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Swoop makes online advertising better for publishers, advertisers and users
Swoop provides an entirely new and untapped source of search terms for advertisers who wish to extend their SEM efforts beyond the usual search engine results pages of Google and Yahoo!/Bing. We drive CPAs that are highly competitive with the big search engines with an ever-learning algorithm that focuses on back-end conversions.
Publishers, Swoop is here to give you your share of the ever-growing search advertising spend. You have great content, and in that content is search queries – Swoop finds and advertises to those queries in a way that generates additional revenue, doesn't interfere with your existing advertisements, and most importantly, doesn't annoy your users.
Swoop: Created to make the Internet better for everyone
Digital advertising is in a difficult place: decades of crappy ads have led users to ignore or block advertising, publishers are losing out on over half of ad spend, and advertisers continue their quest for more relevant traffic. Hear from Swoop founders Ron Elwell and Simeon Simeonov why they created Swoop to bring search advertising to publishers and make the Internet better for users, publishers and advertisers.
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From our blog
6 Ways Publishers Can Up Their Game in 2016
As 2015 nears its end, a year that has been tough on digital advertising closes. With what we've learned this year – especially centered around how advertising impacts readers, and how readers are now armed with ad blockers – here are six ways web publishers can have a great 2016Read full article


text:
I want to turn off smooth scrolling everywhere. That is, I want display updates such as the effect of PgUp/PgDn to happen in a single screen refresh, rather than one pixel line at a time.
I've mostly achieved this under Windows XP by turning off most display effects in the "System/Advanced/Performance" component of the Control Panel, and unchecking "Use smooth scrolling" in "Internet Options/Advanced/Browse". Under Windows 7, the display effects are under "System/Advanced system settings/Advanced/Performance" and the IE setting is under "Network and Internet/Internet Options/Advanced". This takes care of all but one Microsoft applications that I use, including Help and Word.
The one exception is Outlook 2007 or 2010, which still scrolls smoothly when I press PgUp or PgDn in a mail view or compose window. How can I turn it off there too?

subset: commoncrawl


text:
by Angie Shipley
(Dallas Texas USA)
I live in Texas. I have worked at my job from October 10 2009 until March 10 2010, which will be the date I am being laid off. I made 3000.00 a month the month of October and November and 2500.00 Decemeber. January - 2500.00 February 2500.00 and will make 1500 for the first 10 days of March - from what i am seeing on the internet it says I dont qualify for unemployment. I did not work anywhere from jan 09 to september as I was not able to find a job and was drawing unemployment during most of that time and it ran out. Is it true I dont qualify?
Hi Angie,
Let me see if I can explain the issue once and for all. The resource I use .. not matter which of the fifty United States a person is from is located at the United States Department of Labor Employment and Training Administration You will need to click the current year and then "Monetary Eligibility".
A base period is the four quarters that your wages are looked at to determine if you meet the minimum earning requirements to establish a "valid claim" for unemployment benefits.
There are three possible types of "base periods" which all contain four quarters. A quarter is 13 weeks or Jan-March, April-June, July-Sept, and Oct-Dec.
There is the "standard base period" which is the first four of the last five "COMPLETED QUARTERS" and it is relative to the quarter you file in.
Then there are "extended base periods" (EBP) and "alternative base periods (ABP). These may or may not be an option available in a state. The resource will let you know if it is. These are used when the standard base period won't qualify you .. if it's an option.
To qualify,
Return to Unemployment Benefits Questions.


text: Kosho Uchiyama Roshi Kosho Uchiyama was born in Tokyo in 1912. He received a master's degree in Western philosophy at Waseda University in 1937 and became a Zen priest three years later under Kodo Sawaki Roshi. Upon Sawaki's death in 1965, he became abbot of Antaiji, a temple and monastery then located on the outskirts of Kyoto. Uchiyama Roshi developed the practice at Antaiji and traveled extensively throughout Japan, lecturing and leading sesshins. He retired from Antaiji in 1975 and lived with his wife at Noke-in, a small temple outside Kyoto, where he continued to write, publish, and meet with the many people who found their way to his door, until his death in 1999. He wrote over twenty books on Zen, including translations of Dogen Zenji in modern Japanese with commentaries, as are various shorter essays. His Opening the Hand of Thought: Foundations of Zen Buddhist Practice is available in English from Wisdom Publications. He was an origami master as well as a Zen master and published several books on origami. Become a Fan × BECOME A FAN Get updates about Kosho Uchiyama Roshi and recommended reads from Simon & Schuster. Plus, get a FREE eBook when you sign up! Email Address Free eBook available to NEW subscribers only. Offer redeemable at Simon & Schuster's ebook fulfillment partner.Offer expires in three months, unless otherwise indicated. See full terms and conditions. By clicking SIGN UP, I acknowledge that I have read and agreed to the Privacy Policy and the Terms of Use. Books by this Author The Zen Teaching of Homeless Kodo By Kosho Uchiyama Roshi and Shohaku Okumura By Kosho Uchiyama Roshi and Shohaku Okumura The Zen Teaching of Homeless Kodo Abandon your treasured delusions and hit the road with one of the most important Zen masters of twentieth-century Japan.Eschewing the entrapments of vanity, power, and money, "Homeless" Kodo Sawaki Roshi refused to accept a permanent position as a temple abbot, despite repeated offers. Instead, he lived a traveling, "homeless" life, going from temple to temple, student to student, teaching and instructing and never allowing himself to stray from his chosen path. He is responsible for making Soto... Read more about this book Read more Get a FREE eBook when you join our mailing list. Plus, receive updates about Kosho Uchiyama Roshi,recommended reads and more from Simon & Schuster. Email Address Free eBook available to NEW subscribers only. Offer redeemable at Simon & Schuster's ebook fulfillment partner.Offer expires in three months, unless otherwise indicated.See full terms and conditions and this month's choices.


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Crazy cat fun!
posted 8 years ago
My cats love these toys! They go crazy for the feathers and it keeps them busy for hours. The only bad thing is they pull out the feathers.
Pros: Very entertaining
Cons: feathers go everywhere
5 of 5 people found this review helpful.
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Great fun
posted 6 years ago
My cats greatly enjoyed this toy. The catnip obviously attracted them in the first place and they enjoyed the feathers as well. The toy has held up fairly well, with about half the feathers pulled off, but overall I'd say it is a good choice.
Pros: Greatly enjoyed
Cons: feathers come off eventually
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Fun toys
posted 7 years ago
My cats got these in their stockings this year and they really like them. The catnip does not seem to be super strong, but the feathers really seem to interest the cats.
Pros: Cats love them
Cons: none
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Please select your country from the drop down box provided. Dan's Comp will provide currency conversion and base shipping from this selection.
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Sunday Replacement 990 Mounts
The Sunday replacement 990 mounts are designed to work with Sunday frames that feature removable brake mounts. See list below for compatibility.
8x1.25mm (Fits Most Sunday Frames)Thread-in 8x1.25mm brake mounts for the Sunday Funday 2/2.1, Wave 3, Forecaster and Soundwave frames. Will also fit the Waltz V1/V2 and Tango frames.
10x1.25mm (Fits Sunday Broadcaster Frames)Thread-in 10x1.25mm brake mounts for the Sunday Broadcaster frame. Will also work with Haro/Premium frames with removable brake mounts.


text:
Sunset Horse by CallieFinkWatch
©2011-2016 CallieFink
Magnific Thank you very much
Jizzed in my pants.
Great artwork!! ^^
Amazing! Drawing the horse twice must've been annoying?
Very beautiful!
Amazing, i really admire your skill of using colours, because this looks just damn beautiful!
amazing !!!!!
wow the color on this one makes it so hard not to notious
looks amazing
looks amazing
so beautiful! <3
you're a genius, i love it ;uuu;!
amazing! i love the colors!
love the colours!
This turned our really great. I especially like the job you did on the waves, and the water on the ground. My eye goes directly to that.
I added your tumbler to mine! :]
I added your tumbler to mine! :]
The colors are amazing and the background is so stunning!
I love the water. I remember thinking this was awesome when you had it as a WiP but whoa, you took it a step further!
that looks absolutely beautiful!!
so incredibly painted and such fine details
i also love your use of colour
so incredibly painted and such fine details
i also love your use of colour
O.O so cool. I love the color
ww its beautiful ^^l


text:
18887 Surnames | 118791 Records | 2568 Reunions
Dead Fred asks:Are you a Desperate Genealogist?
Click the e-book above for details!
Dead Fred's Genealogy Photo Archive, a free, fun photo genealogy research web site devoted to helping you visualize your heritage!
Dear readers,We need your help. 90% of our expenses are covered by donations averaging $10, though not many visitors contribute. If each visitor reading this right now gave $2, we would have enough to operate DeadFred for a year. That's right, the price of a bottle of soda would do it. If DeadFred is helpful to you, please take a moment to help us. We are a very small group of volunteers serving thousands of readers daily with very little outside support. DeadFred is a place to share and discover the faces of your ancestors. The funds we receive go toward maintaining and improving your chances of discovery. Please help us so we can continue to help you.Thank you,Joe Bott
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Photo #74113
Last Name: Bolson
First Name : Sarah
Middle Name:
Subject's City:
Subject's State:
Subject's County: Oxford
Subject's Country: Canada
Date: 1851-1900
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Nee: Bone
Type** : TT
Comments: Sarah Bolson (Nee: Bone) | Canada | 1851-1900 | Comments: Joseph Abraham Bolson of the Twp. of Blandford, County of Oxford, ON Bachelor, and Sarah Bone of the Twp. of West Oxford, County of Oxford Spinster where married at St. Pauls church, Woodstock, ON on Aug. 15, 1876.
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text:
|Photo by Joseph Marzullo/WENN
By his estimate, 700 Sundays has been in the works five years longer than the title: "We started talking about this right after I did Tommy — about 20 years ago. We had a meeting here in New York where he said he was thinking about doing a one-man show and wanted me to think about developing it with him. We got together a couple of times after that, and then — coincidentally — about the time his mom got sick — I ran into him in Los Angeles when he was on his way to Seattle, which is all a part of the show. It was right after 9/11, and we talked about it again. About a year after that, we reached out to each other, and we've been working on it ever since."
The show is in a constant state of change, he said. "While it is structured very carefully, Billy is comfortable improvising in front of an audience, so it's always a line that is always shifting and changing. Every performance is fresh and new."
Director Christopher Ashley, the artistic chief of the La Jolla Playhouse where 700 Sundays was developed, was in town for the New York premiere of Little Miss Sunshine, which also started there, and to get a couple of Joe DiPietro projects off the ground: "One is a reading of an Old Hollywood murder mystery-comedy based on fact, The Unfortunate Murder of William Desmond Taylor, and we might have some juicy cast names in it for its very first reading. Then we're also doing preparations for a page-to-stage of his new musical with David Bryan called Chasing the Song at the La Jolla Playhouse this spring. It takes place in The Brill Building back when it was a musical mecca." Bryan and DiPietro's last team-effort was the Tony-winning Best Musical of 2010, Memphis, which Ashley is now reading for a London launch.
London is also an option for 700 Sundays, according to Crystal, "and I may even record it this time." Once the show was frozen, it was published by Warner Books.
"Yes, I think there's definitely a possibility," he confessed, "but I don't think it's as much of a Broadway thing. I started out the book thinking, 'Well, I'll go and I'll do standup, and I'll write things about turning 65 and what's it's like for a man in this country with ageism. It started out that way, and that's how the book got sold, but then it started to flesh itself out into how did it lead up to being 65? What about my teens, my 20's, my 30's, my 40's, my 50's, avoiding things that are in 700 Sundays."
A one-man show is pretty heavy lifting, and some pretty heavy lifting preceded this revival. "I am older than when I did it before, but I'm in really good shape," Crystal said. "The legs are great. I work on my posture and my wind... I've been working out for weeks. I always stay in good shape. This is particularly good shape."
Crystal-gazers in attendance: A.D. Miles, head writer on "Late Night with Jimmy Fallon"; Rachel Dratch, who's currently passing for a middle-school principal on ABC's "The Middles"; Marc Shaiman and Scott Wittman; Rebecca Holt of How To Succeed in Business Without Really Trying; comedian David Steinberg; long-stemmed and personable Brooke Shields; and a couple of "Real Housewives."
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Make Up For Ever Full Cover Concealer
547 reviews
75% would repurchase
Package Quality: 4.3
Price: $$$
Package Quality: 4.3
Price: $$$
INGREDIENTSAqua (Water), Polyglyceryl-3 Diisostearate, Cyclopentasiloxane, Isododecane, Glycerin, Polyethylene, Disteardimonium Hectorite, Microcrystalline Cellulose, Phenoxyethanol, Silica Dimethyl Silylate, PEG-30 Dipolyhydroxystearate, Magnesium Sulfate, Sodium Chloride, Xanthan Gum, Propylene Carbonate, Propylparaben, Octyldodecyl Myristate, Capparis Spinosa Extract (Capparis spinosa Fruit Extract), Dimethicone/Vinyl Dimethicone Crosspolymer, Sodium Dehydroacetate, Chlorphenesin, Methylparaben, Allantoin, Terasodium EDTA, [ /- (MAY CONTAIN): CI 77891 (Titanium Dioxide), CI 77491 (Iron Oxide) CI 77492 (Iron Oxides), CI 77499 (Iron Oxides)]
Age: 19-24
Skin: Combination, Fair, Neutral
Hair: Blond, Straight, Fine
Eyes: Blue
My friend loves MUFE, and she's tried both their general foundation and the matte foundation and loves both. After the good reviews here too I thought, what the heck, why not? The price doesn't faze me really, mostly because my friends and my sister use expensive makeup so I'm used to this by now.
My biggest issue with this is the fact that none of their shades was close enough to my skin. I must be really freakin' pale or something. Tragic.
It also wasn't as covering as I hoped, but I'm also suffering from a dry, red breakout on my jawline. It's not the concealer's fault if it emphasizes the dryness. It's basically a side effect. It definitely covered the redness though. So I can't fault the concealer for that. Also, I could have built more, but I didn't. I was also using a new brush for the first time. Basically, there were a lot of new factors involved. xD
For a first shot though, I was impressed with how well it held throughout the day. It didn't look cake-y and it held very well. I definitely think that with some tweaking this concealer can be fantastic. I look forward to using this once my crusty breakout passes!
Age: 30-35
Skin: Acne-prone, Fair, Not Sure
Hair: Brown, Other, Other
Eyes: Other
After all the glowing reviews, I fully expected this to be my HG concealer. I think it's a good concealer that works best for light under eye circles, hyper pigmentation, and small zits that aren't too dark. Despite the name, it doesn't do a great job with dark under eye shadows or red inflamed acne, even if you layer it. The texture is easy to blend and it goes on matte, yet looks very natural. I have acne prone skin, but this didn't break me out. Color matching is pretty good...MUFE has a wide range of shades, although the closest one for me is a bit too light. I like this for days when I need just a little coverage, but will keep looking for my HG. May repurchase.
Age: 25-29
Skin: Combination, Fair, Neutral
Hair: Brunette, Straight, Fine
Eyes: Blue
I don't feel like this is full coverage at all. It takes multiple layers to cover my acne and scars and it looks like I have purple ashy spots all over my face at best. Even after I set it the coverage only lasts an hour before my ugly red pimples are showing up again. I've used it under my eye in a light layer but it does nothing for my hereditary dark circles. One plus it hasn't broken me out more than I already am.
It's so disappointing to be the one person who hates a product everyone else loves. I guess my search for my HG concealer continues on.
Age: 18 & Under
Skin: Oily, Fair-Medium, Not Sure
Hair: Brown, Other, Other
Eyes: Brown
For me this is the best Concealer ever!! I also have the Mac Pro Longwear Concealer in NW20 and I thought I loved it, but this one is way better. I believed the MAC NW20 range was a good match for my skintone, but I was soo wrong. When I tried the Hd Foundation from Make Up For Ever in 115 I could see that it was a perfect match for me. The Mac NW20 is way too dark&yellow. I also thought that this Concealer had a better Coverage and is more light-weight and it's easier to work with it. I also feel it will last me much longer than the MAC one did, because you only need the smallest amount of product for your whole face. LOVE IT
Age: 25-29
Skin: Combination, Fair, Not Sure
Hair: Blond, Straight, Fine
Eyes: Blue
Absolutely love this concealer. Provides a true full coverage and it LASTS. My other fave is Cle de Peau- which I still use under my eyes - but this one outperforms CDP for spot treatment as well as covering redness. Definitely swatch in person, and if you are me, still have a MUFA MUA help you select as the shade I needed wasn't immediately obvious to me - being fair I tend to choose concealers far lighter than needed.
Age: 19-24
Skin: Combination, Fair-Medium, Warm
Hair: Brown, Straight, Medium
Eyes: Brown
After I purchased the Nars Radiant Creamy Concealer for spot concealing the discoloration and scars I had on my face (not a lot, but the spots were dark), I was very disappointed because it wasn't the coverage that I wanted. I decided to take a deep breath and splurge on this concealer about 7 months ago because of the great reviews and it seemed to work well for my purpose- and this did not disappoint me this time!
You need the TINIEST amount for awesome spot concealing. I actually bought a shade too light, but it worked so well when I mixed it with my Nars concealer (which was a tad too dark). It gave coverage, while not being overly dry. I've actually used this under my eyes sparingly before and it helped cover the dark circles when my Maybelline Instant Age Rewind was just not sufficient enough.
Overall, this is expensive but a worthy product to invest in. I say definitely go in the store and swatch it so you don't end up with the wrong shade like me. I feel like I used this so much, but I still have so much product left in my tube- this thing lasts ages!
Age: 19-24
Skin: Combination, Fair, Not Sure
Hair: Brunette, Other, Other
Eyes: Blue
It seems to be the best that I can find for my undereyes but it still requires multiple layers for my dark circles. Not "full coverage" for me.
Age: 19-24
Skin: Combination, Fair, Not Sure
Hair: Other, Kinky, Medium
Eyes: Blue
This product is not really worth it. I bought it thinking it would be my new HG concealer. It was not. The first week I started using it I thought I loved it because it has really great coverage. But I started to notice later that I was getting creases under my eyes and it was looking a little cakey on any of my pimples I tried to cover... I give it a 3 cuz I imagine this product could work for someone if they can figure out how to stop the creasing...
Age: 36-43
Skin: Dry, Fair, Cool
Hair: Brunette, Curly, Medium
Eyes: Brown
i have very dry skin and this is one of the few concealers that i have found that doesn't dehydrate my skin once applied. i wear it primarily to cover my genetic dark under eye circles but also around my nose, chin and the occasional blemish. i like that it can be easily blended out with a good brush or patted in for more coverage. its so very highly pigmented that a tiny amount goes a long way making the price very frugal. i have a shade for summer & one for winter but each tube lasts me 12 months of wear. i apply it early in the morning over Kiehl's Creamy Eye Treatment with Avocado that has melted in for at least 5 minutes. i usually touch it up around 6-8 hours later. but i find very little movement or wear during most days. i wear contacts so tearing is sometimes and issue. this formula is waterproof but will smear if rubbed while wet. i find it easy to remove with Bioderma make up remover.
Age: 19-24
Skin: Combination, Fair-Medium, Warm
Hair: Brunette, Straight, Fine
Eyes: Brown
3.5 lippies if I could. I bought this in Sand 7. I'm NC35, medium-light and yellow toned for reference. Looking back this shade just might not be for me but it was the closest match from what I recall which leads me to say that if you have very yellow toned skin you'll probably find the shade range more on the reddish/pink undertone side.
This concealer works fine on areas of your face with what I consider 'minor' or 'easy to deal with' imperfections, I'm talking discoloration, sun spots, maybe light acne scarring. What this product did not cover for me was undereye darkness and breakouts namely the reddish kind of acne/acne scarring or any raised imperfections.
It didn't work under the eye for me because I found it looked dry after awhile. Like upon first applying it great! But 1hr even sometimes 30 min later it looks dry, darker and highlighting fine lines. As for covering up breakouts this is not your product because it did not cover the redness that comes with acne. It just doesn't cover redness in general, you would need a correcter underneath if for example you're trying to cover redness on your cheeks. Needless to say it did not cover breakouts that well.
Those negatives aside, for less 'major' concealing requirements this product is not bad. Besides undereyes, it's a nice creamy and smooth consistency and it's lasting power is fantastic. Basically if you have pretty good skin to begin with this will work fab for you, but if you're looking to do heavy duty covering up, this unfortunately is not your product.
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text:
Nokias marketing was a disaster under this guys watch and the only time spending more time with the family is cited by these career driven types is when the truth is to painful. Good luck with that jack Huawei.
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text:
Quicky Pink! by ZeroNisWatch
©2012-2016 ZeroNis
A quick 45 min sketch after work!
Time to catch up on Dexter!
Time to catch up on Dexter!
It's very good. Excellent sketch!
everything you do is magic
she looks like Faith from Mirror's Edge.
I would like a girlfriend like she haha
this is amazing :3 i wish i had a shred of your talent sir.
this is amazing :3 i wish i had a shred of your talent sir.
She's so pink... i love it!!!
Way pretty!
awesome coloring!!! i love this!!
I like this. The colors and the feel are great.
Damn this is Awesome! 45 min sketch? I gotta stop staring at the pen and pad. Lol. Great work!
Great work very cutesy!!!
this is soo nice
She looks like she could be a futuristic pop star.
oh man this is great, beautiful, sexy and most important short haired girl
This is rather lovely.
The palette is just plain pleasant.
The palette is just plain pleasant.
Quick? Jeez. This is awesome.
You did this in 45 mins? o_O Holy $#!&, That's awesome
Wow, that's cool! Nice way how to spend 45 minutes of your life
very cute!!!!
markers? paint? how was this done?
it's all photoshop
Ohh ok so you must have like an electronic drawing pad of some kind? I would love to get into creating this type of art
she looks like julie from ben 10
I wish you have fully pink mind~.
Even if hard time, let's have Carpe diem.....
Even if hard time, let's have Carpe diem.....
She reminds me greatly of Sonmi-451 from the Cloud Atlas movie, which is awesome in itself.
Very nice
amazing <3
Haha Paul! It is you who is pwning! Looking good man. Such bubblegum happening all up in there. We're all gonna need to get some korean food after this damn term ends. Begopa!!
this is awesome! love it so much ^_^
Flagged as Spam
ooh, pink pink pink like it
Beautiful and only in 45 mins!
wow pretty cool
took you 45 minutes to do this? ... i hate (love) you.
very cheerfull color palette!
Love it.
Is that Natalie Portman? Reminds me a bit


text:
C&C East Berlin in B&W - Any advise for B&W post processing?
Started Oct 2, 2010 | Discussions thread
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Julien Goo OP
New Member • Posts: 21 • Gear list
Re: C&C East Berlin in B&W - Any advise for B&W post processing?
In reply to globalphilip, Oct 7, 2010
Thanks for your comments, it helps ! Indeed more contrast and a more frank post-processing give more strength to my photos. I tried not to have too dark photos (at the cost of contrast) because the last B&W prints i did were too dark. The problem seems to come from my retouching lcd screen.
Skies are often hard to manage in term of lightening. For the memorial picture, I would have better to frame the photo without sky, as you have suggested.
Do you have any advice for the choice between exposure VS brightness? I have not clear idea when to use one and not the other. I m mostly using the first since it is a more photographic and intuitive setting.
Julien Goo's gear list:Julien Goo's gear list
Nikon D90 Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR Nikon AF Nikkor 24mm f/2.8D Sigma 50mm F1.4 EX DG HSM Nikon AF-S Nikkor 85mm f/1.8G
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Resin Pop-Tarts with Han Solo's frozen body etched into them make for a inedible but wonderfully goofy breakfast-themed toy.
Stuff all your gear inside a "Star Wars" backpack with Han Solo's frozen face sticking out, waiting to be rescued.
This fridge is alive and in perfect hibernation. ThinkGeek is out with a Han Solo mini-fridge that lets you encase your very own nerf herder in carbonite.
Movie prop maker Tim Baker and his team create a tribute to "Star Wars" with a Han Solo in carbonite coffin, which doubles as furniture.
Clear some space in your living room, your "Star Wars" action figures will be dwarfed by this life-size Han Solo embalmed in carbonite.
Gamers can keep their drinks as cold as carbonite with a Han Solo fridge if they preorder Star Wars Battlefront from Wal-Mart. You don't even have to hire Boba Fett to bring Han Solo to your doorstep.
Captain Kirk has met his most formidable opponent yet in this fan-made trailer for a fictional 1985 movie called "The Carbonite Maneuver." Kirk will find the Force is very strong with this villain.
Chewbacca, Princess Leia, Obi-Wan Kenobi, Luke Skywalker, Darth Vader and even Han Solo in carbonite sing their favorite festive hits in the parody video "Star Wars Lost Holiday Album Collection."
Everyone's favorite scruffy-looking Nerf herder imprisoned in carbonite makes for unusual home decor for floors or walls with this "Star Wars" rug.
In a bold grab at a competitor's customers, CrashPlan is giving away a $49.99 backup service plan with no strings attached. Also: get a deal on a family plan.


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This place is an excellent place to stay long or short term, Young or Old. It welcomes families as well and has free Wifi 24 hours and drink as much tea or coffee (hot) as you can. Very Clean and tidy and you are welcome to sit and watch the T.V in the Lounge. Staff are friendly and helpful. This... More
Location: Thailand > Phuket > Phuket Town
Price Range: $13 - $14 (Based on Average Rates for a Standard Room)
Number of rooms: 6
- Also Known As:
- Inn Town Guesthouse Phuket/Phuket Town


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Marc Maron takes comedy from podcast to the stage, and faces the music
SFBG You've talked before about your love for music and playing guitar, and you've recently started to perform live a bit. What do you find different about performing music on stage compared to comedy?
MM In terms of baring your soul, I think music is the ultimate form for that. It's amazing how much you can lose yourself playing music. As for stand-up, I would say it's definitely a more vulnerable and high-risk art form in that people might not laugh and it's just you up there. You don't have your bandmates to fall back on.
SFBG Do you find that it becomes more difficult to stay angry the older you get?
MM Sure. I've recently started to come to a place where I've learned to accept a lot of things for how they are. I haven't been doing very much topical or political comedy over the past few years, which is something I used to do a lot of. To do that type of comedy, you really need to be up to date. I used to read everything and get pissed off, and at some point I think I got a little disillusioned with it all. So I don't do that very often these days. But don't worry, 'cause I'm just waiting for the shit to hit the fan. And it definitely will.
With Ryan Singer and Janine Brito
Thu/11, Fri/12 and Sat/13
Punch Line Comedy Club
444 Battery, SF
Also from this author
With Burn Your Fire For No Witness, indie-folk It Girl Angel Olsen embraces a full-band sound
The revered indie veterans of Dismemberment Plan return with a new album and a more mature sound


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Manufacturer's Description
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Why wouldn't it come off... by scatterherzWatch
©2005-2016 scatterherz
Okay this isn't very surreal, but I don't want to submit my precious Joe to that dreadful "portraits" section.
detail :: face :: [link]
detail :: face :: [link]
Poor love. *huggles Joseph*
It's amazing to think that here is this work of your's and unless you know it's Joseph (the Elephant man) it does indeed appear surreal proving that most people's view of reality is in fact wrong...i could make an excelent thesis on this.. Thanks your work is not only wonderfuly done, it's inspiring!
I think the eyes are perhaps a little too bright, otherwise this is good work!
Come on, eyes are always that way on my drawings Its a part of my style
Speaking of your style, I absolutely love it. I'll elaborate more on this later. One compliment at a time!
i think its nice.
reminds me of the elephant man. cool color usage.
i don't think its very surreal but maybe its just me either way its a very nice piece.
reminds me of the elephant man. cool color usage.
i don't think its very surreal but maybe its just me either way its a very nice piece.
Personally, i think it is very surreal. The eyes are so piercing and the whole piece is haunting....As usual, a very interesting picture!
Well, he is quite realistic, the only surreal things are those swirls of white and yellow around. I guess the're bits of symbolism here, I can't think of it now, I just know that I tried to draw a growing despair and pain.
This really touched me!! As someone living with a painful physical disease, I fully understand: "the despair that is inevitable when there's no relief". Everything about this speaks to that. His posture, his expression, and especially his eyes. The right hand reaching out for succor, while the other clutches his chest, is such a profound and a wonderful gesture!! Great job on this dear --AG
It actually gives me headache when I look at it for long. I suppose a lot of myself I did put into this drawing. It was fairly quick and with no corrections, I just sat and made it. I'm the antenna of my subconcious self.
Somethings that are within us have such a strong need to come out that once they start, they just flow!! --AG
I added a detailed view in the deviation description.
Oh my!! That expression is worth a Deviation of its own...so poignant, so very touching.--AG
Not if a deviation, but it could make a good scrap, but, well, since I have it elsewhere... thank you,
Oh yes that happens to me. I'm the happiest artist on earth.
Wahya! He looks to be in so much of a dull pain. Arg. The colour use is amazing. I rather enjoy the look of this. The way his eyes are gives me chills.


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By opening communication, this family will be able to view your profile, send and receive messages and video chat with you.
Are you sure about this ?
We are so excited to have our profile live!!!! We anxiously await the call that will change the rest of forever!! We pray each day that our sweet birth mom will find comfort and peace and will be guided to us.


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Young Carolinian is a membership level available to South Carolina Historical Society members between the ages of 25 and 40 years. Benefits include a subscription to the South Carolina Historical Magazine and Carologue, free research privileges, and access to exclusive South Carolina Historical Society-sponsored events and programs, all at the amazingly affordable price of $35.00 for one full year.
Think Young Carolinian (YC) membership is for you? Have questions about getting involved or suggestions for YC specific programming? Contact our membership coordinator, Parker Bednar, at email@example.com or 843-723-3225, x. 113.
Click here to become a Young Carolinian member today. Then, visit the South Carolina Historical Society's Facebook page and click "like".


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Johnny Lawton
Revision as of 18:55, October 10, 2013 by Raziel Reaper (Talk | contribs)
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Johnny Lawton is the co-host of K-JAH West in 1992, alongside Marshall Peters. He is voiced by Robbie Shakespeare.
- In Grand Theft Auto V, he's one of the honored celebrities on the Vinewood Boulevard sidewalk.


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originally posted by: ketsuko
If we go in, we have to go the same way we went in WWII - go in and put the population into total submission. No rules of engagement, no winning hearts and minds. We go in a be as brutal as we need to be until no one dares look at us cross-eyed. If we don't have the stomach to do that, then we have no business going. It's the only thing that culture respects - brute force. And if we do it, we have to understand that we're committed to staying there and completely rebuilding their culture from the ground up, not the country infrastructure, the culture, much like we did with the Japanese.
If we aren't prepared and willing to do those things, nothing we do in the Middle East will ever change it or make a difference.


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It was the smile. He always had a unique smile. For someone who has been described as a dour Scot, a sort of curmudgeon apparently prone to volatile and unpredictable mood swings, Sir Alex Ferguson has been blessed with an infectious schoolboy grin that has been part of public life in this country since the 1980s. Almost like a way of life.
It is a trademark image that has been a leading emblem of British sport for over four decades. When you think of the salubrious Premier League, certainly since 1992 and the advent of satellite television, one immediately thinks of Fergie's smile adorning all those enlivening Manchester United moments. The scenes after the 2-1 win over Swansea were no different. Brand association is a powerful force.
When Ferguson takes charge of Manchester United for the final time at West Bromwich Albion next Sunday it will mark the end of the beginning for the Premier League.
Sky Sports seem to be aware of the cultural shift change Ferguson's departure will have on their product. They have been wheeling out adverts thanking Ferguson for the memories after 38 trophies and 27 years at Old Trafford. Ferguson seems to have been the manager of English football since he won the first of 13 Premier League trophies in 1993. A Scotsman is the father figure of the modern English game.
United without Ferguson will take some time to get used to. He is an individual who seemed cocooned from old age at Old Trafford.
Whatever you made of Ferguson's childish histrionics when he was not getting his own way and some of his nonsensical behaviour as an adult male, it is difficult not to feel somewhat sad about his retirement.
His final speech yesterday was emotional in his distinctive Glaswegian patois, but will hardly remind United's fans of that W.H. Auden poem "Funeral Blues" given prominence in the film Four Weddings and a Funeral. Perhaps it should.
"He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong."
It feels like a part of one's childhood slowly drifting away because Fergie has always been there, in your face. Sometimes snarling. Sometimes smiling. Sometimes both at the same time.
Before United faced Rangers in a Champions League match a decade ago, I stood a few yards away as he publicly scalded one inquisitive reporter for allegedly writing rubbish about United. This was all standard practice, of course. The metaphorical corpses of banned journalists are never dredged up when it is tribute time.
'Sir Furious' was laughing seconds later when asked about Celtic or Rangers joining the Premier League.
"With their resources, history, tradition and support, they would do well. Mind you, they probably could not go straight into the Premier League. They'd have to start in the Conference or the Rymans League."
Kenny Dalglish seemed to sport a similar glorious smile, perhaps best enjoyed when scoring the winning goal as Liverpool's player/manager at Chelsea in 1986 on the way to a league and FA Cup double.
Like Fergie, Dalglish employed the belief that everybody was out to get his football club, mostly Liverpool. Dalglish had his differences with Ferguson.
"He's got a temper, but, when I think of his character, I'd say he is respectful and courteous," said Dalglish. "I am surprised he has decided to retire now, but I am not surprised he has gone out on a high."
The problem with highs is that they do not last forever. Nothing in life does. Like junkies hankering after another a fix of whatever gives them a buzz, Ferguson will wake up next Monday morning knowing things will never be the same again.
"Retirement's for young people, not for older people. Because young people can go do something else. If I get off this treadmill, where do you think I'm going? Down there?," said Ferguson, pointedly pointing to the earth during a trip to Qatar in 2010. "Trust me. Retirement's for young people."
Ferguson, a proud son of Govan, whose success has contributed immensely to Scotland's traditional heritage in football, could yet face his biggest challenge in life.
Adapting to a new lifestyle is as significant as moving houses. No matter the £2m he will apparently trouser in his new role as director and ambassador, the feeling of being a manager and getting out on the training ground will no longer belong to him. From July 1, that role belongs to somebody else.
Getting the hip fixed should help him enjoy his retirement, while watching his racehorses and taking holidays with his wife Cathy will partly fill the void. His decision to spend more time with her after the death of his sister-in-law says a lot about the man, but there will surely remain that longing for football. Unlike his old miserable chum Jim McLean at Dundee United, hoovering is not going to do it for him.
A sprightly 71, walking away from his opus could not have been easy. Millions in the bank are nothing compared to the currency of contentment. You cannot just rinse your mind of such golden memories, not when you have been the greatest manager to pin a team sheet on a dressing room wall.
Like his mentors in the form of Jock Stein and Sir Matt Busby, the good and the bad of the past accompanies you. In anybody's life, incident tends to define one's character.
Ferguson has been used to this life since he managed part-time East Stirling at the age of 32 in 1974.
As a kid growing up in the west of Scotland, I remember a retired policeman used to take great delight in maintaining regular correspondence with Ferguson when he was running Aberdeen.
Bayern Munich, Real Madrid and Porto were Fergie's natural enemies on the continent, engagements that helped him at United. The retired copper would unfurl his latest letter from Fergie with some relish, missives proudly adorned with the badge of Aberdeen FC.
Most of the letters were opinions on football, but he was hellbent on his club being portrayed properly in the Scottish media.
A fierce socialist, his outlook in football was inflamed by a perceived sense of injustice at Aberdeen that never left him in Manchester. It is a sense of purpose that is suddenly gone.
United are going through a massive sea change with David Moyes assuming control. But there is also Ferguson's life change.
Old age does not come alone. If we don't depart the scene prematurely, advancing years are coming to us all. Yet we live in an ageist society.
Some of the literature written about Ferguson this week has almost felt like obituaries. Despite what has been penned, he is not dead.
Before the veteran Scottish sports presenter Arthur Montford - a figure Ferguson knows well from his Aberdeen era - plunged into the dubious delights of retirement at the age of 72 in 2001, a friend told him: "Arthur, when you wake up in the morning, put your shoes on, not your slippers."
Fergie may well be engulfed by the unrelenting mist of the autumn years, but at least the smile remains untainted by the passage of time.
One of world sport's great constants has shuffled off into folklore. But the timing of his departure only enhances the legend, because Ferguson unwittingly mastered the oldest trick in show business at Old Trafford yesterday: always leave them wanting more.
- Soccer
- Sports & Recreation
- Sir Alex Ferguson
- Premier League
- Manchester United


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September 7, 2012
For alumni wanting to stroll down memory lane or prospective students seeking a peek at the campus, the grounds of Amherst College are now just a click away, courtesy of Google.
This week the Internet search and advertising giant launched its Street View panorama of the Amherst College campus, as part of an ongoing project extending the Google Street View to include college campuses throughout the globe. Google Street View allows users to explore the world at street level in Google Maps and Google Earth, via panoramic shots gathered by camera-mounted cars.
by William Sweet
Imagine having the whole world judge you on a single snapshot—one taken when you were 16.
September 5, 2012
In a show of support for the importance of diversity in higher education, Amherst College organized and led a group of other "highly selective" liberal arts schools from across the country in filing an amicus brief with the U.S. Supreme Court in the Fisher v. University of Texas case last month.
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Vice President of Marketing Communications email@example.com
Marian's Adult Programs (MAP) at Marian University recently announced a workplace bullying seminar to be held at the Marian University Theatre on August 12, 2015. This is a free event and open to the public. The topic—workplace bullying and prevention—is applicable to employees at any level including managers, supervisors, human resources personnel, and business owners. It is scheduled for 6-8 p.m., with registration beginning at 5:30 p.m.
This "Work Shouldn't Hurt" seminar is the result of a collaborative effort between The Chris Lytle Foundation and the students and faculty of MAP's current Meeting and Event Planning concentration. Classes within this concentration, as well as 31 other courses in MAP, are partnered with local businesses or non-profits to provide creative solutions for actual business challenges. MAP students have worked with organizations like Indy Parks, St. Jude's Children's Research Hospital, Indy Eleven, and Broad Ripple Village Association...read more
Five days into our time in Assisi, the pilgrims from Marian University have all experienced in new ways what our Franciscan sponsorship values mean—for us as individuals and for the Marian community.
Prayer has been a constant for us. Daily Eucharist—whether in small chapels, large basilicas or our hotel--has become the centering experience of our journey. More than half of us are not Catholic, but this most significant of all Catholic rituals has embraced all and engaged us in the formation of a community of individuals renewed in our commitment to the mission of Marian University—to be a great Catholic university dedicated to excellent teaching and learning in the Franciscan and liberal arts tradition.
On Wednesday, May 14, the School of Mathematics and Sciences hosted the first Spring Research and Internship Symposium, where more than 50 students presented research they are conducting at Marian University.
For quite some time, the school has hosted a research symposium in the fall, but, according to Loren Bertocci, Ph.D., dean of the School of Mathematics and Sciences, "the quantity and caliber of authentic research and experiential learning our students now conduct has outgrown one single annual event."
With 56 students presenting 24 posters, the event was well attended by members of the Marian University and surrounding community.
"The students are so supportive of each other; it provides a positive energy I've never experienced before at an undergraduate symposium," said Samantha Oliphant, Ph.D., assistant professor of biology.
Several awards were presented to students who displayed excellence in research. The Michael J. Eoff Award for Research Excellence was granted to biology majors Emma Laut, Allison Goetz, and Crystal Kalorgris for their project entitled "A Proposal to Study the Relationship of Planarian Regeneration, Caffeine, and Heat Shock."
Gavyn Gerbofsky, Jack Hosty, Vance Fletcher, and Danny Gerow (biology majors) earned the Jerry L. Stumpf Award for Research Excellence for their project entitled, "Effects of Epidermal Growth Factor and Telomerase Activity on Growth in S. cerevisiae." Anna Dudley, chemistry major, earned the Richard J. Minasz Award for Research Excellence for her work on "Photoinduced reaction between Eosin Y and DODC1: Flourescene Studies."
Faculty and Staff Book Discussion
Feb 12
Kids 'N' Sibs Weekend
Feb 14
Coffee with Cabinet - February 2016
Feb 17
Discussion Series on Laudato Si Part IV


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Kohler K-6603L Replacement Parts
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- Manufacturer/Brand: Kohler
- Model #: Kohler K-6603L
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This very nice cosplay :3
Wang Yi is my most fave officer
Wang Yi is my most fave officer
dat photo.........
looks great
sexy, and my fav color of blue too
Aww thanks!
could u do more of this? even if it is not a pro shot?
What do you mean?
nice /o/
Awesome Cosplay!! XD
I love how clear the photo looks! And the fact that everything is blue, black and white ^^
Very lovely costume and weapons
Very lovely costume and weapons
Epic cosplay, Epic Landscape, Epic photo
Epic everywhere!
Epic everywhere!
so imba, cosplay skills
wow ~


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12 Best Cars Made for Movies
The Best DC Heroes Ever
Kaley Cuoco Shows Off Her Tennis Skills
Top Deadliest And Most Intimidating DC Villains of All Time
The Best Horror Movies of 2015
10 Celebrities Who Quit Hollywood Forever
Will The Hulk Come Back?
6 TV Finales That Failed Spectacularly
Game Of Thrones Season 6 Delayed!
A New Batman and New Batmobile for 2016 Movie
Will Christian Bale Ever Play Batman Again?
The 10 Most Promising TV Shows of Fall 2015
First Look At Leaked Warcraft Movie Trailer
The Horror Games You Have to Play This Year
7 TV Time Jumps That Were Done Right
Ridley Scott on Why Prometheus 2 is Now Alien: Paradise Lost
7 Bingeworthy Foreign Shows
5 Blocked Movies That Became Easily Available Thanks to the Internet
Why Ex Machina Flopped On The Big Screen
Your Guide to the 20+ Superheroes and Villains Joining The CW-Verse This Fall
Blindspot: NBC Orders Nine More Scripts
Star Trek: New Series Could Run Many Seasons
Sam Wilson is the New Captain America
10 Questions That Zombie Movies Never Answer
Jessica Jones: Marvel's Greatest Risk Or Its Greatest Evolution?
Grant Gustin Teases 'Big Twist' at End of The Flash's First Season
The James Bond Movies Ranked
Underworld 5 Begins Shooting with Kate Beckinsale and Theo James
The Era of Jessica Chastain the Badass is Upon Us
Dwayne "The Rock" Johnson's New Project


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"Redesigning" a university's Web site is more than just colors and graphics. The true challenges are "restructuring" information and "reengineering" methods by wh…
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The Learning Solutions group at the University of Wisconsin-Madison has developed and will release as open source a simple editing/authoring framework for building specialized authoring tools that …
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January 1, 2004
The Georgia State University Library built a content management system in-house to automate many tasks formerly needed to set up and maintain Web sites and pages. This poster session will detail th…
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The typical institutional Web site has ballooned in size and complexity beyond the point of being easily maintained by a Web manager or even a small group of Web administration staff. This presenta…
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Web content management systems provide universities with powerful new tools for Web site management. They centralize control of the look-and-feel, security, and administration of university Web sit…
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Keeping Web content fresh and branding consistent requires active participation by multidepartmental content owners, coordination between university relations and IT, and significant IT time. Learn…
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Most libraries spend a fair amount of time compiling subject-based resource pages in an attempt to direct users to what we consider "quality" resources. Often the same resource descriptio…


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Here's Chris Matthews completely destroying Star Wars Cantina Alien and RNC chairman Reince Priebus.
"Do you have a hard time with the fact that your party left this country in wreckage?" Matthews said. "...You think you left this bed all made for him." When Priebus tried to respond, Matthews cut him off.
"Just say that to me!" he shouted. "Tell me he walked in the door into hell."
Sometimes, Chris can bring the pain.


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8 hair lessons we learned from Milan Fashion Week
The Milan runways for fall 2015 offered up a few new lessons and key reminders in the hair department. From styles to wear to new inspirations, here are 8 looks to take away from.
Fashionising.com: Advertise • About • Contact Us


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Alex Reside | Photographer of the Week
I first met Alex Reside at a small cafe on San Francisco's waterfront. After a few minutes shooting the breeze, I immediately liked the guy. Smart, witty and down to earth, Alex doesn't come off as a typical photography superstar. His humble smile and demeanor wouldn't let on that he's a wildly successful photographer who has graced the pages of Rolling Stone and is presently the Photo Editor at InStyle.com. "I live two separate lives as a digital creative. I am lucky enough to work with a ton of great creatives at my Photo Editor job, but my alternate life as a photographer and more specifically a music photographer allows me to look at my work in two very different ways," he told me when I asked him how he juggles innate creativity that comes with being a photographer with the sometimes unavoidable tedium that is the daily grind of a desk job. "I learned a long time ago that photography is my art and my love, but what changed my view most when I went pro was when I started putting a price tag and a monetary expectation on my photography and my art. I was turning down projects that I wanted to do because the money wasn't good enough, and I realized that this isn't how I wanted it to live.
"I had a considerable amount of photo editing experience so I bounced around editing for a few big name publications but landed on InStyle because it allowed me to explore the world of fashion and also shoot music in my free time. Having the full time job is limiting at times but I take vacation days to grab an assignment or shoot for the day because that is what I love to do. I made the conscious decision to separate the work and art, because my art was more valuable to me, not because someone else put a price tag on it."
While enjoying his drink, Alex told me how he managed to keep his attitude despite the ebb and flow of a very competitive business. "At this point in my career I try not to become the jaded photographer that complains about everything. Those types of photographers are a dime a dozen but what it comes back to is staying inspired. When I was younger I used to patrol flickr all day and get inspired, but now what inspires me most is beautiful work that doesn't use gimmicks and filters but portrays genuine moments. Those are the images that inspire me, and keep me on my toes. I love things that are real and beautiful because of not just content but also context."
Taking a step back, I wanted to know where it all began for Alex. Where and how did he decide to get into what he has become so successful at today. "I grew up really admiring photojournalist. I think I was one of the only high school guys that wanted a New York Times subscription. But it is that love of photojournalism and reportage that attracted me to photography, while now I am mostly known for my music photography, I still consider what I do as reportage. I try to keep things as simple and natural as possible and represent things as they occurred, even in my portraits, I try to keep them environmental and real.
"I got started in photography by working at my student newspaper in high school while photographing bands on the side as I went to concerts in Knights of Columbus Halls and restaurants throughout central Illinois. From there I went to college and worked at my student newspaper as well as photographed more bands in my free time and earned myself an internship at RollingStone.com."
"I want to be able to experience and take my work to the next level. I would love to lend my style of photography to someone or a brand in a commercial/advertising sense. It's just about finding the right one and work with someone that shares my vision, and though I have worked with a few companies, I'd love to do more and potentially work on a campaign."
Alex's Favorite Gear
Canon EF 70-200mm f/2.8L IS II
Macbook Pro
G-Technology G-Drive Mobile with Thunderbolt 1TB
G-Technology G-Drive EV 1TB
Canon 600EX-RT Speedlight Flash
Lastolite Ezybox II Square
30 GB+ of Compact Flash Cards
Sony Playstation Vita (For gaming on the go on my flights and in the hotel)
My Beats By Dre headphones
TOMS Lobomba Sunglasses
Polaroid Rechargeable Portable Batter Charger
Noam's Advice to Emerging Photographers
"Bring your camera everywhere, and take a LOT of pictures. I always work under the philosophy of accuracy by volume. The more you shoot the better you will get, just load up on hard drives."
"Look at photography, often times I look at editorial and commercial work that I like, find the photographer and scour their online portfolio. I love photographers that you can tell build their portfolios off of what they like and not just their work that was sold. Find inspiration, and it's ok to envy someone else's work. It forces you to get better."
"Lastly, when you are pitching companies and editors for assignments or shoots, give them work to view that is relevant to their brand. You would not believe how many wildlife photographers pitch work to me at InStyle. Last I checked I was an editor at a fashion magazine, so why am I on this email list? Narrow your focus and don't blindly email blast."
Be sure to check out Alex's portfolio and follow him on Twitter and Instagram.
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Building a DAW in max/MSP
I'm writing my undergraduate dissertation on reproducing and trying to improve a digital audio workstation in max and I was wondering if anybody knows of any good academic literature on DAW architecture? I'm finding tonnes of rubbish on how to use all sorts of software but I need literature that deals with the skeleton/building of a digital audio workstation. Any help would be greatly appreciated :)
Why don't you look at Ardour? It's open source so you can look at the code and see exactly how it's designed.
Looking at code ≠ "academic literature."
It seems like a very strange idea to me, to try and build a DAW in Max. I can understand if you just want to prototype some new ideas, but if you are looking to make anything that is even close in terms of usability to existing DAW software, I honestly don't think Max is the right way to go about programming it. Even for prototyping new DAW ideas, I think it will be a massive task to get something working well.
I don't mean to be negative about your project, it's just that there are good reasons why very little commercial software is built with Max, and to my knowledge nobody has ever made a DAW with it! Some of those reasons are efficiency, scalability, debug-ability, maintain-ability, flexibility. C++ is better choice for these kind of projects.
In terms of literature, maybe there are some papers on the design of ardour in the linux audio conference proceedings (not sure). Otherwise, since most of these projects are closed source and commercial, it's probably not so easy to find literature describing the design. You might have more luck trying to interview developers. The team that develop reaper are particularly accesible, see http://www.askjf.com/
Endless Series v3 out now – A unique synthesis and effect plugin/app based on the Shepard Tone auditory illusion.
Indeed — but not much "academic" stuff around DAW development. Based on the question I figured the real goal was to understand the architecture of a DAW. So I figured that if he (or she) wanted to know how a DAW is built, then why not look at one?
Best bet for academic stuff is probably CMJ (http://www.computermusicjournal.org/)
I doubt that an undergrad dissertation requires a commercial grade DAW.
There's http://www.noteformax.net/data/index.php/en/homepage for the MIDI stuff. I wish they hadn't appended "~" to the name though as it's not doing MSP stuff.
Actually, while one would certainly not want to compete with Logic or Digital Performer etc, I imagine one could actually build quite an interesting and flexible, if non-traditional, DAW with Max. All the pieces are there (record audio, play it back, adjust it, host VSTs and so forth)
nobody has ever made a DAW with it
look at the rs.delos objects, they are not free, but not expensive, and they could save you a precious time while allowing you to build something useful.
I am really sure i can remember some video here on the cycling site(i think it should have been some science fair video, i've tried to find it, but no luck so far) presenting some professor from i don't know where (south america?) who made something that really looked as powerful as propellerheads reason.. He said he created something like a virtual studio within max for his students to be able to practice at home.
Can anyone remember that guy? Maybe he could help. At least it looked like somebody has tried to create something DAW like.
I think Oli Larkin had the best advice(the rest is just amateur guessing >:D).
the idea of the project isn't to try and make a commercial DAW or anything of the sort in max, it's more an exploration of signal processing and how max can be used to mimic functions in a traditional DAW and how max allows much more user flexibility. I know c++ would be a better option, but like I said the end product is not the DAW it's the dissertation, plus i've only just started C and C++ so I probably wouldn't be able to write much of a dissertation based on that.
Ignore "Tokyo Rose". As the great Pauli once said, "he's not even wrong".
Now that you've provided more information, I would recommend the following two books for excellent examples of what you need
1) Electronic Music and Sound Design – Alessandro Cipriani & Maurizio Giri
2) Designing Sound – Andy Farnell
Both of these have extensive coverage of audio and signal processing using Max/MSP and/or PD to implement their examples. The first is probably easier to get started and the second is deeper.
I forgot about Eric Lyon's new book, Designing Audio Objects for Max/MSP and Pd. Although its focus is on building externals, it has some excellent introductions into signal processing, again in the context of Max/MSP so that will probably be helpful as well.
i dont find his request so absurd.
building a DAW-style patch is by far easier than for example building a good compressor or reverb patch.
recording and playing from a buffer, recording and playing from disk, as simple mixer with AUX and inserts, using the vst~ object, recording fader automation, using metro, sychnronising messages with audio stuff … all belong to your daily needs also when you are about to program idiosyncratic mangling effects. so why not just start with a "DAW" when someone is new to max?
Yeah I have Electronic Music and Sound Design, superb book! I was planning on ordering Designing sound as well. The book on building externals will be useful as well since the final chapters will be discussing that matter (and I'm looking at doing postgraduate research in software developments, specifically for max so it will be a good book for the collection, although I don't think it's available in the UK yet.)
I'll be building and discussing compressors and reverbs (and a bunch of other standard signal processing stuff you find in a DAW) as well and how abstractions can be used almost as plug ins, but with the advantage of being customisable. I think the vst~ object is going to get its own section because that provides a cross over between existing DAW's and eliminates the problem of being stuck with a completely standalone patch.
Thanks for the help folks
I think the key is in the word "Workstation". I have to disagree with Roman, in that I think that building a compressor or reverb is something very possible and well suited for Max (or Max4Live even!), where as building something that compares in usability to even a basic digital audio workstation is hard, and Max is ill-suited for that purpose. If you are talking about making a single-track sampler/recorder with a record~ , play~ and buffer~, plus a vst~ – that is a VERY different thing to a making a DAW, and bears little resemblance to the architecture of modern DAWs as was asked about.
To the OP – from what say, you seem to have already decided that Max is a suitable replacement for a DAW, which offers advantages over existing DAWs. I really don't think it is, sorry! Max4Live, FLSynthmaker or Reaktor, are good examples of software which let you customise your effects chain within a proper DAW.
Basically I don't think this is a good premise for a dissertation/final project!
Actually, I think it would be quite nice to build a single-track recorder as described by Oli and then instantiate it a few times and wrap some control infrastructure around it to get basic multi-tracking. There would have to be a way to record/trigger audio at different points in time to make it more useful. I wonder in fact whether one could use something like note~ or rs.delos to do timeline management.
I wouldn't mind having something like that available in my own toolkit to use with my bands rather than the hacks I'm using now to trigger some background loops.
On the other hand, now that OP has described what he is trying to do, I agree strongly with Oli that he would be far better served working with something like Reaktor.
OL I understand what you're saying, but you don't seem to be listening to what I'm saying. I'm not trying to replace a DAW with max/MSP, the project is not the DAW or building something to customise my effects chain, it's a written discussion on signal processing works in different features and how they can be replicated in max. Max is an ideal was of taking a diagrammatic model of something that would be traditionally used in a DAW and re-creating these features using a visual programming language. For example the 10 band graphic EQ patch attached I have built and now I have a better understanding of how an EQ works, which is the kind of thing that will be included in my dissertation. It's a piece of written work I am handing in, not the patch, or even abstractions from the patch.
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And my university doesn't support Reaktor, I can't write 10000 words on something I know nearly nothing about
The question is surely, when is a DAW not a DAW? (When it's a .jar ? ;-)
Actually someone (Tim Place?) did make a very creditable attempt at building a traditional 'multitrack + mixer' style DAW in Max a number of years ago, though iirc it was shared as an abandoned project – I'm sure I still have it somewhere, but I can't for the life of me remember what it was called.
My initial question is not just a really bad pun; the beauty of Max is that you can build your own 'workstation' that doesn't have to imitate the well-trodden multitrack/mixer analogue – you'll find plenty of examples on the Projects page, including my own poor efforts (talking of abandoned projects…).
Patching together a mixer with a timeline based on note~ or rs.delos would be interesting and possibly useful, but look also outside the box(es),
I have to agree with Oli. You wrote "reproducing" in opening post, and so people try to save your time (not merely discourage). The core of a DAW is a playlist and editing capabilities. EQ, as Reaktor or EWQLSO, is just a plugin. Which DAW's "features" do you want to "replicate in max"?
btw. Nice EQ. Quite similar to Stefan Tiedje's one (http://cycling74.com/forums/topic.php?id=19644). Maybe you are after exploring Max as an effect box?
Yeah I do appreciate the help and I know you're trying to save me the trouble, but if it proves a failure and impossible to use, it will still be a success in terms of my dissertation because my conclusion will be (in a nutshell) "despite the benefits discussed blah blah blah, trying to build a DAW in max/MSP is impractical because…… a better option to explore would be…." I'm just trying to emphasise that the patch isn't the important thing, I'm using max as the vehicle because I know how work with it (it's impractical for me to take the time to learn another software whilst doing the research for an undergraduate dissertation) the functionality of the end product isn't the most important thing.
And I suppose you could say I'm exploring max as an FX box, but the idea is using abstractions as customisable plugins, going into a master mixer. All the facilities are there in max, it may not be the most practical option, but it's the best way for me to explore and mimic a DAW using a visual coding medium.
Funnily enough the question on literature about DAW architecture is the main thing I'm after here (I know it's a max forum) and is for the first chapter that is general technical information on DAW's. Max won't actually be mentioned until the second chapter.
Here is a scientific paper about some relevant aspects of a DAW.
If you say, 'ignore Tokyo Rose' you've only proven that you can't ignore and i'm still in your head.
dhjdhjdhj makes such irrelevant software and comments anyways :p
so you can start writing the last chapter ;-) good luck!
Strange. I've just tried again and the link works for me (using Safari).
@ oli and others:
i think you have a strange look at DAWs when you really think that a flexible effect plug-ins matrix or offline sample editing is the "core" of these programs.
the core is the harddiskrecording and the mixer. and the basic architecture for that is like 20 objects in max and i would suggest it as a nice homework for undergraduate students.
and when it is too difficult to get multitrack recording working, then one can still use buffers and export after "stop", and you still have something similar.
yes, when you compare a modern DAW against a simple reverb you are right that a simple reverb is easier.
but if you want to be fair you have to compare a basic DAW against a modern reverb, and probably come to another result.
as long as you are not trying to create a product for others to use, maxmsp seems the perfect
tool to make a little custom STEM mixing application. (for 32-200 tracks and the need to do wave
editing i would of course still go back to steinberg or avid, but that is mostly a matter of CPU)
Roman wrote:
"@ oli and others:
i think you have a strange look at DAWs when you really think that a flexible effect plug-ins matrix or offline sample editing is the "core" of these programs."
to each his own. but actually, part of my 'strange' look at DAWs incorporates the idea of a 'linear' timeline as well(as narrow-minded as that may seem, so is the general idea of a DAW as it has been generally come to be used and known). this is what separates a DAW from a more flexible 'audio programming environment' in general.
Max is a strange choice to narrow down into a DAW,…
but you're right, it is still an interesting exercise. For that matter, relevant to this thread, i suppose we should link to all the timeline solutions(such as the nice JS one posted awhile back). i'm just too lazy to find them… a bit like creating a DAW in max/msp: there's so many other more interesting things to learn in the environment, i'm just worried boredom will overtake me halfway through the process >:D
to each his own, well yes, but look at the history how these programs started 15 years ago. record and play, mix, edit, automate, add effects, add realtime effects, plug-in and channel- delay compensation, fully dynamic layout and architecture .. in that order and not the other way round.
"to each his own, well yes, but…"
but nothing. you can't refute subjectivity
"in that order and not the other way round"
sorry, were you trying to make some kind of point? i think you may have forgotten to include it, if so :)
never mind. ^^
never mind. ^^
Someone built one in PD. Can't find the link, but it was a while ago and very basic, but it worked and might provide you with at least an example. Good luck with the project,
Best, Bill
""For the King of Limbs, the band actually programmed their own DAW in Max, which they used to record the album (Jonny mentions this during a BBC radio show with Colin and Adam Buxton, filling in for Jarvis Cocker).""
if radiohead did it why should we not :D
Hey Bledar where did you read that ? (i'm interested !)
King of Limbs quote from Jarvis Cocker's Sunday Service on BBC Radio 6 at around 37'40" http://www.youtube.com/watch?v=9VtqrzwCOmU
oh, thanks
I'd love to see a DAW in Max.
I'm building a sample editor in Max, which enables use with external Haptic controllers etc. I've just figured out how to get it to launch as external sample editor for ableton (and hopefully other DAWs). Be interested to see other people's DAW type things so I can steal their superior editing functions (with credit) :)
I hope the idea is not dead. I am still looking if anyone has build a daw in Max that will work great with rewire. Even if there is maxforlive (that i dont have) still a great idea. Here is what i found on the net but i can not compile or find it https://ccrma.stanford.edu/~seanbrat/220c.html dose this even work? can someone comile the object for me and there is this that i can not find. evala氏制作のMaxパッチ http://www.cbc-net.com/topic/2011/09/a4a-maxmsp-ws/. The one for pd i do have lost. But i thing that it can replicated in max.
Forums > MaxMSP


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The Caster of Storms by JamesHillGalleryWatch
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Lena, now a Dark Caster, is casting her first powerful storm at sunset.
This is the most awesome entry in the contest!! I love the colors and Lena is beautiful!! You should definitely win!
Thank you so much - your words are very encouraging to me! I have to admit I really did enjoy creating the background from a real storm in 2011.
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