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Showcase Redemption - Printable Version
+- Beckett Message Boards (http://www.beckett.com/forums)
+-- Forum: Hobby Talk (/forum-1.html)
+--- Forum: Racing (/forum-10.html)
+---- Forum: Box Breaks (/forum-11.html)
+---- Thread: Showcase Redemption (/thread-1464238.html)
Showcase Redemption - tonygwynnandcalripke - 10-31-2011 06:50 PM
I got my Redemption back from PresPass today mailed it last Tuesday got it back today less Than 1WEEK the Big 3 could learn a lot about CUSTOMER SERVICE from the gang at PP by the way it was for a Dale Jr. Masterpieces INK triple men/auto card it is #12/25 and it is a stunning card perfect sig, fire suite patch (3cl) Shoe (also 3cl) and sheet metal will get it into my Photobucket soon Thanks again PressPass
RE: Showcase Redemption - slufan83 - 10-31-2011 06:51 PM
Sounds like a nice card...I have a Mark Martin Masterpieces Ink /25 incoming too.
RE: Showcase Redemption - tonygwynnandcalripke - 10-31-2011 11:18 PM
(10-31-2011 06:51 PM)slufan83 Wrote: Sounds like a nice card...I have a Mark Martin Masterpieces Ink /25 incoming too.sweet Don't have a mark martin yet but since i am trying to build the master set of fanfare I will be getting a couple. It is my first Jr. auto and its cool its only numbered to 25 but I guess that means beckett won't price it huh LOL
RE: Showcase Redemption - spazmatastic - 10-31-2011 11:26 PM
Actually, they MIGHT put a BV on it. I have found that NASCAR cards #'d 25 are more likely to have a BV than in other sports. There are less drivers (than 'players' in other sports), but there seems to be more activity on NASCAR cards.
Either way, it sounds like an awesome card. I can't wait to see it.
RE: Showcase Redemption - alstott9adams - 11-01-2011 01:02 PM
Sweet congrats again
RE: Showcase Redemption - tonygwynnandcalripke - 11-05-2011 02:04 AM
images are up for all my latest breaks


text: National Manpower Survey, 1973-1976 Bureau of Social Science Research, Inc. correctional facilities (adults) correctional facilities (juveniles) court system courts crime criminal justice system defense counsel hiring practices labor force law enforcement management occupations parole services personnel police departments police training policies and procedures prison administration probation services prosecuting attorneys training wages and salaries work attitudes workers This data collection contains information from a series of national surveys, conducted simultaneously across the criminal justice system, to ascertain national manpower strengths and goals, agency information and characteristics, and attitudes of the agency heads during the period 1973-1976. The National Manpower Survey was undertaken to assess the adequacy of existing federal, state, and local training and education programs meeting current personnel needs in various law enforcement and criminal justice functions and operations. The study intended to project future personnel and training needs, by occupation, in relation to anticipated availability of qualified personnel in order to assess the future adequacy of training and educational resources. It also sought to establish "needs priorities" as a basis for future training and academic assistance programs to be funded by the Bureau of Justice Statistics. The study design systematically covered the personnel needs in all state and local governmental agencies that were part of the law enforcement and criminal justice system. Sectors within the system included: (1) law enforcement, consisting of police departments and sheriff's agencies, ranging in size from one-person constabularies to large city departments employing 20,000 or more individuals, (2) corrections, including both adult and juvenile correctional institutions and agencies, and (3) the judicial process, including a wide range of courts with varying jurisdictions and scope, district attorneys or prosecutors' offices, and public defenders' offices. For this study, the Bureau of Social Science Research was responsible for the acquisition and assessment of existing statistical data as well as the design and execution of systematic mail surveys of agencies, officials, and employees within the law enforcement/criminal justice system. Nine nationwide surveys were directed to executives in criminal justice agencies, including chiefs of police (in both large and small departments), sheriffs (in both large and small departments), chief prosecutors, chief defenders, court administrators, wardens of adult correctional facilities, directors of juvenile correctional facilities, and chief probation and parole officers. Two additional surveys were sent to general and appellate jurisdiction courts. In the nine surveys directed to criminal justice executives, the instruments asked respondents for (1) an overall assessment of manpower problems, including personnel categories in which critical shortages might exist, and total personnel required to fulfill all agency duties and responsibilities, (2) desired and actual entry level standards, as well as entry level and in-service training content and requirements, (3) demographic, educational, training, and occupational background information about the executive respondent, (4) opinions about major obstacles to effectiveness and attitudes toward various issues such as team policing, plea bargaining, and computer-assisted case management, and (5) a fact sheet section dealing with agency employment by occupational category, salaries, and workloads. Each of the remaining two surveys was a census of general and appellate jurisdiction courts designed to yield basic statistical information regarding the courts and court systems' current staffing, training activities, and caseloads, and did not seek any attitudinal or subjective responses. Thus the agency itself was the reporting unit, with the respondent required only to be in a position to provide accurate, reliable information. 7675 http://doi.org/10.3886/ICPSR07675.v1 02-16-1992 survey data mailback questionnaires United States 1973--1976

subset: commoncrawl


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Topic: General Gaming / The "What was that game called?" Thread
It's on kongregate. It's multiplayer. It has pixel graphics. It's 2D. You had to jump through bricks and jump pads and stuff in the levels. There's a level-maker. You can play other players' levels.
Completing a level, based on difficulty, gave you XP to level up. As you leveled up you unlocked better avatars.
If you've ever player shell shock live, one of the weapons is EE bomb. The icon/bomb image of it is one of the avatars you could have been. If don't know what an EE bomb is, it's basically a yellow smily face, with the eyes looking upwards and a grin.
I haven't played it for a year+ so I can't remember the name. If you know the name, please tell me.
EDIT: I found it! It was called Everybody Edits.


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How bad is driking coffee while you are pregnant?
I drink coffee daily, how bad is it now that i am pregnant.
Posted: 07/07/2010 by a BabyCenter Member
Mom Answers
Sort by: best answers | most recent answers
1 - 4 of 4 answers
I'm curious about the powdered coffee though, the kind you'll find pre made at the store, like English toffee and French vanilla. Is that stuff bad for us too? I dont drink coffee that often, usually just a tiny cup in the morning. But this stuff I generally buy everyday.posted 12/21/2012 by brandykowana
i am 7 months pregnant and work at starbucks i have lowered my intake of coffee but i still drink it almost daily studys have been done and there is no actual proof that coffee is the reason of a childs adhd or off development ! there is no proof coffee is bad the only thing bad about it it the caffiene since i dont drink soda at all and i drink plenty of water and juice the coffee i do drink cancels out in my system with the healthy foods and liquids i keep on my stomach my doctor told me 3 cups of regular small cups of coffee a day is fine and plus the coffee makes u feel alot better and energized helping you enjoy ur pregnancy more and my doctors told me at my last apointment my daughters heart and test came back perfect she is growing at the rate she should be her activity it great and her heart is amazings! she is very healthy.posted 08/29/2011 by Mommy2Rylen
please avoid it, and have something alternative. why do you want to risk your baby? even 1%??posted 07/07/2010 by cheesesandwich1989
Well, the coffee itself isn't that bad, it's the caffeine in it that can be harmful in excess amounts. Large amounts are linked to increased risk of miscarriage. There is an article on babycenter.com that might be beneficial just go to http://www.babycenter.com/0_caffeine-during-pregnancy_3955.bc and enjoy! I was a coffee drinker as well and switched to decaf and decaf tea for the duration of my pregnancy. I'm sooooo looking forward to having a regular latte though, LOL! But, the instant decaf isn't bad at all... just don't tell your brain too many times that it's decaf and you'll be happier about it in the end. hee hee hee!posted 07/07/2010 by nursenellie1
Answer this question


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The application of Austech External Building Products' Screen In A Box has been regularly used residentially around the home but is becoming increasingly widespread in commercial applications such as shopping centres, pubs, clubs and industrial sites. The growth of this product is largely due to the clean, modern appearance and protection the Screen In A Box provides, along with its superior strength, thus creating a more visually pleasing look and adding value to your business. Aluminium screening is a more durable and reliable alternative, making it ideal for commercial development where little maintenance is important.
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This is a very cost effective and unique ways to cover up those disorderly areas we don't want people to see or even just add life to a dull area. Austech provides 4 standard sizes, but also provides a cut to size service to cater for all needs, with three standard powder coated colours and a Western Red Cedar finish available. All of our panels come with a 7 year guarantee.
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Pano of Piazza Pio II, in Pienza, Tuscany. need advice...C+C welcome
Started Feb 19, 2009 | Discussions thread
Shop cameras & lenses ▾
ilaned • Regular Member • Posts: 118
Pano of Piazza Pio II, in Pienza, Tuscany. need advice...C+C welcome
I did this 5x10 pano in Pienza, Tuscany with a Canon 40D, Canon 50mm 1:1,4 f8,0 at 1/50 sec. ISO 200 with tripod and Pano Head, stitched with CS3. Now I am a bit confused concerning the distorted lines in the pano, never had that before, did I miss something. Explanation, C+C highly welcome.
Kindest Regards, Ernst
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We were all prepared to write a light, cheerful post today about taking the Little Lady on her ten, eleven and twelve month "museum" visits. (Spoiler alert: Tea garden. Zoo. Aquarium.) Then, while we were killing a few minutes (and brain cells) perusing some online celebrity gossip, we happened upon the following poll on People Magazine's website: "Should Marissa Mayer Take A Shortened, Working Maternity Leave?"
Say what? A POLL?!
Whenever a powerful woman does something awesome, we've come to expect at least a smattering of thinly-veiled sexist backlash. Katie Couric, Condi, and Hillary have all been called prostitutes, told that they lack "gravitas" (which Couric recently –and bitterly — joked is Latin for "testicles"), or been accused of not being sufficiently "likeable" (Translation: Mega.Bitch.) Just because we're nearly a century out from the 19th Amendment doesn't prevent some folks from believing that a powerful woman might nuke Libya in a fit of period-induced rage or quit her job prematurely once the siren song of baby making and cookie baking becomes irresistible.
What we did not expect — naively, perhaps — was the fierce backlash from women. Commenters on People's boards are calling Mayer selfish, smugly predicting that she'll have a c-section and (gasp!) bottle feed, diagnosing her unborn child with an attachment disorder *and* calling her old and ugly. The BabyCenter mommy message boards are going to get LIT UP in 3…2…
We'll be honest: when we first read about Mayer's proposed two week-long working maternity leave, we, too, questioned her choice. (Mostly because we know what two weeks postpartum feels like and it is decidedly NOT your A-game.) Then we smacked ourself upside the head, quieted our inner sanctimommy and remembered: this is NONE of our business. Mayer may be the newly-minted CEO of a Fortune 500 company with shareholders to answer to, but that doesn't mean her family life is open for public debate. If Mayer wants to build a birthing suite in Yahoo headquarters so she can deliver her son and then make a 4 o'clock board meeting, *rock on*, sister. You have just as much right to work and entrust your child's daily care to others (like say, your HUSBAND) as another mother has to breastfeed, cosleep and babywear until her kid is twelve.
And why, other than recovering from the birth, is she expected to take a break at all? Can't she just lay low for a few days like she had a hernia repaired or a bum football knee scoped and then head back to the office, or is she required to swoon over her newborn for a socially-acceptable number of days?
While many mothers couldn't imagine choosing the path Mayer has laid out for her family, tsk-tsking about night nurses and scheduled c-sections is beyond counterproductive. A 37 year-old woman becoming CEO of a Fortune 500 company is a *big* deal, and not just for Mayer but also for the little girls, like mine, asleep in their cribs who will grow up with one more possibility. Do we really want to teach those same precious babies that pregnancy is a limitation?


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It's nine in a row for the Brandon Pizza Express Inspire.
The Inspire extended their unbeaten streak to nine games on Sunday by playing to a 0-0 draw on the road with the division-leading Selkirk FC in the Manitoba Major Soccer League's Second Division.
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Google beta-testing tracking mobile users everywhere they go--even when not using a Google app
Google is attempting to deliver the ultimate prize to advertisers--a constant location tracking of mobile device users. Google appears to be touting this service only in regards to proving mobile ads work and to demonstrate a direct tie-in between Google searches and consumer purchases offline. But there is plenty of concern that Google will not stop there.
"If someone conducts a Google mobile search for 'screwdrivers,' for instance, a local hardware store could bid to have its store listing served to that user," writes John McDermott in his post in Digiday. "By pairing that person's location data with its database of store listings, Google can see if the person who saw that ad subsequently visited the store."
"Google's ability to make this connection is predicated on users opting in to location services on their smartphones and thus, in some cases, being subject to constant location monitoring."
How can Google get away with spying on everyone in the real world, you might ask? McDermott reports that Google declined to comment but…
"Dan Auerbach, staff technologist at the Electronic Frontier Foundation, said that users might not realize they've opted in to constant location tracking when they opt in to 'location services.' The disclosure mechanism for these apps are pretty weak,' he said. 'I think there's a gap between user expectations and what apps are really doing.'"
If you think refusing to use Android devices and using Apple instead will keep you safe from Google's tracking your every move, think again.
"It is easiest for Google to conduct this passive location tracking on Android users, since Google has embedded location tracking into the software," writes McDermott. "But Google can also constantly track the location of iPhone users by way of Google apps for iOS, Apple's mobile operating system."
When users stop using these apps, they continue to run in background and Google continues to track the user's location.
A Google blog post hints that Google will go further still: "Over time, we'll be adding other conversion types like phone calls and store visits as well as conversions from ads on our search and display network."
For now, users can protect themselves by putting their devices in airplane mode when not using the phone, by not using location services and by uninstalling apps. However, those protections may not be complete nor may some be available much longer.
As airlines accept in-flight use of devices, the airplane mode function will disappear on future phones effectively killing that line of defense. Uninstalling apps may or may not work as there is no way for the user to know if the app completely uninstalled, or if only portions of it did. And refusing location services does not necessarily counter any embedded location tracking.
Google is well aware that users' options for privacy are few and growing fewer. So why not spy on the masses when they can't do anything about it?
After all, "it's nothing personal, it's just business" as the old adage goes.
It's past time to show marketers that this is bad business and entirely personal.
For more:
- read the Digiday post
- read Google's blog post
Related Articles:
Google says 'Shhh, don't say big, just say data'
How Google transfers data to the NSA


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Folks, I've got a little bit more information on the Pioneer Woman Movie deal for your reading pleasure.
Interestingly enough, Ree told me that the deal was not something she actively pursued or that an agent ever had to shop around. That's right, the people from Sony pictures came to her about a movie possibility after they had read an article in the LA Times about the blog last year prior to the release of The Pioneer Woman Cooks cookbook. Ree had several conversations with them, and determined that a partnership would fit, since the executives really seemed to understand the love story and all of its elements, i.e. "the humor, the adventure, the conflict, my developmentally disabled brother Mike, my divorcing parents, and a couple of other circumstances that will come to light in the book" and so she decided "it would be nothing but fun to move forward with them."
[By the way, that crashing sound you just heard was the sound of the skulls of all the failed screenwriters at the Starbucks at the corner of Franklin and Highland in Hollywood cracking against their Mac laptops in unison as they realized that there is a faster way to get an unsolicited movie deal than drinking $5 coffee, wearing clean jeans that are made to look dirty, and going to AA meetings at the Lodge in West Hollywood. And now, they're all rushing out to get fitted for chaps, and trying to track down someone who can set up their WordPress installs. Call me, guys, mmkay? I digress.]
The source I cited this morning claimed that the option signed was a deal for the story behind the entirety of ThePioneerWoman.Com, and this is not true. It is actually only for the love story, "Black Heels To Tractor Wheels," which will be published in a book next February. I decided to ask Ree a couple other questions, and she was kind enough to humor my rudeness, lack of manners, and insatiable curiosity. Below are my questions and her answers; I'm sure this story will continue to be updated as the project progresses, but below is a better idea of the deal thusfar.
Did you ever think Reese Witherspoon would be playing you?
Reese is interested in the project, but has not committed to it. I think a screenplay would have to come first, then she'd decide whether or not to move forward. (Actually, the book would have to come first. Which means I have to finish the book first.) I think she'd do a wonderful job, and I hope she does it.
Do you have any say in any of the creative choices of the movie?
I don't think I would have any official up or down vote, but judging from the interaction I've had with Laura Ziskin and Pam Williams (producers), if I had a strong objection or preference I'm sure they would consider my feedback.
Does this deal give you a piece of the backend, or was it a flat fee upfront sold along with your book rights?
Through my literary agent, I enlisted the help of a film agent to do the negotiation since I obviously knew zilch about it. I wound up with a good, standard deal in which I would receive a fee up front, then be compensated based on the movie's budget, not based on box office receipts. The whole thing definitely has a ceiling, which is fine with me since I won't be the one doing the bulk of the work.
Who are you going to get to make your dress for the premiere? Can I offer suggestions for great LA hairstylists?
Can I not wear jeans? Because that's all I wear. Will that be a problem?
I'm guessing that it won't be a problem, actually, Ree. I think you've already showed us you're going to make your own rules in this game. Congrats!


text:
Antique Farming
S.E. Wisconsin Antique Power & Collectibles Society
Tractor Show
Antique Farming
PIC of the Show
Antique Faming PIC
of the Show: We look at those pictures that stand out from the rest.
Click on pictures to enlarge
If you see your tractor, we would love to hear from you
Contact Us
Farm Show and Tractor Picture Collections
Farm Show Pictures
Rock River Thresheree
Tractor Show
High Quality Tractor Pictures
Wisconsin Antique Power Tractor Show Featuring Case Tractors
John Deere Tractor Picture
View Rare John Deere Tractors
Keller Collection
John Deere 4020
Showcase of John Deere 3020
3010 4010 4020 High Crop
Tractor Collection Pictures
Stunning Keller John Deere Tractor Collection
Minneapolis-Moline Tractor Collection
View Minneapolis Moline
Tractor Picture Collection
MiM Tractor Picture
Minneapolis Moline Tractor Pictures UDLX
Tractor Picture Collection
Pickett Farm Show
Steam Engine Tractor Relic
View vintage abandoned steam traction engine Tractors
Antique Farming Top Visited Pages
International Harvester
Parent company to McCormick Deering and the Famous Farmall tractor line
John Deere Tractor A and B
John Deere's General Purpose line. Featuring
the famous John Deere model A
Tractor Tires
Introduced in the 1930's Pneumatic Tractor Tires would change the farming landscape
Massey Harris
Take a look at the roots of the Massey Ferguson Tractor Company visit our Massey Harris Tractor page
John Deere Tractor Model M
John Deere's Utility Tractor designed to replace the John Deere Model H, John Deere Model L and Model LA
Dairy Barn
The history of the dairy Barn and the work saving barn tools
Farmall Tractors
Take a look at the popular International
Farmall Line
John Deere's Waterloo Boy
John Deer purchases the Waterloo Gasoline Engine Company 1n 1918.
Farmall A Tractor
Take a look at the popular International
Farmall A
Construction Equipment
Case had a winner when it introduced
the Construction King
John Deere Logos and Trademarks
Take a look at John Deere Logos some lasted decades others only one year.
Barn Restoration
Part one of a detailed look at rescuing a barn form disaster
Allis Chalmers Tractors
Allis Chalmers Tractors
Allis Chalmers B
Utility Tractors
Utility Tractors Standard Tread and Industrial Tractor history
Fords Tractors
Fords widely popular Tractors 9N 8N NAAA and Hundred Series
1960 would see the
Backhoe Loader tractor
John Deere 3020
John Deere sets the standard for all other farm tractors
Tractors Hydraulics
The invention of Hydraulics would change farming forever
John Deere Timeline
John Deere History
1830 to 1860
John Deere Historic Timeline
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John Deere 20 Series
John Deere replaces Letter Series
with the Numbered Series.
Case Tractors
Case VAC V Series
Construction Equipment
Allis Chalmers
International Harvester
McCormick Deering
Massey Ferguson
John Deere Tractors
John Deere GP
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John Deere 720
achieved many records in the Deere line: It was the largest row-crop two-cylinder model built by
John Deere
;the largest row-crop tractor tested at Nebraska; it provided more work per gallon of diesel fuel of any wheeled or crawler tractor tested up to that time; and the gas and LP-gas models were also the most powerful row-crops of their fuel type.
John Deere R
Tractor becomes the first diesel by John Deere. The biggest
John Deere
to date offering power and weight that large wheat and rice farmers required.. It provides 43 belt hp and weighs 7,400 pounds. Its 2- cylinder diesel engine is started by a 2-cylinder gasoline pony engine. It is also the first John Deere tractor to offer an optional cab.
The 3PT War
a $9.25 settlement agreement against Ford. Ford agreed to discontinue production of the
hydraulic system
using Ferguson's reservoir-side
hydraulic pump
by the end of the 1952 model year. 1953 saw the release of the Ford NA Ferguson, who had begun producing Ford 9N look-alikes that he marketed as Ferguson TE-20 and TO- 20 , suffered in the final settlement for his success. He had manufactured nearly 140,000 of the 9N clones without Ford's permissio
Case VAC
Case VAC Model
became a well respected small
Case Tractor
. Their superior design is evidenced by the fact that many are still in service.
Case VAC Tractor
John Deere Backhoe
John Deere 92 Backhoe
became a popular backhoe attachment. Available in a 10 and 12 foot model. Mounting options were the John Deere JD300 or the John Deere JD400 loaders only. The 92 John Deere Backhoe like all other JD Backhoes were treated as attachments. The backhoes could be demounted to free the loader tractor for three point hitch, drawbar or PTO work.
1958 The
John Deere
440 crawler becomes the first real industrail tractor . The Integral
John Deere
831 Loader will become a popular loader option.
� 2006 2007 Copyight topranksite.com
Farm Show


text:
The set was massive, an elevated steel deck three feet off the ground. We had three walls painted matte black, as well as a matte black floor. That was very thought out. But inside these three walls and that crazy floor, I really wanted to be surprised.
DPP: Why did you build a deck instead of having the dancers on the studio floor?
Silver: For a couple of reasons. I wanted the experience of having them on stage. I also wanted the feeling of the dancers being enclosed in this space that was a little claustrophobic. But more than anything, it was in order to get the lighting in the right place; the floor had to be off the ground. For the dancers, it felt special. You put a dancer on stage and they transform.
DPP: What did you do in terms of post on the video?
Silver: Stephen chose the music for the video, which really helped. It set the mood. I worked closely with a fantastic editor, Thomas Ramsey. Post for me is as important as the shoot itself. You spend a lot of time "concepting" a shoot, why would you throw it out into the universe? Your postproduction and preproduction require the same amount of care.
DPP: Your background in dance must help you in this work. Did you think you were going to be a professional dancer when you grew up?
Silver: If I were delusional. I learned very quickly that I didn't have what it took to be a professional dancer—although I cried when I figured it out at age 13. When I realized that I could have something just as rewarding by directing it in a photographic setting, I ran with it. I have an incredibly wonderful career shooting movement with fashion and beauty. My background in dance has allowed me to be a really good photographer. I may have been sad when I was 13, but now I consider myself immensely lucky. I married a professional dancer. I know what it takes—incredible stamina and flexibility and an ability to be extraordinary with your physical being—and I didn't have it.
DPP: Dancers tend to have pretty impressive bodies to photograph.
Silver: That's true, but if you're not helping accentuate it with lighting, then you're not showcasing their physiques. I always use some sort of tripod or camera stand because I like to see the big picture of the performance and use a remote to trigger the shutter. I prefocus and stand next to the camera. When I'm on the Hasselblad, I'm on a remote trigger. I don't even look through the camera. I set it, then I forget it, because I want to see the action. It's about anticipating the moves. You go for the Cartier-Bresson decisive moment.
DPP: His famous decisive moment shot is of a man jumping over a puddle behind the Gare Saint-Lazare in Paris. It looks like a dance movement.
Silver: Dance is a reflection of real life, and real life is movement.
You can see more of Sarah Silver's work at www.sarahsilver.com.
« Prev 3/3 Next


text:
2008 Events
Second American Corner to Open in Montenegro
Memorandum of Understanding Signed in Pljevlja
Public Affairs Officer Alexander Titolo exchanged a Memorandum of Understanding with the President of Pljevlja Municipality Mr. Filip Vukovic on Tuesday, October 28, marking the beginning of cooperation on the opening of an American Corner in Pljevlja. This will be the second American Corner in Montenegro. The first, in Podgorica, has been open for five years. The Corner will have books, magazines, CD and DVD collections, and other material about American values, culture, history and other themes. It will also be the venue for forums in which Embassy visitors to Pljevlja can exchange their views and experiences with residents of Pljevlja and northern Montenegro.


text:
Roseville boy battling brain cancer to attend Super Bowl
A 12-year-old Roseville boy battling brain cancer will be in the stands of the Superdome this Sunday for Super Bowl XLVII, as a recipient of the Make-A-Wish Foundation.
Dominik Morris, his 11-year-old sister Cassy, mom Claudia and dad Stephen left for New Orleans at 6 a.m. Wednesday, fulfilling the boy's dream of seeing the NFL's two top teams battle for the title.
Dominik is one of 12 kids with life-threatening medical conditions from around the United States who wished to attend the Super Bowl. The wishes were made possible through the generosity of the NFL and others, according to a press release. This year marks the 31st consecutive year that a wish kid will be present at the Super Bowl.
"We know that wish experiences like these can have a tremendous impact on wish kids and their families," said foundation CEO Jennifer Stolo.


text: How opening your wireless to strangers can improve your privacy Technology 23 June 14 by Andy Greenberg Shutterstock In an age of surveillance anxiety, the notion of leaving your Wi-Fi network open and unprotected seems dangerously naive. But one group of activists says it can help you open up your wireless internet and not only maintain your privacy, but actually increase it in the process.At the Hackers on Planet Earth conference next month, the Electronic Frontier Foundation plans to release software designed to let you share a portion of your Wi-Fi network, password-free, with anyone nearby. The initiative, part of the OpenWireless.org campaign, will maintain its own flavour of free, open-source router firmware called Open Wireless Router. Good Samaritans can install this firmware on a cheap Wi-Fi router, creating a public slice of bandwidth that can be dialled up or down with a simple smartphone interface."We want to encourage a world of open wireless, sharing Wi-Fi with each other for privacy, efficiency, and innovation in devices that don't have to fall back on subscriptions to wireless carriers," says EFF activist Adi Kamdar. Many locked wireless networks sit idle for much of the day, Kamdar argues. OpenWireless.org would put that untapped bandwidth to use while still allowing the router's owner to take priority when needed, limiting freeloaders to as little as 5 percent of the pipe.And just how does opening your network protect privacy, as Kamdar claims? One goal of OpenWireless.org, says EFF staff attorney Nate Cardozo, is dispelling the legal notion that anything that happens on a network must have been done by the network's owner. "Your IP address is not your identity, and your identity is not your IP address," Cardozo says. "Open wireless makes mass surveillance and correlation of person with IP more difficult, and that's good for everyone."On the other hand, mixing a stranger's traffic with your own can be risky. In 2011, for instance, a man in Buffalo, New York saw his home raided by a SWAT team that accused him of being a pornographer and a pedophile. The police eventually realised he'd simply left his Wi-Fi router unprotected, and a neighbour had used it to download child porn.For anyone wary of home invasions by similarly misguided cops, OpenWireless.org says it will at some point integrate an option to route guest traffic over the anonymity software Tor or a VPN that ties it to a different IP address. But Cardozo hopes the open routers will for most users cement the idea that network owners aren't responsible for passersby who use their connection. "If everyone runs open Wi-Fi, there's no real argument that anyone is being negligent by doing so," he says. "If you're not the person doing the illegal activity, you have no liability." A screenshot of OpenWireless.org's router interface with the group's explanation of its featuresOpenWireless.org OpenWireless.org won't be the first attempt to create a network of open guest access points. But others who have tried the strategy, like the Spanish company Fon and British Telecom, have required users to be subscribers or pay for access. The EFF's option will be free for all.The first version of the software is to appear on OpenWireless.org in mid-July. The initial download will be compatible with one specific cheap Wi-Fi router that the OpenWireless developers declined to reveal until the HOPE talk. If the idea catches on, the group says it will eventually update the firmware to work on other models and eventually offer its own router with pre-installed hardware.Anyone wishing to use the initiative's free Wi-fi hotspots should search for networks called "OpenWireless.org," the label the project is encouraging people to give their networks. For guest users, the router software is also designed to offer better-than-average security: Each user's link will be individually encrypted with a protocol called EAP-TLS, the equivalent of HTTPS on every connection. The price of that encryption, however, is that users must download a certificate from OpenWireless.org before accessing the free networks, a tradeoff that will no doubt limit use in favour of privacy. "Part of the goal here is to make open Wi-Fi as secure as logging on to a private network," says Ranga Krishnan, an EFF technology fellow working on the project.Network owners may ask what incentive beyond altruism might motivate them to share limited Wi-Fi resources with strangers. The Open Wireless Router creators argue their software will be more convenient and secure than the buggy default firmware in typical Netgear and Linksys devices. Unlike those rarely-updated devices, the OpenWireless.org router firmware will be security-audited and allow users to check for updates on the devices' smartphone-friendly web interface and quickly download updates. "We want to get a much better router in peoples' hands that will improve their overall experience and security," says Krishnan.Krishnan argues that users also will benefit, both personally and on a societal level, from the barrier to surveillance that comes from sharing their network with strangers. "This is not just a neighbourly good thing to do," he says. "If you allow this kind of guest usage, it will make your traffic part of the mix and not associated with you. That gives you some protection."But Kamdar points instead to security guru Bruce Schneier's famous argument that despite the security risks, leaving your Wi-Fi open is an act of civic hospitality. "To me, it's basic politeness," Schneier wrote in 2008. "Providing internet access to guests is kind of like providing heat and electricity, or a hot cup of tea."Given the kind of widespread network surveillance that's been revealed in the years since Schneier wrote that line, no one would be considered rude for keeping their network locked down. With the right tools and protections, though, sharing Wi-Fi might become as common as any other baseline social kindness. "For some users," Kamdar says, "A smile from a friend or neighbour is incentive enough." This article originally appeared on Wired.com Latest on wired.co.uk


text:
If you know your daughter has a little bit of a wild side too her, then this is the perfect costume for you. The Wild Thang Teen Girl's Costume comes with a dress with attached components and leg warmers. The dress to the costume is zebra print with a black hem and a pink accent on the neckline. A medium length tail is attached to this as well with a pink ribbon tied to the end of it. The scarf of the dress has the same pattern but connect to hoof mittens. Going down the back of the dress and up the hood is a faux fur mane like a zebra has. This hooded dress has two ears on the top of it as well and is sure to make your wild child look the part.
Our Price: $21.96
Our Price: $2.97
Our Price: $3.99


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November 30, 2012
If you want a job in digital art/animation, are qualifications more useful or a good portfolio?
Art Related
Featured By Owner
Nov 30, 2012
Hobbyist General Artist
When I leave college I want to get into animation or some form of digital art; graphics, digital painting, pixelling, things like that.
I'm really not enjoying college though. I'm taking Animation, Art, German and Psychology. I'm thinking of dropping out after a year, or maybe even right now, but I'm worried that it'll be difficult to follow my dreams if I don't have the qualifications. I've got an A* Graphics and Art GCSE already, if that would help at all.
I know this might sound a little bit drastic, but I'm getting really depressed about it. I have trouble staying happy as it is, and I don't want to put any more pressure on my loved ones that I already do.
So, I was wondering whether qualifications and grades are looked at more when applying for a job in that sort of area, or whether a portfolio is an better thing to have, or whether they are about the same.
Any advice in getting a job like this would be greatly appreciated.
Thank you in advance for your help~
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Featured By Owner
Dec 10, 2012
Professional General Artist
What a degree does is show an employer that you have the drive and dedication to follow through with something for 3 years of your life. It doesn't prove that you're actually any good as a practical artist, because marking art is subjective but it just proves you're not going to give up at the first sign of trouble.
A portfolio shows them artistically what you're actually capable of. This is the more important factor. In the end they're employing you to make pictures and designs for them and if you can't do that, whether you're going to quit or not is irrelevant.
Featured By Owner
Dec 10, 2012
Student Digital Artist
My cousin is a graphics/web designer and he says that most employers will look at your portfolio before they even look at your qualifications, some employers won't even look at your resume if they don't like your portfolio. Don't take my word on it, but if I were hiring someone in design I would do the same.
Featured By Owner
Dec 5, 2012
Hobbyist General Artist
I'll advise you, if you dropout, you take at least a few courses, anything that will fill the blank on you resumee
Featured By Owner
Dec 4, 2012
Hobbyist General Artist
Personally in every creative/artistic job the portfolio and what you do is usually more important, sorta like showing them what you can do instead of just telling them in "theory"
Although I think through a college course you could get contacts and "official" qualifications like grades can't hurt.
Featured By Owner
Nov 30, 2012
Student General Artist
Both would be good, but i think portfolio would be the more useful one. Not sure why, just my opinion.
Featured By Owner
Nov 30, 2012
Professional Digital Artist
Its the combination of both actually. Having both the education and the portfolio will get you any design job anywhere and you can work for any amount of money you wish. However, the majority of designers have more of one and less of the other. People with years experience tend to have very little if any college education and they are going to have a lot of samples and a little more knowhow about the outside world. Where as those with the education from art school or college will have a portfolio based off class projects and will lack the business skills one needs to find and hustle for work.
Featured By Owner
Nov 30, 2012
Portfolios are one of the biggest tickets. I did Costume Design/Stage Design/Lighting Design and my best friend did Digital Art/Costume Design/Photography/Gaming Design. To get your degree at my school you had to make a portfolio and then go into class dressed for a job interview and convince your teacher why you were the best person for job. And even though it was fake it was very stressful.
In your portfolio you should have a little of everything you covered to get your degree, but if any of it has a grade on the paper/document make the changes to so that it is ''perfect''. I know it a lot of students who have put graded work into a portfolio because its really all they had at the time; its not a huge problem its just something that is looked at and shows a level of un-professional-ness. (not saying youd do this but Ive just seen it done a lot no offense intended) When I say a little of everything have your story boards for the animation you did. Also for any images make sure they are larger then 8x11 paper the bigger the better so that details of the work can be seen. If you made a clay model of a character include photos of it at every angel in very good lighting to show of the details. Try not to include a lot of fan based work as well, for it is not seen as very professional. Original ideas are always the best to have. Also if there was a Staff event and your projects were picked or you had to make a special project for it, include this as a professional (almost job status) work in your resume. The Resume goes hand in hand with your Portfolio include all schooling and any jobs that you've done. Along with all this dont forget to try and get a letter of recommendation from professor/chair of the department this can help you as well because it is someone saying you're well great at what you do.
Looking for a job while is school is a very good idea at least to get something started for you. Also sadly it does have a lot to do with who you know in the biz and your references that can get you placed faster.This also reflects a bit of the letter of recommendation. Another good thing is if you get offered a Teacher's Aid position at your school where you help teach students always looks good as well. This also keeps everything fresh in your mind.
Hope this helps you out a little bit. Ive had to make about 4 portfolios for all the things I have studied and have done a few job interviews although Im more theater based I have watched over the digital and animation from my friend and know just how hard that area of art really is.
Featured By Owner
Nov 30, 2012
Hobbyist Digital Artist
Well... this question actually has two sides.
No, you don't need a qualification in order to get a job in art/animation, if your skill level can compete with professionals. However, a qualification would make your path to the good jobs a lot faster and easier, especially when just starting out.
Featured By Owner
Nov 30, 2012
Hobbyist Traditional Artist
i'm sorry, i've never attended college and i do mostly traditional art, so i can't really help : (
if you still need help i suppose i could spread word??
Featured By Owner
Nov 30, 2012
Professional Filmographer
For animation it's all about the qualifications AND portfolio. Check out most studio websites...they won't look at you unless you have a degree or diploma or some form of credentials in what you are applying for.
Also, if you're wanting a job in the animation field, then drop the classes that are not needed to get into it. Focus only on animation and art. If you can't get excited about those classes in school, then how will you ever be excited in a studio where I can assure you, things are A LOT more stressful.
Keep your chin up. This is NOT an easy industry to get into or survive in. There is no amount of wishing that will land you your dream job. Only hard work, constant dedication, and an unstoppable love for the art form.
Featured By Owner
Nov 30, 2012
Student Digital Artist
It all depends on what you want to do, because "some form of digital art" is too general.
Animation generally puts more emphasis on education and resume, same for graphic design and product industrial design.
Anything to do with art though -- like digital art, pixel art, design -- there's more use to a good portfolio and you're rarely asked about your resume when it's good.
This is mainly because in art, it's "what you see is what you get" and you could see right away if the person has or doesn't have the elements of design and they style you'd want, but on the other art related fields the portfolio might look good but the actual person isn't, and the companies stand a lot more to lose from hiring an amateur.
But this is just me talking from a stander by's view, not working in animation myself, only around people that are.
What I think is that you take too many subjects in college. Focus on one or two, drop the others, they're just a waste of time, especially when they aren't supporting each other.
Also, look for a job WHILE in college, "studying in" is almost as good as "graduated from", and not something you could use if you drop out unless you complete your studies somewhere else.
Featured By Owner
Nov 30, 2012
Hobbyist General Artist
Well, I'm not 100% sure with digital art, but I'm going into Fashion Design and then going into Costume Design from there and a portfolio is your biggest ticket in with those jobs, and they're both in the same criteria technically (Fine Arts). So I'd believe the better your portfolio, the better chance of getting in. But having the qualifications is a bonus. If someone has an equally awesome portfolio, then they'll look at qualifications. Basically, the more you have the better chance you have.
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Saturday, June 29, 2013
RFAs to be qualified; looking ahead to draft
It seems like tomorrow's NHL Draft will be an active one, with plenty of trade rumors swirling already, perhaps with the Avalanche looking to deal the No. 1 pick and the Panthers interested.
Avalanche boss Joe Sakic has been steadfast in saying the team would pick a forward, most likely Nathan MacKinnon, and not defenseman Seth Jones.
Here's the feature in today's Record on Jones and fellow top 10 prospect Darnell Nurse and the impact they could have as role models for other minority hockey players.
As for the Rangers, they currently don't have a pick until No. 65 in the third round and director of player personnel Gordie Clark said he did not expect the Rangers would be able to package their three third-rounders for a higher pick. Historically, the third round has been an abyss for the Rangers, no offense to current Hartford Wolf Pack prospect Ryan Bourque. But Garth Murray, in 2001, is the last Rangers' third-rounder to have what could be marginally considered a decent NHL career. In 2000, the Rangers picked Dominic Moore in the third round. In 1998, G Jason LaBarbera was taken in the third round. Other notable third-round selections by the Rangers: Eric Cairns (1992), Simon Gagne (1987), Peter Sundstrom (1981) and Mike McEwen (1976).
Here's the Rangers' breakdown:
- Picks: Third round (Nos. 65, 70, 80); Fourth round (No. 110); Sixth round (No. 170)
- Organizational needs: Defensemen depth, goaltending
- Organizational strengths: Forward depth, particularly centers and right wings
In terms of restricted free agents, as expected, the Rangers will extend qualifying offers to Ryan McDonagh, Derek Stepan, Carl Hagelin and Mats Zuccarello by Tuesday's deadline. Mike Sauer is not expected to receive a qualifying offer.
Finally, a couple of more thoughts on the Rangers announcing on Friday they will not use their second and last compliance buyout this offseason.
Certainly, it's a risky move if Brad Richards is hurt and then the Rangers cannot buy him out next summer. Richards will be 34 next offseason and still have six seasons remaining with a salary-cap hit of $6.67 million. Still, retaining Richards, in my opinion, may well turn out to be the smarter option for this upcoming season. Personally, I think Richards will have a strong season based on a full offseason worth of training knowing there will be a full, 82-game season. Richards trained well last summer but once the lockout began and the uncertainty of whether there would be a season or not, it affected him in a way he could not recover from during the season. That's not an excuse, just a fact.
The counter-argument is whether the Rangers could have used Richards' salary-cap space to attract another center. Among the UFAs expected to be on the market are the Capitals' Mike Ribeiro (no thanks), ex-Lightning captain Vincent Lecavalier (bought out by Tampa Bay), the Panthers' Stephen Weiss (coming off a season-ending wrist injury), the Red Wings' Valtteri Filppula (great skill but performances shy of expectations), the Canucks' Derek Roy (30, trending downward the past two seasons and not a No. 1 center) and the Flyers' Daniel Briere (bought out and who will be on an over-35 contract),
Still, it seems to me that Richards was new coach Alain Vigneault's best option to center one of his top two lines along with Stepan given how much the Rangers are in a win-now mode.
Much more tomorrow from The Rock…
Follow me on Twitter at twitter.com/AGrossRecord
Follow the Record Sports Staff at twitter.com/TheRecordSports


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Learn About Africa
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In Equador:
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Feature Country: Brazil
One of the world's most captivating places, Brazil is South America's giant, a dazzling country of powdery white-sand beaches, pristine rain forests and wild, rhythm-filled metropolises. Brazil's attractions extend from enchanting, frozen-in-time colonial towns to dramatic landscapes of red-rock canyons, thundering waterfalls and idyllic tropical islands. Add to that, Brazil's biodiversity: legendary in scope, its diverse ecosystems boast the greatest collection of plant and animal species found anywhere on earth.
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my daughter wont put weight on her left leg
long story short, my daughter is about to be 6 months. i know its early for her to be walking or anything yet really, but i do know people in m family have had problems with their legs, for example my little cousin,she was born premie,and she has to have braces on her legs because they were curved by the shins, and she walks on her toes now pretty much, i cant remember what its called. but it worries me becausemy daughter was also a premie by 5 weeks, and when she was first born her legs were both very curved, the right one seemed to have straighten out more, but the left is still pretty bad, she likes to try to stand on her feet with our support under her arms and around her chest,we wont let her do it often incase it makes it worse, but she puts almost all weight on her right leg, but her left she wont, she tries to but when she does it makes her fall...maybe its just me over reacting but my amily has alot of problems with that type of stuff...anyone know what it could be??
Posted: 11/29/2012 by kayla3510
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Westminster advances in tourney
Men's tennis
Saturday, April 27, 2013
BELLEVILLE, Ill. — The Westminster squad advanced to the finals of the St. Louis Intercollegiate Athletic Conference Tournament with a pair of victories Friday.
Westminster blanked Eureka 5-0 and bested Principia College 5-3 to advance to the championship today against Webster University.
Tony Stephenson (Helias High School) was part of two winning matches for Westminster. He won his singles match against Principia in three sets and teamed with Anthony Becker to take his doubles match versus Eureka.
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Saturday, September 7, 2013
Nasi Minyak (Plain Buttered Rice)
(pix from umidishes album)
Hello dear readers.On this auspicious day, Chinese New Year, umidishes shares with you a popular rice dish called Nasi Minyak or Plain Buttered Rice. I am sharing this Nasi Minyak recipe due to request from friends.I have used a combination of ghee and vegetable oil. You may substitute these with butter or just plain vegetable oil. You may also reduce the amount of any ingredients according to your taste. Enjoy the video :)
Here's the recipe:
4 cups Basmati rice (soak in water for 1 hr with 1 tbs vinegar)
4 cups plain water (add 1 tsp rose essence for aroma)
2 cups evaporated milk
6 small Bombay onions (slice thinly)
2 in. ginger (grated or pounded)
4 cloves garlic (grated or pounded)
1 stalk of coriander leaf and some mint leaf/pudina (chopped roughly)
2 pandan leaf (can be substituted with bay leaf)
salt to taste
spices in a pouch: cardamom,cloves and star anise.
2 in cinnamon (break into 2)
1) Wash rice thoroughly and drain. Set aside.
2) Heat the pot and put in the oil and the ghee/butter.
3) Fry onions,ginger and garlic until slightly brown and aromatic.
4) Add the cinamon and rice. Fry for few minutes until the oil and ghee have combined well with the rice.
5) Pour in the water and milk. Add the spice pouch and salt.
6) Cook until the rice is about 3/4 cooked.
7) Add the coriander leaf,mint leaf/pudina and pandan/bay leaf.
8) Cover the pot with aluminium foil.Put back the lid and place a heavy thing on it.Place a sheet of tin or old pot lid beneath the rice pot to prevent the rice from burning.
9) Let the rice cook for half hour more under very slow fire.
10)Open the lid and foil. Stir the rice and remove from stove.
11) Ready to serve. Garnish with fried cashew nuts, fried onions and raisins if you prefer.
That's all for now. Buttered rice is excellent with Dalcha, Kurma or curry. Bon apetit. Till we meet again, take care of yourself and thank you for taking the time to read and watch the presentation. Bye.
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History: Journal of Banzai Institute for Advanced Studies
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1 of 6
Want: Classic yet stylish
Try: Novia and Baskerville
Two elegant fonts mingle in this letterpressed invitation suite. The fancy script (Novia, originally created in 2007 for our magazine) interspersed among lines set in the time-tested serif font (Baskerville) gives the suite a traditional but relaxed feel, while the unexpected palette of aubergine and dove gray -- as well as the quirky, off-center decorative frames -- keeps it au courant.
Stationer: Dauphine Press
The Petaluma, California, company is known for its "vintage-meets-modern point of view," says owner Trish Kinsella.
2 of 6
Want: Graphic, chic, and swanky -- with a dash of moxie
Try: Didot and Pistilli
There's nothing quiet about this stationery suite, inspired by the larger-than-life fonts used in 1950s fashion magazines. At the same time, there's nothing gauche or loud about it, either. Combining big-statement designs (oversize ampersand and quotation marks) with understated, elegant colors (deep teal and burnished-gold engraving) is the key to pulling off this luxurious and infinitely cool look.
Stationer: Gryphon Stationers
The Web-based invitation-design company in San Francisco "creates classic invitations with a modern bent," says co-owner Erik Olsen.
3 of 6
Want: Fun and fresh
Try: Avenir
Get the message across audaciously and cheekily with a letterpressed invite that isn't afraid to push the envelope or sample the color wheel. The capitalized letters rendered in simple, unpretentious Avenir and scaled large give the suite a carefree, youthful vibe.
Stationer: Enormouschampion
Brooklyn co-owner Jordan Provost says, "We find inspiration in our collective interests and transform them into our designs." Their muse here? The Gershwin song "Love Is Here to Stay."
4 of 6
Want: Modern and clean
Try: Akzidenz Grotesk
Everything about this striking letterpressed collection is nontraditional, from the shapes (note the long, lean invite and the square seating cards) to the colors (unladylike orange tempered with charcoal gray) to the type (set asymmetrically). And the Akzidenz Grotesk font, while a classic, is a paragon of modernism and radical simplicity. Hand-circled table numbers add a warm touch and humanize the sleek, minimalist design.
Stationer: Precious Bugarin Design
The owner of the eponymous boutique design firm in Portland, Oregon, describes the font she employed here as "timeless, functional, and honest." The same can be said for her thoroughly modern and urbane sensibility.
5 of 6
Want: Part folksy appeal, part fairy-tale panache
Try: Hand-drawn lettering
Romantic doesn't have to mean sappy, and folksy doesn't have to mean unrefined. For proof, take a look at this charm-loaded suite inspired by the typography in old-fashioned fairy tales. The lettering was hand-drawn, then scanned and colored on a computer, and finally sent to a printer to be silk-screened. The effect is unique and startlingly affecting. Custom chocolates (designed by American Chocolate Designs) pile on even more sweetness.
Stationer: Rifle Design
Florida-based owner Anna Bond specializes in illustration and hand-drawn lettering. "My clients tend to want something more unique and personal," she says.
6 of 6
Want: Vintage cool
Try: Woodcut type
Look to turn-of-the-century carnival broadsides and their irregular wood-cut type for an eccentric, hip take on wedding invitations. Here, both antique wood and lead letters were hand-set, then used to letterpress a stationery suite that looks at once polished and homespun. Tear-off RSVP cards and "tickets" for a weekend's worth of wedding events continue the sideshow theme.
Stationer: Hammerpress
Owner Brady Vest has a thing for the past. For this set, he used old wood typefaces, a classic letterpress machine, and a vintage pinhole perforator.
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i now want to become one.
i will be spending the next couple nights at the carnival that is in my town until sunday.
street life is something that i always wanted to get into more than i have, and i hope eventually i can blossom into it and focus more on other kinds of photography other than taking photos of the usual crap i do.
im just ranting mostly, but thats okay.
and a big thanks to my friend mey ( m-a-e-e.deviantart.com/ ) for all of the lovely inspiration she has put into my veins.
how is everyone?
carnys by deepinswimWatch
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A Steady Diet of Nothing
Now that American finance capital has laid waste to much of the productive economy, Newsweek weighs in with the question that eventually occurs to all fretful magazine editors in the face of a crisis: What about the children? Or more precisely, what about the generation of striving Americans coming of an age when the lords of finance live in a state of plush federal retainership-and old-economy perks such as pensions, benefits and job security now seem like a sick joke?
For young people launching their tours in the workforce, explains Newsweek reporter Rana Foroohar, it's hard to summon much in the way of free-spending pluck.
While there's little data this early in our present calamity to track the formation of durable attitudes toward saving, spending and government intervention in the economy, the general rule of thumb is that "even one really tough year experienced in early adulthood is enough to fundamentally change people's core values and behaviors," according to the National Bureau of Economic Research. And as Foroohar goes on to explain, "there's an entire body of research to show that recession babies not only invest more conservatively, they tend to make less money, choose safer jobs, and believe in wealth redistribution and more government intervention."
Right-frugal brainwashed Obamabots, then? Not so, fast, our reporter cautions: "Paradoxically, they are also more cynical about public institutions and, arguably, about life, embracing the European notion that success is more about luck than effort." Good Lord-it's worse than we feared; the recession's bred a generation of Europeans on our own shores! If nothing else, that explains the disturbing weakness among today's youth for crappy club music.
But as you read on in Foroohar's dispatch, it soon becomes plain that such dangerously alien-sounding convictions about the randomness of life outcomes in our mode of capitalist enterprise aren't exactly an irrational continental superstition on the order of fauvism or the sublime auteurship of Jerry Lewis. The accumulation of wealth in America has long been decoupled from our stubborn social dogmas about individual merit and market reward.
Indeed, as Columbia economics Nobelist Edward Phelps tells Foroohar, we're now making money on a business model that's several arms' lengths removed from productive activity all together. "We are in a very unique period, in which we're seeing the biggest disconnection between financial capitalism and the real economy since modern economies began in the 19th century. That's not to say that banks don't fund some useful projects like wind farms or whatever, but increasingly they're existing in a virtual sphere in which they are more interested in funding each other, and developing complex securities, than in funding real businesses."
Meanwhile, intergenerational social mobility has been declining in the United States since the 1970s, Farhoohar notes, and is now lagging behind the upward churn you find in such alleged bastions of welfare-state lassitude as Britain, Denmark and Sweden.
You can certainly see how, in such conditions, young earners might not automatically bolt out of bed exclaiming, "It's morning in America!" But a lapse in can-do attitude can create its own baleful economic side effects, Newsweek worries; a luck-based vision of success breeds rampant slackerdom, it seems.
Farhoohar theorizes that the continental-Yank divide on the luck question "may go some way toward explaining the often mysterious growth edge that 'can-do' Americans have long enjoyed over 'yes, but' Europeans, who tend to mock such Type A behavior." It's far from clear, though, why young U.S. workers should cling to the faith of implacable upward mobility, when so much evidence now weighs in the balance against it-and indeed, when those initiative-mocking Euro layabouts are going further, comparatively speaking, up their career ladders than their can-do counterparts in the New World. Raising a generation of blindingly productive morons would pretty much be the textbook definition of a self-defeating initiative.
In terms of the actual state of our political economy, Farhoohar's analysis, which features plenty of suggestive reporting, nonetheless has things precisely backwards. What's hampering the kids today isn't an excess of cynicism-can there ever really be such a surfeit?-so much as a profound deficit of solidarity. Today's youth, after all, came of political age in a Reaganite political consensus, which has dogmatically insisted that no good can ever come of a greater role for government, anywhere-and that tax cuts and deregulation are readymade panaceas for every imaginable social ill. Likewise, younger workers toil in workplaces where union representation and collective bargaining are all but dead letters, so it's hardly a surprise, as Farhoohar announces, that research indicates that American job satisfaction is at a 20-year low.
Throughout Newsweek's breakdown of the Recessive Generation, the rhetorical foil is the archetypal, spooked survivor of the Great Depression-the cheapskate saver, who withholds his or her surplus labor value from the productive economy and gripes about the heedless, instant-gratification ethos of the younger set.
But that caricature leaves out the entire social background that forged the Depression generation's political maturity-ie, the New Deal social contract, which roughed out the shared interests and just claims of the private sector, the government and the laboring masses. The trouble with the Depression, after all, wasn't the flinty outlook of the average worker-a good quarter of whom could rely on unions to negotiate living wages even in hard times-so much as that of liquidationist public officials like Hoover's Treasury Secretary Andrew Mellon and unscrupulous titans of commerce such as utilities robber baron Samuel Insull.
Today's young workers, having never seen government act seriously in their interests, have had every reason to regard it with suspicion, even when it must serve as the only available countervailing institution to stave off a total economic meltdown. Certainly the US Senate's dismal handling of something as basic as universal health care-another elementary social protection that those allegedly shiftless Europeans worked out, oh, four generations ago-doesn't exactly set young civic hearts aflutter.
In other words, in order to realize significant economic gains, on an institutional scale, kids today need to combat an antigovernment ideology far more toxic than the cult of Hardingesque "normalcy" that pitched the 1920s GOP consensus into the dustbin of history it so richly deserved. But today's anodyne newsweeklies, of course, can never register such a glaringly obvious historical point.
Instead, Farhoohar alights on a singularly feeble supposition: Perhaps, she writes, "hard times might make us nicer to each other," since "we'll be more wary of falling down the ladder of life, and thus more empathetic, than our predecessors were."
Of course, one quite plain lesson of the present disaster is that the market will never give a shit about how individually "nicer to each other" its supplicants vow to be. Empathy's a poor substitute for solidarity-just as Newsweek's cautious pirouetting around the psyche of young American workers is a poor substitute for understanding why they might be justified in thinking their futures have already been cashed out in the derivatives market.
Chris Lehmann is the president and CEO of his very own union.
You're Cooking Your Mushrooms All Wrong
Kenneth James Gibson, 'The Evening Falls'
3D Printing The Void
On The Campaign Trail With John McAfee
Sturgill Simpson, "Breakers Roar"
Skygaze, "Darjeeling (feat. Abrigo De Pelos)"
Let's Have A Big Party To Celebrate The Return Of Chest Hair
I Love Serial Entertainment And So Can You


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Crunchy, hot paneer pakoda for those chilly evenings......
Recipe by: kavya8484
Beautiful and unique recipe that is made with two kinds of cheese - cheddar and cottage cheese(paneer) along with shredded cauliflower. Easy to make.
Recipe by: Pratibha
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