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Speak Your Piece: Oh, the lies politicians tell
According to Bob Madgic's latest rant, the United States would be sunshine and lollipops if only the GOP would just steer away from their fearful, divisional and obstructionist ways and get with the current program. Golly Bob, you've convinced me — what a wonderful world it would be!
Imagine their gall. "Creating endless distractions and untruths devoid of factual data like Benghazi." All of us right wing nut jobs surely should realize by now the attack was an unorganized protest a movie that was anti-Muslim.
Golly, after all, our president and his Secretary of State only continued for weeks after the fact with the lie that it was an actual honest-to-goodness terrorist attack. How stupid of us! Dare we think our president may have actually tried to cover up poor policy and inaction that resulted in four Americans deaths just two months before the election? Say it isn't so! He is, after all the poster child for honesty and integrity who is simply the target of the racist right.
I guess while we're on the subject of honesty, why not mention the best whopper of all with his repeated lies about Obamacare. The gall of the GOP to try and repeal this fiasco! Oh, and least we forget, "Not even a smidgen of corruption in the IRS." Sorry I doubted you Barack.
Heaven forbid the GOP would step on individual rights by asking for drug testing on welfare recipients. Oh, for the love of Pete ... asking for an ID before voting? What's next? Actually asking the president to build the Keystone pipeline that would create actual jobs that would pay above your newly recommended minimum wage and actually reduce our here- and- now current oil dependency? How dare we!
The world according to Bob is that the government per se isn't bad, it's just those mixed up Mounties on the right side of the aisle who are preventing the likes of Obama, Harry Reid, Nancy Pelosi, Hilary Clinton, Chuck Schumer, Maxine Waters, Dianne Feinstein, Charlie Rangel, Al Sharpton and all of their other fellow Democratic cronies from working their magic.
What a beautiful Utopian society we'd have! Geez Bob, hand me another lollipop. They're free like everything else here in la la land!
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Tigers Notes: Chad Smith recalled from Toledo, Reed designated for assignment
Being called up to the big leagues is the moment every baseball player dreams of, but still can't believe when it happens. Toledo Mud Hens manager Larry Parrish made the moment even more memorable for Chad Smith.
DETROIT -- It's the moment every baseball player dreams of but still can't believe when it happens.
So there's always Toledo Mud Hens manager Larry Parrish to make it even more memorable, this time for Chad Smith.
"(Parrish) pulled me in he was just like, 'You need to get some sleep,'" Smith said. "I was like, 'Why?' We were working a kids camp back in Toledo so I was like, 'How does he know I'm working the camp?' Then he was like, 'No, you have a day game tomorrow.' I'm like, 'I'm pretty sure we play at 7. I follow the schedule pretty well.' He's like, 'Yeah, up in Detroit.' That's how he told me."
After being forced to go to their bullpen early in another game, the Tigers recalled Smith from Toledo and designated Evan Reed for assignment.
"He had spells where he was very good," Tigers manager Brad Ausmus said of Reed. "With that dominating fastball, he'd stay on top of his slider, and get swings and misses. Then he had times where he had trouble throwing strikes, and wasn't attacking hitters.
"I still think Evan's got a chance to be a good major league pitcher, but it just wasn't working right now."
Smith, 24, immediately called his parents, Canace and Dennis, after getting the news.
"I put them on speakerphone," Smith said. "They both started to cry so it was a pretty special moment."
Ausmus said they needed another arm in the bullpen.
"Wanted someone who could go a couple innings, in case there's another issue," Ausmus said. "Just in talking to Larry Parrish, getting reports on what his stuff looks like, how he's pitched. He's pitched very well. He's not a guy that was really on the radar in spring training, but has pitched his way onto the radar over the first three months of the season."
In 15 games with the Mud Hens, Smith is 4-2 with a 1.64 ERA. He started the season with Double-A Erie, going 1-0 with a 2.08 ERA in seven games.
"Coming into spring training, I was thinking start in High-A and finish the season in Double-A," Smith said. "Then when I was able to start in Double-A, I was like, man, I just hope I stay in Double-A and don't get moved down to High-A. Then I got the call on a Sunday from Lance Parrish in Double-A and he said I was going up. I was shocked. Then (Tuesday) night I was even more shocked."
The road has not always been so smooth for Smith, who underwent Tommy John surgery when he was in college.
He said it was one pitch against the Oregon Ducks during his junior year that did it.
"I came in the eighth inning, pitched the eighth, came back for the ninth and struck out the first guy," Smith said. "The first pitch to the second hitter was a slider and I felt the pop and was like, 'That didn't feel so good.' I threw another pitch, something's not right, I called the coach out, got an MRI and ended up getting surgery."
Smith said before the draft, he had spoken to every team but most of them backed off when he had surgery just two weeks before the draft.
"I was ready to rehab, redshirt the next year and go back as a fifth-year senior," Smith said. "The Tigers had faith in me, they believed in me. We were able to work it out where I signed, then I went back to school and finished my degree that fall, then went out and rehabbed with the Tigers."
Smith said coming back from the injury was a challenge.
"It took a while," Smith said. "I was probably first coming back 88-90 (mph), but it was 88-90 at the backstop. It was either right down the middle, backstop behind him. It was one of those things I couldn't explain. My mind knew what to do but my body couldn't do it, so that was a mental block that I had for a long time."
Smith said that came last year when he was pitching mop-up for the West Michigan Whitecaps.
"I think it was around July," Smith said. "I started to get on a pretty good roll and I was like, this is what I'm supposed to do, this is the old Chad. That was an encouraging sign."
Smith described himself as a sinker-slider pitcher.
"I used to think I was a hard thrower, then I got to pro ball and realized everyone throws just as hard as me or harder," Smith said. "So I throw a lot of sinkers, that's kind of been my pitch."
Hopefully Smith's family will arrive in time if he's called upon. His parents, sister Julia and brother Jimmy flew out this morning from California.
Things are progressing for outfielder Andy Dirks, who is recovering from March 10 back surgery.
"He's actually done all baseball activities," Ausmus said. "He's even played the field in a scrimmage. But, as of a couple days ago, he's probably still a week or 10 days away from starting his rehab assignment."
Torii Hunter remained out of the lineup for the second straight day because of a sore right hamstring suffered in Monday night's game.
Hunter hopes to be ready for the weekend series in Cleveland at the latest.

subset: commoncrawl


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Book your room at Courtyard Spartanburg
Please enter your travel dates.
Get an overview of this hotelSuburban hotel with restaurant and fitness center
Situated in the business district, this hotel is 0.3 mi (0.4 km) from Fantasy Island Family Amusement Center and within 3 mi (5 km) of University of South Carolina Upstate and Spartanburg Regional Hospital. Spartanburg Methodist College and Wofford College are also within 3 mi (5 km).
Hotel Features
This hotel features a restaurant, a fitness center, and a seasonal outdoor pool. Free WiFi in public areas and free self parking are also provided. Additionally, a business center, a meeting room, and dry cleaning are onsite.
Room Amenities
All 109 rooms provide free WiFi, refrigerators, and coffee makers. Other amenities available to guests include free weekday newspapers, hair dryers, and ironing boards.Information missing or incorrect? Tell us!
Hotel Amenities
Hotel Amenities
Courtyard Spartanburg features a fitness center and a seasonal outdoor pool. The hotel offers a restaurant. Business-related amenities at this 3-star property consist of a business center and a meeting room.
High-speed wireless Internet access is complimentary. Event facilities measure 756 square feet (68 square meters). This business-friendly hotel also offers a library, a fireplace in the lobby, and laundry facilities. Onsite self parking is complimentary.
- Free WiFi
- Fitness facilities
- 24-hour front desk
- Express check-out
- Dry cleaning/laundry service
- Elevator/lift
- Business center
- Express check-in
- Fireplace in lobby
- Laundry facilities
- Library
- One meeting room
- Number of floors - 3
- Total number of rooms - 109
- Restaurant
- Safe-deposit box at front desk
- Free self parking
- Conference space size (feet) - 756
- Conference space size (meters) - 68
- Number of buildings/towers - 1
- Outdoor seasonal pool
- Breakfast available (surcharge)
- Television in common areas
Family Friendly Amenities
- Family Hotel
- Free Wi-Fi
- Rollaway/extra beds available
- Laundry facilities
- Refrigerator
Room Amenities
- Refrigerator
- Free WiFi
- Premium TV channels
- Pay movies
- Climate control
- Free weekday newspaper
- Air conditioning
- Coffee/tea maker
- Free toiletries
- Hair dryer
- Shower/tub combination
- Iron/ironing board
- Daily housekeeping
- Rollaway/extra beds available
- Cribs/infant beds available
- Connecting/adjoining rooms available
Where to Eat
Cooked-to-order breakfasts are available for a surcharge and are served each morning.
The Bistro - This bistro specializes in American cuisine and serves breakfast, dinner, and light fare.
Nearby Things to Do
Recreational amenities at the hotel include a fitness center and a seasonal outdoor pool.
- Golfing nearby
Hotel Policies
Check-in time ends at 5 AM
Check-in time starts at 4 PM
Check-out time is noon
Payment types
You need to know
Extra-person charges may apply and vary depending on hotel policy.
Government-issued photo identification and a credit card or cash deposit are required at check-in for incidental charges.
Special requests are subject to availability upon check-in and may incur additional charges. Special requests cannot be guaranteed.
- Fee for cooked-to-order breakfast: USD 8.95 per person (approximately)
We should mention
The property has connecting/adjoining rooms, which are subject to availability and can be requested by contacting the property using the number on the booking confirmation.


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I have a "leather" colored concrete patio (not covered) that I applied earth brown stain over, and wet look gloss sealer. Read morePublished 1 month ago by str8diesel14
Works good but stain does not stay too long. better on newer, clean concrete.Published 5 months ago by Danny Kaye
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HORRIBLE. Dont buy it... I ended up going to Lowes and spending more money trying to fix what this kit ruined. Read morePublished 13 months ago by ej.stackhouse
Follow the directions, its ALL about the prep. don't get lazy and skimp on your prep work. May require grey stain for new concrete.Published 17 months ago by Richardine Imrie
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1990 Nissan Maxima
Electrical problem
1990 Nissan Maxima 6 cyl Front Wheel Drive Automatic 140000 miles
My power windows and power door locks stopped working today. They both work from buttons on the drivers door.
1990 Nissan Maxima 6 cyl Front Wheel Drive Automatic 140000 miles
My power windows and power door locks stopped working today. They both work from buttons on the drivers door.
January 2, 2008.
January 2, 2008.
Do they work from the drivers door or not working at all? I dont understand. Check fuse -Z in the fuse block and test for power at the circuit breaker#1. Both systems run off the same power feeds
My power windows and power door locks don't work from anywhere. This is a 1990 maxima, I used to use the panel on the drivers door to lock the doors and close and open the windows.
Are the fuses in the engine compartment? I don't see any fuses for the windows or locks under the left side dash.
Did you seea fuse labeled " Z"? Or a silver circuit breaker in the fuse block? If not look under hood next to battery
Jan 4, 2008.
Jan 4, 2008.
How can I align the doors on my 1997 Honda Del Sol? They don't close completely, causing the cabin light to stay on (unless manually turned off). I adjusted the door switches to their...
1 answer • 1997 Honda Del Sol
2004 Acura TL passenger door handle. The outside piece of the door handle fell off....is that a simple fix and what part should I order? Thanks in advance.
1 answer • 2004 Acura TL
2003 Chevy Lumina. The left door handle was broken during a theft attempt. I replaced the handle with no problem, I also cycled both the interior and exterior handles and manually ...
1 answer • 2003 Chevrolet Lumina • 100,000 miles
Battery went dead,after fixing the battery the door was working fine.Then one cold morning the right rear door will no open with the switch or remote.
1 answer • 2005 Honda Odyssey • 117,000 miles


text:
- Colors
Share your thoughts
Does it fit Mica FL2 tent? It is not obvious, though it is compatible to NorthFace Mica 2...
Mark B, Employee
Yes, the Mica 2 is compatible with the Mica FL2 tent
would this footprint work for a North face flint 2?
Jane Hwang, Gearhead
Hey sterling stalnaker
Unfortunately it will not although a similar shape this footprint is too small for the flint.
Does this footprint extend under the vestibules of TNF Mica 2 tent or does it just cover under the tent itself?
Grant Kates, Gearhead
Hey Emily,
This footprint only covers the tent floor, it does not include the vestibules.
MacKenzie C, Gearhead
It will do the job!
- Familiarity:I've used it once or twice and have initial impressions
Just purchased this for my tent and I'm excited to use it. Looks great/durable. Packs down small as well


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South African Stocks: Anglo, Assore, FirstRand, Investec, Move
The FTSE/JSE Africa All Share Index advanced to a record, rising 1 percent to 34,139.52 by the end of trading in Johannesburg.
The following were among the most active equities in the South African market today. Stock symbols follow company names.
Anglo American Plc (AGL SJ), the diversified miner that accounts for 9 percent of the benchmark index, rose for a second day, adding 1.4 percent to 329.60 rand. Copper rose in London, extending its best start to a year since 2003, as stronger gauges of manufacturing in China and India bolstered demand prospects.
Assore Ltd. (ASR SJ), a South African company that is joint owner of iron-ore and manganese producer Assmang Ltd., gained the most since December 2010 after saying first-half profit rose as much as 58 percent. The shares jumped 7.5 percent to 245.19 rand.
FirstRand Ltd. (FSR SJ), South Africa's second-largest banking group, gained 1.6 percent to 22.90 rand, a second day of gains. Credit Suisse Group AG raised its 12-month price estimate for the stock to 24 rand from 22.50 rand.
Investec Plc (INP SJ), the banking group with operations in South Africa, Australia and the U.K., gained the most in two months, adding 2.7 percent to 47.76 rand. The stock was rated a "buy" in new coverage by analyst Faizal Moolla at Avior Research, with a 12-month price estimate of 58.97 rand.
Metrofile Holdings Ltd. (MFL SJ), a filing and document-management company, climbed 3.7 percent to 2.83 rand, its biggest gain in more than a month. Earnings per share for the six months through December rose as much as 22 percent, the company said in a trading statement.
New Europe Property Investments Plc (NEP SJ), a property investment group, rose for the first time in three days, adding 2.6 percent to 34.89 rand. The company said its dividend per share for the six months through December will be as much as 15 percent higher than a year earlier.
SacOil Holding Ltd. (SCL SJ), an African oil and natural-gas explorer, rallied to its highest in more than two months, jumping 14 percent to 58 cents. The company raised 5 million rand ($638,000) through a share issue to Peregrine Securities Pty Ltd. at 45 cents per share.


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STARmeterSEE RANK
Down 462 this week
Frank Kelly (II)
Frank Kelly was born on December 28, 1938 in Ireland as Francis O'Kelly. He is an actor, known for Father Ted (1995), Evelyn (2002) and Rat (2000). He has been married to Bairbre Neldon since September 1964. They have seven children. See full bio »
Born:Francis O'Kelly
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realmagick.com The shrine of knowledge.
Silas Marner Setting
A selection of articles related to silas marner setting.
Original articles from our library related to the Silas Marner Setting. See Table of Contents for further available material (downloadable resources) on Silas Marner Setting.
- King James Bible: Acts, Chapter 15
- Chapter 15 15:1 And certain men which came down from Judaea taught the brethren, and said, Except ye be circumcised after the manner of Moses, ye cannot be saved. 15:2 When therefore Paul and Barnabas had no small dissension and disputation with them, they...
New Testament >> The Acts
- Raising the World Mind (GM10-11)
- Part 1 | Part 2 Part 1 The wise live in accord with natural laws. It is they who understand that the laws of nature are much higher than the laws of man, because breaking them implies penalties far greater than a fine or prison sentence. When a person...
Mind >> World Mind
- A Treatise on Astral Projection, Part 4: More Rope Techniques
- ROPE is a very effective projection technique, but it still has to be learned to be effective. I would like to elaborate on a couple of points about the technique, inspired by the feedback I have received so far. There is NO visualization required - AT ALL -...
Parapsychology >> Astral Projection
- King James Bible: Acts, Chapter 16
- Chapter 16 16:1 Then came he to Derbe and Lystra: and, behold, a certain disciple was there, named Timotheus, the son of a certain woman, which was a Jewess, and believed; but his father was a Greek: 16:2 Which was well reported of by the brethren that were...
New Testament >> The Acts
- King James Bible: Acts, Chapter 17
- Chapter 17 17:1 Now when they had passed through Amphipolis and Apollonia, they came to Thessalonica, where was a synagogue of the Jews: 17:2 And Paul, as his manner was, went in unto them, and three sabbath days reasoned with them out of the scriptures, 17:3...
New Testament >> The Acts
- The Perpetual Raising: Part 3
- (Part 3 of 5) The body is an instrument through which we interact with the physical plane, as souls or conscious beings. As we refine this instrument through meditation, and ideally with pure foods and sufficient exercise, the body becomes, "a spiritual...
Mind >> World Mind
- Survivalists' Guide for the New Millennium: Chapter 5
- WHERE I LAY MY HEAD IS HOME A foot and light-hearted I take to the open road, Healthy, free, and the world before me, The long brown path before me leading Wherever I choose. Henceforth I ask not for good fortune, I myself am good fortune, Henceforth I...
Philosophy >> Survivalists Guide for the New Millennium
Silas Marner Setting is described in multiple online sources, as addition to our editors' articles, see section below for printable documents, Silas Marner Setting books and related discussion.
Suggested Pdf Resources
- Silas Marner TG
- The setting is presented, describing the times and the locale. •. Silas Marner is introduced and described.
- us.penguingroup.com
- Silas Marner
- ebooks.gutenberg.us
- Silas Marner
- schoolweb.rgsw.org.uk
- SILAS MARNER - Pennsylvania State University
- Silas Marner, The Weaver of Raveloe by George Eliot.
- www2.hn.psu.edu
- Five } Choices of Parentage, Identity, and Nation in George Eliot's
- Silas Marner rewrites the plot of many novels and plays in which a character is reunited with biological parents and returns to them.
- www.press.umich.edu
Suggested Web Resources
- SparkNotes: Silas Marner: Key Facts
- A list of important facts about George Eliot's Silas Marner, including setting, climax, protagonists, and antagonists.
- www.sparknotes.com
- Silas Marner - Wikipedia, the free encyclopedia
- The novel is set in the early years of the 19th century.
- en.wikipedia.org
- Silas Marner
- Silas Marner: The Weaver of Raveloe was first published by George Eliot in 1861 .
- www.cyberpat.com
- Free Barron's BookNotes for Silas Marner - The Novel-Free
- Oct 3, 2003 Silas Marner, a linen-weaver, works in his solitary cottage by a stone-pit ..
- www.pinkmonkey.com
- Silas Marner Literature Guide - TeacherVision.com
- I • The setting is presented, describing the times and the locale. • Silas Marner is introduced and described. • Silas is falsely accused and leaves Lantern Yard.
- www.teachervision.fen.com
Great care has been taken to prepare the information on this page. Elements of the content come from factual and lexical knowledge databases, realmagick.com library and third-party sources. We appreciate your suggestions and comments on further improvements of the site.
Silas Marner Setting Topics
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Campus Housing:
The housing options are all great and beautiful. There are no bad options.
Campus Housing:
Life in the dorms were great. I lived on a floor where everyone had similar interests and majors so it was very easy to make friends with everyone. As for the dorms themselves they were okay as far as freshmen dorms go, they seriously need to update the rooms/halls to look nicer.
Campus Housing:
It's alright. Food is plain bad. The rooms are small for freshman and not the cleanest. Bathrooms are fine. Closet space is good.
Campus Housing:
lots of green space building well kept
Campus Housing:
The grass does add a beautiful scenery to the place.
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The dorms on campus are fairly spacious and fully furnished. The buildings are kept clean and well maintained by the custodial staff. The facilities themselves are old and do need updating, but there is nothing about these dorms that makes them uninhabitable. In fact, the outsides of the dorms are very taken care of. Two of the six dorms, Main and Rebekah, do not have air conditioning, and this is often the biggest complaint from residents in these dorms. Currently, there is only heat in these two buildings, and the College is looking to renovate the central air conditioning soon. All of the dorms, except for Avery Glen and the theme houses, are close to all of the academic buildings on campus. It will literally take you less than five minutes to walk to more than half of the academic buildings from wherever you are housed on campus. The walk from Avery Glen to campus is approximately five minutes, but an extra five minutes is needed if you are to get to class on time. The same goes for the theme houses. Although the walks are very short, residents of these off-campus buildings should allow themselves extra time when going to class.
All of the dorms are subject to quiet hours, with the exception of the apartments and theme houses, so they are all fairly quiet. There is no one dorm on campus that is known for partying; however, the apartments are definitely known for their parties and for being fairly loud. More people go off campus to hang out in the apartments on the weekends, holidays, or special occasions than they do in their own dorms.
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There are several types of cable which are commonly used with LANs – Local Area Networks and today's topic will introduce the two most common cable transmission media – copper and fiber-optic cables. But first we will discuss why we need transmission media in the first place and how we got to where we are today.
For wired networks the cable is the medium through which information usually moves from one device, computer or network to another. There are several types of cable which are commonly used with LANs – Local Area Networks and today's topic will introduce the two most common cable transmission media – copper and fiber-optic cables. But first we will discuss why we need transmission media in the first place and how we got to where we are today.
The Need for a Transmission Medium
The first recognised computer network medium was known as sneaker-net. This was because way back when in the early days of computing those users who wanted to transfer or share data with other users would make a copy onto floppy disk and get up and go to the intended recipient and hand it to them.
The sneaker-net came into being as observers; usually other university types noted that the majority of these young computer types wore sneakers and since they used their sneakers as the primary means of transporting the data the term sneaker-net came into use. It was probably not meant in a complimentary way. The term "geek" hadn't even been thought of at the time or else the term may have been "geek-net" but we will never know.
Oh! And by the way the floppy disks that I am referring to here are the original floppy disks which were large, flat, round, non-rigid, discs of magnetic medium and not the small 3 1/2 " types that were and are still used by some people today.
The capacity of these disks; which was considered to be quite large at the time, was around 320 Kilobytes. The more modern varieties have a larger capacity with the high density varieties that can still be brought today having a standard capacity of 1.44 Megabytes.
Today most new machines do not even have a legacy floppy drive included which is probably just as well. They were not the most reliable of devices and by today's standards their storage capacity was miniscule. Today we might wonder just what use; if any, could a floppy disk be? Well back then computers were primarily code-oriented and the output of human "friendly" text was a considerable and notable achievement. Then we started to see a new and wonderful device being attached to the computer. It was called a keyboard.
Up until then input had been in the form of punch cards and tape. Except for the multi-mega resource endowed who were able to afford magnetic tape reels. But for the average enthusiast they keyboard and floppy disk drives were the rage. Then we saw another new device come into being; the monitor. Well; now things were really getting up to speed, we could read text (in monochrome of course) on a television type device. The world was really becoming a truly wondrous place.
Things only got better as hard disk drives that were "affordable" and compact enough for the smaller computer were mass produced. With capacities ranging up to 60 Megabytes these storage giants and they were big and heavy and most definitely not portable as we know the term today. Now we could load a program into the computer and store it on the internal hard drive and then whenever we wanted to start the machine would had the option to start the program stored on the hard drive and run with that.
As more programs were developed and the hard drive became larger we saw the introduction into mainstream; although still enthusiast computers the need to manage these programs and this need resulted in the creation of what I will loosely call the early disk operating systems. They were refined and added to as time progressed and the term for them became the abbreviation DOS which many of you may have heard of. It stands for Disk Operating System.
Initially this was either pre-installed or factory upgraded but later it became possible to install this disk operating system from floppy disk which had also evolved into larger than 360 Kilobyte capacity disks by then. In fact 720 Kilobyte disks were very popular by now. Well is it has a habit of doing time did not stand still and software progressed in its capabilities and size so that multiple disks were required to install the disk operating system and most other programs as well.
Fortunately manufacturers were introducing larger capacity hard drive and floppies were evolving into the 1.44 MB capacity disks we know today and all was well in the world. Software evolved further and became ever larger with ever increasing storage requirements.
Major corporations were using mainframes with large capacity magnetic reel storage which was wonderful from a storage capacity point of view but the manner in which it operated was linear which meant that much turning of tape was required to access various data when required. The answer of course was to schedule access to increase the efficiency of use but that had its limitations.
In the mean time some bright spark in the computer department was talking to the mother via long distance telephone when the thought occurred to them that if they could converse over such a long distance surely machines could do the same. Okay maybe not over long distance but across the room would be handy. So it's off to the communications department that our hero goes. Upon arrival he asked the guys down there the big question. The reply he got nearly made him wet his pants in excitement.
Machines have in fact been communicating quite well over long and short distances for quite some time now. "Go down to Wall Street and check it out for yourself" was the com guy's reply. No need; our hero knows that if he goes to executive accounts and finance there are machines there that are always in touch with the money men down-town. So it's off to finance that our hero goes.
Once there; merely observing the ticker tape machines was inspiration enough. Using the telephone lines was the inspiration that he had. So off to the lab and sometime later our hero has rigged-up a contraption using readily available parts; cheap was a prime motive here. And so the first basic modem came into being. At least we don't need to take disks out of one machine and transfer them to the machine next to it by hand any more.
With the passage of time this novelty become a storm and the military decided to get in on the act an established a special research project known as ARPA. The network they created was called ARPANET (not much in the way of imagination here). The important thing however; was that they created the protocols that permitted machines to communicate over very long distances with reasonable reliability.
The core of this set of protocols was the Transmission Control Protocol (TCP) which was responsible for getting the message through. With more devices joining the conversation it became obvious that some way of identifying each machine was needed. The identification of each machine on a machine to machine level had as with all electronic communications devices been achieved using a hardware address which we know as the Media Access Control address or MAC address and worked well for awhile.
As the factors of scaling-up the size of the networked computers became of more important it was soon realised that purely using MAC addresses for machines that were permanently connected in a smallish local network was not a problem. The troubles began when trying to connect each of these small networks on a sporadic periodic basis (only when needed).
So the idea of letting the machines on the smaller local network sort out their MAC addresses and using a different addressing structure to identify remote networks gained impetus. This was the beginnings of a logical addressing structure. Well as the years went by and more and more machines were being networked and more and more networks were being interconnected on a global scale this logical addressing structure evolved considerably.
The best part of it all was that the smart guys who created TCP did such a fine job that it has been used ever since and when the time came that the number of interconnected networks was getting to be humanly unmanageable manually some way to overcome this had to be found. We were also seeing a number of different architectures being developed by different groups more or less independently and in competition with one another. The result was that not all networks could connect with all of the other networks.
At around this point in time the number of home computers being sold was beginning to skyrocket and many who used networked computers at work desired the same for their home computers. Having already developed the Hypertext Transfer Protocol (HTTP) and the Hypertext Markup Language (HTML) academics and researchers could now confer with each other and here a greater degree of collaboration between these groups of individuals developed. Admittedly this may have at times been a little constrained and secretive but non-the-less it happened.
The military were also in the processes of extending and evolving their networks. Cutting the story short it became obvious that something had to be done to make everything capable of talking to everything else. It was at around this point that the Internet Architecture Board (IAB) and the Institute of Electrical and Electronics Engineers (IEEE) really came to the fore.
The IAB took responsibility for overseeing and formulating standards relating to the development of the Internet. The IEEE met in February of 1980 to discuss what needed to be done to produce uniformity if the Internet was going to truly develop.
They came to the realization that there were a number of different competing and incompatible network technologies and decided that due to the various different possible media available it was all too much for just one group to deal with and so they created a number of subcommittees each charged with the responsibility for the production of a set of standards covering a smaller area of technology that could be used by one and all. I guess they must have heard what the little general said "Divide and conquer".
Thus we saw the formation of the 802 DOT committees and the standards that were produced by them have all evolved over time. Some are still widely in use today, some aren't, some have gone to better pastures and others are only just beginning to become mainstream while a few are yet to "arrive". For example the network system originally developed by the Digital Corporation®, Intel® and the Xerox® Corporation was called Ethernet and the committee formed to deal with the standards for this type of network architecture was the 802.3 subcommittee.
Another was formed to handle wireless networking communications. This was the 802.11 subcommittee and just to illustrate the manner in which the number of changes that have occurred as these architectures have evolved over the years the 802.11 subcommittee has appended the 802.11 with a letter to distinguish one set of wireless networking technology standards from the others. The first was called 802.11a and we are currently seeing the finalisation and market implementations of the 802.11n standard today. That makes a total of 14 major standards of wireless networking technologies in less than 28 years.
Well now we get to the point where we have all sorts of networks and a variety of transmission media what is what and which do I use? These are the questions that we will begin to answer now.
Transmission Media
The cables used in cabled networks are usually either copper-based or fiber-optic transmission medium, the architecture, topology, protocol(s), and size of the network will determine which is chosen and what variety of each is preferential.
I would be amiss not to mention that there could be a mix and match of cabling and other transmission media such as wireless. Different segments of a network may consist of different transmission media. Generally it is easier to separate out segments with different transmission so as that each type of media and each category within that type of medium are contiguous for that local section of the network. There are many reasons as to why this is a good idea and I will be discussing them as we progress.
An obvious example would be when mixing copper-based cable networks with wireless or even fiber-optic cable network sections. It is not too difficult to understand how each of these different transmission media will propagate a signal in different ways and hence will have different specifications and physical and electronic requirements that need to be satisfied for an effective transmission to take place.
With respect to the various different varieties (or flavours if you will) of each type of media for now let us just accept that the same holds true and consider it to be fact. I will explain the reasons in greater detail later.
In Part three of the Network Cabling Guide we will dive into copper cabling technologies so see you soon.


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INTERVIEW: Gail Simone Guides 'Blockbuster Update' of Red Sonja, Vampirella and Dejah Thoris
Comic Books
Retailing | The Philadelphia comics and art shop Locust Moon is closing its doors as a retailer so that co-owner Joshua O'Neill can focus on a different area of the business: publishing. "[A]s publishers, we're just getting started," O'Neill posted on his Facebook page. "[W]e'll now be able to focus our attentions on making books full time. we're incredibly excited about that. locust moon is not dying — it's still just being born." Locust Moon has already published an Eisner Award-winning anthology of Little Nemo comics, and is running a Kickstarter campaign to fund the publication of some very early "lost" Will Eisner comics. [PhillyVoice]
Passings | Michael C. Gross, the artist, designer and film producer best remembered for creating the iconic Ghostbusters logo, passed away Monday following a prolonged battle with cancer. He was 70 years old. Hired in 1970 as the art director of The National Lampoon, Gross is credited with pioneering the magazine's approach to comics and illustration; he's also famed for his notorious cover bearing the headline, "If You Don't Buy This Magazine, We'll Kill This Dog." Gross was encouraged by his friends John Belushi and Dan Aykroyd to move in the early 1980s from New York to Los Angeles, where he produced such films as Heavy Metal, Twins and both Ghostbusters films, and worked on the animated series The Real Ghostbusters. [The Associated Press]
Creators | Fast Company named writer Kelly Sue DeConnick as one of its 100 "Most Creative People in Business 2015," a list that includes innovators in technology, scientific research, entertainment, medicine and social media. The writer of such comics as Bitch Planet and Pretty Deadly, DeConnick is cited specifically for "reanimating a superhero," Captain Marvel. [Fast Company]
Awards | Bad Blood, the Dark Horse miniseries written by Jonathan Maberry and illustrated by Tyler Crook, won the Bram Stoker Award for superior achievement in a graphic novel, presented over the weekend by the Horror Writers Association. [Horror Writers Association]
Image Expo returned on Thursday, and it wasn't messing around. Each year, Image Comics seems to pack bigger announcements and bigger surprises into a single-day event. And the diversity of creators and genres gets that much better, too.
This year's Image Expo — held again at the Yerba Buena Center for the Arts in San Francisco, following last July's event at Comic-Con International in San Diego — included the now-standard keynote address by Publisher Eric Stephenson. He reviewed the past year's successes and echoed plans to make Image the No. 1 publisher, but aside from throwing the gauntlet down at the feet of Marvel and DC, his address avoided some of the controversial statements and manifestos of years past. While I appreciate a good sabre-rattling, it allowed the focus to remain squarely on the creators and their comics.
With that in mind, here are my six favorite announcements from Image Expo 2015:
Like comiXology and Marvel Unlimited, DC Entertainment and Image Comics are celebrating Comic-Con International with sales on select digital titles.
Through Tuesday, DC is marking the 75th anniversary of the Dark Knight by offering digital downloads of a whopping 750 Batman comics for 99 cents each. These aren't typical dollar-bin titles, however; they include The Dark Knight Returns, The Long Halloween, No Man's Land, Year One, Hush, The Court of the Owls and All Star Batman & Robbin the Boy Wonder. If you're wanting to go way back, there are comics dating back to 1938, with Batman's debut in Detective Comics #27.
Fans of Emma Rios and Pretty Deadly take note: Cadence Comic Art is selling limited-edition prints from the fantasy Western, signed by the artist.
How limited? Just 60 of each 11.7-inch by 16.5-inch linen prints of the covers for the first five issues and the first trade paperback. At $40, they're likely to go pretty quickly.
The Image Comics series, created by Rios and Kelly Sue DeConnick, earned a handful of Eisner nominations and inspired a line of perfumes.
Publishing | Calvin Reid looks at how publishing is done on Kickstarter, and interviews Maris Kreizman, the general publishing manager, and Jamie Tanner, who oversees the comics category and is himself a comics creator. Comics campaigns have a success rate of nearly 50 percent, making them the fourth-highest category on Kickstarter (and way ahead of general publishing, which has a 32 percent success rate). Tanner sees the popularity of comics as an indication that people still like a print product, and, he pointed out, "setting up a [Kickstarter comics] project, offering rewards and a delivery date, is very much like any conventional comics publishing project." [Publishers Weekly]
Black Phoenix Alchemy Lab, the company that's created fragrances inspired by Hellboy, Irredeemable, Grendel and even Neil Gaiman, has now turned its attention — and its nose — to Pretty Deadly, the mythic Western created by Kelly Sue DeConnick and Emma Rios.
The new line of perfume oil blends includes Alice, The Reaper of Cruelty, described as "Bourbon geranium emboldened by the rich scent of aged patchouli, the sweetness of peach, raspberry leaf, and bourbon vanilla, surrounded by a butterfly swarm of spicy carnation and Italian bergamot," and Ginny, The Reaper of Vengeance, characterized as "Sharp tobacco flower and white cognac, a thin layer of smoke, and dusty black pepper pierced by the amber of her eyes."
This year's Eisner Awards nominations were dominated by two publishers, Fantagraphics and Image Comics, with the former earning 18 and the latter 17 (plus three shared). To celebrate the occasion, Image is holding a 50 percent-off sale on digital editions of all 10 nominated titles, for a limited time. That means you're getting single issues for just 99 cents each.
Whether you've fallen behind on some of the series or want to see what all the hubbub is about, now is pretty good time to check out East of West, Lazarus, The Manhattan Projects, Nowhere Men, Outlaw Territory, Pretty Deadly, Rat Queens, Saga, Sex Criminals and Zero.
The sale, which extends across the Image Comics storefront, comiXology, Google Play, Amazon Kindle and Apple iBooks, ends April 21 at midnight ET.
"The message that we send when we don't represent the broader culture in our stories is that 'You are other.' … As a community, as an organism, it is a thing that makes us ill. It is actually bad for us."
– Kelly Sue DeConnick, writer of Captain Marvel and Pretty Deadly, speaking about the need to diversity the kinds of characters that appear in comics, at the "Broadening Comics Readership" panel at Emerald City Comicon
Awards | Jamie Smart's Fish-Head Steve has been shortlisted for the Roald Dahl Funny Prize, the first comic to make the list in the six-year history of the award. The prize recognizes the funniest book for children in two age categories, and the final judges will be 200 children from schools around the United Kingdom. [Forbidden Planet]
Comics | Eric Margolis reports on the difficulties U.K. creator Darren Cullen had in getting his Kickstarter-funded comic (Don't) Join the Army printed. The format was unusual, so some shops simply couldn't do it, but printers also took exception to the comic itself, which was an "anti-recruitment leaflet" satirizing the British army. [Comic Book Legal Defense Fund]
A retailer who last week ripped a copy of Pretty Deadly #1 in half in front of customers, triggering heated online reaction as well as responses from Image Comics and writer Kelly Sue DeConnick, has apologized for his actions.
"A small group of long time customers who know me well asked me what I really thought of the book," Steven LeClaire, owner Comics Ink in Culver City, California, explained in a post on the Bleeding Cool forum (it was deleted and made into a standalone article). "For dramatic effect, I ripped a copy of the book after giving my review. I personally found the book lacking a coherent storyline and the art too muddy to follow. That was my opinion. The book was still on the shelves for sale for all those who wanted it. I made a mistake of thinking I was having a private talk with a small group of friends. I apologize for my actions."
The incident was first mentioned Thursday by CBR columnist Hannibal Tabu in "The Buy Pile," where he wrote that he agreed with the retailer's assessment of the issue — by DeConnick, Emma Rios, Jordie Bellaire and Clayton Cowles — although he didn't mention LeClaire by name. Word of the comic's destruction quickly spread online, with Zero writer Ales Kot questioning whether the act was prompted merely by "anger about the product, or also by misogyny," and leading Image Comics Publisher Eric Stephenson to offer to take back the remaining copies of Pretty Deadly #1 from Comics Ink and have Diamond Comic Distributors cancel orders for subsequent issues.
Thursday's installment of CBR's long-running (and infamously blunt) review column "The Buy Pile" attracted more controversy than usual when writer Hannibal Tabu described the retailer at his local comic book store — Comics Ink in Culver City, just outside LA city limits — tearing up a copy of Image's Pretty Deadly #1 in front of customers. Tabu made it know that he also had a negative take on the issue, calling it "remarkable in its rough hewn, unfinished looking art, drifting narrative and tedium."
The incident as reported quickly took a life of its own, with sites like Bleeding Cool and Multiversity Comics weighing in on the situation, and industry professionals discussing and debating the topic; including Secret Avengers and Zero writer Ales Kot asking if the destruction was prompted by "anger about the product, or also by misogyny" given that three of the four main creative forces on the book — writer Kelly Sue DeConnick, penciler and inker Emma Rios and colorist Jordie Bellaire — are female (letter Claytown Cowles is male).
DeConnick remained silent on the issue until Friday, in a Tumblr post titled, "The Only Statement I Will Make On The Matter." In it, the writer says she first found humor in getting a negative review in The Buy Pile, viewing it as something of a rite of passage: "I literally laughed out loud. Hey! I got jumped in!"
Publishing | Viz Media, the largest U.S. publisher of English-language manga, is poised to jump in to a new market: India. Kevin Hamric, the company's director of publishing and marketing, was there this week, and he says the demand is there. "With India's growing book and reading sector we have identified it as key to our growth," Hamric says. "We receive many, many requests each and every month from fans in India to bring our product here." [The Hindu Business Line]
Comics | As the Avengers turn 50, Noel Murray recounts their history and explains why they work so well as a super-team. [Hero Complex]
Conventions | The founder of this month's incredibly successful Salt Lake Comic Con — it drew about 70,000 attendees in its first year — is planning a spinoff event for Jan. 9-11, the weekend before the Sundance Film Festival. [Salt Lake Tribune]
It seems the next class of hot Marvel creators is rising faster than the publisher can slap on a moniker like "Young Guns," "Terrific Tens" or "Architects." Part of that group is Portland, Oregon-based writer Kelly Sue DeConnick. She recently launched the longtime Marvel heroine Carol Danvers, aka Ms. Marvel, in Captain Marvel, and she recently took over Avengers Assemble from Marvel's de facto chief writer Brian Michael Bendis. In addition, Dark Horse recently enlisted DeConnick to revive and revitalize its superhero pulp series Ghost, and she has her first creator-owned series in the works: Pretty Deadly, with her Osborn collaborator Emma Rios.
I've known about DeConnick peripherally for almost a decade now, reading her posts on the classic Warren Ellis Forum in the early '00s, years before she got into comics. She's shown herself to to have a remarkable wit in her comics and in interviews, and a real sense for action without losing heart in works like Captain Marvel and the short Black Widow story she created with Jamie McKelvie inside Enter The Heroic Age. Although 2012 seems like her biggest year yet, it feels as if she's on the precipice of something larger still. In my conversation with DeConnick, she was refreshingly upfront and revealing about riding the waves of life as a comics writer, and showed off a rarely seen side of what its like to be a comics creator.


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2011 Jeep Grand Cherokee: Introduction
The mere existence of the 2011 Jeep Grand Cherokee Overland Edition is a true testament not only to the persistence of Chrysler's engineering team but it is also a reminder of how many times Jeep's parent company has somehow magically risen from the ashes. The 2011 model year has truly seemed to be the most unlikely year for Jeep and Chrysler as models like this all-new Grand Cherokee are bringing the once-troubled automaker back from the financial brink.
Prices for the 2011 Jeep Grand Cherokee start at $30,215, but our top of the line Overland Edition model easily crossed the $40,000 mark thanks to its tremendous number of luxury features, a 5.7 liter Hemi V-8 and some humongous yet utterly essential 20 inch alloys that looked terrific. Note this Grand Cherokee also boasted heated/cooled front seats as well as heated rear seats in addition to a heated steering wheel and power operated rear liftgate. So there was no "roughing it" by any stretch of the imagination when we took the wheel of this 2011 Jeep Grand Cherokee Overland Edition.
2011 Jeep Grand Cherokee: Exterior
While you can be amazed by the 2011 Jeep Grand Cherokee Overland's amazing off-road ability, traditional SUV buyers will no doubt be swooning over the classically proportioned yet not overly muscular styling lines that run from the headlamps to the rear. This is easily the best looking Grand Cherokee since the original model debuted to replace the aging Cherokee during yet another one of Chrysler's big comeback tours.
Granted, this 2011 model is somewhat larger than before but this SUV masks its bulk well and puts forth large gains in rear seat and cargo room to even out the score. An airier greenhouse also makes the 2011 Jeep Grand Cherokee far easier to see out of than last year's model, which felt akin to sitting in a birdhouse built by a legally blind carpenter. People over six feet tall will be comfortable for long trips in the back seat as legroom is generous.
Now, this last concern is all down to a matter of personal preference and taste but the top of the line Overland Edition 2011 Jeep Grand Cherokee has so much chrome adornment that it looks as though it accidentally drove through the Home Shopping Network studios and got assaulted by a crazed saleswoman toting a bedazzling gun. To our eyes, a little less chrome and more body color trim on the "body" of the Grand Cherokee would be preferable. If you love chrome, though, you'll love this Overland Edition.
2011 Jeep Grand Cherokee: Interior
Owners of previous generation Grand Cherokees, or any Jeep for that matter, will simply be blown away by the quality of materials and fastidiousness of build found in the cabin of this once rather haphazardly assembled SUV. The wood trim may be a little too glossy for some but it looks better than the stuff you find in some Lexus models. The interior trim assembly tolerances could give Lexus a run for its money now, too. Yes, the words Jeep and Lexus have been uttered in the same sentence so clearly the end times are near. Just warning you.
Just in case the end comes... don't worry as the 2011 Jeep Grand Cherokee Overland Edition comes equipped with all manner of luxuries like in-dash navigation, a nine-speaker premium audio system with subwoofer, an air suspension system that can adjust the ride height for easy entry (or boulder crawling), Blutetooth, USB/iPod integration, a power moonroof, durable leather trim, Xenon headlamps, a back-up camera and a terrain adjustable full time all-wheel drive system all for $44,910 (with destination).
Cargo room is also ample with 36.3 cubic feet behind the second row of seats and 68.5 cubic feet with the second row of seats folded nice and flat. And if the feeling of interior trim quality and overall fit and finish of the 2011 Grand Cherokee doesn't give you peace of mind then there is always Jeep's three-year/36,000-mile bumper-to-bumper warranty and five-year/100,000-mile powertrain coverage to help you sleep at night.
2011 Jeep Grand Cherokee: Performance and Safety
It may look like a traditional Grand Cherokee and off-road like its many forebears, but this SUV drives nothing like the tippy and sloppy vehicles owners had come to expect over the years. While there is still some numbness around the center with the steering, it no longer offers up all of the sensation and feeling of Courtney Love after a doctor's visit. Admittedly, slow gearing at the helm of your SUV is an advantage off-road but some Jeeps like the Liberty make it difficult to judge even the tightness of a U-turn.
While this 2011 Grand Cherokee could no doubt tackle some pretty rough terrain with its adjustable ride height suspension (also perfect for lowering entry height for an older dog), the Quadra Drive 2 4-wheel drive system and the new multi-terrain adaptability knob, most of these SUVs will spend their time in suburbia picking up kids from karate and hitting local PTA meetings.
So this new, more linear steering in conjunction with a marked decrease in body roll all equate to a more enjoyable to drive Grand Cherokee around town. You know, pretty much where it will be most of the time anyway unless you are crazy enough to not care about denting this $40,000 Overland Edition's pretty chrome bling job.
Thanks to an all-new platform that will underpin the next Mercedes M-Class and that is already so impressive in the similarly transformed 2011 Dodge Durango, the Grand Cherokee now has what we dare say is a very supple and controlled ride. Freeway cruises even over the worst Southern California freeway stretches proving to be quiet, calm and relaxing. Interior noise levels are impressively low and to our ears seemed about equal to those of some luxury brand SUVs we have recently tested.
Sadly, that is the one fault of the 2011 Jeep Grand Cherokee Overland Edition with the 5.7-liter Hemi V-8 because, unlike how it rumbles under the hood of a Ram pick-up, here this engine is the picture of near Lexus quiet and refinement. Who buys a 5.7 liter 360 horsepower/390 lb. feet of torque V-8 unless they want a bit of drama in their life besides the impressive 6.7 second 0-60 time?
Tow capacity for the 2011 Grand Cherokee 5.7 V-8 is an impressive for this class 7,400 pounds and should accommodate most anyone's needs. But in all honesty after having driven a 2011 Durango with the Pentastar 3.6 liter V-6, we can safely say that there isn't much need for the Hemi engine as the V-6 can handle 5,000 pounds. It also offers up plentiful power, if not quite to the degree of the 5.7 liter.
As a family hauler, the 2011 Jeep Grand Cherokee has the stuff to keep you and your loved ones safe. It has been named a "Top Safety Pick" by the Insurance Institute for Highway Safety (IIHS) just in case you have an accident on a deserted forest trail or in the Neiman Marcus parking lot.
2011 Jeep Grand Cherokee: Conclusion
It's easy to see why so many people are buying the new 2011 Jeep Grand Cherokee and while we loved the effortless thrust of the Hemi V-8, we didn't love the 11 miles per gallon it gave us in return. A wiser ownership proposition is a Grand Cherokee with the 280 horsepower 3.6 liter V-6 that returned nearly 18 miles per gallon in the larger Durango. But if you need a Hemi, at least take heart knowing that it runs on regular unleaded just like the V-6.
So what if you just can't live without the throaty burble you so love from Hemi powered cars, trucks and SUVs? Is the march towards refinement a quick trip towards the death of character in Jeeps? Don't count on it. 2012 holds the release of the all new SRT-8 version which will boast a 6.1 liter V-8 engine with 465 horsepower and 465 lb. feet of torque. And we sort of suspect it will be loud.
You may also be interested in...
Vehicle-Info Apps Debut on 2011 Jeep Grand Cherokee
10 Things You Should Know about the 2011 Jeep Grand Cherokee
Jeep to Kick Off 2011 Grand Cherokee with Jeep Rocks & Road Tour
2011 Jeep Grand Cherokee Reignites SUV Market
The Impact of the 2011 Jeep Grand Cherokee
Jeep Grand Cherokee Struggles in August


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The Women and Children's Center of the Sierra will host an inaugural event, "Old Treasures - New Futures," to benefit local women in poverty.
The event takes place from 6 to 8 p.m. Feb. 7 at the Atlantis Casino Resort Spa. Interested attendees can donate old jewelry, including precious, semi-precious, costume, vintage and exotic, in exchange for an invitation to the event. The evening will feature live and silent auctions and "buy it now" jewelry sales. Items will include Bakelite natural stones, such as turquoise and quartz, gemstones and loose stones. Prizes will be given for the most and best bling and the most unusual piece of jewelry worn.
Hors d'oeuvres and a no-host bar will be available.
Jewelry donations are requested by Thursday. Attendees must receive an invitation for entrance.
Details: Women and Children's Center of the Sierra at 775-825-7395 or email email@example.com.


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Originally Posted by Dan Fromm
Rosey, and for that matter, Ole and others, there's nothing much wrong with you but you ARE confused about what your hobby is. It isn't photography, it is accumulating photographic equipment. Actually using the stuff is incidental.
Thinking of which, how can you go a-shootin' with 35 mm cameras in more than one mount system? Back-breaking, isn't it?
If I hike with LF I also take along a Rolleicord for shots of fleeting subjects/light where the LF is too slow. I also take an Olympus XA for color "I was there" snapshots, and to justify buying a like-new XA with flash when I already had a couple of point-and-shoots. But I agree, taking more than one mount of 35mm is silly. That's why I think he needs to acquire more formats. To cut down on silliness . . .
Originally Posted by Dan Fromm
Thinking of which, how can you go a-shootin' with 35 mm cameras in more than one mount system?
I don't know, I've never tried.
Either I go a-shooting with Leica thread mount, or I go a-shooting something a lot bigger and just happen to have an old folding 35mm camera in my pocket. Or maybe a folding MF camera. And a spare LF system in the car. And most of the big suitcase full of lenses stays there too - I only bring six or seven with me in the "field pack"...
-- Ole Tjugen, Luddite Elitist
Having read all this, I've got to say I feel much better for knowing there are folks who have this much worse than I do. OK, I'll concede I may have bought something I'd forgotten I already had, but it was probably a bargain anyway.
Now I just need someone to tell me they have more than one fridge for film ................
Originally Posted by Peter Black
Now I just need someone to tell me they have more than one fridge for film ................
. . . if only I had the room . . .
Originally Posted by Peter Black
Now I just need someone to tell me they have more than one fridge for film ................
I have a fridge and a deep freezer.
If you're not taking your camera...there's no reason to travel. --APUG member bgilwee
I thank all who have participated in this thread which, I suspect, affects a hefty proportion of us on this site. Some GAS sufferers may still be in the (equipment) closet. Nice to know I'm not alone.
To those who think I am missing some Nikon classics, that is not by happenstance. I have many more Nikons in my stash, but just mentioned the first few that came to mind of which I have at least a pair. In my haste to mention my doubles, I neglected to mention a pair of the N90s, N2000, the N2020, the N6006, and the Nikkormats (a mint FS is one favorite piece).
I do not own an F3, F4, F5, or several of the older classics (tanks). Those, in my opinion, were working photojournalists' gear that had to withstand the rigors of the daily grind. I don't require that sort of equipment as a hobbyist. When I was photo director of a mid-size daily, I saw to it that the staff got the best we could find at the time.
To those who might think I don't actually use much of this stuff, think again. While I don't run through as much as a working pro did when film was in its heyday, when I go to a family dinner, I'm good for at least three rolls. Christmas parties call for much more. Each one-week vacation results in a thick, separate album of my best shots of the time.
And I do shoot an occasional wedding or bar mitzvah or other paying job.
The biggest caveat for me is to arm myself in every case with one or two of the same type of body. I don't usually mix SLR cameras. If I go out for an afternoon in the parks, I may take a Spotmatic and an H3v, both screwmounts. Or a Minolta X570 and XE-5, both MD mounts. Or a gorgeous Canon A1 and a tidy little T-70 in FD mount. Or a Super Program and my favorite Pentax MX, both K mounts. Or two Nikon autofocus bodies. Or a pair of Nikon manual bodies. I can take a couple of my favorite lenses, use B&W and color, or experiment with filters on one of the outfits.
For the paying jobs, I find myself using the gear I am most comfortable with, typically a pair of N90s Nikons or a couple of N8008s models, with the SB-28 strobes and appropriate lenses.
Most of my stuff is for the pure fun and joy of using finely crafted equipment to make pictures that matter to me and my family. And what I grab for a day's shooting depends on nothing more than my mood at the moment.
I do not have Canon AF gear or Olympus 35mm SLR stuff in my collection, but I have a few years left in me, so there's time.
In many cases I also carry one of my four Olympus XA cameras in a pocket. Or an XA2. Or my new favorite P&S, a Pentax UC-1 or Espio Mini (essentially the exact same camera but in black). I have two drawers full of point-and-shoot cameras. I am almost NEVER without at least a P&S camera within easy reach.
When I plan to take some time with my hobby, I also have gotten into the habit of making a quick refresher of the camera manuals to make sure I'm familiar with what I have chosen on that particular day. I remember one time shooting my first roll of the day on a Nikon when, after the 36th frame, I realized I had forgotten how to rewind the darned film on a camera that uses pushbuttons for that task. I had to drive home (not far) for the manual. Now, I either do a quick read-through of each camera manual, or make sure I have one along in the bag of the day.
So, to me, owning so many rigs by so many manufacturers is not especially a hassle. And, not meaning to start a Canon-Nikon-Minolta-Pentax war, I have never found that the top glass of one maker is any better than the top glass of another.
That said, I have recently inherited two apparently brand new Leica rangefinders with lenses that I have yet to use.
It may indeed be many months or longer before I get around to a particular camera, but I do exercise the shutters occasionally, along with the flash units.
So am I JUST a collector of esoteric 35mm gear, which some may think after reading my post? No, I think not. I rather enjoy using what I can. I also enjoy handling and keeping this fine equipment in top shape.
I have thousands of photos in my albums, and thousands more that didn't make the cut, stored in chronological order and dated along with the negatives.
Most of my albums are on coffee tables in my living room where the kids, and now the grandkids, spend time with them whenever they're home.
Funny, too, how the dozens of nieces and nephews who groaned 25 to 30 years or more ago: "Oh good grief! Here's Uncle Ken with his cameras again" now head straight for those albums to show their own children what we all looked like way back then.
There's a certain satisfaction in such actions that I find refreshing and that makes it all worthwhile.
And I smile inwardly that some day, when I am gone, those same family members will likely all want a piece of those memories that will live on in my photos.
Originally Posted by Petzi
I have a fridge and a deep freezer.
me 2 :rolleyes:
He is no fool who gives what he cannot keep..to gain that which he cannot lose. Jim Elliot, 1949
Originally Posted by Peter Black
Now I just need someone to tell me they have more than one fridge for film ................
No, but I have film in more than one fridge. And in more than one freezer, too...
When my s.o. and I moved together some years ago, we both had complete sets of everything. We had room for everything too, so we now have three stoves, three fridges, two freezers and two washing machines... The third set is from an apartment we rented out (we don't do that now, we use it as guest rooms).
Can't spend long..... must get back to ebay, but I have cupboards that no longer are safe to open because of danger from avalanching cameras.
My wife is still faintly amused.... just.
Remember..... fight the urge, it doesn't stop GAS but makes you feel better.
Rosey, thanks for the clarification about what you normally do. How disillusioning. I had a vision of you as one of those Indian deities with thousands of arms and hands and at least as many eyes and a camera in each hand shooting thousands of pictures at once ...


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June 28, 2012 News
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not that anyone on this board (with the exception of a few) reads my posts... I sold my shares shortly after buying in. It would figure that right when the going seems good... Morsi pulls a power grab, compromising Egypt's transition to democracy and their economic growth. While some may say that that remains to be seen... others are saying it's obvious. The IMF has issued a warning and, imo, it's not likely that supporting countries who's support was contingent upon the IMF loan and antecedent conditions will pursue their support if Morsi doesn't change his strategy. imo, it's too late for him to change directions... he's already lost the confidence of many Egyptians.
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