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ALERT: This Saturday, from noon to 1 p.m. at Grace Episcopal Church, downtown on the Capitol Square, Madison Music Makers will give a FREE concert in the monthly Grace Presents series of music that includes works by Johann Sebastian Bach, Johann Pachelbel, Antonio Vivaldi and Ludwig van Beethoven as well as popular music, country music and American, Bolivian, French, German, Jewish, English folksongs. Founded in 2007 by Bonnie Green and sponsored by many individuals and groups, including the Madison public schools, Madison Music Makers is dedicated to giving low-income students in the Madison area high-quality music lessons.
For more information about how to support or participate in the organization, visit: www.MadisonMusicMakers.org
By Jacob Stockinger
The Wisconsin Youth Symphony Orchestras (WYSO) will present its first concert series of its 50th anniversary season, the Evelyn Steenbock Fall Concerts, on Saturday, Nov. 14, and Sunday, Nov. 15.
Nearly 400 young musicians will display their talents to the community during the three concerts, which are dedicated to private and school music teachers.
The Evelyn Steenbock Fall Concerts will be held in Mills Concert Hall in the University of Wisconsin-Madison's George Mosse Humanities Building, 455 North Park Street, in Madison.
WYSO concerts are generally about an hour and a half in length, providing a great orchestral concert opportunity for families.
Tickets are available at the door, $10 for adults and $5 for youth 18 and under.
WYSO's Percussion Ensemble (below), led by director Vicki Jenks will kick off the concert series at 1:30 p.m. on Saturday.
Immediately following the Percussion Ensemble, the Philharmonia Orchestra (below) and its conductor Michelle Kaebisch will take the stage and perform the Masquerade Suite by Aram Khachaturian; Reigger's Rhythmic Dances; the Light Calvary Overture by Franz Von Suppe; and the Berceuse (Lullaby) and Finale from the "Firebird Suite" by Igor Stravinsky.
At 4 p.m. on Saturday, the Concert Orchestra (below) under the direction of conductor Christine Eckel will perform The Quest by Kerr, Romany Dances by DelBorgo and Slane by Douglas Wagner. The Concert Orchestra will also perform two works by John Williams in Star Wars: Episode 2 Attack of the Clones, and Harry Potter and the Deathly Hallows Part 1, which Williams co-composed with Alexandre Desplat.
Following the Concert Orchestra, WYSO's string orchestra, Sinfonietta (below), will take the stage. Conductor Mark Leiser will lead the orchestra in seven works including the Adagio movement from the Symphony No. 2 by Sergei Rachmaninoff; Silva's The Evil Eye and the Hideous Heart; Edward MacDowell's Alla Tarantella; Shenandoah arranged by Erik Morales, Forever Joyful and Lullaby to the Moon by Balmages; and the Entrance of the Queen of Sheba by George Frideric Handel.
On Sunday, Nov. 15, WYSO's Harp Ensemble (below), under the direction of Karen Atz, will open the 1:30 p.m. concert.
Following the Harp Ensemble, the Youth Orchestra (below), under the baton of WYSO music director Maestro James Smith, will perform three pieces.
In honor of WYSO's 50th Anniversary, WYSO welcomes back one of their illustrious alumni, violist Vicki Powell (below). Powell began her vibrant musical career studying with UW-Madison faculty members Eugene Purdue and Sally Chisholm, who plays with the Pro Arte Quartet.
From there, she graduated from the Julliard School and the Curtis Institute of Music. She has performed as a soloist with the Philadelphia Orchestra, the Milwaukee Symphony, and the Wisconsin Chamber Orchestra. For her full bio, please visit our website at http://www.wysomusic.org/evelyn-steenbock-fall-concerts/vicki-powell.
Vicki Powell, along with the Youth Orchestra will perform the Concerto for Viola and Orchestra by Bela Bartok. (You can hear the rhapsodic slow first movement played by Yuri Bashmet and the Berlin Philharmonic in a YouTube video at the bottom.)
Following that performance, the Youth Orchestra will continue the concert with Rainbow Body by Theofanidis and the Symphony No. 9 by Dmitri Shostakovich.
This project is supported by Dane Arts with additional funds from the Evjue Foundation, Inc. charitable arm of The Capital Times. This project is also supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
For more information about WYSO, visit:
By Jacob Stockinger
Stradivarius violins may be rare, but they have sure come in for their share of adventure in the past year and a half.
First, there was the theft of the "Lipinski" violin owned and played by Frank Almond, the Paganini Competition-winning concertmaster of the Milwaukee Symphony Orchestra.
That story made national headlines.
Now comes word of a second Strad (below) that has been rescued 35 years after it was stolen.
This violin belonged to Roman Totenberg. He was the concertizing violinist and violin teacher at Boston University who was the father of the well-known and prize-winning legal affairs reporter for NPR, or National Public Radio, Nina Totenberg (below center with her two sisters). She is probably best known for her stories on the U.S. Supreme Court. When her father died in 2012 at 101, she also did a memorable obituary.
(At the bottom in a YouTube video, you can hear Roman Totenberg playing the Violin Concerto No. 1 by Polish composer Karol Szymanowski, with the Boston University Symphony Orchestra on the occasion of his 90th birthday.)
Roman Totenberg bought the so-called Ames Stradivarius for $15,000 in 1943. It is now said to be worth tens of millions of dollars after restoration. But his daughters promise it will be sold to a great violinist who will play it and perform with it as their father did — and not go into some museum or investment collection.
The story was all over the media -– maybe because it was good news amid so much bad news, a happy ending amid so many unhappy endings.
And what do you say when Nina Totenberg explains that her heart-broken father, who suspected who the thief was, moved on after the theft and bought another violin – a Guarneri del Jesu -– because he had personally suffered much bigger losses such as the deaths of his family in Nazi death camps during World War II.
That is perspective at a time when we sorely need perspective, especially about the worth of material objects versus humanist values.
Here is a story from NPR in which Nina Totenberg takes part and in which you can hear excerpts of her father playing a violin and piano sonata by Johannes Brahms and solo violin music by Johann Sebastian Bach:
And here is the big story it got in the New York Times:
By Jacob Stockinger
Four of Wisconsin's most talented young musicians will perform in concert with the Madison Symphony Orchestra (MSO) as Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR) offer a live broadcast of "Wisconsin Young Artists Compete: The Final Forte" at 7 p.m. this Wednesday night, March 25.
WPT will air an encore presentation 11 a.m. Sunday, March 29.
The Final Forte features (below) harpist Maya Pierick, a student at Madison West High School, violinist Julian Rhee, a student at Brookfield East High School, pianist Vivian Wilhelms, a student at Waunakee High School and pianist Isabella Wu, a student at Madison Memorial High School. (Below are, from left to right, pianists Isabella Wu and Vivian Wilhelms, violinist Julian Rhee and harpist Maya Pierick.)
The four young artists will perform in the Capitol Theater (below) of the Overture Center for the Arts with MSO music director John DeMain conducting the MSO as the four teenagers vie for honors and scholarship money in the 2015 Bolz Young Artist Competition.
Each finalist will perform a movement from a concerto while judges determine who will win scholarships. The winners will be announced at the end of the concert.
Members of the public are welcome to attend the free live performance. Phone 608-257-3734 or visit madisonsymphony.org online to reserve a seat. Click here to make your reservation via email
Be sure to include your name and the number in your party. We are expecting a full house, so if you make a reservation and are unable to attend, please let us know.
Audience members MUST be seated by 6:45 p.m.
Wisconsin Young Artists Compete: The Final Forte is a partnership of Wisconsin Public Television, Wisconsin Public Radio and the Madison Symphony Orchestra.
Wisconsin Young Artists Compete: The Final Forte is part of WPT's multi-year Young Performers Initiative, a statewide effort to raise the visibility of the arts, celebrate the creative achievements of Wisconsin's young people and support the arts in education.
Major funding is provided by Diane Ballweg, Fred and Mary Mohs, Stephen D. Morton, and The Boldt Company, with additional funds from Sentry Insurance Foundation, AHMC Properties, A. Paul Jones Charitable Trust, Margaret C. Winston, W. Jerome Frautschi, James Dahlberg and Elsebet Lund, Larry and Julie Midtbo, Kato L. Perlman, Anne W. Bolz, and Friends of Wisconsin Public Television.
The Final Forte is the final round of the MSO's Bolz Young Artist Competition. Young artists from across the state of Wisconsin competed in the Bolz Young Artist Competition's two preliminary rounds for a chance to perform a movement from a concerto with the Madison Symphony Orchestra during the final round.
The 90-minute WPT program features profiles of each of the finalists.
Tune in to these ENCORE broadcasts:
The unique collaboration among the Madison Symphony Orchestra (below), Wisconsin Public Radio and Wisconsin Public Television is producing award-winning programming. In addition to an Emmy Award nomination, the Final Forte earned First Place in the "Special Interest" category from the Wisconsin Broadcasters Association in 2007 and was rated the fifth most-watched program in the February 2007 Nielsen ratings (the television audience was 63 percent greater than WPT's average audience in the Madison market). The 2008 broadcasts on WPR and WPT reached more than 60,000 viewers in the Madison market alone and there were an estimated 200,000 statewide viewers and listeners for the 2009 broadcasts.
CONDUCTOR JOHN DEMAIN'S TAKE: "This has been a very auspicious partnership," says John DeMain (below, in a photo by Prasad). "The quality of the broadcasts and the performances of the finalists are simply spectacular. I think this sends a magnificent message to our community and to the entire state of Wisconsin about the importance and effectiveness of our music education programs. It is an extraordinary opportunity for everyone to feel the commitment and energy of these young performers and to reflect on the central role the arts play in our lives. I look forward to these events with great joy."
DeMain will lead the MSO in the final movement of the Symphony No. 4 in D Minor, Op. 120, by Robert Schumann while the four judges are evaluating the performers.
Please contact Director of Development Casey Oelkers at (608) 257-3734 or email@example.com.
Maya Pierick, age 17, is a senior at Madison West High School. Having started early in Suzuki violin, she began playing harp at age eight with Karen Atz. She currently studies with Danis Kelly of the Milwaukee Symphony Orchestra. Maya has played harp in the Wisconsin Youth Symphony Orchestras (WYSO) from 4th through 11th grade. After playing for 6 years at the Youth level under conductor James Smith, she toured Argentina with WYSO in 2014.
Maya's realized her love of singing with choir director Heather Thorpe at First Unitarian Society. In high school she has furthered her achievements in voice by successfully auditioning into the Cantabile choir of the Madison Youth Choirs under the direction of Michael Ross, as well as West High School's Concert Choir under the direction of Anthony Cao – with whom she recently completed a semester as teaching assistant to the Freshman Choir.
In her spare time Maya also enjoys dance, ceramics, circus arts and photography. In college, Maya plans to study Harp Performance and Physics.
She will play Marcel Tournier's "Feerie" for Harp and Strings.
Julian Rhee, age 14, is a freshman at Brookfield East High School. Julian recently won the 2015 Wisconsin Chamber Orchestra Young Artist Competition; the 2015 Milwaukee Youth Symphony Concerto Competition; and the 2015 Concord Orchestra Dorothy J. Oestreich Concerto Competition. Also, Julian is one of the 11 violinists advancing to the semi-finals of the prestigious Johansen International Competition for Young String Players, where he will be traveling to Washington, D.C. representing Wisconsin.
Julian won the Madison Symphony Orchestra's Fall Youth Concerto competition in 2011 and 2013. Julian has performed with the Milwaukee Symphony Orchestra, the Milwaukee Youth Symphony Orchestra, the Menomonee Symphony Orchestra, as well as being the youngest semi-finalist of the 2013 Stradivarius International Violin Competition at age 12.
In addition to violin, Julian has studied piano since age 7, and loves to read, play basketball and video games, and is an avid local sports team fan. Julian is Concertmaster of the Milwaukee Youth Senior Symphony Orchestra and is currently studying privately with Ms. Hye-Sun Lee at the Music Institute of Chicago.
He will perform the first movement of the Violin Concerto in D, Op. 77, by Johannes Brahms.
Vivian Wilhelms, 16, is a sophomore at Waunakee High School. Vivian began playing piano at age four and currently studies with Bill Lutes. In 2010, she was the winner of the MSO Fall Youth Concerto Competition, and in 2013, she was a winner of the Wisconsin Youth Symphony Orchestras (WYSO) Youth Orchestra Concerto Competition. In 2014, she received first place in the UW Madison School of Music High School Piano Extravaganza Competition and was the runner-up in the WMTA Badger State Competition. This year, she also received an honorable mention in the Lacrosse Rising Star Concerto Competition. Vivian has studied violin with Janet Chisholm since she was eight years old and has been an active member of WYSO since 2011.
In school, Vivian is a member of the varsity forensics and Science Olympiad teams. She also loves volunteering as a mentor for beginning violinists through Madison's Music Makers program and frequently visits the Waunakee Manor, a local retirement center. In her free time, Vivian enjoys swimming, writing, listening to music, and hanging out with her friends.
She will plays the second movement of the Piano Concerto No. 2 in C Minor by Camille Sant-Saens.
Isabella Wu, 16, is a sophomore at Madison Memorial High School. She began piano at age 5 with Shu-Ching Chuang. Isabella won the 2010 and 2012 Madison Symphony Orchestra Fall Youth Concerto Competitions, the 2014 Wisconsin Chamber Orchestra Youth Artist Competition, the 2014 Chippewa Valley Symphony Kristo Orthodontics Young Artist Competition, and received honorable mention at the 2013 Midwest Young Artists National Walgreens Concerto Competition. She also won the 2009 Wisconsin State Badger Competition and placed runner-up in the 2012 Music Teachers National Association Wisconsin State Competition.
Isabella additionally plays violin and studies with Liz Norton. A member of the Wisconsin Youth Symphony Orchestras (WYSO) since 5th grade, she has won the Philharmonia Concerto Competition on violin, the Youth Concerto Competition on piano, and served as concertmaster and principal second.
This year, Isabella is a percussionist in her school's highest band. Outside of music, she is a Mathcounts coach, Lincoln-Douglas debater, member of Future Business Leaders of America, and writes for the school newspaper. Isabella enjoys art, literature, and philosophy, and can be found wandering through the woods on bike or foot.
She will play the first movement of the Piano Concerto No. 1 in F-Sharp Minor, Op. 1, by Sergei Rachmaninoff.
By Jacob Stockinger
It has been a few years since the acclaimed and impressive Milwaukee Symphony Orchestra (MSO, below) –- still in the news (a link to a story on NPR, or National Public Radio, is below) because of the attempted theft of concertmaster Frank Almond's $3-million Stradivarius violin — played an annual concert at the Wisconsin Union Theater. The Ear always looked forward to the top-flight playing and fine programs that the Milwaukee group brought to Madison.
But this week, the MSO, playing under an assistant conductor, will perform in nearby Edgerton at the Edgerton Performing Arts Center.
The Milwaukee Symphony Orchestra – without its music director Edo de Waart — will perform at the Edgerton Performing Arts Center on this coming Tuesday, November 18, 2014 at 7:30 p.m. Tickets are $30 in advance, $35 at the door.
Here is some information from a press release: "The Milwaukee Symphony Orchestra, under the dynamic leadership of Music Director Edo de Waart, has embarked upon a new era of artistic excellence and critical acclaim. Now in his fifth season with the MSO, Maestro de Waart has led sold-out concerts, elicited rave reviews, and conducted an acclaimed performance at Carnegie Hall. The Milwaukee Symphony Orchestra has four purposes: to comfort, educate, entertain and exhilarate the human soul." For more information, visit www.mso.org
The concert will feature conductor Francesco Lecce-Chong and violin soloist Jeanyi Kim.
The program will include the Overture to the opera "Semiramide" by the Italian composer Gioachino Rossini (below top); the Concerto for Violin No. 2 in D Minor, Op. 22, by the well-traveled Polish violin virtuoso and composer Henryk Wieniawski (below middle); and the popular Symphony No. 5 in E minor, Opus 64, by the Russian composer Peter Ilyich Tchaikovsky (below bottom). You can hear the tuneful and melancholy Tchaikovsky symphony, played by the Boston Symphony Orchestra under Leonard Bernstein, in a popular YouTube video at the bottom.
Jeanyi Kim (below) is the associate concertmaster (third chair) of the Milwaukee Symphony Orchestra and the concertmaster of the Milwaukee Chamber Orchestra. In 2007, she served as a guest assistant concertmaster of the London Symphony Orchestra under Sir Colin Davis and Valery Gergiev.
As an orchestral musician, the Toronto native has performed in illustrious venues around the world, including Carnegie Hall, the Barbican Centre, Salle Pleyel, and the Concertgebouw. In addition to maintaining a private studio, she has served on the faculties at the University of Wisconsin-Parkside, University of New Haven, and Neighborhood Music School, to name a few.
She holds a Doctor of Musical Arts degree from Yale University, from which she also earned her BA, MM, and MMA degrees.
Francesco Lecce-Chong (below), currently associate conductor of the Milwaukee Symphony Orchestra, has worked with the Atlanta, Indianapolis, and St. Louis Symphony Orchestras, Saint Paul Chamber Orchestra, and the Hong Kong, Pitesti (Romania), and Ruse (Bulgaria) philharmonic orchestras. Equally at ease in the opera house, Maestro Lecce-Chong has served as principal conductor for the Brooklyn Repertory Opera and as staff conductor for the Santa Fe Opera.
He has earned national distinction, including the Solti Foundation Career Assistance Award and The Presser Foundation Music Award. In summer 2014, he served as the associate conductor at the Grand Tetons Music Festival and had guest appearances with the Toronto Symphony Orchestra, Las Vegas Philharmonic and the Breckenridge Music Festival.
He is a graduate of the Mannes College of Music, where he received his Bachelor of Music degree with honors in piano and orchestral conducting. Lecce-Chong also holds a diploma from the Curtis Institute of Music.
Tickets are $30 in advance, $35 at the door. They are available at the Edgerton Pharmacy and Edgerton Piggly Wiggly; and in Janesville at Knapton Musik Knotes and Voigt Music Center, and by calling (608) 561-6093. Online, go to at iTickets.com
All performances funded by the William and Joyce Wartmann Endowment for the Performing Arts. An additional sponsor is the Edgerton Piggly Wiggly.
ALERT: Today at 2:30 p.m. in Overture Hall is the final performance of this season's second concert by the Madison Symphony Orchestra under the baton of John DeMain. Pianist Olga Kern (below) is the soloist in Sergei Rachmaninoff's Piano Concerto No. 1 in F-sharp minor. Other music includes the Suite from the ballet "Swan Lake" by Peter Tchaikovsky and the Symphony No. 6 by Dmitri Shostakovich. For information about tickets, the artists and the program, visit:
Here are reviews of Friday night's opening night performance:
By John W. Barker of Isthmus:
By Jess Courtier for The Capital Times:
And by Greg Hettmansberger, who writes the Classically Speaking blog for Madison Magazine:
By Jacob Stockinger
The much admired but elusive, eccentric and enigmatic Russian pianist Grigory Sokolov (below) has signed up with Deutsche Grammophon and will release a live recital –- he refuses to make studio recordings – in January.
For the news plus an interesting interview and profile of Sokolov, here is a link to a story in the British magazine Gramophone. It includes some of his quirks such as not playing pianos older than five years and his specific repertoire favorites:
Italian conductor Daniele Gatti is named the new maestro of the famed Dutch Concertgebouw Orchestra in Amsterdam. He starts in 2016 and sounds like he might be quite a bit of a contrast to past Concertgebouw conductors such as Bernard Haitink. Here is a story:
The Atlanta Symphony Orchestra continues its lockout over labor disputes, thereby postponing or canceling the opening of the new season. But last weekend ASO music director Robert Spano conducted the Milwaukee Symphony Orchestra in the German Requiem of Johannes Brahms.
Here is a link to a story on NPR (National Public Radio) to yet another turmoil in the world of American symphony orchestras:
EDITOR'S NOTE: Please note that some reviews of productions last weekend are being delayed to make room for previews of the many upcoming concerts and musical events this week.
By Jacob Stockinger
The prize-winning and critically acclaimed young Israeli pianist Inon Barnatan will make his Madison debut this Friday night at 8 p.m. in Mills Hall for the Wisconsin Union Theater, which has been closed for two seasons while being renovated.
Barnatan's MUST-HEAR program is ambitious and appealing; Franz Schubert' late Sonata in G Major, the one that the young critic Robert Schumann praised so effusively; Samuel Barber's Piano Sonata, which was premiered by Vladimir Horowitz; the "Prelude, Chorale and Fugue" by the late French Romantic composer Cesar Franck that was a favorite of Arthur Rubinstein; and Maurice Ravel's dazzling "La Valse" for solo piano.
Tickets are $25 for the general public; $10 for University of Wisconsin-Madison students. For more information about Inon Barnatan and his recital, including reviews, program notes, audio clips and ticket information, visit:
You might recall that Inon Barnatan won raves this past winter for his last-minute appearance with the Milwaukee Symphony Orchestra under Edo de Waart when he stepped in to substitute for an ailing Radu Lupu and played the titanic Piano Concerto No. 1 in D Minor by Johannes Brahms.
In 2009, he won a prestigious Avery Fisher Career Grant, and he has been recognized by the Irving S. Gilmore Foundation.
The Ear has been listening to his recordings: from violin works (the last Sonata by Ludwig van Beethoven and a Fantasy by Schubert) and his impressive readings of the famous last three sonatas and final impromptus and sonatas by Schubert to his performances of "Darkness Visible" by the contemporary British composer Thomas Ades. They all demonstrate his virtuoso technique but also his abundant musicality, subtle interpretations and full tone. Most impressive is his ability to play softly and lyrically. It leaves no doubt: Inon Barnatan is a major poet of the piano.
Clearly, Inon Baranatan is someone to watch, as his career continues to be extremely promising. You can listen to his interview for the Chamber Music Society of Lincoln Center in a YouTube video at the bottom. And here is a link to his own website:
And here is the email Q&A that Inon Barnatan did for The Ear:
You were just named the first-ever Artist in Association at the New York Philharmonic for the 2014-15 season. What plans do you have for that position? How could it affect your career?
What is so special for me about this position with the New York Philharmonic is that it is stretched over several seasons, so I will be performing with the orchestra both in New York and on the road for three consecutive seasons — which enables me to build a real relationship with this great orchestra as well as the audience. It removes a little of the pressure of the debut– since I know I will be coming back the following season and the one after that.
Of course there is pressure to live up to the expectations and the faith that the orchestra and Alan Gilbert (both below) have shown in me, but it feels wonderful to know that the organization is behind me from the get-go. This appointment has only recently been announced but has already had significant effect on my career. New York is the center of so many things and when the New York Philharmonic does something, people take notice! I really couldn't be more thrilled with it.
How would you describe your approach to playing and interpreting music? Are there other musicians, and especially pianists, either historical or current, whom you admire and why?
I feel that we classical performers are like actors — we have a text that we try to internalize and bring to life, but ultimately it is not ourself that is being presented, but the character, or, in our case, the music, that is being communicated. A great actor like Meryl Streep becomes whichever role she is playing, embodying it in such a way that she herself disappears and becomes the role.
That is what I think my job as a performer is. I don't want an audience to listen to me playing a piece — I would love for them to feel like the piece is being created at that very moment, the same way I would want to believe an actor IS the person that they are playing, not merely reading the text convincingly.
There are great performers, as well as actors, that are compelling not because they disappear in a role, but because of the very force of their personality. There are phenomenal actors and musicians that don't change much with different roles or pieces, but bring their particular magnetism and virtuosity to every role.
When the performer is great both types can be very compelling, but I tend to gravitate towards the former. (Below is Inon Barnatan performing at Carnegie Hall in a photo by The New York Times.)
Your terrific and critically acclaimed new recording for the Avie label is an all-Schubert recital. But here you will perform a different big work, the G Major Sonata. What do you want to say about that particular work and its place in Schubert's overall body of works? Why does Schubert hold particular appeal for you, and will you do more recording of his works, perhaps even a Schubert cycle?
Thank you! Back in 2004 I participated in a Schubert workshop with the great Leon Fleisher (below) at Carnegie Hall, and in some ways that was the start of my love affair with Schubert. I was familiar with his pieces, of course, but delving into the late sonatas as we did, I became intoxicated with the beauty and depth of the music.
The music of Schubert (below), and especially the music he wrote later in his short life, became a staple of my repertoire. I even curated a project of solo, chamber and vocal music from the miraculous last year — and both the Schubert CDs I've recorded so far feature pieces from that year.
That said, the G Major sonata, even though it was not written in the last year but a couple of years before, stands proudly amongst the greatest. It is one of his most lyrical and poetic pieces. It is not played nearly as often as the last three, and I am excited at the prospect of some audience members discovering it for the first time.
As for a possible Schubert cycle, it has been a dream of mine for a long while — perhaps I will keep playing his works one by one until I discover that I have recorded the whole cycle!
What would you like the public to know about your Madison program, which includes Franck, Barber (below) and Ravel?
This is a very special program to me. The pieces are magical: They manage to be at once very emotional and very intellectual, without compromising one for the other. The pieces all have a sense of nostalgia about them, in different ways.
The composers of the pieces in the first half take Baroque and Classical forms, such as fugues, chorales, sonatas, etc. and imbue them with their own innovation and emotion. The second half has more of a sense of fantasy, a sense of light that by the end of the recital turns to dark. I guess the second half goes from the sublime to the grotesque.
How do you think classical music can reach new and young audiences? And what advice would you give to aspiring young musicians and especially pianists?
That's the million-dollar question. I think there are many things we need to do. It starts with education — putting an instrument in a child's hand teaches them a lot about communications, listening and a huge variety of other important skills. It also encourages future curiosity about music and culture.
We also need to be more inclusive in some ways, make the concert experience something that would appeal to a young person as well as an older one. Nowadays, when there are so many ways to consume culture without leaving your home, the concert experience needs to have an energy and excitement to it that is unique to the live experience.
A great museum knows that in order to attract a variety of ages and stay relevant, they need to have not only great art, but great curating.
The Museum of Modern Art in New York, for example, is always teeming with people of all ages, newcomers, repeat visitors, young and old, experts and lay people. They have a collection of some of the great, established artists as well as new exciting art and they are always providing new and interesting ways to look at things. People who go there expect to be challenged as well as be entertained. You may come to see Van Gogh's "Starry Night" (below) but it's the new or unexpected stuff around it that keeps you coming back. It's that combination of edge and quality that makes it cool.
We can learn a lot from that. As performers we need to strive for the highest possible quality of performance, and at the same time try to present it in a context that is interesting, and sometimes challenging or unexpected.
TWO ALERTS: On this Thursday afternoon at 4:30 p.m. in the Wisconsin Institutes for Discovery, UW-Madison dramatic soprano Elizabeth Hagedorn (below) — filling in for soprano Julia Faulkner, who is on a leave-of-absence this academic year — will make her local debut. The FREE concert features her singing Gustav Mahler's moving "Rueckert Songs" with UW pianist Martha Fischer. It is part of the Wisconsin Science Festival that combines science lectures and live classical music in the SoundWaves program that is organized and directed by UW horn professor Daniel Grabois. For more information, visit the outstanding "Fanfare" blog at the UW School of Music: Here is a link:
And here are links to more stories about Elizabeth Hagedorn:
ALSO: Blog friend and radio host Rich Samuels (below) writes: "On this Thursday morning, Sept. 26, beginning at 7:08 a.m. on my weekly show "Anything Goes" that is broadcast from 5-8 a.m. on WORT 89.9 FM. I'll be airing an interview I recently recorded with the Madison Symphony Orchestra's music director John DeMain (the MSO's 2013-2914 concert season begins, of course, on this Friday and Saturday nights and Sunday afternoon.
"Maestro DeMain talks about his transition from the Houston Grand Opera to the Madison Symphony Orchestra and about the artistic state of the orchestra as he begins his 20th season on the podium.
"Music for the segment will include selections from DeMain's 1996 Grammy award-winning recording the Houston Grand Opera made when its production of George Gershwin's "Porgy and Bess" was playing Broadway.
"Half the segment deals with the upcoming season and some of the younger soloists who will be heard between now and next May. We'll hear performances by Norwegian trumpeter Tine Thing Helseth, violinist Augustin Hadelich, soprano Emily Birsan and the young Madison pianist Garrick Olsen (not to be confused with pianist Garrick Ohlsson)."
By Jacob Stockinger
This is the week of orchestral season debuts. Yesterday, The Ear spotlighted the Madison Symphony Orchestra's concerts this weekend.
But at 7:30 p.m. in Mills Hall on this Sunday evening — on what The Ear calls "Symphony Sunday" with performances by the Madison Symphony Orchestra, the UW Symphony Orchestra and the Edgewood College Chamber Orchestra — the University of Wisconsin-Madison Symphony Orchestra will perform a FREE concert under its longtime director James Smith, who also directs the UW Chamber Orchestra and is the music director of University Opera.
Smith recently granted The Ear an email Q&A about the concert:
You programmed "The Rite of Spring" by Igor Stravinsky (below) because this is the centennial year of its world premiere. How important is that work in the symphonic repertoire and to music history in general?
It is often cited as a landmark work in all respects. Several faculty members mentioned that we ought to perform it so that the students can appreciate its impact. At the time, 1913, the harmonies, the savage rhythms and the choreography were all quite jolting to the Paris audiences.
Right from the start, the bassoon explores a new range for the instrument as it sets the stage for the pagan ritual ahead.
How challenging technically is the "Rite of Spring" in general to perform but especially for UW undergraduate students? What makes it such a difficult work?
It is difficult on all levels: rhythmic, technical and tessitura (the comfort range of notes for a specific kind of voice or instrument).. We have performed works by Bohuslav Martinu, Alban Berg, Anton Webern and Gustav Mahler who also posed special difficulties. The students are working very hard outside of the rehearsals so that we can all experience this exciting work. (Below is a photo of the UW Symphony Orchestra performing with the UW Choral Union plus a link to a video by Kathy Esposito, concert manager and public relations director at the UW School of Music, of the UW Symphony Orchestra and conductor James Smith rehearsing "The Rite of Spring" that Esposito posted on Facebook.)
Why did you choose the "Egmont" Overture by Ludwig van Beethoven to go with this program? Are there special thematic or pedagogical reasons?
Simple answer: It is a great way to start a program, and an opportunity for my graduate assistant to be introduced to the audience. His name is Kyle Knox (below). He is also an accomplished clarinetist who is the assistant principal clarinetist of the Milwaukee Symphony Orchestra.
The Third Symphony is not one of the most famous or popular symphonies by Jean Sibelius (below). Why did you choose to program it and what should audience members listen for or pay attention to?
Good question. After the rather romantic and somewhat conventional First and Second Symphonies, the Third Symphony loses much of the bombast and announces a more austere and restless path. As my teacher one commented, Sibelius became more and more "north" in style and mood: austere and quixotic. (The first movement can be heard in a YouTube video at the bottom as performed by Leonard Bernstein and the New York Philharmonic.)
TWO REMINDERS: The 14th Madison Early Music Festival, with the theme "Renaissance Germany," tonight features a performance by the viola consort Parthenia (below) at 7:30 p.m. in Mills Hall on the UW-Madison campus. It will be preceded at 6:30 p.m. by a FREE lecture by Madison Symphony Orchestra trombonist and program note writer as well as UW-Whitewater music professor J. Michael Allsen on "More Than a 'Theater of Instruments': The Syntagma Musicum of Michael Praetorius." The FREE and public lecture is in basement Room L-160 of the Elvehjem Building of the nearby Chazen Museum of Art. For more information, visit: http://continuingstudies.wisc.edu/lsa/memf/index.html
ALSO: Wisconsin Public Radio recently announced programming changes. One of them is that WPR will begin broadcasting concerts by the Milwaukee Symphony Orchestra today and every Sunday at 2 p.m. The MSO has always been terrific, but its current music director Edo de Waart (below) has taken the orchestra to new heights. In the Madison area, tune in to WERN 88.7 FM.
By Jacob Stockinger
It is high summer and that means traveling and festivals.
Should you be on the way from Madison, Wisconsin, to the Twin Cities, or vice-versa, you might want to take in something at the seventh Minnesota Beethoven Festival (below), which got started with a free concert by the Empire Brass on July 4 and runs through July 23.
Others artists in the impressive lineup include the Orpheus Chamber Orchestra, pianists Garrick Ohlsson and Mischa Dichter; the American String Quartet, the Shanghai String Quartet and the Ariel String Quartet; guitarist Sharon Isbin; the Russian National Orchestra; and Dale Warland and the Festival Chorale.
Here is a link, with information about artist, tickets, concerts and background, to the seventh Minnesota Beethoven Festival under the direction of pianist Ned Kirk:
Also the Green Lake Festival in Green Lake, Wisconsin is fully under way and runs until Aug. 31. Here is a link to concert and events:
Then there are festivals in Door County including the 61st Peninsula Music Festival, under the direction of conductor Victor Yampolsky (below) and featuring a lot of great orchestral programs, which gets started on Aug. 6 with Beethoven's famed Symphony No. 3 "Eroica" (the irresistibly dramatic opening is in a YouTube video at the bottom with Leonard Bernstein conducting the Vienna Philharmonic Orchestra) and "Creatures of Prometheus" Overture (which shares a theme with the Eroica) and Benjamin Britten's Violin Concerto No. 1.
A lot of Bach, Handel, Mozart, Tchaikovsky, Mahler and Shostakovich will also be featured on the programs. Take a look.
Here is a link:
By Jacob Stockinger
Two noteworthy concerts will take place this weekend.
On Saturday might at 7:30 p.m. — NOT 8 p.m. — in Overture Hall, the organist Felix Hell and trumpeter Andrew Balio will perform a recital concert sponsored by the Madison Symphony Orchestra.
The recital by acclaimed German organist Felix Hell (below) and trumpeter Andrew Balio, a Wisconsin native and principal trumpet of the Baltimore Symphony Orchestra, will feature a century-spanning program that concludes with multiple works by Johann Sebastian Bach. The Madison Symphony Orchestra (MSO) is presenting The Hell/Balio Duo as part of its Overture Concert Organ (below) Series.
To see the full program and see other information, use this link:
And here is a sample video from YouTube of Felix Hell playing an organ transcription of Samuel Barber's famous "Adagio for Strings":
Tickets are $19.50 and are available through the Overture Center Box Office at (608) 258-4141 or online at madisonsymphony.org.
The concert career of Felix Hell (below) began at the age of nine and has included more than 700 recitals worldwide. He has received global recognition for his performances of the entire organ works of Johann Sebastian Bach in three full cycles as well as the complete organ works of Felix Mendelssohn. A frequent guest of American orchestras, Hell gave his debut performance in Boston's famous Symphony Hall in 2004.
Wisconsin native Andrew Balio (below) was appointed as principal trumpet of the Baltimore Symphony Orchestra in 2001. He was previously the principal trumpet of the Israel Philharmonic under Zubin Mehta and the Orquesta Sinfonica del Estado de Mexico. His solo debut, at age fifteen, was with the Milwaukee Symphony Orchestra, performing the Haydn trumpet concerto.
Here is a link to his official and impressive biography:
And here is a sample of Andrew Balio's playing in a YouTube video:
Then on Sunday at 2:30 p.m. in the St. Joseph Chapel at Edgewood College, 1000 Edgewood College Drive, the Edgewood Chamber Orchestra, under Edgewood professor and conductor Blake Walter (below, in a photo by John Maniaci),
The Edgewood Chamber Orchestra will perform works include Rossini's "Barber of Seville" Overture; Beethoven's Symphony Number 2 in D (at bottom in a YouTube video with Christian Thielemann conducting the Vienna Philharmonic Orchestra in the first movement); and Prokofiev's "Peter and the Wolf," narrated by guest performer John Fields, interim Dean of the School of Arts and Sciences at Edgewood College.
Admission is $5; free with Edgewood College I.D.


text:
Naftali Bennett: The David Duke of Israel
His ominous rise signals a coming crisis in US-Israeli relations
Naftali Bennett is the rising star of Israeli politics, and his party, Jewish Home, is projected to be the third largest in Israel: he is also an upfront racist who has made the presence of Africans in the country a major campaign issue, calling for their immediate expulsion. He's said he would refuse orders to evacuate Jewish "settlers" from Palestinian lands, and he has a plan to annex most of the West Bank. "Forget whether it's right or wrong," he says. "We're here to stay, now what can we do about it? To strive for perfection brings disaster again and again. It's time for new thinking."
However, there is nothing new in this sort of thinking: ever since a right-wing nutjob assassinated Yitzhak Rabin and the "settler" movement began openly battling the IDF, the world has been aware of a dangerous and quite unpleasant streak of extremism taking root in the land of Israel. The Jewish Home party, and its charismatic leader, are but the latest incarnation of an increasingly militant religious fundamentalism with deep roots in the history of the Zionist idea. At the core of this ideology is the concept of "Greater Israel," which includes the Palestinian lands known by observant Zionists as "Judea and Samaria." The fundamentalist strain represented by Bennett derives the borders of this expanded Jewish state from the Old Testament, which promises all these lands to the Israelites unto eternity.
As to how this radical expansion would alter the Jewish character of the Israeli state, that's a question Bennett prefers not to answer: "What do we do in the long term? I don't know."
But of course he does know: he just prefers not to say, out loud, that a future Greater Israel will expel all the "Israeli" Arabs, just like his coalition partners in the former Molodet party have long advocated. His Jewish Home party absorbed the Molodet faction of the extremist "National Union" – which openly advocated ethnic cleansing – at its founding in 2008, and his followers know just what he means.
Bennett is, in short, an extremist on the order of the late Rabbi Meir Kahane, whose hatred of Arabs (and African refugees) is being cleverly marketed to a younger crowd, and whose foreign policy views make Netanyahu look like a left-winger. Bennett knows Netanyahu well: he served as Bibi's chief of staff when the Likud leader was in opposition, and the two will no doubt be reunited after the upcoming elections in a new government, where Bennett will probably be in the cabinet as Housing Minister.
Born in Haifa to American parents who emigrated from San Francisco after the Six Day War, Bennett founded a hi-tech company in New York, where he lived for four years, making millions and then taking off for Israel, where he reinvented himself as an ultra-nationalist political activist. After his stint with Netanyahu, he joined the settler movement – although he prefers to live in a wealthy suburb of Tel Aviv – as head of the Yesha Council, and later joined the National Religious Party after a bitter falling out with Netanyahu over the settlements. He managed to take over the NRP in a primary election, and now seeks to revamp this crucible of ultra-Orthodox obscurantism, rebranding it as "young" and "modern," with a special outreach to American immigrants.
Friends of Israel among American liberals aren't fooled. As Jeffrey Goldberg put it:
"The Jewish Home party advances an ideology that will bring about the destruction (the self-destruction) of Israel. The Jewish Home party seeks to erase the dividing line between Israel and the West Bank; it seeks to build more and more settlements; it seeks to absorb the West Bank's Arabs into Israel as, at the most, second-class citizens. It seeks to empower Orthodox religious nationalism as the dominant ideology of the state
turn Israel into the Jewish equivalent of a sharia state. And its policies would turn Israel into a pariah state, and Israel will not survive for the long-term as a pariah state."
Sadly, it doesn't look like Goldberg's views have any influence in Israel, where he once served in the IDF. Instead, the Israeli electorate is moving with frightening speed to the ultra-nationalist right. This trend lifted up a former bouncer and outright fascist, Avigdor Lieberman, to the Israeli Foreign Ministry, and made it necessary for Netanyahu to court the ultras and then merge his Likud party with Lieberman's Yisrael Benteinu outfit.
I've been warning about the rise of Israel's Taliban for years, but back then nobody was listening. That well-known friends of Israel on the order of Jeffrey Goldberg are now waking up to the threat (not, I might add, due to my puny efforts) is heartening – but perhaps too late to do any good. The Jewish state is headed down a path that will lead to its own destruction, and it is going at top speed. This will inevitably bring it into collision with American policymakers – who, by the way, are just as responsible as Israel's rightist demagogues for this appalling state of affairs. As I wrote back in 2002:
"The Israeli Taliban could easily be reined in, and nipped in the bud by US policymakers – but for the exertions of Likud's American supporters. Ensconced in both parties – allied with the Christian Right and the New Republic liberals – uncritical supporters of Israel dominate the national discourse on the Middle East. Wrapped in a protective shield, and subsidized to the tune of $3 billion a year by US taxpayers, the worst elements in Israeli society are coming to the fore, and pose a direct danger not only to US interests, but to the whole region."
We are subsidizing not only the "settlements," which sit on stolen land and make a two-state solution increasingly impossible, but we are also paying for the Israeli equivalent of the Taliban's madrassas, where Jewish fundamentalists receive religious instruction (and are exempt from military service). These schools, which are breeding grounds for right-wing extremism, receive direct subsidies from the Israel government: without billions in US taxpayer dollars, these outfits would soon be out of business.
The slick effort to market Bennett as the "fresh" face of religious and political extremism is no more convincing to most American observers than was David Duke's "makeover," which catapulted him to temporary success in Louisiana politics, some years ago: in the Israeli context, however, Bennett's makeover of a party of dangerous fanatics is succeeding all too well. Polls show Bennett's party will gain as many as 15 seats in the upcoming elections, making it the third largest in the Knesset. The youthful demagogue will no doubt join Bibi's cabinet, filling the void left by Avigdor Lieberman, whose legal troubles have brought him down.
It isn't just that Bennett's revamped version of Kahanism is entering the Israeli mainstream – it's that his support for openly racist policies (no Africans!) and ultra-nationalist rhetoric is the mainstream, these days. Netanyahu, for his part, is moving with the tide – because only a statesman would swim against the stream, and Israel's Prime Minister is very far from that.
America's "special relationship" with Israel is based on shared values: that is the core of the alliance that has succored and strengthened the Jewish state, often at the expense of its neighbors and its Arab helots, over many years. When Americans come to realize that these values of democracy, equality, and liberty are frayed to the breaking point on the Israeli side, that's when Israel will lose the public support which is so vital to the Jewish state's continued survival. Given the continued upward trajectory of Bennett and his party, that day is not far.
Still no word on the nomination of Chuck Hagel to head up the Pentagon, and so – as of this writing – the smear campaign is still in full swing. As is the spirited defense of Hagel, which has been launched by a coalition of liberals, conservative "realists," and libertarian anti-interventionists. The White House petition in support of Hagel, as of this very moment (Thursday, at ten in the morning), stands at 2,038 signatures. Many thanks to those who have signed. Please, if you haven't already, go here to defeat the neocon smear campaign and affix your signature to this important effort.
You can follow me on Twitter here.
Here is the link for buying the second edition of my 1993 book, Reclaiming the American Right: The Lost Legacy of the Conservative Movement, with an Introduction by Prof. George W. Carey, a Forward by Patrick J. Buchanan, and critical essays by Scott Richert and David Gordon.
Buy my biography of the great libertarian thinker, An Enemy of the State: The Life of Murray N. Rothbard, here.
Read more by Justin Raimondo
- A Feast of Scandal – November 26th, 2015
- Turkey's Stab in the Back – November 24th, 2015
- Myths of Empire – November 22nd, 2015
- Hillary Clinton's Road to War – November 19th, 2015
- Who's Behind the Islamic State? – November 17th, 2015
99 Responses to "Naftali Bennett: The David Duke of Israel"
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The Israeli's are treating the non Zionist majority in Israel Palistine worse the Hitler treated them until 1938. In that year the worst pogrom in prewar Germany occurred on Krystelnight, when 100 were murdered and many more arrested and beat up. Well that kind of activity has gone on in Israel ever since it was founded. The goal of Hitler was to ethnically cleanse his population of undesirables. We all know that is the goal of radical zionists today. Will it get as bad as in Hitler's Germany and sink into genocide? Well with the present leadership in Israel anything is posssible.
Your a GOOF Justin I hate the way you would compaire this scum to DR David Duke,who is a great person.Your site censors anything that really truthful,as I see done to many people.I pray your next fund drive fails.You people are ignorant and are no better than the MSM.Antiwar ya right your movement has done nothing to wake Americans up.If you allowed truth your site would do much better,but that will never happen with the scum you have working at Antiwar.
Your as scared of the TRUTH as the Zionists.You and the Zionists that run most western governments biggest fear is real facts.You only tell thing people can find many other places.1 thing that makes this site good is many things that the government would allow are in 1 place.I know this comment will not be here for others to see by tommorow because you don't want people to know the TRUTH.The TRUTH is like sun to a vampire to sites like yours.Last time I'll ever come here is tomorrow to see my comments gone.Thats 100% people need to see you are just like the MSM and do nothing but what the government wants.I will pray every night your site fails next FUND DRIVE when you comment the most LOL.I AM GOING TO WRITE DAVID DUKE AND HAVE HIM ADDRESS THIS.aFTER 1 YEAR i REALLY SEEN HOW MAIN STREAM YOUR SITE IS,MIGHT AS WELL WATCH THE zIONIST OWNED NEWS.
It isn't just that Bennett's revamped version of Kahanism is entering the Israeli mainstream – it's that his support for openly racist policies (no Africans!) and ultra-nationalist rhetoric is the mainstream, these days. Netanyahu, for his part, is moving with the tide – because only a statesman would swim against the stream, and Israel's Prime Minister is very far from that.
It is quite moving that you find mere words far more dangerous than hundreds, if not thousands, of devastating actions.
So long as there was a two-faced Israeli center, uttering falsehoods and platitudes, you were content, despite the decades-long atrocities committed both by Labor and Likud.
What's saddening is that your writing is emblematic of an idiologue's who is unable to change his opinions despite evidence to the contrary.
Oh and by the way, the name, "Six Day War" is usually used by Zionists. You could call it, "The War of 1967", or as Palestinians call it, "The Naksa". But why bother, right? Go with the Zionist version of history. The same winning version that brought you Exodus the movie.
The zionist have been doing this since their inception why are you such a dunce and with your taxpayers money too.
Their was never a exodus nor was there a king david or king soloman they were a best tribal chieftans.Where are their magnificent palaces and gold go find it.
To Avi G. & truth allowed: Huh? Oh, now I get it… http://www.moonconnection.com/moon-december-2012….
You obviously have no idea of the reality here in Israel. Have you been here?
I ask you to consider why none of the Arabs who live in pre 67 Israel do not want to live in an Arab states under any circumstances.
because they want to live in their home and not in a refugee camp in a war zone.
how are those 1 million iraqis doing in syria?
That's OK. You'll understand what I wrote when you graduate to making informed and coherent arguments instead of relying on your school-yard reasoning. "Huh" indeed.
Henry Kissinger it was reported some weeks ago made the statement that "in ten years Israel will cease to exist."
Interestingly A.M. Burovsky a Russian political analyst made a somewhat similar commentary regarding the future of Israel…
Professor Burovsky concludes his study of the Jews by predicting that their domination of many spheres of Western life in the 20th century will likely end in the 21st century — not because the Jews will abandon their Empire of the Intellect, but because the host nations have learned their Jewish lesson, i.e., they have tried with considerable success to eliminate illiteracy and promote education for their own people.
This occurs when a point is reached in any particular country, where the Jews have been dominant, that the people of the host nation decide to manage their own affairs. The point is reached when the people finally realize that their own traditional mores and values have been undermined and replaced by alien values. The parting of the ways may be recognized and peacefully accepted by both parties or it may result in expulsions or worse.
So the ads for vacationing in israel that present israel as filled with peace loving partying and fornicating young hippies is just a lie? I'm schocked.
Who would have thought that one day will miss the days of netenyahoo and the repulsive bouncer when we'll have Naphthaleni Ben Net to complete the Holocaust agains the inferior races.
Apparently you don't know very much about Dr. David Duke – either that or you're being dishonest. David Duke is is not a "racist". David Duke is not a "White supremacist". David Duke does not believe in violence. David Duke believes that Jewish supremacists have launched a race war against the non-Jewish balance of humanity for domination and control of the world. He believes that organized Jewry has an agenda to destroy the White race. He doesn't believe that Whites are "superior" to anyone else and should run the world, but that the White race has a duty to defend itself and preserve its identity in the face of the treacherous onslaught of organized Jewry. As far as I know, this is what David Duke is all about. Of course "the establishment" – you know, the same people that try to pretend that the Palestinians are the real problem in the world today, likewise project their evil characteristics onto David Duke.
i have not read anything by mr burovsky so can't really make an informed comment, but..
" The point is reached when the people finally realize that their own traditional mores and values have been undermined and replaced by alien values. The parting of the ways may be recognized and peacefully accepted by both parties or it may result in expulsions or worse. "
is this not the entire justification and rational behind zionism?
oddly enough it isn't.
Israel has had a very strange success in winning favor in the LGBT community.
they just live very segregated lives staying away from the religious and vise versa
"He believes that organized Jewry has an agenda to destroy the White race. He doesn't believe that Whites are "superior" to anyone else and should run the world, but that the White race has a duty to defend itself and preserve its identity in the face of the treacherous onslaught of organized Jewry."
where is this white race supposed to defend and preserve it's identity?
and by what means?
I agree that David Duke simply wants the preservation of the white race and not the elimination of any other race. Although in todays world as people become more educated there will be increased mixing, which is probably all for the better.
. However, he is a good man and if he had been elected governor would probably have made a 180 degree as did Governor George C. Wallace in the treatment of minorities. In time as with GCW he would have gotten even the minorities to back him. He made a mistake as a young college student for which he has paid a heavy price..
This is not 1948 when the Zionist were able to commit attrocities and cover them up with movies and books like Exodus. The world is waking up to the Zionist attrocities.
The only way the 2 state solution can work is if the Palestine Mandate is divided 50/50 with Golan Heights reurned to Syria. Even the pre 1967 boundaries will not suffice.
Otherwise there must be only one state with reparations paid to the refugees living outside the mandate.
US assassination drone attack kills four in Pakistan
US assassination drone attack kills two in Yemen
Obama is a war criminal and a baby killer. His policy is nothing but more WARs. Overthrow the war criminal TODAY.
Neftali Bennett is no David Duke and there is no coming crisis in US-Israeli relations as long as writers like Justin keep the mases dumbed-down. Duke expouses the evils of the Zionist control of America that Raimondo shamelessly ignores. This article is complete garbage and I too await the end of Antiwar.com.
I'm not entirely sure why so many give the KKK such a hard time…some go so far as to wrongly call them "terrorists" ('we've' all heard that one before)…
We all know the majority of all KKK members are simply "peaceful protesters" clamoring for "freedom and democracy" and rights for the oppressed white peoples…
Sorry but I'm not your research assistant. If you were actually familiar with David Duke and "White Nationalism" or whatever you want to call it (as you appear to imply), and you were acting in good faith, you wouldn't be making all these silly posts. (BTW maybe you could begin your quest for knowledge with the subject of basic grammar).
Aw c'mon, it sounds worse than it really is…it's not mass murder, it's just presidential poseur "Obama" (if that's actually his real name) implementing his "disposition matrix"…please get with the program…
i did not call it white nationalism, but since the only way one could proactively "preserve and defend the identity of a race" is through the powers of a state(as any zionist will tell you).
so i guess it is natural to make that assumption, although i did not make it, you did.
and what exactly was silly about what i wrote.
and finally if you won't be my research assistant,
don't being by grammar teacher.
(BTW the period goes inside the parentheses.)
And yet they end up voting for racist murderers?
like i said, strange.
also Israel has a parliament meaning there are alot of small powerless factions, that do get votes but make no effect on policies.
I didn't say you called it White Nationalism; I was merely providing a reference point for further study (for anyone actually interested in the relevant subject matter). Of course if you've read David Duke's books as you claimed above, and you were familiar with the phrase and with him and his ideas…which you obviously are not, you wouldn't be trying to make some kind of an issue out of it.
And, no, we can "preserve and defend the identity of…[our]…race" by clinging to our moral principles and preserving our culture. It's only when we allow our values to be undermined that "the state", i.e., the Jewish criminal enterprise masquerading as "government", can take over and subvert the Constitution for example.
You ask what was "silly" about your posts? Your reply to "Truth Allowed" above, for example, is pure nonsense, and speaks for itself.
Lastly, yes, the period normally would go inside the parentheses. Originally my parenthetical statement was part of the sentence preceeding it, but I changed it to a separate sentence without moving the period. But unlike your posts (which reflect a basic ignorance of grammar) that's the type of mistake everyone makes from time to time, myself included.
Israel will not 'cease to exist,' as Kissy puts it.
It has a fine prosperous future as a joint Jewish-Palestinian state when the Palestinians
return to their homes.
Hey, even the Pope is getting in on it!
I agree with everything said,but I think the Hosts,us will have to Expulstions and most likely worse.I did say after this I'm not coming to this site again,but will try if they let it go through to talk about comments made here.It's happened 109 times that we no of,due to the same evils we see today.It's just to bad here at Antiwar you have to watch the truth you talk about.O well been coming here for about 3 years.Like I said the information is gotten other places,just like they do on Sundays,they post others work.Not that anythings wrong with that,but it shows the things told here can be found.
You still have not answered my silly question.
and if in fact you believe in the ethnic nation state as proper mode of governance i'll have to assume you are a supporter of zionism.
and as my silly question implies the where, and the how, are really big deals when designating particular territories for particular ethnic stocks
What "question", precisely, are you trying to ask me?
sorry my tone is being far more cynical than i am trying to be.
assuming there to be such a thing as a white race, a fairly modern creation which was created in the united states as opposed to the various European groups that saw themselves as separate from one another.
where would the white race assert it self and how would it do such a thing.
the only way i can think of is by government privilege or by ethnic homogeneity.
now im not actually denying alot of dukes idea's about jewish supremacy, as i have written else where i have learned in depth much of the talmud.
i am denying that it is the sole reason for the united states degenerating from a constitutional republic in to a world spanning tyranny
Anyways I will not be happy till the truth is main stream and all site including Antiwar let everyone tell the FACTS.I've commented many times everthing truthfull,and have been unable to comment many times.Is their freedom of speach here?No,and I speak the TRUTH when freedom of speach if allowed to use it you can have an opinion on anything no matter how crazy.I don't say crazy things I speak truth witch everone should no.Here at Antiwar they don't allow the truth and the protect the same people the MSM does.Good site,but the people that run it seem to be controlled or scared of the Zionists that control and own are Governments,Banks,Hoolywood,MSM,Papers and much more.And we all no how they are so why not be able to say?
Try to take it easy man. Paranoia doesn't help one's mental health.
David speaks the TRUTH unlike Justin that helps these Zionist brainwash people.
Sorry Justin but you either are not familiar with Dr. David Duke work (and life!) or, you intentionally talk negatively about him. The fact that he was in the KKK 30+ years ago is crap and you should know better.
I am curious, what do you think about professor Kevin McDonald? Is he also a 'bad' guy in your opinion?
I supported Antiwar.com for a long time but, at this point I will stop supporting it because of people like you.
You obviously can't understand what you read.The Talmad is the most evil book I know of and they make it a religion,the most holy book in Judaisam.David Duke writes good books truthfull books.Your a zionist or just a brainwashed Gentil.Have a nice life.
Originally at issue here was an overtly unjust comparison of David Duke with something he obviously is not. Now you seem to want to go much deeper into philosophy.
Unfortunately the comments section of Justin's article doesn't seem like the right place to do that.
As I see it, generally speaking, "nationalism" whether we're talking about "White nationalism", or "German nationalism" or "Black nationalism", or whatever, means similarly situated people rallying around the ties that bind them, in response to some threat or injustice visited upon them from "outsiders". IOW, it's one distinctly recognizable group organizing itself to defend common interests against an injustice or threat by another organized, distinctly recognizable group.
White nationalism is basically a defensive response to aggressive Jewish supremacism.
Moreover, the only way the Jewish-supremacist mafia was able to take control of the U.S. government, was to first corrupt our values and undermine our culture. After all, what good is it to run the government of the U.S. if the peasants are morally competent and refuse to make the bombs you want made; and/or refuse to join the Army to go on Zionist crusades slaughtering and subjugating Arab/Islamic countries? The Jewish-supremacist mafia can and will only rule where there is consummate corruption, thus they have to foster moral degeneracy as a pre-condition to our enslavement.
After reading almost all of the crap above, including defenses of David Duke, it seems that under "Just (defensive) War Theory," the Israelis are justifiably armed to the teeth! Those unfamiliar with what Catechism says on the topic should Google it. While Bennet appears to be bad news for Israel, Palestinian intransigence (refusal to negotiate without "preconditions"), generates a similar response from the Israelis and ensures that the conflict will continue with concurrent loss of life. The efforts of either Israel and the Palestinians to eradicate the other will ultimately meet with failure and war will continue into perpetuity. Neither combatant can totally eradicate the other and the only solution lies in deciding on a mutually agreed to border, with Israelis on one side and Palestinians on the other.
I hope you are feeling better now, Justin.
What Palestinian efforts to erradicate israel?
israel can ideed and will wipe palestinians off the face of their earth and they're doing it but in slow motion.
One of the criteria of just war theory is proportionality. Has Israel ever practiced it vis-a-vis the Palestinians? Or when Israel uses white phosphorus, do you think Israel is using just means, which is another criterion put forth by just war theory?
Had to agree with this line; "America's "special relationship" with Israel is based on shared values" but then I read that the supposed values are democracy and liberty. Where could you have gotten that idea Justin? The shared values are racism, imperial expansion, and feeling that you are special people above history. Those values are still shared.
Justin, it looks like most of the commenters are most outraged at the comparison to David Duke. LOL.
There is also the Egyptian side of the Exodus story – several Egyptian legal scholars insist that the true Exodus was a con job – their claim is that records exist that indicate that a Pharoh did chase after some Hebrews leaving Egypt in a hurry. Supposedly, the "Hebrew Children" had borrowed up to the hilt, gold from Egyptian lenders, and were hot-footing to the Red Sea without making arrangements to pay back the gold. Evidentally they got away and spent the next 40 years in the desert on the lam. (Sounds plausible to me).
I find it once again very difficult to muster any optimism that the current regime will come crumbling down on such a flimsy a ground as the supposed irony of a popular ethnic cleanser in an Israeli cabinet (isn't the entire cabinet a veritable ethnical dry-cleaner's ?)
Avogadro Liberman was bad enough as far as that's concerned, yet he got a carte blanche from the media; while at the time of his ascention, in France, Jean Marie Le Pen, was being pilloried by the world media and thousands were marching in the streets against him, for saying exactly the same thing, namely that he too wanted Arabs out. (Arabs, of course, being more native to Palestine than to France)
I simply didn't see how any argument which Justin provided could support his optimism. In spite of the best efforts (of both sides, us and them), I personally don't see the paradigm as changing until after WWIII.
Wrong guy I'm far from haveing any Paranoia.You don't know shit, some of the best times in my life would scare the shit out of you.Your problem like so many others is your brainwashed by the Zionists that control your life.Go back to sleep,your unlikely to ever really wake up.1 question you need to ask yourself when seeing how runs things.That's who can you not talk about,and even the brainwashed people no who gets that protection.
Justin it's to bad your site is not goinmg to last much longer.Your being seen for what you and your staff really are,puppets that are as scared of the TRUTH as the Comunists running America are you know the same kind that ran the USSR,AND KILLED ALMOST 100 MILLION RUSSIANS.David Duke is a very respected man to people that are really Antiwar unlike you and this along with other articals you write are going to end Antiwar.com,along with your blocking of the TRUTH.A few questions why don't you ever talk about the Bolshevik Revolution,and many other things people that are really against war would?Also I have seen for a long time you write much more when needing money not because you belive what you do helps.Real antiwar people would write all the time,and speak of the solutions to the problems that face America and the world.You and a few people here really make me sick.
My version of the Egyptian story differs from yours. My understanding is that in fact the Hebrews held second mortgages on the Pyramids.
Yes, that´s the point. As Einstein said, "If we don´t change our way of thinking (taking the other side´s point of view into consideration, empathy, in short behaving like a so-called "human being") WW III is waiting. If there´s anybody left, it will probably only be in the Ural, the Andes, the Himalays and in other mountains. In 500.000 years we´ll blow it all up again. Eternal madness. How sad and depressing. I think it works like this: When we have blown it all up X numbers of times, we´ll finally learn to live in peace. No engineer, nobody can make the giant stone works in Peru and Bolivia-Youtube Ancient Peru and Bolivia- It´s proof, like the Peri Reis map-that we are not alone. I´m afraid they won´t give us any more help-we should have realized long ago that nobody from Earth could ever have made the works mentioned and so, the conclusion is that we are not alone, that realization should have made us humble and stopped war. BUT we still think we are an ape from Africa, we are alone and it´s impossible to be more intelligent than ourselves.
Youtube The Mysterious Origins Of Man and http://www.mcremo.com My surgeon in Tuluá, Colombia suggested that we originally arrived here as few survivors from both places following all-out war Moon-Mars. But we don´t really know, do we ???
Is there a full moon tonight???
Where will the US expel the Jews to; the new settlements in Israel? Just wondering.
"I find it once again very difficult to muster any optimism that the current regime will come crumbling down on such a flimsy a ground as the supposed irony of a popular ethnic cleanser in an Israeli cabinet (isn't the entire cabinet a veritable ethnical dry-cleaner's ?) "
So you along with the muslims only wish to subjugate Jews and Christians?
How about this one? All the Christians and Jews should be evacuated from the Middle East and all the Muslims put back to the Middle East where they belong? Maybe then we could have some peace.
If I were a Jew or a Christian I would rather be under US or Russian or European rule before the Muslims.
It sucks doesn't it Justin? To be chosen to do a job you never set out to do. Probably had other things in mind when growing up. And now why would God choose you, you're gay. Imagine God choosing you, a gay God hater, who would have heard of such a thing? It isn't fair either. As a country patriot you advocate not dying for the Jews, but you would advocate dying for the Palestinians, Don't die; die' interesting. Is your hatred for Israel so strong that you think the muslims won't kill you for your "preference" ?
I must admit Nelson, this is all very 'interesting'…
I am, however, a 'bit' "confused"…. Mr. Duke seems to advocate "voluntary segregation" of the 'races'…which, it seems to me, Israel is the model example of (accepting being "Jewish" is a 'race' in the first place…which is an entirely separate 'issue', which I will not go into for simplicity)…
So, in conclusion: what would you, or even almighty Mr. David Duke, suggest the "Jewish state" of 'Israel' do differently? What could/would be done differently in order to satisfy "separation of races" in order to preserve almighty "White Race" without violence?
Stupid people don't understand preference, Liberal whites think that every color under the sun just love them for their whiteness and that no people of color hate them for their stupidity. Blacks
Browns Reds Yellows Whites all enjoy being around their own, not out of hatred but out of being comrades. When Booker T Washington created all those schools for black children, private schools, no one liked it, Brown verses board of ed said the black children would be better citizens if they were schooled around the whites,
While there is an argument for black children being able to go to public funded schools, due to taxes, the bigger argument is why should any parent send their children there at all. Especially Christians of any Color. White people were domesticated long before the blacks, When blacks got their freedom it was a new yoke around the neck of other whites. As white people we get the beating of the dead horse of their slavery on and on like none of us ever endured, Just them and it was only here in America,,,On and on the same old lies. The UK no slaves there, Rome, Saudi Arabia, nope never happened..only here.
I'm so tired, Justin your turn
Anytime you try to tell them that the problem is government get ready..they will never listen. You have a big job ahead of Justin….good luck…God
And my guess is that these mortgages were not producing and were overall, just dreck, so the Egyptian Federal Reserve got stuck with them during the "Financial Meltdown of 2008 BC".
For that matter try and find any of the stone tablets Moses received from God. Seems the Egyptian pyramids had a longer shelf life.
You also seem to have problems articulating your ideas. By the way, your belief that your comment would not be here the following day proved wrong. That sounds like a persecution complex; if that's not paranoia, what is? Regarding the truth. Well, that's a tall word because everybody seems to know it and the problem is that these are exclusive claims. That's the origin of dogmatism -religious or otherwise. And you seem to be very deep into it. In relation to Zionism and their propaganda, yes, we all know about it in this site.
Isn't the whole point of a Jewish State to have a homeland that is populated by Jews, and only by Jews? Sort of like Japan is the Japanese State. They simply can't tolerate foreign peoples in their midst outbreeding them and undermining the State, can they? Israel should have expelled all the Arabs decades ago, and got it over with. They are paying the price now for being too liberal in the past. It is a hard lesson to learn, but problems allowed to fester always get worse with time.
If people cannot respect each other, and treat each other as "equals" then we have to find some other way to co-exist, wouldn't you say?
For example, if, as part of long-standing tradition, I teach my children: "Don't do anything to anyone else that you wouldn't want them to do to you", and my neighbor teaches his children the same moral doctrine, and we all get along pretty well, and we create a moderately successful society, what happens when we mix with other people, who, in accordance with long-standing tradition, teach their children: "You can do anything you want to anyone else, as long as it's not another one of your fellow tribesmen". How do you think that'll work out in the long run?
What David Duke is saying is what every sentient being already knows, but only honest, courageous people not intimidated by the tyranny of political correctness, are willing to say.
Lastly, the Jewish state of Israel is a bad example of "voluntary segregation", since there is nothing "voluntary" about it. It's a brutal, criminal, artificial fascist state, which cannot exist in anything other than a parasite-host relationship. It's an example of pure evil, and nothing else.
It isn't like any Arab State will let them immigrate, is it? They would only be allowed to live in squalid refugee camps. The Arabs have consigned the Palestinians to a fate of fighting to the death against Israel, from cradle to grave. That is their Holy mission, as ordained by Allah The Most Merciful.
That is intended as snarky humor, isn't it?
That old coot Kissinger is senile. Yes, Israel may cease to exist, but if Israel goes down, all of their Arab neighbors will go down with them. Think Samson with 500 nuclear weapons.
Blah blah blah I speak the TROOTH blah blah blah I'M BEING SENSSURED blah blah blah BECOS I DONT SMELL (SPELL) SO GOOD blah blah blah OH POOR ME blah blah WHY DON'T YOU LISSENAME! I'M LEAVING! RIGHT NOW! YOU WON'T SEE ME ANY MORE WAH WAH WAH WHAT? HEY! YOU'RE LETTING ME SPEAK? OK…
Grow up.
Cleary you have hardly been at the site at all.
Grow up. Again.
no, dear crab, no !
I do not wish to subjugate anyone. I was just trying to determine if Justin had provided enough arguments in his article to prove his point; and in my humble estimation, in this one article, he did not.
whatever…you people sure do make some stuff up. :0)
Israel is going to blow everyone up, hey look I can see Jesus from here.
good grief you people are silly and will believe anything your told.
On the other side of the white liberal is the white tribesman with an irrational fear that people of color want to be their neighbor and bother them with their tribal children. We have a Constitution and a Bill of Rights, we all are supposed to have a right to life liberty and the pursuit of happiness. Who your friends spouse or lover is, is entirely your business. Just like I don't want someone to care who mine are. I'm sure homosexuals find their time better spent not palling around with devout Christians. Who doesn't like China Town, or Little Italy or the Jazz and Blues in Louisiana? I thought it was this that made us so special, you could travel without traveling that far, not even out of your own country. Now we have to worry how many people of the same color live on the same block? This country truly is getting bizarre.
I don't care if Israel is a bunch of fascists, I don't live there either.
As far as I'm concerned, that's not "White nationalism", that's paranoia, or some other personality disorder.
And let's face it almost everything is a matter of degree. The Chinese restaurant on the corner and the generally reserved, hard-working, friendly people who run it are obviously no "threat" of any kind and would be welcomed accordingly. Now if they were to organize all of a sudden and start plotting and conspiring to bribe and blackmail our politicians and monopolize and control our media, and bombard us with propaganda and undermine our culture and generally subvert our government and loot our assets, etc., then some of us would have a problem with that.
[…] Justin Raimondo defended Chuck Hagel and profiled Naftali Bennett. […]
Well your problem is bigger than you thought, because people causing the problems have congregated in Washington. Occasionally they run around offering your wallet to other people, just not in those words. They always have a little something for everyone.
The premise of your entire argument is incorrect. Jews are a majority in Israel including the West Bank.
Zionists run most western governments? Seriously dude, PressTV has gotten the better of you. Time to detox.
Good point. I find it ironic that most Jew-haters (like 95% of the talkbackers on this site) loath the presence of Jews in their country, but they also loath the existence of a Jewish state. The purpose of Israel is to perpetuate the return of all Jews to the place where they originated from, so they won't agitate our host countries anymore. Jew-haters should be the biggest supporters of Israel.
Zionists control the government, banks, hollywood, the media?
Name 10 banks owned by Zionists. Name 10 Hollywood production companies owned by Zionists. Name 10 newspapers owned by Zionists.
You can't because you're nothing but a hate-spewing moron.
No its a conspiracy!!! On top of owning every world government, bank, hollywood company, and newspaper in the world, the Zionists now own the LGBT community!!! Those damn Zionists!!!
Nazi pigs like David Duke (and you) should support Israel. Its mission is to return all Jews to where they originated from, and out of your country.
The sling for your brain is ready. Please pick it up at the pharmacy.
ha ha, I do that to Justin specifically because they usually hold up my comments. I'll pick up my brain, thanks, it is right next to yours. :)
Your problem is that you refuse to understand that those of us who hate Israel, hate it for its racism, its land-theft, for its corruption of American legislators, its inveiglement of America in its paranoiac destruction of the Palestinians, its mooching of US tax dollars, and on and on and on. I hope you notice that I did not mention the word Jews – I would hate Israel every bit as much if it was run by Lutherans. Besides, for all you know, some of us whom you call Jew-haters are more than just a little Jewish ourselves..
And how about those poor 'slaves' making a solid gold calf in the middle of the desert?
Proportionality is the most immoral "law" of war. It perpetuates the war forever. If one side utterly destroys the other side, more lives are lost at first, but many more are saved over time.
if you bothered reading the bible it is fully explained where that gold came from how the Israelite obtained it.
(not that any of it is true)
I remain a loyal reader and this article is, again, right on the money. However, I strongly disagree with you comparison of Mr. Bennett with David Duke. I never thought I woyuld find myself in support of any of Dr. Dukes positions and remain adamantly opposed to his racial policies of the past. However, he is one of a small handful of individuals these days who will tell it like it is regarding the Zionist threat to the entire world. I refer you to his piece which appears today, 12/31/12, at http://www.whatreally happened.com. He shamelessly nails it and has a pair that should be the envy of all our alleged representatives in Congress.
Your philosophy seems to have been taken from Hitler's Mein Kampf. What's its logical conclusion? The gas chambers. This is the utter destruction of the other side you embrace because if the idea is to completely eliminate the other side, what is to stop the victorious armies from also eliminating the enemy's civilian population? And don't give me this rubbish about the civilized nature of the west's waging war. You are the ones who did Dresden and Hiroshima and Nagasaki, all of which were atrocities committed deliberately on civilian populations. How ethical and moral. War will never go forever and the historical records shows that. When two sides get exhausted, they usually negotiate the terms of peace. At least the weakest side avoids total annihilation. The war the US waged on Japan, especially the dropping of the atomic bombs -the best example of lack of proportionality- was absolutely immoral to the extent that US leaders recognized it. LeMay , for example, said, "If we'd lost the war, we'd all have been prosecuted as war criminals."
Sorta like Apartied South Africa huh? How about the confederacy. I can go on
Yes it does explain it, the gold came from their own jewelry. Does't that reinforce Robt's point or do I misunderstand?
the bible claims that at first egyptians gave much of there valubles to the Israelite to stop the 10 plagues.
then during the plague of darkness they were instructed to take the remaining hidden valuables.
The crux of the matter in the comparison of David Duke to Naftali Bennett is that David Duke is a racial SEPARATIST while Bennett is a racial SUPREMACIST. Hence Duke is morally superior to Bennett and it libels Duke to compare him to Bennett.
[…] Raimondo wrote about Naftali Bennett: the David Duke of Israel, made predictions for 2013, and insisted the fight over Chuck Hagel is not just about Israel; […]
[…] own party, he hasn't dared cross the Israelis. With the election over, and with the Israelis moving rapidly into a suicidal ultra-nationalism, Obama can now make his move – and the Hagel appointment is […]
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subset: commoncrawl


text:
must see
many of the people know this trick but some don't if you don't than just chill and watch because it will make paint much easier.
funny magic trick it has these two guys one is nerdy and the other is the guys "imagination".
these big trucks can jump over so many things after this your gonna want to use a seat belt
this guy dances like if he was in a movie
see a custom secret star wars video hidden on your computer right now.
just some buttons away and you can save some time
Burned Alive: I was looking for another video create and I stumbled across her story. If you get a chance, please visit her site. Donations, Cards, or Letters can be sent to Jacqui at : Help Jacqui, PO Box 27667, Austin, TX 78755.


text:
CRN, By Rob WesterveltKaspersky Lab is attempting to fuel sales of its endpoint security suite in the upper midmarket and enterprise space, but John Salamone, the security vendor's newly appointed vice president of SMB sales, said the lower end of the market continues to be of strategic importance in North America.Salamone, who started the job just days before the Kaspersky's North American Partner Summit in Punta Cana, Dominican Republic, said he has met with a variety of the company's partners. Kaspersky's mature partner program only needs some subtle changes to continue to grow market share against its competitors, Salamone said. Read more.
Copyright © 1997 - 2015 Kaspersky Lab
All rights reserved. Industry-leading Antivirus Software
500 Unicorn Park Woburn MA 01801


text:
Below is a list of all parts for the KitchenAid Dishwasher KUDS30IXBL0. To find the repair part you need, you can browse the list below or you can narrow your choices by searching for a part by name or description.
NOTE: This part has been redesigned, it may appear different but will still function the same as the original.
This drain hose is 6 and 1/2 feet.
Supplies water from the main water feed tube to the middle manifold water tube.
This mounting kit can be used on solid surface countertops.
This water inlet valve should be located behind the lower kickplate panel in either the right or left corner. The attaching solenoids on the valve open and close according to the desired amount of water needed.
This part goes around the tub frame and meets up with cabinet.
Water is supplied to the lower spray arm via the pump assembly.
This dishwasher door spring is sold individually. It is recommended if you are replacing one side, to replace both.
This is a basket for washing flatware or silverware in your dishwasher.
The impeller threads to the motor shaft.
All brand logos are trademarks of their respective owners.
The PartSelect logo is a Registered Trademark of Atlantic Laundry Centres, Ltd.
Copyright © 1999-2015 , Eldis Group Partnership. All rights reserved.


text:
Home > Categories > Category
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additional search options
sorted by:
Alphabetical: A-Z
Alphabetical: Z-A
Newest (by date approved)
Newest (by date created)
Subway - McFarland, CA
in Subway Restaurants
A Subway in a shopping center in McFarland, CA.
posted by: saopaulo1
location: California
date approved: 12/9/2014
last visited: never
Subway - Hanford, CA
A Subway in a shopping center in Hanford, CA.
Subway - Broadbent Square - Cadiz, KY
Another fast food place near Hospitality Lane
posted by: YoSam.
location: Kentucky
last visited: 6/17/2015
Subway - Millenium Plaza, Orleans ON
Waymark is southwest of the intersection of Innes and Trim.
posted by: elyob
location: Ontario, Canada
date approved: 12/8/2014
Subway - Calabasas Rd - Calabasas, CA
A Subway in Calabasas, CA.
date approved: 12/6/2014
Subway - Sherman Way - Canoga Park, CA
A Subway on Sherman Way in Canoga Park, CA.
date approved: 12/4/2014
Subway - Ball - Anaheim, CA
A Subway on Ball Rd by Disneyland in Anaheim, CA.
date approved: 12/1/2014
Subway - Harbor - Anaheim, CA
A Subway in a shopping center on Harbor in Anaheim, CA.
Subway - La Palma - La Palma, CA
A Subway in a shopping center in La Palma, CA.
Subway Restaurant - Dewitt, Arkansas
Subway Restaurant - 1705 S. Whitehead Drive, Dewitt, AR 72042
posted by: walkingwildly
location: Arkansas
date approved: 11/29/2014
last visited: 1/14/2015
Subway -Sainte-Anne-de-la-Pérade-Québec,Canada
One subway in the city!
posted by: gemeloj
location: Quebec, Canada
date approved: 11/28/2014
last visited: 6/23/2015
Subway Pentagon City - Arlington, VA
This Subway is located in the food court at Arlington's Pentagon City Mall.
posted by: Metro2
location: Virginia
last visited: 9/3/2014
Subway - Newport Blvd. - Newport Beach, CA
This is one of many subways in the area.
posted by: bluesnote
Subway - Harbor Blvd. - Costa Mesa, CA
This is one of many Subways in the area.
Subway - YHZ, Enfield NS
The restaurant is located in the back of the food court on the ground level.
location: Nova Scotia, Canada
date approved: 11/23/2014
Subway - Whitney Point, NY
Subway by Route 81 exit in Whitney Point
posted by: ripraff
location: New York
date approved: 11/19/2014
Subway (Futurum) - Ostrava, Czech Republic
CZ: Malé Subway v nakupnim centru mesta Ostravy // EN: Small Subway in the shopping center of Ostrava
posted by: Olii05
location: Moravskoslezsky kraj, Czech Republic
date approved: 11/15/2014
Subway by Rail Trail - Vestal, NY
Subway Store # 29375 is right next to the Vestal Rail Trail on the Vestal Parkway.
date approved: 11/9/2014
Subway Washington Ave. - Endicott, NY
A store in the center of Endicott, near the EPAC Theater.
date approved: 11/8/2014
Subway Vestal Parkway - Vestal, NY
Subway on a service road off of Vestal Parkway. Near Vestal High school.
date approved: 11/3/2014
Subway - Glade Rd & TX 121 - Colleyville, TX
Subway #16239 is located at 3930 Glade Rd, Suite #109, Colleyville, TX. Phone is 817-868-9190.
posted by: QuarrellaDeVil
location: Texas
date approved: 11/2/2014
last visited: 11/2/2014
Subway - Colfax Ave. - Denver, CO
This Subway is located in a busy shopping center, just west of the state capitol.
location: Colorado
Albury Subway, NSW
Beside a 'suite' of non-food shops, and with a gym at the other end this Subway is in a good position for a quick feed when coming into Albury.
posted by: Grahame Cookie
location: New South Wales, Australia
Subway - Tully - Modesto, CA
A Subway in central Modesto on Tully Rd.
date approved: 10/31/2014
Subway - Oakdale - Modesto, CA
A Subway in north Modesto on Oakdale.
Copyright (c) 2015 Groundspeak, Inc. All Rights Reserved.


text:
We created Pandora to put the Music Genome Project directly in your hands
It's a new kind of radio –
stations that play only music you like
Romanthony's Nightvision
Despite local popularity for his tracks and mixes, Romanthony was nowhere near a worldwide name until the mid-'90s, when Britain's Azuli Records released a full-length collection of Black Male productions titled Romanworld. His trademarked throwback acid house became a hot sound by the end of the decade, and the growing house mecca of Scotland became an early convert, with a raft of singles on Glasgow Underground. His first proper album, Instinctual, was a collaboration with Glasgow Undeground's DJ Predator. Live in the Mix followed on Distance in 1999, and another retrospective (R.Hide in Plain Site) appeared on Glasgow Underground in 2000. ~ John Bush, Rovi


text:
150 cattle killed when roofs collapse under the weight of the snow. "It seems more like a war in Europe," says Italian geologist Mirco Poletto.
Mirco sent the following information.
Rose to more than 480 death toll of the last ten days of bad weather in Europe, with Italy and the Balkans among the worst affected areas.
In Ukraine were 136 victims of the cold and the situation is getting worse with temperatures over the weekend expected to fall to 30 degrees below zero. 74 people have died in Poland, 24 in the Czech Republic, 23 in Lithuania, 10 in Latvia, 3 in Slovakia and one in Estonia. In Russia, where temperatures range from -22 to -34 degrees in Moscow in Yakut in eastern Siberia, the cold has killed at least 110 people since the beginning of the year, 46 in February.
Twenty-three victims in the southern Balkans, with over 70 000 people isolated in Serbia, Croatia, Bosnia, Macedonia and Montenegro. In Romania, 41 people have died, while in Bulgaria there were eight deaths in the village of Bisser. The count of the dead rose to 16 in Hungary, Austria and France 5, Germany 4. In the western part of the continent, the most damage have occurred in Italy, with 40 deaths since Feb. 1.
At Forli, never so much snow in the last 100 years.
Even today fell short of the required gas supplies from Russia. At Tarvisio entry point of the pipeline that carries Russian gas to Italy, imports coming marked a decline of 13% over demand
The lack of domestic gas has blocked the paper mills of Lucca, fifteen companies with over 1,400 employees.
In Basilicata, the situation continues to worsen by the hour.
Serious disruption in the Vulture-Melfi, where the army is coming.
It snows without interruption in Potenza where school will reopen only next Monday.
In Calabria still inconvenience to the road communications and the lack of electricity and water.
In Cosentino there are some villages without electricity for four days as Mandatoriccio where the mayor has called for the dispatch of generators.
At Paludi, in the province of Cosenza, slaughter of cattle and sheep under the snow for the collapse of roofs of six warehouses. 150 heads of cattle have died.
Thanks to Mirco Poletto for this link