text:
26 U.S. Code § 9811 - Standards relating to benefits for mothers and newborns
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(a) Requirements for minimum hospital stay following birth
(1) In general
A group health plan may not—
(A) except as provided in paragraph (2)—
(i) restrict benefits for any hospital length of stay in connection with childbirth for the mother or newborn child, following a normal vaginal delivery, to less than 48 hours, or
(2) Exception
Paragraph (1)(A) shall not apply in connection with any group health plan in any case in which the decision to discharge the mother or her newborn child prior to the expiration of the minimum length of stay otherwise required under paragraph (1)(A) is made by an attending provider in consultation with the mother.
(b) Prohibitions
A group health plan may not—
(1) deny to the mother or her newborn child eligibility, or continued eligibility, to enroll or to renew coverage under the terms of the plan, solely for the purpose of avoiding the requirements of this section;
(2) provide monetary payments or rebates to mothers to encourage such mothers to accept less than the minimum protections available under this section;
(3) penalize or otherwise reduce or limit the reimbursement of an attending provider because such provider provided care to an individual participant or beneficiary in accordance with this section;
(4) provide incentives (monetary or otherwise) to an attending provider to induce such provider to provide care to an individual participant or beneficiary in a manner inconsistent with this section; or
(c) Rules of construction
(1) Nothing in this section shall be construed to require a mother who is a participant or beneficiary—
(2) This section shall not apply with respect to any group health plan which does not provide benefits for hospital lengths of stay in connection with childbirth for a mother or her newborn child.
(3) Nothing in this section shall be construed as preventing a group health plan from imposing deductibles, coinsurance, or other cost-sharing in relation to benefits for hospital lengths of stay in connection with childbirth for a mother or newborn child under the plan, except that such coinsurance or other cost-sharing for any portion of a period within a hospital length of stay required under subsection (a) may not be greater than such coinsurance or cost-sharing for any preceding portion of such stay.
(d) Level and type of reimbursements
Nothing in this section shall be construed to prevent a group health plan from negotiating the level and type of reimbursement with a provider for care provided in accordance with this section.
(e) Preemption; exception for health insurance coverage in certain States
The requirements of this section shall not apply with respect to health insurance coverage if there is a State law (including a decision, rule, regulation, or other State action having the effect of law) for a State that regulates such coverage that is described in any of the following paragraphs:
(1) Such State law requires such coverage to provide for at least a 48-hour hospital length of stay following a normal vaginal delivery and at least a 96-hour hospital length of stay following a caesarean section.
(2) Such State law requires such coverage to provide for maternity and pediatric care in accordance with guidelines established by the American College of Obstetricians and Gynecologists, the American Academy of Pediatrics, or other established professional medical associations.
Source(Added Pub. L. 105–34, title XV, § 1531(a)(4),Aug. 5, 1997, 111 Stat. 1081; amended Pub. L. 105–206, title VI, § 6015(e),July 22, 1998, 112 Stat. 821.)
1998—Subsecs. (e), (f). Pub. L. 105–206redesignated subsec. (f) as (e).
Effective Date of 1998 Amendment
Amendment by Pub. L. 105–206effective, except as otherwise provided, as if included in the provisions of the Taxpayer Relief Act of 1997, Pub. L. 105–34, to which such amendment relates, see section 6024 ofPub. L. 105–206, set out as a note under section 1 of this title.
Effective Date
Subchapter applicable with respect to group health plans for plan years beginning on or after Jan. 1, 1998, see section 1531(c) ofPub. L. 105–34, set out as an Effective Date of 1997 Amendment note under section 4980D of this title.
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British artist and musician Ossian Brown has made his way through life off the beaten path. His bewitching collection of found American Halloween photographs from 1875-1955 is comprised of odd portraits peeking from the past, the most remarkable part being that each of these little ghosts found their way, individually and over time into Brown's possession. Perhaps it's no surprise that this project was undertaken by Ossian, who, with his partner Stephen Thrower (both ex-members of the seminal experimental electronic group, Coil) has been creating hallucinatory music for the last 15 years as Cyclobe). Halloween is traditionally a celebration of the time of year when the veil separating our world from that of the dead is thinner, and this exquisite collection is like a game of hide and seek, with the playful phantoms of yesteryear. Ossian Brown's book, Haunted Air is now available in the US, featuring an introduction by David Lynch and an afterword by Geoff Cox.
"All the clocks had stopped. A void out of time. And here they are—looking out and holding themselves still—holding still at that point where two worlds join—the familiar—and the other." —David Lynch
Have you had any new portraits enter your collection since the publication?
OSSIAN BROWN I'll always be adding new members to the family, and I'll perhaps show them if I decide to work on any exhibitions in the future. I find their haunting melancholy completely absorbing; all of these photographs, once neatly displayed in family albums, but now torn out, disembodied and forgotten, and of course impossible to trace back to their human state—they've now become fully and utterly the masks and phantoms they dragged up as, all those years ago.
Something I love and which excites me greatly is when, over time, an object ages and corrodes, when it transforms and becomes something completely unintended by the original maker. In the case of Haunted Air, many of the photographs have undergone great transformations, the picture gathering small tears and stains over the years, the laminate melting, dissolving, often creating beautiful and enthralling new surrealities, mutations to the image, radically changing how you experience it. It's like when old mercurial mirror blisters, for instance. There's something very magical and beautiful about that process.
What has the reaction been so far?
OB It's been incredibly good. It was an emotionally difficult book to produce but I'm thankful I was with a publisher that wasn't motivated to steer the project into a more commercial adventure, which would have been intolerable. The book is pretty much exactly as I hoped it would be, very much so atmospherically.
I've had such huge support and enthusiasm for the work, from all quarters. And from many people I greatly admire as well.
As a British person collecting American photographs, have you been noticing the trend of dressing up on Halloween has found it's way into British culture as well?
OB The strange things was, for a long time I never considered these pictures to be American, although, of course, absolutely all of them are. I also never approached them as Halloween photographs. To me, the phantasmagorical and oneiric atmospheres they conjure eclipse all sense of their placement in history, the confines and departmentalization of a holiday festivity. They felt to me utterly magical, overwhelmingly so. My response to every one of these haunted portraits was completely emotional.
England is riddled with ghosts, the streets are heaving with them. I think there has been a resurgence in the celebration but unfortunately no one really understands why they're doing it any more. Since the 1950s it's become increasingly commercialized, with mostly mass-produced plastic costumes, vehicles to sell you more products, for instance advertising whatever the latest horror blockbuster is doing the merry-go-round. There's little if any spiritual investment, no imagination or creativity, no real transportation occurring. There's no magic in the darkness, just emptiness.
Culturally we're so gorged on entertainment and product that a great many people don't know how to imagine any more. In many of these old photographs, the people were living in great poverty, but not in their imaginations. They could invest inanimate objects with a new and previously unimagined life, using whatever came to hand to create these incredible and phantasmagorical apparitions: old soot stained sack-cloth for masks, for instance, crudely stitched with string and daubed with paint, torn out holes for eyes. All dolled up in old soiled frocks and rags.
Have you been approached by galleries interested in these images?
OB I've shown a selection of my pictures twice, once at the Centre Pompidou, Paris, as part of a larger exhibition called "Teenage Hallucination: Read Into My Black Holes," alongside pictures by Felicien Rops, Rodolphe Bresdin and mannequins by Morton Bartlett. I was invited by an astonishing French artist, Gisèle Vienne, and the writer Dennis Cooper. I also showed my pictures in the Temple of Hadrian in Rome. I've never exhibited them in America, though.
How did David Lynch get involved in the introduction?
OB David got involved with Haunted Air through Pierre Edelman. Pierre is a great friend of David's and worked with him on Mulholland Drive (he helped to save the film after the American backers dropped it). He kindly showed David my pictures, believing he would be very moved by them. David's response was beautiful, completely enthusiastic and passionate. I found him to be wonderfully unguarded and direct. It was a great honor to have him contribute and support Haunted Air. Primarily, at the root of it I just wanted to share them with him. I have enormous respect for him; he's an astonishing artist.
Why was the book dedicated to Jhon Balance (of Coil), if for any other reason than your being dear friends?
OB For a number of reasons, most importantly because he was absolutely my closest friend, and I feel he would've adored the book. I'm sure, had he been alive, that he would've very much wanted to be involved, although he never really collected photography. That same year we also dedicated our Cyclobe album, Wounded Galaxies Tap at The Window to him. I think perhaps if I hadn't dedicated Haunted Air to Jhon, I could have severely risked the possibility of him manifesting in the form of a screaming poltergeist! I'm certain he would've been in a fury if I hadn't. We both shared very similar obsessions, fascinations with unusual artifacts. We spent many hours hunting together around early-morning street markets in London, Covent Garden, Brick Lane, and around London's auction houses as well, down the old Lots Road in Chelsea. It felt absolutely right that Haunted Air should be dedicated to him. A bouquet of spectres, a family of revenants for my ghost brother.
Any news that you'd like to share regarding Cyclobe?
OB We're working on a number of projects. We're soon to release a soundtrack album of music we composed for three short films by the artist, filmmaker and queer activist Derek Jarman, called Sulphur-Tarot-Garden. We have a 12" EP of new recordings we'll also be releasing on Phantomcode by the end of the year focusing on music composed for hurdy gurdy, voice and border pipes. We'll also be making an announcement soon about our fourth concert in 15 years, which will be held early in the new year in Europe – we can't say anymore that that! The next full length Cyclobe album, though, is due to be released in the Summer of 2014.
"Human creatures with the feeling of being turned strange and open to falling. And glee—they seemed to have a glee for somehow stitching a laugh to darkness." —David Lynch

subset: commoncrawl


text:
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Hi All,
I haven't seen so much venom against a file since perhaps pixies. The funny thing is this file isn't even structured to be that great. I made it for fun. I have a screenshot and the battle url of the match. Rom/Logress you will have to look into and perhaps sanction the offending party. I am fairly sure that homophobic name calling and other rants in the comments section is prohibited by the user end agreement. I have a screenshot as well of the match.
here is the file/replay:
https://alteil-login.apocoplay.com/audi ... 73f5251b17
BTW: ref cits or any form of grim bane negates this type of file completely but some people are just content to complain about everything.


text:
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Kohler K-4671-C-7
Black Lustra Elongated Open-Front Toilet Seat with Check Hinge
Item # BCI226333 | Model # K-4671-C-7 | Lustra Collection
Questions about Kohler K-4671-C-7?
Contact us for advice or more details. Our product specialists are here to help.
- Elongated toilet seat with lid - designed to complement a wide variety of elongated toilet designs
- This Lustra toilet seat features extra-heavy construction making it perfect for commercial applications
- Including a check hinge that lets the seat stand up at 11 degrees beyond the vertical position
- Made of solid polypropylene and is resistant to staining, fading, chipping and peeling
- Seat is ergonomically contoured to provide maximum comfort to the user
- Height: 1-1/8" (measured from rim of toilet fixture to the highest point on the seat)
- Overall Length: 18-1/2" (measured from the back of the seat to the front most part of the seat)
- Overall Width: 14-5/16" (measured from left most point to the right most point of the seat)
- Inside Width: 7-13/16" (measured from the left edge to the right edge of the inner opening of the seat)
- Distance Required Between Installation Holes: 5-1/2"
- Toilet Seat Material: Sturdy plastic
- Secure mounting assembly while maintaining ease of installation
Additional Kohler Links
This Kohler item can also be referenced by the following color/finish specific model #:
- Kohler K-4671-C-7
*Discontinued model or finish
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Syndicate - Dart 6 Trailer
Combined with adrenaline transducers for heightened awareness, there is absolutely no reason to go into the workplace without one.
Syndicate - Pay Day Trailer
As an Agent, you're equipped with the DART6 -- a weaponised version of the civilian chip -- allowing the user to perceive environmental information in real-time, as well as breach other user's chips and chip-based systems via a series of different Applications.
Syndicate - "New England" Co-op Gameplay Trailer
In this mission titled "New England," you must head into Eurocorp's headquarters to acquire their precious technology in this brutal and thrilling sci-fi first person shooter developed by Starbreeze. In the Syndicate co-op experience, you fight as a team through nine different missions, some of which gamers will recognize from the original cult classic hit. Just like in single player, the co-op game combines a world-class through the gun experience with Syndicate's unique gameplay of breaching & hacking the digital world.
Syndicate - Launch Trailer
Take part in this thrilling sci-fi shooter experience solo in Campaign mode or go online and join a group of 4 players in Co-op starting February 21st 2012 on X360, PS3, and PC.
Syndicate - Co-op Demo Trailer
In the 4-player co-op demo, team-up and battle for market dominance and your life as you infiltrate and eliminate the competition.
Syndicate - Deep-Dive: Co-Op Trailer
Enter an elite squad of 4 Agents, where working cooperatively with your team and an array of weapons and breaching applications is a necessity for success.
Syndicate - Deep-Dive: Agent Tools Trailer
Along with the latest prototype chip (DART 6), see all the agent tools you have in your arsenal as you fight through this brutal world of corporate governance and violence. Using Starbreeze's expertise in the first person shooter and action genres, Syndicate provides a brutal and futuristic through-the-gun experience with visceral weapons and best of breed AI.
Syndicate - 'Hostile Takeover' 4-Player Co-op Trailer
Create your own 4-player co-op team; cooperate, infiltrate and eliminate through nine action-packed missions, inspired by the original Syndicate game, in this new sci-fi first person shooter Syndicate, where BUSINESS is WAR.
Syndicate - Deep Dive #1: Origins
Syndicate is set for release February 21, 2012.
Syndicate - Executive Search Developer Walkthrough
Syndicate is an upcoming video game by Starbreeze Studios set for release in early 2012 for Microsoft Windows, PlayStation 3, and Xbox 360 platforms.
Syndicate - Announcement Trailer
In the not too distant future, the world is divided into regions controlled by mega-corporations known as Syndicates. In this future, BUSINESS is WAR, and you are the weapon: the latest prototype agent for Eurocorp, one of the most ruthless Syndicates in a world dominated by greed. In single-player, embark on a unique sci-fi shooter adventure of corruption and revenge, as you utilize DART 6 chip-enhanced technology to breech, manipulate and control the wired world. Or form your own Syndicate in four-player co-op and dominate nine action-packed missions inspired by the original Syndicate game.


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First of a two-part story
By Lauretta Dawolo Towns
Contributing Writer
Last spring's edition of Connect, a quarterly newsletter of the University of Minnesota's College of Education and Human Development (CEHD), announced a major initiative to reduce the Black-White achievement gap in Minnesota. Since it was not apparent in the story what role African Americans were playing in this effort, we decided to inquire further. Our question: Given that African American children are least proficient in reading and math (grades 3-12), where are African Americans involved in the U of M's efforts to close one of the worst achievement gaps between Blacks and Whites in the United States? We began our look into the U of M's response to the achievement gap with a leadership profile. Professors Michael Rodriguez, associate professor of educational psychology, Campbell Leadership Chair in the College of Education and Human Development (CEHD) and Misty Sato, associate professor of curriculum and instruction and Carmen Starkson Campbell Endowed Chair for Innovation in Teacher Development, were featured prominently in the Connect story as initiative leaders. Continue Reading →


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Hank Silverberg, wtop.com
WASHINGTON – Drive around northern Virginia and you will see a great deal of construction on both road and rail projects. But some local leaders are warning such projects may be non-existent in a few years.
In Fairfax County, work continues on the $6 billion Metro Rail expansion to Dulles Airport and on the Interstate 95 Express Lanes.
The Metro Rail project includes a mixture of local tax, state and federal money. The Express Lane project is being financed though a public-private partnership.
But Board of Supervisors Chairman Sharon Bulova says her county could be $300 million short in transportation money each year for the next decade.
Bulova says they won't even be able to keep up with routine maintenance like paving and sidewalk repair.
"Bridges and overpasses are not going to be improved and you are going to see some serious degradation," says Bulova.
She was among those meeting with the general assembly members from the county on Tuesday.
"This affects mass transit as well as roads and as well as maintenance," she says.
Most local governments in northern Virginia are facing the same issue.
There have been numerous proposals to raise money statewide including an inflation indexed gas tax hike.
Gov. Bob Mcdonnell has been noncommittal on what he plans to propose to raise more transportation funds.
He told WTOP radio last week he will have some suggestions prior to the start of the legislative session.
Follow @hsilverbergwtop and @WTOP on Twitter.
(Copyright 2012 by WTOP. All Rights Reserved.)
The red carpet sizzled as Hollywood and media elite met at the 2016 White House Correspondents' Dinner. See Photos from the Washington Hilton.


text: Diamonds and gold Jaeger-LeCoultre remains vigilant regarding the sourcing of diamonds and gold. It is particularly sensitive about the struggle against conflict diamonds. By way of a reminder, the United Nations Organisation defines conflict diamonds as "diamonds that originate from areas controlled by forces or factions opposed to legitimate and internationally recognized governments, and are used to fund military action in opposition to those governments, or in contravention of the decisions of the Security Council". The Kimberley Process, in force since 2003 and adopted by over 75 countries including Switzerland the European Union, was created in order to fight this phenomenon. This certification system for the trade in rough diamonds is intended to prevent the diamond trade serving to fund armed conflict. It imposes the requirement that each shipment of rough diamonds passing an international border between two signatory countries must be accompanied by a certificate proving that it does not come from a conflict zone. The Responsible Jewellery Council is an international not-for-profit organisation created in 2005 and representing over 80 members, including Jaeger-LeCoultre. Its mission is to promote responsible ethical, human rights, social and environmental practices throughout the supply chain of gold and diamonds, from mine to retail. Members commit to complying with an extremely strict Code of Practices and will be audited to ensure they do indeed apply the principles advocated by the Responsible Jewellery Council. In signing this Code of Practices, Jaeger-LeCoultre wished to officially reaffirm its determination to take part in a sustainable development approach respectful of the environment and of human rights. - Jaeger-LeCoultre invites you to visit the http://www.kimberleyprocess.com/ website. - To find out more about the Responsible Jewellery Council : www.responsiblejewellery.com. - Click here to donwload the complete Responsible Jewellery Council charter. Wood and paper Located at the heart of the Jura mountains, the Manufacture Jaeger-LeCoultre is naturally aware of the importance of preserving forests which are such a vital factor for human life. It is particularly careful to reduce its paper consumption and scrupulously checks the origin of the wood used for all its printed matter. In 2008, the Brand decided to officialise this approach by obtaining FSC certification. The Forest Stewardship Council is an independent, non-governmental, not-for-profit organisation established to promote the responsible management of the world's forests. Today, all the printed matter produced by the Manufacture is FSC certified and the Brand is considering the possibility of extending this label to include its furniture and its wooden presentation boxes. Because certification is not enough in itself, and because the efforts of all concerned are required to achieve an effective reduction in paper consumption, Jaeger-LeCoultre has undertaken an approach aimed at promoting the responsibility of each of its employees. It therefore encourages them to be more careful about their use of paper by printing only when really necessary, and where possible on both sides of sheets, as well as in black and white rather than colour. An efficient sorting system as well as retrieval techniques have been instated. Staff members now generally opt for electronic messaging and more environment-friendly communication such as USB sticks. This strategy also extends beyond the company premises to include subsidiaries that also do their part by reducing internal paper consumption as well as focusing on local production of printed matter. They have all received a printing charter asking them to give preference to FSC certified suppliers and paper. Moreover, Jaeger-LeCoultre is strongly aware of the advantages afforded by new technologies and of the worthwhile alternative they offer in terms of communication and the circulation of information. It is therefore progressively rethinking all the material it exchanges with its subsidiaries and distributors in order to make them available via Intranet, FTP networks or USB sticks, depending on their format. It is constantly developing its website in order to provide clients and journalists with more and more information. Forest conservation calls for daily commitment, as the Manufacture and its personnel have fully grasped. The ever more numerous operations and ongoing efforts have already contributed to reducing in-house paper consumption by around 800,000 sheets in one year. - To find out more about the Forest Stewardship Council, Jaeger-LeCoultre invites you to visit the organisation's website http://www.fsc.org - Click here to download the FSC certificate of the Manufacture Jaeger-LeCoultre. Leather straps Jaeger-LeCoultre respects the Convention on International Trade in Endangered Species of Fauna and Flora, the CITES. This international agreement between governments aims to ensure that international trade in specimens of wild animals and plants does not threaten the survival of the species to which they belong. CITES currently accords protection to over 30,000 species of wild animals and plants. - To find out more about the CITES, Jaeger-LeCoultre invites you to visit the organisation website: http://www.cites.org Material recycling policy Recycling materials is an integral part of the Manufacture Jaeger-LeCoultre management priorities, and constitutes one of the permanent missions of each staff member. The Brand is committed to promoting a material recycling policy focused on sorting, controlling production processes and partnerships with suppliers. The following materials are sorted after ensuring they are reused wherever possible: paper, cardboard boxes, wood, PET plastic, paper cups, metals (steel, brass, etc.), electric cables, batteries, oils and dangerous products.


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The Power of Independent Thinking
Is U.S. Justice Broken?
Recorded: Thursday, December 9, 2010
Part 1 |
Part 2
Part 3
Part 4
Part 5
From fingerprinting to criminal sentencing, from lawyer licensing to judicial selection, and from eminent domain to wealth transfers via class-action lawsuits, how do perverse incentives impact the law and what reforms would create a more just and efficient legal system?
Experts: David D. Friedman, Alex Kozinski, Edward J. López, David J. TherouxType: Independent Institute EventIssues: Crime, Criminal Justice/ Prisons, Law Enforcement
Ivan Eland on Heightened Airport Security
Recorded: Tuesday, January 5, 2010
Originally aired on 1/5/10 on CTV. Ivan Eland, Senior Fellow at the Independent Institute, expresses concern over the new TSA airport security measures and their impact on both civil liberties and the airline industry.
Experts: Ivan ElandType: TelevisionIssues: Business, Civil Liberties/ Human Rights, Terrorism and National Crises, Transportation


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47 U.S. Code § 315 - Candidates for public office
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(a) Equal opportunities requirement; censorship prohibition; allowance of station use; news appearances exception; public interest; public issues discussion opportunities
If any licensee shall permit any person who is a legally qualified candidate for any public office to use a broadcasting station, he shall afford equal opportunities to all other such candidates for that office in the use of such broadcasting station: Provided, That such licensee shall have no power of censorship over the material broadcast under the provisions of this section. No obligation is imposed under this subsection upon any licensee to allow the use of its station by any such candidate. Appearance by a legally qualified candidate on any—
(3) bona fide news documentary (if the appearance of the candidate is incidental to the presentation of the subject or subjects covered by the news documentary), or
(4) on-the-spot coverage of bona fide news events (including but not limited to political conventions and activities incidental thereto),
shall not be deemed to be use of a broadcasting station within the meaning of this subsection. Nothing in the foregoing sentence shall be construed as relieving broadcasters, in connection with the presentation of newscasts, news interviews, news documentaries, and on-the-spot coverage of news events, from the obligation imposed upon them under this chapter to operate in the public interest and to afford reasonable opportunity for the discussion of conflicting views on issues of public importance.
(b) Charges
(1) In general
The charges made for the use of any broadcasting station by any person who is a legally qualified candidate for any public office in connection with his campaign for nomination for election, or election, to such office shall not exceed—
(A) subject to paragraph (2), during the forty-five days preceding the date of a primary or primary runoff election and during the sixty days preceding the date of a general or special election in which such person is a candidate, the lowest unit charge of the station for the same class and amount of time for the same period; and
(2) Content of broadcasts
(A) In general
In the case of a candidate for Federal office, such candidate shall not be entitled to receive the rate under paragraph (1)(A) for the use of any broadcasting station unless the candidate provides written certification to the broadcast station that the candidate (and any authorized committee of the candidate) shall not make any direct reference to another candidate for the same office, in any broadcast using the rights and conditions of access under this chapter, unless such reference meets the requirements of subparagraph (C) or (D).
(B) Limitation on charges
If a candidate for Federal office (or any authorized committee of such candidate) makes a reference described in subparagraph (A) in any broadcast that does not meet the requirements of subparagraph (C) or (D), such candidate shall not be entitled to receive the rate under paragraph (1)(A) for such broadcast or any other broadcast during any portion of the 45-day and 60-day periods described in paragraph (1)(A), that occur on or after the date of such broadcast, for election to such office.
(C) Television broadcasts
A candidate meets the requirements of this subparagraph if, in the case of a television broadcast, at the end of such broadcast there appears simultaneously, for a period no less than 4 seconds—
(D) Radio broadcasts
A candidate meets the requirements of this subparagraph if, in the case of a radio broadcast, the broadcast includes a personal audio statement by the candidate that identifies the candidate, the office the candidate is seeking, and indicates that the candidate has approved the broadcast.
(E) Certification
Certifications under this section shall be provided and certified as accurate by the candidate (or any authorized committee of the candidate) at the time of purchase.
(c) Definitions
For purposes of this section—
(d) Rules and regulations
The Commission shall prescribe appropriate rules and regulations to carry out the provisions of this section.
(e) Political record
(1) In general
A licensee shall maintain, and make available for public inspection, a complete record of a request to purchase broadcast time that—
(2) Contents of record
A record maintained under paragraph (1) shall contain information regarding—
(E) the name of the candidate to which the communication refers and the office to which the candidate is seeking election, the election to which the communication refers, or the issue to which the communication refers (as applicable);
(F) in the case of a request made by, or on behalf of, a candidate, the name of the candidate, the authorized committee of the candidate, and the treasurer of such committee; and
Source(June 19, 1934, ch. 652, title III, § 315,48 Stat. 1088; July 16, 1952, ch. 879, § 11,66 Stat. 717; Pub. L. 86–274, § 1,Sept. 14, 1959, 73 Stat. 557; Pub. L. 92–225, title I, §§ 103(a)(1), (2)(B), 104 (c),Feb. 7, 1972, 86 Stat. 4, 7; Pub. L. 93–443, title IV, § 402,Oct. 15, 1974, 88 Stat. 1291; Pub. L. 107–155, title III, § 305(a), (b), title V, § 504,Mar. 27, 2002, 116 Stat. 100, 101, 115.)
References in Text
This chapter, referred to in subsecs. (a) and (b)(2)(A), was in the original "this Act", meaning act June 19, 1934, ch. 652, 48 Stat. 1064, known as the Communications Act of 1934, which is classified principally to this chapter. For complete classification of this Act to the Code, see section 609 of this title and Tables.
2002—Subsec. (b). Pub. L. 107–155, § 305(a), (b), inserted subsec. heading, designated existing provisions as par. (1), inserted par. heading, redesignated former pars. (1) and (2) as subpars. (A) and (B), respectively, of par. (1), inserted "subject to paragraph (2)," before "during the forty-five days" in par. (1)(A), and added par. (2).
Subsec. (e). Pub. L. 107–155, § 504, which directed addition of subsec. (e) and redesignation of former subsecs. (e) and (f) as (f) and (g), respectively, was executed by adding subsec. (e) to reflect the probable intent of Congress. Section did not contain subsecs. (e) and (f).
1974—Subsec. (c). Pub. L. 93–443, § 402, struck out provisions respecting station use charges upon certification of nonviolation of Federal limitations of expenditures for use of communications media; redesignated former subsec. (f) as (c); incorporated former par. (1)(A) and (B) provisions in clauses designated (1) and (2) and struck out subpar. (C) definition of "Federal elective office" and par. (2) definition of "legally qualified candidate".
Subsec. (d). Pub. L. 93–443, § 402(a), struck out provisions respecting station use charges upon certification of nonviolation of State limitations of expenditures for use of communications media and conditions for application of State limitations and redesignated former subsec. (g) as (d).
Subsecs. (e) to (g). Pub. L. 93–443, § 402(a), struck out subsec. (e) provisions respecting penalties for violations and inapplicability of sections 501 through 503 of this title and redesignated former subsecs. (f) and (g) as (c) and (d).
1972—Subsec. (a). Pub. L. 92–225, § 103(a)(2)(B), inserted "under this subsection" after "No obligation is imposed".
Subsec. (b). Pub. L. 92–225, § 103(a)(1), substituted in introductory text "by any person who is a legally qualified candidate for any public office in connection with his campaign for nomination for election, or election, to such office", for "for any of the purposes set forth in this section", added par. (1), designated existing provisions as par. (2), inserted therein the opening words "at any other time," and substituted "by other users thereof" for "for other purposes".
Subsecs. (c) to (g). Pub. L. 92–225, § 104(c), added subsecs. (c) to (f) and redesignated former subsec. (c) as (g).
1959—Subsec. (a). Pub. L. 86–274provided that appearances by legally qualified candidates on bona fide newscasts, interviews and documentaries and on on-the-spot coverage of bona fide news events shall not be deemed to be use of a broadcasting station within the meaning of this subsection.
1952—Act July 16, 1952, designated existing provisions as subsecs. (a) and (c) and added subsec. (b).
Effective Date of 2002 Amendment
Pub. L. 107–155, title III, § 305(c),Mar. 27, 2002, 116 Stat. 102, provided that: "The amendments made by this section [amending this section] shall apply to broadcasts made after the effective date of this Act [Nov. 6, 2002]."
Amendment by Pub. L. 107–155effective Nov. 6, 2002 (notwithstanding section 305(c) ofPub. L. 107–155, set out above), but not applicable with respect to runoff elections, recounts, or election contests resulting from elections held prior to Nov. 6, 2002, see section 402 ofPub. L. 107–155, set out as an Effective Date of 2002 Amendment; Regulations note under section 431 of Title 2, The Congress.
Effective Date of 1974 Amendment
Amendment by Pub. L. 93–443effective Jan. 1, 1975, see section 410(a) ofPub. L. 93–443, set out as a note under section 431 of Title 2, The Congress.
Repeal of title I of Pub. L. 92–225, cited as a credit to this section, by Pub. L. 93–443, title II, § 205(b),Oct. 15, 1974, 88 Stat. 1278, has been construed as not repealing the amendments to this section made by sections 103(a)(1), (2)(B), and 104(c) of such title I.
Reexamination of 1959 Amendment; Declaration of Congressional Intent
Pub. L. 86–274, § 2,Sept. 14, 1959, 73 Stat. 557, provided that:
"(a) The Congress declares its intention to reexamine from time to time the amendment to section 315(a) of the Communications Act of 1934 [subsec. (a) of this section] made by the first section of this Act, to ascertain whether such amendment has proved to be effective and practicable.
"(b) To assist the Congress in making its reexaminations of such amendment, the Federal Communications Commission shall include in each annual report it makes to Congress a statement setting forth (1) the information and data used by it in determining questions arising from or connected with such amendment, and (2) such recommendations as it deems necessary in the public interest."
Suspension of Equal Time Provisions for 1960 Campaign
Pub. L. 86–677, Aug. 24, 1960, 74 Stat. 554, suspended that part of subsec. (a) of this section, which requires any licensee of a broadcast station who permits any person who is a legally qualified candidate for any public office to use a broadcasting station to afford equal opportunities to all other such candidates for that office in the use of such broadcasting station, for the period of the 1960 presidential and vice presidential campaigns with respect to nominees for the offices of President and Vice President of the United States. The Federal Communications Commission was directed to make a report to the Congress, not later than March 1, 1961, with respect to the effect of the provisions of Pub. L. 86–677and any recommendations the Commission might have for amendments to this chapter as a result of experience under the provisions of Pub. L. 86–677.
LII has no control over and does not endorse any external Internet site that contains links to or references LII.


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this wiki
(covers information from several alternate timelines)
- For similarly referenced terms, see Phoenix (disambiguation).
"It is an historical irony that Doctor Cochrane would use an instrument of mass destruction to inaugurate an era of peace."
The Phoenix was an Earth spaceship used in the 21st century. It was the first Earth-made, manned spacecraft to achieve light speed using warp drive. The Phoenix is remembered as the ship that instigated Earth's First Contact with Vulcans.
Dr. Zefram Cochrane, the inventor of warp drive, built this warp ship inside a missile complex in Bozeman, Montana. The ship was initially a United States Air Force nuclear missile with a titanium casing. The titanium took six months for Lily Sloane to scrounge enough to build the four-meter cockpit of the Phoenix. Dr. Cochrane was the pilot, and Lily Sloane was initially intended to be one of the co-pilots. However, William Riker and Geordi La Forge (both of the USS Enterprise-E, from 2373) served as the crew.
On April 4th 2063, less than forty-eight hours away from launch, a group of Borg from the 24th century attempted to destroy the Phoenix. They managed to cause significant damage to various sections of the fuselage and the primary intercooler system. The damaged throttle assembly was leaking dangerous levels of theta radiation. There were temperature variations in the fuel manifold, the intermix chamber needed to be reconstructed, and there was a damaged warp plasma conduit that needed to be replaced. All damage was repaired in time for the launch, with the help of the crew of the Enterprise, which had pursued the Borg from the future.
On April 5th, around 11 am, the Phoenix was launched. First-stage shutdown and separation were performed in orbit. The nacelles were extended, the warp core and plasma injectors were brought on-line, and the nacelles were charged. It took several seconds to accelerate to critical velocity. Light speed was then achieved by the craft. The second stage of the craft had chemical engines. (Star Trek: First Contact; VOY: "Year of Hell")
The first flight of the Phoenix attracted the attention of a passing Vulcan ship, the T'Plana-Hath, causing the Vulcans to decide to make First Contact. First Contact Day was celebrated annually to commemorate this First Contact between Humans and Vulcans. (VOY: "Homestead")
A model of the Phoenix was kept in Travis Mayweather's old quarters aboard the ECS Horizon. (ENT: "Horizon") Admiral Maxwell Forrest kept a similar model in his office on Earth. (ENT: "The Expanse", "Home")
A photograph of the Phoenix was on display in the 602 Club on Earth. A similar picture graced a wall of Admiral Forrest's office on Earth in 2154. (ENT: "First Flight", "Home")
By the 24th century, the Phoenix was an exhibit in the Smithsonian Institution. Jean-Luc Picard saw the exhibit many times as a boy, but was never allowed to touch it. The blueprints of the Phoenix were available on Federation starships. (Star Trek: First Contact)
The Phoenix was known in the Mirror universe, as the first Human warp ship. (ENT: "In a Mirror, Darkly", opening credits)
The Phoenix was also known in the alternate reality. As such, it was included in a historic display of miniature spacecrafts inside Admiral Alexander Marcus' office on Earth. (Star Trek Into Darkness)
The Phoenix was named after the mythical bird. (Star Trek Encyclopedia 2nd ed., p. 357)
The Phoenix is described in virtually all non-canon reference sources as the prototype of warp drive. Dialogue in Star Trek: First Contact and subsequent episodes, however, leave room for the unmanned prototype test of warp drive, prior to the launch of the Phoenix, as described in Star Trek: The Next Generation Technical Manual. If such a test took place, it would have also been in 2063, as this was the year Dr. Cochrane tested his first warp engine. Cochrane described the launch as his "first warp flight" and Kathryn Janeway included Dr. Cochrane in her list of legendary pilots. It is safe to assume this was at least the first manned warp ship of Earth. (ENT: "Regeneration"; VOY: "Friendship One", "Threshold"; Star Trek: First Contact)
The actual "launch vehicle" seen in the silo was an old, deactivated Titan II missile, with a custom capsule fitted over the original nose cone.
According to the non-canon Star Trek Fact Files and the Star Trek Encyclopedia, the missile type of the Phoenix launch vehicle was a "Titan V" nuclear missile. However, the Titan 5 was not a missile; it was a three-engine payload rocket which launched from a launchpad, not a silo.
At one point during the writing of First Contact, the writers of the film considered what might power the matter-antimatter reaction chamber aboard the Phoenix, in lieu of dilithium crystals. Co-writer Ronald D. Moore later recalled, "We had talked about it being from something modified from the thermonuclear warhead – that somehow setting off the fission reaction was what kicked it off." (Star Trek Monthly issue 45, p. 46)
Footage of the Phoenix from First Contact was reused in the title sequence for Star Trek: Enterprise.
The Artisan prop and model shop of Quantum Mechanix, QMx FX Cinema Arts, was asked to illustrate the history of space flight with models for Star Trek Into Darkness. They constructed fourteen models in total. On their website, there was a picture of the Phoenix model. [1]


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Catalog search
Catalog links
Graduate Bulletin 2013-2015 » Academic Programs and Courses » Speech-Language-Hearing Sciences » Courses in Speech-Language Pathology » SPE 734: Diagnostic Practicum.
SPE 734: Diagnostic Practicum.
3 hours, 3 credits. (Must be taken a minimum of two times.)
Provides students with clinical experiences in evaluating speech and language disorders of children and adults. PREREQ: SPE 725.
Last modified: 8/4/2015


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Plog Magazine
Plog Magazine is run by a group of students and graduates and features only student and graduate artwork.
Plog Magazine is run by a group of students and graduates and features only student and graduate artwork.
Selection of paintings by American artist Chester Arnold. More images below.
Pennsylvania-born and (currently) Ohio-based artist Nicki Crock's lovely paper installation features miniature houses resting atop floating, geometric clouds. Recently on display at the Pittsburgh Center for the Arts, "Dream House" reflects Crock's own sense of nostalgia, movement and search for home. More images below.
Artist Tauba Auerbach teams up with Printed Matter for an incredible pop-up masterpiece [2,3]. The "book" is actually a series of six separate, intricately designed, geometric paper sculptures.
See more images below and watch New York-based director Sam Fleischner's beautifully shot video of their unveiling over at Booooooom TV!
A selection of paintings by artist Jana Brike, living and working in Riga, Latvia. More images below.
Canal180 is seeking participants for their annual Media Arts Academy. 180 Creative Camp runs from July 3 – 10 in Abrantes, Portugal. The aim of the event is to provide a space for enthusiastic young creatives to meet with one another as well as invited artists and thinkers. This year's lineup includes: Spanish street art collective Boa Mistura, curator Frank Kalero, architecture and design specialist Javier Peña Ibáñez, illustrators José Cardoso and Simon Landrein, Intern magazine founder Alec Dudson, and film directors Sean Dunne and Isaac Niemand.
The event is designed for people from all disciplines and all parts of the world to interact, inspire and collaborate with one another through 8 days of workshops, talks and activities organized throughout the beautiful city of Abrantes! Deadline to apply is May 25th. Click here for more information and check out images from previous camps below!


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May 5, 2016
There's a new candidate running to unseat Congressman Walter Jones for the U.S. House of Representative, this time on the Democratic ticket.
Erik Anderson, a former Cherry Point Marine, is running a grassroots campaign to become the next representative for District Three.
Anderson says his platform focuses on the getting people back to work and building a better education system.
While Anderson won't face Jones in the primary, Jones does have a Republican challenger in Frank Palombo, the former New Bern Chief of Police.
Click Here to access the online Public Inspection File
Viewers with disabilities can get assistance accessing this station's FCC Public Inspection File by contacting the station with the information listed below. Questions or concerns relating to the accessibility of the FCC's online public file system should be directed to the FCC at 888-225-5322, 888-835-5322 (TTY), or firstname.lastname@example.com.


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Utility Business
Mention clean technology in general and electric vehicles (EVs) in particular and you get the good, the bad and the ugly. Last week, proponents, skeptics and naysayers weighed in on an EV column.
Our readers have opinions and they hammered or helped columnist Phil Carson on demand response and, wait for it, Iranian ciphering machines. Eavesdrop on our readers here.
A representative of commercial/industrial electricity users said smart grid remains a mystery. And he has questions. Lots of questions.
Moving to a regulatory scheme that goes beyond "cost-plus" should take into account local market conditions and must include tangible consumer engagement, according to one participant.
Members of both political parties back a bill to drive adoption of electric vehicles and charging stations in five American cities, but details remained unknown. The author of a report on EVs comments.
In 2006, Bill Gates asked his utility leader, Jon Arnold, what Microsoft was doing for the grid. Arnold talks here about how he'd write that memo today.
Jon Arnold runs Microsoft's global utility business and, when he talks, people (should) listen - whether they like it or not.
Telecom carriers are listening carefully and offering services to utilities, which are wary - for good reason, according to some at UTC Telecom 2010 in Indianapolis.
No matter where you go, the consumer - and the issues surrounding the consumer - go too.
We had great input from readers last week and the topic that drove most comments was "the customer" or, more precisely, "the consumer."
The editor interviews his brother for a layperson's take on the smart grid, and runs into a few surprises.
A broad-based look at customer satisfaction across all industries provides electric utilities with opportunities.
This year's utility ICT budgets reflect an average 4 percent increase over last year and action on smart grid plans reflects optimism on the economy, according to a new study.
Taking no position on The American Power Act earned our columnist praise and condemnation, while a discussion of smart meter pushback moved two informed veterans to comment.
With the unveiling of the American Power Act by Senators Kerry and Lieberman, columnist Phil Carson asks fundamental philosophical questions that should inform our reaction.
PG & E acknowledged this week that a 99 percent success rate in smart meter rollouts potentially meant 50,000 dissatisfied customers. And EPRI offered nearly a dozen reasons why new smart meters might not be accurate, or might appear not to be accurate.
Readers debate the pros and cons of consumer management of in-home electricity use, how deep the utility should reach and even whether anyone will bother with home energy management at all.
Consultant Christine Hertzog suggests that robust home area networks, combining smart thermostats and networked appliance controls, are more important than residential smart meters. And, she says, utilities had better step up their game if they want to influence consumer behavior.
Guerry Waters of Oracle Utilities shares his thoughts on data analytics, consumer expectations for the smart grid and future power generation sources.
Two contrasting utilities with planned or implemented AMI technology share their insights on the benefits and challenges in Hawaii and the Carolinas. Part I of two parts, with poll results on smart grid and AMI issues.
- 1 of 2
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Diamond Jubilee photography tips: 332m pictures to be taken - make yours the best
16:57 28 May 2012
Royal family photographer Arthur Edwards and camera maker Nikon have provided some expert tips on getting the best photos during the Diamond Jubilee celebrations in London.
Research commissioned by Nikon COOLPIX has found a staggering 332 million Jubilee-related photos will be taken on the day of the Thames river pageant on June 3.
This means the Queen's special event is sparking even more photo fever than last year's royal wedding of William and Kate, when the same study found that Brits would take 327 million snaps.
It is predicted that 76.3 million Jubilee-related photos will get shared on social networking sites on the day of the pageant - 17 per cent more than the 65 million royal wedding pictures that were shared.
The event Brits are most excited to see is the 1,000-boat flotilla on the Thames - this beats the Queen waving from the balcony, the carriage procession, the Buckingham Palace concert, and appearances by the other royals, even William and Kate.
Nikon has created a river pageant map, highlighting the best vantage points for photography.
And veteran royal photographer Arthur Edwards has given some pro tips and tricks on how to capture the best pictures of the royal events.
10 top tips for stunning Jubilee photos
1. Get there early and make sure you're in position.
2. If you don't get your pictures, you don't get your memories. Make sure your camera is fully charged and keep it in your hand ready to take a shot as soon as you spot something.
3. Make use of the whole long weekend. The great thing about the Jubilee is that we're talking about four days of photo opportunities. Get ready to snap street parties, people dressed up, Union flags popping up all over the place, and some typically British pomp and ceremony.
4. Don't be frightened to ask people to move to the left or right so that you can get a clearer view of proceedings.
5. Also don't be afraid to ask people to pose - if they've dressed up, chances are they'll love the attention!
6. Make the most of the panorama features on cameras to take a sweeping vista of the river, and capture the sheer scale of the event. This will be one of the largest flotillas ever assembled on the river, and nothing quite like it has been seen since the reign of Queen Victoria.
7. Try taking some video clips - music plays a large part in the Jubilee events, so try capturing the entire experience. To avoid a shaky video, you'll need vibration reduction technology, which you can now get in compact cameras for as little as 100.
8. Try and get a picture of the Queen. She is the only reigning monarch in living memory for most people in this country, and the Jubilee events mark a tremendous achievement. Even more than that, a picture of our smiling Queen is truly inspirational: I always think if she is smiling, everything's alright with the world.
9. Don't forget to take some crowd shots and pictures of all the venues, and get a picture of yourself there!
10. If it rains, don't let it put you off. Rest assured that the Queen will wear a vivid colour to stand out from dreary weather, and she uses a clear umbrella so that spectators can still see her.
Mr Edwards' top pageant pick: "The Gloriana, a 90ft long barge that will be the largest rowed vessel in the country, will be the star of the show on pageant day. It will lead the procession and will of course go at a rower's pace.
"The great thing about it is that as it's a low boat, spectators near City Hall and the Pool of London will be able to get a picture of Gloriana in the foreground, and the Spirit of Chartwell, carrying the royal family, sailing up behind it."
Location, location, location
Imperial Wharf - This is where the Queen and the Duke of Edinburgh will join the flotilla procession. They will board the Royal Barge, and the barge will take them to the Spirit of Chartwell. The Queen hasn't been on the Royal Barge since Britannia was de-commissioned in 1997, so this in itself will make a poignant picture.
Cadogan Pier - Where the young Royals will join the Spirit of Chartwell, so if it's a picture of William, Kate and Harry you're after, you might want to head here.
Butler's Wharf / City Hall - Here you can capture the ships in the flotilla as they go through Tower Bridge. The bridge will be raised, and the most breath-taking shot of the day is likely to be when the two boats leading the flotilla, the Gloriana and the Spirit of Chartwell, pass through.
Between London Bridge and Tower Bridge - The flotilla will pass through a spectacular avenue of sails made by traditional Thames sailing boats, oyster smacks, square riggers, naval vessels and other impressive ships there will be loads going on here, including a gun salute. This avenue of sail is probably where you'll get closest to any of the bridges - the areas on and around the bridges are invite-only.
Battersea Park - The viewing area along the top end of Battersea Park is the perfect vantage point to get a panorama shot of the river pageant. The 5 entry fee to get into the park should mean that crowds will be slightly less than elsewhere along the water, and the ticket will be worth its weight in gold for getting you lots of photo opportunities. There will be lots of 1950s themed spectacles worth snapping - including a 1952 bandstand tea dance, a beautiful tea-garden featuring a record-breaking attempt for the tallest cake, and a Village Green.
Opposite the London Eye or the Houses of Parliament - If you want to get a really stand out shot, you need to think not only about the boats, but also about the background that you'll get. If you place yourself on the opposite side of the river to the London Eye or the Houses of Parliament, your shot of the flotilla will be perfectly captured against an iconic London landmark.
Street parties
Councils have had record applications for street parties this year. If you're not heading to London to be front row for the official events, there's still plenty to capture for posterity.
Mr Edwards advises: "If you're having a street party or another kind of celebration, make sure you try to capture the mood of the nation - get dressed up in your finery and make sure you take lots of pictures of the children."
Tips for street party photos
1. If taking photos of children, get down to their eye level. This is what Harry, William and Kate do brilliantly when they're speaking to children - it puts them at ease, and means a photographer is more likely to get a natural photo.
2. Get creative with your pictures - parties are the perfect time to use some of the filter effects on your camera, like turning the background black and white and picking out only the colours of a flag.
3. Capture all the little details that reflect the quintessential Britishness of events - from the bunting to the cakes and the picnic tables.
SHARE YOUR PICTURES: If you are out and about in London this weekend celebrating the Diamond Jubilee, sign up and send pictures to iwitness24.
You can get your photos published on the iwitness24 site and also here on London24.
So go to London.iwitness24.co.uk to share pictures of you and your friends enjoying the celebration or photos of the big events taking place.
LONDON IN AN APP! Whatever you're planning to do in London and wherever you're going, the fantastic FREE MyCityWayLondon24 app for iPhone can help you during a day out.
The app contains more than 30 really useful mini-apps which can help with everything from finding somewhere to grab a coffee or lunch to checking the latest travel information and locating free places to visit.
The app is the ultimate mobile city guide, the essential tool to have in your pocket whenever you're out and about in London.
For more information and to download MyCityWayLondon24, search the Apple iTunes App Store for London24 or go to www.london24.com/app


text: Get supreme sound. These smart new headphones from 50 Cent use Kleer technology so you can wirelessly stream music from your MP3 player, Smartphone or stereo system with uncompressed CD-quality sound. Designed to be ultracomfortable, they also feature full onboard controls and a 3.5mm transmitter that allows up to four listeners to sync into one single source within a 50-foot range. Plus, Bluetooth® technology means no more getting tangled up with wires!


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College of Business Administration
and graduate school of management
Alumnus of the Year Award
James C. Sartori, Bus Ad '77
To some being called a cheesehead is an insult. At Jim's company, Sartori Foods, it's an honor akin to the many bestowed on their award winning Artisanal cheeses.
Achievement Award
Mary M. McDonnell, Bus Ad '77
A knack for numbers helps. But for Mary, the keys to success in the fast-paced futures industry have been integrity and a willingness to listen.
Daniel L. Meyer, Bus Ad '83
"Write what you know" could well be Dan's mantra. He's founder and publisher of BizTimes Media LLC, which covers Milwaukee's small business community.
to Marquette Award
Thomas J. Kuesel, Bus Ad '56
Using the real estate savvy that made him a success, Thomas is opening the door to home ownership for more people through his community redevelopment efforts.
Laura Wake Bray, Comm '94, Grad '03
Earning kudos from business and environmental groups — a rare feat — Laura is making Milwaukee's Menomonee Valley a national model of sustainable development.
Friend of
the College Award
Barry R. Mandel
Barry is a developer of communities — and opportunities — through his generous support of a Marquette job training program for minority real estate professionals.


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Broussard, LA (Sports Network) - Edward Loar closed with a 2-under 69 on
Sunday and won the Louisiana Open by two strokes.
Loar finished 72 holes at 17-under-par 267. This was his second win on the
Web.com Tour.
Morgan Hoffmann got within one of Loar's lead late in the round, but
ultimately finished two back. Hoffmann also carded a 69 on Sunday to end alone
in second at minus-15.
Brett Wetterich fired a 6-under 65 at Le Triomphe Golf & Country Club to jump
21 places into third place at 14-under 270.
Former PGA Tour player Nick O'Hern (67) and Jim Renner (71) shared fourth
place at minus-13.
The Sports Network


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Who We Are
Trinity Fellowship is a multi-campus church with one mission in mind: to help you Experience God, Find Community, and Fulfill Your Purpose. From generational ministries to small groups to volunteer opportunities, there are lots of ways we would love to come alongside you and your family to help you grow in your faith.
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Whether you're looking to strengthen your marriage, help your teen get on the right path, or lay a solid foundation of biblical teaching for your kids, Trinity is the place to do it! We specialize in ministries for every member of your family, and those with specific focuses such as prayer, healing, prophetic, counseling, missions, and more.
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There's a lot of life happening at Trinity Fellowship, and we want you to be a part of it. Keep current on everything that's happening, plus access sermons and worship at your convenience. And be sure to browse around our online store, to find other great resources to aid you in your walk with the Lord. .
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At Trinity Fellowship, you'll find that we are one church with multiple campuses and a selection of service times designed to fit your schedule. To find the campus nearest you, get directions below to one of our several locations. Have questions? Be sure to contact us so we can help you find the answers you're looking for.


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L'Wren Scott
Eau de Parfum
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Strategies to Improve the Quality of Physical Education from the Center for Disease Control (CDC)
Understanding the difference between physical activity and Physical Education from NASPE
Non-traditional physical activity: It is important for children to learn fitness skills in P.E. class that they can use for a lifetime of fitness and well-being.
Here is a list of Lifetime Fitness activities from Lance Armstrong's livestrong.com.
Physical activity leads to smarter kids (from the New York Times)
A literature review from the CDC indicating that student physical activity can have positive effects on grades and test scores.


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Share your thoughts at the Reading Together Coffee Shop.
Have you read the books? If so, what did you think of them? Have you attended any Reading Together programs? If so, which one(s)? Any other comments?
Title: Farm City. Comments: I loved Farm City. Novella jumped into urban farming much more daringly than I think I could. In her situation I would probably be too scared to be on someone else's land or intimidated by what i didn't know to make much progress with a garden. I have been reading other gardening books following Farm City, currently The Botany of Desire by Michael Pollan, but soon I will be turning my attention to The American Way of Eating.


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|Ross O'Carroll Kelly is a satirical finctional Irish character, a wealthy Dublin 4 rugby union jock created by journalist Paul Howard.
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|Fintan O'Toole, fintan otoole, fintan o'toole,25 years of Irish Life through the columns of Fintan O'Toole
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Ulster Bank agrees pay increases for Irish staff
- Financial Services
- February 18, 2016, 01:01
Ulster Bank has agreed a pay deal with staff that will involve average increases of close to 2 per cent for employees both sides of the Border. The (...)
Bank of Ireland staff vote to accept new pay deal
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Workers at Bank of Ireland have voted in favour of a new pay deal which will see the majority of staff receiving a 2.2 per cent rise this year and a f(...)
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- January 29, 2016, 07:50
The Bank of Japan unexpectedly cut a benchmark interest rate below zero on Friday, stunning investors with another bold move to revive the economy as (...)
Bank of Ireland staff to get 2.2% pay rise in 2016
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- December 21, 2015, 16:07
The majority of staff in Bank of Ireland are set to receive pay increases of about 2.2 per cent next year and a further 2.6 per cent in 2017. The rep(...)
Prepare for a glut of chefs' TV specials this Christmas
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Looking for inspiration on how best to eat your own body weight this Christmas? Look no further than Irish broadcasters' gluttonous offering of food-r(...)
Jeff Ford leaves TV3 for Fox role in London
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TV3 Group's director of content Jeff Ford is leaving the broadcaster to take up the position of general manager at Fox International Channels UK, whic(...)
TV3 has a rethink on 'Life'
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TV3 is moving afternoon chat show Late Lunch Live to an evening slot and abandoning a plan to fill the nightly 7.30pm slot with a new magazine show ca(...)
Miriam Lord: Even selfie-aware Enda breaks a shweat
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The Leader of the Opposition stands in a marquee, in the middle of a farm, at the height of Ireland's biggest agricultural showcase. He has an importa(...)
Donal MacIntyre to film TV3 series
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Danke Bank staff accept recommended redundancy terms
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Danske Bank staff who are members of the Irish Bank Officials Association have agreed to accept redundancy terms recommended by independent mediator M(...)


text:
Kim Steutermann Rogers
Article Source: Outrigger
Article Source: Outrigger
At Kahuku Farms, on Oahu's North Shore, a new generation of farmers is getting involved, adding fresh, new ideas to the business and turning out a new way to farm. Isn't it always that way? Kylie Matsuda is a fourth-generation farmer at Kahuku Farms, which itself is the merger of two long-time family farms—the Matsuda and Fukuyama Farms.
Your guide to Oahu farmers markets, where the freshest produce--some straight from the garden that morning--can be found. Be sure to talk-story with the farmers, and they'll give you buying and cooking tips.
Hawaiian Islands
Article Source: Outrigger
Outrigger Hotels and Resorts in Hawaii are not just tops for comfy accommodations in all the right locations on Oahu, Maui, Kauai and Hawaii Island. They're terrific places to dig into something delicious! Check out these dining finds!
Hawaiian. Japanese. Chinese. Fillipino. There are many cultures that make up Hawaii today. German. Portuguese. Puerto Rican. And as each culture migrated to Hawaii over the years, they brought with them their favorite foods.


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25 U.S. Code § 3652 - Purposes
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The purposes of this chapter are as follows:
(1) to carry out the responsibility of the United States to Indian tribes and members of Indian tribes by ensuring access to quality technical and legal assistance.
(2) To strengthen and improve the capacity of tribal court systems that address civil and criminal causes of action under the jurisdiction of Indian tribes.
(3) To strengthen tribal governments and the economies of Indian tribes through the enhancement and, where appropriate, development of tribal court systems for the administration of justice in Indian country by providing technical and legal assistance services.
(4) To encourage collaborative efforts between national or regional membership organizations and associations whose membership consists of judicial system personnel within tribal justice systems; non-profit entities which provide legal assistance services for Indian tribes, members of Indian tribes, and/or tribal justice systems.
Source(Pub. L. 106–559, § 3,Dec. 21, 2000, 114 Stat. 2779.)
References in Text
This chapter, referred to in text, was in the original "this Act", meaning Pub. L. 106–559, Dec. 21, 2000, 114 Stat. 2778, which is classified principally to this chapter. For complete classification of this Act to the Code, see Short Title note set out under section 3651 of this title and Tables.
The Indian Tribal Justice Act, referred to in par. (5), is Pub. L. 103–176, Dec. 3, 1993, 107 Stat. 2004, as amended, which is classified generally to chapter 38 (§ 3601 et seq.) of this title. For complete classification of this Act to the Code, see Short Title note set out under section 3601 of this title and Tables.
LII has no control over and does not endorse any external Internet site that contains links to or references LII.


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Flemings' Count Down to the London 2012 Olympics
Posted On 27 Jul 2011 By andy. Under For your diary, Mayfair & London.
Today the 27th of July officially kicks off the year long countdown to the London 2012, held right here in England's capital! On the 27th of each month, The Insider will ... Read MoreNo Comments


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43 U.S. Code § 356 - Repealed.
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Section, act Sept. 22, 1922, ch. 400, 42 Stat. 1012, extended time for development of underground water supplies with reclamation grants.
Effective Date of Repeal
Pub. L. 94–579, title VII, § 703(a),Oct. 21, 1976, 90 Stat. 2789, provided that the repeal made by section 703(a) is effective on and after Oct. 21, 1976.
Savings Provision
Repeal by Pub. L. 94–579not to be construed as terminating any valid lease, permit, patent, etc., existing on Oct. 21, 1976, see section 701 ofPub. L. 94–579, set out as a note under section 1701 of this title.
LII has no control over and does not endorse any external Internet site that contains links to or references LII.


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Crews are building a fire line on the southwest side of a 2.3-square-mile wildfire in Rocky Mountain National Park.
Park officials said Thursday crews set up pumps to draw water from a creek to help with firefighting.
About 60 people are fighting the fire.
The fire, which is 40 percent contained, started Oct. 9. The cause is still under investigation.
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On a recent rainy day, I found myself wandering down to the lower level of Central Library to browse the AV collection. I stumbled upon Louvre City which was a great find. This film looks at the work of the operations employees at the Louvre - moving paintings, cataloging and labeling statues, researching works, and developing exhibits. I think the neatest part of the movie was watching the museum staff move massive oil paintings. We see staff unrolling and stretching an enormous oil painting, and later using dozens of men to lift and move the painting into place so that it can be hung. They didn't show how it was hung, but surely that was another huge and labor intensive feat. I have wondered how the mammoth paintings in art museums are moved before, and now I see that it takes a great amount of manual labor!
The back of the case from the DVD states, "Louvre City is a celebration of the ordinary processes of work in an extraordinary setting." The collection at the Louvre is phenomenal by any standard, being one of the foremost art museums in the world. It is easy to forget or lack understanding of the background work that goes in to making this museum what it is. The movie is titled Louvre City because of the great number of people who work there - over 2,000 according to the museum's website. There are so many people it is almost a city in itself, and they are all devoted to sustaining and sharing the museum's collection.
Sometimes I talk to patrons about the library and they are surprised by the number of background things that have to happen for our operations to run smoothly. Staff at public service desks are our front line but they are supported by the work of many other people who are not seen by the public on a day to day basis. This movie shared with me the same type of insight about this museum; I never realized the amount of work and logistics that went into making a museum what it is. I appreciate museums all the more now for putting in all this time and energy to preserve artifacts for future generations to enjoy and learn from. If you are someone with an interest in museums and/or art I think you would probably really enjoy this interesting movie!
Posted by Elysha Cloyd at 10/26/2012 10:43:53 AM