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Stage Listings
Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at firstname.lastname@example.com. For further information on how to submit items for the listings, see Picks.
A Tale of Two Genres SF Playhouse, 533 Sutter, SF; (415) 869-5384, www.un-scripted.com. $10-20. Previews Thurs/17, 8pm. Opens Fri/18, 8pm. Runs Thurs-Sat and Dec 20-21, 8pm (no show Sat/19 or Nov 24; additional shows Sat, 3pm). Through Dec 21. Un-Scripted Theater Company presents an improvised musical inspired by Charles Dickens.
Absolutely San Francisco Alcove Theater, 414 Mason, Ste 502, SF; (415) 992-8168, www.thealcovetheater.com. $32-50. Schedule varies, through Dec 29. Not Quite Opera Productions presents Anne Nygren Doherty's musical about San Francisco, with five characters all portrayed by Mary Gibboney.
Almost Nothing, Day of Absence Lorraine Hansberry Theatre, 450 Post, SF; (415) 474-8800, www.lhtsf.org. $43-53. Wed/16-Sat/19, 8pm (also Sat/19, 2pm); Sun/20, 2pm. The Lorraine Hansberry Theatre christens its grand new home near Union Square with two well-acted one-act plays under sharp direction by artistic director Steven Anthony Jones. Almost Nothing by Brazilian playwright Marcos Barbosa marks the North American premiere of an intriguing and shrewdly crafted Pinteresque drama, wherein a middle-class couple (Rhonnie Washington and Kathryn Tkel) returns home from an unexpected encounter at a stop light that leaves them jittery and distracted. As an eerie wind blows outside (in David Molina's atmospheric sound design), their conversation circles around the event as if fearing to name it outright. When a poor woman (Wilma Bonet) arrives claiming to have seen everything, the couple abandons rationalization for a practical emergency and a moral morass dictated by poverty and class advantage — negotiated on their behalf by a black market professional (Rudy Guerrero). Next comes a spirited revival of Douglas Turner Ward's Civil Rights–era Day of Absence (1965), a broad satire of Southern race relations that posits a day when all the "Neegras" mysteriously disappear, leaving white society helpless and desperate. The cast (in white face) excel at the high-energy comedy, and in staging the text director Jones makes a convincing parallel with today's anti-immigrant laws and rhetoric. But if the play remains topical in one way, its too-blunt agitprop mode makes the message plain immediately and interest accordingly pales rapidly. (Avila)
Annapurna Magic Theatre, Bldg D, Fort Mason Center, Marina at Laguna, SF; (415) 441-8822, www.magictheatre.org. $20-60. Showtimes vary, through Dec 4. Magic Theatre performs Sharr White's world premiere drama about love's longevity.
Fela! Curran Theatre, 445 Geary, SF; www.shnsf.com. $31-200. Wed-Sat, 8pm (also Wed and Sat, 2pm; no show Nov 24); Sun, 2pm (also Nov 27, 7:30pm). Through Dec 11. The life and music of Nigerian superstar Fela Kuti is captured in this show with choreography by Bill T. Jones.
Forgetting the Details Bindlestiff Studio, 185 Sixth St, SF; www.nicolemaxali.com. $20. Thurs/17-Sat/19, 8pm. In one memorable scene of performer Nicole Maxali's solo show Forgetting the Details, her artist father, Max Villanueva, takes her to see a Precita Eyes mural he's been helping to paint. After pointing out the tree he painted, and describing the minute detail he imbued it with, he has her stand away from the mural to observe how quickly the details vanish, but not the integrity of the piece. It's an instructive life lesson, and also the perfect approach to appreciating Maxali's show. Ostensibly about her relationship with her grandmother, who has been diagnosed with Alzheimer's, Forgetting the Details winds up delving deeply into Maxali's complicated relationship with her freewheeling, artistic dad, whose unexpected death in the summer of 2011 gives her show an unexpected trajectory as her grandmother's slow decline gradually takes a backseat to the more immediate trauma of her father's untimely passing. Maxali's efforts to draw parallels between her grandmother's in-the-moment mentality with her father's artistic sensibilities and her own artistic journey are not always seamless, but the emotional content rings with a sincerity and depth often lacking from similarly-constructed solo performances. Just like a mural viewed from a distance, the play's integrity lies not in the details, but rather in the vitality of the whole. (Gluckstern) How to Love Garage, 975 Howard, SF; www.pustheatre.com. $15. Fri/18-Sat/19, 8pm; Sun/20, 2pm. Three demigod-like personalities at the center of the earth are charged with answering life's mysteries, big and small, but find themselves stymied by their latest task, namely, explaining "how to love." They have only a week to do it, for some reason, or humanity will be consigned to everlasting consternation, or something like that — coherence is not a priority here — anyway: stakes are high. Their boss, the Magistrate (Geo Epsilanty), has them present their findings each day, but each of them — the Very Sexy One (Jessica Schroeder in sassy lingerie), the Stern One (Gloria MacDonald in girl-school uniform), and the Young One (Brian Martin in caped crusader outfit) — comes up with bupkus. Finally, the Young One gets the inspiration to kidnap a surface-dwelling earthling (Valerie Fachman) to help them figure it all out. Local playwright Megan Cohen's mumbling comedy, directed with robust attention to blocking and movement by Scott Baker for Performers Under Stress, is far too skit-like a conceit to merit its two plodding acts. More to the point, its humor is very silly but generally dim. Despite being set at the center of the earth, this is too shallow and glancing an investigation of love to intrigue or tickle the genuinely curious. (Avila)
The Importance of Being Earnest Notre Dame Senior Plaza, Community Room, 347 Dolores, SF; (650) 952-3021. Free. Fri/18, 7:30pm; Sat/19-Sun/20, 3pm. 16th Street Players perform the Oscar Wilde classic.
*The Kipling Hotel: True Misadventures of the Electric Pink '80s Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Extended through Dec 18. This new autobiographical solo show by Don Reed, writer-performer of the fine and long-running East 14th, is another slice of the artist's journey from 1970s Oakland ghetto to comedy-circuit respectability — here via a partial debate-scholarship to UCLA. The titular Los Angeles residency hotel was where Reed lived and worked for a time in the 1980s while attending university. It's also a rich mine of memory and material for this physically protean and charismatic comic actor, who sails through two acts of often hilarious, sometimes touching vignettes loosely structured around his time on the hotel's young wait staff, which catered to the needs of elderly patrons who might need conversation as much as breakfast. On opening night, the episodic narrative seemed to pass through several endings before settling on one whose tidy moral was delivered with too heavy a hand, but if the piece runs a little long, it's only the last 20 minutes that noticeably meanders. And even with some awkward bumps along the way, it's never a dull thing watching Reed work. (Avila)
Language Rooms Thick House, 1695 18th St, SF; www.brownpapertickets.com. $20-28. Thurs-Sat, 8pm (no show Nov 24); Sun, 7pm. Through Dec 4. Golden Thread Productions and Asian American Theater Company present the West Coast premiere of Yussef El Guindi's dark comedy.
Making Porn Box Car Theatre Studios, 125A Hyde, SF; www.brownpapertickets.com. $25-50. Thurs, 8pm; Thurs, 8pm; Fri-Sat, 9pm; Sun, 7pm. Extended through Nov 27. Ronnie Larsen brings back his crowd-pleasing comedy about the gay porn industry.
*"Master Harold" ... and the Boys Phoenix Theater, 414 Mason, Ste 601, SF; 1-800-838-3006, www.offbroadwaywest.org. $18-40. Thurs/17-Sat/19, 8pm. Based loosely on personal history, Athol Fugard's drama explores institutionalized racism in South Africa's apartheid era ensconced in the seemingly innocuous world of a Port Elizabeth tea room. The play opens during a rainy afternoon with no customers, leaving the Black African help, Willie (Anthony Rollins-Mullens) and Sam (LaMont Ridgell), with little to do but rehearse ballroom dance steps for a big competition coming up in a couple of weeks. When Hally (Adam Simpson), the owner's son, arrives from school, the atmosphere remains convivial at first then increasingly strained, as events happening outside the tea room conspire to tear apart their fragile camaraderie. The greatest burdens of the play are carried by Sam, who fills a range of roles for the increasingly pessimistic and emotionally-stunted Hally — teacher, student, surrogate father, confidante, and servant — all the while completely aware that their mutual love is almost certainly doomed to not survive past Hally's adolescence, and possibly not past the afternoon. Ridgell rises greatly to the challenges of his character, ably flanked by Rollins-Mullens, and Simpson; he embodies the depth of Sam's humanity, from his wisdom of experience, to his admiration for beauty, to his capacity to bear and finally to forgive Hally's need to lash out at him. It is a moving and memorable rendering. (Gluckstern)
More Human Than Human Dark Room Theater, 2263 Mission, SF; (415) 401-7987, www.brownpapertickets.com. $25. Thurs/17-Sat/19, 8pm. B. Duke's dystopian drama is inspired by Philip K. Dick.
Not Getting Any Younger Marsh San Francisco, Studio Theater, 1062 Valencia, SF; (415) 826-5750, www.themarsh.org. $15-50. Thurs-Fri, 8pm; Sat, 8:30pm; Sun, 3pm. Extended through Dec 17. Marga Gomez is back at the Marsh, a couple of too-brief decades after inaugurating the theater's new stage with her first solo show — an apt setting, in other words, for the writer-performer's latest monologue, a reflection on the inevitable process of aging for a Latina lesbian comedian and artist who still hangs at Starbucks and can't be trusted with the details of her own Wikipedia entry. If the thought of someone as perennially irreverent, insouciant, and appealingly immature as Gomez makes you depressed, the show is, strangely enough, the best antidote. (Avila)
*The Odyssey Aboard Alma, Hyde Street Pier, San Francisco Maritime National Historic Park, SF; www.weplayers.org. $160. Fri/18, 12:30pm. Heralding their hugely ambitious Spring 2012 production of The Odyssey, which will take place all over Angel Island, the WE Players are tackling the work on a slightly smaller scale by staging it on the historic scow schooner Alma, which is part of the Maritime National Historical Park fleet docked at the end of Hyde Street Pier. Using both boat and Bay as setting, the essential chapters of the ten-year voyage — encounters with the Cyclops, Circe, the Underworld, the Sirens, Aeolus, the Laestrygonians, and Calypso — are enacted through an intriguing mash-up of narration, choreography, sea chanteys, salty dog stories (like shaggy dog stories, but more water-logged), breathtaking views, and a few death-defying stunts the likes of which you won't see on many conventional stages. High points include the casual swapping of roles (every actor gets to play Odysseus, however briefly), Ross Travis' masked and flatulent Prometheus and sure-footed Hermes, Ava Roy's hot pants-clad Circe, Charlie Gurke's steady musical direction and multi-instrumental abilities, and the sail itself, an experiential bonus. Landlubbers beware, so much time facing the back of the boat where much of the action takes place can result in mild quease, even on a calm day. Take advantage of the downtime between scenes to walk around and face forward now and again. You'll want to anyway. (Gluckstern)
Oh, Kay! Eureka Theatre, 215 Jackson, SF; (415) 255-8207, www.42ndstmoon.org. $20-50. Wed/16, 7pm; Thurs/17-Fri/18, 8pm; Sat/19, 6pm; Sun/20, 3pm. 42nd Street Moon performs George and Ira Gershwin's Prohibition-set comedy.
*On the Air Pier 29 on the Embarcadero (at Battery), SF; (415) 438-2668, love.zinzanni.org. $117 and up (includes dinner). Wed-Sat, 6pm; Sun, 5pm. Through Dec 31. Teatro ZinZanni's final production at its longtime nest on Pier 29 is a nostalgia-infused banquet of bits structured around an old-time radio variety show, featuring headliners Geoff Hoyle (Geezer) and blues singer Duffy Bishop. If you haven't seen juggling on the radio, for instance, it's pretty awesome, especially with a performer like Bernard Hazens, whose footing atop a precarious tower of tubes and cubes is already cringingly extraordinary. But all the performers are dependably first-rate, including Andrea Conway's comic chandelier lunacy, aerialist and enchanting space alien Elena Gatilova's gorgeous "circeaux" act, graceful hand-balancer Christopher Phi, class-act tapper Wayne Doba, and radio MC Mat Plendl's raucously tweeny hula-hooping. Add some sultry blues numbers by raunchy belter Bishop, Hoyle's masterful characterizations (including some wonderful shtick-within-a-shtick as one-liner maestro "Red Bottoms"), a few classic commercials, and a healthy dose of audience participation and you start to feel nicely satiated and ready for a good cigar. Smoothly helmed by ZinZanni creative director Norm Langill, On the Air signals off-the-air for the popular dinner circus — until it can secure a new patch of local real estate for its antique spiegeltent — so tune in while you may. (Avila)
*Pellas and Melisande Cutting Ball Theater, Exit on Taylor, 277 Taylor, SF; 1-800-838-3006, www.cuttingball.com. $10-50. Thurs, 7:30; Fri-Sat, 8pm (also Sat, 2pm); Sun, 5pm. Through Nov 27. The Frog Prince, Rapunzel, the Swan Maiden: shimmering strands of each timeless tale twist through the melancholy tapestry of the Maurice Maeterlinck play Pelleas and Melisande, which opens Cutting Ball Theater's 12th season. Receiving a lushly atmospheric treatment by director and translator Rob Melrose, this ill-fated Symbolist drama stars Joshua Schell and Caitlyn Louchard as the doomed lovers. Trapped in the claustrophobic environs of an isolated castle at the edge of a forbidding forest and equally trapped in an inadvertent love triangle with the hale and hearty elder prince Golaud (Derek Fischer), Pelleas' brother and Melisande's husband, the desperate, unconsummated passion that builds between the two youngsters rivals that of Romeo and Juliet's, and leads to an ending even more tragic — lacking the bittersweet reconciliation of rival families that subverts the pure melodrama of the Shakespearean classic. Presented on a spare, wooden traverse stage (designed by Michael Locher), and accompanied by a smoothly-flowing score by Cliff Caruthers, the action is enhanced by Laura Arrington's haunting choreography, a silent contortionism which grips each character as they try desperately to convey the conflicting emotions which grip them without benefit of dialogue. Though described by Melrose as a "fairy tale world for adults," the dreamy gauze of Pelleas and Melisande peels away quickly enough to reveal a flinty and unsentimental heart. (Gluckstern)
Savage in Limbo Actors Theatre of San Francisco, 855 Bush, SF; (415) 345-1287, www.actorstheatresf.org. $26-38. Wed-Sat, 8pm. Through Dec 3. Actors Theatre of San Francisco performs John Patrick Shanley's edgy comedy.
SexRev: The José Sarria Experience CounterPULSE, 1310 Mission, SF; (415) 552-4100, www.therhino.org. $10-25. Previews Thurs/17-Fri/18, 8pm. Opens Sat/19, 8pm. Runs Thurs-Sat, 8pm (also Sat, 10:30pm; no show Nov 24); Sun, 3pm. Through Nov 27. Theatre Rhinoceros performs John Fisher's musical celebration of America's first queer activist — a hit for the company in 2010.
"Shocktoberfest 12: Fear Over Frisco" Hypnodrome Theatre, 575 10th St, SF; (415) 377-4202, www.thrillpeddlers.com. $25-35. Thurs/17-Sat/19, 8pm. In its annual season-scented horror bid, Thrillpeddlers joins forces with SF's Czar of Noir, writer-director Eddie Muller, for a sharply penned triplet of plays that resurrect lurid San Francisco lore as flesh-and-blood action. In the slightly sluggish but intriguing Grand Inquisitor, a solitary young woman modeling herself on Louise Brooks in Lulu (an alluringly Lulu-like Bonni Suval) believes she has located the Zodiac killer's widow (a sweet but cagey Mary Gibboney) — a scenario that just can't end well for somebody, yet manages to defy expectations. An Obvious Explanation turns on an amnesiac (Daniel Bakken) whose brother (Flynn de Marco) explains the female corpse in the rollaway (Zelda Koznofski) before asking bro where he hid a certain pile of money. Enter a brash doctor (Suval) with a new drug and ambitions of her own vis-à-vis the hapless head case. Russell Blackwood directs The Drug, which adapts a Grand Guignol classic to the hoity-toity milieu of the Van Nesses and seedy Chinatown opium dens, where a rough-playing attorney (an ever persuasive Eric Tyson Wertz) determines to turn a gruesome case involving the duplicitous Mrs. Van Ness (an equally sure, sultry Kära Emry) to his own advantage. The evening also offers a blackout spook show and some smoothly atmospheric musical numbers, including Muller's rousing "Fear Over Frisco" (music composed by Scrumbly Koldewyn; accompaniment by Steve Bolinger and Birdie-Bob Watt) and an aptly low-down Irving Berlin number — both winningly performed by the entire company. (Avila)
Shoot O'Malley Twice StageWerx, 446 Valencia, SF; www.viragotheatre.org. Thurs-Sat, 8pm (no show Nov 24). Through Nov 26. Virago Theater Company performs Jon Brooks' world-premiere existential comedy.
Sticky Time Brava Theater, 2781 24th St, SF; www.vanguardianproductions.com. $15-40. Wed/16-Fri/18, 8pm. Crowded Fire and Vanguardian Productions present playwright-director Marilee Talkington's multimedia science fiction about a woman running out of time in the worst way. The prolix and histrionic story is the real sticking point, however, in this otherwise imaginatively staged piece, which places its audience on swivel chairs in the center of Brava's upstairs studio theater, transformed by designer Andrew Lu's raised stage and white video screens running the length of the walls into an enveloping aural (moody minimalistic score by Chao-Jan Chang) and visual landscape. Thea (Rami Margron) heads a three-person crew of celestial plumbers managing a sea of time "threads," an undulating web of crisscrossing lines (in the impressive video animation by Rebecca Longworth). The structure is plagued by a mysterious wave of "time quakes" that Tim (Lawrence Radecker) thinks he may have figured out. Coworker Emit (Michele Leavy), meanwhile, goofing around like a hyperactive child, spots some sort of beast at work in the ether. When Thea gets stuck by a loose thread, she becomes something of a time junky, desperate to relive the color-suffused world of love and family lost somewhere in space-time as reality starts to unravel (with a dramatic assist from cinematographer Lloyd Vance) and the crew seeks help from a wise figure in a tattered gown (Mollena Williams). A little like a frenetic, stagy version of Andrey Tarkovsky's Solaris (1972), the story gets credit for dramatizing some confounding facts about time and space at the particle level but might have benefited from less dialogue and more mystery — just as the audio-visual experience works best when the house lights are low. (Avila)
The Temperamentals New Conservatory Theatre Center, 25 Van Ness, SF; (415) 861-8972, www.nctcsf.org. $25-45. Wed-Sat, 8pm; Sun, 2pm. Through Dec 18. New Conservatory Theatre Center performs Jon Marans' drama about gay rights during the McCarthy era.
Totem Grand Chapiteau, AT&T Park, Parking Lot A, 74 Mission Rock, SF; cirquedusoleil.com/totem. $58-248.50. Tues-Sun, schedule varies. Extended through Dec 18. Cirque Du Soleil returns with its latest big-top production.
Two Dead Clowns Box Car Theatre Studios, 125A Hyde, SF; www.brownpapertickets.com. $20. Fri-Sat, 7pm. Through Nov 26. Ronnie Larsen's new play explores the lives of Divine and John Wayne Gacy.
The Waiting Period MainStage, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $15-35. Fri, 8pm; Sat, 5pm. Through Nov 26. Brian Copeland (Not a Genuine Black Man) presents a workshop production of his new solo show.
*Working for the Mouse Exit Theatre, 156 Eddy, SF; www.brownpapertickets.com. $22. Thurs-Sat, 8pm (no performances Nov 24-26). Through Dec 17. It might not come as a surprise to hear that even "the happiest place on earth" has a dark side, but hearing Trevor Allen describe it during this reprise of 2002's Working for the Mouse will put a smile on your face as big as Mickey's. With a burst of youthful energy, Allen bounds onto the tiny stage of Impact Theatre to confess his one-time aspiration to never grow up — a desire which made auditioning for the role of Peter Pan at Disneyland a sensible career move. But in order to break into the big time of "charactering," one must pay some heavy, plush-covered dues. As Allen creeps up the costumed hierarchy one iconic cartoon figure at a time, he finds himself unwittingly enmeshed in a world full of backroom politics, union-busting, drug addled surfer dudes with peaches-and-cream complexions, sexual tension, showboating, job suspension, Make-A-Wish Foundation heartbreak, hash brownies, rabbit vomit, and accidental decapitation. Smoothly paced and astutely crafted, Mouse will either shatter your blissful ignorance or confirm your worst suspicions about the corporate Disney machine, but either way, it will probably make you treat any "Casual Seasonal Pageant Helpers" you see running around in their sweaty character suits with a whole lot more empathy. (Note: review from the show's recent run at La Val's Subterranean in Berkeley.) (Gluckstern)
Annie Berkeley Playhouse, Julia Morgan Center for the Arts, 2640 College, Berk; (510) 845-8542, www.berkeleyplayhouse.org. $17-35. Thurs-Sat, 7pm; Sun, noon and 5pm. Through Dec 4. Berkeley Playhouse performs the classic musical.
Doubt: A Parable Live Oak Theatre, 1301 Shattuck, Berk; www.aeofberkeley.org. $12-15. Fri/18-Sat/19, 8pm. Actors Ensemble of Berkeley performs John Patrick Shanley's Pulitzer-winning drama.
How to Write a New Book for the Bible Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $14.50-73. Wed/16 and Sun/20, 7pm (also Sun/20, 2pm); Thurs/17 and Sat/19, 2 and 8pm. An aspiring writer who later becomes a priest, Bill (Tyler Pierce) is the caregiver for his aging mother (Linda Gehringer) during her long bout with cancer. His father (Leo Marks), though already dead, still inhabits his mother's flickering concept of reality, made all the more dreamlike by her necessary dependence on pain medication. His brother (Aaron Blakely), meanwhile, has returned from Vietnam with survivor guilt but lands a meaningful career as a schoolteacher in the South. The latest from playwright Bill Cain (Equivocation, 9 Circles) is a humor-filled but sentimental and long-winded autobiographical reflection on family from the vantage of his mother's long illness. It gets a strong production from Berkeley Rep, with a slick cast under agile direction by Kent Nicholson, but it plays as if narrator Bill mistakenly believes he's stepped out of an Arthur Miller play, when in fact there's little here of dramatic interest and far too much jerking of tears. (Avila)
*The Internationalist Ashby Stage, 1901 Ashby, Berk; www.justtheater.org. $15-30. Thurs/17-Sat/19, 8pm; Sun/20, 5pm. Lowell (Nick Sholley, as rumpled everyman) is the American fish out of water at the center of playwright Anne Wasburn's smartly written and very funny comedy, now receiving a terrific West Coast premiere courtesy of Just Theater and director Jonathan Spector. Arriving for a business trip in some unnamed but vaguely Eastern European country with a funny-sounding language he hasn't had time to study, Lowell is met at the airport by Sara (a persuasive Alexandra Creighton), a beautiful colleague who takes him to dinner, then takes him home. Next day in the office, the increasingly exhausted American meets his friendly counterparts, and discovers Sara is at the bottom of the office totem pole, where the filing happens. All the characters speak English with varying levels of proficiency when making with the usual small talk — "I'm always curious about what Americans know and what they don't know," says one po-faced innocent (Kalli Jonsson) with reference to the American Indian genocide — but revert to rapid-flowing gibberish whenever they tire of catering to the foreigner. Things get slowly weirder over the next couple of days, however, as the dynamics of this catty office (filled out wonderfully by Michael Barrett Austin, Lauren Bloom, and Harold Pierce) lead to a bewildering implosion that leaves Lowell sightseeing, and maybe seeing things, with a case of jet lag as big as the zeitgeist. (Avila)
Rambo: The Missing Years Cabaret at Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $15-50. Thurs-Fri, 7pm; Sat, 8:30pm. Through Dec 10. Howard "Hanoi Howie" Petrick presents his solo show about being an anti-war demonstrator — while also serving in the Army.
Sam's Enchanted Evening TheaterStage at Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $15-50. Thurs-Fri, 8pm; Sat, 8:30pm. Through Nov 26. The Residents wrote the script and did the musical arrangements for this musical, featuring singer Randy Rose and pianist Joshua Raoul Brody.
The Soldier's Tale Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, www.auroratheatre.org. $10-55. Previews Wed/16, 8pm. Opens Thurs/17, 8pm. Runs Tues, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Dec 18. Aurora Theatre presents a re-imagined version of Igor Stravinsky's 1918 musical by Tom Ross and Muriel Maffre.
The World's Funniest Bubble Show Marsh Berkeley, TheaterStage, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $8-50. Sun and Nov 25-26 and Dec 26-30, 11am (no show Dec 25). Through Dec 31. Louis "The Amazing Bubble Man" Pearl returns with this kid-friendly, bubble-tastic comedy.
"Bare Bones Butoh Presents: Showcase #23!" Studio 210, 3435 Cesar Chavez, SF; firstname.lastname@example.com. Fri-Sat, 8pm. $5-20. Butoh performance featuring new and in-progress works by local, national, and international artists.
"BrokeBACH Mountain" Mission Cultural Center, 2868 Mission, SF; www.lgcsf.org. Fri-Sat, 8pm. $15-30. The Lesbian/Gay Chorus of San Francisco opens its 32nd season with a mix of modern and classical hits, inspired in part by Brokeback Mountain.
"Club Chuckles" Verdi Club, 2424 Mariposa, SF; www.brownpapertickets.com. Fri, 8pm. $20. Comedy with Neil Hamburger, Natasha Leggero, Tim Heidecker, Duncan Trussell, and "The Kenny 'K-Strass' Strasser Yo-Yo Extravaganza."
"Fox and Jewel" Dance Mission, 3316 24th St, SF; www.genryuarts.org. Fri-Sat, 8pm; Sun, 2pm. $20-25. Gen Ryu arts presents Melody Takata's interdisciplinary work that uses a Japanese myth to address current concerns about arts and culture in Japantown as the neighborhood redevelops.
"From Wallflower Order to Dance Brigade: A 35-Year Retrospective Celebration" Novellus Theater, Yerba Buena Center for the Arts, 700 Howard, SF; (415) 273-4633, www.dancebrigade.org. Fri-Sat, 8pm; Sun, 2pm. Free. Krissy Keefer marks 35 years of Dance Brigade with The Great Liberation Upon Hearing and other works.
"I'd Eat Them Both" Purple Onion, 140 Columbus, SF; kellymccarron.eventbrite.com. Fri, 7 and 9pm. Comedian Kelly McCarron performs for a recording of her first comedy album.
LEVYdance Z Space, 450 Florida, SF; 1-800-838-3006; www.levydance.org. Thurs-Sat, 8pm; Sun, 2pm. $18-23. The company presents its Fall 2011 Home Season, featuring the world premiere of ROMP.
Liss Fain Dance Yerba Buena Center for the Arts, 701 Mission, SF; (415) 978-2787, www.lissfaindance.org. Thurs-Sat, 8pm (also Sat, 9:30pm); Sun, 5pm. $12.50-25. The company presents performance installation The False and True Are One.
San Francisco Hip Hop DanceFest Palace of Fine Arts Theatre, 3301 Lyon, SF; (415) 392-4400, www.cityboxoffice.com. Program A: Fri, 8pm; Sat, 9:30pm. Program B: Sat-Sun, 6pm. $40 (two shows, $75). The 13th annual festival, produced by Micaya, welcomes 19 companies from places as diverse as Oakland, San Francisco, Paris, Brooklyn, and London.
"10 Women Campaign: Who Is Tending the City?" ODC Theater, 3153 17th St, SF; (415) 863-9834, www.flyawayproductions.com. Thurs, 7:30pm. $25 ($50 to include reception at 6:30pm). Flyaway Productions honors ten community leaders with a performance and ceremony.


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505. StormJunkie4:11 PM GMT on September 10, 2005
|Yea FSU I've been worying a little about the nados. I am also afraid that people willnot take her seriously because they are forcasting a CAT 1. A 15 to 20 hour period of Tropical storm force winds is not a good scenario. Which is what it looks to be right now. The slow motion also tells me that she is getting close to making her change in direction. I am a little suprised that the officail forcast is still so far N, but people can not think of this as a point landfall. This storm has a big windfield. WOW just realized the pressure drop.
Member Since: August 17, 2005 Posts: 26 Comments: 17144

subset: commoncrawl


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Racine man arrested in year-old semitrailer, scrap metal theft case
Trailer, contents valued at $113K
Franklin - Police arrested a 51-year-old Racine man in connection with the theft of a tractor-trailer filled with scrap brass Dec. 12, 2011. He was taken into custody in Racine on Dec. 28 after a year-long investigation by the Franklin Police Department culminated in a warrant for his arrest.
According to the Franklin police report:
The man is accused of stealing a tractor-trailer from Dalor Transport, 6005 W. Ryan Road, shortly before 9 a.m. Dec. 12, 2011. The tractor was found abandoned at a Citgo station in Zion, Ill., three days later.
The truck had been hauling a 53-foot enclosed trailer loaded with 42,235 pounds of scrap brass. The trailer and its contents, valued at more than $113,000, were not found.
He was arrested for theft and is being held in the Milwaukee County Criminal Justice Facility.
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text: The Phottix Strato 4-in-1 Wireless Trigger System gives photographers incredible control over their flashes and studio lights. The four channels provide unparalleled control in the studio or on location. The Strato can be used as a wired or wireless shutter release. The 2.4 GHz transmitter and receivers offer ranges of more than 100 meters and sync at speeds of 1/250 second. Transmitters feature an innovative TTL pass-through hot shoe - allowing full TTL mode to be used with a camera mounted flash. Receivers offer flash wake-up functions.


text:
I'm working on some iOS apps, all under the same publisher, that all have push notifications enabled. When I call
registerForRemoteNotificationTypes, I get the user prompt to allow or disallow push notifications, but I
application:didRegisterForRemoteNotificationsWithDeviceToken: gets called with token data before the user chooses an option. And it gets called again when they press OK. Is this normal?
Also of note: multiple apps appear to get the same token when running on the same device.


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The hosts were absolutely sweet, the old couple brought us fruit and self-made pastry but they only speak Italian. A nice beach is in walking distance, while the village is rather boring, but Castelsardo is very close by car. The apartment we had was huge and had a great balcony. Concerning equipment and furniture things could of be newer and... More
Top-rated Attractions Nearby
Top-rated Restaurants Nearby


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7 Reviews
Heavenly! I used 2 cups whole wheat flour instead of the 2 1/2 cups all purpose flour, and they turned out perfectly. These are very beautiful for a Christmas or holiday goody, and I think I'm going to add this to the usual list of treats I make for gifts each year.
These came out scrumptious! Next year I`ll bake them in a larger pan. So I`d have more bars to go around. They do rise alot! Great!
Having a coffee and a marzipan bar as I sit and type this, mmm mmmm, the marzipan flavour through this bar is divine. I used rum and craisins. Very good!
One of the best bars I have ever made or tasted. Just a little hint--- put the marzipan in the freezer for about 10 minutes before chopping--really makes a much easier job. Thank you. Joanie Biddulph
My daughter made these a couple of years ago and they were so darn good now I make them, too. I use brandy and they are delicious.
I served these at Thanksgiving and they were a HUGE hit. Delicious. I only made one small change to the recipe. I didn't have rum or brandy, so I used Grand Marnier instead. These were so good that I will continue to use the Grand Marnier. Thanks for the recipe. Perfect for the marzipan lover.
These are great bars, I have used this recipe for years, originally found it in a Canadian Living magazine! Great Christmas bars, but good anytime of the year. You can substitute the cranberries with dried cherries or raisins and they are still wonderful!


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Trouver un exemplaire dans la bibliothèque
Recherche de bibliothèques qui possèdent cet ouvrage...
|Genre/forme :
|Personne nommée :
|Robert Louis Stevenson; Robert Louis Stevenson
|Type d'ouvrage :
|Format :
|Tous les auteurs / collaborateurs :
Alberto Manguel
|1841955884 9781841955889
|Numéro OCLC :
|Description :
|105 pages ; 21 cm
|Responsabilité :
|Alberto Manguel.
Résumé :
Casting Robert Louis Stevenson as his protagonist, Alberto Manguel, author of the international best-selling A History of Reading, spins an intoxicating murder mystery in the South Pacific that echoes Joseph Conrad and A.S. Byatt. Robert Louis Stevenson has become accustomed to the intense colors and severe humidity of Samoa, as well as the uninhibited earthiness of its people. Yet his thoughts turn nostalgically back to his native Edinburgh after a chance encounter with the newly arrived Scots missionary, Mr. Baker. The stark contrast between Stevenson's restrained past and the fecund sensuality of the island becomes a pivot point in Stevenson's consciousness. Everything sours, though, when a young Samoan woman for whom Stevenson privately pined is raped and murdered. The mysterious Mr. Baker presents himself at the center of the investigation as Stevenson suddenly becomes suspicious to his once-admiring islanders. With a playful nod to Stevenson's life and magnificent fictions, Alberto Manguel has weaved together a compelling tale among the palm trees of the South Pacific.
Critiques d'utilisateurs


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Forgotten Password?
Thursday, January 24, 2013 3:06 AM EST
A question of identity for seniors
Computer age crime warning
SALISBURY — Those thinking about committing acts of identity theft on seniors in the Northwest Corner may want to think twice now that many of them are prepared to deal with the issue.
A large group attended the first presentation put on by the newly established Northwest Corner Triad Wednesday at Noble Horizons, at which three speakers gave a series of tips on staving off predators' efforts. Triad is a cooperative effort by senior groups and law enforcement agencies to address seniors' safety needs and reduce their susceptibility to crime.
Mark Solomon, a Greenwich police detective and a member of the Connecticut Financial Crimes Task Force under the direction of the U.S. Secret Service, explained how criminals can get information from users of ATMs with skimming devices. Simple steps, such as opening the lobby door of an ATM with a different credit card than the one being used in the transaction, and covering the PIN during a transaction, can stifle would-be thieves.
He acknowledged that complete protection from scams is probably not possible, but there are ways to "deter, detect and defend."
Deterrents include practices such as shredding information that contains personal information, disguising PINs or Social Security numbers as phone numbers, never clicking on to unsolicited emails, continually changing passwords and having one credit card exclusively dedicated to Internet purchases. Detection of suspicious activity is key and defense is made by contacting authorities as soon as a theft has been discovered, he said.
Abby Stokes called those 40 and older "digital immigrants," because they didn't grow up using computers. Author of "This Thing On? A Computer Handbook for Late Bloomers, Technophobes and the Kicking and Screaming," Stokes told the audience members they must protect the door to their computer the same way they'd protect the door of their home.
She advised using two email addresses: one for family and close friends and the other for purchases. She also advocated using the blind copy box to all recipients who might be doing mass forwarding and to make sure the subject line is personal or recognizable before opening a message.
Many listeners said they'd heed her suggestion to add
to their contact lists. Because those accounts don't exist, if they get a response back saying that mail is undeliverable, they'll know they've been hacked.
Esther Rada, an elder law attorney at Connecticut Legal Services, a nonprofit organization that provides free legal assistance in civil matters to low-income persons, said one out of 44 seniors reports fraud. Rada told the group if they suspect they've been victimized, "Breathe AIR: awareness; investigate crimes against you and respond." "To fight back is the most essential thing you can do."
Louise Riley, the local Triad executive director, said the next meeting will be sometime in April when the topics will be health care proxies, living wills, estate planning and housing options.


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A study out from SEM technology firm SEMphonic finds that travel sites like Expedia, Orbitz and Hotels.com push out actual hotel sites such as Marriott and Radisson from
top results of "247 hotel-related keywords." Travel aggregators or travel search engines get 39 percent of the top 50 spots in paid listings, while hotels get 17 percent of
the listings. Hotels do better in organic listings, getting 48 percent of the top 50 spots.
The firm hasn't released the study to any one but DMNews yet, so it's hard to poke at it more. You can read more in their article,
Travel Sites Push Hotels Out of Searches.
Top of my head — I tend not to like studies that dig deeper than the first page of results. What's happening in the top 10 spots? That's what matters. There's a side
remark in the DMNews story noting that when you look at the top 10 organic listings, Marriott, Radisson and Starwood hotel sites do well there.
I guess the takeaway point is this. If you run a travel site, make sure you're doing everything possible to ensure that your official site is showing up well, if that's
important to you. As someone sick of always running into your affiliates rather than the official site, I know it's important to me.


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Howl's Moving Castle by thrashingshadow167Watch
©2012-2016 thrashingshadow167
Pencil drawing of Howl's Moving Castle
Hayao Miyazaki and Studio Ghibli are amazing
Hayao Miyazaki and Studio Ghibli are amazing
MINE RIGHT heheheeeeeeeeeeeeeeee
Wow, im amazed! Nice job by the way best ive seen of Howl's Moving Castle!
Wow, this is...amazing.
nice work, really impressive!
This is one hell of an amazing piece
I love the details and shading
I love the details and shading
I love this~ *w* Best movie ever by the way. ^7^
very cool
Gosh, it wasn't a pretty Castle, but it was an amazing one!
Wow!!... awesome dude u can draw a Fantasy land background in that skill of yours hahah....nice piece men
Thanks man! haha I probably could, maybe next time
hahahha.... U can hahhah and Inform me when u made a fantasy piece okay?. hahahhai can da like the concept of it LOL
whoaaaaaa... nice one! howl's castle is an amazing mess, i still don't know how they even came up with it


text:
"I'm 90%-plus now," says Vanguard's retiring CIO Gus Sauter, of his personal allocation to stocks. "Everyone is worried about the stock market. That's when the market is set up to do well." That stocks need strong economic growth is a shibboleth, he says. A better predictor of future returns is valuation, and on that score, the market remains cheap.
"I'm 90%-plus now," says Vanguard's retiring CIO Gus Sauter, of his personal allocation to...
Oct 8 2012, 10:33 ET | About: Vanguard Total Stock Mar... (VTI) | By: Stephen Alpher, SA News Editor
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at CNBC.com (Apr 29, 2013)
Comments (6)
ETF Hub
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text:
Thursday, Dec. 5, 2013
LINCOLN COUNTY, Ga. (WRDW) -- The Lincoln County Board of Commissioners agreed to lease several campgrounds set to close around the lake.
The Army Corp of Engineers announced they'd be making cuts and closing some of them last month.
The county decided earlier this week to take over nine properties that would have been shut down. Now official approval is the final step.
Here's a list of the campgrounds Lincoln County agreed to take over:
Lincoln County Commission Chairman Wade Johnson said the approval would mean a financial boost for the county.


text:
iHerb Customer Reviews
2 people found the following review helpful
Posted by Reviewer1936373 on Nov 11, 2009
Taking this because of my Colitis. Seems to be helping with regularity, digestion and bloating.
Moderately effective
1 person found the following review helpful
Posted by Reviewer2643727 on Aug 30, 2007
It's stabilized, but I've used more effective formulas. I really liked their previous product better (and it was less expensive, too).
1 person found the following review helpful
Posted by Reviewer2609182 on Feb 07, 2013
iFlora by Sedona is a great product. I don't take a product like this, unless I see it doing something for me. Antibiotics lead to cell death and candida in the gut, which leads to gas and other problems. iFlora works. RM, Illinois TITLE CHANGED, UPDATED REVIEW OF PRODUCT WARNING, I wrote the above review a while ago, and I have seen some things that I don't like. I believe strongly that the product does not last anywhere near as long as the expiration date. The best that I can tell is that the product oxidizes quite quickly. I have some product that is a little over six months prior to expiration, and it is half brown. It also does not taste quite right. Sedona needs to state the condition of the product at expiration, and likely shorten the expiration. If you buy this product, I would refridgerate it, and only buy that which you can use in a couple of months. Otherwise, it is my feeling that you are buying a pig in a poke.
Posted by Reviewer1887822 on May 05, 2009
Easy to take, keep the digestive system working well. Ideal for someone who cant take the yoghurt drinks
So so for colon health........
Posted by Reviewer2293106 on Oct 16, 2008
Good price but not as cleansing as other products I have tried.


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text: airlab - Unregistered January 29, 2013 2:57 PM I think Kev has an upside, and pretty sure we are still yet to see the best of him. I remember seeing him wild card at Aragon in Moto 2 and got top 5 in first free practice. He's been solid but never on the best bike. Hopefully he can get amongst it here and have a breakout season 8 agree 0 disagree


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Okay so maybe i have a slight obsession with avenged sevenfold and my chemicals romance's wives and girlfriends but that just me and if you dont like it dont post nasty comments and stuff or bug me about it i have the right to like who i want and be interested in who i want so if ya dont like it ya know where to go!
love ya! Lil' Avenger x
- Mood: Affection
- Listening to: Avenged Sevenfold
- Watching: Supernanny USA
- Eating: food!
- Drinking: Juice!
BIG DEAL! by shannybabe123Watch
©2012-2016 shannybabe123
Honey you and me both! :']
Sorry to hear about that, hun. If I don't like something, I move along and don't comment.
Thanks i am just fed up of it, i made a collage of the A7X girls and thought of a clever title "The First Ladies Of Metal" and some idiot reblogged it with a really nasty comment! and yeah i do the same!
That's just childish. Personally, the only one I can stand is Val, but I don't hate on anyone who doesn't feel the same way.
i honestly like them all and people judge them by what other people say but i have always said "until you meet them and find out what they are like for yourself don't judge them" but Hey! thats just me
I know. Me, too. I think it's just because Val has always been more prevalent. At least that's the main reason for me. Sorry you have to deal with people making rude comments.


text: The flat bread was terrific! The salad said it contained blueberries, there were none! Why do restaurants advertise a salad and then not include the ingredients they advertise? Don't they realize that is why you order something? Don't advertise if you can't deliver, it could have said seasonal... read more


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Discover a selection of top forums dice flipping on the internet. Come to share your passion on forums dice flipping and meet other fans of dice flipping. Then, why don't you create your own forum of dice flipping ?
The biggest and best flipping channel on RuneScape!
flipchat1fc, runescape, #flipping, chat, flip, flipchat1, money, making, flipchat
Home for the Star Wars Battlefront II clan {Dark}!
{dark}, swbf2, clan, star, wars, force, battlefront, #dice, gamespy, gamemaster, gameshare, legitosity, isotopx, dark, trooper, sniper, xbox, forum, home


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5 Comments
Awesome placement and really cool 'sketched' style, +1
WinterArtwork Artist from Barbados
image has been done to death but great sketch work!
Trillin' Bear – https://www.designbyhumans.com/shop/detail/3585
should be done any ANY other color but that yellow!
Cool! haha
love the charcoal look and i love the placement
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Tuesday, February 9, 2016
Alternate title: The Women of Rosenstrasse
Early on Feb. 27, 1943, under the waning cover of dark, Berlin`s remaining Jews were rounded up for what the Reich euphemistically referred to as deportation. While most of the detainees were doomed, some 1,700 men, women and children were diverted to a former Jewish community center on Rosenstrasse. Segregated because they were either married to non-Jewish Germans or the progeny of such marriages, the prisoners huddled together while outside, their German relatives, women mostly, initiated an unprecedented protest against the Nazi terror machine. In "Rosenstrasse," the German director Margarethe von Trotta revisits this relatively obscure episode from Germany's Nazi past to dismally inept effect. Known for politically charged movies about tough women, Ms. von Trotta here foregoes the typical historical reconstruction and instead attempts to put the past and the present into conversation. Because she isn't a historian it's arguable that her allegiance to the historical record need not be as firm as her commitment to her art, which at least here appears tenuous at best. That reasoning would certainly fly better if the filmmaker didn't try to wrench an object lesson about female empowerment from the Rosenstrasse protest. Manohla Dargis


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Dairy's Dark Secret: Burned Skulls!
Posted September 19, 2012 by Annie Leal
Drinking milk and eating cheese don't hurt cows, right? WRONG!
Cows used in the dairy industry are confined to filthy, stressful environments. In order to prevent them from defending themselves (like any of us would if we were in that situation!), farmers destroy their horns with painful tools, including knives, shears, handsaws, and even hot irons, which are often so hot that they damage the underlying bone of the calf's skull—all of this without any painkillers!
Don't believe me? Check out our new video narrated by Casey Affleck describing this cruel and painful process!
YOU have the power to stop this! All you have to do is ditch dairy products and choose instead from the many different kinds of vegan milk, cheese, yogurt, and ice cream available at your local grocery store!
Don't forget to spread dairy's dirty secret and urge everyone you know to go vegan!
Tags: Animals Used for Food, Celebs
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1242 days agoVN:F [1.9.22_1171]
omg I cannont believe this!!! its so horrible what they do to poor baby calfs(calves) it made me absolutely cringe!!! CRUELTY FREE ALL THE WAY! is the way to be.
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See definition in Oxford Advanced Learner's DictionarySyllabification: cul·ture shock
Pronunciation: /ˈkəlCHər ˌSHäk/
Definition of culture shock in English:
The feeling of disorientation experienced by someone who is suddenly subjected to an unfamiliar culture, way of life, or set of attitudes.
Example sentences
- The sudden culture shock at being thrown among those with very different work ethics and other attitudes can even be frightening.
- He recalls experiencing his culture shock back in the 1990s during his first visit in the country.
- As you read, please excuse me, for what I experienced was more culture shock than I did so many years ago.
Definition of culture shock in:
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Driver's been on the rise fast since Girls premiered. Beyond playing the show's polarizing hipster boyfriend, He's snagged roles in the critically acclaimed Noah Baumbach comedy Frances Ha, the Academy Award-winning Lincoln, and the Coen Bros upcoming 1960s-set biopic Inside Llewyn Davis. But as This Is Where I Leave You is a cast made up of comedy stars, it would be Driver's most mainstream showcase yet.
Did you know that your computers and phones have the power to kill you, or at least ruin your life? That kind of fear-mongering about the dangers of the Internet was something that went out of style in the mid-90s-- or so we thought until we saw this trailer for Disconnect, a movie about all the many dangers of technology
So nearly every critic on earth hated your movie? Well if you're Identity Thief director Seth Gordon, that shouldn't matter at all. The comedy starring Melissa McCarthy and Jason Bateman scored a rough 24% on Rotten Tomatoes but made $11.2 million on Friday, easily besting fellow new release Side Effects
Boy, if there was ever a story titled, The Most Successful Child Star Ever... it would probably be about Ron Howard. But somewhere in there, Jason Bateman would be mentioned. And the Arrested Development workhorse has added yet another film to his upcoming roster, and its an intriguing one.
Aside from a tiny role in Judd Apatow's This is 40, Melissa McCarthy hasn't actually been much of a presence at the movies this year. But her performance as Megan in last year's Bridesmaids, and the Oscar nomination that came with it, still looms large enough in pop culture that it feels like McCarthy has been everywhere
Jason Bateman is a lifetime member of Hollywood. At the age of 12 he was playing James Cooper Ingalls on Little House on The Prairie, in his teens he made movies like Teen Wolf Too (not the highlight of his career) and now in adulthood he's starring in blockbuster comedies and was the lead character on one of the most beloved shows of all time: Arrested Development.
Adam Shankman may have taken a four year break from features between doing Bedtime Stories and Rock of Ages, but that doesn't mean you should expect him to disappear once his new rock musical is released. Shankman's latest isn't due out for another few weeks (on June 15th), but he has already begun assembling a cast for his next project.
Bateman will play a man whose identity is stripped, and while the script originally was supposed to pair him with another male comedian (as the thief), the premise was shifted once the Arrested Development star saw McCarthy in Bridesmaids. Thats a big win for Theft, as multiple projects reportedly have been lobbying for McCarthys talents as she continues to work her way through the awards race and eyes a potential Best Supporting Actress nomination.
It was a mixed summer for Jason Bateman. Though Horrible Bosses, which was released this past July, was a critical success and made over $200 million at the global box office, his second entry of the season, the R-rated body switching comedy The Change Up, was slammed by critics and couldn't even make its money back internationally (it only made $47 million worldwide on a $52 million budget).
Of all the R-rated comedies that were hits this summer, and all the actors who suddenly seemed like hot properties as a result, it's hard to imagine two people who benefited more than Jason Bateman and Melissa McCarthy. They each had big hits with Horrible Bosses and Bridesmaids
Between Freaky Friday, Like Father, Like Son, 17 Again, and all the other body switching comedies that have come out over the years, there has been some question as to whether or not we really need another one. They all really have the exact same plots, so what could The Change Up possibly offer? How about the incredible comedic talents of Jason Bateman and Ryan Reynolds
Jason Bateman and Ryan Reynolds star in the film and theyve gotten together to create this extremely strange, but generally hilarious Change-Up promo as a way of convincing you to see it. Reynolds sells his comedy this way in the video: Body switching is a pretty stupid f*cking idea, but the movies funny if they go theyll laugh their dick off.
We're The Millers is one of those great sounding movies that has spent far, far too long in development hell. First developed back in 2002, the project had both Steve Buscemi and Will Arnett attached in the lead role at some point, but when it never ended up going anywhere they fell off. Back in May the project was given new life and now the film has lined up its new lead.
Tambor was promoting his latest film Lucky when he was asked him the inevitable Arrested question. This time, though, Tambor had a positive response, stating that its all going straight, everyone's on board, I know they're writing, and maybe next time this year we'll be having this conversation.
The key to Horrible Bosses, how it gets away with mining a murder plot for laughs, is the rapport between Bateman, Sudeikis and Day as the scheming idiots who actually think they can get away with it. When I sat down with Bateman on his own, I asked him to talk about the way they developed that rapport.
Warner Bros. reportedly is going back to the drawing board on the King Arthur legend for a potential tentpole picture. But its the studios choice in director that sets this story of yet another remake apart from the pack. Variety says WB wants David Dobkin, of Wedding Crashers
It would seem that Jason Bateman and Vince Vaughn are pretty close pals. In the last seven years the two appeared in four films together, including Dodgeball, The Break Up, Couples Retreat and Starsky & Hutch., but the strange thing is that while they have shared scenes and dialogue, they've never done a film where they play the central two characters. That's about to change.
Everything I'm hearing suggests that Horrible Bosses could be the breakout R-rated comedy hit of the summer, basically what The Hangover was before it morphed into a monstrous sequel. The movie features Jennifer Aniston, Colin Farrell and Kevin Spacey
Below you can see our on-set roundtable conversation with Bateman and Reynolds, in which the obvious rapport between the two longtime friends made both for a great interview and a good sign of the comedic chemistry we can look forward to in The Change-Up
We watched director David Dobkin take Ryan Reynolds through dozens of different versions of the short scene, in which the little girl asks "Uncle Mitch" to attend her dance recital and he responds with everything from "Only if it's exotic dance" to "Absolutely not. Now go upstairs and do something with your hair"
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Islam, Fatalism, and Medical Intervention: Lessons from Egypt on the Cultivation of Forbearance (Sabr) and Reliance on God (Tawakkul)
Hamdy, Sherine F., Anthropological Quarterly
One of the most fundamental ways that religious devotion is held to be "anti-biotechnology" is in its emphasis on submission to divine will. This article seeks to re-orient discussions of religious "fatalism" through ethnographic analysis of terminally-ill dialysis patients in Egypt who argue that they would rather "accept God's will" than pursue kidney transplantation. I argue against the presumptions that this is a religious constraint on a potentially beneficial treatment, or that this reaction is merely a "comfort mechanism" to appease those without access to treatment. I argue that we should not think of people's perceptions of the amount of control they can exert over their lives in terms that would place analyses of social benefit and religious belief in opposing or even in discretely separate categories. I also demonstrate that, far from being passive, the disposition of accepting God's will must be actively cultivated through work on the self. [Keywords: medicine, Islam, Egypt, fatalism, bioethics, organ transplantation, illness, suffering, divine will]
This article draws upon fieldwork among poor dialysis patients in Egypt (2002-04) to revisit questions about fatalism and medical treatment. I analyze when and under what conditions devout Muslims in contemporary Egypt appeal to utter submission to divine will and when they seek particular medical interventions. The cultivation of steadfastness is highly valued in many religious traditions. Yet many historical accounts by European travelers and Orientalist scholars describe pious Muslims as "fatalists" for cultivating this disposition,1 a descriptor that has persisted in the contemporary Western media.2 It is critical to unpack the various implications of the charge of fatalism as well as the social realities that it masks for a better understanding of the practices of both Islam and biomedicine.
I argue in this article that the common formulation of passive Muslim fatalism grossly misunderstands the ways in which religious dispositions are embodied. Dispositions of acceptance of divine will are far from passive and must be actively cultivated. Further, such a disposition is not necessarily contrary to acting in the world. Whether and when to ultimately cultivate such a disposition is necessarily contingent upon how much control patients feel they have in the face of illness and other trials, and on whether they have any options that would really provide an appropriate "solution" that could be lived with medically, socially, and spiritually.
Among many Western observers, the Islamic theological premise that believers should utterly submit themselves to the will of their omnipotent Creator is taken to be a causal determinant of the way that Muslim adherents live their lives-the assumption, among polemicists, being that they are condemned to irrationality, with little incentive to work for social progress in this world. Not only is Muslims' supposed proclivity to fatalism said to be politically dangerous, but it is also imagined to be a major impediment to the development of scientific knowledge and to the reception of new technologies.3 If bad conditions are accepted as a sign of God's will, then why should the faithful develop the technological means to improve them? If illness is a test of faith, then should devotees not seek medical treatment?
Social scientists have generally had poor critical tools for analyzing how believers face and experiences these questions, particularly given the prevailing secularist presumptions in academia about human agency and the normative subject who transcends cultural norms and religious bounds (Asad 1993, Asad 2003, Mahmood 2005, Hirschkind 2006). Faith in divine will has often been interpreted as passivity, inaction, or false consciousness-a functionalist mechanism to alleviate poverty and suffering. Or, too often, religion is assumed to be a tool of manipulation by the powerful to keep the disadvantaged downtrodden. …


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If we had to pare our fancy skincare products down to a single product, this eco-savvy face and body oil would be a smart pick. Formulated with five 100 percent USDA-certified organic oils and vitamin E, the light but nourishing formula works on dry and oily skin alike. A couple drops smoothes over fine lines and protects against environmental damage.
I'm a fan of oils, hair body and face. This one, in particular, had a very strong scent. It was effective for me as a face and body oil, there wasn't enough left in the sample after that to try it in my hair. However, when the scent was combined with all the other scented products I use, it proved to be a little to strong for me.4
I read recently that argan oil can be used on the skin, so I was thrilled to be able to try this oil on my face and add it to my foundation . I like that it is not greasy. I also love that I can use it in my hair. I liked everything about it except the interesting grassy smell. I think lavender would have been a nice scent to add. Either way I love this product.4
This isn't something that I would otherwise buy, because I wouldn't really know what to do with it. But I have to say that it is quite hydrating like it says, I placed it on a couple patches of eczema and the itching stopped right away, so that's probably what I'm going to continue using it for.4
Pretty good. At first it feels greasy, at least till it soaks into the skin. Of course it's oil, so it's bound to feel greasy. After it soaks in however, it's great. Very moisturizing for dry skin like mine. Not to mention it gives a great glow.4


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Rebecca R. Care Companion in Broad Run, VA 20137. Looking for full or part-time work as a care companion.
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Broad Run, VA
- Age 22
- 6 years paid experience
- Female
Last signed in: More than 6 months
Home Care Rates $10 per hour
Rebecca's Bio
I took care of my grandfather for over 6 years before he passed away from alzheimers disease. I bathed him, cooked and fed him, changed him, helped him use the bathroom, and always gave him his medication on time. I also cut his hair for him, and shaved his face. I know how hard it use to watch a loved one slowly lose their memories. It's a very stressful situation, and I know I could go above and beyond taking care of a sick elderly person. It's very hard work, and it's not easy to do.
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6 years paid experience
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- Conversation and companionship
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- translation missing: en.profile.provider.search.companion_care.basic_care_experience.bathing
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August 16, 2014
Rapid risers
AUBURN | A pair of young Tigers made strong impressions during a special teams and third-team scrimmage inside Jordan-Hare Stadium Saturday.
Both of them secured jobs as a result.
Freshman Sean White, who impressed observers with a series of sharp throws Saturday, has beaten out junior Jonathan Wallace at third-team quarterback.
Redshirt freshman Daniel Carlson, who has all but locked down the field goal and kickoff jobs, will enter the season as Auburn's top punter as well. He'll be the first Auburn player to handle all three roles concurrently since Damon Duval from 1999-02.
"He's very talented first of all -- talented enough to win the job against some pretty good punters," coach Gus Malzahn said. "We're going to have to do a good job of watching his leg -- not just every game, but especially as the season wears on with trying to keep it fresh. I'm sure there will be some growing pains, we know that anytime you go with a redshirt freshman, but he's very talented."
Carlson will have a big impact on the Tigers' season. Barring some cataclysmic development, White will not.
Still, White's performances during fall camp may be a bigger story. Though White was a four-star prospect who played well last fall and performed even better on the camp circuit, the Florida native nonetheless has a symphony of detractors.
They say he lacks upper-tier arm strength.
They say he doesn't have enough speed to affect defenses.
They said his value is too rooted in his ability to win rather than perform at a high level on an individual basis. Malzahn said Saturday that he's been summarily impressed with what his lone freshman quarterback has accomplished during the past two weeks.
"He earned it. He's very accurate," Malzahn said. "Of course, we knew that when we recruited him, but you never know how they handle everything else that goes with the position. The couple scrimmages he's been live, he runs better than everybody thinks. I really feel like he's gotten better."
Malzahn said that "in a perfect world" he'd redshirt White this season since both Nick Marshall and Jeremy Johnson already are game-tested, high-caliber players.
Now we know why.
Malzahn on Saturday said Therezie is dealing with some "eligibility issues" and his status moving forward is unclear.
"We should know more in the near future," Malzahn said.
Therezie made 57 tackles last season, the sixth-highest total on the team, and led all players with four interceptions. Garrett was expected to start ahead of Therezie in 2013, but went down with the first of two foot injuries during the first week of fall camp.
Garrett is now healthy. Defensive coordinator Ellis Johnson said last week that Garrett, a junior, has been playing at a high level.
Malzahn may be more aggressive with his newest phenom.
Freshman Braden Smith, who is working primarily at left tackle right now, has wowed coaches, teammates and observers throughout fall camp. Though sophomore Shon Coleman has performed well and is expected to start against Arkansas at left tackle, Malzahn doesn't want to send Smith to the scout team this fall.
"If you get a guy that physically can play and you feel like he can get better throughout the year, and really, really be quality, I think he" should play, Malzahn said. "I mean, I'm not going to sit here and say right now for sure he's going to play, but we're leaning that way."
Still, don't start making Heisman Trophy futures bets just yet.
"Actually, we call him Johnny Manziel because they look alike," Johnson said with a smile. "Sean is a great quarterback. He makes throws that any quarterback can make. He's great. He's the real deal and he's got a lot coming in the future."
A reporter then asked Johnson if White plays like Manziel.
"Nah," Johnson said. "They look alike."
He started as a freshman in 2012. He split time between the second- and third-team offense last fall. With White now ahead of him in the pecking order, Wallace clearly isn't making much progress toward the starting job.
Wallace does have a role, though. He's expected to open the season as Auburn's holder.
"He's valuable in a lot of areas," Malzahn said. "He's doing some holding, he's on special teams and he's also a solid quarterback in his own right. So, you know, we've got four guys we feel good about being able to step up and run our offense."
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Hurricane Sandy's Fibonacci Golden Spiral
Insider's Guide to Broadway & Beyond
Hurricane Sandy's Fibonacci Golden Spiral
Courtyard Door in the Old City - Montpellier, France by JIMWICh on Flickr.
Lots of graphic snowflakes are composed of typographical elements, such as this one. But unfortunately the designer of this holiday greeting decided that these snowflakes should be MUTANTS WITH 8-SIDES.
This is all I can think when I see these two…
"Girl With A Parole Hearing"
I voted to re-elect my hero as Sheriff-in-Chief today - Bronco Bama!
Happy Pi Day!
This may actually be the most ridiculous thing I've ever created. And dangit, I'm still one short of "Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo"!
Can (the band) can (is able to) can (preserve in a container) Can (short for Canadian) Can-Can (the Parisian show dancers) can (sealed metal container you see here).
Word, Big Bird.
Please use and share this Facebook cover image to show the reasons you support re-electing President Obama!
Here's my own take on this new phenomenon of crowd-sourced detective work - We're clearly living in times of rapid technological and communicational evolution. There is no road map for how to proceed, nor any feasible centralized way to control the usage (or benefits or risks) of internet-connected groups who spontaneously start analyzing images and identifying possible suspects in a case such as this.
Will mistakes, even terrible and regrettable ones be made as this phenomenon catches on? Undoubtedly, and they already have, such as this case.
However, such dynamics can also evolve and improve. The onus is on us, meaning everyone, including those who participate in such crowd-sourced sleuthing, to properly contextualize uncorroborated and unconfirmed judgements. We cannot, in any way, lay the blame squarely upon Redditors or 4channers, but can very definitely lay the blame on, in my opinion, official media outlets or the authorities themselves if such data is prematurely announced.
In other words, it's my opinion that we need to clearly distinguish between at least two tiers (and probably more) of authority/legitimacy/confirmation when it comes to anything remotely like this. We can, indeed, blame anyone that takes any direct vigilante action against someone as well, and make an example of that not being the thing to do.
From my observation, law enforcement has been very, very careful and deliberate in the information that they release, despite many (wrongheadedly) putting pressure on them to hold press conferences at particular times, or criticizing them for not. Bravo for them.
And, as media watching journalist, Dan Gillmor observed earlier this week, there does seem signs of the emergence of slow news in the wake of this tragedy. Of course, one has to separate the despicable behavior of the New York Post, in its choice to publish the photographs of unconfirmed suspects on their front page, from other more professional and careful outlets. In heated newsworthy situations such as the Watertown shootout and subsequent Boston-area manhunt which occurred overnight, where events were unfolding in real-time, and many people were glued to minute-by-minute reports and speculation, cable news outlets were clearly following what was being discussed and reported on Reddit and elsewhere, but I heard and read many responsible qualifiers to speculation. So I don't interpret what occurred as anything remotely like an actual lynch mob, at least for the overwhelming and most important majority of professional news and communication I witnessed.
Today I'm reading and hearing much consternation, and some outright hostility to Reddit and Redditors, and yet I feel such anger and criticism misses the bigger picture and some potentially important and valuable opportunities that we have. What I think we really need to do is to learn, collectively, how to conduct crowd-sourced sleuthing in an effective and helping manner, and not in a manner that confuses and complicates things.
I'm also sensing a great deal of hostility toward Reddit coming from traditional journalism sources. That strikes me much, much more as self-interest and self-preservation at work, than a legitimate or rational analysis of the phenomenon that's emerging and what is possible in such dynamics. And I say this because none of the criticisms I've read so far have pointed out the many potential improvements that could be made, and the potential benefits that could come from improved approaches.
Here's why I don't equate what's now emerging as crowd-sourced sleuthing with "vigilantism" or "lynch mobs." Neither historical phenomenon was paired with the type of communication technology that have today - in other words, real-time communication and information update capabilities. In vigilante and lynch mob dynamics, a determination is made and then the mob goes and acts. Period. There's no effective or even feasible communication and informational feedback loop at work. In traditional vigilantism and lynch mobs there exists no mechanism or means to allow a pausing, reflection, or reassessment to occur. Such traditional dynamics are truly (not just figuratively) out of control. But in the realm of the internet and mobile communications, where we could, if we so choose, establish reputation system architectures and other types of checks and balances, it's completely and rationally possible to envision the emergence of a truly new, beneficial, and improvable collective behavior.
I've also seen many hasty calls for more surveillance. And by surveillance this usually means governmental, centralized, and corporate surveillance, of the type that's much more ubiquitous in countries such as England. Frankly, I find that kind of Big Brother-like, always watching eyes (under the control of centralized authorities or corporations) both psychologically oppressive and concerning to our civil liberties.
Instead I favor something quite different. I favor all of us, collectively, developing response instincts that can be employed in a person-by-person, distributed fashion. For example, in any situation where there's an emergency, or attack such as occurred in Boston on Sunday, I think EVERYONE should spontaneously pull out their mobile phones and cameras and start snapping photographs all around them and shooting videos of the surrounding scene and environment.
We were fortunate that one person in Boston caught a photograph of one of the suspected marathon bombers with his iPhone that was much clearer than the security camera at the department store. Together they were even more powerful. But together, with some collective thought and planning, we could do much more in the future. With face-recognition and pattern-matching technology advancing, it will soon be possible to sort through thousands of such captures much more efficiently than we do today. But, and this is key, highly distributed, spontaneous crowd-sourced surveillance in the wake of some collectively agreed-upon-as-worthy event, would have many advantages over constant 24/7 dragnet of centralized surveillance. The type and level of commercial and private building surveillance that we see now is useful, sometimes in a preventative manner and sometimes, as was the case in Boston this week, in helping to solve the case.
But government-sponsored surveillance leads to surveillance footage on an ongoing basis, piling up in a centralized government (or farmed-out private corporation) databases. That type of surveillance does have its uses and is likely to expand anyway, but it can never be as powerful as almost all of the eyes in any crowd, and carries potential risks to civil liberties.
Let's respond instead with a smarter, improved, risk-managing, and more distributed model. This week's experience should be seen as a positive learning experience, and not just an opportunity to uncreatively bash internet culture for the mistakes it's made. Let's acknowledge and study errors committed, and endeavor to do better and smarter next time.
Make that continually better and smarter every time.
Idea by Jef Poskanzer - acme.com
New Pumpkin Spice Roundup!
The banner I made for my Facebook page this season…
Actually, every day is Earth Day!
With Reddit and 4chan joining the sleuthing to find the Boston bomber, I'm thinking that a CSI:/b can't be far behind. And if you think about it, "Teenage Wasteland" is already the perfect themesong…


text: Baby #3 is due in March, and I'm looking into purchasing a K'tan. I have a Beco Gemini, Moby Wrap, and Maya Ring Sling. I love my Beco Gemini, but won't be using it till baby is a little older. I'm not a fan of my Moby or Maya Wrap- just too much material and heavy and hot. I live where it gets to be over 100 degrees in the summer, so I'm looking for something that is light-weight (so not a lot of material) and easy to put on. Any recommendations of something like that? I have been to some local BWing meetings and have seen wraps, and while I know they are great- I'm not interested in getting one- its just too much material/work for what I'm looking for. Thank you!!!


text:
if Dice-K or any other Boston pitcher were to go down, who would be in line to take their spot?
Buchholz or Masterson?
edit: well, just as I posted the news came out that Dice K is on the DL. Guess we'll find out soon enough who's next in line.
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Key things you need to know aboutDr. Drucker:
Dr. Drucker's Experience
Research training, expertise and qualifications
Dr. Drucker's Care Philosophy
Dr. Drucker's Specialties
Procedures Dr. Drucker Performs
- Arteriovenous Shunt Creation
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- See all 25 procedures
Conditions Dr. Drucker Treats
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- See all 61 conditions
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The right hospital is as important as the right doctor
- St. Mary Medical Center
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Patients' risk of dying during a hospital stay for heart bypass surgery could be 87.4% lower, on average, at a hospital rated 5 stars compared to a hospital rated 1 star for that procedure. Choosing the right hospital is critical to your health. View Slideshow
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Likelihood of recommending Dr. Drucker to family and friends is 5 out of 5 5 1 12
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Sorry, this product is currently not available on buckle.com.
- All-over textured lace top
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- 50% Nylon, 40% Rayon, 10% Spandex.
- Machine wash cold with like colors. No chlorine bleach. Lay flat to dry, reshape when wet. Low iron if needed.
- Made in China.
Have a Question?
- Body length 28" on size medium.


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Best Breakfast (2009)
Sabine River Cafe
Known for its Cajun creations, the Sabine River Cafe might not be one of the first places you think of for breakfast. But it should be. Inside this sleek, modern-looking restaurant with wraparound outdoor seating, the kitchen is pumping out simple, flavorful food every morning from 7 to 11. From breakfast burritos to biscuits and jalapeño cream gravy to pecan waffles shaped like Texas, Sabine has it all. And for those who need a little Cajun first thing in the morning, order up the all-Cajun breakfast, complete with andouille smoked sausage and a beignet covered with powdered sugar and honey.
Location Details
More Food & Drink Awards
Best Soul Food RestaurantThe Kitchen Soul Food
Best ServiceBarnaby's Cafe
Best Burger JointLankford Grocery and Market
Best Cuban RestaurantCafe Piquet


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Total running time: 2 hours and 36 minutes (approx)
Region: Region 2 - Will only play on European Region 2 or multi-region DVD players.
Over two and a half hours of the performances and songs sung by the populist, morale boosting variety acts and singers of the second World War. This DVD also celebrates the work of ENSA – the "Entertainments National Service Association" set up in 1939 to provide entertainment for British armed service personnel throughout the war. ENSA endearingly became known by the troops as "Every Night Something Awful". Features include balancing acts, strongmen, comedians, musicians and singers including Flanagan & Allen, Gracie Fields, Vera Lynn, Max Wall, Joe Loss and many more.
Our DVDs are PAL format. Feature films are zone 2.
British Tanks Of The Second World War - Expan ... More ›
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text:
sp_replmonitorsubscriptionpendingcmds (Transact-SQL)
Applies To: SQL Server 2014, SQL Server 2016 Preview
Topic Status: Some information in this topic is preview and subject to change in future releases. Preview information describes new features or changes to existing features in Microsoft SQL Server 2016 Community Technology Preview 2 (CTP2).
Returns information on the number of pending commands for a subscription to a transactional publication and a rough estimate of how much time it takes to process them. This stored procedure returns one row for each returned subscription. This stored procedure, which is used to monitor replication, is executed at the Distributor on the distribution database.
sp_replmonitorsubscriptionpendingcmds [ @publisher = ] 'publisher' , [ @publisher_db = ] 'publisher_db' , [ @publication = ] 'publication' , [ @subscriber = ] 'subscriber' , [ @subscriber_db = ] 'subscriber_db' , [ @subscription_type = ] subscription_type
Only members of the sysadmin fixed server role at the Distributor or members of the db_owner fixed database role in the distribution database can execute sp_replmonitorsubscriptionpendingcmds. Members of the publication access list for a publication that uses the distribution database can execute sp_replmonitorsubscriptionpendingcmds to return pending commands for that publication.


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Staci Gray / Staff
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Romero Ramirez, left, of the Idalou Meanstreet boxing club lands a punch to the face of Angel Aguilar of the Lubbock Warriors while simultaneously taking a punch in the face. The boxers were among many who squared off Friday in the Texas State Regional Golden Gloves competition at the Lubbock Memorial Civic Center.
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Arizona Cardinals
Cardinals C Lyle Sendlein out for season with knee injury
The Arizona Cardinals' already thin offensive line suffered another blow Monday, as center Lyle Sendlein will miss the remainder of the season with a torn MCL in his left knee.
The injury happened in the first quarter of Sunday's 31-17 loss to the St. Louis Rams.
Cardinals confirm C Lyle Sendlein to miss rest of season w torn MCL in L knee; had started 80 straight since taking over spot in '08
— MarkDalton (@CardsMarkD) November 26, 2012
Sendlein, in his sixth season with the Cardinals, has started the last 80 games for Arizona, a streak that began in 2008. He's been a stalwart in the middle of a line that has seen constant change around him.
According to AZCardinals.com, veteran Rich Ohrnberger is the team's backup center.
Sendlein is the third starting offensive lineman to go down with an injury this season. Tackles Levi Brown and Jeremy Bridges were injured in the preseason.
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2-5-16 The Sports Kabob with Jarrett Carlen
Friday February 5
Topics include Johnny Manziel, the Presidential race, and the Super Bowl. It's sports news skewered
Kurt Warner, NFL Network analyst
Friday February 5
Warner talks about his chances at the Hall of Fame and who will win the Super Bowl
Mark Schlereth, ESPN NFL Insider
Friday February 5
Schlereth tells us who will win the Super Bowl and shares his past experiences in the Big Game
Bickley Blast
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Larry Fitzgerald, Sr. - NFL Beat Writer
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VillagePic is a new Aussie website dedicated to bring local content to local people. We are after articles in the range of 800-1000 words that appeal to Australians.
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RX100 video: 50/60i is in fact 25p/30p or not? And how to deal with it?
Started Mar 26, 2013 | Discussions thread
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Contributing Member • Posts: 913
RX100 video: 50/60i is in fact 25p/30p or not? And how to deal with it?
Mar 26, 2013
I have read that 50/60i is in fact 25p/30p, it is only stored in interlaced fashion.
Anyway, ideally I would like to shoot in 25p/30p but I have difficulties playing or dealing with interlaced footage. I know NLEs like FCP X are able to read 50i footage in 25p timeline etc., but not all footage is meant for NLE postproc.
Is there a possibility to 're-wrap' the 50i file to simply re-gain the original 25p/30p footage, thus being playable in QT etc.? - without de-interlacing it, I understand that de-interlacing introduces artifacts. I have clip-wrap (using a Mac).
Confusing stuff - ideally I would simply like to shoot in 25p. I dislike 50p/60p. Any suggestions to make life easy without sacrificing IQ (>mpg)?
Sony RX100
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See definition in Oxford Advanced Learner's DictionaryLine breaks: di¦nero
Pronunciation: /dɪˈnɛːrəʊ/
Definition of dinero in English:
noun[mass noun] North American informal
Money: their pockets full of dinero
More example sentences
- I've never tried it, but it makes sense to me, especially if it means saving mucho dinero on gifts.
- Shame on the Canadian money men for not throwing in a few Canadian dinero for at least a commentary track.
- It hopes to capture the Latino market and grab mucho dinero without changing the network's news programming.
Spanish, 'coin, money'.
Words that rhyme with dinerobolero, caballero, Faeroe, pharaoh, ranchero, sombrero, torero
Definition of dinero in:
- US English dictionary
- Spanish dictionary
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Now that marijuana is legal in Colorado, state officials want to make sure that drivers know it's not just alcohol that shouldn't be with you behind the wheel, but pot as well. The state's Department of Transportation is publicizing that message ahead of the April 20 (4/20) celebrations in the state by way of a fake driving game installed at various dispensaries. [More]
Colorado DOT Installing Fake Arcade Racing Game At Pot Shops To Warn Players Against Driving While High
Feds Pushing States To Lower The Drunk Driving Threshold To 0.05 BAC
Having a glass of wine with dinner and thinking about driving? That might be a bit more of a gamble in the future, as the National Transportation Safety Board is lobbying states to reduce their thresholds for drunk driving from the national standard of 0.08 blood alcohol concentration to 0.05. [More]
Colorado's "Drive High, Get A DUI" Campaign: Because Having The Munchies Is Distracting
Just like Colorado doesn't want drunk drivers swerving all over its roads and endangering people, the state doesn't want anyone getting stoned and trying to operate a car, now that marijuana is legal in the state. Because if what we've learned from the movies about reefer is true, there are plenty of distractions when you're stoned — food (Funyuns specifically), the way Willie Nelson's braids sway just so and oh what's that thing I must stare at over there? [More]


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Dr.Lewellyn was born in 1949. He is married and has two children. He has been practicing in Austin since 1984 and has previous experience in Emergency Medicine. Currently, he is on the staff at Seton, Brackenridge, St.David's South Austin, and Children's Hospital of Austin. Dr.Lewellyn's practice sees patients from birth through adolescence. He and his practice participate in many health plans. Experienced and thorough, they are ready to help.


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Caden Beggan died in his parents' arms
/ News
THOUSANDS of people have paid tribute on Facebook to tragic youngster Caden Beggan.
The six-year-old yesterday lost his battle with meningo-coccal septicaemia blood poisoning.
His parents David, 44, and Angela, 39, created a page on the social networking website Facebook in October to keep friends and family updated on his condition, and it has since been "liked" by more than 45,000 people.
It had been hoped that Caden, of Cleland, North Lanarkshire, while very ill, would survive the illness.
But last night his father left a heart-breaking update.
He wrote: "Dear friends, Caden Riley Beggan. Born 29th September, 2006. Died 20th November, 2012-in Mummy and Daddy's arms."
Last night thousands of users began posting tributes on the page.
Danielle Jones said: "Know that you touched so many people's hearts with your diary of Caden's fight! Every one of them is grieving with you now."
Caden was taken to Wishaw General and transferred to Yorkhill Children's Hospital in Glasgow last month as he fought the infection.
In a post on the site at the weekend, graphic designer David revealed that Caden, who has two brothers, Declan, 12, and Ethan, 3, was preparing for surgery on Monday.
But concern had grown when no post was made on Monday.
Last night head teacher Pat Ashworth, of Caden's school, Ladywell Primary said: "The whole school is terribly shocked at Caden's tragic death."
Last Saturday, the Evening Times told how First Bus painted one of its buses pink to help highlight Caden's battle.
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