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Philippe Bergeron, the mission director working on Assassin's Creed 3, reveals that the development team at Ubisoft wanted to add an important cooperative element to the first game in the series, but dropped it because of resource concerns.
The developer tells The Official Xbox Magazine that, "Before we knew about the Desmond story and Animus link, we had a huge co-op component in there. But it just became too hard to do: the engine couldn't support it, and then the metaphor we had above it didn't support it."
He adds, "Co-op was one of those big things at the beginning that just didn't make sense in the end. For us it was really part of the single player experience, to have in-and-out co-op, and in the end we never thought it made sense in the storyline that we had for the Animus."
Ubisoft wanted to center the Assassin's Creed experience on the memories of Desmond's ancestors, but their fixed nature, as revealed in single player, did not allow the team to add a cooperative experience.
After the concept of the game became successful, Ubisoft reconsidered the possibility of multiplayer and added it in the sequels.
Cooperative game modes are one of the hottest trends in gaming right now because they allow developers to tell alternate stories and increase the time a player spends with one title.
Ubisoft said that Assassin's Creed 3 was designed to close the current story arc of the franchise.
The developers have not yet said what they plan to do with the universe in the future, but a cooperative-focused experience linked to the memories of other ancestors is a possibility.
Ubisoft has also bought the THQ Montreal recently, which is led by the Patrice Desilets, the developer who led the Assassin's Creed team on the first two entries in the series.


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My friend Timoleon Wilkins recently sent me an email conveying the dire news that Eastman Kodak has announced they will be eliminating production of their low speed black & white motion picture film, Plus-X, in both Negative and Reversal forms, and in all gauges (35mm, 16mm, and Super-8), and asking me to sign this petition which urges Kodak to reverse this shortsighted decision. Tim makes a compact and trenchant argument:
"Kodak's decision represents a serious blow to the film community because there is no equivalent substitute for the tonality and resolution of these films—many cinematographers agree, even the best digital methods fall short. These are the classic black & white films of Hollywood, independents and students. These are the films we cut our teeth on: Whether you are a filmmaker, preservationist or just a passionate film watcher, it's important that our voices be heard. Decisions like this can have dire consequences for cinema culture and ou... More

subset: commoncrawl


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Dramaturg Marissa Skudlarek's series of interviews with BOA writers concludes with a special dual interview of Megan Trout and James Mayagoitia, members of 11th Hour Ensemble and directors of "The Seagull Project."
11th Hour Ensemble, a San Francisco theater company focusing on physical theater and devised work, appeared in BOA 2011 with the piece "Cloud Flower." Their newest piece, "The Seagull Project," which uses Chekhov's classic play as a jumping-off point to explore what it means to be a young artist, is in this year's BOA. All of the performers of the piece are credited as its creators, with the (non-performing) Megan Trout and James Mayagoitia as directors.
Marissa: "Devised work" is one of the hottest things in the American theater right now, but some of our readers may not know what that is – and also, the wonderful thing about devised work is that every troupe's process is different. So, can you tell us a little about your process in creating "The Seagull Project"? What initially made you want to use Chekhov's The Seagull as a jumping-off point for an exploration of what it means to be a young artist?
Megan: Our process, like all our processes, was rich with ritual and repetition. Every meeting begins with a silent period of time the actors use to strengthen their bodies and sharpen their focus. We move on to an improvised exercise where the ensemble gets used to each other's bodies, impulses, and style. This is an important transition from the hustle and bustle of work or school to a mental state that is ready to create.
Initially, James and I were not sure through which lens we wanted to start exploring The Seagull. We studied this play intensely in our senior year at San Francisco State University and were indelibly changed by it. After a few brainstorming sessions, we boiled down our interests to just a few key themes: finding your voice as a young artist, what it means to achieve success, and unrequited love. These are all pretty hefty ideas. For the sake of our 15 minute piece, James and I decided to focus most intently on finding one's voice and the struggle to create good art. We figured this was the most poignant, relatable way into the play. We hope to expand this piece on to further iterations that will eventually grow into a full length production.
James: The warm-up period that Megan mentioned is just part of the first half of our rehearsals. After the improvisation exercise, we move on to a series of physical exercises that help us build a vocabulary, so that we can all communicate on the same wavelength, when it comes time to talking about and building the piece. These exercises are primarily derived from Anne Bogart and Tina Landau's Viewpoints, along with several exercises we learned while in drama school. These exercises help heighten the actor's kinesthetic response, so that he or she is constantly aware of what is happening in time and space on the stage.
The second half of rehearsals, in the early stages at least, are spent doing table-work. Since we didn't actually have a script for our own piece, the obvious choice was to read Chekhov's play. After physical work, we would sit down and read the play. After each scene, we would discuss it, analyze it, and see what moments were related to our larger question: when do you find your voice as an artist? Our piece is very much a distillation and abstraction of many scenes that are in The Seagull as well as the moments between scenes, which Chekhov didn't actually write. This is where our imagination as directors came into play.
Additionally, we also did a series of personal histories, in which Megan and I asked the actors personal questions about the actor's actual lives, such as, "Have you ever done something artistically, or otherwise, to win over someone's heart?" "Can you think of a moment when you were most disappointed with yourself?" Transcriptions from these personal histories are interwoven throughout the piece. Let's see if all you Chekhov lovers out there can spot them!
Marissa: Chekhov's plays are known for their understatement, subtext, and repressed, constrained characters. 11th Hour is a devised-work physical theater ensemble. What was it like to be inspired by a writer whose work would not seem to lend itself to physicality? Did that cause any difficulties during the process?
Megan: What's so nice about physicalized theatre is that it gives those repressed, constrained characters an outlet for everything that's boiling under the surface. It delves into what is REALLY happening with these people on a subconscious, internal level. It is certainly not traditional to tell this particular tale with more pictures than words. These characters bring with them such extreme intentions and yearnings, however, that in a very strange way it feels more natural to depict their causes in this highly expressive manner.
James: It was a challenge to turn Chekhov into a physical piece, but an extremely fun and enjoyable challenge. What I find so fun and interesting about physical theatre is that you can bring all of Chekhov's subtext and understatement to the surface in an expressive and stylized manner, in ways perhaps that you never thought possible before. Let's say that instead of just playing a scene for "real," where we see characters in their happiest emotional state, we turn the emotional state into a gestural composition or a dance. Or perhaps maybe instead of a character "realistically" giving a monologue, he "floats" a gestural composition on top of the monologue that express the character's emotional arc. Trying to bring out what's really happening on the inside of the characters in an expressive, physical manner.
The most challenging part of the process was the dramaturgy: keeping track of the story line and emotional arc. The piece was developed around a series of improvisations, so we didn't always have a logical reason for where we placed each scene or why we chose the moments we did. We had make choices and refine what we felt each moment meant and how it fed into and related to the next scene.
Marissa: What has been the most wonderful discovery and most frustrating challenge in creating "The Seagull Project"?
Megan: The most wonderful discovery was seeing what our actors brought with them into the room. They were all so beautifully committed and willing to share themselves with us. The piece reflects many discoveries that could only have happened with these specific people. The most frustrating challenge was finding rehearsal space
James: I agree with Megan: the most wonderful discovery of "The Seagull Project" was seeing what our actors brought to the table. The piece became so personal for them, that we found exciting answers and discoveries at each rehearsal. Sometimes, we as directors had moments where we felt confused, and the actors would give us a suggestion or an idea and we'd think "duh! Why didn't we see that before?" It's amazing how much your colleagues can teach you, and this to me is one of my favorite parts of the rehearsal process. And yes, the most difficult part of the rehearsal process was finding a rehearsal space.
Marissa: How is "The Seagull Project" similar to or different from previous 11th Hour projects?
Megan: "The Seagull Project" definitely feels different from 11th Hour's previous projects. Like any young theatre company, we are still learning what works best for us; where are strengths are best showcased. This particular project stemmed from the passion we share for the story we are telling. That has been the most important part of developing this piece. The entire ensemble studied at SFSU and almost all of us studied The Seagull with Barbara Damashek there. That shared history gives "The Seagull Project" a type of momentum we haven't had before. I believe this the first of many lives this piece will have.
James: This is the first time we developed a devised piece based on an existing, and extremely well-known, piece of dramatic literature. All of our other pieces were either based on another devised piece, or a story/idea. I feel this has been one of the most heavy subjects we have tackled. It has challenged us in so many ways, and I think it will give us a better idea of our range as theatre artists, and help push us in new directions.
Marissa: "The Seagull Project" explores the frustrations of being a young artist, struggling to create great work. What are some of your own personal strategies for dealing with creative blockages or feelings of inadequacy? Are there any quotes/mantras/works of art that you find particularly inspirational?
Megan: I have serious moments of crippling insecurity in just about every process I go through and I find it futile to attempt to prevent it or ward it off. What I do find useful, is to remind myself that the inadequate sensation I am experiencing, while terrifying and painful, is probably a sign that I really care about what I'm doing. It also helps to express myself creatively outside of rehearsal in a way that has nothing to do with the play I'm currently struggling with. Helps to keep the creativity flowing despite certain blockages.I read Patti Smith's Just Kids last year, and this passage has helped me pull myself up by my own bootstraps on several occasions:
I was both scattered and stymied, surrounded by unfinished songs and abandoned poems. I would go as far as I could and hit a wall, my own imagined limitations. And then I met a fellow who gave me his secret, and it was pretty simple. When you hit a wall, just kick it in.
James: I generally never really feel satisfied with my work. I always feel there is something I missed or didn't realize until it was over. I just remind myself that it's important to keep on working and growing because you are always bound to discover new and exciting things. Sometimes you just have to wait a little longer. I once received a Martha Graham quote from our acting class with Barbara Damashek that has always been very inspiring for me. I actually received it when we studied "The Seagull":
You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. … No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
Marissa: What do you hope the audience will get out of "The Seagull Project"?
Megan: I hope the audience will be surprised. I hope they will not only relate to our main character's struggle, but be reminded of their own triumphs or failures in overcoming adversity. And what either outcome taught them. I hope some of them go home and read the original play! That would be great. Mostly, I hope it gets them excited to create some art of their own.
James: I hope the audience will question what they see. I hope they get some sort of emotional response to the images they see. Like Megan, I hope they will be able to relate to our central character Konstantin and his struggle to finding his voice. I hope the audience will laugh and hopefully, provoke some thought. I, too, hope the audience will read Chekhov's original play! It's still so relevant and full of humanity.
Marissa: 11th Hour Ensemble has produced short pieces for BOA, as well as evening-length pieces of devised work. How does your process differ when creating a short piece as opposed to a longer one?
Megan: The processes themselves, ideally, don't actually differ that much. Like I mentioned earlier, we believe in ritual and repetition, whether the piece runs an hour or fifteen minutes long. Each is built on a foundation formed and fortified by the trust and willingness of everyone in the room and created with a physical vocabulary developed through specific exercises. The length of the piece doesn't affect this process at all.
James: I would say the only difference may be the amount of time we spend on each project, although the process itself is not different. The so few moments in life when you can create a sacred and safe environment for everyone to work in. I think this goes along with what Megan was saying about ritual and repetition. Creating theatre for us, is a time to discipline and challenge ourselves, and to learn and grow. Our first major show, Alice, was developed over a period of 2 years, before it became a full-length feature. We have only been working on The Seagull since January.
Marissa: What's up next for you and for 11th Hour Ensemble?
Megan: 11th Hour Ensemble has a few projects in our back pocket. No definite dates yet, but please visit our website and we will keep you posted!
James: I think we all have a few ideas and projects we'd like to explore. Hopefully something very soon after BOA!
Marissa: Megan and James, thanks for taking the time to talk with me about your work. It's interesting to discuss your artistic process like this — and then see how those same themes are reflected onstage, through physical theater, in 'The Seagull Project."
"The Seagull Project" appears in Program 1 of BOA 2012.


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wyoming state legislature
Hill Says 'Good Old Boys' Want Her Out
Republicans Add to Legislative Majority [AUDIO]
Kickoff to Good Health Tommorrow [AUDIO]
A state legislative committee has agreed to sponsor a bill that would eliminate the sentence of life without parole for juveniles. Only 7 state currently ban the practice, while a few more have it on the books but currently don't have any inmates serving such a sentence. The sixth annual ''kickoff to good health" is scheduled for tomorrow at the Wyoming Union building on the U.W. campus. Click past jump to listen to Wyoming Radio News.
Chamber hosts Feb. 16 breakfast with local legislators
Organic Food Consumption up (AUDIO)
Lawmakers Question CO2 Storage Project [AUDIO]
Some state lawmakers are questioning a project to store carbon dioxide underground near Rock Springs because of the steep cost of storing the greenhouse gas. Amy Richards has a report. A spokeswoman for the Low Income Energy Assistance Program — or LIEAP — says it's not too soon to apply for help with your winter heating bills. Click past jump to listen to Wyoming Radio News.


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Find an Item in O'Shaughnessy-Frey Library
Do you have a call number for an item (from CLICnet, Summon or elsewhere) and you're trying to find out where it is shelved in the O'Shaughnessy-Frey Library? Or, would you like to see a OSF Library floor plan (PDF)?
Update Fall 2015 - Be aware that the library is doing some rearrangement of our print and periodical collections, so we will do our best to keep these maps up to date. Check our blog post about the move stop at one of the desks on the first floor for help.
What are you looking for?
I'm looking for a BOOK
Found a book in CLICnet and want to find where it is shelved in O'Shaughnessy-Frey Library?
Start typing the first letters of your call number (it should look something like PS3556.R352 F74 2010) and select the prefix from the dropdown that matches your call number.


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Case Update
In the recent case of QBE Management Services (UK) Ltd v Dymoke [2012] EWHC 80 (QB), the High Court granted a springboard injunction to restrain a team of ex-employees competing with their former employer.
A springboard injunction is a form of equitable relief that is intended to deprive wrongdoers of the fruits of their unlawful conduct. It is a court-imposed, non-contractual restraint of trade, prohibiting conduct that might otherwise be lawful. Typically, the relief is used to restrict the ability of a competitor to compete with a wronged party for a set period of time; for example, through prohibiting a competitor and its staff from dealing with clients of the wronged party. It is therefore a powerful remedy in the context of team moves.
In this case, Mr. Dymoke and two other colleagues resigned from QBE, a marine insurance business, with the express intention of setting up a competing business. They were placed on garden leave in accordance with their contracts of employment. Initially, QBE obtained injunctions to enforce the garden leave and restrictive covenant obligations contained in the contracts of employment of Mr. Dymoke and his colleagues. However, a few months later, QBE successfully obtained a springboard injunction preventing Mr. Dymoke and his colleagues from starting up their new business. This was granted on the basis that before their resignations the defendants had committed numerous and serious breaches of their ongoing contractual and fiduciary obligations to QBE, including: actively recruiting employees from QBE; misusing confidential information; soliciting QBE's clients; and failing to disclose their competitive activities to QBE.
The High Court found that these breaches gave Mr. Dymoke and his colleagues an unlawful headstart which enabled them to have their new business up and running before the start of the key renewals season (where the key date in a year was 20 February, a date at which over 70% of relevant renewals takes place) in circumstances where, had they acted lawfully, they would have been unable to do so.
As a result, the Court granted QBE a springboard injunction until the end of April 2012, just over two months after the key renewal date.
The case is important for a number of reasons.
In Ravat v Halliburton Manufacturing and Services Ltd [2012] UKSC 1, the Supreme Court ruled that the test for determining whether an employee can claim the statutory right not to be unfairly dismissed is whether the employment relationship has a stronger connection with the United Kingdom than the country where the employee works. This is the latest in a series of cases on the territorial scope of the statutory British employment rights.
The legislation under which employees enjoy the right not to be unfairly dismissed does not contain any geographical limitations – for example, there is no provision that provides that someone has to be employed wholly or mainly in the United Kingdom to benefit from the right. Nonetheless, in a number of previous decisions, the courts have interpreted the relevant statutes so as to imply a territorial limit such that, subject to some limited exceptions, only employees who mainly work in the United Kingdom have the right to claim for unfair dismissal.
The House of Lords (now the Supreme Court) gave detailed guidance on the general rule and the exceptions to it in the case of Lawson v Serco in 2006. In that case, it was held that employees who work outside of the United Kingdom can, in certain limited cases, be regarded as working in Britain and benefit from the right not to be unfairly dismissed. The House of Lords divided employees into three broad categories: the standard employee (working in Britain), the peripatetic employee and the expatriate employee. While the statute clearly applied to the standard employee, it would only apply to the peripatetic employee whose base is the United Kingdom, or to the expatriate employee if there were otherwise equally strong connections to the United Kingdom.
In this case, Mr. Ravat was employed by Halliburton Manufacturing and Services Limited ("Halliburton"), under a contract of employment governed by English law. He worked in Libya on a 28 days on, 28 days off rotational basis. When he was not working, he lived at home in Preston, Lancashire. His salary was paid in Sterling and was subject to the deduction of UK income tax and National Insurance. He liaised with Halliburton's Aberdeen office in relation to HR matters. Mr. Ravat performed no work at all in the UK and all duties were performed for a German company within the Halliburton Group. His operations manager was based in Libya and his line manager was based in Cairo. When Mr. Ravat was made redundant he was paid a redundancy payment in accordance with the English statutory redundancy formula.
Mr. Ravat brought a claim of unfair dismissal. Halliburton argued that the Employment Tribunal did not have jurisdiction to hear the claim because Mr. Ravat did not work in the United Kingdom.
The Supreme Court ultimately held that Mr. Ravat's employment had sufficiently strong connections with the United Kingdom, thus allowing him to claim unfair dismissal in the Employment Tribunal.
This case illustrates that employees of companies based in the United Kingdom who work overseas can pursue unfair dismissal claims where there is considered to be a closer connection with the United Kingdom than elsewhere. Each case will be determined on its own facts, but the key issues to be taken into account when considering whether employees have the right to unfair dismissal protection in the United Kingdom will include:
While this case relates to the right not to be unfairly dismissed, it is generally expected that the approach of the courts and tribunals in relation to expatriate employees' ability to bring claims for unlawful discrimination will be similar, especially given that the Equality Act 2010 (the statute which contains the bulk of the United Kingdom's antidiscrimination laws), like the legislation relating to unfair dismissal, does not contain any express territorial jurisdiction provisions.
News Update
With effect from 6 April 2012, substantial changes to the employment tribunal procedures are expected to be introduced. These include:
The Employment Tribunals (Constitution and Rules of Procedure) (Amendment) Regulations 2012 will amend the existing employment tribunal rules of procedure and the amended rules will apply in respect of claims submitted to the Tribunal on or after 6 April 2012.
Prior to 6 April 2011, tax on termination payments was deducted at basic rate and the employee's tax code was not taken into account for the purposes of any payments made to an employee after their P45 had been issued. An employee was liable to tax at the higher (40%) or additional (50%) rate of tax and HMRC then collected the underpayment from that individual through their Self-Assessment tax return. This resulted in an immediate cash flow benefit for the individual with any additional income tax only becoming due by 31 January following the end of the tax year.
The position changed in April 2011. Employers are now required to deduct income tax at the basic, higher or additional rate according to the individual's level of earnings. The cash flow benefit has now turned in favour of HMRC since they will no longer have to wait until 31 January following the end of the tax year to recover tax underpayments from higher rate and additional rate taxpayers.
There is currently a tax concession which allows an employee's legal costs on termination of employment to be paid by the employer free of tax if they are either ordered to be paid by a court or tribunal, or paid direct to the employee's lawyer pursuant to a compromise or severance agreement.
This tax concession will be withdrawn with effect from 6 April and replaced by Regulation 10 of the Enactment of Extra-Statutory Concessions Order 2011. It had initially appeared that the 2011 Order would significantly restrict the tax concession as it would only apply to cases involving a court or tribunal costs order, or a formal compromise agreement complying with section 203 of the Employment Rights Act 1996. However, in December 2011, HMRC confirmed that it will be amending tax legislation to make it clear that the tax exemption available where an employer pays an employee's legal fees pursuant to a settlement agreement will apply to all settlement agreements. We are awaiting responses to the consultation.
In a Revenue & Customs Brief (02/12), HMRC has revised its interpretation as to what constitutes a mobile phone to include smartphones and therefore exempt these devices from income tax. Up until very recently smartphones were only exempt from tax if they were provided by the employer solely for business purposes and any private use was not significant.
Since the emergence of smartphones into the consumer mobile phones market, HMRC has always considered the devices to be Personal Digital Assistants (PDAs) as they combined the functions of a mobile phone with many of the functions associated with a computer. That view was based on the understanding that smartphones were not devices that are designed or adapted for the primary purpose of transmitting and receiving spoken messages and used in connection with a public electronic communications service.
The Revenue now accepts that devices such as the iPhone, Blackberry and their counterparts satisfy the conditions to qualify as "mobile phones". HMRC warns that this will not apply to devices that are solely PDAs, such as the iPad.
Employers that have provided their employees with a smartphone from 6th April 2007 onwards and declared such as a benefit-in-kind on form P11D or included the benefit in a PAYE Settlement Agreement may now apply for retrospective repayments of Class 1A NIC. Likewise employees who have paid tax on such a benefit may apply for a refund of overpaid tax for years 2007/08 et seq. The time limits for claiming a tax repayment is four years from the last day of the relevant tax year, but HMRC has confirmed that it will consider any claims made for 2007/08 if they are made on or before 31st July 2012. Time limits for refunds of Class 1A NIC are later, so compliance with the dates for income tax will ensure that the time limits for claiming a Class 1A repayment is satisfied.
From April 2012, the lifetime pensions allowance (the total amount of pension savings that receives favourable tax treatment) will decrease from £1.8 million to £1.5 million.
With effect from 6 April 2012, the personal allowance for income tax is to increase to £8,105 and the threshold at which employees pay the higher rate of income tax of 40% is to reduce to £34,371.00.
DISCLAIMER: Because of the generality of this update, the information provided herein may not be applicable in all situations and should not be acted upon without specific legal advice based on particular situations.
© Proskauer Rose LLP
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text: John Foss | IBDB: The official source for Broadway Information IBDB: The official source for Broadway Information Official Broadway League sites: - sites - broadway.org broadwayleague.com broadwayfanclub.com kidsnightonbroadway.com stagespecs.org tonyawards.com Quick Search For: In This Category: All Show People/Org. Theatre Season John Foss Performer Male Productions ProductionsDate of ProductionsBlack Rhythm[Musical, Comedy, Original] Performer: John Foss [Eugene]Dec 19, 1936 - Dec 24, 1936 Find out where John Foss and are credited together © 2001-2015, The Broadway League, All Rights Reserved. (Copyright and Disclaimer)


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Space Shuttle Endeavour Makes Pass Over Bay Area Before Final Landing In LA
Palabras clave
Spectators line a hilltop as they wait to see the Space Shuttle... Fotografía de noticiasCalifornia,Ciencia,Ciencia y Tecnología,Colina,EE.UU.,Espacio,Espectador,Esperar,Horizontal,Los Ángeles,Mirar,Misión espacial,Sausalito,TecnologíaPhotographer Justin SullivanCollection: Getty Images News 2012 Getty ImagesSAUSALITO, CA - SEPTEMBER 21: Spectators line a hilltop as they wait to see the Space Shuttle Endavour as it passes by en route to Los Angeles on September 21, 2012 in Sausalito, California. The Space Shuttle Endeavour did a 4-1/2 hour tour over California landmarks before heading to Los Angeles International Airport where it will be prepared to be moved to its new permanent home at the California Science Center in downtown Los Angeles. The shuttle will be on public display starting October 30. (Photo by Justin Sullivan/Getty Images)


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His 1st words will be QUACK QUACK!!
My son Kahne proncd(Kane) the Duck fan!
By: melissa120975Subscribe Channel: Sports & Recreation Location: Eugene or
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says ... on Sunday, Dec 6 at 7:01 PM
he is soo cute melissa!!


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Samuel | 14 Jun 2012
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Maruti Estilo Reviews
Estilo..... A good option....
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Maruti Zen Estilo Reviews
Modish Machine
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"Hi, I want to know if it is possible to put a
Honda Civic engine into a Contessa. Also what
other engines can possibly be infused into the car
so that it remains powerful but has some amount of
fuel e"


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our collections
Our staff takes great pride in the quality of our Book, Movie & TV Series collections and the way that they are displayed. It's easy to look for an item in person and just as easy to search for something in our library catalog. You can reserve or renew many items on-line from your own account. It's easy to get what you are looking for with your Westbury Library card.
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We are now loaning out Nook e-Readers! They are pre-loaded with the hottest titles and can be kept for 28 days. Ask for details at the Circulation or Information desk. Here is a listing of the newest and most noteworthy titles currently pre-loaded:
Go Set A Watchman
by Harper Lee
Primates of Park Avenue
by Wednesday Martin
Killing Monica
by Candace Bushnell
by E.L. James
American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History
by Chris Kyle
The Girl on the Train
by Paula Hawkins
Click here for a complete list of titles on our eReaders
- The Bone Clocks, by David Mitchell
- All the Light We Cannot See, by Anthony Doerr
- Orphan Train, by Christina Baker Kline
- What I Know For Sure, by Oprah Winfrey
- Somewhere Safe With Somebody Good, by Jan Karon
- The Bone Clocks, by David Mitchell
- One & Only, by Emily Giffin
- The Heist, by Daniel Silva
- All the Light We Cannot See, by Anthony Doerr
- Matchmaker, by Elin Hilderbrand
- Orphan Train, by Christina Barker Kline
- The Bully Pulpit, by Doris Kearns Goodwin
- Flash Boys, by Michael Lewis
- Shadow Spell, by Nora Roberts
- NYPD RED 2, by James Patterson
- 12 Years a Slave, by Solomon Northup
- The Luminaries, by Eleanor Catton (2013 Man Booker prize)
- White Fire, by Douglas Preston & Lincoln Child
- The Quest, by Nelson Demille
- Killing Jesus, by Bill O'Reilly and Martin Dugard
- The Longest Ride, by Nicholas Sparks
- Zealot: The Life and Times of Jesus of Nazareth, by Reza Aslan
- The Husband's Secret, by Liane Moriarty
- Entwined by You (Crossfire, Book #3), by Sylvia Day
- The Cuckoo's Calling, by Robert Galbraith aka J.K. Rowling
- The English Girl, by Daniel Silva
- Silver Star, by Jeanette Walls
- Beautiful Day, Elin Hilderbrand
- The Ocean at the End of the Lane, Neil Gaiman
- Revenge Wears Prada: The Devil Returns, by Lauren Weisberge
- Inferno, by Dan Brown
- And the Mountains Echoed, by Khaled Hosseini
- The Dinner, by Herman Koch
- A Week in Winter, by Meave Binchy
- Killing Kennedy, by Bill O'Reilly
- Thomas Jefferson, by Jon Meacham
- Proof of Heaven, by Eben Alexander
- Notorious Ninteen, by Janet Evanovich
- The Forgotten, by David Baldacci
- Threat Vector, by Tom Clancy
- Shiver, by Karen Robards
- Dance with Dragons, by George R.R. Martin
- Twelve tribes of Hattie, by Ayana Mathis
- The Light Between Oceans, by M.L. Stedman
- Gone Girl, by Gillian Flynn
- Bared to You, by Sylvia Day
- Reflected in You (Book #2), by Sylvia Day
- Where We Belong, by Emily Giffin
- Winter of the World, by Ken Follett
- No Easy Day, by Mark Owen
- The Island, by Elin Hilderbrand
- The Marriage Bargain, by Jennifer Probst
- Wild, by Cheryl Strayed
- Abraham Lincoln Vampire Hunter, by Seth Grahame-Smith
- The Amateur, by Edward Klein
- Calico Joe, by John Grisham
- All Summer Long, by Susan Mallery
- I, Michael Bennett, by James Patterson
- The Storm, by Clive Cussler
- Bring Up the Bodies, by Hillary Mantel
- Fifty Shades of Grey, by E.L. James
- Fifty Shades Darker, by E.L. James
- Fifty Shades Freed, by E.L. James
- Defending Jacob, by William Landay
- The Hunger Games, by Susan Collins
- The Shoemaker's Wife, by Adriana Trigiani
- Killing Lincoln, by Bill O'Reilly
- Game of Thrones Series, by George R.R. Martin
- Unbroken, by Laura Hillenbrand


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The MAC RiRi Hearts MAC Collection for Fall 2013 includes the MAC Powder Blush Duo in Hibiscus Kiss ($29 USD / $34 CAD), split pan blush & bronzer duo. The entire collection is available at MAC stores September 26, 2013, online September 30, 2013 and all other MAC locations on October 3, 2013. Click here to see more information on the full collection.
This product was launched earlier this year, so if you regretted missing out on it back then, you're in luck now! This one features the metallic rose gold packaging with RiRi's signature on the compact and embossed into the powder as well. The powders are split asymmetrically, which I like because typically we use more bronzer than blush, so this product has a better chance of getting used up evenly.
The bronzer is a matte neutral bronze, and I must say I'm quite in love with it! It has great pigmentation, blends smoothly on the skin and looks very natural without any orange at all. It's buildable as well, so you really can get a soft glow or an intense bronzed (or contoured) look if you want. I wish this bronzer formula and shade was permanent, because it's probably one of the best, most natural-looking that I've seen from MAC.
The blush is a bright, coral pink with a slight sheen to it. When I first swatched it, there was next to no color payoff at all. I was pretty confused, because typically MAC blushes are awesome, and especially one that looks this bold in the pan should have amazing pigmentation. It almost felt like there was a film on top of the blush, and when I took a spatula and scraped off a bit, then I found the blush I was looking for. It's a beautiful shade that looks lovely on the skin, but it takes a little work to get to it (and you'll probably have to scrape up your powder so it won't be as pretty anymore). I checked out other reviews, and a few other people seemed to have this issue too… so I don't think it's just my product. I also found the thin strip at the bottom a little hard to get, even with a small blush brush. It's possible, but I felt like it was a little too cumbersome for a product that is supposed to be convenient.
I think this blush duo works, especially because the bronzer is so fantastic… but you'll have to put in a little effort (and scraping) to reveal the quality blush worth using.
AVAILABILITY: Limited Edition. Available September 26, 2013 (MAC Stores), September 30, 2013 (Online), October 3, 2013 (Other MAC locations in North America) & October 2013 (International) at MAC.
SELECTION: This is the only Powder Blush Duo in the collection. See the rest of our MAC RiRi Hearts MAC Collection for Fall 2013 coverage here.
The bronzer is fantastic- buildable, smooth and blendable with a very natural-looking undertone. The blush needed a little scraping to reveal the pigmented powder underneath, and it was a little cumbersome to pick up on a brush. Overall this product isn't too bad, but requires a little more work than I expected for a convenient 2-in-1.


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Bliss RX Review
What You Should Know
Click Here To See Our Highest Rated Review
Bliss RX is dietary supplement designed to enhance the mood. Through the official website, there are claims relating to eating due to the effects of stress. Bliss RX alleviates stress, reducing the chances of overeating. Without overeating, dieters will not gain weight. This is a bit confusing, but the company claims this process is the most effective way for dieters to lose weight.
The supplement is available on the official website for $23.95. Not too expensive compared to similar products on the market. A low-cost dietary supplement designed to alter mood and ignite weight loss. What could be wrong with this scenario?
List of Ingredients
- Vitamin B-1
- Vitamin B-2
- Niacinamide
- Vitamin B-6
- Folic Acid
- Vitamin B-12
- Calcium
- Magnesium
- SAM-e
- Ashwagandha
- Chamomile
Product Features
Bliss RX is a dietary supplement designed to alter the mood of the dieter. Individuals taking the supplement could have less anxiety, reduce the impulse to eat emotionally, have better sleeping habits and improve overall health and wellbeing. The supplement is available on the official website for $23.95. This is inexpensive compared to similar products on the market.
As we looked thought the website, there was no evidence of scientific research or clinical trials. There were no customer testimonials. What we did find was information relating to individuals with mental conditions such as Bipolar disorder. Bliss RX affects serotonin levels, leading us to believe this is not safe for dieters with mental conditions.
On top of the fact the supplement affects your mood, there was no information relating to weight loss. There are no proven weight loss ingredients listed in the supplement. The only information relating to weight loss comes in the fact of eliminating emotional eating, thus creating weight loss.
- The supplement is inexpensive.
- The ingredient list is provided on the official website.
- The ingredients affect mood and potentially serotonin levels.
- Consuming Bliss RX could potentially be habit forming.
- The supplement is not designed for individuals with Bipolar disorder.
- Research on the ingredient list is lacking.
- There is no guarantee of weight loss.
- There are no clinical studies associated with Bliss RX.
Changing how dieters perceive food is a key to losing weight. Dieters need to think of food as a means to living, not living for food. Changing mood is a way to alleviate stress, but not an ideal solution for weight loss. Real change occurs when dieters look at the cause of weight loss. Change eating habits, exercise more and take the right amount of supplements is the only way to achieve maximum weight loss.


text: [ Eat, Drink, Raise Funds For CASA By Chuck Geiger May 19, 2014 Join the fun at Old Chicago on Tuesday, May 20 from 4p to close! Read More Category: Best of Cheyenne, Charity, Cheyenne News, Children, Chuck Geiger, Health, News Tags: CASA, Old Chicago Send to a friend! Share on Facebook Share on Twitter Pin it! Reddit This! Share on Tumblr!


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Reach tens of thousands of people instantly by advertising with Ekklesia. Find out more
A Roman Catholic Church delegation has led prayers at the chapel of the Ecumenical Centre in Geneva, Switzerland, as part of discussions with the WCC.
Despite many divisions and dissensions, Christian communities across the world have observed the Week of Prayer for Christian Unity this January.
Cardinal Kurt Koch, president of the Pontifical Council for Promoting Christian Unity, has made his first official visit to the World Council of Churches.
The recently retired Vatican official responsible for ecumenical affairs says his biggest regret is not achieving common communion with Protestants.
World Council of Churches General Secretary Rev Dr Olav Fykse Tveit has welcomed the appointment of Bishop Kurt Koch as new president of the Pontifical Council for Promoting Christian Unity.
Engagement with other churches has helped Catholic bishops educated in a dated "theology of exclusion" to move towards a genuine "ecumenical commitment", Edinburgh 2010 observers have heard.
The Vatican and Mennonite World Conference representatives who met in Rome in October 2007 to prepare theological reflections on peacemaking have made available the full statement and background material.


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Join us at Wayward Kitchen from 7-11 p.m. Thursday, May 8, as
we release our 2014 edition of Furrow, UWM's undergrad lit journal!
There will be copies for sale, a raffle to win great prizes, live music, readers, and
Free and open to the public.
Drinks will be for purchase, as will journals, additional raffle tickets (first
one's free!), food, and music.
Meet the staff and our lovely contributors on this night of fun!


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(Off-campus program of Andrews University)
If a student is completing two majors, there must be a minimum of 15 hours of unduplicated courses in each major, i.e., when looking at either major, there must be at least 15 hours of courses which do not show up in the other major. If a student is completing a major and a minor, there must be a minimum of 9 hours in the minor which are not included in the major. If a student is completing two or more minors there must be at least 9 hours of unduplicated courses in each minor.
Minor areas of concentration are offered in the following fields:
* Minor requires residency at an overseas campus through the Adventist Colleges Abroad program (ACA).
WAU's Edyth T. James Department of Nursing offers a special track, through the School of Graduate and Professional Studies, for registered nurses with a license from the Board of Nursing who wish to earn a Bachelor of Science in Nursing. In addition to providing advanced nursing skills, the program offers opportunities for the registered nurse to gain strength in nursing theory, leadership, communication, and research skills. For additional information, contact the Edyth T. James Department of Nursing.
Courses leading to teacher certification are offered. Please contact the Department of Education for details.
Students may take courses leading toward teaching careers in the following Areas:
Please check with the Department of Education for state or denominational requirements and procedures.


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Swix Lola Mitten (Women's)
Was $64.93
SALE: $29.99 54%Off!
SALE: $29.99 54%Off!
Available Colors
Shopping in store?
Product Details
Style: H1786
The Swix Lola Mitten is like wearing tiny, cozy clouds on your hands. The PrimaLoft® insulation is incredibly light and extremely warm. A microfiber and leather outer shell protects against moisture while giving you the grip you need. Since the Lola is a mitten, your natural body heat will help to keep your fingers even warmer.
- Durable microfiber outer shell fabric
- Aqua-VENT membrane is waterproof and wind resistant
- PrimaLoft® insulation provides low-bulk warmth
- Mini Gauntlet Cuff is double sided with microfleece on the wrist
- Full leather palm and thumb for added grip
Questions and Answers
ASK A QUESTION Got questions about this product? Ask them here. Got questions about anything else? Please see our FAQ.
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Xlog Technologies
'X LOG' is an aspiring small & medium business entity involved in development of web based and distributable software applications. With over 2 decades of experience in application development we at X LOG follow stringent quality measure to ensure "What is required is what is provided". We apply business Intelligence and analyze the Key Performance Indicators on any business prospect we work with.
Apart from software development and application deployment, XLOG is also involved in Project management; Software Engineering outsourcing & consulting and market lead generation process
One of the major alternative business segments of XLOG is providing Recruitment Solutions across domains. The customers can avail our services by forwarding the job description and candidate description to us and we will investigate, analyze and identify appropriate potential nearest to your requirement …More


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Remember tracing your hand and turning it into a colorful turkey drawing? That's what this project reminds us of… in 3D.
Kim from MommySteffan shared this Thanksgiving craft idea you can make from things you already have on hand.
- Hot Mitt and Hot Pad
- Fabric Scraps
- Floss
- Needle
- All-Temp Fabric Glue Stick (glue gun)
- Disappearing fabric marker
- Stiff Felt (orange, red and other warm colors)
- Little hand for small hot pad
Hand Mitt:
- I created a feather, wing, eye, beak and waddle pattern. You can look at some examples online and free hand them on scrap paper.
- Trace three feathers, one waddle, one eye and one beak onto the stiff felt. You can put wing on felt or stitch wing scraps directly to the mitt.
- Use fabric glue to add beak, waddle and eye.
- Trace the felt feather onto the fabric scraps.
- Stitch the fabric to the scraps. This will keep it stiff and not droopy.
- Stitch fabric scrap wing directly OR stitch to felt and hook under with thread + add fabric glue. I tried both ways and liked stitching it directly on best.
- Stitch under the wings to add them on but then reinforce them with fabric glue stick.
Hot Pad w/ Little Hand:
- Trace little hand on fabric scrap
- Cut out a beak, waddle and wing from felt (Brianna didn't want a wing on her hand print?) Looks cute either way.
- Stitch little hand on hot pad
- Use fabric glue to add wing, beak and waddle
- Stitch on an eye
Happy Thanksgiving!


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- Northern New York Newspapers
- Watertown
- Ogdensburg
- Massena-Potsdam
- Lowville
- Carthage
- Malone
- NNY Business
- NNY Living
- NNY Ads
NORFOLK - Norfolk residents will have to find a new way to get rid of excess garbage this spring after town officials recently announced the cancellation of their annual spring cleanup.
The trash collection event will not be held this year to due budgetary issues for the town.
While the town board has talked about the possibility before, this is the first time that the cleanup will actually be cancelled.
This actually isnt anything new. Its been talked about at length for the last couple of years and was a topic at budget discussions, Town Supervisor Charles A. Pernice said. In 2013 it cost the taxpayers $8,515.48 to have a spring cleanup and 294 residents took advantage of the service. That resident total is probably wrong as far as number of taxpayers because you were allowed two trips per parcel. So it was probably a smaller number of actual taxpayers using this service.
In 2012, the board debated the future of the service, which allows residents to bring their trash to the Massena Transfer Station over a three-day period. Norfolks highway department is then tasked with sorting through the garbage.
Last spring, the topic was brought up during meetings again.
Mr. Pernice added that with 2,500 parcels of land and approximately 4,500 people in the town, you can see a very small percentage of our residents were using this, but it was being paid for by all the taxpayers.
When approximately $6,600 raises our taxes by 1 percent, you can see that by having cleanup this year, it would have raised our taxes by 1.33 percent or somewhere in that neighborhood, Mr. Pernice said. Very few towns do this anymore. Most of them either never did it to begin with or have already gotten out of the clean up business.
The village of Massenas spring cleanup will begin on April 28.
The most painless cuts are the ones that do the least amount of damage and landlords with multiple rental units were our biggest customer. They can easily take care of their tenants needs with a slight increase in their rent if needed, Mr. Pernice said.
The bottom line is this - few people used it, many abused it, and it was a headache for our highway personnel who would better serve the residents needs elsewhere on those days. Additionally, nobody can survive many more tax increases in these times. It was a cut that did the least amount of damage to the majority of our taxpayers.
Norfolk officials had allowed town residents to drop off garbage, used furniture and other debris at the Raymondville park for a few days each spring and then town highway department crews transported the items to the transfer station in Massena.
Thousands of readers like you have made Northern New York Newspapers the number one ranked website* for local news and sports coverage in the north country.
You can continue on to this article in a few seconds, or you can visit one of our websites:


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Originally posted on Twitchy:
They just can't help themselves — the misogynists at MSNBC, that is.
Continuing the radical left network's war on conservative women, MSNBC host Martin Bashir used the Obama administration's Secret Service scandal to go after…GOP 2008 vice presidential candidate and former Alaska Gov. Sarah Palin. As we noted the other day, the good-humored Palin took the news of one of the agent's sexist confessions that he was ogling her while on duty in stride.
Bashir, however, showed typical MSNBC classlessness to accuse her of "bragging." Pig.
View original 144 more words


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Live music in UT tonight: A Cappella & Jazz
Published December 14, 2011 3:10 pm
This is an archived article that was published on sltrib.com in 2011, and information in the article may be outdated. It is provided only for personal research purposes and may not be reprinted.
Here are two music options for tonight:
Voice Male (above)The six local singers in Voice Male have been performing a cappella for more than 15 years.When • Wednesday, Dec. 14, at 7:30 p.m.Where • Thanksgiving Point, 3003 N. Thanksgiving Way, Lehi Tickets • $17 at door
Jazz at the StationWeber State University Chamber Choir will present a Jazz at the Station concert featuring soloists, duets, trios and quartets at Ogden's Union Station.When • Wednesday, Dec. 14, at 7 p.m.Where • Union Station, 2501 Wall Ave., Ogden Tickets • Free
Reader comments on sltrib.com are the opinions of the writer, not The Salt Lake Tribune. We will delete comments containing obscenities, personal attacks and inappropriate or offensive remarks. Flagrant or repeat violators will be banned. If you see an objectionable comment, please alert us by clicking the arrow on the upper right side of the comment and selecting "Flag comment as inappropriate". If you've recently registered with Disqus or aren't seeing your comments immediately, you may need to verify your email address. To do so, visit disqus.com/account.comments powered by Disqus
See more about comments here.
See more about comments here.


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Kalua Pig
5-6 lb. pork roast
bottle of Liquid Smoke
Ice cream salt (or any coarse salt. I use Hawaiian salt, but I doubt you'll be able to find it unless you're in Hawaii.)
1/2 cup of water
Rub the pork roast with the Liquid Smoke, be generous. Then rub the roast with the coarse salt, covering it. Add a half cup of water to the crock pot, add the roast, pour some more Liquid Smoke on top of the roast, and sprinkle in another tablespoon or two of the coarse salt. Let cook on low for 15 hours in the crock pot.
The pork should shred very easily. Place pork in a heap on a platter. Serve with a pot of rice.
|To comment on this article you must be logged in. Not a member?


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- Northern New York Newspapers
- Watertown
- Ogdensburg
- Massena-Potsdam
- Lowville
- Carthage
- Malone
- NNY Business
- NNY Living
- NNY Ads
President Obama's campaign will make a renewed push for the extension of middle-class tax cuts, an effort to put Mitt Romney in a difficult position — but one which may also complicate things for congressional Democrats.
Mr. Obama wants to extend the tax cuts for people who make less than $250,000 annually.
Rep. Bill Owens, D-Plattsburgh, says that by contrast, he supports the extension of the tax cuts for people who make less than $500,000. Meanwhile, Sen. Chuck Schumer, the state's senior senator, has said that the cuts should be extended for those who make less than $1 million annually.
The tax cuts, passed during President George W. Bush's administration, are set to expire at the end of the year. Republicans, including Mr. Owens' Republican opponent Matt Doheny, want them extended across the board, not just for those who make below a certain income threshold.
"Do I think people who make less than $250,000 deserve to keep the lower taxes?" Mr. Owens said. "Absolutely. They're going to be the ones who spend the money. The question is, should we do it slightly higher?"
Mr. Owens declined to say whether, if faced with a piece of legislation on his desk that would in effect raise taxes on those who make more than $250,000, he would support the compromise position.
But he did say that letting the tax cuts expire on those who make more than $500,000 — which, again, is a tax hike — wouldn't have a detrimental effect on the economy.
"There's no evidence that (income tax cuts for the wealthy) help create jobs relative to the job creators," Mr. Owens said, citing booming employment during President Bill Clinton's administration, when the top marginal rate was several percentage points higher.
Much of the discussion — or perhaps all of it — is somewhat academic. Congress is unlikely to confront the legislation in an election year, and Mr. Obama's push is seen through the Nov. 6 prism.
"I sincerely doubt that it would be a piece of legislation coming out of the Republican congress that would" extend the cuts on those who make less than $250,000.
But it could happen during the "lame-duck" session after the election, Mr. Owens said, when great pressure is brought to bear on Congress.
Thousands of readers like you have made Northern New York Newspapers the number one ranked website* for local news and sports coverage in the north country.
You can continue on to this article in a few seconds, or you can visit one of our websites:


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Mehdi Hasan exposes misconceptions about the continent
Explore Japan through its offbeat train culture
Why the Uighur people will continue to reject China's colonial and apartheid rule.
02 Jun 2014 08:43 GMT | Politics, China, Iran
In a Delhi slum, puppeteers, musicians, jugglers and acrobats try to unite as they wrangle with an approaching eviction.
Business & Economy, Arts & Culture, Poverty & Development
An investigation into the high rate of child sex abuse in Jamaica and the government's failure to protect its children.
Human Rights, Jamaica, Rape
The story of the 1994 Rwandan genocide told through the prism of the media, exploring their role then and today.
Media, War & Conflict, Africa
How Kenya's female water tank masons are delivering measurable benefits to their communities - and their country.
Women, Africa, Kenya


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When Styleite fashion news editor Justin Fenner — who accompanied me to/held my hand through Tommy Hilfiger's Fall 2012 Collection event at the Seventh Regiment Armory on Park Avenue last night — asked me what I thought of the show, apparently all I said was that I "kinda liked" it. I have an excuse for being a little dead-brained, though: I'd never been to one of these before. You see, normally I work over on Styleite's sister site SportsGrid, and my knowledge of the fashion world consists mainly of what Styleite people tell me.
Yesterday, though, after a tough day of writing about how one guy on the Chicago Bulls looked like he had spray-on hair, I departed for the Tommy show, and now, my fashion knowledge consists of "things Styleite people tell me plus one fashion show." And maybe some of you reading this haven't been to any fashion shows and don't know much about how they operate either. Here, then, is a list of what I learned.
1. Fashion shows are over fast. Not 90 minutes after the show officially started, not only was it long over, not only had Justin and I long left the Armory that sits between 66th and 67th Streets in Manhattan, but I was already back at my apartment. My apartment is in New Jersey. There is a 15-minute walk to my apartment once I get off the train in New Jersey. My point: the show itself is extremely short. And based on what Justin (who, again, has been to more than one of these things) said afterward, that's how it usually goes. If you ever go to one of these things yourself, don't expect it to take up your whole night. Which brings up a sub-point…
1a. You will need to kill a lot of time before the show begins. This is important because you will inevitably be there for a longer time before things get started than you will be after. My time-killing method of choice: flipping through Daily Front Row, the magazine being distributed (for free!) to people as they walked in. A couple things stood out. One, the cover had a small section that said: "Collect & Discuss," which was interesting in that it was a magazine giving readers instructions on what to do with it. Second: in an interview with New Yorker publisher Lisa Hughes, the magazine asked why she got into publishing. Her response was strange:
"It's sort of a dumb reason: I loved to read books and magazines."
That is basically the best possible reason to get into publishing. Third: Martha Stewart Living editor-in-chief Pilar Guzman was described as an "editrix." This, of course, is an actual term for a female editor, but still, doesn't "editrix" bring to mind this hypothetical back-and-forth?
Trix cereal editor: So this box of Trix here, just checking — is it for kids?
Trix cereal quality control personnel: Yes. Every box of Trix is for kids. Why do you keep asking me that for every box? You have to know the answer's always going to be yes by now.
Trix cereal editor: Hey, just doing my job here.
[Repeat for every box of Trix, ever.]
2. This particular fashion show, at least, did a good job of figuratively lulling you to sleep before it got underway. This was mostly due to the dimmed lights and Simon & Garfunkel-heavy background music. For a while before the show, unsure of what to do, I wondered: do I get up and wander around more? Do I join Justin, who's actually trying to… do things? And then…
Ceciiiiiiiiiiilia/You're breakin' my heart/You're shakin' my confidence daiiily…
…At which point you almost instantaneously become content to sit there and sing along. And also sing along hours later, while you type up a recap of your experience at the show.
3. Again, I can't speak for other fashion shows, but this one had a very forthright way of letting you know when it was starting. The start was about as subtle as, say… a terrifyingly apocalyptic orchestral arrangement of the Rolling Stones' "Gimme Shelter." In fact, it was exactly as subtle… because that is literally what happened. With this blaring in the background, the models seemed about as likely to film a battle scene in a war movie as they were to walk down the runway.
NEXT: A beginner's sad attempt at fashion photography, plus a few notes from the actual show.


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Kappa Delta College Readiness Night
Tue Sep 23 2014, 6:00 PM - 7:30 PM
Lucille Clement Hall Lobby ETSU Map
Cadette, Senior, Ambassador
Johnson City
Come to the free College Readiness Night at ETSU hosted by the Kappa Delta Sorority. Learn all you need to know about college from college students! Find out how to fill out admission and financial aid applications, plus get the inside scoop on campus activities, organizations, and dorm life.
Girls will have the opportunity to ask lots of questions and feel at ease about what to expect in the college application process.
RSVP by September 15 to Courtney Holloway: email@example.com.


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Essex may be enduring a nightmare start to the new County Championship season, but for young Reece Topley the opening weeks of the domestic campaign are nothing short of a dream.
Seventeen-year-old Topley continued his impressive introduction to first-class cricket when he returned 5 for 64 against Middlesex at Lord's.
Bowling from the Pavilion End at the home of cricket, Topley found consistent swing movement and started his destruction of the opposition batting by removing both openers, Chris Rogers and Scott Newman, in successive overs before lunch.
Dan Housego followed in the post-lunch session before the left-armer wrapped up the innings after tea with two wickets in four balls and all under the approving gaze of his father Don, who represented Essex from 1985 until 1994 and told his son: "I'm proud of you."
Those five victims at Lord's took Topley's tally for the season to 15 in only three first-class matches and the Royal Hospital School pupil is understandably savouring every moment. "It's been a dream start and better than I could have imagined," he said.
"I was able to capitalise on the pronounced swing movement at Lord's but I know that there will always be highs and lows. For now I'm relishing the highs and I'll learn to deal with the downside moments when they come around."
Standing 6 ft 7in tall, Topley's remarkable burst onto the first-class scene has already led to comments that he could be a contender for an England Lions call-up but the teenager remains level-headed.
"I don't want to get too far ahead of myself," he continued, before adding in true sportsman's fashion: "I'm taking each game as it comes." The boy really is a fast learner!
Meanwhile, Essex are hoping that their overseas signing Lonwabo Tsotsobe will be available from the County Championship match starting at Northampton on April 20. The South African left-arm fast bowler had been expected to arrive this week to link up with the county for the first two months of the season but was forced to miss the game against Middlesex due to a family bereavement.
Essex had previously been frustrated in their attempts to bring Australian Peter Siddle and then New Zealand fast man Tim Southee to Chelmsford, although it is understood they are keen to lure Southee over for the Twenty20 Cup where he would join fellow Black cap Scott Styris as the club's second overseas player.


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$ - $175
One of our most-loved signature designs, the Love Knot Ring is an elegant reminder of anyone you hold dear. Hand-crafted from a single band of 14k yellow gold, 14k rose gold or sterling silver, our Love Knot is a classic for good reason. We can hardly count the stylish ladies we've seen sporting our popular Love Knot Ring: Kate Winslet, Drew Barrymore, Jessica Biel, Emmy Rossum, Shay Mitchell, Emily Blunt, Selena Gomez and Kerry Washington, to name a few! It's also been featured by Lucky, Cosmo, OK!, the Wall Street Journal, Self, InStyle Germany and A Piece of Toast.
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text: I Love My Wife | IBDB: The official source for Broadway Information IBDB: The official source for Broadway Information Official Broadway League sites: - sites - broadway.org broadwayleague.com broadwayfanclub.com kidsnightonbroadway.com stagespecs.org tonyawards.com Quick Search For: In This Category: All Show People/Org. Theatre Season I Love My Wife Ethel Barrymore Theatre, (4/17/1977 - 5/20/1979) First Preview: Apr 13, 1977 Total Previews: 7 Opening Date: Apr 17, 1977 Closing Date: May 20, 1979 Total Performances: 857 Category: Musical, Comedy, Original, Broadway Setting: Trenton, New Jersey. The Present. Media Opening Night CreditsAwardsSongs Production Staff [See More] Theatre Owned / Operated by The Shubert Organization (Gerald Schoenfeld: Chairman; Bernard B. Jacobs: President) Produced by Terry Allen Kramer and Harry Rigby; Produced by arrangement with Joseph Kipness; Associate Producer: Frank Montalvo Book by Michael Stewart; Lyrics by Michael Stewart; Music by Cy Coleman; Based on the play by Luis Rego; Music arranged by Cy Coleman; Musical Director: John Miller Directed by Gene Saks; Musical Staging by Onna White Scenic Design by David Mitchell; Lighting Design by Gilbert V. Hemsley, Jr.; Costume Design by Ron Talsky; Sound Design by Lou Gonzales General Manager: Jack Schlissel and Jay Kingwill Production Stage Manager: Bob Vandergriff; Stage Manager: Tony Manzi; Technical Supervisor: Mitch Miller Bass Player: John Miller; Guitar: Michael Mark; Piano: Ken Bichel; Drummer: Joseph Saulter General Press Representative: Henry Luhrman Associates; Photographer: Martha Swope and Sy Friedman; Advertising: Ash / LeDonne and Richard Kagey; Casting: Feuer & Ritzer Cast Lenny BakerAlvinKen BichelNormanJoanna GleasonBroadway debutMonicaIlene GraffCleoMichael MarkBroadway debutStanleyJohn MillerHarveyJames NaughtonWallyJoseph SaulterQuentin Understudies: Warren Benbow (Quentin), Michael Mark (Harvey), Joel Mofsenson (Norman) and Michael Sergio (Stanley) Tony Award® 1977 Best Musical [nominee] Produced by Terry Allen Kramer and Harry Rigby ; Produced by arrangement with Joseph Kipness 1977 Best Book of a Musical [nominee] Book by Michael Stewart 1977 Best Original Score [nominee] Music by Cy Coleman ; Lyrics by Michael Stewart 1977 Best Featured Actor in a Musical [winner] Lenny Baker 1977 Best Choreography [nominee] Onna White 1977 Best Direction of a Musical [winner] Gene Saks Theatre World 1977 Award [recipient] Joanna Gleason Drama Desk Award 1977 Outstanding Musical [nominee] Produced by Terry Allen Kramer and Harry Rigby ; Produced by arrangement with Joseph Kipness 1977 Outstanding Actor in a Musical [winner] Lenny Baker 1977 Outstanding Featured Actor in a Musical [winner] Michael Mark 1977 Outstanding Featured Actor in a Musical [winner] Joseph Saulter 1977 Outstanding Featured Actor in a Musical [winner] John Miller 1977 Outstanding Featured Actor in a Musical [winner] Ken Bichel 1977 Outstanding Director of a Musical [nominee] Directed by Gene Saks 1977 Outstanding Music [winner] Music by Cy Coleman music by Cy Coleman; lyrics by Michael Stewart ACT 1 Sung By We're Still FriendsCompanyMonicaAlvin, Monica and Four GuysBy ThreesWally, Alvin and HarveyA Mover's LifeAlvin and Four GuysLove RevolutionCleoSomeone Wonderful I MissedMonica and CleoSexually FreeAlvin, Cleo and Wally ACT 2 Sung By Hey There, Good TimesHarvey, Stanley, Quentin and NormanLovers on Christmas EveMonica, Wally and NormanScreamHarvey, Stanley, Quentin and NormanEverybody Today Is Turning OnAlvin and WallyMarried Couple Seeks Married Couple Alvin, Cleo, Wally and MonicaI Love My WifeAlvin and Wally © 2001-2015, The Broadway League, All Rights Reserved. (Copyright and Disclaimer)


text:
4 Wedge Downspout Screens
Item # WX2-71099In Stock
- Details & Specs
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STOP leaves and debris from clogging your downspouts!
This little gadget keeps your downspout open and trouble-free. Unique, patented flow-thru Wedge design is self-cleaning... leaves are pushed up the slope by water flow and the wind blows them away. Increases water drainage by 2,000% over conventional raingutter drain filters.
Tough, durable, rust-proof plastic construction is UV-protected for years of maintenance-free service in all kinds of weather. Assemble and install in just minutes. Use 2 Screens back-to-back for center drain gutters. Each measures 9 1/2 x 2 5/8", weighs about 1 lb.
Make a minor investment to stop major gutter hassles today!


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Learn about consumable supplies, accessories and options available for your product.
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text:
Alex Proud, owner of Proud Galleries talks to Kingsroad.co.uk about celebrity customers, running a successful business and King's Road heritage. Proud Galleries has been going strong since 1998 and now has galleries and event spaces across London. Proud Chelsea opened at 161 King's Road in November 2009.
What's the story behind Proud Chelsea?
Following the success of our central and Camden galleries, we wanted to open a dedicated gallery space in a fantastic location and when I came across the site on the Kings Road, it was too good a spot to pass up. The Kings Road has such a fantastic rock & roll heritage so it fits perfectly - our gallery used to be Apple Tailoring owned by the Beatles.
What do you love about King's Road?
I love the Kings Road's cultural heritage and buzziness - it really is different from any other road in London.
What are your favourite places to shop on King's Road?
I love Partridges in Duke of York's Square for their amazing food and the shop at Proud Chelsea for photography books, which make perfect presents.
Can you reveal any famous customers who have been into Proud Galleries in Chelsea?
Mick Jagger came to our launch, Bob Geldof has been in, Janice Dickinson... Proud Galleries has always attracted famous faces.
Where do you like to eat out locally?
There are some brilliant restaurants in Chelsea. Tom Aikens, (43 Elystan Street), The Pig's Ear (35 Old Church Street), eight over eight (392 King's Road), Picasso Cafe (127 King's Road). We have a great shot of Picasso Cafe from the 60s.
What's in the gallery at the moment?
We have an absolutely stunning exhibition of Audrey Hepburn portraits by the late, great, Bob Willoughby, which includes some very rare original and vintage prints, printed and signed by Willoughby himself. This is one of the very best exhibitions we have ever had the privilege to host in terms of stunning archival photography and investment opportunity. Downstairs we are displaying the very best of our permanent collection including iconic shots like the Sgt Pepper Album cover, David Bowie's Diamond Dogs and Jimi Hendrix's Electric Ladyland.
What music are you listening to at the moment?
The new Moby album, 'Destroyed', which was launched at Proud Camden last week in conjunction with his first UK photography exhibition.
Three things you can't live without?
My ipad, my wife and my children…but not in that order!
Who are your favourite local personalities?
There are some great Chelsea personalities, lots of them came out of the woodwork when we had our 'Sex, Drugstores and Rock 'n' Roll: A History of the Kings Road' exhibition. They have all lived and worked in the area for years and knew all the faces in the prints we exhibited.
What's your top tip for running a business and what would you do differently?
Communication is key: make sure you know what is going on at all levels in your business. And learn how to manage a balance sheet! Everything I've learned has come from the successes and failures that came along the way, so I wouldn't do anything differently – or I wouldn't be where I am today.
Proud Chelsea is now exhibiting The Audrey Collection by Bob Willoughby until 10 July.


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Wetherspoon is to open a new outlet at Heathrow.
The pub, 'The Flying Chariot' is set to open when Terminal 2 : The Queen's Terminal begins operations on June 4th 2014.
The new outlet will be Wetherspoon's sixth pub at Heathrow, leading to the creation of 50 full and part-time jobs through an investment of £1.3 million.
The pub takes its name from a comment in a book written by the Rector of Cranford Parish Church, Doctor John Wilkins, titled 'Discovery of a New World in the Moon' (1638).
In the book he states that it should be possible "to make a flying chariot, in which a man may sit, and give such motion unto it, as shall convey him through the air."
A heavy emphasis is being placed on the design with the Heathrow control tower by Richard Rogers referenced as well as a number of aerodynamic fluid forms to give the pub the feel of aircraft and modern engineering.
It will have a number of distinctive features including a tower which can be accessed from the customer area. Customers will be able to look out over the runway and boarding gates using fixed telescopes.
The Flying Chariot will have an open kitchen, a dedicated deli and coffee area for fast fresh meals, a coffee lounge area, as well as table service in area behind the bar. There will be an emphasis on real ale with a range of kegs on display.
Wetherspoon chief executive John Hutson said; "We are looking forward to opening The Flying Chariot at Heathrow's Terminal 2.
"Our pubs have enjoyed great success across the airport and we are delighted to have been chosen to open a Wetherspoon pub within this major development.
"The Flying Chariot will have a number of original design features which will enable it to stand out from the crowd.
"We believe that the pub will be a major asset to the UK's hub airport."
Heathrow's retail director, Muriel Zingraff, said: "Heathrow is steeped in history having begun operation in 1946 as a temporary village of tents for passengers.
"The latest concept by Wetherspoon's is a lovely way to celebrate our airport's past and the world's continued enthusiasm for flight.
"The Flying Chariot will be a striking feature for Terminal 2 and a wonderful way for departing passengers to start their journey from Heathrow."


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Expects to Implement C3 SmartRoom Control Technology in Stem Cell Industry
By: Marketwire .
May. 19, 2011 09:25 PM
PITTSBURGH, PA — (Marketwire) — 05/19/11 — HWI Global, Inc. (OTCBB: IVTW), the Pittsburgh-based clean-room design builder, reports developing high-level Manufacturing Execution System (MES) software combining complete environmental control with real-time monitoring and reporting in accordance with GMP Guidelines and Federal statute 24CFR11. The MES software package is part of HWI's patent-pending C3 SmartRoom Information Management Solution.
HWI's MES system complies with 24 CFR Part 11 requiring electronic systems to discern invalid or altered records and secure, computer-generated, time-stamped audit trails. The system independently records the date and time of operator entries and actions that create, modify, or delete electronic records which do not obscure previously recorded information.
The Company recently completed two projects for Stemnion, Inc., a regenerative medicine stem cell firm. Acknowledging various world-wide regulatory bodies are continuously setting guidelines which require timely updates, HWI is keeping in step with the scientific developments and changing attitudes in society.
Deric A. Haddad, CEO, HWI Global explains: "Historically, GMPs have been used to establish quality standards for the manufacturing of pharmaceuticals and medicinal products to ensure drugs and vaccines have consistent quality. Current GMP guidelines are based on the standards that pharmaceutical and healthcare manufacturers have been using for decades. But, with the emergence of stem cell research, new questions have been raised about how to best maintain that quality."
"Regenerative medicine therapies use different techniques — like tissue engineering. This can involve lab-grown or genetically modified cells — living cells — that cannot be implemented in the same way as a conventional medical product. A different set of standards, a more flexible but accurate validation system is required. Our C3 SmartRoom with the MES software is exactly what they need as it provides automated validation to support that their lab and process have remained in compliance. Whether it is regulatory compliance with the Food and Drug Administration (FDA), the European Medicines Agency (EMA), or any of the countries that use GMP guidelines provided by the World Health Organization, the C3 SmartRoom system is a global solution for validation in this growing, but very diverse, market."
About HWI Global
HWI Global is a leader in clean-room design engineering and construction, servicing clients in the Life Science, Health Science, Nanotechnology, Microelectronics and Aerospace industries. HWI Global and its network of subject matter experts (SME) — from leading architects, engineers, facilities planners, and specialized installers — effectively design and construct the most state-of-the-art clean environments in a "turnkey" fashion.
Safe Harbor Statements
This release may contain forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995. Statements contained in this release that are not historical facts may be deemed to be forward-looking statements. Investors are cautioned that forward-looking statements are inherently uncertain. Actual performance and results may differ materially from that projected or suggested herein due to certain risks and uncertainties including, without limitation, ability to obtain financing and regulatory and shareholder approvals for anticipated actions. This press release shall not constitute an offer to issue or sell, or the solicitation of an offer to buy securities, nor shall there be any sale of these securities in any jurisdiction in which such offer, solicitation or sale would be unlawful prior to registration or qualification under the securities laws of any such jurisdiction.
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News Release
Press Release of Senator Crapo
Idaho Senators Comment on Fiscal Cliff Vote
Contact: Lindsay Nothern
WASHINGTON, DC – Idaho Senators Mike Crapo and Jim Risch issued this joint statement after voting to support compromise "fiscal cliff" legislation that passed the U.S. Senate by an 89 to 8 vote.
"The compromise that we supported protects 99-percent of all Idahoans from a tax increase and also protects the vast majority of our farm families from a permanent
tax increase. This is a victory for working Idahoans, but we must now be very aggressive in finding appropriate spending reductions."


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- Infowars - http://www.infowars.com -
Homeland Security Secretary Napolitano announces initiative for Super Bowl
Posted By MarleighJones On February 1, 2011 @ 11:30 am In Old Infowars Posts Style,War on Terror | Comments Disabled
Selwyn Crawford
Dallas News
February 1, 2011
Super Bowl participants are usually reluctant to make bold predictions — unless it's the law enforcement officers charged with protecting the game Sunday at Cowboys Stadium.
"We have planned extensively and we are prepared," Arlington Police Chief Theron Bowman said Monday. "At the end of the day, we believe this will be the best and safest Super Bowl yet."
Bowman was joined at Monday's news conference at the Sheraton Dallas by Homeland Security Secretary Janet Napolitano and other federal law enforcement officials.
Article printed from Infowars: http://www.infowars.com
URL to article: http://www.infowars.com/homeland-security-secretary-napolitano-announces-initiative-for-super-bowl/
Click here to print.
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text:
- Acts 6:1-7
- Ps 33:1-2, 4-5, 18-19
- 1 Pt 2:4-9
- Jn 14:1-12
The first reading gives us the origins of the diaconate. Appointed by the Apostles to care for the needs of the Greek widows, who were evidently being neglected, their social mission would quickly append to itself that of evangelization and proclamation of the Gospel. Among the listed deacons chosen we find the name of Stephen, "a man filled with faith and the Holy Spirit." We may recall that later in the Acts of the Apostles it is noted that he was stoned by certain Jews for witnessing to the word of God. Like our Lord, he sets a pattern for martyrs by forgiving his murderers. The deacons represent the third and final tier of Holy Orders that comes down to us in succession from Jesus and the Apostles. Full apostolic jurisdiction would be given to the bishops. The presbyters or priests would assist them in the ministry of reconciliation and in the re-presentation of the Lord's Supper. The deacons, yesterday and today, proclaim and preach the Gospel, assist at the Eucharist, witness marriages and perform baptisms.
While the foundation stone for the Church is Jesus Christ, the community of believers itself is made into a "chosen race" and a "royal priesthood". Baptismal priesthood refers to our imitation of Christ and of his sacrificial love. God's people participate with their consecrated and ordained priests in offering the sacrifice of the Mass. Bishops and priests most importantly signify Christ at the altar and in the sacraments. They are priests because Jesus is the High Priest. Jesus extends something of himself and his authority to the Church. He does not want us to feel abandoned. Jesus does NOT orphan his people.
This past week we were privileged to have Pope Benedict XVI in Washington, DC. Many of us saw the successor of the Fisherman with our own eyes. He is the Vicar of Christ. He is Peter. He is the visible head of the Church while Jesus remains the invisible head and our grounding hope. This forcefully realizes for us the continuing presence and ministry of Jesus in the universal Church. While the accidentals may change, the core truths and the deposit of faith remain the same. We see in the Acts of the Apostles the early expressions of faith and ministry that still prevail 2,000 years later. That might seem like a long time, but I had an aunt who lived to be 124 and my paternal grandmother was 99 plus years (almost 100) when she died. If one such person who lived a century were to be born at the moment that another died, we would only be 20 people away from the time of Jesus and the Apostles. Maybe it is not so long after all?
While asserting again his unity with God, indeed, his role as the revelation of the Father, Jesus makes a pledge to his Church. He says:
Amen, amen, I say to you, whoever believes in me will do the works that I do, and will do greater ones than these, because I am going to the Father.
Here is proof-positive, that Jesus intended for his bishops, priests and deacons to perpetuate his saving works. All the extraordinary claims of the Catholic Church are for real- we trust our Lord and take him for his word. We are members of the House built and sustained by Jesus Christ.