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Gulf of California
Satellite view of the Gulf of Mexico. Source: National Aeronautics and Space Administration
The Gulf of California is a saline water body that separates the Baja Peninsula from the remainder of northern Mexico.
Also called the Sea of Cortez, this marine body exhibits some of the greatest biodiversity of the seas of the world, manifesting over 5000 species of macroinvertebrates.
With a depth of over 3000 meters in the northern reach, the Gulf of California has an areal extent of about 177,000 square kilometers.
Regional setting of the Gulf of California. Source: Demis
The Gulf of California was formed over nine million years ago via rifting of Baja California from the balance of Mexico through tectonic forces.
Geological Origin
The Gulf of California came into existence approximately 16.5 to 9.2 million years before present, when tectonic forces rifted the Baja Peninsula from the North American Plate. At that time the East Pacific Rise propagated up the center of the Sea of Cortez along the seabed; the East Pacific Rise is a mid-ocean ridge, situated along the Pacific Ocean floor, separating the Pacific Plate from the North American Plate, Rivera Plate, Cocos Plate, Nazca Plate and Antarctic Plate. This element of the East Pacific Rise is sometimes called the Gulf of California Rift Zone.
The Gulf could extend as far as Indio, California, save for the expansive Colorado River delta that blocks the Gulf from flooding Mexicali as well as Imperial Valley.
Volcanic activity has been exhibited in the East Pacific Rise. For example, the felsic volcanism coincided with extensional rotation of the rifting, while in the Sierra Santa Ursala area the volcanic activity preceded significant tectonic rotation. The island of Isla Tortuga is a testament of this ongoing volcanism.
The Gulf of California holds 37 islands, with the largest being Isla Ángel de la Guarda and Tiburón. Most of the islands are found on the Baja side of the Gulf. Moreover, many of the islands of the Gulf of california are the product of volcanism arising about ten million years before present. The islands of Islas Marías, Islas San Francisco, and Isla Partida are considered the result of such volcanism. The volcanic islands were formed as a result of an individual structural occurrence. Several islands, including Isla Coronado, are home to active volcanoes.
Marine Ecology
Gulf of California harbor porpoise in the Gulf
of California, Mexico. Source: Thomas Jefferson
See main article: Gulf of California large marine ecosystem
The Gulf of California Large Marine Ecosystem is classified as a Class I, highly productive (greater than 300 grams of carbon per square meter per year) ecosystem. Sardines and anchovies are the principal food for large numbers of squid, fish, marine birds, and marine mammals (e.g. California sea lions, Fin whales, dolphins, orcas, and Northern elephant seals). The ecosystem serves as a nursery ground for the Gray whale, and is a breeding areas for a number of marine birds (e.g. Herring's gull, Larus heermanni and Royal tern, Thalasseus maximus) as well as many mammals.
The northern gulf has many endemic species including endemic populations of the Gulf of California harbor porpoise (a critically endangered marine mammal also known as a Vaquita) and the totoaba (a large endangered fish). Since the Colorado River once discharged into the Gulf of California, but now rarely does, many changes are occurring in the estuarine environment at the far northern end. Sedimentation and changes in the environment brought about by the loss of inflow favor the isolation of species and their consequent speciation.
Water Quality
Human activities are altering water quality and ecosystems in the Gulf of California. The decrease of Colorado River freshwater input has changed the ecological conditions of what used to be an estuarine system, important for fish reproduction. It is now an area of elevated salinity. Water pollution problems include agriculture inputs and runoff from intensive cropping pratices needed to feed a rapidly expanding Mexican population. Pesticides and herbicides are used in the agricultural areas of the Mexicali Valley and of the Sonora and Sinaloa states.
The main issue affecting ecosystem health has been the escalation of fishing vessels and fishing gear types, from small pangas, handlines with multiple hooks and spearguns, to gill-nets, trawls and longlines. Species in danger of economic extinction in the Gulf of California include the Cabrilla, Black and White seabass, Gulf grouper, Yellowtail, Dog snapper and Sierra. Sea turtles, Hammerhead sharks, and Giant manta rays have virtually disappeared. The Gulf of California Large Marine Ecosystem has however shown a resilience that is partly due to its coastal watersheds and to the submarine topography that causes the upwelling of nutrients.
Terrestrial Ecology
See main articles: Sonoran-Sinaloan transition subtropical dry forests
Sierra de la Laguna dry forests
Along the eastern coast of the Gulf of California the Sonoran-Sinaloan transition subtropical dry forest ecoregion comprises a distinct zone of dry forest that forms a north-south transition between the Sonoran Desert to the north and the Sinaloan dry forests to the south. The ecoregion shares elements of climate, as well as soil and topographic attributes, with both neighboring ecoregions. Nonetheless, it exhibits a unique mixture of temperate and tropical biota, many species of which find either their northern or southern limits here. Characteristically tropical species include the magnificent black-throated magpie jay (Calocitta colliei). On the other hand, many more typically northern desert species are also found here, including jumping cholla cactus (Opuntia fulgida) and barrel cactus (Ferocactus wisliznei). The southeastern boundary of these dry forests marks the end of the Nearctic and the beginning of the Neotropical biogeographic realm.
Along the southwestern edge of the Gulf of California lies the Sierra de la Laguna dry forests ecoregion was earlier an isolated island and correspondingly contains a high number of endemic species. After joining the balance of the Baja Peninsula, this ecoregion gave way to speciation, resulting in high species diversity. This subtropical dry forest is threatened by cattle grazing and by hunting of high level predators. Designated as a Protected Natural Area, this unique and significant ecoregion is threatened by ongoing habitat fragmentation.
- S.Alvarez-Borrego. 1983. Gulf of California. In: Ecosystems of the World: Estuaries and Enclosed Seas. B.H. Ketchum, ed. Elsevier Scientific Publishing House. ISBN: 0444419217.
- Richard C. Brusca. 1973. A Handbook to the Common Intertidal Invertebrates of the Gulf of California. Tucson, Arizona: University of Arizona Press. ISBN 0816503567.
- G.Ceballos and A. García. 1995. Conserving neotropical diversity: The role of dry forests in Western Mexico. Conservation Biology 9:6 (1349-1356).
- Hugo Delgado-Granados. 2000. Cenozoic tectonics and volcanism of Mexico (Google eBook) Geological Society of America. 275 pages

subset: commoncrawl


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Five Tips on Parenting Facebook Kids
Parenting kids of the Facebook generation is tough. Here are five tips to help you navigate your hi-tech kids.
This is an evil world we live in and what we need is more guidance and supervision. As a parent I won't let my 14 year old daughter have a myspace page due to the danger and would definitely support a stronger, more reliable way to keep our children safe! I think that kids need less privacy with computers!! I constantly struggle with the balance of watching out for my kid when he goes online. I even installed internet filter Ez Internet Timer http://www.internettimer.net It can stop all children's on-line activity and block Internet browsers, e-mails, ftps or messengers according to my daily schedule.


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The Brandon Marlins and Brandon Cloverleafs both took their Manitoba Senior Baseball League season openers on Friday.
Matt Gunning went 2-for-3, came around to score three times and drove in another run as the Cloverleafs jumped out to a 6-0 lead after two innings in Reston on their way to an 8-4 win over the Rockets. Justin Funk added two RBIs, while Kevin McNeil hit a solo blast.
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Top Definition
A character in the T.S Eliot book and Andrew Lloyd Webber's Musical 'Cats'.
Look at that cat! It's Magic Mr. Mistoffelees, yo!
by Cherub-Hands August 03, 2006
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I am pleased to announce a restructuring of the Office of International Programs.
As a result of this reorganization, which will facilitate the crucial effort to internationalize the curriculum and campus, Assistant Provost Tanya Saunders's new title will be assistant provost and dean of Interdisciplinary and International Studies.
In addition, Rachel Cullenen has been promoted to associate director for Study Abroad and Diana Dimitrova has been promoted to associate director for International Student Services.
Please join me in congratulating these three individuals upon their promotions. I look forward to working with them as we seek to expand opportunities for students, faculty, and staff -- in the words of the Mission Statement -- "to share the responsibilities of citizenship and service in the global community."
Peter Bardaglio
Provost and Vice President of Academic Affairs
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MIAMI -- Evan Gattis hit a three-run homer and the Atlanta Braves completed their second consecutive three-game sweep when they beat the reeling Miami Marlins 8-0 Wednesday night.
Mike Minor pitched 5 2-3 innings for the Braves, whose 8-1 record leads the majors. They're off to their best start since 1994, when they began the season 13-1.
Only three series into the season, Atlanta enjoys a seven-game lead over the Marlins, who have the worst record in the big leagues at 1-8. They've scored just 16 runs, and with five consecutive losses they're off to their worst start since the 1998 team began the season 1-11.
The Marlins kept the game scoreless until the fifth, when Gattis hit his third homer in a six-run inning. The rookie also singled and is batting .391 with a slugging percentage of .826 (see full recap).
Harper, Desmond lead Nats to win
WASHINGTON -- Bryce Harper homered, Ian Desmond had three extra-base hits, Danny Espinosa provided his first two RBIs of the season, and the Washington Nationals beat the Chicago White Sox 5-2 Wednesday night to stay unbeaten at home.
In a game that began 16 minutes late because, the Nationals explained, the umpires got stuck in traffic, Washington starter Jordan Zimmermann (2-0) limited Chicago to two runs and seven hits in seven innings. Both runs scored on groundouts.
Drew Storen pitched the eighth, and closer Rafael Soriano worked around a hit in the ninth for his fourth save in five chances.
Harper hit his fourth homer into the second deck leading off the fourth against Gavin Floyd (0-2), who allowed five runs and nine hits in 5 1-3 innings (see full recap).
Westbrook throws shutout vs. Reds
ST. LOUIS -- Jake Westbrook pitched a five-hit shutout and the St. Louis Cardinals backed him with four home runs Wednesday in routing the Cincinnati Reds 10-0.
Jon Jay, Carlos Beltran and Matt Adams homered in a span of seven at-bats off Homer Bailey as the Cardinals took two of three from the NL Central champions.
Matt Carpenter added a two-run homer on a four-hit day. Adams homered for the second straight game and added an RBI double and walk.
The Cardinals have dominated the Reds at home the last decade, losing just three of 28 series with two splits.
Westbrook (1-1) threw his fourth career shutout, walking four and striking out three (see full recap).
MLB Wrap: Braves complete sweep of Marlins
MIAMI -- Evan Gattis hit a three-run homer and the Atlanta Braves completed their second consecutive three-game sweep when they beat the reeling Miami Marlins 8-0 Wednesday night.


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Soft Sheen Property Donated To Historic Chicago Church
CHICAGO , Jan. 6, 2013 /PRNewswire/ -- Churchgoers attending Sunday worship services at Fellowship Missionary Baptist Church received the good word and some good news too, as Pastor Charles Jenkins announced that the historic church is now the proud owner of a historic property – the former headquarters of the Soft Sheen beauty products company.The 14.5-acre site will be the new location of the church and a mixed-use development project, which promises to enhance the social fabric of the community holistically, marking a major milestone in a broad vision for the property at 8522 S. Lafayette Ave. The irrevocable, landmark multimillion-dollar donation comes from the foundation of Hobby Lobby Stores, Inc., an Oklahoma City-based national arts and crafts chain that has contributed to faith-based initiatives nationwide for many years. "I offer my sincere gratitude to the Green Family for their unparalleled generosity to Fellowship Missionary Baptist Church and our work in the city," Pastor Jenkins said. "We are excited about this huge step and other amazing friends and partners who are already joining us on this meaningful and impactful journey to serve inner city Chicago." With an average of 4,000 weekend attendees in the Chicago area and some 25,000 online worshippers, Fellowship has outgrown its current facility at 4543 S. Princeton Ave., and has a vision for more than a new church. Hence, four years ago, Fellowship established its economic development arm, the Fellowship Educational and Economic Development Corporation (F.E.E.D.), and launched an ambitious expansion and community development initiative called the Legacy Project, setting its sights on the former Soft Sheen headquarters. The site has sat vacant for 11 years. The mission of the Legacy Project is to build people and community by focusing on personal growth, job creation, education, youth development, healthcare, economic development, and community empowerment. Plans additionally call for renovation of the 229,000-square-foot office building to include a school, health and wellness center, a center for youth programming, a casual dining restaurant, as well as construction of up to seven retail stores at an estimated cost of $26 million. "The church is committed to working toward reducing unemployment, crime and violence, raising resident morale, and providing hope to the community overall," said Pastor Jenkins. "This donation is the first I have heard of in this community and one of many examples of God blessing our effort and dedication to serving Chicago." Pastor Jenkins thanked Illinois Governor Pat Quinn, Chicago Mayor Rahm Emanuel, former Mayor Richard Daley and Chicago City Councilman Ald. Howard Brookins for their ongoing support. Next steps include identifying additional friends and partners as Fellowship's successful fundraising efforts continue, as well as identifying minority and women-owned subcontractors, compatible business enterprises and tenants to anchor the site and serve the community.
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Main Office: Peck Hall 302
Department Chair: Dr. Maria K. Bachman
Email: firstname.lastname@example.com
Telephone: (615) 898-5644
Fax: (615) 898-5098
Faculty Bibliography
English Department
[Last names J-Z]
[click here for a larger image]
Johnson, T. | Kates | Kaufman | King | Kostkowska | Lavery | Lee | Levine | Lutz | Mackin | McCluskey | R. McDaniel | Neth | Ostrowski | Otto | Petersen | Phillips | Renfroe | Sherman | A. Smith | Strawman | Therrien | Tormey | Tyner | White | Wilt
Books by faculty appear in bold.
Johnson, Newtona (Tina). "Home Matters: Imagining the Homeland in the Narratives of Sierra Leone Diaspora
in the US ." A Critical Introduction to Sierra Leone Literature . Ed. Eustace Palmer, Trenton, NJ : Africa World Press, 2008.
___."Staking Claims: Theorizing Female Agency and Empowerment through Black Women's Literary Writings." Research in African Literatures 39.2 (Spring 2008): 117-124.
___." Fourah Bay College," The Encyclopedia of the African Diaspora . Ed. Carole Boyce Davies, ABC-CLIO Incorporated. Forthcoming, 2008.
___."Challenging Internal Colonialism: Edwidge Danticat's Feminist Emancipatory Enterprise." Obsidian III: Literature of the African Diaspora 6.2/7.1 (June 2006): 147-166.
___. "Gender and Diasporic Connections in Marlene Nourbese Philip's Harriet's Daughter." MaComere: The Journal of the Association of Caribbean Women Writers and Scholars 3 (2000): 84-93.
___. "Creolization and Cultural Identity: Insight from the Literary Productions of White Caribbean Female Writers." The CEA Critic 58. 3 (1996): 31-40.
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Kates, Ron. "New Urbanism Meets Cinematic Fantasyland: Seaside, The Truman Show , and New Utopias." Studies in American Culture 23.2 (2000): 93-98.
___. "Russell Banks and the Church of Fenway: Wade Whitehouse, Bob Dubois, and Their Respective Red Sox Epiphanies." Aethlon 16 (1998): 135-142.
___. "Tape Recorders and the Commuter Student: Bypassing the Red Pen." Teaching English in the Two Year College 25 (1998): 21-24.
___. "Twentysomethings in the 90s: Film Noir Meets Marlovian Tragedy." Proceedings of the Virginia Humanities Council Meeting , 1999.
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Kaufman, Amy. "Our Future is Our Past: Corporate Medievalism in Dystopian Fiction," Studies in Medievalism 22, 2013.
___. "'His Princess': An Arthurian Family Drama," Arthuriana 22.3 (2012): 41-56.
___. "Blood Will Out: Genealogy as Destiny in Medieval(ist) Gaming," (with Cory Lowell Grewell). Neo-Medievalism in the Media: Essays on Film, Television, and Electronic Games. Ed. Carol L. Robinson and Pamela Clements. Lewiston: Edwin Mellen Press, 2012. 283-306.
___. "In the Shadows of Rome: Building an Arthurian England," Groniek 43.189 (2011).
___. "Medieval Unmoored." Studies in Medievalism 19 (2010): 1-11.
___. "Guenevere Burning." Arthuriana 20.1 (2010): 76-94.
___. Editor and Introduction, The Year's Work in Medievalism 23 (2010).
___. "Anxious Medievalism: Medievalism, Masculinity, and the American Romance with God." The Year's Work in Medievalism 22 (2009): 5-13.
___. " Romancing the Game: Magic, Writing, and the Feminine in Neverwinter Nights ." Studies in Medievalism 16 (2008): 143-158.
___. "The Law of the Lake: Malory's Sovereign Lady." Arthuriana 17.3 ( 2007): 56-73.
___. "Between Women: Desiring Damsels in Malory's 'Alexander the Orphan.'" Parergon 24.1 (2007): 137-54.
___. Review of Medievalism: A Special Issue of the European Journal of English Studies, ed. Ute Berns and Andrew James Johnston, 15.2 (August 2011); Medievally Speaking (January 2012).
___. Review of Vision and Gender in Malory's Morte Darthur by Molly R. Martin, The Medieval Review (2011).
___. Review of Ordering Chaos: The Self and the Cosmos in Twelfth-Century Latin Prosimetrum by Bridget K. Balint, Carmina Philosophiae: Journal of the International Boethius Society 19 (2011).
___. Review of The Girl's King Arthur , forthcoming in Arthuriana (2011).
___. Review of Mass Market Medieval , ed. David Marshall. Medievally Speaking: Medievalism in Review (2010).
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King, Rebecca. "The Lucky Spot as Immanent Critique"—chapter in Beth Henley: A Casebook, Routledge, July, 2002.
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___. Ecocriticism and Women Writers: Environmentalist Poetics of Virginia Woolf, Jeanette Winterson and Ali Smith. United Kingdom: Palgrave Macmillan, 2013.
___. Virginia Woolf's Experiment in Genre and Politics 1926-1931: Visioning and Versioning The Waves. Lewiston, NY: Edwin Mellen Press, 2005.
___. "Ecological Form in Mrs. Dalloway" in: Dorothy Dodge Robbins, ed. Critical Insights: Mrs. Dalloway by Virginia Woolf, Pasadena, CA: Salem Press, 2011 (forthcoming). ___. "Studland Beach and Jacob's Room: Vanessa Bell's and Virginia Woolf's Experiments in Portrait Making 1910–1922." Partial Answers: Journal of Literature and the History of Ideas 9:1 (June 2011) : 95-109.
___. "Cinematic Editing of Virginia Woolf: Mrs. Dalloway and Stephen Daldry's The Hours as Reflective Ecosystems." McNees, Eleanor and Sara Veglahn, eds. Woolf Editing/Editing Woolf: Selected Papers from the Eighteenth Annual Conference on Virginia Woolf. Clemson: Clemson University Digital Press, 2009,138-144.
___. "'The Sense of Taking Part': Feminist Environmental Philosophy in the Poetry of Wislawa Szymborska." Slavonica, 12:2 (2006): 149-166.
___. "'To Persistently Not Know Something Important': Feminist Science and the Poetry of Wislawa Szymborska." Feminist Theory, 5:2 (2004): 185-203.
___. "'Scissors and Silks,' 'Flowers and Trees,' and 'Geraniums Ruined by the War': Virginia Woolf's Ecological Critique of Science in Mrs.Dalloway," Women's Studies: An Interdisciplinary Journal 33:2 (2004): 183-199.
___. "Beyond Gender and Heterosexuality: Teaching Virginia Woolf and Jeanette Winterson in an Undergraduate Classroom" in JoAnn DiGeorgio-Lutz, ed. Women in Higher Education: Empowering Change , Greenwood Press, to appear in 2002.
___. " Jacob's Room and The Waves : Virginia Woolf's Pursuit of Mrs. Brown or Life Itself," in Zagadnienia Rodzajow Literackich (Les Problemes Des Genres Litteraires) 35.1-2 (1992): 52-59.
___. "'To Persistently Not Know Something Important': Feminist Science and the Poetry of Wislawa Szymborska." Feminist Theory , 5:2 (2004): 185-203.
___. "Physics and the Alexandria Quartet by Lawrence Durrell," in Zagadnienia Rodzajow Literackich (Les Problemes Des Genres Litteraires) 32.2 (1989): 83-96.
___. Re view of " Virginia Woolf and the Fictions of Psychoanalysis by Elizabeth Abel," in Zagadnienia Rodzajow Literackich (Les Problemes Des Genres Litteraires) 35.1-2 (1992): 134-135.
___. "'Scissors and Silks,' 'Flowers and Trees,' and 'Geraniums Ruined by the War': Virginia Woolf's Ecological Critique of Science in Mrs.Dalloway ," Women's Studies: An Interdisciplinary Journal 33:2 (2004): 183-199.
___. "Woolf and Feminism." Review of Virginia Woolf: Feminism, Creativity, and the Unconscious by John Maze, in English Literature in Transition 1880-1920 , 42:1, and 1999.
___. trans. "The Kindness of the Blind" by Wislawa Szymborska. The New Yorker Magazine , Aug. 9, 2004.
___. trans. "Small Hours" and "Plato or Why On Earth" by Wislawa Szymborska. The American Poetry Review , Nov/Dec.2003.
___. trans. "Return Luggage," "Negative," "The Moment" by Wislawa Szymborska. Mid-American Review , Fall 2003.
___. trans. "A Bit About the Soul " by Wislawa Szymborska. Pleiades: Journal of New Writing , 24:2 (Fall 2003).
___. and Kathleen Snodgrass, trans. "A Song From Behind the Wall" by Katarzyna Borun-Jagodzinska, Oxford Quarterly , 1997.
___. and Kathleen Snodgrass, trans. "A Patriotic Song" by Katarzyna Borun-Jagodzinska, in Artful Dodge 26/27 (1994).
___. and Kathleen Snodgrass, trans. "Aida," Mimi's Aria," "Fidelio I," "Fidelio II' by Katarzyna Borun-Jagodzinska, in Poetry International , San Diego State University, Fall 1999.
___. and Kathleen Snodgrass, trans. "An Acquaintance," "In the End," by Katarzyna Borun-Jagodzinska, Chelsea 61, (January 1997).
___. and Kathleen Snodgrass, trans. "An Escape," "A Cat" by Katarzyna Borun-Jagodzinska, Willow Springs 39 (January 1997).
___. and Kathleen Snodgrass, trans. "At 6.30…," 'Experts," by Katarzyna Borun-Jagodzinska, The Snail's Pace Review 4:2 (1998).
___. and Kathleen Snodgrass, trans. "Dirge," "Get Penelope," "Pastoral," The Marlboro Review, Summer/Fall 1998.
___. and Kathleen Snodgrass, trans. "Olympia's Cat," "Song for One Voice," "Tower," "A Thoroughly Bourgeois Lyric" by Katarzyna Borun-Jagodzinska, Trafika 2 (Spring 1994).
___. and Kathleen Snodgrass, trans. "Tosca" by Katarzyna Borun-Jagodzinska, The American Voice , 46 (1998).
___. and Kathleen Snodgrass, trans."Invisible," "On Sermons," "Poem with a Dedication" by Jan Twardowski. Image: Journal of Arts and Religion , Fall 2003.
___. and Kathleen Snodgrass, trans. "Prayer" by Jan Twardowski. The Other Side , 2004.
___. and Kathleen Snodgrass, trans. "With a Gray Wagtail" by Jan Twardowski. The Penwood Review , 2004.
___. and W.D. Snodgrass, trans. "Dialogue," "A Smile," "Forecast" by Leszek Szaruga, Potomac Review 26, Spring 2000.
___. and W.D. Snodgrass, trans. "Express Train from the Warsaw-Gdansk Station" and "Runaway" by Leszek Szaruga, Great River Review 32, Spring/Summer 2000.
___. and W.D. Snodgrass, trans. "Litentia Poetica," "Between," "Penal Colony" by Leszek Szaruga, in W.D. Snodgrass, Selected Translations, BOA Editions: Rochester, NY, 1998.
___. and W.D. Snodgrass, trans."Dialogue" by Leszek Szaruga, Lyric 2, Summer/Fall 2002.
___. with W.D. and Kathleen Snodgrass, trans. "Dialogue," "Co-Dependency," "[Let's Put This in Brackets]" by Leszek Szaruga, in Oxford Quarterly Review, 1, (Summer/Autumn 1996).
___. with W.D and Kathleen Snodgrass, trans. " Watchman," "An Evening with the Author," by Leszek Szaruga. Salmagundi 97 (1993).
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Lavery, David. (see also http://davidlavery.net/CV/Lavery_Curriculum_Vitae.pdf)
___. Appendix C: "Intertextual Moments and Allusions on The Sopranos. " This Thing of Ours : 235-55.
___. Appendix D: " Sopranos : A Family History. " This Thing of Ours : 255-56.
___. " Audition of History and the Vocation of Man: Reflections on Extinction and Destiny." Michigan Quarterly Review 24 (1985): 345-67 (in a special issue on "Science and the Human Image").
___. " Buffy the Vampire Slayer. " 50 Key Television Texts : From Absolutely Fabulous to Z Cars. Ed. Glen Creeber. London: Arnold, 2003.
___. "Coming Heavy: Intertextuality, Genre, and The Sopranos. " PopPolitics.com (March 2001): http://www .poppolitics.com/articles/2001-03-03-heavy.shtml.
___. "Coming Heavy: The Significance of The Sopranos. " Prologue to This Thing of Ours: Investigating The Sopranos : xi-xviii.
___. " Creative Work: On the Method of Howard Gruber." The Journal of Humanistic Psychology 33 (1993): 101-21.
___. "Delicious Progress: Whiteness as an Atavism in Conrad Aiken's 'Silent Snow, Secret Snow.'" Psychoanalytic Review 70 (1983): 235-39.
___. "Departure of the Body Snatchers, or the Confessions of a Carbon Chauvinist." The Hudson Review 39 (1986): 383-404. (Nominated for a Pushcart Prize in Non-fiction.)
___. "Detached Retinas: 'Camera Man' and the Private Eye Movie." To-Wards 3.1 (Fall 1987): 26-31.
___. "Dissertations as Fictions." College English 31 (1980): 675-79.
___. "Dreaming Nothing." Parabola 5.2 (1980): 18-23.
___. "Eye as Inspiration in Modern Poetry." New Orleans Review 8 (1981): 10-13.
___. "Eye of Longing." Re-Vision 6.1 (1983): 22-33.
___. " Emotional Resonance and Rocket Launchers": Joss Whedon's Commentaries on the Buffy the Vampire Slayer DVDs . Slayage: The Online International Journal of Buffy Studies, Number 6. http://www.slayage.tv/essays/slayage6/Lavery.htm
___. " Epigraphs: Notes Toward a Theory." Kentucky Philological Review . Bulletin of the Thirteenth Annual Meeting of the Kentucky Philological Association, March 7 and 8, 1986, Western Kentucky University: 12-18.
___. "Everything is Trying to Hide Us: Rilke's Poetics of Mimicry." The Journal of Evolutionary Psychology 5.1 (1987): 63-78.
___. "From Cinespace to Cyberspace: Zionists and Agents, Realists and Gamers in The Matrix and eXistenZ. " The Journal of Popular Film and Television 28(2000): 150-57.
___. ed., Full of Secrets: Critical Approaches to Twin Peaks . Contemporary Film and Television Series. Detroit: Wayne State University Press, 1994. Nominated for the Kraszna-Karauz Book Award (for the best book of the year on the moving image).
___. "Functional and Dysfunctional Autobiography: Hope and Glory and Distant Voices , Still Lives ." Film Criticism 15.1 (1990): 39-48.
___. "Generation X: The X-Files and the Cultural Moment" (with Angela Hague and Marla Cartwright). Deny All Knowledge: Reading The X-Files . Ed. David Lavery, Angela Hague, and Marla Cartwright. The Television Series. Syracuse: Syracuse University Press, 1996: 1-21.
___. "Genius of Joss Whedon." Afterword to Fighting the Forces: What's at Stake in Buffy the Vampire Slayer . Boulder, CO: Rowman and Littlefield, 2002: 251-56.
___. "Genius of the Sea: Wallace Stevens' 'The Idea of Order at Key West,' Stanislaw Lem's Solaris , and the Earth as Muse." Extrapolation 21 (1980): 101-105.
___. "Gnosticism in the Cult Film." The Cult Film Experience : Beyond All Reason . Ed. J. P. Telotte. Austin: University of Texas Press, 1991: 187-99.
___. "Home Movie 8 ½ : The Beerdrinker ' s Guide to Fitness and Filmmaking ." Post Script : Essays in Film and the Humanities 11.3 (1992): 47-53.
___. "Horror Film and the Horror of Film." Film Criticism 7 (1983): 47-55.
___. "How To Gut a Book." Georgia Review 43 (1989): 731-44.
___. "Imagination of Insurance: Wallace Stevens and Benjamin Lee Whorf at the Hartford." Legal Studies Forum 24(3 & 4) (2001): 481-92.
___. Late for the Sky : The Mentality of the Space Age . Carbondale: Southern Illinois University Press, 1992.
___. " Like Light: The Movie Theory of W. R. Robinson." In Seeing Beyond: Movies, Visions, and Values . Edited by Richard P. Sugg. New York: Golden String Press, 2001: 346-63.
___. "Major Man: Fellini as an Autobiographer." Post Script 6.2 (1987): 14-28.
___. "More Than Rational Distortion in the Poetry of Wallace Stevens." The Wallace Stevens Journal 7 (1983): 1-7.
___. "My Ten Years with Twin Peaks ." Wrapped in Plastic . No. 46 (April 2000): 6-7.
___. "News From Africa: Fellini/Grotesque." Post Script 9.1 & 2 (1990): 82-98.
___. "No Box of Chocolates: The Adaptation of Forrest Gump ." Literature/Film Quarterly 25 (1997): 18-22.
___. "Noticer: The Visionary Art of Annie Dillard." Massachusetts Review 21 (1980): 255-70.
___. " O Lucky Man! and the Movie as Koan." Literature/Film Quarterly 8 (1980): 35-40.
___. "Owen Barfield: A Readers Guide." Seven 15 (1998): 97-112.
___. "Photo-graphy-synthesis." Georgia Review 34 (1980): 397-403.
___. "Poetry as Time-Lapse Photography." Essays in the Arts and Sciences 17 (1988): 1-27.
___. "Prehistory." T eleparody: Predicting / Preventing the TV Discourse of Tomorrow . London: Wallflower, 2002: 1-4.
___. " A Religion in Narrative: Joss Whedon and Television Creativity." Slayage: The Online International Journal of Buffy Studies, Number 7. http://www.slayage.tv/essays/slayage7/Lavery.htm .
___. Review Essay of Buffy the Vampire Slayer: The Monster Book by Golden, Bissette, and Sniegoski, Buffy the Vampire Slayer: The Watcher's Guide , Vol. 2 by Holder, Mariotte, and Hart, and The Sopranos: A Family History by Alan Rucker. Television Quarterly 31.4 (Winter 2001): 89-92.
___. Review of Action TV : Tough Guys, Smooth Operators and Foxy Chicks, ed. by Bill Osgerby and Anna Gough-Yates (forthcoming in Journalism and Mass Communication Quarterly).
___. Review of Astrid Diener, The Role of Imagination in Culture and Society: Owen Barfield's Early Work . Leipzig Explorations in Literature and Culture 6 (forthcoming in Mythlore).
___. Review of Californication and Cultural Imperialism: Baywatch and the Creation of World Culture , edited by Andrew Anglophone. Teleparody : Predicting/Preventing the TV Discourse of Tomorrow. London: Wallflower, 2002: 40-45.
___. Review of Cogito Ergo Sum: The Life of René Descartes by Richard Watson (forthcoming in Georgia Review).
___. Review of Donald Costello's Fellini ' s Road . Post Script 3 (1984): 85-87.
___. Review of Inside Prime Time by Todd Gitlin and Teleliteracy: Taking Television Seriously by David Bianculli. Television Quarterly 32.1 (Spring 2001): 88-90.
___. Review of Robert Kugelmann's The Windows of Soul : Psychological Physiology of the Human Eye and Primary Glaucoma . Literature and Medicine (special issue on psychiatry) 4 (1985): 168-69.
___. Review of Robert Romanyshyn's Psychological Life : From Science to Metaphor . Re-Vision 7.2 (1984): 104.
___. Review of Television Histories: Shaping Collective Memory in the Media Age , ed. Gary R. Edgerton and Peter C. Rollins. Television Quarterly 32.2-3 (Summer-Fall 2001 ): 99-100.
___. Review of Television : Critical Methods and Applications by Jeremy G. Butler (forthcoming in The Review of Communication).
___. Review of The Television Genre Book, ed. by Glen Creeber (forthcoming in Television and New Media).
___. Review of TV Creators : Conversations with America's Top Producers of Television Drama, Volume Two , by James Longworth, Jr. (forthcoming in Television Quarterly 33.4 [Winter 2002]).
___. Review -Essay of Annie Dillard's Teaching a Stone to Talk , Living by Fiction , and Encounters with Chinese Writers . Religion and Literature 17.2 (1985): 61-68.
___. "Remote Control: Mythic Reflections." Journal of Popular Film and Television 18 (1990): 65-71.
___. "Remote Control: Mythic Reflections." The Remote Control Device in the New Age of Television . Ed. James R. Walker and Rob Bellamy. New York: Praeger, 1993: 223-34.
___. "Rooted in the Absence of Place: The Odyssey of Loren Eiseley." Art, Science, and Morality: Creative Journeys . Ed. Doris B. Wallace (forthcoming from Plenum).
___. "'Secret Shit': The Uncertainty Principle, Lying, Deviance, and the Movie Creativity of the Coen Brothers" (forthcoming in The Coen Brothers: On Screen, In Print, and Beyond, Ed. Keith Perry and Joseph S. Walker).
___. "Same-o, Same-o: Eternal Recurrence in Groundhog Day ." Studies in Popular Culture XXII.1 (1999): 89-97.
___. "Semiotics of Cobbler: Twin Peaks' Interpretive Community." Full of Secrets: Critical Approaches to Twin Peaks . Detroit: Wayne State University Press, 1994: 1-23.
___. " Sopranos." 50 Key Television Texts : From Absolutely Fabulous to Z Cars. Ed. Glen Creeber. London: Arnold, 2003.
___. "Soul of Andy Sipowicz: Depth of Character and the Depth of Television." PopPolitics.com (March 2001): http://www .poppolitics.com/articles/2001-06-11-sipowicz.shtml.
___. "Space Boosters: Reflections on the Marketing of Unearthliness." ETC .: A Journal of General Semantics 41 (1984): 388-97.
___. "Strange Text of My Left Foot ." Literature/Film Quarterly 21.3 (1993): 194-99.
___. "Television Comedy." The World History of Comedy . Ed. Maurice Charney (forthcoming from Greenwood Press).
___. "Tenth Symphony." Georgia Review 35 (1981): 583-93. Finalist for the 1982 Pushcart Prize in Non-fiction. (Translated into Portuguese and republished in Brazil as "Decima Sinfonia" in Cultura , 1 August 1982.)
___. " Twin Peaks. " 50 Key Television Texts : From Absolutely Fabulous to Z Cars. Ed. Glen Creeber. London: Arnold, 2003.
___. " X-Files. " 50 Key Television Texts : From Absolutely Fabulous to Z Cars. Ed. Glen Creeber. London: Arnold, 2003.
___. " X-Files " (forthcoming in The Encyclopedia of American Conspiracy Theories , ed. Peter Knight [2003]).
___ and Rhonda Wilcox). "Introduction." Fighting the Forces: What's at Stake in Buffy the Vampire Slayer . Boulder, CO: Rowman and Littlefield, 2002: xvii-xxix.
___ and Robert J. Thompson. "David Chase, The Sopranos, and Television Creativity." This Thing of Ours: Investigating The Sopranos : 18-25.
___. and Robert J. Thompson. "David Chase, The Sopranos, and Television Creativity." Television Quarterly 33.2-3 (Summer-Fall 2002): 10-16.
___, ed. This Thing of Ours: Investigating The Sopranos . New York/London: Columbia University Press/Wallflower Press, 2002.
___, Angela Hague, and Marla Cartwright, eds. Deny All Knowledge: Reading The X-Files . The Television Series. Syracuse: Syracuse University Press, 1996. Published in the United Kingdom by Faber and Faber.
Hague, Angela and David Lavery, eds. Teleparody: Predicting / Preventing the TV Discourse of Tomorrow. London: Wallflower Press, 2002.
Wilcox, Rhonda V. and David Lavery, eds. Fighting the Forces: What's at Stake in Buffy the Vampire Slayer. Boulder: Rowman and Littlefield, 2002.
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Lee, Jid. "American Daughters of Asian Mothers: A New Persona in the Community of American
Women." Kansas English , Fall 1994: 1-18.
___. "The Cry-Smile Mask: A Korean-American Woman's System of Resistance." This Bridge We Call Home. Eds. Gloria Anzaldua and AnaLouise Keating. New York: Routledge, 2002: 397-402.
___. From the Promised Land to Home : Trajectories of Selfhood in Asian-American Women's Autobiography . Woman in History, 83. Ide House, 1998.
___. "Survey of Korean Life Writing." Encyclopedia of Life Writing. Ed. Margaretta Jolly. London: Fitzroy Dearborn Publishers, 2001. 534-35.
___. "Words in Silence: An Exercise in Third World Feminist Criticism." Frontiers: A Journal of Women's Studies 11 (1990): 66-71.
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Levine, William. "Keeping, Deflating, and Transcending 'The Fool's Conceit': Smart's Hybridization
of Satiric and Devotional Modes in His Translations of the Psalms," in Reading Christopher Smart (forthcoming, Bucknell Univ. Press/Rowman & Littlefield, 2013).
___. "A 'Bracing Moment': Reynolds' Response to Boswell and Burke on the Aesthetics and Ethics of Public Executions," in Staging Pain 1580-1800: Violence and Trauma in British Theater (Ashgate, 2009).
___. "The Eighteenth-Century Progress Poem and Cultural Jeremiad Traditions in Anna Barbauld's Eighteen Hundred and Eleven," Women's Writing (Fall 2005).
___. "Collins, Historical Representation, and the Ut Pictura Poesis Aesthetic: Some Problems in Conception and Reception," Trivium 34 (2003): 87-108.
___. "'A Permanent, Nationalized, Learned Order': The Humanistic Displacement of Milton's Politics in Coleridge's Later Cultural Criticism," The Wordsworth Circle 25 (Summer 1994).
___. "Collins, Thomson, and the Whig Progress of Liberty," Studies in English Literature 34 (Summer 1994).
___. "'Beyond the Limits of a Vulgar Fate': The Renegotiation of Public and Private Concerns in the Careers of Gray and Other Mid-Eighteenth-Century Poets," Studies in Eighteenth-Century Culture 24 (1994).
___. "The Genealogy of Romantic Literary History: Refigurations of Johnson's Lives of the English Poets in the Criticism of Coleridge and Wordsworth," Criticism 34 (Summer 1992): 349-78.
___. "From the Ridiculous to the Sublime: Gray's Transvaluation of Pope's Poetics," Philological Quarterly 70, no. 3 (Summer 1991): 289-309.
___. "The Progress Poem in Coleridge's Political Lyrics," The Wordsworth Circle 20, no. 2 (Spring 1989): 68-74.
___. Review essay on Frans De Bruyn, The Literary Genres of Edmund Burke (New York: Oxford Univ. Press, 1996); Nicholas Robinson, Edmund Burke: A Life in Caricature (New Haven: Yale Univ. Press, 1996); and Vol. 3 of The Writings and Speeches of Edmund Burke: Party, Parliament, and the American War, 1774-1780, ed. Warren M. Elofson (New York: Oxford Univ. Press, 1996), Eighteenth-Century Studies 31 (Summer 1998): 533-36.
___. Review of Robert J. Griffin, Wordsworth's Pope: A Study in Literary Historiography, Modern Philology 96 (August 1998): 122-27.
___.Review of Dreadful Visitations: Confronting Natural Catastrophe in the Age of Enlightenment. Ed. Alessa Johns. (New York and London: Routledge, 1999), Clio 30 (2001): 239-50.
___. "Mapping a Century of British Poetry and Reassessing Two of its Poets": Review Essay on Clement Hawes, ed. Christopher Smart and the Enlightenment; John Sitter, ed. The Cambridge Companion to Eighteenth-Century Poetry; and Richard Terry, ed. James Thomson: Essays for the Tercentenary, Eighteenth-Century Studies 36 (Fall 2002): 115-19.
___. "Situating the Careers of Gray and Other British Poets of the Long Eighteenth Century in Their Times: Some Biographical, Historicist, Thematic, and Formalist Treatments": Review Essay on Gleckner, Robert F., Gray Agonistes: Thomas Gray and Masculine Friendship; Griffin, Dustin. Patriotism and Poetry in Eighteenth-Century Britain; Mack, Robert. Thomas Gray: A Life; McCarthy, B. Eugene. Thomas Gray: The Progress of a Poet; Roberts, William, ed. Thomas Gray's Journal of His Visit to the Lake District in October; Zionkowski, Linda. Men's Work: Gender, Class, and the Professionalization of Poetry, 1660-1784, Eighteenth-Century Studies 36 (Summer 2003).
___. Review of David Fairer, English Poetry of the Eighteenth Century, 1700-1799, XVIII: New Perspectives on the Eighteenth Century 1 (Spring 2004): 95-97.
Lutz, Alfred. "Commercial Capitalism, Classical Republicanism, and the Man of Sensibility in The History of Sir George Ellison. " Studies in English Literature 39 (Summer 1999): 557-574.
___. "Goldsmith on Burke and Gray." Papers on Language and Literature 34 (1998):225-249.
___. "Holocaust Remembrance in W.G. Sebald's Work: Melancholy Storytelling about an Uncanny Heimat." Papers on Language and Literature 48 (2012): 137-171.
___. "Oliver Goldsmith's 'The Deserted Village' and the Politics of Genre." Modem Language Quarterly 55 (1994): 149-68.
___. "The Poet and the Hack: Goldsmith's Career as a Professional Writer." Anglia 123 (2005): 414-440.
___. "The Politics of Reception: The Case of Goldsmith's 'The Deserted Village'." Studies in Philology 95 (1998): 174-196.
___. "Representing Scotland in Roderick Random and Humphry Clinker : Tobias Smollett's Development as a Novelist." Studies in the Novel 33.1(2001): 1-17.
___. Review of Tobias Smollett, The Adventures of Roderick Random, edited by James G. Basker, Paul-Gabriel Boucé, and Nicole A. Seary. Athens: U of Georgia P, 2012.1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era 20 (2013): 238-41
___. Review of Die Politisierung des Utopischen im 18. Jahrhundert, edited by Monika Neugebauer-Wölk, Richard Saage (Tübingen: Max Niemeyer 1996). Utopian Studies 12.2 (Spring 2001): 350-352.
___. Review of Understanding Ian McEwan, David Malcolm (Columbia: U of South Carolina P, 2002). Utopian Studies 13.1 (2002): 221-22.
___. Review of The Cambridge Companion to British Romanticism , edited by Stuart Curran (Cambridge and New York: Cambridge University Press, 1993). English Language Notes 31(1994): 74-76.
___. Review of Liz Bellamy, Commerce, Morality and the Eighteenth-Century Novel (Cambridge: Cambridge University Press, 1998). English Language Notes 37(3)2000: 76-79.
___. Review of Robert W. Jones, Gender and the Formation of Taste in Eighteenth-Century Britain: The Analysis of Beauty (Cambridge University Press, 1998). English Language Notes 38(1): September 2000, 83-87.
___. Review of The Illustration of Robinson Crusoe, 1713-1920 , David Blewett (New York: Oxford University Press, 1996). English Language Notes 34(1997): 77-79.
___. Review of The Material Word• Literate Culture in the Restoration and Early Eighteenth Century , Richard W.F. Kroll (Baltimore: The Johns Hopkins University Press, 1991). English Language Notes 29(1991): 88-90.
___. Review of Recreating Jane Austen. John Wiltshire (Cambridge UP, 2001). English Language Notes 40.3 (2003): 86-91.
___. Review of Revising Women: Eighteenth-Century "Women's Fiction" and Social Engagement. Ed. Paula Backscheider (Johns Hopkins UP, 1999). English Language Notes 39.3 (2002): 88-92.
___. Review of Teaching Eighteenth Century Poetry , edited by Christopher Fox (New York: AMS, 1990). English Language Notes 28(1991): 81-82.
Mackin, Randy . George Scarbrough, Appalachian Poet: A Biographical and Literary Study with Unpublished Writings. McFarland & Company, 2011.
___. George Scarbrough biographical entry. Southern Writers: A New Biographical Dictionary. Ed. Joseph M. Flora and Amber Vogel. LSU Press, 2006.
___."By Way of the Word." Iron Mountain Review 16 (Spring 2000): 14-19.
McCluskey, Peter. "'The Game's Afoot': Heinlein and Holmes." The Heinlein Journal 20 (2007): 23-25.
___."Have Monomyth, Will Travel: The Hero's Journey in Heinlein's Juvenile Novels." The Heinlein Journal 17 (2005): 9-14.
___. "'Humors to Delight': Menaphon as Burlesque." Publications of the Arkansas Philological Association 21.1 (1995): 69-75.
___. "Ignatius J. Reilly," in Student's Encyclopedia of American Literary Characters, Matthew J. Bruccoli, Judith S. Baughman, and Charles Brower, Editors, 4 vols. New York: Facts on File, 2008.___ . " Milton and the Winds of Folly." Arenas of Conflict: Milton and The Unfettered Mind. Charles W. Durham and Kristen Pruitt McColgan, Eds. Susquehanna University Press (1997): 227-38.
___ . "'Nature Taught Art': The Topos of Art and Nature in Paradise Regained." Spokesperson Milton : Voices in Contemporary Criticism . Charles W. Durham and Kristen Pruitt McColgan, Eds. Susquehanna University Press (1994): 217-28.
___ . "'The Recovery of the Sacred Candlestick': Jewish Imagery and the Problem of Allegory in The Marble Faun." Publications of the Arkansas Philological Association 18.2 (1992): 15-27.
___ . Rev. of The Drama of Landscape: Land, Property, and Social Relations on the Early Modern Stage, by Garrett A. Sullivan, Jr. Seventeenth-Century News 58.1-2 (2000): 76-78.
___. Rev. of Immigrants in Tudor and Stuart England, edited by Nigel Goose and Lien Luu. Seventeenth-Century News 66:3-4 (2008). Web.
___. "Selling Souls and Vending Paradise: God and Commerce in A Confederacy of Dunces." The Southern Quarterly 47.1 (2009): 7-22.
___ . "'Shall I Betray My Brother?'": Anti-Alien Satire and its Subversion in The Shoemaker's Holiday ." Tennessee Philological Association Bulletin 37 (2000): 43-54.
___ . "Sir Edmund Tilney, Sir Thomas More, and the Dutch." Shakespeare Yearbook 15: Shakespeare and the Low Countries. (2005): 49-64.
___ . "'The Great Globe Itself': Shakespearean Allusion in Heinlein's Fiction." The Heinlein Journal 18 (2006): 28-31.
___ . "Tinky Winky's Got a Brand New Bag: The Year's Work in Teletubby Studies." Teleparody: Predicting/Preventing the TV Discourse of Tomorrow . Jill Hague and David Lavery, Eds. Wallflower Press, 2002.
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McDaniel, Rhonda. Review of Ælfric's Life of Saint Basil the Great: Background and Context, by Gabriella
Corona. The Heroic Age 12 (May 2009). Available online at http://www.heroicage.org/issues/12/reviews.php
___. "Paleography and Codicology: A Seminar on Medieval Manuscript Studies, University of New Mexico, Institute for Medieval Studies June 9 - July 3, 2008," Old English Newsletter 41.3 (Spring 2008). Available online at http://www.oenewsletter/OEN/ reports.php/mcdaniel41_3/.
___. "Interpreting the Translator: Ælfric, His Sources, and His Critics." In Translatio or the Transmission of Culture in the Middle Ages and the Renaissance: Modes and Meanings, ed. Laura H. Hollengreen. ASMAR 13. Turnholt: Brepols (for ACMRS), 2009. 55-68.
___. " Hnescnys : Weakness of the Mind in the Works of Ælfric," in (Inter)Texts: Studies in Early Insular Culture Presented to Paul E. Szarmach , ed. Virginia Blanton and Helene Scheck (Tempe, AZ: MRTS, 2008), 81-92.
___. "Pride Goes Before a Fall: Aldhelm's Practical Application of Gregorian and Cassianic Conceptions of Superbia and the Eight Principal Vices," in The Seven Deadly Sins: From Communities to Individuals , ed. Richard Newhauser ( Leiden : Brill, 2007), 95-115.
___. "'None too Sincere': Andreas Capellanus, the Bible, and De Amore." Medieval Perspectives 18 (2005, for Year 2002): 224-44.
___. "Fredegunde." Great Lives from History: The Middle Ages and Pre-Renaissance. Ed. Leslie Ellen Jones. 2 vols. Hackensack, NJ: Salem Press, 2005. 381-84.
___. "Saint Boniface." Holy People of the World: An Encyclopedia. Ed. Phyllis G. Jestice. 3 vols. Santa Barbara, CA : ABC-CLIO, 2004.
___. "An Unidentified Passage from Jerome in Bede," Notes and Queries n.s. 50:4 (December 2003): 375.
___. "Would You Hire Plato to Teach Physical Education at Your School?" with Allison McFarland, PhD. The Physical Educator 59:1 (Late Winter 2002): 18-25.
___. "Hunter and Prey in 'All in Green Went My Love Riding.'" (Abstract) Tennessee Philological Bulletin 35 (1998): 81-82.
___. "Taylor's Knot: Tying His World Together in 'Upon Wedlock, and Death of Children.'" Tennessee Philological Bulletin 34 (1997): 34-42.
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Neth, Michael.
___. Editor."Laon and Cythna." In Vol. III of The Complete Poetry of Percy Bysshe Shelley (CPPBS). Baltimore: The Johns Hopkins UP, 2012.
Poem and Primary Collations: pp. 109-320;
Introduction, Commentary and Supplements: pp. 550-941;
Historical Collations and Appendixes: pp. 993-1061, 1077-1082.
___. Editor. "Hellas." Forthcoming in Vol. VI of CPPBS, 2015.
___. Editor. "Oedipus Tyrannus" ("Swellfoot the Tyrant") Forthcoming in Vol. V of CPPBS, 2014.
___. Co-editor (with Donald Reiman). Bodleian Shelley MS. adds e. 7. The "Hellas" Notebook. Bodleian Shelley Manuscripts XVI . New York: Garland Press, 1994.
___. "A Committee of One: Percy Shelley's Pre-emptive Self-Censorships in the Draft Manuscripts of His Epic Poem, Laon and Cythna." Forthcoming in Festschrift Volume Honoring Donald H. Reiman. Ed. Michael Edson and Published by University of Delaware Press, late 2013.
___. "Unity in Diversity: Re-reading Aeschylus's Persians as a Multicultural Work." Universality and History: Foundations of Core. Ed. Don Thompson, Darrel Colson, and J. Scott Lee. Lanham, MD: University Press of America, 2002. 125-133.
___. "Rehistoricizing the History of Ideas." American Notes and Queries 6.2-3(1993): 89-96.
___. "The Subject-Object Relation in Aesthetics" by Georg Lukacs. Critical Texts IV (Autumn 1986): 1-23.
Book Reviews
___. "The Many Revolutions of British Romanticism": Review Essay of The Unfamiliar Shelley, ed. Alan M. Weinberg and Timothy Webb (2009); British Women Writers of the Romantic Period: An Anthology of Their Literary Criticism, ed. Mary A. Waters (2009); and Revolutionary Imaginings in the 1790s: Charlotte Smith, Mary Robinson, Elizabeth Inchbald, by Amy Garnai (2009). The European Legacy, 17:3 (2012), 383-391.
___. "The Interdisciplinary Enlightenment": Review Essay of Theory and Practice in the Eighteenth Century: Writing between Philosophy and Literature. The European Legacy 15:7 (2010), 887-890.
___. Review of Matthew J.A. Green's Visionary Materialism in the Early Works of William Blake, in The European Legacy 11:7 (December, 2006), 829-30.
___. "Poetry in British Romanticism": Review Essay of Formal Charges: The Shaping of Poetry in British Romanticism by Susan Wolfson and Masters of Repetition: Poetry, Culture and Work in Thomson, Wordsworth, Shelley, and Emerson by Lisa Steinman. The European Legacy 9:5 (October 2004), 649-53.
___. Review of Terence Allan Hoagwood's Politics, Philosophy, and the Production of Romantic Texts, in The European Legacy 4:3 (June 1999): 107-109.
___. Review of William D. Brewer's The Shelley-Byron Conversation, in American Notes and Queries 9.2 (1996): 61-64.
___. Review of Linda Lewis's The Promethean Politics of Milton, Blake, and Shelley, in Keats-Shelley Journal 42 (1994): 199-201.
___. Review of Timothy Clark's Embodying Revolution: The Figure of the Poet in Shelley, in Keats-Shelley Journal 40(1991): 185-87.
___. "Johnny One-Note." Review of Stanley Fish's Doing What Comes Naturally, in The American Scholar 60.4 (1991): 608-13.
___. "In the Academy." Review of Peter Shaw's The War Against the Intellect, in Commentary December 1989: 68-70.
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Ostrowski, Carl. "'The Best Side of a Case of Crime': George Lippard, Walt Whitman, and Antebellum
Police Reports," American Periodicals 21.2 (2011): 120-42.
___. Books, Maps and Politics: A Cultural History of the Library of Congress, 1782-1861. Amherst: University of Massachusetts Press, 2004.
___. "'The Choice of Books': Ainsworth Rand Spofford, the Ideology of Reading, and Literary Collections at the Library of Congress in the 1870s." Libraries and the Cultural Record 45.1 (2010): 70-84.
___. "Conspiratorial Jesuits in the Postmodern Novel: Underworld and Mason & Dixon." UnderWords: Perspectives on Don DeLillo's Underworld . Ed. Joseph Dewey. University of Delaware Press, 2003. 93-102.
___. "'Fated to Perish by Consumption': The Political Economy of Arthur Mervyn." Studies in American Fiction 32.1 (2004): 3-20.
___. "'This Hideous Drama of Revivification': Poe's Fiction and Reprint Culture," Modern Language Studies 40.1 (2010): 18-37.
___. "'I Stand Upon Their Ashes in Thy Beam': William Cullen Bryant's Literary Removals." American Transcendental Quarterly 9.4 (1995): 299-312.
___. "James Alfred Pearce and the Question of a National Library in Antebellum America." Libraries & Culture 35.2 (2000): 255-277.
___. "Inside the Temple of Ravoni: George Lippard's Anti-Expose'." ESQ: A Journal of the American Renaissance 55.1 (2009): 1-24.
___. "'The Minister's Grievous Affliction': Diagnosing Hawthorne's Parson Hooper." Literature and Medicine 17.2 (1998): 197-211.
___. Review of American Sensations: Class, Empire, and the Production of Popular Culture by Shelley Streeby. Studies in American Fiction 32.2 (2004): 254-56.
___. Review of Books and Libraries in American Society During World War II: Weapons in the War of Ideas by Patti Clayton Becker. SHARP News 14.4 (2005): 11.
___. Review of Institutions of Reading: The Social Life of Libraries in the United States, edited by Thomas Augst and Kenneth Carpenter. Library Quarterly 79.1 (2009): 145-47.
___. Review of Perspectives in American Book History: Artifacts and Commentary , edited by Casper , Chaisson, and Groves . American Periodicals 14.2 (2004): 278-79.
___. Review of The Republic in Print: Print Culture in the Age of U.S. Nation Building, 1770-1870 by Trish Loughran. Journal of American History 95.1 (2008): 183-84.
___. Review of Selling the Race: Culture, Community, and Black Chicago, 1940- 1955 by Adam Green. African American Review 42.3-4 (2008): 31-32.
___. Review of Social Stories: The Magazine Novel in Nineteenth-Century America by Patricia Okker. Studies in American Fiction 33.2 (2005): 254-56.
___. Review of William Cullen Bryant: Author of America by Gilbert H. Muller. Resources for American Literary Study 33 (2010): 293-96.
___. "Slavery, Labor Reform, and Intertextuality in Antebelllum Print Culture: The Slave Narrative and the City-Mysteries Novel." African American Review 40.3 (2006): 493-506.
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Otto, Sheila. Discourse Analysis and the Study of Classroom Language and Literacy Events. Mahwah: Erlbaum, 2005. (co-authored with David Bloome, Stephanie Power Carter, Beth Morton Christian, and Nora Shuart-Farris).
___. Discourse Analysis in Classrooms : Approaches to Language and Literacy Research. New York: Teachers College Press, 2008. (co-authored with David Bloome, Stephanie Power Carter, Beth Morton Christian, Samara Madrid, Nora Shuart-Farris, and Mandy Smith).
___. "Real Students, Real Topics: Writing for a Real World." Selected Conference Papers, 23 rd Annual Conference of the National Association for Developmental Education, 1999.(co-authored with Crosby Hunt).
___. "Studies of Everyday Literacy Practices and Case Study Methodology." Review in Journal of Literacy Research 32.2 (2001): 129-139. (co-authored with David Bloome).
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Petersen, Robert. "Agnes Strickland (1796-1874)." Nineteenth-Century British Women Writers: A Bio-Bibliographical Critical Sourcebook . Ed. Abigail Burnham Bloom. Westport, CT: Greenwood Press, 2000. 373-375.
___. "Ansel Adams." The Asian American Encyclopedia . New York: Marshall Cavendish, 1996. 3-5.
___. "Aubrey Beardsley." Great Lives from History: British and Commonwealth Series . 5 volumes. Pasadena, CA: Salem Press, 1987. 195-199.
___. The Balkan Trilogy by Olivia Manning. Masterplots II: British and Commonwealth Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1987. 86-90.
___. "The Bambino" by May Sinclair. Masterplots II: Short Story Series . 6 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 151-153.
___. Beauty and Sadness by Yasunari Kawabata. Masterplots II: World Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1988. 136-140.
___. "Chris Offutt." American Short Story Writers Since WWII. Ed. Richard E. Lee and Patrick Meanor. The Dictionary of Literary Biography, Volume 335. Farmington Hills, MI: Thomson/Gale, 2007. 249-254.
___. "The Day the Flowers Came" by David Madden. Masterplots II: Short Story Series . 6 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 507-509.
___. "Death in Midsummer" by Yukio Mishima. Masterplots II: Short Story Series . 6 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 524-527.
___. A Dream Journey by James Hanley. Masterplots II: British and Commonwealth Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1987. 403-407.
___. "Edmonds, Walter D." Encyclopedia of American War Literature . Ed. Phillip K. Jason and Mark A. Graves. Westport, CT: Greenwood Press, 2001. 103-104.
___. "Elihu Root." Great Lives from History: American Series . 5 volumes. Englewood Cliffs, NJ: Salem Press, 1987. 1968-1972.
___. "Ellison Onizuka." The Asian American Encyclopedia . New York: Marshall Cavendish, 1996. 1169-1170.
___. "Evan S. Connell." Facts on File Bibliography of American Fiction, 1919-1988 . 2 volumes. New York: Facts on file, 1991. I.133.
___."Evelyn Scott." Reprint. A History of Tennessee Arts: Creating Traditions, Expanding Horizons. Ed. Carroll Van West and Margaret Duncan Binnicker. Knoxville: U of TN Press, 2004. 298.
___. "The Expanding Symbol as Narrative Devise in the Eustace and Hilda Trilogy of L. P. Hartley." Essays in Literature 17.1 (Spring 1990): 43-51.
___. The Go-Between by L. P. Hartley. Masterplots II: British and Commonwealth Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1987. 612-616.
___. "Gordon, Caroline." Encyclopedia of American War Literature . Ed. Phillip K. Jason and Mark A. Graves. Westport, CT: Greenwood Press, 2001. 139.
___. "Henry Irving." Great Lives from History: British and Commonwealth Series . 5 volumes. Pasadena, CA: Salem Press, 1987. 1415-1420.
___. The House of the Sleeping Beauties by Yasunari Kawabata. Masterplots II: World Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1988. 629-632.
___. "Introduction: Stark Young—If not in Memorium, Certainly in Defense." The Southern Quarterly 24.4 (Summer 1986): 5-7.
___. "Isamu Noguchi." The Asian American Encyclopedia . New York: Marshall Cavendish, 1996. 1150-1151.
___. "L. P. Hartley." Critical Survey of Long Fiction: English Language Series . 8 volumes. Englewood Cliffs, NJ: Salem Press, 1983. 1296-1302.
___. Mary Olivier: A Life by May Sinclair. Masterplots II: British and Commonwealth Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1987. 1067-1071.
___. Masks by Fumiko Enchi. Masterplots II: World Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1988. 970-975.
___. "Millard Fillmore." Great Lives from History: American Series . 5 volumes. Englewood Cliffs, NJ: Salem Press, 1987. 792-796.
___. Mrs. Bridge by Evan S. Connell, Jr. Masterplots II: American Fiction Series . 4 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 1022-1027.
___. Review of Walter Sullivan's Allen Tate: A Recollection . The Southern Quarterly 18.2 (Winter 1990): 60-62.
___. Review of Lady Gregory's Journals, Volume 2: Books Thirty to Forty-Four, 21 February 1925—9 May 1932. Ed. Daniel J. Murphy. English Literature in Transition, 1880-1920 32.2 (1989): 245-248.
___. Review of Thomas Daniel Young and Elizabeth Sarcone's The Lytle-Tate Letters: The Correspondence of Andrew Lytle and Allen Tate . The Southern Quarterly 27.2 (1989): 93-95.
___. Review of Yeats: An Annual of Critical and Textual Studies, IV V. Ed. Richard J. Finneran. English Literature in Transition, 1880-1920 31.3 (1988): 336-339.
___. Review of Guy Davenport's Every Force Evolves a Form: Twenty Essays . Magill's Literary Annual, 1988 . Pasadena, CA: Salem Press, 1988. 298-302.
___. Review of William L. Andrews' To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865 . Magill's Literary Annual, Pasadena, CA: Salem Press, 1987. 867-870.
___. Review of Jonathan Rose's The Edwardian Temperament, 1895-1919 . English Literature in Transition, 1880-1920 30.1 (1987): 97-99.
___. Review of Kathryn Lee Seidel's The Southern Belle in the American Novel . M/MLA Journal 19.2 (Fall 1986): 43-45.
___. Review of John Pilkington's Stark Young . The Southern Quarterly 24.3 (Spring 1986): 86-87.
___. Review of Jefferson Hunter's Edwardian Fiction . The Bulletin of the Midwest Modern Language Association 16.2 (Fall 1983): 54-57.
___. Review of Daniel T. O'Hara's Tragic Knowledge: Yeat's "Autobiography" and Hermeneutics . English Literature in Transition, 1880-1920 26.2 (1983): 143-144.
___. Review of Brian Taylor's The Green Avenue: The Life and Writings of Forrest Reid, 1875-1947 . English Literature in Transition, 1880-1920 25.1 (1982): 50-52.
___. Review of Dennis W. Petrie's Ultimately Fiction: Design in Modern American Literary Biography . The Bulletin of the Midwest Modern Language Association 14 (December 1981): S1-S2.
___. Robert Frost: A Collection of Poems. The Wadsworth Casebook Series for Reading, Research, and Writing. Boston: Thomson/Heinle/Wadsworth, 2003.
___. "Saint Augustine's Pigeon" by Evan S. Connell, Jr. Masterplots II: Short Story Series . 6 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 2008-2011.
___. The Samurai by Shusaku Endo. Masterplots II: World Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1988. 1345-1350.
___. "Scott, Evelyn." Encyclopedia of American War Literature . Ed. Phillip K. Jason and Mark A. Graves. Westport, CT: Greenwood Press, 2001. 295-296.
___. "Scott, Evelyn." Tennessee Encyclopedia of History and Culture . Ed. Carroll Van West. Nashville, TN.: Tennessee Historical Society and Rutledge Hill Press, 1998. 832.
___. "A Selected Bibliography of the Works of J. B. Priestley." J. B. Priestley By A. A. DeVitis and A. E. Kalson. Boston: Twayne, 1980. 243-251.
___."Snapshots from the Past: Time and Memory in Kyoko Mori's Shizuko's Daughter." Canadian Children's Literature / Litterature canadienne pour la jeunesse 111-112 (Fall-Winter 2003): 68-77.
___. Snow Country by Yasunari Kawabata. Masterplots II: World Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1988. 1475-1480.
___. " To Begin at the Beginning: 'Tis the Voice of Alice, I Heard Him Declare." Jabberwocky: The Journal of the Lewis Carroll Society (England) 21.2 (1992): 39-51.
___. "To Sleep, Perchance to Dream: Alice Takes a Little Nap." Jabberwocky: The Journal of the Lewis Carroll Society 8.2 (Spring 1979): 27-37.
___. Thousand Cranes by Yasunari Kawabata. Masterplots II: World Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1988. 1589-1594.
___. " Type and Antitype: The Archetype of the Hero in Caroline Gordon's The Glory of Hera ." The Southern Literary Journal 21.1 (Fall 1988): 31-38.
___. The Wave by Evelyn Scott. Masterplots II: American Fiction Series . 4 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 1769-1772.
___. "William H. Gass." Critical Survey of Long Fiction: Supplement . Pasadena, CA: Salem Press, 1987. 120-126.
___. "Willis Carr at Bleak House" by David Madden. Masterplots II: Short Story Series . 6 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 2634-2637.
___. " Young, Stark." Encyclopedia of American War Literature . Ed. Phillip K. Jason and Mark A. Graves. Westport, CT: Greenwood Press, 2001. 379-380.
___. with Shoichi Ono, trans. "The White Village Road." By Yasushi Inoue. Bulletin of the College of Biomedical Technology of Niigata University (Japan) 2.2 (1985): 141-152.
___. with Shoichi Ono, trans. "The Mongrel." By Shusaku Endo. Bulletin of the College of Biomedical Technology of Niigata University (Japan) 2.1 (1984): 134-139.
___. with Shoichi Ono, trans. "Testimony." By Seicho Matsumoto. Reunion (Japan) 15 (March 1983): 22-32.
___. with Shoichi Ono, trans. "A Sketch at Poolside." By Junzo Shono. Muse (Japan) 7 (September 1987): 39-55.
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Phillips, Philip Edward. "The American Stage." Edgar Allan Poe in Context. Edited by Kevin J. Hayes. Cambridge: Cambridge University Press, 2013. 118-128.
___. A Companion to Boethius in the Middle Ages. Edited with Noel Harold Kaylor, Jr. Brill's Companions to the Christian Tradition 30. Leiden and Boston: Brill Academic Publishers, 2012.
___. "Adaptations of Dante's Commedia in Popular American Fiction and Film." Medieval and Early Modern English Studies 17.2 (2009): 197-212.
___."Anicius Manlius Severinus Boethius: A Chronology and Selected Annotated Bibliography." A Companion to Boethius in the Middle Ages. Ed. Noel Harold Kaylor, Jr. and Philip Edward Phillips. Brill's Companions to the Christian Tradition 30. Leiden and Boston: Brill Academic Publishers, 2012. 551-589.
___. "Boethius, le Quadrivium, et la Consolation de la Philosophie." Colloquia Aquitana II—Boèce: l'homme, le philosophe, le scientifique, son oevre et son rayonnement. Ed. Illo Humphrey. Paris: Éditions Le Manuscrit, 2009. 183-201.
___. "Boethius's De Consolatione Philosophiae 3 m 9 and the Classical Hymn." Recent Trends in Medieval English Language and Literature in Honour of Young-Bae Park. Ed. Jacek Fisiak and Hye-kyung Kang. Seoul: Thaehaksa, 2005. 309-320 .
___. "Boethius's De Consolatione Philosophiae and the Lamentatio / Consolatio Tradition," Medieval English Studies 9.2 (2001): 5-27.
___. "Boethian 'Happiness' in Alexander Pope's An Essay on Man, Epistle IV," in Vitality of Literature. Ed. An Sonjae. Seoul: Han-Ul Academy, 2002. 389-402.
___. "Clarembald of Arras and his Glosses on Boethius's De Trinitate and De Hebdomadibus." Carmina Philosophiae 14 (2005): 159-166.
___. The Consolation of Queen Elizabeth I. Co-edited with Noel Harold Kaylor, Jr. Medieval and Renaissance Texts and Studies 366. Tempe, Arizona: ACMRS, 2009.
___. Contributor, "International Poe Bibliography: 1992-1993." Poe Studies/Dark Romanticism 27 (1994): 5-27.
___. "Elegy." The Milton Encyclopedia. Ed. Thomas N. Corns. New Haven: Yale University Press, 2012. 108.
___. "The English Consolation of Philosophy: Translation and Reception." Carmina Philosophiae 17 (2008): 97-126.
___. "Hymn." The Milton Encyclopedia. Ed. Thomas N. Corns. New Haven: Yale University Press, 2012. 158-159.
___. John Milton's Epic Invocations: Converting the Muse. New York: Peter Lang, 2000.
___. "King Alfred the Great and the Victorian Translations of his Anglo-Saxon Boethius." Global Perspectives on Medieval English Literature, Language, and Culture. Edited by Noel Harold Kaylor, Jr. and Richard Scott Nokes. Kalamazoo, Michigan: Medieval Institute Publications, 2007. 155-173.
___. "King Arthur." The Milton Encyclopedia. Ed. Thomas N. Corns. New Haven: Yale University Press, 2012. 201.
___."Lady Philosophy's Therapeutic Method: The 'Gentler' and the 'Stronger' Remedies in Boethius's De Consolatione Philsophiae," Medieval English Studies 10.2 (2002): 5-26.
___. "Muses." The Milton Encyclopedia. Ed. Thomas N. Corns. New Haven: Yale University Press, 2012. 250.
___. New Directions in Boethian Studies. Co-edited with Noel Harold Kaylor, Jr. Studies in Medieval Culture XLV. Kalamazoo, Michigan: Medieval Institute Publications, 2007.
___. "Poe's 1845 Boston Lyceum Appearance Reconsidered." Deciphering Poe: Subtexts, Contexts, Subversive Meanings. Ed. Alexandra Urakova. Bethlehem, PA: Lehigh University Press/Roman & Littlefield, 2013. 41-52.
___. "Psychoanalytical and Phenomenological Approaches to 'The Fall of the House of Usher. '" Psi Sigma Journal 3 (Spring 1990):94-102.
___. "Reconsidering Poe' Poetry and Its Theatrical Origins: A Review of Stagefright, or the Broken Hearts of Edgar Allan Poe." Edgar Allan Poe Review 12.1 (Spring 2011): 125-127.
___. Review of Benjamin F. Fisher's Poe in His Own Time, A Biographical Chronicle of his Life, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates for The Edgar Allan Poe Review 12.2 (Fall 2011): 101-104.
___. Review of Edgar Allan Poe by Kevin J. Hayes. Edgar Allan Poe Review 12.1 (Spring 2011): 114-121.
___. Review of Gothic America: Narrative, History, and Nation by Theresa A. Goddu. Edgar Allan Poe Review 1.1 (Spring 2000): 37-39.
___. Review of Job, Boethius, and Epic Truth by Ann W. Astell . Carmina Philosophiae: Journal of the International Boethius Society 3 (1994): 83-86.
___. Review of Medieval Foundations of the Western Intellectual Tradition, 400-1400 by Marcia L. Colish. Carmina Philosophiae: Journal of the International Boethius Society 7 (1998): 112-115.
___. Review of Milton, the Metaphysicals, and Romanticism. Lisa Low and Anthony John Harding, eds. The Byron Journal 25 (1997).
___. Review of Origin and Authority in Seventeenth-Century England: Bacon, Milton, Butler by Alvin Snider. Early Modern Literary Studies 1.2 (1995): 9.1-7.
___. Review of Poe in His Own Time, A Biographical Chronicle of his Life, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates by Benjamin F. Fisher. The Edgar Allan Poe Review 12.2 (Fall 2011): 101-104.
___. Review of Speaking Grief in English Literary Culture: Shakespeare to Milton. Margo Swiss and David A. Kent, eds. Early Modern Literary Studies 10.3 (January 2005): 13.1-8.<http://www.shu.ac.uk/
___. "Robert Browning's Poetry of Loss: 'Prospice' and 'To Edward FitzGerald,'" Sun Yat-sen Journal of Humanities 22 (Summer 2006): 135-146.
___. "Teaching Poe's 'The Raven' and 'Annabel Lee' as Elegies." Approaches to Teaching Poe's Prose and Poetry. Ed. Jeffrey Weinstock and Tony Magistrale. New York: MLA Publications, 2008. 76-80.
___. "To R. P. W., 1905-1989" (poem). The Vanderbilt Review XII (1996).
___. "Upon a Hill" (poem). The Vanderbilt Review XII (1996).
___. "Writing and Reception in Antebellum America," a review of Reading Fiction in Antebellum America: Informed Response and Reception Histories, 1820-1865 by James L. Machor for Poe Studies 44 (Fall 2011):101-105.
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Renfroe, Alicia Mischa. Editor and Introduction. A Law unto Herself by Rebecca Harding Davis. 1878. Lincoln: University of Nebraska Press, forthcoming 2014.
___, and Kenneth Brandt. "Assessing Questions of Intent and Culpability: A Legal Review of the Shooting in Ernest Hemingway's 'The Short Happy Life of Francis Macomber.'" The Hemingway Review. Forthcoming, 2014.
___. "Casting Lots, Contracts, and Cannibals in William Dean Howells's A Modern Instance." ELN Special Issue: Law, Literature, and Culture. Ed. Nan Goodman. 48.2 (2010): 143-52.
___. "Defining Romanticism: The Implications of Nature in Jane Eyre and Frankenstein." Prometheus Unplugged? Romanticisms Past and Future. Emory University. April 1996. Web. Excerpt "Nature, the Moon, and Jane Eyre" reprinted in The Bronte Messenger 17 (2008): 3-5.
___. "From General Education to Law and Literature: Teaching Jack London in Multiple Contexts." Approaches to Teaching Jack London. Eds. Kenneth Brandt and Jeanne Campbell Reesman. New York: Modern Language Association. Forthcoming, 2011.
___. "Interrogations of Justice in Zora Neale Hurston's Their Eyes Were Watching God." Cycnos 19.2 (2002): 213-224.
___. "The Legal Context of 'The Case of Jane Boyer.'" Rebecca Harding Davis Society Newsletter 3.1 (2012): 2-4.
___. "Presumed Innocent by Scott Turow." Encyclopedia of American Popular Fiction. Eds. Geoff Hamilton and Brian Jones. New York: Facts on File, 2009. 275-77.
___. "Prior Claims and Sovereign Rights: The Sexual Contract in Edith Wharton's Summer." Law and Literature. Ed. Michael J. Meyer. New York, NY: Rodophi, 2004. 193-206
___. Review of Crime in Literature: Sociology of Deviance and Fiction. Soundings: An Interdisciplinary Journal (2004): 87.1-2. 231-36.
___. Review of What's Left of Theory: New Work on the Politics of Literary Theory. Soundings: An Interdisciplinary Journal (2001): 84.3-4.
___. "Rights Claims and the Rule of Law in Rebecca Harding Davis's 'Life in the Iron-Mills.'" Topic Special Issue: Rebecca Harding Davis. 59 (2013): 15-30.
___. "Rights and Justice in Edith Wharton's The Reef." Women's Studies: An Interdisciplinary Journal 39 (2010): 1-24.
___. "Scott Turow." Encyclopedia of American Popular Fiction. Eds. Geoff Hamilton and Brian Jones. New York: Facts on File, 2009. 350-51.
___. "Self-Interest vs. Self-Sacrifice: Louisa May Alcott's Publishers and the Depiction of Contract in A Modern Mephistopheles." Nineteenth-Century Women Writers and the Literary Marketplace. Eds. Earl Yarington and Mary DeJong. Newcastle, UK: Cambridge Scholar's Press, 2007. 349-66.
___. " The Summons by John Grisham." Encyclopedia of American Popular Fiction. Eds. Geoff Hamilton and Brian Jones. New York: Facts on File, 2009. 339-40.
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Sherman, Ted. Assistant textual editor. The Divine Poems: The Holy Sonnets. Vol. 7, Part 1. The Variorum Edition of the Poetry of John Donne. Bloomington: Indiana UP, 2005.
___. Assistant textual editor. The Variorum Edition of the Poetry of John Donne, Volume 2: The Elegies . General ed. Gary A. Stringer. Volume commentary ed. John R. Roberts. Contributing ed. Diana Trevino Benet. Senior textual eds. Ted-Larry Pebworth, Gary A. Stringer, and Ernest W. Sullivan, II. Assistant textual eds. Dennis Flynn and Theodore J. Sherman. Bloomington and Indianapolis: Indiana University Press, 2000.
Encyclopedia Articles:
___. "Allegory"; "Christianity"; "Escape"; Harry Potter and the Sorcerer's Stone; The Hobbit; The Lion, the Witch and the Wardrobe;
Out of the Silent Planet; Star Wars. The Greenwood Encyclopedia of Science Fiction
and Fantasy: Themes, Works, Wonders. Ed. Gary Westfahl et al. Westport: Greenwood P, 2005.
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Smith, Allison. "Ethnicity and Syntactic Complexity in Written Argumentative Discourse." In Pragmatics and Language Learning , 2 (1991): 155-165.
___. "Great Britain." Encyclopedia of Linguistics . Gen. Ed. Philipp Strazny. Chicago: Fitzroy Dearborn Publishers (forthcoming 2003).
___. "Innovation and Collaboration: Delivering Distance English Courses Electronically." Campus-Wide Information Systems: The Journal of Technology on Campus 19:2 (2002): 52-58.
___. Companion Website for Prentice Hall Reader. Online. Upper Saddle River, NJ: Prentice-Hall. http://www.prenhall.com/divisions/hss/app/miller2/ 2000.
___. Companion Website for Strategies for College Writing: A Rhetorical Reader. Online. Upper Saddle River, NJ: Prentice-Hall, 2002.
___. "Journaling to Become a Better Writer: Why Journals Work." English Leadership Quarterly 24.2 (2001): 2-5. ___. "Preparing Applied Linguists for the Future." Invited participant for Special Feature Roundtable in Issues in Applied Linguistics , 3.1 (1992): 146-172.
___. "Traditional Grammar." Encyclopedia of Linguistics . Gen. Ed. Philipp Strazny. Chicago: Fitzroy Dearborn Publishers (forthcoming 2003).
___. "A Web Full of Writing." Journal of College Writing 3.1 (2000): 42-52.
___. "Wheeler: Language Alive in the Classroom." Rev. of Language Alive in the Classroom , by Rebecca Wheeler. Southwest Journal of Linguistics 20:2 (2001).
___, Compiler and editor, biographical and geographical entries: Encarta World Dictionary , CD-ROM. Renton, WA: Microsoft. 1999.
___, Compiler and editor, Encarta Thesaurus. Gen. Ed. Kathy Ronney. London: Bloomsbury.
___, Compiler and editor, biographical and geographical entries: Encarta World English Dictionary . Gen. Ed. Anne Soukhanov. New York: St. Martin's Press, 1999.
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Strawman, Tom. "'Futurology' and the Fruit of Industrialism in Bellamy, Schiller, and Wendell Berry:
Physical Comfort, Spiritual Regression?" The Midwest Quarterly 32 (1990): 44-65.
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Strickland, Rachel. "Cynthia Selfe." COMPbiblio: Leaders and Influences in Composition Theory and Practice. Eds. Allison D. Smith , Trixie G. Smith, and Karen Wright. Southlake, TX: Fountainhead Press. 2007.
___. with Maria Clayton. "Educational Psychology." COMPbiblio: Leaders and Influences in Composition Theory and Practice. Eds. Allison D. Smith, Trixie G. Smith, and Karen Wright. Southlake, TX: Fountainhead Press. 2007.
___. "Geneva Smitherman." COMPbiblio: Leaders and Influences in Composition Theory and Practice. Eds. Allison D. Smith, Trixie G. Smith, and Karen Wright. Southlake, TX: Fountainhead Press. 2007.
___. Smith, Allison D., Trixie G. Smith, and Rachel Strickland, eds. Surviving Freshman Composition. 4th ed. Southlake, TX: Fountainhead, 2007.
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Therrien, Kathleen. "Helping Students Stay Students: Addressing Issues of First-Year Retention" (co-authored
with Judy A. Greene). About Teaching: The Newsletter of the Center for Teaching Effectiveness . University of Delaware, Fall 1993. Reprinted in The Freshman Year Experience Newsletter . National Resource Center for FYE at the University of South Carolina at Columbia,
January 1994.
___. "The Syllabus Re-Evaluated: Building a Tool for Active Learning" (co-authored with Judy A. Greene). About Teaching: The Newsletter of the Center for Teaching Effectiveness . University of Delaware, Spring 1993. Reprinted as "The Syllabus: A Tool for Effective Learning." The Teaching Scholar: The Newsletter of the Teaching Excellence Center . Rutgers University, September 1993.
___. "'Why Do They Have To . . . To . . . Say Things . . . ?': Poverty, Class, and Gender in Betty Smith's A Tree Grows in Brooklyn ." Legacy: A Journal of Women Writers (Special Issue on Discourses of Women and Class) 16.1 (1999).
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Tormey, Warren.
Edited Books:
___. Baseaball and Social Class. Essays on the Democratic Game That Isn't. Eds. Ronald E. Kates and Warren Tormey. McFarland & Company, 2012
Book Publications
___. Baseball/Literature/Culture: Essays 2008-2009. Ed. Ronald Kates and Warren Tormey. McFarland & Company, 2010.
___. The Shield and the Cross: Mining, Metalworking, and the Epic Underworld: The Formation of State Identity to the Anglo Saxon Age. VDM Verlag Dr. Müller, 2009.
___. Baseball/Literature/Culture: Essays 2006-2007. Ed. Ronald Kates and Warren Tormey. McFarland & Company, 2008. .
Article Publications
___. "'The Old College Try': Eddie Collins and the 1919 Black Sox." Baseball and Class: Essays on the Democratic Game That Isn't. Eds. Ronald Kates and Warren Tormey. McFarland & Company, 2012.
___. "Milton's Satan and Early English Industry and Commerce: The Rhetoric of Self-Justification." Interdisciplinary Literary Studies: A Journal of Criticism and Theory. 13.1-2 (Fall 2011): 127-59.
___. "Putting the Ball Cap on James Joyce: Beer and Bars, and Echoes of Ulysses in Coover's Universal Baseball Association" Baseball/Literature/Culture: Essays 2008-2009. Ed. Ronald Kates and Warren Tormey. McFarland & Company, 2010.
___. "Author Wiggen: More than Just A Name," Baseball/Literature/Culture: Essays 2006-2007. Ed. Ronald Kates and Warren Tormey. McFarland & Company, 2008. 32-39.
___. "'You Don't Play the Angles, You're a Sap:' John Sayles, Eliot Asinof, Baseball, Labor, and Chicago in 1919," Baseball/Literature/Culture: Essays 2002-2003. Ed. Peter Carino. McFarland & Company, 2004. 60-75.
___. Review of "This is the City-State": The Idea of the Guardian in the TV LAPD" by Xerxes Havelock. Teleparody: Predicting/Preventing the TV Discourse of Tomorrow. Eds. David Lavery and Angela Hague. London: Wallflower Press, 2002. 33-39.
___. "Discipline and Dilbert," Studies in Popular Culture, Eds. Dunne, Michael and Sara Lewis. 21.1 (October 1998). 13-29.
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Tyner, Tom. "Applying Kolb's Theory in the Writing Classroom," in Writing Perspectives, Vol. 2 #1, Spring 1992.
___. "Shades at Midnight: Conventions of the White Blues Player," included in Middle Tennessee State University's Center for Popular Music collection, Fall 1992.
___. "Student Learning Styles and Achievement," in TNADE Bulletin, March 1993.
___. "Type Writers: Enhancing Teaching/Learning Strategies Using Myers-Briggs," in TNADE Bulletin, March 1994.
___. "Using Campus Cultural Events to Generate Developmental Writing Assignments," in TNADE Bulletin, March 1994.
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White, Laura A.
___. "Beyond the Eco-flaneur's Footsteps: Perambulatory Narration in Zakes Mda's Ways of Dying." Ecoambiguity, Community and Devlopment: Toward a Politicized Ecocriticism. Eds. Vidya Sarveswaran, Scott Slovic and Swarnalatha Rangarajan. Washington, DC: Lexington Books/Rowman and Littlefield, (forthcoming 2014).
___. "Building on Gendered Ground: Space and National Identity in Brenda Walker's Wing of Night." Journal of Australian Writers and Writing. May 2010.
___. "Novel Vision: Seeing the Sunderbans through Amitav Ghosh's The Hungry Tide." ISLE: Interdisciplinary Studies in Literature and Environment (forthcoming 2013).
___. "Re-imagining the Human: Ecofeminism, Affect, and Postcolonial Narration." International Perspectives in Feminist Ecocriticism. Eds. Simon Estok, Greta Gaard and Serpil Oppermann. New York: Routledge, 2013. 137-147.
___. "Renegotiating the Land Covenant in Marlene van Niekerk's Triomf." Scrutiny 2, 12(2): 2007.
___. "Submerging the Imperial Eye: Affective Narration as Environmentalist Intervention in Richard Flanagan's Death of a River Guide." Journal of Commonwealth Literature 47 (June 2012): 265-279.
Other Publications
___. "Chimamanda Ngozi Adichie." Encyclopedia of Contemporary Fiction. Ed. Geoff Hamilton. New York: Gale, 2009 .
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Wilt, Timothy . with Ernst Wendland. Scripture Frames and Framing : A Workbook for Bible Translators . Stellenbosch: University Press. 2008.
Wilt, Timothy. "Form and Genre: Translating Procedural Texts in Leviticus." Journal of Translation 3.2:23-28. 2007.
___. "Translating Bibles: Some Recurring Questions." In Cultural Readings of the Bible in Africa: Quand l'Afrique s'appropie la Bible! Ed. J.-C. Loba-Mkole and D. Aroga Bessong. Yaounde: Éditions Clé, 119-140. 2007. editor. Le Sycomore (translation journal). 1997-2006.
___. Des cadres changeants de la traduction. Le Sycomore 18:2-7, 2006.
___. L'équivalence fonctionnelle littéraire: son application à des textes poétiques. Le Sycomore 18:12-36, 2006.
___. Translation principles for LiFE, inductively Derived. Current Trends in Scripture Translation: Definitions and Identity, Ed. Philip Noss . Reading: UBS, 215-223, 2005.
___. Pigeon. Bible Translator 56.1: 45-57 , 2005.
___. Literary Functional Equivalence: Some Case Studies. Journal of Biblical Text Research 10: 82-116, 2005.
___. Peut une traduction étre trop claire? Le Sycomore 15:14-18, 2004.
___. editor. Bible Translation: Frames of Reference. Manchester. St. Jerome, 2003.
___. Review article: La Bible Bayard. Le Sycomore 14:48-51, 2003.
___. Communication and Bible translation, in Bible Translation: Frames of Reference. Manchester. St. Jerome, pp. 27-80, 2002.
___. 'Empereur.' Le Sycomore 7:7-11, 2000.
___. 'Oracle of Yahweh': translating a highly marked expression. The Bible Translator 50.3, 301-304, 1999.
___. Review article: Lawrence Venuti's The Invisible Translator . The Bible Translator 49:148-152, 1998.
___. Markedness and references in Biblical Hebrew narratives, in Codes and Consequences: Choosing Linguistic Varieties , ed. by Carol Myers-Scotton. New York: Oxford University Press, 1998.
___. Quelques notes sur la traduction de Jean. Le Sycomore 5:78-81 , 1998 .
___. La Proximité. Le Sycomore 5:84-87, 1998.
___. A sociolinguistic analysis of NA' . Vetus Testamentum XLVI, 2: 237-55, 1997.
___. Des noms propres. Le Sycomore 1:9-12 , 1996 .
___. Le Glossaire. Le Sycomore 1:18-19 , 1996 .
___. Quelques observations sur la répétition thématique. Cahiers de Traduction Biblique 24: 3-8 , 1996 .
___. Flexibility continua in language choice. Journal of Translation and Textlinguistics 7.2: 60-82.
___. A survey of linguistic preferences of Cameroonian Pidgin English speakers. Journal of Pidgin and Creole Languages 9.2, 1994.
___. Jonah: A battle of shifting alliances, in Among the Prophets: Language, Image and Structure in the Prophetic Writings , ed. by Philip R. Davies and David J. A. Clines. Sheffield: Academic Press, 1993.
___. On translating acrostics: perhaps the form can be represented. The Bible Translator 44.2: 207-212, 1993.
___. Lexical repetition in Jonah. The Journal of Translation and Textlinguistics 5.3: 252-64, 1992.
___. Two Zairian Swahili Bibles: dealing with diglossic distances. The Bible Translator 40.3: 321-331, 1989.
___. Continuity versus change in Worku's The Thirteenth Sun. Journal of Northeast African Studies 10.2-3: 37-50, 1988.
___. Discourse distances and the Swahili demonstratives. Studies in African Linguistics 18.1:81-85, 1987.
___. The usefulness of case frames. Notes on Linguistics 30: 24-30, 1984.


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Le Chef's Food Therapy for Psoriasis
The cause is deeper than the skin!
Luther Jones
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We haven't heard much from Resident Evil: Retribution since its Sony-product-laden teaser trailer was released in January, but writer-director Paul W.S. Anderson and his wife and franchise star Milla Jovovich were on hand at this weekend's WonderCon to discuss the upcoming sequel.
During the movie's panel, the pair unveiled an action sequence from the sequel that shows Jovovich whipping zombies with chains, snippets of which appear in the teaser trailer (IGN has the full description of the scene, which you can read here). Prior to showing the footage, Anderson told ShockTillYouDrop that the action scene took place in the "corridors of Umbrella" and is a sign of how Anderson continues to push the franchise to new territory.
The clip we're showing today — set in the corridors of Umbrella — we've spend so much time in corridors. Corridors made of metal, corridors made of this and that. How are we going to be different? The production design in this movie is out of this world. Beautiful. We manufactured this one particular set out of glass — the type they make skyscrapers out of. It gave us a unique visual look because it's sort of self-illuminating. We had lights coming through the floor, wall and ceiling. So crisp and white. But once you start spraying the blood around, you've got red on the white floor, Milla dressed in black. It's a graphic and fresh look. It's definitely a Resident Evil movie. There's Milla, the undead, the Umbrella corporation logo — but it's a look you've never seen before in the franchise. That's what I'm always looking for.
Anderson has been with the franchise from the beginning, writing and directing the 2002 original, then writing and producing 2004's Resident Evil: Apocalypse and 2007's Resident Evil: Extinction before returning to write and direct 2010's Resident Evil: Afterlife. Anderson said that the Resident Evil movies are "a franchise I'm incredibly proud of."
When you go from the humble beginnings of the first film, which was a film financed outside of studio system — we didn't have a U.S. distribution deal in place — it went from this little film that could to building a billion dollar franchise. To evolve from that contained chamber piece horror the first movie was to a much more epic scope is very gratifying. It is an evolution though, because you look at the history of other franchises — which I do a lot — the ones that succeed are the ones that evolve. They say learn from the best or steal from the best and, obviously, a big fan of Alien, you look at the first two movies — from Ridley [Scott] and [James] Cameron — they're a genius lesson in how to keep a franchise fresh. The way Cameron came in and knew Ridley had done such a good job with that tight, claustrophobic movie there was no way he could match that. So, he made his own film — scary but it had all of these action elements as well. That's always been a lesson for me and that's what I tried to apply here. Allow yourself to evolve and mutate so you're delivering familiar elements for the fans but do something fresh as well.
Part of the freshness could be revealed in the movie's action scenes, which Jovovich described to Zap2It as "the most complex action sequences" she's ever done.
There are quite a few fight scenes. They're intense. Some of the most complex action sequences I've done in an action film. We got a lot of inspiration from Thai cinema. People in that word make brutal contact with each other. It's really violent and raw. In 3-D, you really have to hit people to sell it. I've been trained my whole life not to hit someone during a scene, and now they're like, "Hit them, Mila! Just hit them!"
Resident Evil: Retribution will see Jovovich return as Alice and face some friendly faces in her latest attempt to bring down the Umbrella Corporation and the zombies they caused. Boris Kodjoe will return as Luther, while Michelle Rodriguez, Oded Fehr, and Colin Salmon will also return, despite their individual characters dying in previous movies. Video game characters Barry Burton (Kevin Durand, X-Men Origins: Wolverine), and Ada Wong (Li Bingbing, 1911) will also appear for the first time in a Resident Evil movie.


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Fage Greek Yogurt
1.5" cookie dough scoop
Chocolate Chip Cookie Dough Balls makes 20-24 1.5" balls
1 stick unsalted butter at room temperature
1 cup plus 2 Tablespoons all purpose flour
1/2 teaspoon baking soda
3/4 teaspoons salt
1/2 cup brown sugar
1/3 cup granulated sugar
1 teaspoon vanilla extract
1/3 cup Greek yogurt or applesauce or peanut butter
1 cup semi sweet MINI chocolate chips
1/2 cup chopped walnuts (optional) or oatmeal1 1/2 cups semi sweet chocolate chips, melted for dipping
In the bowl of a stand mixer fit with a paddle attachment cream butter and sugars until light and fluffy, about three minutes in the machine. Beat in yogurt or applesauce or peanut butter along with the vanilla extract and stir to combine. Whisk together the flour, baking soda and salt. Add all at once to the butter and sugar mixture and stir until incorporated. Fold in chocolate chips and walnuts/oatmeal.
Scoop spoonfuls onto a waxed paper lined cookie sheet. Spear each dough ball with a plastic fork or a popsicle stick. Place in the freezer overnight or until frozen, at least two hours.
After 2 hours, melt chocolate chips in a small saucepan over a low flame or in the microwave. Remove balls from the freezer and dip into warm chocolate. Return to the lined cookie sheet and return to the freezer to harden. Serve cold from the freezer.


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Sheldon Irish: LSI Information
We have been invited to the LSI for the third time in the last seven years. The LSI is the premier pre-season tournament in the Pacific Northwest, featuring the best teams in Oregon, as well as some of the best teams in the country. This year's tournament features 12 teams from Oregon as well as four teams from around the country. Included is Archbishop Mitty High School out of San Jose, CA, which features Aaron Gordon the 7th ranked recruit in the nation. The competition will be fierce as the Irish look to show the state that we are a title contender this year.
More information including; schedule, transportation, and lodging will be out as soon as we get it.
During the LSI, the JV and Freshman teams will be playing in a tournament at Central Catholic High School. This tournament will be December 27 - December 29 and will be against some very tough competition. Again more information will be forthcoming.