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Summer 2014 Season Brochure
Details of the the RSC summer 2014 season in Stratford-upon-Avon. For more information visit www.rsc.org.uk
March – October 2014 STRATFORD-UPON-AVON www.rsc.org.uk Image of Shakespeare after The Flower Portrait by Andy Williams, from photographs by Jillian Edelstein 2014-2016 Welcome to my first Summer Season as Artistic Director of the Royal Shakespeare Company. The next three years span two significant anniversaries for Shakespeare; the 450th anniversary of his birth in 2014 and 400th anniversary of his death in 2016. These landmark dates have helped to frame our programming over this jubilee period. Under the banner Shakespeare Nation, we will lead a truly nationwide celebration of our greatest playwright beginning next summer and culminating in 2016. It will encompass not only the work we produce on our stages, but also our collaboration with amateur theatre companies across the UK as well as Young Shakespeare Nation, our education initiative that aims to inspire a new Shakespeare generation. Central to this aspiration is our intention to stage each of Shakespeare's plays just once in the next six years. This means that a whole generation of students and theatregoers can journey with us through Shakespeare's Complete Works – be it on stage in Stratford-upon-Avon, on tour, in London or via one of our new Live from Stratford-upon-Avon cinema screenings. Each year over a million people visit our home in Stratford-upon-Avon and we reach over 400,000 school children across the country through partnerships with schools, giving them the best possible encounter with Shakespeare's work. A core thread of our programming over the coming seasons is my own exploration of Shakespeare's History Plays. Having directed Richard II in October 2013, next summer I will move on to Henry IV Parts I & II. I'm delighted that Antony Sher will return to the Company to play Falstaff with Jasper Britton as Henry IV and Alex Hassell as Hal. These productions will be joined in repertoire by one of Shakespeare's earliest plays The Two Gentlemen of Verona directed by Simon Godwin, making his RSC debut. It is 45 years since this play was performed on our main stage in full production and I for one cannot wait to see it brought to life in the new Royal Shakespeare Theatre. Next year also sees the Swan Theatre return to its roots as a space to present the work of Shakespeare's contemporaries. The Roaring Girls Season, led by RSC Deputy Artistic Director, Erica Whyman, revives a series of fantastic Jacobethan plays with wonderful roles for women at their centre. Making their RSC debuts Jo Davies directs a riotous City Comedy called The Roaring Girl by Dekker and Middleton, and Polly Findlay directs the anonymous domestic thriller, Arden of Faversham. Maria Aberg returns, following her acclaimed As You Like It this summer, to direct Webster's glittering Italianate tragedy The White Devil. 2014 marks the beginning of our journey through the full canon of Shakespeare's plays. I hope you will join us on this exciting journey. Gregory Doran RSC Artistic Director The RSC Ensemble is generously supported by THE GATSBY CHARITABLE FOUNDATION and THE KOVNER FOUNDATION The RSC Literary Department is generously supported by THE DRUE HEINZ TRUST ROYAL SHAKESPEARE THEATRE WI LL IA M SH AK ES PE AR E Banish plump Jack and BANISH ALL THE WORLD Following his production of Richard II in October 2013, RSC Artistic Director Gregory Doran continues his exploration of Shakespeare's History Plays with Henry IV Parts I & II, an epic, comic and thrilling vision of a nation in turmoil. RSC Associate Artist Antony Sher returns to the Company to play the infamous comic knight Falstaff, having last appeared as Prospero in the RSC's acclaimed co-production of The Tempest (2009) with Baxter Theatre Centre. He is joined by Jasper Britton as Henry IV and Alex Hassell as Prince Hal. Jasper returns following his performance as the Marquis de Sade in Marat/Sade (2011) and Petruchio in The Taming of the Shrew and The Tamer Tamed (2005). Alex returns to the RSC following his recent credits in A Midsummer Night's Dream, Cardenio and The City Madam (2011). ROYAL SHAKESPEARE THEATRE Photo of Antony Sher by Sasha Gusov 14 h – er 20 c r Ma mb 18 Septe 6 WIL LIA MS HAK ESP – 2014 h c ar ember M 28 Sept 6 WIL LIA MS HAK ESP EAR E EAR E And if we live, we live to tread on kings, If die, brave death, I have long dreamed of such a kind of man, So surfeit-swelled, so old when princes DIE WITH US With his crown under threat from enemies both foreign and domestic, Henry IV prepares for war. Having deposed the previous king, he is only too aware how tenuous his position is, and the price to be paid if he falters. As his father prepares to defend his crown, Prince Hal is languishing in the taverns and brothels of London, revelling in the company of his friend, the notorious Sir John Falstaff. With the onset of the war, Hal and Falstaff are thrust into the brutal reality of the battlefield, where Hal must confront his responsibilities to family and throne. Company includes Jasper Britton Alex Hassell Antony Sher Director Gregory Doran Designer Stephen Brimson Lewis Lighting Tim Mitchell Music Paul Englishby Sound Martin Slavin Movement Michael Ashcroft Fights Terry King AND SO PROFANE King Henry's health is failing as a second rebellion threatens to surface. Intent on securing his legacy, he is uncertain that Hal is a worthy heir, believing him more concerned with earthly pleasures than the responsibility of rule. Meanwhile, Falstaff is sent to the countryside to recruit fresh troops. Amongst the unwitting locals, opportunities for embezzlement and profiteering prove impossible to resist as Falstaff gleefully indulges in the business of lining his own pockets. As the King's health continues to worsen, Hal must choose between duty and loyalty to an old friend in Shakespeare's heartbreaking conclusion to this pair of plays. ROYAL SHAKESPEARE THEATRE 4 – r 201 y Jul mbe 12 Septe 4 E PEAR AKES H S IAM WILL That man that hath a tongue, I say, is no man, if with his tongue HE CANNOT WIN A WOMAN Valentine and Proteus are best friends until they fall in love with the same girl. Having travelled to Milan in search of adventure, they both fall for the Duke's daughter Silvia. But Proteus is already sworn to his sweetheart Julia at home in Verona, and the Duke thinks Valentine is not good enough for his Silvia. With friendship forgotten, the rivals' affections quickly get out of hand as the four young lovers find themselves on a wild chase through the woods, confused by mistaken identity and threatened by fierce outlaws before they find a path to reconciliation. Simon Godwin makes his RSC debut to direct Shakespeare's exuberant romantic comedy. Simon is Associate Director of the Royal Court. His production of Strange Interlude recently played to critical acclaim at the National Theatre. This is the first time in 45 years The Two Gentlemen of Verona has been performed in full production on the Royal Shakespeare Theatre stage. Director Simon Godwin THEATRE In 2014, the Swan Theatre plays host to a season that reveals some of the great parts written for, and plays about, women by Shakespeare's contemporaries. Led by RSC Deputy Artistic Director Erica Whyman, and directed by some of British theatre's most exciting female directors, the season promises to introduce audiences to Jacobean classics, from the comic to the thrillingly dark, each with women at the heart of the action. S WA N Roaring GIRLS Roaring GIRLS THEATRE S WA N 'I have no humour to marry. I like to lie on both sides of the bed. I am man enough for a woman – m arriage is b u t c h o ppin g an d ch a n gi n g ' Sebastian has a problem. He's in love with a girl but his father won't agree to their marriage because her family are too poor. In desperation he turns to the one person who can help him, the fearless and feisty "roaring girl" Moll Cutpurse. In a London fuelled by greed and desire, the charismatic, cross-dressing heroine Moll has the world wrapped around her little finger. Cutting a joyously independent path through the underhand scheming and petty vendettas of Dekker and Middleton's hilarious city comedy, Moll proves more than a match for any man. Last performed by the RSC in 1983 with Helen Mirren in the title role, The Roaring Girl makes a welcome return to the Swan Theatre, directed by Jo Davies who began her career as an RSC Assistant Director. She recently directed Opera North's acclaimed production of Carousel and is currently working on Silly Kings for National Theatre Wales, to be performed in Cardiff Castle from December 2013. Director Jo Davies 9 April – 30 September 2014 ROARING GIRL THOMAS DEKKER & THOMAS MIDDLETON THE Roaring GIRLS THEATRE S WA N OF FAVERSHAM ANONYMOUS ARDEN 30 April – 2 October 2014 'Let pity lodge where feeble women lie, I am reso lv ed , a n d A rden n eeds m u st die' Wealthy landowner Arden is convinced his wife Alice is cheating on him. Despite her protestations of innocence, not only is his suspicion correct, but in order to free herself from marriage she is actively plotting to have him murdered. As Alice grows increasingly desperate to be with her lover, and her husband's ruthless business dealings generate enemies only too willing to do him harm, a series of would be murderers set off in pursuit of the unwitting Arden. Husband, wife and lover find themselves playing a deadly game as with each failed attempt, the assassins close in on their victim. Polly Findlay makes her RSC debut to direct this anonymously written thriller, last performed by the RSC at The Other Place in 1982. Polly's recent credits include Antigone for the National Theatre, the Olivier Award winning Derren Brown: Svengali, and later this year she will direct a new play by Tim Price at the National Theatre Shed. Director Polly Findlay Roaring GIRLS THEATRE S WA N WHITE DEVIL JOHN WEBSTER the 30 July – 4 October 2014 'I do not think she hath a soul so black T o act a deed so bl o o d y ' Duke Bracciano is obsessed by the married Vittoria. When he makes her an indecent proposal she can't refuse, she enlists the help of Flamenio to fool her husband, and begins an illicit affair. But their infidelity does not go unnoticed. Accusations of adultery are made and Vittoria and Flamenio find themselves snared in a web of corruption, passion and retribution as their single minded pursuit of personal gain reaches an epic and bloody conclusion. One of the great works of Jacobean theatre, Webster's violent tragedy is directed by Maria Aberg and was last performed by the RSC in an acclaimed 1996 production. Maria's recent RSC credits include the vibrant 2013 As You Like It and King John as part of the 2012 World Shakespeare Festival. Director Maria Aberg Designer Naomi Dawson THEATRE S WA N the 23 June – 4 July 2014 of RAPE LUCRECE WILLIAM SHAKESPEARE Adapted by Elizabeth Freestone, Feargal Murray and Camille O'Sullivan cinemas around the world from Live broadcasts TO ' A thrilling, superbly crafted theatrical jewel' herald on sunday home town S hakespeare ' s Shakespeare's The Rape of Lucrece is a provocative, politically-charged thriller. In the hands of internationally-acclaimed singer Camille O'Sullivan, this epic poem is brought to life through storytelling and song. Camille relates the tragic tale of Tarquin and Lucrece, accompanied by an original score performed live by Feargal Murray on piano. Inhabiting their souls she expresses the tremendous range of human experience at play in this dark episode – a story as monstrous as it is beautifully written. Originally performed in Stratford-upon-Avon as part of the re-opening of our theatres the production was subsequently a hit at the Edinburgh and Sydney Festivals and winner of the prestigious Bank of Scotland Herald Angel Award. Camille now returns to the Swan Theatre for a limited run. 9 performances only TICKETS £22 £18 £15 Director Elizabeth Freestone Performed & Sung by Camille O'Sullivan Piano Feargal Murray Designer Lily Arnold Lighting Vince Herbert Music Composition Feargal Murray and Camille O'Sullivan 13 November 2013 PART I 14 MAY 2014 PART II 18 JUNE 2014 3 SEPTEMBER 2014 www . onscreen . rsc. org. uK Visit onscreen.rsc.org.uk to find your nearest cinema and book tickets @livefromSUA Planning is currently underway to reinstate The Other Place – our studio theatre. Alongside the auditorium, plans include new rehearsal rooms, a café and a home for our costume store which will be open to the public. Up until it became The Courtyard Theatre in 2006, The Other Place had been the RSC's studio theatre since the early 1970s, much loved by actors, directors and audiences as a space for the Company to experiment on a wide range of work including radical interpretations of Shakespeare, other classical work and, most notably, new writing. It was the starting point for some of the Company's landmark productions over the last 40 years. The Courtyard Theatre allowed us to continue performing in Stratford-upon-Avon throughout the transformation of both the Royal Shakespeare and Swan Theatres. With that job completed it can be used to create a new The Other Place, as well as providing much improved spaces for rehearsal. Work on site is due to commence in late 2014 and we will keep you up to date with our progress. Once complete, this new incarnation of The Other Place will become a place of radical mischief, a space to test creative ideas, take risks and develop work for all our stages and be a creative hub for artists of all disciplines to engage with us. More information will be released in 2014, stay up to date by visiting www.rsc.org.uk/TOP Erica Whyman RSC Deputy Artistic Director A s a c ompany also playing LIMITED AVAILABILITY we give people the best possible experience of Shakespeare and live theatre. Everyone at the RSC, from actors to technicians, milliners to musicians, plays a part in creating the world you see on stage. Your support, alongside public investment in what we do, helps us to reach the widest possible audience. Stratford-upon-Avon Richard II William Shakespeare ROYAL SHAKESPEARE THEATRE 10 October – 16 November 2013 Antony and Cleopatra SWAN THEATRE William Shakespeare Edited by Tarell Alvin McCraney Did you know that… 1 MILLION VISITORS join us at our Stratford-upon-Avon theatres each year e are a national company in the heart of the Midlands, performing throughout W the UK and across the world e have been making theatre in Shakespeare's home town for over one hundred W years, training generations of the very best theatre-makers n 2012 we worked with 7,200 AMATEUR PERFORMERS through our Open Stages I project, championing amateur theatre nationwide e reach 400,000 young people through our nationwide Learning and W Performance Network, giving them a great experience of Shakespeare atilda The Musical took seven years to develop and now performs to M packed theatres in the West End and on Broadway e are a registered charity and we generate 69% of our own income, W alongside our Arts Council funding ublic funding for the arts makes up just 0.05% of Government spending and P delivers an extraordinary return , supporting the performances you see on stages all over the country 7 – 30 November 2013 Wendy & Peter Pan By Ella Hickson adapted from the novel by JM Barrie ROYAL SHAKESPEARE THEATRE 10 December 2013 – 2 March 2014 LIMITED AVAILABILITY Wolf Hall & Bring up the Bodies A new dramatisation in two parts of Hilary Mantel's novels by Mike Poulton SWAN THEATRE 11 December 2013 – 29 March 2014 www. rsc .org .uK / London Matilda The Musical CAMBRIDGE THEATRE whats - on Theatres are at the heart of our communities. Let's shout about why that's important. Tell us why theatre matters to you at email@example.com Booking until 21 December 2014 Richard II William Shakespeare BARBICAN THEATRE On Tour First Encounter The Taming of the Shrew Shakespeare for younger audiences UK Tour February - March 2014 9 December 2013 25 January 2014 New York Matilda The Musical www.mytheatrematters.com Shubert Theatre Booking until 8 June 2014 events Insights into the productions Coming to see a performance? Listen, watch and talk to Actors and Directors in these onstage events to find out more about how our productions are created. Director Talks Onstage 5.15-6pm, £5 Family Activities Take part in practical, fun sessions that introduce Shakespeare's stories and encourage you to get up on your feet to explore the play. The Story Garden Circle Bar, 10–11am For ages 4–8 years £3.50 per adult £2.50 per child Sat 29 Mar, Sat 24 May, Sat 21 Jun, Sat 23 Aug, Sat 20 Sep, Sat 25 Oct Making Shakespeare Workshop Week A week of practical theatre skills workshops with RSC practitioners. Clore Learning Centre, 10am–4pm For ages 18+ £135 (lunches & accommodation not included) Mon 4–Fri 8 Aug Play in a Day A practical workshop, focusing on one of Shakespeare's plays. Clore Learning Centre, 10am–4.30pm £20 (lunch not included) Mon 27 Oct for ages 8–10 years Tue 28 Oct for ages 11-14 years Wed 29 Oct for ages 15–18 years The Dell Hear the Director talk about the play and decisions made when creating the production. Henry IV Part 1 Fri 21 Mar Henry IV Part 2 Mon 7 Apr The Roaring Girl Mon 14 Apr Arden of Faversham Mon 5 May The Two Gentlemen of Verona THu 17 Jul The White Devil Tue 5 Aug Post Show Talk Backs Onstage post show, FREE Family Workshops Clore Learning Centre, 10–11.30am For ages 8+ £5 per adult £3.50 per child Henry IV Part 1 sat 31 may Henry IV Part 2 sat 28 jun The Two Gentlemen of Verona sat 19 jul A Play in Two Days Work over two days to create a shortened reworking of a Shakespeare play. Clore Learning Centre, 10am–5pm For ages 15–18 £38 (lunch not included) Sat 2 and Sun 3 Aug Free open air theatre Our free outdoor stage where amateur theatre groups, university and semi-professional companies perform plays by Shakespeare and his contemporaries during June, July and August. For more information and how to take part, email email@example.com Summer Skills Practical workshops exploring performance skills with RSC practitioners. Practical Workshops Want to try it yourself? Take part in our practical theatre craft workshops for all ages where no experience is necessary, just a willingness to get up and give it a go. Stay on after the show and ask the Acting Company your questions about the production. Henry IV Part 1 Wed 28 May Henry IV Part 2 Wed 4 Jun The Rape of Lucrece Thu 26 Jun Arden of Faversham Tue 8 Jul The Two Gentlemen of Verona Wed 13 Aug The Roaring Girl Tue 2 sep The White Devil Thu 18 Sep Unwrapped Onstage, 10.15-11.15am, £5 Clore Learning Centre 10.30am–12.30pm (ages 8–11 years) 2–4pm (ages 12–16 years) £9 per session or book all five sessions for £40 Mon 11 Aug Movement Stage Fighting Tue 12 Aug Voice Wed 13 Aug Working with Text Thu 14 Aug Creating a scene Fri 15 Aug Write On! Sessions for young people interested in creative writing led by a professional writer. Swan Reading Room 10.30am–12.30pm For ages 12 – 16 years £20 per block of 4 sessions A peek into the rehearsal process with members of the Acting Company. Henry IV Part 1 Sat 7 Henry IV Part 2 Sat 26 The Two Gentlemen of Verona Sat 16 The White Devil Sat 13 Jun JuL Aug Sep Sat 12 Apr, Sat 10 May, Sat 7 Jun, Sat 13 Sep, Sat 11 Oct, Sat 8 Nov, Sat 6 Dec For more information on individual events and activities please visit www.rsc .org .uK / events www.rsc.org.uK / education Unlocking Shakespeare for students of all ages find out how Young Shakespeare Nation can help bring all of shakespeare's plays to life in the classroom Use our range of online resources to help introduce a new text Book an 'Any Play, Any Day' workshop for your students on the Shakespeare play of your choice Explore a new text with Professional Development in your School from as little as £35 per teacher Try one of our range of courses for teachers and students in Stratford-upon-Avon, including: Staging the Wars A new programme for sixth form students and undergraduates that will open up Shakespeare's history plays, starting with Henry IV Parts I & II. The programme starts with three specially devised events in the RST, each designed to shed a different light on the staging of two plays that explore themes of civil war and succession. Reporting War – part of Staging the Wars Wed 11 June 2014, 10am-4pm Over six years we will be staging the complete works of Shakespeare and RSC Education invites you to join us on this ambitious journey by becoming a Young Shakespeare Nation school. Young Shakespeare Nation draws on our unique history of over 130 years of theatre-making and offers a new generation of students the chance to discover and experience the breadth of Shakespeare's work. As each play is performed on stage, we will create new tools, resources and support using tried and tested approaches from our rehearsal rooms adapted for use in the classroom, all designed to unlock the plays for primary and secondary age students. Any school can take part in Young Shakespeare Nation, choosing to explore the plays in performance, in the classroom, and online. From free teachers' packs and live broadcasts of our work into schools, to specially devised events for students in Stratford-upon-Avon and teacher professional development events delivered anywhere in the country, Young Shakespeare Nation aims to transform experiences of Shakespeare for young people wherever they are in the UK. Find out how your school can join the Young Shakespeare Nation revolution at www.rsc.org.uk/education Examine the characters and action of Henry IV Part I in the context of today's media with this practical one day programme featuring acclaimed journalist and broadcaster George Alagiah. How much bias is there in the reporting of war, both in terms of Shakespeare's war plays and the contemporary world? George is joined by historians and members of RSC Creative Teams to explore the eyes through which we see these events – those of the conqueror or the conquered? RSC Education Members £35 per student (£40 non-Members) including a ticket to the evening performance of Henry IV Part I Find out more about the other events the Wars at www.rsc.org.uk/education RSC Education Ticket Hotline on 0844 (8.30am-5pm, Mon-Fri during UK term in Staging or call the 800 1113 time) RSC Workshops, conferences and professional development courses are generously supported by THE CLORE DUFFIELD FOUNDATION TICKET PRICES www. rsc. org . u K / E AT Royal Shakespeare Theatre Previews Mon-Fri performances Sat performances Band A Band B Band C Band D RV* Swan Theatre (excluding The Rape of Lucrece) Band A Band B Band C Band D £30 £40 £50 £25 £35 £40 £20 £30 £35 £15 £18 £20 £12* £14* £16* Previews Mon-Fri performances Sat performances £24 £35 £42 £18 £30 £38 £14 £23 £28 £10 £16 £18 Back row seats throughout the Royal Shakespeare Theatre auditorium are slightly narrower and higher than other seating. In the Royal Shakespeare Theatre, Premium Seats are available at a supplement of £12.50 per ticket on Band A prices. *Restricted view seats are available from £12. Owing to the thrust stage design of our theatres, price bands A to D are available on all levels of the RST and Ground/Gallery 1 levels in the Swan. The above prices are guaranteed until 23 October 2013. For detailed seating plans visit www.rsc.org.uk Join us at the Rooftop Restaurant and Bar for modern British food in a stunning setting. Open daily from 11.30am (12 noon Sundays). Menus change regularly. Online booking www.rsc. org . u K / RO O F TO P or call 01 7 8 9 4 0 3 4 4 9 Public Understudy Performances See the stars of tomorrow performing today. We run a full understudy company for all of our productions. Throughout the year the understudy performances for selected productions will be open to the public. These full scale performances give audiences the chance to see the leading actors of the future. See Performance Schedule for dates. Tickets £10, £7.50 RSC Members, £5 restricted view. £5 tickets for 16-25 year olds Supported by BP Theatre Bars open from 12 noon www.rsc.or g.u K / BA R S Riverside Café and Terrace open from 10am www.rsc.or g.u K / cafe TICKET DISCOUNTS 16-25 YEAR OLDS £5 per ticket 40 tickets in the Royal Shakespeare Theatre and 20 tickets at the Swan Theatre are reserved for every performance (except Press Night) for individuals aged 16-25 who must make the booking themselves. All tickets, including those booked in advance, can only be collected from the Box Office from 1 hour before the performance. Proof of age is required. Tickets are allocated entirely at the discretion of the Box Office. 10 tickets at the RST and 6 tickets at the Swan Theatre are available on the day of the performance, in person only. Available during priority booking by telephone only. families Up to 4 under 18s half price with every full price paying adult 20% off £16.50 per ticket non-Members (£12.50 per ticket for Education Members) plus one free ticket for every 10 students £5 off for non-Members (£7 off for Group Members) Premium Seats and top price seats plus 1 half price ticket for group organiser £25 for best available seats £10 for best available seats Applies to Monday to Friday evening performances and all matinees. Proof of age is required. Does not apply to groups. EVENT HIRE & WEDDINGS over 60s UK SCHOOLS AND COLLEGE GROUPS For more information or to talk to us about your celebration, party or business event visit www.rsc.org.uk/rooftop or email email@example.com Applies to Monday and Tuesday evening and midweek matinee performances. Maximum of 7 tickets per transaction. Does not apply to Premium Seats. www.rsc.org.uK / H IR E S Applies to Monday to Thursday performances for groups of 10+ students. 1 adult is required for every 10 students. Teacher's free tickets will be placed amongst groups of students and must be used by adults only. This rate is only available to UK schools during UK term time. GROUPS OF 8+ standby rate CV37 STANDBY SCHEME Applies to Monday to Friday performances for adult groups of 8+ tickets. Available on the day of the performance only and subject to availability. Applicable to students in full time education, under 25s, over 60s, ES40s, NCA Members, Members of the Armed Forces, Equity and BECTU members. Proof of entitlement is required. www . rsc . org.uK / S H OP Visit the shop for a range of merchandise designed exclusively for the RSC, as well as a wide selection of books, audio and DVDs. Available on the day only in person or by telephone and subject to availability. Applicable to residents of Stratford-upon-Avon with a CV37 postcode. Proof of address will be required at time of booking or on collection of tickets. PEOPLE WITH DISABILITIES £16 per ticket If your choice of seat is limited by your disability then your seat is £16. Should you need the service of a companion (including wheelchair users), their ticket is also £16. All discounts are subject to availability and at the discretion of the Box Office. Discounted tickets cannot be booked in conjunction with any other discount or offer and discounts cannot be applied retrospectively. Discounts do not apply to Premium Seats with the exception of People with Disabilities and Adult Groups 8+. PERFORMANCE SCHEDULE MON Tue WED THU FRI MAR March–October 2014 SAT 1.15 Peter Pan 1.30 Bodies 7.15 Peter Pan 7.30 Wolf Hall SUN Mon Tue 7.30 Bodies WED 1.30 Wolf Hall 7.30 Bodies THU 7.30 Wolf Hall FRI 7.30 ■ Wolf Hall Royal Shakespeare Theatre Wendy & Peter Pan*, Henry IV Part I, Henry IV Part II, The Two Gentlemen of Verona Swan Theatre Wolf Hall*, Bring Up the Bodies*, The Roaring Girl, Arden of Faversham, The White Devil, The Rape of Lucrece SAT 1.30 ■ Bodies 7.30 Bodies SUN Mon 7.30 Bodies Tue 7.30 Wolf Hall WED 1.30 Wolf Hall 7.30 Bodies THU 7.30 Bodies FRI 7.30 Wolf Hall SAT 1.30 ● Wolf Hall 7.30 ● Bodies SUN Mon 7.30 Wolf Hall Tue WED THU FRI *For more information on Winter 13/14 productions visit www.rsc.org.uk SAT SUN Mon Tue WED THU FRI SAT SUN Mon 1 2 2.00 L Peter Pan 3 7.30 Wolf Hall 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 7.15 F Henry IV One 7.30 Wolf Hall 19 1.30 Bodies 7.15 Henry IV One 7.30 Bodies 20 7.15 Henry IV One 7.30 Bodies 21 7.15 Henry IV One 7.30 Wolf Hall 22 1.30 Wolf Hall 7.15 Henry IV One 7.30 Bodies 23 24 7.30 Bodies 25 7.30 Wolf Hall 26 1.30 Wolf Hall 7.30 Bodies 27 7.30 ■ Bodies 28 7.15 F Henry IV Two 7.30 Wolf Hall 29 1.30 L Wolf Hall 7.15 Henry IV Two 7.30 L Bodies 30 31 7.15 Henry IV Two MAR 1 Apr 7.15 Henry IV Two 7.15 Henry IV Two 2 7.15 Henry IV One 3 7.15 Henry IV One 4 1.15 Henry IV One 7.15 Henry IV Two 5 6 7.15 Henry IV Two 7 7.15 Henry IV One 8 1.15 Henry IV One 7.15 Henry IV Two 7.30 F Roaring 7.15 Henry IV One 7.30 Arden 9 7.15 Henry IV Two 7.30 Roaring 10 7.15 Henry IV One 7.30 Roaring 11 1.15 Henry IV One 7.15 Henry IV Two 7.30 Roaring 12 13 7.15 Henry IV Two 7.30 Roaring 14 7.15 Henry IV One 7.00 P Roaring 15 1.00 P Henry IV One 7.00 P Henry IV Two 7.30 Roaring 1.30 Roaring 7.15 Henry IV One 7.30 Roaring 16 7.15 Henry IV One 7.30 Roaring 17 7.15 Henry IV One 7.30 Roaring 18 1.15 Henry IV One 1.30 Roaring 7.15 Henry IV Two 7.30 Roaring 1.15 Henry IV One 1.30 Roaring 7.15 Henry IV Two 7.30 Roaring 1.15 ■ Henry IV One 1.30 Arden 7.15 Henry IV Two 7.30 Arden 1.15 Two Gents 1.30 ■ Roaring 7.15 Two Gents 7.30 Arden 1.15 Two Gents 1.30 Devil 7.15 Henry IV One 7.30 Devil 1.30 ● Roaring 7.30 Arden 19 20 7.15 Henry IV Two 7.30 Roaring 21 1.15 Henry IV One 7.15 Henry IV One 7.30 Roaring 1.30 PUS Roaring 7.15 Henry IV One 7.30 Roaring 22 7.15 Henry IV One 7.30 Roaring 23 1.15 PUS Henry IV One 7.15 Henry IV One 7.30 Roaring 1.15 Henry IV Two 7.15 Henry IV Two 7.30 Arden 1.15 Henry IV One 7.15 Henry IV Two 8.00 Lucrece 1.15 Henry IV One 7.15 Henry IV One 7.30 ● Roaring 24 7.15 Henry IV One 7.30 Roaring 25 1.15 Henry IV One 1.30 Roaring 7.15 SBP Henry IV Two 7.30 Roaring 26 27 7.15 Henry IV One 28 7.15 Henry IV Two 29 7.15 Henry IV Two 7.30 f Arden 30 apr 1 MAY 1.15 Henry IV Two PUS 7.15 Henry IV Two 7.30 Arden 7.15 Henry IV One 7.30 Roaring 7.15 Henry IV One 7.30 Arden 2 1.15 Henry IV One 7.15 Henry IV Two 7.30 Arden 3 4 7.15 Henry IV Two 7.30 Arden 5 7.15 Henry IV One 7.00 P Arden 6 7 1.15 Henry IV One 7.15 Henry IV Two 7.30 Arden 1.15 Henry IV One 7.15 Henry IV Two 7.30 Arden 7.30 Roaring 8 7.15 Henry IV Two 7.30 Arden 9 1.15 Henry IV One 1.30 Arden 7.15 Henry IV One 7.30 Arden 1.15 Henry IV One 1.30 Roaring 7.15 Henry IV Two 7.30 Roaring 1.30 ■ Arden 7.15 F Two Gents 7.30 Roaring 10 11 7.15 Henry IV One 7.30 Roaring 12 7.15 Henry IV One 7.30 Roaring 13 14 1.15 Henry IV One 7.15 Henry IV Two 7.30 Arden 7.15 Henry IV One 7.30 Roaring 15 7.15 Henry IV One 7.30 Arden 16 17 18 7.15 Henry IV One 7.30 Roaring 19 20 1.30 Arden 7.15 Henry IV Two 7.30 Arden 21 22 7.15 Henry IV One 7.30 Arden 23 24 1.15 ● Henry IV One 1.30 Roaring 7.15 Henry IV Two 7.30 Roaring 1.15 ■ Henry IV Two 7.15 Henry IV Two 8.00 Lucrece 25 26 7.15 Henry IV Two 7.30 Roaring 27 7.15 Henry IV One 7.30 Roaring 28 1.30 Roaring 7.15 Henry IV One 7.30 Arden 29 1.15 Henry IV One 7.15 Henry IV Two 7.30 Arden 30 1.30 PUS Arden 7.15 ● Henry IV Two 7.30 Arden 31 1.15 Henry IV One 1.30 Arden 7.15 Henry IV One 7.30 Roaring MAY 2 JUN 7.15 Henry IV Two 7.30 Arden 3 1.30 Arden 7.15 Henry IV Two 7.30 Roaring 4 1.15 Henry IV One 7.15 Henry IV One 7.30 Roaring 3.00 Lucrece 7.15 Henry IV Two 5 7.15 Henry IV One 7.30 ■ Roaring 6 1.15 Henry IV One 1.30 Arden 7.15 Henry IV Two 7.30 Arden 1.15 Henry IV One 1.30 Roaring 7.15 Henry IV Two 7.30 Roaring 1.15 Two Gents 7.15 ■ Two Gents 7.30 Devil 7 8 7.15 Henry IV Two 7.30 Roaring 9 7.15 Henry IV One 7.30 Roaring 10 1.30 Roaring 7.15 Henry IV One 7.30 Arden 11 12 7.15 Henry IV One 7.30 Arden 13 14 15 7.15 Henry IV Two 7.30 Arden 16 7.15 Henry IV Two 7.30 ● Arden 17 1.30 Arden 7.15 Henry IV Two 7.30 Roaring 18 19 7.15 Henry IV One 7.30 Roaring 20 21 22 7.15 Henry IV Two 8.00 f Lucrece 23 7.15 Henry IV One 8.00 P Lucrece 24 7.15 Henry IV One 8.00 Lucrece 25 26 7.15 Henry IV Two 8.00 Lucrece 27 28 29 7.15 Henry IV One 7.30 Arden 30 JUN 1 JUL 7.15 Henry IV One 7.30 Arden 7.15 Henry IV Two 8.00 Lucrece 2 3 7.15 Henry IV One 8.00 L Lucrece 4 5 6 7.30 Roaring 7 7.30 Arden 8 1.30 Arden 7.30 Roaring 9 10 7.30 Arden 11 12 13 7.15 Two Gents 7.30 Roaring 14 7.15 Two Gents 7.30 Arden 15 1.30 Arden 7.15 Two Gents 7.30 Roaring 16 7.15 Two Gents 7.30 Roaring 17 7.15 Two Gents 7.30 Roaring 18 19 20 7.15 Two Gents 7.30 Arden 21 7.00 P Two Gents 7.30 Arden 22 7.15 Henry IV One 7.30 Roaring 23 24 7.15 Henry IV Two 7.30 Arden 25 1.15 Henry IV Two 1.30 Arden 7.15 Henry IV Two 7.30 Roaring 26 27 7.15 Henry IV One 28 7.15 Two Gents 29 7.15 Two Gents 7.30 f Devil 30 1.15 Henry IV One 7.15 Henry IV One 7.30 Devil 31 JUL 1 AUG 7.15 Henry IV One 7.30 Devil 2 3 7.15 Two Gents 7.30 Devil 4 1.15 PUS Two Gents 7.15 Two Gents 7.30 Devil 5 7.15 Henry IV Two 7.00 P Devil 6 1.15 Henry IV Two 7.15 Henry IV Two 7.30 Devil 7.30 Roaring 7 7.15 ● Henry IV One 7.30 Roaring 8 1.15 Henry IV One 1.30 Roaring 7.15 ● Henry IV Two 7.30 Roaring 1.30 Devil 7.30 Arden 9 10 7.15 Henry IV Two 7.30 Arden 11 7.15 Henry IV Two 7.30 Arden 12 1.30 Roaring 7.15 Two Gents 7.30 Roaring 13 1.15 ● Two Gents 7.15 Two Gents 7.30 Roaring 14 7.15 ■ Two Gents 7.30 Devil 15 16 17 7.15 Henry IV One 7.30 Devil 18 1.30 PUS Devil 7.15 Two Gents 7.30 Devil 19 1.30 Roaring 7.15 Two Gents 7.30 Roaring 20 21 1.15 Two Gents 7.15 ● Two Gents 7.30 Roaring 22 7.15 Henry IV One 7.30 Devil 23 1.15 Henry IV One 1.30 Devil 7.15 Henry IV Two 7.30 ■ Devil 1.30 ■ Devil 7.30 Roaring 24 25 7.15 Henry IV Two 7.30 Devil 26 7.15 Two Gents 7.30 Arden 27 1.30 Arden 7.15 Two Gents 7.30 ● Arden 28 1.15 Henry IV One 7.15 Henry IV One 7.30 Devil 29 7.15 ■ Henry IV One 7.30 Devil 30 1.15 Henry IV Two 1.30 Devil 7.15 ■ Henry IV Two 7.30 Roaring AUG 1 SEP 7.15 Two Gents 7.30 Roaring 7.15 Two Gents 7.30 Roaring 2 1.30 Devil 7.15 Two Gents 7.30 Devil 3 1.15 L Two Gents 7.15 Henry IV One 7.30 Devil 4 7.15 Henry IV One 7.30 Devil 5 1.15 L Henry IV One 1.30 Arden 7.15 L Henry IV Two 7.30 ■ Arden 1.30 ● Devil 7.30 L Devil SAT 6 7 7.30 Devil 8 7.30 ● Devil 9 1.30 Devil 7.30 Roaring 10 11 7.30 Devil 12 13 14 7.30 Arden 15 7.30 Devil 16 1.30 Devil 7.30 Devil 17 7.30 Devil 18 7.30 Roaring 19 20 21 7.30 Arden 22 7.30 Devil 23 1.30 Devil 7.30 Roaring 24 7.30 Roaring 25 7.30 Devil 26 27 28 7.30 Roaring 29 7.30 L Roaring SEP 30 1 OCT MON Tue 7.30 Arden WED 1.30 Arden 7.30 L Arden THU 2 7.30 Devil FRI 3 4 OCT SUN Mon Tue WED THU FRI SAT SUN Mon Tue WED THU FRI SAT SUN Mon Tue WED THU FRI KEY F SAT SUN Mon Tue WED THU FRI SAT SUN Mon ABBREVIATIONS Peter Pan = Wendy & Peter Pan, Bodies = Bring Up the Bodies, Henry IV One = Henry IV Part I, Henry IV Two = Henry IV Part II, Two Gents = The Two Gentlemen of Verona, Roaring = The Roaring Girl, Arden = Arden of Faversham, Devil = The White Devil, Lucrece = The Rape of Lucrece = First Performance P = Press Night L = Last Performance PUS = Public Understudy Performance SBP = Shakespeare's Birthday Performance =P re-or Post-Show on stage event = Reduced Price Preview ▲ = Relaxed Performance ■ = Audio Described Performance ● = Captioned Performance RSC Supporters Priority Plus 26 September BOOKING DATES Priority Plus from Wednesday 25 September Monday 30 September from Wednesday 2 October Monday 14 October from Wednesday 16 October Full Members Online from Full Members telephone Associate Members Online from Associate Members telephone Public Booking from Wednesday 23 October 2014-2016 Underpinning the RSC's work is a recognition of the importance of our home in Stratford-upon-Avon. It was not only Shakespeare's birthplace, but having been home to the RSC for the past five decades, this Midlands town is also home to a team of vastly experienced craftspeople and theatre-makers, whose knowledge, skills and dedication to their work are present in every production we create. Every time you take your seat to watch a performance by the RSC, be it in London, on tour in the UK or abroad, that production was made in Stratford-upon-Avon by actors given freedom and time to develop their craft, and by the skilled production and behind the scenes teams who not only build our sets and make our costumes and props, but contribute to every element of an audience's experience. Discover more by visiting www.rsc.org.uk for behind the scenes films with the people and teams who make our productions, or visit in person and take a theatre tour to experience for yourself all that goes on back stage. www.rsc.org.uk/theatretours IMAGE CREDITS: Cover image of Antony Sher by Sasha Gusov, Shakespeare After the Flower Portrait by Andy Williams from photographs by Jillian Edelstein, The Two Gentlemen of Verona by Elliott Erwitt/ Magnum Photos, Roaring Girls and The Roaring Girl by Helene Fjell, Arden of Faversham by Wessel Wessels / Arcangel Images, The White Devil by Tamara Lichtenstein, The Rape of Lucrece by Keith Pattison, Richard II by Jillian Edelstein, The Taming of the Shrew by Linda Nylind. www.rsc.org.uk 0844 800 1110


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Discuss fighters Jones Jr ducked in his prime
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Re: Discuss fighters Jones Jr ducked in his prime
Originally Posted by
I think you're stupid to disregard SMW completely just to ensure no-one can praise Calzaghe.
Especially considering that it has been one of the best weight classes since the mid to late 90's.
Calzaghe is a great fighter no matter how much you want to deny it.
I've never understood this sort of approach either - Some great wins have been recorded in new divisions, like Aaron Pryor beating Arguello, Hearns beating Benitez, Jones beating Toney and so on in the 140, 154 and 168 divisions. But I'm guessing these wins hold less historical worth because it doesn't suit someone's agenda?
Originally Posted by
Look at the two Dumptys having an E**** over
Groves and talking **** about the No.1.
Bore off Popkins/Kitikasem, you're tedious act grew tired long ago
Originally Posted by
I have to agree with you, and while people can say Froch beat Bute, can anyone honestly say that if Bute turned up properly he isn't a much worse match up for Ward then the rather more one dimensional Froch. Ward's power is below average at best so would not hurt Bute as much as Bute's known to have good power while Ward was put on his **** by D.Boone.
As for drained Dawson and Pavlik look at it like this, Dawson has no 168 and was proven to have a glass jaw and heart when in weight drained zombie mode, and what has Pavlik ever done above middleweight?
I agree with you about respecting Ward for taking on Groves. My respect for Bute skyrocketed when I heard he was going to Nottingham. Even after the hilarious defeat I still respect him more than pre-froch. At least Bute has some *******s. When is going to step up his game back to the S6 level and even that was angled in his favour to begin with.
Fantastic to chat with an esteemed poster like yourself
Thanks for the response mate. Styles make fights, triangle theory doesn't always work - Ward UD Froch - Froch TKO5 Bute doesn't necessarily mean Ward beats Bute. I mean, Ward fought once all year, why not take on Bute? That was a legit challenge, instead we got Ward vs Zombie glass Jawson
Yeah Bute showed a lot of courage and heart against Froch, the fact he went out on his shield shows he's a warrior. He also showed a lot of class in defeat. I hope he can recover and I hope he avoids the rematch with Froch, as he'll get destroyed again.
We could see a repeat with Ward-Groves, where the fans demand Ward face a top up and comer and Ward may opt out of that fight. I'm not saying he will, I'm just speculating based on what happened with Bute. I mean 168 and Pavlik since the S6 is a real disappointment for me and the rest of the fans.
I think Degale looked good in his last fight, I think he will fight for a world title in the next 18 months, he's still rough around the edges but his talent is obvious to see
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By Janet Wilson
The Moth — our monthly storytelling series at Café Instanbul — was back this week, featuring stories ranging from the sweet to the absurd. The theme was "Love Hurts" and if these stories are any indication, boy, does it!
Each month at The Moth volunteer storytellers each take five minutes to tell a true story, and some of the best (as voted by the audience) are aired on WWNO here in New Orleans, or maybe even nationally on The Moth Radio Hour.
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York Telecom Announces New CFO and Board Members
York Telecom, a leading worldwide provider of visual communications services and solutions, today announced that Robert Harris has joined the company as Chief Financial Officer. Harris brings with him 35 years of operations-focused financial experience at private start-up businesses as well as larger established companies.
"Bob has tremendous experience in the financial, technology, and operational realms," said Ron Gaboury, President of York Telecom. "We are confident his broad expertise will contribute to our company's continued growth and stability."
Previously Mr. Harris served as Chief Financial Officer and Treasurer, as well as Corporate Secretary, of LSSi Corp., an international business to business marketer of worldwide telephony sourced databases. At LSSi, he directed the finance and administrative functions and board of director administration. He received a BS in Economics from Manhattan College and an MBA in Finance from Columbia University.
"I look forward to being a part of York Telecom and working with the rest of the management team as we implement financial and operational strategies," said Harris. "I hope to make a positive contribution to the company's growth agenda."
In addition to a new CFO, York Telecom announced the addition of two new board members, Lewis Jaffe and Andrew Panzo. York Telecom's board is comprised of highly skilled and participative board members striving for the sound business management of York Telecom.
"We look forward to benefiting from Lewis and Andrew's business insights and expertise," said Gaboury. "I believe they will add a new dimension to the board during the next phases of York Telecom's growth."
Lewis Jaffe holds over twenty years' career experience in revitalizing companies in a variety of industries, including telecommunications, healthcare, manufacturing and the internet. Currently Lew is the CEO of Lynch Ambulance, one of Southern California's largest medical transportation companies. In April 2002, Lewis was asked to step in and take an interim management role with WireOne Technologies, where he served as President and Vice Chairman of the board. Prior to WireOne in June of 2000, he was drafted by PictureTel Corporation to develop a turnaround plan and lead the Company back to profitability. He also engineered the sale of PictureTel to Polycom during his tenure he served as the company's President and Chief Operating Officer. Lew is an ISS certified board member and sits on the board of Benihana.
Andrew Panzo is a General Partner of NewSpring Mezzanine with nearly twenty years of experience in investment banking, venture capital, and operational management. Most recently, he was Chairman and CEO of Stonepath Group, a publicly traded, third-party logistics company. As CEO, he was responsible for raising $75 million to execute a strategic consolidation of the non-asset based logistics industry.
About York Telecom
York Telecom is a leading provider of visual communication services and solutions for Global 5000 companies, as well as Government, Education and Medical segments. Founded in 1985, the company is headquartered in Eatontown, New Jersey. The company offers total managed conferencing services, consulting, integration and operational services, professional video production and postproduction for visual communication solutions such as Videoconferencing, Streaming Media, Video on Demand, Custom Media Studio and Room Design and Multimedia Network Management. York Telecom has worldwide branch offices, a multi-lingual VNOC and help desk and a worldwide integration, production and support force. For more information, visit York Telecom online at www.yorktel.com or email at email@example.com.
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Welcome to the City of Bel Aire
City of the Future with Respect for It's Past! We feel the tagline of our community says a great deal of who we are, and what we believe. Our past delivered us to our present...commitment, dedication, and perseverance will boldly drive us into the future.
Bel Aire is an inviting community with strong businesses and wonderful people. With a population nearing 7,000 and its close proximity to Wichita, Bel Aire is afforded the amenities of big-city living, while being able to remain close to its small-town roots. In addition, nearby major transportation networks and available resources foster an environment of healthy business creation and expansion. These important characteristics make Bel Aire a great place to live, work, and raise a family. We invite you to take a look at our website, familiarize yourself with our community, and see for yourself why we are proud to call Bel Aire home!
Thank you for your virtual visit. If you have questions, we have answers. Contact us with any questions you may have and let's discuss why Bel Aire is the Metro's community of choice.
Bel Aire Quick Facts:
To find out more about Bel Aire, visit the US Census Bureau's Quick Facts about Bel Aire, KS
2016 Budget
The 2016 Budget process has begun and will conclude with Council adoption on August 18th, 2015.
The City Council and staff want to hear from you about your priorities for this budget year as we continue to strive to offer a high level of service delivery without a City property tax increase.
We are proud to have a community of involved citizens and value your time and input!
Please email email@example.com with any comments or suggestions you might have to help in this process.
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Donation vests
posted 7 years ago
this is the first i have heard of these and want some for our shelter! They sound eye catching and like you could work the crowd at an adoption day event.
Pros: Eye catching
Cons: none
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Innovative Donation idea
posted 7 years ago
What an innovative idea. Who can resist not putting any money into the pockets of these coats. I think they would be great for adoption events or even just meet-n-greets. Makes donating "fun" with a little competition if you have more than one dog wearing the coats.
Pros: Colorful so they stand out
Cons: none that I can think of
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Cool idea
posted 7 years ago
i know a greyhound rescue group that uses these. we need some for our shelter
Pros: neat
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Pat Tamburrino, Director of Business Development, LMI
Nearly three-quarters of a million civilian Defense Department employees will enter a new, three-tiered employee appraisal system. The Pentagon included the new system in its six-month Congressional update on personnel systems. The update is a requirement of the 2010 Defense Authorization Act that killed the National Security Personnel System. Pat Tamburrino is director of business development at LMI and former Deputy Assistant Secretary of Defense for Civilian Personnel Policy. On In Depth with Francis Rose, he said comparing the new system to NSPS might take a while.
Pat Tamburrino, Director of Business Development, LMI Government Consulting
The House Armed Services Committee is done putting its finishing touches on the fiscal 2015 Defense Authorization Act. Stars and Stripes reports the committee is including full troop pay raises and benefits. But the Defense Department believes some cuts are necessary to preserve readiness. The defense industry is figuring out what these changes will mean for them too. Pat Tamburrino, former deputy assistant secretary of Defense for civilian personnel policy, isnow director of business development at LMI Government Consulting and was Francis Rose's guest for Industry Chatter.
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Sequestration Q&A: Who are the DoD civilians exempted from furloughs?
Furloughs for some 650,000 Defense Department civilian employees kicked in last week.Still, about 15 percent of the civilian workforce is exempt from furloughs. In this Q&A, Pat Tamburrino, chief of staff to the Undersecretary of Defense for Personnel and Readiness, discusses federal furlough exemptions and DoD decision-making.
Tags: DoD , furloughs , sequestration , In Depth , Jared Serbu , Jack Moore
In Depth Show Blog - July 12, 2013
On the In Depth show blog, you can listen to our interviews, find more information about the guests on the show each day, as well as links to other stories and resources we discuss.
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DoD CHCO Tamburrino promoted
Pat Tamburrino has been reassigned to be the chief of staff for the acting undersecretary of Defense for Personnel and Readiness. He has led several initiatives including moving out of the NSPS and improving the speed of Defense hiring.
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Panel: NSPS lessons and future of pay-for-performance
The Federal Drive spoke with a panel of experts about the lessons learned from NSPS and the future of pay-for-performance in the federal government.
- Pat Tamburrino, Deputy Assistant Secretary of Defense, Civilian Personnel Policy
- Patrick Nealon, Director of Deloitte Consulting LLP's Federal Total Rewards practice
- Bob Tobias, former member of the Defense Business Board task group that studied NSPS
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New strategy gives agencies a "springboard" for increasing diversity
Agencies have four months to develop diversity and inclusion plans under a broad, brief governmentwide strategy released Thursday. Proponents say, by making the President's Management Council responsible for progress, the strategy will succeed where past measures have failed.
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CHCOs create speed dating for mentors, mentees
The Chief Human Capital Officers Council will hold speed matchmaking sessions each quarter starting in 2012 to pair up mentors and those who are looking for such support. Kathryn Medina, the executive director of the CHCO Council, said the success of the first speed mentoring session earlier this year presented an opportunity to address a long-standing need.
Tags: workforce , CHCO Council , OPM , Kathryn Medina , Commerce , Fred Lang , mentoring , HCMF 2011 , Jason Miller , HR University , DoD
Lawmakers to question OPM's handling of USAJobs
The widespread frustration over the Office of Personnel Management's handling of USAJobs.gov has caught lawmakers' attention. The House Oversight and Government Reform Subcommittee on the Federal Workforce has invited OPM, government inspectors and Monster, the company that previously ran the federal jobs site, to testify at a hearing Tuesday.
Tags: John Berry , OPM , USAJobs , workforce , hiring , technology , Monster Government Solutions , House Oversight and Government Reform Committee , DoD , Dennis Ross , Emily Kopp , Bob Lam , Ron Johnson , John Kerry , CHCO Council
CHCO Council rallies around USAJobs
Agency chief human capital officers showed support for the latest version of the federal jobs website despite its rocky launch. They thanked the Office of Personnel Management for frequent updates on fixes. The council gathered Tuesday for its annual public meeting.
Tags: CHCO Council , diversity , OPM , USAJobs , technology , workforce , hiring , John Berry , Emily Kopp


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Simplistic recipe, yet excellent results. Add extra cayenne and double up on the scallions. Would make again, great change from usual starches.
It was a fast, good compliment to potatoes for an unusual meal. This recipe calls for some easy to find ingredients, and everyone liked it a lot. The only thing is that I thought it came out too greasy, but the other family members didn't think so.
Serve with slices of fresh carotts, cucumber, and Anaheim pepper 'pickeled' in rice vinegar/sugar.
Superb!!! Full of flavor, easy to make, a recipe that you could use over and over again for many different meals. I served these with crab cakes for a special Sunday brunch, and wouldn't hesitate to cook them as a side for dinner. I'll definitely make these again.
Takes a while to cook! Should eat them right away off the grill, as they lose their crispiness quickly.


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It's national signing day for high school football players to officially decide where they are going to play in college.
Two players from the Valencia football team will continue their football careers in college.
Steven Manfro, the record-breaking running back for the Vikings, will sign with UCLA today.
Trevor Smyth decided to continue his football career with the US Naval Academy.
The Valencia boys basketball team was shorthanded, but pulled out a 66-45 win over Golden Valley. Three Valencia players, including Lonnie Jackson, the team's leading scorer, had to sit out after they were ejected from Friday night's game against West Ranch.
Max Sommer scored 14 points and Quincy Quintero added 11 for Valencia.
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The Canyon boys basketball team beat Saugus, 67-45, behind 25 points from Clay Kasdorf.
Brad Buchignani scored a team-high 15 points for Saugus.
The Hart boys basketball team beat West Ranch, 65-64 in overtime, and avoided a three-game losing streak.
Roman Delgado's 3-pointer with 17 seconds left in overtime was the difference for Hart. He had 19 points.
The Trinity Classical Academy beat West Valley Christian, 67-64, in overtime. Jordan Mumper scored 24 points and Spencer Klehm nailed a 3-pointer in overtime to lift Trinity to its eighth win in Omega League play.
The West Ranch girls basketball team beat Hart, 65-63, in overtime. Michelle Arima scored 18 points and Alexus Bryant added 13 for West Ranch.
The Saugus girls basketball team handed Canyon its first Foothill League loss of the season, 45-44. Jordan Oster scored a team-high 14 points for Saugus. Natalie Valenzuela scored the game-winning basket with 25 seconds left in the game.
The Valencia girls beat Golden Valley, 67-41, behind 16 points from Faith Anumba.
Golden Valley's Theresa Ohaya led all scorers with 20 points.
The Lakers beat the Houston Rockets, 114-106 in overtime, and ended their two-game losing streak.
Kobe Bryant scored 32 points and had 11 assists for the Lakers.
The Canyon boys soccer team shut out Saugus, 1-0. AJ Rochow gave Canyon the 1-0 lead with a second half goal in the 65th minute. Niko Nudya made five saves for the shutout.
The Valencia boys got two goals from Michael Fischbach in their 3-0 win over Golden Valley. Michael Tapanese scored the third goal for Valencia.
The Santa Clarita Christian boys beat Delphi Academy, 5-3, behind a three-goal game from Daniel Stratton. He recorded the hat trick plus added an assist.
The Saugus girls soccer team shut out Canyon, 1-0. Ysabel Padron scored the lone goal of the game in the third minute.
The College of the Canyons men's golf team won the Bakersfield Invitational by 19 strokes over Ventura College. COC shot 738 as a team in the two-day tournament. Alex Macaluso paced COC with an even par 144 over the two days.
In college basketball, The Master's College women beat Fresno Pacific, 64-56, and won their third game in a row.
Theresa Brown had 21 points and 15 rebounds for The Master's College. Erica Inge scored 16 points and had eight assists.
The Master's College men lost to Fresno Pacific, 59-43. It was the eighth loss in the past nine games for The Master's College. Kevin Dyer led the Mustangs with 14 points.
The Valencia Flyers ice hockey team split a pair of games against the Long Beach Bombers over the weekend.
The Flyers won the first game, 6-4, but lost the second game, 4-3.
The Flyers are on the road this weekend in Bakersfield. They have a two-game series against the Junior Condors on Friday and Saturday night.
The King lost to the Minnesota Wild, 1-0, in a shootout and saw their little three-game winning streak snapped.
Kings goaltender Jonathan Bernier stopped all 25 shots by the Wild in regulation and overtime. Pierre-Marc Brouchard scored the only goal of the game in the shootout.
The Kings continue their 10-game road trip tonight in Edmonton for a game against the Oilers.
Listen to the game on AM 1220, KHTS. The puck drops at 6:30.


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4 The beginnings of this vision are already in place. At the loging in place, and nature of existing services to the user national level, the NTL hosts the Transportation Research Infor- community; mation Services (TRIS) online and underwrites the TLCat union � Achieve a balance between contributors to the TKNs and catalog by providing memberships and seed funding for cata- users of the TKNs; and loging. TLCat allows for access to the holdings of 42 transporta- � Motivate those institutions that have well-established tion libraries, including those of 16 state DOTs. The Midwest and well-funded information management programs to Transportation Knowledge Network (MTKN) was started in participate. 2001 as a pilot program of the NTL. MTKN is currently an inde- pendent nonprofit organization with membership from nine Despite these challenges, many opportunities exist that state DOTs, three universities, and three private companies. demonstrate value, provided the initiative has the right level Eastern and western regional TKNs (the ETKN and WTKN) of organization, funding, and marketing. The Pooled Fund were formed in 2007 and now collectively have 34 members. Study, the MTKN, and the more recent ETKN and WTKN The Transportation Library Connectivity Pooled Fund Study initiatives provide excellent examples of what can be achieved (TPF-5[105]), initiated in 2005 by Wisconsin DOT, involves with relatively modest levels of seed money. They demonstrate 19 state DOTs, one transit agency (Los Angeles MTA), and two that grass roots support for knowledge networks is already University Transportation Centers (Midwest Regional Univer- present. The existing willingness of organizations to pool sity Transportation Center and the University of Minnesota resources indicates that additional investments to further TKN Center for Transportation Studies). This pooled fund study is development will be highly leveraged. Incremental investments providing member agencies with technical assistance (for cata- in building upon the existing transportation information loging materials into WorldCat/TLCat) and a network for shar- infrastructure at the national level (TRIS online, TLCat, ing best practices and resources. It is also conducting marketing TRT)--with an appropriate level of effort to ensure awareness and outreach to expand participation and to communicate the and understanding--can also produce a significant "bang for value of transportation libraries. the buck." In March 2008, the AASHTO Research Advisory Committee Further collaboration and agreements across agencies with (RAC) established a Task Force on Transportation Knowledge respect to tagging and metadata (use of controlled vocabular- Networks. This task force is supporting formation of TKNs, ies) to allow for easier access to both documents and data is enhancing information exchange in the transportation com- another potential big win that could result from TKNs. munity, and serving as an advocate for continued improvement to knowledge-sharing tools and practices. Its goal is to "sup- Research Objectives port the rapid and efficient exchange of information resources through development of strategies and the innovative use of While some steps can be taken within existing resources, ele- technology." ments of the strategy to implement TKNs require a stable Full implementation of the recommendations of TRB Spe- source of funding and a national coordination mechanism cial Report 284 will require that the following challenges be for identifying, collecting, and preserving information. The addressed: authors of TRB Special Report 284 acknowledged that current funding for RITA and NTL is limited, and new funds will need � Articulate and communicate value to key decision makers to be identified in the future to support an enhanced effort. who do not have the "transportation information infra- However, much can be done before then to continue to build structure" on their radar screens, let alone on their lists of momentum for this effort and to begin to put the necessary priorities; pieces into place. � Determine appropriate models of governance and alloca- The objective of NCHRP 20-75 was to develop a business tion of funds; plan for implementing TKNs and to conduct outreach that � Meet needs of a diverse community: academia and practi- complements the efforts already begun by the NTL, MTKN, tioners; federal/state/local/private; multiple modes; ETKN, WTKN, AASHTO RAC TKN Task Force, and the � Forge cooperative relationships across institutions with dis- Pooled Fund Study to build awareness of and support for the tinct agendas and priorities and across institutions that, in TKN concept. The function of the business plan is to articu- some cases, compete with one another for funds or contracts; late the value of making a sustained commitment to investing � Develop collaborative approaches involving institutions in the transportation information infrastructure, define that are in very different stages of readiness for collabora- implementation steps, and identify resource requirements tion with respect to awareness of the need for and benefits and sources. of collaboration, level of understanding of the information The outreach component of this project was undertaken to resources they hold that might be shared, level of cata- ensure that the business plan for TKNs reflects stakeholder


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Cloud investment: South Africa and India going all in
As the saying goes, talk is cheap. To determine a company's real priorities, take a look at its investments.
With that in mind, the IBM Center for Applied Insights dug a little deeper into the data behind the IBM Global Cloud Study, Under Cloud Cover, to examine regional differences in investment. We found that 80% of South Africa respondents and 78% of India respondents plan to increase investment in cloud computing over the next two years, outstripping spenders across North America (56%), AP (55%), Brazil (52%) and Europe (46%).
You might be thinking Indian and South African businesses are just playing catch up – investing more to reach the prevailing rate of adoption in other parts of the world. Not so.
Turns out, they're already there. Two-thirds of South Africa respondents have deployed cloud computing – on par with adoption levels in Europe (71%). And India sits at the top of the adoption list at 78%, just edging out Asia Pacific at 77%.
So what's motivating South Africa and India to keep pumping money into cloud?
It seems they're prepping their organizations for growth. The top reasons for adopting cloud in other geographies are: cost reduction, collaboration or workflow optimization. But in South Africa and India, cloud decision makers are motivated most by scalability. They want flexibility to expand – fast.
The scalability and agility that cloud provides could explain why they feel so strongly that cloud is helping them gain competitive advantage.
In a recent article, Varun Sood, CIO of Fortis Healthcare India, explains how moving his company's core systems to the cloud has helped them "scale on demand." He adds, "Our ability to respond to the business is now in minutes, compared to … weeks or months."
Cloud also helps solve one very specific, and increasingly critical, scalability issue – the data deluge. Data volumes are mounting every day. And companies like Bharat Light and Power, one of India's largest clean energy generators, are tapping into cloud to improve data management and take advantage of cloud's analytic number-crunching power.
Motivations and investment may vary worldwide, but one thing is clear: cloud is enabling important business outcomes. Read the global study to learn more about what's happening under cloud cover.
Related posts:
Why do business leaders have their heads stuck in the clouds?
Setting the pace of innovation in Africa (Infographic)
2 thoughts on "Cloud investment: South Africa and India going all in"
Will you be in a position to throw some light on the trends that you are seeing emerging on the biz volume coming in across various services namely IaaS, PaaS, SaaS and BPaaS. A further cut would be with the nature of clients who are going for his offering. Is it the SMB (< 700 crores INR) or is the large organisations and what kind of applications are they hosting on the same.
I think it is the IaaS that is making the inroads proviso the pricing is extremely competitive and the construct holds appeal till a certain clip level, The reasons are obvious, it is the low hanging fruits, covert CAPEX to OPEX, let the clients worry about the business while IBM worries about infra management. The other reason is that an organisation need not worry about system maintenance and management and the need for having to develop an inhouse team… as they say, leave it to the experts!
While, SaaS may work for smaller or stand alone (CRM – Sales force types) or mailing applications, I am not very sure it has been able to make inroads in the ERP space, and when i say ERP I mean true blue ERP like SAP (here I mean SAP and not B-one). Success in cloud for me is when SaaS takes off….
Needless to say there are enough and more reasons why the SMB will lap up….. they are currently extremely unhappy with the current offerings, it does not necessarily address the actual business issues and challenges, no adequate solution support, no DR strategy in place in case of failure, inability to manage the infrastructure for want of quality resources, current IT inadequate to support growth plans and more importantly, employees are on the move all time, knowledge is not residing in the system.
From a service provider's perspective, It is a paradigm shift on all the 4P's and only courageous companies who truly believe there is a future in this offering which can give them the leap that they so desire for will take it up….. In India the SMB space is significant, one needs to pick the right industry, develop a solid offering, come up with a pricing that no one can say no to, spell out its game-plan and take to the market to make it a success…
I will be happy to hear your views on this too…..


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Parramore (Holden) neighborhood in Orlando, Florida (FL), 32801, 32805 detailed profile
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Antique Stained Glass to be restored at historic chapel on base
TV crew to film restoration
The stained glass was originally installed for $250 per window in the early 1940s, when Camp Pendleton was established. The building was converted from a blacksmith shop into a chapel for female Marines briefly before it was opened to all service members.
Today, the chapel is used for weddings, memorials and regular worship services and is open for tours.
More info
"Stained Glass: Unraveling the Mystery"
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Lesson 7 due out in May.
Visit palomar-tv.com for more information.
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Bertie, do you think if I keep saying these cutbacks are for the best, eventually the public will believe me? McCREEVY WARNS: WORST STILL TO COME.
CHARLIE McCreevy defended the most drastic spending cuts since the 1980s yesterday and warned: The worst is yet to come.
The embattled Finance Minister looked a lonely figure as he tried to explain he was doing the right thing.
In the aftermath Black Thursday, when Mr McCreevy announced the cutbacks, he has been branded a liar and a cheat for deceiving the public about planned cuts.
Opposition parties and special interest groups continued their yesterday.
But Mr McCreevy said the cuts were "entirely necessary and prudent".
He added: "When times were bad years ago we said if we got economic success we would do all of these things and that's where the money has gone.
"Now, when the economic flow to the Exchequer and the resources that we are going to get are not going to be the same as in recent years, we have to get our spending in line with our income.
"It's not just going to be for this year, it's going to be for future years."
Mr McCreevy denied he and the government had lied to the electorate before the election.
He said they had almost doubled public spending in the last five years - mostly in health, education, social welfare, increases and pensions.
More than EUR36billion will be spent in capital and current spending next year but government departments will have to come to terms with curbing their spending.
And the minister vowed the Special Savings and Investment Account (SSIA) scheme will not be changed in any way next year.
Mr McCreevy said income tax would be down by EUR1.3billion this year, EUR600million of which was in corporation tax.
Only a "small amount" of the decrease in revenue was down to the SSIAs. Out of a workforce of 1.8million people, 1.2million are using of the scheme
He said: "The special savings scheme was a good idea when it was announced and it still is."
SSIAs are estimated to cost the Exchequer EUR500million per year, but this could rise to around EUR1billion if all the holders paid the full monthly contribution of EUR254.
Mr McCreevy also defended his decision to invest in the pension scheme instead of re-directing money into health, education and housing.
He said: "Putting the money into the national pension scheme is a long term investment in order to ensure that in 20 years time when the Irish demographic situation is more in tune with rest of Europe, that we will be able to provide for them."
The first-time buyers' grant was being abolished because "it is an inefficient use of resources" and it was "not up for negotiation".
He said it was brought in 25 years ago to prop up the ailing building industry and was now unnecessary.
Mr McCreevy said the Health Department has a budget of more than EUR9billion, up EUR6billion from when he was appointed Finance Minister in 1997.
He added: "If money was going to solve the health service, we would have solved it a long time ago."
But he admitted "there are structural changes needed within the health service to ensure effective delivery".
WHISPERING CAMPAIGN: Mr McCreevy and Bertie Ahern canvassing for election in <May when they vowed there would be no cutbacks
Reader Opinion
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TSA Seized Thousands Of Weapons In 2014, Some Found In Odd Places
TSA officers confiscated more weapons from airline travelers in 2014 than in the previous year, the agency reported Friday. And some of those weapons were found in odd places.
Ex-Chief In Westfield Uzi Death Case In More Legal Trouble
Former Pelham Chief Edward Fleury is charged with assault with a dangerous weapon and carrying a firearm while intoxicated after allegedly pointing a loaded gun at a friend outside a Belchertown VFW post last month.
Bradley Jay: 'Lets Go Shooting.'
Bradley Jay shares a serious firearms experience. Watch the video.
Mayor Walsh Launches Gun Buyback Program In Boston
Firearms are being accepted anonymously at district police stations and designated sites.
Bill To Make Buying Pepper Spray, Mace Easier In Mass. Stuck In Legislative Limbo
A measure that would make it easier to buy mace and pepper spray in Massachusetts remains stuck in legislative limbo on Beacon Hill.
What Happens To Guns Seized In Boston?
On Thursday, Boston Police brought a truck full of 353 guns to an Everett recycling facility.
Bradley Jay: 'Is Boston Better Off Without Happy Hour?'
If you have any doubts
, click play and watch the last responder in this man-on-the-street Jay Talking video.
Police Seize Gun, Drugs, Cash From Billerica Home
A 25-year-old man is facing drug dealing and gun charges after an anonymous tip led police to his home.
NH Man Charged With Arms Dealing Via Internet
A New Hampshire man has been arrested and charged with using the Internet to illegally sell an assortment of firearms.
High Powered Weapons Stolen From FBI SWAT Vehicle In Andover
A reward of up to $20,000 is being offered for information leading to the recovery of the guns.


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A 40-year-old man was killed when his apartment caught fire in Edmonds Wednesday, according to the Snohomish County Fire District.
His body was discovered by firefighters in his second-story apartment at the Edmonds Highlands, located on the 23300 block of Edmonds Way.
Investigators said the victim may have fallen asleep smoking, starting the fire.
He has not been identified.
As many as 35 other residents were displaced by the fire. The complex has 120 apartments.
Damage is estimated at more than $550,000.


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This week on Oh, Sherrie!, Kate Rockwell shows her Yankees devotion when first baseman Mark Teixeira makes a one-night-only Rock of Ages cameo, shares memories of doing SRO at her fave musical ever and more!
ROCK OF AGES air guitars its way to a world recordJuly 2, 2009
Broadway babe Amy Spanger talks up the '80s rocker ROCK OF AGES.March 26, 2009
Catching up with the cast of this new musical, featuring the heavy metal hits of the 1980s.March 3, 2009
"Rock of Ages" star James Carpinello sings "Wanted Dead or Alive"January 21, 2010
Broadway's best turn out for a one-of-a-kind theatrical award show!October 28, 2009
Lonny Barnett from Rock of Ages unveils the nominees for this prestigious new theater prize!October 12, 2009
Genson Blimline and the gang at Rock of Ages are just as crazy backstage as they are in the spotlight! Don't believe us? Get a behind-the-scenes look at the wild bunch at the Helen Hayes Theatre.August 14, 2012
This week on Oh, Sherrie!, Kate Rockwell shows her Yankees devotion when first baseman Mark Teixeira makes a one-night-only Rock of Ages cameo, shares memories of doing SRO at her fave musical ever and more!February 4, 2013
There's nothing but love backstage at Rock of Ages on this week's episode of Oh, Sherrie! Broadway.com vlogger Kate Rockwell rocks out in the wings during the show, has a dressing room dance party, and eats lots of gummi bears.February 20, 2013
On this week's episode of Oh, Sherrie!, Rock of Ages vlogger Kate Rockwell braves the cold to film a segment for American Idol, does the Harlem Shake, cooks with her dog, goes on an easter egg hunt and eats her first Schmackary's cookie!March 4, 2013
For the second episode of our exclusive Rock of Ages series, the most fun cast on Broadway talks Wicked.September 19, 2014
Hey, Broadway.com vlogger Kate Rockwell, is that a Jell-O shot in your pocket or are you happy to see us? Rockwell parties with her Rock of Ages co-stars as the '80s tuner becomes the 50th longest-running Broadway show of all time!March 11, 2013