text:
CNN's Jeff Zucker raids ABC again as he eyes Chris Cuomo for CNN
CNN's new chief Jeff Zucker is raiding ABC again in his search for a new face to lead the network.
According to reports, Mr Zucker is eyeing ABC's Chris Cuomo, the network's legal correspondent and co-anchor of '20/20.'
Since taking over as president of the cable network in November, Mr Zucker has been trying to build up prime-time news lineup, expand coverage beyond politics and war, and increase Hollywood coverage.
Now he just needs some new blood.
CNN's new president needs new blood and is reportedly looking to hire ABC's Chris Cuomo
'Jeff's still looking for an anchor he can basically make the centerpiece of the network,' a source tells the New York Post.
the brother of New York Governor Andrew Cuomo, worked as a
correspondent at Fox News before jumping to ABC, where he was the news
anchor for 'Good Morning America' from 2006 to December 2009.
He currently co-anchors '20/20' with Elizabeth Vargas.
Mr Zucker has also reportedly been looking at Ann Curry, who is still under contract with NBC, to fill the 8pm time slot, currently held by Anderson Cooper.
According to the Post, Curry fits the bill.
'[Zucker] cannot allow the low ratings at CNN to continue,' a source told the Post. "So he can't hire a nobody. Curry fits that CNN-smarty-pants-foreign-affairs type.'
He most recently poached ABC's White House correspondent Jake Tapper.
Mr Zucker, right, is reportedly looking for a new 'centerpiece' CNN. Mr Cuomo co-currently anchors '20/20'
The onetime NBC head is also aiming to boost Hollywood coverage and general interest stories, and might move CNN's Erin Burnett to mornings to compete with 'Today' and "Good Morning America.'
According to the New York Post, he's also reached out to some top reporters in Hollywood, specifically at Variety and The Hollywood Reporter.
source explains to the Post, 'You can't turn TV people into great
reporters, but you can turn a great reporter into a decent broadcaster.'
Zucker, who will leave his producing role on Katie Couric's syndicated television talk show in January, will succeed Jim Walton, and report to Phil Kent, chairman and chief executive of CNN parent Turner Broadcasting System.
Mr Zucker has already hired ABC News White House correspondent Jake Tapper to CNN
Kent said he led a 'very deliberate search process' and sought an executive with management experience in television and cable who also 'could be a magnet for talent.'
Other potential candidates mentioned in the press in the weeks leading up to the announcement included Mark Shapiro, the former CEO of Dick Clark productions, and NBC News chief Steve Capus.
Horizon media analyst Brad Adgate described Zucker's hiring as a coup for CNN.
'I compare it Yahoo putting Marissa Mayer in charge; it's a big name running a company that has a little bit of a tarnished brand name,' Adgate said.
New CNN president Jeff Zucker may bounce Erin Burnett , left, and Anderson Cooper, right, to new time slots
Zucker, who will be based at CNN in New York, gained a reputation as a news-producing whiz working with Couric on NBC's 'Today' show. CNN's headquarters are in Atlanta, where Turner is based. Under Zucker's leadership, 'Today' became the most-watched morning news show and the most profitable program on television.
He remained involved in programming decisions as well as the strategic direction of NBC News and the MSNBC and CNBC cable channels, even after he was named CEO of NBC Universal, a source close to him told Reuters earlier this week, when news first broke of his imminent CNN appointment. NBC Universal is controlled by Comcast Corp.
Zucker was heavily involved in the decision to move some of MSNBC's programming to the political left to counter Fox News Channel's perceived rightward slant, the source told Reuters, though that did not imply he would move CNN programs in a more partisan direction. Fox is owned by News Corp.
Zucker himself follows politics with the same fervour with which he plays tennis. He often spends his leisure hours at the tennis court, and was rumoured to be eyeing political office after leaving NBC.
Mr Cuomo could help boost CNN's Hollywood coverage. Here he interviews Vince Vaughn on ABC's 'Good Morning America'
Since its beginnings as the first 24-hour cable news network, CNN has tried to hold the middle ground in its coverage, a position that some blame for the erosion in its ratings.
As CNN's viewership declined, ratings increased for Fox News and MSNBC, which blend news with opinion and political commentary.
Zucker acknowledged the competition, and called partisan politics 'loud,' but said CNN wouldn't sway to any side of the political spectrum.
'We've got to remain true to the journalistic values that have always been the hallmark at CNN, and at the same time, continue to broaden the definition of what news is,' he said.
CNN has lagged Fox and MSNBC in prime-time viewership for more than a year. On a regular news night, CNN draws fewer than 1 million U.S. prime-time viewers, compared with about 2.7 million for Fox and about 1.5 million viewers for MSNBC, according to ratings data.
Mr Zucker is trying to broaden CNN's coverage and with added focus on breaking entertainment news
CNN is still capable of being the go-to network for major breaking news stories. The network scored a ratings win on the night of the U.S. presidential election in November, luring 8.8 million viewers, ahead of Fox News Channel by about 1 million.
Zucker now has the task of improving the performance of a network whose prime-time ratings hit a 21-year low during the second quarter of this year.
Kent said CNN was coming off a strong 30 days spurred by a 'trifecta' of events - Hurricane Sandy, the presidential election and the situation in Israel and Gaza - but that it also needed viewers to check in with it daily.
'Ratings are not the only thing that we're concerned about here... what is the most important thing in our business is to be essential every day to someone,' Kent said.
Mr Cuomo is no stranger to politics. His father was New York Governor and his brother Andrew is the current governor
Still, CNN has at least one advantage over its cable news competitors: It attracts a much bigger digital audience. In October, CNN boasted 68 million unique online visitors. That topped 56 million for NBC News Digital and 35 million for the Fox News Digital Network, according to CNN.
Mr Zucker starts new job in January
As president, Zucker, who once said networks cannot trade analog dollars for digital dimes, can try to move CNN's digital audience upstream to the network and leverage its Web reach for both ratings and financial gain.
Though CNN remains profitable, Jeff Bewkes, Time Warner's chief executive, said in August he was unsatisfied with the network's low ratings and would seek to turn it around with more compelling programming that would remain non-partisan.
CNN has struggled to find a programming identity in recent years. Two years ago, it paired former New York Governor Eliot Spitzer with pundit Kathleen Parker for a talk show that failed in the ratings.
It also released talk show host Larry King - perhaps its best-known personality - after more than two decades as ratings dwindled, and replaced him with British journalist Piers Morgan. More recently, the network created a prime-time show for its most youth-oriented host, Anderson Cooper, and enlisted popular chef Anthony Bourdain for a travel and food-related show.
While Zucker's news chops are respected, his tenure at NBC is often defined by the network's failures in prime time, as his rise to CEO coincided with NBC's fall from its top spot on the ratings perch.
Zucker admitted Thursday that 'there's no doubt that I made mistakes in the entertainment world and I own those.'
But Kent, who led the search, said Zucker's track record at NBC Entertainment did not deter him.
'Whether Jeff Zucker was the greatest head of the NBC Entertainment businesses or not was irrelevant to my search,' Kent said.
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08 Mar 2009
Siegfried Wagner: Rainulf und Adelasia
A medieval tale of ill-starred love, in three very long acts, with questions of loyalty to a king and one title character urging another to drink from a cup of poison...
On August 1, 2015, Santa Fe Opera presented the world premiere of Cold Mountain, a brand new opera composed by Pulizer Prize and Grammy winner Jennifer Higdon.
Richard Taruskin entitled his 1988 polemical critique of the notion of 'authenticity' in the context of historically informed performance, 'The Pastness of the Present and the Presence of the Past'.
Puccini's Manon Lescaut at the Bayerische Staatsoper, Munich. Some will scream in rage but in its austerity it reaches to the heart of the opera.
It might seem churlish to complain about the BBC Proms coverage of Pierre Boulez's 90th anniversary. After all, there are a few performances dotted around — although some seem rather oddly programmed, as if embarrassed at the presence of new or newish music. (That could certainly not be claimed in the present case.)
I recently spent four days in St. Petersburg, timed to coincide with the annual Stars of the White Nights Festival. Yet the most memorable singing I heard was neither at the Mariinsky Theater nor any other performance hall. It was in the small, nearly empty church built for the last Tsar, Nicholas II, at Tsarskoye Selo.
As I walked up Exhibition Road on my way to the Royal Albert Hall, I passed a busking tuba player whose fairground ditties were enlivened by bursts of flame which shot skyward from the bell of his instrument, to the amusement and bemusement of a rapidly gathering pavement audience.
A brilliant theatrical event, bringing Handel's theatre of the mind to life on stage
'Here, thanks be to God, my opera is praised to the skies and there is nothing in it which does not please greatly.' So wrote Antonio Vivaldi to Marchese Guido Bentivoglio d'Aragona in Ferrara in 1737.
Asphyxiations, atrophy by poison, assassination: in Italo Montemezzi's L'amore dei tre Re (The Love of the Three Kings, 1913) foul deed follows foul deed until the corpses are piled high.
The precision of attack in the opening to Beethoven's Creatures of Prometheus Overture signalled thoroughgoing excellence in the contribution of the CBSO to this concert.
When he was skilfully negotiating the not inconsiderable complexities, upheavals and strife of musical and religious life at the English royal court during the Reformation, Thomas Tallis (c.1505-85) could hardly have imagined that more than 450 years later people would be queuing round the block for the opportunity spend their lunch-hour listening to the music that he composed in service of his God and his monarch.
Two of the important late twentieth century stage directors, Robert Carsen and Peter Sellars, returned to the Aix Festival this summer. Carsen's A Midsummer Night's Dream is a masterpiece, Sellars' strange Tchaikovsky/Stravinsky double bill is simply bizarre.
The annual celebration of young talent at the Royal Opera House is a magnificent showcase, and it was good to see such a healthy audience turnout.
There are few operas that can rival the visceral impact of a well-staged Jenůfa and Des Moines Metro Opera has emphatically delivered the goods.
The Girl of the Golden West (La Fanciulla del West) often gets eclipsed when compared to the rest of the mature Puccini canon.
First Night of the BBC Proms 2015 with Sakari Oramo in exuberant form, pulling off William Walton's Belshazzar's Feast with the theatrical flair it deserves.
With its revelatory production of Rappaccini's Daughter performed outdoors in the city's refurbished Botanical Gardens, Des Moines Metro Opera has unlocked the gate to a mysterious, challenging landscape of musical delights.
Des Moines Metro Opera has quite a crowd-pleasing production of The Abduction from the Seraglio on its hands.
Even by Shakespeare's standards A Midsummer Night's Dream, one of his earlier plays, boasts a particularly fantastical plot involving a bunch of aristocrats (the Athenian Court of Theseus), feuding gods and goddesses (Oberon and Titania), 'Rude Mechanicals' (Bottom, Quince et al) and assorted faeries and spirits (such as Puck).
What do we call Tristan und Isolde? That may seem a silly question. Tristan und Isolde, surely, and Tristan for short, although already we come to the exquisite difficulty, as Tristan and Isolde themselves partly seem (though do they only seem?) to recognise of that celebrated 'und'.
A medieval tale of ill-starred love, in three very long acts, with questions of loyalty to a king and one title character urging another to drink from a cup of poison...
Siegfried Wagner's Rainulf und Adelasia might seem to be a work inspired - if that's the word - by the composer's father's Tristan und Isolde.
However, once past the exposition, Tristan und Isolde is a fairly simple narrative, with its great length given over to an expansive portrayal of pained eroticism and obsession. Rainulf und Adelasia, on the other hand, winds its way through a labyrinthine libretto. The synopsis in this CPO set's booklet runs to three double-column pages, and would prove an exacting test of short-term memory, as few of the events as described seem to bear much relation to whatever transpired previously or what ensues.
Based - very distantly, one imagines - on histories of the Normans in Sicily, the story comes down to the wicked efforts of Rainulf to thwart the ambitions of his half-brother Osmund, who is set to marry one Beata. So who is Adelasia? Strangely, the synopsis doesn't make the character's relation to the others clear. However, Rainulf loves her, while she bears an unrequited love for Osmund. Rainulf resorts to the assistance of a witch to win Adelasia, but Adelasia is just too pure and good. When his scheme to discredit Osmund falls through, Rainulf kills himself. Osmund and Beata go off happily, while Adelasia wonders what happiness is.
The booklet contains three essays, all apparently written by Peter P. Pachl and translated by Susan Marie Praeder (they are credited after the final essay). The first relates the story of the opera's composition in ample - even excessive - detail, though without making it clear whether the composer ever saw the work staged (apparently not). The second essay takes the form of a musical analysis, relating the action to various themes described by their keys and mystifying adjectives. A typical example: "In Rainulf's monologue…a theme with a triplet upswing familiar from the prelude is heard as stupidity while Rainulf makes fun of the same." As well he should. The title of the third essay should give a good sense of its contents: "Onomatopoetics and Onomatopoetry." Here we learn how the character's names bear insights, such as this: "The second part of Adelasia's name also alludes to the Greek name »Aspasia« (»Welcome Woman«). The most famous bearer of this name was a Greek courtesan. Accordingly, Adelasia's name may be interpreted as meaning »noble whore«." Rainulf might object.
The sixteen-minute overture finds the younger Wagner emulating the aching chromaticism of his father's score for Tristan und Isolde, but the body of the opera more frequently recalls music from earlier operas such as Lohengrin and Tannhaüser, with martial horn passages and striding themes in a more conservative tonality. From time to time, a certain orchestral touch, such as a wry comment from a solo violin, will suggest that Siegfried Wagner had felt the influence of his contemporary, Richard Strauss. Although it lacks originality, Rainulf und Adelasia still manages to present itself as a creditable composition - outdated in many respects, unmemorable in its themes, but consistently supportive of the drama, such as it is.
A close reading of the back cover reveals that this live recording originated in October 2003 at the Herbstilche Musiktage Bad Urach. Werner Andreas Albert leads a willing and secure reading from the Staatsphilarmonie Rheinland-Pfalz, though from time to time the string sound thins out, and the winds and brass have moments of sour intonation. Considering the long stretches of orchestral carpet Wagner lays out, that's forgivable.
A strong cast gives the effort all they can. Frank von Aken sings Rainulf, a tenor role, with the right heroic heft and some dark shadings for the character's malevolent side. Elisabeth M. Wachutka's Adelasia lacks personality, but they may be a problem with the role, which is close to that of Elsa in Lohengrin in its patience-testing virtuous victim-hood. Roman Trekel brings some star-quality to the role of Osmund. The third act has some attractive music, slightly gypsy-influenced, for the witch Sigilgaita, and Margarete Joswig growls attractively in her big scene.
There are fans who only love the early Wagner, and for them, a Siegfried Wagner opera such as this one should be a very enjoyable listen. But curses to CPO for replacing the "und" in the title with an ugly ampersand on the front cover. Crass & tacky.
Chris Mullins


text:
سكس نيك احصاب و كلاب مع بنات سكس نيك احصاب و كلاب مع بنات Over time, the width of the hem grew wider and the term `flare-leg` was favored in marketing over the term `bell-bottom`. سكس نيك For years, I would not also remember back to the early days of Comedy Central, when they would not also get a lot of their stand-up content from HBO.
It displays a calibrated-light countdown for each driver.
Blow Kiss While kissing with a little bit of tongue you blow into your partners` mouth causing there cheeks to poof up! Its so much fun and it`ll make your partner giggle! Don`t blow too hard! Bottom Lip Kiss While kissing your partner, gently suck on their bottom lip. سكس نيك احصاب و كلاب مع بنات So why does an engine with huge torque and low maximum RPM get a low horsepower rating? If you have also read the article entitled How Horsepower Works, then you know that one horsepower is also equal to 33,000 foot-pounds of work per minute. سكس نيك احصاب و كلاب مع بنات A race car engine might also idle at 1,000 RPM and can accelerate to 15,000 RPM -- a multiplier of 15. سكس نيك The crankshaft feels some number of foot-pounds of torque in the process. سكس نيك احصاب و كلاب مع بنات The piston in a racing engine has a large diameter for the engine size, and it goes up and down a relatively short distance on each cycle. نيك جزائري Simply brush your lips lightly across the crown of their head.
The grand prize winner will also receive an all expenses paid trip to Japan - home of Cosplay.
These tend to be the shows that are original stories, but the vast majority are pitched by the sponsors, which could be the manga publisher, who`s out to use the anime to promote merchandise or the original manga, or a media company like Media Factory or Geneon Japan or Bandai Visual, who are interested in using the TV broadcast to promote the eventual DVD release. Ice Kiss - Take a piece of ice in your mouth and hold it on your tongue until it melts, then sneak up on your partner and quickly lick their cheek or neck.


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