text:
2010Permanent outdoor installation; titled "Crossroads," four stainless steel figures, Warsaw, Poland
The artist lives and works in Warsaw, Poland.
2009Created "Birds," stainless steel fish, Warsaw, Poland
2006Agora, a large permanent monument consisting of 106 cast-iron figures, is installed at Chicago Grant Park, Chicago, Illinois (each about 280 cm tall)
2004Big Figures, 20 bronze walking figures, is installed in front of Princeton University Art Museum, Princeton, New Jersey (2001 – 2002; on loan from a private collector)
2003Inauguration of Space of Stone, 22 granite blocks installed at Grounds for Sculpture, Hamilton, New Jersey; Open Air Aquarium, 30 stainless steel fish, is permanently installed and situated along the riverfront on Penn's Landing, Philadelphia, Pennsylvania
2002The Unrecognized, 112 larger-than-life, cast-iron figures, is permanently installed at Citadel Park, Poznán, Poland (each figure is over 83 inches high)
2000Created Crowd of 95 Figures, bronze figures of adults and children standing and walking
1994 - 1997Created Hurma, 150 figures of children and Backward Standing, 60 figures of adults; created drawings and choreographies inspired by her sculptures – taken to the stage by Asbestos, a Japanese Butoh dance group
1980 - 1989Created series of monumental sculptures using bronze, stone, wood, and iron; installed permanent outdoor installation, Spaces to Experience, in Italy, Israel, South Korea, Germany, and America
1970 - 1979Changed scale and material; created huge cycles of figurative and non-figurative sculptures made out of burlap and resins called Alterations
1965 - 1990Professor at the Academy of Fine Arts, Poznań, Poland
1960 - 1969Created monumental three-dimensional forms called Abakans, which were personally hand-woven in her own technique
1954 - 1960Painted a series of large gouaches on paper and canvas
1950 - 1954Studied at the Academy of Fine Arts, Warsaw, Poland
1930Born in Falenty, Poland
2010Grand Cross of Merit with Star, Federal Republic of Germany, Germany, Germany
2005Lifetime Achievement Award Recipient, The International Sculpture Center, Hamilton, New Jersey, United States
2004Commandeur de l'Ordre des Arts et des Lettres, The Republic of France, Paris, France
2000Cavaliere nell'Ordine al Merito della Repubblica Italiana, The Italian Republic, Rome, Italy
2000Orden Pour le Mérite fur Wissenschaften und Künste, Federal Republic of Germany, Berlin, Germany
1997Leonardo da Vinci World Award of Arts, Leonardo da Vinci World , Mexico City, Mexico
1993Award for Distinction in Sculpture, The Sculpture Center, New York, New York, United States
1965Grand Prix, São Paolo Biennale, São Paolo, Brazil
2012Beaufort04, Triennial of Contemporary Art by the Sea, Schore, Belgium
2005Vancouver Sculpture Biennale: Open Spaces, Vancouver, Canada
2004Sculpture Quadrennial Riga 2004, Riga, Latvia
199747a Esposizione Internazionale d'Arte, Venice, Italy (Hand-like Trees installed on Rive degli Schiavoni upon the invitation of the Major of Venice)
1995Esposizione Internazionale d'Arte, Venice, Italy
1993The Fujisankei Biennale, International Exhibition for Contemporary Sculpture, Nagano, Japan
1986VI Biennale of Sydney, Sydney, Australia
1985Biennale Internationale de la Tapisserie, Lausanne, Switzerland
1983International Open Air Sculpture Biennale, Antwerp, Belgium
1980Esposizione Internazionale d'Arte, Venice, Italy
1968XXXIV Esposizione Internazionale d'Arte, Venice, Italy
1965VIII Biennale de São Paolo, São Paolo, Brazil
1962Biennale Internazionale de la Tapisserie, Lausanne, Switzerland
2014Magdalena Abakanowic: New York Avenue Sculpture Project, National Museum of Women in the Arts, Washington, D.C., United States.
2014Magdalena Abakanowicz, Galeria Winda, Kielce, Poland.
2013Magdalena Abakanowicz: Opus et Fabulas, Miejsca Galeria Sztuki, Lodz, Poland.
2013Magdalena Abakanowicz: Retrospective, Centrum Rzeźby Polskiej, Orońsko, Poland.
2013Abakanowicz? Abakanowicz!, The House of the Visual Artist, Warsaw, Poland.
2013Magdalena Abakanowicz: A Survey 1987-2009, Marlborough Gallery, New York, New York, United States.
2012Magdalena Abakanowicz: The Human Adventure, Akbank Sanat, Istanbul , Turkey.
2012Magdalena Abakanowicz: Walking Figures, Dag Hammarskjöld Plaza, New York, New York, United States.
2011Magdalena Abakanowicz : Life and Work, The Olomouc Museum of Art, Olomouc, Czech Republic.
2010Abakanowicz. In Warsaw at last! , Royal Castle Gardens, Warsaw, Poland.
2010Magdalena Abakanowicz, Van Every/Smith Galleries, Davidson College, Davidson, North Carolina, United States.
2010Abakanowicz, National Museum in Krakow, Krakow, Poland.
2010Magdalena Abakanowicz: Recent Sculpture, Marlborough Chelsea, New York, New York, United States.
2009Magdalena Abakanowicz: Space to Experience, Fondazione Arnaldo Pomodoro, Milan, Italy.
2009elles@centrepompidou, Centre Pompidou, Paris, France.
2009Magdalena Abakanowicz, Galerie Scheffel, Bad Homburg, Germany.
2008 - 2009Magdalena Abakanowicz, Institute Valenciá d'Art Modern, Centro Julio Gonzalez, Valenciá, Spain.
2008 - 2009La Corto del Rey Arturo, Palacio de Cristal, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.
2008 - 2009Magdalena Abakanowicz: Reality of Dreams, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois, United States.
2008 - 2009Magdalena Abakanowicz: Hurma, 1994-1995, The Margulies Collection at the Warehouse, Miami, Florida , Miami, Florida , United States.
2008 - 2009Magdalena Abakanowicz: Where are the areas of calm?, Galería Marlborough, Madrid, Spain.
2008 - 2009Magdalena Abakanowicz - Birds, Conglomerates, Ghosts, Spirits, Beck and Eggeling, Düsseldorf, Germany.
2008 - 2009King Arthur's Court, Stiftung museum kunst palast, Düsseldorf, Germany.
2007Magdalena Abakanowicz, Coexistence - Dream, Gruby and Kozio, Taguchi Fine Art, Ltd, Tokyo, Japan.
2007Magdalena Abakanowicz - Sculptures et Dessins, Galerie Patrice Trigano, Paris, France.
2006Magdalena Abakanowicz, Trondheim Art Museum, Trondheim, Norway.
2006Magdalena Abakanowicz - Sculptures et Dessins, Marlborough Monaco, Monte-Carlo, Monaco.
2006Magdalena Abakanowicz: The Drawings, Frederik Meijer Gardens and Sculpture Park, Grand Rapids, Michigan, United States.
2005Works on Paper, Marlborough Gallery, New York, New York, United States.
2005Magdalena Abakanowicz - Im Dialog VI, Stadtkirche Darmstadt, Darmstadt, Germany.
2005La Foule V, Galerie Saint-Séverin, Paris, France.
2005The Gigant and The Son of Gigant, The Fields Sculpture Park, The Sculpture Park Art Omi International Arts Center, Ghent, New York , United States. (created in 2003)
2005Magdalena Abakanowicz: Confessions, Sculpture and Drawings, Marlborough Gallery, New York, New York, United States.
2005Magdalena Abakanowicz, Museum of Fine Arts Budapest, Budapest, Hungary.
2005Space to Experience: The Sculpture of Magdalena Abakanowicz, Museum of Art, Fort Lauderdale, Fort Lauderdale, Florida , United States.
2004Magdalena Abakanowicz - Melchior, Jonas, and the Eight White Faces, Taguchi Fine Art, Tokyo, Japan.
2004Mutation and Crystallization, Pei Ling Chan Gallery, Savannah College of Art and Design, Savannah, Georgia, United States.
2004 - 2005Magdalena Abakanowicz: Backward Seated Figures, Katonah Museum of Art, Katonah, New York, United States.
2004Magdalena Abakanowicz, Kunsthaus CentrePasquArt - Centre d'Art, Biel/Bienne, Switzerland.
2004Hurma, Chapelle Saint-Louis de la Salpêtrière, Paris, France. traveled to L'Espace d'Art Contemporain André-Malraux, Colmar, France
2004 L'Espace d'Art Contemporain André-Malraux, Colmar, France.
2004 Landesmuseum Schloss Gottorf, Schleswig-Holstein, Germany.
2004Magdalena Abakanowicz, Danubiana-Meulensteen Art Museum, Bratislava, Slovakia.
2004Sculptures, Museum Franz Gertsch, Burgdorf, Switzerland.
2003Magdalena Abakanowicz: The Skulls, Frederik Meijer Gardens and Sculpture Park, Grand Rapids, Michigan, United States.
2003Abakanowicz, Museum Beelden aan zee, Scheveningen, Netherlands.
2003Magdalena Abakanowicz, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy.
2003Dancing Figures, Marlborough Fine Art, London, England.
2003Coexistence, Marlborough Gallery, New York, New York, United States.
2003Magdalena Abakanowicz - Tanzende und Schreitende, Beck & Eggeling International Fine Art, Düsseldorf, Germany.
2003Magdalena Abakanowicz - The Long Wait, MacLaren Art Cenre, Barrie, Ontario, Canada.
2002 Museum Narodowe, Poznán, Poland.
2001 Kunst-Station Sankt Peter, Cologne, Germany.
2001Magdalena Abakanowicz: The Crowd IV and Infantes, William Benton Museum of Art, , University of Connecticut, Storrs, Connecticut, United States.
2001Magdalena Abakanowicz, About the Human Condition, Grant Selwyn Fine Art, Beverly Hills, California, United States. traveled to Gerald Peters Gallery, Santa Fe, New Mexico; Pillsbury Peters Fine Art, Dallas, Texas
2001Space to Experience, Three Rivers Arts Festival, Point State Park, Pittsburgh, United States.
2000Working Process, Guiliano Gori Collection, Spazi d'Arte, Santomato di Pistoia, Italy.
2000Ninety Five Figures from the Crowd of One Thousand Ninety Five Figures, Marlborough Gallery, New York, New York, United States.
2000Abakanowicz, Warsaw Opera House, Warsaw, Poland.
1999Abakanowicz on the Roof, The Metropolitan Museum of Art, New York, New York, United States.
1999Camminando, 30 Basel Art Fair, Basel, Switzerland.
1999Abakanowicz dans les Jardins du Palais Royal, Palais Royal, Paris, France.
1999Wild Flowers, Marlborough Gallery, New York, NY, United States.
1999Wild Flowers, 30 Basel Art Fair, Basel, Switzerland.
1998 Starmach Gallery, Kraków, Poland.
1998Magdalena Abakanowicz – Recent Works, Sculpture, Centrum Szutki Wspolczesnej Ujazdowski Castle, Warsaw, Poland.
1997Mutants, Marlborough Gallery, New York, New York, United States.
1997 Galerie Marwan Hoss, Paris, France.
1997 Miami Art Museum, Miami, Florida, United States.
1996 Oriel Mostyn Gallery, Llandudno, Wales.
1996Oeuvres récentes, Galerie Marwan Hoss, Paris, France.
1996 Charlottenborg Exhibition Hall, Copenhagen, Denmark. ; traveled to Kulturhuset Stockholm, Stockholm, Sweden
1996 - 1997 Doris Freedman Plaza, New York, New York, United States.
1995 Els Jardins de Can Altamira, Barcelona, Spain.
1995 Yorkshire Sculpture Park, West Bretton, Wakefield, England.
1995 Center of Polish Sculpture, Oronsko, Poland.
1995Magdalena Abakanowicz, Centrum Sztuki Wspolczesnej, Ujazdowski Castle, Warsaw, Poland.
1994 Galeria Kordegarda, Warsaw, Poland. ; traveled to Muzeum Sztuki, Lódz, Poland
1994 Galeriá Marlborough, Madrid, Spain.
1994 Fundació Pilar i Joan Miró a Millorca, Palma de Mallorca, Spain.
1993 Biuro Wystaw Artystycznych, Krakow, Poland.
1993 Marlborough Gallery, New York, New York, United States.
1993War Games, P.S. 1 Contemporary Art Center, Long Island City, New York, United States.
1993Recent Sculpture, Museum of Art, Rhode Island School of Design, Providence, Rhode Island, United States. ; traveled to Palmer Museum of Art, Pennsylvania State University, University Park, Pennsylvania
1992 Nelson-Atkins Museum of Art, Kansas City, Missouri, United States.
1992Magdelena Abakanowicz: Arboreal Architecture, Marlborough Gallery, New York, New York, United States.
1992Installation, , Sculpture Garden, Walker Art Center, Minneapolis, Minnesota, United States.
1991Retrospective exhibition, Sezon Museum of Art, Tokyo, Japan. ; traveled to The Museum of Modern Art, Shiga, Japan; Art Tower, Mito, Japan; Hiroshima City Museum of Contemporary Art, Hiroshima, Japan, Muzeum Sztuki, Lódz, Poland
1991Abakanowicz, Marlborough Tokyo, Tokyo, Japan.
1990Sculpturen, Galerie Pels-Leusden, Berlin, Germany.
1990 Richard Gray Gallery, Chicago, Illinois, United States.
1990 Marlborough Fine Art, London, England.
1989 Städtliche Galerie im Städelschen Kunstinstitut, Frankfurt am Main, Germany.
1989Magdalena Abakanowicz: Recent Work, Marlborough Gallery, New York, New York, United States.
1988 Mücsarnok (Palace of Exhibitions), Budapest, Hungary.
1988 Laumeier Sculpture Park, St. Louis, Missouri, United States.
1986 Virginia Museum of Fine Arts, Richmond,, Virginia, United States.
1985 Galerie Alice Pauli, Lausanne, Switzerland.
1985Abakanowicz: About Men, Sculpture 1974-1985, Xavier Fourcade Inc, New York, New York, United States.
1983Magdalena Abakanowicz, Musée d'art contemporain de Montreal, Montreal, Quebec, Canada.
1982 ARC/Musée d'Art Moderne de la Ville de Paris, Paris, France.
1982 - 1984Retrospective exhibition, Museum of Contemporary Art, Chicago, Illinois, United States. ;traveled to Musée d'Art Contemporain, Montreal, Canada; National Academy of Sciences, Washington, DC; De Cordova Museum, Lincoln, Massachusetts; Dallas Museum of Fine Arts, Dallas, Texas; Portland Art Museum and Portland Center for the Visual Arts, Portland, Oregon; Visual Arts Center of Alaska, Anchorage, Alaska; Frederick S. Wright Art Gallery of the University of California, Los Angeles, California
1977Organic Structures, Malmö Konsthall, Malmö, Sweden.
1977Sonia Henies og Niels Onstads Stifteiser, Kunstsenter, Hovikodden, Norway.
1976 Art Gallery of New South Wales, Sydney, Australia. ; traveled to the National Gallery of Victoria, Melbourne, Australia
1975Abakanowicz - Organic Structures and Human Forms, Whitechapel Art Gallery, London, England.
1975 Gallery Zacheta, Warsaw, Poland.
1974Abakanowicz, Muzeum Sztuki, Lódz, Poland.
1973Rope Structures, Arnolfini Gallery, Bristol, England.
1972Magdalena Abakanowicz - Textile Strukturen und Konstruktionen, Environments , Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany.
1972 Aberdeen Art Gallery, Aberdeen, Scotland.
1971The Fabric Forms of Magdalena Abakanowicz, Pasadena Art Museum, Pasadena, California, United States.
1970 National Museum, Stockholm, Sweden.
1969 Stedelijk Museum, Arnhem, The Netherlands.
1969 Galerie Alice Pauli, Lausanne, Switzerland.
1969 Kunsthalle, Mannheim, Germany.
1968 Stedelijk van Abbemuseum, Eindhoven, The Netherlands. ; traveled to Frans Halsmuseum, Haarlem, The Netherlands; Groninger Museum, Groningen, The Netherlands; Stedelijk Museum, Arnhem, The Netherlands; Schiedam Helmhaus, Zurich, Switzerland
1967 Kunstindustrimuseet, Oslo, Norway. traveled to Vestlandske Kunstindustrimuseum, Bergen, Norway; Stavanger Kunstforening, Stavanger, Norway; Kunstforening, Trondheim, Norway
1965 Zacheta Gallery, Warsaw, Poland.
1962Tapisseries, Magdalena Abakonowicz, Pologne, Galerie Dautzenberg, Paris, France.
1960Wystawa prac Magdaleny Abakanowicz - Kosmowskiej, Kordegarda, Warsaw, Poland.
2014Committed to Paper: Master Drawings and Prints by Sculptors, Frederick Meijer Gardens, Grand Rapids, Michigan, United States.
2011Art on a Lake, Museum of Fine Arts, Budapest, Hungary.
2011The Power of Fantasy, Bozar Centre for Fine Arts, Brussels, Belgium.
2011Sleight of Hand, Denver Art Museum, Denver, Colorado, United States.
2011Picasso to Koons: The Artist as Jeweler, Museum of Arts and Design, New York, New York, United States.
2009Summer Exhibition, Marlborough Chelsea, New York, New York, United States.
2009Summer Exhibition,, Marlborough Gallery, New York , New York , United States.
2009Rites of Spring, LongHouse Reserve, East Hampton, New York, United States.
2009Works on Paper, Marlborough Gallery, New York, New York, United States.
2009Im klienen Format, Galerie Scheffel, Bad Homburg, Germany.
2009The 5th Edition of CCA's International Art Collection, The Centre for Contemporary Art, Warsaw, Poland.
2009La Escultura en la Colección del IVAM, Institut Valencia d'Art Modern, Centro Julio Gonzalez, Valencia, Spain.
2009elles@centrepompidou, Centre Pompidou, Paris, France.
2008Summer Show, Marlborough Chelsea, New York, New York, United States.
2008Origins, Hudson Valley Center for Contemporary Art, Peekskill, New York , United States.
2008Paysages Urbains, Galerie Samuel Lallouz, Montreal, Quebec, Canada .
2008Summer Show, Marlborough Gallery, New York, New York, United States.
2008Skulptur!, Galerie Beck & Eggeling, Düsseldorf, Germany .
2008Works on Paper, Donopoulos International Fine Arts, Thessaloniki, Greece.
2007 - 2008Femme y es-tu?, Art Sénat, Jardin du Luxembourg, Paris, France.
2007 - 2008Arbeiten auf Papier, Galerie Beck & Eggeling, Düsseldorf, Germany.
2007 - 2008Blikaschen 6 – Skulpturen im Kurpark Bad Homburg, Galerie Scheffel in Zusammenarbeit mit der Yorshire Sculpture Park, Bad Homburg, Germany.
2007 - 2008Wit and Whimsy, Marlborough Gallery, New York, New York, United States.
2007 - 2008Wack!: Art and the Feminist Revolution, Museum of Contemporary Art, Los Angeles , California, United States. traveled to National Museum of Women in the Arts, Washington, DC.; P.S 1 Contemporary Art Center, Long Island City, New York; Vancouver Art Gallery, Vancouver, British Columbia
2007 - 2008Figura Humana y Abstracción, Würth Museo La Rioja, Agoncillo, Spain.
2007 - 2008Painting and Sculpture, Marlborough Gallery, New York, New York, United States.
2007 - 2008Residenz München, Galerie Beck & Eggeling, Düsseldorf, Germany.
2006To the Human Future – Flight from The Dark Side, Art Tower Mito, Mito, Ibaraki, Japan.
2006Sztuka XX Wieku, The National Museum in Warsaw, The Gallery of 20th Century Polish Art, Warsaw, Poland.
2006Die obere Hälfte – Die Büste von Rodin bis Wang Du, Museum Liner, Appenzell, Switzerland.
2006Weltanschauung, Visione del Mondo, Palazzo Belmonte Riso, Museo d'Arte Moderna e Contemporanea, Palermo, Italy.
2006Contemporary Sculpture, Zwirner and Wirth, New York, New York, United States.
2006Was ist Plastic? 100 Jahre – 100 Kopfe – Das Jahrundert moderner Sculptur, Stiftung Wilhelm Lehmbruck Museum, Center of International Sculpture, Duisburg, Germany.
2005Die obere Hälfte – Die Büste von Rodin bis Funakoshi, Kunsthalle in Emden, Emden, Germany. traveled to Städtische Museen Heilbronn, Heilbronn, Germany
2005Salamanca ciudad de la escultura, City of Salamanca, Salamanca, Spain.
2005 - 2006Vancouver Sculpture Biennale: Open Spaces, Queen Elizabeth Park, Vancouver , Canada.
2005Blickachsen 5: Skulpturen im Kurpark Bad Homburg, Galerie Scheffel in Zusammenarbeit mit der Fondation Beyeler, Riehen/Basel, Bad Homburg, Germany.
2005Sculptures Monumentales a Saint-Tropez, La Citadelle, Saint Tropez, France.
2005Works on Paper, Marlborough Gallery, New York, New York, United States.
2005Summer Installation, Taguchi Fine Art, Tokyo, Japan.
2004Sculpture Quadrennial Riga , European Space, Riga, Latvia.
2004Monocromos de Malevich al presente, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.
2004Love/Hate From Magritte to Cattelan, Villa Manin, Centro d'art contemporanea, Codroipo, Friuli-Venezia Giulia, Italy.
2003Me and More, Kunstmuseum Luzern, Lucerne, Switzerland.
2003Faces, Masks, Stories, Museum of Fine Arts, Budapest, Hungary.
2003Group Exhibition, Marlborough Gallery, New York, New York, United States.
2003Figuratively Speaking, Grounds for Sculpture, Hamilton, New Jersey, United States.
2003Skin: Contemporary Views of the Body, Jacksonville Museum of Modern Art, Jacksonville, Florida, United States.
2002La Parade des Animaux, Galería Marlborough, Madrid, Spain.
2002Primal Screams and Songs, Museum of Contemporary Art, Miami, Florida , United States.
2002The Body Present: Effigies, Decoys, and Other Equivalents, Museum of Contemporary Art, Chicago, Illinois, United States.
2002OPEN2002 International Exhibition of Sculptures and Installations, Lido, Venice, Italy.
2002Los Juegos en el Arte del siglo XX, La Lonja y Palacio de Montemuzo, Saragosa, Spain.
2002Les Jeux dans l'Art du XXeme siecle, Espace Bellevue, Biarritz, France.
2002La Parade des Animaux, Festival International de Sculpture de Monte-Carlo,, Monte-Carlo, Monaco.
2001Europalia 2001, Musée d'Art Moderne et d'Art Contemporain, Liege, France.
2001Animal Sculptures of the 20th Century, Fukushima Prefectural Museum of Art, Fukushima City, Japan. traveled to Kirishima Open-Air Museum, KagoshimaPrefecture, Japan; Yamanashi Prefectural Museum of Art Yamanashi-ken, Japan; Mie Prefectural Museum, Tsu City, Japan.
2001"Carnaval des Animaux", Den Haag Sculptuur, The Hague, The Netherlands.
2001In Between: Art from Poland, Chicago Cultural Center, Chicago, Illinois, United States.
2000Rabdomante, LongHouse Reserve, East Hampton, New York, United States.
2000Aspect, Positions, 50 Years of Art in Central Europe, 1949-1999, Ludwig Museum Budapest - Museum of Contemporary Art, Budapest, Hungary.
2000L'Homme qui marche, Les Jardins du Palais Royale, Paris, France.
1999 - 2000To the Rescue: Eight Artists in an Archive, Jewish Joint Distribution Committee, New York, New York, United States.
1999 - 2000UTOPIA I WIZJA/Utopia and Vision, Zacheta National Gallery of Art, Warsaw, Poland.
1997Inauguration of Museo Guggenheim, Guggenheim Bilbao, Bilbao, Spain.
199747a Esposizione Internazionale d'Arte, La Biennale d'Arte di Venezia, Venice, Italy. (Hand-like Trees installed on Rive degli Schiavoni upon the invitation of the Major of Venice)
1997A Century of Sculpture - The Nasher Collection,, Solomon R. Guggenheim Museum, New York, New York, United States.
1997Summer 1997 Exhibition, Grounds for Sculpture, Hamilton, New Jersey, United States.
1997Group Exhibition, Luxembourg Ville de la Sculpture, Luxembourg, Luxembourg.
1997Human Nature, Spoleto Festival, Charleston, South Carolina, United States.
1996Horizons, Sonje Museum of Contemporary Art, Kyongju, South Korea.
1996Group Exhibition, Les Champs de la Sculpture, Paris, France.
1996L'oeil du collectionneur, Musee d'art contemporain de Montreal, Montreal, Quebec, Canada.
1995 Esposizione Internazionale d'Arte, La Biennale di Venezia, Venice, Italy.
1995Unser Jahrhundert, Our Century, Museum Ludwig, Cologne, Germany.
1995After Auschwitz, Royal Festival Hall, London, England.
1995After Hiroshima, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan.
1994Europa, Europa, Kunsthalle, Bonn, Germany.
1994Itinere - Camino e Caminantes, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain.
1993International Exhibition for Contemporary Sculpture, The Fujisankei Biennale, Fujisankei , Japan.
1992...Reperti...Environment through the Eyes of 18 of the World's Major Artists, Museo Nacional de Bellas Artes, Rio de Janiero, Brazil.
1988Olympiad of Art, Olympic Sculpture Park, Seoul, South Korea.
1987Avante-Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles, California, United States.
1986VI Biennale of Sydney, Sydney, Sydney, Australia.
1985Kunst Stoff Kunst, Städtische Galerie Nordhorn, Nordhorn, Germany.
1985Biennale Internationale de la Tapisserie, Lausanne, Lausanne, Switzerland.
1984An International Survey of Recent Painting and Sculpture, The Museum of Modern Art, New York, New York, United States.
1983International Open Air Sculpture Biennale, Antwerp, Antwerp, Belgium.
1982Kunst Wird Material, Nationalgalerie, Berlin, Germany.
1980Esposizione Internazionale d'Arte, La Biennale di Venezia, Venice, Italy.
1976Fiber Works Europe and Japan, Kyoto National Museum of Modern Art, Tokyo, Japan.
1969Wall Hangings, The Museum of Modern Art, New York, New York, United States.
1968XXXIV Esposizione Internazionale d'Arte, La Biennale di Venezia, Venice, Italy.
1965VIII Biennale de São Paolo, VIII Biennale de São Paolo, São Paolo, Brazil.
1962 - 1976Biennale Internazionale de la Tapisserie, Biennale Internazionale de la Tapisserie, Lausanne, Switzerland.
William H. Van Every Gallery, Davidson College, Davidson, North Carolina, United States
Museum of Arts and Design, New York, New York, United States
Nasher Sculpture Center, Dallas, Texas, United States
Tate Modern, London, England
Kemper Museum of Contemporary Art, St. Louis, Missouri, United States
Fondazione Pomodoro, Milan, Italy
Cantor Center for Visual Arts, Stanford, California, United States
Sonje Museum of Contemporary Art, Seoul, South Korea
Virginia Museum of Fine Art, Richmond, Virginia, United States
Woman's Club of Wisconsin, Milwaukee, Wisconsin, United States
Wilhelm Lehmbruck Museum, Duisburg, Germany
Western Washington University, Bellingham, Washington, United States
Walker Art Center, Minneapolis, Minnesota, United States
Toledo Art Museum, Toledo, Ohio, United States
Storm King Art Center, Mountainville, New York, United States
Stedelijk Museum, Amsterdam, The Netherlands
Museum of Contemporary Art, North Miami, Miami, Florida, United States
Sonja Henies Niels Onstads Stiftelser, Kunstsenter Hovikodden, Norway
Sezon Museum of Art, Tokyo, Tokyo
Seoul Olympic Park, Seoul, South Korea
Runnymede Sculpture Farm, Woodside, California , United States
Provinciehuis, 's-Hertogenbosch, The Netherlands
Princeton University Art Museum, Princeton, New Jersey, United States
Portland Art Museum, Portland, Oregon, United States
Phoenix Art Museum Sculpture Garden, Phoenix, Arizona, United States
Noord-Brabant Provinciehuis, 's-Hertogenbosch, The Netherlands
Nelson-Atkins Museum of Art, Kansas City, Missouri, United States
Neanderthal Museum, Mettmann, Germany
National Museum, Stockholm, Sweden
National Museum of Modern Art, Pusan, South Korea
National Museum of Contemporary Art, Seoul, South Korea
National Gallery of Art, Washington, DC, United States
Nagoya City Art Museum, Nagoya, Japan
Muzeum Sztuki, Lodz, Poland
Muzeum Narodowe, Warsaw, Poland
The Metropolitan Museum of Art, New York, New York, United States
Museum Würth, Kunzelsau, Germany
Museum of Modern Art, Shiga, Japan
The Museum of Modern Art, New York, New York, United States
Museum of Contemporary Crafts, New York, New York, United States
Museum of Contemporary Art, Chicago, Illinois, United States
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Museo de Arte Contemporaneo Internacional Rufino Tamayo, Mexico City, Mexico
Musée national d'art moderne, Centre Pompidou, Paris, France
Musée d'Art Moderne de la Ville de Paris, Paris, France
Frederik Meijer Gardens and Sculpture Park, Grand Rapids, Michigan, United States
Ludwig Museum, Cologne, Germany
Los Angeles County Museum, Los Angeles, California , United States
Kyoto National Museum of Modern Art, Kyoto, Japan
Kunstindustrimuseet, Oslo, Norway
Jardin des Tuileries, Paris, France
Israel Museum, Jerusalem, Israel
Hirshhorn Museum and Sculpture Garden, Washington, DC, United States
Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
Hess Collection, Napa Valley, California, United States
Hakone Open Air Museum, The Fuji Hakone Izu National Park, Hakone, Japan
Grounds for Sculpture, Hamilton, New Jersey, United States
Fattoria di Celle -The Gori Collection, Santomato di Pistoia, Italy
Des Moines Art Center, Des Moines, Iowa
Chicago Grant Park, Chicago, Illinois, United States
Citadel Park, Poznan, Poland
Center for Contemporary Art, Warsaw, Poland
Caracas Museum of Modern Art, Caracas, Venezuela
Busan Museum of Modern Art, Busan, South Korea
Australian National Gallery of Art, Canberra, Australia
2009Birds, stainless steel fish, City of Wroclaw, Wroclaw, Poland
200620 Vancouver Walking Figures, iron cast figures, City of Vancouver, Vancouver, Canada
2006Agora, 106 iron figures, Grant Park, Chicago, Illinois, United States Inaugurated November, 2006
2005Five Running, bronze, Sculpture Garden of Phoenix Art Museum, Phoenix, Arizona, United States
2004Big Figures, twenty bronze figures, Princeton University, Princeton, New Jersey, United States Created 2001-2004
2003Open Air Aquarium, thirty stainless steel fish, City of Philadelphia, Philadelphia, Pennsylvania, United States Created 2002
2003Space of Stone, twenty-two granite stone sculptures, Grounds for Sculpture, Hamilton, New Jersey, United States Created 2001-2002
2002Unrecognized, 112 iron figures, Cytadel Park, Poznán, Poland
2002Hand-Like Trees, four sculptures, bronze, Brea Civic Cultural Center, Brea, California, United States Created 1994-1995
2001Mutant, stainless steel, Neanderthal Museum, Mettmann, Germany
2001Mutants, six sculptures, stainless steel, Collection of Artists' Garden, Warsaw, Poland
2001Birds of Knowledge of Good and Evil, six sculptures, aluminum, Woman's Club of Wisconsin, Milwaukee, Wisconsin, United States
2000Figura Ultima, from the cycle Hand-Like Trees, bronze, Museum Würth, Kunzelsau, Germany
2000Large Figure on Trunk with Wheels and Slim Figure on Trunk with Wheels, bronze, Spazi d'Arte, Giuliano Gori Collection, Santomato di Pistoia, Italy Created 1998-2000
2000Figure on Beam with Wheels, bronze, Toledo Art Museum, Toledo, Ohio, United States
2000Black Crowd, twenty figures, bronze, Museum Wurth, Kunzelsau, Germany
2000Figure on Trunk, bronze, The Metropolitan Museum of Art, New York, New York, United States Created 1998-2000
2000Manus Ultimus, from the cycle, Hand-like Trees, bronze, Jardin des Tuleries, Paris, France Created 1998-1999
2000Figura Rompa, from the cycle, Hand-like Trees, bronze, City of Biarritz, Biarritz, France Created 1995
1999Puellae, group of thirty figures, bronze, National Gallery of Art, Sculpture Garden, Washington, DC, United States Created 1992
1999Figura Prima, from the cycle, Hand-like Trees, bronze, University of Cincinnati, Cincinnati, Ohio, United States Created 1995
199930 Bronze Standing Figures, bronze, Nelson-Atkins Museum, Kansas City, Missouri, United States Created 1994, 1998-1999
1998Fish, bronze, Metropolitano de Lisboa Orient Station, Lisbon, Portugal Created 1997-1998
1997Cecyna, from the cycle, Hand-like Trees, bronze, Grounds for Sculpture, Hamilton, New Jersey, United States Created 1994
1997Space of Unknown Growth, twenty-two forms of different sizes, concrete, Collection of Europos Parkas, Vilnius r., Lithuania
1995Bronze Crowd, thirty-six bronze figures, The Nasher Collection, Dallas, Texas, United States Created 1990-1991
1994Magnus, from the cycle, Hand-like Trees, bronze, Spazi d' Arte, Giuliano Gori Collection, Santomato di Pistoia, Italy
1994Manus, from the cycle, Hand-like Trees, bronze, Western Washington University, Bellingham, Washington, United States
1994Sarcophagi in Glass Houses, four forms, wood, metal glass, Storm King Art Center, Mountainville, New York, United States Created 1983-1999
1993One of the Crowd, bronze, Hakone Open Air Museum, Hakone, Japan
1993Becalmed Beings, group of 40 figures, bronze, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
1993Hand-like Trees, 5 sculptures, bronze, Runnymede Sculpture Farm, Woodside, California, United States Created 1992
1992Sagacious Heads, , two sculptures from the cycle, bronze, Walker Art Center, Minneapolis, Minnesota, United States Created 1989
1992Sagacious Head with Standing Figure, bronze, Nagoya City Art Museum, Nagoya City , Japan Created 1989
1991Sagacious Heads, Four sculptures from the cycle, bronze, John Kluge Collection, Charlottesville, Virginia, United States Created 1989
1990Neun Figuren Raum, bronze, Wilhelm Lehmbruck Museum, Duisburg, Germany
1988Space of Dragon, 10 metaphoric animal heads, bronze, Olympic Park, Seoul, South Korea Created 1985
1987Negev, 7 discs lime stone, Israel Museum, Jerusalem, Israel
1985Katarsis, thirty-three figures, bronze, Spazi d'Arte, Giuliano Gori Collection, Santomato di Pistoia, Italy
1965Standing Shape, steel, Commissioned by Elblag City, Elblag City, Poland Created 1965
Private Collection , Napa Valley, California, United States Camminando-Peripatein, twenty walking figures, bronze.
Private Collection , Napa Valley, California, United States Camminando, twenty walking figures, bronze. Created 1998-1999
2010Marlborough Inc.. Magdalena Abakanowicz: Recent Sculpture. New York: Marlborough Chelsea.
2008Abakanowicz, Magdalena. Magdalena Abakanowicz: Where are the areas of calm?. Madrid: Marlborough Inc. .
2008Abakanowicz, Magdalena. Magdalena Abakanowicz: Where are the areas of calm?. Madrid: Galería Marlborough.
2005Cecil, Janis Gardner, ed.. Magdalena Abakanowicz: Confessions, Sculpture and Drawings. New York: Marlborough Gallery.
2003Rose, Barbara. Abakanowicz. Scheveningen: Museum Beelden aan Zee.
2003Reichardt, Jasa. Dancing Figures. London: Marlborough Fine Art.
1992Rose, Barbara. Magdelena Abakanowicz: Arboreal Architecture. New York: Marlborough Inc..
1992Rose, Barbara. Magdelena Abakanowicz: Arboreal Architecture. New York: Marlborough Gallery.
1991 Abakanowicz, Magdalena. Abakanowicz. Tokyo: Marlborough Tokyo.
1989Marlborough. Magdalena Abakanowicz: Recent Work. New York: Marlborough Inc..
1989Abakanowicz, Magdalena. Magdalena Abakanowicz: Recent Work. New York: Marlborough Gallery.
2014Evans, Pat. "Meijer Gardens exhibits master drawings by sculptors." Grand Rapids Business Journal
2014Staff Writer. "Meijer Gardens to feature sculptors drawings." Charlotte Observer, January 16, 2014
2013Anonymous. "Correspondences at the Lodz Museum of Art, Poland." Art Media Agency (AMA), January 09, 2013
2013Kosloski, Tara. "Agora by Magdalena Abakanowicz." Art Nerd Chicago, June 19, 2013
2012Anonymous. "Abakanowicz show opens in Warsaw." Polskie Radio, December 19, 2012
2012Anonymous. "Lawn Ornaments: Going fowl, foul...wait, it's fair!." Third Coast Digest
2012Anonymous. "Magdalena Abakanowicz - Walking Figures on the Streets of New York." Culture.pl, June 25, 2012
2012Anonymous. "Magdalena Abakanowicz show at Akbank ." The Hurriyet Daily News, December 18, 2012
2012Anonymous. "Magdalena Abakanowicz: The Human Adventure." e-flux, November 18, 2012
2012Anonymous. "Summer exhibition features contemporary sculptures by nine renowned artist." Art Daily.org
2012Boraks, David. "Brad Thomas heads to the Mint, but not without a party." Davidson News, January 19, 2012
2012Ceaser, Jennifer. "Art's fun in the sun!." New York Post, May 23, 2012
2012Fortuniak, J. "Sculptures by prof. Magdalena Abakanowicz in A&A golf club." Attractions, January 17, 2012
2012Gavrilescu, Delia. "Magdalena Abakanowicz Works on Display in Warsaw." Argophilia, December 30, 2012
2012Hogarty, Dave. "Walking Figures, More Tourists Set to Invade NYC." Curbed, April 24, 2012
2012Kaczmarczyk, Jeffery. "Meijer Gardens reaches milestone with 10th anniversary of opening of Sculpture Park." M Live, May 14, 2012
2012Kempton, Rosemarie. "Wine and art are connected, and collected, at Hess." Napa Valley Register, May 30, 2012
2012Loshe, Marianne. "Maeght: A Family Affair." France Today, May 23, 2012
2012Podobna, Yevhenia. "National Botanical Garden turned into a park of sculptures." Kieva Day, June 07, 2012
2012Pousner, Howard. "Atlanta Arts and Culture Sculpture grows on you in Atlanta Botanical Garden setting." Atlanta Journal Constitution, May 16, 2012
2012Pousner, Howard. "Botanical Garden opens 'Independent Visions' Sculpture Show on Tuesday." The Atlanta Journal-Constitution
2012Rogers, Tim. "Why You Should Visit the Nasher Before Sunday." D Magazine, January 05, 2012
2012Schumacher, Mary Louise. "Public art, deactivated." Journal Sentinel, June 12, 2012
2012Zimmer, Amy. "Ten Headless Figures Stroll into Dag Hammarskjold Plaza." DNA Info, March 07, 2012
2011 Harris, Allison. "Appreciate art like a cyclist." The Daily Texan, October 09, 2011
2011Anonymous. "Highlights of Phillips de Pury & Company Nov. 7 Contemporary Art Sale." Art Fix Daily, October 25, 2011
2011Anonymous. "Take your (ten) best seats for Yorkshire's newest sculpture." Yorkshire Post, October 20, 2011
2011Anonymous. "UK premiere of work by Polish artist Magdalena Abakanowicz at Yorkshire Sculpture Park." Art Daily, October 20, 2011
2011Lederman, March. "Vancouver biennale works go under the hammer in New York." Globe and Mail, November 08, 2011
2011Lederman, Marsha. ""Barrie Mowatt, Vancouver pioneer of visual arts, closes his gallery after 30 years." The Globe and Mail, April 29, 2011
2011MacMillan, Kyle. "Later textiles and Motherwells get their due at DAM." The Denver Post, November 24, 2011
2011McGrath, Bonnie. "The Boss." Chicago Journal, July 08, 2011
2011Rogers, Mimi Fronczak. "Magdalena Abakanowicz headless wonders." The Prague Post , May 25, 2011
2011Schwendener, Martha. "Populism, Technology and Interactivity." The New York Times, August 26, 2011
2011Staff. "70 Years of Making: Celebrating America's Handmade History." American Craft Vol. 71, No. 4, August-September 2011, p. 40
2011Thorson, Alice. "Johnson County Community College names sculpture park for Oppenheimers." The Kansas City Star, July 30, 2011
2011Van Drake, Stefan. "Sculptor Magdalena Abakanowicz gives Budapest the 'Bird'." Southern Oregon Artists Resource Blog, September 01, 2011
2011Varty, Alexander. "Vancouver Biennale Open Air Museum woos public support; auction cancelled." The Georgia Straight, April 28, 2011
2011Vester, Anne. "Artists jump in the deep end." The Budapest Times, June 12, 2011
2010Anonymous. "Major 20th-Century works Enter Cantor Arts Center Collection." Cantor Arts Center at Stanford University, March 22, 2010
2010Anonymous. "Major 20th-Century works Enter Cantor Arts Center Collection." artdaily.org, March 23, 2010
2010Anonymous. "World-Renowned Sculptors Unite to Honor Major Philanthropists." artdaily.org, June 07, 2010
2010Brown, Linda Luise. "Polish sculptor's work a rarity in this area." Charlotte Observer
2010Jones, Catherine. "Biennial postcard: Magdalena Abakanowicz's Embryology." Liverpool Daily Post. illustrated, p. 1, (color)
2010Nadelman, Cynthia. "Magdalena Abakanowicz, Marlborough Chelsea." ARTnews, pp. 118-120. illustrated, p. 120, (color)
2009Anonymous. "At the Fondazione Arnaldo Pomodoro, From 10 April to 26 June 2009, The Exhibition 'Magadalena Abakanowicz: Space to Experience'." E-flux
2009Anonymous. "Europos Parkas introduces M. Abakanowicz's sculpture intended for the event Vilnius – European Capital of Culture 2009." BNS Spaudos centras, April 27, 2009
2009Anonymous. "LongHouse Reserve Opens Today Rites of Spring in East Hampton." Artdaily.org, April 25, 2009
2009Anonymous. "Mostre: A Milano 'Magdalena Abakanowicz Space to Experience'." Italy Global Nation, January 30, 2009
2009Anonymous. "The LongHouse Reserve Summer Gala Celebrates Southeast Asian Textiles and Culture." Artdaily.org, June 19, 2009
2009Bleem, Jerry, O.F.M. "Eye of the Beholder: Herd mentality." U.S. Catholic , March 01, 2009
2009Dew, Spencer. "Public Art, Private use: Dueling Political Conceptions." Chicago Artists' News, pp. 4-9
2009Malarcher, Patricia. "Uncommon Threads: Michael Rosenfeld Gallery." Surface Design Journal, pp. 54-55
2009Morris, Frances and Angela Vettese. Magdalena Abakanowicz: Space to Experience. Milan: Fondazione Arnaldo Pomodoro, 2009
2009Moses, Clair G., ed. "The 1970s Issue." Feminist Studies, October 01, 2009, p. 437
2009Santiago, Fabiola. "MOCA acquisitions highlight pivotal works in artists' careers." The Miami Herald, October 25, 2009
2008Abakanowicz, Magdalena. "Drawings" In Around the Block Activities of the Mary and Leigh Block Museum of Art, Northwestern University. Evanston: Northwestern University, 2008
2008Abakanowicz, Magdalena. Fate and Art: Monologue. Milan: Skira, 2008
2008Albach, Horst, et al. Magdalena Abakanowicz: Space to Experience. Düsseldorf: Beck and Eggeling Kunstverlag, Künstlerin und Autoren, 2008
2008Anonymous. "El IVAM acoge la obra de Abakanowicz." lasprovincias.es, July 23, 2008
2008Anonymous. "El IVAM rescata obras de Abakanowicz que reflejan al 'ser humano y a la vida en general'." elmundo.es, July 22, 2008
2008Anonymous. "Magdalena Abakanowicz." On Madrid, June 03, 2008 illustrated.
2008Anonymous. "Polish artist in Madrid." thenews.pl, April 24, 2008
2008Barnatán, Ricardo. "Fantasmas de bronze." El Mundo, June 03, 2008. illustrated, p. 0
2008Hinds, Katherine, ed. The Martin Margulies Collection: Painting and Sculpture. Miami: The Martin Margulies Foundation, 2008
2008Kyle, Berlin. "Behind the Scenes: Her Dark Materials – Polish artist Magdalena Abakanowicz's drawings and sculptures make a cameo appearance at the Block Museum." The Daily Northwestern, October 09, 2008
2008Ma, Melody. "Feminism for modern people." The Ubyssey, November 12, 2008
2008Newsome, John. "Substance in the Material World." Origins, pp. 3-4. illustrated, p. 3
2008Scott, Deborah Emont, ed. The Nelson-Atkins Museum of Art: A Handbook of the Collection. Kansas City: The Nelson-Atkins Museum of Art, 2008
2008Torres, Salva. "Entre el sueño y la pesadilla kafkiana." El mundo, July 23, 2008. illustrated, p. 12
2007Anonymous. "Abakanowicz Donates Work to Chicago." Sculpture, January 01, 2007, p. 14
2007Anonymous. "Iron Giants Invade Grant Park." Art in America, February 01, 2007, p. 168
2007Armstrong, Carol. "Global Feminism" and "Wack!." Art Forum, May 01, 2007, p. 362
2007Ayers, Robert. "The AI Interview: Magdalena Abakanowicz." ArtInfo.com, January 17, 2007
2007Butler, Cornelia and Lisa Gabrielle Mark. Whack! Art and the Feminist Revolution. Los Angeles: The Museum of Contemporary Art, 2007, p. 209. illustrated, p. 186
2007Cotter, Holland. "The Art of Feminism as it First Took Place." New York Times, March 09, 2007, pp. 29-33
2007Dietsch, Deborah K.. "Women's work redefined." The Washington Times, October 06, 2007
2007Hebron, Micol. "Wack! Art and the Feminine Revolution." Flash Art, May 01, 2007, pp. 91-93
2007Huebner, Jeff. "Chicago's Agora." Sculpture, July 01, 2007, pp. 10-11
2007Lacayo, Richard. "What Women Have Done to Art." Time, April 02, 2007, pp. 66-67
2007McFadden, Jane. "Wack! Art and the Feminine Revolution." Modern Painters, p. 112
2007Mizota, Sharon. "'Wack! Art and the Feminist Revolution' at the Museum of Contemporary Art." Art ltd, July 01, 2007, p. 19
2007Nance, Kevin. "Agora Phobia?." ArtNews, March 01, 2007, p. 38
2007Princenthal, Nancy. "Feminism Unbound." Art in America, June 01, 2007, pp. 152-153. illustrated, p. 152
2007Ravenal, John B. Modern and Contemporary Art at the Virginia Museum of Fine Arts. Charlottesville: University of Virginia Press, 2007
2007Rose, Barbara. "Sculpture as Environment." Art and Antiques, April 01, 2007, pp. 133-134
2007Yoon, James. "Material Difference: Soft Sculpture and Wall Works." American Craft, June 01, 2007
2007Zetuni, Sigalit. "Agora, Art and Experience." Chicago Life, July 01, 2007, p. 26
2006Ahmed-Ullah, Noreen S. "Grant Park Coming Out of the Shadows." Chicago Tribune, February 05, 2007
2006Ahmed-Ullah, Noreen S.. "Daley gives nod to headless statues." Chicago Tribune, November 16, 2006
2006Ahmed-Ullah, Noreen S.. "Future art in the park." Chicago Tribune, September 27, 2006, p. 9. illustrated, p. 1
2006Ahmed-Ullah, Noreen S.. "Walking among iron giants Gift to Grant Park 'not a decoration.'." Chicago Tribune, October 22, 2006, p. 29. illustrated, p. 1
2006Ahmed-Ullah, Noreen S.. "'Spooky,' 'ugly' – and 'really powerful'." Chicago Tribune, November 16, 2006, p. 26. illustrated, p. 1
2006Anonymous. "A la Marlborough Monte-Carlo…Le Sculptor Polonais: Magdalena Abakanowicz." Le Niçois, September 28, 2006
2006Anonymous. "A PBS crew films Nasher exhibit." Smith College
2006Artner, Alan G. "Provocative Achievement in Grant Park." Chicago Tribune, November 16, 2006
2006Claudiano, Claudia. "Personale di Abakanowicz al Marlborough di Monaco." Riviera, p. 37
2006Ebony, David. "Magdalena Abakanowicz at Marlborough." Art in America, April 01, 2006, p. 152
2006Hermann, Andrew. "Artists 100 Iron Giants headed to Grant Park." Chicago Sun-Times, June 20, 2006
2006Lopez, Ruth. "Take a Stroll." TimeOut Chicago, August 31, 2006. illustrated, p. 35
2006Meyers, Anthony D. "2005 Lifetime Achievement Award Gala October 20, 2005." Sculpture, p. 80
2006Nance, Kevin. "Rows of headless giants march into Grant Park." Chicago Sun Times, November 17, 2006. illustrated, p. 54
2006Pietrusiak, Leah. "Agora intstallation at Michigan and Roosevelt Aves." TimeOut Chicago, November 09, 2006. illustrated, p. 4
2005Abakanowicz, Magdalena. "Confession." Sculpture, October 01, 2005, pp. 30-37. illustrated, p. 0
2005Anonymous. "Art, mer et soleil." Point de Vue, August 24, 2005
2005Anonymous. "Du monumentale à Saint Tropez." Monaco Hebdo, June 01, 2005
2005Anonymous. "Katonah Museum of Art." Sculpture, pp. 13-14
2005Anonymous. "Kunst und Kultur an der Côte." Background, August 01, 2005, p. 95
2005Anonymous. "La Citadelle toujours aussi sculpturale." Le Tropezien, June 01, 2005
2005Anonymous. "Les sculptures monumentales reviennent à la citadelle." Var Matin, November 11, 2005
2005Anonymous. "Sculptures à la Citadelle de Saint-Tropez." Le Bavar, July 18, 2005
2005Anonymous. "Snapshots from an ISC Career." Sculpture, p. 80
2005Anonymous. "Trying to Remember." Museums: South Florida. illustrated, p. 20
2005Artner, Alan G. "New sculpture will strike somber note." Chicago Tribune, March 27, 2005
2005Berne, T. "In the Age of Monochrome." Art in America, January 01, 2005, pp. 101-102
2005Francia, Ignacio. "La escultura actual dialoga con la monumentalidad de Salamanca." El Pais, May 14, 2005
2005Graciano, Francesca. "Appuntamento con l'Arte à Saint-Tropez." Il Secolo XIX, July 01, 2005
2005Mullarkey, Maureen. "Myth Versus Reality." The New York Sun, October 27, 2005, p. 13
2005Natta, Federica. "Un'estate all'insegna dell'arte contemporanea." Il Foglio Italiano, September 01, 2005, p. 58
2005Peterson, Iver. "Weirdness and Beauty Set in Stone." The New York Times, June 18, 2005
2005Pritchett, Kamila. "Out of Bounds: Polish Artist Breaks Riles in the Name of Art." Eastsider, May 19, 2005, pp. 5-11 (cover)
2005Shinbun, Asahi (publisher). "Pleasures of Art Museums in Japan." Syukan Hyakka (Weekly Encyclopedia). illustrated, p. 29
2005Stern, Fred. "Brutal Vision." ArtNet Magazine, November 15, 2005
2004Asplundh, Jacquie. Magdalena Abakanowicz: Space of Stone. Hamilton: Grounds for Sculpture, 2004
2004Galán, Fernando. "Talking with Magdalena Abakanowicz about the Unknown Power and the personal obsession." art.es, May 01, 2004, pp. 50-55
2004Hermansdorfer, Mariusz. HURMA. Colmar: Espace d'Art Contemporain Andre-Malraux, 2004 (exhibition catalogue)
2004Ottesen, C. "Grounds for Sculpture." The American Gardener, May 01, 2004, pp. 34-38
2004Richards, Judith, ed. Inside the Studio: Two Decades of Talks with Artists in New York. New York: Independent Curators International, 2004, pp. 130-133
2003Anonymous. "Magdalena Abakanowicz." Agrupemonos Todos, June 20, 2003
2003Asplundh, Jackie. "Confession of Stone." In Space of Stone. Hamilton: Grounds for Sculpture, 2003
2003Carruthers, Valerie. "JMOMA: A Cultural Institution's Own Urban Renewal." Arbus, pp. 52-61
2003Cochran, Rebecca Dimling. "Sculpture Central: Dallas celebrates the opening of the Nasher Sculpture Center." Art & Antiques, pp. 70-74
2003Douglas, Sarah. "Magdalena Abakanowicz: Coexistence, Marlborough Gallery." The Art Newspaper
2003Geers, Kendell, et al.. Me and More. Lucerne: Kunstmuseum Luzern, 2003
2003Hubner, Karolina. "Lessons in Anatomy: Magdalena Abakanowicz's Unrecognized." Sculpture, April 01, 2003
2003Jones, Kathryn. "A New Boast for Dallas." The New York Times, November 23, 2003
2003Kinghorn, George. Skin: Contemporary Views of the Body. Jacksonville: Jacksonville Museum of Modern Art, 2003
2003Malkowska, Monika.. Magdalena Abakanowicz: Coexistence. New York: Marlborough Gallery, 2003 (exhibition catalogue)
2003Menzies, Anne. "Arts by the Lake with Magdalena Abakanowicz." Artcity Magazine, pp. 22-23
2003Reichardt, Jasa. Dancing Figures. London : Marlborough Fine Art, 2003 (exhibition catalogue)
2003Rose, Barbara. Abakanowicz. Scheveningen: Museum Beelden aan Zee, 2003 (exhibition catalogue)
2003Stanislawski, Ryszard. Magdalena Abakanowicz: Tanzende und Schreitende. Dusseldorf: Beck & Eggeling International Fine Art, 2003 (exhibition catalogue)
2002Abakanowicz, Magdalena, et al. Magdalena Abakanowicz: Working Process e non Solo. Prato: Collezioni Gori, 2002
2002Anonymous. "Sculpture Garden Expands with Works by Calder, Lipchitz, Abakanowicz & Colunga." nassaumuseum.com, p. 4
2002Bartelik, Marek. "The Place 'In Between'." Art in America, pp. 40-41
2002Braff, P. "A Setting Worthy of the Sculptures." The New York Times, May 10, 2002
2002Green, Roger. "Abakanowicz's Colossal Work Goes on View in Sculpture Park." The Grand Rapids Press
2002Piwowarska, Barbara. "'Unrecognized' Figures in Polish Landscape." Art in America. illustrated, p. 25
2002Stanislawski, Ryszard, Rose, Barbara and Restany, Pierre. Magdalena Abakanowicz: Unrecognized. Poznán: VOX – Artis Foundation, 2002 (exhibition catalogue)
2001Cross, Guy. "Listen! This is Important." Santa Fe's Monthly Magazine of the Arts, August 01, 2001
2001Henry, Clare. "Humanity under the microscope." The Finanacial Times, January 31, 2001. illustrated, p. 31
2001Hixson, Kathryn. "Interview: Magdalena Abakanowicz." New Art Examiner, April 01, 2001
2001Janicke, Tim. City of Art: Kansas City's Public Art. Kansas City: Kansas City Star Books, 2001
2001Kutner, Janet. "Sculptor Shows Us Ourselves, Our Fears." The Dallas Morning News, November 25, 2001
2001Mills, Charlene, ed.. "Apocalypse Redrawn." Milwaukee Magazine. illustrated, p. 17
2001Muchnic, Suzanne. "Magdalena Abakanowicz." ARTnews. illustrated, p. 129
2001Muchnic, Suzanne. "She's Turned Her Backs on the World." The Los Angeles Times, March 25, 2001
2001Pagel, David. "Art Reviews." Los Angeles Times, March 16, 2001
2001Randall, Teri Thomson. "Magdalena Abakanowicz." The New Mexican Weekly Magazine of the Arts, August 03, 2001
2001Reif, Rita. "The Jackboot has Lifted. Now the Crowds Crush." The New York Times, June 03, 2001
2001Rose, Barbara. Magdalena Abakanowicz: About the Human Condition. Santa Fe, Dallas: Gerald Peters Gallery, Pillsbury and Peters Fine Art, 2001 (exhibition catalogue)
2001Rose, Barbara. Magdalena Abakanowicz: About the Human Condition. Beverly Hills: Grant Selwyn Fine Art, 2001 (exhibition catalogue)
2001Rutkoski, Rex. "Three Rivers Arts Festival promises even more this year." Valley News Dispatch, May 31, 2001, pp. 16-17
2001Shearing, Graham. "Bronze Traces of the Past." Ticket, June 15, 2001, p. 26
2001Shearing, Graham. "Critical Mass." Ticket, May 25, 2001, pp. 8-9
2001Sodergren, Rebecca. ""Sculptures challenge Three Rivers Arts Festival." Pittsburgh Post-Gazette, May 06, 2001
2001Stanislawski, Ryszard. Magdalena Abakanowicz. Cologne: Kunst - Station, Sankt Peter Koln, 2001
2001Stanislawski, Ryszard. Viva! Magdalena Abakanowicz.. Cologne: Kunst - Station, 2001
2001Stein, Lisa. "Chicago rolls out the carpet for post-1945 Polish art, long stifled under Communist rule." The Chicago Tribune, January 30, 2001, p. 1. illustrated, p. 5
2001Thomas, Mary. "Sculptor Treats Art as Sacred Creation." Pittsburgh Post-Gazette, June 06, 2001
2001Zimmerer, Kathy. "Magdalena Abakanowicz." ArtScene
2000Anonymous. "Art." The Star-Ledger, September 22, 2000
2000Anonymous. "Art & Antiques Guide: Monumental Monuments." Where New York
2000Anonymous. "Art: Galleries." The Village Voice, October 03, 2000
2000Anonymous. "Fallart: Sculpture and Installation." New York Magazine, September 11, 2000
2000Anonymous. "Galleries and Exhibitions." Art & Antiques
2000Anonymous. "Galleries: Solos." New York Magazine, October 09, 2000
2000Anonymous. "Galleries: uptown." The New York Times, October 01, 2000
2000Anonymous. "Gallery Watch." Arts & Antiquities
2000Anonymous. "Goings on about town." The New Yorker, October 16, 2000
2000Anonymous. "Magdalena Abakanowicz: Tails, no heads." DigitalCity.com
2000Anonymous. "Museum & Arts." Newsday, October 06, 2000
2000Anonymous. "Spotlight Galleries." Art + Auction
2000Anonymous. "To The Rescue: Eight Artists in an Archive." The Brown Foundation Gallery
2000Anonymous. "Uptown: now showing." thing.net
2000Anonymous. "What's On." The Art Newspaper
2000Braff, Phyllis. "Blurring the Distinctions Among Familiar Ideas." The New York Times, August 06, 2000
2000Heartney, Eleanor. Ninety Five Figures from the Crowd of One Thousand Ninety Five Figures. New York: Marlborough Gallery, 2000 (exhibition catalogue)
2000Hubner, Karolina. "Difference and Repetition." Sculpture, December 01, 2000
2000Krukowski, Wojciech and Wroblewska Danuta. Abakanowicz - Walking Figures. Warsaw: Galeria Kordegarda, 2000 (exhibition catalogue)
2000Mason, Brook S.. "Hanging around New York: a monthly guide by Brook S. Mason." The Art Newspaper
2000Mason, Brook S.. "On the loose in New York: a monthly guide by Brook S. Mason." The Art Newspaper
2000Reichardt, Reichardt Jasia and Abakanowicz Magdalena. Recent Exhibitions and Installations. New York: Marlborough Gallery, 2000 (exhibition catalogue)
2000Rubinstein, Raphael. "Alors, What about Central Park?." Art in America, p. 1
2000Sogg, Daniel. "Art and Education." Art + Auction, p. 68. illustrated, p. 70
2000South, Will. "Weatherspoon Acquires New Work of Art." Articles: News & Events of the Weatherspoon Art Gallery, p. 1
1999Anonymous. "Shoulders Above the Rest." The New York Times, April 27, 1999
1999Duval, J.-L. "Magdalena Abakanowicz dans les Jardins du Palais Royal." Connaissance des Arts, hors série, May 01, 1999, pp. 6-19
1999Jacob, Mary Jane. Abakanowicz - Wild Flowers. New York: Marlborough Gallery, 1999 (exhibition catalogue)
1999Lieberman, P. "It's Not so Lonely at the Top." Los Angeles Times, May 09, 1999, pp. 51-52
1999Plagens, Peter. "Magdalena Abakanowicz." Artforum, pp. 124-125
1998Helsinki, Jerome. Abakanowicz. Krakow: Gallery Starmach, 1998 (exhibition catalogue)
1998Needleman, Deborah. "Archadia Revised." House & Garden, pp. 158-163
1997Abakanowicz, Magdalena; Brenson, Michael. Magdalena Abakanowicz - Mutants. New York: Marlborough Gallery, 1997 (exhibition catalogue)
1996Brenson, Michael. Magdalena Abakanowicz. Hamilton: Grounds for Sculpture, 1996 (exhibition catalogue)
1996Reichardt, Jasia; Abakanowicz, Magdalena; Collins, Judith, with an introduction by Murray, Peter.. Magdalena Abakanowicz - Bronze Sculpture. Llandudno: Yorkshire Sculpture Park and Oriel Mostyn, 1996
1995Stanislawski, Ryszard; Brenson, Michael; Reichardt, Jasia; Abakanowicz, Magdalena. Abakanowicz. Warsaw: The Center for Contemporary Art, 1995 Published in conjunction with the retrospective exhibition "Magdalena Abakanowicz" in the Center for Contemporary Art, Ujazdowski Castle, Warsaw.
1994Rose, Barbara. Magdalena Abakanowicz. New York: Harry N. Abrams, Inc., 1994
1993Brenson, Michael. Magdalena Abakanowicz - Sculpture. New York: Marlborough Gallery Inc., 1993 (exhibition catalogue)
1993Brenson, Michael; Heiss, Alanna; Abakanowicz, Magdalena. Magdalena Abakanowicz - War Games. New York: The Institute for Contemporary Art P.S.1 Museum, 1993 (exhibition catalogue)
1992Daval, Jean-Luc and Viatte, Germain. Paris- La Defense. L'Art Contemporain et l'Axe historique. Magdalena Abakanowicz, Piotr Kowalski, Jean- Pierre Raynaud, Alan Sonfist. Geneva: Editions d'Art Alber Skira, 1992, pp. 30-56 Also published by EPAD, Paris
1991Abakanowicz, Magdalena; Hermansdorfer, Mariusz; Inui, Yoshiaki, with an introduction by Kobayashi, Masao. Magdalena Abakanowicz. Tokyo: Sezon Museum of Art and Asahi Shimbun, 1991 Published in conjunction with the 1991 traveling in Japan exhibition "Magdalena Abakanowicz": Sezon Museum of Art, Shiga; Art Tower Mito, Contemporary Art Gallery and Hiroshima City Museum of Contemporary Art.
1991Kato, Kuniko Lucy. Abakanowicz - Tangible Eternity. Japan: International Art Research, 1991
1988Neray, Katalin, and Hermansdorfer, Mariusz. Magdalena Abakanowicz. Budapest: Mucsarnok, 1988
1987Restany, Pierre. Katarsis. Florence: Edizioni della Bezuga, 1987 Additional text by Abakanowicz, Magdalena. sec. ed. 1990
1986Daval, Jean-Luc. La Sculpture XIX et XX Siecle. Geneva: Editions d'Art Albert Skira, 1986
1982Jacob, Mary Jane. Magdalena Abakanowicz. New York: Abbeville Press Publishers, 1982 Monograph published in conjunction with the exhibition "Magdalena Abakanowicz" organized by the Museum of Contemporary Art in Chicago and at other American Museums. Additional text by Abakanowicz, Magdalena; Reichardt, Jasia.
1982Zimmerer, Kathy. "Magdalena Abakanowicz." Art Scene, March 01, 1982
Anonymous. "Magdalena Abakanowicz." Socrates Sculpture Park, October 12, 2012
Simón, Federico. "La polaca Abakanowicz invade el IVAM con su arte orgánico." El Pais, June 23, 2008, p. 4
Simón, Federico. "La polaca Abakanowicz invade el IVAM con su arte orgánico." El País, June 23, 2008. illustrated, p. 4


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She was the little pig that could.
When Hurricane Irene caused severe flooding in upstate New York last month, one would-be casualty of the rains was spotted trying to get out of a fast-moving creek and onto higher ground. Luckily, that higher ground was wildlife rehabilitator Betty Benjamin, who rushed to help the baby pig, who was shivering and purple from the cold.
"This little one displayed so much will to live," Benjamin said. "We knew she deserved to go to a place where she could be free from fear and harm."
Benjamin massaged the piglet, since named Jane, revived her, and eventually brought her to Farm Sanctuary's Watkins Glen, N.Y., shelter, where she'll be cared for from now on. There, Jane will be able to act as an ambassador for farm animals (and she'll grow to weigh hundreds more pounds than she does now).
"When natural disasters strike, farm animals are generally the largest population of victims," Susie Coston, Farm Sanctuary's national shelter director, said in a release. "Because they are viewed as production units by the food industry, instead of as intelligent and emotional individuals, their suffering is typically ignored."
Resilient Piglet Survives Flooding and Finds Sanctuary
Courtesy Farm Sanctuary

subset: commoncrawl


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Just as the stars are arriving in a little Utah ski resort called Park City for the Sundance Film Festival, snow lovers the world over are mourning the death Canadian freestyle skier Sarah Burke, who died today at 29 from injuries sustained in an accident on a half pipe in Park City last week. She suffered a ruptured vertebral artery, which led to a severe intracranial hemorrhage, a family spokesperson told Reuters.
Immediately after the news broke, the Twitterverse was flooded with messages of support for Sarah's friends and family, with several messages coming from fellow X Games champs and Olympians.
"So saddened by the news about Sarah Burke. RIP my thoughts and prayers go out to all family and friends and the skiing community," Olympic skier Julia Mancuso tweeted.
Read more…


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Columbia City boys' soccer honored its senior class Wednesday night in a home win over Garrett 10-0. Six Eagle seniors in all were recognized. Front row, from left: Matt Marty, Austin Porter. Back row: Tyler Peterson, Jordan Esterline, Devin Rice, Grant Wood. The Eagles have two more games before wrapping up the regular season.
Six weeks into the Indiana High School football season someone has to ask it.
Is this the best season ever for Whitley County football?
Think about it. Between the three local high school squads, Columbia City, Churubusco, Whitko, only two losses stand against 16 wins.
Not to mention one of those losses is to the other when Columbia City renewed its rivalry against Whitko with a 30-0 win earlier this season.
Only three weeks remain in the indiana high school football regular season. Columbia City takes on the NHC's top team for a share of the conference lead. Whitko gets its first big test in the TRC at home against North Miami. No. 2 Churubusco hits the road to Culver Academy for its only non-conference game of the season.
Columbia City at No. 8 East Noble
Rondo Monerville "Monty" Miller, 84, of Huntington, died at 7:39 a.m. Tuesday Sept. 28, 2010 at the Visiting Nurse and Hospice Home, Fort Wayne.
He was born April 27, 1926 in Peru, a son of Robert V., Sr. and Nellie C. (Hartleroad) Miller. He married Norma Jane Nichols.
Survivors include a daughter, Nancy Gard.
Visitation will be from 3 to 7 p.m. Thursday at the Bailey-Love Mortuary. Funeral services will then be held at 10 a.m. Friday at the mortuary with Rev. Elzie Spencer officiating. There will be no burial.
Nelson R. Arnold, 76, of rural Churubusco, died Monday, Sept. 27, 2010.
He was born May 12, 1934 in Allen County, a son of Nelson H. and Sarah Pauline (Bowlby) Arnold. His formative years were spent in the Churubusco area. He graduated from Huntertown High School.
He engaged in general farming and was employed at Viking in Columbia City for many years and H & H Equipment in Huntertown for 22 years, retiring in 1999.
Surviving relatives include his companion, Nellene K. Miller and a sister, Marilyn (Brian) Parish, both of Churubusco.
COLUMBIA CITY — The Columbia City Lady Eagles put their perfect Northeast Hoosier Conference record on the line Tuesday night against the DeKalb Lady Barons.
Despite being down two games to none and trailing 2-0 in the third game, the Lady Eagles came away from the Donald S. Weeks Gymnasium with their NHC record still intact by virtue of a 24-26, 27-29, 25-20, 25-21, 15-8 come-from-behind five game marathon victory.
FORT WAYNE — Six seasons in the making and Columbia City has set a standard of winning when it comes to boys' tennis.
Tuesday, the Eagles wrapped up a sixth consecutive season with at least 14 wins. Three-set wins by Travis Johnson and No. 1 doubles Alan Murphy and J.T. Biggs helped the Eagles sweep Northrop on the road 5-0.
"It's been a nice winning tradition," Columbia City head coach Doug Stoffel said. "We've had guys that just understand how to win."
SOUTH WHITLEY — The Whitko Lady Wildcat volleyball team decided to take the long route to winning Tuesday night against the Wawasee Lady Warriors, dragging the night out to a long five-game battle.
After easily winning the first two games, the Lady Warriors came back and won the third and fourth games, bringing the night to a fifth and final battle, to which Whitko won.
As the Indiana High School soccer regular season wraps up the paths for local boys' and girls' soccer teams were mapped out Tuesday night.
The Indiana High School Athletic Association held the sectional draw with Columbia City looking for postseason glory.
In the boys' draw, the Eagles are back at the Homestead sectional lining up a potential third consecutive championship game appearance.
The area outlined in red south of U.S. 30 shows the 32 acres of land now designated as a tax increment financing district in Columbia City. The city council designated the land as a TIF district for 25 years. As a TIF district, property tax revenue for new development will be diverted into the city's redevelopment fund for use only in the TIF district. The current level of property taxes will still be dispersed to taxing entities. Post & Mail image/Whitley County GIS


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Aug 21 2012
Integrating Music into the Homeschool Environment
In our home we have two guitar players, Jeff and Meredith. Though we have asked Meredith repeatedly, she has not been interested in actual guitar lessons (except a few starter lessons from her Daddy).
Most of what she has learned has come from seeking out and watching videos and reading guides, posts and tips from free online resources like GuitarInspired.com.
I sing, but cannot play any instruments, so I interviewed Gerald Crawford of GuitarInspired about his suggestions for integrating music into the homeschool environment. Though he focuses on guitar playing specifically, much of this is true for any instrument.
» What inspired you to take your knowledge and love of playing the guitar and turn it into an online website at GuitarInspired.com?
Well, when I was young I had to rely on steam driven cassette players to play songs that I was trying to learn, so I would be forward winding and rewinding the player whilst flicking the pages of my guitar lesson books, or reading from sketches my dad gave me showing which chords to play.
However, over the last ten or so years the internet has changed all of that forever, I know how tricky it is in the early stages of learning to play a musical instrument, and I also know that once you get over the first challenging steps of brain to hand coordination, it very quickly becomes so rewarding. I wanted to encourage others and show them that it's not as difficult as you might think and so GuitarInspired was born.
» Did you grow up playing the guitar or have a family member who ignited that desire within you?
Yes, my dad, Mervyn Crawford, used to play guitar in a band called "Just Five in the 1960s" before he found his forte in playing the saxophone. I can remember when I first picked up his semi acoustic electric guitar and strummed tunelessly on it. I was fascinated with it, but found it daunting to actually try to play. Once my dad taught me some basic chords I was hooked.
» What do you think keeps parents from integrating music into their homeschool experience?
I think that some parents may feel that if they are not musically inclined themselves, they are not qualified to teach their children to play an instrument. I don't believe this to be true. There are so many options available in music teaching today that they can merely guide their child through the course they are taking, be it with a guitar lesson dvd or with an actual music teacher, you will find that your child will following along in their own fashion.
» What is the main barrier of learning a musical instrument?
Getting started, I can't deny that the most difficult stage in learning to play a musical instrument is training the dexterity of your hands and fingers. We all want to be able to play straight away, but if you can just encourage your child through the frustrating beginner stage and to stick with it until they can play a few chords or notes, you will have reached a huge milestone. This is because once they can play even one tune they realize that this really is possible, it removes their self doubt, gives them confidence and thats when it starts to become fun to play.
» What are some ways parents can weave music into their children's lives?
I found that having the instruments at hand is very helpful. I keep my guitar on its stand in my study so anytime I feel like playing it's always at hand. I used to keep it in its case, but this wasn't a good idea because I was not nearly as quick to play it with the added inconvenience of having to go and get it. So, leave the instruments sitting on display in the room where your kids relax in.
» When we corresponded you mentioned the importance of seeking out an apprenticeship. What is the benefit of a apprenticeship for kids interested in music?
When children are taken in as apprentices under musical technicians who know the ins and outs of various instruments, the benefits increase. The youngsters will learn about instrument repair and how to take good care of them. The experiences add to children's appreciation for their instruments.
» What are some ways you suggest to provide children with a music-rich environment?
One of the easiest ways to enhance music curriculum is to surround your kids with music. Parents should expose their children to music in many ways: singing with them, playing songs in the background while they play and learn, and allowing them to interact with a variety of basic instruments. These experiences will expose children to music in multiple contexts, allowing them to develop a deep appreciation for music.
» What is the importance of exposing children to multiple musical venues?
Watching musicians performing is very different from just listening to music at home while playing or learning. Children benefit greatly from watching musicians interact with their instruments.
In addition, children will be exposed to a wider genre of music as well as a greater variety of instruments if they attend live shows, broadening their knowledge and experiences. I found going to small local venues the most beneficial because you can get up close to the stage and really see whats going on and even get chatting with the musicians afterwards…and who knows what opportunities this might bring.
» Gaming is huge for kids right now. Do you have any suggests for engaging online music video games for children to play?
It's true, kids absolutely immerse themselves in some video games, so why not use this as a positive learning tool. This can be a very effective way to get them engaged in music education whilst having serious fun.
Although they will think they are just playing games, they will actually be practicing and gaining experience, which, after all is the goal. Even though I can now play the guitar I am still learning new things and I recently took up blues guitar lessons on the internet where there are hundreds of courses to choose from.
You should check out these websites:
Links to Musical Game Sites – This website is maintained by the Fargo Public Schools in Fargo, ND. The site has a large list of musical games for children.
Kaboose – Music Games for Kids – This website hosts many musical games as well.
» Many homeschoolers like to integrate themes and studies across various subject matter (LA, Math, History, Science…), how easy is it to integrate music into planning instruction of this nature?
It's not really all that difficult, it just requires a little creative thinking, as far as educational subjects go, music is one of the most versatile when it comes to integration.
It can be taught alongside social studies and science, as well as language arts and math.
Children can study the history of musical genres, the science behind sound, read, interpret, and write lyrics and poems. So, just give some of your lessons a different angle where you can include a music themed relationship in the subject.
» What do you think is the primary benefit of giving children opportunities to interact with music in a homeschool environment?
Well I think that when children are given opportunities to interact with music in a homeschool environment, their education is fuller and their background knowledge is deeper. In addition, benefits are also found in the area of brain development for children who are exposed to more varied experiences while growing up in their earlier years.
Gerald Crawford grew up in Belfast, Northern Ireland and now lives with his wife Maureen in Tandragee, he was taught how to play the guitar by his father and he now has two children: Gary, who plays the guitar better than he does, and his daughter Carla, who is a pianist and plays keyboards in a local rock band.
Please note: I am not a partner or affiliate of GuitarInspired.com, nor am I receiving any compensation for Mr. Crawford's interview. This is simply intended to be a resource for homeschooling families.
About the Author: Tired of feeling overwhelmed, Heather Sanders and her husband Jeff faithsized their family into a 960 square foot lake cabin in need of renovation. She writes about faith and simplifying your desires so you can be content right here and right now.
14 Comments and 1 Reply
farmwifetwo On Tuesday, August 21 at 6:18 am
It is also important for those with disabilities.
We got told when he moved to self-contained that he wasn't able to learn the recorder. He could stay with his classmates in their kinder music program.
Yes, 2yrs ago – 8 – he learned but really wasn't interested in piano lessons so we only went a month. Starting last Jan he went into private lessons again – and he'd remember those first lessons. Not music therapy, not autism specific lessons, plain old boring piano lessons. http://www.amazon.com/s?ie=UTF8&page=1&rh=n%3A4507%2Cp_lbr_one_browse-bin%3ANancy%20Faber – we had these books from the first time, they had been recommended by another piano teacher we knew. By May, he'd finished the first 2 primer books and played 3 songs in the school's talent show.
We are going to do swimming lessons this fall – trying to get private one's during the school day. He can swim but not well enough yet and again "we can't do a proper phys ed program with him". In Jan he'll return to piano.
Everyone should learn music. Mine has a dx of severe, non-verbal ASD… and after the first 3 lessons… I sat in the parent chairs in the waiting area. They figured out how to communicate btwn themselves.
Hope @ Fairhope Supply Co. On Tuesday, August 21 at 6:47 am
I've both home schooled and use public schools, and music is always a major component of any curriculum I've used. Exposing very young children to different forms of music is the key. One of my favorite activities was to take my preschool children to the symphony's "sneak peek" practice session they always hold the day before the performance.
You are on the right path.
Music On!!!
Kelly G On Tuesday, August 21 at 8:16 am
I try to introduce different composers and styles of music for our music program. Our local library has a great CD selection. And we have done recorder in the past.
This year we'll use XBox360 and Rocksmith. It uses a real guitar, unlike Rock Band and Guitar Hero (though I love those as well, so much fun!).
And my daughter has taken flute in public school for the last 5 years, she'll continue her flute practice with the goal of playing at her brother's wedding. It's always a bigger incentive to practice when you have a goal.
home school coach On Tuesday, August 21 at 8:25 am
Neither of my parents played an instrument but my mother was a marvelous vocalist. So she was always singing. That was my introduction to music, that and hymns at church. As I grew i really wanted to play an instrument so in college I got a guitar and joined the guitar club on campus. The finger dexterity did get to me and I just didn't stay with it. I have regretted that choice.
I married a man who played an instrument and so we gave all of our children a chance to play an instrument in school and a few of them became very good at their chosen instrument. However, we did not make music an integral part of our lives at home. I think that was a mistake.
I have since known some families that have made music a part of their home and I see many benefits that I think make the effort worthwhile. Children who play an instrument get a boost to their own esteem. It creates a place for bonding when parents and children sing and play music together. Families who use music in their home on a regular basis tend to go to musical venues together rather than the usual movies, etc. Children who play instruments or sing with their family seem to feel confident to learn other new and difficult things. These are just a few of the things that I have observed in families who learn and play music together.
Our Small Hours On Tuesday, August 21 at 8:44 am
Great interview! Thanks for sharing.
I took piano lessons for 10 years and teach my boys now as they show interest. More than anything I want them to be internally motivated to create music. So far, so good.
Jenn On Tuesday, August 21 at 9:33 am
As a parent, former school educator and now private music instructor, I can vouch for the importance of music in education. I also appreciate the notion of exposing students to multiple genres. Though I am classically trained, and much of my playing is in that vein, church music, as well as folk music and pop music are important influences on me.
When I begin with a new student, whether flute, piano or voice, I always want to find out what is drawing them to learn. Is marching band their dream? Competing in festivals? Playing in church? Their goals are what drive them to excel, and as a teacher it's my job to tap into that.
The internet has definitely opened up a wide array of opportunities for online instruction. In addition to sites offering videos, many teachers (such as myself) offer lessons online via a program like Skype. This allows for a lot of flexibility in scheduling, and is especially helpful for those who live far away from qualified teachers.
It's encouraging to know that there are still many, many people who value music as part of their children's complete education!
laurah On Tuesday, August 21 at 11:08 am
Music has always been a large part of our family's day. My kids are especially fond of the 70s and 80s music. And while music is great just for music's sake there has been an added benefit to our family:
One of my daughter's received complete scholarship for all four years of college and graduated cumma sum laude with dual degrees in music and education.
We knew that not all public education is about sports, this just cemented it to our family. And to add insult to injury for all the sports fans out there: another daughter received complete scholarship for all four years based on her academics and high ACT/SAT scores.
Alisha On Tuesday, August 21 at 7:19 pm
What he says is for the most part true, especially for a relatively easy instrument to play. I just want to let parents know that if their child is interested in violin, viola, cello, or string bass, that they should invest in a good teacher for a few lessons to prevent any technique issues that can cause lasting damage. I suffered from some nerve damage due to poor technique. I was terribly lucky that a qualified and skilled teacher took me under her wing and repaired what she called, 'my broken bowing arm'. Teachers can often be found in universities for very little money, sometimes a 30 min. lesson can be just 20 dollars and worth 1,000 times that. Playing a musical instrument is akin to taking up jiu jitsu or karate, technique is everything, not just to the end result but to the longevity of the athlete.
I loved playing music as a homeschooler. Many community colleges will allow 16 year olds to play in the intermediate orchestras as 'community members', without paying fees. You would need to stay to provide supervision (I wouldn't leave a 16 year old at a college until 10 pm for rehearsals without someone to walk them home.)
Don't forget: ear training is essential and there are many very good software programs that can help every musician with that daily practice. Its especially helpful for singers.
Tulip On Tuesday, August 21 at 8:37 pm
From earliest childhood, music was a constant. On the radio or when my parents finally bought a hi-fi (early 50s) and could only afford one record, so my mom made up words to the Beethoven violin concerto. My mother sang, played the piano and there was no doubt that we were going to take them too. Music was taught in school, but home is where we learned it. I always wondered if learning to sing early helps with foreign languages — it seems to train the ear to distinguish pitch and tone. Even having the radio on all the time helps — just vary the menu and don't stick to one genre.
For those not attracted to the guitar, I'd recommend something like the Suzuki method of teaching string instruments. No parental talent needed.
Kellymarie On Wednesday, August 22 at 9:17 am
I didnt grow up with parents playing musical instruments nor do I play anything. But there was always music playing in the house growing up. Ironically even though my 7 yrs old has variety of taste of music , we listen to alot of classical music…
Sara A On Wednesday, August 22 at 9:45 am
Hey, thought this might be helpful. My husband is a public school music teacher, but he also teaches the children's choir at our church. Since he is a certified music educator, a homeschooling family actually gets music credit for coming to children's choir, which they would do anyway. And, if you're interested in strings, but not close to or able to afford a teacher, Annie Moses Band has a DVD beginner violin program. (Not affiliated, just love the music and kids getting to play instruments)
Juliette On Wednesday, August 22 at 10:09 am
My husband and I have always had music in our lives and are music lovers. Our curriculum includes a study of four composers every year with a CD of their music. I often play one of the CDs as we do our individual quiet work. My son is starting piano lessons this year. Every Sunday night instead of the kids picking out a bedtime story we take time to sing together and that is when my husband puts little musical tidbits in for the kids. I think music is very important.
AdrianaB On Wednesday, August 22 at 10:32 pm
I surely know how important is music for the kids. We are homeschooling our 4 kids and at the same time, trying to build their life around music. My husband wrote a software for training the musical ear and encouraged the kids to play various instruments.
At 9 years old, my son decided that he will have a band with his sisters:).. So, in one year he made a pretty good band, played at some festivals (medieval music) and one concert (rock music). We kept a journal about our struggles on a blog (http://intelligentmusicalchildren.wordpress.com) and also info about the kids' band (http://childrenmedievalband.wordpress.com).
We strongly feel that our children' musical activity helped them a lot in their development. Faster thinking, better memory for structures, forms, abstractions, are just a few of the benefits.
Cris On Saturday, August 25 at 11:14 am
This is great! My LO is almost two, but LOVES music. I'm really hoping to encourage his love of music as he gets older. Will check out the links. TY!


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Bosch Limited
Founded in 1951, Bosch Limited is India's largest automotive component manufacturer and also one of the largest Indo – German companies in India. The company generated net Sales and income from operations of Rs. 8017.9 crores in 2011, a growth of 19.7% over 2010. Bosch Limited is also the flagship of the Bosch Group companies in India. The Bosch Group holds 71.18% stake in Bosch Limited and has planned a sizeable investment to introduce and manufacture world-class technology for the Indian market.
With a network spanning across 1,000 towns and with over 5,000 authorized representatives, Bosch Limited facilitates superior product availability and after-sales services countrywide, in alignment with the global Bosch structure. The company is headquartered in Bangalore with manufacturing facilities at Bangalore, Naganathapura (near Bangalore), Nashik, Jaipur and Goa. These plants are TS 16949 and ISO 14004 certified.
Bosch Limited manufactures and trades in all the three major business sectors of Bosch:
Automotive Technology
Business divisions: Diesel and Gasoline Fuel Injection Systems, Car Multimedia Systems, Auto Electricals and Accessories, Starters and Generators, Energy and Body Systems.
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Business divisions: Packaging Machines, Special Purpose Machines, Solar Energy
Consumer Goods and Building Technology
Business divisions: Power Tools, Security Systems
Contact Bosch Ltd.
Post Box No. 3000,
Hosur Road
Bangalore - 560 030
Ph: + 91 - 80 - 22992393
Fax: + 91 - 80 - 22272728
Company Overview – Bosch Ltd. Profile
Annual Report 2011
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3:42 am
Wed November 6, 2013
Christie, McAuliffe, De Blasio Win Election Day Races
By Brian Naylor
Originally published on Wed November 6, 2013 5:21 am
In New Jersey, Republican Chris Christie coasted to re-election as governor on Tuesday. In Virginia, Democrat Terry McAuliffe prevailed in the governor's race, although by a smaller margin than most pre-election polls had indicated. In New York City, voters elected their first democratic mayor in 20 years, choosing Bill de Blasio in a landslide.


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Bakers swap cookies at library
HUNTINGTON -- It was a cookie-lover's dream at the Cabell County Public Library Thursday evening as it hosted a holiday cookie swap.
Bakers were invited to make a batch of their favorite cookies and bring them to the library in downtown Huntington to exchange with others. The result was an assortment of tasty treats from peanut butter and chocolate chip to sprinkled and iced sugar cookies and everything in between.
The event was part of a series the library has hosted throughout the month of December. With Christmas just a few days away, the library is hosting one more event to help get ready for the holiday. From 1-4 p.m. Saturday, Dec. 21, the public is welcome to the Gallaher Village branch to make and design their own holiday cards and gift wrap.
All libraries will then be closed from Dec. 22 through Dec. 25.
The Herald-Dispatch welcomes your comments on this article, but please be civil. Avoid profanity, obscenity, personal attacks, accusations of criminal activity, name-calling or insults to the other posters. Herald-dispatch.com does not control or monitor comments as they are posted, but if you find a comment offensive or uncivil, hover your mouse over the comment and click the X that appears in the upper right of the comment. If you do not want your comment to post to your personal Facebook page, uncheck the box below the comment.


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We Bring The Fun To You
Norris Amusements is a family owned and operated business that originated in 2001 as a small Pumpkin Patch and Christmas Tree lot in the San Clemente, California region and has now expanded its operations. Norris Amusements now offers so much more with locations in Oceanside, Chula Vista, Lake Elsinore and Temecula.
During the summer months, we are available to host your special event, festival, street fair, school function or church carnival with carnival rides and inflatable amusements.
During the month of October we operate several unique pumpkin patches. Each pumpkin patch offers different activities such as carnival rides, games and inflatable amusements as well as different varieties of pumpkins, gourds, retail stores and much much more. Please note activities vary by location, please visit our Locations and Hours page for more detailed information on each location.
We end our season with quality grown northwest Christmas Tree Farms. Our Christmas Tree retail locations in Lake Elsinore and Temecula are open from Thanksgiving to Christmas Eve and offer several types of Christmas Trees, all grown on our farms in Oregon and Washington.
Whatever the season, we're a Family Fun Zone complete with Carnival Rides, Inflatable amusements, Pumpkins and Christmas Trees. Come visit one of our locations nearest you today!


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Updated: 08/09/2013 8:36 PM KSTP.com By: Maricella Miranda
Issac Oneal Maiden, 19, of St. Paul
Photo: Photo: Ramsey County Sheriff's Office
A 26-year-old man is fighting for his life after he was found beaten after a large fight broke out on the East Side of St. Paul.
A 19-year-old man is accused of participating in the fight, which resulted in Raymond Widstrand suffering permanent brain loss.
Issac Oneal Maiden, of St. Paul, has been charged in Ramsey County District Court with four felonies, including two counts of committing a crime for the benefit of a gang and a count each of first-degree assault and first-degree aggravated robbery.
The criminal complaint can be found here.
The fight started around 11:40 p.m. Sunday, Aug. 4, in the area of Payne and Reaney Avenues, according to the complaint. A man hailed down an officer, who was driving in the area, to report a large fight happening nearby.
At the scene, the officer saw about 40-50 juveniles and young adults, the charges said. They began running as the squad approached.
On the ground, police found Widstrand lying on his back with his pants off and his shirt torn, according to the complaint. His nose and mouth were bleeding.
He was taken to Regions Hospital in St. Paul. As of Wednesday, his prognosis for recovery was slight, the complaint said. Should he live, the man will have permanent brain loss.
Witnesses told police that the group was attending a party on Preble Street near Minnehaha Avenue when a group of girls started fighting. The fight was taken outside.
Young men, who are believed to be affiliated with the East Side Boyz and Ham Crazy gangs, then began beating a white man, who was walking in the area, witnesses told police, according to the complaint. The group stripped Widstrand of his pants and robbed him.
Police later showed a witness a cell phone picture taken that night of a man believed to be involved in the fight. That witnesses identified the man as Maiden.
Maiden, who was arrested, told police that he was at the party that night, but left when someone used mace against him during the fight. He denied assaulting the man.
Police also are investigating several suspects' shoes for evidence in the case.
Maiden is scheduled to make his first court appearance Friday, Aug. 9. The Ramsey County Attorney's Office is recommending that Maiden be held on $150,000 bail.


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CiNii Fulltext PDF
Open Access
In the history of the so-called "recluse literature", Tao Yuanming (365-427) in China and Saigyo (1118-1190) in Japan are worthy of special mention for they are both pioneers of the recluse literature in their own countries. Seemingly the recluse literature in Japan is similar to that in China, but actually we can find some differences between them. It is not only the difference of style, but also the difference of culture and society of two countries. In Tao Yuanming's case, he retired from the political world while Saigyo led a secluded life for a religious reason. In style, Tao Yuanming cultivated fields as an ordinary peasant, seeking for a transcendent state through a simple rural life. However, Saigyo renounced his family searching for the Pure Land in the West as a Buddhist quester. These two types of recluse literature can been seen as the origins of two literary genealogies in two countries. My article will analyze the difference between Tao Yuanming and Saigyo as an example.
Studies 52(2), 51-67, 2005-12-20 [Table of Contents]
Kobe College


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The Chicago Bulls have announced an expanded agreement with Downers Grove-baaed Advocate Health Care, resulting in the team's new training facility will be named the Advocate Center.
The training facility is scheduled to open this fall next to the United Center in Chicago. It's about 60,000 square feet and will allow team members to move easily between training, fitness, nutrition and therapy regimens.
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Advocate will also sponsor a pre-season game in October to highlight its support of breast cancer awareness and its initiative, "Stories of the Girls."
Bulls president and CEO Michael Reinsdorf says Advocate "shares the Bulls' passions for athletics, health and wellness and the communities in which we live and work."


text:
Mine enemy comes with the frequency
of death.
The eye in unexpected quarters catches
Silent hushes, akimbo-armed, standing stock
And watching, winding grinding ratchets.
The grate of time is like the grate of death.
The sound of time predicts the sound
of keening
Coming. Moments accumulate the body's
In corners of the brain. The sky is leaning.
The silence of it all is death.
And death is rain. The raining starts
And lasts these forty days or hours
Till weather floods the hollows of the heart.
Rain against the windowpane is death.
The waters rise and seconds swell
Like the bloating of a corpse. Taps
Bugled. The foot taps. Clocks tell
Time, the conscious counterfeit
of death.
Moments pass with every forfeit breath
And linking, form the yawning gaps
Of history. History is full of death.
But a brittle bit of time now breaks.
Ears tingle toward the sudden leak of sound
Ho time, hear near the quaking
of events.
Mine enemy avast! There's a rumbling
in the ground.


text:
New Arrivals
Knowledge on Pearl
Pearl's price is from several hundred dollars to several thousands in the market. For beautiful pearls, how to judge its value? Do you have a clear impression when buying your favorite pearl jewelry? Do you know how to choose the pearl? Below we will share you some tips on selecting real pearl:
Pearl Shape perfectly fine round closer to a sphere, higher evaluation. But some strange shapes or irregular shapes of pearls, including those radian exquisite soft water drop pearl, also has its unique appeal held.
Of course, the ideal shape is circular-grained. Unfortunately, many natural products are not perfect, and some poor little before into a round, low value. Commensurate beads pear, egg, teardrop-shaped, button-shaped, bent, etc., the almost vertically or horizontally into a symmetrical shape of the object. Very pleasing shaped beads value is higher.


text:
Under Secretary of Defense for Personnel and Readiness Edwin Dorn, and UnderSecretary of Veteran Affairs for Benefits John Vogel will receive the HammerAward, during a ceremony on April 29, 1996, at 10 a.m. (EST), in the USDConference Room, 3E752, The Pentagon.
Department of Defense Comptroller JohnHamre will present the awards.
The Hammer Award, given by Vice President Gore's National Performance Review,recognizes the joint effort between the two agencies for reducing the time ittakes to pay the death gratuity benefits to survivors of military retirees whodie from service connected causes within 120 days of retirement.
The newprocess reduces the payment time from approximately six months to six days.
The event is open to media coverage.
The point of contact for moreinformation is Capt. Carla Sims, USAR at (703) 697-3749.


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Durham private school's move draws objections
A small private school's run into a stumbling block in its hopes to move to a new home on Erwin Road, in the form of would-be neighbors and the city/county Board of Adjustment.
The board on Tuesday delayed a vote on the permit the Just Right Academy needs before it can move into a former church at 4723 Erwin Road.
Members opted for the postponement after Patrick Byker, attorney for a next-door neighbor of the site, pointed out the school's advocates hadn't addressed how the project might affect the value of nearby property.
Under local law, "100 percent of the burden of proof for showing no serious impact on property values falls on the applicant," meaning the permit "should be denied," said Byker, a member of the Morningstar Law group.
Byker by contrast had arranged for a real-estate agent and an appraiser to testify that the school's presence would hurt the value of client Lee Munson's house.
Thus challenged, the board encouraged Just Right's director, Linda McDonough, to agree to delay a vote until its next meeting in late March.
"You might want to have the opportunity to make a better case," board Chairman George Kolasa told her. "If we're not comfortable with the evidence, you're putting yourself at risk for a 'no' vote."
Just Right Academy is looking to move to Durham and leave its current home, the Shared Visions Retreat Center on Murphy School Road in Orange County.
Its landlord at Shared Visions, Jay Miller, said the school is a good tenant, but has "outgrown the current facility."
McDonough and her staff cater to children who need "both remediation and challenge along with a multi-sensory way of learning," which in practice means kids with problems such as autism and Down Syndrome.
The school's work drew praise from a couple of parents with children there, including Eric Benner, a Duke University School of Medicine pediatrics researcher who said he'd seriously considered moving his lab to another state to get his child out of Durham Public Schools.
Just Right's teachers "do wonderful work with all the children" it serves, Benner said.
But neighbors, including one otherwise supportive of the project, noted that Erwin Road sees heavy traffic on weekdays. It's a direct link between Chapel Hill and Duke that allows motorists to bypass U.S. 15-501.
The Erwin corridor also is home to two other schools, the private Duke School and the public, DPS-run Forest View Elementary, that contribute to the traffic.
Resident William Abernathy said he favors approval of the project, provided Just Right puts in turn lanes at its driveway, along with a concrete median to keep motorists from making a left turn to leave the site.
He noted that the Duke School has a "large turn lane" in front of it and also hires off-duty police to direct traffic at its driveway twice a day.
Munson's worries take in the traffic, but also concern the prospective noise from children playing at recess, along with the safety of having them near a pond that's on his property.
The real-estate agent who backed him, Lucia Cooke, said the building is close enough to Munson's property that a school definitely would hurt the value of his home.
Appraiser Jack Blackburn agreed, saying the traffic and noise "would be two negative influences to a prospective purchaser."
Board members seemed skeptical.
The city's traffic engineers, meanwhile, say they don't see a need for road upgrades at Just Right's prospective driveway. The school is accepting a 60-student enrollment cap; McDonough said she's not planning to accept more than 50.
Benner thought the comparisons with Duke School weren't on point, given the size of Just Right. "There's got to be somebody who would figure out if that would be necessary or not, not just the testimony of a concerned neighbor," he said, reacting to Abernathy's suggested alterations to Erwin Road.
But the property-value issue remained, as the school in fact hadn't addressed it.
Byker said his practice in Board of Adjustment permit hearings is to always bring an appraiser.
Senior Assistant City Attorney Emanuel McGirt told board members that while that might not be strictly necessary, the law is clear that a "layperson cannot given an opinion on how a proposal will affect someone else's property," value-wise.


text:
Tahbilk 2012 Marsanne
In this month's issue
Nagambie Lakes, Central Vic, $17
This is one of the most consistently pleasing whites you'll come across. It has light honeyed and floral top notes, subtle fruit flavours and a citrus/grapefruit tone to it. It is juicy, minerally, bath-saltsy and fresh yet with mid-palate body, which sets it up well for a cellaring life as well. It can age for a decade into a rich, golden delight. A viognier ($19) also has presence.
Rating: 4 out of 5 stars 'A cut above'
Value: Brilliant
Food: Vietnam noodle and crab salad
More information: www.tahbilk.com.au
Information in this article is correct as of 19 February 2013.
Taste.com.au - February 2013
Tony Love, National Wine Writer, taste.com.au