text:
The King of Micro 4/3 has leaked..The Olympus OM-D E-M1 is almost here…
This morning a video leaked from Engadget (which is now gone) showing the new Olympus OM-D E-M1 in full detail. I saw the video at 5AM while laying in bed and even though Engadget took it down once it was picked up by the rumor sites, I still have the video loaded on my iPhone and have watched it a few times. After doing so I am 100% convinved that THIS camera will be the KING of MICRO 4/3!
It is a professional build camera, up there in build with cameras like the Nikon D800, etc. It is fully weather and freeze proof. It has the amazing 5-Axis IS and a HUGE LCD screen. Olympus said in the video that they have "listened to their customers" this time. :) The E-M1 now has phase and contrast detect AF and is compatible with normal 4/3 glass, meaning when you use normal 4/3 glass you will get FAST AF, in the video he says it is just as fast using Micro 4/3 glass or 4/3 glass. It appears the VF-4 is built into the camera as well as they are saying the EVF is larger than what is on most full frame cameras. Looks like a VF4, which is amazingly cool because the VF4 is really really great. I have been using it on the E-P5. The guy in the video did say an EVF with 2.83 million pixels so not sure if that was a slip or if he meant 2.36 million, which is what the VF 4 has. He did say 2.83 though, which if true, will beat the VF4.
This is a serious camera folks…
The OM-D E-M1 IS the Pro Micro 4/3 we have been waiting years for. Yes, it is about to land. The camera also has a built-in grip as well as an external battery grip that attached much like a Nikon battery grip does. The top of the camera is beautiful and screams pro build and feel and control. With the amazing quality of the OM-D E-M5 this camera appears to take it up a notch in EVERY area – build, feel, control, amazing WiFi features, etc.
I am guessing we will see an announcement soon because now that all of us in internet land are full aware of the camera due to the leak (which I feel was done on purpose, as always) Olympus should be ready to announce it soon. WHen I reviewed the OM-D E-M5 I said "Micro 4/3 Matured". Well, looking at the video of the E-M1 it tells me not only has it matured, it has excelled into the land of premium pro build cameras.
I feel this video was made to leak because the rep in the video never mentioned details like Megapixel count, size of the LCD, ISO range, etc. If it never leaked, this post would have never been here.
The new Olympus OM-D E-M1 – What we know as fact so far.
2.83 million dot EVF
5-Axis IS
New DSLR type grip
16MP sensor
Built-in Wi-Fi
Shutter speed: 1/8000s-60s
Micro Four Thirds mount
Not only "weather proof" but "FREEZE PROOF"
So it is an exciting time for micro 4/3 users. :) Time to stock up on some lenses :) I have no idea what this will cost but I expect it to come in around $1500. It is higher end than the older OM-D E-M5, built to a higher standard with new features so it will not be the same price, I can guarantee that one. To me, at $1500 it would be just about right for a pro built and made and controlled OM-D.
What are YOUR thoughts?
PLEASE Remember, anytime you follow my links here and buy from B&H or AMAZON, this helps to keep my site going. If it was not for these links, there would be no way to fund this site (and the cost these days to keep it going is pretty damn high), so I thank you in advance if you visit these links. I thank you more if you make a purchase! I have nifty search bars at the upper right of each page so you easily search for something at either store! I currently spend 10-14 hours a day working on this site and the only way that I can pay for it is with your help, so thank you! Currently my traffic has been increasing but my funds to pay for the site has been decreasing, so any help would be GREATLY appreciated!
Even if you buy baby food, napkins or toothpicks at Amazon it helps this site, and you do not pay anything extra by using the links here. Again, you pay nothing extra by using my links, it is just a way to help support this site, so again, I thank you in advance More info is here on how you can help even if you are NOT in the USA as I have Amazon links to Germany, United Kingdom and Canada as well!
If you enjoyed this article/review, feel free to leave a comment at the bottom of this page and also be sure to join me on twitter, my facebook fan page and now GOOGLE +!
Also, you can subscribe to my feed at my subscribe page HERE and read these posts in your browser or news reader!
221 Responses to "The Olympus OM-D E-M1, the King of Micro 4/3"
I've been waiting for this for a long time. Very excited!
Still only 16 MP sensor, and ISO starting from 200…. disappointing and not enough to interest me.
If I was waiting for this camera (i'm not because I just bought a GH3) I'd be on the edge of my seat, however I think it may be mock up….sorry!
Wow it looks sick , it's a shame that I broke my smartphone and have to buy a new one. I would be all over this camera otherwise.
Thanks Steve, good points!
May have jumped the gun, will wait and see… and try before I comment. -;)
Soon to be followed by the Olympus OM-D-EP-M1, and then the one everyone is waiting for, the Olympus OM-D-OMG-EPL-M1-2.
but it is still 4/3. If I had to choose I would definitely buy Nikon d600 although i'm not a DSLR user.
This looks great. I wonder if the sensor has been improved in other ways beyond adding phase detect AF. If I didn't already have an E-M5 I'd be all over this. As it stands, unless there's a huge improvement in image quality compared to the E-M5 I'll probably just watch from the sidelines.
One thing is for sure, and that what is pictured is a rough prototype. The hand grip looks as if it was slapped on since the lines do not match up with the top of the body. Having said that, I'm sure this is very close to the final product. I enjoyed my EM-5 when I had it, and they are fun cameras, but you buy a micro 4/3 to get a compact camera and this sure won't be compact. Can't see how these can compete with a D600 and kit or 50mm f/1.4 lens.
Rumors also say that it won't have an AA filter, which will be interesting to see as well.
Concerning your size comment: If sony can produce the RX1 with full frame sensor, why can't Olympus do the same? Create the same OMD with more or less the same size but with a full frame sensor.. It's a shame in my opinion cause I would really like a DSLR in the OMD's size… which isn't totally impossible these days (as Sony proved so).
Mmmm well if you say it's real Steve it must be real – otherwise I would say it looks like a mock up too! That awful looking grip looks like it has been cut off another model and literally stuck on the body, there even seems to be wide gaps and the grip material does not line up at all with the body covering? Looks are not everything and I love micro 4/3 but this looks naff.
Sounds very enticing! I will be having my eye on the new Nex FF that is suppose to be announced soon and this camera. I am looking forward to a second body with a smaller footprint than my present A-mount. My concern with the Nex is with the speed and accuracy of the focus system. I thought I was down to deciding between the Fuji or Nex FF. Now I guess I have to add another camera to the mix. One of the things to consider is the amount of nice low profile glass for the micro 4/3 bodies. Decisions decisions. Without regards to the dollars, I imagine this will have a hard time going toe to toe with a FF but I maybe wrong.
Ok, I just looked at the video and yes, it does look much better than the photos represent. I can now see that the grip is intentionally taller than the body. With the 4/3 lens, it really is in DSLR territory, and those 4/3 lenses are not cheap either. I really like the mirrorless offerings and they can be a lot of fun. I enjoyed my EM-5, and XE-1, but never could warm up to the EVF and had to go back to my DSLR. Sooner or later, I'm sure the EVFs will rival opticals and I do believe that will be very soon.
BTW, keep up the great work on this site Steve. I'm not a mirrorless user, but love your format and reporting. :)
Think I prefer the GX7 with the fantastic 20 f1.7 lens (which I adored on my GF1)
It looked like the max ios was 25600, if I remember correctly. It flashed up on the tablet.
Not that this matter photography-wise, but it just looks like a frankenstein. It may just be a pre-production camera or something, but personally I found it pretty ugly. Again, not that this matter and that's just a first impression on the looks – and no one is obligated to agree.
By the rumors it seems like it's the same sensor used on the E-M5, E-P5 and GH3 but now with some tweaks, PDAF and no AA filter. It's a great sensor, don't get me wrong, but for a product like this, I expected a new sensor, just like the GH3 would have been better with a custom made multi-aspect Panasonic sensor – one that was fully optimized for video.
But Panasonic finally stepped up and produced a new sensor for the GX7 – which would probably had found its way to the GH3 but Panasonic didn't manage to have it in time – and it seems to be on par and some say that it's slightly better. So for a product like the E-M1 I thought they would get a new sensor with more improvements.
This camera has specific aim I guess, because if you don't have 4/3 lenses you may be better off with the E-M5, which is getting a better value each day. Sure, the E-M5 is not "PRO" built, Olympus themselves said that when they launched the E-M5, so unless you really need that edge in build quality, a more durable camera, a shutter made to last, what is the great advantage? As I said, I'm not saying that these are unimportant things or that it should be overlooked but rather that if you take price into account and what's new, one may wonder if it's not better to stick with the E-M5.
It's too early in the rumors to conclude, but I think that these are fair questions.
Will this finally have an upgraded video quality? I don't say in a Panasonic level but maybe in a Sony level at least, after all this is also a part of their partnership, right? But if they manage to get a better video, couldn't it be implemented via firmware to the E-M5 and E-P5?
Overall, with the GH3 and this E-M1, it's good to see m4/3 accending to a higher level which should help more people acknowledge this system. Sony NEX has great cameras – in some ways – but as long as they don't have enough great lenses covering more focal length AND with great optics it's hard to take them seriously. Sure, one can use legacy lenses and adapters but that's a big limitation and there is this much you can depend on that. Sony will probably keep this attitude towards APS-C as they are going to enter the NEX FF, which is a shame, NEX users deserved more respect and commitment but for everybody else wanting a serious mirrorless system, there is Fuji.
Mirrorless are getting more and more exciting.
Glad I kept the 12-60 and 50!
Damnit. I need to hide my wallet.
I only hope it's no too much bigger than the em5 and that it has better video capability.
Also, unlike the em5, this doesn't seem to be a looker O.o
You do also realise that the RX1 is not a interchangeable lens cam…so part of the reason why it's smaller is that it doesn't need to fit in the locking mechanisms and that the distance between the sensor and the back of the lens can be minimal, effectively allowing the whole lens to be smaller as well.
I agree with the comment that 16mp is a little disappointing, given that Sony and Samsung have smaller sensors that have 20mp. Though, it still may be too soon for this technology to be transferred to the M43 sensor size. It is only a matter of time and processing power.
When I saw this video I thought the same thing that some people are commenting about the grip being glued on. My guess is when Panasonic announced the GX7 (which has a lot of nice features that I like) Olympus rushed this video to make people stall before committing their money to the Panasonic. If I had some nice 4/3 glass sitting around I would be interested in the new OM-D but having finally upgraded to the E-M5 a few months ago I'll be much more excited if Olympus also announces a nice fast affordable and relatively small standard zoom. I'll probably wait to buy a used E-M7 before I upgrade my camera. Either way, it's exciting to see some great features on these new cameras and is great for m4/3
$1500? …600D's are going for that now. So now Olympus is going to a price that will compete with FF's?
Darn. I just bought the Fuji X100S. ; )
IMO the OM-D E-M5 looks a lot better than this! The built-in grip ruins it and makes it too big…who needs an extra grip anyway? Isn´t one of the major points with m4/3 to keep it small? If I want a big body I´ll get a new EOS 5D MkIII or something…
BTW my E-M5 is still good enough for many years – I´ll guess I´ll put my money into new lenses rather than a new camera;-)
My notes:
1. The grip surely got my first attention. It really doesn't look as good as EM-5. Well, considering all other points after number one, I will buy this camera but I will carry my E-M5 more often than this one. I will only bring this cam when I go specially for photo hunting. Won't carry this one daily.
2. Surely glad that I can use my 12-60, 35-100 and little tuna 150mm FT lenses. Image quality will surely rock! Again, ONLY for special photo hunting purpose.
3. Now lets talk about buttons and dials. I like the on off switch location better than the E-M5. I think would be better if the power switch is on the right hand side though.
4. The buttons on the top left plate: AF mode (s-AF, C-AF, Tr-AF, M-AF. could be also to choose between CDAF and PDAF.), metering mode button (ESP, center weight, spot, spot hi, spot low), in-camera HDR mode button, burst mode button (single, low speed burst and high speed burst shots)
5. Then to the hump. I like that they use the PEN type of hot shoe & accessory port cover, not 2 pieces like E-M5 version. Would be easier to remove and to attach it again. No internal flash, well, its a pity but not really too at the same time. I could not recall when is the last time I used the small flash included with EM-5. The fast prime lenses, IBIS and exellent sensor made me never use the small flash. If I need flash, I always use the FL-600 or FL-50r.
6. The lock button on the PASM-Art dial would is a nice fine detail they put. A bit unusual they put i-auto and Art on the dial mode in a pro level camera, but hey, many of us love using Art filter mode.
7. The 2 dials location is nice ergonomically. Shutter button location is also nice.
8. curve button (fn 2 button) and record (tick) button, I have to try it to comment further. In the case of E-M5, I don't really like the location of the curve button. I set it as magnifying button but sometimes I struggle a bit to find the button while keeping my eye at the EVF.
9. Lets go to the back side. EVF-LCD display switch I like it better at the back rather than on the side of the hump ala E-M5.
10. Nice large and high res EVF! Just hope the eyecup rubber sticks better because I lost it several times from my E-M5.
11. info, play, fn1, menu, erase and the direction pad buttons are well placed. much better than button locations at the back of E-M5.
12. LCD I think looks like it is a swivel LCD. It is yes and no for me. For difficult angles, surely swivel LCD would be great. In case for shooting from the hips for candid shots, tilting screen is more discreet.
13. To the front of the cam, I see 2 buttons on the right hand aide beside the lens. One is DOF preview for sure. Don't know what the other one is. I'm thinking there would be 2 possibility. One is that is an extra fn button, or it could be IR sensor for IR shutter remote.
14. AF light assist still there. Nice.
15. Lens release button is bigger, I prefer smaller one like E-M5.
16. Sync port would be good for pros using flash, I never use it though.
17. I hope the big grip means bigger room for battery, meaning more powerful battery and therefor more shots per battery cycle. Crucial for pro level camera.
18. Memory card slot cover, I really like the lever release style from E-1 or E-3. From the size of the slot cover also, I think no dual memory slot card is available. One memory card slot only.
Technical spec that's one rhing, I agree. But I also liked OMD-EM5 for it's stylish look which is gone here, at least for me. Ugly hand grip. I own excellent 4/3 primes (12, 25, 45, 75) and will never quit 4/3 but want to wait for a second body. This is not the one – for me.
Heck yeah! Hope the video is improved as well…
Minor thing: the Olympus guy states the EVF resolution as 2.38 Mpx, not 2.83 (two point three eight)
Really disappointed by the "DSLR grip": with that grip the camera will be definitely bulkier than the E-M5. I still prefer the form factor of my old GF1, I don't want a DSLR_like M4/3 camera
Steve, this is the first Micro 4/3 camera that excites me. What would be your "dream team" of lenses for it?
Is it just me or does this camera, if real, seem to be crossing over into dslr territory? I had the e450 and e620 and this reminds me very much of that series of cameras in size at least. Isn't one of the main attractions of m4/3 their diminutive size? This offering looks ( when compared to the hands in shot) to be larger than the e-m5. Could just be me of course but if the "the best camera is the one you have with you" argument is negated by this camera's size, wouldn't most people go for a d600?
Okey Steve, I agree with you about the size and weight. what's good about the full frame camera is that you can crop image. In fact I never used one. But my m8(APS-H) sensor gives me a good result,
that's why I prefer D600.
Speaking about tests: I really would like to see, how a GX7(with Leica lens) competes the new OM-D
No matter how good it is at high ISO. This camera will not match to NEXUS 5x,6 IQ because of the smaller sensor IMHo.. Of course. the body design/ergonomics and 5ixis impress me much.
My hopes are still that Olympus at some point will launch a digital Olympus 35 SP with a hybrid optical/digital viewfinder. I still don´t "get it" when they launch cameras without an integrated viewfinder. IMO much more important than a built-in grip… Besides, my guess is that a digital Olympus 35 SP would be even cooler and better than the Fuji X-100s…;-)
Doesn't adding PDAF make this a new sensor? What other m4/3 sensor has that capability?
The E-M5 sensor is excellent for the format and I see improvements being incremental for the time being in terms of IQ.
I love my OM-D E-M5 and am eager to see what the E-M1 will offer. The build and look of the E-M5 is awesome. The look of the all black E-M1 isn't as exciting though. Can't wait for your review Steve!
Gotta agree with Steve here. I too had doubts about the quality of m4/3 compared to full-frame–until I reviewed an Olympus E-P5 for The Online Photographer. The images were MUCH better than I expected and I had reasonably high expectations. All things being equal, full-frame still produces slightly better results, but at the cost of much larger, heavier, and more expensive cameras and lenses. I prefer not to shoot with full-frame equipment unless someone pays me to. When shooting for my own enjoyment, I'd take the size, weight, and reliable IBIS of a camera like the E-M1 any day. But that's just me. YMMV.
Moronic interrogative overload.
Actually in your GX7 post I linked to a website that has speed tests of the GX7 with the 12-35, 20 pancake, and shows burst shooting mode along with wifi and remote shooting.
Now I'm even MORE glad I jumped from M43/OM-D to the Fuji X system! That is one UGLY Frankencamera. I don't care if it does dishes and takes out the trash, I would not buy that monstrosity.
Ha ha. OMG indeed! What is it with the naming system. OM-D Eeek!
Not really, don't you think? I mean, let's not grip on technicalities because yes, technically this is new since it's not exactly the same, but it's more like a tweaked version and just that. Sony, Canon and even Fuji added the PDAF on their sensors and there was little to no improvement at all, they performed just like the formers. Sony has some new sensors, be it for FF or APS-C, we could have expected a m4/3 sensor based on their new tech, it wouldn't be farfetched.
First, thanks for your thorough answer.
Second, I agree the 4/3 cameras are no slouch and you can for sure accomplish excellent results using them, but it still seems to me like 4/3 and smaller than FF sensors are in the end – transitory sensors which be eventually replaces by FF as FF is the current standard. As sensor production costs lowers then less 4/3 cameras and gear will be produced and I personally don't like the idea that I will need to rebuild my gear in 5 years and not be able to use the line of lenses I purchased because they became obsolete.
As for the size, I was referring to the current Sony RX1 – it true that it isn't an interchangeable lens camera but it's smaller the the OMD and so size-wise I don't see a problem accomplishing a small DSLR – in the size of old time film SLRs which would be a hit in my opinion..
Hi Steve, did I understand it correct from the video, that PDAF can be used for 43 lenses, and combined PDAF and CDAF for m43 lenses?
A very utilitarian, some would say ugly camera. Obviously this is form over function. I would be surprised if it was as successful in terms of sales as the OMD E5 but it will probably be a better camera for some. Will it really appeal to professionals? No doubt the IQ and small size will appeal but giving up full frame and shallow depth of field will be a barrier to many I would think.
I find the E-M5 looking much better. Really hope, this is a fake.
oh… and freeze proof until -10° C. what kind of a feature is that supposed to be? I think, any camera can do that.
IS in Video-Mode is impressive, though…
Totally different! You have a gem. Wait and see how this is received.
I hope you will hang on to the E-P5 with VF4 long enough to do a comparison test with the GX7 when you get it. I think many will be looking for this comparison even more than the OM-D E-M1 vs. GX7.
I was just teasing. I'm suffering from upgradeitis.
The design is not good . Looks ugly i think
Agreed. Some MFT cameras are suffering from feature bloat IMHO and losing the main attraction of the system, namely size. If they get any bigger, there will be room for a mirror. They could call them something like, oh I dunno, how about Digital Single Lens Reflex cameras? Oh, wait a minute…
When M43 start becoming little DSLRs, that's when I lose interest. May as well just get a small DSLR, with great AF, for a fraction of the cost.
I'm trying to decide on what to replace my D7000 with. I want something much smaller and have pretty much narrowed it down to the EM-5, the NEX 7 or the GX7. However, I've now realised that this is the new release time of year so I'm hesitating. The EM-1 definitely interests me but it does look bigger, bulkier and generally much less attractive than any of the other cameras I'm currently considering. It's difficult to be sure about these things from the video alone and I really do hope it's better in the flesh.
Sounds GREAT to me. I am wondering whether the sensor is new or the 'old' one. I would like to see a bit more 'depth' in the colours (like larger sensor can deliver) – whether that is possible with current technology is yet to be seen. I really appreciate Olympus added the VF-4 as I found the one in OM-D M5 on the small side. I for one am happy that the pixel count did not grow – 16Mpix is more than good enough for A3+ sized prints and in my opinion on the upper edge for m4/3 – it would make no senses to bring a m4/3 camera that would give a P&S like image (read missing detail and color depth) at pixel level.
I will soon get a mirrorless camera and what my keep me from the M1 is the price – $1500 will translate to about €1500 here in Germany and that may be too much for me. But let's see first.
One quick question – is there a provision for an external microphone?
APS-C sensors have almost no advantage over 4/3 except for some aspect ratio shots with fairly large prints.
The area of a sensor cell is determined by the smallest dimension of the sensor. APS-C sensors are only slightly taller meaning they don't collect much more light.
APS-C senors vary but are only bit taller than 4/3 sensors. The actual light collection area of a cell is the linear dimension squared. Not a very big deal these days!
I have an OM-D E-M5 and love the new features on the E-M1. The price isn't that bad when you consider that the E-M1 includes the grip. My E-M5 with the grip was about the same price when new (now they are going for less). I am concerned about the size and weight of the E-M1. As much as I'd like the new features, I truly don't want to go back to traveling with a micro 4/3 of DSLR proportions. The video compared the E-M5 with the E-M1 in most every respect except size and weight. If the E-M1 is not too much heavier or larger, then I'm in.
Video can still be seen here ( http://soundimageplus.blogspot.fr/2013/08/olympus-e-m1.html )
I'm in! Can't wait for the pre-order links!
I understand, I guess, why people react negatively to a DSLR like shape, due to the grip. From a my personal point of view though I find the grip useful, and I had to add one (just the side grip) to the EM-5 to make it comfortable to use for any length of time. I have fairly average sized hands and find the gripless version too small to operate, many people have a grip on the V1 for the same reason. I agree that it looks "cooler" without but it's function over form for me.
As long as the front of the grip doesn't protrude beyond my smallest lens (17/1.8 for me, pany 20/1.7 for others) then it doesnt make the camera any more cumbersome to carry, you can't fit it in your pocket anyway, and it's still nice and light with an m4/3 prime on, and another in my pocket (usually the 45). I own (and enjoy using for some purposes) a DSLR too so I suppose I dont have any hang ups about the shape. But I think you'll find if you put the Olympus next to any DSLR with a lens it will still be considerably smaller, and the better quality the DSLR and glass, the greater the difference will be.
It's a camera. There will be things which delight, things which disappoint all relative to each photog & their needs. Cameras keep getting better, photographs somewhat more difficult. Click!
These 4 thirds are getting a bit too big and too pricey for my tastes, I still prefer my tidy d600 and 50 1.4g over this.
This development has made my day. I've been investing in micro 4/3 lenses and waiting for the successor to the OM-D EM-5. While I wouldn't mind a sensor improvement, the existing sensor is very good, and the other improvements such as screen, viewfinder, and autofocus are enough to get me to pre-order at the first opportunity.
It would be great if this system became the digital camera version of what the Pentax Spotmatic line did in the 70s for film (eventually evolving into the K-Mount cameras.) Really give a well-built, solid small camera to a wide audience through affordability. The smaller lenses and small body are really enticing!
This looks like a fantastic camera.
It's more than adequate on the MP issue. Everything else is just what "we" needed these endoscope makers to deliver! I've never before bought as many lenses for my single OMD body as in the past year and a quarter or whatever since the intro. So all I as one who hates having just one body in a system can say is: FINALLY!
For everybody complaining about the size.
First: There are smaller M4/3 cameras with non-DSLR style for YOU!
And the E-M5 is still a fine camera if you want a smaller camera.
Second: EM-1 is clearly based on the E-M5 body and overall SAME size, ONLY about half inch wider on the grip side and with a built-in grip in front.
For everybody who thought E-M5 needed the add-on grip E-M1 will be clearly superior in ergonomics as the thumbgrip and placement of controls now are much improved, the reason I never fancied the E-M5.
The technical part of this camera looks good for me but i do not like the display. I need a swivel display like the E3 or GH-x. For a pro camera is that a step in wrong way. :(
I have right now a Pentax K10D, that I have had since 2006 and a Panasonic G3 that I have for a year or so. For me, the problem with the Panny is its sensor compared with APS-C. I cannot make a long exposure without loads of noise and banding (even at base iso) and I miss that fine detail of a larger sensor when pixel peeping, for example, the branches of trees on the background of a landscape.
I really hope this sensor can overcome those limitations vs larger sensors because I would really like to stay with the M43 system!
That front grip can be a boon more than a detriment. Especially for those of us who have slight hand tremors when holding cameras. The shape and the size of the grip can make a big difference in how easy it is to reliably get a sharp photo. The grip allows one to wrap ones fingers in a more relaxed way around the side of the body while cradling under the lens with the other hand. This is an improvement over the flat design of the current digital OM.
I truly love that OLY never gave up on this format. It is 90% perfect for most users above all other systems when weight, portability, lens options and cost are weighed against much more expensive alternatives given the end result.
What really takes the cake is this systems versatility with manual lens adaptability. How nice it is to embrace modern automatic lenses while at the same time being able to achieve exceptional retro results with OM manual glass. If you haven't done it yet you absolutely need to play with original PEN 1/2 frame lenses and any new PEN or OMD camera….sexy, retro-cool and one of a kind OOC pics!
I love my Leica M8 and M9 and can't seem to cut loose of Sigma but the versatility and effortlessness of m4/3 is second to none!
Between this providing a weather sealed, pro style body for those that want it and the GX7 providing a rangefinder style for those that want a sleeker body, m4/3 fans have a good selection of upcoming bodies to choose from. At least we have choices unlike some systems where its a take it or leave it mentality. You get continued upgrades on the bodies and good glass coming consistently. I'm sure NEX users would like to have the type of glass that's available (2.8 zooms, sharp primes without having to pay a Zeiss premium) and Fuji users would like to have equally quick AF. And would probaly love IBIS. On the other hand I'm sure m4/3 users would like to have the larger sensor, increased DoF, and access to native Zeiss glass.
The point is now is a great time for fans of cameras, no matter what system you shoot.
If you think that a higher megapixel count on a (relatively) small sensor is a good thing, you're going about it all wrong.
16-18MP is a great resolution for most cameras IMO. Hell, even my Leica M-E has an 18MP full frame sensor and I have never seen better pictures come out of a camera before.
That is unless you plan to make prints the size of your wall, in which case get a D800E.
100% agree with Steve. The performance per dollar for smaller cameras like this is impressive to say the least. Add in that they're small, sturdy, have all the features of a big, bulky DSLR, and have excellent image quality to boot and you have a winner of a camera.
I think you're forgetting that the RX1 is well over 2000 dollars. Putting a huge sensor in this camera would make this a niche product, and not a replacement for the cheaper, more accessible E-M5.
I added the (fantastic) grip from Really Right Stuff to my OM-D, and that made a huge difference ergonomically but it didn't make the camera bigger nor heavier.
So if this new E-M1 is about the same size as the E-M5 but with an added grip, that will be a very good thing !
Shot down. Way to stand your ground!
More a form factor of the e-1, but slightly more aggressive-looking grip shape. That seems to buy additional real estate on the top of the camera. It does look slightly more bulky, but since many of the installed base of e-3, e-5, e-520, etc. users are actually looking for something a little bigger than the E-M5, from their point of view, the size is not a bad thing.
I am a HUGE Olympus fan. That said, I feel I need to jump into the fray (don't get mad at me for what I'm about to say, Steve)…
"The OM-D has proven itself to stand toe to toe with APS-C in IQ and quality…"
In some cases, but certainly not in all. It can't match Fuji's XP1 or Nikon's D7100 … especially as the ISOs climb — that's already been demonstrated aptly around the web. The tech is evolving, but it's evolving across all sensor sizes. Good as it is, I would never expect my full-frame to match a Phase One, either. At a certain point, the laws of physics come into play.
While I'm sure there are a few out there, I don't personally know a single professional shooting commercial work with Micro 4/3. Most clients in that world demand larger files.
At the same time, I do like what Olympus has done here. It's an impressive bit of kit, to be sure. And I do agree that they've done a terrific job with speed and usability (if not menu simplicity). But this has always been Olympus' hallmark, going back to the original OM-1/OM-2 cameras.
If you're limiting your enlargement sizes, and you're not shooting at ISOs beyond 800, the results between Micro 4/3 and full-frame are going to be close to indistinguishable, it's true.
It's when you start making 16×20 enlargements and/or are shooting at ISO1600+ that things begin to go to sh*t with Micro 4/3 when compared alongside larger formats.
If you stay within these [ ] parameters, no difference.
But if you move to these [ ] parameters, things quickly change.
Like many, I believe the trend will be to move full-frame sensors into progressively smaller bodies, most likely mirrorless. As sensor costs fall, this trend will continue.
Still, my local major photo retailer tells me that mirrorless is not selling well in North America. Buyers are still dismissive of it, and continue to gravitate towards entry-level DSLRs.
I think the RX1 uses a leaf shutter built into the lens to achieve the insanely small size (aside from the fact that sony are masters of minaturization). A FF NEX is coming so if you prefer the shallower dof that FF provides then maybe thats the camera for you. Otherwise, m43 is as good as any camera. Ff dslrs included.
The Olympus OM-2 would be a much closer comparison.
I'm not sure why I really don't like the grip on that camera. I personally prefer the grip as an option. There are people who prefers the grip, as also some who prefers without the grip. Like the OM-D EM-5, it's a great thing, those who wishes for a grip can add it! This one can't be removed…
I have also been looking at the GX7, especially since I found out (or realized) that they have added in body IS!
In regards to size…does it appear to be the same size as the Panasonic GH3 or smaller?
I dont think its going to a single direction. I think this the beauty of m43! Choices! Its like picking clothes to wear. Gf7 E-pl5 gx7 gh3 e-m1. Even the lenses! 17/2.8 20/1.7 17/1.8 12-35/2.8
Many thanks for the link…
Rumors are it has the same sensor as in the OMD, but AA filter free. Interesting and looking like a very capable tool.
If you don't want a 43-SLR then you already should be happy. You have the EM-5.
This camera sits uncomfortably between the two. It's not a small/light MFT body, but neither is it a "proper" SLR. It's a camera designed by a committee.
I'm stoked about this camera. I have the 50mm macro, 50-200mm ED zoom, and a local store has a 12-60 SWD for half price :) Fast AF with those lenses would really help solidify MFT for pro use – opening up a great set of lenses that are available used…
Just as an aside my clients haven't given a hoot about actual file size or format in years. And we've been shooting digital since first buying two Leaf backs in 1993. For $36K each.
I have personally shot jobs with the OMD though I actually took and intended to use 5D mkIIIs or bigger but felt the little bugger was going to be easier to get the visual results required. And after the occasional jokes about size the results are all that have counted.
But what do I know…
Not quite as pretty as my OMD E-M5, but if it has a cut iso of 100, and video without the micro jitters I might just be sold.
Sounds like just the ticket and what I've been waiting for…ready to sell my EOS 7D today…finished with heavy bulky cameras and lenses that hold you back from many shoots. Thanks Steve… much appreciated.
One question please. Was any mention of tethered capture made or implied? And if it has a wifi chip is that going to be their version of tethering? God forbid.
Okay. Kinda two questions.
And I like the look of the new little body. Workmanlike.
Well, at least you won't have to spend hundreds (or thousands) of dollars buying different lenses! One thing I like about my X100 is that I can't sit around wondering if there's a better lens I should be using. Sometimes it's nice to be limited :)
Hi Steve.
Can you plspls pls do us a favour, and when you review this camera, also review some of the best 4/3 lenses.
Would love to see any one of these:
Olympus 35-100mm f/2.0 ED Zuiko Digital Zoom Lens
50-200mm f/2.8-3.5 ED SWD Zuiko Zoom Lens
14-35mm f/2.0 ED SWD Zuiko Zoom Lens
150mm f/2.0 ED Lens
300mm f/2.8 ED Lens
7-14mm f/4.0 Zuiko ED Zoom Lens
In contrast to the professional EM-1 and the great EM-5, I wish that the "low-end" OM-D places itself as a more simpler stills-dedicated camera that keeps the minimum essentials like the dual control dials, EVF, 5axis, silent shutter but shedding some of the complex features and peripheral nice-to-haves such as articulating screen and art modes. While I love my EM-5, there is something alleviating with the bare-minimum simplicity in the OM-1, which I have yet to see in a digital camera(other than Leica, perhaps). This camera would be not the "pro-use", but a "pro-enjoyable/hobbyist" camera, much like the Olympus XA was a vacation camera for many professionals back in the day.
This way, the PEN series can start with the fun stuff without the advanced features (like the current EPM), working up to a more advanced flagship model. The OMD-lineup would be the opposite in that the low-end model starts off with the bare but best essentials, but adds on more helpful features as it goes up the line.
Personal and futile wish, thanks for reading.
LOL – your idea of the E-M1 size is as shallow as the DOF on your preferred lens …))
they had to find a way to take advantage of the awesome array of 4/3 glass…and maybe they did with the em1. i tried using the 12-60SWD and the 14-54 mk II on my em5, but the focus was way too slow. loved the lenses, though, which might tempt me into getting the em1 one of these days.
" transitory sensors which be eventually replaces by FF as FF is the current standard. As sensor production costs lowers then less 4/3 cameras and gear will be produced and I personally don't like the idea that I will need to rebuild my gear in 5 years and not be able to use the line of lenses I purchased because they became obsolete."
I'm sorry, but IMHO you are starting from a wrong assumptions (FF sensor based cameras sales in all Asia are becoming minority, who can say it will not be the future trend in all the planet?), so the rest of the reasoning is wrong as well.
"This sure won't be compact".
Sorry, but is the same nonsense that they said about adding the horizontal grip to the EM-5. She doesn't get "bigger" at all.
There is one reason for higher resolution that I can think of, and that would be to add cropping potential. But cropping a photo to gain more "tele" out of something is really just a bandaid for lacking gear for what you are trying to do.
Hm… I have to admit that… it looks a little bit ugly to me. I loved the OMD E-M5 for it's great retro-design, but this one… And aside from that I'm not sure if a pro-MFT makes sense… Other cameras with bigger sensors getting smaller and smaller… and if I had the choice between two small cameras, one with MFT, the other with APS-C (or perhaps sometime fullframe) I always would lean towards the bigger sensors. So since the cameras with big sensors getting smaller, where is the advantage for MFT?
Get Lumia 520 or one of those cheap Androids for around $150, then you won't be set back to far from one of these beauties
Hi Steve! What about the Panasonic – Leica 25 1.4 Summilux Lens you raved about back in January of last year?
The current one is so much nicer finish and smaller. The new one is like a mini SLR. The current one is the one I will keep…
Micro 4/3, a bad name.
Because almost everyone thinks about it as only a compact system, and it's not necessarily true.
I think, that versatility of offers, is a strong point of the system, you can have camera of any size and shape(from E-pm2/Gf6, to Gh3 and E-m1), you can have compact good lenses, or great performer just a little bit bigger.
For some thing, with a good integration of 4/3 and m4/3, you can have the most flexible system that can be bought today.
And all this complaints about sensor size…c'mon, it's big enough and performs well enough for the 85% of general use.
Some people lack the mental flexibility to understand this unfortunately. They see the world as black and white and cant handle the tones of grey in between. Add some colour and they're go nuts :)
Unfortunately, from a marketing perspective, the term 'micro' doesn't have the aspirational draw that brandishing a large 'pro' dslr has for western consumers. We are quite a stupid people collectively.
I wonder if Olympus has improved the user interface. I had a difficult time trying to adapt to the OMD coming from Nikon, and what I thought were the poor instructions ( I even bought the paper user manual) didn't help. The OMD would fit in my parka pocket, but the new one looks to bulkier.
Okay, let's address the elephant in the room shall we? We're not playing a game here of mine's bigger than yours in relations to sensor size unless your client specifically demands a certain kind of resolution for an advertising product. W. Eugene Smith, Henri Cartier Bresson, Andre kertez, Brassai and Robert Capa, only to mention a few all shot with what we would consider mediocre equipment today. Digital and todays' glass are far superior to what they used in the field by comparison. It's okay to be interested in resolution but it's been said that a camera is for photographing life, not resolution charts and we know it's the photographer and not the camera. Anybody worth their salt can use any camera to come with the necessary result. So let's get over ourselves shall we. This is a great camera and any of these "greats" would have given their eye-teeth for a system like this. I'm interested in people- street or otherwise and I know this system is the perfect fit- Amen.
Just one look at this camera with that huge Nikkor zoom on it turns me off. I started out with Olympus back in 1978 working my way from the entry level OM-10 to a pair of OM-4T bodies with motor drives for newspaper work. I truly loved my Oly cameras but needed to move on to autofocus. Now that I am retired the thought of lugging something around with a huge zoom on it does not entice me in the least. I know I am in the minority but I have recently dumped my Nikon gear in total for a Fuji X100S and X-E1 w/35mm f1.4. It is truly all I feel I need at this point in my photographic life. All I have to do is choose whether I want a 35mm POV or 50mm POV for a particular day's adventure! But, then again, G.A.S. has never been a problem for me. The Nikon bodies I recently sold were D2H models that had served me well for a decade. All they did was produce images for weekly publication in a small newspaper, occasionally magazines, and even once an image was blown up to roughly 6 feet by 12 feet for use on a billboard.
Get what works (film or digital, micro 4/3, medium format, large format) and to hell with G.A.S.!!!! It is the experience of image making and producing your vision. Just find the camera that will inspire you to do that and never let it leave your hands!
Jonathan &Sonaten
It's not only about enlargement or cropping. First, it is about being perceived in the marketplace as keeping up with the leaders. Since "everyone" knows more is better, even it it really isn't. As I mentioned, both Sony and Samsung have smaller sensors with higher pixel counts and both are regarded to have very good image quality.
Second, is over sampling. Which means that more pixels really are better in terms of color information. If we reduce the pixel size by 50% the number of pixels is increased by 4x. At some point in time the increase in resolution is going to exceed what the lenses can resolve. Even at this point we still gain the ability to get more color information in the same area as our original pixel. It's the equivalent of moving up a film size or two.
Steve, best 4/3 sensors are miles away from APS-C or FF in low light. And if you try to take pictures during party, wedding, in some dark rooms, yes, you often need 6400, 12800 and sometimes higher iso value. Not for everyday, not everytime, but it happens.
It's strange to see some users (APS-C, FF, 4/3, medium format, no matter) trying to persuade themselves that the sensor size they used at most have "almost" the same benefits of the larger ones, but of course without their flaws.
Just for fun, I have downloaded raw files from OM-D, D7100 and D800 of the same scene : same aperture, iso value, shutter speed, both at ISO 6400. EVEN AT 100%, D800 AND D7100 files are far ahead. This is not a criticism, it's just logical. All sensor sizes have their benefits and flaws, I personnaly don't believe in the "magic compromise".
However, this camera seems very promising.
Maybe I am missing the point here, but what is the point in this? looks practically as big as a Canon 6D with the battery Grip attached, so for the sake of a few hundred dollars why not get the real thing? the allure of m4/3 is small bodies, this is large for a m4/3 so whats the point in compromising on the image quality at that size of body??
Than, Kevin, let's all hope the shutter delay is as brief as an analogue Leica. Because except for the only one of your named shooters that I've actually spent time with they didn't use SLRs. Only quicker shutter release cameras. And most certainly in comparison to the acquisition time required by the present kinda slowpoke OMD.
Is the EM1 just a little bit bigger than the EM5…? Kind of difficult to tell from the pics.
If you use Four Thirds lenses on the EM1 (presumably with an adapter), there is a 2x crop factor still?
Sorry, one more thought… I hope we can convince Olympus to work a little bit on their marketing and naming conventions. I don't think it would have been so bad to call this camera the OM-D1…!
The EM-5 and EM-1 doesn't really make too much sense to me…
so its the size and performance of a small DSLR, at 3 times the price.
I guess it depends on what your clients' end use is.
olympus did promise to keep supporting 4/3rds users ( the original , not m4/3rds) , they did that with the E5 but of course it sold poorly because most would not buy knowing this was a dead system . however there are many out there with E3 , E620 etc cameras and GREAT glass , so now having got phase detection and contrast detection sensor they can tap into another market- those that have not upgraded since say the E3 may well be tempted because they will still be able to effectively use their exsisting lenses , perhaps the slightly bulkier design is intended for more comortable shooting with these older lenses . so now they hit the market at lots of different levels , pen e-pm2 – e-pl5 – e-p5 – om-d em-5 -e-m1 . it also perhaps allows them to sell existing ? stocks of super high grade lenses such as the 14-35mm f2 ??? etc . i for one might be tempted – even though i have a m4/3rds camera and lenses i still have my e620 and a number of lenses . so for instance i have the 12-60mm f2.8-4 and the 50mm f2 – to replace these lenses in m4/3rds would cost me a lot – so perhaps i sell my e-m5 and buy an e-m1 so i can utilise both my great 4/3rds glass and my great m4/3rds primes
Well, 300 2.8 is very cheap, maybe you can buy one!:D
The future of mirrorless camera's belongs to Sony, Olympus (also Sony), Fujifilm and Panasonic. Add the organic sensor design on top of this, those companies are having them ready in their R&D depts and in 2014 latest 2015 there will be a serious technology jump. Also the traditional Bayer filter design seems to be under pressure.
Nikon & Canon are virtually not present in this segment with real serious mirrorless cameras as they don't want to erode their DSLR and compact margins and they will soon regret it. Who is waiting for yet another DSLR, a few dollars cheaper? If nothing unexpected happens, I'm afraid that the traditional big two will face the same kind of drama as when the market had to convert to the digital era, walk around in every city or tourist area, less DSLR's and more and more people with advanced mirrorless stuff. Read through their quarterly reports and you immediately understand there is a lot of fear as the massive market of compacts is entirely evaporating into the new smartphone designs and even DSLR's are no longer selling as before. Same as in the car industry: wrong choices lead to overcapacity, bad sales, killing inefficiencies…
Because this is such a Leica fan site, Leica has always been very much fighting to keep themselves alive in the digital era and I'm very sceptic they will be able to maintain their market based upon Jenoptik, Cmosis and still, old Kodak technology. Buying from others is a very dangerous dependency, certainly in their niche. For instance, the M should have received a revolutionary sensor, now it's just an 'very good one', at the speed this market is evolving, they are able to survive with this concept maybe a one or two years versus competition, not more. Leica buyers are not always so 'technology driven', but f.i. isn't Sony already ahead of the CMosis-sensor technical capabilities?
To say it with Dylan: the times, they are a'changin' – who doesn't see it is blind. Over two years, all stuff now on the market will be very outdated.
She looks like she's all about substance right out of the box, unlike her little sister, the EM5, which first wowed you with her sleek retro styling before surprising you with her feature set. The effectiveness of the phase detect AF will be the key for me. It has to do more than enhance compatibility with 4/3 lenses. It needs to bring M4/3 up to (or near) the level of today's SLR in terms of sports photography. If it can track a tennis player across a court and get sharp photos of a basketball player in a dingy gym then I'm sold. That's the only thing I find lacking in my EM5. If there isn't sharp improvement in this regard then I'm sticking with the little sister.
So how big is this camera?
Either the reviewers hands are small or the Camera looks pretty big to me.
Compared to a Nikon D3200 or what ever the newest bottom end one is?
To me neither go in your pocket. Similar resolution?
$1500 to us in UK means £1500. That is 2 Nikon D7100's
I am sure it will be a very popular camera.
As is the Leica M2astronomical.
But a lot of things make no sense to me………….
About the only thing that does make sense to me at the moment is a heavily discounted Nikon 1 V1 with a 10mm 1:2.8…………..
He's just saying to buy a cheap phone so you can have more money to buy the camera. He's not implying a cheap phone is a substitute for the E-M1.
I hope it has focus peaking for my M mount lenses… I already have the Panasonic Leica M to micro four thirds adapter…
Can someone please explain the Oly naming convention to me? First we get an OMD EM5, now we get OMD EM1. Seems counter intuitive.
about EVF what i hear that guy said is 2.38.not 2.83
Because the first name for OM is M-1.so for the first OMD flagship,it should be called EM-1.
Hey undergrounddigga,
The Zuiko 35-100 f2.0 is a top lens easily on par with Canon or Nikon's versions. It is also, as you know, a stop faster. It renders, when wide open, images that look 3D. I've owned both the Canon (two versions) and Nikon (two versions) 70-200 f/2.8 zooms, and I've never seen a rendering like the Zuiko.
The 55-200 is a very sharp piece of glass too, and a lot lighter. If you don't shoot night sports or action in super low light, I'd go for the 55-200 SWD.
I personally didn't care for the 14-35 f/2 (at least on the E-5). It missed focus a lot and wasn't as fast as the amazing 12-60 f/2.8-4. That lens is nearly perfect. Hope this helps.
Hideous look. Mini-DSLR. OM-D EM-5 is far more streamlined.
The point is every one of these photographers mentioned all spent time with cameras that required adaptability and know-how with technology that was constrained by today's' standards, in order to capture "the shot". We are all getting too caught up in the technology and forgetting about the end result…"the moment".
I have the "mental flexibility" to grasp his point just fine. Your post lacks a lot of class, but then again it's easy to hide behind the internet. My simple point is the flagship cameras from both Panasonic and Olympus are moving more and more towards the design of small DSLRs. I didn't like that idea with Panasonic and don't like it with Olympus either.
As a Pentax user this design reminds me of a mini K-5, which has my favorite ergonomics of any camera I've ever used, where the OM-D EM-5 I prefer for casual shooting with its small size. This might be a nice compromise somewhere in the middle.
I agree the grip looks a little odd on a small camera, but this flat front rangefinder design fad has also irked me a bit because there is nothing to hold onto in the front (one of the few things I dislike about the Nikon V1) The grip will be nice in addition to the added functionality of the 4/3 lenses.
Agreed, and if you don't like the grip, stick with the EM-5, or the E-P5, or GX7, or….
And, for those that don't like M4/3, why have you read all the way to comment #80???
There is already small size camera like Pen Mini and GF series for people who want minimum size, and isn't there a rumor say Panasonic is going to release a M43 camera that is smaller than current GF
Btw where can you get a10X zoom for only 265g on APS-C or FF…?
I have never really understood the idea of making cameras without a viewfinder. The e-m 5 is near perfect in size, controls etc. Why change a winning receipe? I am totally convinced that Olympus can make the e-m 1small and without the built-in grip and still make it a major success.
maybe, some day, we will see a camera where you just have a drawer at the bottom, and you just slide in slides with sensors of different sizes. I don't know if camera makers ever thought about such a solution, but i imagine that that is possible. One camera, 5 slides type drawers with different sensor sizes, you change sensor on the spot and you get what you want. Ricoh has the gx with lens and sensor you can change, so why not the sensor only.
Hope that Oly will start making a few more water resistent lenses for it. Nice to have a waterproof body, and only one lens that does the same. This camera excites me, I was interested in a 4/3 when I saw the GX7, this one has a lot more, except the size for sure. I like that old style look.
the video has been removed on youtube, but, you can download it here : http://uploaded.net/file/9pf6imwp
When you look close on the photos of the rear, it seems to have a flip screen.
It looks fake or at best a proto-type… Why would they leak this?
That's exactly the point.
That is an easy reply in retrospect but I don't buy it. When the EM-5 came out there was no way of knowing if there would be an EM-1 brought to market, even if it was in the planning stage.
I have never understood 4/3 pricing. The lenses are smaller and generally slower so shouldn't they be cheaper? Also, more sensors can be cut from one wafer so those should be cheaper too.
Steve are you aware of the overstated ISO that newer Olympus cameras use? (Same goes for Fuji by the way) ISO 6400 on the NEX is to be compared with ISO 3200 on the Olympus, around 1 stop difference in their ways to measure ISO.
Try to make a test yourself with your E-M5 and a latest gen NEX, go ahead and use the NEX-7. Choose identical shutter speed and aperture for both cameras, and you will see that Olympus will need ISO 6400 and the NEX 3200 to expose the pictures the same – in conclusion you'll see the noise levels be a little higher on the E-M5.
This way DxOMark scores makes much better sense than your conclusion, when it comes to low light performance.
I just think it is pretty important that reviewers are aware of this.
THe omd is double the panasonic gx1 for iso. Shoot the same scene with the two cameras with the same lens set at the same aperture and you'll see that the gx1 has the same shutter speed at iso 1600 as the omd has at 3200. I tested it before I sold my gx1
We don't "guess". We both ask and advise. Hence, whatever is best for the best and highest use result. Brands do not matter.
Shamael. Just such cameras already exist and have for years. Medium Format. As of today 22MP through 80MP.
Dude. Or Dudette!
What possible difference does the degree of weatherization actually make? I'm not "weartherproof"! And I've got underwater housings if I cared to do such a job. And have.
Specious. IMO
So… I've considered this boat anchor just for grins and I'm wondering if you or others have actually owned and used it? It's fairly cheap as a good medium tele-zoom, especially for f:2, but as it's not native to the OMD system I'm wondering about focus speed issues…
"Supply and demand". Smaller market equals higher per unit costs. Business 101.
No surprise. Plus Oly is nearly bankrupt after their grand (by Japanese, not Wall Street standards) scandal.
My monochrom failed at mammoth mountain when the temperature was only around 1C…
It is meant to cross over into 'dslr territory' because it is designed for use with both m4/3 lenses and 4/3 dslr lenses.
Not quite, spaceman. What the DXO charts really means is that internally in the camera, the sensor sensitivity stays at a certain level, but the camera "pushes" the exposure to attain the higher ISO level. All camera manufacturers do this. DXO themselves explained it at one point.
DPreview also comments that the OM-D ISO sensitivity is off compared to other cameras, but is only within 1/3 of a stop or so, so the difference is quite slight, and not the 1-stop difference you claim. Most other cameras are within 1/6 of a stop from "norm."
I couldn't agree more…Amen to that.
If this camera really will work as well with my 4/3 lenses as with my MFT lenses, then I am MOST DEFINITELY getting this camera. Anybody interested in buying a used E-3 & EM-5 in excellent condition? :-)
Try shooting a mountain bike race in pissing rain, standing in the woods.
Damien McGillicuddy sold his FF gear and moved over to OM-D. Thats one for you
they have to be kidding with that grip. Something looks wrong with it, like it was just slapped on and not designed. It's hard to believe that is the intended design. Strange !
It's not about sensor size; it's about glass. Bodies become rapidly obsolete, while a great lens can last a lifetime. My now ancient E-510 purchase was driven largely by its class-leading kit lenses and HG mid-range lenses (not to mention the E-510's state of the art engineering and ergonomics.)
My guess is that Zuiko used cutting edge optical CAD to design the 14-42 and 40-150 mk2 kit lenses. Test reports from that era show these lenses to be optically and mechanically excellent. By contrast, kit lenses from that era by Nikon, Canon, Pentax, and Sony were junk.
I'm a big fan of the weather-sealed Zuiko HG lenses: 11-22, 50, 14-54, 12-60, 50-200. These were great values when new and a steal right now. No doubt the depressed market for these lenses will heat up with the intro of the E-M1.
Hi Steve and others.
I think by opening the door to these amazing 4/3 lenses, Olympus really made the m4/3 system a serious contender – even for professional photographers (yes I know, you can get shallower DOF on FF). These amazing 4/3 lenses, were really the missing link to a full lens setup. Especially if they work just as well as native m4/3 lenses.
I personally like using prime lenses (I don't even have a single zoom lens), and probably at this point wouldn't consider buying any of these. But perhaps in the future. However these lenses are legendary for their quality – and would love to see how they perform in Steve's hands.
Saying that, is Steve could get it on loan …
I guess the one that would interest me the most, would be the 7-14mm f/4.0. I love shooting landscape and architecture. And besides that, I guess the most useful for me would be the 50-200mm. Yes, would also love to see, how the 150 or 300 perform (If I'm not mistaken the 300 mm is the most expensive lens, ?6000$ – not sure), just out of curiosity. :)
If anything is missing now from the m4/3 format, than that is a high quality ~ 8mm prime (not fisheye). I never had the opportunity to use one, bout would certainly be open to one, as I love my 12mm f.2 very much indeed :)
Cheers Steve, and great looking on the website!
All right, I forgot the 5 axis IBIS Steve. It allows lower isos, longer shutter speed. However : "I have shot the OM-D at 6400 at night, without lights and have prints from the images. I have shot the same scenes, at the same time with FF and APS-C. Guess what? The E-M5 files beat APS-C and were not far off from full frame".
My "protocol" :
– Downloading raw files at focusnumérique (french website) : all at 6400 isos, f/5.6, 200 lux, 1/4s (for me, 6400 is where the real différences are obvious)
Nex 6 :
Nex 7 :
Om-d :
– Opening in lightroom
– Turning off all noise reduction
– Exporting in full size .tif
– Comparison in photoshop : at 100% first, then at the same size.
–> There is just one camera which is on par with OM-D : the Nex7. But it's also much more exposed to the right… So in addition of being the most noisy of all (or one of the two most), it seems that spaceman is right, Oly is overstating the iso values. To be fair, D7000 is also dark. Om-d and D7000 files are the most underexposed. But D7000 is far more cleaner.
Weakness of the protocol : Om-d, Nex 6 and 7 files were taken with kit lenses, reflex with 50mm (1.8 and 1.4). So to be even more fair play, don't look at the sarpness.
"In real life", of course IBIS and good lenses are important in low light. If you can lower your iso, fine, you've got clean pictures. Only final results matter. But you told me that your OM-D files beats "AT 6400" your APS-C files. I don't know which APS-C camera you used. If it's a modern one in raw, I remain skeptical.
(Sorry for my poor English)
No thanks.
But that's why great sports-centric bodies like the D4 and the 1DX exist. The OMD would seem to me to be both a lousy first choice and way too slow in many ways. Water resistance being only one further concern. And I'd have an umbrella held by another. But that's obvious. I'm lazy. And only have two hands.
But regardless if I was stuck in that exact situation you are doubtless correct regards weather resistance.
Though here in Portlandia we simply ignore the darn rain.
Hear, hear.
It's exactly what I said (the second part of your comment)… buyers do not like to create a whole set based on a format that is less likely to hold on in the future… people are already invested with full frame gear – lenses and such and more compact cameras are putting in FF sensors – see Ricoh GX (or is it XR or GR ? :))
so I can't see the 4/3 holding on in 10 years time… maybe just for point and shoot cameras and if that is the case why start now.
Also, it's true the RX1 is small because it doesn't have an interchangeable lens but I believe they can make an interchangeable lens camera roughly the size of and good old film SLR….
anyway.. good morning to you all :)
Just as with photography, in language context matters.
Thus, "I guess" in no way relates to "we [don't] guess."
As you said, neither of us can tell the future and therefore your reasoning is as "wrong" as mine… and IMHO you are forgetting the millions that are invested in FF gear…which makes my reasoning more likely then yours :)
Gosh, the design got more. ugly though. – a bit nikon a bit Minolta. hmmm.
It's really just a style thing. Unfortunately for me the DOF difference going from FF 35m to micro 4/3 requires me to shoot and think too differently. It's about a pro micro 4/3's camera came out.
I agree… (great camera no doubt, but… E-M5 looks far better)
I agree. I think Micro 4/3 will die out eventually for precisely this reason. That's why, much as I love the Olympus cameras — and to a bit lesser extent the Lumix ones — I would never invest money in this format.
People who argue about all the tech advancements that can be used to improve the smaller sensors forget that the same tech can also be applied to the larger sensors as well.
It's why Micro 4/3 will never equal FF, and FF will never equal MF. It's not just ultimate resolution and noise, either, it's also fine tonal gradation, which gets better as sensors get bigger.
Of course, it's all academic if you don't have an eye for making arresting images…
Love my OMD EM5. And it really looks like this camera fixes a few of the issues I have with it. However it is ugly. It looks like the OM 4 with a few bits and pieces glued on. Anyway if the rumors are correct then I will be adding this to my kit.
The new pictures of the E-M1 with the new 12-40 make it look so much better. I'm about to pre-order the moment it's available, hopefully they'll sell both as a kit and knock off a couple hundred from the price.
Looking at these shots I have linked to below the EM1 looks much nicer than the one in the video from Engaget. Much better fit and finish. Also to my eyes it looks about the same size as my EM5 with the half grip on. Maybe just a smidgen larger. Nothing to be worried about. In fact as a wedding photographer this camera looks to be much more ergonomicly comfortable than my EM5. I think it just might be the perfect companion with the EM5 or one of the Pens as a second camera to the EM1 for weddings etc.
It looks horrible, I would still buy the old model if it's still on the shelves.
It isn't as pretty as my silver EM5. The new EM1 reminds me of the Nikon F4 film camera from back in the day. It looks all business. I personally think this is going to be a fantastic camera to shoot with. Count me in.
I must agree with you. Those new pics makes it look desirable. I would, however, preferred the grip as an option…but thats just me;-) What shall I do with my newly bought Gariz case now? The answer my friend, is to keep it on my e-m5…;-)
I made a 24X30 print from an E-M5 file – it's amazing!
So it is about the size of a rebel with much more expensive glass for similar results with less dof control. .
Love mft, don't see the point of a dslr style one
Also don't forget if you buy a good lens for that Rebel it will be bigger and heavier than something similar on the EM 1
And I just ordered the omd em5 last week fuck!
It will also have tangibly better high ISO and a much wider range choice with cheaper lenses. The weight difference is minimal. Neither fit in a coat pocket.
I am all for mft, I just don't get – and never have- the mini dslr ones
awesome. they made it phase detect. I knew they'd make an Olympus E-5 replacement. finally a proper camera. I hope The E-M7 will be as good, as i prefer the smaller size of the E-M5 without the grip.
SO happy to read this. Started years ago w/ a Canon Ftb. Worked w/ a 7D, great camera but still rehabbing my shoulder. Gave away my Panasonic G1 a few years back. Going on the wildlife trip of a lifetime next year, an I no longer think I'm crazy for going to a micro 4/3 again. Just can't haul the heavy stuff anymore, but don't want to give up IQ. So thanks for the reassurance.
Like me, I don't think you'll regret it Cathy. Being able to carry everything you need in one small bag will be well worth it. Looking forward to how your thoughts after the wildlife shoot.
Seeing some better pictures of it now though, not as bad as I thought when it appeared in the first leaked images. The build quality is certainly there, and the new pro zoom is VERY interesting!
Larger files, larger sensors, larger anything do not make better pictures. They are marketing magnets for the companies that want to sell new products. You need ENOUGH quality in your images, not THE MOST, THE BIGGEST, THE NEWEST, THE BEST. Even professional photographers have been lured into following this mindset with digital.. A Nikon F2 from way back when is MORE than good enough to take professional quality pictures even though it's HIGH ISO is much less than today's digital cameras. It didn't stop countless photographers using it professionally.
As far as I can see, the OMD series, even the EM5 offers more than enough for professional work if that's what you are doing. No client is going to turn down an excellent image because it was taken on a camera with smaller files than this weeks Fuji/ Sony camera, whatever. A great picture is a great picture, and a great picture is worth publishing.Many cameras these days have ONE new advanced feature that momentarily gives them a lead on the competition. Few of them have implemented all of the useful features needed in picture taking as well as the Olympus OMD series( in my opinion). You don't buy a camera for one feature only do you? Somebody on the Olympus design team has their head screwed on properly.On balance, this is a VERY capable picture taking machine as far as I can see and plenty good enough for Pro results.
What on earth are people taking pictures of with these high ISO's I wonder?
How can ISO 3,200 not be enough? In most situations, even low light stuff in caves ( yes, i've done it with Leica M, F2 lens and ISO 400 film ) you don't need those kind of high ISO's. Digital has not made people better photographers, just greedy ones…more ISO please! Bigger sensor please! Faster focus please! New camera please! more pixels please. You need more than 16mp. Really? Why?
Robert, most people are not making prints bigger than 16 x 20 in the age of digital media and I think you are SO wrong about Micro 4/3. I have not seen better results from FF than I'm seeing from the OMD series in terms of sharpness and color which is exactly why I chose to invest in the Olympus as my digital system. Steve's evaluation above is right on the money.
I think on balance Micro 4/3 is ALREADY equalling FF for the kind of photography most people do.
You have some good arguments but presented from the perspective of someone whose primary motivation is to sell highest quality images for publication at large magnifications.
Magazine pages will not stretch Micro 4/5 for quality, neither will a 20 – 24 inch monitor ( I'm looking at one now).
Sorry,of course I meant Micro 4/3.
Results I'm getting from the system are really quite impressive.
Why on earth are you worrying about this????????????????????????????????
Why are you called h20 engineer? I mean what happened to h19? Was there a h1? Is there an a series?
Steve did you get a chance to play around in the menus ? I am hoping Olympus put a little more thought into navigating through them than they did with the EM-5. Also can you give us an idea maybe an over all shooting experience as compared to the EM-5. For example as much as I like my EM-5 it can be a fiddly little camera and sometimes frustrating when trying to choose a focus point in a fluid shooting environment.
Why don't you use nice camera photos , when your promoting a product,
Like the new omd em1. Your photos are horrible looking. Try using some nice clean
Photos when representing a camera companies product. Your photos look so cheap
On your site! Good luck!
Steve, is there a way to reset the menus to the factory settings? I would like to start over on the EM 1. Can't change the WB and can't bring up the super control panel!


text:
Look who just joined the club
A glamorous affair...
Of course there was an after party
See what these famous faces are really called...
It comes as no surprise...
Thor looks very different right now
Whatever the weather
Get your feet winter ready
Get dressed just like Chloe
Tights dust is a thing guys
New season style inspiration awaits...
We say a word, she says another word
You can do better than a cat
Is she Hedi Slimane's secret muse?
Not just any old catwalk show..
The bolder the better
From newcomers to runway-regulars, here are the models of the moment
& Other Stories, we thank you!
And the new theme has been announced...
See who's worn what from the French fashion house
Grown-up, sexy, modern
Start building your autumn wardrobe
Never before has dressing down looked so cool...
Pure street style inspiration from the models at Paris Fashion Week SS16
Kendall's out of this world
An exclusive Q&A with model and DJ Amber Le Bon..
The only limit is your imagination...
A new movie chartes hip-hop's relationship with fashion
From street style to skincare, don't miss our weekly update on the best in fashion, beauty, travel and culture.
To complete the sign up process, please click on the link in the email we just sent to firstname.lastname@example.com.
Please give it 5 - 10 minutes or check your spam folder

subset: commoncrawl


text:
|Update this page
|Flag this page for review by FlightAware staff
Please do not upload images you do not own or photos with a watermark; they will be deleted.
All content is subject to the License Agreement
TownePlace Suites Tucson Williams Centre (web)
384 South Williams Boulevard Tucson, Arizona 85711 USA
(Google Maps)
This extended stay hotel is located minutes from the shopping, dining, and entertainment at the Park Place Mall and local businesses such as Texas Instruments, American Board of Radiology and Sunquest.
Data is submitted by registered FlightAware members on 2013-Nov-25 12:51.
You must register or login to edit FBO information.


text:
- Sierra LeoneClothingFunding via Association for Rural Development (ARD)
Let Us Try ...Sierra LeoneClothingFunding via Association for Rural Development (ARD)
Sope Mame D...SenegalFoodFunding via UIMCEC, a partner of ChildFund International
Francis V.'s Group
This group of teachers has come to SMT, a partner of "Shine on Sierra Leone" in Waterloo, to seek a loan in order to supplement their monthly salaries. With the help of these loans, they can accomplish certain tasks that they would otherwise not have been able to accomplish with their mere salaries alone. At the end of each month, these teachers can repay the loan out of their monthly salaries. The institution's bursar is directly responsible for deducting the repayment and pays SMT on their behalf.
Francis V. B. (pictured left) is the head teacher at the school and leader of this group of borrowers. Forty-five-year-old Francis was born in Kailahum, eastern Sierra Leone. He is married to a businesswoman and they have five children – two in secondary school and three in primary school.
In addition to his teaching profession, Mr. B. also does some petty trading. He has been a petty-businessman for over fifteen years (even before joining the teaching profession). Francis has applied for a loan of SLL 800,000. With this loan, he will buy gallons of palm-oil (the most popular cooking oil) to add to his business inventory.
Additional Information
About Salone Microfinance Trust (SMT)Salone Microfinance Trust (SMT) is Kiva's oldest field partner in Sierra Leone. SMT began operations in 2002 as a microcredit program of the NGO Child Fund Sierra Leone under a USAID program to assist the reintegration of ex combatants back into their communities. Today, SMT offers group, agricultural, individual and salary loans to micro-entrepreneurs through six branches and one sub-branch in rural, urban, and peri-urban areas. By providing small loans and other financial services, SMT empowers poor clients to generate more income to help their families, improve their wellbeing, and create a more vibrant private small-business sector in Sierra Leone.
This is a Group Loan
In a group loan, each member of the group receives an individual loan but is part of a larger group of individuals. The group is there to provide support to the members and to provide a system of peer pressure, but groups may or may not be formally bound by a group guarantee. In cases where there is a group guarantee, members of the group are responsible for paying back the loans of their fellow group members in the case of delinquency or default.
Kiva's Field Partners typically feature one borrower from a group. The loan description, sector, and other attributes for a group loan profile are determined by the featured borrower's loan. The other members of the group are not required to use their loans for the same purpose.
About Sierra Leone
2View loans »
Success!! The loan was 100% repaid
- Repayment Term
- 12 months (Additional Information)
- Repayment Schedule
- Monthly
- Pre-Disbursed:
- Apr 21, 2010
- Listed
- May 6, 2010
- Currency Exchange Loss:
- Possible
- Ended:
- Mar 24, 2011


text:
Playing With: Was Once a Man
Basic Trope: A monster who used to be human.
Back to Was Once a Man
- Straight: "The Evil Thing" used to be Bob Throperz, an ordinary man.
- Exaggerated:
- All monsters were once humans.
- "The Evil Thing" is so hideous and misshapen, you would never have guessed he was human until he told you so.
- Downplayed: Bob becoming Alice is treated as this.
- Justified:
- This is the only way new monsters can be created.
- The Big Bad converts humans into monsters as punishment and uses them as shock troops.
- Bob ran afoul of something that horribly mutated his body, but left his mind intact. His new form is hideous enough that he's usually attacked on sight, but it's also Immune to Bullets.
- Inverted: Bob is a human who used to be a monster.
- Subverted: The Evil Thing was always a monster.
- Double Subverted: The Evil Thing was lying.
- Parodied:
- Bob gets turned into a cute bunny rabbit. Or, a friendly monster character mentions in passing that it used to be human, but didn't much like it.
- The monster was once named "A. Man", but had it legally changed.
- "The Evil Thing" insists it was once a man, despite clearly being a woman.
- Zig Zagged: Bob keeps repeatedly changing between his human form and his monster form.
- Averted:
- Bob stays human.
- No monsters were previously human.
- Enforced: The writers wanted to give a psychological aspect to the horror by having it being once a man.
- Lampshaded: "That thing... it wasn't always like this."
- Invoked: Bob does everything he needs to do to become "The Evil Thing".
- Exploited: ???
- Defied: Knowing that there is a very real chance that he may turn into a monster, Bob seeks to prevent it.
- Discussed: "Oh my god... now we know what happened to Bob."
- Conversed: "In stories like this, the most inhuman monsters were all once humans."
Back to Was Once a Man


text:
|ISSN 1088-6850(online) ISSN 0002-9947(print)
Four-weight spin models and Jones pairs
Abstract | References | Similar Articles | Additional Information
Abstract: We introduce and discuss Jones pairs. These provide a generalization and a new approach to the four-weight spin models of Bannai and Bannai. We show that each four-weight spin model determines a ``dual'' pair of association schemes.
Retrieve articles in Transactions of the American Mathematical Society with MSC (2000): 05E30, 20F36
Retrieve articles in all journals with MSC (2000): 05E30, 20F36
Additional Information


text:
Bits Of Wisdom
Deep Fried Bits
Do It Daily
Do It And How
B&P Chat
Could a fly swatter not be found?
That spider sets off my "spidey senses" poison!
Donation Amount: (Currency: USD)
Copyright © 2015 Bits and Pieces - All Rights ReservedPowered by WordPress & the Atahualpa Theme by BytesForAll. Discuss on our WP Forum


text:
35mm films like Ektar or Velvia/Provia have resolution comparable to a modern full frame DSLR, so if you're happy with the resolution of that DSLR, you can likely be happy with film.
As for technical limits, depends on your standards really, same as digital.
For me, the strong points of 35mm is small size of cameras, for other uses, I prefer medium format.
For "industry", I would imagine it varies wildly. Some publications are happy use to mobile phone photos, and some will demand perfection, and there will be everything in between.


text:
Bill, that was funny. I hadn't seen that picture. If I knew I photographed so well I wouldn't have been hiding behind a camera all these years.
A lady I once took a workshop with mentioned that one day a client had asked her why it cost so much for an 8x10. She said that she could get an 8x10 print for a couple of dollars.
So the lady went into the darkroom and brought out a blank piece of 8x10 paper and said, "for this 8x10 I'll let you have it for $3.00. But if you want one of my portraits printed on it, it's going to cost you $160".
The fact of the matter is, what we sell our work for, which consists of our artistic ability, our craftsmanship ability, our genes, our years of study and our condo payments in Hawaii, has absolutely nothing what-so-ever to do with what the cost of materials are.
If you are still basing your pricing on what your costs are, you are screwed.


text:
Dec 28 2013, 5:56am CST | by PR.com
Pointe Claire, Canada, December 28, 2013 --(PR.com)-- Future Electronics, a global leading distributor of electronic components, announces availability of the KL25 Series, a new product offered by Freescale Semiconductor.
Freescale Semiconductor's KL25 family acts as an ultra low power, cost effective microcontroller to provide developers an appropriate entry-level 32-bit solution. The family is the next generation MCU solution for low cost, low power, high performance devices applications. It's particularly valuable for cost-sensitive, portable applications requiring long battery lifetime.
To purchase product(s) or for more information about Freescale Semiconductor, the KL25 Series, Semiconductors, Development Tools, Microcontrollers, MKL25Z128VLH4, MKL25Z128VFM4, and Kinetis, as well as access to the world's largest available-to-sell inventory, visit www.FutureElectronics.com.
About Future Electronics
Future Electronics is a global leader in electronics distribution, ranking 3rd in component sales worldwide, with an impressive reputation for developing efficient, comprehensive global supply chain solutions. Founded in 1968, the company has established itself as one of the most innovative organizations in the industry today, with 5,000 employees in 169 offices in 44 countries around the world. Future Electronics is globally integrated, with one worldwide IT infrastructure providing real-time inventory availability and access, while enabling full integration of its operations, sales and marketing worldwide. Offering the highest level of service, the most advanced engineering capabilities and technical solutions through all stages of the design-production cycle, and the largest available-to-sell inventory in the world, Future's mission is always to Delight the Customer®. For more information, visit www.FutureElectronics.com.
Media Contact
Martin H. Gordon
Director, Corporate Communications
Future Electronics
514-694-7710 (ext. 2236)
Fax: 514-630-2671
Contact Information:
Future Electronics
Martin H. Gordon
Contact via Email
237 Hymus Boulevard
Pointe Claire, Quebec H9R 5C7, Canada
Read the full story here: http://www.pr.com/press-release/534585
Press Release Distributed by PR.com
Source: PR.com
PR.com press-releases.
blog comments powered by Disqus


text:
Do you worry about where your DC will fit in?(3 Posts)
sososotired Mon 12-May-14 19:35:37
92littlecat92 Tue 20-May-14 09:08:00
SavoyCabbage Tue 20-May-14 09:18:22
Join the discussion
Registering is free, easy, and means you can join in the discussion, get discounts, win prizes and lots more.Register now
Already registered with Mumsnet? Log in to leave your comment or alternatively, sign in with Facebook or Google.
Talk: Customise | Unanswered messages | Getting started | Acronyms | FAQs
Threads: Active | I'm on | I'm watching | I started | Last 15 minutes | Last hour | Last Day
Please login first.


text:
By Sharon Jaffray
The people of the Falkland Islands first heard of the outbreak of World War II on the BBC Overseas Service News at 7am on Sunday, September 3, 1939. Governor and Commander in Chief of the Islands Henniker Heaton KCMG called out members of the Falkland Islands Defence Force (FIDF) to assemble at the FIDF Headquarters at 4pm. All FIDF members in Camp were ordered to attend the shearing shed of their employer by noon the following day, and all employers were to release any employees who may be required for the public service.
The requisitioning of ships and buildings had taken place the previous day and lengthy defence regulations were gazetted on September 4; these were followed in quick succession by orders for the control of wireless telegraphs and shipping, the appointment of postal censors, air raid wardens and arrangements for lighting blackouts.
For twenty-year-old Owen McPhee living on Pebble Island on West Falkland, the news of war meant that he and two other islanders, Tommy Anderson and Jack Ashley, were immediately despatched to Marble Mountain to keep a constant lookout for shipping activity; any sightings were to be reported by radio to Pebble settlement. Getting the radios of that era to the top of the mountain was no mean feat. The six volt batteries used to power the radio were transported on horseback nestled in front of the rider. Owen said that several days later the front of these riders' trousers disintegrated from the acid that had spilled from the batteries during the journey. Owen and his colleagues spent three months keeping a 24 hour watch from the mountain top; four hour watches began with a walk to the top of the mountain from Marble Shanty and were followed by an eight hour break before repeating the process.
Owen left Pebble to work as a teacher at Port Howard and there undertook training for the FIDF with the West Yorkshire Regiment. His next move took him to Stanley where he worked for the Royal Navy at the ammunition store; it was Owen's task to keep temperatures at the right level within the store to prevent any deterioration of the explosives. One incident he recalled was when the isolation hut used for dangerous cargo "went up in smoke". He said the lack of road meant the fire fighting appliances couldn't get to the side and although he and others were trained in fire fighting they never got a chance to try, as it was far too dangerous in the area.
Although the war in Europe was physically far away, civilians in the Falklands endured many of the same restraints as their compatriots in the UK. Blackout times were advertised in the Weekly News, ration books and billeting notices made their appearance, there was postal censorship and travel restrictions were introduced.
The full impact of the war was realised in the Falklands when the ships Exeter, Ajax, Achilles and Cumberland returned to Stanley at the end of 1939 after the Battle of the River Plate. Casualties were 64 dead and 45 wounded. HMS Exeter was so badly damaged that most of her crew had to be temporarily billeted ashore with the people of Stanley. Among her crew were two Islanders, Steward Berntsen and Stoker Gleadell. The hospital was full to capacity.
As was the case with many Falklands men, Owen's next job took him to sea, on board the Fitzroy. He was soon in Montevideo with the Fitzroy in dry dock; although they were unaware at the time, the ship was being prepared for a secret mission - Operation Tabarin. On their return from dry dock at the beginning of 1944 the Fitzroy took cargo on board and was soon under way for a destination unknown. The crew's wives and families had no idea of the Fitzroy's whereabouts. After calling at Goose Green for mutton carcasses their next stop was the Antarctic as part of a mission to establish a British presence in the area.
On arrival at Deception Island, Owen said, their first task was to paint Argentine flags out and hoist a Union Jack before they unloaded the cargo. Hope Bay was the next stop where it was intended to set up a base, however ice prevented the Fitzroy from going in so they made their way down the coast looking for somewhere to land. They ended up at Port Lockroy. Here landing was possible and a hut was built for the Antarctic base. This, Owen said, was the "beginning of BAS". (British Antarctic Survey)
Owen said there were no radio communications because of the war and the two ships, Fitzroy and HMS William Scoresby, communicated between themselves and with other ships involved in the operation, Newfoundland sealing vessels Trespassey and Eagle, with morse lamps. On they went to South Orkney where they again made the British presence known with Union Jacks nailed to the old seal station buildings.
On return to the Falklands, Owen went to Charles Point (near Sparrow Cove) as a signaller for the FIDF. He said this was a relatively quiet time although one incident sticks in his mind. "The Fitzroy was returning from Montevideo and we always asked her to stop as there was a danger of a foreigh crew taking her over on the way down. The skipper didn't take any heed and carried on sailing through so we fired a shot at him - he soon stopped then."
The war drew to a close and on June 14, 1945 during the King's Birthday Parade the Governor took the salute from a march past and addressed the parade, informing the FIDF that they were to revert to peace establishment at midnight on July 2, 1945. However, Owen's wartime experiences were not over yet. He, with many others, put his name forward to attend the official victory parade in London in 1946. "On a Sunday afternoon the public selected the 14 to go."
The detachment sailed from Montevideo on the troop ship Empire Cromer and were billeted in the great camp in London set up in Kensington Gardens. It was Owen's first time in the UK. "We didn't know what to expect, and as you can imagine the conditions weren't too great." His first meal in a London restaurant left a lasting memory - rhubarb pie which, because of rationing, had no sugar!
The representatives of the FIDF duly returned home and Owen took up the post of storekeeper and teacher at Teal Inlet. Here he met Marj McCallum who was living at the settlement with her sister Doreen. They married in 1952 and had two sons, Terence and Ian, who were brought up at Teal Inlet, and a daughter Natalie. Ian and Terence both became accomplished steer riders in their youth although these skills were obtained without their parent's knowledge. "I think I would have put my foot down if I'd know." said Owen.
The family returned to live in Stanley in 1971 and Owen's musical abilities were put to good use as accordionist in Rowlands Ragtime Band. Surrounded by the musically talented Betts family, Owen's young days on Pebble Island had been a musical education and left him more than capable of keeping a dance in full swing. Owen recalled how on Pebble they would go to great lengths to learn to play the latest music. A recording system was used which involved 'cutting' a 78rpm gramophone disc with a sapphire tipped needle and playing it back with a fibre tipped one.
The group of musicians would tune into a South American radio channel on a Wednesday night to hear popular tunes, record them and be playing them on a Saturday night, long before the original recordings could have reached the Islands by post. "It wasn't always successful though, sometimes the gramophone would wind down." I asked Owen what his favourite all time tune was and with a twinkle in his eye he quickly quipped, "Margie, of course."
Rowlands Ragtime Band, Jim Lellman, Harry Ford, Jimmy Ford, Jim Peck Betts and Owen (managed by Robert Rowlands) played regularly at social functions and even recorded an LP. Owen had also played with a Royal Artillery Band during the war years. He modestly attributed this invitation to play with the band to the fact that the band turned up with modern tunes when people in the Falklands were accustomed to the older dances. "The band would play the wrong tunes for particular dances and they needed some help to get the party going with a swing."
Work in Stanley for Owen in the early 1970s was in the Communications Office. This provided a radio base for coastal vessels Alert and Forrest and the Air Service which consisted of two Auster aircraft. The communication system was housed on Ross Road in the very office Penguin News now works from. Owen and Marj both worked in the Post Office for many years with one month of that time spent working under the same roof as the invading Argentine forces of 1982.
During the war, Owen and Marj left the Islands on the last commercial Argentine flight on an F28 aircraft on April 27. Owen had a scheduled medical visit to the UK, the arrangements for which had been made before the invasion. Accompanied by their teenage daughter Natalie, their flight took them to Comodoro Rivadavia where they were advised to go to Montevideo. A delay in Comodoro prevented this and they ended up in the care of the Swiss Embassy in Buenos Aires who ensured they arrived in London safely via Switzerland. Sons Terence and Ian were already in the UK at the time which meant the family were united as they waited for the Argentine invaders to be ousted.
Owen, Marj and Natalie returned on the Norland in September. Owen recalled how their home on John Street was occupied by four Royal Engineer Officers. "We had to get two to move out so that we could get in." The family home had suffered no damage and had been well cared for by the Royal Engineers.
Having just celebrated their 53rd wedding anniversary, I asked Owen and Marj what their secret to a happy future together is. Owen thinks he has recently discovered the answer to a long and happy marriage: "Listen to your wife," he says with a chuckle.
Looking back over the years and at the many changes they have witnessed Marj and Owen say that they are particularly glad to have lived on the farms at a time when the community spirit was alive and well. "One of the nice things in our young day was when the dogs barked and someone appeared over the hill on a horse."
Owen thinks that the present air services provided by the Islands by the Falkland Islands Government Air Service (FIGAS) and the air link with the UK are two of the greatest improvements he has seen take place. However, Camp roads are probably the best thing that has happened to the Islands in recent years, agree the couple. But, in retrospect, "it would have been nice if the roads had come along while we still had the large Camp communities."
Sharon Jaffray is Deputy Editor of Penguin News but for almost 20 years was a farmer on West Falkland
First published in the Penguin News on 20 May 2005 and reproduced with the kind permission of the Editor
Introduction, Brief
History, Timeline, 1982
Articles, 1982
Timeline, 1982 Documents, Articles,
Agreements, UN
|Copyright & Disclaimer
Site Designed and Maintained by eb-host.com


text:
The White House proposed a new change to ObamaCare mandates that would allow churches and other organizations with religious objections to contraception to avoid paying for employees' birth control needs. Women could get free contraception through a separate, stand-alone plan from a private insurer. The latest offer follows last year's proposal that religious groups rejected because it would've still required them to pay indirectly for birth control.
Investor's Business Daily provides exclusive stock lists, investing data, stock market research, education and the latest financial and business news to help investors make more money in the stock market. All of IBD's products and features are based on the CAN SLIM® Investing System developed by IBD's Founder William J. O'Neil, who identified the seven common characteristics that winning stocks display before making huge price gains. Each letter of CAN SLIM represents one of those traits.


text:
NEW YORK — "The Bachelor" star, Sonoma winemaker Ben Flajnik and bride-to-be Courtney Robertson were all smiles as they checked out wedding gowns at a bridal fashion show, but don't expect a save-the-date card from the couple anytime soon.
"Slowly but surely is kind of what we're preaching here. No rush," said the floppy-haired, 29-year-old Flajnik after sitting in the front row at the "Mark Zunino for Kleinfeld" runway show on Monday.
"It's working out nice, kind of normal. (We're) getting back to normal life," added Robertson.
The 28-year-old model was the most controversial constant on the 16th season of the ABC dating show. Her snarky comments and rude behavior toward the other contestants vying for Flajnik's affection had Flajnik and many fans questioning her character. In fact, Flajnik was so appalled that he briefly broke up with her after choosing her to be his bride.
The pair says they're happy to be out of the spotlight now, and they're taking their engagement one day at a time.


text:
Phoenix Universe of Space Combat or Phoenix USC is a arena based fast action space combat MMO that will support up to 100 players per server (more possible). Players battle it out in arena free space or in a bases. Typical games are capture the flag, team on team and league or wing matches. Players select a spaceship and weapons to craft a ship to meet their needs. Battling in a rich visual environment players compete in building their scores, stats, wins and kills. If you like fast action, intense and addictive fast action online space combat then Phoenix USC is the game for you.
Posted new video showing new game engine features. Lighting, shadows, overhead parts and 2 levels of map play.
Posted by Vidiot_X on May 26th, 2013
I have posted a new video showing the new features of the game engine such as lighting, shadows and two levels of map play.
I am just about finished with development of the Phoenix game engine and I will be now server testing with the beta team. The next video will show actual space combat. Yay.
- Rich -


text:
Plot twist, China devalues currency in economic strategy
August 21, 2015 by Shawkat Hammoudeh
China recently devalued its yuan by about 1.9 percent, marking the largest drop in two decades. The devaluation came as a surprise to many markets and central bankers. While the move may be unanticipated, it… Continued


text:
Demi Moore with Glasses
Ridiculous looking glasses. We all know you were a cross-eyed dork in your much, much, much younger days, Demi, but seriously? All this proves is that you are still as ugly on the outside as you are on the inside.
- Photo Credit:
- WENN.com
- Star:
- Demi Moore
- Related Photos:
- Demi Moore Photos
- Uploaded by:
- Hilton Hater
- Uploaded: