text:
LONDON, July 11, 2013 /PRNewswire/ --
On Wednesday, July 10, 2013, shares in major drug manufacturers ended higher even as the broader market finished on a mixed note. The major movers in the industry included AstraZeneca Plc (ADR) (NYSE: AZN), GlaxoSmithKline Plc (ADR) (NYSE: GSK), Keryx Biopharmaceuticals (NASDAQ: KERX), and Raptor Pharmaceuticals Corp. (NASDAQ: RPTP). All these companies are tracked by AAAResearchReports.com. Free in-depth technical analysis on AZN, GSK, KERX, and RPTP are currently available upon sign up at:
Shares in AstraZeneca Plc edged higher on Wednesday, extending their gains for the week. The company's shares ended the day 0.78% higher at $48.94 after oscillating between $48.62 and $49.01. A total of 1.36 million shares were traded which is below the daily average volume of 1.95 million. The company's shares have gained 1.87% in the last three trading sessions as compared to a gain of 1.27% in the S&P 500. Sign up for free technical analysis on AZN at:
GlaxoSmithKline Plc's stock also extended its gains for the week on Wednesday. The company's shares fluctuated between $51.98 and $52.56 before finishing the day 1.26% higher at $52.29. A total of 1.66 million shares were traded which is below the daily average volume of 2.54 million. The company's shares have gained 2.13% so far this week and 9.51% in the last three months. The stock is currently trading near its 52-week high of $54.00. Download free report on GSK by r
|SOURCE AAA Research Reports
Copyright©2012 PR Newswire.
All rights reserved


text:
- Home
- News
- Sports
- Opinion
- Obituaries
- Features
- Special Sections
- Classifieds
- Public Notices
Forgot Password? | Not a User? Sign up
The bragging rights for the 2007-08 season officially reside downhill.
A big push in the second half by the visiting Pojoaque Elks, which included six 3-pointers, gave them the 72-65 victory over the homestanding Los Alamos Hilltopper boys varsity basketball team Saturday at Griffith Gym.
Pojoaque scored 44 points in the second half to take the game between the two teams whose healthy rivalry has remained alive and well even after the Hilltoppers left Class AAA following the 1999-2000 season.
We came out here knowing what kind of game it was going to be, Los Alamos guard Ben Allen said. We started playing at Pojoaques speed. You do that, youre probably going to lose to them.
Los Alamos started to run the floor with Pojoaque early rather than settle into what it does best, namely, play its half-court offense through center Alex Kirk.
Every time we tried to run with themwed get open looks, but we hurried our shots and missed them, Allen said.
The Hilltoppers looked like they might run away with Saturdays game, opening up a seven-point lead after one period, but the Elks came back with a barrage from beyond the circle.
If you currently subscribe or have subscribed in the past to the Los Alamos Monitor, then simply find your account number on your mailing label and enter it below.
Click the question mark below to see where your account ID appears on your mailing label.
If you are new to the award winning Los Alamos Monitor and wish to get a subscription or simply gain access to our online content then please enter your ZIP code below and continue to setup your account.
|ZIP Code:

subset: commoncrawl


text:
Update: Late Thursday afternoon DPS announced that Jeg took a turn for the worse, and has had to be euthanized. Click here for an updated story.
Reporter: Kevin Keen
TUCSON (KGUN9-TV) - A K-9 whose job it is to protect and serve has taken a turn for the worse at a Tucson veterinary clinic. The Arizona Department of Public Safety said an officer forgot the dog in a hot car Wednesday. That officer is on administrative leave, the agency told 9 On Your Side.
A DPS spokesman said the dog, named Jeg, has been on the force, sniffing out drugs, for three years. The agency said Jeg's partner, an officer, forgot him in a squad car in the Tucson headquarters parking lot for more than an hour.
"When he was found, he was obviously overheated with a high temperature," Officer David Hopkins said.
DPS said firefighters rushed Jeg, a belgian malinois, to a veterinarian in critical condition.
The agency would not name the officer responsible, but explained the six-year veteran had quickly switched vehicles to rush to a crash scene and left Jeg behind around noon.
There is an internal DPS investigation into what happened, as well as an outside one by the Tucson Police Department.
"They're officers just like we are," Hopkins told 9 On Your Side reporter Kevin Keen. "Our canines--they're a great asset to us. They're our dogs. They're our officers. We treat them as such."
9 On Your Side found the outside air temperature on record at around noon was at least 97 degrees.
"It can be a very dangerous situation in a matter of minutes," said veterinarian Jack Quick of Pantano Animal Clinic.
Quick said the temperature rises quickly inside a car and canines are especially sensitive to the heat.
"Dogs have a total different cooling mechanism," Quick said. "They don't sweat like you and I do. They have to pant. So, if they are breathing very confined, hot air all the time, their cooling mechanisms go down dramatically."
It is that heat and the dog's condition that's led to dozens of 9 On Your Side viewers wanting to know what will happen to the officer.
It's too early to tell. A DPS spokesman in Phoenix said Tucson police will look to see if the officer was negligent, reckless or broke the law. DPS' review will see if he violated any agency policies.
KGUN9 viewers are speaking out about this case. Click here for a sampling and a summary of what viewers have to say.
- Latest


text:
LT: Darrion Weems, Sr.; Ryan Clanton, Jr.; Andre Yruretagoyena, Fr.
LG: Carson York, Jr.; Mana Greig, So,; Josh Sanford, Sr.; Jamal Prater, Fr.
C: Hroniss Grasu, RFr.; Karrington Armstrong, So.; Hamani Stevens, RFr.; Tyler Johnstone, Fr.
RG: Mark Asper, Sr.; Ramsen Golpashin, Sr.; Everett Benyard, So.; Trevor Fox, So.
RT: Nick Cody, Jr.; Jake Fisher, Fr.; James Euscher, Fr.; Matt Pierson, Fr.; Brandon Thomas, RFr.
THE HEADLINERS: Judging by the all-Pac-12 team, there were in fact zero headliners for Oregon's offensive line in 2011, despite the fact the Ducks finished fifth nationally in rushing yards per game, just shy of 300, and 10th in sacks allowed, at less than one per game. Yes, the pace of Oregon's offense, the elusiveness of LaMichael James and the willingness of Darron Thomas to stand in and release passes just before being hit all played a part in that. But the Ducks did get quality play up front most of the season, with the group in particular thriving at making halftime adjustments, one reason Oregon was usually more effective in the second half as an offense. Four players started every game on the line in 2011, senior Darrion Weems, junior Carson York, redshirt freshman Hroniss Grasu and senior Mark Asper. Notable were the contributions by Asper, who started the opener at tackle and then shifted inside to guard to allow Nick Cody to move into the lineup, and Grasu, who had a very encouraging debut season at the most critical position on the line.
SUPPORTING ACTS: Senior Ramsen Golpashin was one of the team's feel-good stories, winning a starting job to open the season after enduring four years as a walk-on, but his year did a 180, first with a subpar outing against LSU that cost him his starting job, and then with a knee injury less than two weeks later that ended his career. With Golpashin out, the Ducks leaned most heavily on two backups, junior Ryan Clanton and true freshman Jake Fisher. Clanton subbed in when somebody on the left side of the line needed a break, and Fisher did so on the right side, playing in all 14 games beginning with the opener, an incredible feat by a true freshman. Sophomores Mana Greig and Everett Benyard also got reps here and there, with Greig taking over for York in the Rose Bowl following York's knee injury. Limited to mop-up duty were interior linemen Trevor Fox, Josh Sanford and Hamani Stevens, in the latter's return season following a church mission. A center earlier in his career, Stevens played mostly guard in his game appearances last fall.
THE BUZZ BIN: With practices closed since fall camp, it was tough to get a read for where the true freshmen fit on the depth chart. Word was that Tyler Johnstone, a left tackle in the preseason, did some snapping with the scout team, because he'd done some prior to arriving at Oregon. (Fisher had Johnstone's number, 64, inked on his upper arm during the Rose Bowl, usually an indication of an injury, but further clarification is needed at the moment.) Andre Yruretagoyena and James Euscher also were tackles in the preseason, with Yruretagoyena considered a more advanced prospect as a recruit, while Jamal Prater was a guard. Two walk-ons joined the team on the line for the fall of 2011, Matt Pierson and Brandon Thomas.
ENTERING THE SPRING: The Ducks need to replace two starters in Weems and Asper, and because one plays on the left side and one on the right, the easy assumption is that Clanton and Fisher will slide in with the ones and they won't miss a beat. But you know position coach Steve Greatwood will spend April mixing and matching various groups to get everybody on the same page, and see where they fit the best. There figures to be further turmoil due to the likely absence for the spring of York, as he recovers from the knee surgery he was scheduled for following the Rose Bowl. It will be intriguing to watch (if indeed the public is allowed to watch) the development of the true freshmen as they transition into their redshirt season, although with the guys Oregon has on hand, there's little pressure on the group to make an impact during the 2012 season.
RECRUITING: The lone player committed to sign on Feb. 1 is junior college transfer Kyle Long, who has one year of eligibility left (there have been reports he may appeal for a second year, but the likelihood of that, along with the appeal's potential outcome, is unknown.) Reading the tea leaves, Long's recruitment could be an indication that, indeed, none of the freshmen who redshirted look ready to help at tackle in the fall. Fisher's contribution as a true freshmen was rare; more common is for an offensive lineman to need at least two years in the system before breaking into the lineup, so that wouldn't be particularly surprising, except to those fans who fall in love with recruiting stars (or in the case of one player in particular, his name, though that makes no sense at all). The Ducks are also believed to be recruiting other players on the line, but there seems to be no guarantee they'll definitely try to sign another lineman. More likely, if they can take an elite recruit they will, but they won't feel pressure to take a lineman for the sake of numbers.
LT: Ryan Clanton, Sr.; Kyle Long, Sr.; Tyler Johnstone, RFr.; Andre Yruretagoyena, RFr.
LG: Carson York, Sr.; Mana Greig, Jr.; Jamal Prater, RFr.
C: Hroniss Grasu, So.; Karrington Armstrong, Jr.; Hamani Stevens, So.
RG: Nick Cody, Sr.; Trevor Fox, Jr.
RT: Jake Fisher, So.; Everett Benyard, Jr.; James Euscher, RFr.; Matt Pierson, RFr.; Brandon Thomas, So.
THOUGHTS: With three full-time starters and two experienced backups slotted into the starting spots, this looks like a group the Ducks can win with. The reserves aren't all that experienced, but the same could have been said of the 2011 offensive line for Oregon, and it held up pretty well. The versatility of players like Cody, Clanton, Fisher, Armstrong and Benyard will mean the Ducks can be flexible with their starting lineup and also in incorporating backups in the rotation. It looks like another group that, while it may not garner a bunch of postseason honors, can get the job done for the Oregon offense.


text:
One of the greatest assets of fandom is the passion it generates. Yet this very love and devotion can also be a major obstacle. It potentially blind fans and robs them of a sense of proportion and objectivity. Some step over the line from fandom in to zealotry. To a lesser degree I think many of us can recollect a time when we we're waxing lyrical about something we hold dear, only to be met with looks of incredulity from our non-fan friends and colleagues. In recent years I certainly have tempered such tendencies. Age and a modicum of wisdom has taught me, that if someone doesn't like what I like or doesn't understand its appeal, then that's okay. I do not have to vociferously defend the object of my desire with the vehemence of the Spanish Inquisition (which nobody expects).
Three weeks on from its release, Peter Jackson's The Hobbit: An Unexpected Journey is doing great business at the box office, although that hardly comes as a surprise. Critically speaking the film has met with mixed reviews. The pacing of the movie and the first hour set in Bag End have born the brunt of criticism.The HFR 3D format has also not found as much favour as some had hoped. As a result of these factors, a rather curious debate emerged a few days ago, which stemmed from an article that appeared on the Huffington Post. Seth Abramson, a poet, attorney and freelance writer penned an article stating "Dislike Peter Jackson's The Hobbit? Then You Don't Know Tolkien". It effectively asserted that the critics objections to the movie were misplaced and born of a failure to be fully conversant with Tolkien's work. It provoked an interesting debate and hundreds of comments.
The thrust of Mr. Abramson's argument is that the movie uses the story of The Hobbit as a window in to the wider history of Middle-earth and that not being aux fait with the back-story found in the appendices of The Lord of the Rings is a handicap. He also makes the bold claim that Peter Jackson is held in high regard by the majority of fans due to his love and attention to detail with regard to the source material. It would appear that he refutes current claims that the decision to expand The Hobbit in to three movies was an act of financial cynicism. It seems important to Seth Abramson that the movie is not only validated by its box office returns but also by the critical establishment.
Now Tolkien fans and purists may have wished for a trilogy of movies that offered the expansive vision that Mr. Abramson alludes to. However, that does not mean that the wider public does. Once again we see fans being blinkered by their own knowledge and enthusiasm. A substantial percentage of the movies audience are not Tolkien fans and have not read the books. Subsequently they have a completely different set of expectations. To Peter Jackson's credit he demonstrated an ability with The Lord of the Rings trilogy for adapting dialogue driven, lore heavy material and rendering it more accessible to the layman. This is because he understands that the films have to be able to stand on their own and are a very different medium to books. Any film maker who sets out to adapt a literary work but makes familiarity with the source text a mandatory requirement to understanding and enjoying it, is in error.
Furthermore, the common criticisms made of THAUJ are not born of a failure to comprehend Tolkien's work but are based upon the mechanics of film making. Many people found the first hour of the movie slow not because they were ignorant of Thorin's back story or Bilbo's relationship with Gandalf but because it was somewhat ponderous and could have been condensed further. In fact while we are talking of criticism and the movie reviews, I question Mr. Abramson's claim that "movie-reviewing, like movie-making, is an artform rife with necessary subjectivities". Poetry is subject to many schools of thought and literary rules, so may well require an formalised reviewing structure that approaches an artform. Reviewing a movie does not require such etiquette and as an extremely accessible medium should be free from such an elitist mindset.
Seth Abramson couches his argument in very eloquent terms. The man is after all a poet. Yet there are still flaws in his analysis and the biggest is perhaps his describing Tolkien's work as being allegorical. It is a literary device that the author did not like and often claimed that he did not use. However, the basic mistake that Mr Abramson makes is one that so many fans, great and small make. Namely failing to understand why people do not feel the same way about something that they personally love and then wasting immense time and effort in trying to construct an argument as to why people should. I see it all the time. Try making a statement online or within a wide group of friends as to why you don't like The Beatles, football or The Godfather and you'll see what I mean. Defend your views and you'll receive one of those lengthy replies that dissects your every point and is countered by individual paragraphs of "informed" opinion. Somewhere someone is desperate to be right and oblivious as to how foolish they look.
I like many things and a lot of them will often provoke a wry remark or a ridicule from some quarters. Ten years ago I may well have does as Seth Abramson has. Nowadays I am indifferent to those who do no share my likes and dislikes. It is not important to me that I change their mind and their dislikes do not impact upon my pleasure. As far as I can see, the majority of reviews that expressed negative comments and criticism of THAUJ, did so based purely on the films construction, script and presentation. It was not based on ignorance of the source text and frankly that should not be a factor to begin with. On a more personal note, I am a Tolkien fan and I would like to see more of his work adapted for cinema or TV. However as a fan of cinema I have to temper my enthusiasm for his written work with a practical understanding of how film making works, what is commercially viable and the inherent difference between the two mediums. Perhaps critical opinion of THAUJ will change in the future. That may be due to revised thinking or possibly to a further decline in mainstream film making. However what won't change irrespective of the passage of time, will be the partisan attitude of certain fans, who will forever never be able to see the woods for the trees.


text:
Pirate Coins and Doubloons
The Great American Coin Company offers the finest pirate coins available. Whether you are looking for pirate treasure loaded into one of our signature treasure chests or individual pirate doubloons, we can provide the perfect coins for the pirate in all of us. Our pirate doubloons are available in three sizes, in either gold or silver in both shiny and antique finish, and are available as a single doubloon or available in huge lots of up to 1,500 pirate treasure coins.
All our pirate coins are modeled after Portuguese and Spanish escudos and doubloons struck by hand between the 1500 and 1800s. The first gold escudo was minted in the year 1566 under the Spanish King Philip 2nd. At the time, this Eight Escudo was worth 16 Reales and represented some of the earliest Spanish Doubloons pirate coins that we see today. Gold Escudo Doubloons were issued from 1809-1849 and were hand-struck in denominations of one-half, one, two, four and eight escudos. The most famous of these coins is the two escudo, which is commonly referred to as a Doubloon. Doubloon, translated simply from Spanish, means a two sided coin or token. A majority of the two escudo doubloons were minted in Madrid, Spain, and consisted of approximately seven grams of gold. As the minting of these coins overlaps significantly with the colonization of the Americas, two escudo doubloons represent some of the best examples of pirate coins and pirate treasure available.
A silver eight escudo was introduced in Spain in the year 1864 and was minted for only a short time, until the year 1869. The silver eight escudo was valued at one quarter of the gold eight escudo.
One of several novelty pieces you can purchase is called the "Dead Men Tell No Tales Pirate Treasure Gold Doubloon". The back of the treasure coin is engraved with the phrase "Gold Doubloon 1587". The Long John Silver Doubloon coin and the Hispanola Ship Pirate Gold Doubloon are two other pieces of pirate treasure you can add to your collection. There's also the "treasure coin" gold doubloon coin showing a peg-legged pirate, an overflowing treasure chest, and a pirate ship in the background. A variation on that theme is the "buried treasure" pirate gold coin doubloon. "The crew" pirate gold treasure coin features the engraved words "The Crew, Pirates All".
The doubloon was used as currency in Spain until the mid-19th Century, under the reign of Queen Isabella 2nd, when the Spanish Real gained favor at the expense of the escudo.
Since the Pirates of the Carribean movie series came out, replicas of pirate coins and accessories have gained a new-found popularity. Among the pirate coins that are sure to capture the imagination of any pirate enthusiast is the Cursed Aztec Gold Treasure Coin. Measuring two inches across and weighing nearly two ounces, it's one of several ersatz pirate coins that has a highly realistic look and feel to it. Depending on the size of your collection, you can store your pirate coins in a treasure chest that holds 40 pirate coins, or you can get some coin pouches that each hold 10 Aztec pirate coins. Many varieties of gold and silver novelty pirate coins are now in stock and would be a treasured addition to any collection. Depending on your preference, authentic-looking pirate coins are available in either a shiny or antique finish.
Pirate doubloons, two-sided gold or silver coins minted primarily in Madrid, Spain, were used as currency from the mid 16th century until the second half of the 19th century. The sizes of Escudo doubloons include the two Escudo doubloon, the four Escudo doubloon, and the eight Escudo doubloon. The sizes of these reproduction pirate doubloons are comparable to a U.S. quarter, half dollar, and silver dollar, respectively. The level of detail and the feeling of authenticity that you get from these pirate doubloons makes you wonder if they weren't once handled by Long John Silver, himself. Replica pirate doubloons provide a glimpse into nautical history during a time when commerce on the high seas was a risky proposition. Young fans of the book Treasure Island by Robert Louis Stevenson are among those who would enjoy owning a set of pirate doubloons and novelty pirate coins.
Here is a great resource for learning more about pirates and pirate coins


text:
MOVIEmeterSEE RANK
Up 1,121 this week
Late for Dinner (1991)
PG | | Drama, Sci-Fi | 20 September 1991 (USA)
Ratings: 6.4/10 from 1,413 users
Reviews: 37 user | 12 critic
Two young men evading the police for a crime they didn't commit are cryogenically frozen in the early 1960s. The next thing they know is that they are in a strange new world (thirty years on).
Director:W.D. Richter
Writer:Mark Andrus
Stars:Peter Berg, Brian Wimmer, Marcia Gay Harden | See full cast and crew »
Watch Now
From $2.99 on Amazon Video


text:
Starting at $160 per night, escape to the city by the bay. San Francisco Travel has partnered up with top hotels in downtown San Francisco to provide offers saving up to 30% on regular rates.
These sample per night prices are for hotels across the city:
Other hotels across the city and dates in 2014 are also discounted.
Note: Price is based on two guests.
Please go to your email and confirm your subscription.


text:
On Tuesday evening, George Osodi gave a talk at Foto8 in London then had a public conversation with Julian Stallabrass. I discovered Osodi's amazing photos at the last edition of Documenta and there was no way i'd miss his presentation.
The Nigerian photographer is one of those rare photo-reporters whose work is shown in newspapers as well as in art galleries around the world (you can check his photos right now in the Oil Show at HMKV in Dortmund). He was in London to discuss the Oil Rich Niger Delta series and his new book Delta Nigeria - The Rape of Paradise on the oil exploitation in the Delta region of his country.
Nigeria is West Africa's largest producer of crude oil but years of corruption and poor governance has left the southern Niger Delta desperately poor, its environment devastated by oil spills and gas flares and other environmental hazards as a result of activities of the oil companies in the region.
The story of Oil Rich Niger Delta started almost 10 years ago when Osodi decided to leave his well-paid job as a banker to buy a camera and teach himself photography. It didn't start too well. First of all, no one in Nigeria, he said, takes photography seriously and he received no encouragement from neither his friends nor his family.
To him, the Delta region, where he grew up is an endless source of wonder and stories of pollution, conflicts, greed, danger but also hope. However, no matter how hard he looked, every piece of documentation about it had been made by foreigners. He thought that the fact that he grew up 'inside' those issues would give him a perspective no foreigner could have.
The beginnings were hard. He worked with films and all his money was spent on materials, he didn't have internet at the time and would stay for hours in cafés and do research about photography online. At first, people recoiled in horror when they saw his photos. They were too harsh, too disturbing and raw. But bit by bit, he learnt to "make beautiful the most difficult issues." He worked on the aesthetics of his photos so that the onlooker would first see the beauty of the images before realizing they were portraying important and uncomfortable issues.
Taking these photos is risky. Oil companies and their security forces don't him to document the impact that oil exploitation has on the environment and on the inhabitants of the region. He's been arrested several times and has even been kidnapped by Delta militants who thought he might be a spy.
Despite the dramatic situations he encounters, Osodi has hope for the Delta region which he says is one of the most beautiful on the planet and has a lot more than oil to offer. The photographer also expressed his faith in the ordinary people he meets, "they are not passive victims, all they need is a fair ground to realize their potential but right now it's still difficult."
Ultimately, he hopes that his photos will make us think about the origin of the oil we consume without even paying much attention.
The book Delta Nigeria - The Rape of Paradise by George Osodi is published by Trolley Books. For more than five centuries the fortunes of the Niger Delta have been closely tied to that of the global economy. For its slave ports, then palm oil industry, and most recently, through the discovery of crude oil in the 1950s. Oil multinationals soon came to the fore, working in alliance with a local elite to strip the region of its wealth and despoil it. At the receiving end are the region's impoverished inhabitants: left with a poisoned environment, faced with a government that never cares and victims of rival armed militant groups laying claim to territories.
Trolley Books have an exceptional catalogue, i'm sure i'll bring attention to their publications again in the future. You can find this volume on amazon UK and USA.)


text:
Pulling Back the Curtain on the Feminine Divine.
For the past 10 years the "sacred feminine," "divine feminine," "motherline" and other terms are being used more frequently in books and articles, but I've yet to hear clear descriptions of what exactly we're talking about.
I look at Bhakti, the Way of the Feminine Divine, an ancient wisdom tradition for the insights I share.
Is the Feminine Divine a personification of Earth, a mother goddess representing fertility, or Sophia, the personification of wisdom? Is the Feminine Divine an umbrella term referring to goddesses in all traditions and cultures? Does the "Feminine Divine" and "Goddess" refer to the same thing? Is the Feminine Divine a metaphor? Does the term refer to a process? An energy? An identity? Is the Feminine Divine a female version of God?
In an ongoing series I examine the Feminine Divine. Today, in this video, I look at the nature and characteristics of the Feminine Divine. View a transcript of the talk here.
When you think of the Feminine Divine, What do you think about?
Do you have any questions about this videocast? I'd love to hear from you.
From my heart to yours,
Editor: Brianna Bemel
Like elephant Spirituality on Facebook.
Incorrect source, offensive, or found a typo? Email us (please put title in subject bar of email so we'll be able to fix). Or do you want to write for Elephant?
{Waylon H. Lewis C Enterprises 2015: Use Rights in perpetuity. Ownership remains with author.}
6 Responses to "Pulling Back the Curtain on the Feminine Divine."
[…] the notion of the "divine feminine" that's rolling around on yogilips makes you squirm, consider why. It's been described as a […]
[…] bring the Goddess/Matriarchal element into the chants, readings and t-shirts! Let it balance out the patriarchal elements of our […]
[…] […]
[…] some point I started to whisper my praises to "Her" during all my prayers. I had to acknowledge the feminine aspect of life. A father cannot be a father without a mother. Creation and birth are given to this universe […]
[…] Goddess-inspired jewelry to celebrate the Divine Feminine! Brass, gemstones and natural materials are used in designs that awaken the true Goddess within. A […]


text:
rancher glove
by STEVEN ALAN
Men's Size Chart
Product Details
Classic, rancher style gloves in a soft deerskin leather shell with warm faux shearling lining. Featuring a slit opening on the thumbs for easy access to your electronic devices.
• snap button closure
• lining: 60% polyester, 40% acrylic
• 100% deerskin leather


text:
Log in
Sign up
Link Us:
Search Widget:
No results containing all your search terms the power within mediafire were found.
Your query - the power within mediafire - did not match any files in our base. Check the spelling of your terms or try to use our Premium plan to find similar results with your query the power within mediafire. May be some useful files are in other queries: power rangers wild force, the conspirator 2011, mediafire エロ動画 zip, within temptation the unforgiving, power grip. Also you can try to find the power within mediafire after one month, our base is rising very fast.
About Features Terms Privacy DMCA Policy Contacts Blog Help
© 2009-2015 filetram.com


text:
JFK International Airport
JFK Airport Travel Plaza, the first and only alternative public fuel mall in the country. Under one roof, we are offering electric car chargers, CNG, E-85, and biodiesel. Apr 3, 2014: JFK Grand Opening Date
|Phone Numbers
|Max's Pizza
- Sunoco Gas & Diesel
- Food Court with over 180 seats serving Wendy's Hamburgers, Qdoba Mexican Grill, Max's New York Style Pizza,
- 7-Eleven
- 24x7 Drop off and pick up dry cleaning
- Car wash
- Auto Repair
- Bank
- Truck Parking
- Wifi and FIDS (Flight Information Display Board)
- Fleet Friends and Family program (similar to frequent flyer program) This program offers access to special promotions to employees such as 10 cents discount on all gas purchases.
JFK Airport, Building 125, 150th Ave & 147th St, Jamaica, NY, 11430 - Available for Lease
Customer Feedback
April 19, 2014
Dear Mr Abi Zeid
I visited New York for a short family holiday last week. This was our first visit and it was a thoroughly enjoyable experience.
I had to drop the car at Avis very late at night. After a long drive from NJ, my daughter was hungry and tired. I asked one of the attendants if there was some place to eat & gas up the car. He directed me the JFK Plaza. What a pleasant surprise it was. The Plaza was god sent. My daughter was very impressed with free wifi and we also managed to confirm our flight booking back to London. I believe most travellers prefer wifi due to high cell phone roaming data costs.
As a construction professional, I am very impressed with concept of the Plaza in its simplicity for providing service not only to airport personnel but also to travellers.
It is a pity that there are no such innovative gas stations at Heathrow airport, a point my daughter picked up very quickly. She is only 13. Most of the gas stations at Heathrow including Gatwick and Stansted are pretty dismal and out of date.
Anil Vadgama
Watford (United Kingdom)


text:
Primavera Restaurant
830 E. Oakland Park Boulevard
Fort Lauderdale, FL 33334
Regular Daily Menu
For better quality and fresh taste, all dishes are cooked to order, please be patient.
Not all ingredients listed for every item on menu',
if you have any allergy please advise your server
All items marked with (V) are Vegan (With no animal products)
Beef Carpaccio, $9.95
Thinly sliced raw beef with a sliced Parmesan, lemon & extra virgin olive oil
Grilled Zucchini with Carpaccio, $7.95
Marinated raw beef, sliced and rolled in grilled zucchini
Tomato Bruschetta, $4.95
Grilled bread slices, topped with diced tomatoes with garlic and basil (V)
Mushrooms Strudel, $7.95
Assorted mushrooms, with Italian seasonings & cheeses. Wrapped in a pastry shell
"Soffiatelli" pastry shells filled with four cheeses $7.95
Oven baked, topped with a pink sauce
Eggplant Parmigiana in crust, $ 7.95
Classical eggplant Parmigiana wrapped in a pastry shell, oven baked
Primavera, $6.95
Fennel, hearts of palm, arrugula, tomato and romaine with a balsamic vinaigrette (V)
Tomato & Mozzarella Caprese $7.95
Sliced fresh mozzarella with tomatoes and basil, balsamic vinaigrette
Caesar, $5.95
Our version of the classical salad with sliced Parmesan cheese and anchovies
House, $4.95 (Add crumbled Gorgonzola $1.00)
Romaine lettuce, onions and tomatoes, with our lemon vinaigrette dressing (V)
Minestrone, $4.95 Diced fresh vegetables in a vegetable broth with Ditalini noodles (V)
Pasta & Fagioli, $4.95 White bean soup with Ditalini noodles (V)
Pasta Dishes
All pastas (But not risotto) are available as an appetizer. ($7.95 to $12.95)
Rigatoni Bolognese ,$14.95
Sautéed with our 100% ground beef "Bolognese" sauce made the classical way
Fettuccine "Mari & Monti" , $17.95
Delicate egg noodles in a fresh tomato & cream sauce with shrimps & mushrooms
Cappellini Filetto di Pomodoro, $13.95
Sautéed in a fresh tomato sauce with basil (V)
Multi grain Spaghettini Primavera $15.95
With sliced fresh vegetables in a fresh tomato sauce, with olive oil & garlic (V)
Penne alla Vodka $ 14.95 (Add Shrimps $5 Add Grilled Chicken $3)
With a pink cream & tomato sauce and a splash of Vodka
Homemade Ricotta & Spinach Ravioli, $14.95
Spinach, Parmesan and ricotta filling served with a fresh tomato & basil sauce
Butternut Squash& Ricotta Ravioli, $14.95
Ravioli with butternut squash & ricotta filling served with a light Butter & Sage sauce
Homemade Potato Gnocchi "Quattro Formaggi" $16.95
Delicate homemade potato gnocchi served with a creamy four cheeses sauce
Spaghetti with "Polpettine" Meatballs $15.95
Topped with our beef Meatballs and served with Marinara sauce
Tortellini with Veal Ossobuco $15.95
Pasta shells filled with shredded braised veal shank, served with the classical Ossobuco sauce
Linguine "Frutti Di Mare" $21.95
With mixed seafood (Calamari, Shrimps, Scallops, Mussels), in a red or white sauce
Linguine with Baby Clams, $19.95
With baby clams in the shell, red or white sauce (Available without shells)
Risotto with Seafood $22.95
Arborio rice, with mixed seafood (Calamari, Shrimps, Scallops, Mussels) (Red or white)
Risotto Funghi, $ 18.95
Arborio rice simmered with assorted mushrooms, Parmesan cheese and a touch of butter
INCLUDED SIDE OF VEGETABLES OF THE DAY & PASTA (Capellini/penne tomato or oil & garlic)
Large Grilled Vegetables Platter $14.95
A blend of zucchini, yellow squash, peppers, eggplant & tomatoes with olive oil & garlic (V)
Fresh Catch of the Day,
(Jumbo Scallops $28.95, Snapper $20.95, Salmon $19.95)
baked with grape tomatoes, Pinot grigio & chives with touch of garlic
Grilled Salmon Fillet "Bruschetta" $20.95
Served over toasted bread with a garlic and olive oil sauce, with fresh diced tomato and basil
Tilapia Fish Fillet "Piccata" $15.95
Lightly coated with egg, pan seared, Chardonnay, lemon/butter sauce with capers
Jumbo Scallops with Blue Crabmeat Crust $29.95
Pan cooked, topped with blue crab crust, served with a mushrooms & diced tomato sauce
Snapper Fillet "Asparagus", $22.95
Pan seared and broiled with an asparagus crust, Chardonnay & Dijon mustard sauce
Boneless Pork Tenderloin "Pancetta" $ 16.95
Pork Fillet Medallions wrapped in bacon and grilled, sun dried tomato & Pinot Grigio sauce
Bone in Veal Chop Milanese $ 24.95 Chicken Breast Milanese $19.95
Thinly pounded, lightly breaded, pan cooked, with side of chopped "Primavera" salad.
Chicken or Veal "Primavera" $16.95/$19.95
Veal or Chicken Scaloppina topped with grilled eggplant sliced tomatoes and melted cheese
Chicken or Veal "Parmigiana" $17.95/$21.95
Lightly breaded, topped with tomato sauce and melted cheese
Veal Marsala, $20.95_____Chicken Marsala $16.95
Scaloppini sautéed with fresh sliced mushrooms in a Marsala wine sauce
Veal Piccata, $20.95_____Chicken Piccata $16.95
Scaloppini sautéed with fresh lemon, Chardonnay, capers and fresh parsley
Grilled Veal Paillard, $24.95 Chicken Paillard $16.95
Thinly pounded veal steak, rosemary & olive oil, fresh lemon & grill veggie garnish
Single Cut Bone in Veal Rack Chop $29.95
Grilled, served over sauteed mushrooms, with a "Bordelaise" style red wine sauce
Grilled New York Strip Steak $24.95
Served with a green peppercorn sauce, whiskey scented
Extra Sides:
Grilled Vegetables, Sautéed Asparagus or Spinach, Roasted Potatoes. $5(V)
House Selections $5
Notice: Consuming raw or undercooked meats, poultry, seafood,
shellfish or eggs may increase the consumer risk of food borne illness.
Chef Owner, Giacomo Dresseno Email: Dresseno @ Bellsouth.net
Entrees: $8 Sharing Charge 18% Gratuity added for party of 8 or more
Served Daily from 5 PM to 9:30 PM


text:
Stack it up with these delicate gold rings featuring wrapped detailing. Looks awesome with the Nasty Gal Flash And Burn Dress!
*Set of 4
*One Size
If you're not utterly obsessed with your recent purchase, it's now so easy to send it back! All US returns can be completed online using our fast, hassle-free system. Check out the links below for more details.
Hair accessories, opened makeup, earrings, ear cuffs, panties and bodysuits cannot be returned.


text:
Buy Item $3.72 Retail:
Save 25% ($1.27)
Add To Cart
Add To Wishlist
Have questions about eBooks? Check out our eBook FAQs.
|Format: DRM Free ePub
Vendor: Barbour
Publication Date: 2009
Availability: In Stock
Series: Montana Marriages
Fire up your love of romance with Montana Rose, where Cassie Griffin, a seemingly spoiled pregnant woman, is widowed one day and wedded the next. Marrying handyman Red Dawson seems the only alternative to Cassie's being hitched to a brutal rancher. But can this "china doll" bear exchanging smooth silk for coarse calico? Red was reluctant to be yoked to an unbeliever, but sometimes a man has no choice. Will Red change Cassie's heart by changing her name? Wade Sawyer is obsessed with saving Cassie from a marriage of convenience. How far will he go make her his own?