text:
Thread: "Hold my beer..."
5/29/2009 6:13pm, #1
- Join Date
- Jan 2008
- Location
- Cleveland, Ohio
- Posts
- 224
"Hold my beer..."
pos NSFW
Last edited by Steve; 5/29/2009 6:20pm at . Reason: added spoiler tags and warning
5/29/2009 6:16pm, #2--
Ever cross your mind that you shouldn't be drinking and shooting at the same time?
Last edited by Steve; 5/29/2009 6:23pm at . Reason: haha, forgot the "n't"
5/29/2009 6:18pm, #3--
some folks might consider this NSFW.
I don't. But some folks might.
5/29/2009 6:20pm, #4--
Yeah, fixed that for those who might have an issue.
5/29/2009 6:24pm, #5--
Is the bone in your toe chipped? If so for ****'s sake go to a doctor.
5/29/2009 6:53pm, #6
- Join Date
- Apr 2005
- Location
- Seattle (Ballard), WA
- Posts
- 1,776
See a doctor. NOW. You don't get on that now, you'll lose the toe and if infection sets in, the foot.
5/29/2009 7:05pm, #7
- Join Date
- Feb 2006
- Location
- Los Angeles
- Posts
- 335
how about some back story? and fyi although gruesome, the wound looks clean. im guessing that he took off the bandage on his foot to show you guys the wound after his trip the ER
5/29/2009 7:08pm, #8--
In case you haven't gone to the ER yet, you will walk with a limp for the rest of your life if you lose your big toe.
5/29/2009 7:42pm, #9
- Join Date
- Sep 2006
- Posts
- 95
That's a big hole. .45?
5/29/2009 7:49pm, #10
- Join Date
- Jan 2008
- Location
- Cleveland, Ohio
- Posts
- 224
The photo was not me (it's all over the military forums and there is no story behind it)and I thought it was a good example of why we honor the four rules of firearm safety. This is the last forum I thought there be would be people offended by it. Just whack the thread.
Last edited by JRT6; 5/29/2009 7:59pm at .


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- Filed Under
From the 1920s through 1955, Lake Amenia in this eastern Dutchess County town attracted large numbers of vacationers from New York City.
With New York Central Railroad's Harlem Division providing service to Amenia and numerous recreational options available at the lake, the area thrived during summers.
In addition to swimming in the 11/2-acre-wide lake, south of Route 44 and west of Route 22, visitors enjoyed boating, fishing, and dancing in a nearby pavilion. ...

subset: commoncrawl


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Reuben Crescent Bake Recipe
- 2 tubes (8 ounces each) refrigerated crescent rolls
- 1 pound sliced Swiss cheese, divided
- 1-1/4 pounds sliced deli corned beef
- 1 can (14 ounces) sauerkraut, rinsed and well drained
- 2/3 cup Thousand Island salad dressing
- 1 egg white, lightly beaten
- 3 teaspoons caraway seeds
- Preheat oven to 375°. Unroll one tube of crescent dough into one long rectangle; seal seams and perforations. Press onto the bottom of a greased 13x9-in. baking dish. Bake 8-10 minutes or until golden brown.
- Layer with half of the cheese and all of the corned beef. Combine sauerkraut and salad dressing; spread over beef. Top with remaining cheese.
- On a lightly floured surface, press or roll second tube of crescent dough into a 13x9-in. rectangle, sealing seams and perforations. Place over cheese. Brush with egg white; sprinkle with caraway seeds.
- Bake 12-16 minutes or until heated through and crust is golden brown. Let stand 5 minutes before cutting. Yield: 8 servings.
Reviews for Reuben Crescent Bake
Sort By :
"I did not make this, but I plan to. I judged 4H demonstrations today and one 4Her made this dish. Simply delicious. I will probably cut back on the amount of corned beef and plan on using more Thousand Island dressing. Might mix the caraway seeds in with sauerkraut as someone suggested."
"I loved this recipe and I added just a pinch of brown sugar and caraway to the sauerkraut, Every one raved at the recipe on how good it was! Went well with a cabbage, pineapple, and marshmallow salad..."
"Delicious. I like the tang of sauerkraut so I won't rinse it before I drain it next time. Dinner received rave reviews from friends!!"
"This is a easy lunch with a salad; we all enjoy it for a quick break @ the beach. MMM"
"I reduced the amount of corned beef to 1 lb. and the Swiss cheese to 3/4 lb.Great recipe. I used Bavarian style sauerkraut, which is a bit sweeter and has caraway seed in it.Tastes even better when it's reheated the next day!"


text:
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On any day of the year (except for that present opening day) come and visit us at our Fremantle Brewery or in Melbourne take a short but memorable trip out to our Geelong brewery, or stop by our Dining Hall in Fitzroy for a pint and a bite to eat.
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If you are in serious need of a fresh hop hit and a bite to eat when in Melbourne make sure you pop in to our home away from home in Fitzroy.
We encourage spontaneous dining and have an open door policy, but for those of you looking to dine with 5 or more friends we do take bookings. We can arrange set menus and other special things you might have in mind, so feel free to get in touch.


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Sam Oltman #20
The Latest: Sun shines on scrimmage — 4/26/2008
Finally, after numerous days that the Oregon State football team was forced to practice indoors, some comfortable spring weather came calling Friday afternoon. With the sun out and players looking to hit somebody, the Beavers, with help from some referees, held their second scrimmage in as many...[details]


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User talk:Daonguyen95
This user is an alternative account of Wikiholicdude.
This template confirms that the user is familiar with Wikipedia policy on using multiple accounts and that this account will not be used for sock puppetry.
You may discuss this account at User talk:Wikiholicdude.
|This is Daonguyen95's talk page, where you can send messages and comments to Daonguyen95.
Edit Ticketnetwork[edit]
I removed the language regarding Don Vaccaro for the following reasons;
1. Mr. Vaccaro's charges in the cited case have been dismissed from the legal record, therefore, the reporting of the arrest and subsequent court dates is unfair to the company. If someone would like to begin a page for Mr. Vaccaro and report to that page he was arrested, so be it. Mr. Vaccaro and Ticketnetwork are two separate entities, and should be treated as such. — Preceding unsigned comment added by 126.96.36.199 (talk) 16:02, 31 March 2014 (UTC)
- Point taken. Thank you for the explanation. Next time, please provide a edit summary. Daonguyen95 (talk) 16:08, 31 March 2014 (UTC)
Will do. Fairly new to this, I will have to figure out how to do so. Will the edit be allowed? — Preceding unsigned comment added by 18.104.22.168 (talk) 16:13, 31 March 2014 (UTC)
- I think you've been sold a line there, frankly. The charges were dismissed because "On May 29, 2012, Hartford Superior Court Judge, Jane Alexander, agreed that the charges could be dismissed if Vaccaro completed a two-year accelerated rehabilitation program, a form of probation, imposing conditions such as treatment for substance abuse and abstension from alcohol", not because he was exonerated, and it's clearly relevant to the company because of the relationship with the First Five program.
- It may seem WP:UNDUE detail, but last time I looked at this, I found it necessary to write the removed text to make it clear that 1) Vaccaro was not charged but 2) Judge Alexander spoke as she did, without suggesting the incident did not happen.
- I think I'll copy this discussion to Talk:TicketNetwork and see if anyone else joins. If not, I propose to reinstate the removed text. Also, it is interesting to note that when 18.104.22.168 says they are fairly new to this, they have forgotten to mention that they were editing TicketNetwork to insert links to one of the company's Websites in December 2012. Pinkbeast (talk) 11:34, 2 April 2014 (UTC)
Deletion of Ricky Castorena[edit]
Hello. I understand that you are a respected Wikipedia member. But I personally feel that the deletion of the page I created for the author named Ricky Castorena went unexplained. It didn't offend any people, wan't used for promotion, wasn't biased, and wasn't offensive to anyone. I checked the guidelines page and it didn't violate any of the requirement standards. I did see the post on my account about adding references and I was getting around to doing that. But due to work, I didn't have the time right then and there. I do, however, understand that references are needed and I was going to do that. I ask that the page be restored if there is anyway to do so, or that I have permission to recreate it. I feel that the author does deserve to have a Wikipedia page. I already created a wikia site based off of him and his novel. I ask that you please allow me to recreate the page. I look forward to discussing this with you.
RevanCrow95 (talk) 06:37, 2 April 2014 (UTC)RevanCrow95RevanCrow95 (talk) 06:37, 2 April 2014 (UTC)
- It wasn't me who proposed the deletion. I only warned you because you removed the proposed deletion template. You could have stated your reasoning in the talk page for administrators to look at. If you still have any issues with the deletion, please contact an administrator for more information. Daonguyen95 (talk) 14:08, 2 April 2014 (UTC)
- Okay, thank you. How would I go about contacting an administrator? — Preceding unsigned comment added by RevanCrow95 (talk • contribs) 21:04, 3 April 2014 (UTC)
Your userpage[edit]
Guess what? It's happening again. I know you removed your protection request at WP:RPP a while back, though I feel like you might be needing it after all. NFLisAwesome (ZappaOMati's alternate account) 20:15, 2 April 2014 (UTC)
hi :)[edit]
hi so im just going to assume you dont know who daniel sahyounie is so i was just curious why you thinkit should be removed. they get enough hate online why cant they get some love on here if they decide to search their name? — Preceding unsigned comment added by Danielthegremlinfromaustralia (talk • contribs) 03:28, 4 April 2014 (UTC)
April 2014[edit]
Hello, I'm 22.214.171.124 (talk) 07:20, 6 April 2014 (UTC). I noticed that you recently added some content to Dmitry Yakubovskiy with this edit, without explaining why. In the future, it would be helpful to others if you described your changes to Wikipedia with an edit summary. If this was a mistake, don't worry, the added content has been removed. If you think I made a mistake, or if you have any questions, you can leave me a message on my talk page. Thanks. --220.127.116.11 (talk) 07:20, 6 April 2014 (UTC)
- I only reverted your edit because you removed the text without citing a reason. Daonguyen95 (talk) 18:07, 6 April 2014 (UTC)
We need your help testing latest huggle[edit]
I am sending you this message because you listed yourself on meta:Huggle/Members as a beta tester. We desperately need attention of testers, because since we resolved all release blockers, we are ready to release first official version of huggle 3! Before that happens, it would be nice if you could test it so that we can make sure there are no issues with it. You can download it packaged for your operating system (see Wikipedia:Huggle/Huggle3_Beta) or you can of course build it yourself, see https://github.com/huggle/huggle3-qt-lx for that. Don't forget to use always latest version, there is no auto-update message for beta versions!
Should you find any issue, please report it to wikimedia bugzilla, that is a central place for huggle bugs, where we look at them. That is i mportant, if you find a bug and won't report it, we can't fix it. Thank you for your work on this, if you have any questions, please send me a message on my talk page, I won't be looking for responses here. Thanks, Petrb (talk) 15:10, 10 April 2014 (UTC)
So someone being involved in a huge government scam isn't relevant to there life and history? Or further more not relevant still today with all the problems its STILL CAUSING? Whatever helps your sponsors sleep better. Or maybe your just ignorant to this info and didn't bother to research? — Preceding unsigned comment added by 188.8.131.52 (talk) 10:18, 14 April 2014 (UTC)
Critical Metrics Page[edit]
Thanks for your earlier message regarding Critical Metrics. I started the company 10 years ago and would like to create a Wikipedia page to describe the company. The other Critical Metrics is out of business. I'm new to creating wikipedia pages. Is there a process I should be following?
Thanks — Preceding unsigned comment added by 22.214.171.124 (talk) 18:26, 2 June 2014 (UTC)
New huggle 3.1 is going to be released soon[edit]
Hi Daonguyen95, we are to release a new major version of huggle, but we did receive almost no feedback from our beta testing team, which you are a part of (see https://meta.wikimedia.org/wiki/Huggle/Members). It would be of a great help if you could download it (if you have windows, all you need to do is getting http://tools.wmflabs.org/huggle/files/huggle3.1.0beta.exe and putting it to a folder where you have installed huggle) and test it. You can always get a help with making it @ #huggle connect!
Major changes:
- Multisite support - you can now log in to unlimited number of wikis in 1 huggle session and get a huge queue of all edits made to these wikis. This is good for smaller projects which gets overlooked often.
- Ranged diffs - you can select multiple revisions and get a huge diff that display all changes done to them.
- Fixes of most of bug reports we had so far
In case you found a bug, please report it to bugzilla: https://bugzilla.wikimedia.org/buglist.cgi?product=Huggle&list_id=147663 thank you! Petrb (talk) 10:08, 30 July 2014 (UTC)
Huggle message[edit]
Hey Daonguyen95! You are receiving this message because you are subscribed at https://meta.wikimedia.org/wiki/Huggle/Members#Beta_testers
I have recently launched a new downloads for beta testers that contains nightly builds of huggle, eg. versions that are built every day from our master branch and contains latest huggle. These builds are currently provided only for Windows and Ubuntu. You can find them here: http://huggle.wmflabs.org/builds/
Please keep in mind that these don't have any automatic updates and if you download and start using nightly build, you will need to update it yourself! So don't get yourself to running old version, it's possible to install both stable and nightly huggle, which is what I suggest.
Keep the bug reports coming to phabricator: https://phabricator.wikimedia.org/maniphest/task/create/?projects=Huggle Many thanks! Petrb (talk) 09:56, 28 January 2015 (UTC)
SF edit-a-thons on March 7 and 8[edit]
|ArtAndFeminism (3/7) and International Women's Day (3/8)!
Dear fellow Wikipedian,
In celebration of WikiWomen's History Month, the SF Bay Area Wikipedia community has two events in early March -- please consider attending!
First, we have an ArtAndFeminism edit-a-thon, which will take place at the Kadist Art Foundation from 12 noon to 6pm on Saturday, March 7. We'll be one of many sites worldwide participating in this edit-a-thon on March 7th. So join us as we help improve Wikipedia's coverage of women artists and their works!
Second, we will be celebrating International Women's Day with the International Women's Day edit-a-thon on Sunday, March 8 from 1pm to 5pm at the Wikimedia Foundation. Our editing focus will be on women, of course!
I hope to see you there! Rosiestep (talk) - via MediaWiki message delivery (talk) 18:06, 20 February 2015 (UTC)
To opt out of future mailings about SF meetups, please remove your name from this list.
ArbCom elections are now open![edit]
You appear to be eligible to vote in the current Arbitration Committee election. The Arbitration Committee is the panel of editors responsible for conducting the Wikipedia arbitration process. It has the authority to enact binding solutions for disputes between editors, primarily related to serious behavioural issues that the community has been unable to resolve. This includes the ability to impose site bans, topic bans, editing restrictions, and other measures needed to maintain our editing environment. The arbitration policy describes the Committee's roles and responsibilities in greater detail. If you wish to participate, you are welcome to review the candidates' statements and submit your choices on the voting page. For the Election committee, MediaWiki message delivery (talk) 14:23, 24 November 2015 (UTC)


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Running Time: 58 minutes
Released: 04/2011
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You're a dog
or a cat, so which breed do you want to be?
Hmmmm.....I want to be a cairin Terrier mine looks like he has so much fun all the time.lol
I'd be a cat. A pampered indoor cat, doesn't matter what breed :)
A dog but both have it made because they get everyone to do everything for them...LOL.
Oh man I would want to either be an akita (a japanize bear hunting dog) or a yorkie. They are the two that I want to get and either I'm big and bad or I'm small and cute. :)


text:
A classic Chi-Town Donk for your TBT![read more]
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A 'vert on 26-inch concave Forgiatos with a wet paint job and super clean interior.[read more]


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Sleepwalk With Me 2012 UNRATED
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I love Mike Birbiglia, but don't love this movie. Major waste of money paying for this rental.Published 5 months ago by Ruth Beckett
Really 3 1/2 stars. I watched, with interest, as Matt struggled to find his "voice". It was only when he stopped playing it safe that he seemed to succeed. Read morePublished 5 months ago by R G Stein


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Memphis to Manchester (Music)
With John Wendland
Thu Nov 28th 2013 7.00am–10.00am
R=listener request. N=music new at the station. L=local music. Your purchases using the Buy it! links
Time zone: central
Rufus Thomas "The Memphis Train"
from The Best of Rufus Thomas (Rhino 1996) —Happy Thanksgiving, everybody! - 1968 Stax single written by Rufus Thomas, Mack Rice, & Willie Sparks.
Nikki Hill, Deke Dickerson & The Bo-Keys "Struttin"
from Soul Meets Country! - EP (Major Label Records 2013) N —Pretty great idea to combine the talents of all three of these artists on this new 4-song EP. Two of the songs are duets between Nikki Hill and Deke Dickerson but this track features the impressive vocals of St. Louisan Nikki Hill.
Wilson Pickett "Search Your Heart"
from Funky Midnight Mover: The Atlantic Studio Recordings (1962-1978) (Rhino 2009) —Written by Raymond Moore and George Jackson and recorded at Muscle Shoals in 1968. Duane Allman and Jimmy Johnson play guitar on this and that's the Sweet Inpirations on backing vocals.
The Sweet Inspirations "Do Right Woman - Do Right Man"
from The Sweet Inspirations (Atlantic 1967) —Written by Dan Penn and Chip Moman and previously recorded by Aretha Franklin. The vocal interplay between Cissy Houston, Myrna Smith, Sylvia Shemwell, and Estelle Brown on this track is stunning.
King Curtis "I Never Loved A Woman The Way I Love You"
from Do Your Thing (Atlantic 1970) —Music bed. Instrumental version of the Aretha Franklin hit.
Clarence Reid "Winter Man"
from Winter Man / Funky Party single (Alston 1974) —Written by Clarence Reid. " I hear your cold winds blowin' but they don't bother me / Go and blow, Mr. Winter Man / Blow your winds at another man / Cold...cold"
Helene Smith "Pain in My Heart"
from Eccentric Soul: The Deep City Label (The Numero Group 2006) —1967 version of the Allen Toussaint-penned song recorded for the Miami-based Deep City label.
Betty Wright "Gimme Back My Man"
from Hard to Stop (Atlantic 1973) —Written by Billy Kennedy and produced by Willie Clarke and Clarence Reid. - A set of Miami soul for you.
Brother Jack McDuff "Mac-Duffin"
from Gin and Orange (Cadet Records unk 1969) —Music bed. Instrumental written by Brother Jack McDuff and Richard Evans and found on this reissue of his 1969 album originally released on the Cadet label.
Gregory Porter "The "In" Crowd"
from Liquid Spirit (Blue Note 2013) N —Terrific new version of the Billy Page composition originally made famous by Ramsey Lewis. One of the best jazz vocalists going. Highly recommended.
Ray Charles "One Mint Julep"
from Genius + Soul = Jazz (Concord 1961) —1961 instrumental written by Rudy Toombs and arranged by Quincy Jones.
Dinah Washington "Soulville"
from Respect: Aretha's Influences and Inspiration (Ace 2009) —1963 Roulette recording written by Henry Glover, Morris Levy, Titus Turner, and Dinah Washington.
Ray Charles "Sidewinder"
from My Kind of Jazz (Tangerine 1970) —Music bed. 1970 instrumental written by Lee Morgan.
Bill Withers "Lonely Town, Lonely Street"
from Still Bill (Columbia 1972) —This was his second album and one of the finest soul albums of the 70s. Written by Bill Withers. He decided to record this one with his backing road band.
Meshell Ndegeocello "Please Don't Let Me Be Misunderstood"
from Pour Une Âme Souveraine: A Dedication to Nina Simone (Naive 2014 2012) —Found on this album made up entirely of songs written by or previously interpreted by Nina Simone. Written by Bennie Benjamin, Gloria Caldwell, and Sol Marcus.
Georgie Fame "El Bandido"
from Mod Classics: 1964-66 (Ace 2009) —Music bed. 195 Columbia instrumental written by Clive Powell (aka Georgie Fame).
The Animals "Club-A-Go-Go"
from he Mickie Most Years and More (Real Gone 2013) N —Written by Eric Burdon and Alan Price and originally released in 1965.
The Rolling Stones "Heart of Stone"
from The Rolling Stones, Now! (London 1965) —Written by Mick Jagger and Keith Richard and their first original song to make the Top 20 in the U.S.
Ike & Tina Turner "I'Ve Been Lovin' You Too Long"
from Every Hit Single 1960-1974 (Aim 2000) —Incendiary version of the Otis Redding song.
Ike Turner "Twistin' the Strings"
from Talkin' About Ike - Vol. 2 (P-Vine 2008) —Music bed. 1987 Ike Turner instrumental.
Ray Davies "Thanksgiving Day"
from Other People's Lives (V2 2006) —For some reason, I feel compelled to play this every Thanksgiving Day. Really, how can I not? Written by Ray Davies and released in 2005.
William DeVaughn "Be Thankful for What You Got Pt. 1"
from Love Train: The Sound of Philadelphia (Sony 2008) —#1 R&B hit written by William DeVaughn and released by the Roxbury label in 1974.
Eddie Hinton "Everybody Needs Love"
from The Anthology 1969-1993: A Mighty Field of Vision (Raven 2005) —Written by Eddie Hinton and recorded in 1985.
Booker T. And The MGs "Over Easy"
from Stax Profiles (Stax/Concord 2006) —Music bed. 1968 Stax instrumental.
Matthew Sweet & Susanna Hoffs "Towers of London"
from Under The Covers, Vol. 3 (Shout! Factory 2013) N —Really fine version of the XTC song written by Andy Partridge and found on this new collection made up of cover versions of some of their favorite 80s songs. As expected, the harmonies work beautifully on this.
La Honda "Rich Man's Wine"
from I See Stars (La Honda Music Ltd 2013) N —Written by Malcolm Doherty and featuring lead vocals by Sarah Joyce (aka Rumer).
Ransom Note "Falling For You"
from Big Soul (Tower Groove Records 2013) N L —The new full-length Ransom Note album has hit the streets! Lead vocals by Merv Schrock.
Menahan Street Band "Lights Out"
from The Crossing (Daptone 2012) —Music bed.
Sons of Hippies "Time of the Season"
from Psych-Out Christmas (Cleopatra Records 2013) N —New version of the Zombies song featuring the lead vocals of Katherine Kelly.
The Zombies "She's Not There"
from Absolutely the Best (Fuel 2000 1999) —Debut single for the Zombies written by Rod Argent and recorded in 1964.
Ana Egge "I Could Spend the Day"
from Lazy Days (Grace/Parkinsong 2007) —Beautiful version of the Zombies song written by Rod Argent and Chris White.
Wes Dakus' Rebels "Sour Biscuits"
from That's Swift: Instrumentals from the Norman Petty Vaults (Ace 2007) —Music bed. 1964 guitar instrumental recorded for the Swan label.
Pretty Little Empire "Nest"
from Pretty Little Empire (Extension Chord Records 2013) N L —Alright, I'll think of this one as a companion piece to Way over Yonder in the Minor Key. Really pretty melody. Lyrics by Evan O'Neal.
Garland Jeffreys "Any Rain"
from Truth Serum (Thirty Tigers www.thirtytigers.com 2013) —"Suffering is optional / I heard a wise man say."
Linda Thompson "It Won't Be Long Now"
from Won't Be Long Now (Pettifer Sounds www.lindathompsonmusic.com 2013) N —The world is much better off now that Linda Thompson has regained her singing voice. Written by Teddy Thompson and featuring harmony vocals by Kami Thompspn and Amy Helm.
Richard Thompson "The Knife-Edge"
from Strict Tempo! (Carthage 1981) —Music bed. Instrumental written by Richard Thompson.
Martin Simpson "First Cut Is The Deepest"
from The Collection (Shanachie Entertainment www.shanachie.com 2005) —Ridiculously great instrumental version of the Cat Stevens song.
Kirsty Maccoll "Days"
from Kite (Virgin 1989) —Cover of a Kinks song written by Ray Davies and produced by Steve Lillywhite.
Richard Thompson "Do It For My Sake"
from Strict Tempo! (Carthage 1981) —Music bed. Irish instrumental dating back to the 18th or early 19th century.
Billie Joe Armstrong and Norah Jones "Oh So Many Years"
from Foreverly (Reprise 2013) N —It seems like an unlikely vocal combination on paper but it works well to these ears. This album finds them doing duets to all the songs off the Everly Brothers' 1958 "Songs Our Daddy Taught Us" album.
Brandi Clark "What'll Keep Me Out of Heaven"
from 12 Stories (Slate Creek Records 2013) N —This is the strongest country album I've heard in 2013. She has written songs for lots of other country artists but this is her debut release.
Dolly Parton "Down from Dover"
from The Fairest of Them All / My Favorite Songwriter, Porter Wagoner (Omni 2010) —A sordid tale as written and recounted by Dolly Parton. Recorded in 1969.
Les Paul "Hawaiian Paradise."
from 20th Century Masters: The Best of Les Paul Millenium Collection (MCA 2001) —Music bed. 1945 guitar instrumrntal.
The Kendalls "Thank God For The Radio"
from The Kendalls (Ovation 2001) —Written by Robert Jones and Max D. Barnes. Recorded in 1984 and featuring the vocals of Jeannie and Royce Kendall.
Pokey LaFarge "Central Time"
from Pokey LaFarge (Third Man Records 2013) L —KDHX presents Pokey LaFarge and friends for a special holiday show at the Casa Loma Ballroom Friday, December 20 at 8pm. Also playing: The Tillers and The Cactus Blossoms.
Chatham County Line "Chip Of A Star"
from IV (Yep Roc 2008) —Written by Dave Wilson and produced by Chris Stamey.
Ry Cooder "Sunny's Tune"
from Music by Ry Cooder (Rhino 1995) —Music bed.
Willie Nile "There's No Place Like Home"
from American Ride (River House www.willienile.com 2013) —Just another really strong release from Willie Nile. May he come to St. Louis some day.
Linda Ronstadt "I Won't Be Hangin' Round"
from Linda Ronstadt (Capitol Records 1971) —Written by Eric Kaz and recorded at Muscle Shoals in 1971.
Jackson Browne "For A Dancer"
from Late For the Sky (Asylum 1974) —One of those albums that hold up incredibly well.
David Lindley "Attar"
from Everybody Slides, Vol. 2 (Rykodisc 1996) —Music bed.
Son Volt "Wild Side"
from Honky Tonk (Rounder www.rounder.com 2013) L —Written by Jay Farrar and featuring the talents of Mark Spencer, Dave Bryson, Gary Hunt, Justin Branum, Thayne Bradford, and Brad Sarno.
Bucky Halker & Andy Dee "Words That I Can't Speak"
from The Ghost of Woody Guthrie (Bucky Halker and Andy Dee 2012) —Written by Bucky Halker and found on this album inspired by the songs of Woody Guthrie.
Bob Dylan "Workingman's Blues #2"
from Modern Times (Columbia 2006) —There's an evenin' haze settlin' over the town Starlight by the edge of the creek The buyin' power of the proletariat's gone down Money's gettin' shallow and weak The place I love best is a sweet memory It's a new path that we trod They say low wages are
Neko Case "Buckets Of Rain"
from Sweetheart (Hear Music 2005) —One of my favorite Bob Dylan covers.
Ry Cooder "East St. Louis"
from Music by Ry Cooder (Rhino 1995) —Music bed.
Like everything else, times are approximate. Spinitron and this station are not liable for errors or omissions.


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There are three menu options, priced at 42, 52 and 66 and the difference really lies in the mains. You start off with a welcome Bellini and there are unlimited Bloody Mary's and wines during the meal which includes a buffet of hot & cold appetizers, standard to everyone followed by a main of your choice. The table is yours for 2 hours but it's subtly done, they don't remind you of it before you even sit down and when there's unlimited booze, well you can kinda see their point.Buffet options include a range of soups, noodles, sushi options of all shapes & sizes, edamame, hot chicken & pork bits and my absolute...
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The owners of Roka also own Zuma and Oblix in the Shard. Roka is by far their best venture (although the other two brands may get more press coverage). From the cocktails, to the ambiance to the food. It all fits perfectly and tastes amazing. Truly one of London's best dining experiences...
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Sometimes I get those sudden urges to just go to a restaurant to have desserts. I was going to be out all night, already fuelled with a can of red bull to keep me awake, it was a hot day, ice cream was calling for me. Roka was always a place I wanted to try, but no one seemed to want to go with me because of the prices. I went along to the Canary Wharf branch; the lift transported us to the top of the roof terrace, overlooking the beautiful skylines of Canary Wharf. I told the waiter straight away we was only after desserts, he seated us in a cosy corner with a married couple. One of the Olympic events was showing...
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STARmeterSEE RANK
Down 42,315 this week
Gayne Whitman (1890–1958)
Gayne Whitman was born on March 19, 1890 in Chicago, Illinois, USA as Alfred Vosburgh. He was an actor and writer, known for Speaking of Animals and Their Families (1942), Popular Science (1935) and Land of Liberty (1939). He was married to Estelle Allen. He died on August 31, 1958 in Los Angeles, California, USA. See full bio »
Born:Alfred Vosburgh
in Chicago, Illinois, USA
Died:(age 68) in Los Angeles, California, USA
2 videos »


text:
Find a copy in the library
Finding libraries that hold this item...
|Additional Physical Format:
|Online version:
Rosenblum, Robert.
19th century art.
New York : Abrams, 1984
|Document Type:
|All Authors / Contributors:
Robert Rosenblum; H W Janson
|0810913623 9780810913622
|OCLC Number:
|"Published in Great Britain under the title: Art of the nineteenth century"--Title page verso.
|527 pages : illustrations (some color) ; 30 cm
|Part I: 1776-1815, Painting, Changes in history painting--France--Jacques-Louis David--Francisco de Goya y Lucientes--The rise of Romanticism in England--The Neoclassic-Romanticism Dilemma--Painting in France after David--The Image of the Ruler--Varieties of Landscape Painting--The Nazarenes--Romantic Meditations in German and England--Sculpture, England--Scandinavia--France--
Antonio Canova--The early Thorvaldsen--Austria and Germany--Part II: 1815 --
1848 Painting, Restrospection and Introspection: the congess of Vienna and Late Goya--Théodore Géricault--Delacroix, Ingres, and the Romantic-Classic Conflict in France--Turner and Romantic Visionaries--Constable and Romantic Naturalism--From History Painting to Biedermeier--Empirical Directions--Social Observers--Sculpture, The Mature Thorvaldsen--England--United States--Italy--Germany--France--The Romantic Theory of Sculpture--Part III 1848-1870 Painting, The 1848 Revolution: some Pictorial Responses--Jean-Francois Millet--Gustave Courbet--Materialism versus Idealism--Poverty and Piety--The Pre-Raphaelite Brotherhood--History Painting--Escapist Modes in Figure and Landscape Painting--The 1860s: Manet and Painting in Paris--Painting out of doors: Toward Impressionism--Part IV: 1870 --
1900, painting, Reflections of the Frano-Prussian War--1874: The First Impressionist Exhibition--1874: At the Paris Salon and the Royal Academy--The 1870s: From Realism to Aetheticism--Interiors: Domestic and Erotic--Changes in History Painting and Portraiture--National Landscape--Paul Cézanne--Georges Seurat and Neo-Impressionism--Vincent van Gogh--Ensor, Klinger, Redon--Pul Gauguin and the Origins of Symbolism--The 1890s:Postscript ad Prologue--fin de siècle.
|Other Titles:
|Nineteenth century art.
|painting by Robert Rosenblum, sculpture by H.W. Janson.
A history of the development of art from 1776 to 1900 includes discussions of the careers of distinguished artists such as David, Manet, Renoir, and Rodin.
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Teacher Appreciation Cupcakes
- Uploaded By angegreene
- 2006-05-11 01:37:15
This week is Happy Teacher's Appreciation Week. Tomorrow the PTA is sponsoring the Luncheon and I volunteered to make some Cupcakes. These ARe Lemon Supreme with Lemon Buttercream Icing. Some of the cupcakes have Fondant Roses on them and the others are Butterflies done in ColorFlow.
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text: (Left, l. to r.) Bill Blair, Joe Blair, Lisa St. Onge and Clea Blair get ready to tee off at the Third Annual Jimmy Fund Golf Tournament Sept. 18 at Holden Hills, sponsored by Wachusett Lumber. (Right) Peter Hennessy takes a big swing from the fairway. The tournament also included dinner, Longest Drive Contest, raffles and prizes. Joyce Roberts photos


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They Go Boom! (1929)
Stanley's attempts to treat Oliver's cold include dropping a swab down his friend's throat, applying a mustard plaster to his rump, and inflating the air mattress from the gas jet until it has Oliver pressed against the ceiling.
Director:James Parrott
Writers:Leo McCarey (story), H.M. Walker
Stars:Stan Laurel, Oliver Hardy, Charlie Hall | See full cast and crew »


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Seth Green and Matthew Senreich are set to appear as special guests at New York Comic Con (NYCC) where they will be joined by Breckin Meyer, Geoff Johns and Kevin Shinick on a panel discussing all aspects of the popular Adult Swim series ROBOT CHICKEN. Now in its fourth season, the network's Emmy-and-Annie-winning series uses stop-motion animation to bring pop-culture parodies to life in a modern take on the variety/sketch show format. The panelists will be available to sign ROBOT CHICKEN material in the VIP Lounge after the session and signing cards will be provided.
Green and Senreich have enjoyed enormous success as creators of ROBOT CHICKEN and have enlisted the help of numerous guest voice actors, including Conan O'Brien, Hayden Panettiere, Hugh Hefner, Carrie Fisher and George Lucas, among others, to help catapult the series to fame and success. In addition to the ROBOT CHICKEN series, Green and Senreich have also created two Star Wars-themed specials: the Emmy-nominated ROBOT CHICKEN: STAR WARS from 2007 and its follow-up, ROBOT CHICKEN: STAR WARS EPISODE II, which premiered last November.
New York Comic Con will take place February 6-8 at the Jacob K. Javits Center in New York City. Tickets are on sale at www.nycomiccon.com and more personal insights about the show, programming and guests are available via Show Manager Lance Fensterman's blog, www.MediumAtLarge.net.


text: View Available Course Schedules The link below lets you see available academic offerings without a login. Write down the Course Section Number of each class you want to take. When you're finished choosing your classes, you're ready to register. You can find registration dates here. Flex Schedules Fall 2015 Complete Schedule Spring 2016 Complete Schedule Fall 2015 - Rapid TrackFall 2015 - 8 Week CoursesFall 2015 - Northwest CenterNorthwest Center - Schedule Spring 2016 - MaymesterSpring 2016 - Northwest CenterSpring 2016 - Online CoursesSpring 2016 - Rapid TrackSpring 2016 - 8 Week Courses Click Here To See Status Of Sections To search the documents within the Flex Schedules please use the "Find" feature of Adobe. You will need Adobe Acrobat or Acrobat Reader to view the pdf files. Acrobat Reader is available for free here: http://get.adobe.com/reader/ What's Your Dream?Brittany MoyersMy Dream:My dream is to be a firefighter.You will find a job out there once you graduate.Read my Story


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Dream Sharers by Geak-of-NatureWatch
©2012-2015 Geak-of-Nature
These two pals like to share dreams
What a really sweet photo!
A lovely capture, to be sure.
A lovely capture, to be sure.
Thank you so much! I've taken many photos of this pair together. Our other two cats are loners, so it's wonderful to see their closeness.
THATS SOOOO CUTE!!!!!!!!!!!! my cats sleep together too but its in our smallest cat bed so ones slightly on top of the other!


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The Criminal Justice System and the Mentally Ill
Rep. Strickland and other witnesses testified about the treatment of mentally ill offenders in the criminal justice system and the need for law enforcement officers to have help differentiating the mentally ill who break laws.
People in this video
- John Caceci Captain Monroe County, NY->Sheriff's Office
- Gary Margolis Director University of Vermont->Police Services
- Kenneth A. Mayfield President National Association of Counties
- Ted Strickland U.S. Representative [D] Ohio
- Marylou Sudders Commissioner Massachusetts->Mental Health
- Patrick J. Leahy U.S. Senator [D] Vermont
Hosting Organization
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Helix - Ron Moore
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January 12 2014, 09:26 PM
Mr. Adventure
Location: Mr. Adventure
Re: Helix - Ron Moore
Alex1939 wrote:
I also loathe the theme song they use at beginning, seems totally out of place.
The whole show is filled with muzak and soft easy listening music (elevator music) which is what one might imagine a place like that playing. Now it comes off as ironic contrasting with the real nature of what is going on. I suppose with all the talk of unoriginality it doesn't help that they did something similar in Lost now that I think about it (though not the theme song).
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Forget password?
Remember Me
1. Robert Plant
presents The Sensational Space Shifters – 9:30-11:30 p.m. – Grandstand
Probably the biggest name to ever grace a stage at HSMF, Robert Plant and his new band
played their first festival ever with this triumphant, utterly satisfying set that
seamlessly mixed together the old, the familiar, and the foreign. Opening the set with
the hushed elegance of "Babe, I'm Gonna Leave You" that exploded in a heavy, duel guitar
workout, this band traversed time with a blend of old blues tunes and crowd-pleasing
Zeppelin classics. Sonically, this band creates a well-simmered melting pot of familiar
blues-rock, world music, and a tinge of electronica to create a spacious, mysteriously
ethnic sound that's epic in its majesty. Keyboardist John Baggott (Massive Attack,
Portishead) gave an electro-modern tinge to "Spoonful," which led into a West African take
on "Black Dog" complete with a breakdown chant from the Gambian multi-instrumentalist
Juldeh Camara. An acoustic take on "Going to California" brought the most love of
the night, being the perfect song to hear in a big field on a warm 4th of July night. The
massive, epic vibe continued with eerie takes on "Please Read the Letter," and Zeppelin's
"Friends" and "Over the Hills and Far Away." Taking us on a lesson in roots music, Plant
closed the set with the old blues number "Sugar Mama," which seamlessly blended into a
straight rocking "Whole Lotta Love" that was a privilege to experience. Plant was clearly
loving the HSMF vibe and let us know it with his playful stage antics during the "Rock and
Roll" encore ("Push, push, push!").
2. Scott
Pemberton – 11:30 AM – 12:45 PM – Big Meadow Stage
"Who the hell is this guy?" is the question that everyone was asking after the first set
of the weekend. Blasting straight out the gate with no guitar strap, no shirt, and a
wooly beard, it was clear that Scott Pemberton and his power trio were hungry and eager to
please. The man is a wildly creative virtuoso guitarist in the vein of Hendrix, coaxing
wacky and wondrous distorted sounds out of his instrument with effortless ease. He plays
it on a bench, he plays it on the ground, he plays it on his torso, he manhandles the shit
out of it, and it sounds fantastic. With his band laying down everything from blues-rock
to breakbeat dance music behind him, Pemberton's serious chops were the main focus of the
diverse song selection. After an original tune called "Let's Play House" (about what you
think it's about), the band launched into a dirty surf-rock instrumental that gave the
just-settling-in crowd its first real chance to boogie down. The perfect opener for the
festival, which set just the right tone for the weekend.
3. Peter Apfelbaum
& Sparkler – 5:30-6:45 – Vaudeville Tent
Featuring a big band of wildly talented musicians, this set of free-jazz fusion and avant-
garde hip-hop grooves expanded some minds in the late afternoon Vaudeville shade.
Switching from keys to sax throughout the set, Apfelbaum led his super-tight band in
exploratory excursions that featured outside-the-box soloing all around, notably from
guitarist Will Bernard and the lovely horn duo of Natalie Cressman on
trombone (and bass) and Jill Ryan on alto sax. Dueling keyboards lent a breezy
In A Silent Way vibe for a bit, while another tune's slow-down-speed-up pocket had
us jerking around trying to dance to its weirdness. Things got hypnotic with a repetitive
groove entitled "All These Things Disappear," featuring tinklings of Fender Rhodes that
blessed everyone out good. Top-notch musicianship all around.
Dennis' Thursday Highlights
1. North Mississippi
Allstars – 11:30 p.m. – 1:30 a.m. – Vaudeville Stage
One of the most snarling, back alley blues-rock displays I've ever witnessed went down at
the Allstars' late night set, where the boys put their backs into it as writhing, hip
grinding masses stuffed inside the tent allowed themselves to be seduced and savaged.
NMAS have increasingly diversified their catalog, particularly on the sublime mortality
focused Keys To The Kingdom (2011), but it was REALLY satisfying to hear them dig
their fingers into the kind of nasty-good Mississippi mud that first put them on the map.
When the Allstars play like this one wants to open an old school strip joint where they're
the house band and burlesque cuties and deliciously crude comics grace the stage. Anyone
who let their guard down at this set most assuredly shook what mama gave them and didn't
much care who watched and licked their lips. A stellar multi-song sit-in from guitar
maestro Will Bernard accented the positive and allowed the often classy six-
stringer to get dirty, and bassist Lightnin' Malcolm is a force of nature that
dovetailed beautifully with the positively possessed attack of this set, offering a
lascivious physicality that swept one up into the electric, percussion swirl around him.
And don't just take my word on this set's glory. Here's what Cody Dickinson posted
on Facebook the next morning: "Incredible night last night. Lots of heavy things happening
all at once. Most exciting show of my life. Thanks High Sierra!" Ain't no lie, world boogie is
2. Lord Huron –
3:45-5:00 p.m. – Vaudeville Stage
Rare the first afternoon at a festival where one feels drawn out of their shell, lifted a
few centimeters above the norm, the weight of the world easing ever so slightly through
the power of song. While I'd found Lord Huron's 2012 full-length debut Lonesome
Dreams a touch sleepy and hard to differentiate track-to-track, live the music became
fully incarnated, lungs full of air and strong legs leaping. Their songs strike a deep
chord, sneaking past our defenses to stir up childhood memories and wee hours musings.
There is great longing and great release in this music, which shares some surface
similarities with early My Morning Jacket and Fleet Foxes but is striving for something
more emotionally direct and less atmospheric. Based on this set, it appears Lord Huron is
out to exorcise some demons, both their own and the one's we're hounded by collectively.
Even being only passing familiar with their catalog I and many others in attendance were
throwing up our hands and stomping our feet by the end, the group's all-in demeanor and
driven musicality too powerful to resist.
3. Allen Stone
– 7:15-9:15 p.m. – Big Meadow Stage
There's no denying part of Allen Stone's appeal is how he just doesn't look like a panty
dropping soul-rocker with the moves and inflection of a young Chris Robinson. At first
glance one could easily peg him as the kid on shakedown hawking hand-blown glass pipes or
various sundries from his medicine bag, but put him on a stage with a tight, nasty band
and he's mojo marinated dynamite. The swoony, female packed front row let ya know the
little girls understand what Stone is packing, and the muscle of his collaborators and the
sheer charisma their bandleader brings to the table suggests the road not taken by The
Black Crowes after their "Hard To Handle" stoked debut success. Their originals hold
their own against choice covers like Rufus' "Tell Me Something Good" (the massed audience
sing-along at the first chorus was a HSMF 2013 Mega-Moment) and the guitar bite and
unguarded organ wail made sure one didn't mistake this for neo-soul; this is rock 'n' roll
that hasn't forgotten how to make tail feathers flutter.
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Roke Manor Research, Blue Bear Systems, Bristol University, MBDA, SEAS DTC
Landing an Unmanned UAV helicopter is an exacting operation. As the vehicle nears the ground the air pressure beneath increases and a trained pilot typically has to step in to reduce rotor speed and control the descent.
A group led by Roke Manor Research has now developed and demonstrated technology that enables a UAV to identify a suitable landing area and land without any support from ground-based systems.
By removing the need for a trained pilot, the auto-landing system could open new applications for UAVs, for instance, by the emergency services.
Working with UK MoD funding, the group joined forces with engineers from UAV specialist Blue Bear Systems, aerospace manufacturer MBDA and Bristol University to develop a method by which an aircraft's position and orientation can be determined using information solely from a camera mounted on the aircraft. This data is then used in conjunction with a flight-control system to automatically land the aircraft. The group claims that developing a measurement, processing and control system that achieves this autonomously required a highly innovative use of image-processing techniques.
The system has been trialled on Roke's electric helicopter UAV where it not only demonstrated a successful landing onto a ground target, but also onto a moving ground vehicle.The system is now being developed into a standalone product for both fixedand rotary-wing vehicles.
EADS Astrium, Surrey University
The collaboration between two of the UK space technology sector's prime centres of excellence - EADS Astrium and Surrey University - is potentially vital in maintaining the UK's world-leading position.
Established in January 2009 following the sale of Surrey Satellite Technology (SSTL) to EADS Astrium, this five-year strategic partnership is already helping to drive forward research in a number of areas.
A recent example is the group's Cubesail technology; an ultralight sail that could be used to help de-orbit satellites at the end of their useful life. The innovative device, which will be launched on a demonstration mission in 2011, is a potential solution to the growing problem of space debris: there are now estimated to be 5,500 tonnes of junk in low-Earth orbit. Other areas of research collaboration include Ion Propulsion concepts for the next-generation satellites, lightweight composite materials and solar-energy systems that could collect power from space and beam it back to Earth.
For Astrium, which has, to date, committed £4m to the programme, the collaboration represents an opportunity to invest in and exploit novel space technology research. Meanwhile, the partnership has enabled the university to expand its research capability.
BAE Systems, Rolls-Royce, Meggitt, Thales, Cranfield, Boeing
The development of vehicles and systems that never break down might sound like a fanciful notion of engineering Nirvana. However, this is the vision of the IVHM (Integrated Vehicle Health Management) centre of excellence, based at Cranfield University.
The centre is driving the development of a range of technologies and systems that can diagnose and even predict faults before they occur. Such an approach could provide a range of benefits to end-users, from reducing the need for unscheduled maintenance, to improving readiness, reliability and availability and potentially extending the useful life of vehicles.
Perhaps unusually, the Cranfield partnership involves companies that are often potential competitors working together and sharing research goals and outputs. The aim is that by operating closely together, the group as a whole will benefit from the inception of co-operative, pre-competitive concepts and will also be able to closely monitor the emergence of state-of-the-art technologies among a range of key industries.
The consequences of new technologies and processes for vehicle health management are far reaching. Beyond aerospace and defence, the potential exists for other industrial sectors such as low carbon and renewable energy (large arrays of wind and wave power generators), transport (road, rail and shipping), consumer goods and healthcare.
The IVHM centre is already setting up a global network by developing relationships with other companies such as UKAEA, SEIC-Loughborough University, and IBM. Meanwhile, results from the centre's research are already being fed back into IVHM partners research and technology roadmaps.
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PETE has lots of exciting things going on! In this segment he tells you what's new and exciting and as an added bonus you'll get to hear Joss' sad attempt at beatboxing and PETE's MASTER beatboxing!
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Please help! I have found a horse I really like but they will NOT agree to any sort of trial period. I went to see him twice and my trainer went with me and rode her also and she was perfect. My trainer does not like the fact that they are so are unwilling to bend on the trial-period thing to the point I think she will recommend walking away from the horse. Since this is my first time buying I want to know how many of you out there had a trail period before you purchased...is this common??..should I be concerned that will will not allow trial?
I am an adult novice rider and the horse will used in HUS, English pleasure and trials. Any advise/stories wold help!


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Hampton Terrace Historic District
Hampton Terrace Historic District
|Roughly bounded by Hanna Ave., 15th St., Hillsborough Ave., and Nebraska Ave., Tampa, Florida
|27°59′58″N 82°26′50″W / 27.99944°N 82.44722°WCoordinates: 27°59′58″N 82°26′50″W / 27.99944°N 82.44722°W
|115 acres (47 ha)
|Architectural style
|Bungalow/Craftsman, Other
|Governing body
|NRHP Reference #
|Added to NRHP
|January 27, 1999
The Hampton Terrace Historic District, originally called the Lakewood Manor Subdivision[2], is a U.S. historic district located in Tampa, Florida. The district is roughly bounded by Hanna Avenue to the north, 15th Street to the east, Nebraska Avenue to the west, and Hillsborough Avenue to the south. Hampton Terrace Historic District was so designated by its inclusion in the National Register of Historic Places on January 27, 1999.
The Hampton Terrace district encompasses 1,150 acres (4.7 km2), and the neighborhood's boundaries are Hannah Ave, 15th St, Hillsborough Ave, and Nebraska, and also includes a small body of water called Lake Roberta, one of a few natural lakes found within the Tampa city limits. It contains 304 contributing structures, all of which are private residences. The structures are considered historically significant examples of residential styles like the bungalow, and architectural influences including American Craftsman Style.[3]
Hampton Terrace is commonly considered part of the city's Old Seminole Heights neighborhood, and is one of several distinct neighborhoods within the greater Seminole Heights section of Tampa.[4] Hampton Terrace Historic District should not be confused with the Seminole Heights Residential District, another U.S. historic district located in the Old Seminole Heights neighborhood.[5]
Forming a New Neighborhood Organization[edit]
In 2009 a petition was circulated by a group of concerned residents seeking to form a Hampton Terrace Neighborhood Association (HTNA). Although the petition circulated did not call for the separation of the Hampton Terrace district from the Old Seminole Heights Neighborhood Association (OSHNA), with which the region had been affiliated for many years, the City of Tampa's Neighborhood Relations Office chose to recognize Hampton Terrace as a separate and distinct neighborhood from Old Seminole Heights and the corresponding neighborhood association. Among the stated purposes of the original petition was to stop efforts to designate Hampton Terrace as a Local Historic District with oversight from the city of Tampa Architectural Review Commission. This citizens group subsequently registered articles of incorporation for HTNA with the State of Florida, establishing it as a standalone organization.
The HTNA organization received correspondence from the NRO that the petition had received the requisite signatures to succeed on February 3, 2010 in an official city memorandum. A subsequent memorandum from the city dated February 16 indicated the city's expectation that the HTNA organization would hold two neighborhood meetings; one for nominations and elections. The deadline for completion was stated in the letter as May 17, 2010.
HTCA and Continued Efforts to Organize a Hampton Terrace Neighborhood Organization for City Recognition[edit]
The Tampa NRO confirmed that if the HTNA organization did not complete elections by May 18, HTNA would not be recognized by the City as representing Hampton Terrace, and the City would accept application from any group that wished to organize a neighborhood organization. While HTNA did hold one neighborhood meeting, a picnic where it presented their slate of officers, no neighborhood election was held by May 17, 2010. Subsequently, a group of neighborhood residents formed a steering committee called the Hampton Terrace Civic Association (HTCA), and submitted to the Tampa NRO a letter of intent describing their plans to form a neighborhood organization for City recognition to represent Hampton Terrace. The NRO deemed these plans acceptable, and offered consultative and logistical support of this effort as per its common practice (e.g., informational mailings to neighborhood property owners).
On May 25, the NRO requested a meeting between their office and the City's Chief of Staff, and the leaders of the HTNA organization and members of the HTCA steering committee . The meeting was precipitated, according to NRO communications, by a vitriolic HTNA email campaign challenging the City's positions on the matter of organizing a Hampton Terrace neighborhood organization. In this meeting the City's reaffirmed its position that the HTNA organization failed to meet expectations as per city guidelines ('How to Form A Neighborhood Association, version 2007' [6]). City records indicate these discussions continued for 3 or more meetings.
Hampton Terrace Community Meeting and Elections[edit]
Hampton Terrace residents were invited to a community meeting on August 4, 2010 for discussions on forming a neighborhood organization and nominations for officers. Several proposals were put forward for consideration: the establishment of two neighborhood associations, a position strongly advocated for by the officers of the HTNA organization; the establishment of a single representative organization for Hampton Terrace, with candidates for officers to be chosen at the meeting; and a proposal from the floor for HTNA and HTCA to propose slates of officers to "duke it out" for leadership of a Hampton Terrace Organization. A clear majority of attendees voted for the option of one Hampton Terrace neighborhood organization, with a slate of officer nominees to be chosen at the meeting. As well, eligible voters in the election were defined as including both property owners, renters, and leasees. A final vote taken at the meeting approved the use of absentee ballots as part of the election process.
The City issued a memorandum on August 9 comprising the meeting notes, the slate of nominated candidates, and the results of other votes at the meeting. The NRO further stated that they would work exclusively with the nominated presidential candidates to organize the specifics of a neighborhood election, with the expectation that these be completed no later than September 30.
Current Progress[edit]
A series of documented meetings have since occurred, most notably, according to memorandums, one with the office of the Supervisor of Elections and presidential candidates to assist to determine the method and time of the vote. Follow up notes indicate a contentious issue was the validation and accountability of any physical ballots that were distributed. Because of this disagreement, as well as obtaining funding for the election, there was no resolution by September 30.
In the meantime, members of the HTCA steering committee, after discovering the interim vice president of HTNA had filed articles of incorporation with the state of Florida to claim the HTCA (Civic Association) title and domain names, re-branded itself as the Hampton Terrace Community Association. In an attempt to meet the city's expectation of elections by the 9/30 deadline, the HTCA organization sponsored a neighborhood outreach event to meet residents, and made plans for an election to occur on September 27 and 28. While this was supported by the Supervisor of Elections office via email, who offered convenient times and methods to facilitate the city's intent, the elections were postponed, ostensibly due to the city's inability to mail postcard notices to all residents.
Officers of the HTNA organization protested to the NRO regarding the HTCA outreach efforts, claiming the group was operating outside of established guidelines, and insinuating various conspiracies with the Old Seminole Heights Neighborhood Association, several of whose current officers reside in Hampton Terrace. Given these protests, the election was tabled and further teleconferences and virtual meetings have occurred.
At this time, Hampton Terrace has not conducted elections, but have a loose agreement with Tampa's NRO to be conducted December 7 or December 9.
- ^ Staff (2010-07-09). "National Register Information System". National Register of Historic Places. National Park Service.
- ^ "Abstract of Title to Certain Lands in Hillsborough County, Florida, No. 45782", Tampa Abstract and Title Insurance Co., Compiled for Karl Knuttsen, 1928
- ^ "Florida - Hillsborough County - - Historic Districts" National Register of Historic Places. Retrieved February 12, 2010.
- ^ "Old Seminole Heights". TampaGov. Retrieved February 12, 2010.
- ^ "Seminole Heights Historic District". TampaGov. Retrieved February 12, 2010.
- ^ "How to Form A Neighborhood Association, version 2007". TampaGov Retrieved August 5, 2010.
External links[edit]
- Hillsborough County listings at National Register of Historic Places
- Map of Hampton Terrace Historic District
- Hampton Terrace community website Resources for residents since 2004
- History of Tampa, Florida
- Neighborhoods in Tampa, Florida
- National Register of Historic Places in Hillsborough County, Florida
- Historic districts on the National Register of Historic Places in Florida
- Bungalow architecture in Florida
- Houses on the National Register of Historic Places in Hillsborough County, Florida


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Even as world headlines from the Middle East focus on upheaval and violence, the region's culture continues to thrive. Here's a look at some groups and individuals making their mark on arts and culture in the region, in no particular order.
Bahraini contemporary artist Mohammed Kanoo's playful images of President Barack Obama and Hollywood actors like Will Smith and John Travolta garbed in traditional Arab menswear was a viral sensation. This piece, called "A Question of Identity," was part of his recent solo exhibition in May at the Meem Gallery in Dubai, dubbed "Fun w/Fen" (Fun with Art). Reviewers have likened his pop-art style with Andy Warhol's. In addition to his digital prints, Kanoo also works in paint, calligraphy and other media. (Photo: khaleejesque.com)
Khadija Al-Salami is considered the first female producer in Yemen. She was married at age 11, but later divorced and pursued her education, eventually becoming the press and cultural official at the Yemeni Embassy in Paris. Women's lives figure prominently in her 20-some documentaries, including one about a female prisoner. After filming during Yemen's unrest last year, she told The New York Times that she wanted to compare Yemeni and Tunisian women and "the roles they played in the revolutions." (Photo: Photo by Filippo Zambon, Nisimazine.eu)
There aren't too many galleries in Algeria, but artist Aghiles Issikhem has found plenty to inspire his creative expression. Working in charcoal, pencil, acrylic and oil paints, Issiakhem has captured the faces of disenchanted Algerian youth in his portraiture. His great uncle was a seminal modern art figure in Algeria, but he's making his own mark. One reputed Algerian painter, Dokman, has called him "a very promising talent" and said, "He's not in it for the money. It comes from his gut." (Photo: Radio Netherlands Worldwide)
With more than 170,000 hits on her April YouTube hit, "El Soor" (The Wall), singer Youssra El Hawary has been hailed as more than a passing Internet sensation. In the video, the skinny-jean-clad El Hawary, in her 20s, sings sweetly with accordion in tow, against the backdrop of a graffitied wall, ubiquitous in post-revolutionary Cairo. An actress and singer with local troupes, El Hawary is seen as an up-and-coming star of Egypt's alternative music field. (Photo: Facebook.com)
Ahmed Mater is considered one of the most significant artists in the Saudi contemporary art world. His range spans painting, photography, installations, video and calligraphy and have been displayed extensively. Motifs from traditional and globalized culture often live throughout his work. He is also a founder of Edge of Arabia, an independent arts initiative that nurtures a network of artists in Saudi Arabia through exhibitions and educational programs. (Photo: ahmedmater.com)
Look out, it's Widad the Loving and Jaleel the Majestic! These new superheroes on the block are the brainchild of Naif Al-Mutawa, the Kuwaiti founder and CEO of Tashkeel Media Group. Billed as THE 99, they are do-gooders inspired by Middle Eastern tradition and Islamic archetypes. Al-Mutawa's vision of kids having new role models has burgeoned from a comic book series to a theme park and a TV series. (Photo: http://www.the99.org)
Bahram Nouraei is among a group of young Iranians who have turned to rap to express themselves. He's been spitting weighty lyrics for the past decade, even addressing President Mahmoud Ahmedinejad in his track "Namei be Raees Jomhoor" (A letter to the president). The rapper's outspokenness landed him a stint in jail, but won him a large following. Last year, he released his latest album, "Sokoot" (Silence). (Photo: Facebook.com)
Syrian political cartoonist Ali Ferzat, influential across the Arab-speaking belt, took the government and elite to task in his drawings. Previously, Ferzat didn't directly chide Syrian President Bashar al-Assad, only addressing him symbolically. But following the popular uprising and the bloody crackdown, his depictions have changed. The veteran cartoonist was kidnapped and badly beaten in 2011. His hands have since healed and he's back at the drawing board, partaking in what he's called Syria's new revolutionary art. One of the many works featured on his Facebook site is pictured here. (Photo: Facebook.com )
Jordan isn't famous for its cinema, but young director and screenwriter Deena Amr is helping change that perception. Her first feature film, A 7 Hour Difference made a splash at the 2011 Dubai International Film Festival. The film portrays the struggles of Dalia, who is back home in Amman from her studies in the United States for her sister's wedding. When her American boyfriend shows up, the relationship thrusts questions around women, culture and religion. Amr's film screened in June at the Manhattan International Film Festival in New York. (Photo: Facebook.com )
Saudi sisters Shadia and Raja Alem combine visual arts and words. Shadia is a visual artist who has exhibited in several countries and Raja is a well-known author, who has worked on novels, plays and other pieces. Raja creates narratives off the artwork Shadia creates and, through various projects, the sisters aim to promote creativity for Saudi youth and women. (Photo: edgeofarabia.com)
Aynur Doğan's soaring voice raised the Kurdish folk tradition's profile on the world music platform. Born in Turkey, Doğan has spent the past decade performing Kurdish and Turkish classics while unveiling her own creations as well. A court issued an order to ban her 2004 album, Kece Kurdan (Kurdish Girl) because it allegedy encouraged separatism. Last year, at the Istanbul Jazz Festival, audience members booed her so severely for performing Kurdish songs that she left the stage. Even so, her tour schedule remains busy as she travels around Europe. (Photo: http://www.aynurdogan.net/)
As Libyans rebelled against Muammar Gadhafi's decades-long rule last year, Adel Al Mshiti's song, "Sofa Nabqa Huna" (We Will Stay Here), became their soundtrack. The song repeatedly implores staying put, which served as a much-needed morale-booster as Libyans fought for their revolution. It's a strong message from Al Mshiti, who was imprisoned for six years under Gadhafi. A doctor by profession, Al Mshiti told USA Today: "My music is my weapon." (Photo: by Portia Walker for USA Today)
In Israeli director Joseph Cedar's film, Footnote, a father and son are pitted against each other as competitive Talmudic Studies professors. Cedar's fourth feature, it received both popular and critical praise and has been described as satire, comedy and even tragedy, defying a single form, and exhibiting Cedar's versatility. The film was nominated for an Oscar in 2012. (Photo: Reuters)
Former President Zine El Abidine Ben Ali's government threatened to ban Emel Mathlouthi's music. She was a student activist who sang about freedom at the time and the intimidation forced her to leave for France in 2007. A few years later, Mathlouthi triumphantly sang "Kelmti Horra" (My Word is Free) in downtown Tunis, inspiring the revolution crowds. Earlier this year, Mathlouthi released her album, named after that very song. Singing mostly in Arabic, her voice has been compared to Joan Baez and her music has hints of electro and trip-hop that combine to create a uniquely Tunisian sound. (Photo: emelmathlouthi.com)
Rapper Qusai (Kheder) grew up in Jeddah and is proof that Saudi Arabia and hip hop aren't mutually exclusive. Qusai went from being a DJ to a successful MC and even co-host of the MBC show, Arabs Got Talent. His new album is titled,"The Inevitable Change." Hot Arab Music called the album's verses "uplifting" and said as Arab rappers have emerged over the past 15 years, "no one has worked as hard as Qusai." (Photo: Reuters)
Brotherly duo Rokni and Ramin Haerizadeh paint bold, fantastical pieces -- at times pulling imagery from traditional Persian art and customs -- that carry commentary on their society and culture. They have used partially nude figures in some work and a few years ago, they fled Iran for the United Arab Emirates after being targeted by authorities. A profile in W magazine said they were "creating some of the most complex and provocative art in the Middle East." (Photo: Self portrait, WMagazine.com)
The dreadlocked Ahmed Asery heads the reggae and blues band, 3 Meters Away, in Yemen. Their songs became protest anthems as students revolted against the regime last year. With song titles like "Inhale Freedom" and "I'm Staying 'til the Regime Leaves," Asery and his bandmates write socially-conscious lyrics and are among the first to sing reggae in Yemen. (Photo: Facebook.com)
Rapper El General's song, "Rais Le Bled" (Leader of the Country), released in December 2010, is noted for pumping up Tunisian masses as they rose up against former President Zine El Abidine Ali, and was later adopted by Egyptians. He took the risk during Ali's repressive rule to speak out against corruption and was arrested. He popularized hip hop as a genre within Tunisia, and elevated Tunisian hip hop on a global scale. Beyond his revolutionary anthem, El General performs live and is working on an album called "The Voice of the People." (Photo: Facebook.com)
Khalid Al Zadjali is working to put Oman on the cinematic map. He directed what are considered the country's first two feature films, including the recently released Aseel about an eponymous Bedouin boy. As he works to transfer the Gulf state's narratives onto the big screen, he also oversees the annual Muscat International Film Festival. (Photo: Omani Association for Cinema)
Combining seemingly disparate sounds has never been an issue for Idan Raichel. For the past decade, the Israeli musician has blended Ethiopian, Latin, Middle Eastern and Caribbean beats, with his group, The Idan Raichel Project. Raichel, who is credited with redefining Israeli popular music, continues to tour and collaborate with diverse artists, including India Arie. (Photo: Cumbancha.com)
As Iraq emerges from nearly a decade of war, filmmaker Oday Rasheed is committed to jump starting the local cinema scene. Rasheed's first feature film in 2005, Underexposure, was the first one made in the country after Saddam Hussein fell from power. In 2010, the director and screenwriter released his next feature, Qarantina, about a troubled family in gritty Baghdad. In addition to making his own films, he co-founded the Baghdad Film Production Center with Mohamed al-Daradji in 2010. (Photo: Reuters)
Ten years ago, the band Hoba Hoba Spirit was an underground act -- rock outfits were not so welcome in the Morrocan music landscape. Today though, the band attracts huge audiences as they fuse rock, reggae and traditional Gnawa music of North Africa. They credit the Internet with connecting them with fans, both at home and overseas. (Photo: www.hobahobaspirit.com)
Violinist and composer Hazim Faris' first album, "1001 Violin Nights," topped regional music charts upon its release last fall. With contributions from Turkish musicians, the album is dubbed a "musical journey from Baghdad to Istanbul." Though based in the United Arab Emirates in recent years, the Iraqi musician continues to produce lyrics and music for famous Iraqi singers. He's going international, with performances scheduled in coming months at music festivals in Europe. (Photo: Wikimedia Commons)
Lalla Essaydi, who was raised in Morocco and has lived in Saudi Arabia, illuminates large photographs of women, sitting in Moorish settings or draped in flowing cloth, with endless hennaed writing in Arabic. Her mixed media pieces often incorporate questions of gender roles. Essaydi has exhibited her work (including Silence of Thought # 2, pictured) the world over and is currently on display at the Smithsonian's African Art Museum in Washington until February. (Photo: National Museum of African Art, Smithsonian Institution)
Jerusalem-based artist Raeda Saadeh has been likened to renowned conceptual artist Cindy Sherman for her installations, performances and photography. Saadeh says her work examines ideas of gender, identity and displacement, as in this work, titled "Hospital." The Palestinian artist, who had her first solo exhibit in London earlier this year, often puts herself as the subject of her pieces -- be it in an absurd position or clad as Vermeer's "The Milkmaid." (Photo: Facebook.com )
This is an excerpt of an article that originally appeared on Al-Monitor. For the rest of the list, and a look at the 50 best Twitter feeds of the Middle East, head to Al-Monitor. If you think anyone was left off the list, let us know in the comments, or tweet @AlMonitor.
- HuffPost


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10 Things That Make Me a Bad Mom ( Are you mom enough to handle it?)
Once again the media is more than happy to drive moms into a frenzy that helps continue the moms wars. Thanks TIME, add a little guilt right before Mother's day! I don't find the imagine offensive, I find the headline offensive. Sure, I'm mom enough, but it took me a long time to get here. Just this past week as I was planning this post a fellow mom spoke with me about a blog post I wrote earlier in the week about a bully mom I met on the playground. She was outraged that another woman would put another woman down. She kind of summed up my thoughts on the mommy wars. Why aren't we supporting each other? I've learned so much from other moms, both things I would do and somethings I wouldn't. The fact is that we all have the same job and that's raising our children. It doesn't matter whether you work at an office or at home. It doesn't matter if you choose to breastfeed or bottle feed. It doesn't matter, it all doesn't matter unless it works for you and your family. The media has created barriers between moms that shouldn't be there and we can stop this ourselves by not buying into it.
So, here is my original post for this Friday. Here are ten things that moms love to judge other moms about and I'm mom enough to let you know I do them and I'm okay with it.
I'm a bad mom because:
10. I let my kids pick out their own clothes and dress themselves. ( Yes, those are my sons wearing those wrinkled clothes that kinda match sometimes.)
9. I let my kids order soda when we go out to eat. ( Only at a real restaurant, they never get out of their seats and are so well behaved because they get this treat!)
8. I don't sign my kids up for every single sport or activity. ( Sorry, I'd like to not spend all my time in the car or on the sidelines.)
7. my kids don't have every new gadget on the market. ( What the hell is a Wii U?)
6. I take time for myself and teach my children to respect alone time. ( We all need it. )
5. I let my kids hug and kiss me in public and I do it back. ( I actually had a 5 year old tell my son that we don't do things like hug and kiss moms in public, oops I didn't know.)
4. I let my dishes sit in the sink and don't clean up after dinner sometimes because someone wants to be held or snuggled. ( A slob I am.)
3. My little guy still crawls into bed with us at night and I'll never ask him to leave. ( I secretly love it, but have a hard time owning up to people about it.)
2. I bribe my picky eater with treats to get him to try more veggies. ( It actually worked and now he eats them without me bribing- imagine that!)
1. I quit breastfeeding my youngest at 3 months old. ( I saved this one for last. I wasn't able to feed my oldest and it was a sore spot for me for a long time. Then when my youngest was born a month early and developed a feeding problem, I had to do both breast and bottle feed him because he was too weak to breastfeed alone. I was so excited that I could breast feed, but it soon wore off. Guess what? We all lived and are smart and healthy! )
So, what I'm saying moms is that part of being your best mom, part of being mom enough, is to stand behind your choices and not judge others for theirs. I love all my mommy friends!
Happy Mother's Day!!!!!!!
5 Comments to 10 Things That Make Me a Bad Mom ( Are you mom enough to handle it?)
Thank you so much for this Milena, especially 10, 8, 7, 5, and 1:
10: I am in love with your guy's pink socks. They have this effect on his demeanor– they energize and calm him. It's amazing, and he is so proud of them!
8: If I had your boys, I'd want to spend all of that time with them too!
7: Hmm 'depriving' your children of gadgetry to promote their outdoor play and develop a sense of responsibility– working for what you get– YUP! baddy mommy!
5: I LOVE this about your guys.
1: So, so, so upset about the headline. Had trouble myself with Molly, and drove myself into postpartum depression trying to nurse, bottle (formula) feed, and pump for the first few weeks. Molly had pumped breastmilk for 1/3 of her milk; 2/3 formula for the first 2 months, and formula after that, and I think she turned out great so far!
Great post! I do most of those too.
It's sad how Time didn't care at all about doing a good article, only about how much money they could make…
you are not alone!!!! I do most of those things too, and don't care!!! my youngest didn't get any breastmilk!!! and he's fine!!!!
::sigh:: I had to learn it with my first, (screw it! to the chatter) (even though my 2nd may have already been on the scene?) He has a Sensory Processing Disorder & a speech delay which means he used to scream ALL THE TIME…. We didn't know why, but we'd always get "the look" you know, like, "why-can't-you-control-your-kid" look… One of his day care providers even said to me, "Why is he allowed to do that? None of these other children (that went to her program) are." She is no longer in business, and now that we understand why Josiah screams, we know how to deal with it, but I spent alot of time crying about it…Finally I decided to google "My son screams and I don't know why" b/c his Dr. didn't seemed too concerned (granted, he wasn't w/us 24/7 & seeing all the judgement coming our way) & i discovered an SPD website… THEN I had to deal w/ppl not believing me (including his former preschool teachers-I ended up pulling him out of there) b/c I "self-diagnosed him". He's been officially diagnosed now, but it wasn't for "them"-it was for his IEP plan @ school….


text:
Louis Walsh, Lauren Silverman and Simon Cowell sighting at Scalini Restaurant, Chelsea on Wednesday in London. / Alan Chapman, FilmMagic
They were spotted last week on vacation in St. Tropez, and now Simon Cowell and his pregnant girlfriend, Lauren Silverman, have been happily stepping out in London.
And they were hardly hiding their love (and why not since Silverman's divorce settlement with Andrew Silverman was reached on Aug. 14?).
Cowell, 53, stopped to kiss Silverman, 36, after they had dinner Wednesday night with his friend, British X Factor judge Louis Walsh, at Scalini Italian restaurant, reports the Daily Mail.
And The Mirror says the two have been "snogging" outside Cafe Rouge, where they had lunch on Wednesday.
Of Cowell's impending fatherhood, Walsh says, ''He's the biggest kid I know. He's going to spoil that child. It will be the best thing that's happened to him.''
But it was a quick trip for Silverman, who was seen heading to Heathrow today.
Copyright 2015 USATODAY.com
Read the original story: Simon Cowell, Lauren Silverman are all smiles in London


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text:
There are no raw sockets in BSD - apparently... Rather, raw network
device traffic is handled using the bpf interface.
To briefly quote man bpf:
BPF(4) BSD Kernel Interfaces
Manual BPF(4)
bpf -- Berkeley Packet Filter
pseudo-device bpf
The Berkeley Packet Filter provides a raw interface to data link
layers in a protocol independent fashion. All packets
on the network, even those destined for other hosts, are
accessible through this mechanism.
The packet filter appears as a character special device, /dev/
bpf0, /dev/bpf1, etc. After opening the device, the file
descriptor must be bound to a specific network interface with
the BIOCSETIF ioctl. A given interface can be shared be
multiple listeners, and the filter underlying each descriptor
will see an identical packet stream.
A separate device file is required for each minor device. If a
file is in use, the open will fail and errno will be set
to EBUSY.
Associated with each open instance of a bpf file is a user-
settable packet filter. Whenever a packet is received by an
interface, all file descriptors listening on that interface
apply their filter. Each descriptor that accepts the packet
receives its own copy.
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