text:
|Other Gear Discuss Hardware and all other equipment not covered in the other topics
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Re: Micing up a drum kit for live performace.
Bass Drum: Crucial for rock. Not only does the crowd need it, but your fellow musicians will thank you when they hear this comming back through the monitor. I recomend the mic in the bottom corner of the fron head, about the 5 o'clock position. If there's a hole in the bass drum, put the mic in or right in front of the hole. If there is no hole, close to the head of the drum but make sure the head will not touch the mic when you hit it. Experiment with diferent positions to find the best sound.
Snare: A few ways to do this one. Going between the hi-hat and snare is a great choice, seeing as it will easily pick up the snare and your hats. However, if you want a deeper sound to your snare, or you notice the depth you normally have isnt there, but the mic UNDERNEATH the snare drum as opposed to on top. This will pick up more depth from the ressonant head. You can put it underneath between the hi hats and snare too.
Toms: For toms, again I usually put the mic underneath the tome for two reasons. Number one, the mic clamp doesnt get in the way. A stray hit during a role can be devestating to the mic and the audiences ears. Second, putting the mic on the bottom gets more out of the resonant heads, giving you more sound from the drum through the PA. If you dont want as much ring or overtones, then by all means put the mics on top. Both setups sound great, they just sound different. As usual, experience for best results.
Overheads: These can be crucial if used correctly. If you have loud cymbals (the zxt's are pretty loud) either ditch the overhead for rock completely or have it very very low in the mix. Too much from the cymbals will mask the rest of your drums. Thats a bad thing. Instead of using overheads, I do the following (most of the time),
On the left side of my kit sit my ride, next to that my hi hat, and above them, a 14" china and a 16" crash. I position a mic between my ride and my hi-hat, that way the bell is picked up niceley. The crash and china bleed through enough on the tom and snare mic. Furthermore, chinas are much louder to the ear, so to speak, so they jump out more.
On the other side sit my 18" crash, 14" crash, and 22" china. I place a mic above the 18" and 14" crashes (they sit right next to eachother). The 22" china is way too loud to mic, so I get the mics as far away as possible so as not to pick up too much of the china (some bleed through is inevitable though).
Of course, if you are short mics, ditch the cymbal mics. The crashes bleed through enough as is.
Hope this helps,
Re: drum mics
Hey jollymosher.
Re: drum mics
I bought this package - it's an incredible deal, I think:
These are great mics. Then, the only choice is overheads. I'm using a pair of AKG 1000s.
Yet another mic thread.
I'm joining a band with some experienced players who have booked recording time in april. I know nothing about good mic's and have no studio/recording experience. I want to buy a decent mic set, that would suit a 5 piec with hats, ride, 3x crash, 2x china + splash.
If someone could point out to me whats necessary/whats not necessary etc or make any suggestions, it would be a great help.
Re: Yet another mic thread.
Hey Topcat.
Most of the bigger mic companies (Shure (www.shure.com), Sennheiser (www.sennheiser.com), etc.) make drumset packages. For example, Shure has a couple of packages with different mics/numbers of mics. The main difference in their kits is that one uses plastic housing for the mics (PG-series) and the other (SM and Beta I think - more expensive) uses metal. The metal-housed mics would be best for gigging, IMHO, as they would necessarily suffer more abuse then studio mics if only for the fact that they would need to be moved around a lot.
Instead of a package (which I find doesn't save you much cash) that kind of locks you into one brand, you can simply build up your own selection. In fact, depending on the venues you'll be working, you may be able to start small (overheads and a kick, and maybe a snare mic) and pick up extras as needed.
Another thing to remember is that all of the mics need to plug in somewhere. More mics mean more cables, larger mixers, more cash, etc. Personally, I'd rather buy a few great mics than a ton of crappy ones.
Good luck...
NP: 30 Seconds to Mars - 30 Seconds to Mars (with Shannon Leto on drums).
Re: Yet another mic thread.
Even a modest studio should have its own mics...get with the engineer and see what they have. You probably know that different drums call for different types of microphones, the two main types being dynamic and condenser. So I guess just make sure that the engineer or whoever is doing the recording sounds like they know what they are doing, then you don't have to worry about it. It's not your job, but it's nice to know some stuff which I see you are trying to do.
The one thing that affects the sound more than anything (besides the instruments themselves, of course) is the room you are in. If you can help it, don't record in a room if your drums don't sound good by themselves in that room. Of course you may not be able to do anything about it.
Also I noticed you plan on using three crashes and two chinas. It would probably help the recording to use as little as possible, if you don't have to use all of them. Use your smaller, thinner crashes, they tend to record better.
Good Luck!
Last edited by RMS; 03-28-2006 at 06:20 AM.
Re: Yet another mic thread.
Thanks alot for your suggestions and tips about cymbals + where to record, really appreciated.
I was looking through some sites for packages + individual mics. a couple of thigs that were of interest -
However, i probably wont go for a full set, Just a kick, snare + 2 overheads to begin with. Could anyone suggest some decent mics for those purposes?
Re: Yet another mic thread.
That AKG D112 bass mic is preferred by a lot of pro drummers and engineers. So you can't go wrong there. Go with a Shure SM57 for the snare, it's another tried and true mic. Find a pair of large diaghram condensers on sale for overheads. That is, if you want the overheads to pick up the toms, too. If you plan on getting more mics in the future then you could go with small diaphram condensers, these will be better suited for only cymbals. You could also put one on the hi-hat.
You can get a great sound out of four mic's. I've made recordings with only three mics, a bass mic and two condenser overheads. I used the most affordable mics and mixer I could find (Samson Q-kick, Nady CM-88's, Behringer 1002) but you can hear everything ok. The snare is tuned high so it is still prominent even though it's not close-mic'ed: :http://www.youtube.com/w/Ryan%27s-Mo...?v=dkpexifMY9M
I ran the mix into a camcorder that didn't have the proper inputs, so it would have sounded fuller, louder, and all around better if I had ran it into an audio recorder of any kind.
So if you get three mics: that D112, and two nice overheads, you will be in business.
Re: Yet another mic thread.
I'm just about to buy some mics too and have been trying to do as much research as possible. I'm not recording with any band but I've been setting things up in my basement to do some recordings. Some of the threads here have talked about the Nady mic packs, CAD mic packs, and Samson, Shure, etc. so I'm sure you'll get better advice from what limited knowledge I have of them too. I'm still learning....
For under $200 you can get several mics from Nady or Cad. I'm looking at the Nady after most reviews from Musiciansfriend had slightly better quality. there were a few more negative comments on the Cad pack. I've heard a few samples from other drummers here, I think Scott was one who used the Nady package and his clips sounded great. I agree from below that the AKG112 for kick and Shure SM57 for the snare are really the way to go. I picked up an AKG off of Ebay and will likely get a Shure for the snare soon. I'm thinking of using the kick mic in the package for the floor tom. Scott said it worked pretty good. I know others here don't care for the low quality of some of these mics but for what I'm doing, I can't break the bank and I'm not picky...at least until I can spend more $. I've trended towards the Nady because of the extra mics (7). But there are packs of 3 or 4 if that's all you'd like.
Here's the link...I was just looking at it before checking out this thread. But you can search for Cad and others too.
Like another said below, we still need drum clips, cables, etc. along with a mixer. I've had one on layaway at the local store for a while but you can search Ebay for some boards too. I actually found a bigger board for less at the local store than what was on Ebay so just check everything out before buying.
Well, I'm rambling a bit and I need to get back to work....hope this helps in some way!
Re: Yet another mic thread.
I think this is the best deal going:
These are pro-quality mikes. The price is right and you get the drum clips, basically, for free.
Re: Yet another mic thread.
Wow, thanks for all your helpful suggestions. I think im going to go for RMS' and tmc's sugegstions with the three/four mic layout. I go into the studio on friday. I 'officially' became a member today. Recording three tracks. Had one practice. Code red.
Re: Yet another mic thread.
Yeah, good choice. If I were doing studio work, I would lean towards the better quality of Shure, especially for kick and snare. I bit the bullet and bought the cheaper CAD mic package last night. I changed my mind seeing that they had the clips included and I could save a few bucks that way....I'm such a cheapskate! hehe.
Anyways, be sure to post some clips of the studio session if you can. I'd love to hear how those drums sound! Good luck and have fun!!
Re: Yet another mic thread.
Carvin makes a really nice kick drum mic and it's under $100. Once you own a good mic for the kick you should be able to "beg, borrow or steal" everything else.
Help with mics?
I want to get a bass drum mic so i can be heard over my band. I know i have to get a mixer or pa to run the mic through and a speaker for it to play through. I have no ideo what to buy and i only have a budget of around $275. Can someone reccommend a mixer and a speaker or speakers to run it all through. Nothing too complicated as i am new to the technical side of drumming. Also a mixer with enough inputs to set up a full kit of mics would be handy as i will probably be wanting to expand within this year. Thanks in advance for any help given.
Re: Help with mics?
I doubt that you'd get a mixer for that much, let alone a mic and some speakers, too. A decent kick mic will take all of that budget, and good mixers with a large number of inputs (you can easily use a dozen mics on a good-sized kit) seem to be very pricey. I just got a quote this afternoon for a british mixer with 16-inputs and it was $1,750 Canadian.
You could probably go with some less-expensive Chinese mics and mixer, but I'm not sure the quality (sound-wise and ruggedness) will be what you need... or if it will even come within that budget. Good luck, though.
* Cannons: Pearl SMX *
* Fodder: Evans G2 *
* Ignition: Pro-mark/Los Cabos *
* Ammo: Sabian HH*
Re: Help with mics?
$275. Spend it on good heads and tell your guitarist to turn the "F" down.
Lookin for good quality drum mics! Help Please!
Hi everyone! I need some drum mics for my Pacific LX kit. I was looking at some Shure mics and they seem kind of expencive. I really need 5 mics + 2 cymbal mics. Any suggestions? I got 350$ to spend. All suggestions would be apreciated:D But be serious I'm not loaded... :P
Re: Lookin for good quality drum mics! Help Please!
Anyone? :( No opinions on this subject? :(
My Kit
Re: Lookin for good quality drum mics! Help Please!
350$ is not enough to get real quality drum mic.
But let me advise you what i would buy for this price.
First The snare : of course you need a good one. The best price/quality is the Shure sm57 ( which costs 100$ I believe ). You won't find better on this price range. this mic is dynamic.
For the cymbals, you need a electrostatic pair. Some cheap and not too bad are these ones
So here we're at 150$ ( approx )
For the bass drum buying you must buy a not too cheap one;
I advise this one :
The total ups too 280 $
For the toms, Fame makes good cheap cardioid mic. If you have Music store catalog, search in, you ll find some at 30 $
( like those 4 )
Hope i ve helped you
My kit! (updated on sept 2006 )
Re: Lookin for good quality drum mics! Help Please!
The previous poster probably as good advice as any - it will be very hard to get good microphones for $350. I just spent $200 just for my bass drum mic, and that was a pretty good buy...
Re: Lookin for good quality drum mics! Help Please!
You can record a drumkit in good quality with only a bass drum mic and two condenser mics. For example:
For the two condenser mics a good matched pair like a pair of MXL 603s: (these get the cymbals and the majority of the rest of the kit)
And a great kick mic is the shure beta 52A:
And depending on what quality you want, you can buy an SM57 like the guy above said for the snare, individual tom mics are not really necessary for a good overall drum sound. Check out this thread at homerecording.com for mic placement technique, using this will mean you can use these mics to get a really good sound without spending loads.
Re: Lookin for good quality drum mics! Help Please!
Thanx everyone for all of the tips you have given me, appreciate it!
My Kit
drum mics
I dont know if this is the right place, but here is my question.
I just got into a band, and we havent played shows yet. This question is for people who play live in small club venues. Do the sound people help mic the kit? Because I know they provide the pa and mics, but I never used drum mics and I would want the best sound possible. I was just wondering how that kinda stuff is live. thanx
Re: drum mics
Im pretty sure there are already threads on this type of thing. Do a search under other gear and you should find stuff that will help you out.
Btw, i know nothing about mics. id help if i cud. Im also trying to learn about this stuff.
"If they tell you no pain no gain... shoot them." -Jim Chapin
Re: drum mics
Really depends on the bar/club. I've come across quite a few where the sound man really didn't have a clue, as far as I was concerned, especially in smaller places. A lot of them do not want to deal with any drum that has more resonance than a cardboard box. In such a place, I would rather have them mic only the bass and snare.
The better clubs often have really good equipment and personel. It pays to learn all you can about mics, placement, gating and EQing, so if you play in a place with house sound, talk with the techs and pick their brains.
Last edited by IDDrummer; 05-15-2006 at 05:44 PM.
Re: drum mics
Lots of small clubs I've played, the P.A. is so strapped for power all you wanna do is pump the vocals thru it. Let the drums and guitars and drums set their own volume levels. Better situations might give you kick and snare mics, maybe 2 overheads. All depends on the gig. Are you playing 3 or 4 sets (all night) or just 1 (1hour slot). If you're just playin' an hour, you need to get on the stage, fire it up, and get off. Your first song is the sound check. Always best to go to the club you're gonna be playin' a week before the gig, just to see what the situation is. Do they have a soundman, or does the bartender take care of that too? Do they have mics there? Does the mixer have all channels working? Oh man, after a while, you'll think you've seen everything, and then something new happens. It's all cool. Have fun.
C2 Condenser mics
Hi all,
Have seen these mics:
And would like to get your input on them. They are very cheap here in the UK at only £40. I would imagine they will not be the highest quality but would they do as a couple of cheap overheads for self recording?
Any input is appreciated!
"Sometimes I wake up at night and wonder where the hell the worlds going too"
Re: C2 Condenser mics
Need some opinions guys as I will going to get them tomorrow after work if they are worth it :)
"Sometimes I wake up at night and wonder where the hell the worlds going too"
Re: C2 Condenser mics
In short: not sure. Behringer have some interesting marketing and production techniques. It basically consists of them taking everybody else's ideas and producing the same product for cheaper. This means they don't really have to have an R&D department.
In principle, I can't see anything actually wrong with those microphones per se. Usually Behringer produces a very good product for the money (for the reason stipulated above) so they should be ok. I've never had any personal experience with these microphones, however. Sorry I couldn't be more helpful.
Re: C2 Condenser mics
Yeah I remember our conversation before I bought that 1832FX-PRO mixer and that is quality for the money I paid. Just worried as I tend to find cheaper mic's a bit "muddy" and that does not help for shimmering cymbals. I just thought I would maybe get these for the price they are...a bargain!
"Sometimes I wake up at night and wonder where the hell the worlds going too"
Re: C2 Condenser mics
I have a pair of those mics and a very similar mixer. They were such a vast improvement over what we were doing. I use just those 2 mics and a CAD 412 bass drum mike to do my whole set. I can post a sample of the setup if you want.
Re: C2 Condenser mics
That would be awesome! Please do!
"Sometimes I wake up at night and wonder where the hell the worlds going too"
Re: C2 Condenser mics
Ok. http://drumgods.home.comcast.net/goo...GreenRiver.mp3 This is Green River as recorded by my Dad's old time band. He's a little reverb crazy but you can get the idea with the mics. I don't have a drums only copy on me. Hope it helps though.
After listening to this I'm thinking I should put another mic on the snare, but it gets the overall sound pretty good.
Re: C2 Condenser mics
wow...they sound pretty good considering how cheap they are! I think a mic on the snare would have helped....just so its a bit more definate in the mix.
Cool tune too!
I will have these C2's, bass drum and snare miced so I'll post a drums only sample next week.
"Sometimes I wake up at night and wonder where the hell the worlds going too"
Re: C2 Condenser mics
The bass drum mic was a CAD KBM412. I got it for $50 american from musicians friend. The mixer is a Behringer UB-1202FX. This gets routed into a Lexicon Omega Desktop Recording Studio into CuBase basic or whatever the program was it came with. I've got a SM-57 for the snare, just seemed like I didn't need it with these anymore, but mabey I was wrong.
Upon further review, I'm glad I gave that song more cowbell.
Re: C2 Condenser mics
lol...."we GOTTA have more cowbell.."
I was just looking up that bass drum mic and the cheapest I could find it here was £60, about $110 I think. Where did you place the mics? Just over the kit in the normal fashion or pointing at the kit from the back?
I'll be running it through that mixer into a Fostex digital multitrack and then onto Cubase afterwards.
"Sometimes I wake up at night and wonder where the hell the worlds going too"
Re: C2 Condenser mics
The bass drum mic was about 8 or 10 inches from the batter head inside of the bass drum. The left condencer was a little left of the snare and about 2 stick lengths away from the head. The right condencer was about 2 stick lengths away from the snare head but about a foot and a half to the right. Both mics were aimed in the direction of the snare and slightly twords the bass drum batter head.
I probably used a little bit of studio reberb or compression off of the behringer mixer, I can't remember right now. The room really isn't that great to record in. Terrible acoustics. Thanks for the kind words.
Re: C2 Condenser mics
Cool stuff....i'll try that out on Tuesday.
Thanks for the pointers!
"Sometimes I wake up at night and wonder where the hell the worlds going too"
Hey all i was just wondering on what i should get 4 mics a mix board and how to set them up cuz i really dont get the concept like yeah i get that u hook the mics up 2 a mixing board but how do u get that into a comp and stuff like that
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text:
The Lions have moved DT Andre Fluellen to defensive end.
Lions re-signed DT Andre Fluellen.
Lions signed DT Andre Fluellen, formerly of the Bears.
Bears released DT Andre Fluellen.
Bears agreed to terms with DT Andre Fluellen, formerly of the Lions, on a one-year contract.
Lions re-signed DL Andre Fluellen.
Dolphins signed DL Andre Fluellen, formerly of the Lions.
Lions waived or released DL Andre Fluellen and Everette Brown, G Rodney Austin, C Dan Gerberry, S Reshard Langford, CB Justin Miller, WRs Lance Long, Patrick Edwards and Maurice Stovall.
Lions re-signed DT Andre Fluellen to a one-year contract.
Free agent DT Andre Fluellen visited the Bengals.
Lions DT Andre Fluellen is taking lessons in Wing Chun, the Chinese art of boxing, at the Detroit Kung Fu Academy this offseason.
Lions agreed to terms with third-round DT Andre Fluellen.
Lions rookie DT Andre Fluellen cited elbow and finger injuries as the cause for a lack of production in his final year at Florida State.


text:
ELIZABETHTON — It's that time of year that most children enjoy the most. From swimming to playing on youth teams, there is plenty to do, and best of all, there is no school. But Angie Odom of the TLC Community Center has learned that the end of the school year means the start of hungry times for many children.
"I learned this from working with children in our Women's Center," Odom said. During the school year, she said these children get much of their nutrition from the school lunch program, but at the end of the school year, they must fall back onwhat their families can provide.
After learning of the need, Odom began working to provide a summer food program for these children. It started 11 years ago with a program that fed 75 children a day, but it has continuously grown since that time. Last year, the program served 320 children per day, providing 48,960 meals during the nine-week program.
This year's program may be the biggest yet, with plans for weekly service for children in Roan Mountain as well daily service to Elizabethton and Hampton.
Odom said the program begins Monday and will run each week during the summer from Monday through Friday. On Fridays, the program will distribute 35 pounds of food per family to tide them over for the weekend.
She said each day the children will be provided with a hot supper and a bagged breakfast and lunch for the next day. Odom said that during the first week, sandwiches instead of hot meals will be provided so team members can get a handle on how many children are being served.
"We don't want to waste the food," Odom said. After that, children can depend on getting a hot meal until school starts again in August.
Odom said there will be four routes in Elizabethton and Hampton this year and one in Roan Mountain. All meals are prepared at the TLC kitchen in the Watauga Industrial Park. The Women's Center's familiar recreational vehicle will run a route that will go to Pine Ridge Circle at 4:15 p.m., South Hills at 4:15 p.m., West G Street Apartments at 4:50 p.m. and the Locust Street Mobile Home Park at 5 p.m.
The center's white van will go to Lynnwood and Lynnridge Apartments, serving at the top of the hill at 4:10 p.m. and the bottom of the hill at 4:20 p.m., then go to three mobile home parks on Lovers Lane at 4:45 p.m.
A blue Jeep will have its first stop on Dan Bowers Road at 4:10 p.m., Swimming Pool Road Mobile Home Park at 4:35 p.m., Nave Street at 4:50 p.m., Dennis Cove Road at 4:55 p.m. and River Edge Mobile Home Park at 5:10 p.m.
Heather Hopland's group will deliver to Jena Beth Drive between 4-4:30 p.m. and the mobile home park next to Jena Beth Drive at 4:45 p.m.
Children in Roan Mountain will be served in the parking lot of Roan Mountain Holiness Church parking lot at noon Fridays. Odom said she hopes that she can get volunteers in the Roan Mountain community to sponsor and expand the program there.
"Because this is our first year there, we don't know how many to plan for and we need more volunteers," she said, adding that the children coming to the Roan Mountain location will get a bag lunch and the 35 pounds of food for the family every week.
For more information, call the TLC Community Center at 543-4673 or Odom at 895-8601. Odom said her program still needs sponsors and volunteers, even one-day-a-week volunteers who can transport the 35-pound food boxes on Fridays in their own trucks or vans.comments powered by Disqus


text:
A list of stupid Git tricks so I don't have to keep remembering them.
Oops, I messed up.
This will remove anything staged but not committed:
git reset --hard
If you really messed up, this will remove all untracked files/directories as well:
git clean -df .
If you already committed but haven't pushed yet, this will remove the latest commit, but keep the changes in your local working directory:
git reset --soft HEAD~1
If you already committed and pushed:
git revert [commithash]
Git is giving me permission denied errors on settings.php. What now?
sudo git checkout -- sites/default
chmod ug+w sites/default
/HT @timplunkett and berdir in #drupal-contribute
I have an anonymous clone, but I have commit access to the project. How do I switch to my authenticated URL?
So you were originally just a mere end-user of a project, but then you filed one too many patches and went and got made a maintainer, eh? ;) Don't panic, here's a simple command to bless your clone with commit access:
git remote set-url origin email@example.com:sandbox/greggles/1481160.git
/HT @wereHamster in #git
I have the opposite problem of that; I have an authenticated clone but now want to switch it to anonymous
git remote add readonly http://git.drupal.org/project/drupal.git;
git fetch readonly;
git checkout -bt mybranch readonly/8.x
/HT @sun and berdir in #drupal-contribute
I have clumsy fingers and keep mis-typing commands like "git pusj"
There's a config option for that!
git config --global help.autocorrect 3
Will give output like this:
$ git pusj
WARNING: You called a Git command named 'pusj', which does not exist.
Continuing under the assumption that you meant 'push'
in 0.3 seconds automatically...
/HT @cyberswat in #drupal-contribute
git apply says it can't apply but I swear it's lying.
Yeah, Git is stupid about context changes that happened elsewhere in the file and thinking that it broke the patch in question. Help it smarten up with:
git apply --index --3way foo.patch
/HT @timplunkett in #drupal-contribute


text:
carnt wait to try this bad boy out
Just a bump to let people know he's already working on rev20. Wanin has become a tireless madman for new cIOS.
"I think that the Wii is a beautiful piece of hardware, and a broken Wii is a tragedy. It doesnt matter why or how." -- Bushing
awesome thanks for the update keep them coming
I didn't even get to know rev19 yet.
any chance this could be a sticky be easyer to find for noobs who want to keep the wii's up to date
does this mean Splinter Cell from usb loader? Finally.IOS reloading blocked successfully. Not tested with any game yet.
hopfully rev 20 will be released soon carnt wait to see the new changes
I hope that someday he will come up with a fix for iso reloading games on usb. I could say bubbye! to disks once and for all.


text:
Diablo Torrent
content violation
You can write your comment.
This website has a content focused on unknown topics. We detected general outline is
Most visitors access this website by search engines and they usually type diablo|
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diablotorrent.hu's homepage html output is 12 KB. We had a close look to its HTML structure and found out homepage has 305 code lines and it contains 49 errors. A clean HTML, which means error-free structure and higher content/code ratio is search engine friendly as it is also user friendly.
Linking is an important step on website building. A good internal link web can bring you more search engine indexes and it will also increase your page visits as well as users will want to spend more time. This page has 7 internal links and 2 external links. Keep in mind that external links are ok, but too many of them will always be problem.
diablow.com is ranked #0in the world, with 1 PR. is the most searched query for this domain.
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diabohr-tech.com is ranked #19906810in the world, with 1 PR. diamanthohlbohrer is the most searched query for this domain.
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diabolic-tattoo.de is ranked #27179867in the world, with 0 PR. is the most searched query for this domain.
valamiért nem jó a diablo torrent..
Miért nem tudok bejelentkezni?


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The bug had a long, thin body and it had quite long wings. There were long, stick-like things coming out of it's abdomen. Please help me identify this bug, and if you can, tell me what the stick-like things are used for! Take a look at the pictures:
It is a mayfly.
There are 47 British species, in 14 families; I wouldn't venture to identify yours even as far as genus.
The overall order is Ephemeroptera, the name reflecting their ephemeral nature.
Sometimes, when you think you are seeing one of these insects resting, you are looking at an empty nymphal or pupal skin, rather than a living creature.
The 'stick like things' are cerci
As for their purpose, there is debate, eg.:
- http://en.wikipedia.org/wiki/Mayfly
- http://www.entomology.umn.edu/museum/projects/Interactive_Keys/Intro_tutorial/GLOSSARY/Cerci.html
Thank you!


text:
[Singapore] Blackshot Arena Battle - 2nd May; 6 to 7 PM
Dear Shooters,
We will be at Alienware Arena this Friday to host Blackshot Arena Battle. Join us for an hour of exciting games, mingle with the rest of the community and stand to win prizes!
What: Blackshot Arena Battle
When: 2nd May (Friday); 6 PM to 7 PM
Where: Alienware Arena --> Click HERE for map
Registration: Onsite from 5:30 PM to 6:30 PM
Game Mode: Team Death Match, all weapons and shuffle mode on
Maps to be played: Pipeline, Forbidden and Chinatown
Objective: 5 vs 5, Top 3 players within the given hour with the best K/D wins (out of 3 games played)
Top 1 Player: SAR21 Assassin (30 Days)
Top 2 Player: HK416 Forest (14 Days)
Top 3 Player: AK47 Black (7 Days)
Participation Prize: M4A1 Kitty (7 Days)
That's not all, one lucky shooter will stand to walk away with HK416 Snow for 30 Days!
Remember PLAY, Have FUN and WIN! Mark your calendars and see you there!
*Registration would be on a first-come and first-serve basis.
*Participation prize () would be given to all participants who registers.
*Event would be limited to a maximum of 50 participants.
*Lucky draw would be exclusive to all participants.
*Lucky draw would be done after the event.


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BPL Community Profile
Ross Bleakney (rossbleakney) - BPL Lifetime Member
You cannot send this user a personal message (PM) because they have not specified a PM email address yet.
All Forum Posts by Ross Bleakney
Re: pad
I use the same technique as M B: I carry a thin CCF pad that I use under the inflatable. In my case it is the NeoAir, but I would do the same with the Exped. As he mentioned, this adds a bit of pro...
Re: Mountain SuperUltraLight Backpacking ... Rainwear, Insulation, Headwear, Handwear, and Footwear
Great article. I personally think this is a great article for anyone who is interested in ultralight hiking, not just super-ultralight. There are tips here that apply to anyone who is a trying to k...
Re: Very different valve for inflatable mats/ rafts
Looks good, but it sure looks a lot like the instaflator (http://www.themillair.com/index.html) but as an integrated unit. I wonder if anyone has a patent on this sort of thing?
Re: Load lifters on the GG Crown V.C 60 Ki and other backpacks
Hi Alina, To answer your question, the load lifters are barely useful. Load lifters are not the most important part of a pack (to me) or I would just get another pack (being cheap also plays a par...
Re: Re: Waterproof AND Mosquito proof layer?
I agree with Buck. Just about every waterproof garment is also bug proof. The exception would be an umbrella or poncho (not because of the fabric, but because of how it is worn). I use a Propore ja...
Re: Load lifters on the GG Crown V.C 60 Ki
I own a Granite Gear Vapor Trail pack (a different model). It was reviewed here on this site. The reviewers found what I found: the load lifter are too low. It is otherwise a great pack. The hip be...
Re: Tarptent and Groundsheets
I use a groundsheet with my Six Moons Skyskape X. The bottom of the tent is more fragile and more expensive than a silnylon tent, so I feel it is worth it. One of the side benefits of using a groun...
Re: Re: Re: Windscreens
The one that sits on the radiation shield is very similar to the one I remember being described on this site. You are right, the bowl one is also very good. They both are quite similar, in that the...
Re: Windscreens
The reason that they don't sell a windscreen with a canister stove is generally one of liability. A windscreen could cause your canister to overheat and explode... Yes, but a windscreen like...
Re: Recent Developments in Canister Stoves
Excellent article. I'm curious about wind screens. Canister stoves have unusual demands from a wind screen perspective. BPL has written about this before (it may have been you, Roger, but I'...
All Reader Reviews by Ross Bleakney
Showing 1 - 4 of 4 | Page: 1
Gossamer Gear
Another GG review, another five out of five. This time, I broke a pole section (the lower part, or tip). It was my fault (I stepped on it) and not the fault of the pole. A call to customer support (I&...
Ultrapod Mini
I am very happy with my Ultrapod Mini. It does what is supposed to do very well. You often have to be resourceful with it; but with a little imagination, you can take great pictures. For example, if y...
Pentax Optio WP
I very much like my Optio WPi (6 mp). I have found the waterproof feature to be of much greater value than I originally expected. For winter pictures, it is really handy to set up a picture and not wo...
Eureka Zues II Exo
I bought this tent a few years ago, before I knew about tarp tents. I have been happy with it, but it is a little smaller and heavier than a tarp tent. As a free standing tent, it is more round, which...


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Effingham builder takes on cage fight for charity
Posted: May 12, 2013|
A BUILDER swapped his normal tools and hard hat for a pair of boxing gloves and a gum shield on Saturday when he participated in a cage fight for charity.
Alex Walia took part in the full contact bout at the Troxy in East London, so far raising more than £3,000 for CLIC Sargent, a charity which supports families of children with cancer.
The Effingham resident was inspired to take part in the contest by his 14-year-old stepdaughter Francesca, who was diagnosed with a brain tumour in 2007.
And despite never taking part in a cage fight in his life, the 41-year-old scored a first round stoppage against his opponent.
"He had no idea that I was doing it for charity so he came right after me," said Mr Walia. "Although he did find out afterwards and donated £50, which was a brilliant touch.
"I was very nervous in the build-up to the event but I was certainly overcome with excitement in the minutes before; it is a rush that you do not usually experience doing a normal job.
"There were quite a few fights on the card and a lot of the guys were seasoned, proper fighters. I think I was the only one doing it for charity."
Mr Walia, who runs AGL Building Solutions in Effingham, has completed several fundraising tasks for the charity, which has supported his stepdaughter through her illness for the past seven years.
On Saturday he faced his toughest challenge yet, donning just shorts, gloves and a gum shield and fighting under mostly traditional kickboxing rules within an octagonal cage.
He said: "I won't be giving up the day job anytime soon but I did really enjoy it – so who knows if I will keep it up.
"It is a massive commitment, as in the weeks leading up to the event I was training seven days a week, so I am certainly looking forward to just having a rest for now."
He added: "I am just over the moon to have raised this much money.
"I spoke to Francesca after the fight and she said she was very proud, so that was enough for me."
To donate to Mr Walia's appeal, go to uk.virginmoneygiving.com/alexwalia


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Europa Hotel San Francisco Reviews
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Reviews & Ratings Explained
The rating percentage is calculated from customers who booked within the last 12 months.
All ratings and reviews are based on the feedback and opinions of the customers who submitted them and do not express the opinions of Hostelworld.com. This way, you get an up-to-the-minute opinion of just how good a hostel really is.
Read our review guidelines »
Stuff was friendly. In the room there is a very small refridge, a microwave and TV. Sharing bathroom and restroom sucks. Very small restrooms. You should bring your own flip flops.
- Novice Nomad
- Anonymous
- Female, 31-40
- (2 reviews)
Great location - access to downtown SF and Chinatown and all that.... but, the area becomes somewhat sketchy after dark (it's in a area where there are a lot of strip clubs (including the famous Condor)). As far as the room - the bed was severely slanted to one side. The door was hellishly squeaky. Windows have no screens. Lots of dirt/dust in the corners of the room. In the woman's bathroom when you take a shower, the 1st one on the left is best.
- Novice Nomad
- Anonymous
- Female, 31-40
Didn't actually stay here as our plans changed so can't fully review this place called to cancel our reservation and, spoken to very rudely by the member of staff who answered the phone. first he said he had no booking for us Then eventually did find our booking and was only interested in the fact he wanted to charge us for one nights stay to be able to cancel. just got the feeling this place is all about getting your money. All I would say is read the other reviews. Their not helping themselves
- Novice Nomad
- Anonymous
- England
- All Male Group, 18-24
- (3 reviews)


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Mary Iverson
Madrona Branch
1134 33rd Ave.
Libraries for All Bond 1% for Art funds
Mary Iverson's oil painting, Cargo, located behind the reception desk, depicts an impressive accumulation of shipping containers arranged in massive stacks at the Port of Seattle. Using an intricate network of guidelines, Cargo employs dramatic one-point perspective to create an immense collection of multicolored boxes. The boxes form a geometric landscape that stretches endlessly towards the horizon. In compositions like Cargo, Iverson explores the expanding role of container terminals and imagines what they may look like in the future. He addresses "issues of accumulation, consumption, industry, time and ambiguity."


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Most Popular Titles With Mary Hignett
- Job Types
- Movies or TV
- Genres
- Keywords
- IMDb Rating
- Instant Watch Options
- In Theaters
- On TV
- Release Year
1. Coronation Street (1960– )
TV-PG | 30 min | Drama
The UK's longest-running TV soap, Coronation Street focuses on the everyday lives of working class people in Manchester, England.
Creator: Tony Warren | Stars: Helen Worth, Simon Gregson, William Roache, Sue Nicholls
Votes: 3,194
2. All Creatures Great and Small (1978–1990)
50 min | Comedy, Drama
The trials and misadventures of the staff of a country veterinary office in 1940's Yorkshire.
Stars: Christopher Timothy, Robert Hardy, Peter Davison, Lynda Bellingham
Votes: 1,390
3. Z Cars (1962–1978)
50 min | Crime, Drama
A gritty drama which follows the work of the police force in the fictional northern English town of Newtown.
Stars: James Ellis, John Slater, Douglas Fielding, Bernard Holley
Votes: 158
4. Prehistoric Women (1967)
90 min | Adventure, Fantasy
Jungle guide David Marchand is kidnapped by a tribe of natives who want to sacrifice him to their white rhino god. Just as he's about to be killed, however, he is thrown backwards in time ... See full summary »
Writer: Michael Carreras | Director: Michael Carreras | Stars: Martine Beswick, Edina Ronay, Michael Latimer, Stephanie Randall
Votes: 705
5. Dixon of Dock Green (1955–1976)
45 min | Crime, Drama
Creator: Ted Willis | Stars: Jack Warner, Peter Byrne, Geoffrey Adams, Arthur Rigby
Votes: 114
6. Demons of the Mind (1972)
R | 89 min | Horror, Thriller
A physician discovers that two children are being kept virtually imprisoned in their house by their father. He investigates, and discovers a web of sex, incest and satanic possession.
Writers: Christopher Wicking, Frank Godwin | Director: Peter Sykes | Stars: Robert Hardy, Shane Briant, Gillian Hills, Yvonne Mitchell
Votes: 870
7. Adam Adamant Lives! (1966–1967)
50 min | Adventure, Sci-Fi
Edwardian adventurer Adam Adamant is frozen alive in a block of ice by his arch-nemesis The Face in 1902 ; in 1966 workmen discover him and he is revived, perfectly preserved... but ... See full summary »
Creators: Richard Harris, Donald Cotton | Stars: Gerald Harper, Juliet Harmer, Jack May, Peter Ducrow
Votes: 121
8. Dr. Finlay's Casebook (1962–1971)
50 min
Dr. Finlay is part of a medical practice in the fictional Scottish town of Tannochbrae during the late 1920s.
Creator: A.J. Cronin | Stars: Bill Simpson, Andrew Cruickshank, Barbara Mullen, Eric Woodburn
Votes: 67
9. The Dustbinmen (1968–1970)
30 min | Comedy
Stars: Graham Haberfield, Bryan Pringle, Trevor Bannister, Tim Wylton
Votes: 32
10. ITV Play of the Week (1955–1974)
90 min | Comedy, Drama
Stars: Alfred Burke, Derek Francis, Laurence Hardy, Peter Wyngarde
Votes: 40
11. The Corpse (1971)
R | 91 min | Drama, Horror
A mother and daughter hatch a scheme to murder their family's domineering and sadistic patriarch.
Writer: Olaf Pooley | Director: Viktors Ritelis | Stars: Michael Gough, Yvonne Mitchell, Sharon Gurney, Simon Gough
Votes: 450
12. ITV Playhouse (1967– )
Comedy, Drama
Stars: Michael Bryant, William Simons, Katherine Barker, Gwen Nelson
Votes: 33
13. ITV Sunday Night Theatre (1969– )
78 min | Drama
Stars: Michael Balfour, Madoline Thomas, Sandra Bryant, Diane Cilento
Votes: 35
14. No Hiding Place (1959–1967)
60 min | Crime
Tales of Scotland Yard centering on a detective team. A sort of half-way house between Dixon of Dock Green and 'Z' Cars. The detectives are still 1950s style with good elecution and ... See full summary »
Stars: Raymond Francis, Eric Lander, Johnny Briggs, Michael McStay
Votes: 37
15. Emergency-Ward 10 (1957–1967)
30 min | Drama
This well-liked series was a drama/soap set in a hospital.
Stars: Jill Browne, Charles 'Bud' Tingwell, Desmond Carrington, John Carlisle
Votes: 24
16. Doomwatch (1970–1972)
50 min | Sci-Fi, Drama
Doomwatch is the nickname for the Department of Measurement of Scientific Work. Under the leadership of Nobel Prize winning physicist, Dr. Spencer Quist, the Doomwatch team struggled, for ... See full summary »
Stars: John Paul, Joby Blanshard, Simon Oates, Vivien Sherrard
Votes: 81
17. Softly Softly: Task Force (1969– )
50 min | Crime, Drama
1970s BBC police drama with experienced cop DCS Charlie Barlow. and DS John Watt who lead a task force charged with tackling the toughest chases Thamesford has to offer.
Stars: Frank Windsor, Norman Bowler, David Lloyd Meredith, Terence Rigby
Votes: 16
18. Warship (1973–1977)
50 min | Action, Drama
Stars: David Savile, Andrew Burt, James Cosmo, John Lee
Votes: 25
19. The Wednesday Play (1964–1970)
75 min | Drama
Series of one-off plays made by BBC television which gave breaks to a wide range of writers and directors in the late 60s, such as Dennis Potter, Ken Loach, David Mercer and John Hopkins. ... See full summary »
Creator: Sydney Newman | Stars: Edwin Brown, Neville Smith, Tony Selby, Ken Jones
Votes: 56
20. Softly Softly (1966–1976)
50 min | Crime, Drama
Stars: Stratford Johns, Frank Windsor, Norman Bowler, John Barron
Votes: 59
21. Mrs Thursday (1966–1967)
60 min | Comedy, Drama
Elderly cleaning lady inherits her boss's house, fortune - and butler.
Creator: Ted Willis | Stars: Kathleen Harrison, Hugh Manning, Richard Caldicot, George Waring
Votes: 16
22. The Edwardians (1972 TV Mini-Series)
50 min | Drama, History
Stars: Thorley Walters, Georgia Brown, Nigel Davenport, Michael Jayston
Votes: 36
23. Theatre 625 (1964–1968)
90 min | Drama
Stars: Michael Bryant, Judi Dench, Maurice Denham, Ronald Hines
Votes: 22
24. ITV Television Playhouse (1955–1967)
60 min | Drama
Stars: Campbell Singer, Thomas Heathcote, Dinsdale Landen, Miriam Karlin
Votes: 21
25. Mr. Rose (1967–1968)
60 min | Crime, Drama
Creator: Philip Mackie | Stars: William Mervyn, Donald Webster, Gillian Lewis, Graham Armitage
Votes: 25
26. BBC Sunday-Night Play (1960–1963)
60 min | Drama
Stars: Brian Rix, Cyril Luckham, Peter Sallis, Joby Blanshard
Votes: 36
27. Whack-O! (1956–1972)
30 min | Comedy
Stars: Jimmy Edwards, Arthur Howard, Edwin Apps, Andrew Jack
Votes: 14
28. W. Somerset Maugham (1969–1970)
50 min
Stars: Kim Kee Lim, Ahmad Jamal, Ken Nazarin, Eileen Atkins
Votes: 7
29. The Gold Robbers (1969– )
60 min | Crime
Tough cop Detective Chief Superintendent Cradock is assigned to track down and bring to justice the criminals behind the daring theft of five and half million pounds worth of gold bullion from an airfield in the South of England.
Stars: Peter Vaughan, Artro Morris, Richard Leech, Frederick Bartman
Votes: 18
30. Jane Eyre (1956– )
30 min
Stars: Daphne Slater, Stanley Baker, Dorothy Black, Joyce Chancellor
Votes: 10
31. Taxi! (1963–1964)
45 min | Comedy, Drama
Creator: Ted Willis | Stars: Sidney James, Ray Brooks, Bill Owen, Diane Aubrey
32. A Man of our Times (1967– )
60 min | Drama
Dismissed from his job as a staff manager at a furniture factory, Max finds a new job but with a low salary. Muriel, Max's mistress, thinks he should accept an offer for an employment in ... See full summary »
Creator: Julian Bond | Stars: George Cole, Diana Beevers, Jennifer Wilson, Gabrielle Blunt
33. Scotland Yard (1960– )
Stars: Geoffrey Matthews, Brian Vaughan, Ewan MacDuff, Humphrey Heathcote
Votes: 7
34. The Growing Pains of PC Penrose (1975– )
30 min | Comedy
Roy Clarke,the creator of 'Open All Hours' and 'The Last of The Summer Wine' brings another less seen comedy. New recruit PC Penrose has left his home town and joined the force in the ... See full summary »
Creator: Roy Clarke | Stars: Paul Greenwood, Bryan Pringle, Alan Foss, David Pinner
Votes: 12
35. Probation Officer (1959–1962)
60 min | Drama
Stars: John Paul, David Davies, John Scott, A.J. Brown
Votes: 13
36. Festival (1963–1964)
60 min | Drama
Stars: Cyril Cusack, David Garfield, John Wood, Ann Bell
Votes: 6
37. Sir Arthur Conan Doyle (1967– )
50 min | Drama
Conan Doyle's non-Sherlock Holmes stories embodying the author's interest in boxing, the supernatural and medical matters.
Stars: Keith Buckley, Michael Latimer, Michele Dotrice, Christopher Matthews
38. The First Lady (1968–1969)
50 min | Drama
Stories of a local councillor and her various projects
Creators: Philip Levene, Alan Plater | Stars: Thora Hird, Margaret John, Robert Keegan, Henry Knowles
Votes: 7
39. Solo for Canary (1958– )
30 min | Thriller
Stars: Andrew Osborn, Lana Morris, David Davies, John Stone
40. Silas Marner (1964– )
25 min | Drama
Stars: David Markham, Moray Watson, Daphne Anderson, Mary Hignett
41. The Sinners (1970 TV Mini-Series)
Stars: Mary Larkin, Elizabeth Begley, Martin Dempsey, Tony Doyle
42. Counterstrike (1969– )
50 min | Sci-Fi
Simon King, an alien agent from the Inter Galactic Council, is sent to Earth on a mission to stop unscrupulous refugees from a dying planet from wiping out Mankind and taking over the ... See full summary »
Stars: Jon Finch, Sarah Brackett, Katie Fitzroy, Fraser Kerr
Votes: 10
43. The Moonstone (1959– )
30 min
Stars: James Hayter, Mary Webster, James Sharkey, Annabelle Lee
44. Confession (1970– )
60 min | Drama
An anthology of 11 dramas using confessions as a central theme.
Stars: Tony Anholt, Nina Baden-Semper, Nicholas Ball, Keith Barron
45. The Befrienders (1972– )
50 min | Drama
Creator: Harry W. Junkin | Stars: Megs Jenkins, Michael Culver, Peter Armitage, Jane Wellow
46. The Lively Arts (1975– )
Documentary series taking a serious and wide-ranging look at the arts, encompassing intellectual subject matter and popular culture.
Stars: Melvyn Bragg, André Previn, Benjamin Luxon, Richard Baker
47. Champion House (1967–1968)
50 min | Drama
Drama series dealing with a family-run textiles firm.
Creators: Hazel Adair, Peter Ling | Stars: Edward Chapman, Nicole Maurey, Maurice Kaufmann, Virginia Stride
48. The Wednesday Thriller (1965– )
50 min | Thriller
Stars: Terence Alexander, Daphne Anderson, Trevor Bannister, George Benson
49. The Infamous John Friend (1959 TV Mini-Series)
240 min | Drama
Stars: William Lucas, Barry Foster, David Peel, Pat Pleasance
50. Charlesworth (1959–1960)
30 min | Drama
Stars: Wensley Pithey, Tony Church, Neil Wilson, William Mervyn


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Get the Wolves newsletter
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22:11 23rd July 2013
Wolves edge tight friendly.
Wolves set for biggest pre-season test
3 hours 30 mins ago
Michael Jacobs has joined Wigan Athletic on a permanent basis for ....
21 hours 53 mins ago
Gaffer after balance of youngsters and new faces
1 day ago
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All square in local friendly.
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Below is the poem entitled There Is Always Hope which was written by poet
Scott. Please feel free to comment on this poem. However, please remember, PoetrySoup is a place of encouragement and growth.
Read Poems by
Janice Scott
How can God forgive me for all of the terrible things I've done?
When he made the ultimate sacrifice to this world
By giving to us, His only son
When I think about Paul before
God named him Saul and
All of the evil he committed towards Christians
By making havoc of the church, entering every house
And dragging them all off to prison
I know in my heart that it doesn't matter
What I've ever been or what I've ever done
God has, for every single moment of my existence
Lavished me with His unconditional Love!
In (Timothy 1:12-16) Paul said that he was the 'chief' of sinners
Yet even so, God called him to become his most talked about minister
God used Saul to show us that we too, can be saved if we repent
Strive to obey our savior, and allow him to use us as His obedient servants!
So, no matter what you have ever done,
In your lives, and
No matter what you have ever been
Jesus Christ will always make it
So that you can always begin your life again!
There is always hope!


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Oncology Training Program
Columbia University's Herbert Irving Comprehensive Cancer Center is a National Cancer Institute designated Comprehensive Cancer Center, one of three in NYC (Einstein, Columbia and Memorial Sloan-Kettering Cancer Center). Comprehensive cancer centers are required to have laboratory, clinical and public health cancer research programs, as well as professional and lay education programs and all modalities of patient care.
A major component of Oncology training for medical oncology fellows is in the management of inpatient care, either in the Oncology unit of Milstein Hospital (MH6 Hudson North) or as consultants to other services. Fellows attend daily morning teaching rounds in the Milstein Hospital Building (MHB 6GN-435 or MHB GN5-411) and participate in inpatient care management and house staff education, including providing appropriate literature.
Inpatient consultations are required to be completed with appropriate fellow and attending notes in the patient's chart within 24 hours of the consultation request. Fellows present patients to the Oncology Consultation Service attending on teaching rounds, which occur a minimum of twice per week.
In the outpatient Irving Pavilion ambulatory cancer center, fellows provide continuity of care to their own patients during the two or three years of their training and under the supervision of the attending staff. Through the oncology outpatient clinic in the Irving Pavilion, fellows assess new patients and provide continuing care.
Fellows must attend at least 60% of the required weekly conferences. At the Oncology Pathology Conference, fellows present new or problem cases they have seen in consultation or through the inpatient or outpatient services, and propose and defend a management plan based on their review of the primary clinical studies. This conference is intended to develop the fellows' skills in critical review of oncology studies and development of a rational treatment plan as well as their presentation skills.


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Johnson City police arrested a city man early Monday morning on an accusation that he rammed his wife's car with his after an argument.
Joshua Dunnavant, 27, 303 Dyer St., was charged with aggravated assault.
Police said Dunnavant was arguing with his wife, Shawna Dunnavant, 34, at their residence before she left in her car.
Dunnavant told police he chased her in his car to try to get her to stop. He rammed the rear of her vehicle, damaging the bumper and trunk, according to a police report.
He was jailed in the Washington County Detention Center on $5,000 bond pending a Sessions Court appearance Thursday.


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Last updated August 28, 2014
Kyle D. Stedman
Assistant Professor of English, Rockford University
5050 E. State Street
Rockford, IL 61108
Ph.D., University of South Florida (2012), Rhetoric and Composition
Dissertation: Musical Rhetoric and Sonic Composing Processes
Dissertation director: Joseph M. Moxley
M.A., Georgetown University (2007), English
B.A., Rollins College (2003), English, Minor in Music
Teaching Experience
Assistant Professor, Rockford University (2012–present)
Introductory Rhetoric (RHET 101)
Intermediate Rhetoric (RHET 102)
Rhetoric of/in Digital Spaces (RHET 351)
Introduction to Creative Writing (ENGL 154)
Seminar in Creative Nonfiction (ENGL 364)
Senior Seminar (ENGL 495)
Graduate Teaching Associate, University of South Florida. Tampa, FL (2007–2011)
Composition 1 (ENC 1101)
Composition 2 (ENC 1102)
Composition 2 Online (ENC 1102)
Technical Writing (ENC 2210) (Teaching Assistant to Dr. Meredith Zoetewey)
Expository Writing as Digital Citizenship (ENC 3310)
Professional Writing (ENC 3250)
High-School Teacher, The First Academy. Orlando, FL (2003–2005)
10th- and 11th-grade English
SAT Preparation
Creative Writing
Peer-Reviewed Publications
"Making Meaning in Musical Mixes." Harlot: A Revealing Look at the Arts of Persuasion 9 (2013). Special Issue on Sonic Rhetorics.
Agency in the Age of Peer Production (with Quentin Vieregge, Taylor Mitchell, and Joe Moxley). Studies in Writing and Rhetoric. Urbana: NCTE, 2012.
"Remix Literacy and Fan Compositions." Computers and Composition 29.2 (2012): 107-23.
"Why Study Rhetoric, or, What Freestyle Rap Teaches Us about Writing," "Making Sure Your Voice is Present," "What Are New Literacies?" and "Copyright and Writing" (with Dan Richards). All published at WritingCommons.org in 2012.
"Annoying Ways People Use Sources." Writing Spaces: Readings on Writing. Vol. 2. Ed. Charles Lowe and Pavel Zemliansky. Anderson: Parlor P, 2011. 242–56.
Other Publications
"Experiencing Ambience Together: A Sonic Review of Thomas Rickert's Ambient Rhetoric: The Attunements of Rhetorical Being" (with Jonathan Stone). Composition Forum 30 (2014).
"GoldieBlox, Beastie Boys, and Online Copyright Discourse." The CCCC-IP Annual: Top Intellectual Property Developments of 2013. CCCC Intellectual Property Caucus.
Video review of Jessica Corey and Valerie Robin, "Aural Rhetorics and Multimodal Composing," at Computers and Writing 2013. Gayle Morris Sweetland Digital Rhetoric Collaborative.
"How Music Speaks: In the Background, In the Remix, In the City." Writing with Sound. Spec. issue of Currents in Electronic Literacy (2011).
"Creative Commons Plus: Increasing Options for Content Creators." Top Intellectual Property Developments of 2009. CCCC Intellectual Property Caucus.
"Blogging Florida's Reputations in First-Year Composition." Florida Studies: Proceedings of the 2008 Annual Meeting of the Florida College English Association. Ed. Claudia Slate and April Van Camp.Newcastle upon Tyne: Cambridge Scholars, 2009. 11–24.
Custom Textbooks
"College Composition: An Introduction" (with Kate Pantelides and Daniel Richards). College Composition: Making the Transition. Ed. Kendra Gayle Lee and Daniel Richards. Plymouth: Hayden-McNeil, 2010.
"Prewriting," "Finding Sources," "Evaluating Sources," "Using Sources Effectively," and "Reading Rubric Results." Artifacts: Moving Toward Agency. Ed. Taylor Joy Mitchell, Kendra Gayle Lee, Kyle Stedman, Erin Trauth, and Quentin Vieregge. Plymouth: Hayden-McNeil, 2009.
Conference Presentations
"Composing Audiences, Influences, and Classical Music," Conference on College Composition and Communication. Tampa, FL, March 2015.
"33 ⅓ Revolutions per Minute: The Changing Face of Musical Rhetoric," Computers and Writing. Pullman, WA, June 2014.
"Toward a (Fannish) Phenomenology of Sound: Nostalgia, Affect, and Lightsabers," Computers and Writing. Frostburg, MD, June 2013.
"Identification and Expectation in Music," Computers and Writing. Raleigh, NC, May 2012.
"Musical Rhetoric in the Delivery of the Digital and the Dance," Conference on College Composition and Communication. St. Louis, MO, March 2012.
"Sound Composing: Musical Rhetoric in the Ears of Composers," Computers and Writing. Ann Arbor, MI, May 2011.
"The Rhetoric of the Ridiculous in Videogame Music Remixes," International Conference on the Fantastic in the Arts. Orlando, FL, March 2011.
"Remix Rhetoric in Videogame Music and Lost Videos," Remix | Remodel. Göttingen, Germany, June 2010.
"Fan Culture and Remix Literacies," Conference on College Composition and Communication. Louisville, KY, March 2010.
"'Studying the Interaction': Remix Literacy in the Writing Classroom," Georgia Conference on Information Literacy. Savannah, GA, September 2009.
"Desmond's Dilemmas: Exploring Time, Space, and Lost in First-Year Composition," International Conference on the Fantastic in the Arts. Orlando, FL, March 2009.
"Orchestrating Change: Harmonizing the Personal and the Digital in a 'Community of Learning'" (with Joe Moxley and Quentin Vieregge), Conference on College Composition and Communication. San Francisco, CA, March 2009.
"Blogging Florida's Reputations," Florida College English Association. Ybor City, FL, October 2008.
"Sound and Silence in the City: Early Science-Fiction Film," International Conference on the Fantastic in the Arts. Orlando, FL, March 2008.
Roundtables and Workshops
Workshop Co-Leader. "Opening Doors for Multimodal Composers: Intellectual Property and Fair Use in the Classroom." Conference on College Composition and Communication. Indianapolis, IN, March 2013.
Roundtable Co-Leader. "Teaching Copyright and IP: New Ideas and Sharing," Intellectual Property Caucus, Conference on College Composition and Communication. St. Louis, MO, March 2012.
Roundtable Co-Leader. "Teaching IP with RiP!" Intellectual Property Caucus, Conference on College Composition and Communication. Atlanta, GA, April 2011.
Roundtable Moderator and Participant. "Mirth, Mischief, and Mystical Melodies: Fantastical Music Fans and Communities," International Conference on the Fantastic in the Arts. Orlando, FL, March 2011.
Roundtable Participant. "Video Killed the Radio Star: Teaching New Media," International Conference on the Fantastic in the Arts. Orlando, FL March 2009.
Workshop Co-Leader (with Sonia Jacobson). "Preventing and Responding to Plagiarism," Georgetown University's Teaching, Learning and Innovation Summer Institute. Washington, DC, May 2007.
Invited Workshop Co-Leader (with Sonia Jacobson). "Preventing and Responding to Plagiarism," Bluffton College. Bluffton, OH, January 2007.
Conference Session Chair
"Who Defines Their Rights? Opening and Resisting Access," Conference on College Composition and Communication. Indianapolis, IN, March 2014.
"Serving Those Who Serve," Conference on College Composition and Communication. Las Vegas, NV, March 2013.
"Code-Switching, Code-Meshing, and Contrastive Rhetoric," Conference on College Composition and Communication. Atlanta, GA, April 2011.
"Re-Visioning Writing Center Spaces," Florida Regional Writing Center Conference: Re-Visioning the Writing Center. Tampa, FL, April 2009.
"Talk and Time: Mapping Fannish Histories and Relationships," International Conference on the Fantastic in the Arts. Orlando, FL, March 2009.
Invited Talks and Service
Invited Speaker, "Public and 'Private' Social Media: Curating Your Academic/Professional Identity(ies) on Facebook and Twitter." Old Dominion University, January 2014.
Invited Speaker, Rockford Writers' Guild. Rockford, IL, February 2014.
Invited Judge, "Poetry Out Loud" competition. Rockford Area Arts Council, Rockford, IL, February 2014.
Local Service (Rockford University)
Intellectual Property Task Force Member, 2014–present.
Educational Technology Committee Member, 2014–present.
First-Year Advisor, 2014–present.
Student Mentor, 2013–14.
Head Marshal, 2013–14.
Forum Committee Member, 2013–present.
Judge, Colleen Holmbeck Poetry Prize, 2013.
Advisor, Disc Golf Club, 2013–present.
Search Committee Member: English (2013), Physics (2013), Reference and Instruction Librarian (2013).
Curriculum Development for Creative Writing Program, 2013.
Curriculum Development for Research Literacy initiative, 2012-13.
Local Service (University of South Florida)
Prospective Graduate Student Contact, Department of English Graduate Recruitment Committee. University of South Florida, 2008–2011.
Student Member, Graduate Council (standing council of the Faculty Senate) and the Fellowship Subcommittee. University of South Florida, 2008–2009.
Student Member, First-Year Composition Policy Committee. University of South Florida, 2007–2008.
National Service
Editorial Board, The Journal for Undergraduate Multimedia Projects. 2014–present.
Member, CCCC Intellectual Property Committee. 2014-16.
Senior Chair, CCCC Intellectual Property Caucus. 2014.
Junior Chair, CCCC Intellectual Property Caucus. 2013.
Member (1 of 10), Bedford/St. Martin's TA Advisory Board. 2011–2012.
Assistant Editor, Writing Spaces: Readings on Writings, Parlor Press. 2011–present.
Assistant Editor, Marjorie Kinnan Rawlings Journal of Florida Literature. 2001–2003.
Web Administration
Community Manager, First-Year Composition. University of South Florida. (2008–2011)
- Co-developed curricula for Composition 1, Composition 2, and Composition 2 Online
- Trained 75 teachers/year in FYC technology, including SharePoint, Blackboard, custom rubric software, and MS Office
- Designed and managed a program website with thousands of daily hits using SharePoint Services 2007, 2010, and SharePoint Designer
- Created graphics for the site using Photoshop, including visual representations of composition projects
- Produced videos on using sources, understanding difficult concepts, using web tools, using multimedia and MS Office software, and explaining composition projects
Webmaster, English Graduate Student Association. University of South Florida. (2008–2010)
Site Design and Administration. "Anything but Silence: Politics, Poetry, and Pedagogy," International Graduate Conference. Tampa, FL, March 2010.
Site Design and Administration. "Anything but Safe: Sex, Sexuality, and Gender," International Graduate Conference. Tampa, FL, March 2009.
Awards and Honors
Kairos Award for Service by Graduate Students and Adjuncts. 2011.
CCCC Chairs' Memorial Scholarship. 2010.
Rockford University
Conference Presentation Grant. 2013, 2014.
Professional Development Grant. 2013.
University of South Florida, University-Wide
Dissertation Completion Fellowship ($15,000). 2011–2012.
Provost's Award for Outstanding Teaching by a Graduate Teaching Assistant ($1,000). 2011.
College of Arts and Sciences Bright House Networks Endowed Fellowship ($7,500). 2011 (Award declined).
Provost's Commendation for Outstanding Teaching by a Graduate Teaching Assistant. 2010.
Travel Grant. Student Government, 2009–2010.
University of South Florida Department of English
Excellence in Community Management in First-Year Composition. 2011.
Harry S. Newman Award for Academic Promise ($1,000). 2011.
Irving & Mollie Rubin Award for Outstanding Graduate Student. 2010.
Alma Bryant Award for Outstanding English Graduate Student in Rhetoric and Composition. 2009.
First-Year Composition Exemplary Service certificate. 2009.
Travel Grant. 2009–2011.
First-Year Composition Travel Grant. 2009–2011.


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Business development is a strange old beast, We should know, over the years our senior team have managed the process and worked closely with around 50+ creative agencies. It never gets boring, and why should it, every agency / business is in a different position and each have their own personalities within.
Whether you're planning on exploring different new business agencies or developing a team in-house, we've identified some of the most important factors, which you can influence, and which will ensure a business development drive delivers ROI.
1. Positive attitude and ambition
New business isn't all a numbers game, but a volume of calls will ensure faster results. This job takes some energy, and even the most enthusiastic person can start to feel deflated by the whole task if the people they're delivering results for aren't behind them 100% with lots of interest, passion and excitement.
We've found that agencies with the right resource and ethos approach any prospect meeting as an opportunity. Using information provided to prepare thoughts, ideas and generally impress.
2. Focus
The clearer you are about what your agency does, what brands you want to work with, and what you'd like to do for those brands, the faster you'll penetrate your dream companies and get appropriate work. If you don't know what you want, don't expect someone new to your business to hit the nail on the head straight away.
Proposition is one thing but internal politics is often over looked. Each senior member of your team need to be focused on one goal.
3. Time
You should be inputting on which brands are being targeted and why, on an ongoing basis. Keep your eyes on the look out for brands who could do with your magic touch! What would you do for them if you had a blank brief? What do you think of their recent work? Let them know! If you get the opportunity to meet with a relevant decision maker, whether there's a live opportunity or not, find the time to start building a relationship with them and convincing them why they should be working with you on their next project.
4. Profile
You're a marketing agency – get the basics right for yourself!
Your web presence and credentials should be up to date, clear, simple and concise. At the same time, make sure you make yourself memorable and take the opportunity of a decision maker looking at your collateral to impress!
Consider how to position yourself as a thought leader within the industry you want to grow your client base, through PR and your own social media.
5. Partnership
If working with a new business agency, treat the relationship like a partnership, in which you both take equal level of interest, you both input equally, and ensure you are both on the same page in terms of direction, focus and desired outcomes.


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I use this tool to enhance my memory skills as I was beginning to see a decline in my ability to recall information quickly. However, these quick, fun games really have helped!!
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Consists of a school profile, calendars, upcoming events, programs, the staff, and resources for parents and students.
Contains upcoming events, the staff, programs and activities, a calendar, and resources for parents and students.
Contains the school profile, calendar, services, parents corner and resources.
Informs about the school and offers calendars, the staff, programs, fundraising, upcoming events, meals, and resources.
Contains upcoming events, the location, contact details, food menus, the staff, programs, calendars, and resources.


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ABCbodybuilding - View Single Post - Exercise of The Week (Females Only) #2 Discussion
Exercise of The Week (Females Only) #2 Discussion
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is 51 visitors online right now ! Let's get that number higher!!
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Posts: 8,101
Exercise of The Week (Females Only) #2 Discussion
Ab Exercises - Vacuum Contraction:
This exercise is very unique among exercises for your stomach and is one of the exercises for your stomach that most people have never performed.
Because the inner unit muscles attach from the pelvic floor to the lower spine, you'll feel a burn from front to back.
Again this, as with the other abdominal exercises, looks simple but its very challenging. It may take you a few weeks to be able to hold your abdominals for 90 seconds but it's worth it.
The vacuum pose is an isometric exercise that is done by pulling the bellybutton back towards the lower spine during a deep inhalation that is held for 15 seconds. The exercise is repeated for 3 to 5 minutes several times a day.
This pic sums it up best.
Now i know many women will be looking thinking 'jes i dont wanna look like that' trust me you wont. BUT practising this can help strengthen the stomach muscles giving you better control of them and inturn a stronger a visually smaller waist!
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So I was able to get on the wii u eshop for almost 4 minutes and enter my wind waker code - after I entered it an error code showed up and I was kicked out of the shop. I got back on and it said my code had been used - but the game never downloaded. Will nintendo give me another code? Because of the cite overload?
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A science blog with Eric Berger
Posts filtered on Tag
Two great science festivals coming to Houston
I'd be remiss in not mentioning a pair of science festivals Houston, one this Saturday and one next Saturday. Remiss because one of the goals of this blog is to promote adolescent interest in science. Tomorrow you're encouraged to attend Energy Day from 11 a.m. to 5 p.m. at City Hall's Hermann Square. I walked […] [Read More]


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Where next for superconductivity?
Apr 6, 2011 1 comment
Few physicists have had the privilege of being at the height of their career when a major breakthrough in their field is made – putting them at the leading edge of the frenzy of research that follows. Paul Michael Grant was a physicist at IBM's Almaden labs in California in 1986 when his colleagues at the firm's site in Zurich discovered the first high-temperature superconductor. Grant has devoted much of his career to the study of superconductors, and since leaving IBM in 1993 he has become a leading proponent of using superconductors to distribute electricity.
In this exclusive video Grant chats with physicsworld.com editor Hamish Johnston at the American Physical Society March Meeting in Dallas about the commercial applications of superconductors – and whether the materials have lived up to the hype unleashed 25 years ago.
Grant has also written two feature articles on superconductivity in the April 2011 issue of Physics World, which can be downloaded free of charge. The first of his two articles can also be read via this link.


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The Graduate School will provide up to $500 to help defray the expenses incurred by a Masters student who attends a national meeting and presents his/her work. Each award will be divided as follows: Up to $400, depending on the total cost of the meeting, will be applied to help defray the costs of registration, travel, and lodging, and $100 for meeting-related personal expenses of the student (e.g., attending extra-meeting dinners with one's advisor). No accounting of the personal expenses will be required.
The student must be enrolled full-time in one of the Denver campus Masters or PhD programs.
The student must have successfully passed his/her comprehensive exam (if applicable).
The student must have an abstract submitted (and preferably accepted) for presentation at the meeting.
The student must identify what other sources of support will be available to complete the funding required for this trip. Applications from students who have cost-sharing commitments from other academic partners (mentor, program, department, others) will receive preferential consideration.
Application Materials:
Application Form
Student's CV
Abstract of the work to be presented at the meeting
If possible, a letter of acceptance from the organization holding the meeting.
Submittal Deadlines:
Applications must be submitted one month before the meeting. Applications should be submitted to the Dean of the Graduate School by email (email@example.com) or campus mail (Barry Shur, Ph.D., Graduate School, Campus Box C296).
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All trademarks are registered property of the University. Used by permission only.


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The fifth season of Celebrity Fit Club, debuting sunday, April 22 at 9/8c on VH1, won't just be a battle of the bulge; it'll be a battle of the sexes, too. Says the press release:
This season is more about getting fit than shedding pounds as none of the cast is more than 40 pounds overweight but that doesn't mean the drama is any less weighty. This season's cast includes Maureen McCormick (The Brady Bunch), Dustin Diamond (Saved By The Bell), Tiffany (pop star), Cledus T. Judd (country music artist), Da Brat (hip-hop artist), Ross "The Intern" Mathews (The Tonight Show), Kimberley Locke (American Idol) and Warren G (rapper). This spring will have them embarking on their own grueling fitness journeys while also working together to reach their fitness goals.
Returning to help guide the celebs will be Dr. Ian Smith and the dreamy drill sergeant Harvey Walden IV. Psychotherapist Dr. Stacy Kaiser is joining the cast — if that rumored bust-up between Dustin and the rest of the cast is true, they'll need all the psychotherapy they can get.
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Donations needed; rummage sale to benefit Victory CenterWritten by Mary Petrides | | email@example.com
Gently-used items are being accepted for a rummage sale to benefit The Victory Center, which provides services like massage therapy and support groups for cancer patients.
HOA Cancer Center will accept donations Aug. 7 and 5-8 p.m. Aug. 11 and 18. HOA is located at 8166 Douglas Rd. in Lambertville, Mich.
The rummage sale will take 8 a.m. to 5 p.m. Aug. 28 at Lambertville United Methodist Church.
"It's great because all the money's going back to an organization that's in our community," said Andrea Coyle, marketing director for HOA. "It's going to help other people that we live with in our community, so I think that's a great thing."
Tags: HOA Cancer Center, Victory Center


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Arizona Wildcats
Arizona AD Greg Byrne: 'I'm all for the stipend'
A hotly-debated topic of late is whether or not collegiate athletes should get paid.
Some argue that athletes make their schools a considerable amount of money and should benefit financially because of it.
Others, though, say a scholarship -- or other advantages already afforded to the student-athletes -- is sufficient, since the main goal of going to college is to get an education.
Arizona athletic director Greg Byrne, as a guest of Arizona Sports 620's Doug and Wolf as part of "Newsmakers Week", shared his thoughts on the idea of giving student-athletes a stipend.
"I'm all for the stipend," he said. "I think that's a good step."
Byrne said the way things are set up right now if a collegiate athlete gets a Pell Grant they will not be eligible to receive a stipend, which isn't the way to go.
"I think in reality, the people who are qualified to secure the Pell Grants, that they're the ones that need the money the most."
Byrne said he and his father Bill, who has also spent time as an athletic director, have seen athletes take their scholarship check and use it to send money back home.
"That's not the intent of it," he said. "WE need to make sure that they're getting money in their pocket for their living expenses while they're in college, that they can have clothes on their back, shoes on their feet."
The important thing, he added, is making sure the student-athletes are "taken care of."
And that's where the stipend would come in, though the question then becomes if there will be a competitive imbalance with regards to which schools can afford to pay the stipend and which schools can't.
That, Byrne conceded, could create new divisions inside Division I athletics.
"It's certainly heading that way," he said. "Will it happen in the next five years? I don't know."
Byrne said there has been discussion about there being another division and noted media has talked about schools seceding and creating their own NCAA-like organization.
"I don't want to see it get to that point because I think the NCAA, even though they get criticized regularly, there is value that they bring," he said. "And you forget about the revenue that is generated through the Division I schools especially, and the BCS-level schools, that go to fund Division II, Division III programs and the opportunities that come along.
"And what's often forgot about when the debate about paying players and stipends and all those things, we just added sand volleyball so we're going to be at 20 sports. Eighteen of them lose money."
That means the university must find ways to keep sports that don't bring in revenue afloat. Arizona, Byrne said, gets tuition waivers and exchanges energy costs, but other than that the athletic department is self-sufficient.
"So we need to generate those dollars to help pay for those other experiences," he said. "And we can't forget, at the core of where the NCAA started it was across the board sports and having the ability for a lot of young men -- and then as Title IX continued to advance, young women -- have opportunities that we can sit here for three days and talk about those experiences on the show."
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LEXINGTON, Ky. (AP) - Kentucky coach Mark Stoops has announced that redshirt sophomore Patrick Towles will be the Wildcats' starting quarterback this season.
Stoops tweeted out his decision before Monday morning's practice, saying, "this competition has brought out the best in our quarterbacks and I'm confident in Patrick moving our team forward."
The 6-foot-5, 238-pound Towles was redshirted last season after playing five games as a freshman but came back this spring to become the favorite to lead Kentucky's pass-oriented "Air Raid" offense. The Fort Thomas native still had to beat out freshman Drew Barker, redshirt freshman and junior Maxwell Smith in fall camp and just last week coaches were expressing hope that one would distinguish himself.
Stoops ultimately chose Towles, who can throw deep but had to correct his mechanics.
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