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Aqua Arkanoid 2.4
Aqua Arkanoid is an arcade game of the Arkanoid genre, but in a new, original style. There is a fish bowl, which will harbor marine life even in the most difficult situations! Game features fun music, a wide variety of levels and bright modern graphics. Aqua Arkanoid appeals to all players, regardless of their age.
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Meme Creator 2.5
MemeCreator is a program that will allow you to create memes on your own background image. It's difficult to find a desktop application for creating memes, and online generators do not allow you to select an image on your own. MemeCreator has no templates! Specify the path to the image size of the future meme, top and bottom labels and select all your own. With MemeCreator, creation of memes is more convenient, fast and fun!
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LoL Blocks 5.2
LolBlocks - A fun puzzle game where the aim is to combine colored blocks until they burst. Once all the blocks disappear from the playing field, you advance to the next level. But in reality, it's not as easy as it seems. LolBlocks have gravity, and are thus attracted to the Earth. In addition, some levels present in the rocks can move, cannons fire on LolBlocks and needles, enemies, doors, teleporters, and other obstacles await you.
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Turtles Battles 2.6
Game for one or two persons. Control by keyboard: A W D + arrows. You need to throw bombs to others half of field in 20 seconds to win. Very easy and fun!
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PDF Writer for Windows Server 2016 1.01
Handy and intuitive, PDF Server for Windows Server 2016 works seamlessly with most business applications. Through a familiar Print Dialog interface, you can convert existing documents to PDF. A detailed tutorial can guide you through all the functions and features at hand. Anyone looking for a solid PDF solution will find it in PDF Writer for Windows Server 2016. Backward compatible with Windows 8, Windows 7, Windows Vista, Windows XP clients.
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The Labyrinth 2 1.4
TheLabyrinth2 is a fun game in which you need to get out of a maze. To do this you need to correctly position the levers and find the key which is always in the same place. Their are tips to on each level to help you manipulate the necessary levers as they appear on the map randomly. To find them you have to explore the entire maze. The game has 5 levels of difficulty. The higher complexity, the more labyrinth you'll have to navigate.
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Pig To The Rescue 2.6
Embark on a fun trip with your cute little pig. The goal in every level of the game is to find your way out of the woods. Be wary of enemies which are all over the place!
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Stylish Ball 2.6
Stylish rock-n-roll ball where you fight zombies, just like in those pictures you drew daydreaming in school. This fun Arkanoid-style game is fun for all ages. Accompanied by a quality soundtrack...you'll fall in love! Enjoy an unforgettable adventure in the style of " Breakout." All told, the classic gameplay , organic musical number and a special attention to the graphics are the main ingredients of any great game.
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AutomaticMail 126.96.36.1990
AutomaticMail created for mail on a massive scale : can send emails to multiple recipients. The program has a master project for the formation of the project. Menus and toolbars to change the appearance. The unregistered version has reduced functionality - you can only send and receive up to 50 letters. Also the unregistered version has a test period of 30 days. Registration Information : http://www.imindsoft.ru/en/shop/automail/tobuy/
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IBID Info MBOX to PST Converter Tool 188.8.131.52
Need to Convert MBOX/MBX Files to MS Outlook PST Format? Due to some situation when you are operate Apple Mac OS in the office and Windows operating system on your house. In that condition if you want to access Apple mail in your personal computer then you should export MBOX files into PST format. But Mac OS is little complicated to handle then Outlook and need experience to operate, so most of the organizations want to switch back to MS Outlook. That?s why, in order to perform conversion of MBOX file into PST format, we have to download a proficient and user-friendly IBID Info MBOX to PST converter tool. It supports almost email client application that support MBOX format such as: PocoMail, Postbox, Eudora, Spicebird, Netscape, Power Mail, Entourage, Apple Mail, Thunderbird, Mozzila Mail, Seamonkey, postbox and Opera email clients. User can convert limitless MBOX files to PST format as we provide you a cheap and low prize utility at very reasonable prize. So please evaluate first the trial version before pur ...
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Portal 2.0
Interesting game. You need to get through the portals of the dungeon. You - a small ball. Funkiness, but bold. Try out! Good luck!
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Spooky Range 4.9
An exciting 3D shooting gallery in a spooky Halloween setting. The game will provide you with fun moments ... and perhaps some really bad ones too. You must perform tasks at various locations - from caves to castles. Get ready to strike many targets and you'll need to hone your shooting skills to score high. Initially your enemies will be pumpkins and bats, but as you advance you will shoot skeletons and battle huge bosses.
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Penguin Dash 2.2
The center's completely frostbitten penguins are transported to the Central Park Zoo in New York, and are successfully developing here. Their life is full of interesting events and funny situations. Plucky team is led by an impartial and loony penguin.
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Funny Puzzle 2.2
The fascinating puzzle with physics. You necessary to pass the level to difficulty miscellaneous. With each following level of the problem become all complex and complex. Necessary to show greater aptitude that to solve puted problems.
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Virtual Piano Keyboard 1.2
Virtual Piano Keyboard is a high-quality Delphi component that allows developers of music and multimedia software for implementing functions of keyboard instruments like pianos and synthesizers. Virtual Piano Keyboard will become the core part of your programs, contributing to their success and popularity. You can easily and seamlessly integrate Virtual Piano Keyboard into a variety of teaching, gaming, professional, music and multimedia project.
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PG Real Estate CMS 2015
PG Real Estate is a turnkey real estate script. With its help you will create a high quality real estate site and tailor it to almost any business model - real estate portal, site of a separate real estate agency or agent. The real estate cms key advantages are modern design, rich functionality, advanced administration, mobile friendly interface; fully customizable, stable and scalable code; free services (installation, support, updated code).
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Danger Sea 2.2
Pass as possible greater distance avoiding enemy and other dangers. Collect the coins, buy the best armor and the other equipment, which will help you to survive in severe undersea world. In play pleasing funny graphics, ensemble of the miscellaneous bonus and pleasing undersea atmosphere. Only the most strong and bold will be able to get to end.
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Video Booth 188.8.131.52
Video Booth helps you add fantastic effects to your webcam and then take cool snapshots and video clips. Take a single snapshot or 4 quick pictures in succession using Continuous Shooting; record a video clip with your normal camera or by adding effects for fun. You can directly share your videos and pictures on Facebook! Video Booth is fairly easy to use and works perfectly with all webcams and all systems with a clean interface.
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Moyea PPT4Web Converter 188.8.131.52
Moyea PPT4Web Converter can easily convert PowerPoint Presentations to flash videos like PowerPoint to FLV, MP4, MOV, 3GP, 3G2 with H.264 codec. Thus together with the functions of adding background music, setting default time between slides, etc, you can easily upload the converted flash video FLV or MP4 file to YouTube video share sites, and enable Moyea Web Player to easily customize a flash video player to link multiple videos to play on web.
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CentriQS 2.0.718
A single integrated business management software that centralizes your company data, resources, operations and core business functions into all-in-one solution. Start using CentriQS with a complete solution for effective managing of tasks in your projects, business processes and employee schedules. Enhance CentriQS usage with custom solutions designed for your unique requirements and scalable from small office to enterprise level.
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Spy Desktop 2.5
Do you want to know they are doing at your computer in your absence? Now to make this possible, when you come home you can view pictures of the screen with everything it displayed via screenshots that were taken at an interval you set (i.e. every minute, 5 minutes, hour, etc.). Use the start function to spy with Windows, so you do not miss a single moment.
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Mushroom Marathon 2.2
The event is run by collecting mushrooms with hedgehogs. With each level competitors are getting faster and more experienced in collecting mushrooms. Our competitors threaten the hedgehog, and there are traps, foxes, wild horses and birds of prey to contend with. Ten hedgehogs in nine forest levels will challenge you. Hedgehog feels the field presence of fungi and the traps. If the field is green it means that there are no fungi or traps nearby.
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Draw The Path 2.0
Draw the path - is a fun game where you need to re-draw the road on which the ball reaches the exit. Each subsequent level is harder than the previous one. You need to consider the laws of physics. In some levels there are portals. The game offers 17 levels of complexity gradually increases. Can you pass them all?
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Flying Fox 2.4
Flying Fox - fun arcade runner. Control clumsy fox, and help her get through dense forest. Jump as far as possible, collect the cheese and get a lot of points! Compete with friends, hit the records and tell everybody about it in the online highscore! Enjoy the game;)
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Hellish Heaven 2.1
Hellish Heaven..God's life seems simple: Create something, sit back and watch as it develops slowly, occasionally sending angels to whip things back into shape. But what if your creation is out of control and decides that it is time to fundamentally change the way things have been done since the beginning of time? Just shrug, armed with hammers, to attract scores of supernatural beings and begin to defend their homeland. What else do gods need?
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Vote today
Election Day is a chance to do your duty.
| May 23, 2014 | Updated: May 26, 2014 6:10pm
Photo By Eric Gay/STFIn this Wednesday, Feb. 26, 2014 photo, an election official checks a voter's photo identification at an early voting polling site, in Austin, Texas. In elections that begin next week, voters in 10 states will be required to present photo identification before casting ballots _ the first major test of voter ID laws after years of legal challenges arguing that the measures are designed to suppress voting. (AP Photo/Eric Gay)
Election Day is today. Even if you did not vote in the general primary election, you can still vote in either party primary runoff.
However, voters who did cast their ballots in the primary cannot switch parties for the runoff.
With Texas' deep red hue, and regular party sweeps at the county level, primary ballots are often where the real electoral decision is made. It may not match the media saturation of a general election, but people should turn out to vote nonetheless for this important ballot. The Houston Chronicle makes the following recommendations:
Republican Primary
United States Representative, District 36: Brian Babin
Lieutenant Governor: David Dewhurst
Attorney General: Dan Branch
Agriculture Commissioner: Tommy Meritt
Railroad Commissioner: Ryan Sitton
State Representative, District 16: Ted Seago
State Representative, District 129: Sheryl Berg
State Representative, District 132: Ann Hodge
District Judge, 247th Family District Court: M.L. Walker
District Judge, 311th Family District Court: Alicia Franklin
County Criminal Court at Law 10: Tonya Rolland McLaughlin
Justice of the Peace Precinct 4, Place 2: Laryssa Korduba
Democratic Primary
United States Senator: David Alameel
Agriculture Commissioner: No endorsement
For more information about the Democratic Party races, go to txdemocrats.org, and about the Republican Party races, go to texasgop.org.

subset: commoncrawl


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Finally a sequel to Legend of Zelda (my import impressions)
Well, I've gotten my import copy of 3D Dot Game Heroes and I've put a good number of hours into it so here's my impressions. I say it's a sequel to Legend of Zelda because it is most similar to the original Zelda on NES, as opposed to Link to the Past, and has relatively little in common with more recent Zelda games.
The game is not at all shy in directly copying concepts and presentation from the Zelda series; most every aspect of the gameplay is very much a Zelda game. The main attack is a sword stab and you always have some manner of shield. Your hero ventures through an overworld and dungeons to find artifacts of power. Life & magic containers and life container pieces (represented by apples) can be found hidden throughout the game world. There is an inventory of items, selectable through a menu or quick select, that include Zelda classics such as a boomerang, hookshot, bombs that can be used to open cracks in walls, and a bow & arrow. There are enemies that look suspiciously like Moblins, Tektites, and Octorocks; many of these enemies even behave like their genuine counterparts. The game has shops that sell items in a typical Zelda fashion. There are bottles (but I don't believe you can catch anything in them), the hero has a Navi-like fairy counterpart, he even spins around when he dies! I could go on and on.
The gameplay does branch off in some ways. When starting the game it gives you a selection of classes and the option to be male or female, but you can change this whenever you load the game and it only seems to affect how many life & magic containers you start with. When attacking with a sword it can be swung around after thrusting forth, allowing you to attack enemies in an arc (not all swords have this power when you first get them). Swords can be upgraded with coins at a blacksmith, creating a wider, longer, more powerful, more penetrating weapon. A good sword upgraded to full power can attack enemies covering multiple screens and behind cover. However, your sword is only at full power when at full health, take a hit and you'll be stuck with a fractionally smaller weapon. Some classic Zelda items branch off a bit, such as the candles & lamps, which are now expendable and only light your way. The dungeons feel more like those from Zelda 1, but feature complex switch systems and multi-floor design complete with pitfalls like LTTP. There are more villagers to talk to in towns than what is typical for a Zelda game, but it's still a minor component of the game. Factoring in true 3D gameplay means you can safely run below enemy attacks, and have to be mindful of the curve of your arrows.
The graphics style is original and clean looking. Environments are blocky, akin to the original Zelda in style as opposed to the more smooth and detailed Link to the Past. Modern graphics techniques such as HDR, shadow mapping, depth of field, and physics are used to great effect. The end result is a game that looks retro, but not primitive graphically. There is some rare slowdown present which occurs inexplicably, but it doesn't detract from the gameplay. The music is delightfully old school, expect to hear songs that remind you of Zelda or Dragon Quest and other 8-bit classics. All the music sounds like it could have been played in the background of an episode of Captain N. One nitpick I have about the presentation is the all too common load screens. The load screens parody Japanese game box art and never last more than a few seconds. However, in a game world that reminds me so much of the original Zelda it can be a bit jarring to move a few screens then have a pause before loading the next area.
The game features a character creation system where you can make your character dot by dot. Animation and colors are limited, but there are good options. Designs can be traded with anyone via USB stick or memory card simply by copying the files from the PS3 save utility (I got my Link from a Japanese file storage site). Neither the enemies nor the game world can be edited, however.
Perhaps most importantly, the game works very well as a Zelda clone. Overworld & dungeon design are interesting and fun to experience. Enemies are exciting to fight, from bosses to weaklings and the controls are perfectly responsive. Perhaps the secrets are not as cleverly hidden as in most Zelda games, comparing most to the original Zelda, once again. The core design is definitely more reminiscent of 8-bit titles, don't expect elaborate storytelling or wild variations in gameplay. The interest of exploration is not as rich as many modern games. It is clearly and powerfully retro in every aspect. If you're interested in reviving that old school feeling while playing an unoriginal yet delightful Zelda clone, I can thoroughly recommend picking 3D Dot Game Heroes up whenever it is released in the West.
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Description: Noor Jehan: In Memory of Malka-e-Tarannum Madam Noor Jehan 9th Death Anniversary. There will never be another Noor Jehan!!Noor Jehan was the adopted stage name for Allah Wasai (September 21, 1926 December 23, 2000) who was a singer and actress in British India and Pakistan. She is renowned as one of the greatest singers of her time and was given the honorific title of Mallika-e-Tarranum . Born in a family of musicians, Noor Jehan was pushed by her parents to follow in their musical footsteps and become a singer but she was more interested in acting in films and graced the earliest Pakistani films with her performances. She holds an astounding record of 10,000 songs to her singing credits in various languages of Pakistan including Urdu, Punjabi and Sindhi languages.Noor Jehan is one of the most influential singers in the eastern world. Often compared to Lata Mangeshkar, Jehan has successfully balanced movie soundtracks with non-film recordings and performances. While her film credits include such hit movies as Khandaan, directed in 1942 by her husband Shaukit Hussain, Nadaan, Bari Maa, Dahai, and her most successful film, Anmol Ghari, in 1946, Jehan's hit records include Sayonee Mera Mahi and Sannu Neher Waalay Pul Te Bula Kay. Little is known of Jehan's earliest life. She was born in or around the town of Kasur in Punjab (pre-partician British India) anywhere from 1922 to 1929 and her birthday is either September 21 or 23. Making her film debut in Indian films of the 1930s, Jehan refined her talents under the coaching of Ustad Ghulam Mohammed Khan. Moving to Pakistan in the early '50s, she scored with films such as Dupatta, Qaida, Intezaar, Anarkali, and Koel.In 1957, Noor Jehan was awarded the President's Award for her acting and singing capabilities. Noor Jehan began to sing at the age of five or six years old and showed a keen interest in a range of styles, including traditional folk and popular theatre. Realising her potential for singing, her mother sent her to receive early training in classical singing under Ustad Bade Ghulam Ali Khan who was also a native of Kasur. He instructed her in the traditions of the Patiala Gharana of Hindustani classical music and the classical forms of thumri, dhrupad, and khyal. At the age of nine, Wasai drew the attention of Punjabi musician Ghulam Ahmed Chishti, who would later introduce her to stage in Lahore. He composed some ghazals, naats and folk songs for her to perform, although she was more keen in breaking into acting or playback singing. Once her vocational training finished, Wasai pursued a career in singing alongside her sisters in Lahore and would usually take part in the live song and dance performances prior to screenings of films in film theatres.Prior to Khandaan Jehan was cast as a child artist. It was in 1942 that she played the main lead opposite Pran. Khandaan's success saw her shifting to Bombay (now Mumbai), where she shared melodies with Shanta Apte in Duhai (1943). It was in this film that Noor Jehan lent her voice for the second time, to another actress named Husn Bano. In 1945 Jehan player the lead role, alongside Lata Mangeshkar and Asha Bhosle, in the movie Badi Maa.Later she abandoned acting and concentrated on singing. She holds astounding record of 20,000 songs in Punjabi, Urdu and Hindustani films in India and Pakistan. Later in life she had been leading a retired life. This legendary singer passed away in Karachi of Heart failure on December 23, 2000. She was 75.
Kehnde Ne Naina-Noor Jehan - Download MP3 music or MP4 video:
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Are you the owner of this convertable material and do you want to disable the conversion of your media on clip.dj? Then you can request a conversion block for this video.
This is the original song, the one from bollywood is copy, cos bollywood is 'copycat'.h.
A beautiful rendition of the melody made famous by Noor Jehans radiant vocals, sung by S. Kaliwalia off the the "Essential Asian Flavas" Soundtrack. Turn on ...
Film - Jumma Janj Naal (1968) Music - vazeer Afzal Lyrics - Hazeen Qadri Cast - Naheed & Habeeb.
Singer: Madam Noor Jahan Host: Ghazala Qureshi. Programme: Tarrannum Producer: Farrukh Bashir/ Khwaja Najam Ul Hassan.
Song: Kehnde Ne Naina Artist: Devika Label: Faith Records Music Production: Shahi Hasan Tribute to Madam Noor Jehan "Kehnde Ne Naina" from Devika's self titl...
It's such a true pleasure to 'watch' Madam Noor Jehan sing as much as it is to 'listen' to her... My good friend Maryam has posted this wonderful footage of ...
Artist: Malika E Tarrannum Noor Jehan Title: Kehnde Ne Naina Film: Juma Janj Naal Programme: Tarannum - Ptv Lahore Center Producer: Khwaja Najam Ul Hassan - ...
My all time Madam Noor Jehan favourite Punjabi ballad is very addicting to sing with beautiful back up live music by Azhar Bhai and tabla by Imran Sagar.
Listen to vintage songs at http://www.VintageSense.com Violinist: Ustad Raees Ahmad Khan Originally Film song: Noor Jehan Singer Music: Wazir Afzal Lyricist:...
Kehnde ne naina punjabi sung by madam Noor Jehan , played by Khansstrings instrumental on violin and tabla.at world childrens days festival in Oslo Norway.
Hey guys! clip.dj is an easy online tool to convert videos from YouTube, Dailymotion and Vimeo to high quality MP3 music or MP4 video files. Important: You must agree to our terms of service before using this web application! Have fun! ;)
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Monthly Giving
Thank you for your gift. Monthly gifts to UJA-Federation of New York help the most vulnerable in our community. By becoming a monthly donor, you are providing the on-going support necessary to help 4.5 million people here in New York and around the world.
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text: Mayor: Updated offer soon on old NC hospital land By: The Associated Press August 29, 2014 RALEIGH — The mayor of Raleigh says she believes there soon will be an agreement with Gov. Pat McCrory's administration to acquire land at a now-closed North Carolina mental hospital the city wants to convert into a regional park. Nancy McFarlane made the comments Thursday following a closed-door Raleigh City Council meeting. She says an updated offer for the ... Subscribe Login Email Address: Password: Already a paid subscriber but not registered for online access yet? For instructions on how to get premium web access, click here.Forgot your password? Share this:EmailPrintFacebookLinkedInTwitterGoogle +1Like this:Like Loading... Dorothea Dix property Gov. Pat McCrory Raleigh 3:28 pm Fri, August 29, 2014 Mecklenburg Times: News for Mecklenburg, Union and Iredell counties The Associated Press


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Fidelity's Bolton Underestimated China Diligence Task, FT Says
Dec. 17 (Bloomberg) -- Anthony Bolton, who manages the Fidelity China Special Situations Plc fund, told the Financial Times he underestimated the difficulty of carrying out due diligence on small- and medium-sized companies in the country.
Bolton was forced to sell his holding in one such company after it falsely reported sales growth of 30 to 40 percent, he told the newspaper in an article published today. Bolton hired five external research groups to find Chinese companies that are overstating their sales growth, according to the article.
Bolton's China fund has fallen 38 percent on a total-return basis since it started in April 2010 with 460 million pounds ($715.1 million), the FT said.
To contact the reporter on this story: Erik Larson in London at email@example.com
To contact the editor responsible for this story: Anthony Aarons at firstname.lastname@example.com


text:
All hotels in Brunswick, Maine, United States of America
1 room, 2 adults
224 Bath Rd, Brunswick, ME, 04011, United States of America, 855-238-1590
Days Inn - Brunswick Bath Area
Lowest price$85
available on 05/30/15
Best Price Guarantee
No-frills motel in Brunswick
- Free continental breakfast, free WiFi, and free parking
Main amenities
- 70 guestrooms
- Fitness center
- 24-hour business center
- 24-hour front desk
- Air conditioning
What's around
- Thomas Point Beach (1.4 mi / 2.3 km)
- Pickard Theater (2.6 mi / 4.1 km)
- First Parish Church (2.6 mi / 4.3 km)
Hotel stay extremely friendly and helpful. Room clean good deal for eth price.
Stayed over one night. needed to change rooms before we arrived from a room with one king…
TripAdvisor Traveller Rating: 3.5
From 206 reviews
Enter dates to check prices
Hotel Info: 866-539-8117from $85
- Room, 1 King Bed, Smoking
- Room, 2 Double Beds, Smoking
- Room, 2 Double Beds, Non Smoking
- Room, 1 King Bed, Non Smoking
Recommended hotels
At a glance
Key facts
Hotel size
- This hotel has 70 rooms
- This hotel is arranged over 2 floors
- Check-in time starts at 3 PM
- Check-out time is 11 AM
Required at check in
- Credit card or cash deposit required
- Government-issued photo ID required
Travelling with others
- Pets not allowed
Extra people
- Roll-away beds available, charges may apply*
- Free WiFi in public areas
- Free WiFi in rooms
- Free self parking
In the hotel
Food and drink
- Free continental breakfast daily
Things to do
- Fitness facilities
- Golfing nearby
Working away
- 24-hour business center
- 24-hour front desk
- Number of buildings/towers - 1
In the room
Home comforts
- Air conditioning
- Iron/ironing board
Sleep well
- Blackout drapes/curtains
Freshen up
- Hair dryer
Be entertained
- Cable TV channels
Stay connected
- Desk
- Free WiFi
Food and drink
- Refrigerator
- Microwave
Days Inn - Brunswick Bath Area's small print
Also known as
- Days Inn Bath
- Days Inn Bath Motel Brunswick Area
- Days Inn Brunswick Bath Area
- Days Inn - Brunswick Bath Area Boothbay Harbor
Optional extras
Rollaway beds are available for USD 15 per night
We have included all charges provided to us by this hotel. However, charges can vary, for example, based on length of stay or the room you book.


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Bearded Dragons
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(5.0 out of 5, based on 3 reviews)
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Reader's Reviews (3)
Bearded dragon care book
posted 6 years ago
You should always read as much as you can before you get any pet reptile. Information found on the internet isn't always correct.
Having a reference books is handy in case you need a quick look at setting up your enclosure, proper temperatures, finding out what you need for your pet.
Bearded dragons can be great pets, but if you don't know how to take care of them you can cause them to have a lot of health issues.
Do your homework before you get a pet. A book is a great start.
Pros: getting information is helpful to keeping your pet healthy
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Very good!
posted 7 years ago
this book has told me everything i need to know!!
Pros: this book is great!
Cons: none
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Pink is my favorite color these are wonderful.I will recommend a good website fou you: www.9footballshirt.org
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June 28, 2013 | By Kittymom314
I introduced this food to my two cats, one is a senior at 13 years and the other is about 7 years. Both females. The 7 year old is a new addition, recently adopted :) Because of their age differenc… more ›


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From the Publisher"Every teacher, every student of history, every citizen should read this book. It is both a refreshing antidote to what has passed for history in our educational system and a one-volume education in itself." — Howard Zinn, author of A People's History of the United States
"An extremely convincing plea for truth in education." — Mary Mackey, San Francisco Chronicle
"Remarkable." — USA Today
"A lively critique." — The New York Times
"Powerful and important...deserves to become an instant classic." — The Washington Post Book World


text: Exophiala spinifera (Nielson et Conant) McGinnis, anamorph (ATCC® 14488™) Strain Designations: [CBS 194.61] / Product Format: freeze-dried General Information Characteristics Culture Method History Documentation Print Email Share Share this product Facebook Twitter Google+ Permits and Restrictions View Permits Deposited As Hormodendrum dermatitidis (Kano) Conant, anamorph Strain Designations [CBS 194.61] Application Biomedical Research and Development Material Biosafety Level 2 Product Format freeze-dried Type Strain no Preceptrol® no Comments taxonomy Medium ATCC® Medium 307: Cornmeal agar Growth Conditions Temperature: 26.0°C Name of Depositor MJ Thirumalachar Isolation patient with chromoblastomycosis, India References McGinnis MR. Wangiella, a new genus to accommodate Hormiscium dermatitidis. Mycotaxon 5: 353-363, 1977. Permits These permits may be required for shipping this product: Customers located in the state of Hawaii will need to contact the Hawaii Department of Agriculture to determine if an Import Permit is required. A copy of the permit or documentation that a permit is not required must be sent to ATCC in advance of shipment. Basic Documentation Product Sheet Certificate of Analysis SDS


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LIVE MUSIC: Brush Street with Michael Brush and Julie Mulady
Today's live music on Current State comes from Brush Street, a jazz duo featuring Julie Mulady. Brush Street, started by band leader Michael Brush, is a popular Michigan blues and jazz group from the Saginaw area.
The group has played multiple local musical events, such as Saginaw Pride's Friday Night Live, Saginaw on Stage, and the Michigan Jazz trail, and continues to bring both original and contemporary songs to the public.
Michael Brush is a retired music educator with the Saginaw Public Schools, a composer, and recognized jazz pianist. Julie Mulady is an elementary school teacher for the Saginaw Public Schools and has a broad background in theater.
Mulady says she and Brush were teachers together, and they've been making music together for over ten years.
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Sheringham Park
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Landscape park and woodland garden with miles of stunning coastal views
Wander through Sheringham Park and you'll discover why it became the personal favourite of its designer, Humphry Repton. Visit the Repton exhibition to see the story of his 1812 design during a turbulent period of history.
Famous for its vast collection of rhododendrons and azaleas, the last owner, Tom Upcher, would hold rhododendron champagne parties in the 1950s to show them off. Ladies would arrive in their fine gowns, some wearing Wellington boots to walk down the main carriageway, sipping champagne and admiring the colours.
Today, you can climb to the top of the towers to experience breathtaking views of this beautiful landscape, the North Norfolk coast and maybe a steam train passing through.
Spend a day here exploring 1000 acres of varying habitat including woodland, parkland and cliff top. Look out for wildlife, 3 species of deer can be seen alongside a wide variety of birds and butterflies.
Take a virtual tour of a Repton inspired view
A temple was part of Humphry Repton's design of 1812. It however was not built until 1975 to celebrate the owner Thomas Upcher's 70th birthday. Slightly north of Repton's site, tree growth had interrupted the planned view; it still provides a place for visitors to enjoy views of the parkland, and coast with Sheringham Hall at its heart.
Your Visit
Flowering Update
The rhododendron display is alive with colour, alongside the handkerchief tree and buttercups.
Take a walk
Wild garden, woodland, parkland and the coast can all be enjoyed on a walk here. You can bring your dog too...
Share your photographs with us.
Share your images with us for a chance to win a Lumix DMC-TZ70 camera courtesy of our partner Panasonic. Enter your photograph on our Flickr page
Top things to look for on your walk
- Flowering rhododendrons in the wild garden.
- A sea of buttercups in the parkland
- Handkerchief and snowdrop trees in flower.
- Spring butterflies on the wing.


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[nbusers] Re: Invitation to NetCAT & NetFIX community programs
« Previous Message Next »
« Previous Thread Next »
- From: Jiri Kovalsky < >
- To:
- Subject: [nbusers] Re: Invitation to NetCAT & NetFIX community programs
- Date: Tue, 09 Mar 2010 21:04:52 +0100
Javier, this is Microsoft Internet Explorer, right? Can you give it another try from
some other alternative like Mozilla Firefox? What's weird is that you don't see any
tabs not only "Edit"!
Thanks Jiri but it doesn't work.
Can you subscribe as well for my entry? The one you have is my work email. I don't have access to my gmail account at work but I do most of my work at work.
Still no edit button.
Javier A. Ortiz Bultrón
Quality Assurance Engineer
B.Braun Medical, Inc.
972-466-5076 Phone


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Started by Lyle Willits, Oct 21 2006 10:23 AM
1 reply to this topic
Posted 21 October 2006 - 10:23 AM
Steve Garrison's new toy that he bought from a guy in Connecticut. Yes, he said the Corvette seats have to go.
Large scale Olds used in high school drivers ed. class in the 50's.
Ron Roberts' '50 Ford.
Just a small segment of our unwashed degenerates.
Link to more of our monthly male bonding:
Posted 21 October 2006 - 01:38 PM
Just a small segment of our unwashed degenerates.
That statement is, in a few cases, disturbingly true!


text: 6900 Meadowside Road Quail Ridge Estates Add, Fort Worth, TX 76132 Status: Off Market MLS#: 11923029 Contact Email this listing Share on Pinterest Share on Google+ Share on Facebook Share on Twitter Calculate Mortgage Print Flyer Get Directions Request a Showing Off Market 6900 Meadowside Road Fort Worth, TX 76132 is no longer on the market or has been removed from the MLS. Similar to 6900 Meadowside Road : Ask an Agent About 6900 Meadowside Road * Required fields Send Your Question × Monthly Payment Estimator Price: Down Payment: % Loan Amount: Loan Type: 30 Year Fixed 15 Year Fixed 5/1 ARM Interest Rate: % Est. Tax & Insurance: % ($/mo.) Est. Monthly Payment: $478 per month × Email a Listing 6900 Meadowside Road, Fort Worth TX, 76132 From: Name: Email: To: Name: Email: Subject: Message: Take a look at this property I found on TexasOnlineHomeSearch.com: http://www.texasonlinehomesearch.com/homes/6900-Meadowside-Road/Fort-Worth/TX/76132/29697230/ Send a copy of this message to me Send Email


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The following is a list of racers who perished on the track in 2014.
Did you miss the 2014 Silverstone Classic? You have to go in 2015.
The world's largest gathering of Porsche race cars and drivers come back to Monterey for an Encore .
Lee Duran pronounced dead after his MG flips.
'No wider celebration' of classic and vintage automobiles.
Stars are human, like Sir Stirling Moss and Derek Bell, and automotive.
Welch rolled his 1960 Lotus 18 after contact with another car.
Racers include Willie T. Ribbs, Lyn St. James, Scott Goodyear, Al Unser, Jr., Pete Halsmer, Dick Simon
Red Bull's David Coulthard jumps in a 1955 Pontiac for a classic rally in Cuba.
Eddie Smith Sr.'s rare Ferrari was sold in an auction to Lawrence Stroll
Corvette Racing's Tommy Milner will be present at the Rolex Monterey Motorsports Reunion.
A good way to celebrate a special anniversary is to be at a glorious event with the racing machines from the past while remembering Bruce McLaren.
Among the attendees were Bianchi, Chilton, Rossi, Kovalainen, Valsecchi, Gene, Button, Hamilton, Buemi, Rosberg and Perez.
The stars of the show were BTCC legends Patrick Watts and former double BTCC champion John Cleland.
Rob and Chris Dyson are more use to piloting a sports car around the racing tracks, and both father and son have won championships in endurance racing.
Bentley will have major presence at the annual Festival of Speed.
Stephen Errity, GT Correspondent
Goodwood Estate, Chichester
Goodwood Estate, Chichester
World's Largest Gathering of Porsche Race Cars and Drivers


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Purely Gadgets - Information
Name Purely Gadgets
Retailer website Go to store
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Payment Options All major credit and debit cards accepted (inc. Visa, MasterCard, Delta, Switch)
Delivery 2-5 Working Days; but usually 3 working days
Reviews older than 6 months are automatically removed to reflect the retailer's current standards. There aren't any reviews of this retailer yet. Write the first review for this retailer.
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Digital Cameras (115)
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Headphones (47)
Keyboards (1)
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MP3 and PC Speakers (10)
Memory Cards (54)
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Mobile Phones (34)
Network Cards (6)
Projectors (6)
Radios (38)
Routers (3)
Scanners (3)
Tablets (40)
eReaders (3)


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WWW is an interpretation of the 'shelf' archetype. Between form and function, between space and dimension, between a not-yet and a not-anymore it creates concrete opportunities and specific associations. Through its parts it is not only a modular system, but also a type of installation in an ever changing space.
Viktor Matic's Bachelor Degree Final Project at Faculty of Design and Art of the Free University of Bolzano is all about data. A shelf with a digital angle. The surfaces of this object dissolve into strings which connect and transform into other new surfaces. See his other fantastic creation on DESIGNEAST.EU here.
DESIGNEAST.EU © 2015 All Rights Reserved
DESIGNEAST, o.s., Žerotínova 1376/64, 140 00 Praha 3, Czech Republic


text:
Adobe rocks my socks. But has anybody here went to a local test center to become a Adobe Certified Expert? Do you think it would be a wise decision if you're looking to be hired by a MoGraph company?
I got certified in CS5 last February, and I'm just waiting for my results on the CS6 beta test. I've not really NEEDED it, or had any clients mention it; but I'm sure it looks good on the old resume! I just fancied doing it and as a kind of 'validation of my knowledge' kind of approach.
If you've got the cash spare then it can't hurt to give it a go. You get a special logo that you can add to business cards and stuff… yay!
StencilMedia said
I got certified in CS5 last February.
Could you please tell me. How to get Adobe Certification???
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text:
Kabuto need 100,x,100 to capture Hidan. By that time when we know who Hidan was, Kabuto's stat not allow him to do so. (Remember, he keep saving me from being killed?)
Ah... right. I forgot that he lost half his stats to save you from dying.
We would have killed woon if he hadn't been training though <_< And then you go and take Naruto to help you...So not cool!
But if Sakura was already attacking woon, Naruto wouldn't have been able to attack woon even if we hadn't controlled him since both of them have BTSC. So it didn't really matter that we borrowed him, right? What would his normal action have been?


text:
Get Over Here and Play a Video Game
Spoiler Alert! If you haven't seen Know Your Meme's Nyan Cat Episode, avert your eyes. A beauty of this magnitude is only for the BRAVEST most INTERNET-SAVVY viewers.
Did you know? It's the year anniversary of Nyan Cat! Or, as they say in Space, Nyanyanynanyanyanyanyanyanyanyan


text:
Everyday FREE SHIPPING for Orders Over $80 | U.S. Postal Service 3 Day
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text:
Search the collections
Similar items over time
Glass Negative - Boiler for Woodall & Duckham Ltd, Chas Ruwolt Pty Ltd, 1932 Reg. No: MM 130929
- Summary:
- Black and white glass negative depicting a boiler manufactured for Woodall & Duckham Ltd by Chas Ruwolt Pty Ltd in June 1932.
- Description:
- Black and whit glass negative.
- Description Of Content:
- Side view of boiler, Woodall-Duckham, June 1932.
- Acquisition Information:
- Donation from Vickers Ruwolt Pty Ltd, 1986
More information
|Tagged with:
|steam boilers, boilers, boilermaking
|Themes this item is part of:
|Engineering Collection, Vickers Ruwolt Collection
|Primary Classification:
|Secondary Classification:
|Engineering Products
|Tertiary Classification:
|steam boilers
|Glass Negative: Black & White; Whole Plate
|Place & Date Depicted:
|Richmond, Victoria, Australia, Jun 1932
This item is part of the following themes:
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text:
Broadway Terrace Apartments12815 N 28th Dr, Phoenix, AZ 85029 View On Map (602) 993-0701
For rates, availability, and other information fill out the availability request form and a representative from Broadway Terrace Apartments will contact you shortly
Broadway Terrace Apartments is located in the Phoenix Area in the 85029 zip code. View this apartment on a map.
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text:
This section contains 4,739 words
(approx. 16 pages at 300 words per page)
Critical Essay by Neil Schmitz
SOURCE: "Donald Barthelme and the Emergence of Modern Satire," in The Minnesota Review, No. 1, Fall, 1971, pp. 109-18.
In the following essay, Schmitz examines Barthelme's satirical treatment of language in his works.
"Oh God comma I abhor self-consciousness," declares the narrator of "Title" in John Barth's Lost in the Funhouse. "I despise what we have come to; I loathe our loathesome loathing, our place our time our situation, our loathesome art, this ditto necessary story." Still another narrator, the teller of "Life-Story." punches his way irately through the convolute form of his text and plucks the reader into complicity. "The reader! You, dogged, uninsultable, print-oriented bastard, it's you I'm addressing, who else, from inside this monstrous fiction. You've read me this far, then? Even this far? For what discreditable motive?" There is unhappily no violence in the accusation. The voyeur peering intently into the fiction simply discovers another voyeur glaring back at him. The shameful act in which both are caught is the jaded experience of a decadent literature, an old domesticated habit that keeps them from the pleasures of tennis and love. Barth's narrators are not lost in deep Dostoyevskian wells of self-consciousness, they are enmeshed in the process of composition, entangled in their syntax, and thus their voices seem curiously dehumanized. There is no person apart from the writer writing, no drama apart from the question (constantly posed) of whether the writing is valid. It is Literature, not the villainy of the self, that stalks Barth through Lost in the Funhouse—the spectre of stale familiarity, this "ditto necessary story." The language of fiction has become its rhetoric, certain words in certain places. Narrative unfolds through cranking turns of predictable plots and is invariably inlaid with indicative motifs and symbolic patterns. It is not in a private funhouse that the modern writer engages his reader but in a public museum, a museum in which even the most blasphemous screams are swallowed up by the echoes of former obscenities uttered decades and periods past. Roland Barthes has written eloquently about this institution in Writing Degree Zero, the "ritual language" of the "great traditional writing."
Other writers have thought they could exorcise this sacred writing only by dislocating it. They have therefore undermined literary language, they have ceaselessly exploded the ever-renewed husk of cliches, of habits, of the formal past of the writer; in a chaos of forms and a wilderness of words they hoped they would achieve an object wholly delivered of History, and find again the freshness of a pristine state of language. But such upheavals end up by leaving their own tracks and creating their own laws. The threat of becoming a Fine Art is a fate which hangs over any language not based exclusively on the speech of society. In a perpetual flight from a disorderly syntax, the disintegration of language can only lead to the silence of writing.
It is the issue of this silence, a silence Barth interminably invokes in Lost in the Funhouse, that Donald Barthelme has made one of the central comic themes in his fiction. "Oh I wish there were some words in the world that were not the words I always hear," Snow White complains in Barthelme's satiric version of the fairy tale. And there is Edgar, the hapless fabulist of "The Dolt" who has twice failed the National Writers' Examination and with whom Barthelme sympathizes. "I myself have this problem. Endings are elusive, middles are nowhere to be found, but worst of all is to begin, to begin, to begin." Although the fly-leaf on the jacket of City Life, his most recent anthology of fiction, ominously announces that "he is working on a novel," Barthelme has consistently treated the novel as an artifact, a fossilized object. In Come Back, Dr. Caligari there is a formulary roman de societé with all the interstitial packing removed, the connective tissue gone. "Will You Tell Me?" moves through two generations in several pages. Barthelme's primary tense is the present. Edgar's problem in "The Dolt" is not just with his attempt to render the alien experience of the Blazacian conte; it has to do also with his inability to grasp the preterit. The eight-foot son who bursts into the apartment clad in a serape woven of transistor radios, each tuned into a different station, thrusts back the immediate Edgar has sought fruitlessly to abandon. The emptiness of the novel and the irrelevance of traditional writing is a given in Barthelme's fiction. The writing schools and correspondence courses in which so many of his characters are futilely enrolled, Snow White's droll transcript from Beaver College, and Tolstoy as artifact in "At the Tolstoy Museum," variously record that declaration. "At the Tolstoy Museum" is filled with visual puns that underscore the historicity of Tolstoy, his status as a specimen, the antiquarian nature of the novel. An engraving of the Anna-Vronsky pavilion depicts the coldly formalistic temple of the novel with the architect's intersecting lines concentering on Vronsky holding Anna in a climactic swoon—creatures caught on the grid of plot, a spider-web of diverse themes. The embodiment of the nineteenth-century novelist, Tolstoy is an overwhelming iconic presence: "some thirty thousand pictures" of him line the walls of the museum which is multitudinously chambered according to genre. In brief, he is the enshrined maître of college courses on the novel, but his meaning is ambiguous (his outline that of a distant mountain range), and Barthelme concludes his tour in a state of diffidence. Is the novel dead? a Barthelmian interrogator asks in "The Explanation," and the Barthelmian respondent replies, yes. But that is not the primary issue in "The Explanation," it is an aside. The central problem is technology, the machine and warm-blooded humanity. As an occasion, the death of the novel barely impinges on the problems of living in the modern world. It is only Snow White out of Beaver College, well-rounded in her fatuous egocentrism, who agonizes about silence, who moves in a state of anesthesia through a prolix world of brilliant objects and provocative events.
Barthelme, then, has chosen a mode of writing that enables him to escape the labyrinth in which Barth finds himself enclosed. His language is richly (and ironically) idiomatic. The words and phrases that spill in tumult through his prose are drawn not just from the diction of the literary modernist but erupt as well from the contemporary socio-political lexicon, the codes employed by the mass media, and from all the articulating objects with which the individual surrounds himself. As Richard Schickel has helpfully suggested, the structural principle of Barthelme's fiction is collage. History (as it is forming) pours into this fiction. Barthelme does not arrest and decipher the flow of words and things by straining them through the serial development of traditional narration, forcing them into categories and linear progression, the structure of deliberating thought. They have, as it were, their own specific gravities. They are found, not created, and in their contrast and/or cohesion yield manifold meaning. The narrator in Barthelme's fiction is typically attentive to the thisness of the world. If he lapses into revery or meditation, his attention is invariably brought back to the whirl of phenomena about him, by the pull of the object, whether a girl's thigh or an issue of Newsweek. "Strings of language extend in every direction to bind the world into a rushing ribald whole," Barthelme writes in "The Indian Uprising."
By displacing the value of linear structure, Barthelme necessarily dislocates the centrality of characterization. There are no densely conceived protagonists in his fiction, no Burlingames or Jacob Horners caught in endless copulatory talk with Ebenezer Cookes or Joe Morgans, describing the split self, the brink of nonbeing. It is the quality of situations, not points of view, that Barthelme presents. The names of his characters are often whimsical or simply letters. Anonymous and ephemeral, they exhibit themselves through their language, and they speak generally an urbanized post-baccalaureate jargon. It is what they have read, which books and magazines, and what they have seen, which movies and exhibitions, that defines their posture in the world. If Barthelme wishes to convict a character, he does not enter the closet of the individual's consciousness, but rather catches him downstairs in the act of speaking and choosing, packaging his experience in clichés. The stories dealing with Edward and Pia in Unspeakable Practices, Unnatural Acts, stories in which Barthelme reverses the priorities of narrative selection, are exemplary. Disjunctive stacks of abrupt sentences methodically record the random movement and banal talk of the two deracinated lovers. What is customarily left out of such romances is here scrupulously presented. It is the dramatic that is sardonically cramped within the text. "Edward felt sick. He had been reading Time and Newsweek. It was Thursday. Pia said to Edward that he was the only person she had ever loved for this long. 'How long is it?' Edward asked. It was seven months. Edward cashed a check at American Express. The girl gave him green-and-blue Scandinavian money. Edward was pleased." In "Robert Kennedy Saved from Drowning," which appears in the same volume, Barthelme again, but with much greater concentration, brings dead prose into contact with live flesh. The journalistic profile which seeks to humanize the great man by revealing the trivial and the intimate succeeds only in declaring the one-dimensional enormity of the figure's self-consciousness, an ego that has rigorously stylized behavior into a series of gestures. Yet this same Kennedy, master of the stock response, humorlessly quotes Poulet at the end of the piece, Poulet on the Marivaudian man "born anew" in each instant of experience, constantly "overtaken by events." It is a scathing picture of the human surface.
For all the brevity of his pieces and the slenderness of his volumes, Barthelme thus seems more prolific than Barth who has produced gargantuan tomes—prolific in the sense of his engagement, his interests and topics. Where Barth appears confined in an interior monologue, Barthelme seems to be dancing in the phenomena! world, to have commenced a turn from the current metafictional modes of writing toward the "living languages" that emanate from the world moving in time outside the province of literary tradition. "Before his eyes." Barthes observes of the modern writer, "the world of society now exists as a veritable Nature, and this Nature speaks, elaborating living languages from which the writer is excluded: on the contrary, History puts in his hands a decorative and compromising instrument, a writing inherited from a previous and different History, for which he is not responsible and yet which is the only one he can use." What one finds in Lost in the Funhouse is the weight of the compromised instrument, Alexandrian ingenuity. "It is an exasperating fact," Richard Poirier complains in The Performing Self, "that it takes such a lot of time, a part of one's life, to discover in some of the most demanding of contemporary literature that its creators are as anxious to turn you off as to turn you on, that they want to show not the decisiveness but rather the triviality of literary structuring." Indeed Barth's experimentation, his attempt to free himself from the coils of the Novel, has tended to be typographical, print-oriented. His professed movement back toward the oral tradition has moved him past Lenny Bruce and Mark Twain into ingeniously academic versions of the Homeric tales. In "The Menelaiad" we are still clenched by the teller, a teller obsessed with the telling, immured in his artifice. "Fiction for Print, Tape, Live Voice" is the subtitle of Lost in the Funhouse, but the transference causes no qualitative change in the substance of the language. The voice remains cerebral and literary, whether seen or heard.
Yet if Barthelme's innovative strategies—the summary abandonment of plot, his dismissal of traditional forms and ironic embrace of the "world of society" in all its flux and waste—have managed to release him from the masochistic circularity of Lost in the Funhouse, the question of what his revised form and renovated language achieves, apart from stylistic liberation, remains. In the early stories collected in Come Back, Dr. Caligari, for example, the sophistication of Barthelme's irony often seems spent on slight themes, his use of the surrealistic fable little more than stylistic legerdemain, verbal slapstick. It is only in the later volume, Unspeakable Practices, Unnatural Acts, and in Snow White, where Barthelme begins to deal with the problems of defining a linguistic and philosophical perspective, that his style and an emergent satiric vision converge, words and things coalescing to form the "rushing ribald whole" of the brilliantly conceived collage, "The Indian Uprising." "All this," Gertrude Stein wrote of a carafe in Tender Buttons, "and not ordinary, not unordered in not resembling." In "The Indian Uprising" Barthelme seems to have mastered in his own way the sense of that earlier experiment in attending to objects. Only here the separations of space that enabled Gertrude Stein to go calmly from roast beef to malachite, unravelling the word-chains latent in them, have vanished; everything is intensely politicized, charged with "unordered" meanings that paradoxically resemble.
Simply put, "The Indian Uprising" is a manifestation, the cruelest of Happenings. With the insane coolness of a TV commentator, Barthelme's narrator renders a Vietnamized world lurching toward an apocalypse by juxtaposing in quick flashes all its profuse objects, events and language, bringing them into collisions which reveal in wreckage their historical sources, their contemporary analogies. "Red men in waves like people scattering in a square startled by something tragic or a sudden, loud noise accumulated against the barricades we had made of window dummies, silk, thoughtfully planned job descriptions (including scales for the orderly progress of other colors), wine in demijohns, and robes." The passage begins by evoking the famous St. Petersburg photograph of the massacre through which the nineteenth century poured its failure into the twentieth. Yet it is not Russians who flee within the venerable frame but Comanches (or Algerians or South Vietnamese), and we are ostensibly in New York or Philadelphia except that all the streets and squares have been renamed: Boulevard Mark Clark, Rue Chester Nimitz, Patton Place, Skinny Wainwrighl Square. "Do you know Fauré's 'Dolly'?" a character asks, leading his quotidien life amidst the violence, this phantasmagoria of a student revolt, race riot and exemplary revolution. The images and the dialogue are saturated with signification (both comic and terrifying) and our apprehension of them is at once immediate and complex. Barthelme continues: "I analyzed the composition of the barricade nearest me and found two ashtrays, ceramic, one dark brown and one dark brown with an orange blur at the lip." He then enumerates the other articles stacked there: bottles of wine and sherry, "a hollow-core door in birch veneer on black wrought-iron legs," blankets and pillows, corkscrews and can openers, "a woven straw basket," ceramic plates and cups, "a yellow-and-purple poster; a Yugoslavian carved flute, wood, dark brown; and other items." In brief, the emptied insides of shopping plazas, import stores and middle class apartments.
The "woven straw basket" wedged into the barricade, grotesque in its jarred familiarity, describes distance, not essence. It exists with the pregnant solitude of Jasper Johns' flag or Andy Warhol's cans of soups, neutral and amodal, yet profoundly socio-political. In Antonioni's Zabriskie Point these objects, the same objects strewn throughout Barthelme's fiction, do a ballet at the end of the film and are by far the most interesting characters in the movie. Stacked in piles, the garbage of a trashed civilization, they are in "The Indian Uprising" the only constant and veritable things to be noted. Which side are you on? the narrator cries after a friend at one point in the piece, and the question is left hanging. There are no sides, the loyalties of class and race have become confused, ideological politics do not exist, a Hobbesian jungle thrives in the streets. It is only the enduring junk that clarifies "The Indian Uprising," looming in those barricades like horrid totem poles.
Like Alexander Pope in The Rape of the Lock (which Snow White resembles in technique and theme), Barthelme disorganizes the familiar by inserting it into an imposing framework and reveals with stunning clarity the substance of its value. The careful recording of Snow White's courses in the liberal arts at Beaver College is similar to Pope's "Puffs, powders, patches, Bibles, billetdoux." Both styles are crowded with nouns, with catalogues, with mock-inflations of the banal. In Barthelme's case, however, the discernment is genially democratic. The hems and haws of discourse, both written and spoken, are given their due. One of the dwarfs in Snow White, the manufacturer of plastic buffalo humps, compares his product to the parenthetical fill stuffed into syntax. "It's that we want to be on the leading edge of this trash phenomenon, the everted sphere of the future, and that's why we pay particular attention, too, to those aspects of language that may be seen as a model of the trash phenomenon." The iconic dime-store basket and the stereotypical expression are similarly situated in Barthelme's prose. They are before us, as though screened, discretely filling the space of our attention, and in motion, not from A to B, but instant, seized first by the eye and only latterly designated and grouped. If Barth is the teller who shapes our mental reconstruction of an experience, building line by line, event by event, thought by thought, Barthelme is the cinéaste addressing the eye, investing our field of vision.
In short, Barthelme plunges us into a Bachelardian sphere of experience, a luminous phenomenological world in which the objects of everyday life (and those disposable units of speech) are all charged with significance, and yet it is a world that does not glow with Bachelard's humanism. The characters in Barthelme's fiction inhabit this minefield of meaning with little sense of its potent nature.
Then Snow White cleaned the gas range. She removed the pans beneath the burners and grates and washed them thoroughly in hot suds. Then she rinsed them in clear water and dried them with paper towels. Using washing soda and a stiff brush, she cleansed the burners, paying particular attention to the gas orifices, through which the gas flows. She cleaned out the ports with a hairpin, rinsed them thoroughly and dried them with paper towels. Then she returned the drip tray, the burners and grates to their proper positions and lit each burner to make sure it was working. Then she washed the insides of the broiler compartment with a cloth wrung out in the warm suds, with just a bit of ammonia to help cut the grease.
Barthelme goes on, meticulously following the movement and the object until the stove is done and Snow White moves on to "piano care." In The Poetics of Space, Bachelard's housewife (decidedly not a Barthelmian "horsewife") becomes a poetic shaman doing the same job Snow White mechanically executes.
The minute we apply a glimmer of consciousness to a mechanical gesture, or practice phenemonology while polishing a piece of old furniture, we sense new impressions come into being beneath this familiar domestic duty. For consciousness rejuvenates everything, giving a quality of beginning to the most everyday actions. It even dominates memory. How wonderful it is to really become once more the inventor of a mechanical action! And so, when a poet rubs a piece of furniture—even vicariously—when he puts a little fragrant wax on his table with the woolen cloth that lends warmth to everything he touches, he creates a new object; he increases the object's human dignity; he registers this object officially as a member of the human household.
In Snow White it is the satirist who rubs the object. Through the reverberative friction of diverse languages (in "The Report" the jargons of a hardware man and a software man, technician and humanist, are brilliantly contrasted) and the disjunctive tension between narcotized consciousness and the explosive object, Barthelme establishes the method of his satire. Jane's letter to Mr. Quistgaard in Snow White, a name she has plucked at random from the telephone book, epitomizes Barthelme's relationship to his reader, a relationship he has examined with increasing seriousness. Jane warns Quistgaard of a "threatening situation."
You and I, Mr. Quistgaard, are not in the same universe of discourse. You may not have been aware of it previously, but the fact of the matter is, that we are not. We exist in different universes of discourse. Now it may have appeared to you, prior to your receipt of this letter, that the universe of discourse in which you existed, and puttered about, was in all ways adequate and satisfactory. It may never have crossed your mind to think that other universes of discourse from your own existed, with people in them, discoursing. You may have, in a commonsense way, regarded your own u. of d. as a plenum, filled to the brim with discourse. You may have felt that what already existed was a sufficiency. People like you often do. That is certainly one way of regarding it, if fat self-satisfied complacency is your aim. But I say unto you, Mr. Quistgaard, that even a plenum can leak.
Yet given the detonation of Mr. Quistgaard's u. of d., what is the full import of Jane's cunning note? Clearly the "threatening situation" is the possibility of Mr. Quistgaard's liberation, his sudden awareness of new and strange horizons. But on the other hand, Mr. Quistgaard could as easily be delivered over to the nausea of experiencing the absurd, of seeing words and things crazily fly apart. If the satirist explodes one's familiar universe of discourse, his prosaic sanity, does he then reconstitute another more ample universe simply by endowing his reader with an ironic attitude toward all structures of vision and speech? The emergent anomie that Pope cursed in the awful figure of Dulness fills Barthelme with the same horror; in Snow White it is blague, but where Pope had Augustan verities to sustain his malice toward the eighteenth-century version of the "trash phenomenon," Barthelme has none. Jane is not a particularly desirable character. In an early fable, "A Shower of Gold," the protagonist, a minor artist beset by the commercialism of his age, finally advises: "Don't be reconciled. Turn off your television sets … cash in your life insurance, indulge in a mindless optimism." Then, somewhat plaintively, he asks: "How can you be alienated without first having been connected?" It is a hard question. What is left of Shakespearian or Augustan or Wordsworthian Nature? The artist will imagine it.
In Snow White Barthelme's sense of his art is strikingly more complex, though the irrepressible levity remains. Near the end of the book there appears in boldface isolated on the page an aphorism: "ANATHEMATIZATION OF THE WORLD IS NOT AN ADEQUATE RESPONSE TO THE WORLD." Yet the world Snow White inhabits is rigorously anathematized. Barthelme does not emerge from the novella encouraging his readers, like Norman O. Brown at the anti-climactic end of Life Against Death, to practice a little more phenomenology, a little more other-awareness to go along with the self-awareness. Snow White ends with the unbroken continuance of stupidity straggling forward. Barthelme manifests Snow White's attenuated consciousness forcefully, rebukes it with the unassailable dignity of shower-curtains and yellow pajamas, but he has less success with the pervading issue of good and evil in the novella. The translation of the fairy tale into mock-fairy tale subtly reverses the moral sides. It is Jane and Hogo de Bergerac, villainess and villain, who are finally sympathetic, who cut through the tedious angst of the Dwarfs and Snow White's indulgent ennui with the acidic simplicity of their desires, the "vileness" of their realism. An aging and cynical brute, Hogo is fundamentally a well-integrated Hobbesian who proceeds on the assumption that in this life, this war of desires, it is every man for himself. Jane has the moral clarity of a Borgia. So Barthelme leaves it. Paul, the sophomoric prince, drinks the poison intended for Snow White, dies and is buried. Life goes on, a suffocating urban life. Alternatives are shut like doors at the conclusion. Hogo joins the firm owned and operated by the Seven Dwarfs. "The moment I inject discourse from my u. of d. into your u. of d.," Jane writes to Mr. Quistgaard, "the yourness of yours is diluted. The more I inject, the more you dilute. Soon you will be presiding over an empty plenum, or rather, since that is a contradiction in terms, over a former plenum, in terms of yourness." Since Jane's u. of d. is itself intolerable, the triumph if Pyrrhic. The aphoism, ANATHEMATIZATION OF THE WORLD IS NOT AN ADEQUATE RESPONSE TO THE WORLD, thus exists as a frail thesis.
Barthelme returns to this problem, the negativity of his satire, in City Life, his most recent volume. "Kierkegaard Unfair to Schlegel" begins with a Barthelmian respondent explaining to an interrogator how he annihilated a situation, his discomfort in a rented house filled with games and recreational devices, by subjecting the "shuffleboard sticks, the barbells, balls of all kinds" to an ironic perception. Taking as his text Kierkegaard's The Concept of Irony, the respondent then confronts himself in this performance. Irony explodes the object, he relates, deprives it of its reality and leaves a space in which the ironist establishes his subjective freedom. Yet the tonic of that freedom leads the ironist to direct his irony against the whole of existence and he then tumbles into estrangement and poetry. The poetic work (Schlegel's Lucinde) fills the void the ironist has created by destroying the historical actuality with a "higher actuality," the realm of imaginative truth. "But what is wanted," the respondent continues, paraphrasing Kierkegaard, "is not a victory over the world but a reconciliation." Barthelme whirls through this gloss, but his grasp is firm—firmly paradoxical. Kierkegaard, it is argued, belabors Schlegel from a narrow viewpoint, taking up Lucinde only because it is didactic. He neglects or overlooks its "objecthood." Yet the defense of Schlegel, it soon appears, is a screen behind which the respondent seeks ironically to annihilate Kierkegaard and therein he impales himself on Kierkegaard's point. The discourse of the satirist invariably shatters the object and the new actuality he creates is at best "a comment upon a former actuality rather than a new actuality." What remains is an emptied plenum, a zero.
Yet the "objecthood" of "Kierkegaard Unfair to Schlegel" also remains. Barthelme's meditation on the destructive nature of irony is framed by manifestations: the girl on the train, the round of her thigh appearing and the humorous evocation of desire, and then again another girl caressing her breasts, a trip to Central Park, a remembered dream, dinner and conversation, a touching anecdote about the suffering of Louis Pasteur. Irony distinguishes, ascertains value, does not destroy. The ironist who believes he has the "magical power" to make objects cringe and disappear puts himself within the pale of his irony. The paraphrase of Kierkegaard is rammed home in short hard sentences, but its declarative intellectuality is subsumed fore and aft by the variegated plenum of experience, by the constant stream of relationship to things, speech, people and art. It is this consciousness, always slipping away from the fixed locus of the abstract, this plastic consciousness which attends so uniquely and diversely to the world, that Barthelme ultimately celebrates. For it is the discourse of that attuned consciousness that is at once his subject and his morality. There is no place where one can break into "The Sentence," since this Barthelmian sentence has properly no beginning or end. It is "aiming for the bottom," Barthelme tells us, but where the bottom of the page is, this page or some other page, no one knows, and so it simply proceeds, simply is, enjoys being, goes forward engaging itself and the world outside it. It reminds us, Barthelme suggests, that "the sentence itself is a man-made object, not the one we wanted of course, but still a construction of man, a structure to be treasured for its weakness, as opposed to the strength of stones". It also reminds us that even as the blague and the "brain damage" of contemporary life seem everywhere, "brain damage covering everything like an unbreakable lease," the imagination, artificer of the best sentences, continues to pose its choices: to be or not to be. The Phantom of the Opera, offered a "normal" life through plastic surgery and psychological rehabilitation, will decline.
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Residential Volunteer Position
1-to-3 month position in Food Preparation, starting June 1, 2015
Attend Tibetan Buddhist teachings and learn meditation practices.Dorm room accommodations and vegetarian meals are provided.Email firstname.lastname@example.com or phone 845-679-5906, ext. 3
KTD monastery is a traditional Tibetan Buddhist monastery that offers teachings by Tibetan and western lamas, meditation practices, chanting pujas, and a community lifestyle based on Buddhist principles. It is the North American seat of His Holiness Ogyen Trinley Dorje, the 17th Karmapa. Located on a mountain above Woodstock, NY, the monastery is across the road from a hiking trail going up Overlook Mountain.
Residential volunteers sleep in Dorm Rooms and receive free vegetarian meals. They do a daily meditation or puja practice and participate in activities that support the spiritual life of the monastery. They may attend a weekend Buddhist teaching program once a month. KTD offers a weekly Introduction to Buddhism course and a weekly Buddhist book discussion group for Residential Volunteers and local students. KTDs resident lamas and monastics are always willing to answer questions about Buddhism.
Food PreparationQualifications include experience cooking vegetarian and vegan meals for 10-60 people and experience preparing breakfast, lunch and a light supper. Organizing food supplies in the pantry and refrigerators, washing pots and pans, serving meals to guests, and cleaning up the kitchen and serving areas are also part of the position.
Housekeeping Position: Cng
This volunteer position includes cleaning public spaces, guest rooms, offices and storage rooms. Housekeepers also do laundry tasks, re-supply the guest rooms and bathrooms, and perform other interior maintenance tasks.
Copyright ©2008, Karma
Triyana Dharmachakra. All rights reserved.


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Pizza Man reboot clears another hurdle
The plan to renovate an east side building into the new home for Pizza Man restaurant was approved Monday by the Milwaukee Historic Preservation Commission.
Pizza Man, which was destroyed in a January 2010 fire, would reopen by early summer if the plan also wins Common Council zoning approval, said architect Matt Rinka, of Rinka Chung Architecture Inc., which designed the renovations. »Read Full Article(3)
'Walking Dead' stars, producer coming to Riverside Theater
Between the unfathomably desperate conditions, an extreme distrust of others and the constant fear of death, things are plenty tough for the unlucky living enduring a cataclysmic zombie apocalypse on AMC's "The Walking Dead."
But the show itself couldn't be sitting any prettier. »Read Full Article
Mequon's Bhati Beads accessorize SI swimsuit models
Margaret Maggard of Mequon might be the only person watching Sports Illustrated Swimsuit 2013 models on "The Today Show" this morning because of what they were wearing on their wrists.
It's the seventh year that the magazine has used Maggard's Bhati Beads jewelry to accessorize its famous models. In the segment, Gomes and Henderson joined Sports Illustrated senior editor MJ Day to talk about the fit, the look and the style of swimsuits. »Read Full Article
Here's your chance to design the 2013 Jazz in the Park T-shirt
Jazz plus art equals the chance to design the official 2013 Jazz in the Park T-shirt.
The competition is open to all professional and amateur designers. Consideration will be given to designs honoring the heritage of jazz and calling to mind music ranging from New Orleans to Chicago to New York and places in between while never forgetting that this is Milwaukee. »Read Full Article
On Tap Today: A time for restraint - and John McClane
Lent begins today, a season of reflection, self-denial and restraint.
But that doesn't mean you have to give up everything. »Read Full Blog Post


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Owen Verne Taylor, 78 , of Blackfoot, passed away on Thursday, February 27, 2014 with his family at his side.
Verne was born on May 9, 1935 in Blackfoot, Idaho, to Owen Albert and Lois Dunn Taylor. He attended school in Snake River, graduating from Snake River High School on May 20, 1953. Following graduation he attended Idaho State College, graduating on May 18, 1954 in Auto Mechanics.
On May 27, 1955 Verne married Vera Petersen, their marriage was solemnized in the Idaho Falls LDS Temple.
DeEsta Cornwall, 71, beloved wife, mother, grandmother, and great grandmother passed away February 28, 2014 in Pocatello.
DeEsta was born April 21, 1942 in Idaho Falls to Leonard and Wilma Ross. She was raised by Clarence and Wilma Warren in the Rigby/Ririe area. She married George T. Hames on August 15, 1958. Together they had four children, two girls, Connie Jean and Quantilla Rae and two boys, George Allen and Vernal Lee. She was married to Verl Cox from 1977-1991 and Ray Cornwall from 2005-present.
Becky Jo Keele Giles, 45, of Firth passed away February 27, 2014 at Eastern Idaho Regional Medical Center surrounded by family and friends.Â
Becky was born February 7, 1969 in Idaho Falls, ID to Darryl and Myrna Keele. She and her mother were best friends from the moment she was born. Becky attended school in Shelley, Idaho Falls, and Graduated from Blackfoot High School.Â
"Bird" Robin G. Matsaw, 52, sprouted her wings and journeyed on from this world Friday, February 28, 2014, at her home in Fort Hall, surrounded by family after a very courageous two year battle with colon cancer.
Robin was born July 23, 1961, in Pocatello, Idaho, to Elizabeth A. Cerino and Clyde O. Dixey Sr. and had five siblings: two brothers, Clyde "Tyke" Dixey Jr. and Aaron Dixey and three sisters, Caroline Dixey, LeeAnn (Vincent) Avila and Lizzie (Lance) Boyd.
  Jeannette Elizabeth Parmelee Powell was born December 26, 1919, in Pocatello, Idaho to Bruce Eugene Parmelee and Winstead Davie Parmelee. Jeannette was 94 years old when she passed away in her sleep February 26, 2014, at The Willows, 898 Meridian in Blackfoot.
  Jeannette lived most of her life in the Springfield community, with time out for school and travels. Her parents were early day farmers, and until recently, Jeannette still lived in the house she grew up in with her only sibling, Jane Ritter of Maine (deceased).
BLACKFOOT—Blackfoot native Jessie Woodland, 25, is dealing with one of life's toughest blows with grace and dignity; inspiring everyone she meets along the way.
A Blackfoot native, Jessie is at home battling a second round of gastric cancer. Her friends and family are rallying to help with her care and financial needs, while reaching out to the Ellen DeGeneres Show, in hopes of fulfilling one of Jessie's dreams - to meet Ellen.


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basically need to make this template a one page layout with minor changes/additions to it (like adding pricing table to homepage which is provided, adding the contact page at the bottom of homepage, making slider image static… etchttp://themeforest.net/item/biznuss-responsive-html5-business-template/5276596
Please let me know if you can help and what your per hour rate and/or total project cost?
Hi, I'm happy to do this for you, could you contact me through my profile and I'll get back to you ASAP. Thanks
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How to Change Your Perspective on Taxes
13 Extreme Things That Frugal People Do to Save Money
6 Moves to Get Crop-Top-Worthy Abs
Brad Pitt & Angelina Jolie: When is it Time to Seek Help?
Can Moms Make $100 Daily with Paid Surveys and More?
9 Best Snacks For Weight Loss
How to Get Organized With Dollar Store Finds
What's Your Weight Loss Type?
3 Moves You Need to Get a Dancer's Body
3 Moves You Need for Sexy, Sculpted Arms
Shiloh Jolie-Pitt's Mini Suit May Change Fashion Forever
Easy Ways to Bring in Extra Money
50 Ways to Make a Fast $50
10 Evening Essentials for Curvy Girls
The Hidden Problems Renters Face with Credit Scores
Expert Dating Advice For Finding Love After Divorce
Watch Ellen Shut Down Bethenny Frankel's Ignorant Comments
The Five Lesbians You Can't Avoid
28 Glamorous Wedding Cakes Too Beautiful to Eat!
6 Things You Should Know About Your Bra
Tips to Save on a Spring Trip
Dating Advice: Six Tips for Meeting Someone Special in 2015
How to Own and Overcome a Crisis
Find The Perfect Wedding Hairstyle
Can Living in a Tiny House Improve Your Life?
7 Simple Strategies for a Frugal, Prosperous Life
6 Edgy Pieces to Instantly Update Your Style
The Simple Way to Detail Your Car for Less
10 Engagement Photos That Will Make You Completely Jealous


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Spirit VCR Shoe
The Spirit VCR by Red Chili is famous for its perfect fit, durability and reliability on small foot holds as well as for friction climbing. It can make you feel at home on all types of rock, making it a sought-after all-round climbing shoe for the more technical climber or boulderer.
It utilises the triple velcro strapping to hug your foot, maintaining a tight, focused and sensitive fit. In addition the firm midsole gives you power and support for bouldering as well as a wide variety of routes. The Impact Zone feature adds comfort to the heel when jumping off boulders or belaying.
FREE UK DELIVERY on orders over £30
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|Great shoes if a bit costly
|Reviewed By Harold, 29 May 2014
I got these shoes two years ago and they are a great piece of kit. Strong, durable materials, good fastenings which fit my feet well, and decent rubber which performs great on indoor walls. I have not used them outdoors so I can't comment on that but the performance indoors is much better than my previous cheap scarpa pair.


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WHO Urges Bird Flu Protections for Humans
Sat Jul 17, 2004 07:34 PM ET
WASHINGTON (Reuters) - Outbreaks of a deadly bird flu in Asia require tough precautions against the emergence of a new virus strain that could sweep through the human population, the World Health Organization said.
Thailand, the world's fourth largest chicken exporter last year, has seen avian flu hit 15 of 76 provinces over the last two weeks. Since late last year, China, South Korea, Taiwan, Vietnam, Cambodia and Indonesia also have reported cases.
"While these outbreaks, thus far, remain restricted to poultry populations, they nevertheless increase the chances of virus transmission and human infection," WHO said in a statement issued late Friday.
Article: http://www.reuters.com/newsArticle.jhtml?type=healthNews&storyID=5697598


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Northwoods Software Delivers Advanced Planogram Technology Web Implementation Provides Rapid Design and Shared Planograms PR Newswire NASHUA, N.H., April 3, 2014 NASHUA, N.H., April 3, 2014 /PRNewswire/ -- Northwoods Software today announced that it has delivered "Stanley/National Display Designer" to Spectrum Brands Holdings Inc. "Stanley/National Display Designer" is state-of-the-art, web-based planogram software that allows salespeople to design retail store displays for their customers. "Stanley/National Display Designer" is a customized version of Northwoods' breakthrough GoPlanogram™ software technology. "We are excited about our partnership with Northwoods. GoPlanogram compliments the suite of tools we leverage to provide category leadership in the marketplace. Their cloud based model enables superior collaboration and dramatically improves best practice sharing. It strengthens our ability to optimize local planograms for our customers with a consumer-centric approach.", said Bob Pitera, Category and Consumer Insights Manager for Spectrum. GoPlanogram's web-based implementation means that planograms can now be easily shared amongst a company's users worldwide, and reliably backed up. More importantly, centralizing the storage of a company's planograms, when combined with store sales history, has the potential to provide a wealth of business intelligence for optimizing category management and inventory. Northwoods Software Corporation, founded in 1994, focuses on graphical applications that provide ease of use and high productivity. Since its founding, Northwoods Software has grown to become one of the world's leading suppliers of interactive diagram components and class libraries. Northwoods began developing planogram software in 1999. Its easy to use planogramming technology is currently in use by innovative companies around the world. A free demonstration is available at: http://www.goplanogram.com GoPlanogram, GoDiagram, GoXam and Northwoods Software are trademarks of Northwoods Software Corporation, Microsoft and Silverlight are trademarks of Microsoft Corporation. Other trademarks are owned by their respective owners. SOURCE Northwoods Software Corporation Website: http://www.goplanogram.com Contact: Pat O'Connell, 1-800-226-4662 ext 210, firstname.lastname@example.com
Northwoods Software Delivers Advanced Planogram Technology
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Mia Sara net worth: Mia Sara is an American actress who has a net worth of $1.5 million dollars. Born in Brooklyn Heights, New York, Mia Sara, also known as Mia Sarapochiello, booked her first role in a very high-profile project. "Legend" co-starring a young Tom Cruise, and directed by Ridley Scott, proved to be only mildly successful at the box office, but it put her on the map at age 15. She is most widely recognized for her second film role, as Sloane Peterson in "Ferris Bueller's Day Off". From there she went on to appear in both film and television projects, including, "Queenie", "Daughter of Darkness", "A Stranger Among Us", "Time Trax", "Caroline at Midnight", "Timecop", "The Set-Up", "Bullet to Beijing", "Chicago Hope", "20,000 Leagues Under the Seas", "Jack and the Beanstalk: The Real Story", "Birds of Prey", "CSI: NY", and "The Witches of Oz". She won a Saturn Award for her performance in "Timecop".
Mia Sara
Mia Sara is an American actress known for her roles in films such as Legend, Ferris Bueller's Day Off, and Timecop.
Date of Birth
- June 19, 1967
- Mia Sarapocciello
- Mia Sarapochiello
- 5 ft 4 in (1.63 m)
- United States of America
View Full Profile
- United States of America
Notable Appearances
- Hoodlum & SonEllen Heaven
- Turn of FaithAnnmarie De Carlo
- Lost in OzLoriellidere
- Jack and the Beanstalk: The Real StoryOndine
- The Impossible ElephantMolly Connor
- Little InsectsPrincess Dayzie
- The Fairy Princess: Secret of the CrystalMiss Martinet


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Born in Los Angeles, California, 7 For All Mankind was the first company to bring premium denim to scale. 7 For All Mankind quickly earned an immediate following for its innovative use of fabrics, fit and finishes in denim. Female celebrities followers include Emma Stone, Kim Kardashian, Jennifer Lawrence, Kristen Stewart, Jessica Alba, and Kate Bosworth. Male celebrity fans include Ashton Kutcher, Ryan Reynolds and Penn Badgley.
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OMG...I've been looking all over for these. I tried them on at Filene's and fell in love, but they didn't have my size. And I haven't been able to find them anywhere else! Usually not a big fan of 'welt-pocket' as they tend to flatten my rear, so I was pleasantly surprised how these actually do the opposite. Gorgeous dark wash,not too stretchy, comfortable rise. Unusual buttons, nice touch but I wouldn't call it 'embellished'? Tthe wide leg is different from the Dojos or Gingers (perhaps its due to the thickness/weight of the fabric), it's not dramatic at all. These fit true to size; for reference, I 'm 5'9" - 130lbs, sz.27 in SFAM; sz.26/27 in most True Religion.
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From Our Editors
Treat your ride to a quick oil swap, tire remix, and checkup at Expert Car Care, where all technicians in the garage are certified by the National Institute for Automotive Excellence, a collective tasked with dividing the grease monkeys from the jungle-jumping expatriate monkeys who merely pose as mechanics. Expert's veteran technicians will quickly swap out your car's oily soul, then carefully reposition your tires, compensating for any uneven wear caused by vehicle weight distribution and ever-shifting road conditions. Before your sweet stallion gets a lolli for good behavior, the experts will comb over 50 specific points for any reasons to deny them the sugary taste of road-safe praise.


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An independent petroleum company, Escopeta Oil, said Friday it believes it has made the largest discovery of natural gas in Cook Inlet in 25 years.
In a prepared statement issued Friday, the Houston-based company said the discovery, estimated at 3.5 trillion cubic feet of natural gas, was large enough to justify commercial gas production from its exploration well, the Kitchen Lights Unit No. 1.
"Because of this discovery, which could be the largest discovery in the Cook Inlet for a quarter of a century, Escopeta is currently in the preliminary design stages of an accelerated natural gas development scenario that could bring new gas deliverability to the Cook Inlet as early as 2013," Escopeta vice president Bruce Webb said in a prepared statement sent to reporters at 5:30 p.m. Friday.
The company said it believes it has discovered more than 45 billion cubic feet of gas at that single well, with the 3.5 trillion cubic feet figure an estimate of its newly discovered gas in the larger Kitchen Lights Unit from two separate geologic formations. Escopeta's claims could not be immediately verified.
Fears that old wells in Cook Inlet are running out of gas have prompted strong pushes in the Legislature and the business community for construction of a gas pipeline to bring the vast North Slope gas reserves to the populated areas of the state. Declining local gas reserves have also been cited in renewal of a hydroelectric proposal for the Susitna River -- a project scuttled in the 1980s partly over cheap gas production in Cook Inlet.
Whether new drilling in Cook Inlet will erase concerns about long-term gas supplies is still a major question. Geologists have recently increased their estimates of gas that could be discovered in Anchorage's watery backyard, but it's a long cry from the opinion of experts to gas in a pipe. To boost exploration, the Legislature offered financial incentives to drillers, and Escopeta said those benefits were essential to its business plans.
Webb said the gas was discovered in two known geologic formations, Sterling and Beluga, in a well drilled to 8,805 feet about 10 miles north of Nikiski. The well was begun Sept. 2 using the Spartan 151 jack-up rig, brought to Alaska from Galveston, Texas, around the tip of South America.
That voyage might have cost the company a huge fine. Two weeks ago, the U.S. Customs and Border Protection said it would fine Escopeta $15 million for violating the Jones Act by using a non-U.S. carrier to haul the rig. The company indicated it would contest the fine.
If the fine sticks, it could eat up most of the $25 million tax incentive Escopeta would get from Alaska if it extended the well another 8,000 feet into the Jurassic Formation. The state offered the tax reward to the first company that tapped the formation, Webb said.
Due to seasonal drilling restrictions forced by ice, Escopeta suspended drilling Oct. 28. It plans to reopen the well next year and cut its way to the Jurassic. Three other known gas and oil formations -- Tyonek, Sunfish and Hemlock -- are expected to be encountered before the well bottom.
Reach Richard Mauer at firstname.lastname@example.com or 257-4345.
By RICHARD MAUER
Anchorage Daily News


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