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|ISSN 1088-6826(online) ISSN 0002-9939(print)
The expected value of the number of real zeros
Abstract | References | Similar Articles | Additional Information
Abstract: It is known that the expected number of zeros in the interval of the sum , in which is the normalized Legendre polynomial of degree and the coefficients are independent normally distributed random variables with mean 0 and variance 1, is asymptotic to for large . We improve this result and show that this expected number is for any positive .
Retrieve articles in Proceedings of the American Mathematical Society with MSC (1991): 60G99, 41A60
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The Boeing vote: A double win
International Association of Machinists and Aerospace Workers members employed by Boeing in the Seattle area struck admirable blows against their local union bosses' baleful influence by insisting that they have the opportunity to vote on an eight-year contract extension, then by approving it, which ensures they'll build Boeing's new 777X jetliner.
They voted narrowly — the deal passed with 51 percent of ballots cast — for job security, accepting in exchange a pension freeze and a switch from an old-style defined-benefit retirement plan to a 401(k)-style defined-contribution plan. National union leaders sided with them — and against local union leadership — on whether to vote on this deal, which Boeing offered after 67 percent of the union workers rejected a prior proposal in November.
In the interim, Boeing had been shopping for other 777X work sites, drawing offers of public-money giveaways — incentives and tax breaks — from 23 states, including Pennsylvania, whose offer was rejected on Dec. 20. Ending Boeing's 777X public-subsidy quest, this contract extension ensures that Keystone State taxpayers won't be unwilling venture capitalists for the aerospace giant.
Hopefully, this vote by Boeing workers signals greater determination by union members to decide their own fates, less power for union bosses acting against the interests of the rank and file — and fewer reasons for states to battle among themselves in races to the public-subsidy bottom.
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Evolution Debate
Evolution Debate News
News on Evolution Debate continually updated from thousands of sources around the net.
Strainer Than Fiction
Monday Nov 16 | New Urban Legends | Comment?
We are more different from apes than apes are from viruses. [Pharyngula]
Friday Nov 13 | ScienceBlogs | 2
Have your faith shaken, then restored, at the Montreal Bach Festival
Thursday Nov 12 | Canada.com | Comment?
The Evolution of JavaScript
Tuesday Nov 10 | K. Scott Allen | Comment?
What role do you think humans play in global warming?
Environment 7,734
How Should the US Government Respond to ISIS?
29 Shocking Stars You'd Forgotten Died in 2015
Nobel winners relied on inference of design for DNA repair discovery
Friday Nov 6 | World Magazine | Comment?
Scientists discuss "what if?" scenario in Dover intelligent-design case
Thursday Nov 5 | York Dispatch | 21
Neil deGrasse Tyson destroys argument for intelligent design:...
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Wednesday Nov 4 | The New York Observer | Comment?
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Archbishop Charles J. Chaput of Philadelphia, a past Becket honoree, recently told me: "Life is short. We'll be forgotten by everyone but God. Our home is heaven, and the politics of this world won't matter there. Charity, justice, courage, mercy -- these are the virtues, or their absence, that will shape our eternity. These are the things that really matter."
That may explain why Seamus and his wife, Mary, always look so happy -- and still manage to take the time to offer that wee bit of wisdom that can change a life now and again.
As Seamus put it: "I've had the great privilege of investing my life in religious freedom." For "if anyone in America doesn't have religious liberty, no one in America has religious liberty." You don't have to be a believer to believe that. When our first freedom is gone, atheists have as much to worry about as the evangelical.
Seamus' is a legacy to emulate -- it reminds us that there are men and women alive today who those who would curtail religious freedoms are not going to sideline -- in or out of court.
McCain: Let's face it, Trump's rhetoric is turning Muslims all over the world against us | Allahpundit


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Singers, actors, technicians sought for amateur drama group auditions
Posted: August 27, 2014|
A SUCCESSFUL Black Country amateur dramatic group is seeking to hold auditions in the near future to add to their already enthusiastic band of players, and Brendan Hawthorne, Wednesbury Poet Laureate and well known Black Country musician, has sent us the following details.
"The amateur dramatic group 'The Wednesbury Civic Players' are looking for more members to join them by holding auditions at Wednesbury Library on Wednesday September 3. The group were brought together in the run up to the highly acclaimed musical-play 'Hard Graft-All for Twenty-Three Bob', which I was fortunate to write over a period of several years. I am the artistic leader of the group and if the enthusiasm shown last autumn is anything to go by, I'm sure there are people itching to have a go this time round.
"From the outset it was clear to me that this group of people would stick together as an amateur dramatic group and I am really proud of their professionalism and dedication to their art. It is heartening for us all to know at the Wednesbury Civic Players that with new commissions ready to perform we are in a positive frame of mind to expand the ranks.
"We are seeking singers, actors, as well as experienced sound, lighting and scenery and props technicians. This is a perfect opportunity for budding actors building their CV in the field of drama, or for someone who simply wants to be part of a successful group of actors, performers and writers."
The auditions will run from 7pm to 10pm and anyone interested is asked to book a time slot. They will need to bring with them a five minute long prepared performance piece and a song of their choice. They will also be required to act a short scene with some of the Civic Players, details of which will be provided on the night. Brendan Hawthorne can be contacted on 07970 441110 for audition booking which are for over sixteen year olds only.


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Sunrise Over Renewable Wind Turbine Farm In Palm Springs California Stock PhotoAlternative Energy,California,Color Image,Copy Space,Environmental Conservation,Horizontal,Mountain,Mountain Range,Outdoors,Palm Springs - California,Photography,Propeller,Renewable Energy,Sunrise - Dawn,Turning,Wind,Wind Power,Wind TurbinePhotographer David ParsonsCollection: E+ David ParsonsThe San Gorgonio Pass Wind Farm stands in between the San Bernardino Mountains and San Jacinto Mountains in Palm Springs, California, producing clean renewable energy.


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Dart pricing, non-retro Mustang, Impala SS, brake override mandate
We record Episode #278 of the Autoblog Podcast tonight, and we're joined by David Kiley of Autoblog and AOL Autos. Drop us your questions via our Q&A module below, and chime in to direct our conversation. Our main focus will be recapping what we saw at the New York Auto Show, but who knows where the conversation will take us! Subscribe to the Autoblog Podcast in iTunes if you haven't already done so, and if you want to take it all in live, tune in to our UStream (audio only) channel at 10:00
With the compact segment becoming ever more crowded, Dodge is getting aggressive with its new Dart. As promised, pricing on the Italian-bred sedan will start at $15,995 (*before a $795 delivery charge). That undercuts key rivals like the $16,800 Chevrolet Cruze, $16,500 Ford Focus, and $16,130 Toyota Corolla. You can still buy a Honda Civic sedan cheaper, but by only $40.
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Fabulous skirt! It reminds me of that book about Victorian women explorers – The Blessings Of A Good Thick Skirt.
An obligatory tree-hugging photograph whilst wearing an outrageously festive gnome-suit can only mean one thing . . .
Yes! The Snawpaws pattern is now OUT!
If you have a desire to sport hand-wear to match your heid . . .
. . . and fancy adorning your wrists with cute wee pompoms (these ones are a mere 1.5″ in diameter). . .
. . .then this is clearly the design for you!
The pattern includes instructions for both mittens and mitts. . .
. . . and if you have already purchased the Snawheid pattern, then the Snawpaws pattern can be yours for half price (£1.37 as opposed to £2.75).
To take advantage of this promotion, simply enter the code PAWS when prompted to do so at the Ravelry checkout.
We had a lot of fun when we were out taking these photographs — sometimes dressing up is all that is required to induce some festive cheer. I have to say, though, that we were certainly getting a lot of curious glances from onlookers — though I reckon that might have been due as much to the get-up of the photographer as my 100% wool tri-coloured gnome suit. . . .
What do you think?
Snawpaws can now be YOUR PAWS!


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Ronald Reagan National Airport
Sponsored By
Guide To Visiting Washington, D.C. For The HolidaysCheck out this guide for visiting D.C. for the holidays and be prepared to enjoy a once-in-a-lifetime experience.
D.C. Area Claims Some of Best and Worst Airports for DelaysFlight delays are often unpredictable, but a new report showing the best and worst airports for delays might make D.C. travelers rethink which airport to use.
Soccer Fans Petition White House to Rename Reagan National Airport for Tim HowardThousands of fans are pushing to reward Tim Howard's heroic World Cup efforts by renaming an airport near the nation's capital in his honor.
Airports in D.C.-Baltimore Region Returning to Normal Operations are returning to normal at the airports serving Washington and Baltimore a day after a winter storm that dumped more than a foot of snow on parts of the region.


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Duvalier was declared president for life in 1971, after the death of his father, Francois "papa Doc" Duvalier.
And an update from last year: "Happy father's day to the papa's, the single parents and the really really generous sugar daddies!"
While papa loved the Havana version, Nigella Lawson and others remix the classic for a new generation of summer drinkers.
Her demand was simple: I will not marry Loras Tyrell (i.e., the "renowned pillow-biter" to whom papa Tywin has betrothed her).
From now on you will listen to us, to papa Muammar and to me.
That is very possible, papa; and it was not always very flattering for that reason.
papa was the Pussycat and she was the little mouse in her hole under the bed-clothes.
papa said yesterday I must tell a story, and I have one all ready.
"He's no business to behave as if it was papa's fault," said Harriett.
He says it is something about Paul, and that it is not nice, and that papa would not like me to know it.
"father," 1680s, from French papa, from Latin papa, originally a child's word, cf. Greek pappa (vocative) "o father," pappas "father," pappos "grandfather." The native word is daddy; first use of papa was in courtly speech, as a continental affectation, not used by common folk until late 18c.
A male lover; DADDY (1785+ esp black); (1922+)
Related Terms


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We're hiring!
We are looking for individuals with a passion for girls in STEM to join our team in 2015. All applicants must commit to a site for the full five weeks.
Are you an educator based in Charlotte or Pasadena passionate about empowering the next generation of leaders who will grow up to one day solve our world's greatest challenges? The Project Scientist Teaching Fellowship is awarded to energetic and excited teachers determined to provide students with an inspirational education and the best possible resources for future success! Teaching Fellows will lead students through hands on exploration at our 2015 PS Academy summer camp, exposing our girls to the endless opportunities available to them in STEM fields, majors, and careers. Additionally, Teaching Fellows will receive the latest research-proven resources, activities, and training in gender equitable education strategies. Fellows are paid positions and hours 8am - 3 pm.
Are you in college and looking for a meaningful summer internship? Join our team this summer at UNC Charlotte, UNC Uptown, Johnson C. Smith, or Caltech to support our Summer Academy. Only hardworking, energetic, ethical, team players need apply! Intern positions are either 8:00 am to 3:00 pm or 2:00pm to 6:00 pm.
At Project Scientist, we maintain an open culture associated with small, startup companies in which all our team members are hands-on contributors and feel comfortable sharing ideas and opinions.
Together we can foster today's scientists who will lead the world in solving tomorrow's greatest problems!
Step 1: Your first step to teach or intern with us is to attend our Sci-Girls Professional Development Day.
In Charlotte we will host professional development on March 21st from 8am to 3pm at UNCC Charlotte. Register here!
In Pasadena we will host professional development on April 25 from 8am to 3pm at Caltech. Register here!
Contact firstname.lastname@example.com if you have any questions!


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"Proud to be different" is the motto of Breed Watches, a Michigan-based company that designs a timepiece for every style and personality type. For aspiring aristocrats, the Gatsby chronograph watch features a polished surgical-steel body, Art Deco-style numerals and a crocodile strap; for the rebellious, the Swiss quartz Lacan and Alpha models emphasize the numbers 4, 8, 10 and 12 instead of the usual 3, 6, 9, and 12. Is German design your thing? Check out the Gunar, which features a square-shaped watch face and a practical date indicator. It's not just the little details that distinguish Breed watches from the pack: their durability, versatility and luxe quality ensure that they, and you, attract attention.
Sharp timepieces that'll accent a suited look just as well as they'll punch up a casual one.
Sharp timepieces with a touch of flair.
Refined design in affordable timepieces to fit every taste
Refined timepieces for black tie, business, or just having the best wrist in any room.


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Overall Experience:
I really love this college ! Everyone is very supportive and help you out with what u need quickly. The teachers always have their lessons planned out and want you to succeed
Overall Experience:
In my community there are a lot of alumni from Morgan Community College. They have found jobs because of school.
Overall Experience:
Class sizes are good. They tend to run in the smaller sizes, but sometimes can have more than usual.
Tuition & Financial Aid:
The high school pays for most of the schooling, and I pay the difference.
Academic Flexibility:
There is not a lot of academic flexibility. There is only one class for each subject.
Student Body:
The student body here consists mostly of people I have been attending school with since first grade. I know everyone very well and everyone is very friendly and helpful. The student body is great.
Academic Experience:
I have not majored yet.
Academic Experience:
The professors don't seem interested in the students. The curriculum is okay, except for the v-net classes. it is hard to learn from a video screen. The class registration process is easy. Workload is average.
Campus Resources:
I couldn't be any happier than I am with the way I am treated by the staff as soon as I walk in the front doors. Considering the fact that I'm only 19, I still get treated like a child almost everywhere I go, but when I'm at the school nobody talks down to me. I feel like a human that they actually have respect for.
Tuition & Financial Aid:
I've never had any luck with our financial aid process. It takes far too long to process, and then they need more information, and by the time it all gets settled you've been dropped from your classes and can't order your books.
Overall Experience:
I have never been disappointed with any of the professors at MCC. They are always more than willing to take some extra time out of their day to help you. Not only are the professors fantastic, but the librarians, tech support, and tutors are always very polite.
Overall Experience:
I'd say MCC is about average when it comes to career opportunities for student's. They'll show you a couple idea's of directions to go, but they're not going to walk you through it step-by-step which I prefer. If they still showed us every move to take, we as student's would never learn for ourselves.
Online Courses:
I've only taken one online class with MCC so I would have to say I don't have much to base an opinion on; especially because I didn't enjoy the class in the first place so it was hard for me to keep focused anyway.
Student Body:
I think MCC is a well matured school. While I still see different stereo-types of people hanging out with each other, I don't really see anybody being judgmental because of it.
Academic Flexibility:
The courses are all set up and you can choose which classes best fits into your schedule. There are courses during the day and some that are available during the evening.
Online Courses:
I had an online course that met once a week to discuss the work and to review the chapter. It was harder because we only had that one time to discuss everything, but what worked out was that the professor gave us her number and email in case we had questions. Of course, she encouraged us to work it out with one of our peers before contacting her.
Overall Experience:
During one of my classes we got to go outside and play games in the grass that let us blow off some steam after a hard exam. There was a class we got to make face masks on each others face, and then decorate our own mask.
Student Body:
My student body during the classes I have taken have been wonderful. They are filled with dedicated and hardworking students. Yes, there was a couple of those slackers, but mostly all of the students knew what degree they were pursuing and were dedicated on reaching that goal.
Academic Experience:
Depending on your class load I believe the workload was good. While doing classes I was pregnant with my first son and at no time was I feeling overstressed about my homework, tests, or exams. My professors were very understandable about how many days I would miss a class after the baby was born.
Academic Experience:
I was able to do some of the prerequisites of my degree during my high school years.
Career Services:
For my degree, a lot of the graduates have been able to find work within their community.
Campus Quality:
There are different locations throughout the northeast of Colorado. There are a total of 5 different locations. These locations include Wray, Fort Morgan, Burlington, Bennet, and Limon. Not only are there different locations, what is really cool is at the Wray locations high school students are able to attend classes during their high school day. What this means is that a high school student gets double credit that works for their high school diploma and their college diploma.
Tuition & Financial Aid:
The admissions office will help you locate some scholarship that you are able to apply for. They have certain scholarships available depending on your major. The tuition is reasonable and there are payment plans available to those who qualify.
Student Body:
Majority of people are at the college to get their education and go home. There is a high vast range of ages of students- high school students- people who are seeking new careers.
Academic Experience:
I am enrolled in the rad tech program and we just got a new instructor for the program and she is awesome! Very well organized, goal orientated, and thriving program!
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Dwelling on the reality of service doesn't really fit in with the mentality of success or mind-set of anyone in the armed forces.
But if your mentality is to play offense, you then think: Fine.
That mentality is what some atheist thinkers believe quietly promotes magical thinking, condoning it via liberal tolerance.
"But we have to understand part of the problem today has to do with the mentality of dominance" among some Africans themselves.
He has the mentality of a Mafioso and not someone who has the mind of an ideological fighter.
Can we reasonably hope to win, or not to lose, with such a mentality at the head?
We learnt to know Levantine and Egyptian mentality better than ever.
The outcropping of ancestral types of mentality is observed to underlie many of the manifestations of vice and crime.
It is characteristic of her mentality that she never attempted to exact it.
The speculative systems are thus by their own mentality perfectly complete and selfsufficient systems.
mentality men·tal·i·ty (měn-tāl'ĭ-tē)
The sum of a person's intellectual capabilities or endowment.


text: > View Product Details Please select the size of the product. Please enter valid quantity. Gucci fox suede GG ornament loafers overview details Retail: $560.00 Bluefly: $445.00 10% Off : $380.48 color : We're sorry. This style is sold out. Fox (Brown) Nothing brings Italian luxury to mind quite like Gucci. Carry on the tradition of superior goods with wares from the legendary Italian fashion house. Color: Fox (Brown) Soft suede upper Tapered round moc toe Strap over vamp with silvertone oval GG ornament Leather lined Leather sole �" stacked heel All measurements are approximate Leather; Italy; style#317370001


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- Filed Under
Workplace safety expo set
Whether the extent of your safety training is "Don't run with scissors!" or you are among the many certified professionals out there, the 2013 Indiana Safety and Health Conference & Expo March 11-13 offers safety and health information for Hoosier workplaces.
The event has grown to be the largest of its kind in the Midwest according to organizers. More nationally-known expert speakers, a wider variety of educational breakout sessions - 63 in total - and a record 100 vendor booths are planned for this year.
The Indiana Safety and Health Conference & Expo is presented by the Central Indiana Chapter of the American Society of Safety Engineers (ASSE) and the Indiana Chamber of Commerce in partnership with INSafe Indiana and the Indiana Association of Occupational Health Nurses.
The top reason to attend, according to Kerri Begley, Indiana Chamber vice president of conferences and special events, is the ability "to hear safety experts from around the country right in your own backyard."
Those speakers include Joseph Torrillo, a 9/11 first responder and 24-year veteran of the New York City Fire Department. Torrillo will present the opening general session on March 12. During the March 13 general session, Jacy Good will emotionally urge everyone to "Hang Up and Drive" when she discusses the dangers of distracted driving. Good's parents were killed and she was severely injured when a driver talking on his cell phone caused a devastating car crash in 2008.
The Indiana Convention Center in downtown Indianapolis is the new location for the 2013 event. Cost for the three-day conference and expo is $448 per person; two-day conference and expo is $349; one-day conference is $249; and the March 11 pre-conference workshop is $99. Group discounts are available.
On March 13, the Governor's Workplace Safety Awards will be presented during a luncheon. Cost is $49 per ticket or $449 for a table of 10.
Details, including full conference brochure and link to register, are available at www.insafetyconf.com. You can also register by calling 317-264-6885.


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Narrow your search
The legendary Rick Baker is selling work including animatronics and puppets from "Gremlins 2" and "Men in Black." Find out what Mogwai monsters and alien gems await.
Designer Oskar Pernefeldt conceived of this design after wondering what flag humans would stake into the ground if we ever set foot on Mars. It's a simple design at first glance, but Pernefeldt put quite a bit of thought into the process.
A small 15th-century chapel in the south-west of France boasts, as gargoyles, Ridley Scott's Alien, Gizmo and a gremlin.
Get into the biology of some famous sci-fi creatures with artist Brad McGinty's anatomical illustrations.
A new piece of malware called DevilRobber hides in Mac app torrents and uses your video card to generate real cash moneys for hackers.
German automaker warns more than 70,000 U.S. consumers to hold off on honking their horns--or risk shutting off their engines.
All the TCO and ROI calculations in the world won't save you from the massive gremlin of IT economics: Our entanglement with the vendors, products, and approaches we choose.
We give you the skinny on Google TV -- a new service from the search giant that aims to put video on demand right inside your telly. Just not in this country
SanDisk Corp. has announced the acquisition of a small, innovative MP3 player company named Music Gremlin.
Fake movie trailers, Tiger Woods as a Microsoft spokesman, and inflatable laptops are among the spoof news stories to emerge on the Web for April Fools' Day.


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Narrow your search
The HP Envy 27-inch IPS monitor with Beats Audio goes long on sound while still giving image quality its due.
The monitors listed below represent our favorites of the ones we've reviewed.
With a high price-to-performance ratio, the Monoprice IPS-Glass Panel Pro will satisfy most bargain hunters; however, there are better options for a few dollars more.
Pricing not available
If you're in the market for a monitor, CNET's buying guide will set you on the right path.
Normally $499.99, this 21:9 IPS panel gives you plenty of space for windows, games, and movies -- provided your graphics card can handle the load.
The Monoprice IPS Pro makes several frustratingly thoughtless design missteps.
Eric Franklin takes a look at the HP Pavilion 27 xi IPS monitor, which includes a feature called HP Enhance Plus.
Low-power-consuming IPS screens are a rare breed, but here are five that won't run your electric bill into the stratosphere.
Acer's new IPS monitor, the B243PWL is out...right about now.
The Asus PA248Q is a low-priced IPS monitor that doesn't skimp on performance or features.
The HP 2311xi sports an IPS panel and costs only $240, giving it one of the best price to performance ratios of any monitor.


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Recent Comments
- 2 years ago Oh no! Soapbox2 ... Lol
- 2 years ago Microsoft isn't one that likes to share either. Sure they like others to share with them but not usually the other way...
- 2 years ago I was reading these comments and some people make it seem like YouTube is blocked on Windows Phone, well its not just type...
- 3 years ago Hoping I win so I can give WP8 a try!
- Member for
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Architect Series 11 by KitchenAid
By Linda
from Parker, Co 80138
Comments about KitchenAid 21.9 Cu. Ft. French Door Refrigerator - White:
We replaced an identical model. Cleaning crew damaged all three doors with their spray solution. However!!!This model arrived with right door light switch not working, and ice maker making smaller than normal cubes.
Bottom Line Yes, I would recommend this to a friend
Was this review helpful? Yes / No
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(1 of 1 customers found this review helpful)
Lots of problems early on
By Polly B
from Valley Forge, PA
We bought this fridge in March 2015 as part of a new kitchen construction. We began to use it around Memorial Day. By September, the left side French door was malfunctioning. The seal/bumper on the door had come loose and the guide attached to top of the door no longer lined up with the opening on the fridge, which meant that to open or close the door, you had to manually move the guide into place. The first service call resulted in a tech telling me I had put too many heavy items on the left door and that I had unbalanced the fridge. ???? I never had this problem with other refrigerators. So I moved the heavy items to the right side door, he reattached the seal/bumper that had come loose, and we were good to go. Less than a month later, the same problem happened again. Note that this fridge is used by myself and my husband and occasionally by our adult daughter and we all work full time so no one is opening the fridge during the day. I don't have teenage boys opening it 75 times a day or swinging on it for fun. The second tech said the weight on the doors wasn't an issue, but the fridge wasn't balanced evenly. He fixed that and also pulled it out a little bit so the doors didn't come in contact with the cabinets on either side. So I have had two service issues within 5 months of use. After this experience. I decided to buy a 5-year warranty on the fridge, because I have no confidence the door seals will last or perform correctly past its one-year warranty. In other respects, it is a great appliance. I like the deep, adjustable shelves and it is easy to clean. I like the bottom freezer, although it seems to me to hold less than my old top freezer, perhaps because of all the drawers. They do make it easy to find things. Given the price of this unit, I don't think I made a smart choice buying it. I am hoping I won't have any further problems with the French doors, but I am not too optimistic. I believe there was a redesign shortly after I bought this mode. Perhaps the door issue was corrected in the new model.
Bottom Line No, I would not recommend this to a friend
Nice refrigerator
By Kath
from Rancho Cucamonga, Ca
We had remodel our Kitchen and this refrigerator looks like it was built in. Also like that the water dispenser is inside a clean look with being on the door.I also found out that it the same as a Bosch but cost less
maximize space for counter depth
By Nate
from Appleton,WI
bought this a month ago, huge upgrade over previous fridge. I wanted to stick with a counter depth fridge but maximize the space. I have a family of 6 and this works well for us. I'm not in love with having water inside the door - kids are constantly getting water out of the fridge, leaving the door open for quite a while and not always closing all the way. Closing the left side requires a little more push. However, this has given me reason to love the alarm when the temp rises too much. One other detail that I find annoying is the grate shelf in the freezer. Things can easily fall through it, and once they do they are hard to reach. I bought a thin foamed mat (for kitchen drawers and shelves, I believe) and cut it to size so there is at least a surface to catch falling items - cutting placemats might work too. Overlooking these two minor complaints, it feels like a premium product so far.
By HH
from Hamburg, NJ
We replaced a big old side by side fridge with this newer sleeker design that fits our space perfectly. Have only had it a few weeks but love the look and design. Although it a little smaller than the one we replaced, it has a much better layout that makes thing easy to find. Looks great in my open concept home.
Very unhappy with this refrigerator.
By none
from Pacifica, California
Have had constant problems with ice build up in the freezer compartment I am on my third service call and the problem has not been corrected.
Love the looks !! Space & shelving
By Margo
from Pompano Beach,Florida
So far I am happy with my refrigerator. I never had French doors, not to crazy about the way they work. Sometimes they don't shut to well . Other then that I am happy !
love my kitchenaid
By g-ma
from delray beach, fla.
wanted a french door refrigerator. saw this model and loved it. it is perfect. it has a place for everything. i am enjoying having it and tell my friends about it.
loud buzz
By oceandays
from saunderstown,ri
Our refrigerator makes a loud buzzing sound multiple times during the day. We have had repair techs to our home multiple times but they were unable to quiet the buzz.We will not be replacing it with a KitchenAid product.
Great Layout
By Larry the Cook
from Lufkin, Texas
I am happy with my recent purchase of your Counter-Depth French Door Refrigerator. For many years I have trusted the quality of your products and have not been disappointed.My advice: Please wrap your handles in bubble wrap to be removed at my home so that they do not get scratched during delivery.Great product - Larry Lindsey
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CRWCD's annual water seminar features leading national and regional water and climate experts
Staff Report
FRISCO — Colorado this summer may have escaped the severe drought plaguing much of the West — at least for now — but that doesn't mean the state is immune from regional water woes.
Planners and water users know very well that huge long-term challenges remain for all the states in the Colorado River Basin, and some of those issues will be highlighted during the Colorado River Water Conservation District's Sept. 10 water seminar in Grand Junction.
Two of the most important women in Western water leadership will be addressing the Colorado River District's popular Annual Water Seminar in Grand Junction, Colo., that takes place Thursday, Sept. 10, 2015, from 9 a.m. to 3:30 p.m. at the Two Rivers Convention Center. Continue reading
Filed under: climate and weather, Colorado, Drought, El Niño, Environment, global warming, rivers, water | Tagged: climate, Colorado, Colorado River Water Conservation District, drought, water | Leave a comment »


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Australian Drummer Issue 2
All the latest news in the world Drumming. An online magazine published by Australian Drummers, for Australian Drummers!
ISSUE 2 KENNY ARONOFF KENNY ARONOFF TALKS ABOUT HIS INFLUENCES & HOW HE GOT TO THE TOP STEVE JUDD DRUMMER FOR PROG-ROCK HEAVYWEIGHTS, KARNIVOOL GAVIN HANSEN DRUMMER FOR THE ICONIC AUSSIE PUB ROCK BAND 'THE POOR' HOME RECORDING BUYER'S GUIDE DRUMTECH WE HAVE THE LOW-DOWN ON THE LATEST IN HOME RECORDING EQUIPMENT NEWS ON THE LATEST IN DRUMMING INNOVATIONS & MUST-HAVE ITEMS TIPS ON TUNING YOUR DRUMS FROM DRUM TECH HAYDEN VASALLO #2 HEADER DESCRIPTION CONTENTS: KENNY ARONOFF 2 THIS ISSUE: 2 INTERVIEW WITH KENNY ARONOFF 6 DRUMMING BUYER'S GUIDE 12 INTERVIEW WITH STEVE JUDD DRUMMER FOR KARNIVOOL 17 ELECTRONIC DRUMMING STEVE JUDD 12 21 MIC IT - YOUR GUIDE TO HOME RECORDING 25 INTERVIEW WITH GAVIN HANSEN DRUMMER FOR THE POOR 28 DRUMTECH - TUNING SPECIAL 31 INTERVIEW WITH JACKIE BARNES 34 INTERVIEW WITH TIM MADDEN DRUMMER FOR MAKE THEM SUFFER GAVIN HANSEN 25 JACKIE BARNES 31 ISSUE TWO • MAY 2012 Follow us on facebook for regular updates, comps, and other cool stuff! WWW.FACEBOOK.COM/OFFICIALAUSTRALIANDRUMMER For all media/advertising enquiries please contact: firstname.lastname@example.com 1 THE DRUM 101 THE LATEST NEWS IN DRUMS FROM AROUND THE GLOBE ••• SMASHING PUMPKINS ALBUM Smashing Pumpkins drummer Mike Byrne has opened up about the band's forthcoming album Oceania, saying it has a very "Led Zeppelin-vibe." image: getty PETER JONES LOSES BATTLE It is with a heavy heart that we note the passing of Peter Jones, the drummer of Crowded House fame, who passed away from his battle with brain cancer. The band released this statement: "He played with style and spirit. We salute him and send our love and best thoughts to his family and friends.'' CHAD SMITH RELEASES AN APPLE/ANDROID APP Red Hot Chili Peppers drummer Chad Smith has released a new app for Apple and Android devices. Fans who download the free app, will be able to keep up with all of Chad's activities, listen to tracks from his recording projects, stay current with the drummers Chad is following, interact with his online fan community, view performance and clinic videos, and follow his blog and Twitter feed. "At the beginning of the record we have a real one-two punch with real furious drumming," he explained. "We [have] a song called 'Quaser,' which has flam fives all over the thing. We spent all night honing the parts and didn't do a single take, just ironing out every fill." "The next day we came in and did the check your tones take and by the time I was finished they called me into the control room and we'd done it on the first take. That was the happiest surprise of the three weeks," he added. DRUMMER BRINGS PRIMUS BACK TOGETHER In a recent interview with Les Claypool from Primus talking about their new release, Claypool explained how their old-time favourite drummer, Jay Lane, had helped the release of their new album. Claypool had this to say about the creative process: "As I start playing something, within two measures, he jumps in with me. And he always has. He doesn't sit there and think about it. He doesn't hem and haw and tap on his cymbals and fiddle with his snare drum. He could have just a snare and a kick drum and a hi-hat set up with everything else splayed all over the floor. He's that intuitive." SIMON PHILLIPS TOURING Simon Phillips, of Toto fame, will be in store at Drummers Dream on the 4th of June for a meet 'n greet. This will mark his only appearance in Australia. More information coming soon, check out our Australian Drummer page on Facebook for updates. METALLICA DRUMMER LARS ULRICH BREAKS A LEG Lars Ulrich of Metallica, who became a household name after for being outspoken against Napster, has stepped out from behind the drum kit to take up a a new position - as actor. Ulrich will be staring in the new HBO series Hemmingway & Gellhorn, alongside Australian actress Nicole Kidman. Ulrich had this to say about learning to act: "I took it very seriously. I studied the difference between how a Dutch person would say things in English and the way I would as a Dane. Most people couldn't tell the difference, but I can. And it needed to be right." ISSUE TWO 2 HEADER DESCRIPTION KENNY ARONOFF BEATING UP THE BIG GUYS ARONOFF BEATING UP THE BIG GUYS! With a repertoire that echos your rock dad's entire CD collection, there is no doubt that Kenny Aronoff is one of the most talented and in-demand drummers of the last 20 years. Australian Drummer got the priviledge of some insider drum tips and info from this iconic drummer, who has shared the stage with Meat Loaf, Elton John and more! Words by | Australian Drummer How long have you been playing the drums? How did you start out? KA: I have been playing the drums for 49 years! Wow - some people don't live that long! I always had lots of energy and so I naturally was drawn towards sports and when it came to music I loved the energy of the drums. Once I saw and heard The Beatles I decided to form a band. I was 10 or 11 years old. All I had was a snare drum and a cymbal. I stood up and played. My parents didn't want to invest in a drum set right away. I kept adding one drum at a time until I had a big kit. Now I have as many as 15 kits, and still have my original kit from the 60's. What drummers have inspired you and influenced your drumming style? KA: In rock 'n' roll John Bonham is such an amazing influence for feel, sound, style, parts, knowlegde of lots of different styles of music, Mitch Mitchel influenced me a lot because I was heavily into jazz because I grew up listening to it. My dad and mom were huge music lovers and jazz was their music, so all the great jazz drummers influenced me. I used to go to see Joe Morello every year. Anyone playing with Miles Davis or John Coltrane or in the Bebop world I loved. I played in jazz trios, quartets, quintets and big bands as a kid, but rock was my most fulfilling style of music. I am now influenced by everyone. Tell us a little about your drumming history? Bands / musical styles, etc? KA: I had my first band when I was 10 or 11 and it was called The Alley Cats. We played what was hip on the radio. I got into jazz and started playing in jazz groups, but I always was in the hippest rock bands with older musicians. My parents let me practice with bands any night of the week as long as I did my home work first. I played varsity sports all year long so after school, I was me a lot and I ended up doing 5 years of intensive training at 2 music schools that specialised in classical music (University of Massachusetts and Indiana School of Music). I played in orchestras, percussion ensembles, operas, studied music theory, literature and music history, lessons, recitals, jazz bands (small and large) and I had a full load of regular academic courses. Outside of school I was always playing in clubs or rehearsing with all kinds of rock, funk or fusion bands. I was into everything. Every summer I put together a band and played all summer in clubs. I also studied tympani with Vic Firth. When I graduated from college I was "My dad and mom were huge music lovers and jazz was their music, so all the great jazz drummers influenced me..." playing on teams, then do home work and then practice with the bands I was in. On weekends we would play out. I played varsity sports all year long so after school, I was playing on teams, then I'd do home work and then practice with the bands I was in. On weekends we would play out. Then started studying with Arthur Press, the principle percussionist from the Boston Symphony Orchestra. He influenced offered 2 jobs in symphony orchestras - one in Israel and the other Quito Equator, South Amercia. I said no to both and decided I wanted to study drum set for the first time with heavy teachers. One was Alan Dawson from the Berklee Shool of Music in Boston and with Gary Chester, a session drummer in NYC. I practiced 8 hours a day for one year and lived at my parent's house. I then moved back to Bloomington, Indiana and ISSUE TWO 3 4 KENNY ARONOFF BEATING UP THE BIG GUYS started a fusion band called Streamwinner. I played with them for three years. We lived in a band house and rehearsed there also. All I did was practice, rehearse and do shows. After three years I decided to move to NYC. 2 weeks before I moved, I heard that this artist Johnny Cougar was looking for a new drummer. I auditioned and got the gig, so I never left Bloomington. That was my first big break. The band grew and grew and eventually Johnny Cougar went back to his original name John Mellencamp. I played on many hit records and went on many tours with John for 17 years. I also became a very successful session drummer in Los Angeles, NYC and Nashville. I developed a drum clinic program and also taught privately and eventually became an Associate Professor at Indiana University School of Music where I went to school. For more details go to www.kennyaronoff.com Who are you touring with in 2012? KA: I am touring with John Fogerty and also Chickenfoot in 2012. Do you prefer performing live in front of a crowd or recording in the studio? KA: I love and need to do both. Describe your setup at the moment (kits, cymbals, heads, etc). Does it differ for live performance/recording etc,? Is there anything in particular about your setup that lends itself to your unique style of playing? KA: I use Tama Bubinga drums with Chickenfoot. 24" x 16" kick, 12" rack, 14" and 16" floor toms with legs. I use my 5 x 14" Kenny Aronoff track master signature snare drum with a die cast hoop. All Zildjian cymbals. 2 - 19" a custom crashes, 1 - 19" k crash, 21" a custom ride, 14" master sound hats on my left and 15" new beats on my right on a cable hihat stand. I have a 20" china also. I use Iron Cobra powerglide double bass drum pedals with big wooden beaters. Remo heads. Ambassador X coated on top of toms, clear Ambassador on the bottom. Emperor X drum head without the black bot on snare and kick is a power stroke 3 clear on beater side. I play with my Kenny Aronoff signature sticks. For John Fogerty I use a Starclassic Maple kit because he loves that sound. Same sizes except he likes the 22 x 18 kick with a fiber skin 3 head on it. I do not use a china. I use a Yamaha DTX pad and multi pad set up for some samples. Do you have any advice/tips to offer young /up and coming drummers? KA: Practice as much as possible and never give up. The music business has changed a lot. Your passion for drums and music combined with hard work and education will help make you the best drummer you can be where ever you are and possibly some success. There are no guarrentees. Anything else that you want to mention? KA: I was just in Australia and it's one of my most favorite places I have ever been in the world for many many reasons. HEADER DESCRIPTION LMP1455-ATM Classic Maple SOUND LAB PROJECT The snare drum is the keystone of any drummer's sound. At some point in the musical journey, the player will embark on a search for the perfect drum to enhance their sound. With that player in mind, we created the Sound Lab Project Series. TAMA's ® extensive research and development process led to a varied offering of S.L.P shell materials. Thickness and the specific parts were experimented with to find each shell material's full sonic potential. $ 699 RRP LGB146-NQB G-Bubinga $ 599 LST1455 Vintage Steel RRP LMB1465-MMB Power Maple $ 649 RRP LGM137-STA G-Maple $ 749 RRP LBR1465 Black Brass $ 429 RRP LST1365 Sonic Steel Distributed by Australis Music Group. Call 1800 624 460 to find your nearest TAMA® retailer. $ 649 RRP LAL145 Super Aliminium 6 HEADER DESCRIPTION 1. ASHTON JOEYDRUMS ASHTON JOEYDRUMS $369 RRP: $369 Perfect for the young starters or travelling musician! 16" kick, 8"/10"/13" toms and 12" snare. Includes cymbals & everything you need to get started! Available in 5 colours. 2. ASHTON TDR522 RRP: $499 ASHTON TDR522 $499 New from Ashton the TDR522 features a vintage look with white bass drum head with porthole as well as short stacked toms for greater tone and attack. RRP: $2695 3. TAMA SL62HZBNS TAMA SUPERSTAR (SL62HZBNS BMW & RMK) $2695 Huge specs such as Die-Cast hoops and Tama's patented Star-Cast floating tom mount system, the Tama Superstar Hyperdrive has proven itself as the ultimate rock machine time and time again – and these limited edition 6-piece kits are no exception. Made with 100% Birch shells and features short-stacked toms for gunshot-like attack. Available in Brown Banded Matte White (BMW- left) and Red Banded Matte Black (RMK - right). 5. TAMA S52KH6C TAMA SWINGSTAR (S52KH6C) $995 RRP: $995 A perfect rock kit with all the features & accessories you need! With triple-flanged hoops for increased sustain, double-braced stands and a full compliment of hardware & cymbals. Available in 5 colours. 6. TAMA VL48S ABB TAMA SILVERSTAR (VL48S ABB) $1695 RRP: $1695 4-piece jazz kit with 100% Birch shells & texture coated snare & tom heads. 18" kick drum, 12"/14" toms and 14" snare. Available in a variety of colours. 7 RRP: $1495 7. TAMA SILVERSTAR - VK48S TAMA SILVERSTAR (VK48S) $1495 TAMA SILVESRTAR (VL52KS) $1795 4-piece jazz kit with 100% Birch shells & texture coated snare & tom heads. 18" kick drum, 12"/14" toms and 14" snare. 100% Birch shells & renowned double-braced Tama Roadpro hardware. Available in a variety of colours. RRP: $1895 9. TAMA SILVERSTAR - VK62S 1. ASHTON AXS CYMBALS TAMA SILVERSTAR (VK62S) $1895 1. ASHTON AXS CYMBALS FROM $249 100% Birch shells & renowned double-braced Tama Roadpro hardware. Available in a variety colours. 1 2 RRP: $1795 8. TAMA SILVERSTAR VL52KS The Ashton AXS Series cymbal set is the perfect entry level cymbal pack, with a warm, rich and glassy tone. 3 4 3. 5 6 7 8 4. 7. 1. TAMA S.L.P. SNARE DRUMS 1. TAMA LST1455 VINTAGE STEEL $449 2. TAMA LAL145 SUPER ALUMINIUM $649 3. TAMA LGM137-STA G-MAPLE $649 4. TAMA LMP1455 $549 5. TAMA LST1365 SONIC STEEL $429 6. TAMA LBR1465 BLACK BRASS $749 7. TAMA LGB146-NQB G-BUBINGA $699 8. TAMA LMB1465 POWER MAPLE $599 ISSUE TWO 8 HEADER DESCRIPTION 1. ASHTON RHYTHMVX RRP: $499 ASHTON RHYTHMVX $449 Compact, portable, quiet, ad packed with sounds, songs and styles; the Rhythmvx is a popular first choice electro kit! 3. 2BOX DRUMIT 5 RRP: $3995 2BOX DRUMIT 5 COMPLETE KIT $3995 Designed in Sweden with a dedication to ultimate functionality for professional and working musicians. 5. ASHTON DA30 ASHTON DA30 DRUM AMP $329 The Ashton DA30 (30W) drum amp is perfect for amping your electronic kit! RRP: $329 2. ASHTON RHYTHMUVX RRP: $699 ASHTON RHYTHMUVX $699 The RHYTHMUVX features USB and recording function as well as a diverse range of voices, styles and sounds. 4. ASHTON EDP420 RRP: $199 ASHTON ELECTRONIC DRUM PADS (EDP420) $199 Bash away with your sticks or hands on these electronic drum pads! Perfect for bedroom practice and travelling. 6. LANEY AUDIOHUB AMPS FROM: $549 1. LANEY AH100 RRP: $549 2. LANEY AH200 RRP: $999 The Laney Audiohub 100 (65W) is perfect for band rehearsals and small gigs, whilst the Laney Audiohub 200 (160W) has 5 channels to get the rhythm section amped! 9 AQUARIAN 1. TRIPLE THREAT AQUARIAN TRIPLE THREAT FROM $55 Three plies of 7mil Full-Range drumhead film are molded to act as one powerful, strong snare drumhead. 3. MODERN VINTAGE AQUARIAN MODERN VINTAGE HEAD FROM $149 A clear, two 7 mil ply bass drum head. This two ply version provides extra durability and a more focused sound. 2. SUPERKICK 2 AQUARIAN SUPERKICK 2 HEAD FROM $99 A clear, two 7 mil ply bass drum head. This two ply version provides extra durability and a more focused sound. 4. CYMBAL SPRINGS AQUARIAN CYMBAL SPRINGS FROM $149 These patented cymbal holders mount on any cymbal stand. The free movement of the Cymbal Spring helps to absorb impact to protect the edge and center hole of the cymbal. 5. STUDIO RING AQUARIAN STUDIO RING IMPACT PADS FROM $16 The one-inch width of each muffling ring achieves that great studio sound without choking the drum. ISSUE TWO 10 HEADER DESCRIPTION FROM: $329 1. TAMA SPEED COBRA PEDALS 2. TAMA COBRA JR. PEDALS TAMA HP920LS: SINGLE PEDAL $329 TAMA HP910LSW: DOUBLE PEDAL $749 TAMA HP910LSWL: LEFT-HANDED DOUBLE PEDAL $749 FROM: $199 TAMA HP300B: SINGLE PEDAL $199 TAMA HP300TWB: DOUBLE PEDAL $499 1 2 FROM: $299 3. TAMA IRON COBRA PEDALS TAMA HP900PSN: SINGLE PEDAL $299 TAMA HP900PSWN: DOUBLE PEDAL $699 TAMA HP900PSWLN: LEFT-HANDED DOUBLE PEDAL $749 1 2 3 1. TAMA DRUM THRONES RRP: $XXX 1. TAMA HT25 $109 Features 2¼ "thick seat, adjustable height, single braced legs with double braced support. 2. TAMA HT65W $199 Features 3¼ "thick seat, adjustable height and double-braced legs. 3. TAMA HT35 $159 Features saddle seat, double-braced legs and adjustable height support. 1. TAMA ACCESSORIES 1. TAMA TPA90 $19.95: Brace to connect double-kick pedals to hi-hat stands. 2. TAMA REPLACEMENT BEATERS FROM $25: Kick pedal beaters. Available in felt, wood and rubber. 4 5 4. TAMA HT650C $369 Cloth top with Hydraulix 6 height adjustment and double-braced legs. 5. TAMA HT530 $349 Wide rider with double braced legs and adjustable height range. 6. TAMA HT741 $499 Ergo rider quartet with backrest. Foldable for easy transport. 11 1 2 TAMA TENSION WATCH & RHYTHM WATCH 1. TENSION WATCH $149 2. RHYTHM WATCH $149 1. ASHTON MUTE PADS (MDP) FROM: $149 Perfect for keeping noise down during practice. Available in a variety of sizes to suit most kits. 1 1. ASHTON COWBELLS 1. ASHTON COWBELLS FROM $12.95 FROM: $109 1. ASHTON MUTE PADS FROM: $12.95 Available in 6", 7" and 8" varieties. Great addition to any kit. ASHTON HEADPHONES 2 FROM: $24.95 1. ASHTON HEADPHONES (HD25) $24.95 2. ASHTON HEADPHONES (HD60) $49.95 DRUMMER GLOVES TAMA DRUMMER GLOVES FROM $39 These slip proof Tama Drummer's Gloves will keep your fingers blister free even when things get a little frantic, whilst ensuring that you don't lose your sticks when you need them the most! ISSUE TWO 12 STEVE JUDD DRUMMER FOR KARNIVOOL STEVE JUDD DRUMMER FOR KARNIVOOL AUSTRALIAN DRUMMER CHATS TO STEVE JUDD, DRUMMER FOR AUSTRALIAN PROG-ROCK HEAVYWEIGHTS KARNIVOOL ABOUT ALL THINGS DRUMMING-RELATED... Words by | Australian Drummer I t's been a busy 3 years for Karnivool after the release of their long anticipated album 'Sound Awake'. The Aussie progrock heavyweights have delivered a powerful, melodic and very rhythmic album. 'Sound Awake' has Karnivool's fans excited and music industry professionals taking notice. Australian Drummer recently had the pleasure of catching up with Karnivool's powerhouse of a drummer, Steve Judd. SJ: "I played with lots of different people and that's where I learned the most. I just made sure that everyone I played with was better than I was. I read lots of books, listened to lots of records and purchased a great book called 'Future Sounds' by David Garibaldi. I also listened to drummers like Steve Smith, Dennis Chambers and Tony Royster Jr, which helped with the technical side of things." Steve's drumming life began when he was just 14 years old after deciding to switch from guitar to drums. The influence of both his parents being musicians gave Steve access to some great material from their record collections at an early age. Karnivool were in search of a drummer in 2004 and Steve was discovered. SJ: "I really loved Hendrix and Mitch Mitchell, which got me started and then things really kicked in when I heard Chad Smith on Blood Sugar Sex Magic. I really got into funk and R & B around that time. I also listened to lots of Stewart Copeland – one of my many favourites. I really like to play grooves and work on getting 'the groove' feeling right before I do anything else. The song is always king. " Completely self-taught, Steve spent lots of time listening and playing with as many people possible. many trips abroad. Australian drummer asked Steve to recall the most memorable shows he's played. SJ: "Musically, I'd have to say the Big Day Out in 2008 on the Gold Coast. The band just clicked and the show was amazing on all fronts. As far as the experience, I'd have to say Mumbai India in 2011. It's an amazing place and different from what we're used to culturally. The show was crazy and went off! I love touring a new record. I love the live shows. It's what I look forward to the most." "I PLAYED WITH LOTS OF DIFFERENT PEOPLE AND THAT'S WHERE I LEARNED THE MOST JUST MADE SURE THAT EVERYONE I PLAYED WITH WAS BETTER THAN I WAS..." SJ: "I was playing a show with my old prog/ emo band and Ian (Karnivool's frontman) was there and asked if I'd be interested in a jam. I ended up having a jam, which went OK and did a couple of small shows and then landed the gig. It was a bonus that I was also a fan of the band prior to being asked to jam! With gruelling tour schedules over the years Karnivool have played the big stages, the huge festivals and have made Sound Awake was Steve's first record with Karnivool. Themata was recorded prior to Steve joining the band. Steve explains his studio experience and how it differs from a live performance. SJ: "Live performances, I generally play really hard. I focus on being energetic, being spontaneous and playing like an animal. In the studio my approach is different. I spend a lot of time getting my ISSUE TWO 13 14# kit to sound right. Between different tracks, it could mean tuning the kit higher or lower, changing snares or cymbals. It's so important to get the sounds right. Getting things to sound and feel right is very important to me. I then lay the groove down first and then add the fills later. Studio performance needs to be precise – there's nowhere to hide." •19" A Custom Projection Crash • 19" K Hybrid China • 20" A custom Crash or 20" ReZo Crash • 20" Oriental Crash of Doom22" A • Traditional Ping Ride or • 22" K Custom Crash Ride • 1 x cymbal stack sporting old and broken cymbals - 13" hi- hat top, 17" crash and 20" crash. Steve plays a Pearl Reference kit. Shell sizes are:10" x 8", 16" x 16", 18" x 16", 22" x 18" with the addition of an 8" rototom. Drum heads for toms are Remo clear emperors on top and ebony ambassadors on the bottom. The snare head top is either a coated emperor or a controlled sound head. Bass drum heads are Powerstroke III's. Sticks used are Vic Firth Extreme 5A's. Snare choice is a Pearl Reference 14" x 6.5" brass snare. Cymbals are by Zildjian consisting of : Australian Drummer asks Steve about Karnivool's plans for 2012. • 8" A Custom Splash • 10" A Custom Splash • 14" A Custom High Hats SJ: "We're doing a national tour in June and July that I'm really looking forward to. We are also releasing a DVD before we hit the road. The DVD will have a history of the band as well as live footage from the Forum in Melbourne. There will also be highlights from some of the best shows we've done. We also start on a new album later in the year. It's going to be a busy year!" Tickets for Karnivool's mid year shows can also be purchased via their website: www.karnivool.com.au. Australian Drummer would like to thank Steve for taking the time to talk to us. You can also follow Steve and Karnivool on Facebook, Twitter, Myspace or their website: www.karnivool.com.au au.roadrunnerrecords.com facebook.com/makethemsufferau Distributed by Australis Music Group. Call 1800 624 460 to find your nearest 2 Box retailer. Now Available in Australia CALL 1800 624 460 NOW, TO FIND YOUR NEAREST RETAILER! Designing Powerful Musical Systems for the Performing Musician 2BOX • Stockholm, Sweden www.2box.se ELECTRONIC DRUMS THE ELECTRONIC DRUM REVOLUTION THE ELECTRONIC DRUM REVOLUT ON There is no denying electronic music is bigger than ever. Look at the changing landscape of both music production and live music and how the modern drummer is able to adapt their skill set to multiple electronic platforms. Words by | Australian Drummer T he influence of the computer on every aspect of music is undeniable and understanding the digital aspects of your instrument are a fundamental tool to take your drumming into multiple genres. With solid drumming experience, the digital possibilities are endless. The electronic revolution is often met with both embrace and inertia from drummers; somewhat going against the true artform of drumming, the digital platform can be seen to take away from the organic and human element of drumming by adding a 'control+delete' aspect to the equation. Of course, this allows a greater ability for inexperienced rhythmists to build nearperfect rhythms with limited knowledge of advanced drum techniques like syncopation and complex time signatures (by the aid of computer). The embrace really comes from the fact that an experienced drummer can really utilise this digital tool to take their skills to their max, combine their acoustic setup with electronic triggers and samplers and adapt their drumming easily into fullfledged music production and recording. THE ELECTRONIC DRUMKIT: The most simple way (technically) of taking your drumming to a digital frontier is with the use of an electronic drum kit. The electronic drumkit was created in 1978 but didn't really find its way into the drum scene until the 90's, with the introduction of Roland's TD-10 model. Taking a basic rubber-pad setup into the currently more preferred mesh-pad - echoing the feel of an acoustic kit and making it an easier jump for the acoustic player. Mesh heads are a twolayer taut woven mesh of fibbers fitted with several electronic sensors, propelling both the sound and feel of electronic drums into a more comfortable territory. The current electronic drumkit market offers a range of programming is touch-of-a-button stuff. You can find these kits for under $500 and they are steadily growing as an entry level product for drummers as they offer a silent, portable solution for city spaces. Industry-leader, Roland, offer a range of products in this price range. There is also a growing range of brands like Ashton who are offering a similar product at more competitive low-end prices. It's worth doing your homework here if you're looking for an economical electronic solution. Going into the higher end of electronic "The digital platform can be seen to take away from the organic and human element of drumming by adding a 'control+delete' aspect to the equation" competitive prices and electronic features, catering to drummers who either want to have a more portable setup or drummers who want to have a large scope of electronic capabilities. Lower end kits often feature rubber pads and are great choices for players looking to slowly step into the realm of electronics. The features are often simple and drumkits requires a fair bit of research. You'll either want to find something that is as close to your acoustic setup as possible, but electronic, or, a kit that offers a high degree of integration with other electronics such as samplers and computer devices. Prices are high and there are some beautiful kits on the market and to go into detail here would be an article in itself. We recommend doing some hardcore googling of features ISSUE TWO 17 18 ELECTRONIC DRUMS THE ELECTRONIC DRUM REVOLUTION higher end electronic kit. It's also a great option to visit your local music retailer and talk to them about kits and test some out - this aspect of purchase is often forgotten about in this retail climate, but is the best (and quickest) way to get a good understanding of what you are buying. The bottom line is that the electronic kit provides a much easier integration into both live and recording settings. Eleviating the painful task of micing up and offering a huge range of often user-set sounds. Technically you could even record your current acoustic kit, convert the sounds on the computer to samples and then run them through your electronic kit as a setup - this gives you a sound bank of acoustic drum kits at the touch of a button. The added features of high sensitivity touch response on most higher end kits applies an even greater organic feel to the electronic kit. MUSIC PRODUCTION FOR DRUMMERS: In todays music, genre's are almost a thing of the past. The computer allows digital sounds and capabilities to be integrated into any musical style… and why not? The ability to bend, distort and tweak any sound on a computer is endless and electronic music is heard in everything from pop music to metal and jazz these days. As a drummer, using music software to produce beats is an extremely easy way to explore new genres and create rhythms that you can easily integrate with your current acoustic setup with the addition of samplers, triggers, etc. Getting your head around production software can be a time-consuming exercise, but extremely rewarding if you are looking at creating electronic music and/or beats. The industry leaders in electronic music production software (Ableton, Reason, Fruity Loops, Logic) feature a technical layout that requires time to understand. With some self-motivated learning you can be making your own music in little time at all and with a backed knowledge of drums you are at an advantage in producing realistic and organic beats in an electronic forum. Many of these programs feature integration of your electronic drum kit so that you can play live and record into them, then go back and reposition the individual beats. You can also explore avenues of melody as these programs also feature synths and pads you can build on-top of your beats - essentially allowing you to create full-fledged electronic music. If you're interested in exploring production, we recommend downloading a demo of any of the mentioned software and proceeding from there. ELECTRONICS IN ACOUSTIC KITS: Late in 2011, Aquarian announced its newest drum head technology called the INHEAD®. In the same vein as Zildjian's acoustic/electronic cymbals, the INHEAD® is a drum skin that fits onto a regular acoustic kit and converts the sound into a electronic format, essentially bridging the gap between the acoustic and electronic drum kit. The INHEAD® is just one technology that symbolises the demand for electronic integration in drums and is a much better option for drummers than triggers as it eleviates cross-talk and double-firing. Currently, it is only compatible with snares and 14" toms but is planned to extend to a full kit. So if you are interested in electronic/acoustic technology we recommend you keep your eyes out for new information. Zildjian have also created an adapted acoustic/electronic cymbal, that again allows an acoustic kit to be transmitted into electronic format. The cymbals combine low volume acoustic cymbals, an innovative new dual-head mini microphone system, and a controller/mixer with preset tone modeling that allows the user to experience an array of tones and/or add effects to each real cymbal. The cymbals come in a full range of models including rides, hi-hats, and Chinas. As drummers, it's definitely important to at least understand the capabilities of the craft, if its something you want to take seriously. Electronics in drumming are a growing trend and offer an expanding platform for playing, production, recording and portability. It's essential to know the basics and understand the acoustic kit, but in a world where almost everything is digital, it's in a drummers best interest to explore and invest in the electronic revolution. MIC IT! MIC IT! HOME RECORDING ON A BUDGET HOME RECORDING ON A BUDGET Words by | Australian Drummer Whether you're in a start-up band, or you're an audio-engineering nut, we'll get you sorted with the knowledge on what's big in home recording. ISSUE TWO 21 22 MICING TIP! "Don't immediately reach for the EQ knob, and don't over do it with the reverb. These are two of the biggest newbie mistakes. Rather than fiddling with EQ (equalization) if you don't like the way something sounds, try changing the source first." AUDIO-TECHNICA AE2500 Considered amongst the best kick drum Mics ever made, the Artist Elite AE2500 dual-element instrument microphone features a cardioid condenser and a dynamic capsule combined in one housing. The dynamic element delivers the aggressive attack of the beater; the condenser captures the round tonalities of the shell. Two layers of resistive mesh form multiple densities over the dynamic element's side-entry ports, exercising precise control over the time at which off-axis signals arrive at the diaphragm. The condenser diaphragm is optimally tensioned and aged for longterm consistency and stability. 5 Pin XLR to 2 x 3 pin XLR lead is included with the Microphone. Elements Condenser, dynamic (Dual Element) Polar Pattern Cardioid AUDIO-TECHNICA ATM650 This hypercardioid dynamic Mic is ideal for snare drums. It features a new multistage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for highoutput performance, the ATM650 has a frequency response tailored for clear sound reproduction of snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise. At this price it represents amazing value. Element Dynamic AUDIO-TECHNICA ATM250 The ATM250 hypercardioid dynamic Mic is tailored for Toms and other percussion instruments exhibiting high transients. Its rich, warm low-frequency response gives the microphone excellent presence. The microphone is equipped with a rare earth neodymium magnet and a tight hypercardioid polar pattern. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise. Element Dynamic Polar Pattern Hypercardioid Polar Pattern Hypercardioid Frequency Response 80-17,000 Hz Open Circuit Sensitivity -51 dB (2.8 mV) re 1V at 1 Pa (condenser) -54 dB (1.9 mV) re 1V at 1 Pa (dynamic) Frequency Response 40-15,000 Hz\ Open Circuit Sensitivity –54 dB (1.9 mV) re 1V at 1 Pa Frequency Response 20-17,000 Hz (condenser) 30-10,000 Hz (dynamic) Open Circuit Sensitivity -51 dB (2.8 mV) re 1V at 1 Pa (condenser) -54 dB (1.9 mV) re 1V at 1 Pa (dynamic) RRP: $945 RRP: $185 RRP: $345 MIC IT! HOME RECORDING ON A BUDGET AUDIO-TECHNICA ATM350 As an alternative to ATM250, this small "clip on" Mic offers a big sound and is ideal for Toms, especially when low profile visual requirements are paramount, such as in television performances or video clip recording. It is supplied with AudioTechnica's versatile UniMount® clip. The low-profile ATM350 is an exceptional cardioid condenser microphone designed to clip to brass, upright bass, reeds, piano, snare, toms, and violin. The microphone offers a crisp, clear, well-balanced response, even at high SPLs. It features an integral 80 Hz hi-pass filter on the in-line power module. Its cardioid polar pattern reduces pickup of sounds from the side and rear for effective protection against feedback. Element Fixed-charge back plate permanently polarized condenser Polar Pattern Cardioid AUDIO-TECHNICA ATM450 One of the new stars of the Audio-Technica Artist Series, the ATM450 cardioid condenser is perfect for cymbals and overheads on drums. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features a switchable 10 dB pad that lowers the microphone's sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. The microphone's extended flat frequency response makes it ideal for high SPLs as well as for live and amplified acoustic instruments. Includes a professional isolation clamp to provide secure mounting and effective dampening of unwanted mechanical noise. Element Fixed-charge back plate permanently polarized condenser Polar Pattern Cardioid Frequency Response 40-20,000 Hz RRP: $475 As part of the Audio-Technica 40 Series, this small cardioid diaphragm condenser Mic comes with a reputation for quality on stage and in the studio. It is ideal for drum overheads when quality is the most important consideration. Featuring directcoupled balanced outputs for clean signals in high-output conditions, the microphone is totally free of the distortion associated with conventional transformer-coupled outputs. Its fast response to transients contributes to the open, transparent reproduction of even the most difficult-to-capture instruments. The microphone is fully RoHS-compliant – free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS). Element Externally polarized (DC bias) capacitor Polar Pattern Cardioid Frequency Response 20-20,000 Hz Frequency Response 40-20,000 Hz Low Frequency Roll-off 80 Hz, 12 dB/octave AUDIO-TECHNICA AT4051b Low Frequency Roll-off 80 Hz, 12 dB/octave RRP: $325 RRP: $895 ISSUE TWO 23 24# HEADER DESCRIPTION GAVIN Hansen DRUMMER FOR THE POOR GAVIN HANSEN DRUMMER FOR THE POOR AUSTRALIAN DRUMMER TAKES FIVE WITH GAVIN HANSEN, DRUMMER FOR THE ICONIC AUSSIE PUB-ROCK BAND 'THE POOR'. Words by | Australian Drummer G avin Hansen has been active on the scene since the late 90's. He has played with some of the big names and endured the changing face of Australian live music. Australian Drummer caught up with Gavin to get the lowdown on his career... How long have you been playing the drums? How did you start out? GH: I started playing drums when I was about 10 years old, as friends of the family had a kit and I always used to want to play it whenever we went to their house and then I would always hassle my parents for a drum kit and always play the kit at school. What drummers have inspired you and influenced your drumming style? GH: The drummers that inspired me to play were John Bonham, Stewart Copeland & Rob Hirst. The drummers who have had more influence on my style would have to be John Bonham (Led Zeppelin) & Ian Paice from (Deep Purple). Tell us a little about your history? GH: At school I played in the school band and the school also had a Scottish drum marching band that I played in which was very cool as those marching snares sound great and have so much attack. I was in a covers band through high school that used to play local pub gigs and then I broke my wrist playing football at school and didn't play drums for a couple of years. It wasn't until I left school and was at a drunken party one weekend that I got up and had a jam and realized how much I'd missed playing drums. Not long after that I was jamming in another covers band when we started to write our own songs and then focused on that. The band was called Rattlebone and was based on the North Coast of NSW and the Gold Coast. " GET OUT AND JAM TOGETHER. LET'S FACE IT, THERE IS ONLY SO MUCH PLAYING ALONG TO THE IPOD YOU CAN HANDLE..." After that band fell apart I moved to Melbourne where I answered an add for a local band called Black Seed. I played with them for many years and to this date I am still great mates with those guys. All the time Black Seed and Rattlebone were going I was mates with the guys out of Sydney band The Poor and would always catch up and had played on bills with them. One day I called them to see how they were and they had just lost their drummer so it was a natural thing to head up to Sydney and hang out and make a noise with them. Other bands that we had projects out of from the above bands were Lump which was based on the Gold Coast and was made up of a mixture of guys from The Poor and Black Seed so I guess we kept it all pretty tight. Rattlebone and The Poor were and still are more straight-up rock, where Black Seed and Lump were heavier. As well as being a part of these great bands with an awesome bunch of lads I've been lucky to do some great session work along the way and play with many awesome musicians. What projects are you working on at the moment? GH: We are currently writing new material for a new The Poor album which is very exciting and we are having a lot of fun with it because the last two albums had a mixture of old and new tracks on them but this one is going to be written from scratch with no limits on how it should sound, if we like something we write it and if it comes up well it will make the cut... ISSUE TWO 25 26 Do you prefer performing live in front of a crowd or recording in the studio? GH: To be honest I like doing both as I dig the process of laying down and creating a song and everything that goes with it in the studio with sounds etc. and of course I love playing live where you can bring those bunch of songs to life. (I like the old school deep toms) 16" floor, but of late when doing shows away from my own kit I have been using a 16" & 18" floor which is really cool. I use Sabian cymbals: 22" ride, 14" hate, 19" crash & 2 x 20" crash's with a 17" china. I also use Pro Mark sticks and Aquarian heads. You can't describe the feeling of being on stage with the bunch of guys you have created the songs with and also the feeling of seeing people enjoy the show and sing along to those tunes... "SHE'S A ROCK RIG!" Describe your set-up at the moment. Does it differ for live performance and recording? Is there anything in particular about your set-up that lends itself to your unique style of playing? in the pipeline that will be very cool depending on if everyone involved can spare the time, but apart from that drummingwise I am focusing on the new material for The Poor. GH: My set-up is pretty basic and The Poor have recently had some old and current albums released in Europe and we are talking about possible timelines to head over there as well... straight to it. My main kit at home is a Tama Starclassic with 24" kick, 12 & 13" power rack toms What's next? Have you got any big projects in the pipeline that you can tell us about? GH: There are a few ideas floating around Do you have any advice or tips to offer up and coming drummers? GH: Yeah, try not to be slack when it comes to warm-up routines and also basic rudiments and try not to spend too much time in that room by yourself, find some other players and get out and jam together. Let's face it, there is only so much playing along to the iPod you can handle... Anything else that you want to mention? GH: I'd like to thank Tama, Sabian, Pro Mark & Aquarian for their support over the years. They are awesome brands with awesome products, and been a great help to me and it would be hard to be in the position I am in without their support... "ROCK ON !!!" "It's Intriguing. Stripped down (yet with chorus and orchestras). Beautiful (but sinister), ambient (yet somehow in your face). It's extraordinary and otherworldly..." CLASSIC ROCK MAGAZINE MIKAEL AKERFELDT (OPETH) and STEVEN WILSON (PORCUPINE TREE) are THE SELF-TITLED DEBUT ALBUM Feat 'DRAG ROPES' ALSO AVAILABLE: 2 DISK LIMITED DELUXE EDITION MAY 4 au.roadrunnerrecords.com stormcorrosion.com 28 AUSTRALIAN DRUMMER DRUMTECH PROFESSIONAL DRUM TECH, HAYDEN VASSALLO GIVES US THE LOWDOWN ON TUNING AND REPLACING HEADS. Words by | Hayden Vassallo My name is Hayden Vassallo and I have been working as a drum tech for the past 6 years. I have toured with Australian drummers: Joe Accaria, Jackie Barnes, Terepai Richmond, Dave Jenkins Jr. to name a few, bands and artist such as Jimmy Barnes, Pete Murray, David Campbell and am currently on tour with X Factor Winner, Reece Mastin. I first started touring in 2006 on the Human Nature Motown tour around Australia and since then I have flown all over the world to tech for Australian and International acts. I'm the guy responsible for setting up the drummer's kit the same way every show day, cleaning it, fixing anything broken from the gig before, changing the drum heads and of course tuning the kit. Tuning drums is a very personal thing, every drum sounds different and unlike the guitar, there are no set tunings for the kit. Some drummers like big sounding drums tuned really low with a lot of sustain, others like smaller drums, higher pitched with a lot of attack. When I'm changing drum heads I like to take the drums off the kit and put them on a flat surface. This just makes it more comfortable to work on and move the drum around when you need to. I then loosen all the tension rods around the rim of the head I am changing and once all are undone I take the rim and the old head off the drum. At this time I like to take a soft dry cloth and wipe over the bearing edge (the part of the drum where the head touches the drum) and the inside on the rim. This removes any unwanted stick chips and dust that may interfere when trying to tune later on. After the rim and shell is clean and ready, I place the new head on the shell, making sure it is sitting flat and even, I then put the rim back on the drum. Before starting to tighten the tension rods I like to place both my hands on the center of the drum and apply a little pressure until I can hear the head start to crack. This sets the head better on the drum, and stretches it to keep it in tune a little better. Now that the head is on the drum, stretched in and the rim is in place, I tighten all the tension rods with my fingers to make them 'finger tight' (as tight as you can get them with your fingers). Now I am ready to begin the tuning process. First thing that I do, using a star pattern and going across the drum, (not around) is turn each tension rod a 3/4 turn with a drum key, this consistently applies pressure to the drum and keeps the head even. I then hit the drum with a stick and listen to note produced. If the drum head still sounds floppy and too low I then tap around the drum, about 4cm from each tension rod and make sure each tap is the same (or close enough) pitch as the last. If not I turn each tension rod one at a time in small increments until the note is the same around the entire drum. Once the head is in tune with itself I then decide if the tuning of the head should come up (tighten) and by how much. For smaller drums like rack toms, the tension in the head will be a lot tighter than floor drums and kicks. A little trick that I tend to use after I have tuned the drums is to dampen the head. This shortens the note of the drum and can help get rid of any overtones that the drum produces. Overtones are when the drum changes note during the sustain. Some overtones like the big growl of a floor tom can be good, but others can sound like a basketball bouncing. DRUMTECH TUNING & REPLACING HEADS To get rid of unwanted overtones I either use a little bit of gaffer tape, about 5cm long, pinch the middle of it and place it near the edge of the head (normally near the logo.) This works for both the batter and resonate heads of the drum. Another technique that I use is to fold a tissue up into a square and tape it to the head. There are also a variety of products on the market such as Moongel and various studio rings. They all have similar effects, it simply depends on the look and sound that you are after. When it comes to kick drums, once I have tuned the head and like the note being produced, I cut a hole in the front head and fold up one of mum's best shower towels and place it nice and flat on the bottom of the drum, making sure that the towel is touching both heads. This cuts out the boom in the drum and creates a nice thud. The more you place in the kick the shorter the note and the more muffled it will be. GLOSSARY OF DRUM TUNING: 1. B atter-Head: The skin on the top of each drum (the one that you strike). 2. R esonant Head: The skin on the bottom of each drum. 3. M uffling: The process of reducing 'ring' emitted from a drum. 4. T ension rod: The long threaded rods that secure the rims and drum head to the drum. The tensions rods are adjusted directly with a tuning key. 5. S ustain: The length of sound produced from a strike. 7. A ttack: The sound made instantly as the stick strikes the head. ISSUE TWO ISSUE TWO 29 32 30 HEADER DESCRIPTION JACKIE BARNES KEEPING THE DREAM ALIVE JACKIE BARNES KEEPING THE DREAM ALIVE AUSTRALIAN DRUMMER CAUGHT UP WITH JACKIE BARNES FOR A CHAT ABOUT DRUMMING AND LIFE ON THE ROAD WITH HIS OLD MAN JIMMY... Words by | Australian Drummer Y ou would expect the son of legendary Australian rocker Jimmy Barnes to have raw musical talent flowing through his veins, and you would be correct. Australian Drummer managed to secure some time in Jackie Barnes' busy schedule to quiz him about his life as a professional drummer... You have been surrounded by music for your whole life. What was it that made you choose to persue drumming over all of the other musical avenues that you could have taken? JB: I remember watching my father from side of stage when I was little and thinking that I would love to sing like him, but then at the same time I would look up the back of the stage and see the drummer going off and I always thought that looked like the most fun. I have played many other instruments over the years but I always come back to drums. How long have you been playing the drums? How did you start out? JB: I started when I was around 3. I would watch dad's sound checks and his drummer at the time Tony Brock would bring me up and sit me on his lap and show me around the drums. So I learnt the hands first because my feet couldn't reach the pedals, then eventually the feet came into play. What drummers have inspired you and influenced your drumming style? Who taught you? JB: It is so hard to pin down my influences to a few drummers, I'd have to break them down into genres. For rock my biggest influences were Ian Paice, John Bonham, Steve Prestwich and Tony Brock. For soul and funk James Gadson and Zigaboo are the standouts for me. I am a huge fan of world music and I love drummers like Mokhtar Samba, Karim Ziad and Jean-Philippe Fanfant. I know I have missed out on so many great drummers and my influence list is constantly changing. I have been blessed with great teachers over the years, Tony Brock, Steve Prestwich, Neil Martin, Tony Jex, James Gadson, Joe Galeota, Kenwood "I WOULD LOOK UP THE BACK OF THE STAGE AND SEE THE DRUMMER GOING OFF AND I ALWAYS THOUGHT THAT LOOKED LIKE THE MOST FUN...â€? Dennard and Dave Dicenso have all been wonderful teachers. Tell us a little about your drumming history? What styles have interested you? JB: Obviously Rock has been a huge part of my life. Growing up like I did I was lucky to be exposed to great music. My father has an amazing collection of musical influences, and it is not just limited to rock. He introduced me to The Meters, which then introduced me to Zigaboo's drumming. They are still my favourite band of all time. I actually still play through the whole album "Rejuvenation" at the start and end of every practice session. Since I studied at Berklee College of Music I was exposed to a lot of world music, in particular African drumming. I was lucky enough to travel to Ghana and stay in villages learning about traditional drumming. That was a life changer and now I have learnt to appreciate music from every corner of the globe. What projects are you working on at the moment? JB: At the moment I am working on a lot of great projects. I have been writing a lot since signing with EMI Music Publishing two years ago and I have been really excited to be working with a great singer/guitarist named Adam Eckersley. Also I am continuing working with my father and writing with him. There is also the possibility of returning to Berklee later in the year to teach there along with my father. ISSUE TWO 31 32# And finally I am involved in a wonderful project called "Rhythm of the Universe", which is 90 people from 90 different countries singing together to raise money for scholarships for young musicians. This group was started by Berklee students and I am lucky enough to be representing Australia for this and I hope to bring the whole group to Australia for a concert over the next few years. Do you prefer performing live in front of a crowd or recording in the studio? JB: I love playing drums period. Whether that's on stage or in a studio or anywhere else, as long as I am making great music that's all that matters. Describe your setup (exotic wood) at the moment (Kits, cymbals, heads, etc). Does it differ for live performance/recording etc? Is there anything in particular about your setup that lends itself to your unique style of of playing? JB: My live set up is a TAMA Starclassic Bubinga kit with Zildjian Cymbals, Remo Heads and Vic Firth Sticks. The Bubinga is such a warm sounding wood with power and projection to match. I've started playing concerts with a new limited edition Starphonic Spotted Gum snare drum which is absolutely killer, It is loud and heavy sounding with the warmth and depth of a hardwood shell. In the studio I have a 100% Walnut Starclassic. It is not only a beautiful looking kit but records so well. It is versatile, has a lot of punchiness to it and it is really different to any other kit I have recorded on. With my set up I love playing around with different tunings to bring out the versatility of my drums. I love open tones of the drums and tend to shy away from deadening my drums too much. too much but I have a project I am working on, which is still in its skeletal form that I think will once again change my outlook on music. It involves a lot of collaboration with people from all walks of life. What is your drumming schedule like? How often are you playing the drums? JB: My biggest tip to any young drummer is to be open to playing different styles of music, go out and look for great musicians to collaborate with and never limit yourself to just one style or influence. Be adaptable and professional when it comes to touring and recording, and most importantly listen to the music. A lot of drummers practice in their own little isolated space where it is all about what you are doing, but that doesn't apply to playing live or in the studio, you really have to pay attention to every element of the song and fit in to that. My best practice sessions are where I play along to a playlist and just enjoy listening to the tunes at the same time. Practicing alone will make you technically gifted, but listening will make you a musician. JB: My schedule is pretty crazy. As soon as dad is on the road it is a lot of travel with not a lot of down time. At the moment I have a little bit of time to relax while he is doing Chisel stuff but next month we start touring again and that means anything from two to five shows a week. I try to practice every two days in the studio, when I am away on tour I always hear and practice new rhythms on the road and I am always listening to music. What is it like touring with your old man? JB: It's awesome, he is my best mate, we completely understand each other musically and we are always challenging each other to bring out the best performances. What's next? Have you got any big projects in the pipeline that you can tell us about? JB: I'd love to keep recording and touring with lots of different artists. But I would also love to get more into films and documentaries about music. I can't say Do you have any advice or tips to offer young or up and coming drummers? Anything else that you want to mention?? JB: Just a thank you to my endorsers TAMA Drums, Zildjian Cymbals, Remo Heads and Vic Firth Sticks. Thanks for all the support and for making amazing gear! 34 TIM MADDEN DRUMMER FOR MAKE THEM SUFFER TIM MADDEN MAKE THEM SUFFER AUSTRALIAN DRUMMER CAUGHT UP WITH TIM MADDEN, DRUMMER FOR AUSTRALIAN HARDCORE BAND "MAKE THEM SUFFER" AS HE PREPARES FOR THE RELASE OF THEIR MUCH ANTICIPATED DEBUT ALBUM "NEVERBLOOM". What was it made you chose to persue drumming over all of the other musical avenues that you could have taken? TM: I always had an interest in guitar but could never quite 'get' it (laughs). When I first played drums I knew that it was the instrument for me. I remember when I was a young teenager, Slipknot's album 'Iowa' just came out and I was just amazed with Joey Jordison's playing. When I heard the thundering double bass in Heretic Anthem, I was just like 'I wanna do that!' How long have you been playing the drums? How did you start out? TM: I have been playing for almost 11 years, I started when I was 14. I always talking about playing drums but never did anything about it until my sister came home with a number for lessons, from that day I've never looked back. TM: I've played in a few local metal bands over the years and I've always mainly stuck to a real heavy style of playing, lots of double bass and blasts etc. TM: Whilst we are back home and getting the record ready I have been playing every chance I get... some days it varies but usually I'll try and get in from 4–8 hours. Over the last year or so I have been really getting into a lot of different styles and trying things I've never done before which is quite motivating. Do you like touring? What projects are you working on at the moment? TM: The only project I'm working on at the moment is the Make Them Suffer release, I'm very proud of this record and I cant wait for everyone to hear it. In the future I hope to do some more musical stuff and I'm really interested in getting into the clinical side of drumming. Do you prefer performing live in front of a crowd or recording in the studio? What drummers have inspired you and influenced your drumming style? Who taught you? TM: Definitely playing live, so much better when you have the crowds atmosphere and you can just go nuts! TM: Early on I was big on Joey from Slipknot and David from KoRn, then within my first year of drumming I went to a Dave Lombardo clinic and that blew my mind as a teenager. These days my influences would be Thomas Lang, Marco Minneman, Mike Mangini, Derek Roddy and George Kollias (lots more but thats my top five) What kind of set-up are you currently rocking? TM: I'm playing a Sonor S Class at the moment, standard double bass kit with TRX Cymbals and I'm using Remo Heads and Vic Firth Thomas Lang sticks (chunky and heavy!) Tell us a little about your drumming history? musical styles, etc? What is your drumming schedule like? How often are you playing? Practicing etc? TM: Yes! love it. I cant wait to get back on the road... playing different venues, seeing the sites and meeting new people. sometimes the long hours of travel can get really exhausting but at the end of the day you're doing what you love. What's next? Have you got any big projects in the pipeline that you can tell us about? TM: Our debut album coming out in May and then lots of touring. Do you have any advice or tips to offer other drummers? TM: PRACTICE! Something I wish I focussed a bit more on as a kid. Get in there and do all the boring stuff because it all pays off... rudiments etc. Learn to love it! Anything else that you want to mention? TM: Im getting ready to do a few drumming videos soon so keep a look out for that stuff! Im starting lessons aswell so anyone interested can reach me through Facebook. ISSUE TWO 35 NEXT ISSUE SIMON PHILLIPS IN CLOSING Australian Drummer would like to thank all the contributors who have made this publication possible, along with all our fans who follow us on facebook for the latest drumming news. We will continue to have frequent updates on where you can find the best drumming clinics in Australia, and the latest udpates on new product developments. ONLINE Not already a fan? Follow us on facebook! FACEBOOK.COM/OFFICIALAUSTRALIANDRUMMER ISSUE TWO • MAY 2012 Follow us on facebook for regular updates, comps, and other cool stuff! WWW.FACEBOOK.COM/OFFICIALAUSTRALIANDRUMMER For all media/advertising enquiries please contact: email@example.com DISCLAIMER: All prices, discounts are from the recommended retail price set by the importer/wholesalers. Due to current economic situation, price changes may occure during promotional period. Some local selling prices may vary. All information, specifications and prices mentioned in this catalogue are subject to aritst's error. Australian drummer