text:
One of the most divisive terms in the English language these days just may be "climate change." But for organizers at the ADVANCE Center at Texas A&M University, those words have a different meaning, synonymous instead with a unified effort to improve the university's work environment by encouraging diversity and reducing bias.
"Texas A&M has a rich history as an all-male, military-based college," says Mary Jo Richardson, Regents Professor and professor of oceanography and geology/geophysics, who serves as co-chair of the Climate Change initiative. "Obviously we now have female students, professors and administrators which necessitate adaptation to the changing educational environment."
Climate Change is just one of a number of efforts managed by The ADVANCE Center at Texas A&M, a program funded by the National Science Foundation (NSF) as an interdisciplinary collaboration among departments in STEM fields of study (science, technology, engineering and mathematics). Now in its third year on campus, the center's mission is to enhance and sustain gender equity and improve the representation of women faculty in STEM.
"Faculty members are continually interacting with administration, colleagues, staff and students," explains Richardson. "Some of those interactions could be improved through awareness of implicit bias, conflict resolution skills, communication skills and respect for each other."
Goals of the ADVANCE Center include improving the workplace climate and encouraging the promotion of female STEM faculty, recruiting the next generation and increasing their retention, as well as promoting activities designed to increase gender equity.
Such activities include the LEAD Program, a collaboration between the ADVANCE team and the dean of faculties to enhance the skills of department heads. "The importance of the department heads can't be overstated," Richardson contends. "They set the tone and the climate for their departments. From negotiating a hire, determining raises, allocating research space and assigning teaching duties- that's where the rubber meets the road." The LEAD Program is designed to further department heads' understanding of implicit bias in making decisions.
Department mini-grants are a Climate Change activity designed to support departments in their diversity efforts. Through this program, mini-grants are awarded to individual departments based on how well the proposed project supports the goals of the ADVANCE program. "Every year we are investing up to $30,000 in mini-grants," notes Richardson. "A number of them have mentoring aspects – having advocates for female faculty and creating support networks. Others are designed to improve faculty skills, such as communication skills for female faculty who are not native English speakers."
Improving faculty-staff interaction is another facet of the Climate Change initiative and it uses focus groups to explore the nature of such interactions. The findings show that the interaction between faculty and staff is complex and affected by a variety of factors, including context, personality, culture and generational differences. The ADVANCE Center is working to improve faculty/staff interactions by fostering an understanding of each group's roles, building trust between faculty and staff members, and engaging departmental leadership in the effort.
Another Climate Change activity involves merit pool incentives, by which the ADVANCE team works with Christine Stanley, vice president and associate provost for diversity, and her advisory council to annually assess the progress made by academic colleges and offices at Texas A&M toward reaching diversity goals.
And finally, the ADVANCE team is working to address implicit biases, prejudices and stereotypes of women and minorities within the student population, and according to Richardson, "We have found that female faculty members are treated differently by both male and female students when compared to male faculty. For example, female faculty members are less likely than male faculty members to be addressed by students as 'Dr.' It sets a different tone and expectation."
To combat this differential, the ADVANCE team promotes the idea of student diversity training to increase student awareness of bias and encourage them to respect all faculty members regardless of gender or ethnicity. "We've planned to raise awareness through a short video during spring new student orientations in the STEM colleges," Richardson notes. "The students' behavior influences that of other students and strongly impacts the climate in the classroom."
While emphasizing that Texas A&M has made strides in increasing its diversity – a record number of Hispanic/Latino students are enrolled this semester – Richardson says there is more work to be done. "Texas A&M is such a warm, welcoming and friendly campus. The 'Aggie Spirit' is what we are known for. And yet we're not known for our gender equity and diversity," she contends. "Change takes time. We have a culture of respect and acceptance ingrained in the fiber of Texas A&M. As the university evolves, we can preserve all that is already excellent about Texas A&M, while striving for gender equity and increased diversity."
Media contact: Lesley Henton, News & Information Services, at (979) 845-5591
More: Business, Law, & Society, Science & Technology, Topics


text:
Adequan® i.m.
This product requires a prescription.
To order, call us at 888-339-9695 or order from our full site.
To order, call us at 888-339-9695 or order from our full site.
- FDA-approved for the treatment of non-infectious degenenerative and/or traumatic joint dysfunction
- Requires a veterinarian's prescription
Active ingredient: Polysulfated Glycosaminoglycan (PSGAG)
Form: Intramuscular (i.m.) injection
Adequan® i.m. (polysulfated glycosaminoglycan) is the only FDA-approved treatment proven to relieve symptoms of non-infectious degenerative osteoarthritis, to stimulate cartilage repair and reverse the joint disease process. There is no generic version of Adequan® i.m. Studies have not been conducted to establish safety in breeding horses. WARNING: Do not use in horses intended for human consumption. Not for use in humans. Keep this and all medications out of the reach of children. Caution: Federal law restricts this drug to use by or on the order of a licensed veterinarian. See product package insert for full prescribing information by visiting www.adequan.com. Adequan® i.m. is available in 5 mL vials, packaged individually or in boxes of 7, or as a 50 mL multi-dose vial (all vials contain 500 mg of PSGAG per 5 mL).Please note that this item requires a veterinarian's prescription. Click here for more information.More
IngredientsEach vial contains 500 mg PSGAG in Water for Injection USP. Sodium Hydroxide and/or Hydrochloric Acid added when necessary to adjust pH. Sodium Chloride may be added to adjust tonicity.
InstructionsThe recommended dose of Adequan® i.m. in horses is 500 mg every 4 days for 28 days intramuscularly. The injection site must be thoroughly cleansed prior to injection. Do not mix Adequan® i.m. with other drugs or solvents.

subset: commoncrawl


text:
How do you slow down a Tennis Court?????
View Single Post
Say Chi Sin Lo
Join Date: Aug 2005
Posts: 8,998
Fast courts are faster because they're slicker. Slicker surfaces don't grip the ball as much so it just skids off. Because of the lack of grip, the ball doesn't lose as much kinetic energy after the bounce. Also, because the ball skids lower after the bounce, it's because there is less time until the 2nd bounce.
Slow courts are slower because they're griddier. So they grip the ball better and it doesn't skid off as easily. Unless you want a lesson in physics, just accept the griddy court will grip the ball. That grip will cause the ball to lose more kinetic energy so the ball will travel slower after the bounce. That friction causes the ball to bounce higher too. The higher bounce means there's more time until the 2nd bounce.
For simplicity sake, throw the ball across a carpet and hard floor. Which ball will reach its destination assuming you impart the same amount of kinetic energy to both?
Say Chi Sin Lo
View Public Profile
Find More Posts by Say Chi Sin Lo


text:
A theoretically sophisticated analysis of the nature of objects and the role of technology as a form of life which shapes the social landscape, Decentering Biotechnology engages with questions of power, globalization, development, resistance, exclusion, and participation that arise from treating biological objects differently from conventional property forms. As such, it will appeal to social theorists, sociologists and philosophers, as well as scholars of law, science and technology studies.
Publisher: Ashgate (October 01, 2010)
Format: EPUB
Page count: 200 pages
File size: 2.1 MB
Protection: DRM
Language: English


text:
|Thread Tools
Hi! I was an active member here on Mothering for a while a couple of years ago then I quit reading for a while... I decided to try it out again. :)
I am a birth doula through Birth Arts International. My husband is in the Army, and we are stationed in Fort Irwin, CA. It is in the middle of the Mojave desert, and I'm the only doula around for about 80 miles. Unfortunately that doesn't mean that I get a bunch of business! :( People here just don't seem to want or think they need a doula. I get some business, but not enough to sustain any kind of good income. I'm just glad that I don't have to do this as our primary income source.
We have 4 kids, Meadow is 6, Lily is 4, Sage is 3, and Andrew is 19 months. They keep me busy for sure! I am also finishing my bachelors degree in educational studies then I hope to complete Lamaze CBE training to become a certified CBE.
It's nice to be here!
Angie(25) Birth Doula and wife to Army man Bob(25), mommy to...Meadow Shae(6),Lily Rain(4), and Sage Ashlyn(3). Andrew Houston(9/3/11)
Bumping...anyone else want to chime in??!!
Welcome to the Birth Professionals forums!
How was your Birth Arts training? I got to look at their workbook recently and it looked pretty good.
Midwife (CPM, LDM) and homeschooling mama to:
14yo ds 11yo dd 9yo ds and 7yo ds and 2yo ds
|Recommended Reading
|Thread Tools
Show Printable Version Show Printable Version
Email this Page Email this Page
|Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts
BB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are On
Pingbacks are On
Refbacks are Off


text: I'm sure this has probably been asked before, but what do you guys think of military MRE's. My biggest issue right now is simply getting enough calories into my diet, because I don't like to eat(having braces might be part of it, that and when I lost 40lbs I lost alot of my appetite doing so). I read that MRE's have about 3000 calories a peice. I haven't really looked at protein or other things more specifically, but figured I'd start with the basic question. Thanks. Oh, I'm not trying to cut, just trying to pack on muscle.


text:
May 1736 - Soldiers in the Fall Fight under Capt William Turner (King Philip's War)
May 19, 1676
Soldiers in King Philips War, page 211
People: Joseph Fuller
Monument at Bloody Brook
Deerfield, Franklin, Massachusetts, United States
Source: Findagrave Cemetery notes and/or description: The slab that marks the mass grave is about 400 feet south of ...
People: Josiah Dodge
History of the town of Stonington CT. Page 22-23
March 28, 1676
Stonington, New London, CT
1675 -Great Swamp Fight. Sewall. History of Woburn. Page 116.
URL: http://pokanoket.us/Pokanoket-Leaders.html
The Council of Seven / Royal House of Pokanoket / Pokanoket Tribe / Wampanoag Nation
People: Massasoit, Sachem of the Wampanoag Nation, Quadequina and ~
The Sudbury Fight - April 21, 1676
April 21, 1676
Sudbury, Middlesex, Massachusetts
No comprehensive list of those who fought in the Sudbury Fight of King Philip's War is known to exist; collaborators ...
South Kingstown, RI, USA
Moument Erected to Great Swamp Fight of King Phillip's War In 1906. A rough granite shaft about 20 feet high was erec...
Map of King Philip's Campaign 1675-1676


text:
Beach girl's tunes are making ripples
Posted: September 19, 2008|
Exeter-based Rebecca Worthley is earning national radio airplay
SWEET melodies flow easily from the creative cauldron in Rebecca Worthley's head. Then they are brought alive by her delicate and expressive voice and daring instrumentation. Her trouble is deciding which ones to share.
The prolific Exeter-based singer songwriter's offerings have been delighting Westcountry audiences for a few years now, but with the limited release of new album Morning Comes to Those Who Wait, she has attracted national airplay on Radio 2 – following a live session on Bob Harris's Saturday night show last year.
The recordings feature Rebecca on banjo (not played in traditional folk mode, she insists), music box, singing bowl, classical and acoustic guitars. She also makes her debut as a producer on two beautiful, fragile tracks. Others were produced by Simon Greenwood of Exeter-based SoundCanvas and Sean Genockey of Black Dog Studios.
She has a unique sound, but shades of Kate Bush and Kate Nash spring to mind.
Unsurprisingly for one who pens such sensitive, fragile tunes and perceptive, observant lyrics, Rebecca is humbled by the acclaim. But it is also spurring her to share her music in ever-widening circles. One of her only current local dates is next week in the tiny but charming venue at Otterton Mill near Budleigh Salterton launching its impressive and eclectic autumn season.
Rebecca had an unusual and inspiring childhood, growing up the middle child of five in the grounds of a residential hospital in Kent where her father was chaplain.
"My dad plays piano and my mum sings – she also did a lot of amateur dramatics when she was younger. We were one of those twee families who do singing and dancing – big songs like gospel and big tunes from the musicals. I used to love doing Teddy Bears' Picnic.
"The hospital was a very beautiful place where people could come to recover. We used to put on a kind of panto for the patients every year – things like Beauty and the Beast and Cinderella with all the Disney songs – and I would end up taking the main part. It was such good fun."
Drawing on those early institutional roots, Rebecca still boosts her income with a shift or two as a nursing auxiliary, something she finds keeps her in touch with "real people and real life".
Now 27, she arrived at Exeter University to study English literature accompanied by her childhood sweetheart, Andrew Worthley.
They both fell in love with the Westcountry and stayed on in the city after graduating, taking advantage of its proximity to the wildness of Dartmoor and the Atlantic breezes of North Cornwall. The beach at Crackington Haven is now a favourite spot where Rebecca gains inspiration gazing from the crashing waves, the rocky cliffs and the sandy beach.
The pair married while they were still students and they work on Rebecca's music together, with Andrew accompanying her on guitar at gigs.
Rebecca Worthley performs at Otterton Mill, Budleigh Salterton on Thursday, September 25. For tickets, priced £8.50 call 01395 568521. Visit www.ottertonmill.com for details of more shows


text:
All-too-easy listening
Excellent. Well-respected. Professional. Traditional. A guaranteed pleasure, exciting, and adventurous, though to a slightly less degree.
This description may be applied to every one of the recent Red Sea Jazz Festivals in Eilat, and in fact to all of them during Danny Gottfried's lengthy term as artistic director, running from the late 1980s until last year.
Musician Avishai Cohen replaced Gottfried as artistic director in 2008, and said a few months ago that his goal would be not only to preserve the festival's demonstrated excellence, but to also update it and inject a youthfulness into it.
And so it is disappointing to discover that the festival, which opens August 23, is to be, at least on paper, excellent, well-respected, professional, and traditional, with guaranteed pleasure, excitement and adventure, though to a slightly less degree. And from one important vantage point, the exposure of young Israeli jazz artists, this festival does not represent an advance, but a step backward.
The jazz festival is mainstream and appeals to all jazz-lovers. This is its nature and so it will remain.
But it seems that Cohen, like Gottfried before him, sees only one side of the equation. He knows that most festival goers are people who like their jazz accessible and easy on their ears. It appears that he doesn't understand that even inside the bubble which encloses the festival and separates it from real life, the audience would not object to less friendly and more daring music, and would even welcome it.
Anyone who heard Israeli avante garde jazz pianist Slava Ganelin playing during the 2003 festival to a crowd of 1,000 - which at least appeared to enjoy his music - knows that the festival audience does need to be protected from innovation.
The list of foreign guests at this year's festival may be divided into a few groups: good, refreshing mainstream; good, predictable mainstream; and boring mainstream.
In the first group, mainstream with an element of novelty, are guitarists Lionel Loueke and Kurt Rosenwinkel (if he has a good day and doesn't repeat the sleepy performance he gave in Tel Aviv five years ago), the excellent drummer Dafnis Prieto and the sly pianist Jean-Michel Pilc.
In the second group, of good, if familiar, mainstream artists, are the wonderful saxophonist Paquito D'Rivera, terrific singer Dee Dee Bridgewater (who appeared in Israel just one year ago), pianist Chano Dominguez and saxophonist Jimmy Greene (who also recently played here).
In the third group, boring mainstream, are singer Robin McKelle (she also visited here recently), guitarist Rob Ickes (who plays jazz standards on a slide guitar), and guitarist John Scofield. Scofield is a musician with much to his credit, one of the outstanding jazz guitarists of the last decade, but the group he is bringing with him to Eilat, focusing on gospel and R&B, sounds (to judge by the album) worn-out.
If Cohen had dared to invite artists outside the mainstream (at one point he announced that he would try to bring representatives of what he termed "downtown shit," that is, freer and more adventurous New York City jazz), the festival would only have benefited.
What about Israeli musicians? About half of the local shows are not jazz performances (and this estimate assumes that singer Marina Maximilian Bloomin will offer a actual jazz show).
The fabulous Apples have a slight relation with jazz (I hope they emphasize it in their show), but the other four groups (Habanot Nechama, Funkenstein, Danny Sanderson and the drum ensemble Kabako) are not connected to the genre in any way.
It may be that these choices are connected to the fact that this will be the first Eilat jazz festival to feature Israeli artists on main stages. It's a welcome step, but the price - lowering the presence of local jazz practitioners - is extremely problematic.
Of the five true jazz performances by Israelis, three of them are by excellent musicians who are veteran players on the Israeli scene: saxophonist Eli Degibri with his great trio, including organ and drums, guitarist and oud player Amos Hoffman, and drummer Rea Bar-Ness.
The two remaining shows are dedicated to symphonic jazz. One features saxophonist Peter Wertheimer.
The second is the Israeli Big Band conducted by Danny Rosenfeld, a great orchestra of excellent young musicians who devote their time to more anonymous pieces in the repertoire. Cohen's idea to have them open the festival is a brilliant one.
But can it be that, aside from the Big Band, there will be no other representative of young Israeli jazz? Earlier festivals featured at least two or three groups of Israeli jazz players in their 20s. Who knows better than Avishai Cohen (who had to go to New York to foment his own career) that Israel lacks any other stage where talented musicians at the start of their careers can present their music in front of a large crowd.
It is strange and disappointing that he did not grant them a chance at the first festival under his direction.
Like us on Facebook and get articles directly in your news feed


text:
We're proud to offer a tremendous selection of the finest local & international brews found anywhere, including lagers and ales, pilsners and porters, stouts and hefeweizens, and bocks and ciders as well as the best ales from around the world!
Located in the heart of downtown Saskatoon in the historic Hotel Senator
243 21st Street East
Hours of Operation
Sunday: 12:00am - 1:00am
Monday: 11:00am - 2:00am
Tuesday: 11:00am - 2:00am
Wednesday: 11:00am - 2:00am
Thursday: 11:00am - 2:00am
Friday: 11:00am - 2:00am
Saturday: 11:00am - 2:00a
Sour tap take over coming soon! Check back for our exciting tap take over featuring awesome sour beers!
Hotel Senator 107th Anniversary Bday Party
April 17th-19th!
Yes, we opened 107 years ago on April 17th
1908, join us for a bday bash weekend with tons of specials!
Here are the guest beers!
8 wired / Rewired unchained
8 wired / Rastafri Unchained
Anderson Valley / Horse Tongue
Anderson Valley / Kimmie Gose
Oud Beersel / Framboise KK
Oud Beersel/ Lambic
Omnipollo / Magic 42
Omnipollo / Magic 411
Townsite / Lil Red Sour
Nicklebrook / Uber Berliner Weisse
De Molen / Mud & Funk
De Molen / Zwaaien & Zwieren
Our underground pub Churchill's Cellar features a full bar, 8 taps and a stellar full craft beer list, is open to the public Friday's and Saturday's from 5pm till close! Room for 300 ppl, so come party in the Underground!


text:
About Schools in Thatcher, UT
Contact a Coldwell Banker® real estate agent to learn more about the schools and school districts in Thatcher, UT.FIND AN AGENT
Thatcher, Utah is located in Box Elder County. Nearby cities and towns include Tremonton, Garland, Howell, Elwood, Bear River City, Deweyville, Honeyville, Riverside, Corinne, Fielding, Plymouth, Mendon, Peter, Brigham City, Cache, Wellsville, Perry, Portage, Newton, Benson, Clarkston, Willard, Mantua, Nibley, Hyrum, and Amalga. Thatcher is a rural community with a population of 830. The median household income is $72,691. In Thatcher, 70% of residents are married, and families with children reside in 52% of the households. Half the population of Thatcher commutes 19 minutes or less to work, with 44% of residents holding white collar jobs and 56% residents holding blue collar jobs. The median age of homes in Thatcher, UT is 26 years, with 76% of those homes owned, 11% rented, and 13% not occupied. In the previous year, 7 Thatcher properties were sold. The median sale price of a home in Thatcher in the previous year was $168,178.
Contact a Coldwell Banker® real estate agent to learn more about the schools and school districts in Thatcher, UT.FIND AN AGENT
See if your personality and goals are right for real estate.SEE ALL REAL ESTATE CAREERS
Community information and market data Powered by Onboard Informatics. Copyright ©2015 Onboard Informatics. Information is deemed reliable but not guaranteed.
This information is provided for general informational purposes only and should not be relied on in making any home-buying decisions. School information does not guarantee enrollment. Contact a local real estate professional or the school district(s) for current information on schools. This information is not intended for use in determining a person's eligibility to attend a school or to use or benefit from other city, town or local services.


text:
Zombie Make Up
Do it Yourself Zombie Makeup Kit
Create the character costume of your choice with this Zombie Makeup Kit. it includes creepy skin, blood capsules, sponges and an applicator brush to help you achieve the perfect living dead look.
Mega Bite Makeup Kit
Make Up Tips Watch everyone's eyes bulge as they struggle to hold down their dinner upon catching sight of you after you use this Mega Bite Makeup Kit. Why? You'll look as if a zombie had just ripped a meaty bite out of your neck! This kit includes latex prosthetics, adhesives, and all the fake…
Family-Size All-in-One Zombie Kit
Create a compelling and completely unique Zombie costume for Halloween. This family-size all in one Zombie kit has everything you need to create dozens of scary zombies like a pro.
Zombie Flesh
Create earthly, freshly risen from the grave Zombie Skin with this tube of Zombie Flesh makeup - four out of five zombies recommend it!
Zombie Latex Kit
Create all types of scars, warts, wrinkles and torn skin with this easy to use Zombie Latex Kit. Complete with four brushes and red, white, black and flesh colored makeup, you'll have all you need to make your onlookers scream!
Walking Dead Decaying Head With Collapsed Eye
Join the legions of the walking dead when you create or complete your zombie costume with this officially licensed Walking Dead latex appliance which looks like a decayed head with a collapsed eye - gruesome!
Zombie Deluxe Makeup Kit
Create or complete your costume with this deluxe Zombie Makeup Kit. it in zombie teeth with dental adhesive, a two-color make up tray, a tattoo sheet, a bloody scab, liquid latex, sponge and a brush so you can apply makeup like a pro.
Zombie Dust
Create an earthy, fresh from the grave Zombie skin complexion with this Zombie Dust makeup!
Night Stalker Appliance
This nocturnal monster will scare everyone this Halloween with the Night Stalker Appliance. Features three gaping face holes, add blood, grey face makeup and creepy colored contacts (sold separately) to transform completely.
Liquid Tooth Out Makeup
Make Up Tips Create an unmistakable zombie, vampire, hillbilly, convict, criminal or wicked witch character when you black out one or several teeth with this amazing Liquid Tooth Out makeup. Or put it on as a prank before you go to the dentist!
The Walking Dead Makeup Kit
With the Officially Licensed The Walking Dead Makeup Kit you can now become your favorite Walking Dead character. This kit features 6 colors to create the most bruised and bloodiest looks you can imagine.
Zombie Makeup Kit
Transform yourself into someone or something evil with this amazing Zombie Makeup Kit - it evens includes zombie teeth! Frighteningly realistic.
Zombie Rot Kit
Look like you're actually decaying from the inside this Halloween with the Zombie Rot Kit. You'll be the creepiest zombie around when you wear this green and yellow colored rot.
Zombie Makeup Kit
The Zombie Makeup Kit is literally everything you need to create an authentic zombie appearance to go along with your zombified costume creation! You'll find that the possibilities are endless with these zombie teeth and dental adhesive, two color makeup trays, tattoo sheet, bloody scab, liquid…
Zombie Stack
Choosing your zombie makeup is mindless this Halloween, just pick up the Zombie Stack for all your makeup needs. These 5 color pods features all the colors you need to create the grimiest and most haunting looks you could ever imagine.
Devoured Zombie Application Kit
Walk among the dead with the Devoured Zombie Application Kit. People will run in fear as you wear this blood-stained face with facial scars.
Compound Fracture
Make Up Tips Now that's one tough break! Icky, creepy , nasty wound is gnarly and a must-have to complete your zombie, monster or mad doctor costume
Gray Grease Makeup
Make Up Tips Look like hell with this deathly Gray Grease Makeup. Perfect for zombies, werewolves, mummies or witches, this professional-grade gray Halloween makeup is also ideal for blending and mixing with other colors. Always remember to "set" grease makeup after application for a long-lasting…
Brain Matter Appliance
Show off your brains when you wear this Brain Matter Appliance. You'll look like ooey gooey ghoulness when you pair this patch with zombie, monster, and other scary costumes.
Don Post Makeup & Appliance Kit
Don Post was dubbed the Godfather of Halloween for his visionary mask making; the Don Post Studios continue the legacy with this Makeup and Appliance Kit which includes everything you need to create an awesome and entirely realistic zombie look for Halloween.
Flesh Latex Makeup
Make Up Tips In the world of Halloween makeup, there is no end to the amount of costumes this flesh-colored latex paint will help with. Whether you are trying for a burn victim costume, a disfigured look, or just a different feel, this makeup works great as an effect or adhesive. For an easy…
Socket to Me Makeup Kit
Make Up Tips The ultimate in Halloween make-up, this Reel F/X kit comes completewith high-grade, pre-painted prosthetic and life-like fake blood that gives the impression that an eye has been torn from your body. Ideal for zombies, horror movie victims, and anyone not made squeamish by a gory, empty…
Small Makeup Crayons
Make Up Tips Add colorful detail and enliven any costume with these handy Small Makeup Crayons. Show off your artistic side and craft fine lines, geometric designs or realistic stitches and wounds. Bring a vampire, clown or zombie costume completely alive!
Wide Awake Appliance
This insomniac just can't keep their eyes shut, literally. The Wide Awake Appliance will scare the living daylights out of anyone who sees you. Features 2 appliances with bloody eyelid detail.


text:
Joseph Beecroft
He came with his wife and son and left the company at Fort Des Moines, Iowa, in mid-August, due to poor health. After several years, the Beecroft family continued their journey to Utah in 1859, traveling with the Haight-Kesler freight train.
Edward Martin Company (1856)Age at departure: 45
- Beecroft, Joseph, Journals 1844-1883, reel 3, vol. 6, 42-54.
- Trail Excerpt
- Source Location
- Church History Library, Salt Lake City, Utah
Family Tree
- Source Location
- Internet Web Site
Ship Passenger and Manifest Lists/Mormon Migration
- Trail Excerpt
- Source Location
- Family History Library, Salt Lake City, Utah