EJECT CD"is displayed.The CD is ejectedand the radio unit revertsto the radiomode of ooeration. lf you do not take the CD out of the unit withinapprox.20 seconds,it will be returned into the CD player again (to protect the CD from damage). In this case, the unit will remainin radio mode. The displaywill show the symbol "cD tN".
InterruptGD Play-Back. Depress key|o fora short eiect time.
The radiounit will revertfrom CD mode to radiooDeration. Depresseject key again for a short time to returnthe unit to CD play-backmode.
Keep search key (D oder @ depressed until desired the trackon theCD hasbeen reached.
the Youcanremove CDfromthe unitas is evenwhenthe radio described above, off. switched lf youdo nottaketheCDout, backintotheunitafter it willbe returned Theradio subseunit seconds. approx.5 quently otf switches again. Radio Display During CD Play-Back frethe CD During Play-back, transmitter (for quency the radio designation station or last of RDShansmitters) theVHFstation can heard be displayed. time. the Depress IUMLI (E keyfor a short will information be displayed Thedesired for 5 seconds, "Ul 101.2". e.g. radio a these seconds, different 5 During can or can station be recalled, a search be usingthe searchkeys. started is or radio(TP)function active, lf thetraffic play-back a CD, of during if it is activated for search the radio willautomatically unit if radio transmitterthe traffic thestrongest be can last radio station heard no longer received.
Car Telephone
to car lf an installed telephoneis connected the unit,the radiowill go into telephone mode when a call comes in. The display will show "MESSAGE".In order to utilize the telephonemode,the.cartelephone must be connected to the radio by an authorizedOpel dealer.
within lf the[TP]keyis notdepressed to the 10 seconds, unitwillrevert itsoriginal any without storing changes. setting during an Thevolume level be adjusted can the incoming by using knobO. call Interchanging of Incoming Calls and Trafflc Announcements (symbol Whenthetratficradiois activated call and "[TP]" the display) a telephone on announcement, a is received during traffic precedence. call theincoming willbe given By useof thebutton @, youareable tTPl the between in to interchange suchcases and traffic announcement thetelerunning phone call.
VolumeLevel SetTelephone level the You preset volume forthe can
from the nortelephoneand independently mal volumefor the radiounit. Turn radiooff. Keep [TP] @ key dePressedand turn the radioon again. signalwill be given. The The confirmation presetvolumelevelwill appearon the display,e.g. "MS-VOL+ 1". Selectthe desiredsettingbetween-3 and +3 usingthe searchkeys (D and @. Again keep the [TP] key depresseduntil signalis given. the contirmation The settingwill be stored.
SteeringWheelRemote Control
Not included all vehicles. on
Recall Memorized Radio Station (D to selectthe desired Depresskey + radiostationfrom the allocatedkeys in the memory. Each depression the key will of advancethe selectionby one stored radio stationfrom the wavebandin currentselection. Select CD Track Depressone of the searchkeys (D or @ to advanceto the next track on the CD" lf you depressthe searchkey { once for a shorttime, play-back the track currently of being playedwill be repeated. Use of CD Search Keep one of the searchkeys depressed untilthe desiredtrack on the CD has been found. CD Repeat DePress keY + of @. Play-back the CD startsagain at the first track.
. Depresskey * volume. Depresskey volume. Mode Switch Depresskey O D to interchange between radiooperation and CD play-back operation. the @ to increase @ to decreasethe
Tune RadioStation
Depressone of the searchkeys @ or @ for a shorttime in orderto activatethe automaticsearchfunctionor to page throughthe VHF memory. The radio remainsdormantuntila transmitter has been lockedin. Keep one of the searchkeys depressedin orderto manuallytune to a radiostation.
Secureyour unit by codingit. A coded radio is of no value to the thief. The code numberis to be found in the radioor car pass. The codingof the unit is only possiblewhen the ignitionis turnedon. lf the unit is detachedfrom the operating voltage,for exampleby removalof the unit (theft) or detachment of the battery, it is saf electronically eguarded. Only you can put the unit back into operation by enteringthe correctcode (see "Putpage33). ting the Unit back into Operation", be Shouldthe theft protection dispensed with, e.g. by sale of the unit,it must first be the decoded(see"Decoding Unit",page 33). In orderthat the attemptto put the unit into operationby trial and err6r be not made, waiting times take effect following unsuccessfuldecodingattempts.The numberof remaining decodingattemptsis shown on the display. Duringthe waitingperiod,the radiomust remainswitchedon.
the Thewaiting timeafter firsttwounsuc20 is attempts approximately secessful timeincreathe conds, afterwhich waiting the following third sesto 10 minutes the Following ninthunsuccessful attempt. to the timehas reached aftempt, waiting 640minutes. the Theunitwilllockafter tenthunsucon shown the attempl("SAFE'is cessful by invoice A against display). replacement is Opel an authorized dealer thennecessary. to recommendedletan It is therefore put Opel authorized dealer the unitback after intooperation thesixthunsuccessful attempt. Check Coding function be usedto can Thefollowing or the whether unitis coded not. check unit "CODE'onthe Thecoded indicates timeafterit every for display a shortperiod is the is turned andprovided ignition on switched on.
Coding the Unit The theft protectionis activated by coding the unit. Switchon the ignition. Turn the radiooff. Turn radioon while keepingthe [AS] (9 key depressed.The displayshows "CODE" and after 3 seconds appears. Enterthe first digit of the code number usingthe radiostationkey [1] @. Each of depression the key will raisethe digit on the displayby one. Depressthe key as often as necessaryto reachthe correctdigit in the first position of the display. Enterthe next three digitsol the code numberusingthe radiostationkeys [2] and I4l @. Keep the [AS] key depresseduntilthe signalis given. confirmation goes out of dorThe radiosubsequently mant mode.
The correctway to proceedis highlighted by the followingexample: Example: codenumber:6 5
lf you then want to returnthe unit to operating mode,the followingsteps must be carried out. Switchthe ignitionon, turn radiounit off. Keep the tASl @ key depressed and turn the radioon. Initially"SAFE"willbe shown on the display,followedby "10 - - - -". The number 10 indicates the numberof attemotsleft to enterthe correct code number. Enterthe code numbergiven in the radio pass usingthe radiostationkeys [1] to [4] lO as describedin "Codingthe Unit'. OveMrite the code numberif an incorrect entry is made, i.e. the whole numbermust be re-entered. When the correctcode numberis visible on the display,depressthe [AS] @ key untilthe confirmation signalis given. lf the code numberis correct,the unit will go out of dormantmode. lf the code numberenteredis incorrect and the [AS] key for confirmationhas been depressed, displaywill show the '9 SAFE', after the waitingtime "9 - - - -'. The correctcode numbercan then only be enteredafter allowingfor the waiting time to elaose.
Decoding Unit the
The theft protectionis cancelled when the unit is decoded. Proceedas describedin "Codingthe Unit". After the unit has been successfullydecoded, the unit will go out of dormantmode. The radiounit is thus no longerprotected against theft, and can be put back into operationfollowingan interruption the operaof ting voltage. Adaptation of the Operating Console The radiounit will only operateusingthe originaloperating console. lf this is lost,a replacement operating consolemust first be adaptedto the unit by coding. Set operating console @. Switchthe radiounit on. The radiois in dormantmode and the display will show 'PANEL". To adapt the new operating console,conductthose steps which are describedin the section"Codino the Unit".
radio station key depress [1] 1 x key depress [2] 4 x key depress [3] 7 x key depress [4] 6 x key 0 0
Codenumberentry;the fourthpositionis stillmissing. Putting the Unit back into Operation When operating the voltage beeninterhas rupted because unithasbeenremoved the or thebattery disconnected, unitgoes the "safe" intoa special mode.Theunit remains dormant thismode. in
Information General
Consultan authorized Opeldealer shouldfunctionalinterferences occur. VHFReception
quality, In spiteof the hightechnical VHF receotion vehicles differ in fromthat can (HiFi withstationary receivers equipment). Interferences therefore occurin can also thereceDtion RDStransmitters. from Thetechnical causes suchinterferences of canbe foundin theoperating instructions forthevehicle. Handlingof CD's Avoid lingerprints wheninserting CD the intothe unit. Return CDto theCD box the immediately removal fromtheunit,in after it orderto protect fromdamage dirt. and Protect CD'sfromheatanddirect sunshine.
Interruption VoltageSupply of
The memorized data but not the radio station designation remainstoredif the will batteryis changed. The unit can be electronically lockedby the theft protection. Enterthe code numberin order to return the unit to normaloperation(see "Putting page 33). the Unit back into Operation", lf the code numberis lost,consultan authorizedOpel dealer. The returnto operation of the unit will only be carriedout upon proof of identityand will be invoiced.
These Operating lnstructions _a]}havebeenprinted chlorine on tt ' paper, a contrifreebleached as bution theprotection theenvironment. to of
7100V AVR 340 BH-102 KV-29FX20R Navus GPS MHC-EC77 PR-D2V RX-V990 Pathfinder-2003 KAC-721 BG2030 PF-500 N6010 AWS888 LS240CP Vtfx665A YP-55H M-3030 XAV-W1 BXR 200 2150-6GS Series XPR Roland TD-3 R1801 53 CWH ESF4150 Minolta 7220 CQ-C1121U Hx191 CD1453B 28PW6322 MP86ATV GE81P 323 3806 DXG-301V DMR-EH65 ME645XE1 EB 271 LP200 GA-7vaxfs Inspiron 1100 500-B ZCV782 340 OHC Alfa 147 VP-DC175WB Series SRT 4120 TAD-R1 VS-840S DSC-P200-R GTO502 AP2610 MFT1500 2 CQ-DP102U Software-linux KX-TCD440 Juno-stage 32LD6600 C-450 CS-19 DS13204 Assistant NAD 319 KDL-V32a12U PSR620 LE40S81B Station Espio 140M DVP5166K 61 Cable V1 01 Philips FW30 Pro-T Toughbook CFT4 PS50Q97HD N68C-SE ST-1000 RED Soundstation 110V KX-TG7434 PX-EH16L NS-125F Effective VGN-N31s-W Sony Acid VGN-FE11M C-150 PCG-C1VE PSB300 VRX 2000 Gpsmap 76S Rotak 320 Clipso 4000TN 12605 Capture 2 DCR-TRV828E Satellite 35 EL733A FAV5071W
manuel d'instructions, Guide de l'utilisateur | Manual de instrucciones, Instrucciones de uso | Bedienungsanleitung, Bedienungsanleitung | Manual de Instruções, guia do usuário | инструкция | návod na použitie, Užívateľská príručka, návod k použití | bruksanvisningen | instrukcja, podręcznik użytkownika | kullanım kılavuzu, Kullanım | kézikönyv, használati útmutató | manuale di istruzioni, istruzioni d'uso | handleiding, gebruikershandleiding
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text:
Tuesday, July 17, 2012
Damascus Will Fall 5772 - Torah Codes
9 comments:
Wow. Very intriguing. I, however do not totally understand what the End of the Beginning before the beginning of the end means. I sort of do- only by logical technical thought, yet spiritually what does Rabbi Glazerson mean?ReplyDeleteReplies
I guess it means the end of the beginning of Geula, and the beginning of the end of the world of sheker. From his mouth to G-d's ears !Delete
So , we are entering the beginning of the end. Very inspiring. Very, really.ReplyDelete
you forgot devorah he said month avReplyDelete
I'm wondering how we will all feel and think if this year goes by, and the next, and the next after that and G-d forbid moshiach is not here...ReplyDelete
Truly...making predictions like this is just so dangerous in my opinion.Replies
- AnonymousJuly 18, 2012 at 7:24 AM
Interesting how we went from finding past and current events in the TORAH codes, to finding future events.ReplyDelete
Meaning, we are in Tamuz and we are able to see the events in Av. this is fantastic.
See: http://palmtreeofdeborah.blogspot.com.au/2012/07/plight-of-damascus.htmlReplyDelete


text:
See more » Sodomitical Polity
Was (or is) Hitler, Robbie Williams, Jesus, my uncle Carlyle* gay? A favorite idle question by someone who wants attention. I'm surprised we haven't seen the press report a guy who says that he knows David Beckham is gay because of their torrid affair.
Hitler was a nut. An evil nut with political power that let him let him wreck the lives of millions. Imagine what John Ashcroft would do as dictator. A queer Hitler wouldn't imply anything worse than a heterosexual Hitler.
A faux documentary The Hidden Fuhrer reprises this old canard about Hitler's sexuality.
Naturally, as the movie trots out story after story of Hitler's homosexuality, some possible and others quite ridiculous, you may find yourself tempted to wonder. But ultimately, the movie fails to persuade, as it continually falls back on dramatic rumors and leaps in logic.
Was Hitler in closet? And if so, so what?
* He spent many years as a kept boy in Key West.


text:
Witches Kitchen Collection Design with a Conscience Series.
Currently on display at the Cooper Hewitt as part of the Why Desgn Now? National Design Triennial, is the work of renowned design producer Artecnica. Partnering with the nonprofit organizations Aid to Artisans and the British Council to identify artisan communities around the world with which to pair internationally respected designers such as Hella Jongerius and Stephen Burk, to create viable products for the global design market. Faced with a dwindling market for local artisan work, the Design with a Conscience collaboration successfully combines fair-trade practices, sustainable and recycled materials, and design insight to increase work and revenue for these impoverished communities. A true partnership, the designer's work is influenced by the artisans' materials, methods, environment, and culture.
Witches' Kitchen, a handcrafted kitchenware collection, is the most recent project in Artecnica's ongoing campaign. Inspired by the darker side of Western fairytales, industrial designer Tord Boontje worked with Brazil's Coopa-Roca women's cooperative to make an all black, hand-sewn selection of kitchen couture; with Guatemalan artisans to make hand-carved, double-ended wooden utensils; and with Colombian potters for a group of hand-formed black ceramic cookware. At the center of Artecnica's series are the people who sustain the traditional crafts, building ongoing relationships with each group. The Coopa-Roca women's cooperative, which previously made a Boontje-designed chandelier, makes the hand-sewn Witches' and Wizards' Apron and Glove collection. Boontje introduced a natural pattern from the forest as a new graphic addition to traditional Colombian black pottery. Leaves are pressed into the wet clay and burn away when fired, leaving an imprint. Made without glazes, the cookware—a casserole and saucepan—are naturally lead- and toxin-free. Each of the carved Guatemalan utensils is made from sustainable and reforested wood sourced locally.
Witches' Kitchen collection, Design with a Conscience series. Tord Boontje (Dutch, b. 1968), Studio Tord Boontje. Client: Artecnica. France, 2008. Excerpts and images courtesy of www.cooperhewit.org.
About the Exhibition
Cooper-Hewitt, National Design Museum
2 East 91st Street, NY, NY.
On view through January 9, 2011.
Tags: cooper-hewitt museum, design with a conscience, kitchen design, kitchen utensils, kitchenware


text:
At the last few GeekAustin events, several people asked me: What's up with the SXSW Accelerator? What kind of companies qualify? Do they need to be using Microsoft technology?, and Should we apply?. So I called up Chris Valentine, producer of the Accelerator, to meet for lunch and give me the scoop. Chris likes Triumph Cafe.
Chris Valentine at the Long Center
Lynn: Chris, tell me about the Accelerator.
Chris: This is the 3rd year of the SXSW Accelerator. It essentially is a platform to allow companies to pitch their products or services to industry experts, VCs, and high-profile media. We've had some great judges over the last few years: people like Guy Kawasaki, Robert Scoble, Tom Conrad, Paul Graham from yCombinator. These are some great people who can offer guidance and feedback to the entrants. This year will be no exception. We're assembling a great panel of judges.
The Accelerator is a 2 day event happening March 14th and 15th during SXSW Interactive 2011. This year we're also doing a Music Accelerator on March 16th.
Lynn: Is that also sponsored by Microsoft?
Chris: Yes. The Accelerator is a SXSW event, and Microsoft is the presenting sponsor.
Lynn: The deadline to apply is coming up, isn't it?
Chris: We have a December 10th application deadline. Once that deadline has past, we have a group of advisory board people from all over the country judge the top forty companies who've applied. Then we invite those companies to present over a two day period during SXSW Interactive 2011. On Monday March 14th, the forty companies will present. Each company has two minutes to present followed by ten minutes of QA back and forth with the judges, and then three minutes to do the prepare for the next company. We have two rooms meeting simultaneously, and we cover four companies each hour.
At the end of day one, we will take the top fifteen companies, and invite them to come back the second day to meet with a whole new set of judges. On the second day, each company has five minutes to present, followed by ten minutes of Q&A with the judges. At the end of day two, we'll announce the winners of each category. We'll have some other awards as well.
Lynn: What are some of the awards?
Chris: In the past, the sponsors who partner with us offer different types of free services. For example, last year Elance was a sponsor and they offered free services. Wilson Sonsini was a sponsor and they offered free services as well. Microsoft gave away xboxes.
Lynn: I suspect that Chris Bernard probably has a closet full of xboxes. He just loads up his trunk every time he goes to an event.
Chris: People do like the xboxes. And of course, the winner always gets two free SXSW Interactive badges for the following year. We're in the process of assembling the prizes for this year.
For those companies who are selected, there is a huge spike in media and awareness. Not just for the top forty, but especially for the fifteen who are selected for the second day.
Lynn: The two questions I've heard most from people are 1) What type of companies is the Accelerator looking for, and 2) What are the qualifications?
Chris: You have to have launched a product or service within one year prior to, or three months after the event. There is a December 10th deadline by which companies need to apply. The judging begins shortly thereafter. The more that the companies can share and show us in December allows them to have a greater advantage .
As for the type of company, we have several categories: Innovative Web Technologies, Social Media and Social Networking Technologies, Entertainment Technologies, or News Related Technologies. We have a 2010 Wrap-up page on the SXSW website that shows the winners in each category. That should help someone get a feel for the categories.
Lynn: Going back to qualification. Let's say a company launched within the last year but they already booked a few hundred thousand in revenue. Do they still qualify?
Chris: We do ask the companies about their revenue. One of the things that we saw last year is that we had certain companies apply who, when we saw how much revenue they had, it didn't really make sense that they were participating in this competition. It puts the other companies at a competitive disadvantage. However, even if a company has received angel funds or first round funds, technically they still qualify.
Here are a couple of interesting figures about the companies selected in the last few Accelerators:
1) 41% have received some sort of funding -- Angel, Series A, etc.
2) The companies have received more that 46 million in Series A, Angel, or seed funding.
3) 14% of those companies have been acquired, and we're talking about acquisition by companies like Google, Apple, Constant Contact, and British Telecom.
So this tells me that we're choosing the right companies to participate. We're by no means making those deals happen, but we play a part by creating the exposure.
Last year, we did an event on Sunday night, called Tech Cocktail, which is a Frank Gruber event. Frank is our partner again this year. The reason that we like to have a guy like Frank involved is, when you're doing a pitch event, and your onstage, you have very little interaction with the audience. You more or less have a back and forth dialog with the judges. It's really not an intimate one-on-one type of thing. So on the Sunday before, we invite the participating companies to Tech Cocktail. Each gets a table where they can set up a computer and their marketing materials. This is an opportunity for individuals to walk up and talk with the companies about what they're doing. Last year, an angel investor heard GameSalad's pitch during Tech Cocktail and invested in them on the spot.
This is the time line: Tech Cocktail is on Sunday night. Then the Accelerator is from 10-6 on Monday and Tuesday.
Lynn: Tell me how companies can apply.
Chris: There is an application page on the SXSW website. The application fee is $150. However, we in no way want to be exclusive with this event. So, we are more than willing to wave the fee. All they have to do is send me an email (email@example.com) with their first and last name, company name, and email address, and I'll get them a passcode.
Lynn: Perfect timing. Here's our lunch.
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text:
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Pet Products
false pdp {"scheme":"product1_cr"}
false pdp {"scheme":"product2_cr"}
Rated 5 out of 5 by 1 reviewer.
Rated 5 out of 5 by Bronwen Cute and Different This is not my first collar ordered from this company. Their collars are very different from the norm and are of excellent quality and durability. This one in particular is really cute and is a definite conversation piece. I have always been highly satisfied with the products from this company. September 1, 2014
1-1 of 1
Product:64982-Hartman and Rose Leap Frog Dog Collar


text:
Predis Maximus sets itself apart from other predator calls with its newly developed 4 air channels that have been engineered into perfectly sized hand call. Holding 4 separate reed voices, Predis Maximus is the loudest distress call in the predator hunting industry. Wanting to call in wide open spaces or long distances, not a problem! Predis Maximus cuts through the wind and is able to reach out with its rich distress sounds to attract predators at distances hand calls could never achieve until now! This call is an absolute must have for your predator calling arsenal!
Reese Outdoor Products Predis-Maximus Predator Call Polymer White
Product #: 596604 Reese Outdoor Products #: PredMax Poly White
Product Information
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Additional shipping charge for HazMat products. Carriers charge extra to ship packages with products they consider hazardous, such as reloading powder and primers.


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VihtaVuori is a Finnish Powder Company that has been manufacturing powder since the 1920's. VihtaVuori powders are extremely popular with benchrest shooters, High Power shooters, and varmint hunters.A relatively slow burning powder ideally suited to many magnum and standard rounds requiring a slow propellant. Works well in applications previously using various 4350's, Reloader 19, and the various 4831's. Ideal applications are 243 Win., 25-06 Rem., 264 Win Mag, 270 Winchester, 7mm Rem. Mag, 30-06 Springfield, 300 Win Mag, 338 Win Mag, 375 H and H, etc.
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Top Definition
When a man ejaculates onto his first before punching his partner in the face with the be-seamened hand!
The bitch was complaining about my rough treatment of her, so I gave her the ol' pearl knuckleduster!
av boofstien 2. mars 2012
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text: Kia ora On the topic of hardware requirements, I am running 11.04 on a netbook that only has a 1.6Ghz Atom and 1GB RAM. Unlike MS, Ubuntu are very conservative with their minimum hardware requirements (in my experience you really need at least twice the "minimum hardware" to run any version of Windows usably, with Ubuntu it's more like the opposite). I would recommend running newer version with GNOME desktop rather than the Unity desktop that is standard from 11.04 on though. Good luck Strypey On 14 July 2011 09:52, Edmond Chin <sgc91flc95 at yahoo.com> wrote: > hi > > your laptop is similar in CPU and memory to mine which is a HP/CPQ nc6000 and > has a 1.7 GHz CPU, 1 Gb of ram, and it has a graphics card. I recently upgraded > to ubuntu 10.04 from 9.10, and noticed that the graphics were much better than > before, especially playing avi files. I needed no proprietary drivers even to > make my internal wifi work. The other aspects, web surfing, office apps, etc, > remain the same, which was excellent. I decided not to upgrade beyond 10.04 > since i was already pushing at the minimum hardware requirements. So if you > haven't upgraded to 10.04 which by the way is an LTS version, give this a try. > Good luck. > > Edmond > > > > > > ________________________________ > From: Hardy Kemp <xeknar at gmail.com> > To: tlinux-users at ml.toshiba-dme.co.jp > Sent: Wed, July 13, 2011 2:57:05 PM > Subject: [tlinux-users 00555] Troubles with my 5200 PS522C-XK00P with ubuntu > > I am running ubuntu on this wonderful laptop, but cant help to notice that I > know this machine could perform and a much higher and more effient rate than > it does right now. my graphics aren't being used to the full potential, and > many of my systems hardware devices are not even detected. Does anyone know > of any .deb or .apt packages with custom drivers intended for this specific > model, or am I going to have to find and or compile custom drivers? > _______________________________________________ > tlinux-users mailing list<tlinux-users at ml.toshiba-dme.co.jp> > http://linux.toshiba-dme.co.jp/mailman/listinfo/tlinux-users > _______________________________________________ > tlinux-users mailing list<tlinux-users at ml.toshiba-dme.co.jp> > http://linux.toshiba-dme.co.jp/mailman/listinfo/tlinux-users > -- Danyl Strype Community Developer Disintermedia.net.nz/strype "freedom is participation in power." - Cicero "Allowing the university to be turned into the tool of business is allowing it to be corrupted." Richard Stallman http://www.oss-watch.ac.uk/resources/Stallman.xml "The content industry has done a good job convincing the world that the internet will enable what they call 'piracy' That has obscured the fact that the internet will also enable an extraordinary potential for creativity. And it has obscured the fact that the weapons they use to eradicate 'piracy' will also destroy the environment for this 'creativity.' They spray DDT to kill a gnat. We say: 'Silent Spring.'" _Lawrence Lessig http://cyber.law.harvard.edu/digitalmedia/lessig.htm


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The Coil and I
Adventures with a mad scientist's lightning machine.
"Mike," he says, very deliberately. "You'd better know whether you have any metal in your body."
By now I'm sure that my body is metal-free, but I'm still nervous as Jaime flips two switches and then turns an enormous knob. A high-pitched schreeak fills the room, like sheet metal getting torn. Lightning pours out of the toroid and writhes around like a cat on a short leash. Arcs leap out and dance across chairs, the ceiling, and the floor.
Jaime gestures for me to get closer to the coil. As I do so nervously, he crouches lower behind the control box, continuously adjusting that one knob with the intensity of a Trappist monk. He is very proud of the coil, and touches it constantly as he tells us he will need a great deal of money to bring it to performances. When we regretfully decline, he abruptly reverses and says he can do it for free, so long as we provide him with dinner. This sounds too good to be true, and, in fact, it is. A few days later, he changes his mind again and calls demanding compensation.
It's a lot of money, but I've decided to fight for the coil. I've become enchanted by it. I want to be the mad scientist, bringing a terrifying and glorious new machine out in front of the masses. Just once, I want to shout, "Bwahahhahahaha!" and really mean it.
Just a day before the opening, Alex the artistic director tells me that the designers and technicians have demanded a meeting to discuss the coil. He explains that the designers and technicians are totally freaked out—they fear it will blow out all of their electronics and who knows what else. Tech has already been going poorly—the live rabbits are dying of an unknown ailment and the multimedia is on the fritz. The last thing anyone wants is a lightning-throwing death machine.
We all meet in the theater: designers, technicians, me, and Jaime, the Keeper of the Coil. Alex tosses out what should be a softball question: "Jaime, what's the worst thing that could happen with the coil?" I turn expectantly, eager to hear his impassioned defense. He thinks for a moment, his lips moving, and then says, slowly, "Well ... it could kill someone."
The designers are horrified—they were worried about the multimedia getting ruined and now we're talking about murdering audience members. "Jaime," I say, hurriedly spinning his answer, "what you mean by that is that the coil could kill someone if they doused themselves in water and jumped on top of it, right, which is why we have a safety zone, right?"
"Yes, that's true," he responds. "And it's also true that sometimes electricity does whatever it wants. It's hard to predict."
The theater management hears about our meeting and wants us to get supplemental insurance that covers lightning-throwing death machines. The Tesla coil is axed. It sits offstage during the performances, disassembled and inert in a paint closet. It's the loveliest, most frightening, and saddest machine I have ever seen.


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Charlie Simpson has said it was his disillusionment with Busted's environment that caused his departure from the boyband but added that he now looks back on his time with them fondly.
The singer left the three-piece Year 3000 hitmaking group in 2004 and amid the current success of McFly and Busted hybrid group, McBusted, opened up about his decision on This Morning.
Simpson explained, "Yes, it was my decision to leave. I had a really great time in Busted, but as time went on I kind of got disillusioned by the environment I was in.
"It started to bother me hugely that we were seen by certain people as a band that didn't write their own songs or couldn't play their own instruments and that kind of stuff... and it just got to me a lot."
He added, "I look back now and it was very difficult. Matt and James didn't want to stop, but I felt like it would have been disastrous for me to carry on... but it's so nice now, since the thing with McBusted happened. Me, Matt and James have got back in contact and I look back now on my Busted time with fond memories."


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i got my pattern from the bad around the yarn. the yarn soft creations by TMA.cast on 123st.k 12 rows in garterrow 1 k 10, put marker on kneedle,*p 2,(k1,yo,k1,p2) 5times,put markerk5, put marker, repeat from* 3times more, ending last repete k10 insead of k5.i always have 2 or 3 stitches left.what am i doing wrong? how do i count this to come out right?do i count the *p2 in with the ( )?thankseve…
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May 5, 2013
Michael Hale, standing in the blue shirt, was inspired to create a CO2 car race for youth and families. Michelle Hale, left, releases pairs of cars to run the length of the floor.
Stories this photo appears in:
Church's CO2 car races one of many family activities
A year ago, the O'Day family was invited to watch the first CO2 car race held by Hickory Hill Baptist Church. On Saturday, all four of them — John and Tina, 18-year-old Taylor and 13-year-old Jeffery — raced and showed cars.
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text:
WPFolio is a free and open source WordPress theme for artists portfolios (see previous post). The latest version is now live on WordPress.
WPFolio is ready for your hacks. The latest version includes a sample child theme to keep your changes independent of the parent WPFolio code. If you want to change it further fork the project on github and we may use your changes in a future release.
We're working on a new improved version of WPFolio, and could use your help! WPFolio gives artists a free and open source tool to create their portfolios. With thousands of downloads, it's likely to be many artists first encounter with free and open source tools!
While the project started a couple years ago, WordPress has developed several features that make it easier to create this kind of site and WPFolio is keeping up. The 1.6 version includes:
All this for the fabulous price of zero dollars!
1.6 is a beta release and there's some bugs and improvements we need to get done before we can submit it to WordPress. Some are super simple things like improving php code, updating deprecated tags, and enabling custom headers, so if you want to take 'em on, we'd appreciate it. You can fork WPFolio on GitHub and all the issues are listed on the GitHub issues page most with links leading to solutions. If you want to check out WPFolio more generally, see the WPFolio Owner's Manual. If you have any questions, get in touch!
Once WPFolio is in primo shape, we may update the FFFFFat theme….
Introducing WPFolio is a free and open source WordPress theme designed by artists specifically for visual artists. Visual artists who have a range of experience with the web (from none, to lots) and want a website that
It's free and open source, and licensed under the GPL. It features Theme Options so you can easily FF00FF it out and make it pink and yellow if you want to.
Check it out at the WPFolio site. And for best results, be sure to follow all the instructions!
The expressions published in this site are all in the public domain. You may enjoy, use, modify, snipe about and republish all F.A.T. media and technologies as you see fit.


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- Inhabitat – Green Design, Innovation, Architecture, Green Building - http://inhabitat.com -
Catherine, Duchess of Cambridge…Secret Patron of Thrift-Stores?
Posted By Nicole Abene On March 17, 2012 @ 2:24 pm In Accessories and Fashion,Design,Features | No Comments
We are happy to report that the Duchess of Cambridge [2] seems to be an undercover thrift store [3] shopper! Grazia Daily [4] tracked her gorgeous gray National Portrait Gallery [5] coat-dress to a secondhand store called The Stock Exchange that calls itself the "premier venue for the fashion-conscious bargain hunter." We love that even the future Queen of England can't pass up a good, eco-friendly deal – hit the jump [6] for more details about royal bargain hunting!
Article printed from Inhabitat – Green Design, Innovation, Architecture, Green Building: http://inhabitat.com
URL to article: http://inhabitat.com/catherine-duchess-of-cambridge-secret-patron-of-thrift-stores/
URLs in this post:
[1] Image: http://inhabitat.com/catherine-duchess-of-cambridge-secret-patron-of-thrift-stores/kate-middleton-jesire-dress-2-537x402/
[2] Duchess of Cambridge: http://www.ecouterre.com/6-ways-catherine-duchess-of-cambridge-can-boost-british-ethical-fashion/
[3] thrift store: http://www.ecouterre.com/4-thrifting-tips-from-it-brit-alexa-chung/
[4] Grazia Daily: http://www.graziadaily.co.uk/fashion/archive/2012/03/06/cut-price-kate-strikes-again-the-duchess-of-cambridge-shops-at-bicester-village.htm
[5] National Portrait Gallery: http://www.npg.org.uk/
[6] jump: http://www.ecouterre.com/catherine-duchess-of-cambridge-secret-thrift-store-shopper/
Click here to print.
Copyright © 2011 Inhabitat Local - New York. All rights reserved.


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Types refer to different elemental properties associated with both Pokémon and their moves.
There are 17 total types of Pokémon: Normal, Fire, Water, Grass, Electric, Ice, Fighting, Poison, Ground, Flying, Psychic, Bug, Rock, Ghost, Dragon, Dark, and Steel. These 17 types apply to both Pokémon and their moves.
Each type has its own strengths and weaknesses, most of which are logical setups. Fire-type Pokémon are weak to Water-type Pokémon, Ice-type Pokémon are weak to Fire-type Pokémon, Water-type Pokémon are weak to Electric-type Pokémon, etc. These matchups also apply to the types of moves as well. A Fire-type move such as Ember will be strong against a Grass-type Pokémon such as Bulbasaur.
There are also dual-type Pokémon, Pokémon that belong to two types. Most if not all dual-type Pokémon's types correspond with one another such as a Bug/Poison-type Pokémon or a Rock/Ground-type Pokémon. However, not all dual-type Pokémon's types relate to each other like this. Some Pokémon may be dual-type between two types that don't normally go together such as Water/Electric-types (such as Lanturn) or Grass/Flying-types (such as Jumpluff), or Fighting/Psychic (such as Medicham). Pokémon themselves can have up to two types (making them dual-type Pokémon), but moves can only be one type.
External links


text:
This is the first book on MOOCs I've been inclined to read, purely because Igne Ignatia de Waard (@Ignatia) is someone I respect through our shared interest and conversations on Twitter – "MOOC YourSelf – Set up your own MOOC for Business, Non-Profits, and Informal Communities".
Self-published through the Amazon Direct Publishing process Ignatia looks at the different options/formats for MOOCs and fits them in to best online learning practices and offers design and learning options. In the book she also looks at the pedagogy surrounding MOOCs and the options currently available for the often-criticised certification routes.
"The challenges and benefits of MOOCs are highlighted and guidelines on how to build an optimal MOOC experience are shared. Online learning best practices' are listed with a focus on MOOC specific learning characteristics, certification options and pedagogies."
The background and history to the current MOOC hype(first section of the book) is not for me, but it is worth reading as the basis for the cMOOC and xMOOC approach are explained well and are vital if you are to get the most out of the rest of the book. Continue reading


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September 1, 2010
Director's Chair: Rob Reiner - 'Flipped'
By: Iain Blair
HOLLYWOOD — Over the past three decades, director/producer/writer/actor Rob Reiner has made such seminal films as When Harry Met Sally, This Is Spinal Tap and Stand By Me. Now Reiner, whose last film was the 2008 hit The Bucket List, is back with a new film, Flipped, which stars Madeline Carroll, Callan McAuliffe, Rebecca De Mornay, Anthony Edwards, John Mahoney, Penelope Ann Miller and Aidan Quinn.
A coming-of-age romantic comedy that tips its hat to Stand By Me, and set in the late '50s and early '60s, Flipped tells the story of Bryce and Juli, who meet in second grade. Juli immediately knows it's love, but Bryce isn't so sure. As the story follows the pair for the next six years as they go from grade school to junior high, it lovingly details their triumphs and disasters, the family dramas, and ups and downs of first love.
Here, Reiner, whose credits include A Few Good Men, The Princess Bride, Ghosts of Mississippi and The American President, and who will always be remembered as Mike "Meathead" Stivic on All In The Family, talks about making the film, his love of post and how Hollywood's changed.
POST: How do you go about deciding what your next project will be and what made you choose this?
ROB REINER: "I always look for something I can connect with, with characters I can relate to, that are going through something I've been through or am going through, so I can understand the emotions. That's the only way I can do it. When I read the book this is based on, it reminded me of the feelings I had when I was 12, of first love. It was very similar to the feelings I had when I did Stand By Me. It was almost the same kind of response."
POST: Where did you shoot this?
REINER: "All around Ann Arbor, Michigan, because it gave us the right look. We needed a suburban rural place that looked like it was just starting to get developed during the late '50s. Michigan also has great tax incentives and breaks, which is so important now."
POST: What were the biggest challenges of making this?
REINER: "Keeping the points-of-view straight as I was shooting. You shoot out of sequence anyway, and then sometimes within a sequence we'd flip back and forth between the boy's and girl's point-of-view as we were shooting in one direction, because of the light or whatever. I was being driven crazy! Even the script supervisor got lost sometimes."
POST: It's interesting that you used the same director of photography, Thomas Del Ruth, as on Stand By Me.
REINER: "I did it intentionally, and he gave both films this great, dipped-in-honey, slightly nostalgic gauzy look."
POST: Where did you do the post? How long was the process?
REINER: "We did it all at The Lot, the old Warner-Hollywood studio. We were there about three months."
POST: Do you like the post process?
REINER: "I love it. My favorite parts of the whole process are writing the script and then editing and post. The actual shoot is always hard. It's where all the money's being spent, there's a lot of pressure and aggravation and so on. But the quiet of writing and editing is far more creative. You can take a breath and be reflective and think about the material and how you want to shape it."
POST: Flipped was edited by Robert Leighton, who has edited every one of your films. How does that relationship work?
REINER: "We always joke that we spend more time alone together in a dark room than we do with our wives. After so many years we know each other so well. He doesn't usually come on the set, except to visit once or twice. We start cutting during the shoot. We'll watch dailies at lunch or later, and discuss what we like and don't like. Then he goes off and cuts.
"I don 't look at it unless he tells me there's a problem and it's not coming together — and that's only happened once or twice in 30 years. So I wait until he's done his rough assembly, and as the years have gone by, those rough assemblies have become closer and closer to what we wind up with. I do go over every single cut and we shave and massage each cut — and sometimes we make more significant changes. But we have such a shorthand and we're so comfortable with each other's taste and choices that it's a very easy process."
POST: Was cutting between the kids and their different POVs tricky?
REINER: "It was, almost as confusing as the shoot, but we knew what we had and how to tell the story, and it fell into place fairly quickly."
POST: You've never been a visual effects-heavy director, but you've always used them when necessary.
REINER: "Exactly. Bucket List had quite a lot of visual effects, but all in service of making it look like there's none in it at all. Most of the time when movies have visual effects, it's to create a whole new world, like with Avatar, or big explosions and so on. My visual effects are always trying to make it look like there are none."
POST: So how many visual effects shots are there in Flipped?
REINER: "Quite a few, all done by Kaliber Visual Effects who did The Bucket List. Everything we shot inside Bryce's house, looking out the window, is all visual effects, as we shot it all on a stage. Everything in Juli's house was real, as it was a location. Then the big sycamore is a mix. We found a real tree in a park, but then used visual effects to put it in the street scenes. And the beautiful sunset she sees from the top of the tree is a real sunset we shot, which was then composited into the scene in post."
POST: How important are sound and music to you?
REINER: "Hugely important for setting a mood and tone. I love The Everly Brothers, so we used a lot of their songs, along with "One Fine Day" by The Chiffons, and Ben King's "Stand By Me" — again — and so on. I love working on the music and sound."
POST: Did you do a DI?
REINER: "Yes, at Warner Bros. Motion Picture Imaging, with colorist Maxine Gervais. The first DI I did was on Rumor Has It… and since then I've always done it. I couldn't go back. The advantages are so huge. It's like Photoshop — you can manipulate colors, take out blemishes, change the sky, a million things. I'll give you a great example. On this, Maddy's and Callan's eyes are both brown. But the little boy and girl who played them at age 7 both had blue eyes. So we just changed their eye color like that."
POST: Did the film turn out the way you hoped?
REINER: "Absolutely. And that's usually the case for me. If something didn't work it's usually not because of what I tried to do, but probably because it wasn't a great idea in the first place."
POST: How's filmmaking changed since you began directing?
REINER: "So much. Look at the huge changes in editing. We began on a Moviola, then the Kem, and then the Avid. I resisted all the changes to Avid, though I love it now. I used to say, I don't think the Avid's a good idea because you need that time to let the process gestate and so on. But once I began working on the Avid I was like, this is the greatest thing ever! You can make changes instantly and right away see if it works or not. I could never go back."
POST: Is film dead?
REINER: "It's becoming dead. It's on life support. I don't know if they'll pull the plug yet, but within a few years it'll all be digital. I'm happy with that. I love digital and I've really embraced the new technology."
POST: You co-founded Castle Rock Entertainment and you've also produced all your films. You must love producing?
REINER: "I do, because it means I can control projects far more. I'm not at the mercy of people telling me "You're over budget." I know where the budget is. I know exactly what I need to do! Castle Rock's still going strong. We've got several films we're doing this year, including one we're shooting right now called Friends With Benefits, starring Justin Timberlake and Mila Kunis, directed by Will Gluck. We have another that just wrapped, called Faster, with The Rock, who's great. Then we have another starting later this year, called Damsels in Distress, directed by Whit Stillman. So we're quite busy. We try to make about three or four films a year, plus we have several other projects in development."
POST: Hollywood's gone 3D crazy it seems. Any interest in doing a 3D film?
REINER: "Yes, but it depends on the story. I think it works great for films like Avatar, but Flipped doesn't need to be in 3D. For a big superhero comic book type film, it obviously looks fantastic if it's done right."
POST: What's your take on the current state of Hollywood?
REINER: "I think it's healthy. You go to Comic-Con and it's pretty crazy. Everyone's buying up superheroes and making more movies with them, and the fans are there if it's done right. My end of the film business isn't so healthy. I'm a dinosaur. Studios are far more interested in tent pole franchises. They're not really interested in adult human dramas. They're relegated to the low-budget indie world. So there's not much in the middle anymore. And it's getting harder, especially for the kinds of films I want to make. And it's a struggle to raise financing."
POST: Do you feel you can only make a few more movies of the type you love?
REINER: "I honestly don't know. Look at Clint Eastwood or Woody Allen. I idolize Clint, and he's 80 now and still making films. I'm 63 now, and I don't do one a year like those guys. It's more like one every two years now. It used to be one every year and three months. I'd do it quicker if I found the right projects. You know what happens? It's not so much that you get older and slow down, but that your interests narrow in terms of what really resonates with you. I can't just do anything. It has to be something I really connect with. I'm always looking for human stories I can relate to. No robot movies for me!"
POST: What's next?
REINER: "I'm working on a script right now, tentatively titled The Magic of Bel Isle. It's a very real story about a guy who moves into a lakeside community for the summer and how he impacts the family next door and vice versa. And it's not another period piece — it's set in the present."
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Outlook 2015: HP's Jim Zafarana - Influential hardware innovations
December 12, 2014
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Small group of deer
Often seen around this time and earlier in the summer. Seen with Herring Gull and other small birds.
Inhabit the area year round. Often feed on clams and starfish. About three species of gull are in the area.
Some Cnidarian ( I think) that was clear, about 3 inches long, and bioluminescent. I found it in a bay at Long Beach Island. also, I have a video, but I don't know how to upload it.
Spotted multiple consecutive years. When approached, went into trees, suggesting possible nest site.


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Healthnotes offers comprehensive, science-based health and lifestyle information.
Written with you in mind, Healthnotes answers the most commonly asked questions
with credible, easy-to-understand information — edited by physicians who review
over 550 scientific and medical journals to keep content current, factual, and balanced.
Relatively large amounts of isoflavones are present in whole soybeans, roasted soy nuts, tofu, tempeh, soy milk, meat substitutes, soy flour, and some soy protein isolates. In addition, the isoflavones present in soy are available as supplements, in capsules or tablets.
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ASG Security Group is looking to hire professional security guards with valid Security Licenses.We offer competitive wages $11- 14/hr! Experience in the Security Industry is an asset. Many full time positions for patrol guards available in GTA! If you want to work with the best in the Industry, submit your resume today to the email address below. All applicants will be reviewed!


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0oBrodeso0Follow 0oBrodeso0
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Hi, im Brodie. im 21 and currently Im a student in my final year of nursing :) I love travelling and I one day hope to see the world. I am yet to have travelled with contiki but i hope to change this sometime in the near future.
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European Discovery (Winter)
9 countries \ 13 days \ from US$1955 per person
If trips were like courses at a dinner party, the European Discovery would be the appetiser. 8 countries in one shot gives you a taste of all the big cities plus some hidden treasures, so you know where to go next time! From Amsterdam to Rome to Paris, you won't want to miss a thing. In fact, sleep will probably be the last thing on your mind!
Thai Island Hopper West
1 country \ 9 days \ from US$955 per person
Some of the world's best beaches in some of the ultimate places to chill make this Thai Island Hopper trip a must. From busy Phuket, head to paradise on legendary Koh Phi Phi, before Krabi & its amazing scenery. Treat yourself to a relaxing Thai massage, visit 'The Beach' and soak up the sun from the white sandy shoreline or sea canoe in the beautiful clear waters. It's your choice to relax, indulge or party until the sun comes up…
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text: Info Search results 9 items matching your search terms. Filter the results. Item type Select All/None Collection Page Event File Folder Form Folder Image Link News Item Templated Document Collection Person New items since Yesterday Last week Last month Ever Sort by relevance · date (newest first) · alphabetically McCulloch Honored by APTA as Research on Assessment for Wounded Warriors Continues to Draw Support Dr. Karen McCulloch, Professor, received the Service to Section Award for the American Physical Therapy Association (APTA) Neurology Section at the 2013 Combined Section Meeting in January. Located in News and Events / News Items Research in the DAHS: Looking Back – and Forward As I sit down to write this, and look back over 13 years of research in the DAHS, two old advertising tag-lines keep popping into my head: "You've come a long way, Baby!" and "You made it the old fashioned way, you earned it!" Located in News and Events / News Items New Interdisciplinary Autism Training Grant will Help Produce Leaders in Research and Outreach A new interdisciplinary training grant to help doctoral students and post-doctoral fellows at UNC develop leadership competencies related to Autism Spectrum Disorders (ASD) has received $1,246,834 in funding from the U.S. Department of Education. Located in News and Events / News Items From Dr. Grace Baranek, Associate Chair for Research, Summer 2013 Looking back on this year, I'm so proud of the many accomplishments of our faculty, staff, and students, despite hard economic times for research funding – it's quite an impressive group! Located in News and Events / News Items From Dr. Grace Baranek, Associate Chair for Research Fall2014/Winter 2015 Located in News and Events / News Items Hasselkus Visits as 2013 Mitchell Symposium Scholar Dr. Betty Risteen Hasselkus, Emeritus Professor of Kinesiology/Occupational Therapy at the University of Wisconsin-Madison, visited UNC Chapel Hill in March as the 2013 Mitchell Symposium Scholar. Located in News and Events / News Items New Faculty 2013 The Department of Allied Health Sciences welcomed nine new faculty members for the fall of 2013. Located in News and Events / News Items Rák Receives Grant for Statewide Needs Assessment of Services for Visually Impaired Dr. Enikõ Rák, Assistant Professor, has received a $33,324 grant from the North Carolina Department of Health and Human Services, Division of Services for the Blind (DSB), to support a "Comprehensive Statewide Needs Assessment," to identify and describe the rehabilitation needs of individuals with blindness, deaf-blindness, and other visual disabilities. Located in News and Events / News Items Study:Young Children with Autism Benefit Regardless of High-Quality Treatment Model Researchers at UNC Chapel Hill have found that preschoolers with Autism Spectrum Disorder (ASD) who receive high-quality early intervention benefit developmentally regardless of the treatment model used – a surprising result that may have important implications for special-education programs and school classrooms across the country. Located in News and Events / News Items


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|Hands on History: An Interactive Family Tour at Brucemore
|News Releases - Art, Galleries & Museums
|Written by Tara Richards
|Monday, 20 August 2012 08:22
Bring the whole family on the Hands on History: An Interactive Family Tour of the Brucemore gardens, grounds, and Mansion, September 18 at 6:00 p.m. Participants will learn about the daily lives of children and families in Victorian America while touring the estate, practicing etiquette of the era, and creating a craft project.
Tickets for Brucemore members are $10 per adult and $5 per child or $12 for non-member adults and $7 per child. Space is limited; purchase tickets by visiting www.brucemore.org or calling (319) 362-7375. Family programming at Brucemore is sponsored by US Bank.
Experience Brucemore, an unparalleled blend of tradition and culture, located at 2160 Linden Drive SE, Cedar Rapids, Iowa. At the heart of the historic 26-acre estate stands a nineteenth-century mansion filled with the stories of three Cedar Rapids families. Concerts, theater, programs, and tours enliven the site and celebrate the heritage of a community. For more information, call (319) 362-7375 or visit www.brucemore.org.
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Integrating technology into the bathing space is one of the hottest trends in products and interior design. Gone are the days of blasting the TV from an adjacent room to catch the weather forecast, or eating up precious counter space with a docking station for your mobile device. It's never been easier or more affordable to make your bathroom smarter - all while keeping your electronics safe.
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By Frederick Herot, VP of Marketing, realtor.com®
Busy agents collect the names and contact information for hundreds of past and prospective customers over the years. When we ask these agents what percentage of the people on their "list" have been contacted in the past 24 months – we frequently get a slightly embarrassed answer that it's less than half. In many cases it's less than 20%
After months and months go by, it gets even harder to just pick up the phone and say "Hi, remember me?"
This is getting more attention now because one of our products for follow-up presents five people out of the agent's database to call each day. It is visually bright and colorful, so it can't be easily ignored; and it shows how long it has been since the last time the agent called them. To make the call go easier, we provide tools and dialogue.
In this business, trends in the real estate market are always a good ice-breaker – and having some relevant information on home prices, mortgage trends and market data will make up for many months of radio silence.
To meet this need, we offer a newsletter that is free to all REALTORS®. It contains national as well as some regional data on the housing market.
The dialogue is simple, "You may be wondering about what is happening in the housing market. I have a newsletter that gives you a general idea of regional trends, and I can also fill you in on what's selling in your neighborhood. I'm about to send it to your email – are you still at the same email address?"
Having months go by only makes matters worse, so helping agents make the call regardless of how long it has been, can change the course of the relationship and may in fact come at just the right time—when the prospective customer is ready to move. Whether you use our CRM (Top Producer®) or your own method of follow-up, we still can provide you with the Housing Trend's E-newsletter. It's free, and who knows, it may smooth out some of those awkward calls that prevent your agents from calling.
Available at www.realtor.com/engage
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