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NOT How to Sing Opera – Part 2
My previous post stirred up quite a bit of activity. That's great. Pretty much everybody who commented was of the opinion that the demonstration of how to sing opera was severely misguided. That is also a very good thing. But I want to go deeper into this topic of how we create the sounds we are looking for.
Initially I wanted to post that video mainly because it was so off-base that it was funny. I actually laughed. But then I realized that the reality is some people think that is an operatic quality. (If you missed the post I'm talking about, you can find it here: http://vocalwisdom.com/not-how-to-sing-opera)
What I want to look at now is a similar belief of how to sing opera. This is less obviously wrong, but no less mistaken.
After discussing the video with my wife I remembered a teacher at our college in the Theater department. She was a voice specialist that worked with actors. She prided herself on her knowledge of all different vocal styles and techniques.
I remember a workshop that she gave to students that I was present for. I don't remember the details and if I was participating or observing. But the thing I remember that relates was when she came to the topic of making an opera sound.
She told the students that to sing opera was very easy. All you had to do is yawn, and that would change the sound from a spoken quality, which was good for musical theater, to a rounder, more operatic sound.
Even then, before I had spent the many years studying, researching, experimenting and just generally figuring things out, I knew that she was way off-base.
As someone said in the comments to the last post, there are no shortcuts to a complete sound. This is very true. Any kind of direction to "just do this" is wrong. Even if the direction is accurate, there is no single direction that if done correctly will give you a complete sound. The complete sound that we desire is the product of a coordination of several component parts of the body all working together systematically.
And this necessary coordination is the product of years of development of sympathetic relationships. That is the aspect that young singers don't understand. And this is probably because many of their teachers don't understand it either.
The point is you can't just do certain things as a technique and immediately have an operatic sound. Just like you can't just be coached in sprinting technique and suddenly run a 10-second 100 meter dash. Even if you were able to know exactly what to do, and could execute accurately, you would need to develop the skill of coordination and the physical reactions of the nervous system to be able to achieve that goal. (Not to mention be naturally inclined to running fast)
This is why I'm always "preaching" not to focus on making a particular sound. That is just imitation. Most voices just aren't capable of an operatic sound right away. But we hear first and second year college students trying to sound like mature singers. We should always sound like what we are. That doesn't mean we can't sound good even if we are young. But if we are 19 years old, we should sound 19, not 45.
What we want is a thorough development of the body as a tone producing instrument. The tone quality we will be capable of making in 6-8 months is not the tone we can make right now (even if we do everything correct), which is not the tone quality we will be able to create in 2-3 years, or 10-15 for that matter.
Then there is the aspect that, like the sprinter, not all voices are capable of the same operatic quality. Smaller voices can become capable of great acoustic strength, but they should still have the natural characteristics of a smaller, lighter voice. They shouldn't be trying to make a bigger, darker sound that isn't natural for their instrument. And there is repertoire for most types of voices. So as long as we're not imitating some other type of voice and allowing our natural instrument to exist we will be OK.
But the main point I want to explore in this post is one about yawning to get an operatic sound. This is actually very common and most of us have been taught some version of this opinion. Yes, I include myself as well.
This belief is tied in with the mis-interpretation of what it means to have an open throat. I am reminded of the principle of medical ethics that says, "First, do no harm". We would do well to remember this when dealing with an open throat. First, do not close it.
The challenge with that is any type of imitative sound involves closing the throat in some way. For that is the only way to control and alter the timbre of our voice. Which is what we are doing when we imitate a sound, even if it is a "good" sound that we imagine.
With most examples of modern operatic singers we can hear some form of this imitative sound production. The most common is the practice of "opening" the throat to create a darker timbre. In reality, what is happening is the singer is dropping the tongue, trapping the resonance deeper in the throat and applying extra pressure on the larynx.
Probably the most famous example of this condition now is the tenor Jonas Kaufmann. He is a very talented singer that is establishing himself as the top tenor of the time. But he is certainly not a model of natural function. Many can hear his obvious distortion of his resonance toward the dark end of the spectrum.
He does this by forming the resonators, primarily with the root of the tongue, to emphasize the back and lower resonance of the throat. These are important parts of the resonance system, but only parts. They should be balanced with the higher/brighter resonances as well.
This fixed resonance condition creates a limitation of an artificially dark, dramatic tone all of the time. In the roles of Wagner that he is now doing this actually is not too disturbing. I listened to a recording of Die Walküre from last spring and it was the first time I wasn't repulsed (maybe too strong of a word) by his tone.
That's not to say it was appropriate, just that it didn't stick out as much in that style. But then he sang Faust this season and that tone is totally inappropriate for the french opera. This is what I mean by a fixed resonance. No matter what he sings the tone color is the same, whether the music is supposed to be a dramatic expression or a lyric one.
The fact that he is distorting his voice is confirmed by the lack of true vibration on the low notes of the Walküre aria and the high C of the Faust aria. Many think he is singing with an open throat. He is lowering his larynx, but it is causing him to disconnect from his larynx. So the vibration of his vocal cords are not true. He is in tune as far as pitch, for the most part, but not in terms of quality.
The real test to determine this is the character of the sung vowels. Traditional vocal training always emphasized pure vowels. Sometimes that is misunderstood because what we tend to associate with that is how we pronounce when talking. We actually do not talk with pure vowels.
Pure vowels for singing require acoustic vowels. Vowels made up of the complete acoustical spectrum of the voice. When a tone resonates completely the whole vowel is created. Often we can notice the impression that many singers only sing the bottom of the vowel. They are missing the top of the vowel.
The reason is physiological. The tongue is dropping in an attempt to have an "open" throat. So the low resonance that makes you think you have a rich tone only represents the bottom half of the vowel. It lacks the upper half. And because the upper part of the resonance, and vowel, is missing there is a lack of brilliance in the tone. Making it less present in the space and forcing the singer to work harder to produce as much result.
But the key aspect to this difference between the yawning throat and the naturally hollow throat is the ability to understand the words being sung. The majority of singers on stage today can't sing intelligible words because they are distorting their throat in order to "open" it.
This next video is from 1998 and is a good example of his natural quality. This illustrates how much he has changed how he uses his voice.
The production is not totally coordinated. But it is not deliberately distorted like he does now. The only real problem he shows is singing too much out of his mouth. This decreases the amount the resonance is able to reinforce the vibration, which would make the singing easier. It also would improve the register balance in the upper range. But he doesn't seem to have too much trouble, either.
Another example of Jonas K. singing french, this time the Pearl Fishers duet with Dmitri Hvorostovsky. In this we can hear a good example of the distorted vowel quality because it really shows up in the quiet singing. It sounds like he is holding the vowels in the back of his throat.
We can hear Hvorostovsky has some of the same quality, but not to the same degree. Let's listen to a version of this that is considered by many to be the standard.
The simplicity and purity of both voices is a real model for all singers.
So the question is, if it is so obvious that the "Kermit" approach to operatic singing is off, why is it not so obvious that the "yawning" approach is as well? They are both distortions of the throat space. The Kermit sound is trapping the resonance in the upper oro-pharynx with a raised larynx. The yawn sound is trapping the resonance in the lower oro-pharynx with a lowered larynx.
I think part of the confusion is not only with the open throat issue, but with the low larynx. It is true that in a well-coordinated voice the larynx is in a low position. But it is not preset there. The larynx lowers itself as part of the vocal gesture. And only for the fully intensified vocalism.
The larynx should always have stability. But the position of it depends on the degree of intensity. It sets itself in response to the expression. Doing any kind of preset lowering over-rides the instinctual coordination of the larynx.
The natural positioning of the larynx is what allows the singer to still sound like a person when they sing. When the vowels are distorted because of the manipulation of arbitrarily lowering the larynx they no longer sound like a person. This is because of the fabricated nature of the imitative sound. The real human character of the voice was a quality of all the great singers, regardless of vocal style.
Now, I have just used Jonas Kaufmann as an example, but he is certainly not the only modern singer doing this. And to be realistic, there were singers in the past that did this as well. They just were recognized as limited and not considered the great singers that they are now.
To close out this post I want to include some examples of singers from the past that illustrate some of the characteristics I'm talking about. These are not necessarily the "best" at what they do. (Although they are pretty darn good) They just approach the act of singing in a fairly natural way. They certainly don't make a pre-conceived sound by yawning the throat open. And for the most part we can understand the words.
Beniamino Gigli, Tenor
Notice the lift in the mouth form. The combination of strength and sweetness.
John Charles Thomas, Baritone
The Italian pronunciation isn't great. There is little dynamic contrast. But listen to the tone production. The words are clear, the resonance balanced and the vibration constant. Artistically it could be improved. But right now this is about vocalism, and for our purpose here this is a great example.
Here is an example of JCT where we can see him. He is well past his prime, and singing a light-hearted song. But the voice is still there doing what it is supposed to. And the words are still clear.
Eileen Farrell, Soprano
The first video shows Eileen Farrell in the role of Opera singer. The tone has color, and is even dark at times, but there is no hint of singing down in the throat.
This second video shows Farrell in her alternate role as Jazz singer. This is a great example of many aspects of good singing. Balance between vibration and breath, clean initiation of the voice, balanced pronunciation, spontaneous expression, varied dynamic levels. Also, it shows how it is possible for a big voiced opera singer to express naturally in a popular style. Maybe the most impressive is the healthy use of the lower register orientation that is necessary for popular styles. This actually might be better male voice oriented singing than most actual men I've heard.
Joel Berglund, Bass-Baritone
With Joel Berglund we have a great example of getting a rich, warm tone by singing in the head resonator rather than the modern way of singing in the enlarged throat.
Torsten Ralf, Helden Tenor
Ralf was a student of Flagstad's last teacher, Mdme. Haldis Ingebjart. His timbre took some getting used to for me, but he certainly uses his voice in a good way.
Rita Streich, Soprano
In both of these videos we get a good example of the lift of the face that I often talk about. This helps keep the tongue from dropping down the throat, blocking the tone.
This shows her older but still with a youthful voice.
Apollo Granforte, Baritone
A lesser known baritone, but a great example of a true huge voice. Rich and robust without the falseness of yawning. Notice the words are still clear at "e poi" sung piano near the end.
Sergei Lemeshev, Tenor
Lemeshev is a singer I plan on Spotlighting in the future. He was Russian and not well known in the west. He sometimes had instability in the middle, but the top was incredible. Although the audio is sometimes off, this video from a movie is a nice example of the perfect mouth form he used to accomplish his great head resonance.
I know this has been a long post. Thanks for going through it. I hope these concepts are getting clearer. The biggest point I want people to grasp is there is no difference between any of the various manufactured sounds. They are just different versions of the same thing.
The other thing I hope people are starting to notice is modern singers tend to keep their resonance in the throat, treating the roof of the mouth as a ceiling. The singers that exemplified traditional principles allowed the resonance to be in the head, where the roof of the mouth was more like a floor to the tone. I hope you can hear that in these examples.
Please comment below.
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I studied voice with a fine teacher, Charles A. Zerffi. He gave a good idea of how the mechanism works. When you sing you must relax the soft pallet in the upper mouth. Putting too much breath on the tone causes a wobble as per Callas. Forcing will cause the cords to scrape together and eventually will cause a polyp as in the case of Jonas Kaufmann. The operation to remove it can cause loss of quality. Ettore Bastianini suffering throat cancer refused the operation fearing loss of quality.
What I'm hearing in Kaufmann is a phenomenal combination of thinned vocal folds (light mechanism), full laryngeal pivot, and fully widened pillars of fauces (wide soft palate). Laryngeal tilt can sound VERY, VERY similar to tongue suppression, as can widened pillars. Early in my study, that was EXACTLY what I thought it was. I was very very VERY critical of most professional singers in that regard. The better my understanding of the voice becomes, the more I respect the techniques of the great singers of our time and the LESS criticisms I have. In academia, I have seen endless numbers of singers with TRUE tongue suppression, and the results are pretty much the same: entirely damped/muted overtones with virtually no carrying power and very often a complete loss of high range. Yet here Kaufmann is with a career that is snowballing bigger and bigger into the history books across many years and all of the top world stages. The houses he sings for are unholy monstrosities, and it's very, VERY unlikely that he would be satisfying in any one of them with the problems you describe that DO often plague young singers. At the end of the day, Jonas Kaufmann makes more money in classical singing than you, me, and everyone in these comments combined.
Have you heard Nadine Sierra? What do you think about her approach of singing? Someone told me that she has technical problemas and that she screams here. Can you see that here?
http://www.youtube.com/watch?v=aMeZWuC7LnQ (now I posted the vídeo)
Pingback:Q&A – Freely Accessing Upper Register | Vocal Wisdom | How to Sing | Singing Tips | Voice Lessons | Vocal Training
Thanks for your post! Very interesting to see many debates on Jonas's voice. I agreed that his voice sounded very distorted sometimes, especially with lyric arias. But do you think that could harm his voice at all? The question about the vocal health related to this "counter-natural" sounds? I remembered he always mentioned that he didn't feel comfortable about his earlier voice, and had troubles with it until he found the new techniques that he is using?
Or do you think that it is just the matter of interpretation and that his voice is somehow "naturally" dark now, and that Faust is just not the right song for his voice anymore?
I personally didn't like his romantic arias CDs, but I quite like him singing lieder.
I am a 21-years old singing learner. I think I have a potential spinto tenor voice, but now I sing in baritone keys just to save the voice as it is not mature up top yet. Hence, Jonas is quite an interesting case for me to look at. I would love to hear you to analyze further on this case. Not to criticize but truly learn from this debatable tenor.
Thanks in advance.
I appreciate your thoughtful response. Who knows what Braun's vocal quality could be if he implemented this concept of "lift" into his singing? I guess I offered him as an example because I felt he lacked the overblown quality of many professional low voices. But I agree that he could go further with intensifying the vibration.
Looking forward to your next article!
Just wanted to post this link. I think his production is much more in line with the singers of the past you are mentioning. I notice how he uses his mouth very little while pronouncing, the result is a beautifully clear and vibrant baritone sound.
Russell Braun- "Mab, la reine des mesonges"
As a 24 year old low voice, I readily identify with the pressures of prescribing to a fixed laryngal position as a means of effectively producing a dark and ominous sound. I feel this kind of tone is so incredibly prevalent in the singing today. Distorted vowels, muddy diction, loss of any feeling of real lyricism in the voice, I feel as young people we are pulled every which way. Most of the techniques and methods that are out there are really just temporary fixes, or a means to improve upon some kind of sound .
We live in a country where young people can sing nessun dorma and o mio babbino caro poorly and be championed for their bravery. How can we combat these trends? How can we change the climate of singing as a whole? Sometimes I just feel despondent over the entire situation, but I need to believe that we can do better.
This blog is a huge resource for me. I consistently find the articles and reader responses to be right in line with what I am studying and what I fervently believe in.
Michael, you illustrate so well the incredible difference between a system of fixed resonance versus a condition of balanced vocal production. I believe Kaufmann's singing is a perfect example of this dilemma. I know for me, I have always preferred the voice Kaufmann once had. I cannot pick apart his technique now, because he is working consistently at a very high level, yet I know, that I would not ever be satisfied with myself if I was forced to sing that way.
Please keep writing and know that there are those out there that feel just as you do. I hope you have a wonderful day!
Well being a tenor (age 19) and currently studying Music Education (Voice of course), I am noticing that I am becoming more aware of the vocal traps that singers and aspiring singers and fall into before their career takes off. I know that vocally, I am just a baby and my voice is not even no where near being fully developed. Yet, one thing my voice teachers in college prevented me from doing right after I graduated high school was what a lot of young singers do when they first start their studies: Making themselves sound older than they really are. My voice teachers call this and "artifice".
I agree with your "Bjorling" post earlier last year. The more natural, the better. What I noticed, is that the less I tried to sound like a "typical" opera singer, the more my voice sang naturally, without tension, without artifice and I noticed my tone became more resonant and warm.
Being a current sophomore in college, I am glad that my teachers are from the "old school" you might say. They introduced me to singers such as Jussi Bjorling and Fritz Wunderlich and Sopranos such as Kiri Te Kanawa and Arleen Auger.
Yet even I can say that there is no one trick to sing opera.
I think it's fascinating how many 'operatic' singers simply cannot sing without distorting their throats. I have mentioned this before to Michael, but I happened to catch Renee Fleming singing a jazz number on television once, and I was shocked at how bizarre her production was. Here is the clip (I hope this is okay to post): http://www.youtube.com/watch?v=2bY1unOjt7w&feature=related
Compare this with Anthony Warlow (another operatic singer who transitioned to Musical Theatre) singing a pop ballad:
(Apologies for Olivia Newton-John – this is actually one of her better numbers from the show.)
Okay, so he won't be collaborating with Gaga any time soon, but for a guy who usually sings classical musical theatre repertoire, I think he does a great job making the transition to pop. You can hear he is well-trained and has that operatic intensity at certain points, and some of his vowels are too pure, but I doubt many laymen would easily tell he was trained as an operatic baritone. When I listen to Warlow, I hear somebody whose technique allows him to sing many different genres without really changing things all that much. I hear pretty much the opposite with Fleming. Surely that's what learning to sing correctly is all about – not whether you are any good at lots of different genres, but rather that your technique isn't based on some gimmick that traps you in any particular one. I'd rather sing correctly and do McCartney numbers well than distort my voice so I can ruin Wagner. But that's just me – I really liked Kaufman's old voice. Now he sounds to me like yet another 'PVC pipe' opera singer.
When I was 16, I was in my first musical and the director gave me a book on singing: it was Seth Rigg's "Singing for the stars". If anyone has ever actually learned how to sing from that travesty, I'll eat my hat. I don't completely blame Riggs, though. The problem with any commercial product is that it has to sell, so the complexities involved usually get simplified and further simplified until the original intended message becomes some unrecognisable gimmick – "Learn to sing reasonably well by doing lots of careful work over a lifetime of sacrifice" does not have quite the same ring to it as "Master singing opera in 5 days from your couch without doing ANYTHING AT ALL!!". I very much doubt that a single person who makes the effort to seek out and read this blog has been swayed by those sorts of marketing spiels.
Beatrice: I certainly appreciate you sharing your knowledge and personal experiences here for all of us to read, and I do not mind standing corrected if I learn something from it. However, while I agree with almost everything you say, I think you have mischaracterized what I was trying to get across in my last post. I was not advocating modern vocal coaches and their methods per se, and I certainly wasn't defending these "study at home" courses – I don't think I even mentioned anything about Internet courses. I may have not worded my statements in an ideal way due to being tired at the time, but I was simply trying to point out how some of these vocal coaches (which seems to be the new popular term used to refer to "voice teachers") have the right ideas and would agree with us in some ways.
That isn't to say that these guys are correct in everything they do. Do I think there are vocal coaches out there who can teach good singing? Sure. But you are absolutely right that many of these people promote themselves as providing "quick fixes" to people's vocal problems – they'll probably help a guy bridge his falsetto and chest voice or eliminate some tension around the neck, but probably won't build a voice from the ground up. And as I'm sure many of us have noticed, lots of the singers who these vocal coaches help "improve" were already talented before they ever took a lesson.
But when I said that I would rather a young singer study with a "modern vocal coach" than with a classical yawn-singing imitator teacher, I was not trying to bash classical training in any way, nor was I saying that these contemporary methods are better than real classical training. As Michael said, it really boils down to a question of good teacher vs. bad teacher. There are good teachers and bad teachers in the contemporary coaching world, just as there are good and bad teachers in the classical world. That doesn't mean that even the majority of contemporary methods are based on good foundations, but there are good coaches out there.
There is more I'd like to say, but I have to be somewhere very soon. I'll return later, though.


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List of pseudo-French words adapted to English
From Wikipedia, the free encyclopedia
This is a list of pseudo-French words adopted from French and adapted in such a way into English that their original meanings are no longer readily recognised by indigenous French speakers due to the new circumstances in which they were being used in English:
Several such French expressions have found a home in English. The first continued in its adopted language in its original obsolete form centuries after it had changed its morpheme in national French:
- bon viveur — the second word is not used in French as such, while in English it often takes the place of a fashionable man, a sophisticate, a man used to elegant ways, a man-about-town, in fact a bon vivant. In French a viveur is a rake or debauchee; bon does not come into it.
The French bon vivant is the usage for an epicure, a person who enjoys good food. Bonne vivante is not used.
- Entrée in French on a restaurant menu does not have the meaning of "main course" that it does in American English (in French that is "plat"), but instead refers to the course preceding the main course, namely the first course in a three-course meal, or what in British English is also called a "starter" and in American English an "appetizer" (Australasian English however uses 'Entree' in the same sense as French). Thus a three-course meal in French consists of an "entrée" (first course), a "plat" (the main course) and "dessert".[1]
- Law French - Many words used in modern law are derived from now-archaic French words that have lost their meaning for native French speakers.
- Rendez-vous — merely means "meeting" or "appointment" in French, but in English has taken on other overtones. Connotations such as secretiveness have crept into the English version, which is sometimes used as a verb. It has also come to mean a particular place where people of a certain type, such as tourists or people who originate from a certain locality, may meet. In recent years, both the verb and the noun have taken on the additional meaning of a location where two spacecraft are brought together for a limited period, usually for docking or retrieval.[citation needed]
- Portmanteau words are called mot-valises in French. The word portemanteau (or porte-manteau) generally refers to a coat hanger nowadays. However, it used to also refer to a form of suitcase containing two separated hinged compartments, which metaphorically became a word containing two distinct words. Interestingly, the French word mot-valise literally means "suitcase-word".
- ^ Source: universal French menu usage and Larousse "Grand Dictionnaire Français/Anglais - Anglais-Français": s.v. entrée (7): First course, starter: "je prendrai une salade en entrée — I'll have a salad to start with."

subset: commoncrawl


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Explore Lightroom 5's features for emailing photos and sharing them on social media networks like Facebook and Flickr.
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Shows how to develop an interactive photo gallery for a web site using HTML, CSS, and jQuery.
"Keep up the good work—it's helping so many of us stay up to speed on all the many topics involved in building creative websites." —Sandra M.
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We are searching for a highly qualified candidate to lead Merchant Marketing for Klarna in the US. This role is responsible for driving marketing strategy and execution of marketing activities and materials used by the Commercial team to sign and grow merchants in the US. The6/22/2015 Columbus, OH Save This Job
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The latest ticket, which matched 5 numbers and no Mega Ball, was sold at a QuikTrip in Garland
Lottery ticket sold in Garland is Dallas area's second million-dollar winner in a week
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Watch Warrior Online – Free Streaming 2011 Full Movie on Putlocker.The footage proven of Tommy Riordan wrestling in substantial college is actually higher college footage of Pennsylvania large school standout, and later on NCAA Division I champion and US Olympic team member Cary Kolat. Kolat was also unbeaten during his higher school career as it is advised Tommy was.The story actually is gut-wrenchingly highly effective and presented in an engaging vogue.
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Hey guys, good to see that some of you guys scored wave 7! I canceled my HTS order today for a few reasons, mostly because they are morons! Anyways, I need
2 Tat Annie's
2 Hammer Jedi's
Clean Orange and white Sandy's
Oh and can't forget about a few Mc Snowy's.
[FONT=Tahoma]I was born at night, but not last night.[/FONT]You Shouldn't believe everything that you read.(Like my posts)
My HTS order was shipped, but the Biker Scouts are still pending. Is it possible to cancel that part of the order and get it refunded?
Well, this time I decided to try to avoid the scalper scum and headed northeast instead into the valley. As Deoxy already knows, I found a couple figs. Then I kept driving, and driving, and driving. The Topanga Canyon blvd exit off the 118 is breathtaking, there's an amazing rock formation right after you make that left (the namesake of Stoney Point state park, I'll wager). Here are my sightings from the trip:
So that route was another 60 miles, just like my easterly route, and it took around the same 4 hours with all the stopping, plus early lunch at Porter Ranch In-n-Out (it smelled sooo good to not go there, the place is like an old folks' home though with all the elderly customers). All in all, I did the 101, 170, 405, 118, highway 27, and finally the 101 back.
- Panorama City WM - 1 mangled UGH Biggs.
- Van Nuys Target - 1 Hermi Odle, 1 3PO/Salacious, mine now. Sitting right on the front of the pegs, very odd.
- Porter Ranch WM - nada.
- Porter Ranch TRU - tons of Saggy Legends, nothing new from the looks of it, just 2 TAC figs.
- Canoga Park Target - 3 UGHs and McVader, I bought an UGH Galactic Marine and McVader. (McVader's up for trade, I need McLeia and McSnowie and my god are these McNames dopey)
- West Hills WM - mountain of SLs and old TAC.
- West Hills Target - nothing, but how wild is it that there's a Target and WM in the same shopping center? There's a Kohls too, but I've never been and heard they only occasionally have SW, I was burned out on walking through stores by then.
- Woodland Hills TRU - zip, spotted it on the way to the 101 for the trip home and figured WTF.
My wants list is finally down to a feeling of non-horror:
- Darth Malak (unless Speck has one for me)
- Pre-Cyborg Grievous
- 2x McQuarrie Concept Starkiller Hero
- 2x McQuarrie Concept Snowtrooper (although I may have a lead on 1)
- all of wave 7
- SL Sandtrooper with Evolutions body and weapon: http://www.rebelscum.com/toys2007/IMG_7358.jpg
- Transformers Masterpiece Starscream (WM-exclusive)
Darth Vader is becoming the Mickey Mouse of Star Wars.
"In Brooklyn, a castle, is where dwell I"
The use of a lightsaber does not make one a Jedi, it is the ability to not use it.
thanks Chux Turbo LBC Bobafrett Mtriv73 Rjarvis JF96 JT JMG FB Rogue2 Tycho Slicker Deoxy Caesar JontheJedi JJReason Brandon Solo JMS UK for great deals.
SSG Pro Football Pick em and Bowl Pick em Champ 2006. 2007 NCAA Bracket Champ
#24 - Gone but not forgotten
I should probably check out the 5 north soon, I already know that the 5 south from my place is as convoluted as the devil's rectum so I try to avoid it at all costs - I even drive an extra mile down Vermont ave and sit in heavy traffic on the 101 south there when I need the 10 or 60 because the 5 is just a horror show.
Darth Vader is becoming the Mickey Mouse of Star Wars.
"In Brooklyn, a castle, is where dwell I"
The use of a lightsaber does not make one a Jedi, it is the ability to not use it.
HTS has most of the new Marvel Legends wave and FF4 wave in stock. But sold out of Hydra Soldier, Sue Storm, and Namor.
Sue Storm (aka the Invisible Broad ) and Namor were at Baldwin Park WM on Sunday (they were on a separate island near the far end of toys), first time I had seen Sue. No Hydra Soldiers. The Thing is the star of this wave IMO, I've not seen Silver Surfer in person or the Hydra Soldier, but Dr Doom who should have been good just looks very plain.
Darth Vader is becoming the Mickey Mouse of Star Wars.
"In Brooklyn, a castle, is where dwell I"
The use of a lightsaber does not make one a Jedi, it is the ability to not use it.


text:
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Olympic gold medalist Lindsey Vonn talks about doing physical therapy and rehabbing with Patriots TE Rob Gronkowski. Vote for Best Comeback at ESPYS.com.
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Coastal Carolina Driving School Inc
- (910) 794-4944
- 3715 Patriot Way
- Wilmington NC 28412
Read user reviews
Coastal Carolina Driving School3715 Patriot Way Suite 137, Wilmington, NC 28412, United StatesShowing 5 reviews out of 5 total
Renee Mayberry12/04/105 Stars - At this school the class is actually fun to attend and still learn stuff at the same time.poke doke10/26/134 Stars -A Google User01/12/125 Stars - Teachers are the best ever! I took this class during Christmas break and hated to see it end. Thanks to Coastal Carolina Driving School I have my permit now and I am going to be the best defensive driver ever. If you are looking for the best driving school in wilmington this is it.A Google User11/09/105 Stars - If you're exploring options for driving school for yourself, your family or your friends, you will not find a better driving school in New Hanover Country! Seriously, these folks are prompt with their communication, they are great instructors and they are THE experts. I am thrilled to have been to Coastal Carolina Driving School! Oh wait, I think I'll go out for a drive now . . .A Google User10/28/105 Stars - this was a great class, the instructors are fun and make learning easy. thank you for helping me pass my test.


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Indian Springs Middle School hosted a swim meet Tuesday night. Pictured above, Eagle Maggie Vandersaul swims the butterfly.
Results and more photos from TuesdayŌĆÖs meet will appear in The Post & Mail as they become available.
CHURUBUSCO ŌĆö Churubusco senior Jason Nicodemus is going to end his season where dreams are made: at the state wrestling tournament in Indianapolis.
Nicodemus has already had a memorable season. Before adding a state trip to his resume, he won the NECC championship at 220 pounds and was also a sectional and regional champion.
This will be the first ŌĆśBusco wrestler to advance to state in two years.
COLUMBIA CITY ŌĆö Indian Springs Middle SchoolŌĆÖs 8th-grade Lady Stars played host to the Lady Squires of Manchester Wednesday night.
The Lady Stars improved to 8-5 on the season with a 36-17 win over the visitors.
Mason Van Houten scored 20 points to lead Indian Springs.
Madison Hansen also chipped in 11 points. Crystal Van Houten and Justene Whitehead each scored two points and Bella Krieg added a free throw to round out the scoring for ISMS.
ŌĆ£We finally put four quarters together and it paid off,ŌĆØ said coach Tommy Baldwin. ŌĆ£We won as a team tonight.ŌĆØ


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HSBC "lift" by Grey London
Agency: Grey London
Rating: 5.0
campaignlive.co.uk, Thursday, 27 September 2012 08:00AM
Leo Burnett is setting the trend with its idea to launch the 20-foot Missile For Peace. The missile, seen touring the streets of London on a military vehicle last week, was supposed to be filled with people's written accounts of incidents of violence and hatred (gathered via social media) before being destroyed in a field in Cambridge on the International Day of Peace last Friday - all in aid of Peace One Day. We hear the missile was detonated, but no-one saw it as, sadly, the live screening was postponed. There are now loads of petrified birds in Cambridge writing their own messages of hatred for Leo Burnett. It would seem it's War 1 Peace 0.
This article was first published on campaignlive.co.uk
Before commenting please read our rules for commenting on articles.
If you see a comment you find offensive, you can flag it as inappropriate. In the top right-hand corner of an individual comment, you will see 'flag as inappropriate'. Clicking this prompts us to review the comment. For further information see our rules for commenting on articles.
Agency: Grey London
Rating: 5.0


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i wouldnt want kennedy in the first 5 rounds. he is highly over rated. laporta and dallessio are 2 2nd/4th round guys i hope we have a shot atOriginally Posted by edabbs44
i wouldnt want kennedy in the first 5 rounds. he is highly over rated. laporta and dallessio are 2 2nd/4th round guys i hope we have a shot atOriginally Posted by edabbs44
yea, thats quality thinking right there, insert RYAN WAGNEROriginally Posted by cincyinco
I am for the college pitcher this year b/c they are, most likely, closer to the majors than a high school pitcher. I think the Reds have the hitting in place and by the time a few HS pitchers get to the majors, Dunn and Co. will be headed for NY or another big market. I don't think it is college ranks at all costs, but I think there are enough college pitchers to take one in the 1st and possibly the 2nd.Originally Posted by dougdirt
See, I think that's a bit of a misnomer. Clearly there are a number of guys drafted out of high school who pitch in the majors today; if there weren't, clearly people would stop drafting those guys. In a lot of cases, guys in high school who otherwise would be high round picks drop because of signability issues. If a guy has a strong commitment to a certain college, he will be much harder to sign. Even if the guy is shooting up the boards and could be the top HS pitcher taken, he could turn teams down. Boras HS clients are notorious for this; he wants his guys to go through college.Originally Posted by M2
Also, it's not just high school pitchers who scouts have trouble identifying as possible top talents. How about high school hitters? Junior college pitchers? College hitters? In fact, it seems more like that unless a guy is a sure thing, there's a likelihood that the guy won't be worth taking, as it were. And even in a number of cases, those sure things could still bust. Injuries happen to everyone in baseball, no matter how talented, in shape, and mechanically sound they may be. Look at how many busts there have been in every draft, it's almost as if scouts have a historical inability to identify the true best talents in any draft, period!
Finally, Kazmir was not a Boras client. Moorad represented him in that draft, according to BA. One of the reasons why he dropped to the Mutts was because rumors were flying about his contract demands.
Well sure. Though I'm not saying don't draft HS arms. All I'm saying is MLB scouting departments have yet to figure out to pick them with the higher degrees of accuracy you see with the best college arms, HS players and college players.Originally Posted by Outshined_One
It's a weird blind spot. You'd expect some sort random luck to hit, but it almost never does. With the guys I'm talking about (top 15 picks, not the best overall pitcher on the board) you're talking about Kent Mercker, Scott Garrelts, Steve Trout and the Blue Jays model of Chris Carpenter as the best overall returns on prep arms for the teams that picked them (that's over the last 30 drafts).
That just screams electrified third rail to me.
Raisel Ghul, the Demon's Head
Make that a thing.
Has Laporta dropped that far? It'd be awesome to get the most power potential in the draft with our second round pick. If somebody takes him though, I'd look for Max Sapp or possibly Kasey Kiker in the second.laporta and dallessio are 2 2nd/4th round guys i hope we have a shot at
Is it a possibility that Dallas Buck could be available in the second round? He hasn't had a great year with control, but he's supposed to have a fastball around 90MPH and a nasty slider.
Oh please, save the drama. Ryan Wagner is a relief pitcher.Originally Posted by NewEraReds
And Jared Weaver is in the bigs. I dont think Marrow/Lincecum/Lincoln are that far off personally. A year or two at most.
"I hate to advocate chemicals, alcohol, violence or insanity to anyone... But they've always worked for me."
-Hunter S. Thompson
I am not sure about LaPorta, I have seen a few people suggesting he's a second rounder now but he could still very well go in the first or at least supplemental round between first and second.Originally Posted by Superdude
Buck is a guy I've been paying attention to myself as a guy who's fallen off into a second round guy now along with conference mate Ian Kennedy. From most accounts, he will be available in the second, and I don't think it would hurt to take him in the second even if we have a college pitcher in the first as I am definitely hoping for (Morrow or Bard are my preferences; I like Lincoln a lot also but doubt he'll be there at 8). Postion players are certainly lacking but to get two potentially good college arms in the first couple rounds to help stock upper-level minors in a short time would seem more important in the interim. The control problems Buck has suffered some of the year are definitely attention-grabbing, but from what I've read of scouts, at least at last check, it isn't anything too alarming and is still considered a second round talent.
Buck's had the same problems as Kennedy in that he's lost his velocity this season, iirc.
MLB.com has updated their mock draft. I like this pick.
8. Cincinnati Reds: Tim Lincecum, University of Washington
It'll be a decision between a high school bat (New Jersey's Bill Rowell) and a college arm. Rowell was being brought in for a private workout, and if he wowed the Reds brass, they could still go with the future third baseman. Cincy's interest in Lincecum is relatively new news to me, but he is a guy who, if he goes into the 'pen, could be up by August. He's got electric stuff and a rubber arm, but the questions about his size (5-foot-10) and durability remain -- the reason he will likely slip down this far after being talked about in the top spot.
Last week's projection: Bill Rowell
I miss Adam Dunn.
Is Lincecum a closer candidate?
The Sox traded Bullfrog the only player they've got for Shottenhoffen. Four-eyes Shottenhoffen a utility infielder. They've got a whole team of utility infielders.
I like him more as a starter. I've heard him compared to Roy Oswalt.Originally Posted by LoganBuck
I miss Adam Dunn.
I'm not a fan of drafting relief pitchers of any ilk in the first round. If you don't project them to be a reasonably ceilinged starter, then just pick someone else. That was what I thought about Wagner when he was picked. Hopefully they'll give Lincecum a chance to start, but he sounds to be of similar stature as Medlock, so if they take him they'll likely make him a reliever at some point, regardless of how he performs starting.
I agree that if the Reds will be taking a pitcher their intention had better be to make that pitcher a starter. IMO, that was the major sin with Wagner. He had electric stuff and JimBo and Co. got it in their heads they could rush that to the majors in the pen at a time when a primo closer wasn't going to make much of a difference for the club.
Meanwhile, had the plan for Wagner been to do the more involved work of training him to be a starter (and the crucial question for the scouts should have been CAN he be an effective starter?), then he might be on the doorstep of the majors right now. He doesn't turn 24 until July. Imagine having a big hoss starter to add to Harang and Arroyo in the near future. Pretty tasty scenario, IMO.
As for the Linecum speculation, I'd be amazed if he's there for the Reds and thrilled if the club takes him. In general BA has been all over where players are falling in the draft in recent years and they still seem to think he's going inside the top 5.
Raisel Ghul, the Demon's Head
Make that a thing.
there is just 2 things i dont want to see, and they go hand in hand kind of. that is drafting....
....a player you plan to move to the pen
....a player just cause he is most ready
if you turn a starter into a closer/reliever later on okay, but dont draft a guy at 8 overall planning to do this. and please, please dont draft on most ready. that will having you losing now and in the future. you need to draft the best players possible. i dont want a guy who is ready now, i want the best players. now if best and most ready are one in the same, then that is GREAT. i dont care about hs, college, pitcher, positional, i just want who we feel is the best
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People keep saying that PRL has no effect on speeds. Well when my speeds tripled above previous max, even temporarily, after a weird PRL update (01115), then you're calling ME a liar. I have never hit 2500 down I barely hit 1000 down. Until yesterday morning or whenever. I'm not a genius but it obviously did SOMETHING for some people. I'm just venting out of irritation for people basically calling us idiots for putting two and two together.
Get off your f***ing soapbox. Unless you design these towers or these phones or the standards used, then the fact is, that you don't know what effects things can have on phones. The people who made then don't know half the damn time.
All done now. Play nice.
Sent from my PC36100 using XDA App
From Sprint Forums.
"Ok so looking into it, here are the changes in layman in the 60678/1115 update:
The 60678 PRL will remove 3G roaming coverage in FL, MI, OH, WV and WI for all Consumers. Business IL and CL customers however, will get PRL 1115 with continued 3G roaming service.
I don't know why, I don't have access to the information used to make this decision. I'm assuming the roaming agreements expired and the options were either remove roaming entirely for all customers in these areas, or limit the number of accounts that can roam there (making it be only business accounts that will roam on 3G in these areas).
If the account is setup as a Business Individual Liable or Business Corporate Liable account there will be EvDO roaming in these areas, if the Sprint account is a standard consumer account there will only be 1xRTT roaming. The Sprint.com coverage map will only show the 1xRTT coverage in these areas regardless. The Business accounts are receiving a custom PRL, not the standard national PRL all other devices receive.
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Centralia is a first-person horror-puzzle game. Our focus is on the artistic side of the game so we have aimed to leave almost none of Valve's original textures or models in our game. We'll also be adding lots of custom sounds. Some small changes will be made to the source code of the engine but this will remain largely unchanged owing to its complexity. Jim Fletcher is a curious, young, local journalist looking to make a name for himself by landing an exciting story on the ever-burning Centralia. He will travel from his town to Centralia, where a coal mine fire has been burning for half a century. The town has been abandoned for decades, leaving the eerie shell of a community behind. What will Jim uncover on his quest to make that all important good story? Developed by Andrew Furniss & Oliver Davies.
Dec 5th, 2012 0 people agree 0 people don't
it was to short and one jumpscare
Nov 9th, 2012 0 people agree 0 people don't
Texture errors , no full story and in the the time it takes for someone to die in space would take longer that this mod
Oct 19th, 2012 0 people agree 0 people don't
The Good: -Good introductional video. It got me excited
- Everything is custom content and not ripped off from anywhere.
The Bad:
- Too short
-Subpar level design
-No action
-Overused scares
-TERRIBLE performance problems thanks to small texture scales, which also show horrible repetition patterns.
-Way too obvious voice hints.
-Models geometry is alright but they are badly textured and have huge spikes in lod transitions.
If this was an experimental mod by a couple of game development students, then: Keep trying, but remember that huge amount of polygons and huge texture resolutions can´t compete good modelling and good texturing.
Oct 10th, 2012 0 people agree 0 people don't
In my opinion, this is a pretty decent mod. While it may be very short, it also shows a well designed atmosphere. It's classic, but it's pretty cool and I personally like it. You modders should consider making more mods. But this time, please try to make more levels (if not, find others who might be able to) and add a bit more detail into the storyline. Overall, I will gladly give this modification an 8/10. It would've gotten atleast a 10/10 if it had just a few more things to add.
I recommend the rest of you HL2 fans to download this mod - if you're into horror and scary stuff.
Sep 30th, 2012 0 people agree 0 people don't
Centralia isn't a bad start, but it could use some work. From a visual standpoint, view distance is awfully low and graphical glitches exist. Note that there isn't much gameplay at all at this point in time, but what was shown was interesting enough though a bit too cheesy and unoriginal.
Sep 15th, 2012 0 people agree 0 people don't
I'm not even sure what I just played. I have no idea what just happened.
This has proven to be unsubstantial to me. The term 'puzzles' would be used generously here, as there's nothing particularly puzzling in it.
The story is also quite awkwardly presented. You can't assume the player has read the synopsis on here, because they don't in all cases, as strange as that may seem. That was the case for me, as I went on the rating alone. The way it opens right now, it may as well be a drunken dare among kids as far as I could tell.
Sep 12th, 2012 0 people agree 0 people don't
Well put together, not using any valve textures really made it feel like something different. Much to short but I think it was intended, its not incomplete. Polished little mod, well done!
Sep 5th, 2012 0 people agree 1 person doesn't
Nice Atmosphere and scared me sometimes , I kinda liked it :3
Sep 2nd, 2012 0 people agree 0 people don't
Bad mapped, and I diden't like the textures.
However, the story was kinda catchy, but waaaaaaaaaaaaaay to short.
Aug 29th, 2012 0 people agree 0 people don't
The idea was good but didn't quite nail it. Needs more of a background story be longer


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Weekdays at Noon on 92.3 KTAR
KTAR Middays
Final Word: Drop the iPad and parenting is easy
Too many studies? Perhaps.
Too many studies about the proper way to parent? Definitely.
An article in Philly Magazine this week asserts that American parents read too many studies about parenting, and thus do their kids more harm than good.
If you've had children, you've probably bought the "What to Expect When You're Expecting" books series. But, if you're like most parents, you might have had the best intentions to read the whole thing and then fell behind.
Instead, you read the daily news and see an average of five articles a day about the new "best practices." So, trying to do the right thing, you change tactics.
You let the baby "cry it out" instead of going in to check every time they need you.
You use formula instead of breastfeeding.
You hold off on immunizations, fearing autism.
But the real damage we do, according to this study, is the lack of physical and eye-to-eye contact. The study finds that moms check their Facebook status more than any other group of people.
That baby in the stroller? He needs to see mom's face. That's how he learns to process emotion. If you're looking at a screen, what is your child seeing?
And who hasn't seen the mom at the park on their cell phone. The kid is trying to get their attention to show them the cartwheel or the sand castle. Mom is too busy texting to look up.
We are raising a nation of screen-hungry kids who aren't sure how they feel about things. It's no wonder.
There's a new parenting study out. I wrote it.
It's pretty simple: Put down your device and pick up your kids.
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Early Claiming Activity Robust at Oaklawn
Oaklawn Park racing secretary Pat Pope predicted that claiming activity would be "very robust" during the 2015 meeting that began Jan. 15. So far, Pope is right.
Oaklawn Park racing secretary Pat Pope predicted that claiming activity would be "very robust" during the 2015 meeting that began Jan. 15. So far, Pope is right.
Daddy's Kid could be the class play as he takes on eight opponents in the $200,00 John B. Connally Turf Cup (gr. IIIT) at Sam Houston Race Park the night of Jan. 24. Also on the bill is the $400,000 Houston Ladies Classic.
Trainer Chris Hartman notched the 1,000th victory of his career Sunday, June 22 when Silver Rock Star prevailed by a neck in the seventh race at Prairie Meadows.
Graded stakes-placed four times in the past year, Taptowne is eyeing a breakthrough win for trainer Tim Glyshaw in the $200,000 Texas Mile (gr. III) on the night of April 26 at Lone Star Park.
Odds-on choice Admiral Kitten surged through the stretch to catch Fredericksburg just in time for a neck victory in the $200,000 John B. Connally Turf Cup (gr. IIIT) on the night of Jan. 25 at Sam Houston Race Park.
The Big Bad Kittens are invading Texas, as grade I winner Admiral Kitten faces seven opponents in the $200,000 John B. Connally Turf Cup (gr. IIIT) at Sam Houston Race Park Jan. 25.
TimeformUS Weekend Plays from Oaklawn and Santa Anita read blog
Jockey Chris Landeros won his 1,000th race Sept. 7 when he guided Major Marvel to victory in the $100,000 Unbridled Stakes at Louisiana Downs.
Favored Prayer for Relief turned the tables on his local nemesis Alternation and held off a determined run from Worldly by a head in the $175,000 Governor's Cup Stakes on the night of Aug. 17.
Trainer Mike Maker was represented by his 1,000th career winner March 16 when Magical Season won the third race at Fair Grounds.
Swift Warrior made his first-ever start at Sam Houston Race Park a successful one Jan. 26, when he beat nine rivals in the John B. Connally Turf Cup Stakes (gr. IIIT) in a pacesetting effort.
Global Stage and Forest Mouse, the first two finishers in the Veteran Stakes at Zia Park, head the field for the $200,000 Zia Park Distance Championship Dec. 3, the richest Thoroughbred race of the season at Hobbs, N.M.
Stately Victor, a grade I winner in Kentucky, and Bring the Heat, a 14-year-old stallion, will stand in 2013 at Doug Arnold's Buck Pond Farm near Versailles, Ky.
Pin Oak Stable's Alternation became a millionaire with a victory in the $200,000 Governor's Cup at Remington Park Aug. 11, but he had to work for it.
Alternation seeks redemption against a short field of four others in the $200,000 Governor's Cup Stakes at Remington Park Aug. 11, but Zayat Stables' speedy Prayer for Relief presents a challenge.
Odds-on choice Hunters Bay had no problem with the 1 1/4-mile distance in his first try, putting away Pender Harbour in deep stretch to post a one-length victory in the $204,961 Dominion Day Stakes (Can-III) at Woodbine.
Pender Harbour, Canada's champion 3-year-old male of 2011, will try to make it two straight when he takes on five rivals in the Dominion Day Stakes (Can-III) at Woodbine July 1.
Trainer and Mike Maker and Thoroughbred owner Harvey Diamond have been down the Derby trail together...but this time they mean it.
Making his stakes debut in the $200,000 John B. Connally Turf Cup, favored Papaw Bodie surged to the lead in upper stretch to post a convincing win at Sam Houston Race Park on the night of Jan. 28.
Proceed Bee is the obvious choice in the Jan. 28 John B. Connally Turf Cup Stakes (gr. IIIT) at Sam Houston Race Park. But he will face some still competition from the likes of several other promising horses.
Sam Houston Race Park will launch Thoroughbred racing in Texas for 2012 with average daily purses of $160,000, highest in the track's 18-year history.
Who will win the Clark Handicap (gr. I) at Churchill Downs? Will it be one of the horses that ran in the Breeders' Cup, or a new face? How will the others finish? Predict the Order
This year's Breeders' Cup may be a memory, but no fewer than five horses that competed in the 2011 World Championships are back at Churchill Downs for the $500,000 Clark Handicap (gr. I) Nov. 25.
City Wolf, making his stakes debut, shook loose of his rivals at the head of the stretch to register his fourth consecutive victory for trainer Reade Baker in the $144,589 Durham Cup (Can-III) at Woodbine Oct. 2.
Eye of the Leopard, the 2009 Queen's Plate Stakes winner and Canada's champion 3-year-old male, will be making his first start of the year as he takes on several fellow stakes-winning veterans in the Durham Cup.
|Breeder / Owner
|And Music Came
|Benard Chatters
|Barrier Reef
|Jerenesto Torrez
|Dallas E. Keen
|Fifteen Love
|Jerenesto Torrez
|Chris A. Hartman
|Southern Anthem
|Michelle Lovell
|Spinning Touch
|Kenneth K. Chadborn, Jr.
|Michael E. Biehler
|Stately Victor
|Michael J. Maker
|Purple Violet S.
|Victory Ride S. (gr. III)
|Dwyer S. (gr. III)
|Belmont Derby Invitational S. (gr. I)
|Suburban H. (gr. II)


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mplaints Business Editors/Legal Writers NEW YORK--(BUSINESS WIRE)--April 16, 1999--The following was released today by Stull, Stull & Brody: Notice to purchasers of the following securities for the following class periods: (NYSE:SHG), (ASE:TSC), (NASDAQ:STAF), (NASDAQ:NETA), (OTC:CPMI), (NASDAQ:PCTY), (NASDAQ:PGNS), (NYSE:AMD), (NASDAQ:SFSK), and (NASDAQ:CATP). CORPORATION CLASS PERIOD Sun Healthcare Group, Inc. (NYSE:SHG) 6/2/98 - 2/1/99 The Stephan Co. (ASE:TSC) 8/4/98 - 4/1/99 StaffMark, Inc. (NASDAQ:STAF) 7/6/97 - 3/2/99 Network Associates, Inc. (NASDAQ:NETA) 1/20/98 - 4/6/99 Complete Management, Inc. (OTC:CPMI) 5/1/96 - 8/13/98 Party City Corporation (NASDAQ:PCTY) 7/23/98 - 3/19/99 Pathogenesis Corp. (NASDAQ:PGNS) 1/26/99 - 3/22/99 Advanced Micro Devices, Inc. (NYSE:AMD) 7/13/98 - 3/9/99 Safeskin Corp. (NASDAQ:SFSK) 10/23/97 - 3/11/99 Cambridge Technology Partners, Inc. (NASDAQ:CATP) 11/25/98 - 3/18/99 You should be aware that class action complaints involving the securities of the above companies were filed on behalf of investors by the law firm of Stull, Stull & Brody. Stull, Stull & Brody has litigated many class actions for violations of securities laws in federal and state courts over the past 25 years and has obtained court approval of substantial settlements on numerous occasions. If you wish to discuss these cases or have any questions concerning your rights or interests, please contact Tzivia Brody, Esq. at Stull, Stull & Brody by calling toll free 1-800-337-4983 or via e-mail at firstname.lastname@example.com or via fax at 212/490-2022, or by writing Stull, Stull & Brody, 6 E. 45th Street, New York, N.Y. 10017.
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|« Back to Article
Soccer: Expectations motivate Mavs
By Jason McDaniel | February 5, 2013
Photo By Diana L. Porter/FreelanceCinco Ranch's Gavin Burgess (4) battled for control of the ball with Jason Aiken of Morton Ranch (23) as the two teams faced off in district play at Morton Ranch High School on Friday.
Photo By Diana L. Porter/FreelanceMorton Ranch varsity soccer coach Oscar Marquez. Photo by Diana L. Porter
Photo By Diana L. Porter/FreelanceMorton Ranch's Elias Rhodes keept the ball in bounds as the Mavericks took on Cinco Ranch in district play at Morton Ranch High School on Friday.
Photo By Diana L. Porter/FreelanceMorton Ranch's Santiago Franco (8) battled for control of the ball with Luis Gordoa (6) of Cinco Ranch as the two teams faced off in district play.
More Information
Morton Ranch
Mascot: Mavericks
Coach: Oscar Marquez, first season
2012: 20-4-6 overall, 8-2-4 in District 19-5A, Class 5A state finalists
2013: District 19-5A members with Katy, Cinco Ranch, Seven Lakes, Katy Taylor, Mayde Creek, Strake Jesuit and Memorial.
Next up: The Mavericks play at 7:30 p.m. on Friday at Strake Jesuit.
Key returners: F Jason Aiken, D Isaiah Shine, F Marco Cardozo, MF Elias Rhodes, MF Santiago Franco
Morton Ranch was a Class 5A state finalist last season.
But after losing most of the players from that team to graduation, all that's left are the expectations.
"We were on cloud nine last year," coach Oscar Marquez said. "We were 4 minutes and 57 seconds away from being state champs. We had three opportunities to get one goal in to be state champs and it just didn't go our way.
"Now this year we lost 14 seniors, and I can tell you, all 14 of them played a huge part in last year's team."
So did former coach David Bammel, who left in the offseason for Lake Travis, leaving Marquez, the freshman coach last year, to keep the Mavericks' boys soccer tradition alive and well.
That left Marquez, in his fourth season overall at Morton Ranch, in the rare position of taking over a returning state finalist, with all the pressure and expectations that go along with that as well.
But Marquez says that's driving him, and keeping the players motivated.
"Last year set the bar really high, and sometimes the boys may forget about that," he said. "We lost 14 kids … and now we're starting with a fresh group, and unfortunately for them, ready or not, they've got a target on their back."
Despite their losses and lack of varsity experience, the Mavs are shooting for a return to the postseason. Once they get in, anything can happen, as last season's run to the state final illustrated.
Along the way, they upset Elsik and Austin Westlake before falling 3-2 to Mission Sharyland in a shootout.
Of course, Omar Acosta, the District 19-5A offensive MVP who tied a state record with five goals at the state tournament is gone, along with top defender Jeremie Batiste, the co-district MVP.
That leaves returning starters Jason Aiken, a senior forward, and Isaiah Shine, a senior defender, to lead the way.
"(Aiken's) in a position where a lot of the boys are looking to him for leadership, and he's going to have to play the role of facilitator," Marquez said. "He's going to have to create for the boys and create opportunities for himself, and he's embracing that role and trying to fill it the best he can."
Shine captains the defense, which lost six of the players who helped Morton Ranch blank its first five playoff opponents last year.
Without him – Shine rolled his ankle early last Friday - the Mavs lost 3-2 to Cinco Ranch.
"I'm not going to take anything away from Cinco Ranch," Marquez said. "They're very disciplined and they got us on set plays. We kind of got shocked when Isaiah went down, and it took the boys a while to wake up.
"But Isaiah being there definitely helps our chances to win."
Marquez said Shine could miss another week, putting more pressure on the forwards and midfielders, who already are short-handed. Elias Rhodes is filling in at outside mid because two returning mids have been ineligible all season.
Morton Ranch did, however, get two players back who missed all of last season after suffering ACL injuries early on: junior forward Marco Cardozo and senior center midfielder Santiago Franco.
The Mavericks were 5-4-3 overall and 1-1 in district entering this week.
The keys going forward, Marquez said, are finding ways to score without Acosta drawing so much attention from the team's other forwards and finishing strong in the final third of big matches. "We still have the potential; we just have to put it together," Marquez said. "It's a learning process and I just hope that the learning doesn't take too long."


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Saturday, November 3, 2007
© Copyright 2015 Gwinnett Daily Post
It's been somewhat of a surprise that Ohio State has vaulted to No. 1 in the college football polls, when experts had predicted others like USC or LSU at that spot.And the biggest surprise for the nation's top-ranked team? Peachtree Ridge grad Cameron Heyward. Buckeye head coach Jim Tressel said just that at his weekly press conference following Heyward's five-tackle, one-sack performance against Penn State. It was the true freshman defensive lineman's fourth straight start for the 9-0 team. "A guy like Cameron Heyward as a true freshman in the trenches, that's unusual," Tressel said on Tuesday. "Not that we didn't think he was very, very good and all that type of thing, but I guess that's one that jumps up at me." Heyward is a bit surprised himself. An anchor for Peachtree Ridge's Class AAAAA state co-champions in 2006, he prepared himself for the path faced by most high school linemen when they enter college - take a redshirt season to gain weight and strength. That's particularly the case with linemen at the nation's bigger and better programs, and Ohio State certainly qualifies for that category. But as the season progressed, the Buckeyes were hit with an injury or two on the defensive front. That gave Heyward an opening, which he has turned into a starting gig. "I never expected (to play as a true freshman)," Heyward said. "I was hoping for it. I just worked hard over the summer and decided I would see how it worked out." The 6-foot-6, 282-pounder has 18 tackles (12 solos), 61⁄2 tackles for losses and 21⁄2 sacks. He was named the team's Attack Force Player of the Week for his efforts vs. Penn State, and also was the team's lone nomination for the Jack Tatum Hit of the Week. He earned that nod for a big shot on a Nittany Lion receiver last week. His contributions are huge, taking some heat off Ohio State junior Vernon Gholston, who has a team-leading six sacks. "Cameron needs to continue to play strong and handle a lot of duties," Tressel said. "A lot of people like to run away from (Gholston) and that means the guys on the other side get a little bit more traffic. Cameron's done an excellent job in holding up his end of the bargain. There will be a day when they're not running toward (Heyward), I'm sure. And he's going to be a darn good football player." Heyward admitted he's not as physically strong as he'd like to be, but few true freshman enter college ready for Big 10 football. But still he's holding his own and enjoying the ride for a team with national title aspirations. "Every time you go out there you've got to be your best," Heyward said. "In high school you only had a couple of good guys you were up against. In college everybody's big. Everybody's fast."
More like this story
- Gwinnett players on a ... Title Hunt
Ohio State defenders Grant, Heyward eye BCS title win over LSU ( January 6, 2008 )
- Heyward's back, and Buckeyes are glad ( April 6, 2010 )
- Buckeyes happy to have Heyward back ( April 6, 2010 )
- Tressel continues dominance over Michigan
Ohio State beats Michigan again, win Big Ten ( November 18, 2007 )
- Lions' Heyward commits to Ohio State ( February 1, 2007 )


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The Mary Berry Story
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What a fabulous example of elegance and humilty she is! A simply lovely woman who carried two hours of television without succumbing to unnecessary drama and me, me, me hysterics like you have to endure so often with many tv personalities.
And I love her partnership with Paul Hollywood (is it just me, or is he quite attractive?
). They complement eachother so well and she never tries to steal the limelight from the competitors....she just does her job and does it very well, always with kindness and grace.
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Jonathan Tang September 25, 2005 Eng 393 - Harris Information Age In the world today, technology is forever changing. Computers and electronics bought mere months ago become old and obsolete in the blink of an eye. With the movement of technological advancement, information becomes more abundant and accessible. The field of information systems (study of the computer systems that support everyday information flow) directly affects daily lives around the world - for schools, businesses, and corporations alike. The efficiency and effectiveness of an information system is pertinent to the operations of an institution. With information playing such an important role this day in age, it is becoming more and more personified through the use of metaphors - which is defined as the substitution of one idea or object with another, used to assist expression or understanding (knowgramming.com). By expressing the similarities of technology and information in our common lives, society is able to relate to the usefulness and importance that this field brings to us. New Meaning Using metaphorical references gives new representation to an object, a place, an event, etc... The substitution between two things almost gives a new definition or meaning to the phrase created. Take for example "couch potato;" surely this doesn't mean a potato grown from a couch (knowgramming.com/metaphors), but rather it defines a person who is lazy and unwilling to move from the confines of his/her seat. A "rug rat" isn't a rat that lives or plays in a rug or on rugs (knowgramming.com/metaphors), but rather it refers to babies due to their inability to walk and so they spend most of their time crawling on the rug or on the floor. When people say "money talks," they aren't referring to the idea that your dollar bills or your twenty dollar bills can speak to you or anyone else (www.des.emory.edu). It means that money can speak louder than any words can, whether it is for payment, a bribe, or even a donation. The discussed idea of new definition and meaning is especially evident in the world of information systems. Effect on Society Dependence on machines and technological advancements grow more and more each day. Systems are built to better lives and simplify work. Some of the manual labors that once existed now become automated. It is evident that information systems have changed the way of living through the years. As a result, the internet is called the "information superhighway" (philosophy.uoregon.edu/metaphor/iclacnf4.htm). However, this doesn't necessarily mean it's a roadway that individuals take to work or school. It's simply a metaphor that describes how one can travel through the net to a different destination (i.e. jumping from a website in America to a website in Denmark). A highway also represents an innovation that simplifies travel. It was created as a faster and more efficient way to get from one destination to another. The internet being regarded as the information superhighway has its merits. Through the keyboard and mouse we are able to search thousands of websites and retrieve millions of resources on subjects that before took us days, if not weeks to get from a local library; it builds a "highway" from homes and offices to information sources at a click of a mouse button. The information system as an efficient and simplifying entity comes into light when it is referred as "the information system is a mill," (www.econ.uba.ar). A mill is defined as a factory, any machine, or building fitted with machinery for manufacturing processes (Oxford, 1977). A mill is an example of an entity or institution that provides an efficient and simple way to produce goods. The information system being referred to the mill is for its capability to large quantities of information efficiently and effectively. Sometimes the most subtle things represent a type of similarity to everyday life. The desktop of a computer where you can throw away "trash" into the recycle bin, represents a likeness in our lives that no one would think about (philosophy.uoregon.edu/metaphor/gui4web.htm). The simple pick up and dropping of trash into the trashcan can be signified through the computer in the process we know as "drag and drop," where one drags the item and drops it into the recycle bin. This similarity created by software programmers such as Microsoft and Apple, personifies the usage of personal computers to real life. It can be viewed as a way of alleviating the learning curve in having to think too much about the technicalities of operating a computer. Rather than finding a file and deleting it manually by command lines or text, a user is given the same motion of throwing out trash on his PC as one would do in real life. Future and Beyond Technology is constantly evolving and along with it information systems must evolve too. Information systems will continue to influence institutions for years to come. The continued use of metaphors in describing and furthering of technological innovations will create a better understanding of the concepts and usages behind what would be complex inventions. Works Cited: "Funny Metaphors." Welcome to the Adventures of a Sci-Phi Pilot. 1997. 18 September 2005 <http://knowgramming.com/metaphors/metaphor_chapters/funny_metaphors.htm>. "Common and Silly Metaphors." Division of Educational Studies, Emory University. 2005. 18 September 2005 <http://www.des.emory.edu/mfp/303/303metaphors.pdf> Rohrer, Tim. "Conceptual Blending on the Information Highway: How Metaphorical Inferences Work." 1997. 16 September 2005 <http://philosophy.uoregon.edu/metaphor/iclacnf4.htm>. Rohrer, Tim. "Metaphors we compute by: bringing magic into interface design." 1995. 18 September 2005 <http://philosophy.uoregon.edu/metaphor/gui4web.htm>. Gazendam, Henk. "Information System Metaphors." 2000. 18 September 2005 <http://www.econ.uba.ar/servicios/publicaciones/journal3/contents/HGazendam/methaph ors.htm>. Oxford 1977Unpublished PhD Thesis, Eindhoven: Technische Hogeschool Eindhoven. Audience Analysis The audience possesses a basic fundamental knowledge of computers and Information Systems. They are educated adults and UMBC students. Their ages range from 17 to 55 years and include both males and females. In depth knowledge in computers is not needed for the enjoyment of this paper. This report was created to bring attention to the importance and effect of information systems in our everyday lives. The information provided is available to any individual interested in computers and information systems. The audience will gain insight on the significance of information systems and how metaphors are used to demonstrate that ideal.
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Saturday, 04 February 2012 06:41
Around 250 million years ago, most life on Earth was wiped out in an extinction known as the "Great Dying." Geologists have learned that the end came slowly from thousands of centuries of volcanic activity.
Read more: ScienceDaily: Marine Biology News
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Destiny DanceRead MoreThe instructors at Destiny Dance Studio don't just want new dancers to learn the right footwork—they want them to have fun moving to the music. Group classes help beginning to advanced students learn new steps and polish their techniques. They can work on their partnership skills by swapping partners or opting to dance only with the person or cardboard cutout they came with. During 45-minute private lessons, pros address dancers' individual strengths and areas for improvement and tutor them in styles such as tango, two-step, and swing. Teachers also help soon-to-wed couples perfect their first dance, ensuring they feel graceful as they cut the cake.101 W County Line RdHighlands Ranch, CO US
X-Treme Dance ForceRead MoreAfter wowing audiences with her dance moves for more than 25 years, Rachelle Nemec—a former captain of the Denver Nuggets Dancers who has twirled across Las Vegas stages and several TV commercials—decided to ignite a passion for the arts in her community's children. At X-treme Dance Force, she helms an experienced crew of dance instructors who hail from such prestigious arts organizations as the Houston Grand Opera, Hawaii's Iona Contemporary Dance Theatre, and the Kim Robards Dance company. They teach kids of all abilities to perform a variety of dance styles that range from contemporary pointe and tap to hip-hop in classes divided by age. Their comprehensive instruction helps students master fundamental moves and confidently conquer turns, leaps, and shuffles for memorable touchdown celebrations. The instructors further prepare kids for a career in the arts with drama and musical-theater training, and they host auditions for the studio's three dance companies, which whip advanced students into performance form. In addition to the studio's yearly dance competitions, these students show off their moves at instructional dance conventions, Denver Nuggets games, Colorado Christian University basketball games, and local fairs.8204 South Kipling ParkwayLittleton, CO US
Belliston Academy of BalletRead MoreSince 1979, over 10,000 students have taken classes at a Belliston school. With 2 locations, we serve the Broomfield, Westminster, Thornton, Arvada, Denver, Lakewood, Littleton, Highlands Ranch, Englewood, and Lone Tree all are areas of Denver Metro.8310 West Coal Mine AvenueLittleton, CO US


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I have logic express 8 and want to upgrade to logic pro 9 how do I do that
- Asked by Kevin K from Grand Junction
QA Logic Studio
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Best Answer:
You can select the logic express to logic studio upgrade box when purchasing. The upgrade from Express to Studio is currently 100 dollars more than upgrading logic pro to logic studio.
- Answered by Michael P from Atlanta


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Bedford Heights
HEB ISD Recognizes Anna Marceca!
5th Grade, Bedford Heights
Named to Hospital's Children's Advisory Board
Anna Marceca, a 5th grader at Bedford Heights, has been named to the Children's Advisory Board at Texas Children's Hospital in Houston. Anna will participate in meetings with hospital advisers to give input from a child's perspective about different aspects of hospital care and services to children.
This month Board members met to discuss various food options at the hospital.
Questions on the agenda included "what kinds of foods would you like to see on the in-patient menu?"
We are excited that Anna has received such an honor from such a prestigious hospital and she has the opportunity to participate in such an important educational process!
-- Submitted by Cindy Lotton
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Dean Bluegrass F Mandolin
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For bluesgrass on a budget.
This traditional F-style mandolin features a select spruce top, maple back and sides, and maple neck with extended rosewood fingerboard. 13-3/4" scale. Other amenities include gold hardware and mother-of-pearl binding. Vintage sunburst finish.
- Select spruce top
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A great little mandolin for a plain-folks price. Order today and play.


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A high-end, well-made, and surprisingly quiet saw. Read more »
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Raspberry Pis are neat because they have so many applications and are open to creative expansion by any user with an idea. And they're only $35! The downside of that low price is that no accessories are included, which means no case. After the Raspberry Pi Meetup here at MAKE,... Read more »
I am a recently hired intern at MAKE and I work in MAKE Labs. My first build was the "Audiobook," one of the projects for an upcoming issue of MAKE. It turned out to be fun to build and a good introductory project for me. Read more »


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Home » Italian » Italian Pasta » Linguine » Simple Linguine » Linguine With White Bean Puttanesca
Linguine With White Bean Puttanesca
25 Aug 2010
|Whole wheat linguine
|6 Ounce
|Olive oil
|1 Tablespoon
|1 , chopped
|3 Clove (15 gm), minced
|Dried oregano
|1 Teaspoon
|Red pepper
|1⁄4 Teaspoon, crushed
|Canned diced tomatoes
|14 1⁄2 Ounce (1 Can)
|Pimiento stuffed olives
|12 , sliced
|Drained capers
|1 Tablespoon, chopped
|Canned white beans
|15 1⁄2 Ounce, drained, rinsed (1 Can Of Small Sized Beans)
|1⁄4 Teaspoon
|Chopped parsley
|2 Tablespoon
1. Cook the linguine according to package directions, omitting salt if desired; drain and place in a large bowl.
2. Meanwhile, heat the oil in a large non-stick skillet over medium-high heat. Add the onion, garlic, oregano, and crushed red pepper; cook, stirring occasionally, until the onion softens, about 2-3 minutes. Stir in the tomatoes, olives, and capers; simmer, stirring occasionally, until the sauce thickens, about 6-7 minutes. Add the beans and salt; cook until heated through, about 1 minute.
3. Pour the beans and sauce over the linguine, sprinkle with the parsley, and serve at once.
Recipe Summary
Course:Main Dish
Method:Stir Fried
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Linguine With White Bean Puttanesca Recipe


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I am staying here on 4th Floor (not sea side but parking side). View is awesome. If you depend on public transportation or want to save GAS bills of your car and you plan to use ride T buses to Quincy… Full Review ▶
Hi, I have lived here for 6 years and I absolutely love it! I probably have one of the best apartments in the complex, but it's still awesome. I have never had any legit maintenance issues and the ones that I… Full Review ▶
Maintenance workers are kind and responsive. I had draining problems with my tub and they responded in less than an hour and even called a contractor to ensure I never had issues again. Never did. The big draw to the Clipper… Full Review ▶
I loved The Clipper when I first moved in. I was on the water side, and the view of the docks was lovely. The walls were so thick between apartments that you'd never know there was anyone anywhere near you. Yes,… Full Review ▶
Just because it's cheaper, doesn't mean you're getting a great deal. There are catches. First I've called (as I usually do) as two different people and got two different quotes on THE SAME apartment. They have these guatemalians/-------- (they all seem… Full Review ▶
I have lived here for four years. When I first moved here the tenants were very clean and respectable. I don't know what has happened in the past couple of years but believe me this building is going to the birds.… Full Review ▶
This place is graet to live.. the noise ..what noise? Seriously you dont hear anything. You are by the water. The people are great... management is awesome. There is always parking, the grounds are clean, is 7 minutes away from boston.… Full Review ▶
This apartment is on the water and has a marina on the grounds. The building is clean and well kept. The staff is excellent. All the residents I have met are very nice and friendly. It seems to be a very… Full Review ▶
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|$ 2022
Laundry On-Site
Rent Trends
|Avg. Monthly Rent
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