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Living in London: An Interview with Colleen Becker
August 2, 2013 · Print This Article
Today Richard had the good fortune to e-mail interview friend, former colleague, mischief maker, and all around giant of consciousness Colleen Becker.
Colleen Becker is an American writer and academic living in London. Her published work spans fiction and non-fiction genres, including flash fiction, academic articles, journalism, art reviews, and essays, and she has read at numerous venues including Princeton University, the Tate Modern, and Foyles Bookshop. She holds PhD, MPhil and MA degrees from Columbia University and a MA from NYU, and she is a 2013-14 Visiting Fellow at the University of London, School of Advanced Studies, Institute of Germanic and Romance Studies. She has text based artwork included in an exhibition at the Anatomy Museum, King's College London. "Translation Gamesâ€Curated by Ricarda Vidal (KCL) and Jenny Chamarette (QM) which runs from 31st July to 2nd August 2013
Richard Holland: Colleen Becker, welcome to Bad at Sports!
Colleen Becker: Thanks! I'm so happy to participate in this interview!
RH: You are currently, among a vast number of other titles and pursuits, a visiting fellow at the University of London, School of Advanced Studies, Institute for Germanic and Romance Studies. What are your researching?
CB: I'm doing a post-doctoral fellowship within IGRS's Centre for Cultural Memory. Broadly speaking, my area of research is the cultural history of German nationalism. My project is titled: "The Art of Becoming a Nation: Turn-of-the-Century German Visual Culture,†and if you're still reading, I will be examining and positioning artifacts of visual culture as manifestations of identity that memorialize understandings of the self in relation to others, from the individual act of depicting one's own or another's milieu to the collective feat of representing an entire community in both political and visual terms.
RH: What are "Translation Games�
CB: "Translation Games†is the brainchild of curators Ricarda Vidal (King's College, London) and Jenny Chamarette (Queen Mary, London), who were interested in exploring the concept of translation through various textual, auditory, and visual media. They hired me to write a flash fiction piece of 250 words, with a conventional narrative structure (beginning, middle, end). My story "What We Made†formed the basis for a game of "Chinese Whispers†("Telephone†in American English), in which only a couple of the artists or foreign language translators received the original text while all of the others worked off of received "translations.†Interestingly, the first textile designer who read my work was dyslexic and misread the story before passing it along to the other textile artists—so, even the original version was "lost in translation.â€
RH: The Anatomy Museum, sounds dirty, what is the Anatomy museum and is it a contemporary art venue, or is in more like the Museum of Surgical Science in Chicago which is *not* and art venue but has the occasional show to be quirky?
CB: I have a soft spot in my heart for the Museum of Surgical Science in Chicago. During my most memorable visit, a swarm of flies hovered menacingly over the vitrine of Pompeian gynecological instruments.
The Anatomy Museum is part of King's College, which is Ricarda's affiliated institution. It has a creepily fascinating Victorian history as an anatomy theatre, but it's not a contemporary art space per se.
So the project takes language, in this particular case a short story that you have written, and through the process of translation and retranslation the text evolves into a new form, is that a fair summary of the core idea? Yes.
RH: Are you familiar with Alvin Lucier's "I am sitting in a room� Lucier made a recording himself narrating a text, and then playing the recording back into the room, re-recorded it. The new recording is then played back and re-recorded, and this process is repeated over and over again. All volumes of space have characteristic resonant frequencies, the repeated recording and re-recording eventually acts to, in essence, filter out the language and what is left is a set of frequencies emphasized as they resonate in the room. Finally the words become unintelligible, replaced by the pure resonant harmonies and tones of the room itself like a signature. This project seems like the language version of Lucier's piece. If you were to translate and retranslate over and over, do you eventually end up with the resonant frequency of the translator or of the text itself, common tonal elements that could not be lost in translation?
CB: Thank you for the enormously flattering comparison! In addition to the physical works of art, the story and its translations also have been performed a number of times. At a workshop in early July, for example, Ricarda and Jenny grouped artists and translators together and we read the text all at once, or in orchestrated sections, and the result was a living Tower of Babel. There is a certain musical quality, and rhythm, to each group reading, which is possibly best experienced by viewing the video of the performance. "What We Made†was translated into several different languages, and then retranslated back into English, which changed the length of the text in each instance. So when the translated versions were read out loud at the same time as the original version, the distinctions between them were quite noticeable.
RH: In addition to the linguistic part of the project, the text is re (and re-re- and re-re-re- etc.) interpreted through varieties of art media as well. I wonder how the 27th re-re to the 27th iteration of the work will relate to the original text.
CB: Curiously, the common elements you described in the previous question were more obvious in the works of art. Even though artists were working from received translations, rather than the original text, we noticed that they all seemed to convey a similar mood, attitude, or tone, also found within the story.
RH: You have had an impressively diverse and fascinating career as an author, a critic and an academic. Over the course of this career have you found that, to speak in clichés, your ideas are at times lost in translation, and somehow fail to make the leap from what we assume to be a common symbolic language (text)utilized to convey ideas to each other? In the face of, for example, an English fluent reader missing the point of an English language text, when your work has been translated in to other languages it must be a source of concern that your ideas are additional steps away from the original meaning and stand a reduced risk of reaching the target audience in pure form.
CB: It's a challenge for any writer, working in any genre or format, to precisely convey their ideas to their audience. I've always been fascinated by what happens at the intersection of intention and reception; there's a bit of alchemy, in my view. Maybe I'm being pessimistic, but I doubt there's any such thing as pure or unmediated communication. On the other hand, I'm a thorough editor and unflinching critic of my own writing.
RH: Is the answer then to sit everyone down and explain your ideas specifically? I suppose that assumes a world where the person listening is *actually* listening and not checking twitter on their phone.
CB: It's the writer's responsibility to connect the dots, but also to communicate in terms that are appropriate for the intended audience. When you publish something, you don't know how it's going to be received and there's no accounting for other peoples' attentiveness, or lack thereof. But I think the best writers are able to hold their readers' attention for the duration of their engagement with the work.
RH: How did you become involved with this project?
CB: Ricarda remembered me from the Shortness at Tate Modern conference, which she organized along with Irini Marinaki and Konstantinos Stefanis. She approached me about writing a text for Translation Games.
RH: You were a participant in the "[V]ery short conference and a very long dinner†called SHORTNESS AT TATE MODERN, along with DJ Spooky, Jonathan Allen, Matthew Steven Carlos, Steven Connor and others. You spoke under the auspices of being a "flash fiction writerâ€. I like the idea of short conferences and long dinners. What is flash fiction and what was the focus of the conference?
CB: Flash fiction is a story written in 1,000 words or less. The most famous example is Ernest Hemmingway's "For Sale: Baby Shoes, Never Worn,†which is the entire narrative. I'm fascinated by the way in which subtext provides as much, or even more, of the story to the reader. More so than other genres, flash fiction operates at the interface between the writer and the reader.
Shortness At Tate Modern had two components: conference papers presented in an auditorium and a long dinner in an upstairs room that was interrupted by various performances, demonstrations and interventions. That's where I read my short story "B&I,†which is set in Chicago. I was pretty nervous about presenting to an audience that included DJ Spooky, since I'm an admirer of his and I had taught his work to undergraduates at Barnard the previous year.
RH: You recently did a reading at Foyles Bookshopin London, the write up of which referenced you are working on your second screenplay. Aren't the 8 degrees, lovely family, multiple book projects, art projects and being a Huffington Post correspondent enough? Screenplays? I recently completed my work on Angry Birds Star Wars (admittedly playing it not developing it, but it was hard work to defeat Darth Pig). Now, c'mon, you are just embarrassing the rest of us. What is your most recent screenplay about? We have a huge Hollywood studio exec. fan base.
CB: I wrote a feature-length screenplay a couple of years ago, marketed it, and stirred up enough interest to motivate me to write another one. At the moment, I'm writing a contained location action-thriller.
Usually, I work on fiction and non-fiction projects in tandem, exploring concepts and narratives through different genres. Some things that work in fiction just don't pan out in non-fiction and vice-versa. Lots of projects remain unfinished, or are discarded along the way but that doesn't bother me since I usually manage to recycle ideas. I'm easily bored, and it's easier for me to accomplish tasks when I'm slightly distracted so I tend to toggle back and forth between projects. When I lose my focus with one thing, I go to the other, and then back again.
And, yeah, I wake up every morning and think to myself: How can I make Richard Holland feel like less of a person today?
RH: Very popular choice, there is a support group out there, I think they give out grants.
CB: Something to look forward to! Some of what you're responding to is my effort, as a former full-time mom, to find some means of engaging myself intellectually while remaining present for my children. When you're pushing a kid on a swing for forty minutes straight, it's useful to occupy your mind with thoughts of something other than pushing a swing. A story or an article that's already been threshed out in your mind comes much quicker to the page.
RH: What are you working on currently?
CB: I'm focused on the academic work described above, speaking at the GSA conference this fall, and putting together a seminar at IGRS for next spring titled "Emotional Response in Historical Practice: Methodological Approaches to Representing Collective Experience.†I'm also publishing an article about Aby Warburg, historiography, and metaphors of German national identity in an upcoming issue of the Journal of Art Historiography. Through "What We Made,†an independent publisher approached me about writing long-format fiction and so in my spare time I'm also rewriting a novel I had roughed out a few years ago in addition to working on the screenplay.
RH: Thank you for joining us! We need to get together for an audio interview the next time we end up in relatively the same city. Thanks!!
CB: It was my pleasure! These were great questions!
RH: I'll pass along the compliment to my writing staff.
After losing his job and apartment on the same day a couple of years ago, Los Angeles-based street artist Gune Monster says he contemplated a suicide. Instead, he picked up a marker and begin drawing the toothy, ghoulish figures that would eventually become the hallmark of his  alter ego.
First, he drew about 50 stickers a day. The number quickly climbed to upwards of 350 hand drawn, colored and cut stickers , many of which would eventually make their way onto the poles, benches and other public spaces scattered around Los Angeles. Larger murals would eventually follow as the street artist's ambitions grew.
"Murals change people's lives†he says. "They change your opinion of the wall. It changes it from being some ratty wall that's got some tag or some weird penis that's got some hair to an amazing, beautiful mural that's got a hummingbird flying through the sky with birds and mountains.â€
Gune Monster also feels that creating murals offers developing graffiti artists an opportunity to mature by forcing them to openly confront the public with their work in a more much more personal and direct way.
"You've no longer going out at night†he says. "You're no longer hiding in a gallery. You're no longer putting up stickers. You are now in daylight, in the public, being judged by everybody that sees you. And that's when you're at that point where you're confident enough to spread your art.â€
Gune Monster returned to his hometown of Kansas City this past June to live mural at the City Ice Arts Building — a converted warehouse in the city's arts district that houses a collective of local artists and artisans. Though he wasn't able to paint at the Kansrocksas Music Festival (the event was cancelled), his new clothing line and projects in Los Angeles, Miami, New York and Las Vegas continue to keep this elusive artist fully occupied.
Check out his website for more great images of his work.
Words by Carolyn Okomo, a Kansas City, MO-based writer.Â
Images by Dave Dumay of City Ice Arts and Carolyn Okomo.
Guest Post By Jamie Kazay
July 30, 2013 · Print This Article
Barbie and La Nouvelle Vague (part 3)
I'm on the porch rifling through Barbie posters and notes on what she would prefer when running away to a deserted island. I know Barbie would want to be with Ken. The way "Marianne,†played by Anna Karina in "Pierrot le fou†("Pete the madmanâ€), ran away with "Ferdinand,†played by Jean-Paul Belmondo, to live in the French Riviera. The couple ran away for two different reasons, and their fears kept them together. At the end of the film, I like to reinvent different outcomes. Perhaps they should have stayed in town.
This argument applies to play with Barbie as well. I take her outside of the box, adjust her arms and legs, and am free to imagine Barbie in a variety of ways. She is Ken's girlfriend getting ready for date night when I put black high heels on her. She is Midge's friend getting ready for brunch when I put strappy sandals on her. She is Skipper's sister getting ready for a yogurt run when I put sparkly flats on her. I assign Barbie various identities, and each time the fictional truths may be compared to real-world cultural representations.
My adjustments to Barbie's identity are necessary. For many she seems such a frivolous thing. Questions about her importance reinforce the idea that Barbie encourages the creative interpretation of identity. I cannot escape her. I have spent so much time alone with her. Some have not understood, but many have been supportive—my man included. (I say "man†because after a certain age "boyfriend†just doesn't seem to be able to sustain the weight of an adult relationship.) Things changed along the way. I changed when I got close to the essence of Barbie. I got close to myself. I learned to trust myself. I learned about the superficial sting.
I also know that Barbie is "plastic†and "anatomically incorrectâ€â€"like some "real†women that I know. But, she's gotten a "bad rap.†I know that I "just can't change†the opinion of some. That sometimes it just "is what it is.†That Barbie is made for "art's sake†and that some "art†is inspired by Barbie. That Barbie "inspired†the long list of female characters of La Nouvelle Vague. Consider Artist Nickolay Lamm's "comparison of bodies.†Lamm suggests that the "average†woman's body is "no match.†In fact, Lamm found "unrealistic measurements of 36-18-33, compared to the typical 19-year old girl's 32-31-33†(Revealed: What Barbie would look like as a Real Woman). This explains why Barbie can't stand-up on her own.
I'll admit, I "agree.†She sends the "wrong message†to "impressionable†girls. Barbie is not for the "weak.†I learned this my "first year†in Chicago. We went to some "pop-up†art gallery on a Friday night and there was Barbie—"decapitated,†lying in the "middle†of the room, on the "floor.†I asked the artist "why†he'd done this. He calmly, "sipped†red wine out of a mason jar, said "I used to do this to my older sister's Barbie when I was a kid.†He then joked about Barbie's "power†to revert him to "childhood.†This has always stayed with me. Barbie brings out the angry adolescent in every adult.
Who is not disappointed, enchanted, or tempted by Barbie? Most days, in the world of Barbie, the view from the porch provides a narrow balconyscape which hosts the angular silhouettes of red-tipped bricks. Sometimes we have company and they join us on the porch. In these moments the table is cluttered with wine glasses, water crackers, cheese platters, Barbie, Midge, and Skipper. On an eventful evening, Barbie is a kaleidoscope twirling from hand to hand. Soon we are scampering. There aren't enough hours. There is never enough time, just the way time ran out for "Ferdinand.â€
Soon, I feel the twin twinkle of goodbye kisses. It's just me at the door. At the heart of La Nouvelle Vague is a breathless, powerful glance because it is difficult to turn away from the beautiful tragedy. It is difficult to answer and dispute the fullness that Barbie deserves. I only rarely come close to completing the lanky jigsaw puzzle. I cannot really see the end. The journey is mine, this Barbie pink path that leads to the unknown, the pink purgatory.
Jamie Kazay teaches in the English Department at Columbia College. A California native, she holds a BA in English from California State University, Northridge and an MFA in Creative Writing, Poetry from Columbia College. She co-curates the Revolving Door Reading Series and is currently reading of a lot of Camus, Derrida, and Dorothy Allison. Her collection, Small Hollering, was published by Dancing Girl Press in 2011.
Art Theory Confessional
July 12, 2013 · Print This Article
Guest Post by Faye Kahn
Every Sternberg/Semiotext(e)/Verso volume with Yale Design School layout is an impenetrable brick of ostensible magic that's going to save the human race. I really think this for a range of 10 minutes to 10 years per book. Yet even though I have been reading October every day for three years on every NYC Transit route there was only one time I was ever confronted about it & the guy was laughing! Â Still, the mystery of the text is irresistible, though after chatting with other arts writers, there seems to be a concern about the future of art criticism; that it's not as integral a part of the structure & motivational force of the art world as it used to be, & furthermore, there is confusion in identifying an audience. The source of this anxiety is varied & not everyone subscribes to it. Still, through my personal experience with theory I can understand why a frustration exists, both for authors & audience.
It's difficult to read art theory & criticism. It's impossible for me to know how other people interpret text, but as an a person of average intelligence I can describe a sensation of mental aimlessness & meandering when trying to parse an uphill paragraph. Putting on blinders & focusing intently on the words the I gradually collect rewarding instances of realization & perspective. This is enough of a carrot to keep me reading. Still, the going is slow. Theory is slow, the contemporary is fast: it's entirely possible that this is the final conclusion. Like most professional fields, the barrier of slowness is a mental hazing method but the rewards here don't seem to pay off enough for large-scale generation-defying fraternities. However, if it's true that it's losing connection or usefulness to its own field, the effort can start to seem myopic.
Barnett Newman famously said that "aesthetics is to the artist as ornithology is to the birds." Birds are not only not interested in ornithology but they are incapable of being interested in it. Such a terse reading of that quote might be a little unforgiving, but it's interesting to revisit this notion from late-Modernist times today in regards to the perceived identity crisis of art writing. All artists are certainly not unaware of it, but it is easier today to be an artist without a knowledge or involvement in traditional art theoretical discourse. Faster modes of communication than text (images) are more conducive to conversation today. Â The image response, as the most expedient & accurate modes of communicating quickly, is a much more handy tool. ASCII, Unicode, & Emoji: day to day communication is condensed (& the phrase "hard to follow" now refers to twitter), alienating the dry over-enunciated walls of text that make up theoretical contributions.
As Hal Foster points out, during ArtForum's heyday in the 60s & 70s,"late-modernist criticism made fine distinctions on which the fate of art was thought to depend—the difference, say, between a 'deductive structure' by Frank Stella and a "specific object†by Donald Judd—and often it presented these differences as absolute."[1] This necessity for theoretical discussion is not totally absent today- but art dependent on by critical analysis has become a genre of sorts. Boris Groys says that
"A work of art is traditionally understood as something that wholly embodies art[…]When we go to an art exhibition we generally assume that whatever is there on display–paintings, sculptures, drawings, photographs, videos, readymades, or installations, must be art. The individual artworks can of course in one way or another make reference to things that they are not, maybe to real-world objects or to certain political issues, but they are not thought to refer to art itself, because they themselves are art. However, this traditional assumption has proven to be increasingly misleading. Besides finding works of art, present-day art spaces also confront us with the documentation of art." [2]
Although Groys is referring to the position of the artwork in the exhibition space as the documentation of the art itself, the statement is haunted by the situation of an exhibition space with placeholder artworks that function solely as referents to outside documentation & unstable explanations to be determined by later analysis. Movement away from aesthetic to conceptual merit is now common practice, though certainly more in some cases than others. Aesthetic attractiveness is more often seen now as a measure or capability of capitalist valuation of the object rather than an agent for a deeper social commentary or revolution. Thus, birds interested in ornithology & birds uninterested.
Lately I have found art theory exhaustingly cynical. I suppose the word "criticism" has a lot to do with this, however much of it seems to only a self-serving end. Often as a reader I approach the text with wonder & leave it feeling like a fluorescent light has been turned on to reveal all pleasant things have poisonous blemishes. A person can only take so much of this before becoming fed up or hopeless or annoyed that something prescient about how to live life is being ignored because the art community is busy circle-jerking to their exclusive & privileged (negative) perspectives on the world. That said, art theory ensconces beautiful ideas within its heavy labyrinthine walls of referential grandiloquent & excessively punctuated & footnoted jargon ("International Art English"?), & somehow this keeps me (us?) going. However, more & more, it has been exceedingly reassuring to go to the exhibition & realize that art has been growing & still grows around you when you & intellectuals aren't looking.
H. FAYE KAHN is a freelance animator in NYC &  a free-format radio DJ at listener-sponsored WFMU in Jersey City, NJ. She resides in Brooklyn, NY & holds a BFA in Film/Animation/Video from Rhode Island School of Design.Â
1.  Foster, Hal. "Critical Condition," Artforum International, Sep2012, Vol. 51 Issue 1, p147-148
2. Groys, Boris. e-flux, December 2009, Issue 11, p1-11
Guest Post by Young Joon KwakHello from Los Angeles! Â I'll be posting a monthly series of conversations with art folks in Los Angeles for the next couple of months. Â These conversations take place at my current studio/beauty salon, aka Mutant Salon. Â The salon atmosphere is particularly conducive to dishing real talk and shooting the shit, which is why I thought it'd be the ideal setting for these in-depth conversations to take place. Â The first person I talked with was man-about-town and big sweetie Michael Ned Holte. Â Happy reading!
Michael Ned Holte is a writer, curator, and professor of contemporary art history at CalArts; along with Connie Butler, he is the co-curator of the upcoming LA biennial Made in LA, which will take place at the Hammer Museum in 2014.  In 2012, He curated the exhibition Temporary Landmarks and Moving Situations, which was featured at Expo Chicago art fair at Navy Pier.  Originally from southwest Wisconsin, Michael Ned Holte moved to LA in 1995.  He got an MA in Art Theory and Criticism from Art Center in 2004, at the same time artists like Stephen G. Rhodes and Sterling Ruby were in grad school.  When I first met him for a studio visit last fall, I had recently moved from Chicago to LA for grad school, and he made me feel welcome to the city by assuring me that there were great local communities of weirdo/artist/musician/mutants to get to know and become part of.  I invited him back to Mutant Salon for this interview in June, where we discussed teaching, studio visits, writing, the next Made in LA exhibition and catalogue, his book Proper Names (from Golden Spike Press), and how ultimately he hopes to help artists articulate what they do.
Young Joon Kwak: How would you describe what you do to someone who's unfamiliar with your practice?
Michael Ned Holte:  What I do now is primarily teaching, writing, and making exhibitions, probably in that order.  There's a quote from Lucy Lippard in her preface to the reprint of her book Six Years: The Dematerialization of the Art Object from 1966 to 1972, where she talks about being a critic, and starting to make exhibitions when it was unusual for a critic to curate exhibitions, and she would do projects with artists that seemed sometimes to be breaking boundaries of what it meant to be a critic, but she held to this idea that a critic should be allowed to have an expansive project the way that an artist can have an expansive project.  So as a teacher, writer, and curator, I can think of those as being a very fluid and expansive project.
YJK: Â It seems like writing is central to all of these activities.
MNH:  Yes, text is primary to everything I do.  There's a discursive element to everything I do, and with studio visits, I try to help artists articulate what their project is.  And that's true of me as a critic—writing essays and reviews, and me making an exhibition as well.  In putting together an exhibition I'm always thinking about the text that accompanies it.
YJK: Â Like the catalogue or the press release for an exhibition?
MNH:  Yes, both.  I did a show at Wallspace in 2007 called Laying Bricks, and for the press release I made a multiple-choice, true-false exam.  There was also a publication for that show that was printed on newsprint, and I had each of the four artists do a poster for the publication.  None of them knew each other at the time, and they all did something different without knowing what the others would be doing.  And then I wrote a text for it called "Frequently Asked Questions,†and I used that format of a frequently asked question, so it was almost a self-interview, and at some point, the kind of cool neutrality of that format gives way to this kind of schizophrenic tussle with myself.  In part, it was a rejection of wanting to write an essay to explain my show and how it worked, and trying to find other ways of talking about it or talking around it.
YJK:  Do you have plans to similarly explore the relationship between the Made in LA exhibition and the publications for it?  What does the catalogue bring to one's experience of the exhibition, or is it a site unto itself?
MNH: I think you just said it.  We are thinking about the catalogue as a site in and of itself.  It's the thing that lives on in perpetuity.  Only so many people will see the show in the three months that it's up, and the catalogue is the thing that sticks around. The catalogue is a different structure with a different temporality to it, and it runs parallel to the exhibition, and I'm interested in how these things work together and separately.  I can't talk too much about the publication for Made in LA because we're still working on it, but I will say that Connie Butler (co-curator) and I will each write our own essays, along with some additional writers, which is already different from the format of the last Made in LA catalogue, where all five curators wrote a single five-part essay.  But the conversation of the publication has been happening from the outset, in tandem with the exhibition.  In some ways, the conversation of the publication is leading the conversation about the show.
YJK: What's a bad studio visit like for you?
MNH:  Umm, I've had them, but maybe you should ask the artists who've had bad studio visits with me.  I don't know; they're all different.  Artists are like snowflakes, and studio visits are like snowflakes, haha.  I'm not a super judgmental person, and perhaps that makes me somewhat less effective as a critic, but I'm always curious how artists think about what they do.  I think the worst studio visits for me are the ones where the artists are really fixed on what they're doing and aren't interested in entertaining a conversation about change.  I might define a bad studio visit as one that I may forget a day later.  Most of the time, I take part of it with me, which is why I can usually do no more than two a day in the world.  The best studio visits are often my second or third or fourth visit with somebody. I met with somebody last weekend, and it was the third time I've done a visit with him. It's probably been about four years since I'd last had a visit with him, and I've been kind of tracking this person for a long time, so we can kind of dive in to a conversation at this point.  The first time you meet with somebody, it's like two dogs sniffing each other's butts, and that's inevitable.
YJK:  What are some trends or common things you've seen in recent studio visits?
MNH:  I'm intensely resistant to trends.  I have to say, going into the process of organizing Made in LA, one of the words I kept on coming back to was "heterogeneity.† I'm really interested in difference.  I'm really excited about difference, and it's the thing I'm looking for I think the most.  Which is kind of the opposite in some ways—thinking about an artist who is making work in a way that's completely different from the way any other artist I can think of, to the degree that's possible.  I mean, I'll see things that my students will do that are possibly trends or familiar solutions to recurring problems and I'll see an MFA student do something I saw an MFA do three years earlier, because it's a common solution to a certain problem, and artists are always a product of their time.  Me too. We can't escape the context of living and working in 2013 in LA or wherever, and most of us are involved in a community or communities of artists, and we know what our friends are doing.  If we were all doing things that were completely different, there would be no basis for conversation.  So, I'm also interested in proximity of things too, or maybe the way two artists will arrive at something from completely different places. I'm asking myself a lot of questions about those very things right now.  But I'm hesitant to identify any trends.
YJK: Â When was the last instance that a studio visit with an artist has shaped how you think about or talk about art?
MNH: It happens all the time, really. Yesterday I had a studio visit with Jennifer Moon, and she's an artist I've known about from afar, but had never met before.  She did a show at Young Chung's space Commonwealth & Council, and most recently at Transmission Gallery in Glasgow.  I had such an exciting conversation with her about the boundaries of what she's doing as an art practice…. I should also say I've been trying to reframe the word "practice†as "project†lately, and thinking about the difference between those things.  How I've defined it to my students is:  Practice is the way you do what you do to pay your bills, or what you do to imagine how you pay your bills, and a project is the thing that gets you up in the morning.  Anyway, Jennifer and I got into a conversation about where the boundaries of her project lie—in terms of revolution and making art, and there are objects that can be displayed in a gallery context, like photographs and books and artifacts and relics, like a lot of performance projects too, where the audience wonders—what is this thing?  Is that the residue of the thing, or is it a byproduct or the product? Is this where the art resides, or does the art lie somewhere else in the performance, in a live context for example.  I said to her, maybe the better question is—when are you not making art?  And then we both kind of looked at each other like…?  It's true for me too—when am I not working?  I'm working on an essay while I'm driving or making dinner.
YJK:  Yeah, I've been thinking about how certain routine patterns of procrastination in the studio are essential parts of my project.
MNH:  In the fall, I taught a class called Routine Pleasures, which is named after the Jean-Pierre Gorin film, and this is where the idea of the project bubbled to the surface.  At some point, in the process of planning one of my lectures for the class, I came to the realization that my project or at least the thing that I think I do really well, is procrastination.  So for most of my life, extending back to my teenage years, I've thought of myself as a really terrible procrastinator.  And then, last fall, I said, what if I'm really a terrific procrastinator?  What if that's the thing I do really well?
YJK: A radical procrastinator?
MNH:  Haha, maybe.  Or just a really good one, and that realization transformed things for me.  Anyway, in this meeting with Jennifer Moon yesterday, just asking her this basic question really opened up something for both of us.  I think that's fair to say.  And when one's doing a lot of studio visits, it's inevitable that questions that get raised in one that will carry on to the next, and there's a kind of viral quality to the discourse that happens.
YJK: Who were some writers or other people that were influential when you were first starting out?
MNH:   I've often referred to Bruce Hainley as my guardian angel.  I think Bruce is the person that helped me most get on my path, and remained a mentor out of school.  He was a really great guide, and then at some point I decided I needed to leave him alone and make my own decisions.  There are also people like Lucy Lippard, who's been an important model for me—in terms of thinking about what I do and how these compartments overlap or intermingle. But I've never met her.
YJK: What's your approach to teaching art history at CalArts?
MNH: I've learned to teach art history while teaching art history.  There is no art history department at CalArts.  Within another higher education institution where there is a degree being offered in an art history department, part of what one's doing when one's teaching art history is perpetuating that field.  I don't feel like I have that same pressure because my students are artists.  Some of them might become art historians, and I alert them to that possibility.  I also tell them that I'm not trained as an art historian.  But I want art history to be useful and relevant and alive to them, and also something that they can engage with critically, and the thing I leave them with is that they have a lot of control over shaping art history, because art history is continually being revised and reshaped.
YJK:  With art history as a field, there's always a delay in the legitimization of projects that are more experimental or make use of unconventional materials, which makes it  difficult for some artists to find role models within art historical discourse. How do you feel artists, and especially students should negotiate with art history, when it is essentially on them to be brave in breaking certain conventions of that field?
MNH:  Well, that's what artists get to do.  Artists get to remake history by virtue of what histories they decide to channel and acknowledge and smash together at some point.  It's important to be brave.  I try to encourage my students to be brave and occasionally irresponsible.  Because they're not art historians, they're artists.  But I also love the idea that some of my BFA students could go on to be art historians after going through a BFA studio program at CalArts—I mean, what a great thing for art historians to have knowledge and experience of having a studio practice.
YJK: Â As much as I am interested myself in the blurring of disciplinary boundaries, some of these boundaries provide context for measuring the successes and failures of the work one does in these fields. Â I just wonder, what are some of the criteria by which someone like you or other critic/writer/historian/curators judge the successes and failures of the work they do? Â How is the work being checked?
MNH:  I don't know if there is a system of checks and balances in the art world that we work in.  There's such an overwhelming shadow of the market right now.  In some ways it's like the movie Independence Day or something, where a giant spaceship shows up and the shadow covers NYC, or DC, or Los Angeles.  In some ways, I feel like the market has that omnipresent shadowing effect, and it's a little grotesque, and teaching at CalArts helps me feel at least 34 miles away from that shadow some days, though not everyday.  If that's true that the market is the only metric of the art world, I feel like it's only a reflection of our larger society.
YJK: So do you feel like the market is our only metric right now?
MNH: Well, I think it's a very temporary metric.  I think history actually revises things so we eventually realize the importance of certain people, like Lee Lozano, who is one of my favorite artists ever.  Lozano wrote herself out of the art world, but has now been reclaimed by it, and is now represented by Hauser & Wirth, which is an extraordinary turn of events that I'm sure would shock her.  But, history has written her back in, and that's not just a product of the market.  I think time will tell if what any of us does is important historically. I do think of how my writing as a critic could shape how historians write about certain artists or write about my peers, twenty or 30 or 40 years from now.  I've often thought about that, in part because I've spent so much time looking at art magazines from 30 or 40 years ago, and I am acutely aware how important it is that those critics wrote about those artists at that time.  But information travels differently now.  There was no Internet then, of course. The other thing I should mention is that when I organize an exhibition, there's usually criticism written about it, so organizing an exhibition can be an interesting way of inciting a dialogue. Moreso than when I write criticism.  And when I have professional peers commenting on something I've done in another context, I'm always excited to read those reviews.
YJK:  Do artists who you've written about not so favorably ever hold grudges?
MNH:  I don't know.  The only case I can think of came after I'd written one of those little 200 word Critics' Picks on Artforum.com.  I didn't know the artist at that time, and have gotten to know her better since, but it was about two or three years after the review when I got a card in the mail—to thank me for the review, and also to correct some statement I'd made in the review.  That moment revealed to me that the artists I'm writing about tend to be the most important audience for what I'm writing.  And that was really important for me.  It led to a studio visit, or several. And that's why I go back to what I was saying about the one thing I do in all of my various guises is to help artists articulate what it is they're doing…even if they don't always agree with what I'm saying.
YJK: I'm very interested in your book Proper Names, because it seems very much to me like an artist's book.  How would you describe this project?
MNH:  When I give that book to people, and people seem puzzled by it, I say it's a book of a list of names, and that's what it is.  Some people have read it as an artist's book or an artistic project, and I can understand why, because it certainly has some characteristics of such a thing.
YJK:  What your book does for me, and one of the reasons it seems like an artist's book is that through the format of a list, you dissolve the signifying power of singular names/signifieds, by which you propose an open and continuously changing meaning by each name's relationship to the collective.
MNH: That's a nice way of putting it.  It's a collection of 1000 readymades. I wanted it to be a big enough list that one couldn't guess how many names there would be, but also a number that someone could realistically sit down and read from beginning to end.  I was interested in how much significance we attach to a name, and what happens when you put two things next to each other.  This is an old trick of collage from Dada or the Kuleshov Effect from filmmaking—if you put any two pieces of film next to each other, it produces meaning—and you can do this with names too.  Listed names appear all over the place, in an ad for a group show in Artforum, or a list of names on a donor plaque, or a list of names on my class roster.  But they are usually gathered in a way that we can identify a kind of coherence, and in that coherence there is also usually some connotation of value, whether the list is democratic or elitist. The way one encounters those names in my book is not unlike how one would encounter names in the world, because there are students of mine intermingled with celebrities, intermingled with theorists, artists…
YJK:  Yeah, I love that names of subjective significance are included, and names that you have claimed or reclaimed, like your mother's, with her maiden name.
MNH: But my mother with her maiden name is also the name of an artist in San Francisco, which I think is really funny. Â I saw her name on a list for a show in Artforum. Â I love the idea that my mom is secretly an artist, and has kept that from me, even as I was writing for Artforum.
YJK:  And they're not all people you can get behind, some are contentious with each other.
MNH: There are some truly terrible people on that list.  It's not necessarily people I like, or even necessarily names that I like. They're names that went through my head and stuck.  I wanted it to not be systematic.  I don't want there to be some kind of legible system, and there's not.  Maggie Nelson, who's a writer I respect enormously, asked me if it was done with free association, and I responded by saying I don't know if there is such a thing as free association after Google.  The way we encounter information, and the way it can lead us into different information is something that I'm really interested in.  I think a lot of people who see the book will look up a lot of those names as they're going through it.  And I like that somebody would read that book while working Google on their phone.
YJK:  My boyfriend loves it and thinks it's hilarious.
MNH:  Yeah, I'm just happy to get it out into the world.  It got read on kchung on Reading Radio, and they fucked up almost every name, which I think is kind of perfect.  One of my favorite things about the book is how much it destabilizes hierarchies in terms of the values we place on specific names, collectively and individually, and their reading of the book further destabilizes hierarchies by fucking up so many of the names in the book, including the author's own name.  I couldn't have done that, but they nailed it.
Young Joon Kwak is resident Queen at Mutant Salon and performer in the band Xina Xurner. Â Hailing from Chicago, she currently lives in Los Angeles while pursuing her MFA at USC.


text: Scarves are the best. You can use any yarn you have left, any number of yarns at the same time, and even actual patterns. Since I took up actually writing for publication I gave up on knitting anything else, because I don't have enough brain power left for anything complicated and scarves are my friiends. Nice to talk to you!

subset: commoncrawl


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Surgery for chronic pain isn't common. It's usually considered only
after other treatments have failed or if it is considered medically necessary.
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damage your ability to perceive other sensations, such as light touch and
temperature changes. It can also cause a different pain to occur.
Implanted pain control systems involve inserting devices under your skin or elsewhere in your body. The devices use medicine, electric current, heat, or chemicals to numb or block pain.
Decompression is a type of surgery used for nerve pain, such as from trigeminal neuralgia. The doctor cuts open your skin and then tries to move away blood vessels or other body structures that are pressing on nerves and causing pain.
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Your summer romance should leave you blushing beneath your beloved's gaze—not flushing beneath the sun's hot rays! Keep everyone at your spring or summer wedding comfortably cool with these contemporary hearts hand fans. Whimsical white hearts set against a vibrant pink background give the classic look of love a modern twist. Each silk hand fan features a sturdy bamboo rib and measures 9" in length when closed.


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SpaceX Launch Not So Perfect After All 272 272
Posted by samzenpus
from the we-have-a-problem dept.
from the we-have-a-problem dept.
First time accepted submitter drichan writes "Those of us who watched the live feed of last night's Falcon 9 launch could be forgiven for assuming that everything went according to plan. All the reports that came through over the audio were heavy on the word "nominal," and the craft successfully entered an orbit that has it on schedule to dock with the International Space Station on Wednesday. But over night, SpaceX released a slow-motion video of what they're calling an 'anomaly.'"


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Spinach And Cream Cheese Pie
30 Oct 2009
Spinach Pie is an irresistible delicious side dish recipe. Try this Spinach Pie; I bet you will have a huge fan following among your friends and relatives.
|Cream cheese
|3 Ounce, softened (1 Small Package)
|Half and half
|1 Cup (16 tbs) (Also Called Light Cream)
|Soft bread cubes
|1⁄2 Cup (8 tbs), lightly packed
|Shredded parmesan cheese
|1⁄4 Cup (4 tbs)
|2 , slightly beaten
|Cooked spinach
|1 1⁄4 Pound, very well drained and finely chopped (1 Cup)
|4 Tablespoon
|1 Large, finely chopped
|1⁄2 Pound, finely chopped
|1 Teaspoon
|3⁄4 Teaspoon
|Unbaked pastry shell
|1 (About 9 - 10 Inch)
Mash cream cheese with a fork and gradually blend in half-and-half.
Add bread cubes, Parmesan cheese, and eggs to cream cheese mixture and beat with a rotary mixer or wire whip to break up bread pieces.
Stir in the spinach.
Melt butter in a wide frying pan and cook onion and mushrooms until lightly browned, stirring frequently; add tarragon when vegetables are soft.
Blend hot vegetables with spinach mixture.
Salt to taste.
Pour vegetable filling into pastry shell.
Bake on lowest rack in a 400° oven for 25 minutes or until crust is well browned.
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Spinach And Cream Cheese Pie Recipe


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Ceremonies to honor Oklahoma law enforcement officers who gave their lives
• Mayra Ramirez-Barreto, 54, an agent with the Puerto Rico Department of Justice, and Eliezer Colon-Claussells, 35, a corrections officer with the Puerto Rico Department of Corrections and Rehabilitation, died Jan. 10 in a crash on U.S. 177. The prison officials were visiting a correctional facility in Cushing.
• Wiley Florence, the Purcell police chief, died in a shooting in 1932.
Separate ceremonies in Washington — a candlelight vigil May 13 and a memorial service May 15 — also will honor Oklahoma law enforcement officers who died in the line of duty, Lippe said. Hayden, McCoy and Coen's names will be added to the national memorial, as well as the names of five law enforcement officers who died between 1894 and 1950.
The memorial activities are planned during National Police Week. May 15 is Peace Officers Memorial Day, and the week in which that date falls is recognized as Police Week.
Hayden said she will attend the May 15 memorial service, an event that draws tens of thousands of attendees to the west lawn of the U.S. Capitol, according to organizers.
The events are heart-wrenching, and yet, provide comfort, Tabitha Hayden said.
"It's hard to explain," she said. "I'm grateful that they honor my husband and the other officers who have died. And, at the same time, I'm realizing, he's not here. It's an overwhelming feeling to have people who are still there for you and still care for you, after the fact. It's like another big family besides your own family."


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Good job, actually you deserved to win by more. Very gritty effort. Maybe see you in playoffs.
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Good job, actually you deserved to win by more. Very gritty effort. Maybe see you in playoffs.
Thanks Boulder. The Steelers really needed a win today.
The Steelers wanted it more. They made some mistakes but put it all together when it mattered most. Great effort
I tip my hat to them and give them alot of credit. They really played inspired tonight. These games are always tough and gritty and as always, came down to a 3 point difference and the last plays of the game. Typical Ravens-Steelers games...always nailbiters. Kudos to them for their hard fought victory though.
Thanks. Here's hoping these 2 teams play for the AFC title. Just seems right.
Might as well add my 2 cents. Congrats. You earned it, you wanted it more. We did not.
Congrats Steelers. It was more than wanting, they played smarter and were more physical.
Once again, our coaches look like amateurs.
I saw a game like this coming, especially after the loss in Cleveland. Ravens had chances to win this game but they couldn't get it done
That was very emotional. I was expecting a close game, but not a win. Batch did what he needed to do, make a few throws, manage the game, and not throw 3 interceptions. The thing about the Ravens/Steelers is that most games could go either way on any day. Typical day in the AFC North. I hear Suggs might be hurt. That sucks. The guy is a beast. Worst possible time for an inury.
I would say awesome game all around, even if the Steelers had lost.
Steelers played like they wanted it more. Always have respect for your team, and never did I think this would be a 8.5 spread type game. Great rivalry.
I will man up and tip my hat to the Steelers and in particular Mike Tomlin
They had lost 2 straight. 3rd string QB who orchestrated a 8 turnover debacle against a improving but still mediocre Browns team and Tomlin got that shit straightened out and had them playing smart, tough, and with passion. Thats leadership IMO. So hats off.
Now that said, you may now go fuck off Steeler fans we still hate you. LOL
Congratulations, the better coached team won.
I would add that I think Todd Haley did a good job getting Batch in position to win the game mixed up the running and passing and their O-line did a damn good job.
That play where it looked like a WR screen and Miller stayed home then ran right down the field unguarded was phenomenal. We never see shit like that from Cam and its a damn shame.
Steelers deserve credit. Mike Tomlin is a stud. Steelers defense is back. Big Ben has made mistakes in the past but he seems like he's getting grounded. Great Steeler team. Great Steeler win.
Still love these goddamn Ravens.
If we couldn't beat Charlie Batch at home how in the hell are we gonna beat Manning?
Hopefully, they will be more fired up for that one.


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Read More, Eat Better
- Engine 2 Diet
This week's reading list comes from Skwigg -- meat eating, weight lifting, body conscious blogger
-- who has gone vegan, apparently thanks to two books:
- The China Study, came out in 2005 and examines the
relationship between eating animal products and illnesses such as
cancer and diabetes. Writes Skwigg about the research: "I'm not talking about something sponsored by a supplement company and involving eight rats or fifteen fat guys. The China Study was a monumental survey of disease and death rates for 880 million people. The project was so big, it involved 650,000 workers." Not sure what the rest of the world has to say about the book, but we're ordering it.
- The Engine 2 Diet, which brieflly hit the Time's "Hardcover Advice" list last month, tells the story of an Austin firehouse that has gone vegan to save one of its crew from a likely heart attack. Now they're celebs: Read the blog, order the book. Ideal for Father's Day.


text: Words cannot adequately express my feelings of satisfaction for Dr. Paula Legere and the staff of Summit Plastic Surgery. I have been thoroughly pleased with every aspect of my experience. Dr. Legere is kind, professional, and knowledgeable. I would highly recommend Summit Plastic Surgery to my friends and family.- ~ Carol


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The DR650 Highway Touring Thread
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Phreaky Phil
Beastly Adventurer
Joined: Mar 2006
Location: NEW ZEALAND
Oddometer: 1,922
Originally Posted by
^ That is outstanding. I love the seat and that it is longer in the back. I have contemplated a pillion set up like yours but you have done it. May I ask yours and your wife dimensions, weight, height, inseam and what you did to the suspension to support the load. Thanks.
The Safari tank is killer. I don't remember seeing one that large on a DR before. I love the look. It just means business.
Hi there, im 5'10' 195pounds 33&1/2" inseam. Dawn is 5'5 130pounds 31" inseam. these figures are without riding gear.
The suspension is quite trick. It has a DRZ 400 front end with 0.48 springs. the rear is an Ohlins with a 0.95 spring. I had the shock valving altered slightly to get it how i like it. There are cheaper alternatives for the suspension.
Here is a link to my build thread. It shows how the seat base was done. Note that the seat in the pics isnt the Russel seat, it was one done locally. the pillion part was alright for Dawn but the rider part was aweful.
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Priority Enrollment
New Students: All steps must be completed by Tuesday, July 14 to receive priority enrollment for fall quarter.
In order to receive the best possible registration date for which you qualify, enroll full-time -- 12+ units -- excluding summer session.
To check your registration date for the current quarter, see the Academic Calendar. You can also check your status in MyPortal.
In accordance with new state and local regulations, students will be assigned registration dates in the following order. (See the academic calendar for actual priority registration dates for the upcoming or current term.)
To receive priority enrollment, students cannot have completed more than 150 quarter units in degree-applicable courses. "W" and "I" grades are not included. Pre-collegiate English, ESL and Math classes do not count toward the 150 units.
Students who have lost priority registration and have been moved to open registration may appeal to have it reinstated based on verifiable evidence of factors outside their control. This is a one-time reinstatement of priority registration. Use the Enrollment Priority Registration Appeal Form.
Building: Student and Community Services
Contact: Admissions and Records Office
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text:
On this month's West Region Partner Call, sales expert Mark Stuyt from PartnerWorks is going to be offering his insights into why so many of today's SMB sales strategies and techniques are no longer effective. In partnership with Microsoft, Mark has created a set of tools and resources that have been proven to yield better sales results. Join this Office Hours session as Mark explains how to incorporate this new approach into your existing opportunities to accelerate and close more Q4 deals.
Basically, you should do two things immediately to gain access to these amazing resources, close deals, and stay in the know:
The second call will be an open forum, so bring any questions you have for the Microsoft SMB Accelerated Sales webcast, or simply listen in on what other partners want to learn!
We hope to see you at both!


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Linda Brandon, Master Gardener volunteer coordinator for N.C. Cooperative Extension in Guilford County, is at her computer quite a bit, assisting county homeowners with home garden questions. Brandon was among five N.C. Cooperative Extension professionals recognized as Ask an Expert All Stars by Extension Information Technology for quick responses to client questions asked through Extension's Ask an Expert widget over the past year.
An individual specialist and a team were recognized for program excellence at the May 15 meeting of the N.C. Association of Cooperative Extension Specialists. Robert Bardon received the Individual Program Award and members of the Livestock/Forage Agent Training Conference team received the Team Award.
Nominations are being accepted for awards given by the North Carolina Association of Cooperative Extension Specialists. Winners will be recognized at the May 15 meeting of NCACES and will receive a cash award.
N.C. Cooperative Extension is recognized as one of the factors in North Carolina State University receiving the highest federal recognition a college or university can receive for its commitment to volunteering, service-learning and civic engagement – a Presidential Award. As part of the 2012 President's Higher Education Community Service Honor Roll, N.C. State is one of only five Presidential Awardees nationwide, and one of two in the "general community service" category.
North Carolina's Xi Chapter of Epsilon Sigma Phi professional development society presented awards to Extension professionals at its annual meeting in Raleigh Nov. 17. Award winners, along with a description from their nominations, are listed here.
Dr. George C. Naderman Jr. of Cary, retired Extension soil specialist with N.C. State University, received the Honorary American FFA Degree during the 84th National FFA Convention, held Oct. 21-23 in Indianapolis. The award is given to those who advance agricultural education and FFA through outstanding personal commitment.
Ben Chapman, Extension food safety specialist in N.C. State University's College of Agriculture and Life Sciences, will be interviewed Sunday, Nov. 20 at 6:30 a.m. on Fox50's Tarheel Talk in the Triangle area.
Bertie County's Cooperative Extension staff raised $7,320 for that county's tornado relief fund through a drawing for a donated John Deere riding lawnmower.
Dr. Claudette Smith, interim associate administrator and program leader for Family and Consumer Sciences and 4-H for The Cooperative Extension Program at N.C. A&T State University, was one of two members of Extension faculties at 1890 land-grants honored with an Association of Extension Administrators Chairman's Award at the AEA's annual meeting in St. Louis, June 26 – July 1.
Dr. Andrew Behnke recently won the national 2011 eXtension Community of Practice Achievement Award. He was cited for his "technological innovation and extraordinary inclusiveness and generosity in sharing his skills and resources at the local, state and national levels."


text:
Originally posted by Skyfloating
I hope the dude learns to link properly. I cant see any of the maps he's linking.
EGYPT Dr. Earlyne Chaney, in an article titled 'Odyssey Into Egypt, in her occult-oriented magazine Voice of Astara (May, 1982) tells of a discovery she and researcher Bill Cox was shown in Egypt. These were two tunnels, neither of which had been fully explored. One was in the temple of Edfu between Luxor and Cairo in the ruins of El Tuna Gabel; and the other near Zozer's Step Pyramid at Cairo near Memphis-Saqqarah, within the tomb of the Bull, called "Serapium". The Egyptian government sealed both tunnels because of fears of certain archaeologists who alleged that they "lead too deeply down into the depths of the earth," and because they found the earth to be "honeycombed with passages leading off into other depths," and the possibility of explorers becoming lost.
If such labyrinths do exist, then it may explain one story which alleged that men dressed like "ancient Egyptians" have been seen deep in unexplored tunnels near Cairo, as well as possible confirmation of the story which appeared in Nevada Aerial Research's Leading Edge publication to the effect that the U.S.(?) Government secretly maintains a huge base within a cavern of tremendous size (several miles in diameter) beneath the desert sands of Egypt. Could this tie in with the vaque references to a subterranean society(s) referred to by certain people 'in the know' which is/are known as the 'Phoenix Empire' and/or the 'Gizeh People'?


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You can now invite anyone to meet at your favorite Starbucks.
Limited-time feature
28 year old woman | Mechanicsburg, PA, USA | Seeking men 25-35 within 50 miles
If you don't stand for something you'll fall for anything
Alright, here we go. So let me start off with this...If you can sing...or even think you can sing, you're on the top of my list. :) Even if you try... We will get along just fine. Im pretty passionate about my music. I have played the piano for ohh I'd say about 12 years ( although I currently do not have one in my apt and only get to play when I visit my dad :(..) I used to play the violin. But then it broke. I can pretty much listen to any kind of music, but I will tell you that if you turn on any of the 5 radios in my house/car/classroom, you will most likely find country. However, I do listen to just about anything. So what do I do for a living? Well I am a seventh grade math teacher in Harrisburg School District.I've been teaching for the past five years and it has really had a huge impact on my life and made me realize many things that will make me a stronger person :) hmmm what else? Well I like to aimlessly drive around to clear my mind...and listen to music of course. I love outdoors! Everything that goes along with the outdoors too. ! love going for walks in the woods, driving through the country side, hiking back in the woods to discover beautiful scenery.. helping my dad and guy friends get their tree stands set up, and even going along for the wait when they go hunting sometimes. My fAmily is a huge part of my life. I would honestly do anything in the world for any of them. We have been through so rough times, but it has only made us that much stronger. I have a big heart and just want the best for everyone. I love to take care of people. Its just so satisfying to know that you can help someone or make them feel better and make them happy. For the most part, I know what im looking for and know that I havnet found it yet. But patience is a positive quality of mine, and I will wait until I find that guy that is just right :) I'm sure there is so much more I can tell you, but if your interested, I'd be more than happy to chat!!
Camping , Cooking , Dining out , Fishing/Hunting , Hobbies and crafts , Movies/Videos , Music and concerts , Exploring new areas , Nightclubs/Dancing , Performing arts , Playing cards , Playing sports , Shopping/Antiques , Travel/Sightseeing , Watching sports , Wine tasting
Aerobics, Baseball, Dancing, Other types of exercise, Running, Soccer, Walking / Hiking, Weights / Machines
I exercise 3-4 times per week.
ST. John Virgin Island, totally AMAZING! :)
Shippensburg University of Pennsylvania, Shippensburg, PA
I don't get a whole ton of free time, but you can probably find me at a dance class... Listening to some live music... Going for a walk... Out for drinks with friends... Cleaning...watching a good movie...taking a hike...some type of arts and craft
I don't get too much time to read and couldnt tell you the last book I read, some SELF or COSMO magazine im sure, but I need to find a good book :)
Z{{Cta}} {{#if HasMoreInfo}} ?{{CtaSecondary}} {{/if}}
|What she is looking for
|5'7" (170cms)
|5'8" (172cms) to 6'5" (195cms)
|Body type:
|About average, Athletic and toned, Heavyset, A few extra pounds, Stocky
|Blue, Brown, Grey, Green, Hazel
|No preference
|No Way, Occasionally
|Social Drinker
|Social Drinker, Regularly, Moderately
|Education / Teacher / Professor
|No preference
|$35,001 to $50,000
|No preference
|Never Married
|Never Married
|Have kids:
|No preference
|Wants kids:
|Definitely, Someday
|White / Caucasian
|White / Caucasian
|Christian / Catholic
|No preference
|Bachelors degree
|Bachelors degree


text: New stories Upcoming Incoming 40° Final Fantasy Record Keeper Review: Like a Broken Record | Without The Sarcasm 49m ago - The combination of nostalgia and addictiveness makes Final Fantasy Record Keeper fun. Many issues... | iPhone Comments (0) Pozzle Source 2/5 withoutthesar... 30° Square Enix Suspends Final Fantasy XIV Mac Sales, Offers Refunds 50m ago - "Citing the widespread disappointment with performance and poor communication of system requireme... | PC Comments (0) Rimeskeem Source Ad Light Fall Preview Now - I'm the type of fella that often sticks with playing games in or past their official 1.0 form. In the case of assessing that kind of work, it's eas... | Promoted post Read More SiteBot 40° Let's Talk About Gjallahorn 50m ago - Oh everyone remembers the childish screams of joy they let out the first time the Gjallahorn drop... | PS4 Comments (0) blainio09 Source 40° Batman: Arkham Knight review | Digital Spy 1h ago - This is the Batman game the fans deserve, and the one they need right now. | PC Comments (0) Pozzle Source 5/5 digitalspy.co... 40° GDC Europe State of the Industry 1h ago - In an effort to better understand the state of the European game industry ahead of GDC Europe, Ga... | GameCube Comments (0) Ark_ Source


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Video Description: The coming awards season lands TIFF, ACADEMY AWARDS, and THE MASTER solid spots on this week's list, but what the buzz on THE HANGOVER, TWILIGHT SAGA, CLOUD ATLAS and AVATAR has the HitFix Movie Power Rankings ringing? Read More
Series Description:
Every week we countdown the top ten movies everyone in Hollywood is talking about.
Genres: Reality, Comedy
Network: CrackleHide Details


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Mfg.: Kolpak
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This item is shipped brand new directly from the manufacturer. Please note the image above is for reference only. This is a Quick Ship item that has a 2-3 day lead time to ship after an order is placed.
Item: Kolpak Polar-Pak 10 x 10 Walk-In Freezer Top Mount 7'6"H w/ Floor Self Contained
Model: QS7-1010-FT
Description: This walk-in freezer with floor is perfect for storing packaged meats and vegetables for future retail merchandising use.
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Parsley Cheese Puff
5 Oct 2009
Parsleyed Cheese Puff has a pungent taste. The cheese and eggs gives the Parsleyed Cheese Puff a imposing taste. Parsleyed Cheese Puff is inspired by restaurants across the world. Must try it.
|1 Cup (16 tbs)
|Celery salt
|1 1⁄2 Teaspoon
|Soft 1/4 inch bread cubes
|3 Cup (48 tbs)
|Shredded cheddar cheese
|2 Cup (32 tbs)
|Finely snipped parsley
|1⁄2 Cup (8 tbs)
|Egg yolks
|4 , well beaten
|Egg whites
1. Heat milk and celery salt over low heat until just hot.
2. Pour milk into a large bowl; immediately add bread cubes, cheese, and parsley; mix lightly.
3. Add beaten egg yolks and gently fold together.
4. Beat egg whites until stiff, not dry, peaks are formed. Gently fold with cheese mixture. Turn into a buttered 1 1/2 quart casserole.
5. Bake at 325 °F about 55 minutes, or until set. Garnish with snipped parsley.
Recipe Summary
Difficulty Level:Easy
Rate It
0 Comments
Parsley Cheese Puff Recipe


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'Sex and the City' star Chris Noth aka Mr. Big is about to become big Daddy. Noth and his girlfriend Tara Wilson are expecting their first child together.
''Chris and Tara are very happy and have always agreed to keep what is most personal in their lives private,"' Noth's manager and publicist said in a statement.
I don't know about you guys but I'm so psyched about the 'Sex and the City' movie, I'm looking forward to Big and Carrie's wedding more than anything else.


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19-year old Brittany from "20 minutes outside of Virginia Beach," which means her dad works for the CIA and will have me erased for comparing his daughter to an Italian Celine Dion.
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You can now invite anyone to meet at your favorite Starbucks.
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40 year old man | Berwyn, IL, USA | Seeking women 25-35 within 20 miles
My bicycle is in the basement of the Alamo. Please help.
So let me start by saying this.... My profile sucks. I'm having a hard time marketing myself like this because i feel like im trying to convince everyone to like me and thats kinda weird so I'm a bit out of my element. I've noticed a lot of others feel the same way but I figured I'd throw a disclaimer in here as a courtesy:) if you like my goofy face and are okay with that silly thing I do with my eyebrows when I take selfies, by all means continue reading but if you're bored to death don't say I didn't warn you;) I love skateboarding and i like getting to the beach as often as Chicago summers will allow. I'm very open minded and I'm not afraid to speak my mind however I still have my "filter" in place (most times). I don't really take myself very seriously at all but I don't lack focus and can be very driven. My musical tastes vary widely but I'll mostly listen to classic rock, indie, garage, 60's etc. I like dining out a bunch so I'm always up for checking out new restaurants and bars but I'm not clubby at all. I'm crazy about the fact that so many new places are opening up with huge beer menus. I really enjoy craft beers and the ingenuity and creativity that goes into making them blows my mind sometimes. I've got plans on trying to brew at home but really haven't gotten around to it. I recently bought a house just outside Chicago so I've really been enjoying doing things around here and I've inherited a backyard that's filled with roses and lillies and all kinds of other flowers. I have no idea what they're called though. I'm trying to get better at gardening and I think I like it. Since I just moved in I'm trying to decorate the place and I'm doing my best to keep the place from looking like a steakhouse or some gross man-cave. I'm also working on hemming curtains and sheers but I'm totally not confident on the sewing machine so it's taking forever. I read somewhere that men process a woman's voice with the same part of the brain that processes music. I think that's beautiful and I don't doubt that at all. I'm trying to find my bestie and my partner in crime so I may be picky but I've kinda learned that most people are. I love to laugh and it's easy for me to find the best of any situation. I'm insanely optimistic and that has been my Achilles Heel at times but whatever. If you can't imagine a situation with the best possible outcome then life can be pretty bleak I think. This profile is definitely a work in progress, so if it seems like a bunch of rambling, random thoughts I apologize. Please bear with me but if you decide to message me, tell me what your last drunken music download was and I'll tell you mine. I have a few I'd love to get my money back on :)
Coffee and conversation , Dining out , Exploring new areas , Shopping/Antiques , Wine tasting
Other types of exercise
I exercise 5 or more times per week.
I like Dogs
Some other viewpoint
I'm not clubby at all but I do like checking out new spots. There's so much that's opened in the city that I'd like still like to visit.
I like dumb comedies a bunch. When it comes to music I was brought up on classic rock, but I'll seriously listen to anything. I've been watching a lot of New Girl, Raising Hope, Modern Family, It's Always Sunny, Adult Swim on Comedy Central.
Skateboarding, going to the beach, I'm trying to get better at grilling so I've been doing that a lot. I've found that I like gardening too. I'm pretty good at napping.
I don't read as much as I should, but the last publication I picked up was a skateboarding magazine.
Z{{Cta}} {{#if HasMoreInfo}} ?{{CtaSecondary}} {{/if}}
|What he is looking for
|5'7" (170cms)
|5'0" (152cms) to 6'0" (182cms)
|Body type:
|About average
|About average, Athletic and toned
|No preference
|Dark brown
|No preference
|No Way
|No Way
|Labor / Construction
|No preference
Liquor delivery guy.
|I'll tell you later
|No preference
|No preference
|Have kids:
|Wants kids:
|White / Caucasian
|East Indian, Latino / Hispanic, White / Caucasian
|Christian / Catholic
|No preference
|High school
|High school, Some college


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1. 2. 3. If you are one of the many shoe-lovers who likes to update your look each season, you already know how expensive it can be to stay current on the freshest silhouettes. Fortunately, most shoe-lovers also know that the key is to buy a few great staples for the season and to try to find brands that replicate designer trends in a chic way. So what's hot for spring and something that you can actually find?? The pointed toe! That's right, probably one of your favorites, as well as … [Read more...]
Spring 2012 Brings New Shoe Silhouettes and Girlish Fun
Tyra Banks was a special guest on the The Nate Berkus Show yesterday. Hey, what ever happened to Tyra's own network show? Anyway, Tyra is already a tall woman (according to IMDB, she is 5' 10") and still wears stiletto high heels. And her boobs are real. I remember watching that episode where she had a doctor examine her to prove that they were really indeed real and not silicone or saline. Okay, now I'm really babbling... So, back to the show on topic: Tyra showed the audience how to … [Read more...]
Fall Fashion Collections for Shoes
Autumn is the perfect time of year to dig up the shoes you stowed away last spring, go out and buy new ones, or do a little of both. Fall is also the perfect excuse to bundle up in accessories and wear not-practical-for-snow knee-high boots before winter hits. If you're planning to invest in new footwear for the fall season, consider comfort, style, and even history to build a unique autumn style that's all your own. Naot Shoes Perfect for walking, standing, shopping, dancing, … [Read more...]
75% off Nine West Sandals Sale
NineWest.com is having a SALE with New Styles up to 75% off! Here are my top Nine West Sandal picks that won't hurt the pocketbook: This Nine West Golden Wooden Platform Sandal is a must-have for only $27.25! Regularly $109 and was showcased in InStyle Magazine! Available in Natural Leather (shown), Light Green Leather and/or White Leather with a 4 1/2" heel and 3/4" wooden platform. The Nine West Cherishing multi-strap dress sandal is sexy and chic at the same time and is only … [Read more...]
Nine West Blanca Wedge Sandals as seen on Hailee Steinfeld only $39
Hailee Steinfeld wore these cute Nine West Blanca wedge sandals (on sale for only $39.60 directly from NineWest.com, regularly $99) with a white lace slip dress to the Swag Bag Party in Brentwood, California on August 14th, 2011 (Source). You will need one of these 5" wedge espadrilles in every color: available in Black Leather, Dark Pink Le, Gold Leather, Green Leather, Ivory Le (shown), Turquoise Le, White Leather and/or Yellow Leather. This style is featured in the pages of Elle, … [Read more...]


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London weather: Highest UK July temperature EVER recorded at Heathrow as capital swelters
The mercury has hit 36.7C at Heathrow to make today the hottest July day on record, according to the Met Office.
19 November 2008
He came out with both guns blazing. How many times have you heard that? Applied to a politician who's struggling to hold on to his career, perhaps, or to a CEO embroiled in boardroom battle. I've even read it about a golfer. Yet, as an analogy for courage and resilience, it seems insulting when used about anyone other than servicemen, a point demonstrated silently and magnificently by the mighty guns fronting the Imperial War Museum. Twin canons, looking like an exaggeration of Churchill's famous two-fingered salute, dwarfing everything nearby.
03 November 2008
10 October 2008
Having been drenched in critics' superlatives for his Stratford Hamlet and having caused several stampedes of teenagers at the box office, David Tennant now takes on a riskier proposition by trying his hand at one of Shakespeare's least rewarding comedies. What an anti-climax it proves! That a subdued Tennant makes a merely charming impression on Love's Labour's Lost is to be blamed on an uninspired production of broad brush-strokes by Gregory Doran, and the actor's apparent reluctance to engage or identify strongly with his character.
09 October 2008
04 September 2008
Singer Christina Aguilera clearly isn't one to let standards slip, as she stepped out for dinner In Manhattan, with her family still looking every inch the diva.
02 September 2008
Still after that perfect place to dine alfresco? The hunt is over. This great new outdoor restaurant combines the fine grounds of the 11th century Fulham Palace, historic country seat to the Bishops of London, with a casual modern style. Unfussy wooden tables, comfy stripy chairs and you couldn't fault the view - a sweeping lawn and ancient trees - particularly if you're sipping a bellini with fresh white peach puree (£8.50). Bliss.
27 August 2008
He is best known for his film and TV roles, in hits from Miss Potter and The Killing Fields to Auf Wiedersehen Pet and Criminal Justice.
01 August 2008
31 July 2008
25 June 2008
20 June 2008
Keira Knightley turned heads for all the wrong reasons last night as she arrived for the London premiere of her new film The Edge Of Love.
19 June 2008
Jonathan Ross is clearly enjoying the fruits of his labour.
17 June 2008
Two Championship footballers were today charged with burglary in connection with the theft of items from a staff room at a Portsmouth nightclub.
17 June 2008
When I phoned the Botanist to make a reservation, I asked for a table for two at 7.45pm. "So that'll be a table for two at 8pm," said the receptionist. Er, no, 7.45. Was she deaf? On arrival, it turned out all the staff were deaf — or so chronically distracted they didn't bother listening to me at all.
04 June 2008
22 May 2008
19 April 2008
14 January 2008
Contributors to the www.london-eating.co.uk website, who can still be read moaning and keening about dismal meals and worse service at Peter Gladwin's Just The Bridge restaurant, should note that Gladwin has sold up and the promising site - almost at the foot of the Millennium Bridge on the north bank of the Thames - is now Northbank. New owner Christian Butler, previously general manager at Baltic in Blackfriars, on last week's showing is running a tight ship.
31 October 2007
The rabbit pie is a thing of ravishing loveliness. A puck of golden pastry with the perfect ratio of crispness to squidge thanks to its 40 minutes' cooking time; delicately gamey meat; the earthiness of vivid, just-wilted greens; the pervasive, heady luxury of foie gras; a kick of vintage port. After two weeks in Italy eating little other than focaccia, ice cream and seafood, it comes very close to my idea of heaven.
12 September 2007
A recent press release announced the 'reincarnation' of William IV's Geography Room. It must have done something wrong in its previous life as it has come back as a shabby room above a pub furnished with maps, globes and lamps apparently looted from a failed school.
05 September 2007
09 August 2007
07 June 2007
07 June 2007
The Brown Dog in Barnes is no mutt. From the same kennel as the critically acclaimed Pig's Ear in Chelsea, this is a gastropub with pedigree, chum.
11 April 2007
25 January 2007
Light House is a strange restaurant to find marooned in leafy suburbia - you would think that its modern, very eclectic menu and clean style would be more at home in a city centre than in a smart, quiet, respectable neighbourhood.
28 September 2006
Bruce Poole's comfortable little restaurant has weathered the storm attendant on being singled out for Michelin stardom with admirable aplomb.
28 September 2006
Morgan Meunier is a short, passionate Frenchman.
28 September 2006
As befits a location in one of Islington's smarter enclaves, The House seems more gastro than pub.
28 September 2006
Venture into Pescador and you might as well be in Portugal, which is a good thing, always presuming that you like fish.
28 September 2006
In 1929 Giovanni Quaglino opened a restaurant in Bury Street that became an instant success and the one thing it had, above all else, was glamour.
28 September 2006
The Roux family business is cheffing and at Le Gavroche Michel (Jnr) plys his trade to some purpose.
28 September 2006
05 September 2006


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Former Memphis Grizzlies player arrested after wild drive, telling officer he was going to 'smoke' behind
Originally written on Bush League Chronicle | Last updated 1/9/13
On Monday, former NBA player Lester Hudson was arrested and charged with reckless driving in his hometown of Memphis after taking police on a wild chase.From ABC24:According to the police affidavit, an officer saw Hudson speeding eastbound on American Way weaving in and out of traffic, forcing other drivers to swerve to avoid hitting him. When he reached the intersection at Mt. Moriah, Hudson smoked his tires and spun his car in several circles before heading northbound on Mt. Moriah.When the officer pulled him over, the document further states that Hudson said he wasn't going to stop next time, telling the officer, "Soon as I get out of this car I'm going to smoke your f****** a**."The 28-year old has since been released from jail after posting a $100 bond.Hudson was drafted by the Boston Celtics in the second round (58th overall) of the 2009 NBA Draft. He also spent brief time with the Washington Wizards, Cleveland Cavaliers and the Memphis Grizzlies. He has appeared in 52 games in his short-lived pro career and averaged 4.8 PPG, 1.3 RPG, and 1.3 APG in those contests.He last played in the league during the 2011-12 campaign.
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Coach Chuck Pagano to Be Featured On CBS Sports' NFL TODAY, 12/30
THE NFL ON CBS, home of Super Bowl XLVII and broadcasting its 53rd year of the NFL, continues its 2012 NFL season on Sunday, Dec. 30 (1:00-7:00 PM, ET) beginning with THE NFL TODAY (12:00 Noon-1:00 PM, ET).
THE NFL ON CBS's Greg Gumbel previews the Houston Texans-Indianapolis Colts game with one of the most inspirational stories of the 2012 NFL season, an interview with Colts Head Coach CHUCK Pagano as he returns to the sidelines for the first time since Week 3 after fighting leukemia.
When Pagano took the head coaching job of the Colts in January of this year, little did he know what would lie ahead for him and his team. Indianapolis started 1-2 with the rookie head coach and a rookie quarterback. During the Colts' bye week in September, Pagano visited his doctor to check out some symptoms of fatigue and discoloration of his arms. The next thing Pagano knew, he was in the hospital receiving chemotherapy for leukemia.
Meanwhile, Offensive Coordinator Bruce Arians was appointed Interim Head Coach on October 1. Arians and his players promised Pagano that they would keep things going until his return. With Pagano's inspiration, Arians' coaching, Andrew Luck's growth at quarterback and the veteran leadership of All-Pro wide receiver Reggie Wayne, among others, the Colts won nine-of-their-next-12 games led by the chant, "1-2-3 CHUCK!" Now with Pagano returning this week, he takes back the reigns of a playoff team. Along the way, Pagano's heroic fight against cancer promoted countless "Chuckstrong" stories. Charlie Bloom is the producer.
JAmes Brown hosts THE NFL TODAY along with analysts Dan Marino, Boomer Esiason, Shannon Sharpe and Bill Cowher, NFL TODAY Insider Jason La Canfora, as well as Lesley Visser reporting.
Eric Mann is senior producer and Bob Matina is director of THE NFL TODAY.
Sean McManus is Chairman, CBS Sports and serves as the Executive Producer for THE NFL ON CBS. Harold Bryant is Executive Producer and Vice President, Production, CBS Sports.
|Related Links
|Scoop: NCIS on CBS - Tuesday, July 21, 2015
by TV Scoop - June 29, 2015
|Showtime Announces Executive Transition Plan
June 11, 2015
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June 08, 2015
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June 03, 2015
|Scoop: BLUE BLOODS on CBS - Saturday, June 6, 2015
by TV Scoop - May 21, 2015
About Author
- CNBC to Air THE MAKING OF DIG, the USA Network Event Series, 3/1
- NBC to Air One-Hour Season Finale of CHRISTINA MILIAN TURNED UP, 3/1
- NBC Universo to Present ROMEO SANTOS DESDE VINA Concert Exclusive, 3/1
- Kelly Clarkson to Visit CBS SUNDAY MORNING, 3/1
- VIDEO: Clark Gregg Teases New AGENTS OF S.H.I.E.L.D. Season Using Emojis
- Dakota Johnson to Host SNL Tonight; Alabama Shakes to Perform
- NBC Sports to Air Coverage of U.S. GRAND PRIX FROM PARK CITY
- Discovery Family to Premiere New Episodes of TRANSFORMERS RESCUE BOTS, Today
- Telemundo to Present FUTBOL ESTELAR: LEON VS SANTOS, Today
- Telemundo to Give Viewers Sneak Peek at Upcoming Programming on LO NUEVO, Today


text:
GenreAction, Thriller
Release DateJanuary 14, 2014 (DVD)
Duration90 min.
StudioMillennium Entertainment
Official Siteclick here
REVIEWS RATE: Critics Readers Be the 1st!
Cast and Crew
DirectorSimone Bartesaghi
ProducerAimee Schoof, Isen Robbins
ScreenwriterSimone Bartesaghi
- William Moseley as Daniel Lombardi
- Adrian Pasdar as Mike Lombardi
- Eric Roberts as Jeremiah
- Kelsey Chow
- Edoardo Ballerini
- Joseph Perrino
- Jon Freda
- Frank Fortunato
RUN is a fast paced, coming-of-age crime thriller, about seventeen year old, street smart Daniel who is self taught, and unknowingly adept at Parkour, a physical discipline of training to overcome any obstacle within one's path by adapting one's movements to the environment.
Under the guidance of his tough loving, yet misguided father, Mike, Daniel utilizes his incredible athletic skills to become an agile young thief as they move from city to city. After a close call with the Detroit police, Mike decides to return to New York City in the hopes of settling a sixteen year old dispute and proving his innocence with the crime family where he met Daniel's now deceased mother.
Daniel yearns for his nomadic lifestyle to end and finds himself bonding with Mark and a group of freerunners who introduce a name to his secret skill set. He instantly falls for Mark's sister Emily who reveals secrets of her own and they both learn the importance of trust.
When Mike's truce with the head of the crime family doesn't quite go as planned, Daniel must utilize all his skills to fight for the life and freedom of not only him and his father, but also Mark and Emily when they unexpectedly get pulled into the dispute.


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I have three questions to ask
- If I create only one block of threads in cuda and execute the parallel program on it then is it possible that more than one processors would be given to single block so that my program get some benefit of multiprocessor platform ? To be more clear, If I use only one block of threads then how many processors will be allocated to it because so far as I know (I might have misunderstood it) one warp is given only single processing element.
- can I synchronize the threads of different blocks ? if yes please give some hints to do it.
- How to find out warp size ? it is fixed for a particular hardware ?


text:
The Capital Area Ground Water Conservation Commission has had one task for the past 40 years: to blunt the threat of underground saltwater fouling the Baton Rouge area's prized fresh-water supplies.
Critics claim the commission has done little to combat the saltwater encroachment, a movement accelerated by the massive pumping from aquifers under the city by industry and by companies that sell water to homeowners and businesses.
AquaSPE AG | Copyright © 2015 | Zürich Switzerland
AquaSPE complies to Swiss law & the Swiss Data Protection Act


text:
By clicking the "Submit" button, you agree to Avvo's Terms of Use. Please see our Community Guidelines and Privacy Policy for information on posting to Avvo and how we collect, use, and share information you provide to us.
7000 Houston Rd.Suite 27Florence, KY 41042
Licensed for 21 years
Go back to Michael's profile.


text:
Whether you're shopping for a special little someone who's not yet born, or looking for the perfect gift to welcome a brand new baby, these exciting toys will engage and entertain even the tiniest little ones.
Sorry, there are no products to display.
We've got all of the Our Generation girls, looks, lifestyle, and adventure you're looking for - right here! Let's meet a new friend, style some cute fashions, and enjoy a whole world of 18" doll
play with accessories like …
read more...
We're now hiring staff for our brand new location in Winnipeg. Send
resumes to email@example.com
Come check out the fun at our new Grande Prairie location.
Details Here


text:
Am i the only on that gets on this site and for what ever reason cant get off of it. I spend hours just reading about other peoples pregnancies. checking to see if there are any new ones. some time just reading the comments others post even if the post and the comments have nothing to do with me. Maybe i just have nothing better to do and im the only one doing this and now i feel crazy. Im the crazy hermit sitting on my computer stuck with nothing better to do. Haha sorry im sure my little rant make no since and if my collage English teacher where to read this she would think I learned nothing from her class.
why can't i just stop reading (little rant)
same hear i sit and read for hours and cant seem to stop way into the night. this is my fifth baby and seemed the same way with my last one too , i sit for hours just reading like its a coffee shop or something.
Gene +Tammy="dodge"sep 98 Forever in our hearts,J Feb 99,S Jan 02,C Jan 05,R Dec 10,B sep 13!
I babysit for a friend of mine tell mid night. So being up late is normal for me and I dont like it. See im still on and checking even an hour later. Im use to sleeping alone. My husband though he thinks I should have a set sleep time wont stick to one him self. he doesnt like me coming to bed after him he says he wakes up. But most of the time if its not me its him coming to bed late. I dont see how he has room to complin about when I got to bed when he does the same thing.
hun, DONT FEEL BAD AT ALL.... im a member of 3 groups... i start off looking at the posts of the 3 groups, then find myself wandering around to the other posts just reading other peoples posts and stuff for HOURS lol hey... *shrug* it is what it is :) im also a FTM so.. i take it the at im just getting as much info as i can about some things that go on in pregnancy before my twins come. :)
I get on here on and off when im free. I think its addictive because everyone is pregnant and we like to talk about it.


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I made a delicious recipe using SPLENDA® Sweeteners as part of a sponsored post for Socialstars. Celebrate summer with a fresh cherry and mint drink. These Cherry Mint Mocktails are sweet, tangy, bubbly and family friendly! Fresh, sweet cherries are almost always a highlight of my summer. My kids jump for joy likes it's Christmas when I bring home a bag of fresh cherries from the grocery store. Perfectly ripe cherries plus fresh mint from my garden and a splash of lime juice really turn a normal cherry drink into this festive … [Read More...]
meet wendy
I'm always in the kitchen! Always! That's where the chocolate and Coke are hidden. I do come out occasionally to spend time with my 2 rambunctious kids and Hubbyman!
Most of the recipes on AMFT will be gluten free, dairy free, and egg free due to my allergies starting in Jan 2013; however, you will find archives of my traditional recipes too. [Wanna Know More...]
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Garland's Oak Creek Lodge in Sedona AZ
My husband and I recently spent some time at Garland's Oak Creek Lodge in Sedona, AZ as their guests. We spent time with the new owners, the former owner, and the amazing gardeners. Garland's Lodge is located less than 10 miles north of scenic Sedona, AZ in the heart of Oak Creek Canyon. I've often thought […]
Dr Pepper Vanilla Float Cake
Crazy cake that requires no eggs or oil…this Dr Pepper Vanilla Float Cake tastes like a float but has sort of a praline-like flavor too. It's gluten free and vegan and totally divine! I don't think I've made a cake any easier than this one. It's seriously insane and couldn't be any simpler. No eggs, […]
Orange Scallion Quinoa
This Orange Scallion Quinoa is a perfectly flavored side dish goes well with fish or even a grilled steak. I admit it! I love quinoa! And so should you! It's a perfect superfood and that means it is packed full of some amazing health benefits…but healthy doesn't mean boring or flavorless. Try adding orange and […]
Giant Fair-Style Turkey Legs
Sweet and spicy…these Giant Fair-Style Turkey Legs are even better than the fair and will put a smile on kids' faces everywhere. Every year we go to the Renaissance Festival and my daughter freaks out over the giant turkey legs. She absolutely loves them…they are a special treat for her. In fact, we recently had […]
Sweet Onion & Goat Cheese Tarts
I made a delicious recipe using SPLENDA® Sweeteners as part of a sponsored post for Socialstars. These Sweet Onion & Goat Cheese Tarts are easy and delicious. They make a perfect appetizer. I love having family and friends over for supper all the time. I just really enjoy a simple dinner party and find joy in […]