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Guyandotte Goes Hollywood for annual street festival Sept. 8-10
HUNTINGTON -- It may be called Swinefest, but the street festival that started out as a church pig roast has side dishes of just about everything else from homegrown wrestling and music to a parade, ghost tour and film night featuring Huntington native star, "Dagmar."
Swinefest, organized by the nonprofit group, Swinefest Solutions, runs Thursday through Saturday, Sept. 8 through 10, with a full plate of events under the theme of "Guyandotte Goes Hollywood."
Rick Simmons, festival organizer and community activist, said the theme is partly in homage to 1950s star Ruth "Dagmar" Egnor, one of television's first female stars, as well as just a fun theme for the fest.
"We feel a theme is important to fairs and festivals, not that it is what brings the crowd out, but because it gives people something different to look back to," Simmons said. "Guyandotte has had a rough reputation for many years and a lot of people are getting a kick out of it because we have got what it takes now."
The fest, which opens at 4 p.m. Thursday with the street fair and carnival, will feature a parade at 6 p.m. with a host of local participants led by the grand marshal, veteran country-rocker, Gary Sellards, who will be playing from 7 to 9 p.m. Saturday with his Stoned Country Band.
Immediately after the parade, there will be a Hollywood celebrity auction that will benefit the nonprofit group, Green Acres. Simmons, who has been volunteering to help Green Acres do some fundraising, said they have about 40 autographed items including a John Travolta-signed "Grease" movie poster, a book by former President Bill Clinton, photos signed by former President George Bush, one from the "Pawn Stars" TV show and NASCAR memorabilia as well.
Friday, some of the highlights include from 6 to 8 p.m., a viewing called "Dagmar Guyandotte Gal Goes Hollywood" at the Guyandotte Public Library. There will be free popcorn and refreshments at the library to see this best-of Dagmar clips put together by Huntington filmmaker and Huntington Public Access Channel 20 programmer Richard Bartram, who culled footage from a variety of shows including "Dagmar's Canteen," her show from the 1950s.
Egnor, who grew up at 222 Guyan St., was a buxom and tall blonde who stole America's hearts as one of its first female TV stars in the 1950s on the NBC show "Broadway Open House." At the height of her career, the Huntington High School grad was getting more than 8,000 fan letters a month, and living in a Central Park South penthouse built for Al Jolson.
She starred in her own show called, "Dagmar's Canteen," and was a guest on TV's first telethon with Milton Berle. She recorded an album of duets with Frank Sinatra for RCA.
She made the cover of "Life" magazine in 1951.
Simmons said Dagmar is a great person to inspire youth that you can come from anywhere to make it.
"When you say Guyandotte, people think we are from the wrong side of the floodwall, and Dagmar made it big," Simmons said. "She shows that there is potential and it doesn't matter if you are from Guyandotte or the West End or wherever, there is talent and it is up to the fairs and festivals to bring that talent out. She put Guyandotte in the limelight, and she proved that it doesn't matter how poor you are, you don't have to falter on following your dreams."
Simmons said they're tapping into a slew of homegrown music talent from such veteran country rockers as Angie Fletcher Band to newcomers such as Kala DeHart and River Town.
Another homegrown aspect of the fest is that Simmons put together a wrestling troupe, "Swinefest Wrestling," to present a show at 5 p.m. Friday and Saturday.
"We're calling it where homegrown talent becomes legend," Simmons said. "For years there was nothing in Guyandotte, and to me that is the main factor in what we are doing is to bring the talent and to show that Guyandotte and Huntington has a lot to offer, not only in wrestling but in the whole concept. There is pride in homegrown talent."
The wrestling card includes, Steve Backlund, Blazin Eagle, Damien Matthews, Ricky Armoni, Johnny Blast, Smokey C, Josh Ryder, Dain Bramage, Revelation, Mitchell and Danny Ray.
"As usual we've stepped out of the box and are producing our own wrestling extravaganza with all local talent and to show people there is more to do than drinking, drugging, stealing and clubbing," Simmons said. "We've got all aspects of talent whether it is wrestling, singing or putting on a festival. There's a lot of different ways to give young people an avenue to showcase it."
Saturday is packed with entertainment, as well known Huntington area DJ Jack O'Shea will be spinning music from 1 to 4 p.m. during a Swinefest cruise-in.
There's an auction at 4:30 p.m. Saturday that helps Swinefest with its expenses and outreach into the community including buying hams at Easter for area residents.
"We use it as a pinpoint for community unity," Simmons said of the money raised. "It's all nonprofit and it stays within the floodwalls to help each other in the community."
Saturday night, Huntington Paranormal will host the Guyandotte Cemetery Ghost Tour, which takes place starting at 8 p.m. Saturday, leaving every 15 minutes through 10 p.m. This after dark tour will depart from the back yard of the Historic Madie Carroll House, 234 Guyan St., and will take place inside the iron gates of the oldest church cemetery in Cabell County which dates back to 1804.
The tour is free and open to the public, and there will be a sign-in/information tent located near the Madie Carroll House barn.
Digital cameras are welcome and flashlights are highly recommended. Due to subject matter this tour may not be suitable for very young children. Tours will last approximately 30 minutes.
Go online at www.GuyandotteGhosts.com or www.HuntingtonParanormal.com or email Melissa Stanley at email@example.com for more information.
The Herald-Dispatch welcomes your comments on this article, but please be civil. Avoid profanity, obscenity, personal attacks, accusations of criminal activity, name-calling or insults to the other posters. Herald-dispatch.com does not control or monitor comments as they are posted, but if you find a comment offensive or uncivil, hover your mouse over the comment and click the X that appears in the upper right of the comment. If you do not want your comment to post to your personal Facebook page, uncheck the box below the comment.


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Design: Attack
Typography: Attack
Client: Wieden+Kennedy New York
Lunch is critically important to W+K NY. Their office sits between Soho, Tribeca and the W. Village, so we're spoiled with our pick of great restaurants in the neighborhood. Attack designed and hand-painted a wall in our space with the names of some of our favorite spots that keep the W+K NY team happy throughout the day.
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Gear Review
Courtney Dean
Excellent water source
- Gender: Male
- Familiarity: I've used it several times
I've been hiking with a through hiker for a couple of years now who carries a couple of these on every hike. His are labeled for clean and unsanitized water (cooking, washing, etc.). I've been watching him utilize these effectively to manage his camp duties and efficiently fill drinking and cooking vessels. His behavior is illustrative of someone who's got his system dialed in (after half a year on trail, I guess one would).
I decided to take his lead and picked up an MSR Dromlite bag. Not the best choice. The dromlite is nice and light, has a few options for disseminating the water, but they fall short in a number of ways:
* carrying - the platypus has two carry handles, reinforced by plastic for easy transportation
* freestanding - The platy will stand while the zip top is open and water doesn't spill out. The dromlite can't stand and if you open it up, water will gush out.
* big opening for scooping - scoop a bowl or nalgene full of water right out of the vessel if you like
* pouring - they both have a small opening, pouring feature, but the playpus handle and shape makes it pour just like a pitcher.
* durability - this is TBD. Will the Platypus crystalize? Will the Dromlite last longer? remains to be seen.
I picked up the platy and couldn't be happier. I have an loder platy 1L bottle with a squirt top that can be added to this for even more versatility.
I'll probably keep the MSR for now, but if I need to buy another high volume vessel I am going for another water tank.
rex harris
what are the dimensions of the platypus platy can't get an answer from the company thanks rex
Courtney Dean
Rex, will check when i get home. First guess is 16" L, 8" high and up to about 6" wide. But will confirm.
Courtney Dean
9" high, 18" long, 5" wide when filled. @ 6L bladder
View More Details on Platypus Platy Water Tank


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The Surf & Skate Festival 2012 in Hamburg / Germany
Presented by Citroen
Thank you O'Neill, Iriedaily, Planet Sports, Passoa & Citroen for your support!
Thank you HHonolulu Events Team!
check out surf-festival.com & hhonolulu-events.com
Filmed and edited by Karsten Boysen
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ABC MUSIC scores 23 ARIA nominations and wins 4 Fine Arts ARIAs
ABC Music has once again scored multiple ARIA nominations across categories ranging from Classical and Jazz to World, Country, Blues and Roots, Children's and Comedy.
The record number of 23 nominations across nine ARIA categories, announced in Sydney today (Wednesday, 3 October 2012), has once again confirmed the diversity and quality of the ABC Music catalogue.
ABC Music was awarded all four of the ARIA Fine Arts awards: Best Classical Album (William Barton's Kalkudungu), Best Australian Jazz Album (Sarah McKenzie's Close Your Eyes), Best World Music Album (Joseph Tawadros' Concerto of the Greater Sea) and Best Original Soundtrack/Cast/Show Album (triple j – Straight To You – triple j's Tribute To Nick Cave).
Acting Director of ABC Commercial, Robert Patterson congratulated all the nominees and winning ABC artists: 'We are so proud of the depth and breadth of quality shining through in all our specialist genres, and I wish the nominees all the very best of luck in the forthcoming awards to be announced in late November.' Patterson also noted that it was pleasing to see not just such a broad range of musicians represented in the awards, but also the growing number of new and emerging Australian artists who have been recognised. 'To have won four out of four Fine Arts Awards is a great acknowledgement of our ongoing support for quality musical performance and composition in such a wide range of genres,' he said.
The 23 nominations were:
José Carbó + Slava & Leonard Grigoryan – My Latin Heart
Orchestra of the Antipodes – Bach: Brandenburg Concertos
Sally Whitwell – The Good, The Bad and The Awkward
Sydney Symphony, Vladimir Ashkenazy – Elgar: The Dream of Gerontius
William Barton– Kalkadungu (Winner)
Grace Knight – Keep Cool Fool
Sarah McKenzie – Close Your Eyes (Winner)
Steven Rossitto – Night & Day
Joseph Tawadros and the Australian Chamber Orchestra – Concerto of the Greater Sea (Winner)
Sarah Calderwood – As Night Falls
Warren H Williams & The Warumungu Songmen – Winanjjara: The Song Peoples Sessions
Jane Rutter – An Australian In Paris
triple j – Straight To You – triple j's Tribute To Nick Cave (Winner)
Chong Lim – Sarah McKenzie, Close Your Eyes
Virginia Read – Sally Whitwell, The Good, The Bad and The Awkward
McAlister Kemp – Country Proud
Catherine Britt – Always Never Enough
Jeff Lang – Carried In Mind
Paul Greene & The Other Colours – Behind The Stars
Buddy Goode – Unappropriate
The Wiggles – Surfer Jeff
Rhys Muldoon – I'm Not Singing
Bananas in Pyjamas – Playtime
In the Best Classical Album category, didjeridu player William Barton's Kalkadungu was the winner – the 24th time that an ABC Classics album has won in the 26 years of the awards . Barton's groundbreaking album features some of Australia's best orchestras including Sydney Symphony, The Queensland Orchestra and Adelaide Symphony Orchestra, as well as a host of internationally renowned conductors including Richard Gill and Arvo Volmer.
'We all think that we know what a didjeridu sounds like,' says international reviewer Graham Rickson, from The Arts Desk. 'Mere words can't begin to describe the noise made by William Barton in full flow. It's a sonorous, low roar that sets your stomach wobbling, made more startling by the array of harmonics and overtones which buzz around over the top. There's also Barton's sheer technique, circular breathing allowing him to sustain notes for improbable lengths.'
In the Best Jazz Album category, Sarah McKenzie won with Close Your Eyes. Recorded by nominated-producer-of-the-year Chong Lim, the album marks a crucial milestone in the rapidly developing career of the Melbourne-based artist, whom critics around the country have identified as a once-in-a-generation talent.
Sarah reflects: 'My style and sound are constantly evolving and I try to incorporate new influences all the time. I am always discovering new material and working out something I can do with it to make it different. That to me is what I really want to do because, as an artist, I don't want to be known simply as, "that jazz and blues girl". I want to be known as "Sarah McKenzie, that girl who does something fresh with every song she delves into".' One to watch!
The Best World Music Album was taken out by nine-time ARIA nominee Joseph Tawadros with his stunning album release Concerto of the Greater Sea. The album showcases not only Joseph's incredible instrumental skill, but also his talents as a composer. As well as seven tracks for oud and orchestra, performed by Tawadros and the Australian Chamber Orchestra, Tawadros performs his original six-movement suite 'The Greater Sea' in a quartet with Australian jazz piano legend Matt McMahon, ACO Principal Viola Christopher Moore, and percussion prodigy James Tawadros, Joseph's brother and closest collaborator. Orchestra and quartet together complete a single, delicate emotional journey, with the oud at the heart of the album, weaving the two musical worlds into one.
Joseph speaks of the concept behind this album: 'I have always been fond of the sea, its movement, its silence, its energy and its freedom, and the new compositions are about being immersed in this. The ocean represents a return to oneself, a rediscovery, an emotional reinvention, musically, spiritually and beyond.'
The Best Original Soundtrack/Cast/Show Album was awarded to Straight To You – triple j's Tribute To Nick Cave.
'Cave has been the most continually played artist on triple j. That in itself is astounding, given how many new artists, musical movements and industry changes have arisen across the past four decades,' says triple j's Richard Kingsmill. 'With no shortage of artists keen to volunteer their time, the line-up of vocalists and musicians that helped us celebrate the work of Nick Cave was intentionally diverse – to show the man's influence across the genres. Each of them was passionate in doing justice to the legacy of these songs.'


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ELC Faculty
Beverly Almond. Adjunct Instructor in English. B.A., Lyon College; M.A., University of Texas-San Antonio; Philosophy & Christian Ethics certificate,University of Cambridge; DRS, Trinity-Newburgh. Non fiction genres (political pamphlets, sermons, spiritual autobiography) of 17th century English women; Appalachian literature and folklore.
Antonio Barrenechea. Associate Professor of English. B.A., Fordham University; M.Phil., Ph.D., Yale University. Comparative literature; literature of the Americas; film studies; literary theory.
Adrienne Brovero. Director of Debate. B.A., M.A. Wake Forest University. Debate; argumentation; political communication.
Paul D. Fallon. Associate Professor of Linguistics. B.S., M.S., Georgetown University; M.A., Ph.D., The Ohio State University. Linguistics; phonology; morphology; historical linguistics; writing systems; Cushitic linguistics.
Richard Finkelstein. Professor of English and Dean of the College of Arts and Sciences. B.A., Williams College; Ph.D., University of Chicago. Shakespeare; Renaissance drama; 16th- and 17th-century lyric poetry.
Chris Foss. Professor of English. B.A., Concordia College (Moorhead, MN); M.A., Northeastern University; Ph.D., University of Wisconsin at Madison. 19th-century British literature; disability studies. ON SABBATICAL SPRING 2015.
Kate Haffey. Assistant Professor of English. B.S., Ohio University; M.A., Marquette University; Ph.D. University of Wisconsin-Milwaukee. 20th- century British literature; queer theory; narrative theory; women, gender, and sexuality studies.
Luke Johnson. Adjunct Instructor in English. B.A., Elon University; M.F.A., Hollins University. Creative writing; poetry; creative nonfiction. Website.
Teresa A. Kennedy. Professor of English. Director, Simpson Program in Medieval Studies. B.A., M.A., Ph.D., Catholic University of America. Medieval literature; Renaissance literature.
Steve Klein. Adjunct Instructor in English. B.A., University of Wisconsin-Madison; M.A., Michigan State University. Cross-platform journalism (print, online, mobile); sports writing; opinion writing; long-form journalism; journalism history.
Benjamin J. LaBreche. Assistant Professor of English. B.A., M.A., Ph.D., Yale University. English literature and history of the sixteenth and seventeenth centuries; related continental and classical literatures; politics; gender.
Janie Lee. Assistant Professor of Linguistics. B.A., Ewha Women's University; M.A, Ph.D. University of California, Santa Barbara. Sociolinguistics; discourse analysis; linguistic anthropology; Asian American Studies. Website.
Jonathan Levin. Professor of English and University of Mary Washington Provost. A.B., University of Michigan; M.A., UCLA; Ph.D., Rutgers University. American Literature, 19th century to the present; modernism and postmodernism; environmental studies and environmental writing; higher education.
Eric G. Lorentzen. Associate Professor of English. B.A., Rowan University; M.A., Ph.D., Pennsylvania State University. 19th-century British literature; British novel; cultural studies; critical pedagogy/literacy studies; narrative/literary theory; Dickens; the short story.
Maya Mathur. Associate Professor of English and Associate Department Chair. B.A., St. Stephen's College, India. M.A., Ph.D., The University at Buffalo, The State University of New York. Renaissance literature; cultural studies; comedy and genre theory; gender studies.
Marie E. McAllister. Professor of English. B.A., Yale University; Ph.D., Princeton University. Restoration and eighteenth-century literature; travel literature; literature and medicine.
John T. Morello. Professor of Communication and UMW Associate Provost. A.B., College of William and Mary; M.A., Northern Illinois University; Ph.D., Wayne State University. Public speaking; argumentation and debate; political communication; rhetoric; small group communication.
Timothy M. O'Donnell. Professor of Communication and UMW Associate Provost for Academic Engagement and Student Success. B.A., M.A., Wake Forest University; Ph.D., University of Pittsburgh. Public argument; debate; rhetoric of science; rhetorical theory and criticism.
Jessy J. Ohl. Lecturer in Communication. B.S., Kansas State University; M.A., The University of Alabama; Ph.D., The University of Nebraska. Political communication; the rhetoric of war; rhetorical theory; democratic deliberation and facilitation. Website.
Araceli "Shelly" Palomino. Adjunct Instructor in Communication. B.A., M.A., California State University San Bernardino. Public speaking; intercultural communication; interpersonal communication.
Judith A. Parker. Professor of Linguistics. B.A., Sarah Lawrence College; M.A., Ph.D., Brown University. Linguistics, especially psycholinguistics; acoustic phonetics; speech processing; dyslexia; women's studies.
Jon Pineda. Assistant Professor of English. B.A., James Madison University; M.F.A., Virginia Commonwealth University. Creative writing, fiction and poetry.
P. Anand Rao. Associate Professor of Communication. Director of the Speaking Intensive Program and the Speaking Center. B.A., M.A., Ph.D., University of Pittsburgh. Rhetorical theory and criticism; visual rhetoric; public argument; rhetoric of science.
Colin Rafferty. Associate Professor of English. B.A., Kansas State University; M.A., Iowa State University; M.F.A., The University of Alabama. Creative writing; creative nonfiction.
Gary Richards. Associate Professor of English and Department Chair. B.A., Trinity University (San Antonio); M.A., Ph.D., Vanderbilt University. U.S. literature; twentieth- and twenty-first-century U.S. fiction and drama; southern literature; African American literature; gender and sexuality studies. ON SABBATICAL 2014-2015.
Mary B. Rigsby. Professor of English and Interim Department Chair. B.A., M.A., Ph.D., Temple University. Early American literature; literary theory; women's studies.
Warren G. Rochelle. Professor of English. B.A., University of North Carolina at Chapel Hill; M.S., Columbia University; M.F.A., Ph.D., University of North Carolina at Greensboro. Rhetoric and composition (theory, history, pedagogy); science fiction and fantasy; 20th-century American literature; creative writing. Website.
Amanda Rutstein. Adjunct Instructor in English. B.A., University of Mary Washington; M.F.A, University of North Carolina at Greensboro. Creative writing; poetry.
Mara N. Scanlon. Professor of English. B.A., University of Virginia; M.A., Ph.D., University of Wisconsin at Madison. Modern and contemporary poetry and poetics; Asian American literature; genre theory; women's literature; ethics and literature; digital humanities. Website.
Constance F. Smith. Senior Lecturer in English. B.A., University of Maryland; M.A., University of Pennsylvania. Short fiction; Shakespeare; poetry; women's studies.
Clarence (Danny) W. Tweedy III. Associate Professor of English. B.A., Virginia Military Institute; M.A., Ph.D., University of Kentucky. African American literature.
Elizabeth Wade. Adjunct Instructor in English. B.A., Davidson College; M.A., Ph.D. University of Alabama. American Literature; creative writing; editing.
Duncan Warner. Adjunct Instructor in English. B.A., McGill University; M.A., University of Toronto; A.B.D., University of Sussex; A.B.D., University of Toronto; TESL Cert., Concordia University. Modernism; Shakespeare; Wittgenstein; 18th-Century British novel.
Zach Whalen. Associate Professor of English and Director of the Minor Program in Digital Studies. B.A., Carson-Newman College; M.A., Ph.D., University of Florida. New media studies; digital textual studies; comics/graphic narrative; narratology. Website.


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1:37 am
Tue July 15, 2008
Cruzado Named Interim President of NMSU
By Marco Grajeda
Las Cruces, NM – Tuesday morning, New Mexico State University Executive Vice President and Provost Waded Cruzado was unanimously selected as Interim President of the University during a Board of Regent's retreat. Regent members also considered three items in outgoing President Martin's contract including a possible penalty. KRWG's Marco Grajeda has this report.


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For many Millennials, the present higher education system exudes an overwhelming sense of permanence. In our short lives, college tuition has always been high, education funding has always been decreasing, and college has always meant a risky "investment in our futures."
We know that these yearly tuition hikes are wrong, and that the current tuition rates already saddle us with debt we probably won't pay off until we retire, if we retire. For many of us, the consequences are much more immediate, as many low-income students cannot afford higher education anymore.


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Franklin gives presentation at garden club meeting
Mar. 28, 2014 @ 03:45 PM
The Woodland Garden Club recently held its March meeting at Franklin Brothers Nursery.
Elmira Choopani, club president, presided at the meeting.
The hostess was Jean Bell.
A devotion entitled "Thomas Jefferson's 10 Rules" was presented by Judy Campbell.
Betty White introduced Samuel Franklin, who presented a program on dividing plants. Franklin has owned and operated Franklin Brothers Nursery since 1976.
Peggy Polak gave the horticulture report, and Choopani announced important dates and events in March.
Following the meeting, club members met at Ribeye's for lunch.


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Hang tight!
Recipe by Chef John
"We're heading into the heart of hot soup season, and this cream of cauliflower will ward off autumn's chill with the best of them."
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1 tablespoon
olive oil
onion, chopped
1 rib
celery, chopped
3 cloves
salt to taste
1 large
russet potato, peeled and quartered
2 heads
cauliflower, cored and separated into florets
1 quart
chicken broth
1 quart
1 pinch
cayenne pepper, or more to taste
1/2 cup
heavy cream
4 strips
bacon, chopped
1 1/2 cups
fresh breadcrumbs
1 teaspoon
lemon zest
1 tablespoon
finely grated Parmigiano-Reggiano cheese
2 tablespoons
chopped Italian flat-leaf parsley
This has to be one of my favorite soups on the site! I am a huge potato soup lover and look for ways to incorporate more veggies into what I am eating. I used to hate cauliflower until I realized the versatile ways you can liven it up. The fact that cauliflower can take on a flavor reminiscent of potatoes makes me never look back on eating just potato soup again. If you like "loaded baked potato" soup, I highly recommend giving this alternative a try! For a little bit lighter option, you can lessen the amount of heavy cream.
Decently good soup. Simple, but pleasing flavor. I would recommend for a cold winter day!
22 Ratings
This is seriously delicious soup. What makes it so good is the gremolata, especially the lemon zest. I made a half-recipe but added a whole onion and a whole rib of celery, as well as 3 cloves of garlic. Instead of half broth and half water, I added a whole carton of low sodium chicken broth and a bit of vegetable broth I had in the fridge. I didn't have any parsley but thought it tasted fine without it. I might add fresh dill next time. Thanks for the recipe!
If you make the soup, you must also make the topping! I didn't have parmigiano on hand, so I threw in some blue cheese crumbles instead. Do yourself a favor and try it with the blue cheese!
Considering this is made with rather simple, humble ingredients, we thought the flavor was quite nice. Our toddler ate some, too!
Amazing flavours!the Gremolata is a must.
I toasted couple of slices Italian bread in the toaster
rubbed a little garlic and butter on it and way you go.
Sorry Chef John--you are my favorite chef and this soup sounded and looked awesome but unlike many of your other recipes this one did not deliver. Company was polite but no one was able to finish it. Compared to your homemade make your own stock, chicken noodle soup which is my favorite this soup would not even place any were near it.
I got everything out to make this and realized I didn't have a single onion. Time constrained so I went with onion powder and to fill in I added some chopped yellow squash. Used only 1 cauli and 4 cups water with BTB chicken base, but full amts of everything else . Used turkey bacon which I chopped in mini chopper after frying with a little evoo. Used panko (only 1/2 cup) for the bread crumbs and only a splash of half and half at the end. The base was good, much better than I though it might be. The gremolata pushed it over the edge.
* Percent Daily Values are based on a 2,000 calorie diet.
Cream of Cauliflower Soup With Bacon Gremolata
Serving Size: 1/8 of a recipe
Servings Per Recipe: 8
Amount Per Serving
** Calories: 236
** Calories from Fat: 73
Hard to believe, but many kids will be back in school at the end of the month. Get ready.
You won't believe all the things you can do with cauliflower. It's a great low-carb option.
Delicious recipes, party ideas, and cooking tips! Get a year of Allrecipes magazine for $7.99!
See how to make a creamy cauliflower soup garnished with bacon gremolata.
This simple veggie soup tastes rich and creamy, but it's completely dairy-free.
Earthy, comforting cauliflower soup is topped with light, cheesy fritters.


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Russian Art & Anti-Semitism: Yevtushenko vs. Khrushchev; A Speech by Mikhail Romm
Russian Art & Anti-Semitism
Two Documents
Yevtushenko vs. Khrushchev
A Speech by Mikhail Romm
Exactly one year ago, on December 1, 1962, Nikita S. Khrushchev paid an unexpected visit to the Manezh gallery in Moscow, to inspect a special exhibit of abstract and semi-abstract paintings by a group of young Soviet artists. His angry reaction, couched in expletives and obscenities, immediately became the sensation of Moscow, and the events of the succeeding six months revealed more clearly than ever before the nature of the ferment that has been agitating major segments of the Soviet intelligentsia in the last few years. They supplied evidence of three truly sensational developments (of which close students in the West had been increasingly aware but of which the general public was largely ignorant) : that the younger generation of intellectuals and creative artists, supported by a considerable number of middle-aged and even a handful of elderly established literary figures, were making an effort to expand the area of their freedom to write, paint, and sculpt; that this effort was being combatted by many Stalinist artists and officials of the artistic unions and enterprises; and that the Communist Party leadership, divided in its counsels on how to cope with the phenomenon of a rebellious young intelligentsia, was exerting some pressures, clamping down on certain "excesses," exacting some grudging and ambiguous self-criticism from a few—but was settling for now into an indecisive muddle.
A good deal of the foregoing came to light as a result of the publicity surrounding the extraordinary meetings between Khrushchev and his Party colleagues and several hundred leading Soviet intellectuals on three occasions during the past year: on December 17, 1962, and on March 8 and June 18, 1963. Though Khrushchev's speeches on the latter two occasions were widely published in the Soviet press, neither his speech of December 17 nor his spontaneous exchanges with the intellectuals on any of the three occasions have appeared in print. For months now, however, typed manuscripts—purporting to give the texts of who said what, to whom, where, and when—have passed from hand to hand, and have been read by many thousands in Moscow, Leningrad, and elsewhere.
One of these typescripts—brought out of the USSR in various versions by Western visitors—appears below, together with the text of a speech by Mikhail Romm that has circulated in similar fashion. The challenge to publication of such documents in the West is twofold: to obviate any danger to the authors, since their real names are used; and to authenticate the texts.
Both conditions can now be essentially satisfied. By this point, the positions of both Mikhail Romm and Yevgeny Yevtushenko are clearly known to Khrushchev and the Party leadership, to scores of thousands of intelligentsia and university youth and their supporters on the peripheries of the intellectual and academic community—and, not least, to the West. The Soviet authorities are fully aware of their views, of the fact that such manuscripts have circulated widely, and that they have also found their way into the hands of Western visitors and observers. Their publication can therefore come as no shock to the authorities.
As for the problem of authentication, it has been, for obvious reasons, a technically difficult one. As indicated, these texts emerged from the USSR in various versions, and each posed a different kind of problem. The versions of the Romm text differed so little from one another that in time and after a meticulous process of inquiry and counter-checking, it became very easy to determine its genuineness. (The speech was delivered at a public meeting of cinema and theater workers during November-December 1962.) The Yevtushenko text is more complicated. The same kind of investigative process, coupled with everything else Yevtushenko has published at home and abroad, has made it clear that the remarks attributed to him here are genuine both in substance and spirit. What may be in question is whether he made all these remarks on the same occasion. It seems entirely possible that the two sections of his "speech" were delivered on two separate occasions—the part on abstract art, in the course of a running debate with Khrushchev at the Manezh ; and the part on anti-Semitism, at the December 17 meeting. But their authenticity—as of Khrushchev's interjections—is no longer disputable.
Yevtushenko needs no introduction to Western readers. He burst into national and world renown after September 19, 1961, when his poem, "Babi Yar," appeared in Literaturnaya Gazeta ("Literary Gazette"), the organ of the Soviet Writers Union. He remains today a significant, if erratic and somewhat ambiguous, spokesman of the younger Soviet intelligentsia.
Romm, in his own way, is no less fascinating a figure. He is perhaps the most distinguished living Soviet film director. He began his career as one of a band of experimenters in the silent screen of the early 1920's, established himself a decade later as a leading director of orthodox films, and then re-emerged in the post-Stalin period as both an avant-gardist and a public exponent of greater liberality in Soviet art and society.
For Romm, as for the young intellectuals whose champion he is and for whom he symbolizes the Golden Age of the 1920's, there is a connection between the struggle against anti-Semitism and the struggle against repression of freedom in the arts. Romm (who is Jewish) and Yevtushenko (who is not) reflect the feelings of the entire dissenting generation of young intelligentsia, sons who are turning away from their fathers of the 1930's, 1940's, and 1950's and turning back to their grandfathers of the 1920's—a period when there was experimentation in the arts and when anti-Semitism was officially regarded as a disease and was openly fought. In fighting it openly now, the young intellectuals are simultaneously fighting those forces in Soviet society which stand in the way of greater freedom of expression in general.
—Moshe Decter
* * *
Yevtushenko vs. Khrushchev
Yevtushenko: First of all I want to thank the leaders of the Party and the government for kindly making it possible for me to speak here. Permit me to begin my speech with a verse which I wrote not so long ago which I consider very timely. [Recites the two last lines of the poem, "Babi Yar."]
Comrade Khrushchev: Comrade Yevtushenko, this poem has no place here.
Yevtushenko: Respected Nikita Sergeevich, I especially selected this poem and with the following purpose in mind. We all know that no one has done more than you in the liquidation of the negative consequences of the Stalin cult of personality and we are all very grateful to you for this. However, one problem yet remains which is also a negative consequence of those times, but which today has not yet been resolved. This is the problem of anti-Semitism.
Comrade Khrushchev: That is not a problem.
Yevtushenko: It is a problem, Nikita Sergeevich. It cannot be denied and it cannot be suppressed. It is necessary to come to grips with it time and again. It has a place. I myself was a witness to such things. Moreover, it came from people who occupy official posts, and thus it assumed an official character. We cannot go forward to Communism with such a heavy load as Judophobia. And here there can be neither silence nor denial. The problem must be resolved and we hope that it will be resolved. The whole progressive world is watching us and the resolution of this problem will even more greatly enhance the authority of our country. By resolution of the problem I mean the cessation of anti-Semitism—[not clear], along with instituting criminal proceedings against the anti-Semites. This positive measure will give many people of Jewish nationality the opportunity to take heart and will lead us to even greater success in all areas of Communist construction.
I would like to say a few words about abstract painting and our artists. I think that our young artists have acted incorrectly in organizing the "underground exhibition" and inviting foreign correspondents to it.1 This was done without forethought and deserves widespread censure. We also cannot permit our artists to sell their works abroad. This can only be a blow to our prestige and to our art. But I want to say that we must have great patience with this abstract trend in our art and not rush to suppress it, for the result may be the opposite. I know the artists in question, I know their work, and I can emphasize that side by side with the abstract aspect, they are attracted to the realistic manner of expression. I am convinced that several formalistic tendencies in their work will be straightened out in time.
Comrade Khrushchev: The grave straightens out the hump-backed.
Yevtushenko: Nikita Sergeevich, we have come a long way since the time when only the grave straightened out hump-backs. Really, there are other ways. I think that the best way is to display patience and tact and give examples of how to work at our art. I think that we should permit the existence of various schools in painting and let art, our Soviet art, progress in the arguments among them. Artists, like writers and musicians, are most sensitive to any pressure. Therefore, it is best not to resort to it. Everything will remain in its place.
Comrade Khrushchev: I don't believe that you personally like abstract art.
Yevtushenko: Nikita Sergeevich, there are all kinds of abstractionism. What is important is that it should not be charlatanism. I submit that a situation can occur when it would not be possible to convey the newest trends of our epoch in the old manner of writing. I must openly admit that I do not like our portrait painting although it is realistic. I very much respect those comrades who are depicted in these portraits, but the portraits themselves seem to me to be ordinary color photographs incapable of stirring the viewer. I cannot permit the idea, Nikolai [sic] Sergeevich, that you can like the tastelessly drawn picture, "N. S. Khrushchev among the Workers." The latest period of my life has been closely linked up with Cuba. I like Cuban abstract art very much. It would be good if we would organize an exhibition of Cuban art. Cuban abstract art is very popular among the Cuban people and their leaders. Fidel Castro is attracted to it. Cuban abstract art is helping the Cuban revolution and is walking in step with it. I think that our art, including the abstractionists, is also going in one straight line of fighters for Communism. I appeal not for appeasement, but I call for self-restraint, for the deepened study of the theory and practice of modern art, and in the final analysis, a consolidation of the forces of literary and artistic workers for the good of our country.
Thank you for your attention.
* * *
A Speech by Mikhail Romm
The subject of the report "Traditions and Innovations" offers an occasion to talk about such serious things. The Voronezh theater director, Comrade Dobrotin, spoke before me very well and with much passion. He vehemently protested against the remnants of Stalinism in the field of consciousness.
He told us the story of those leaders in a province who—after a drunken party—started a fire on the terrace of a sanitarium and imposed disciplinary measures against the person responsible for cultural affairs at the sanitarium because he tried to protest. This is a significant example!
At the same time, however, Comrade Dobrotin advised that Comrade Leonov2 should be called before the CC [Central Committee] and told to write a comedy. And if Comrade Leonov has other wishes? If at the moment he doesn't feel like working for the theater? In accordance with Dobrotin, if the Party's CC asks it, Leonov will start writing, obediently, and turn out a good comedy. Are there no other means? You don't seem to understand, Comrade Dobrotin, that this way of thinking also stems from the old methods, that it resembles a bit starting a fire on a terrace. [Applause.]
During your speech you let yourself go about the modern ballet. You expressed regret that on New Year's Eve your actor Popov did a Western dance. I have never danced in my life; simply because I can't dance, be it the waltz, the mazurka or the pas de patineur. But it seems to me that in a small hall it is preferable to do a Western dance rather than the mazurka because for that the hall would be too small.
For many years we tried to invent a real Soviet dance. Finally it was invented. It is called the "Promenade" and requires a lot of room. On putting it on television, the explanations concerning certain steps of this dance took four sessions, but no spectator understood all its finesse. On the other hand Popov learned how to do his dance at once. Evidently it was a simple dance. I should like to know if, performing this on New Year's Eve, Popov did much harm and what the harm was exactly.
Comrade Dobrotin also let himself go on singers without voices. For myself, contrary to him, I like singers without voices. I prefer Bernes and, in general, those who talk instead of sing, their mouths wide open, emitting trills. Of course, the aria Perdona, Celeste Creatura must be sung by a well-trained voice. On the other hand the song The Little Girl Goes toward the Fields needs other qualities. In the field of art, I like everything that is expressive. [Applause.]
In our country, however, certain methods were imposed against which it is necessary to fight. I'm ready to fight against my own shortcomings still remaining from the past.3 Precisely because of that, before we take up traditions and innovations I should like to clarify the problem of certain traditions which were imposed in our country. There are good ones and there are very bad ones; for example, the one of playing the Overture of Tchaikovsky's Symphony 1812 twice a year.
Comrades, as I understand it, this Overture expresses a very clear political idea—the idea of the triumph of orthodox religion and autocracy over revolution. It's a bad piece of music written by Tchaikovsky on command. It's a thing Peter Ilyitch was himself ashamed of at the end of his life. I'm not a specialist in the history of music, but I am convinced that this Overture was composed for passing reasons, with the very clear aim of pleasing the church and the monarchy.
Why should the Soviet power humiliate the Marseillaise, the marvelous hymn of the French Revolution, by drowning it out with the noise of church bells? Why should it celebrate the triumph of Czarist ideology, the ideology of the "Black Hundreds"?
But to play this Overture has become a tradition. After the October Revolution, this Overture was played the first time during those years when the expression "cosmopolite without a fatherland" was invented to replace that other expression "dirty Jew."
Among other things, and in certain instances, the latter expression was even printed. On the cover of the [satirical] magazine Crocodile a cartoon appeared during those years presenting a "cosmopolite without a fatherland" of clearly Jewish type, holding a book in his hands on which one could read in big characters the word "GID." Not "André Gide" but simply "Gid."4
Neither the cartoonist nor any of those responsible for this scoundrel's joke has been condemned by us. We have preferred to keep quiet, to forget all this, as one could forget that dozens of our best theater and movie people were declared "cosmopolites without a fatherland": for instance, comrades Yutkevic,5 Leonid Trauberg,6 Sutyrki,7 Kovarski,8 Bleiman,9 and others present here. They have been authorized to work again, some in the Party, some in their particular union. But is it really possible to heal the wounds, to forget what one has suffered for many years, when you were trampled on and covered with mud?10
And those who directed this shameful campaign with joy and pleasure, who racked their brains to invent other things and to drag other people into the mire, have they been made to pay for what they did? People don't even reproach them, holding that this would show lack of tact!
The magazine October, 11 edited by Kocetov,12 has recently become interested in motion pictures. From January to November it published articles smearing all the progress achieved by Soviet films, expressing suspicion toward the critics of the great artists of the older generation and even the new one. These articles were inspired by the same persons who led the campaign of denunciation of "cosmopolites without a fatherland." It seems to me, however, that we should not forget all that happened.
Today many writers are starting to do scripts for the theater or motion pictures denouncing the Stalinist epoch and the cult of the personality. This is because it has become possible and necessary, while three or four years ago it was still thought that Nikita Sergeevich's speech at the Twentieth Congress was sufficient. A more or less leading official told me this clearly: "Listen, the Party has shown infinite courage. Study Comrade Khrushchev's speech, and that's enough. Why stick your nose into this business?"
Today it has become definitely clear that it was not sufficient, that it is necessary for us to think for ourselves, to speak and write for ourselves.
It is very important to unmask Stalin and Stalinism, but the heritage left by Stalinism is not less important. And it is not less important to look around at what surrounds us and to formulate a judgment on events that occur in the social life of art.
Our meetings are conducted in a calm, tranquil, academic tone. In the meantime a very energetic group of rather bad writers hits out viciously in the magazine October against the new literature and nobody answers them in this arena. On the other hand, the very moment Yevtushenko published his poem "Babi Yar," this group printed a reply in the journal Literature and Life [Literatura i Zhisn] . 13
Not long ago I happened to be in Italy and America, and I should like to say that what was considered to be a scandal in the West was not Yevtushenko's poem, but the response to it. The local journalists asked me, "What do you think of the new wave of anti-Semitism in the USSR?"
I asked with perplexity what they were talking about. They mentioned Starikov's article14 and Markov's poem.15
That issue of the journal Literature and Life was shameful, as are the latest issues of the magazine October.
Since the articles in October are aimed at me, it is difficult and embarrassing for me to reply. Difficult but necessary.
The attacks against films carried in October began in the January issue with an article on the picture Peace to Him Who Enters, an article written in an absolutely inadmissible tone of political denunciation. The only error in calculation made by the editorial board was that they failed to name anyone specifically in their denunciation. Ten years ago, after such an article, somebody would be put in chains, forbidden to work, sent to faraway regions. But it is a fact that times have changed and that this denunciation probably wasn't even read. But the denunciation remains!
Then came the attack on the films The Letter That Wasn't Sent, 16 When the Storks Take Their Flight, 17 If This Is Love, and Nine Days in a Year.18 The themes of the accusations were not new. For Nine Days the hero wasn't "positive." The same thing applied to When the Storks Take Their Flight. In The Letter That Wasn't Sent, a decadent pessimism is to be found. Reisman's19 heroes show moral deficiencies and amorality is decadent.
In the past, one was severely punished for such shortcomings. Today denunciations like these haven't had any consequences, simply because the authorities in charge don't read them or don't even exist any more. That is why neither Kilatozov20 nor Reisman nor myself were hunted out of the movies, and the magazine became very angry. In the first and second issues of that magazine some terrible articles were published, containing general accusations against everything and everyone. Only the word "cosmopolite" wasn't used. For the rest there was a surprising resemblance to articles published fifteen years ago.
The author of the article that appeared in number two of the magazine October writes among other things: "Whereas the Italians themselves recognize that neo-realism is dead, Romm continues to praise it." (I quote from memory.) In fact neo-realism is dead. It died with the help of the Vatican and the capitalist censorship. The artists of Italian neo-realism created films like Germi's The Railwaymen, De Sica's The Bicycle Thief, Two Coins in the Fountain, Rome 11 O'clock in the Morning, and other really great and unforgettable masterpieces.
Never has the film industry under a bourgeois regime created such work before, in any case not as a group and with such unity. All forces were mobilized against Italian neo-realism—the censorship, bribery, threats, sabotage of distribution, violence of all kinds. All this in order to destroy, to break, to crush this group of artists. World reaction as a whole went into action against Italian neo-realism. At that time a single article was published in our country, unfortunately signed by Polevoi,21 a man I respect. In that article, Polevoi also attacked Italian neo-realism. I was ashamed of that article, a reaction common to all of us. That happened six years ago. We didn't encourage this current, which was very close to the Italian CP. They were strangling neo-realism and we attacked it! And it was only recently that Solovieva22 finally wrote a book on neo-realism. She wrote it when it was necessary to treat the subject on a historical plane.
Three years ago I ventured to intervene in favor of Italian neo-realism. And even today people who insist on the importance of remaining loyal to tradition recall this sin. How did I dare intervene in favor of neo-realism? But in my opinion, neo-realism has had an influence on the youth. It must be admitted. If this influence existed, it did exist! You have to decide then whether this influence was positive or negative. I know our youth. I know the impression created by the Italian films. I can underline that this influence was real!
Why should we bow in all fields to what is called "the first" as we had to do in the past? I am not at all certain that this "first" is always a good thing. Let's suppose that a lone American genius invented the phonograph and that we developed the invention. Who then should be proud of it? In my opinion we should, because genius wasn't recognized in America while we developed the phonograph. We, to the contrary, make it appear that we invented everything, the cinema, the phonograph, the electric light, and the telephone while in fact it was the Americans who developed all these good things. There is no reason why we should be proud of this!
We are combing history hunting for someone who invented the locomotive before Stevenson although we know very well that we didn't build one at that time. We should give ourselves airs because of our lack of efficiency, our backwardness! Those who built the first locomotives, who made the first flight, they were right. We should be proud of being the first to fly into outer space, of having the biggest power stations in the world, and not about what occurred two hundred years ago, about the man who said "E" for the first time, whether it was Dobchinsky or Bobchinsky!
By defending and sometimes inventing this claim to be "the first" at all costs, it's impossible to say how far you can go. Only ten years ago, we tried to cut ourselves off completely from Western culture—and this, too, was covered by the word "tradition."
I was very happy today to hear Yutkevic speak about innovations and about spending much time in the West. We have lost the habit of considering that something also exists in the West. And this in Russia, the country in the world where more foreign literature is translated than anywhere else. One of the strong points of the Russian intellectuals was precisely the fact that they read all of world literature, that they stood at the top in knowledge of world culture. This, too, is one of our traditions. An excellent tradition which we needn't be reminded of today.
1 Yevtushenko refers to a semi-private exhibit of young artists organized on November 26, 1962, at the studio of Eli Beliutin, an art teacher. A number of Western correspondents were invited to view it, as well as some Soviet cultural officials and a couple of hundred of Soviet citizens. This exhibit was closed after a few hours and then summoned to be hung at the Manezh.
2 Leonid Leonov, with Sholokhov the premier novelist of the USSR. Born 1899, author of numerous novels, stories, and plays. His best work was perhaps done in the 1920's.
3 Here Romm seems to be referring to the fact that he was a dutiful and well-rewarded director during the 30's and 40's, producing some of the most effective adulatory films for Stalin.
4 In Russian the words "Gide"—and "Zhid," dirty Jew, are pronounced exactly alike.
5 Should read Yutkevich. Sergei Yutkevich, born 1904, originally a painter, became one of a group of experimental artistic designers and directors of films in the 1920's. Until the late 1940's, he had achieved enormous success with a long series of films. A 1947 movie, Light Over Russia was banned because of "serious errors." By 1949, when the cultural purge presided over by Andrei A. Zhdanov was in full swing, he was under attack and his career threatened because he had contributed favorable articles to volumes in honor of D. W. Griffith and Charlie Chaplin.
6 Born 1902, another of that galaxy of silent screen experimenters of the 1920's and an established director in subsequent decades. Like Romm, Yutkevich, and all the others to be mentioned below—except for Kalatazov—he is a Jew, and came under vicious attack in the late 40's for, among other things, "spreading and elaborating the false and un-Soviet myth that the American film director D. W. Griffith was the father of world film art."
7 Should read Sutyrin. Vladimir A. Sutyrin, born 1902, a distinguished film critic and theoretician of the cinema.
8 Nikolai Kovarsky. Also a distinguished film critic.
9 Mikhail Bleiman. Born 1904. Highly successful screen writer until the late 40's.
10 All the above were attacked at that time as a "group of aestheticizing cosmopolitans in the film industry, . . . miserable tramps of humanity, . . . homeless and nameless cosmopolitans of the cinema . . . base spokesmen of reactionary aestheticism . . . who conducted an organized slander campaign against its [the Soviet film's] lofty ideology, its truthfulness and its patriotic content."
11 A major literary monthly, the stronghold of the literary Stalinists.
12 Should read Kochetov. Vsevolod Kochetov. Born 1911. The Party's favorite Soviet novelist.
13 Now defunct organ of the Writers Union of the Russian Republic, a consistent Stalinist paper.
14 Dmitri Starikov, a well-known Soviet literary critic, who, on September 27, eight days after the publication of "Babi Yar," published a violent attack on Yevtushenko. He accused him of provocation and of a "monstrous" insult to the Soviet people, and of nurturing chauvinism and fanning the "dying flames of nationalist attitudes."
15 Alexei Markov, author of a poem which attacked Yevtushenko for defiling the Russian people with "pygmy's spittle."
16 Shown here as The Letter That Was Never Sent.
17 Better known here as The Cranes Are Flying.
18 The most recent film, 1961, directed by Romm.
19 Yuli Reisman. Born 1903. Active as a leading screen director since the early 1920's. Won a Stalin Prize for his 1945 documentary, Berlin. Now again experimenting.
20 Should read Kalatozov. Mikhail Kalatozov. Born 1903, a Georgian. Major film director and administrator. Surrealistic in early 1920's and up to 1930, then became orthodox. In post-Stalin period, director of The Cranes Are Flying and The Letter That Was Never Sent, the latter of which was considerably revised by censors.
21 Boris Polevoi, famous novelist, also editor of Yunost ("Youth"), a literary journal.
22 Inna Solovieva, film historian, published the volume, Neo-Realism in Italian Movies in 1961 (Moscow).


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Callaway ORG 14 Cart Bag 2014
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Feb. 1, 2011
Southeastern Louisiana Game Notes
BEAUMONT - Lamar University will look to stop its short two-game losing skid on Wednesday night at 7:05 when Southeastern Louisiana visits the Montagne Center for a Southland Conference basketball game.
The Cardinals and Lions bring identical 3-3 SLC records into the game, with Lamar coming off a 78-71 loss at Nicholls on Saturday and SLU entering after knocking off Northwestern State 93-84 at home. All three of the Lions' conference losses have come on the road.
The game will be broadcast on KLVI 560 AM, the flagship station for Lamar University athletics, and can be seen live on the Lamar Web site at www.lamarcardinals.com/allaccess.
Wednesday's game will be the 36th meeting between the two schools with Lamar holding a 20-15 series advantage. SLU won last year's only meeting 78-56 in Hammond, but the Cardinals have won the last three games in Beaumont.
Last year's contest was the SLC opener for both schools. SLU led 41-24 at the half as Lamar struggled with its shooting. The Lions had no such troubles, hitting 60.8 percent of their field goal attempts on the way to the victory.
Lamar's Justin Nabors finished with 19 points and 13 rebounds, while current senior Kendrick Harris added 10 points, five assists and four rebounds.
Four Lions scored in double-figures, led by Damon Forest with 24 points. Deshawn Patterson dished out 11 assists for the Lions.
The Cardinals continue to lead the SLC in scoring at 86.4 points per game, with much of the scoring coming from long range shooting and offensive rebounding. The Cards are hitting 36.1 percent of their 3-pointers as a team and are making 8.2 per game to rank 28th in the nation.
Lamar is the top rebounding team in the league at 42.9 rebounds per game, with 16.6 coming off the offensive glass. SLU is ninth in the league in rebounds per game at 34.6.
Three Cardinals are scoring in double-figures with three others averaging over nine points per game. Junior Mike James is leading the way at 13.1 points per game, with Harris right behind at 12.1. Harris, who scored 19 on Saturday at Nicholls, is averaging a team-best 15.0 points per game in SLC action.
Junior Devon Lamb continues to do a great job on the boards for the Cardinals, averaging 11.8 rebounds per game in the six conference games. For the year, Lamb leads the team in rebounding at 7.3 per game, while also scoring 9.4 points per game.
The Cardinals will continue to be without the services of junior forward Charlie Harper due to a knee injury suffered against McNeese State on Jan. 12. The 6-foot-5 Harper was averaging 9.5 points and 6.7 rebounds per game before the injury caused him to miss the last five games.
The Lions are scoring just over 70 points per game, while allowing right at 69. As a team, SLU is shooting 44.0 percent from the field and 33.9 percent from 3-point range, and is second in the SLC in blocked shots with 4.3 per game.
Senior guard Trent Hutchin leads the team in scoring at 14.6 points per game and is making 2.6 3-pointers per game to rank second in the SLC. David Ndoumba is second in the league in blocks with 2.1 per game, and is averaging 10.4 points and 7.3 rebounds per game.


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I love books. There is nothing quite like a big, well-funded library with a huge selection of new and classic books and periodicals.
I visit my local library almost every day. But sometimes I miss the world-class library of my college days. The W.E.B. Du Bois Library at the University of Massachusetts, Amherst, at 28 stories high, is the 2nd tallest library and the tallest university library in the world. It has more than 3.6 million volumes, 80,000 online journals, 700,000 e-books, and over 200 databases.
I spent countless hours in this building. My favorite thing: load up on books about all kinds of subjects-- often for coursework, but often not-- until I can't carry any more. Then, go to a high floor, find a quiet little nook and read. Once in a while, I look out at the countryside and sip hot coffee from a thermos I smuggled in. Ah!
There is something extraordinary about being surrounded by millions of books; knowing you are literally in a towering monument to the sum total of human knowledge. Anything you want to know about is there and it's all free.
There's more wonder to be found in a truly great library than anything you'll ever read in a Bible.
I love books, I love reading, but I am little bit scared that the books may eventually be extinct. With e-books and the digital revolution. I love the feel of carrying the book, baptising myself deep in "the sum total of human knowledge" as Gallup' Mirror has put it, Give me books , give me knowledge. To me @ Reg The Fronkey Farmer any library is an Atheist Temple
I use e-books for reference but I prefer to turn a page than swipe a screen when it comes to reading "proper" books. I need to feel the paper and then of course there is the smell of the paper.
I read whenever I can. There are always a few books on the go in my home.
I love books, I love reading, but I am little bit scared that the books may eventually be extinct. With e-books and the digital revolution.
@bongani: There are two bits of good news that may cheer you up:
The first is that the number of people reading e-books is climbing (17% in 2011, to 23% in 2012, to 28% in 2014) but this has no observable impact on the number of people who read print books (which remained almost constant over the same period).
The second is that people are reading more. In one poll by USA Today, 41% said they are reading more after getting an e-reader device.
In other words, people are reading e-books on snazzy new tablets, e-readers and cellphones, but they're still reading print books too. The new market (so far) is not significantly displacing the old one.
Speculating here, e-books may be making the entire book market (print books and e-books) bigger by removing barriers to reading. Maybe people are reading more because they no longer have to make a trip to the library or bookstore to get a book.
The United States is not the entire world and the trend may not last forever, but I find this to be encouraging news, especially considering how quickly DVDs replaced video cassettes, and flat panels replaced CRT monitors. People just like books.
@Gallup's Mirror it does give comfort to one, and a hope that at least people DO read.


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Leading scholar to speak at WVSU
INSTITUTE, W.Va. -- A leading sociologist and scholar who specializes in diversity and race relations will deliver the keynote address at a Black History Month Convocation hosted by West Virginia State University on Tuesday, Feb. 5.
Dr. JeffriAnne Wilder, an assistant professor of sociology at the University of North Florida, will be the featured speaker at the convocation, which will begin at 10 a.m. in the Ferrell Hall Auditorium.
Wilder writes, researches and lectures on the contemporary experience of black Americans and other racial and ethnic minorities. She has a particular interest in the issue of "colorism" in black American society, which is defined as an intra-racial division operating within communities of color.
Wilder's work has focused on examining the impact of colorism within the black community, particularly as it relates to black women and girls.
The Black History Month Convocation is presented by the WVSU Student Government Association and the NAACP, and representatives of both groups will also be speaking at the event.
The WVSU Concert Choir will also perform musical several selections as part of the Convocation.
Immediately following the convocation in the Wilson University Union will be a Taste of Soul Food. During this event, tickets are sold for 25 cents apiece. Meat dishes require three tickets, side dishes require two tickets and desserts require one ticket.
Menu items typically include barbecue chicken, fried chicken, fried pork chops, ham, turkey, liver and baked or fried fish.
Side dishes typically include mashed potatoes, rice, dumplings, mustard greens, okra, sweet potato casserole and pinto beans. Desserts include cobblers, pies, pudding and cheesecake.
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Cameron Hopkin is a well-rounded actor who grew up in Utah and now calls LA home. Cameron has done work in television, film and stage. He has appeared in the series Touched by an Angel, and had a featured role in the recent LDS-themed drama "Day of Defense." Cameron has also appeared in the stage productions of Cyrano, The Philadelphia Story, Little Women, Utah!, South Pacific, Into the Woods, King Lear, Romeo and Juliet, and The Tempest.
Movie Credits:
- The Best Two Years (2004)


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NEW ORLEANS (AP) — William "Billy" Bretherton, star of the A&E reality TV show "Billy the Exterminator," has pleaded guilty to a misdemeanor count of possessing synthetic marijuana, his attorney said.
Bretherton was put on probation for a year and prosecutors dropped charges against his wife at a hearing April 19 in Bossier Parish, attorney Allyn Stroud said Tuesday.
He said Bretherton was given a suspended 60-day jail term and fined $500 and that the reality TV star has agreed to undergo substance abuse evaluation and treatment. Bretherton's probation requires community service and regular drug and alcohol testing, Stroud said.
When Billy and Mary Bretherton were arrested last year in Bossier Parish, a spokesman for the northwest Louisiana municipality of Bossier City said police answering a 911 hang-up call from a hotel room had found the Brethertons with suspected synthetic marijuana and a device often used to smoke drugs.
That happened in April 2012; police got an arrest warrant in June after tests found synthetic marijuana on the device, Mark Natale said.
They were booked with one count each of possession of synthetic marijuana and possession of drug paraphernalia.
Both charges against Mary Bretherton and the paraphernalia citation against her husband were dropped.
A&E has not answered requests for comment in the case.
The show follows the spiky-haired, leather-wearing Bretherton as he responds to calls to trap or kill various pests.
Calls and emails to Bretherton's pest-control company, Vexcon LLC, were not returned. A residential listing for the Brethertons was unavailable.
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Red Bull owner Dietrich Mateschitz has warned F1's title hopefuls defending champion Sebastian Vettel is heading into the new season better than ever before.
The German driver broke a host of records last year, including most Grand Prix wins in a season, as he made it back-to-back World Championships.
As a result of his dominance of Formula 1 over the last two years Vettel is priced at 1.16 to make it three drivers' titles in a row this season, with Ferrari's Fernando Alonso 5.00.
At 24 Vettel could be on top in Formula 1 for years to come, especially given the way Red Bull's car has been totally dominant over the last few years.
Last week's winter testing session in Jerez saw Vettel post similar times to McLaren's Lewis Hamilton, although times in testing can paint a false picture given the changes teams can make to the cars before the first race in March.
Despite the start of the season being a month away Red Bull chief Mateschitz says he has seen enough to convince him Vettel is going to enjoy an even better season than he did last year.
"He still has great potential ahead of him because his experience, his consistency and his domination in different situations will be given free rein," Mateschitz said in an interview with Speedweek magazine.
"His focus in qualifying was already part of his strength but he's going to be even stronger in competition because he knows the complexity of his sport even better now."
Red Bull are 1.001 to win the Constructors' Championship this year, with McLaren 67.00 and Ferrari 67.00.
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Four Seasons Resort and Club Dallas at Las Colinas, Dallas, TX
If you've always considered the Four Seasons out of your price range, now is a good time to reconsider. This luxury hotel, packed with special amenities, also features three restaurants, a café, business center, tennis courts, and indoor pools. Surrounded by 400 rolling acres of Texas hills, minutes from downtown Dallas.
Budget Value:
Budget Value:
A room upgrade upon arrival (subject to availability), buffet breakfast daily for up to two in-room guests, and $50.00 resort credit. Book villa accommodations by April 30 and receive two complimentary rounds of golf on Four Seasons award-winning TPC course.


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Warren Buffett: Stocks reasonable, bonds awful
OMAHA, Neb. -- Investor Warren Buffett said even though the stock market is soaring, prices appear reasonable, and stocks would be a better investment than bonds for most people.
Buffett conducted interviews Monday on CNBC and the Fox Business Network cable channels after a weekend full of events in Omaha for Berkshire Hathaway shareholders.
"Bonds are a terrible investment right now," Buffett said.
Buffett said bond prices are artificially inflated because the Federal Reserve continues to buy $85 billion of bonds a month, and owners of long-term bonds may see big losses when interest rates eventually rise. He said inflation is also likely when the Fed stops buying bonds.
He said the average investor should keep enough cash to be comfortable and invest the rest in equities.
"Stocks are reasonably priced now. They were very cheap a few years ago," Buffett said on CNBC.
But Buffett said most investors pay too much attention when the stock market reaches record highs. He said average investors should pay more attention when stocks hit records in falling prices because that's a sign they are getting cheaper.
The Federal Reserve's efforts to keep interest rates low have helped the stock market soar, Buffett said, but the improving economy has also played a role.
Buffett said he remains a fan of Fed Chairman Ben Bernanke. He also reiterated his support of JPMorgan Chase Chairman and CEO Jamie Dimon. He said that bank, which he has invested in for his personal portfolio, has the right CEO.
Buffett said the current low interest rates continue to make long-term borrowing like 30-year mortgages attractive, but he expects significant inflation eventually.
"Anybody who's borrowing money should borrow out for a long period of time. And if you ever want to get a mortgage, today is the day to get a mortgage," Buffett said on the Fox Business Network.


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Lawyer of the Day, Litigatrix, Public Interest
Last Friday, we named Brooklyn Assistant District Attorney Ama Dwimoh our Lawyer of the Day. As a prosecutor, Dwimoh goes after child abusers. And yet, according to the New York Daily News — irony alert! — she herself abuses the kiddies, i.e., legal interns in her office.
One reader with firsthand knowledge protested this portrayal of the Brooklyn DA's office and its treatment of interns:
I'm [a law student] intern at the KCDAO [Kings County District Attorney's Office], and from everything I've heard from all of my intern colleagues, the senior ADA's have been nothing less than amazing — they find us work to do, always treat us with respect, always make us feel appreciated, and the office is gloriously drama-free.
This tipster has a theory about what's going on here….
This whole situation sounds suspiciously like deferred associates bitching and moaning — there are a few in my bureau, and they all act like they're too good to be here. That being said, I can't speak for everyone so it may be an isolated case, but I'd put my money on the fellows complaining.
A second source in the office claims that this is, in fact, an isolated case:
I'd heard that she was suspended because she yelled at a particular associate who had political clout, but that's about it….
The DA's office doesn't sound that different from a law firm: some colleagues can be screwed over with impunity, while others can derail your career if you so much as forget to say "please" to them.
Moral of the story: if you work with deferred associates, treat them with care. Some of them have a sense of entitlement, and since they know they'll be working for you for a limited period of time — with six-figure Biglaw jobs waiting for them on the other side, assuming their offers don't get rescinded — they aren't afraid to speak out when they feel they're being mistreated.
Have some inside info on what's going on at the Brooklyn D.A.'s office? Drop us a line at email@example.com.
Earlier: Lawyer of the Day: Deferred Associates Claim Brooklyn ADA is a Meanie…
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Antioch Baptist holds memorial for woman murdered outside
Kourtney Dawson, 25, was shot and killed Feb. 26 at the intersection of Holloway and Guthrie streets, outside Antioch Baptist Church. A Creedmoor man has been charged with her murder.
Outside the church, a cross and makeshift memorial to Dawson includes flowers and a framed photograph. Inside the church on Saturday, a community memorial service for her was sponsored by Antioch, Bull City Outreach Ministries and Religious Coalition for a Nonviolent Durham.
Those who knew Dawson talked about how she appeared hard on the outside, but once they got to know her, they loved her and knew she was vulnerable inside. They spoke of her love of turtles and rap music. They also spoke of poor choices she made and how some people saw her as a woman to abuse.
Towanda Jackson said that Dawson "didn't allow many people to see who she was, but unfortunately let people prey on her weaknesses." Jackson said that now Dawson is not suffering anymore.
James Tabron, a member of Antioch, said that he did not know Dawson, but in the eyes of God she is their sister. Others who never met Dawson also spoke and said that they, too, grieved her death and called for more church and community involvement to end violence in Durham.
Pastor Terry Shuff of Bull City Outreach Ministries knew Dawson and five other women in Durham who he ministered to previously and who had also been killed.
"Being on the streets, I've had many conversations with Kourtney," said Shuff, who pointed out he is a street pastor, not a street preacher. He talks with people one on one. Bull City Outreach Ministries began renovating a house for its new headquarters at 1512 Holloway Street a few weeks ago, and already several people have walked in off the streets, he said. The organization ministers to prostitutes, drug addicts, alcoholics, gangs and the homeless.
"I don't think there's a worse street in Durham than Holloway," Shuff said. "The gang activity is massive…but we want to bring light into the darkness." Bull City Outreach will host an open house at the new building from 2 to 6 p.m. March 29.
Shuff said that the devil will keep trying and "it's time to get serious and do the Father's business."


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We had a fabulous time at the Dr. Hauschka skin care event on Sept. 15. A representative from Dr. Hauschka discussed healthy skincare and gave away a free gift with any Dr. Hauschka purchase, while guests enjoyed some wine and cheese. Check out a few photos from the event, or view the entire album here.
If you haven't visited our Mt. Pleasant (Charleston), SC retail store yet, stop by to learn more about Dr. Hauschka!


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Gear Review
Joe G
Solid pack - more than just for the backcountry
I bought this pack as my new side & backcountry pack for this upcoming season. Last season I used an older Heli Pro and Dakine Blade, but wasn't extremely happy with either. The Heli Pro wasn't comfortable enough with minimal padding on the straps and back, while the Blade was comfortable, but too big and heavy for sidecountry hiking. This pack was the perfect combination of both packs. Super comfortable straps and back panel, perfect size, and all the amenities you'd want in a day pack. Easy access to your avy gear too. Also a very versatile pack for everyday use.
One gripe I have with the pack though is there isn't a small pocket to organize tools. Only the main compartment, shovel/avy pocket, and goggle pocket. I'd like one smaller pocket somewhere for my multi tool. But it is what it is and that's why this pack won't get 5 stars from me.
If you're thinking about going with the Heli Pro instead of the Heli Pro DLX, do yourself a favor and spend the extra $20 for the DLX. The DLX has upgraded fabric, way better straps, padded back panel, insulated hydration sleeve, and a few other features that really make it worth the extra $20.
Ondrei Aquino
hey, will a 10.5x10 blade fit in the shovel pocket?
View More Details on DAKINE Heli Pro DLX 20L Backpack -1200cu in


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