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See G. P. Upton, The Standard Oratorios (1888); P. M. Young, The Oratorios of Handel (1949); H. E. Smither, A History of the Oratorio (1987).
During the second half of the 17th century, there were trends toward the secularization of the religious oratorio. Evidence of this lies in its regular performance outside church halls in courts and public theaters. Whether religious or secular, the theme of an oratorio is meant to be weighty. It could include such topics as a creation myth, the life of Jesus, or the career of a classical hero or biblical prophet. Other changes eventually took place as well, possibly because most composers of oratorios were also popular composers of operas. They began to publish the librettos of their oratorios as they did for their operas. Strong emphasis was soon placed on arias while the use of the choir diminished. Female singers become regularly employed, and replaced the male narrator with the use of recitatives. Eventually, Monteverdi composed Il Combattimento di Tancredi e Clorinda which is considered to be the first secular oratorio.
George Frideric Handel, most famous today for his Messiah, also wrote secular oratorios based on themes from Greek and Roman mythology. He is also credited with writing the first English language oratorio.
The origins of the oratorio can be found in sacred dialogues in Italy. These were settings of Biblical, Latin texts and musically were quite similar to motets. There was a strong narrative, dramatic emphasis and there were conversational exchanges between characters in the work. G.Fanerio's "teatro harmonico spirituale" is a set of 14 dialogues, the longest of which is 20 minutes long and covers the conversion of St. Paul and is for four soloists : Historicus(narator), tenor; St. Paul, tenor; Voice from Heaven, bass; and ananias, tenor. There is also a four part chorus to represent any crowds in the drama. The music is often contrapuntal and madrigal-like. Philip Neri's Congegatione della Oratorio featured the singing of spiritual laude. These became more and more popular and were eventually performed in specially built oratories (prayer halls) by professional musicians. Again, these were chiefly based on dramatic and narrative elements. Sacred opera provided another impetus for dialogues, and they greatly expanded in length (although never really beyond 60 minutes long). Cavalieri's Rappresentatione di anima et di corpo is an example of one of these works, but technically it is not an oratorio because it features acting and dancing. It does, however contain music in the monodic style. The first oratorio to be called by that name is Pietro della Valle's "Oratorio della Purificatione" , but due to its brevity (only 12mins long) and the fact that its other name was "dialogue", we can see that there was much ambiguity in these names.
By the mid-17th century, two types had developed:
Lasting about 30-60 minutes, oratorio volgares were performed in two sections, separated by a sermon; their music resembles that of contemporary operas and chamber cantatas.
The most significant composer of oratorio latino is Giacomo Carissimi, whose Jephte is regarded as the first masterpiece of the genre. Like most other Latin oratorios of the period, it is in one section only.
Oratorios usually contain:
(ordered chronologically by year of premiere)


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Pa. Chamber joins with stakeholders to highlight benefits of shale development on economy
In Pennsylvania, Vets4Energy speaks against higher energy taxes.
In Pennsylvania, Vets4Energy speaks against higher energy taxes.
Vets4Energy retired Army Captains James McCormick and Tony Caldarelli appeared at an event hosted by Pennsylvania House Speaker, Mike Turzai (R-Allegheny) at the Marcus Hook refinery in suburban Philadelphia.
When 2nd Lt. James McCormick heard the calls for help over the radio from troops caught in an ambush, he scrambled in hopes of getting into the fight. McCormick is currently Vets4Energy program director.
This key partnership between the Departments of Energy, Labor, Defense, and Veterans Affairs, and five utility trade associations will recruit and train service members, veterans and military spouses to qualify for high-skilled jobs in the utility industry.


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Updated 09/08/2014
The entrance to the neighborhood known as Farq Lehbab, the "loved ones' parting place," is marked by a mosque. In the 16th century, it is said, five holy men reached this spot after years of religious study in Baghdad; each threw a stone, and each settled where his rock landed. The best loved of these saints are Sidi Beni Yaqoub, of the province of Tata; Sidi ou Sidi, who stayed in Taroudant; and Sidi Ahmed ou Moussa, who went on to Tazeroualt (in the province of Tiznit). The mosque is two minutes' walk from Dar Baroud and is found at the edge of a small square near the eastern end of Av. du 20 Août, where it joins Rue Brahim Roudani.
Taroudant, Morocco
Updated 09/08/2014
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Shelli Giardino will be responsible for building upon the strength of the community's employee environment by recruiting, developing and retaining team members whose mission is providing superior service to the residents of both Devonshire and Chatsworth at PGA National.
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Himalayan Natural Salt Crystal Candle Holder
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Improving your health and well-being just got a whole lot prettier! This beautiful, functional interior accessory -- hand-carved from the highest quality Himalayan salt crystals -- helps improve the air quality where it resides, simultaneously benefiting your health. Salt from the Himalayan Mountains is considered to be among the purest on earth -- containing all 84 elements found in the human body.
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|Amount Per Serving
|% Daily Value
|Hawthorn extract (leaf, flower), 18.75% oligomeric procyanidins
|80 mg
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Nature's Way HeartCare™ Hawthorn Extract -- 120 Tablets
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|Amount Per Serving
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|Hawthorn extract (leaf, flower), 18.75% oligomeric procyanidins
|80 mg
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Lose Yourself to Dance
iOS iPhone Games
See how fast your fingers can move on the dance floor! Rock out your finger dancing passion wherever you are.
1) Start by first choosing a difficulty level.
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What's New
iOS 8 related fixes and improvements.


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MoniqueGlo... Model
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My fitness pal app Q
Started by carls888 , Jan 09 2013 08:10 AM
10 replies to this topic
Posted 09 January 2013 - 08:10 AM
I have been doing this with good success on 1200 cal. But I am wondering do you have to include the exercise you do and then eat that many more calories?
I know that 1200 is the lowest you should go, so I am presuming yes you do have to eat more but I want the best results so thought I'd ask the question.
Posted 09 January 2013 - 08:18 AM
Most people say you should eat back the calories burnt when you are on such a low calorie intake but in saying that I don't always MFP community have a heap of threads on it.
Posted 09 January 2013 - 08:22 AM
I have absolutely no qualifications to say this, but since it's the internet that's never stopped anybody giving out advice, in my current state of largeness I don't feel the need to eat back calories if I have a day or 2 coming in under my goal for the day.
I think that professional athletes and people who are looking to lose that last kg might be better served by eating all their calories back but i am not at that stage just yet.
Posted 09 January 2013 - 08:35 AM
If you've taken your profile correctly, you should eat what is suggested for you - not a blanket 1200 as this may be too little for your situation.
If you exercise and burn several hundred calories, it is best to eat back at least half of what you've burned. If you're recording your exercise, make sure you're doing it reasonably accurately so you don't make a mistake with how much you can afford to eat back. Use a heart rate monitor if possible (with a chest strap) for cardio related activities. If you're going on the estimates from the app, they may be incorrect, and you can afford to reduce the amount of extra calories given to you by 10-20% to be on the safe side.
It is wise to eat as much as is advised to you, as your body needs fuel to burn fat. You can get away with not doing this on occasion, but it's best for your own health and wellbeing to eat the right amount.
Posted 09 January 2013 - 01:52 PM
OK great, thanks to you all.
On afew calorie/exercise sites it states that I am burning around 300-390 cals, I am also pushing a pram with a 5 and 3yo in it and keeping up my speed, but I am not counting that.
I am putting into fitnesspal app that I burn 200cal, so hopefully that will be OK. Sometimes i eat it all, sometimes I don't feel like it, but I don't want to hold weight from not eating what the body needs at minimum.
That said i have 20kg to lose...
But I want this to be a lifestyle change rather than a quick fix, hence the question.
Posted 09 January 2013 - 01:56 PM
I lost over 20 ikg using MFP eating about 1400 - 1600 cals a day plus my burnt calories.
My personal opinion is that eating at a higher calorie level is going to be much easier to manage and easier to sustain - which is what counts if you want this to be a long term change not just quick weight loss which bounces back again.
Posted 09 January 2013 - 02:02 PM
what is mfp please
Posted 09 January 2013 - 02:08 PM
QUOTE (yummymummycakes @ 09/01/2013, 12:02 PM) <{POST_SNAPBACK}>
what is mfp please
Myfitnesspal - www.myfitnesspal.com
It's a website and app that allows you to record your calories in (food) and out (exercise).
Plus an online community for discussion of diet/fitness etc.
It's free.
And the most successful way I've found to lose weight - just because it made me conscious of what I was eating and got me into the habit of being aware of balancing calories in and out.
Posted 10 January 2013 - 01:59 PM
Great that you have taken these steps!
Great for all your planned travel!!
I joined mfp 5 weeks ago.
I also was recommended 1200 calories.
I do exercise on top of that and never eat back calories as such.
So some days if I do a run and burn 400cals it will say under calorie goal etc.
Cheers and good luck!!
I also had 20kg to loose and have lost 10kg so far ( 10 weeks)
Posted 11 January 2013 - 03:58 PM
Cool, good to know.
Wow Bron that is awesome!!!
I am happy at 1200cals and I feel like I have relearned how to eat a portion size.
I love it because I use the app tool everyday. I am not online as yet for it though, just use the app. It makes it so easy to track and figure stuff out.
Posted 14 January 2013 - 10:38 AM
I love MFP ... especially the scan feature for barcodes .... takes so much guess work out of it.
I also have a heart rate monitor with a chest strap so it makes it easier to know my exact calories burnt. I picked mine up for $80 online bargain
My DH is using it too and has pretty much lost 1kg per week
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The 83 children who were tragically let down in the last decade
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Expert Q&A: Gross motor skill development in toddlers and preschoolers
Dr Katie Heathershaw answers questions about jumping, toe walking, riding a bike and being pigeon toed.
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Carla Schroder Rocking Linux Today
ROSE Blog: Rikki's Open Source Exchange
I'd intended to send a big congrats out to Carla Schroder when she first accepted her new role as Managing Editor of Linux Today, but OSCON and LinuxWorld got in the way and I accidentally skipped it on my List of Things To Do. Of course, I was reminded about this task when someone approached the Linux Pro booth at LinuxWorld and asked me whether we'd recently hired Carla. The answer is no – we still have a managing editor who has settled nicely into her role and doesn't plan to leave anytime soon – but I'd love to work with Carla one of these days, anyway.
Better late than never, so here it goes: Congrats, Carla!
Word on the street... or at LinuxWorld, at least... is that Carla's already rocking out at her new job. Of course, this suprises no one who knows her or follows her online.
Friday, for example, Carla wrote a great Editor's Note that clears up some confusion about what Stormy Peters said at LinuxWorld about open source litigation. Apparently, there was some concern about the accuracy of quotes in the The Pitfalls of Open Source Litigation article that ran on InternetNews. Carla went straight to the source, and Stormy clarified that she actually said that the chances of anyone getting sued are extremely unlikely.
So there you have it – Carla seems to have settled into her new position and is actively stamping out FUD flames across the Internet.comments powered by Disqus
Issue 177/2015
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NoScript Flaw
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RIP SSLv3
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Mate 1.1 Arrives
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Mozilla Signs Firefox Add-Ons
New program will dial up security for the Firefox browser.
Fedora 22 Arrives
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Code.org and College Board Team Reach Out for Talented High School Coders
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Mumblehard Still Spams
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Launchpad Gets Git
Future versions of Ubuntu's code service will support the popular Git version control system used with Linux and other open source projects.


text:
I saw the swaddlebees website still has some of the blueberry basix in stock, are the pretty much the same as the swaddlebees simplex? I are so many great reviews on here for the simplex that I would like to give them a try if the basix are the same.
Is the basic the same as the simplex
Comments (3)
smamma22 · Original Poster
Posted 02/27/2013
Sorry for all the typos, lo is sleeping in my arms!
Posted 02/27/2013
The Basix aren't natural fibers. They're microfiber terry (I believe) instead of cotton, and they are lined with micro fleece.
Check out my band, Apollo's Daughter!
Posted 02/27/2013
Btw, I find that fit is basically the same, although Simplex may be a smidgen trimmer.
Check out my band, Apollo's Daughter!


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No one ever suspects that the suspect was never even suspected in the first place.
Some things are simply set in stone. Cliffs, boulders, a lot of fossils, Mount Rushmore, utility poles in Ontario and other rocky places, very cool houses built into the earth that no one has ever actually seen but there are tons of pictures of on the internet, Han Solo for a short period of time, the sword from "The Sword in the Stone," and many, many more. 1,942 more words


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The IDB saga shows that the country now has institutional investors willing to confront the big guys.
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Suspect rams new police cruiser, speeds off
A new police patrol car with just 400 miles on the clock was rammed by a truck driver who feared officers would discover he was banned from the roads.
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PoliceOne top 5
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- 5 NY Gov. Cuomo: Escaped prisoners planned on Mexico


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Yes, it'll be good . . . it's in Abruzzo -
Tue 8 Jan 2008
Tue 8 Jan 2008
Yes, it'll be good . . . it's in Abruzzo -
Tue 8 Jan 2008
Wolfgang – thanks for including Editing Digital Video in your list. One correction – Brian McKernan and John Rice did not write the book. The book was part of a series of books about video that they were supposed to brand. I co-authored the book with my good friend Patrick McGrath.
Of course!!! I'm an idiot – in my haste, and half asleep (it was past 02.00 in the morning) – I copied the names of the series advisors of the book cover and not the authors!
By the way, in your book I discovered my favorite definition of a documentary film.
"A documentary is a film without women. If there is a women, it's a semi-documentary," according to Harry Cohn, the head of Columbia Pictures, as quoted by Fred Zinneman in his autobiography.
I love that one!
Darla, I guess you better run out and buy this one (or get it on Amazon), 'cause Robert is watching!!!
Tue 8 Jan 2008
Hmmm, Wolfgang, I was going to accept your previous apology, but now I'm not so sure... ;-)
What I mean is that it is so off the wall. I can almost visualize this gruff sort of studio legend, barking out a sentence like this. I guess you have to imagine the setting and the context to enjoy it properly.
Also, what he probably means is: "Boring, no sex, no drama." Or something of the sort. I must confess that I thought that it was hilarious!
Tue 8 Jan 2008
I dunno. I like what Eddie Izzard said at last night's Critics Choice Awards after riffing on the Writer's Strike in purposely broken English:
"Documentaries are nice but not got car chases, so pooh. People who make them have no pants so please give them cash in bags or golden prizes like in running race."
Cool. Great idea. Doubt I'll ever have to worry about prizes but cash is certainly better than medals or trophies.
Tue 8 Jan 2008
Ha! I knew RG nicked that Zinneman/Cohn quote from my post back in May 2002!
Wed 9 Jan 2008
perhaps you reminded me since the biography is in my collection?
Wed 9 Jan 2008
Yessir! (smile)
Thu 10 Jan 2008
Hello all, my name is Leon Coleman and I write under the name Lord Baltimore. I know absolutely nothing and need a ton of help.
Long story short, I want to follow a girl's 18 and under volleyball team for one entire 6 month season beginning now and culminating in their championships in July 08. The owner of the club team loves the idea, has given me full access to his team, practices and games. I have enlisted the aide of a very experienced sound/camera man.
And by the way, if this is not the place to ask this question, i apologize to all...
Anyway, the first thing I need to know is if anyway has a sample clearance form I can provide to the coach and players/parents so I can proceed. After that I have some general questions about crowd shots, competition against other girls (who are not cleared) etc. Thank you.
(I posted in "introduce" as well before i knew about this room. sorry.
Fri 11 Jan 2008
Google "release form" + documentary and you should find something that fits. Maybe best to check wording with your lawyer to be on the safe side
Fri 11 Jan 2008
This should do it, Leon.
Fri 11 Jan 2008
Thank you both very much. I downloaded the form Joe suggested and will do a google seacrh. This is sort of a daunting process. Once I get the girls, coaches and parents, I still have to figure out how to handle it when I shoot a game where that relates to releases from members of the other teams. Any insight or suggestions? From what I have read, if I film a sporting event and don't highlight the opponents, I may not be required to obtain their releases. Your thoughts are welcome.
Sun 13 Jan 2008
Hello everyone,
There is a segment in my film where I will need to use many paintings from the 18th and 19th century. I plan to travel to Europe seeking images to use in museums etc. I have a DP that I will be working with soon, so he'll probably have some ideas – but I would appreciate all the advice I could get before speaking with him. How does this process work – obtaining images that are past their copyright from museums. Can I take the photographs myself, and rely on my DP to make them look interesting in post, or will I need a professional photographer with me at all times? If I can acquire the images myself, what camera is best? Do the museums have a special way of making these images available? Will I need to speak with someone at each museum in advance and have special forms? Any other advice I'm not asking for will be much appreciated as well.
Thanks so much!
Sun 13 Jan 2008
Hi...Can anyone recommend any good Film Workshops for Directing, Writing, etc. in London England?
Sun 13 Jan 2008
So, thinking ahead . . . now that I have my PAL and sound stuff straightened out . . . I finish shooting in mid-February, and I'm entering a contest with a deadline of mid-April. My DP can edit with PAL (he's in Milan). So, I have the choice of coming back to the States with PAL footage and finding an editor and cutting a trailer (my DP and I may log , but not sure yet). And then trying to get it in in time for this contest. Or, I can try to stay in Italy longer, and work with my DP to edit our footage/cut a trailer. I'd have to pay him something like 375 a day, but it may only take 2 days. . . he'll know the footage. He'll have the software and what we need to edit. (I won't need to rent a PAL deck here or whatever).
Does this sound wise? Moreso then coming back to the US with the footage?
Just running this by you guys.
Mon 14 Jan 2008
unless you absolutely have the EXACT vision for what your trailer is going to be – and you are 100% confident you can get the interview subjects to say what you've envisioned – i have to tell you that it's going to take a lot longer than 2 days to cut a trailer. (i once thought the same thing, but 2 days goes so fast...)
theoretically, it really doesn't seem like it should take that long, but it always does. sure, you could cut a quick 2-minute trailer in two days but i guarantee you won't be happy with it. 5 days sounds like a much better estimation. if you are entering this contest because you actually want to win it, it's probably better to bring all the footage home and find an editor in NY or NJ.
Start looking now for the editor so that you can begin editing as soon as you return from Italy. Honestly, you probably aren't going to attract a top-flight experienced editor with your budget and project. but you can actually attract a decent (though inexperienced) editor for $200/day. 4-5 days editing with him/her will be roughly equivalent to what you would have spend with your Italian DP. If your editor is technically proficient, and you are very clear about what you want, you'll have a good chance at success.
Mon 14 Jan 2008
David hi,
I attended the Panico Film Course a few years back. It depends what you are looking for. The Panico Course is introductory and it ran on Sundays for 6 weeks. It cost me 800 quid back then. Like i said it's more introductory in nature and each week you do a litle bit of this and that. Super 8, script writing, visualising shots etc...and it culminated in shooting a little short in groups of 2-3 on 16mm. It was set-up in the 1980s i believe by a British group who have worked with Terry Gilliam. We had a talk one week from a guy who worked on "Brazil" and another week from Toni Grisoni who wrote Fear & Loathing in Las Vegas.
I don't live in London but for those that do once you have completed the course you can join the "club" for about 40 pounds a year and they meet once a week socially and you get access to a jobs list.
They offer weekend courses too that are more specialised.
Mon 14 Jan 2008
David – check out the training programme of the Documentary Filmmakers Group
Mon 14 Jan 2008
Thanks, Christopher –
So any ideas what I should look for in an editor. Someone who has the software, can edit in PAL, has experience with cinema verite, and whose work I like, obviously . . . but should I look on Craigslist? Obviously, too, it's better to find someone local, right? So I can sit with them...
Mon 14 Jan 2008
What you need from an editor is experience and aesthetic judgment. A track record of excellence in cutting docs. Whether or not they have the software program or not. Editing in PAL is no different than editing in NTSC. The best place to find doc editors is to talk to doc filmmakers and get recommendations.
Mon 14 Jan 2008
Okay, Robert. Sounds good! Thank you!
So I might be helping someone produce a series of art/music videos and he wants to know what are some features on FinalCutPro 4, 5, 6, etc. that aren't in FCP 3 which is what I have. At the present moment, he is curious about what can be done with titles (these will be karaoke videos with lyrics) and after-effects. So are there any major differences between FCP 3 and beyond that he and I should be aware of? Thank you!!!
And while we're on this subject, someone remind me of the difference between PAL and NTSC. What do they mean and stand for?
Mon 14 Jan 2008
Hi and thanks in advance for your help!
I'm in post production on a documentary and most interviewees have signed release forms but a few gave on-camera permission. Is on-camera permission sufficient, in terms of getting E&O insurance, broadcast, distribution, etc.? Are there cases where that is not enough? Many thanks!!
Mon 14 Jan 2008
not sure why you didn't get more response. maybe because no one knows the best way to approach it. if it was me, and i was SURE that there weren't copyright problems using those photos, then i would shoot the stills myself. i'd use a DSLR with 8+ megapixels, but in truth you don't need that kind of resolution for even HD video unless you are doing a lot of zooming.
the museums would probably prefer that you went through them, and maybe their photos are a little better, but i'm sure that there is a hassle factor that is worth considering....
Mon 14 Jan 2008
Edited Mon 14 Jan 2008 by Matthew Hickney
Hey all! I have been shooting a project for over a year and a half. Currently it is at it's first watch able cut, I had a test screening, and word has been very positive, and I am excited about taking this project as far as it can go.
please check out the trailer on my myspace page: www.myspace.com/chokeproductions
once concern that I have however, is that this whole time, I have not collected release forms, but merely on camera verbal releases which, I was told, would do just as well as a consent form. Recently I have come to find otherwise. My question is, will verbal releases work? and also, if I must collect written releases, do they need to be for each and every person in the film?
for example: I am shooting a fight, the entire time the focus is one the two men fighting in the ring, but there are various faces around the ring and in the audience that can be made out...
I am perfectly capable to get the release forms from any individuals who speak, or play any kind of role. But for these others, do I really need to hunt down EVERY SINGLE ONE of these people, and get them to sign a release form?
or is there a line that is drawn about who I have to get releases from, and who I do not?
even if they are in the film for a few seconds watching a fight, and say nothing, and play no kind of role in the narrative of the film?
also, in the first cut, I use alot of 3rd party footage i.e; PRIDE, UFC, IFL, fights, as well as clips from Enter the Dragon, and Bloodsport...
is there any easy way to maintain the presence of these clips in the film?
I assume not, and I will need to take them out.
This film was shot for next to nothing, and I certainly do not have the money to do a legal battle over the use of clips...
any advice is welcome.
Mon 14 Jan 2008
Edited Mon 14 Jan 2008 by Le Sheng Liu
MAtthew, how far do you want to take this project? Basically anywhere you show this, you will need to get clearances for most of what you mentioned. But especially if you want this to appear on television or at a film festival or even any legitimate distribution website, you should get written releases for your subjects. As for the folks who don't speak but whose faces appear, that is kinda tricky cuz I've seen documentaries (such as Super Size Me) where such individuals' faces were blurred out, so I'm guessing they did not ask for permission for those people and didn't want to bother. And the non-original footage, you HAVE to get permission to include those clips, and (assuming you even get permission) you will often get charged to use it, which can get really expensive depending on the source of the footage. If you've got clips from major studio flicks, then it won't be cheap. If you can't afford to keep these clips in there, then I would suggest using your creativity to tell your story in alternative ways. This is certainly a challenge I will have to deal with, since I am a sucker for using news and stock footage in my documentaries, but that is so costly.
Also, I found this site which has free sample release forms and other film-making freebies.
Mon 14 Jan 2008
Hey Darla,
logging on for a few secs in the US.
In your next-to-last postyouwrote:
"So, I have the choice of coming back to the States with PAL footage and finding an editor and cutting a trailer (my DP and I may log , but not sure yet)."
regardless whether it's for the trailer or later (to do your documentary) it makes NO sense at all to log with someone unless you are going to edit the trailer – and more so – the documentary with that same person.
You CAN'T log your footage with person A and edit with person B.
You and your editor (whomever this may be) need to log the video TOGETHER.
Also, as I've tried to explain to you previously, the editing phase is NOT a phase where you can attempt to save money. You need the best and most competent editor you can find.
If you don't have enough money now, wait and save until you do and then edit it with a good editor.
Tue 15 Jan 2008
Does anyone else feel that the editing stage is in some ways more crucial than the shooting stage? That's the way I feel about documentaries.
Tue 15 Jan 2008
It depends on the film. Cinema verite style films – certainly. Others not so.
Tue 15 Jan 2008
for me, it's hard to say which stage is more crucial. sure, you can always save something in the edit, but if you've shot it well, it makes the whole edit much easier. for instance, there are a few scenes in my documentary where the shooter got VERY little coverage and so we are left with absolutely zero choices in the edit room for those scenes.
good shooters AND good editors are worth their weight in gold. having said that, just because you pay someone their weight in gold, doesn't mean that they are the right fit for your project.
Tue 15 Jan 2008
Monica – usually you can have some luck if you contact the press person in-house and tell them this is editorial, not commercial, if this is the case: Europe generally views access to old pictures differently than in the US (sweeping but I'll get shot down by other d-worders here if I am really off the mark), so you may find access has to be controlled but will not be costly. They have credible security concerns, but some of the best collections are in small institutions that are not hard to deal with (Brugges is cool). The Louvre gets bombarded and I was told by someone there that many professional news crews, for example, behave very badly – bulls in china shops. Our cameraman's behaviour was complimented, though to my eye he was conducting himself with normal courtesy and respect for the other people visiting. apparently not the norm...
Explore also the images that they can make available to you without you having to go and shoot yourself. Several collections are slowly being digitised, though this may be limited to stills...
Wed 16 Jan 2008
H'm. It only took me two days to start complaining.
The reading restriction (i.e., not being able to read certain professional sections unless you're a member) strikes me as the same sort of glass ceiling I ran into when I wanted to start technical writing. That is, I couldn't become a tech writer unless I was already a "tech writer". Even though I had written about technology for periodicals for 20 years. Luckily, the head of the department looked at my resume and allowed me to try out eight years ago, and I've done it since (increasing my annual income by several times).
Now I want to learn how to become a documentarian (documentiste?), but it appears most of the information categories are only available to those who are already professionals. Same sort of glass ceiling.
Isn't it possible to allow enthusiasts to at least read through the posts, just to gain insight? Just don't allow them to make comments until they've won their spurs? Yes, I have been using tags, but those don't appear complete.
Sorry if I'm missing something, and the info is really available to all. I really do like the site, btw.
Wed 16 Jan 2008
Edited Wed 16 Jan 2008 by Chris Hinrichs
I think Dale makes an interesting point. While I completely understand the rationale behind the professional forum being "by professionals, for professionals", is what's being discussed so esoteric that the rest of us, who are either aspiring or just fascinated by the documentary film process, can't at least eavesdrop? The last thing I want is to seem ungrateful because I think this site is great and the advice I've read to others is thoughtful and constructive. I just think the secrecy of the members forums is unnecessary. Is there a way to do what Dale suggests, where somehow we could read posts, but not comment? I have no sense of the technical side of this, so maybe it's too complicated to institute. Any explanation would be appreciated.
Wed 16 Jan 2008
I'm working on clearing all the photos for my first film, most of which are old family snapshots taken in Italy. Apart from getting a materials release from the owners of the photos,I understand that the conservative approach is to clear every individual pictured in those photos – a monumental task given that everyone is abroad and scattered about. But what if you can't locate everyone? From a practical standpoint, I was wondering how others have approached this for their films.
Wed 16 Jan 2008
thanks, sheng liu. Ideally I'd like a theatrical run, with a DVD distribution plan. But I am not done shooting yet, I figured I would just go for broke initially with my first cut, and then poke around and see what any advice I can get in terms of what I can and cannot do.
getting the release forms will not be a problem (I have access to, and see the subjects on a semi-regular basis) the clips I use however, will most likely be removed. But it's worth it to try right?
what would be my first step in clearing these third party clips?
Thu 17 Jan 2008
I sympathise (never with a Z!) with Dale Archibald and his thoughts about access to the forums for non-professionals. Although i would say that it seems like the pros regularly post advice and responses in the mentoring room and also access at least at some level is free. Somebody put in the hours to spruce up this site and they did a good job and didn't bill me for it so i am grateful for that. I have been a member on other forums that charge annually.
I haven't applied for professional status myself but i might. Can't believe there isn't a box to check for Production Manager or Coordinator when applying for pro status. We do a lot of work
even if it isn't necessarily editorial. Although i guess everyone doesn't have the luxury of larger factual production teams??? Do i have to be an "other"?
Thu 17 Jan 2008
Evan, it is a fascinating site, and I do appreciate the work put into it. And, as I said, I suppose I could use the tags to work my way through everything.
I could probably fudge and say I'm a writer (which I have been since 1970), but I have had little documentary or video experience (if you don't count a stint doing puppets for a local cable TV show).
Last night I took the Introductory course to the Minneapolis Telecomm Network, so I'm on the path to enlightenment.
I simply think it would be helpful to look through the seminars in a more organized manner, and you can't do that if you're an enthusiast.
On another note, I noticed the lists on one of the bookseller sites for video and filmmaking. Interesting, what with the books on various aspects of the craft, lighting kits and all.
Thu 17 Jan 2008
Evan and Dale, I am just a 5-year member of D-Word, not one of the three hosts/monitors, but recall that one of the concerns when putting the revamped D-Word together this past year was how to offer anyone at all who is interested in documentary some sort of platform so people with some experience in documentary can share their support, solutions, and other help with those who are new to it. Or who want to discuss whatever they like. The public/private division has nothing to do with fees; it's more about protecting privacy and some of the personal information that members exchange. While it might never be perfect, it's a fix.
D-Word doesn't charge fees and nor does it raise money with advertising, but the hosts did initiate a voluntary fundraising exercise a while ago to help pay for the intense programming needed to make all the bits flow together better. This included a much easier to use public zone. Enjoy the freebie!
Dale, I have often consulted titles published by CMP Books. Their publications on digital video sound and lighting were recommended to me – probably all updated since I read them.
Thu 17 Jan 2008
Thanks, Jo-Anne. I'll take a look at them.
I do enjoy the site, and appreciate the work and care that goes into it. I shall continue to graze around the edges.
Thu 17 Jan 2008
To all who have expressed comments about access to the member-only areas of this forum, the hosts will hopefully chime in soon. But I can say that I don't think those sections are made private simply to keep the discussion only to professionals or to create a clique. They were separated more to provide a safe space for professionals to share their experiences and challenges with few worries of their comments being seen by anyone (ANYONE, not just enthusiasts). The public forums come up in Google searches while the private forums do not.
That said, I think a great solution would be for the hosts to send out a monthly or even quarterly e-mail message to all D-Word members with some highlights of discussions held in the private forums which could be beneficial to all without compromising privacy. For example, right now there is an interesting discussion going on in one of the member-only topics about house parties as a fundraising tool and it would be great for some of the highlighted recommendations to be shared with the enthusiasts who could benefit by this information for their first project.
P.S. Not trying to be too self-promotional here, but can't help myself. I am the co-founder of a doc organization called Docs In Progress. While some people know us for putting on work-in-progress screening programs in the Washington DC area, we also have two initiatives which may benefit doc filmmakers based anywhere and with ANY degree of experience. One is a quarterly e-newsletter we publish. It's free and you can sign up for it on our website at http://www.docsinprogress.org (next issue to come out before the end of January will feature articles on rights and clearance issues and a story about a unique approach to online fundraising). The other is a work in progress screening we are coordinating in collaboration with NomadsLand on February 17 where the filmmaker will participate via Skype. More info on how to submit is here: http://nomadsland.com/content/view/60/158/
Thu 17 Jan 2008
Erica – I think that's a great idea, but it also sounds pretty time consuming for whoever has to compile that newsletter. Maybe another, more user based, solution might be to add another button by the tag,edit,help, etc. that basically makes your post available to enthusiasts. There could just be one public thread that is a 'members selects' compilation thread. That way it would be up to the actual author of the comment (or a moderator, I guess) to decide whether the post should be available to the world (of course the default would still be that every post is private). While I realize most members would still hesitate to ever do this, a good way of alleviating that would be to automatically make those posts anonymous in the public forum. Yeah, it's out of context for enthusiasts, but they would just have to take the info or leave it and know it's coming from pros. This may be enough to appease everyone (except the poor web designer who would have to implement these changes). Just a thought. I think it's definitely valuable to take measures to keep the public D-Word vibrant.
Thu 17 Jan 2008
Thanks Jo-Anne, Erica, and Ryan for your clarifications and comments. I'm a curious guy in general (probably why I enjoy docs so much), so I'm interested in what you all are discussing. However, if there is sensitive stuff in there, I will be content with the areas of the site that are available to me. I'm sure that a ton of work goes into maintaining this site while at the same time keeping it free, and for that I thank the hosts.
Thu 17 Jan 2008
Thanks so much to Riley and Jo-Anne for the wonderful advice! Both of you are always very helpful to me.
Fri 18 Jan 2008
hey guys, I have a quick legal question. If I shot a sporting competition (such as an MMA fight) , what type of legal document must I attain from the promoters of the competition to have the right to use it in my film?
I have release forms for individual participants, but is there a separate form for business, locations, ect?
and legally speaking, do I need to worry about locations like suburban streets and intersections, small chain stores like bi-mart (small chain in eastern Washington and parts of Oregon), and things like gas stations?
if there is a separate type of release I need to get, links to the documents I can download would be awesome...
thanks guys, I really appreciate it!
Fri 18 Jan 2008
Sorry to act the role of a gadfly, but I guess I just don't see what sort of secret rites and protocols could cause "Let's show this to other adults, but don't let the kids see it." I understand there might be a reluctance to have everything on the site (e-mail addresses, etc.) available to search engines and spammers, but if forums are archived without editing the info is outed anyway.
So, as part of my learning curve, could someone explain to me what shouldn't be shown to enthusiasts? Without a complete description, of course? Or have a set of clear guidelines posted? I'd like a guideline as to whether I can put a website name down as a resource. I avoided doing so in an earlier post because I didn't know the guideline.
This is a marvelous site, one I came across by reading Wikipedia, and I've been looking for info on documentary filmmaking for some time now. I'd like to help it be better.
Fri 18 Jan 2008
Edited Fri 18 Jan 2008 by Doug Block
Dale (and others), as The D-Word's founder, let me jump in here with a brief policy explanation. The D-Word has always been an online discussion forum for documentary professionals worldwide. We make no apologies for the fact that we're somewhat "exclusive" or "clubby". We want a place where we can converse with our professional colleagues rather than be bombarded by basic questions from students and beginners.
In recognition that we all have to start somewhere, we've always had a public area of The D-Word, where Enthusiasts, as we now call them, can read the many guest conferences we've done over the years, and to ask questions in the Mentoring Room topic. We definitely plan to expand the public area of The D-Word in the coming years, particularly as we start to implement video hosting on the site.
As far as determining if someone qualifies as a pro, it's somewhat subjective as one of the co-hosts goes through every registration for membership. If there's any question, he either brings in the other co-hosts for their opinion or asks the registrant for more info. And if we do wind up rejecting an applicant for the professional area, we always allow them to either make a stronger case for themselves or re-apply at a later date when they presumably do have more experience.
As for making Members posts available for non-members to read, it would greatly curtail the freedom we feel to post our opinions. Especially since posts in the public area can be googled by the general public. But we're very open to new ideas of how to make the public area more vibrant, as Ryan puts it. So it's good to get everyone's thoughts and suggestions.


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Microchip buys Supertex for high-voltage process tech
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We're giving those without a voice, a voice this week. There aren't many champions in all of League of Legends that don't actually have lines. So this week, play all of them to earn an entry.
To enter this week's challenge:
- Simply enter the contest once you have completed one game with each of the three valid champions before the contest ends on Tuesday, July 7.
- Check the rules.
- That's it.
2 Prizes
- One winner will receive a Razer Kraken 7.1 Chroma.
- One winner will receive a $20 RP code.
Previous Winners
There were 1222 entries last week and the following people won prizes:
There were 1093 entries in the Pool Party comment giveaway and the following people won prizes:
- ERROR 178 won a $10 RP code.
- MrShirokawa won a $10 RP code.
- TSwissy won a $10 RP code.
- unfuurl won a $10 RP code.
- MrWafflesXDX won a $10 RP code.
It was a good week to be blue as the team on that side of the map claimed nine of the ten matches. There were bloodbaths left and right as even the usually restrained Cloud9 let themselves go a bit, racking up 20 kills against the Team Dragon Knights sub-squad.
Team Impulse was the organization to beat this week despite losing to Gravity on Saturday. The crew performed tremendously and put up incredible numbers as they took down Team Liquid. Yet another .500 week, TIP remains an even 5-5 on the split as a perfect week still eludes them.
It was one of those tough to measure weeks as most teams went 1-1 with the exception of Counter Logic Gaming who finally faltered to an 0-2 performance along with the still struggling Enemy Esports while GV and Team SoloMid went 2-0.
Team Liquid was led by Fenix's Azir who got a one v. four quadra kill, propelling his team to a win over CLG. His 11/0/5 performance was unanswerable by the group that has had all of the answers up until this point. I wouldn't call it tilting, but CLG was clearly affected by the huge loss as TSM continued to be their kryptonite, handily taking them down.
That said, Team SoloMid wasn't without their own issues as a terrible tower dive in Team8's bottom lane put them preposterously far behind and the team was left to play safe for the rest of the early-mid game. They did come back from that to win, but we're still left with the feeling that TSM is a bit shaky.
C9's happiness was short lived as Impulse steamrolled the former NA LCS Champions. With that Balls' Rumble suffered its first defeat as he now has a 17-1 record in regional games. T8 took down NME with a ton of armor stacking that brought the game well past the 40 minute point.
TDK finally got Emperor and Ninja back from their visa issues and both seem to have brought incredible and much needed confidence to the team. Ninja held his own on Viktor against Shiphtur's Azir with some great mechanics that previously weren't there. More importantly, Emperor on Sivir had much better teamfight positioning. His substitute Lattman was frequently on top of the enemy team, costing them DPS. It was a welcome sight as the group earned their first win of the season right at the halfway mark.
Champion Breakdown
The meta in North America might be a bit stale. Sivir was picked in all ten matches this week while Rek'Sai was locked in every time she wasn't banned. Azir was either of the two in nine of the ten while bans seemed to have stagnated a bit. Ryze was out in every match, Gragas eight times, Alistar and Kalista both seven.
Annie was a welcome change, that much is certain, but we might need some changes in the ADC role. The next closest was Kalista in only three, that's a staggering differential.
Fantasy LCS Breakdown
As I mentioned before, Team Impulse had crazy bloodbaths this week against Gravity and Cloud9. There's not a ton to say other than they had two stomps even though GV managed to come back and win.
Fenix's quadra kill locked him up the Flex position while TSM eked out GV in their own 2-0 week.
- Top - TIP Impact
- Jungle - TIP Rush
- Mid - TIP XiaoWeiXiao
- ADC - TIP Apollo
- Support - TIP Adrian
- Flex - TL Fenix
- Team - Team SoloMid
NA vs. EU Standings
- Week 1: NA LCS (418.77) > EU LCS (379.29)
- Week 2: NA LCS (376.70) < EU LCS (454.94)
- Week 3: NA LCS (406.41) < EU LCS (423.06)
- Week 4: NA LCS (431.64) > EU LCS (362.56)
- Week 5: NA LCS (414.06) > EU LCS (347.87)
North America leads 3-2.
Team SoloMid now leads North America and that's probably bad for the region as a whole considering they too have looked weak for a bit now. CLG dropped both of their matches and in doing so lost a lot of their internation credibility. Gravity's Altec led them to two wins and earned his first MVP title.
Team Dignitas still looks strong but lost against the true Team Dragon Knights who earned their first win in their first match with their full squad. If they're looking that good in wins against teams previously tied for first, Team8, Enemy, and C9 better watch their tails.
- Team SoloMid (8-2)
- Counter Logic Gaming (7-3)
- Gravity (7-3)
- Team Dignitas (7-3)
- Team Liquid (6-4)
- Team Impulse (5-5)
- Cloud9 (3-7)
- Enemy Esports (3-7)
- Team8 (3-7)
- Team Dragon Knights (1-9)
So that happened. Fnatic is now an undefeated 10-0 as they managed to take down both H2K Gaming and Gambit Gaming. After defending their previous record of nine in a row twice (over both SK and H2K in the previous splits) FNC finally broke the barrier and reached double digits. The question that now remains is how far can they continue to push this? They face Giants Gaming and Copenhagen Wolves next week before their next huge challenge in both H2K and Origen in Week 7.
One thing became really clear this week: Fnatic is leaps and bounds ahead of the rest of the EU LCS. Many had pegged H2K and OG on the same level as them, however, both have stumbled at points throughout the season while FNC just keeps knocking their opponents down.
H2K had a rough week after dropping to Fnatic in day one. As the last match of the week they would struggle against SK Gaming with only Ryu to give them hopes of a victory. Regardless, they played confidently and even looked to be ahead despite numbers proving the opposite.
Though on a much easier schedule, Roccat solidified their first undefeated week of the split as Steve finally came into proper form. His Ekko play was all around satisfactory with a 8/6/14 in his two games. Vander's Janna was nothing to be scoffed at either with a 25 KDA on one lone death. It's a great sign for a team that has looked good all season long but hasn't quite been able to seal the deal.
ROC wasn't the only team to show up this week though as the Elements began to come together (still no Captain Planet though). Many questioned the decision to sub in Nyph for PromiseQ but it clearly paid off. Perhaps the perspective of being a coach has allowed for him to improve their in game decisions. With no real stand out performer, EL fought hard for their two wins over SK and Giants, something that's certainly welcome, especially considering Roccat's success.
Champion Breakdown
There was actually a good amount of spice in this week's competition. Ekko managed to finally boil his way to the top of the top lane (while still being utilized in the jungle).
Rek'Sai narrowly beat out Gragas as the most picked/prioritized Jungler. Outside of that we only saw Lee Sin, twice and Olaf, Rengar, and Wukong, once. The release of Runeglaive will certainly be a welcome addition when the next patch sees play.
Azir still sits among the most played in the Mid lane, but Varus finally gained enough momentum to overtake him. Jayce is also seeing considerable prioritization for the first time this split.
Sivir, Corki, and Kalista are the Holy Trinity of ADCs with 6, 5, and 4 picks, respectively.
I have to admit that I was rooting for Janna to overtake Alistar, and she came close but was one game too slow to earn the spot. Regardless, seven games out of ten for each is pretty definitive.
With the schedule reaching the halfway point there are four clear divides in the standings. Fnatic stands atop alone while Origen and H2K try and figure out if they're true contenders for first place. Giants sits atop the three way tie of Elements, Roccat, and Unicorns of Love. Below them is a tied Gambit and SK with the volatile Wolves bringing up the rear.
- Fnatic (10-0)
- Origen (8-2)
- H2K Gaming (7-3)
- Giants Gaming (5-5)
- Elements (4-6)
- Unicorns of Love (4-6)
- Gambit Gaming (3-7)
- SK Gaming (3-7)
- Copenhagen Wolves (2-8)
Fantasy LCS Breakdown
Roccat makes it first appearance on the all EU LCS fantasy team with their long games and Jankos' presence. Despite only going 1-1, SK had tremendously bloody games and as a result find themselves dominating this week in points. Febiven is surprisingly the only representative from Fnatic, H2K, and Origen and it's not surprising given he earned MVP honors this week.
A total of 347.87 points is the lowest we've seen from either region thus far and that's a result of the more competitive games this week. Lower ranked teams did well while those above them duked it out in low kill games.
Patch 5.12 just hit the servers and brought with it a slew of minor tweaks to champions, some major mastery changes, and Enchantment Runeglaive's debut. Luckily we've got the latest breakdown from our friends at LolClass where they talk to pros Bjergsen, Dyrus, and Sneaky about the most significant part of the patch!
Important Changes
Enchantment - Runeglaive
- With this new enchantment for AP junglers replacing Magus, the jungle just changed up a bit. It's best illustrated by saying that instead of a Codex, you get a Sheen. This makes clears better for many junglers, but it will hurt some outliers who struggle.
- The general gist is that players will now be trying to go 21 points into the defensive mastery tree, rather than 15 or even 9.
- This means now there will be a tangible difference between a pure tank and a hybrid tank; formerly several champions would go 15/15/0 and now they'll be forced to go deeper into the tree, getting less damage for free.
Essentially they've relocated a lot of the skills to make sure the tree gives a better benefit to those who go further.
Champion Changes
Below are the champion changes summarized from the video. In particular, Lux and Elise saw some of the biggest buffs while Ekko and Ryze were brought further under control.


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text: 17/12/2014 Balanced Diet Balanced Diet This entry was posted in The Fun Stuff and tagged in Balanced Diet. « How parents felt all summer #backtoschool No bath for tabby » Rob Turner http://caaboh.me I am a Web Hosting support person and heavy user of Wordpress, I launched CAABOH as more of an experiment but its become a bit of an obsession, even to the point of getting a t-shirt made. View more posts from this author Shop online at our sister Site MonkeyShoppa!


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The Top 10 In Action Sports
01Brick By Brick: Camping Lego Style
02Booze and Bikes: 14 Tours That Let Combine Two of the Best Things in the World
03Who Needs Hollywood? These Incredible Videos Were All Filmed on the Simplest Cameras
04Sam Pilgrim vs. The World: The Champion Aiming To Reclaim His Crown In A New Era Of Biking
05Eccentric Adventures Episode 2: Britain's Most Brutal Illegal Event is All About Cheese
06A Journey Into Darkness: We Went Mountain Biking in the Abandoned Mines of Slovenia
07After the Apocalypse: Inside The World's Most Breathtaking Ghost Towns
08Debate: Let's Stop Hating On Parents Who Want To Raise Adventurous Kids
09Guns, Roses, And Eating Insects: Adventure Cycling in Vietnam
10From Intense Trails to Intensive Care: Dicing with Death In a Mountain Biking Paradise
Roxy California Trippin Episode 4 Santa Cruz!
What happens when Roxy's pro surf team takes a couple of Roxy Ford Fiestas up the California coast? Watch to find out!
Our Roxy team riders including Kelia Moniz, Kassia Meador, Jenn Smith
and Rosy Hodge took a couple of their Ford Fiestas up the coast
on a surf road trip that included stops in Cardiff, Huntington Beach,
Costa Mesa, Malibu, Santa Cruz and ended with an epic surf right
under the Golden Gate Bridge!
Tokyo Police Club "Breakneck Speed"
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Article ID: 294743 - View products that this article applies to.
This article was previously published under Q294743
This article discusses how to provide event logging for the Disk Defragmenter (Defrag.exe) utility with Windows Script Host. This command-line Disk Defragmenter utility that is included with Microsoft Windows XP enables administrators and power users to schedule, and, if needed, to script their operations.
This command-line version of the Disk Defragmenter utility is unable to log information about its operations to the Windows Event log. However, this utility (similar to most console or command-line interface utilities) provides a description of error levels after it has run. If you use these error levels in combination with the Windows Script Host, you can easily generate or log events that this utility may encounter during its operation.
There are a number of ways to obtain, interpret, and view the data that is specific to the utility status information. You can use the ERRORLEVEL value to select a specified path in a Microsoft Visual Basic script.
The Disk Defragmenter utility has the native ability to provide specific "exit code" information to the operating system. The following internal information is related to the Disk Defragmenter utility error levels:
Collapse this tableExpand this table
A script can be written to easily monitor and run aspects of the Visual Basic script, based on the ERRORLEVEL value when the utility has completed.
NOTE: Your use of the code provided in this article is at your own risk. Microsoft provides this code "as is" without warranty of any kind, either express or implied, including but not limited to the implied warranties of merchantability and/or fitness for a particular purpose.
An example of how to provide event logging for the Disk Defragmenter utility with Windows Script Host is:
For additional information, click the article numbers below to view the articles in the Microsoft Knowledge Base:
(https://support.microsoft.com/kb/57658/EN-US/ )Setting the MS-DOS Errorlevel in a Program
(https://support.microsoft.com/kb/188135/EN-US/ )Description of Windows Script Host (WSH)
(https://support.microsoft.com/kb/278411/EN-US/ )How to Redirect Command-Line Output
Article ID: 294743 - Last Review: January 15, 2006 - Revision: 1.3
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Mike Bush
WR | (6-5, 198, 4.72) | Washington State
By Pro Football WeeklyNotes: High school basketball star and football player. Came to Pullman as a basketball player and concentrated on hoops until he walked on to the football team in the spring of 2001. Started 19 basketball games in 1998-99, was the team's second-leading scorer in 1999-2000 and led the team in scoring in 2000-01, despite missing 11 games (ineligible for eight games, injured for three). Started all 12 games in '01 and caught 46 passes for 959 yards and 10 touchdowns. Fractured his left foot in the spring of '02 but was able to start every game his senior year and catch 49-699-6.Positives: Has great size and hands to pluck the ball out of the air. Does a good job of playing the cornerback against himself with a nice start-and-stop move. Gains speed as he goes and has sneaky speed and leaping ability. Shows some toughness and good ball skills. Has a long reach, extends and catches, is willing to block and wants the ball in the red zone. Created a lot of mismatches at the college level, which is why he has been productive.Negatives: Doesn't have initial quickness and doesn't have football strength because he didn't make the weight room a priority. Had a three-year layoff from football. Will have concentration lapses, drops and is a little stiff. Runs average routes and doesn't have a great burst. Is not sudden.Summary: Does not run well, but has the frame to add 20 pounds and could be a possession-type receiver or H-back. * Player biographies are provided by Pro Football Weekly.


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At Woodoo Prod we are curious by nature, we love to discover new talents, artists, concepts, etc. We love to share information, and we love to promote things that we like. Stay tuned!
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Welcome to the Spider-Man Wiki, your source for all things about the web-slinging, amazing Spider-Man!
We are currently editing 3,648 pages and 9,601 images, and have been growing since October 3rd, 2005! Need help? Check out our about page. Still need help? Feel free to ask any of our admins. Also, be sure to check out our Manual of Style and List of Policies before you edit. And before you use the chat-room, make sure you read our Chat Policies. Happy editing,true believers!
Please beware of spoilers and mature content on the wiki!
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Learn all about your favorite web-slinging, wall-crawling superhero!
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Originally, Karn was part of a family of totemic hunters known as the Inheritors who traversed the Multiverse feeding on the Totemic Gods and Avatars who connected the animal and Human kingdoms. Unlike the rest of his family, Karn took no pleasure in killing, preferring to create rather then destroy, and only hunted in order to survive rather then for sport. Read More!
Did you know during the 1970's, Spider-Man regularly defeated criminals with Hostess products?
Did you know Spider-Man freely offered sex advice to teens?
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Did you know Spider-Man was almost not about spiders?
Did you know Spider-Man was one of the very first true teen superheroes?
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I haven't made a blog for a few months, part because I'm lazy, but also because I've been extremely…Read more >
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According to a video that was released earlier this week on Marvel's official youtube channel, Mil…
The health teacher
Real name's: Mrs.. Rachel Vinita Grace
First Appearance: the animated series of sp…Read more >