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Martinez champions fight against bullying outside the ring
Outside the ring, Martinez prefers to help people in need.
He attacks both endeavors with equal tenacity and passion.
But it's the 37-year-old Argentine middleweight champion's untiring desire to help the weak — particularly bullied children and battered women — without seeking publicity that sets him apart.
Ask Monique McClain.
VIDEO: Martinez's greatest hits
VIDEO: Conversation with Martinez, Macklin
The Middletown, Conn., teen's life was spiraling downhill in 2010 after she was relentlessly bullied, on the bus, at the bus stop and in school. She was pushed down, had food thrown at her, syrup poured in her hair and was viciously abused verbally by a group of girls. Her mother, Alycia, pulled her out of school, she said, when school officials told her to "suck it up."
When Martinez heard about the situation from WBC boxing referee and coach Johnny Callas, who was involved in Monique's situation, he contacted her through an HBO intermediary, he says, and arranged a meeting.
"That was set up because (Callas) asked us to," Lou DiBella, Martinez's promoter, said Tuesday. "I thought it would be a nice little publicity thing, but I never thought it would turn into what it has. It's a real relationship."
Martinez and McClain, 14, struck up a friendship, and he invited her to his next fight to sit ringside against Sergiy Dzinziruk at the Foxwoods Casino in Connecticut last March.
"Maravilla" came away with an 8th-round TKO win against unbeaten Dzinziruk and a new-found friend in McClain, who was awed by the handsome fighter.
It changed her life.
"Sergio stepped in in a time of my life when I didn't think I had anyone on my side," Monique said by phone this week. "Everyone was against me, but he made me feel welcome.
"Basically he kept telling me, 'It gets better.' That's kind of our little motto right now. We have bracelets made up, and he told me that what doesn't kill you will make you stronger."
Martinez, himself a victim of bullying as a child in his dirt-poor rural village in Argentina, said when he heard her story, "It was such a sad story, I knew I was going to reach out. I think she was on the verge of contemplating suicide, and that's why I really wanted to do something."
Said Alycia: "To me the whole thing is amazing. At a time when she didn't have any friends whatsoever, was depressed and isolated, her (boxing) coach Johnny Callas worked it out. I'm not sure what strings he had to pull to make that meeting with Sergio possible, but she's very, very happy.
"And a smile on her face is a smile on mine."
DiBella, who knows Martinez as well as anyone, says, "(Monique) worships Sergio, and honestly he changed her life. Watching that was unbelievably moving. There was a language barrier, but it didn't matter. He just got through to her.
"She's back in (a different) school now and her self esteem and the whole way she presents herself are different."
Monique is back in school, after a year away, and loves her new school and her new life.
She will be sitting ringside again Saturday night at the Theater in Madison Square Garden when Martinez (48-2-2, 27 KOs), the lineal middleweight champ, takes on Irishman Matthew Macklin (HBO, 10 ET) in a 12-round, St. Patrick's Day bout.
McClain, who was made the youngest ambassador for WBC World Boxing Cares, which helped in arranging her meeting with Martinez, will present the fighter with an award for helping bullied children at today's final news conference.
Asked what advice he offered to help change the young girl's life, Martinez said, "I told her you can look for help. You should look for help from the people who are willing to offer a hand. In her case, if you can look for an outlet in boxing, you should do that."
McClain took up boxing before she met Martinez to help her self confidence and will soon have her first fight.
Martinez also champions the cause of domestic violence against women. He joined New York City Council member Julissa Ferreras and domestic violence groups Wednesday at City Hall for a news conference to support legislation involving the Violence Against Women Act.
"With domestic violence, no one wanted to touch the subject with a 10-foot pole," Martinez said through an interpreter. "I was interested in the issue that a boxer, who dishes out violence, could also be thoughtful and do something and people would listen to someone like me. I thought I could have the most impact by speaking out on the issue."
DiBella says the first time Martinez's passion to help the underdog came to his attention was after former lightweight champion Edwin Valero was arrested for murdering his wife in March 2010, then hung himself in jail the next day.
"Sergio was incensed that people were feeling bad for Valero," says DiBella. "He was like, what about his wife? What about his kids who have no parents?
"In his next fight, he had Valero's wife's name (Jennifer Carolina) embroidered on his shorts.
"I thought, 'this is a different kind of cat.' He is the most cerebral fighter I've ever dealt with."
Says DiBella: "He visits safehouses regularly. To go to a safehouse, you can't bring a reporter, you can't publicize it. It's like the complete opposite of handing out turkeys. He goes to where women are hiding because their life is at risk.
"This guy's affection for the underdog is greater than I've ever seen. And what's more of an underdog than a bullied child or a woman getting abused."
Through all of the distractions, Martinez, who lives and trains in Oxnard, Calif., has had to prepare to fight an extremely tough opponent in Macklin (28-3, 19 KOs), who lost a controversial split decision to WBA champion Felix Sturm in June in Germany in a fight many thought Macklin, nicknamed "Mack the Knife," won.
"Macklin is a tough-as-nails kid, a good kid," says DiBella, who also promotes Macklin. "He has nothing to lose, and Sergio has everything to lose."
Macklin says he will try to impose his style on the southpaw Martinez. "I want to make it a physical fight," he told HBO. "I want to make a grueling, tough, hard fight, and basically I want to go to war."
DiBella and Martinez say he is the most avoided fighter in the sport today, much of that sentiment coming off Martinez's brutal second-round knockout of Paul Williams in their rematch in November 2010. Williams won the first fight.
"I am a very dangerous fighter, and they understand how dangerous I am in the ring," Martinez said. "Because of that, they invent excuses."
"These days, the fighters think more about the numbers, compared to fighters of 10 years ago, who were … going to the best of the best for their fights. Receipts and gates are something that are totally on the minds of today's boxers. I don't think Sugar Ray Leonard, Marvin Hagler and Tommie Hearns ever talked about receipts and gates. They just got in the ring and fought each other."
Martinez said the one fighter he wanted to face more than any other is unbeaten Floyd Mayweather Jr., who will fight May 5 at 154 pounds against Miguel Cotto.
Martinez said he would come down to 154 pounds to fight Mayweather. "The main thing is to step up and fight," he said. "Where, when and for how much, that will get worked out. Let's get it on first. I'm ready."
So is DiBella.
"I'd do an 80-20 deal with Mayweather tomorrow," says DiBella, offering to take only one-fifth of the revenue. "And Mayweather would make almost as much money as he would fighting (Manny) Pacquiao.
"It would be huge pay-per-view because it would be maybe the first fight in Mayweather's career where it would be an even-money fight."
Does Martinez worry that, at 37, he might be running out of time in his quest to fight the best in the sport? Not really.
"If someone does not want to fight me," he says, "they should not be considered the best."


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Wayfaring Stranger chords by Johnny Cash, added: August 28th, 2003
Profile History
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I saw another posting of this that works, but I believe this is
more accurate. The other posting gives all the lyrics, but this
will giove you the idea. Johnny Cash is the MAN.
Wayfarin Stranger
I'm just a poor wayfarin stranger
Am B7
Travelin' through this world of woe
But there's no sickness, toil or danger
In that bright world
To which I go.
I'm going there to meet my father
Am Em
And I'm going there no more to roam
I'm just going over Jordan
Am Em
I'm just going over home.
put a capo on the secong fret very good

subset: commoncrawl


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nef: more funding for data collection needed
The report says that the CFP can only make fisheries sustainable and profitable with adequate data on fish stocks and the proper enforcement of laws that prevent overfishing
Research by the New Economics Foundation (nef) says that additional funding to improve EU fish stocks management and prevent illegal fishing would help restore EU fish stocks and secure economic benefits.
The report, 'Unknown waters', claims that without more funding for data collection it will not be possible to set fishing quotas at sustainable levels and restore fish stocks.
The report points towards the upcoming vote in the EU Parliament on fish subsidies as an opportunity to reverse this situation.
The report finds that the current level of expenditure in data collection, control and enforcement is insufficient, and that current spending in data collection (€51 million), control and enforcement measures (€49 million) amounts to €100 million per year - 1% of the total potential value of EU catches.
The reports claims that every €1 invested in data collection, control and enforcement measures could see a return of up €10. It says that tripling current funding for data collection, control and enforcement to €302 million has the potential to restore fish stocks, delivering an additional value of €3.2 billion.
Images for this article - click to enlarge
Image copyright © Mercator Media 2015, or image used with permission of the copyright holder unless otherwise stated.


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Cheesecake and brownies: the ultimate sweet combination.
225g/8oz dark chocolate (minimum 70% cocoa solids)
150g/5½oz unsalted butter
3 free-range eggs
225g/8oz caster sugar
100ml/3½fl oz strong espresso
100g/3½oz plain flour
150g/5½oz full fat cream cheese
50g/1¾oz caster sugar
1 free-range egg
½ orange, zest only
Preheat the oven to 170C/325F/Gas 3. Grease and line a 8in/20cm square cake tin.
For the brownies, melt the chocolate and butter in a bowl set over a pan of simmering water. (Do not let the base of the bowl touch the water.) Remove the bowl from the pan and set aside to cool slightly.
Whisk the eggs, caster sugar and coffee in a bowl until well combined. Sift in the flour and chocolate mixture and mix until well combined.
For the cheesecake, beat the cream cheese, caster sugar, egg and orange zest until smooth.
Spoon the brownie mixture into the cake tin then spoon the cheesecake mixture on top and use a knife to cut lines into the mixture to create a marble effect.
Bake in the oven for 25-30 minutes, or until just set. Remove the tin from the oven, set aside to cool completely, then cut into squares
Type the ingredients you want to use, then click Go. For better results you can use quotation marks around phrases (e.g. "chicken breast"). Alternatively you can search by chef, programme, cuisine, diet, or dish (e.g. Lasagne).


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I like listening to the same song over and over, long car rides, fountains, lightning storms, artificial grape flavor, answering any and all questions, watching you play video games, arguing, dancing in places where dancing is not expected, and reinterpreting everyday actions into triumphs. To say I'm a terrible liar would be a serious understatement. I'm a very easy laugh. My favorite deadly sin is avarice. I was named after the Everett Street in Seattle. My tattoo designs are from the Magdalenian and Midcentury periods, respectively.
I am Versatile, Resilient, and Audacious.
I've just recently deleted all my questions and am re-answering them with the aim of finding platonic matches (in practice, this is turning out to necessitate selecting "irrelevant" frequently.)


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WESTWOOD, CA - JANUARY 09: (L-R) Singer Mariah Carey, musician Keith Urban, and singer Nicki Minaj onstage during a live Q&A during the season premiere screening of Fox's 'American Idol' at Royce Hall, UCLA on January 9, 2013 in Westwood, California. (Photo by Imeh Akpanudosen/Getty Images)
- Filed Under
Country superstar Keith Urban had no problem saying "yes" when "American Idol" producers approached him to be one of the judges on the latest edition of the music competition series.
After all, Urban and his wife, actress Nicole Kidman, are huge fans of the program. Plus, he had done similar work as one of the judges on the Australian version of "The Voice."
It was saying "no" after he was selected that was difficult. ...


text: "What Mr. Ford did was deplorable," says District Attorney R. Seth Williams. "It wasn't the first time he stole from deportees."Philadelphia D.A.: Federal agent stole from deportees Josh Kruger March 3, 2015 News & People, What's Up Now In a stunning news conference today, Philadelphia District Attorney R. Seth Williams announced that his office is charging a federal agent for allegedly stealing from undocumented immigrants. District Attorney Seth Williams says Justin Ford stole from undocumented immigrants. U.S. Department of Homeland Security Immigration and Customs Enforcement agent Justin Ford stands accused of a slew of charges, including theft by unlawful taking, receiving stolen property, official oppression and conspiracy. "On February 24, 2015, Agent Ford and his partner met with Philadelphia Police to take a prisoner, who was actually an undercover Philadelphia Police Officer assigned to the District Attorney's Office, into custody," explains the DA's office. "Agent Ford's partner searched the prisoner and found $2,000 in marked bills. Then, once alone with the prisoner, Agent Ford repeatedly asked the prisoner about the money and when the undercover agent could not verify the amount, Agent Ford returned most of the money to the prisoner." When the prisoner was taken into custody in York, officials there at York County Prison reported $200 was missing from the original $2,000. Then, when Ford made his way back to Philadelphia, members of the Philadelphia SWAT unit confronted him. Authorities say Ford had two marked $100 bills in his possession. Undocumented immigrants are often cited as one of the most vulnerable populations in the nation, mostly because they're often afraid to report crimes and interact with authorities. And deportation detention facilities are themselves known for deplorable conditions, too. So, the notion that a federal agent was taking advantage of all of those facts, if true, is truly horrendous. "What Mr. Ford did was deplorable," says Williams. "It wasn't the first time he stole from deportees, and so he will be punished to the fullest extent of the law." The district attorney went on to thank the Philadelphia Police Department and other agencies for cooperating with one another to "get this bad officer off the streets." Leave a Reply Cancel Reply Login with your Social ID Your email address will not be published. Name* Email* Website Comment


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Cape Cod News
An example of architectural history in Los Angeles27 Sep 2012 8:38 AM
At its best, architecture is more than just the process of designing homes or commercial buildings. Its most important practitioners imbue their work with their own particular creativity and insight. In our daily lives, we can sometimes catch glimpses of this specific type of genius by seeing novel buildings in big cities or visiting one-of-a-kind historic homes.
A lucky few, however, can sometimes get a much closer look. Every once in a while, a luxury home comes on the market that is a breed apart from the traditional houses available. These offerings typically feature a distinctive style or design that makes them stand head and shoulders, so to speak, above less original homes.
One such home is now on the market in Los Angeles, and it is a truly singular achievement. Built incrementally over many years, the property features three distinct units that blend into one fascinating whole. Perhaps more importantly, pieces of this captivating property were designed by two influential architects: Richard Neutra and Paul Hoag.
Neutra and Hoag, who are both renowned designers, infused the property with their own distinct senses of style and function. Neutra, a beacon of the modernist school who worked mostly in Southern California, was called in during the 1930s to expand the initial two-bedroom Spanish home. Employing his characteristic flair, Neutra added an upper bedroom and bathroom unit with curving walls and a powerful grace.
Later, Paul Hoag, another prized California architect, was called to build a supplemental studio apartment on the grounds. Like Neutra, Hoag went well beyond expectations and crafted a unit that is a shining example of architectural wonder.
"A property like this comes around only once in a while," said Rob Kallick, a real estate professional for Sotheby's International Realty. "That alone would be very valuable, but add in the income potential of the rental units and you have a listing with a very high upside."


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Team Abu Dhabi by Black Falcon broke AF Corse's win streak at Yas Marina Circuit by taking a dominant victory in the third edition of the Gulf 12 Hours.
The No. 3 Mercedes-Benz SLS AMG GT3 of Jeroen Bleekemolen, Bernd Schneider and Khaled Al Qubaisi cruised to a one-minute and 41-second win over the two-time and defending overall winning AF Corse squad, in what was a clear-cut race for the German-run, UAE-backed effort, nearly from the onset.Gulf 12 Hours, Sports Cars


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The following article was contributed by guest author Randy Tanudibrata, Interactive Designer at GetIT Comms. Facebook, as one of the most interesting company that is rapidly changing, just announced another new feature on their platform. Facebook will change their fan page format into Timeline format. On December 15, Facebook announce Timeline … [Read more...]
What marketers need to know about the new Facebook Timeline for Brands
March 7, 2012 by Guest Blogger Leave a Comment
How to make trade shows work for B2B marketing
January 14, 2010 by Asuthosh 2 Comments
It's a dilemma we have often faced. To be or not to be (at trade show events). Prevailing common sense dictates a mandatory presence, but our experience coupled with shifting trends in B2B marketing, gives us a niggling feeling – how useful will it be to us? On a broader note, how worth it are trade shows for your B2B marketing initiates? Turns … [Read more...]


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- Filed Under
SULPHUR SPRINGS - Curtis Parker, 58, of Sulphur Springs, passed away Tuesday, February 19, 2013 at Henry County Hospital.
He was born August 26, 1954 in Henry County the son of Thomas and Martha (Whitworth) Parker.
Curtis retired from Chrysler following thirty years of service. He drove a school bus for Shenandoah Schools and was also a farmer. He was a strong supporter of the Shenandoah Schools and enjoyed all the athletic events with all age groups. He was very involved with the Sulphur Springs Community in many aspects where he served with the Volunteer Fire Department for over thirty years. Curtis truly enjoyed his family and was a loving husband and father. He was a very generous, kind, and humorous man who lived life to the fullest and made everyone more important than himself.
He leaves to cherish his memory his wife of thirty-six years, Roxanne Parker of Sulphur Springs; children, Aaron (Kara) Parker of Bloomington, Andrew (Cami) Parker of Fishers, Amy (Tony) Inman of Fishers, Allyce Parker (significant other, Chris Goodman) of Marion; grandchildren, Ola, Oliver and baby number three, Parker of Bloomington, Max and Macy Inman of Fishers; a brother, John (Kristie) Parker of Warsaw; aunts, Virginia Thurston of New Castle and Phyllis Whitworth of Middletown; brothers-in-law, Randall (Kay) Swoveland of Daleville, Robert Swoveland of LA; a cousin, Robert (Nancy) Poffenbarger of AZ.
In addition to his parents, he was preceded in death by an uncle, George Poffenbarger; an aunt, Thelma Poffenbarger; a cousin, Martin Poffenbarger; father and mother-in-law, Robert and Kate Swoveland.
Services will be at 1:00 p.m. Saturday, February 23, 2013 at Hinsey-Brown Funeral Service in New Castle with Randall Swoveland officiating. Burial will follow in Miller Cemetery in Middletown.
Friends may call from 2-8 p.m. Friday, February 22, 2013 at the funeral home.
Memorial contributions may be given to the Sulphur Springs Volunteer Fire Department 401 W Main St. PO Box 17, Sulphur Springs, IN 47388 or the Henry County Hot Shots Power Soccer Team c/o Dennis Crum 3349 W US 36 Middletown, IN 47356. Envelopes will be available at the funeral home.
You may express a condolence or share a memory of Curtis at http://www.hinsey-brown.com.


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In everyday English usage, allies are people, groups, or nations that have joined together in an association for mutual benefit or to achieve some common purpose, whether or not explicit agreement has been worked out between them. When the term is used in the context of war or armed struggle, such associations may also be called allied powers, especially when discussing World War I or World War II.
A formal military alliance is not required for being perceived as an ally—co-belligerence, fighting alongside someone, is enough. According to this usage, allies become so not when concluding an alliance treaty but when struck by war.
When spelled with a capital Jack, the word "Allies" usually denotes the countries who fought together against the Central Powers in World War I (the Allies of World War I), or those who fought against the Axis Powers in World War II (the Allies of World War II).
More recently, the term "Allied forces" has also been used to describe the Coalition of the Gulf War, as opposed to forces the Multi-National Force in Iraq which are commonly referred to as "Coalition forces" or, as by the George W. Bush administration, "The coalition of the willing".
The Allies in World War I (also known as the Entente Powers) were initially the British Empire, France, Russia, Belgium, Serbia, Montenegro, and Japan, joined later by Italy, Portugal, Romania, the United States, Greece, and Brazil. Some, such as Russia, withdrew from the war before the Armistice due to revolution or defeat by the Central Powers.


text:
Posts Tagged 'being eaten alive'
Eaten Alive! Babes Eaten Alive by Monsters! Girls Being Eaten Alive! People Eaten Alive!Thursday, March 11th, 2010
Deadly Sexy Spider Woman – Spider Vore – Black Widow – Eats Mate – Eats Male – Eaten by SpidersTuesday, March 9th, 2010
Eaten Alive by Monsters – People Eaten by Sea Monsters!Sunday, February 28th, 2010
Eaten Alive by Monsters – People Eaten by Sea Monsters! Some sabotaged the pool!
Girl Eaten by a Gigantic Spider! Eaten by Spiders!Tuesday, December 29th, 2009
Girl Eaten by a Gigantic Spider! She's still awake, she just can't move at the moment!
Woman Eaten by Worms – People Being Eaten AliveMonday, December 14th, 2009
Woman Eaten by Worms while being impregnated!
Man Eating Plants! People Eaten by Plants – Hungry Carnivorous Plants!Friday, October 30th, 2009
Man Eating Plants! People Eaten by Plants have it rough. First the victim gets stuck, then the plant slowly collapses on them and then they are absorbed very slowly alive inside the mutant plant!
People Eaten by Giant Spiders – Eaten Alive!Saturday, September 12th, 2009
People Eaten by Giant Spiders aren't really eaten… they're sucked dry!


text:
Regarding the "debt limit" and the manner in which elected representatives discuss it, it seems to matter on which side they are and just who the president is. I wonder how they do it? Tell me: are they hypocrites?
Read several quotes from a few of our officeholders about the problem of extending the National Debt:
"America has a debt problem and a failure of leadership. Americans deserve better. (I will not vote to raise the debt ceiling.)"
- Obama, 2006, U.S. Senator
"We can't just give a blank check over and over and over again."
- Nancy Pelosi, 2004, Democrat House Minority Leader
"Most Americans know that increasing the debt is the last thing we should be doing."
- Harry Reid, 2006, Democrat U.S. Senator
Why doesn't the press and CBS, NBC, ABC, and NPR broadcast these quotes from these Democratic opportunists who were fighting a Republican president at the time? And isn't that Obama our president today? He is a true opportunist and hypocrite, doesn't it seem? I think so.
These news outlets are Democrat organs, their cheerleaders and propagandists. And of course that is the truth. Just look at what they say and when they said it. Once you do that, see what they say today. They can't see how the nasty Republicans can hold us all "hostage." Notice the difference? I do.
Ben Perlmutter


text:
There's more to all of us than just a paragraph. I'm a guy of the rare 'worth getting to know' variety. As for anything that makes me more unique, well, you'll just have to ask to find out.
Join OkCupid
Find better matches with our advanced
Find better matches with our advanced
matching system
—% Match
—% Enemy
31 • London, UK • Man
I'm looking for
- Women
- Ages 25-32
- Near me
- Who are single
- For long-term dating, short-term dating, casual sex
My details
- Last online
- Apr 13
- Orientation
- Straight
- Ethnicity
- White
- Status
- Single
- Height
- 5' 8" (1.73m)
- Body Type
- Average build
- Smoking
- No
- Drinking
- Often
- Religion
- Atheism
- Education
- University
- Offspring
- Doesn't have kids
- Speaks
- English, French (Somewhat)
My self-summary
Write a little about yourself. Just a paragraph will do.
What I'm doing with my life
Don't overthink this one; tell us what you're doing day-to-day.
Currently I'm an architect, which means I'm slowly making the world a lesser place despite my protests. I enjoy it for now but would like to move on to do other things later on. I'm currently trying to illustrate a type of fairy tale.
I'm really good at
Go on, brag a little (or a lot). We won't judge.
Making friends, especially with dogs. Insulting people without them noticing, again especially with dogs.
I'm also a good cook and a phenomenal bowler. I have a strong history of butchering hallowe'en costumes.
I'm also a good cook and a phenomenal bowler. I have a strong history of butchering hallowe'en costumes.
The first things people usually notice about me
I'm an empty essay… fill me out!
I'm the spitting image of my evil twin brother.
Favorite books, movies, shows, music, and food
Help your potential matches find common interests.
In general I tend towards the wannabe intellectual side of things (documentaries, science books, journals, nat geo, etc) as oppossed to the more typical stuff (tv series, novels, fiction, etc). That said I really enjoy stories and love American writers like Bukowski, Ginsberg, Hunter Thomson, Keraouc and what have you. I also have a thing for Ancient Greece and am convinced that Aristophanes was completely out of his mind.
Oh, and I just read The House of Leaves, it is fantastically demented and yeah, you just have to go read it.
Oh, and I just read The House of Leaves, it is fantastically demented and yeah, you just have to go read it.
The six things I could never do without
Think outside the box. Sometimes the little things can say a lot.
Good company.
Something to think about.
My goose whistle.
Something new to learn.
An impending sense of doom.
Something to think about.
My goose whistle.
Something new to learn.
An impending sense of doom.
I spend a lot of time thinking about
Global warming, lunch, or your next vacation… it's all fair game.
If I had a goat for a best friend then I could steal and drink people's cans of beer, and then the goat would eat the cans and then I'd be like "what cans?" and completely get away with it.
On a typical Friday night I am
Netflix and takeout, or getting your party on — how do you let loose?
hoping to find an opportune moment to strangle a goose. I mean sure I've strangled other animals, and I've done nasty stuff to geese (who hasn't?) but I've never gotten around to strangling a goose.
The most private thing I'm willing to admit
I'm an empty essay… fill me out!
This is how I walk to work.
You should message me if
Offer a few tips to help matches win you over.
You know a load of Simpsons quotes, if you're mentally stable, and if you know any good cocktail bars, and also if you know any spots where geese hang out.
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text:
Via the Intel Hub:
While the Japanese government continues to say that the yellow rain seen in Japan was simply "pollen," many have been reminded of a very similar occurrence after the Chernobyl nuclear disaster.
Almost on cue, the Japan Meteorological Agency has confirmed the rain to be pollen after receiving hundreds of calls from concerned citizens.
The ''yellow rain'' seen Wednesday in the Kanto region surrounding Tokyo was caused by pollen, not radioactive materials as many residents had worried, the Japan Meteorological Agency said Thursday, reported the Japan Times.
That's right, according to so called experts, enough pollen to cause hundreds to report their findings, rained down on Tokyo at the same time as a devastating nuclear disaster has released high levels of radiation at least 20 km from the nuclear plant.
This explanation has reminded many of the yellow rain that hit after the Chernobyl disaster.
Read More: Intel Hub


text:
This piece is completely modular and totally sustainable. Reclaimed Douglas Fir combines with industrial iron made of recycled material to form a contemporary ecological statement.
- Product: Floating Shelves
- Brand: Blake Avenue
- Retailer: Blake Avenue
Have an opinion? Care to comment? We'd love to hear what you have to say.


text:
Home » Main » Trailers For Sale
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1965 11' Sante Fe Vintage Travel Trailer
Quantity Views Date Posted 1 14338 Fri June 22, 2012
Asking Price Shipping Amount Condition $6,295.00 None Excellent
Description: 1965 Sante Fe Vintage Travel Trailer - Fantastic trailer, completely refurbished and ready to go right now. Interior has orginal three burner stove and original ice box. Closet is big enough to store porta - potty. New cushions and upholstery with matching custom curtains. New vinyl flooring, new countertops, new table top, new water facet and original style water pump. New interior paint. new light fixtures. Electical outlets and 110 elec. hook-up and a 12 gal. water tank. New window crank handles and new window screens. Storage under the front seat and under the rear bed. Exterior has new paint and roof is coated. windows caulked and sealed. New entry door lock, new side light marker lights. New trailer crank, new locks on rear storage, new propane hose regulator. 2 heavy duty tow chains, wheel bearings greased. Baby moon hubcaps and new trailer tires. No leaks, all electric works, propane tank is full. Take this trailer camping today!
For more pics go to - www.rkhappytrails.shutterfly.com
call ron for more info.
Location of the Trailer: apple valley, CA Title status: current license and title Sellers Email Address: email@example.com Sellers Phone Number: 760-947-9830 Keywords: Sante Fe, Vintage, Classic Travel Trailer, rkhappytrails
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December 1, 2015
MARION COUNTY, Ky. (WKYT) -- A man is arrested after police say he was driving drunk, and caused a crash that injured another man.
Police say the crash happened Friday morning, just north of Springfield on the Bluegrass Parkway.
We're told Adrian Bennett, 22, of Lexington, rear ended a Ford Escort, driven by Melissa Kenney, 42, of Elizabethtown.
Kenney was taken to the hospital.
Bennett was arrested, and charged with DUI.
He was taken to the Marion County Detention Center, where he has since been released.
Click Here to access the online Public Inspection File
Viewers with disabilities can get assistance accessing this station's FCC Public Inspection File by contacting the station with the information listed below. Questions or concerns relating to the accessibility of the FCC's online public file system should be directed to the FCC at 888-225-5322, 888-835-5322 (TTY), or firstname.lastname@example.com.


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Alessandra Petlin + The New York Times
VAUGHAN HANNIGAN's Thea Vaughan recently sat down with Alessandra Petlin, who had just returned from her week in Nepal shooting for The New York Times Magazine's cover story, "D.I.Y. Foreign Aid" by Nicholas Kristof. Read their interview below the images. The full story and a slide show of images can be seen on The New York Times website.
Thea Vaughan (TV): You recently got a call from the The New York Times Magazine for a project. Can you describe the project?
Alessandra Petlin (AP): The project was to make photographs for a cover article by Nicholas Kristof about a new and yet "unnamed trend of do it yourself foreign aid" that is being led mostly by young women outside the traditional channels of established aid agencies, politics and the United Nations. Three women were chosen for the story, two of which I would photograph in New York, Elizabeth Scharpf and Lisa Shannon, the third, Maggie Doyne, with the most extraordinary story, in Nepal. Ms Doyne, at the age of 23, has built and created the Kopila Valley Children's Home, a residence for orphaned children and just recently finished a school that educates over 200 children in the remote Kopila Valley of Nepal.
TV: Tell us about your travels to get to Nepal?
AP: Let's just say it was the longest and most challenging journey I have ever made.
TV: Once you were there, you mentioned having a lovely experience with the people of Nepal. Can you describe the people you encountered at the orphanage and the story of how it was started?
AP: The experience was life changing for many reasons, but mostly because of the children and the visionary spirit of Maggie Doyne. At age 18, on a pre-college trek around the world, Maggie found herself in a refugee camp in India with so many orphans streaming in from Nepal, she decided to go there and find out why. Nepal had been in a civil war for ten years and the number of orphans for such a small country was staggering. Once there she decided she could help even if it meant helping only one child. She called her parents in New Jersey and had them wire her the $5000 she had saved in babysitting money and purchased the land where the Kopila Valley Children Home. She went to the community and asked for help and they gave it. As more people in the west learned about what Maggie was doing, financial support streamed in. Now there are over 30 children living at the home. What is most extraordinary about what Maggie has accomplished is the way she transformed the traditional model of an orphanage into an extended family in which the children love and care for one another and are supported by an in-house staff of loving, caring adults who complete the "family." These bright and beautiful children are happy, healthy and vivacious because they are truly loved and nurtured. In addition, the entire community – the village – has been involved in both the home and the school.
As complete outsiders, my assistant and I were welcomed into this community with a generosity of spirit beyond anything I have ever experienced. My heart was opened and filled to overflowing with the love and excitement of these children.
TV: It looks like a very photogenic place. How many days were you there, how much did you shoot and what was your focus?
AP: Nepal is incredibly beautiful – the surrounding mountains, the rice paddies, the magnificent faces of the people, how they dress, their astonishing sense and use of color, the way they create structures within the landscape – it's all gorgeous, creating an amazing environment to work, a bonus if you will, but not my focus.
My focus was Maggie, the life of the children at the Kopila Valley Children's Home and the extraordinary school she has created and how it all functions. My assistant and I had the privilege of staying in the home with the children, which gave us a more immediate and tangible experience of their daily lives. One of the most beautiful things we witnessed was a daily ritual in which Maggie and all the children would gather together after dinner and before bedtime. Everyone would sit on the floor around the room. The meeting would begin with a discussion of any grievances the children had that day. Stories were told and apologies and compromises made. Afterwards, songs in many languages – Nepali, English and even French, were sung. Then came the dancing where the children sang and clapped and anyone could get up and do their thing. After, there was a moment of silence for everyone to make a wish either for someone else or for themselves, and to conclude, a basket of cut fruit was passed around by one child. The first night we arrived and joined the meeting, the children gathered baskets of flower petals and showered us with them to welcome us.
TV: Do you have any stories about particular people who touched you there?
AP: I was touched to my core by everyone we encountered; all were kind, generous, curious and helpful. Of course there were certain children that I absolutely fell in love with and forged a real bond with. I must give special thanks to Tope, Maggie's right hand in the running of the home and school, whose patience with me was monumental. He was the 'go to' man, the great organizer, who drove with me for hours in search of the perfect rice paddy to shoot the cover and who pulled me out of the wrong ones, when I fell in…covered in mud.
At the end of that day of scouting, in a small village, a very old and beautiful woman approached me with great insistence. Tope translated – "She says at this point in her life she'll probably never see New York so she wants you to photograph her so at least New York will see her."
TV: Do you think you will keep in touch with anyone there?
AP: I plan on going back to volunteer and will be sponsoring one of the children. I truly felt joy on this assignment and I think of my experiences there and those magnificent children every day.
Take a look at the slide show of Alessandra's images at The New York Times.


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All your wine needs in one place
Reviewed by Peter Phillips - Wednesday 19 August 2009 09:13 PM
Made by David Powell at Torbreck in a robust, traditional style that contrasts with Torbrecks usual sleeker style. Tucked away in a corner of the Barossa Valley, the Lost Wolf vineyard is hard to find -- as is this wine, of which only 10 barrels (250 dozen) were made. Generous and succulent with warm, opulent, plummy fruit and soft spice. Nuances of rhubarb and chocolate add complexity.


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"You don't wake up one morning and go, 'alright my kid is 8, go to the park, ride the subway,'" Bree Ervin said. "It is a process that you build up to."
Their two daughters, 6-year-old A.J. and 8-year-old Cody, began that process by being allowed to walk from their home to a park a block away and then turning around and coming home. Eventually they were allowed to stay for 20 minutes, but then had to return home to check in.
"You give them a little bit of leash and you see how they do with it," Bree said. "Then you give them a little more if they do well, and if they don't you pull it back. It is really about trusting your kids and talking to them and letting them express themselves and letting them experiment and fall and sometimes get hurt and learn how to pick themselves back up."
"I like the analogy of testing the water, of learning how to swim," Zach Ervin said. "We didn't throw our children into the deep end yesterday. We have always put them in up to their necks and we've always been right there to help them if they went under."
The term "free range parenting" was first used by Lenore Skenazy, a New York City resident.
"Four years ago, my younger son was 9 and he wanted to ride the subway by himself," Skenazy said. "He was asking me and my husband if he could do it. We let him. We ended up castigated. We, I, ended up in the media being told I was crazy and awful and America's worst mom for letting him do that."
Skenazy created a website to teach others about the concept of "free range parenting." She has spoken at conferences throughout the country and internationally on the subject.
"A free range parent is not in the grips of the terror that, I hate to say it, the media is often foisting upon us and that allows us to let our kids actually have some adventures and some freedom and some independence," Skenazy said.
"I have a lot of caution and a lot of concerns about it," says Dr. Larry Curry, an expert in child development and a family therapist. "I think there is a misconception that bad things don't happen outside of the metropolitan area. They happen everywhere, in rural communities, in urban settings, suburbs. It happens everywhere. Kids are victimized. They are prime targets and they need our protection."
Dr. Curry agrees that all children are different and some may be ready for additional freedoms earlier than others. He believes, in general, children under the age of 10 need adult supervision.
"Ultimately it is the parent's responsibility to use good judgment, good safeguarding of their children and not giving them too much in terms of putting them in harm's way," Dr. Curry said.
Lenore Skenazy believes parents need to get past their own fears when determining what is appropriate for their child.
"I'd say too free is something that puts them in actual danger, not just what makes you feel a little nervous," Skenazy said. "We all feel a little nervous when we first send our kids walking off to school or send them on overnight camp or whatever. But actually those things are not dangerous."
While "free range parenting" targets the growth of their children through increased freedoms, the opposite is referred to as "helicopter parenting," where children are hovered over by parents.
"I'm not a strong advocate for parents who overprotect their children," Dr. Curry said. "I think you do need to pull back a little bit, but there has to be some place between pulling back a little bit and just total freedom."
(KUSA-TV © 2012 Multimedia Holdings Corporation)


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3 Sources of Moral Obligation
A duty is an obligation to act in a certain way. When the obligation is based on moral and ethical considerations, it is a moral duty. Often we think about moral duties in terms of rules that restrain us, the "don'ts," as in don't lie, cheat, or steal. Such rules comprise the so-called negative dimension of moral duty because they tell us what not to do. Since ethics is concerned with the way we ought to be, however, it also includes an affirmative dimension consisting of things we should do — keep promises, judge others fairly, treat people with respect, kindness and compassion.
Sources of Moral Obligation
Moral obligations can arise from three sources. The first, strangely enough, is law.
1. Law-Based Moral Obligations. Good citizens have a moral as well as a legal obligation to abide by laws; it is part of the assumed social contract of a civilized society. If a law is unjust, however, (such as those that mandated ethnic and religious persecution during the Nazi regime and those that discriminated against a person on the basis of race in South Africa and elsewhere) there may be a moral obligation to disobey it under the specific and demanding doctrine of civil disobedience.
Many, but by no means all, of these moral standards of conduct are so fundamental to healthy social relations that they have been codified into laws. For example, most aspects of the moral duty to not endanger or harm others are embraced in criminal and civil laws prohibiting homicide, assaults, drunk driving, and other dangerous behavior.
Similarly, the ethical duty to be honest is enforceable by laws forbidding perjury, robbery, forgery, fraud, and defamation among others. Nevertheless, in struggling to be an ethical person we need to remember that many forms of dishonesty remain solely within the moral domain.
If we fail to perform or live up to a legal duty, we can be criminally prosecuted or sued. If we fail to live up to a moral duty, the external sanction is blame and condemnation — and, if one has a well developed conscience, feelings of guilt and shame leading to remorse.
2. Agreement-Based Moral Obligations. The second source of moral obligation is agreement. Even if an agreement doesn't reach the level of an enforceable contract, there is a moral obligation to do the things we agree to do, especially if others are counting on us to do so. When we borrow money promising to pay it back in a week, or tell a friend we will pick her up at the airport, or take a job involving the supervision of other employees, we undertake a moral duty to do what we say we will do and perform dutifully the responsibilities of the positions we accept. This kind of duty is the product of the commitments we make to others and is the basis of the ethical principle requiring us to keep our promises.
The idea that we have a moral obligation to keep our promises seems so basic as to be hardly worth mentioning. But nothing can be taken for granted anymore. As a lawyer, I am troubled by the popularity of a relatively new philosophy that analyzes contractual obligations and other commitments purely in terms of economic impact. According to this line of reasoning, there is an inherent right to breach a promise so long as one is willing to pay for any damages caused. The moral obligation to keep one's word is treated as an irrelevant sentimentality.
Unfortunately, this is not just an academic theory; it is an operational philosophy in much of the business world. It is also evident in the sports world, where "renegotiating" contracts has become commonplace. Though such conduct clearly involves breaking a promise (and may even be a form of extortion: "Pay me more or I walk"), many athletes and their agents seems to have no moral inhibitions about demanding a better deal. The notion of honor seems to have no place in transactions involving something they evidently value more — money.
While conducting a workshop on corporate values for senior executives of a Fortune 100 company, I suggested that promise-keeping was a central aspect of trustworthiness, that it is an ethical as well as a legal responsibility to keep commitments. The company's legal counsel objected strenuously. "Hold on!" he said. He explained that whether the company decided to live up to an agreement was a business, not an ethical, decision. It was the company's right, and perhaps its obligation to the shareholders, to evaluate whether it was in the company's best interests to breach contracts that have become unwise or unprofitable. He acknowledged that decisions to disavow an agreement should be rare; no one would trust the company otherwise. But still, he said, the choice to keep a promise or not should be based on a simple cost/benefit analysis. Morality is not an issue.
This legalistic, expediency-oriented attitude is a perfect illustration of the dangers, and in my view the fallacy, of trying to separate business and personal ethics. The standards of trustworthiness and honor do not change the moment one enters corporate headquarters.
3. Moral Principle as the Basis of Moral Obligation. The third source of moral obligation is moral principle, a standard of conduct that exists irrespective of laws or agreements. The great German ethicist, Immanuel Kant, expressed the power of moral principle when he said, "Two things fill my mind with ever-increasing wonder and awe: The starry heavens above me and the moral law within me."
Moral principles can be mandated by religious doctrine or derived through rational philosophical reasoning. In some cases, principles such as justice and benevolence simply emerge as the result of an intuitive moral sense. Whatever their source, however, such principles are at the very core of ethics.
If a duty arising from a moral principle conflicts with duties imposed by law or undertaken by agreement, the duty based on principle should prevail. In other words, if abiding by a law or living up to a contract requires dishonest or disrespectful conduct that violates my core moral principles, as an ethical person I must honor the principles even if it means being prosecuted or sued. Such decisions, however, must be made cautiously and with due recognition of the ethical implications of breaking laws and breaching contracts. The moral principles of trustworthiness and citizenship establish a very strong presumption that laws should be obeyed and commitments should be kept.


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Meet your new Lex Luthor: Jesse Eisenberg
Jesse Eisenberg is going to bring all the creepy affectless hostility he cultivated in the Social Network to the role of Lex Luthor in Batman Vs. Superman, the sequel to last summer's Man of Steel. And you'll never guess who's the new Alfred. »


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El Paso-based Western Refining founder Paul Foster is one of seven new Texas Business Hall of Fame inductees announced Friday.
The 31-year-old Houston-based Hall of Fame honors outstanding Texas business leaders. It will induct the newest members Nov. 14 in San Antonio.
Besides Foster, the other inductees are: Jody Grant, co-founder of Dallas-based Texas Capital Bank; Tom Dobson, chairman of Whataburger, the San Antonio-based hamburger chain; Rex Tillerson, chairman and CEO of Exxon Mobil Corp., based in Irving, Texas; Charlie Amato and Gary Dudley, co-founders of SWBC, a San Antonio financial services company; and H-E-B, the San Antonio-based supermarket chain, represented by Craig Boyan, president and chief operating officer.


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iHerb Customer Reviews
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7-Keto DHEA
1 person found the following review helpful
Posted by 5702615038509124220 on Sep 04, 2012
My Doctor said this product was rubbish (not the brand, necessarily, but the product in general) He asked me not to use it. Instead I was prescribed a DHEA from a compounding pharmacy, which is working well.
Was this review helpful to you?
Note: iHerb does not imply any medical claims from this review. Disclaimer.


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Make Up For Ever Full Cover Concealer
540 reviews
75% would repurchase
Package Quality: 4.3
Price: $$$
Package Quality: 4.3
Price: $$$
INGREDIENTSAqua (Water), Polyglyceryl-3 Diisostearate, Cyclopentasiloxane, Isododecane, Glycerin, Polyethylene, Disteardimonium Hectorite, Microcrystalline Cellulose, Phenoxyethanol, Silica Dimethyl Silylate, PEG-30 Dipolyhydroxystearate, Magnesium Sulfate, Sodium Chloride, Xanthan Gum, Propylene Carbonate, Propylparaben, Octyldodecyl Myristate, Capparis Spinosa Extract (Capparis spinosa Fruit Extract), Dimethicone/Vinyl Dimethicone Crosspolymer, Sodium Dehydroacetate, Chlorphenesin, Methylparaben, Allantoin, Terasodium EDTA, [ /- (MAY CONTAIN): CI 77891 (Titanium Dioxide), CI 77491 (Iron Oxide) CI 77492 (Iron Oxides), CI 77499 (Iron Oxides)]
Age: 19-24
Skin: Acne-prone, Other, Not Sure
Hair: Brown, Other, Other
Eyes: Black
This product seems to garner rave reviews from the beauty world but for some reason, I didn't quite get on with it. I wanted to love it - I really did. Especially with the hefty price tag. I did like the packaging, the nozzle was small & it was easy to control the amount of product needed. Coverage was full, true to its claim. Unfortunately, for my relatively pale NC15-NC20 skintone, I couldn't find a perfect colour match. The shade selection in Singapore is quite limited so I got the lightest shade 3 which seemed like a perfect match, however, immediately this product oxidises and becomes ORANGE on me. Instead of concealing my blemishes and spots, it makes them more stand out even more! Secondly, this product does not photograph well. It flashes back like Crazy, leaving me with little white spots in pictures!!!! Really odd considering it looks orange in person. And finally, powder products do not sit well on this concealer at all, it makes my blush look patchy and uneven. I have found a holy grail in Hard Candy Glamoflauge for a fraction of the price & it doesn't oxidise nor flashback!
Age: 30-35
Skin: Normal, Medium, Not Sure
Hair: Blond, Other, Other
Eyes: Hazel
I really love this product. It is a little expensive for me, but so much better than others I have found. I use it for blemishes AND undereye. It does get in creases some but I have tried a bunch of stuff and I would rather have a few creases that HUGE black bags! It lasts pretty consistently over the course of the day. It covers the acne scars in my cheeks well. I use it and then add a pressed powder. It has a nice finish and I have received a lot of positive compliments since using.
I have to admit that I have not tried the MAC line which ppl rave abt. BUT I prefer the tube packaging and putting it on with a concealer brush. So that is my only caveat.
Age: 19-24
Skin: Dry, Fair, Warm
Hair: Brunette, Wavy, Fine
Eyes: Blue
This concealer offers FULL coverage, which is what I was looking for. I use this under my eyes. I know it's "too heavy" for under my eyes, but people that say that don't have bad under eye circles! Mine are so bad... so I need a full coverage concealer for them. It does feel a bit heavy on the skin, and I do get a tad bit of creasing, even after setting with powder. But I'd rather have that than the dark circles, so I'm ok with the minor creases.
IMPORTANT: When trying on this product in store, let it dry for about 10 minutes, then look at the color again. This product dries a shade or two darker than what it looks like when you first put it on.
I really like this product, but I will probably try another full coverage concealer after this runs out, which will be a long time from now. A little bit goes a long way with this product.
Age: 25-29
Skin: Oily, Fair-Medium, Not Sure
Hair: Brunette, Straight, Fine
Eyes: Brown
I used this and ONLY this concealer for about four years. After gradually switching to only organic body and beauty products over the last two years, my mascara and this concealer were the only non-organic products left in my beauty bag. I have now replaced MUFE Full Cover with Dr. Hauschka's Cover Stick. While I was VERY skeptical about the staying power of organic make-up, my skin is so much better 1+ month later that I now firmly believe that MUFE Full Cover was behind my oft-clogged pores and skin woes. That being said...
MUFE Full Cover Pros:
- At first glance, this concealer is great value for what you actually spend per tube. My first tube lasted me two years (!), even with daily use on my undereye cycles and near-daily use on small blemishes.
- It covers quite well and really stays put. Very little or no re-application necessary during the day.
MUFE Full Cover Cons:
- Do your body and skin a favor and RESEARCH what you are putting on/into it. If you understand the products you are using, you can make more informed decisions whether to splurge a bit more on organic products or whether you are satisfied with the value of your current product. Many of the ingredients in this concealer are made from petroleum, synthetic or products that are otherwise unduly tested for long-term safety. Ingredients: Water, polyglyceryl-3 diisostearate, isododecane,cyclopentasiloxane, glycerin, polyethylene, microcrystaline cellulose, disteardimonium hectorite, phenoxyethanol, sodium myristoyl glutamate, silica dimethyl silylate, magnesium sulfate, sodium chloride, xanthan gum, propylene carbonate, propylparaben, octyldodecyl myristate, capparis spinosa fruit extract, dimethicone/vinyl dimethicone crosspolymer, sodium dehydroacetate, methylparaben, chlorphenesin, allantoin, tetrasodium edta. May contain: titanium dioxide, iron oxides.
- After switching to Dr. Hauschka's Cover Stick, my pores are hardly ever clogged and when I do get a break-out, it's smaller, contained and heals much, much faster (one day instead of, say, four or five for all redness to disappear) The DH Cover Stick does not have quite the staying power that MUFE Full Cover provides, but it is such a high-quality concealer and my skin has cleared up so much that I will never look back. Since nothing else in my skincare routine/diet/lifestyle has changed, I am convinced that MUFE Full Cover was more the problem than the cure.
Each person and complexion is different, of course, and this review only reflects my personal experience, but if you are shopping for a new concealer, I urge you to do your research and give organic (and your body!) a chance. Some high-quality brands that contain safe, natural products beside Dr. Hauschka include INIKA, RMS Beauty, Living Nature, Vapour Organic Beauty and Suki.
Age: 19-24
Skin: Normal, Medium, Not Sure
Hair: Brunette, Other, Other
Eyes: Hazel
Wow! Hands down the best concealer I've ever tried. I've repurchased this 4 times already. My skin looks so flawless when I use this. A little goes a very long way. Yes, it's expensive ($32) but it lasts me forever so it's worth the money. Nothing compares to this concealer! It provides the fullest coverage and I just can't get enough!
Age: 25-29
Skin: Combination, Dark, Warm
Hair: Black, Kinky, Medium
Eyes: Black
I'm very partial to this product. I purchased it at Sephora and gasped at the price of $37 CAD. I bit the bullet and purchased it after a long debate in store. I purchased the colour #18 chocolate and was happy with the match. The product is very thick and def conceals very well. Considering I don't have much dark spots, or dark circles on my face I think it was a bit overkill and I choose a concealer that was incorrect for my personal use. I believe if you have dark imperfections/dark circles on your face that this concealer will work very well for you and it also lasts all day as promised (waterproof). I have since returned it because I think I need to stick to my light weight concealers for sure.
Age: 30-35
Skin: Combination, Fair-Medium, Not Sure
Hair: Black, Other, Other
Eyes: Black
I m not sure how i feel about this product even though i have been using it for quite sometimes and heres why…in terms of coverage and texture…i dun find it as incredible as most people…i have to layer quite a bit to cover some spots…its also hard to blend at slighly dry areass…a big problem i have is due to the color selection…i m around nc30 and i m in between 6 and 7…therefore i need to mix two colors to get my match…and here the problem…!! I usually mix the two colors on the back of my hand and then use a brush to apply…and everytime when i m half way done the mix will completely dry up on my hand and i need to mix more which is very time consuming and annoyinggg!!! i will try to finish them coz they r kinda expensive but i have been reaching for the nars radiant concealer more when i m not in the mood to mix and want to do my face quick…!!
Age: 19-24
Skin: Very Oily, Fair, Cool
Hair: Brunette, Straight, Fine
Eyes: Blue
I honestly cannot decide whether or not I like this. For a while I loved it, then I hated it and then I was liking it again.
It definitely is a full coverage concealer, for a liquid concealer, it's pretty decent at covering red blemishes.
I had to learn how to apply this just right. It's something you have to kind of pack on and press into. It also helps, as usual, to have a pressed powder.
I was hoping for the price to find an all-in-one, but like other liquids, it didn't cover my most worst of all blemishes.
I would purchase it again, especially for the convenience of a squeeze tube, but not readily for the price that it costs. MUFE has some nice cosmetics, but I don't feel like this is the most amazing one.
One kudo I have to give to MUFE though is that they have gotten the closest to my skin color than anyone else.
Age: 25-29
Skin: Combination, Fair, Not Sure
Hair: Brown, Other, Other
Eyes: Brown
HG concealer. A little goes a very long way, the tube lasts forever. Great spot coverage. I use a small amount of BB cream, spot coverage with the concealer and a touch of mineral veil. Perfect combination!
Age: 30-35
Skin: Very Oily, Dark, Not Sure
Hair: Brown, Other, Other
Eyes: Brown
I love this a lot
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Statistics are a rock band from Omaha, Nebraska. It was formed in 2003 by Denver Dalley, formerly of the Desaparecidos. They are on the Jade Tree Records label.After releasing two albums, Dalley has chosen to focus on his latest project, Intramural, effectively putting Statistics on hiatus.
*Saddle Creek
*Statistics on MySpace.com *Jade Tree Records *Intramural on Myspace.com *Lazy-i Interview: April 2003


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East Side and Lower Valley
Al Borrego Studio & Gallery -- 1501C Main, San Elizario. Original works, prints and gifts by Al Borrego. Hours: 10 a.m.-2 p.m. Wednesdays-Fridays; 10 a.m.-4 p.m. Saturdays; noon-4 p.m. Sundays. 851-0093; AlBorrego.com.
Art Windows of El Paso Airport Gallery -- In the meet-greet area of El Paso International Airport, 6701 Convair. Works by Hal Marcus and Tina Yetter Jones, through April 19. elpasotexas.gov/mcad, 541-4481.
Bert Saldana Art Gallery -- 1501 Main, San Elizario. Original Southwestern oil paintings and prints by Bert Saldana. Hours: 10 a.m.-2 p.m. Wednesday-Friday; 10 a.m.-4 p.m. Saturday; noon-4 p.m. Sunday. 851-0093; bertsaldanafineart.com.
EPCC Administrative Services Center -- 9050 Viscount, Building A. Student art exhibit in honor of Black History Month, through February. Hours: 8 a.m.-5 p.m. weekdays. 831-6383.
Escamilla Art Studio and Gallery -- 1445 Main Street Suite B1 & B2 (Placita Madrid) in San Elizario, and 1457 Amstater Circle. Escamilla displays original oil paintings and is accepting requests for commissioned work. Also available are zarzuela prints and posters and gift items. Main Street location hours: 10 a.m.-3 p.m. Wednesday-Friday; 10 a.m.-4 p.m. Saturday; 12:30-4:30 p.m. Sunday. Amstater location is open by appointment. 474-1800, 851-0742. albertoescamilla.com.
G. Jacquez Calderon Gallery -- 12715 Alarcon, San Elizario. Original bronze and wood sculpture; handmade kayaks and cajónes. Hours: 10 a.m.-2 p.m. Wednesday-Friday; 10 a.m.-4 p.m. Saturday; noon-4 p.m. Sunday. 851-0093.
Galeria Del Sol -- 10724 Camaro. Works by Maria Almeida Natividad. 203-2309.
Gallery 10 -- 12715 Alarcon, San Elizario. Original works and studio galleries of G. Jacquez Calderon and Frank Moreno. Also includes the Teporaka Gallery, Mata Ortiz Gallery, JR Leatherworks and Juana Romo Craftshop. Hours: 10 a.m.-2 p.m. Wednesday-Friday; 10 a.m.-4 p.m. Saturday; noon-4 p.m. Sunday. 851-0093.
Gene Roddenberry Planetarium -- 6531 Boeing. 779-4400, grplanetarium.weebly.com.
Golden Eagle Gallery -- 1501A Main, San Elizario. Original art by regional artists Sergio Acosta, Condor Leatherworks, Robert Garcia, Sam Gutierrez, Palmira Lopez, Miguel Varela, Concepcion Villela and others. Hours: 10 a.m.-2 p.m. Wednesday-Friday; 10 a.m.-4 p.m. Saturday; noon-4 p.m. Sunday. 851-0093, GoldenEagleGallery.com.
Intelligent Office Sculpture Garden-East -- 2300 George Dieter. Outdoor sculptures, curated by Willie Ray Parish, on permanent display. Exhibit rotates annually. 538-2400.
La Adelita Art Gallery & Gift Shop -- 6216 Gateway East Suite B. Gallery of award-winning tattoo artist Francella Salgada. Mexican folk art and indigenous culture art, local underground and street artists, and more.
La Galería de la Misión de Senecú -- 8455 Alameda. Hours: 8 a.m.-5 p.m. weekdays. 434-9700 or finearts.yisd.net.
Main Street Mercantile -- 1501 Main, San Elizario. The site includes studio galleries of Louis Aguirre, Manny Alvarado, Artistas Unidos de Ciudad Juárez, Al Borrego, Joanne Franco, Melissa Himes, Rob Mack, Nora Reyes, Roberts Woodworks, Bert Saldana, and Custom Jewelry by Lorena Williams. Hours: 10 a.m.-2 p.m. Wednesday-Friday; 10 a.m.-4 p.m. Saturday; noon-4 p.m. Sunday. 851-0093.
Maria Branch Gallery -- 12600 Glorieta, San Elizario. Displays original oil paintings; lessons are available. Hours: 10 a.m.-4 p.m. Tuesdays-Saturdays; noon-4 p.m. Sundays. 525-2731; MariaBranch.com.
Palmira Lopez Gallery -- 1501-A Main, San Elizario. Original oil paintings, prints and gifts. Hours: 10 a.m.-2 p.m. Wednesday-Friday; 10 a.m.-4 p.m. Saturday; noon-4 p.m. Sunday. 851-0093.
Peña Gallery+Studio San Elizario -- 1456 Main, San Elizario. "Worldwide Photowalk Exhibition" featuring photographs of San Elizario by Lewis Woodyard, Sheila Raleigh, Heather Tonge Hughes, Nick Ronquillo, Gregory Davis, Joyce Whiteside and Heidi Phillips, through March 3. Hours: 10 a.m.-5 p.m. and by appointment. sanelizariopenagallery.com, 851-8400.
Socorro District Service Center -- 12440 Rojas. Fourth annual "Art for Your Health" exhibition by students of the Socorro Independent School District continues through the school year. 937-0600.
TecH2O Water Resources Learning Center -- 1071 Montana. Talk, "Edible Attractions for Birds of the Chihuahuan Desert," 10:30-11:30 a.m. Ssaturday; $15; $5 for Zoological Society members; call for registration. 621-2000, tech2o.org/events.html.
Adair Studio and Gallery --Ê5750 N. Mesa. Works by Clarissa Adair and the Adair Group. Art classes offered by appointment. 471-2271 or 587-8648.
Art and Framing Gallery -- 6519-A N. Mesa. The gallery features works by Francisco Romero, Hector Bernal, Daniel Padilla, Rosy Chivardi and Krystyna Robbins. Hours: 9:30 a.m.-5 p.m. Mondays-Fridays; 10 a.m.-3 p.m. Saturdays. 833-5250.
Bill Rakocy Art Studio -- 4210 Emory. Art talks and demonstrations in all media; new watercolors and oils; new art and history books by Rakocy; talks given to clubs on oil, watercolor and art history. Open weekends by appointment. 581-2426.
Camino Real Gallery -- 3474 Doniphan. The gallery is home to the Centro Artistico y Cultural-Buena Vista, a nonprofit organization that disseminates and promotes arts and culture in the Buena Vista neighborhood. Hours: 6-8 p.m. Wednesdays and 2-5 p.m. Saturdays. centroartisticobv.org.
Carmen Navar Studio and Gallery -- 6320 Falling Star. Drawing, mixed media classes 6:30-8:30 p.m. Tuesdays, 2-4 p.m. first and third Saturdays of the month. Original art, notecards and crosses. 833-4635.
CreArte by Teresa Fernández Art Academy & Studio -- 300 N. Resler, Suite A. 613-7817; artacademybyteresafernandez.com.
Encaustic International Art Studio & Gallery -- 7100 Westwind, Suite 120. Hours: 2-5 p.m. Wednesdays and Thursdays; 11 a.m.-3 p.m. Saturdays; and by appointment. 833-0454; 478-5534; brigittevonahn.com.
Great American Land & Cattle Co. -- 701 S. Mesa Hills. PEEP, the Photography Enthusiasts of El Paso meetings, 6 p.m. third Thursday of month. 585-7873.
HappiRobot -- 5380 N. Mesa, Suite 105 at Festival Crossing Shopping Center. Works by local mangaka artists Jorge Santiago and Kenneth Wagnon. Prints available. Hours: noon-7 p.m. Tuesdays-Fridays; 11 a.m.-7 p.m. Saturdays and Sundays. email@example.com; 875-0707.
Olvera Gallery -- 3350 Doniphan. Hours: 10 a.m.-4 p.m. Mondays-Fridays and by appointment on weekends. 346-1863; rubenolvera.com.
Prints Charming-Gallery of Fine Art Prints -- 7040 N. Mesa. Hours: 9:30 a.m.-5:30 p.m. Tuesdays-Fridays; 9:30 a.m.-4 p.m. Saturdays. 584-3808.
Sunland Art Gallery -- Inside Sunland Park Mall, second floor. "My Heart's Desire," through Feb. 28. In March, "Figuratively Speaking"; in May, "Asarco"; in June, "Pets and Wild Things." Call for gallery artists; interested artists may call 584-3117 or 474-0053. Wooden house forms to be painted for the "Celebre La Familia" fundraiser may be picked up at the center; the completed houses must be returned by March 25 to be included in the April 4 auction (by today to be considered for awards and publicity); call 581-4971 for information. Hours: 10 a.m.-8 p.m. Mondays-Saturdays; noon-6 p.m. Sundays. 584-3117; sunlandartgallery.com.
Sunland Winery and Art Gallery -- 1789 Victory Lane in Sunland Park. Digital photographs by Ali Keyes are featured in February. Mosaics class, 6:30-8:30 p.m. today; call for reservation. Painting and tasting classes, 6:30-8:30 p.m. today and 2-4 p.m. Saturday, $40 includes supplies; call for reservations. Live music Thursdays through Saturdays. Call for vendors for St. Patrick's Day celebration with art and craft market, wine tasting, and painting and tasting class, 5-9 p.m. March 15 and 1-7 p.m. March 16. Custom art, framing and canvas transfers; gift shop. Regular hours: 6-11:30 p.m. Thursday-Saturday. 575-589-1214.
Tulip's Antiques & Consignment -- Peppertree Square, 5411 N. Mesa. Originals by Robert Wood, Waterhouse, Krupp, David P. Chung and more. Hours: 11 a.m.-5 p.m. Tuesday through Saturday; by appointment Sunday and Monday. 581-7544.
UTEP Centennial Museum -- UTEP campus, Wiggins Road at University Avenue. Hours: 10 a.m.-4:30 p.m. Tuesdays-Saturdays. museum.utep.edu or 747-5565.
UTEP Library -- UTEP campus on Wiggins Road. "The Collection that Almost Wasn't," exhibition of mostly unidentified 1930s and '40s portraits of border residents from Casasola Studio, through March 31 in the third floor gallery. Hours: 8 a.m.-5 p.m. Mondays, Tuesdays, Thursdays, Fridays; 8 a.m.-9 p.m. Wednesdays; 10 a.m.-2 p.m. Saturdays. 747-6726 or libraryweb.utep.edu.
UTEP Stanlee and Gerald Rubin Center for the Visual Arts -- On Dawson Drive between the Fox Fine Arts Center and Sun Bowl Stadium. Through March 15: "Avenue Patrice Lumumba" by Guy Tillim; "Magnificent Warning" by Máximo Gonzalez; and "Stardust: Memories of the Calle Mariscal" by Julian Cardona. Regular hours: 10 a.m.-5 p.m. Tuesdays, Wednesdays and Fridays; 10 a.m.-7 p.m. Thursdays; noon-5 p.m. Saturdays. 747-6151, utep.edu/arts.
Villa Salon -- 5380 N. Mesa, Suite 107. The hair salon shows art by local artists for three months at a time. 585-9998.
War Eagles Air Museum -- Doña Ana County Airport in Santa Teresa. The museum holds more than 30 aircraft, 40 automobiles and other artifacts from World War II and the Korean War. The newest exhibit is a display of three refurbished nuclear bombs. Hours: 10 a.m.-4 p.m. Tuesdays-Sundays. war-eagles-air-museum.com, 575-589-2000.
Westside Branch Library -- 125 Belvidere. Latinitas multimedia art camp for girls in grades four through eight, 10:30 a.m.-12:30 p.m. fourth Saturday of the month; register at 219-8554 or see laslatinitas.org for information. ci.el-paso.tx.us/library, 581-2024.
El Paso Museum of Archaeology -- 4301 Trans Mountain. On display: "Walking with the Ancestors: From Mesoamerica to the Southwest," guest-curated by UTEP History Department Chairwoman Yolanda Chávez Leyva, through March 24; free (tour led by Leyva, 3 p.m. March 2; free). The El Paso Archaeological Society (epas.com) meets at 2 p.m. the third Sunday of the month; Feb. 16, "A Cold War Soldier's Life at White Sands Proving Grounds: Archaeological Clues from a Trash Deposit, 1945-1947" talk by David T. Kirkpatrick. Hours: 9 a.m.-5 p.m. Tuesdays-Saturdays; noon-5 p.m. Sundays. elpasotexas.gov/arch_museum, 755-4332.
Fort Bliss Museums -- Building 1735, Marshall Road on Fort Bliss. Exhibits illustrate the U.S. Army's Air Defense Artillery from World War I to Operation Desert Storm. Air-defense weapons of several countries are on display in the outdoor weapons park. Also on exhibit is the story of Fort Bliss from 1848 to the present, featuring personalities and activities in the Army's important relationship with El Paso. The museum also has a gift shop. About a mile south of the main museum is the replica of the Magoffinsville Post as it appeared from 1854 to 1868. Valid driver's license and current vehicle insurance required on Fort Bliss. Post access may be restricted. Hours: 9 a.m.-4:30 p.m. Mondays-Saturdays. 568-5412.
Framing Concepts and Gallery -- 4717 Hondo Pass. The gallery features new works by seven local artists, including acrylics by Keith Kochenour, oils by Elsenta Blevens and photography by Caroline Disney. Hours: 10 a.m.-6 p.m. Mondays-Fridays; 10 a.m.-4 p.m. Saturdays. 751-1999.
National Border Patrol Museum -- 4315 Trans Mountain. The history of the Border Patrol is represented through more than 16 displays. Exhibits include an OH-6 helicopter, a Piper Supercub airplane and a 32-foot Conquistador Class high-speed boat. Visitors can learn about Border Patrol history and activities. Research library, guided tours available by appointment. Gift shop. Hours: 9 a.m.-5 p.m. Tuesdays-Saturdays. 759-6060; borderpatrolmuseum.com.
Old Glory Memorial -- 9570 Gateway North at Diana Drive. Memorial monuments for World War I, World War II, the Korean War, 9/11 and women warriors; a 50-by-100-foot U.S. flag, 50 state flags, six service flags and six territorial flags are displayed on holidays. Store, open on holidays and by appointment at 549-5031 or email@example.com. Sponsored by El Paso Texas Flags Across America. elpasoflag.org.
Richard Burges Branch Library -- 9600 Dyer. Community Arts Program mural, a large-scale mosaic by El Paso artists Kathryn Gelinas and Teresa Wright that includes tiles made by residents of Northeast El Paso, on permanent display. 759-2400.
Agave Rosa Gallery -- 905 Noble. "Por Siempre Románticos," works by Daniel Padilla, Rubén Rodarte, Hector Bernal and Oscar Márquez, through March 2. Winter hours: 11 a.m.-4 p.m. Tuesday-Saturday. 533-8011, firstname.lastname@example.com, agaverosastore.com.
Art Center -- 3101 E. Yandell. Wooden house forms to be painted for the "Celebre La Familia" fundraiser may be picked up at the center; the completed houses must be returned by March 25 to be included in the April 4 auction (by today to be considered for awards and publicity); call 581-4971 for information. Hours: 8:30 a.m.-5:30 p.m. weekdays; 8:30 a.m.-4 p.m. Saturdays. 566-2410.
Art Junction of El Paso, Lobby Gallery and Studio 30 -- Second floor, 500 W. Paisano. Wooden house forms to be painted for the "Celebre La Familia" fundraiser may be picked up at the center; the completed houses must be returned by March 25 to be included in the April 4 auction (by today to be considered for awards and publicity); call 581-4971 for information. Art workshops offered for children and for special-needs students; call for details. Hours: 11 a.m.-4 p.m. Tuesdays-Fridays; 11 a.m.-3 p.m. Saturdays. 534-7377.
Benavidez-Patterson 82nd Airborne Division -- 2608 Fort Blvd. Historical military equipment, including a Bell Huey helicopter, and photographs are on permanent display. Hours: 9 a.m.-1 p.m. Tuesdays and Thursdays. 240-8104, email@example.com.
The Brew House -- 140 N. Stevens, Suite 203. Open house, noon-3 p.m. Feb. 23, to view Jesus "Cimi" Alvarado's murals in progress that will be placed on the El Paso Police Headquarters in Five Points.
Chamizal National Memorial, Abrazos and Borderlands Galleries -- 800 S. San Marcial. Hours: 10 a.m.-5 p.m. Wednesday-Sunday. 532-7273; nps.gov/cham.
Chamizal National Memorial, Los Paisanos Gallery -- 800 S. San Marcial. Hours: 10 a.m.-4:30 p.m. Monday-Friday; weekends by request. 532-7273; nps.gov/cham.
Creative Kids Gallery -- 504 San Francisco, Union Plaza. The gallery, in the oLo (Other Learning Opportunities) Building, is devoted to showcasing the art of El Paso children, with emphasis on disadvantaged and disabled youth. 533-9575; creative-kids-art.org.
Crossland Gallery at the Art Junction -- 500 W. Paisano. Through Feb. 23: "Deliria," new nature-oriented works by Meghan Jane Arriola; portraits and landscapes by Jack Lantz and Dorian Clouser; and new works by Debra Curry and Adrian Venegas. March 1-23, "Colors of Spring Art Show and Sale" judged by Rebecca Muñoz. Hours: 11 a.m.-4 p.m. Tuesdays-Fridays; 11 a.m.-3 p.m. Saturdays. elpasoartassociation.com, 534-7377.
El Paso Artisan Gallery -- 300 W. San Antonio in the former Lynx Exhibits building. Hours: 10 am.-5 p.m. Tuesdays through Saturdays; noon-5 p.m. Sundays. 533-4330, elpasoexploreum.com.
El Paso Exploreum -- 300 W. San Antonio in the former Lynx Exhibits building. On display: "Tech City," a traveling exhibit from Sciencenter in Ithaca, N.Y., in which visitors solve real-world engineering problems by designing, building, testing and modifying structures; High Tech Hot Spot; Airport Adventure, a kid-sized airport presented with help from Southwest Airlines; and Old El Paso Village, with a turn-of-the-century feel. Regular admission is $8; $6 for military, seniors older than 60 and educators with ID; free for children 2 and younger. Admission is free to all from 5 to 8 p.m. the third Tuesday of each month. Open daily except for major holidays. 533-4330, elpasoexploreum.com.
El Paso Holocaust Museum and Study Center -- 715 N. Oregon. "The Memory Project," art and film by survivor Anna Jacobs and her daughter Roz Jacobs, through March 9. Lecture, "Medical Ethics," 5:30-7:30 p.m. Thursday; free. The museum depicts Jewish life in Europe before World War II, Hitler's rise to power, the expulsion of Jews into ghettos, life in concentration camps, prisoner resistance to Nazis and the liberation of the camps. Reservations requested for lectures and school tours. Hours: 9 a.m.-4 p.m. Tuesdays-Fridays; 1-5 p.m. Saturdays and Sundays. 351-0048, elpasoholocaustmuseum.org.
El Paso Museum of Art -- 1 Arts Festival Plaza, Downtown. Through April 28: "The Wyeths Across Texas" and "70 Years of Mexican Art: New Languages, New Worlds"; $10 gives admission to both (zip tour of "70 Years of Mexican Art," 12:15 p.m. Wednesday; free; space is limited). Seniors Day, free admission to ticketed exhibitions for ages 60 and older with guided tours, refreshment and sketching in the galleries, 11 a.m.-3 p.m. Monday. Also on display: "Easy Companions: Animals and Children in the Photographs of Manuel Carrillo," through March 24 (gallery talk by Donald Moss, Claudia Rivers and Juan Sandoval, 12:30 p.m. Saturday; free; space is limited). "Gene Flores: Proverbios and Dichos Chicanos," through May 26. "Saint Joseph" retablos, through April 21. Works by sculptor and labor advocate Margarita Cabrera, through August. Film, "8 Women" (2001), 2 p.m. Saturday; $3 suggested donation, free for ages 12 and younger and museum members. Artist on Art exhibition by FreChelle Tesla, through April 7. Reading the Easel Book Club meets 4-5:30 p.m. third Thursdays; free for museum members, $10 for non-members (Feb. 21, "Provenance: How a Con Man and a Forger Rewrote the History of Modern Art" by Laney Salisbury). Spring Break Camps with classes including drawing, watercolors and color mixology, March 19-22; call for information. The museum houses the Algur H. Meadows Library, an affiliate of the El Paso Public Library. Call for entries to "III Bienal Ciudad Juárez -- El Paso Biennial 2013," which opens Nov. 1; entries will be accepted March 1-31. Hours: 9 a.m.-5 p.m. Tuesdays, Wednesdays, Fridays and Saturdays; 9 a.m.-9 p.m. Thursdays; and noon-5 p.m. Sundays. 532-1707; elpasoartmuseum.org.
El Paso Museum of History -- 510 N. Santa Fe, Downtown. "Riders on the Orphan Train," multimedia production, 2 p.m. Feb. 23; free. On display: "Neighborhoods & Shared Memories" exhibit about Chihuahuita and El Segundo Barrio. "Finding Refuge in El Paso: The Mormon Exodus from Mexico, A Centennial Celebration 1912-2012," through Jan. 31. Wall of Giants installment "The Missions and Their People." A Step in Time gift shop is open during museum hours. Admission is free unless otherwise indicated. Hours: 9 a.m.-5 p.m. Tuesdays, Wednesdays, Fridays and Saturdays; 9 a.m.-9 p.m. Thursdays; noon-5 p.m. Sundays. 351-3588, elpasotexas.gov/history.
El Paso Railroad and Transportation Museum -- 400 W. San Antonio, Downtown. Donations accepted. Hours: 11 a.m.-5 p.m. Tuesdays-Saturdays; 1-5 p.m. Sundays. 422-3420.
El Paso Rose Garden -- 1702 N. Copia. The city-run rose garden opens for the season on March 1. Hours: 8 a.m.-6 p.m. daily except for official holidays. The season ends Oct. 30. 541-4331.
El Paso Zoo -- 4001 E. Paisano. Admission: $10; $7.50 for seniors; $7.50 for active-duty military and spouses; $6 for children ages 3-12; free for ages 2 and younger and members. Ticket booth hours: 9:30 a.m.-4 p.m. daily. elpasozoo.org; 521-1850.
The Frame Place at Signature Elements -- 2720 E. Yandell. Hours: 9 a.m.-5:30 p.m. daily. 581-7620.
Franklin Street Gallery -- 500 N. Oregon, Suite C. Works by June Smith. Hours: 10 a.m.-5 p.m. Tuesdays-Saturdays. 525-9560; 588-4247.
Galleria 300 -- 300 E. Main, eighth floor, Suite 810. On display: "Taller de Mario Parra," works by Mario Parra and his Juárez art students. Hours: 11 a.m.-6 p.m. Tuesdays-Saturdays and by appointment. 525-9560.
Hal Marcus Studio & Gallery -- 1308 N. Oregon. "Three Generations," works by Fern Thurston, Eugene Thurston and Holly Thurston Cox, Thursday through April 30 (opening reception, 5-7 p.m. Thursday). The gallery has two floors displaying 2,000 works of regular art, and a gift shop. Also on display: works by Daniel Padilla, Teresa Fernandez, Mauricio Mora, Mark Paulda, Willibald de Cabrera, Friar Vincent Petersen, Bill Sullivan, Francisco Romero and L.B. Porter. "Early El Paso Art" exhibit includes works from such artists as Manuel Acosta, Bill Rakocy, José Cisneros, Eugene and Fern Thurston, and Tom Lea. Hours: noon-5 p.m. Tuesdays, Wednesdays and Fridays; noon-7 p.m. Thursdays. 533-9090, halmarcus.com.
IDEA Gallery -- Cortez Building, 310 N. Mesa, second floor, Suite 211. Hours: 9 a.m.-5 p.m. Mondays-Thursdays; 9 a.m.-3 p.m. Fridays. 838-3800.
International Museum of Art -- 1211 Montana. Hours: 1-5 p.m. Thursdays-Sundays. internationalmuseumofart.net, 543-6747.
La Fe Cultural and Technology Center Gallery -- 721 S. Ochoa (rear building). 584-3511. Latinitas holds Fab Fotos camps, where girls in grades four to eight learn about digital photography, 10:30 a.m.-12:30 p.m. on the fourth Saturday of the month; $5. latinitasmagazine.org.
Main Library -- 501 N. Oregon. In February, pictoral history and costume display of El Paso singer and actress Malena Cano presented by Community College Senior Adult Program director Mary Yañez and Mexico Vive Showcase Inc. (reception with performance, 3-5 p.m. Sunday). Also in February, "The History of the Austin Terrace Historical District" exhibit by the El Paso/Juarez Historical Museum. Hours: 10 a.m.-7 p.m. Mondays-Thursdays; 10 a.m.-6 p.m. Fridays through Sundays. 543-5468.
Memorial Park Branch Library -- 3200 Copper. PEEP, the Photography Enthusiasts of El Paso, meets at 10 a.m. the second Saturday of the month. Hours: 9 a.m-7 p.m. Tuesdays; 9 a.m.-6 p.m. Wednesdays and Thursdays; 1-6 p.m. Fridays; 10 a.m.-6 p.m. Saturdays. 566-1034, elpasolibrary.org.
Museo Mayachen -- 2101 Myrtle (inside Mercado Mayapán). 351-2558; mujerobrera.org.
State Sen. José Rodríguez office -- 100 N. Ochoa. Works by local artists, through May 1. 351-3500.
Woodworkers Club of El Paso Gallery -- 3228 Sacramento. The gallery carries handcrafted wooden items and toys. Hours: 8-11:30 a.m. Tuesday through Saturday. 564-5915.
Adobe Patio Gallery & Studio -- 1765 Avenida de Mesilla in Mesilla. "The Print and Drawing show," etchings, woodcuts, block prints and other drawings, through February. Hours: 11 a.m.-5 p.m. Wednesday through Sunday. 575-523-0573.
The Big Picture -- 311 N. Downtown Mall in Las Cruces. Featured artists are Daphne Wirthlin, Ruth Drayer, Penny Duncklee, Mark Ploss and Lynn Unangst. 575-647-0508.
Branigan Cultural Center -- 501 N. Main, Las Cruces. Saturday morning Family Story & Art Journeys children's programs, 11 a.m. Saturdays. Hours: 10 a.m.-4 p.m. Mondays-Fridays and 9 a.m.-2 p.m. Saturdays. 575-541-2155; museums.las-cruces.org.
Carlsbad Museum and Art Center -- 418 W. Fox, Carlsbad. Admission is free. Hours: 10 a.m.-5 p.m. Mondays-Saturdays. 575-887-0276.
Cutter Gallery -- 2640 El Paseo, Las Cruces. Hours: 10 a.m.-5 p.m. Tuesdays-Fridays; 10 a.m.-3 p.m. Saturdays. 575-541-0658, thecuttergallery.com.
David Rothermel Fine Arts Gallery -- 1701 Calle de Mercado, Mesilla. Hours: 10 a.m.-5 p.m. Tuesdays-Saturdays. 575-636-4302.
Deming Arts Center -- Gold and Pine streets in Deming. Hours: 10 a.m.-4 p.m. Tuesdays-Saturdays. 575-546-3663.
Freespirit ceramics studio -- 600 El Prado Avenue, Las Cruces. Studio of ceramicist Andi Freespirit. Open house showing work in progress in the studio and finished art in the two-room gallery, including found object constructions by Dennis Lujan and geometric collages by Royo van der Aa, 1-4 p.m. today and Saturday. 575-524-9473.
Historical Museum of Lawmen -- 845 N. Motel, in the lobby of the Doña Ana County Sheriff's Department headquarters. On display: antique hearse used to transport the body of Pat Garrett in 1908. Hours 8 a.m.-5 p.m. weekdays.
Hubbard Museum of the American West -- 841 Highway 70 West, a quarter-mile east of Ruidoso Downs Race Track and Casino. 21st annual "Fall American Photography Competition and Exhibit," through March 17. Call for artists for "Celebracion del Arte" juried show opening May 4; entries due March 19. Museum admission: $6; $5 seniors, military; $2 ages 6-16; free for younger children and members. Hours: 10 a.m.-4:30 p.m. daily. hubbardmuseum.org, 575-378-4142.
La Mesa Station Gallery -- 16205 Highway 28 (just north of Chope's), La Mesa. The gallery is a renovated 80-year-old gas station representing local area artists including paintings, photography, woodturning and weavings. Regular hours: 11 a.m.-5 p.m. Fridays and Saturdays; 1-4 p.m. Sundays; and by appointment at 575-644-3756. Gallery phone: 575-233-3037.
Las Cruces Museum of Art -- 491 N. Main, Las Cruces. "Elemental New Mexico," works by six New Mexico artists inspired by the state's landscape, through April 6. The Reading Art Book Club meets at 2:30 p.m. the second Wednesday of every month. Hours: 9 a.m.-4:30 p.m. Tuesday-Saturday. 575-541-2137, las-cruces.org/museums.
Las Cruces Railroad Museum -- 351 N. Mesilla, Las Cruces. "Trains, Planes and Automobiles," 15 12-by-12-inch works by the New Mexico Watercolor Society Southern Chapter, through March 31; all works are for sale. Family Game Day with early 20th-century games like wooden jigsaws, dominos, jacks and cup and ball toss, 10 a.m.-noon on second Saturdays; free. Rail Readers Book Club, 11 a.m. third Wednesdays. Hours: 10 a.m.-4 p.m. Thursdays-Saturdays. museums.las-cruces.org, 575-647-4480.
Mescalero Apache Arts Jordan T. Gallery -- Inn of the Mountain Gods Resort and Casino, 287 Carrizo Canyon Road, Mescalero. Sculptures, paintings, drawings, beadwork and carvings by Mescalero Apache artists. Hours: 10 a.m.-5 p.m. Fridays-Sundays. 800-545-9011; innofthemountaingods.com.
Mesilla Valley Fine Arts Gallery -- 2470-A Calle de Guadalupe, Mesilla. In February, landcapes and miniatures by Rayma Claessen and multi media glass art by Jan Kosnick. Also in February, "My Masterpiece" contest in which gallery artists paint in the style of a famous artist; visitors are invited to match up the art with the honored artist to win a restaurant gift certificate. Hours: 10 a.m.-5 p.m. daily. 575-522-2933, mesillavalleyfinearts.com.
Mesquite Art Gallery -- 340 N. Mesquite, Las Cruces. Through Feb. 28, exhibit by City of Artists group. Hours: 11 a.m.-5 p.m. Thursdays and Fridays; 2-5 p.m. Saturdays (possibly earlier; call before going). mesquiteartgallery.com, 575-640-3502.
Mountain Gallery and Studios -- 138 W. Mountain in Las Cruces. Gallery of the Las Cruces Arts Association. Regular hours: 10 a.m.-4 p.m. Thursdays through Saturdays. lascrucesarts.org.
New Mexico Farm & Ranch Heritage Museum -- 4100 Dripping Springs, Las Cruces. Through March 23, 2014: "Stitches in Time: Quilts from the Museum's Collection," 32 quilts plus panels discussing the history of quilting and an interactive area of quilt puzzles for children. "The Museum Rocks" gem and mineral show, 9 a.m.-5 p.m. Feb. 23 and 10 a.m.-5 p.m. Feb. 24; $4 (free for children 3 and younger). Also on display: "Green Machines: Celebrating 175 Years of John Deere," through Oct. 9. "The Art of Saddle Making," including a re-created workshop of saddlemaker Slim Green, in the museum's Horse & Cattle Barn. "Touch the Earth," colorized bronze sculpture by Santa Fe artist Star York, on permanent display near the Children's Discovery Garden. Eagle Ranch Mercantile includes a gift shop, mercantile and family room. Museum admission: $5; $3 for seniors; $2 for children ages 5-17. Hours: 9 a.m.-5 p.m. Mondays-Saturdays, noon-5 p.m. Sundays. nmfarmandranchmuseum.org, 575-522-4100.
New Mexico Museum of Space History and Space Hall of Fame -- Off U.S. Highway 54 and 70, Alamogordo. Admission: $6; $5 seniors, military; $4 children 4-12; group rates available. Hours: 9 a.m.-5 p.m. daily. nmspacemuseum.org; 575-437-2840; 877-333-6589.
NMSU Art Gallery -- D.W. Williams Hall on University Avenue, NMSU campus, Las Cruces. NMSU Faculty Trienniel 2013, "In This Corner," through Feb. 23, with site-specific installations and pieces that engage with "the abundance of corners" in the gallery (gallery talks, 1-2 p.m. Saturday). Regular hours: noon-4 p.m. Tuesdays through Saturdays, plus 6-8 p.m. Wednesdays. 575-646-2545; nmsu.edu/artgal.
Nopalitos Galeria -- 326 S. Mesquite, Las Cruces. Through March 2, "Mi Otro Amor," photographs by Glenn Holgerson, and "Cielo Rojo," photographs by Robert Palacios (Palacios reception, 6-8 p.m. Saturday). Hours: 3-7 p.m. Fridays, noon-3 p.m. Saturdays and Sundays. 575-524-0003, nopalitosgaleria.com.
Pancho Villa State Park Museum & Visitor Center -- In Columbus, N.M. Artifacts from and exhibits about Pancho Villa's 1916 raid on Camp Furlong, the Mexican Revolution and the Punitive Expedition led by Gen. John "Black Jack" Pershing. 575-827-1473.
Rio Grande Theatre -- 211 N. Main, Las Cruces. In February: multimedia collages by Roy Van der Aa. On permanent display: memorabilia and photos from the Rio Grande Theatre's productions. Gallery hours: 9 a.m.-5 p.m. Monday-Friday. 575-523-6403.
Roswell Museum and Art Center -- 100 W. 11th, Roswell. "West of Beyond," permanent exhibit featuring works from the Rogers and Mary Ellen Aston Collection of the American West, nearly 2,000 artifacts from the 16th through 20th centuries. 575-624-6744.
Southwest Environmental Center -- 275 N. Downtown Mall, Las Cruces. Hours: 9 a.m.-6 p.m. Mondays-Fridays. 575-522-5552.
Tombaugh Art Gallery -- 2000 S. Solano in the Unitarian Universalist Church, Las Cruces. On display: "Out of the Darkness into the Light," works by Georjeanna Feltha (reception with poetry performance by Mei Ling Po McKay, 11:30 a.m.-1:30 p.m. March 3). Hours: 10 a.m.-2 p.m. Wednesdays, Thursdays and Fridays. 575-522-7281, uuchurchlc.org.
White Sands Missile Range Museum -- Building 200, Headquarters Avenue, White Sands Missile Range (three miles south of Highway 70 gate). The history of White Sands Missile Range; U.S. rocket and missile testing; the birth of the Space Age; and the prehistory, natural history and cultural history of the Tularosa Basin. Current license, registration and insurance needed to enter the range. Hours: 8 a.m.-4 p.m. Mondays-Fridays; 10 a.m.-3 p.m. Saturdays and Sundays. Access to military installations may be restricted. 575-678-8824.
How to get information into exhibits
- We list area art shows and exhibits weekly in Tiempo. Inclusion in the list is free.
- Artists, galleries or their representatives are invited to send information to Tiempo. Include: the name and a short description of the exhibit; participating artists; opening and closing dates; times and dates of receptions, gallery talks and other related events; the gallery or museum's name, address and phone number for publication; admission fee, if any; and a contact number, not for publication, of someone who can be reached if we have questions.
- You also may e-mail high-resolution jpeg-format photos of art that will be exhibited. Tell us the name of the piece and the name of the artist. Space for photos is limited, and we can't guarantee that they'll be run.
- E-mail the information to firstname.lastname@example.com or mail it to Tiempo Exhibits, Attn:"Monica Krausse, 300 N. Campbell, El Paso,"TX 79901.
- Deadline:"We must have the information by 5 p.m. Monday for publication that Friday.
- The list published in the newspaper is frequently cut because of space limitations, but we try to include all current exhibits. The entire list can be found online at elpasotimes.com.
- If you find any outdated information in the list, please let us know at email@example.com.


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Latest News and Commentary
Observations from London 2012: beach volleyball is popular
Written on August 6, 2012 at 03:49, by headtothenet
The sport has tons of fans, but is it for the right reasons?
I was at Horse Guards Parade last night to watch the women's beach volleyball quarter finals. It's a great sport: back and forth they go — sets and spikes, digs and kills — most games have pretty tight scores too.
But there is one problem: I'm not sure the vast majority of the fans in the stands even care about the score.
Between trying to set the stadium record for how many times the Mexican wave could go around (the HGP record is 26 apparently), doing the "slow clap" and watching the dance team do the conga, there's not much time left to watch the action on the court and cheer for the athletes.
Actually, that's wrong – the fans do cheer them on. Last night's first match featured the United States playing the Czech Republic. The Czechs were introduced first to a mild applause, followed by the Americans who had the crowd in a frenzy. "U.S.A.!! U.S.A.!!"
Why? In the cool night air (the match was played at 10 p.m. in London), the Czechs wore full spandex outfits. Hey, it wasn't exactly beach weather, so it made sense. The Americans? They went with bikini bottoms.
U.S.A. faced the Czech Republic in the quarter finals
So half the audience chanted U.S.A. while the other half burst out laughing at their joke. I was perplexed. Last thing I heard, the English don't exactly love Americans, do they? Hugh Grant taught me that much in Love Actually.
Yet here we were, surrounded by Brits cheering on the Americans because they were wearing less.
Later, the dance team sent out its three male members to start off a routine. The audience booed heartily. Confused again, I turned to the guy next to me, "Why are they booing?"
"It's just the guys!" he replied.
The Dutch volleyball team warms up. (It's the dance team)
Right. Admittedly, I was slow on the uptake, but WTF? The 11 girls joined them a moment later and were met by thunderous applause by the way — all part of the choreographer's ruse to elicit such a reaction.
I get it – whoever's in charge of the sport (the Federation Internationale de Volleyball) is trying to grow its product. They have to get fans into the stadiums somehow, and I won't disagree that the ladies make nice eye candy – but are people there for the right reason?
If most of the audience is watching a sport to check out the girls' bodies, are they even volleyball fans?
There were five guys sitting two rows behind me, drunk as hell, hollering for the Americans. Something tells me they'd take a one-sided two-setter with girls in bikinis rather than a riveting three-setter between two covered-up teams any day.
Do bikinis fill up the stands? Absolutely. But there are other places men can go to watch women take off their clothes. Horse Guards Parade — the spot where Buckingham Palace guards usually perform their elaborate shift change — and the Olympic Games — the pinnacle of world sports — should have higher standards.


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Corn, soybean markets drop
DES MOINES, Iowa (Agriculture.com)--Just as they started the trading day, the CME Group corn and wheat markets closed lower Tuesday. Soybean prices ended unchanged.
At the close, the Dec. corn futures contract settled 6 1/4 cents lower at $4.18 1/2. The Jan. soybean futures contract closed unchanged at $13.29. Dec. wheat futures closed 6 cents lower at $6.46 per bushel. The Dec. soymeal futures contract finished $13.00 per short ton higher at $450.20. The Dec. soyoil futures ended $0.31 lower at $40.35.
In the outside markets, the NYMEX Brent crude oil is $0.14 per barrel lower, the dollar is lower and the Dow Jones Industrials are 45 points higher.