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Dark electronic independent FREE PDF magazine
UNSIGNED EUROPA DARK INDUSTRIAL ELECTRONIC FREE MAGAZINE Skinjob Hematosis tao of the Machine xp8 DE_TOT_COR perfect symmetry asinaptico the crystal apes ngng-pro antiscion FEBRUARY 2012 Cover artwork by Paul and Danilo Rizzuti UNSIGNED EUROPA this issue... SKINJOB Page 3 HEMATOSIS Page 4 DE_TOT_COR Page 5 NG-PRO Page 6 ANTISCION Page 7 XP8 Page 8 Perfect symmetry Page 9 THE CRYSTAL APES Page 10 asinaptico Page 12 Tao of the machine Page 13 UNsIGNED so for we EUROPA is an electronic 400 make free a magazine read one. dedicated first it is. to We independent artists. we Nearly people our issue, thought should the second to Here would like to THANK again all the bands who are in this issue having answered of Our set questions paid is a the the next introduce to set under for the of their a music this issue be to project. magazine. commons (link Some want to of to none them There have is money appear in publication appears songs in on licensed last creative magazine). can a mail license. the be soundcloud whole issue, each our page and our magazine just send downloaded for free (pdf). If you are an electronic artist and included europa.dark @ gmail.com. artwork by chris roll It all started back in 1991 when a guy called Andy Manns and I wanted to start a new band. We came up with this idea of producing 'postmodern industrial dance' but we never were able to find exactly what we wanted to achieve. We rehearsed all over the place with various musicians (Keef Baker was playing guitars for us at one point for example). It's worth noting that the basics of 'Insects & Metaphors' and 'Move' were co-written by Andy and I in those days, but we had no means to record them properly as back then the only people who could afford professional studio time were signed bands and rich kids, of which we were neither. Time moves on etc. and the project was shelved, then later Andy pursued his career in games design so everything fell to me, and the project lay dormant for a while, but I always planned to 'do something with it'. I always maintained some form of studio however. Years later and I started hearing music that was kind of like what we imagined 'back in the day', plus with modern computers practically anyone who knows what they are doing is able to produce music to a good enough standard to release so I decided it was time and upgraded the studio and started writing more tracks and was finally able to realise the ideas I had. I got some shows, did some remixes, met my live keyboard player (Susana Duende) and live drummer (Mark aka Gus) and it went from there. The first EP 'Insects & Metaphors' was sent to promoters and so on as a demo, and ended up entering the Dutch Underground Chart (DUC) at number one (which was a WTF moment) but it got us on Summer Darkness and Infest as a result. The album Selfish Discipline was released early this year. How would you describe your sound? I refer to it as 'Elitist Obscure Electronica' which is a phrase which was used by a reviewer when describing one of my remixes - I love this (in a self-deriding way) so went with it. Our album 'Selfish Discipline is available on most of the major services (iTunes, Amazon MP3, Spotify) and CDs are exclusively available from musicnonstop.co.uk. iTunes: http://bit.ly/upmh5H Amazon: Selfish Discipline - http://tinyurl.com/7bnmo9o Music Non Stop: http://musicnonstop.co.uk/product-view.php?productid=24528 Are you already working on new material? I have ideas and am working on new material, but I am not a subscriber to the 'must release something every year' approach so I cannot give a time scale. Next year maybe. I do have some songs which I don't know what to do with as they don't really fit in with the current direction. I could change direction, or start a side project. Not sure yet. I have secretly played some of my side-project material at events and had a good response so who knows. What are your music influences? What music do you usually listen to? I developed musically listening to Depeche Mode, NiN and classical in the mainstream 90's, but I remember the day a friend gave me a tape containing Nitzer Ebb and Skinny Puppy and being blown away by it. I later discovered Front Line Assembly, and they are all bands I still love. I do tend to prefer electronic artists however, so I do like the usual - Icon of Coil, Combichrist, Covenant, Assemblage 23, Solitary Experiments etc. I will also confess to liking a lot of 80s bands such as Tears for Fears, Erasure and Black. All great stuff. Do you like remix and/or being remixed? Yeah I've done a number of remixes. We are best known for our remixes of Nachtmahr, XPQ-21 and KiEw I think; some of which were in the DAC (Deutsch Alternative Chart) at some point. There is a list on our website - http://www.skinjob.co.uk/wp/remixes/ As for being remixed, I'm not sure I'd like that. The danger there of course would be getting remixed by someone like VNV or La Plegua, realising it was better than the original, never being able to better it for forever being known for 'that track'. Is it difficult to get some attention in this scene media? What are the best places to promote a music-project? Getting attention is easy - just do something stupid - people love that. But if you want to get noticed for your music, remix a bigger band and hope they release it What is the next main objective to be reached for your band? Traditional labels seem to be increasingly insignificant in an online world, however on the flip side they do have marketing expertise and budgets so this is a subject I have wrestled with. I'd like to play more festivals, and another album would be nice to have under the belt, but also perhaps a side project for the songs I have which are 'not really Skinjob'. Do you usually go to clubs or live shows in your city/area? Is the dark-electronic scene popular there? Sure - Manchester is my local area for such things but it's not as popular as it was a few years ago, but I like going to clubs all over the country - Bedlam in Glasgow is a great night, so is the Classic Grand (also in Glasgow). At the other end of the country of course there is Slimelight which is a culture unto itself. Are you using social networks to interact with your audience? We are on Facebook, but Facebook is run by idiots who deleted our page so I tend to focus on the website and let Facebook re-publish the main info. We do occasionally post some things that need immediate feedback to Facebook though; it can be useful at times. Thanks for the interview. Is there anything else you would like to add? No problem � thank you to the people who have taken the time to be interested - without you, we are nothing. SKINJOB Artwork by jscreationzs PICTURE By skinjob SKINJOB Artwork by happykanppy PICTURE By hematosis Hematosis is Industrial Macabre Dance. Omen (Lyrics/vocals), Rev-D (keyboards/programming). We Come From Cincinnati, Ohio. We have played with My Life With The Thrill Kill Kult, 45 grave, The Azoic, Nachtmar, Alter De Ruin, Whore In Babylon, Structual Interfearance, Chakras, Common Man Down, Only Flesh, Razorbliss, Espermachine. as well as many of the local bands. Our band is in a network of the Goth/Industrial Community. Supporting the Club scene. We have released the albums: Are You Scared (2007-2008), Health Sektor (2009-2010) Machines Before Man (2010-2011 It is distributed via i-tunes, Spotify, Last Fm, and 40 other major online retailers. Hard Copy's for sale through live shows and all other merchandise) and SIN due out 2012. What are your music influences? What music do you usually listen to? We listen to Skinny Puppy, OhGr, :Wumpscut:, Hocico, CombiChrist, The Cure, Velvet Acid Christ, Leaether Strip, Suicide Commando, God Module, Switchblade Symphony... How would you describe your sound? The brain-trust of Hematosis, have continuously built sound walls of high energy thrills and chills for over 20 years in various forms of insidious deviations in the performing arts. Their artistic expressions casts a dark light far beyond music; the stage performances not only captivate and slice open the audiences minds, it gives voice to the deepest fears, desires and sins of the human condition in which all of us strive to suppress. Simultaneously, Hematosis makes their audiences confront internal suppressed fears while inspiring them to express emotions of anxiety, desire, guilt, and anger through dancing. The imagery of their compositions and lyrics seduce the irreverent youth and crack the hardened minds of the pious. www.reverbnation.com/hematosis www.myspace.com/hematosismusic www.youtube.com/hematosismusic www.soundcloud.com/hematosis www.hematosis.webs.com Are you working on new material? What are your future plans? Yes, the New Album is entitled SIN and will be available for sale Summer 2012! Our next goal is to get signed. Live shows we already do but we want to tour and spread our gift to the world. Do you like remix and/or being remixed? Yes to Both. Its always fun to hear our stuff being remixed and remixing our favorites too. Is it difficult to get some attention in this scene media? What are the best places to promote a music-project? It is difficult to promote your music being unsigned, very hard. We have several years into this so we have a fan base here but we need more exposure. There are millions of bands out there and its hard to be recognized. The web to us seems to be the best place right now until we are picked up by a label. Are you using social networks to interact with your audience? Yes, this seems to be the best tool for us right now. I think that goes for most bands too. www.twitter.com/hematosis www.facebook.com/hematosis Can you tell us about the dark-electronic scene in your area/country? The club scene is awesome here in the midwest. Cincinnati, Columbus, Dayton, Indianapolis, Louisville, Cleveland, Bowling Green and Pittsburgh have all pulled together as one giant scene here in the Midwest. Its good here but nothing like Europe. Thanks for your words. Greetings from Europa. Thank you for your interest in us. hematosis DE_TOT_COR DE_TOT_COR is an industrial_alternative_industrial music project from Barcelona. It started with fun electro-dark covers of heavy metal songs and some rough remixes of :wumpscut: remix-contests. The first DE_TOT_COR official release "Dead Heart EP" was published in November 2009 by the North American label Vendetta Music. Includes the club-hit "strawberry Panic". After leaving the Vendetta Music label, "M�dchenliebe" is released as a free digital single in 2011. A new version of this song is included on the first DE_TOT_COR LP "Gothic light", released in October 2011. The new album is not instrumental at all. It brings the collaborations of Kari Berg (ex-Ashbury Heights), Fredrik C. (Project Rotten), Sister_, DJ Zynthexia and Jenny P. (Luzid) on vocals, and the distinctive gated synths and stomping DE_TOT_COR 4x4 beats. It also includes remixes by Tr�mmerFrau, Studio-X, End:theDJ and Revolution State. What are your music influences? What music do you usually listen to? I listen to many different music styles, but these days I mainly have futurepop and dark-electro albums in the CD player. Are you working on new material? What are your plans to release it? Yes, there are new songs in progress. There will be a new DE_TOT_COR EP in 2012, hopefully around summer. It will contain some new songs, reworks of some tracks from `Gothic Light' and `Dead Heart' EP, and remixes of great artists. But the most important thing is that this new EP will be free for those who bought the latest `Gothic Light' album. Do you like to remix and/or being remixed? Both. Although remixing a very good song is quite difficult, remixes provide a new perspective to (your) songs. If you take a listen to `Dead Heart' EP and `Gothic Light' you'll find remixes of different styles. I love the variety they offer to each album. I've been lucky to have these bands remixing the DE_TOT_COR tracks, their work has been excellent. And as for remixing other bands, it's always a pleasure to have the chance to work on new songs. Lately I've been working on remixes for Diverje, Grandchaos and Antythesys. Keep an eye on their forthcoming releases. What is the next main objective to be reached for your band? The main objective now is to finish the new songs, and give to the DE_TOT_COR audience new music. There are fresh news to come, so check our website regularly. I've also been thinking of the possibility to play some live shows, but who knows... In 2011 you released the first DE_TOT_COR LP "Gothic Light", after leaving the US label Vendetta. It has not been easy to self-release the album, but it was worth it. There was some changes also in the music, but the people has been reacting very well. It is a limited edition album, soon will be sold out, no more physical copies will be done. However, this means that I can pay all the money invested in the process of making the album, which is great. Obviously I am not making music to earn money, but self-releasing was better than being in a label. I think the promotion was not very good before, now it's geting better... Is it difficult to get some attention in this scene media? What are in your opinion the best places to promote a music-project? The fact is that a lot of people make music and that's great! It's difficult for artists to release an album (pay for studio, artwork, mastering, replication, digital selling platforms, etc.), but there are emerging cool sites that allow us release our music. The best thing we can do is to make people understand that if they like the music, they should pay something for it. "Big" labels and magazines have their own rules, their own charts, their managers, etc. But more and more bands are realizing that nowadays they can DIY, because there are great people supporting these scene for free, cause they love music! All I can say is: Buy music, go to live shows and support independent artists. Do you usually go to clubs or live shows in your city/area? Is the dark-electronic scene popular there? Not very much lately. When you've seen 4-5 times the same band live you get a little bit tired. However in Barcelona there are regular club nights and live shows for the dark-scene. Maybe there is a need to renew the panorama, I don't know... I prefer to go to live shows in small venues to see unknown bands, whatever music style they play. Are you using social networks to interact with your audience? DE_TOT_COR has profiles in many social networks. I would like to say hello to everyone who cares about my music, so share your words at FB (http://www.facebook.com/pages/De_Tot_Cor/133207893384897), Google+ (http://gplus.to/detotcor), VampireFreaks (http://vampirefreaks.com/detotcor), Soundcloud (http://soundcloud.com/jordidtc) or through the official website (http://musicadetotcor.blogspot.com/ ). Thanks for the interview. Is there anything else you would like to add? Keep checking out about DE_TOT_COR. There are some great things to come! Artwork by chris roll Pictures by de_TOT_COR NG-PRO We are NG-pro and we come from a small town in the Netherlands. NG-pro consists out of 3 members: Niels (Vocals / guitar), Gerwin (Vocals / Vocoder / Synths) and Bas (Bassguitar). Gerwin and Myself started NG-pro in January 2000 and were joined by Bas in 2008. We've released 2 mini-cd's and 2 full length albums, on our site you can also download a third unreleased album with some more experimental stuff on it. What are your music influences? What music do you usually listen to? The main drive to start this band was because we were both fans of Front 242 and early Apoptygma Berzerk, which we still love.. besides that we are fan of bands such as: Sisters of Mercy, Field of the Nephilim, Deine Lakaien, I monster Zbigniew Preisner, Sixteen Horsepower, Laibach, The Exploited, Juno Reactor, And One, etc.... the list goes on and on. Have you been working on this project without any label since the start? For some reason it seems we are too difficult for labels, the combination of electronics and electric guitar seems to confuse them. We've had contact with labels in the past but that didn't work out due to contract issues. The albums are all for sale, and some of them are indeed a free download on the website... You can always mail us what you want and we'll work something out, we are currently working on webshop which should be up somewhere spring 2012. Are you working on new material? What type/style of songs are you working on? A new album is scheduled for fall 2012 but nothing is certain, we always take our time with these things. The songs on the new album are gonna be what you can expect from us, danceable songs with strong melodies and a punch in the face, we didn't use guitars on our last album "The place to be" but for this album they will be present again. Hopefully a new album followed by some shows in club circuit and maybe some interesting remixes to make, and who knows maybe a label who is not scared of good music. You also released several remixes, maybe the most famous is the "Global Killer" one. Well, in the case of the Global killer mix it seems that XMH got to profit the most of that, but we're glad it helped them to get more airplay/gigs. For us as NG-pro I really wouldn't know if we gained more audience with our remixes, let's hope so. I'm not a real big fan of remixes, all of the members of the band grew up playing musical instruments so I think we've got a good sense of tonality and songstructures, but it seems nowadays that anyone with a computer can make music which leads to remixes that are, to put it mildly crap, on the other hand, there are really good ones out there which personally for me have led to the discovery of some great bands. Is it difficult to get some attention in this scene media? What are in your opinion the best places to promote a music-project? I think it is, mainly because there are so many bands trying to get exposure... Sites such as Soundcloud, Facebook and Myspace are invaluable tools to promote your music but the best place is the stage!!! Do you usually go to clubs or live shows in your city/area? Is the dark-electronic scene popular in the Netherlands? Not that much anymore, the scene in Holland is at a decline and there aren't that many live shows that are interesting enough for me personally but there are still enough party's that do well although I feel the popularity is dwindling. Are you using social networks to interact with your audience? You can find us on the following sites. Feel free to leave a message: http://nl-nl.facebook.com/pages/NG-Pro/104814579575168 http://www.myspace.com/ngpro Thanks for the interview. Is there anything else you would like to add? http://www.last.fm/music/NG-PRO You're welcome and we would like to thank everyone who has supported us over the years. http://vampirefreaks.com/ng-pro Keep an eye on the site (http://www.ng-pro.com) http://soundcloud.com/ng-pro for info on the upcoming album and other events. Artwork by nuttakit PICTURE By ng-pro antiscion What are your music influences? What music do you usually listen to? Artwork by antiscion Antiscion is currently just me, Zac Phoenix. I'm 22 and from Australia but I live in London, UK. I've just finished my first futurepop/EBM/dark electro album called "Cold Prospect" and one of the tracks, "Overthrown" was featured on the new Synthematika Three compilation album which very kindly seems to be getting me some attention at the moment, especially in Russia and Mexico! I'm very humbled by the response so far that people are loving my music. I listen to lots of different stuff, but I think generally my tastes are dark or sombre. I love everything industrial, especially the electronicheavy stuff, but I also listen to a lot of trance, alternative metal and post-rock stuff like Sigur Ros. Anything incredibly thematic and transcendental is likely to grab me. I don't like happy melodies or folksy-acoustic stuff. I'm not so goth I shit bats or anything, I just prefer the sound of minor key melodies and atmospheric soundscapes. Industrial will always be my first and last love. There's a lot of good stuff coming out of the scene still in the past few years. The Birthday Massacre are a brilliant success story of this and I adore their unique sound. As cliche as it is, the single biggest influence on me as a musician and producer has been Trent Reznor (of Nine Inch Nails). I grew up adoring everything the man has ever done and continues to do. He taught me everything I know about production and I continue to constantly learn from his skilful mastery of sound. How would you describe your sound? My first attempt at an album was during the aggrotech/terror EBM craze a few years back. It was called Pumpkin Kult and it was not great but a lot of fun to make. You can still find it floating around online somewhere. It wasn't really mixed or mastered properly and it clipped all over the place but it was an original attempt at doing something unique within that very narrow sound, injecting a kind of crazy carnival-esque thread to the usual two-dimensional violent/angry theme. After that, I realised I needed to spend more time perfecting my craft, so I read loads of books and magazines on production and mixing and practised making a few other styles (trance, d'n'b, dubstep, even an industrial rock EP called Alpha Gate). When I felt I was ready, I wanted to make a mixed-style futurepop album, partly in homage to all the bands I listened to in my teen years but bring my own style to the genre. I'm a part of a younger generation that never knew Depeche Mode or Nitzer Ebb. VNV Nation and Solitary Experiments were those bands to me. I don't think futurepop is dead at all and I think there's a lot of scope for new bands like me coming into the scene, especially on the darker end of the spectrum. Have you already started working on new material? Not currently, as the first album has just been finished. I'm waiting to hear back on some labels and hoping it will get picked up. I'm very proud of it and it was mastered by John Sellekaers of Metarc (he mastered for Assemblage 23 and many others) but he has closed his studio now and I think my album might have been one the last he worked on. What is the next main objective to be reached for your band? I just want people to hear the music and enjoy it. I don't care about money. It would be great to get signed, but I won't be devastated if it doesn't happen. I figure I could work on more material and start putting together a live show to start gigging here in London. Do you like remix and/or being remixed? Remixes can be fun, especially when big names in the scene remix each other and you get to hear their unique styles blend, like Assemblage 23 remixing The Birthday Massacre. I've already had some kind offers to remix tracks from my album and I'll consider it maybe if I release a single later in the year. It all depends how things go. Do you usually go to clubs or live shows in your city/area? Is the dark-electronic scene popular there? There's a great scene here for alternative/electronic/industrial music which I started going to when I was 15 and sneaking in to places like Slimelight (the oldest goth club in the world) where I probably was not allowed to be. I befriended people in the scene like the guys in Inertia and followed them around asking to use their studio. But I was just a kid and I don't think people took me very seriously back then. It was a very adult world and I probably shouldn't have been there by myself at that age. It got quite lonely and I never felt like I made real friends there. I think it can be a very cliquey world where people keep to themselves and their friends. Is it difficult to get some attention in this scene media? What are the best places to promote a music-project? I think there's a lot of great new blogs and magazines starting up. It's very encouraging for new artists like me because it shows that people still love the music and there's a real demand for it out there. It's the DIY spirit of the industrial scene that's always kept things rolling when it seemed like sales and releases were slumping. Social media has made it really easy for fans to share your music to others quickly and directly, which is great. I don't think the internet has killed music. It's weeded out all the people who were just in it for money and now you really have to be passionate about making music for very little returns, because you love the music and would do it even if no one pays for it. I think that's a new kind of quality filter that is very beneficial to the scene. Are you using social networks to interact with your audience? We're on Facebook: http://www.facebook.com/coldprospect but not really anywhere else. Avoiding Myspace like the plague. Bandcamp (http://antiscion.bandcamp.com ) has really changed everything for new artists like me and it's the best platform to have our music heard and sold. You can listen to the whole album for free there. Thanks for the interview. Is there anything else you would like to add? If you hear the music and love it, drop me a line. When there's little money involved in this, an artist loves nothing more than to hear what people think of their music. So don't be shy. Get in touch and let me know what you like and dislike about the album and keep in touch will all the bands you enjoy. I'm sure they love to hear from their fans too. You have just released an EP to celebrate the first XP8 decade. It would be really difficult to explain briefly your history... XP8 Artwork by happykanppy Picture by xp8 Marko: XP8 is an EBM/Futurepop project born in the underground club scene in Rome in 2001. We started as a trio, with Paul Toohill singing and all three sharing songwriting and production duties.In this form we released two albums: "Forgive(n)" in 2004 (in a few different formats with different labels) and "Hrs:Min:Sec" in 2005, with Sebastian Komor, of then Icon Of Coil fame, helping us out with production. In 2007/2008 we split up with Paul and I took the lead singer role. In this form XP8 has released "The Art Of Revenge" in 2008, "Drop The Mask" in 2010 and "X - A Decade Of Decadence" in 2011. As I said, XP8 is now a duo with Marco Visconti sharing songwriting and production with me, while I am in charge of mixing. What are your music influences? What music do you usually listen to? XP8: Influences are difficult to highlight exactly.. there is a lot of music that we listen to and enjoy, but that we would never introduce to the XP8 sound. When songwriting we filter out a lot of "noise" and try to concentrate on what can add depth and flesh to XP8 musical ideas. That said, we do experiment to a certain extent by mixing in elements that are not strictly Industrial, whatever that term means nowadays...If we talk of influences in a much broader term, the thing that really spurned me into being in bands and making my own music instead of becoming a boring coverband musician, (and believe you me, it's tempting at times) was the punk-ethic fueled new wave of the early and mid eighties, as well as the DIY approach of early 90's "dance" acts. You decided to leave Infacted Recordings label, and now you are free to distribute your music. Is this the best decision for the band (to go solo)? Marco: the music business format that ruled till the 90's has now almost completely collapsed. The Industrial scene, but more in general the Indie scene had to face the music a bit later than the major labels ruled mainstream pop, possibly due to a more devout following, but mostly because its business is so infinitesimally small that it takes a trained eye to see its shrivelling. Nowadays CDs sale figures in this scene are only relevant to a small elite of bands. Most of them projects with more than 15 year long careers, that we able to reap the benefits from sales when those were still happening at all. Digital is the way people consume music, either locally or from "the cloud" and you don't need the heavy and expensive distribution apparatus you once did, so yes, it's feasible now for a band to start up their own label, do their own on-line promotion and hook up with a digital distributor. What is your advice/opinion to upcoming/new bands who are searching to get signed to a label? Marco: you don't have look up to the big ones necessarily, cos they'll most probably use you as a filler in between "big names" releases to keep their distribution network happy. If you're not confident you can do the job on your own, and indeed it's a tough job, seek out smaller, more dynamic and dedicated labels, who might have less releases in a year, but will pour all their work into your music. Remember: it's much more important to have a promotion team that really work for you, than being signed to some "name" label that will just use you as another bullet in their catalogue, so that they can keep their distro deals. Oh, and don't expect to become rich overnight. Or ever... What are the best places to promote a music-project? Marko: Social networks and clubs. You need to have DJs introducing your stuff to people, and you have to follow through by giving to those interested few something to chew on line. These days, being a musician is being everywhere at the same time: in the studio, on stage, at the merch booth, and in the crowd. But hey, I guess you already knew it wasn't an easy job when you signed up for it, don't you? :) What are the next plans for XP8? Marko: Right now we're concentrating on a few live dates in spring next year, but we're already started the pre-production phase for our next release. We're always writing stuff... Marco: As for signing to a bigger label... like I said above, it's not the size that matters :) We have been signed to some of the most important and prestigious labels in our scene, and yet we haven't got much off those deals. If we'll sign to a label again, it will be one that we'll be able to trust they'll do what they promise. Do you like remix and/or being remixed? What are your favorite remixers in the 'scene'? Marko: Remixes are a great way to interact with other musicians and we've been very lucky in our career remixing and being remixed by some of the best out there. Right now we entered a contest on Beatport for the latest single by Steve Aoki, "Ladi Dadi", and we turned it into a dirty electro floor filler. Personally I'm really looking forward to one day have a Northborne or Kloq mix of our stuff... Is the dark-electronic scene popular in your city/area? Or people tend to prefer more things like soccer/calcio? Marko: Well, football is definitely more popular in London than Industrial music, but they're not mutually exclusive interests, are they? ;-) Marco: ...and in Italy is even worse. I guess that these days, the so-called dark electronic scene is popular only in Germany, and then in selected UK cities such as London and Sheffield, and some in North America, such as Los Angeles or New York. Everywhere else, it has been left to die by those who were supposed to support it: labels, booking agencies, promoters, but most of all, the fans. Sad picture I'm painting, I know. Are you using social networks to interact with your audience? XP8: We are everywhere really... just Google "XP8" and you'll see it yourself. But if you think there's a network we still haven't tagged, feel free to drop us a mail at email@example.com to let us know! :) Thank you very much for this interview. XP8 Artwork by happykanppy PERFECT SYMMETRY My project name is Perfect Symmetry and I'd like to introduce it to more and more people. I am from Belarus, Mogilev city. I am only one person in my project. About 2 years ago I published my first demo NEXTGEN and some days ago my new dull 15 tracks album - KOSMOS. You probably can hear it on my SoundCloud set. What are your music influences? What music do you usually listen to? it is pretty hard to answer , cause I like too much and different kind and styles of music. My favorite are indie,EBM, DarcElectro, Future pop and hard dubstep. Favorite bands are Bloc Party, Mindless Faith,Rammstein,Cut Copy, Mind in a box and many others, and of course two my projects - Perfect Symmetry and Mind The Gravity. How would you like to describe Perfect Symmetry? I always liked space movies and futuristic sounds in it, so I try to put everything what I like in it, but it is not ambient it is music that you can dance for. You can listen to Perfect Symmetry at: http://vk.com/psymmetry http://soundcloud.com/perfect-symmetry Are you working on new material? What are your plans to release it? Yes, I am working every day on a new stuff. You can hear new track already on my soundcloud page. But now I have plans to make a full album of my industrial synth metal band Mind The Gravity. What is the next main objective to be reached for your band? I don't realy know what I need to reach.:) It would be cool to get signed to a realy big label, but it is just a wish. Wanna make a music video soon. Thats it. Do you like remix and/or being remixed? I like to remix smth what I really like, but I never have been remixed, I am not so popular. I made a remix for Celldweller contest last year, but i didn't win it. Do you usually go to clubs or live shows in your city/area? Is the dark-electronic scene popular there? I just came from the club:) it was dubstep, dnb party. Better than nothing cause we have no good dark scene. In Belarus we have lots and lots of industrial music, but we have no listeners. Is it difficult to get some attention in this scene media? What are the best places to promote a music-project? Yes it is hard. But the internet is the best promoter for me now and some people who want to help me with it. Actually is Alex from Diezel Xzaust. Are you using social networks to interact with your audience? Yes, I have my band page, but I don't spend too much time for it. http://vk.com/psymmetry Thanks for your collaboration. Thanks for that interview. I would like to show my music to more and more people. Artwork and picture by perfect symmetry Can you introduce your project? Doc: TinTin founded The Crystal Apes together with me between 2006 and 2007 in Hamburg, Germany where we also live. The first album called "Galaxies" was released in early 2007. TinTin sings all vocals, creates the music, writes the lyrics and takes care of the visuals. I concentrate more on the mixing, live work, the technical stuff and write some lyrics from time to time. TinTin: On stage we usually work with additional musicians who also help out in the studio. That's why we re-released the first album "Galaxies" under the name "Galaxies 2.0 [Extended]". We transferred their live sound of the "Galaxies"-songs into the studio. Currently we are a team with Kitty Core on the guitar and Joschka on the drums. How would you describe your sound to someone who never listened to the name of The Crystal Apes? Doc: You could say that it's basically Electronic Rock with a deep atmospheric touch, enhanced by orchestral elements and elements from pop and industrial music. But it's more important to understand the music and the albums as a journey with a couple of dramatic and experimental changes in style and sound. What are your music influences? What music do you usually listen to? TinTin: I appreciate atmospheric music like The Cure, Nine Inch Nails or Rob Dougan (The Matrix soundtracks) and also an intimate sound like Tori Amos', or experimental pop music like Gorillaz. A very special influence, not only musically is David Bowie. Doc: Just like me. And furthermore there are are also bands from the metal/industrial genre like Strapping Young Lad, Ministry or Die Krupps in our personal music library. Listening to modern electronic styles like Dub Step is also very interesting, there is a lot going on at the moment. In November 2011 you released Cried Tears. What has been the reaction of the audience? What can you tell us about the album? Doc: Listeners reacted very positively to the musical approach of taking them on a journey through atmospheric, intensive and varying landscapes. This album probably shows many of the influences on TinTin. Nevertheless she creates a sound which follows a golden thread and forms a stylistic unity. We like albums which do not sound as if made to please to a specific genre and which sound the same from the first to the last track. TinTin: Expecially the USB wristband has been a success. A lot of people really like this idea. We are always looking for new ways which keep up with the speed and changes of time. It is one of many more specials which are planned for 2012. What are The Crystal Apes future plans? TinTin: I am currently working on new material. I will be working with new sounds, instruments and moods. That's why we are currently not planning any concrete live shows. I feel best when I can concentrate on and dive into music while creating. Doc: Exactly. Of course live dates will be announced as soon as set. But meanwhile there will be regularly new single releases. TinTin has got some ideas about this. There are and have been offers from labels but we have not decided yet if we really want to give up our freedom to decide on our own what we shall do and not. You come from Germany where there are many good bands and the dark-alternative scene is more popular than anywhere else. Is it difficult to find oportunities for your band? Doc: Yes, the scene is pretty big but it varies regionally. You have hot spots like in the eastern part of Germany or in North RhineWestphalia where you have a lot going on. The scene in Hamburg is relatively small compared to that but pretty active, so there are many parties or concerts each month, some of them in special locations. This steady activity makes it not especially difficult to play live � the more you take care the more you play. And that although our sound is not what you would typically expect in this scene. Radio play is a different subject. German radio stations are very main-stream-orientated and commercial. Hamburg is probably one of the most boring cities talking about radio. So the main activities are web radio station which are really well organized and open to new sounds. We are lucky to have contact to really nice people in media and press with a good opinion about the importance of variety in music. Artwork by dreamdesigns picture by the crystal apes The crystal apes How do you manage to work with the band and your current jobs? Doc: Our team work in the job is the same like in music: TinTin is freelance graphics and web designer, the creative part and I am doing web conception and development (the technical part). It works perfectly. For us two time schedules are very flexible, we just have to check dates with Kitty and Joschka who have steady jobs. You have been on German music magazines and compilations. Does this help to a band like The Crystal Apes? What are in your opinion the best ways to promote a music project? Doc: It can help when you invest time in steady promo work online and offline. It is the mix of different channels. But no matter what you do, the best is personal contact to people: listeners and those working in the business. Our music is very intimate and pretty uncommon for the dark scene, that's why it is so important for us that people get to know from whom it comes so that they get a good introduction to it. TinTin has some special ideas in mind for this year which will help to achieve the same, but that's a surprise. Are you using social networks to interact with your audience? Doc: Yes, definitely. We are mainly on Facebook and Twitter most of the time. Of course we can also be reached via our official website (including newsletter form), Youtube and MySpace. Additionally we have profiles on several networks like restorm, Roadrunner, LastFM and many more. Official: www.thecrystalapes.com or shop.thecrystalapes.com Facebook: www.facebook.com/thecrystalapes Twitter: www.twitter.com/thecrystalapes YouTube: www.youtube.com/user/TheCrystalApes MySpace: www.myspace.com/thecrystalapes LastFM: www.lastfm.de/music/TheCrystalApes Soundcloud: www.soundcloud.com/crystal-apes Other: http://thecrystalapes.restorm.com Thanks for the interview. Is there anything else you would like to add? TinTin: First of all, we want to thank you and all those who have joined and join our journey. Don't forget your visions, focus on your dreams and don't waste energy in unimportant obstacles. Artwork by dreamdesigns picture by the crystal apes Post YOUR AD HERE FOR FREE More info: Europa.dark @ gmail.com Promote YOUR event HERE FOR FREE More info: Europa.dark @ gmail.com Share YOUR podcast HERE FOR FREE More info: Europa.dark @ gmail.com We are Asin�ptico from Santiago of Chile. This band is composed by Emmanuel Mozg and Pablo Zvook. We have been making music since 2008 and what we are right now because of all our persistence and progress that we have given to this project. The highest priority for Asin�ptico is the characterization of it's own unique sound without neglecting the essence of Electro Industrial music. How would you describe your sound to your new audience? We describe our sound as Electro Industrial with disturbed frequency. It's hard to put into words but it is the first category that comes to my mind when I think about it. This is because we mix industrial sounds with electronic music, moreover, we add very strong and sick sounds. We have released our first demo "Smoking Shit" which has five powerful songs and our first single "Room 237" which has our own sound, two remixes and the tribute song to Halloween franchise, furthermore, our song "Fornicaci�n Mental" appears on the compilation "VA Necromorphosis Vol.3: The Future Generation!". Are you working on new material? What are your plans to release it? We are always making new sounds. We have developed a passionate interest in music and that is what we really love and what keeps us on working together. Our main objective is to be specific about a high quality sound, we sound different than other bands and we want to keep it like it is. Now we are working on our first album and also getting ready for the release of it along with live performances. The main aims of this project are the expansion of our music around the world, we would like to perform in as many places as possible and although It would be great If we could sign to a label, we are not in a rush to do it. What about remixes? We have just started the whole process of remixing other bands' songs because we had spent more time working on our own project. But a true fact is that what we have done with the other songs stimulate us to create powerful noises or even stimulate the creation of new lyrics. It has been a new and enjoyable experience. What are your influences? We separate our influences according to lyrics and music. About the lyrics, they're most influenced by Joy Division and according to the music some of the bands that come into our minds are Suicide Commando, Nitzer Ebb, E-Craft, Combichrist, Aesthetic Perfection, Icon of Coil, SAM, Turmion Katilot and Stahlmann. Mainly, we listen to EBM, Industrial, Future Pop, New Wave, Post Punk, Metal music and also a little bit of Chilean Rap. Do you usually go to clubs or live shows in your city/area? Is the dark-electronic scene popular there? Actually we don't go to clubs very often but when the opportunity of seeing bands like Nitzer Ebb, Hocico or Combichrist comes, we are going to be there for sure. The "dark scene" is not so pupular here in Chile (in comparison with European countries), although the audience who listen to this kind of music has increased over the last few years. Is it difficult to get some attention in this scene media? What are the best places in your opinion to promote a music-project? Yeah! It's hard to do it. People prefer foreign bands rather than national ones. Besides, not everybody spends time listening to the new bands. We believe that the best place to promote unsigned bands or new music is Internet, particularly social networks and online radios. Are you using social networks to interact with your audience? Sure! People can find us at these 4 sites: http://www.myspace.com/asinaptico http://soundcloud.com/asinaptico http://www.reverbnation.com/asinaptico http://www.youtube.com/asinaptico Thanks for the interview. Is there anything else you would like to add? Thank you for giving us this opportunity to let people know more about Asin�ptico, and thanks a lot to all the readers too! We'd really appreciate if you join us and share your opinions about this project. Congratz for this amazing magazine and all the effort you've put on it. Hugs from Chile! Artwork by happykanppy PICTURE By asinaptico TAO OF THE MACHINE Hello, my name is Max, from Italy. My project is called Tao of the Machine. This is currently a solo project, but I used to collaborate often with other artists from Europe and the rest of the world. Now I'm self producing, mixing and mastering my tracks. I mainly use Ableton and I have Akai and Beheringer hardwares. When I find a free moment I like to design and assemble my own midi controllers. What are your music influences? What music do you usually listen to? My musical influences are many... talking about industrial techno I really appreciate German productions, like S.A.M.'s and [x]-Rx's works, but most of times I listened to the myriad of artists outside the mainstream. From the outset this project was oriented towards the crossover. The first tracks were characterized by an attempt to fuse EBM elements together with DnB elements. Then progressively, I started to produce much more industrial tracks, best suited for raves. Sometimes I try to play other genres such as psytrance, minimal techno, and even progressive house or dubstep I noticed that many people who deal with similar stylistic differences, tend to create side projects. I think the stylistic variety is one of the central element of mine. How would you like to describe Tao of the Machine? My production is also greatly influenced by my mood. It goes from oontz oontz tracks to more subtle and conceptual ones. Lately I have very little time available, but nevertheless I continue to produce material steadily. When I am quite satisfied (I'm never totally satisfied) I upload a track online for the audience and waiting to gather some feedbacks. They're ALWAYS usefull. I'm working on a full-length album which will be called Digital Riot. It's an album that may be suitable for industrial clubs. It goes on very slowly, but I'm pretty happy with how it is coming out. What is the next main objective to be reached for your band? I don't have a real goal about this, I just do what I did and I will continue to do this. Do you like remix and/or being remixed? I think that remixes are a fundamental part of my project. Apart from being a mere display of techniques, that allows you to put into practice your point of view about others' works, they're also like opportunities to meet other artists and deal with their fanbase. When I remix, my aim is always to create something better than the original track. I often don't manage to achieve this, but it's always stimulating to give it a try. What can you tell us about the dark-electronic scene in your city/are? In my country the scene is quite supported, there are clubs and theme nights. It was at one of these events that I listened to EBM for the very first time. There are many good artists, but I don't have many connections with them. Is it difficult to get some attention in this scene media? What are the best places to promote a music-project? The difficulty in getting noticed is higher, the means of audio production become more affordable. I think that from this point of view, the industrial techno is becoming what once was punk rock. The independent acts proliferate so that visibility becomes a difficult subject. I came into contact with different realities typical of the underground: promoters, netlabels and people who work to spread the scene. It 's always nice to meet someone who appreciates what you did and try to give you an hand. It repays you. Are you using social networks to interact with your audience? Clearly, the network has a fundamental importance for spreading the news, by now the project is on some networks... On VampireFreaks I try to keep something that looks like a blog, also I use SoundCloud as the main repository for tracks. http://vampirefreaks.com/TaoOfTheMachine http://soundcloud.com/tao-of-the-machine Thanks for the interview. Is there anything else you would like to add? Bye and thanks to all those who have read this far! Artwork by tao of the machine and paul pictures by tao of the machine BLOG + podcast http://europabloc.blogspot.com MUSIC FOR THIS ISSUE http://soundcloud.com/dark_europa/sets/unsigned-europa-issue-2 YOU CAN BE IN THE NEXT ISSUE... WELCOME UNs I GNED EUROP A i s an elec troni c free magazi ne dedi c ated If you to are i ndep endent be @ in i nc luded s end a arti s ts . in we our to are mus i c an elec troni c arti s t and want to next not From ebm, but i s s ue, j us t mai l europ a.dark foc us ed j us t s ynththrough hars hp leas e s tyle, gmai l.c om. any s p ec i al to dark p op elec troni c s . tec hno, hards tyle, i ndus tri al... drumnbas s , elec tro, no dubs tep !


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In July 2013, the Environmental Review Tribunal (ERT) revoked the Renewable Energy Approval (REA) issued to Gilead Power to develop a nine-turbine, 22.5-megawatt wind power project at Ostrander Point in Prince Edward County. The ERT's decision was premised on the view that the local Blanding's turtle – a species protected under the Endangered Species Act (Ontario) (ESA) – would suffer serious and irreversible harm as a result of the wind farm development.
Gilead Power appealed the ERT's ruling to the Ontario Divisional Court and on February 20, 2014, the court ruled in favour of the developer. The court restored the original issuance of the REA, which will allow the project to proceed. In summary, the court concluded:
The court concluded that each error made by the ERT was fatal, as they are, of course, collectively. The ERT made findings without factual foundation, failed to interpret and apply the ESA harmoniously with the EPA, and failed to separately consider the issue of irreversible harm. Thus, the ERT's decision was not reasonable and was set aside. The parties have 15 days from the Ontario Divisional Court decision to appeal to the Ontario Court of Appeal.
The entire decision can be found here: Ostrander Point GP Inc. and another v. Prince Edward County Field Naturalists and another, 2014 ONSC 974
DISCLAIMER: Because of the generality of this update, the information provided herein may not be applicable in all situations and should not be acted upon without specific legal advice based on particular situations.
© Bennett Jones LLP
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subset: commoncrawl


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Music couple face theft charge
October 30, 2008
The former managers of Sir Peter Maxwell Davies, Master of The Queen's Music, have been charged with the theft of £447,000 from the composer.
Michael Arnold, 75, and his wife Judith, 73, of Golders Green, North-West London, have been bailed to appear before West London magistrates' court on November 3 charged with the theft of £447,049.
Last updated: 6:06pm, October 30 2008


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Currents in the C&D Canal
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Re: Currents in the C&D Canal
Originally Posted by
I am all in favor of currents when they help me get where I want to go; I am strongly opposed to currents which prevent me from going where I want to go...
Well the feeling's mutual - the currents oppose you almost as much as you oppose them!
(Only "almost as much" because your motor power allows you to make some headway against them.)
It all depends on your frame of reference, which in the technical sense could be Eulerian or Lagrangian. (Now THAT will make your head spin!
) FYI, my PhD is in fluid mechanics, and I do still use some of this stuff in my day gig.
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Formerly posted as "RhythmDoctor"
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Take Five
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Costume Information
|Aside from Makoto :D I really love Mikoshiba as a character! I love that he can balance out his fun sort of playful personality and still be serious enough to get the respect he deserves as Samezuka's captain. I really admire this guy, and i feel like he usually never gets the love he rightfully deserves.
Everything was all ordered on Ebay, including the wig, pants T Shirt and Jacket.
The Jacket was slightly modified with some stenciling and acrylic paint on the back because the Jacket was missing the logo. I painted everything with gold acrylic paint. I borrowed the swim goggles from a friend of mine :)
Looking forward to seeing this!
Mikoshiba is one of my favourite characters from free :)
He's one of mine too :)
But I'm pretty excited to put this thing together!
You make a great Sei! :)
Love love love this! You make a perfect Sei :D He's a fantastic character and needs more love ^^
For reals though >_> I rarely saw anyone cosplay him at ALA last year and there were a whole ton of Free cosplayers. I was honestly shocked O_O But thank you so much <3
To-Do List
|Add Logo on Front
Jacket's Here (Posted 8th April 2014)
I just got the jacket today and it fits like a glove! Not gonna lie! :D
Also, I painted the big Samezuka logo on the back for accuracy. Did it with some gold acrylic paint I had and did it all by hand. I almost messed up on it, but I think it looks pretty good for not being great at Japanese lettering.
Base T shirt Acquired (Posted 31st March 2014)
I just got my orange T shirt in the mail today :)
Everything is bought now! (Posted 27th March 2014)
Ordered every piece of Seijuurou's outfit on Ebay: Wig, Pants, Shirt and Samezuka Jacket. Now to wait for everything to get here then test it out :)
So excited ^^


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Video Industry News Video Company News Technology Industry News Technology Company News Novelty Industry News Novelty Company News Gay Industry News Gay Company News Legal Industry News All Company News
Released: Mar 01st, 2005
Running Time: 135
Director: David Perry
Company: Zero Tolerance Entertainment
Cast: David Perry, Nick Lang, Katy Parker, Karina (I), Jeny, Jane Darling, Lara Stevens, Lauro Giotto, Black Diamond, Daria Glower, Roly Reeves, Laura (IV) (Hungarian)
Critical Rating: AAA 1/2
Genre: Specialty
Easy - pitch to fans of Euro-girls and big tits.
Fairly standard Europorn scenes with mostly slutty-looking Euro-girls, all well performed.
Only one of them, Laura, has really big tits - humongous, actually - but the only thing that enters her is a plastic penis wielded by another girl. Darn. Still, jugs junkies will get off just watching her play with her godzilla gazongas.
Jane Darling and Black Diamond are the only really classy lookers. Darling is always a guaranteed heat source, and her scene with redhead Daria Glower and two men is the best of the bunch.
There's a certain sameness to each scene, with Perry himself providing most of the wood.


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About Schools in Youngwood, PA
Contact a Coldwell Banker® real estate agent to learn more about the schools and school districts in Youngwood, PA.FIND AN AGENT
Youngwood, Pennsylvania is located in Westmoreland County. Nearby cities and towns include New Stanton, South Greensburg, Hunker, Southwest Greensburg, Arona, Madison, Greensburg, Calumet, Norvelt, Grapeville, Yukon, Jeannette, Adamsburg, Penn, Wyano, Mount Pleasant, Mammoth, Herminie, Harrison City, Irwin, Manor, North Irwin, Scottdale, Hostetter, St. Vincent College, Crabtree, Bear Rocks, West Newton, Smithton, Everson, Lawson Heights, Collinsburg, Latrobe, Sutersville, Youngstown, Delmont, Export, Level Green, Greenock, Loyalhanna, Trafford, White Oak, New Alexandria, Boston, Fellsburg, Bradenville, Donegal, Versailles, Dawson, Perryopolis, Murrysville, Webster, Wall, Lincoln, Vanderbilt, Pitcairn, East McKeesport, McKeesport, Slickville, Arnold City, Donora, Liberty, Monroeville, Connellsville, Wilmerding, Derry, Star Junction, Elizabeth, Fairhope, Lynnwood-Pricedale, Clairton, Port Vue, Duquesne, West Elizabeth, Naomi, North Belle Vernon, Fayette City, Glassport, Turtle Creek, Belle Vernon, East Pittsburgh, Millwood, Monessen, Dunlevy, South Connellsville, Chalfant, Wickerham Manor-Fisher, Allenport, Dravosburg, Speers, North Braddock, Saltsburg, Elrama, Ligonier, Stockdale, Monongahela, Charleroi, Dunbar, North Charleroi, Braddock, Long Branch, Twilight, Jefferson Hills, Roscoe, West Mifflin, Braddock Hills, Forest Hills, Churchill, Whitaker, Elco, Rankin, Munhall, New Eagle, Smock, Plum, Baidland, Grindstone, Newell, Swissvale, Avonmore, Edgewood, Rowes Run, Homestead, Wilkinsburg, Coal Center, Pleasant Hills, West Homestead, Laurel Mountain, Blairsville, California, Seven Springs, Van Voorhis, Baldwin, West Brownsville, South Park Township, Finleyville, Blawnox, Brentwood, Brownsville, Gastonville, Verona, Whitehall, Springdale, Oklahoma, Oakmont, Apollo, Lemont Furnace, Allison, Hiller, Orchard Hills, Cheswick, Oliver, Bentleyville, Aspinwall, Mount Oliver, North Apollo, Lower Burrell, New Kensington, East Vandergrift, Vandergrift, Bethel Park, Castle Shannon, Harwick, East Uniontown, Pittsburgh, Republic, and Bolivar. Youngwood is a suburban community with a population of 3,045. The median household income is $40,263. In Youngwood, 48% of residents are married, and families with children reside in 25% of the households. Half the population of Youngwood commutes 16 minutes or less to work, with 56% of residents holding white collar jobs and 44% residents holding blue collar jobs. The median age of homes in Youngwood, PA is 51 years, with 57% of those homes owned, 34% rented, and 10% not occupied. In the previous year, 26 Youngwood properties were sold. The median sale price of a home in Youngwood in the previous year was $89,338.
Contact a Coldwell Banker® real estate agent to learn more about the schools and school districts in Youngwood, PA.FIND AN AGENT
See if your personality and goals are right for real estate.SEE ALL REAL ESTATE CAREERS
Community information and market data Powered by Onboard Informatics. Copyright ©2015 Onboard Informatics. Information is deemed reliable but not guaranteed.
This information is provided for general informational purposes only and should not be relied on in making any home-buying decisions. School information does not guarantee enrollment. Contact a local real estate professional or the school district(s) for current information on schools. This information is not intended for use in determining a person's eligibility to attend a school or to use or benefit from other city, town or local services.


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An independent UK development studio. Narrow Monolith was founded in 2008 to create unique, innovative and cerebral entertainment.
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Hit me baby one more time
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Hit me baby one more time
Melee someone with a ripped off shield in Spears (Public Match only)
Shields can be ripped off each of the three Spears in the Multiplayer game mode Spears. Rip one off and use the melee attack on an enemy to earn this achievement / trophy.
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Cheap ULP to Richmond flights
Popular Flights from Quilpie, Queensland
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Definition 6 Appoints Frank Radice as Expert in Residence
NEW YORK, June 15 /PRNewswire/ — Definition 6, an integrated interactive agency, today announced its appointment of Frank Radice as expert-in-residence in its New York office.
A highly-respected marketing innovator, Radice joined Definition 6 from the National Academy of Television Arts & Sciences (NATAS), where he was President and Chief Marketing Officer. Prior to NATAS, Radice served as Executive Vice President of Advertising and Promotion at NBC Universal's "NBC Agency", where he was responsible for NBC News and MSNBC, as well as NBC Entertainment programs, "Saturday Night Live," "Late Night with Conan O'Brien," and "Last Call with Carson Daly."
"There are only a handful of broadcast industry marketing executives who are as accomplished and creative as Frank Radice," said Michael Kogon, CEO, Definition 6. "Our clients and employees will clearly benefit from Frank's extensive marketing experience and strategic insight into how to effectively engage brands with their customers using new media and traditional media channels."
Radice's 38-year career in network television spans executive positions at NBC, ABC, CBS and CNN. In 2007, he supervised the creation of a promotional on-line micro site for "Where in the World is Matt Lauer?" and the promotional launch of the 4th hour of "Today on NBC." In 1996, Radice oversaw the promotion and marketing of the launch of MSNBC, a 24-hour cable and Internet joint venture between NBC News and Microsoft.
As a journalist, Radice received two Columbia DuPont Awards and a national Emmy Award; as a marketing executive, he is the recipient of the TV Week Magazine/Promax "Campaign of Distinction" award, an inductee into the Promax "Hall of Fame" and was named a "Brand Builder of the Year" by Broadcasting & Cable and Multichannel News magazines. Radice is also an award-winning composer and musician who co-wrote a number of pieces of television music including one of the most successful "NBC Today Show" theme songs, "America's First Family."
"Definition 6 is a new breed of agency that is helping brands transcend their marketing and communications initiatives across new and emerging channels in a very efficient way," said Frank Radice, expert-in-residence, Definition 6. "We are providing clients with solutions and ideas that are effective — not just creative. In the end, marketing is about delivering break through ideas that can drive revenue and build audience. This is Definition 6′s sweet spot."
About Definition 6
Definition 6 is an integrated interactive agency that creates immersive brand experiences that drive business results. Definition 6 collaborates with clients to help them create innovative and measurable customer experiences across all media channels, leading strategy and creativity with insight and imagination. From eCommerce and website design, to rich media and interactive marketing applications, Definition 6 helps clients such as The Coca-Cola Company, VeriFone, Cox, La Quinta Inn & Suites, Cinnabon, Wendy's/Arby's Group to bridge the gap between marketing and technology. For more information, visit: http://www.definition6.com.
SOURCE Definition 6


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St. Aloysius College has shifted MBA, MCA to Beeri premises
The All India Council for Technical Education (AICTE) has asked St. Aloysius College here whether it had obtained the approval of the council for shifting its Master of Business Administration (MBA) and Master of Computer Applications (MCA) courses to its new premises at Beeri, near Kotekar.
K. Shreekrishna Kumar, Director, South-Western Regional Office, AICTE, Bangalore, in his letter of May 7, 2010, asked the college principal to send copies of correspondence related to the approval for shifting the institution to a new location. Otherwise, "stringent action will be initiated against the institution," the letter said.
The letter said: "…no institution shall run the approved programmes at the location not approved by the council. The institution conducting programmes at a location not approved by the council shall be liable for action for closure, including appropriate action against defaulting social trust."
The Director's move followed a letter to the AICTE by Mangalore University on April 30, 2010 drawing the former's attention to the shifting of the two courses, allegedly "without the permission of the competent authority".
The college principal, in his May 8, 2010 reply to the AICTE, Bangalore, said that on July 2, 2009, he had written to K.B. Thakur, Adviser (M&T), AICTE, New Delhi, and furnished all details regarding the change of location and the new postal address.
M. Narahari, Registrar (Evaluation), St. Aloysius College, told The Hindu that the two courses were shifted to the new premises in September-October, 2009. The principal's reply also stated that the college on March 26, 2010 had written to the AICTE about "a proposal to increase the intake for MBA and MCA courses from 2010-11, and introducing new subjects in the existing MBA course from this year". A copy of this letter was sent to the university on April 16, 2010, he said.
"We now request you to look into the matter and consider our application favourably for shifting MBA and MCA courses and oblige," the principal of the college said in his reply.
Keywords: AICTE, St. Aloysius College


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Blog Posts in Category: FDA
June 7, 2013
The day before I left for college after winter break, I stopped at Rite Aid to pick up a prescription that I had just been issued. I pulled up to the drive through window and gave the pharmacist my name and date of birth. The pharmacist then said the worst thing a young college student wants to hear, "Your total comes to $400; your insurance covered the rest." That was more than I had in my bank account! I eventually researched a generic drug that only cost me $17. It worked exactly the same... Read More
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Looking for a different fitness routine that can work with your schedule? With your crazy work and... Read more
On June 3, 2015, students, faculty, and staff will join together in front of the Whitt to... Read more
Whole grains… you may or may not have heard of how important they are to maintaining a healthy diet... Read more


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The United States Bankruptcy Court for the Middle District of Alabama will be closed on Memorial Day, May 25, 2015.
News & Announcements: May, 2015
Check this page, or the News and Announcements box on the homepage, for the latest official news and announcements released by the court. You can also access archived news and announcements from this page.
View previous announcements.
Tue, 05/12/2015


text:
Crisis Entry: Part 3 (POSA)
Breaching doors and windows in an emergency is a common occurrence for responding officers. In this 3-part series with Ralph Mroz, learn about the tools, techniques and problems associated with various entry points.
Crisis Entry: Part 3 (POSA)
PoliceOne top 5
- 1 Why Obama's advice to police to 'abandon warrior mindset' won't work
- 2 New Orleans officer shot, killed in patrol car
- 3 Video: L.A. police pursuit ends when pedestrian stops fleeing car
- 4 Video: Texas cop cleared in fatal OIS, dash cam released
- 5 New Mexico police officer fatally shot; person in custody


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|Thread Tools
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|Sep 6, 2009, 03:59 AM
iTunes "Choose Library" my old library file is grayed out and unchoosable
So, the core of iTunes's being is in the "iTunes database file" type file, which is given the default name "iTunes Library" with no extension. Mine is 6 MB. You should be able to open iTunes using one particular library file by holding down Option when you click iTunes's icon, and then clicking "Choose Library", and then browsing to the file. The file should have black text and be clickable. My "iTunes Library" file is displayed in gray text and is not clickable. However, it is byte-for-byte identical to another copy of itself which is clickable. The filename is identical, they are in different directories with the same exact permissions.
Currently, when I do "Get info" on the functional "iTunes Library" file, it says General > Kind: iTunes database file. When I do "Get info" on the non-functional "iTunes Library" file, it says General > Kind: Document. How can I change "Document" into "iTunes database file"? It IS an iTunes database file. It is byte-for-byte identical to the working version, I compared them two ways.
|Sep 6, 2009, 04:17 AM
I have solved my immediate problem, but not my longer-term problem:
I downloaded "Quick Change", and changed the type of the file to "hkdb" and the creator of the file to "hook". This made the file non-gray and allowed iTunes to open it, which it did successfully and happily. However:
I need to be able to do this from the command line, for what I am doing. Is there a command which changes "kind" and "creator" in Mac OS X 10.5? There must be, right? I can't find it with Googling, though.
|Dec 19, 2012, 07:02 PM
I had this same problem again. The solution was different this time:
Change the iTunes Library's filename from:
Be sure to use the Terminal, otherwise OS X just "fakes" it and makes the new name display, without actually changing the filename extension:
prompt.$ mv my-library my-library.itl
|Dec 19, 2012, 08:13 PM
You might want to re-do your entire library. I do that on occasion when I run into songs fragmenting (Ending early). I remove my old music library and trash it. I import the CD's and re-download all my music. It's labor intensive, but it avoids these kinds of long term problems where one library is updated numerous times.
I'll be the first to admit this shouldn't happen, but evidently....Apple doesn't seem to care.
20" iMac 3.06GHz Intel Core 2 Duo, 4GB RAM, 500GB HD; iPod Touch 16GB 2nd Gen; iPhone 4 16GB, iPad 2 16GB.
|Dec 20, 2012, 11:17 AM
iTunes 9 and iTunes 11 confusion
I am posting here because I can't find where else to ask my question.
I bought a new iMac this year and unfortunately put my entire iMac files from my last iMac on the new one. I figured out how to delete the it so I don't switch between the old and the new. However iTunes will default to version 9.4.1 and not iTunes 11. I have to search around to find the 11. And I don't have the libraries combined into 11. Any suggestions? Thanks!
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Artistic Lighting
Macaw Well Table Lamp
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- black/white
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Description: Macaw Well Table Lamp:
- Ceramic table lamp
- Features a faux silk shade
- Requires one 150-watt medium bulb (included)
Extension 16" L
Shade 16" DIA x 10" H
Overall 16" DIA x 26" H
This product is manufactured in compliance with U.S. standards. If product is to be used outside of the U.S., use only with the appropriate outlet adapter and voltage converter for your country. Do not plug into an electrical outlet higher than 110-120V as this could result in fire and/or injury.
Material: Ceramic, faux silk
Care: Wipe with a damp cloth
Brand: Artistic Lighting
Origin: Imported


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Bright House Networks is opening a Lightning 90 plan to subscribers in Tampa and Central Florida. The new DOCSIS 3.0-based tier offers up to 90 Mbps on the downstream and 10 Mbps upstream. Those already using Lightning 60 can upgrade for an extra $15 a month.
View Full Article in:CEDMagazine.com
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INFO: ROADMAP for How to Use the .NET Performance Counters
Article ID: 316365 - View products that this article applies to.
This article was previously published under Q316365
On This Page
This article provides a roadmap to learn and master the .NET Performance counters. To assist you with learning a Microsoft product or technology, roadmap articles provide links to useful information, including online documentation, Microsoft Knowledge Base (KB) articles and white papers.
This article contains the following sections:
OverviewsPerformance counters enable you to track the performance of an application. The operating system (OS) provides several counters such as memory usage and CPU usage. In addition, the .NET Framework provides several counters, such as counters related to the Garbage Collector, to the just-in-time (JIT) compiler, and to exceptions. The .NET Framework also provides you with some classes that enable you to create your own counters.
The following links provide overview information about Performance Counters in .NET:
Performance Counters
Creating System Monitoring Components
ArchitectureThe following link provides architectural (internal) information about Performance Counters:
PerformanceCounter Class
Key Concepts and QuickstartsThe following links provide documentation about key Performance Counters concepts and Quickstart tutorials:
Windows Forms: Performance Monitor Sample
General Samples (C#) (See the perfmon sample)
Performance Counters for ASP.NETAlso, a good source of tutorials is our WebCasts. Refer to the list of planned WebCasts, as well as a list of our past presentations, at the following link:
Support WebCasts
How To ArticlesHow To articles provide step-by-step instructions for to help you accomplish specific tasks. The following link provides a list of How To resources for VS .NET:
Visual Studio .NET How-To Resources
TroubleshootingIf you run into problems along the way and you need some answers to your questions, the best places to get those questions answered are in the Microsoft Newsgroups, where you can share your experiences with your peers, or in the Microsoft Knowledge Base (KB) where you can search for KB articles about specific issues:
MSDN Newsgroups
Microsoft Knowledge Base
Article ID: 316365 - Last Review: July 5, 2012 - Revision: 6.0


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April 16, 2013
'Breaking Bad' creator on spin-off show: 'I would love to see that happen'
The spin-off would focus on Saul Goodman, the dodgy lawyer played by Bob OdenkirkBuy DVD and Blu-ray
from Amazon UK
Breaking Bad creator Vince Gilligan has confirmed he is keen to launch a spin-off show once the drugs drama comes to an end.
Breaking Bad began in 2008 and follows the fortunes of Bryan Cranston's Walter White, a high school chemistry teacher who begins producing and selling crystal meth after being diagnosed with inoperable lung cancer. The final eight episodes are due to air this summer.
However, it was reported last week (April 10) that Gilligan and the show's producer Peter Gould are planning a spin-off series focusing on Saul Goodman, the dodgy lawyer played by Bob Odenkirk. The spin-off is said to be conceived as a comedy.
Asked about a possible Saul Goodman series by Collider, Gilligan responded enthusiastically, saying: "I would very much like to see that happen. We are talking about it. Nothing is set in stone yet, but I can tell you, for sure, that I would love to see that happen."
Meanwhile, Bryan Cranston promised fans won't be disappointed with how the main Breaking Bad series is wrapped up. "It's going to be a wonderful surprise, these last eight episodes," he teased. "I can only say that I think, personally and honestly, it's going to be very satisfying for the fans. When I read the finale, I thought, 'Oh, yeah! Yep!'"
- Previous: Channel 5 to make documentary about 'sexting'
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Dit werd geopperd door Yashinoff op het engelse gedeelte van deze site. het lijkt mij zeer aannemelijk.
"The shutter may not be capped when when it cocks, but the mirror would prevent most light from getting through - which might be why a shop didn't catch the issue. This would explain the "sweeping" effect of the light leak. The MEs are apparently known for shutter issues, but likely it's just sticky from age.
One experiment would be to put a lens cap on when advancing the film. If the light leak between frames disappears then this is certainly the cause of it."


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CS27 Specific issue to look for?
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Originally Posted by
Which gate valve is stuck open? If it is one of the cockpit drains, I wouldn't worry about it. Others should be fixed but if I were you, I would enjoy the rest of the season and deal with it at fall haulout. (gee... after that advice I hope the boat doesn't sink in the slip!!) Have a tapered plug nearby in case of disaster.
To be honest I'm not 100% sure what the raison d'etra is for this particular fitting. It's on the port side in the vicinity of the u-shaped settee. I believe it's for the head, but not 100% sure. This one really looked to me like it would be very much not-good if it let go. I know the chances are ridiculously small, but I don't want to take chances that involve sinking somewhere on Lake Ontario with my family on board.
It's tempting to just handle it in the fall, but on the other hand it would really suck if my new boat sank
Might be the end of my spousal sailing approvals.
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Rudolph on Rockers 8"
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Description: Order by 1 pm ET on Dec. 21 for Christmas delivery
- 2009 Limited Edition piece
- Rudolph is made of the finest German mohair and sits on elegant wooden rockers.
- 8"
Material: Mohair
Brand: Steiff
Origin: Germany


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Wonderful Week, Wonderful Owners. Kim and Rip are both so wonderful. I have stayed at many, many rental homes over the years and Kim and Rip are by far the best folks to rent from. They give you just the right amount of attention and information. They are just around the corner if you need anything but respect your time... more
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Stem Cell Conference Opens in California
SAN FRANCISCO (AP) — Despite optimism and enthusiasm, stem cell researchers arriving here Thursday for a conference are rowing hard against strong currents of financial, political and technical turmoil.
There's even talk of trying to temper heightened public expectations that cures for diseases are imminent.
"Many of the technologies we hyped to the general public haven't worked yet," Celgene Corp. (CELG) president Alan Lewis said Wednesday at a biotechnology trade show in Philadelphia. He also noted that venture capitalists "are very cautious" about investing in stem cell companies because of uncertainty over the field's future.
Still, hope springs eternal among the world's best cloners and stem cell researchers gathering in San Francisco on Thursday to show off their latest breakthroughs at the biggest professional conference on the topic to date.
The more than 1,000 researchers set to attend are excited by the prospect that they can someday coax – on command – stem cells to regenerate into spare body parts to heal the sick and injured.
"Stem cell research is the hottest thing in science right now," said Leonard Zon, president of the International Society for Stem Cell Research, which is hosting the conference dedicated to one of the most controversial issues in science.
Even the most outspoken proponents of the technology concede they are years away from actual drugs based on stem cells.
It's almost certain that the first applications of the work will be simply an unspectacular tool to help researchers gauge an experimental drug's toxicity. But the applications also will be indispensable as ways to watch how a disease progresses from the moment of inception until it matures into a deadly killer.
Beyond the technical challenges are the hot political issues.
Because scientists destroy days-old embryos to extract stem cells, powerful social conservatives, including the Roman Catholic Church and many other Christians, oppose the research as immoral. What's more, a growing number of liberal groups, such as women's rights organizations and biotechnology foes oppose the work as dehumanizing.
Because President Bush has strictly limited the amount of federal funding for the work, scientists are left to rely on support from a few philanthropic groups and one corporate backer: Geron Corp. (GERN), the money-losing Menlo Park, Calif., biotechnology company that has poured $100 million into human embryonic stem cell research since 1996 – about twice the amount the U.S. government has committed.
Geron is by far the largest company in the field, and it lost about $80 million last year. Other stem cell companies are struggling to stay afloat.
Advanced Cell Technology, a Worcester, Mass., firm has run into big financial problems. It also can't obtain a steady supply of women's eggs, a necessity and a giant ethical minefield.
The egg supply has become a crucial sticking point for cloning supporters, which include California's new $3 billion stem cell agency – the California Institute for Regenerative Medicine.
Agency President Zach Hall and other scientists say that cloning human embryos to harvest stem cells will be an indispensable way to make tailor-made drugs and develop powerful research tools.
However, the institute has had its share of problems, bogged down in political fighting with state legislators over its management practices. The agency also faces a lawsuit claiming there is an overall lack of legislative oversight of its expenditures.
Still, Zon said the field is growing dramatically despite all its problems. Attendance is expected to be double what it was at the society's first conference two years ago.
The field was energized earlier this month when a South Korean research team announced they had successfully harvested stem cells from cloned embryos, a huge step toward creating tailor-made drugs for the sick.
Dr. Edward Holmes, dean of the University of California, San Diego Medical Center and a member of the board that oversees California's stem cell agency, called the Koreans' work "phenomenal," noting that it proved personalized medicine is closer than many previously thought.
"The potential," Holmes said at the Philadelphia trade show, "seems so much more real than it did just a couple of months ago."


text:
Just bought a toshiba SSD 128GB drive and installed windows on it in IDE SATA mode as I didn't know you needed to install an SSD in AHCI mode in order to get the SSD to run at its native speeds. I of course then got the blue screen on bootup when I changed it, but I have been successful in using microsofts quickfix utility driver for AHCI mode and windows has been running fine since and I'll post a couple screenshots of some tests I've done as well. My problem however, is that almost every forum I've gone to about AHCI mode have pretty much stated I need to reinstall windows 7, the registry hack so to speak from the MS quick-fix has worked but I did run into issues where I had to re-install DX11 / Nvidia Drivers because I had a "can't connect to nvidia" error box everytime I clicked on to open the Nvidia Experience program, and Microsoft Visual C++ 2010 Redistributable Package in order for some of the games to actually work, b4 they wouldn't even load to their splash screen, was a CTD without error. Should I still reinstall windows 7? or is it okay now? because I haven't run into any other problems since, and games are loading just fine now but I don't know if windows is still running on IDE speed. It seems newly installed software are faster then my older stuff I had on here before I changed to AHCI mode.
Sorry for the complexity of the issue and thanks for any advice from you SSD owners.
I'm thinking its running right... but not sure... first time I've ever used an SSD


text:
Lakeland Financial Corporation (LKFN) Ex-Dividend Date Scheduled for October 23, 2013
Lakeland Financial Corporation ( LKFN ) will begin trading ex-dividend on October 23, 2013. A cash dividend payment of $0.19 per share is scheduled to be paid on November 05, 2013. Shareholders who purchased LKFN stock prior to the ex-dividend date are eligible for the cash dividend payment. This marks the 3rd quarter that LKFN has paid the same dividend. At the current stock price of $34.76, the dividend yield is 2.19%.
The previous trading day's last sale of LKFN was $34.76, representing a -1.11% decrease from the 52 week high of $35.15 and a 48.1% increase over the 52 week low of $23.47.
LKFN is a part of the Finance sector, which includes companies such as Wells Fargo & Company ( WFC ) and J P Morgan Chase & Co ( JPM ). LKFN's current earnings per share, an indicator of a company's profitability, is $2.21. Zacks Investment Research reports LKFN's forecasted earnings growth in 2013 as 6.88%, compared to an industry average of 7.6%.
For more information on the declaration, record and payment dates, visit the LKFN Dividend History page. Our Dividend Calendar has the full list of stocks that have an ex-dividend today.


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Battery Bank Parallel or Series
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Re: Battery Bank Parallel or Series
Originally Posted by
I see your quoted info as a failsafe issue, which is a good point and reason enough to connect the leads to separate batteries. I'm still trying to noodle out why connecting them that way would make a difference as to there longevity.
Gemini Catamaran Split Decision
Because the end connected battery sees more use/activity than the others especially when you have batteries with low internal resistance. Now stack poor terminations on top of that, corrosion on the posts etc. etc. and the batteries don't "load share" as well as when cross connected. When not under load they all eventually balance out but when taking a charge or being loaded they usually do not share and share alike.
I quite often take measurements of used batteries that are both end connected and cross connected. The cross connected batteries are almost always is significantly better balance. The end connected batteries always show the "connected" battery in the worst shape and then it moves towards best shape. This is because the first battery is seeing more work and the "circuit" simply wants to move though it rather than through the bank to complete the circuit.
It is not common to find the far end of the string still within spec but the first battery to be toast. My test equipment does not know from Adam how the batts were connected but it tells the performance story quite well...
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Sun faded decals - scrap 'em?
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Sun faded decals - scrap 'em?
The 1978 Lockley-Newport 17 I just bought has obviously spent a lot of time outside. The decals that have the model name and maker on them are yellowed. I am thinking of taking them off, especially since someone has offered me the use of his buffer. But it bugs me a little. I could stencil the name back on or just leave it of and let people guess or I could leave them on and work around them (the last idea is my least favorite). It's not like L-N boats have any greater value from the name or anything. What would you do?
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Mon-Fri: 7am-1am EST / Sat-Sun: 7am-11pm EST
ApplianceGeneral Electric Refrigerator
Level of DifficultyEasy
Time to do repair30 - 60 mins
Age of Appliance5 - 10 years
NutdriverScrew driversSocket set
228 out of 244 people found this instruction helpful
Called a friend that lead me down the right path so i did a search for the part's and found this site. The trouble shooting that outher's had done was the same as mine, I descovered that the coil's in the freezer had frozen up complety. They are located behind a plasic cover in the freezer area, it had frozen up due to the Defrost heater element being defective, when i took it out it was black and burnt looking,It is located at the bottom edge of the coils,2 bolt's and a plug in on each side. That is probally the only part i needed but i went ahead and replaced the sensor and timer also.The sensor wires in the freezer( located on the very top of the coils) had to be cut and the new ones spliced in, only 2 wires and easy access. I also put shrink wrap on the splices to protect them from mosisture. The timer was located in the fridge area by the temp. control knobs. 2 small bolts and a plug in was all on it. It's been 5 day's and so far so good. The worst part was defrosting the frozen coils. This was done with the wife's hair dryer and a couple towel's to soak up the water. Don't just let the water go down the drain hole because the tray that catches it will not hold all the water from the frozen coil's. Just a reminder, don't forget to unplug the unit when working on it. Hope this help's and was very easy install, Cost about $125 in part's and a couple hours of labor(did a good cleaning while it was eampty for the repair) Good luck.
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Part Number: PS303781
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text:
"They are doing an excellence job," said McEneny of the orgainzers.
He specifically mentioned the group placing signs along the parade route during the Saturday, March 13, St. Patrick's Day parade in downtown Albany.
McEneny and Englebright met with Carol Ash, commissioner of the Office of Parks, Recreation, and Historical Preservation, on Monday, March 15, to make their case to keep parks open.
"I'd be disappointed in myself if I can't get Thacher Park open," said McEneny.
McEneny said that depending on whether the state decides to use money from the environmental protection fund, keeping the parks open would cost between $6 and $12 million, an amount that it would easily make up for through tourist dollars.
He also called the state's proposal "terribly shortsighted." He said removing the park's personnel and prohibiting law-abiding citizens from using the park will invite undesirable activity in the park, such as graffiti on the Helderberg Escarpment.
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The Musical 2013
by Vivo D'Arte
13 the musical production book based on our summer 2013 show
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Noah the Musical
Published September 17, 2013
Vivo D'Arte Les Miserables August 2012
Published January 22, 2013
Peter Pan
Published October 11, 2011
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Join the 'Axitinib' group to help and get support from people like you.
Axitinib Support Group
Our support group for Axitinib has 1 questions and 4 members. Updated 30 Oct 2013.
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THURSDAY, Oct. 9, 2014 – Although food allergies have garnered a lot of attention lately, a new study reports that medications are actually the biggest cause of sudden deaths related to ...


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Pronunciation: carob
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Earthquake Sensed by GOCE Satellite
March 12, 2013
The animation shows how the massive earthquake that hit Japan in 2011 caused ripples in the atmosphere. As sound waves from the earthquake travelled upwards, they caused changes in air density that were detected by ESA's GOCE gravity satellite as it crossed the wavefront.
credit: ESA
Topics: Disaster Accident, Environment, Gravimetry, European Space Agency, Physics, Gravity Field and Steady-State Ocean Circulation Explorer, Wavefront, Wind wave, Earthquake, Physical oceanography, Space, Earth, Spaceflight


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News from WTOP
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- Reimagining the Next Generation of Government
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- The Business Case for Cloud Computing in Government
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- Data-Centric Approaches to Government in the Cloud
- Delivering the Digital Government Mission
- Federal Executive Forum
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- Security in the Age of Targeted Attacks
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- Transforming Business Operations at the Defense Department
Feds' wellbeing at work lower than private sector
Thursday - 6/30/2011, 4:24pm EDT
By Jolie Lee
Federal News Radio
Federal employees have higher overall wellbeing than private sector employees - except when it comes to their work environment.
A Gallup poll found federal workers are less likely to have positive relationships with their supervisors, indicating government jobs have a "more traditional, subordinating work environment."
Gallup's index score for workplace wellbeing:
- Federal workers - 42.2
- State workers - 48.6
- Local workers - 47.8
- Non-government workers - 48.7
However, feds' overall well-being was 86.7 compared with non-government workers' score of 83.6. The overall score also took into consideration healthy behaviors and physical and emotional health.
"Government employees outperform non-government workers the most in the areas of overall life evaluation and access to basic needs such [as] having enough money to pay for healthcare and/or medicines, provide adequate shelter or housing, and buy food; and having health insurance and a personal doctor," Gallup said.
Gallup surveyed more than 180,000 people in 2010 for the poll.