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|Nov 17, 2012, 08:47 PM
Tell me about your workflow
I'm still trying to get a handle on how I want to do things in terms of workflow. I'm new to all this, so thought I'd learn a thing or two from hearing how others approach theirs.
I realize this is a fully subjective issue, and that no 2 workflows are likely to be the same. But I'm hoping to learn a thing or two by reading what you all have to say.
I find that I don't have all that much patience so far, when it comes to post-processing. I usually have multiple shots of the same subject or scene (trying different exposures and combinations) and tend to want to weed through them quickly once I get in front of the computer, to maybe focus on the one or two that I deem the best. But I'm not entirely sure how to proceed from there on. I tend to play with the different WB settings first (daylight, cloudy, etc) and then...well, I see a lot of talk about adjusting tone curves and contrast and sharpness and all that...But short of very minor tweaks that seem obvious right off the bat (usually adding a bit more saturation to dull looking color), I get a bit discouraged stabbing randomly at most of those settings and end up leaving most untouched.
Curious to hear how you all proceed once you've got a print selected for 'keeps'. Is there a method to the madness?
|Nov 17, 2012, 09:53 PM
I'm sure if you look around, you'll find a lot of different workflow threads. I've taken inspiration from a lot of them, and this is my current personal workflow.
I use Aperture for most of my RAW work, and for crucial, important photos I redo the RAW processing with either Photoshop or DPP.
This workflow works regardless of what RAW processor you use; this portion is just organization.
1. Import all RAW files into Aperture as a single project, delete all files on card and eject.
2. Separate the RAW files into separate projects, and give each project a title to help with identification.
3. Back up to a vault so all your files stay safe.
4. Go through each project and delete any shaky, misfocused or other blatant irrecoverable mistakes.
5. Go through each project and give each in-focus photo 1 star. Repeat the process, except you increase the criteria (better composition, sharper image, etc.) each time you rate the photos, until you end up with the cream-of-the-crop 5 star photos.
6. Go through the 4 star photos and see if there are any photos that can be worked on to become 5 star photos. 3 star and below should have too many flaws to do this.
7. You should end up with the best images from the shoot.
Now for the post work.
1. Adjust exposure and white balance.
2. Straighten the photo. Heck, this is what most photos require, but if there are any other adjustments needed,
3. Play with the contrast, saturation and vibrancy using either the given tools or Curves.
4. Demolish chromatic aberration and lens distortion. Notice that one of Aperture's shortcomings is a lack of a distortion correction tool built-in.
5. Basic touch-up work if needed. If an image needs to be worked on in Photoshop, chances are, it's not a good photo to start with.
6. Export JPEGs for certain photos with watermarks for sharing on the Internet.
I do realize this is a long process but this gives great results.
MacBook Pro 15" 2.2Ghz hi-res glossy, 16GB RAM, 840 EVO 250GB, WD Blue 1TB Optibay iPhone 5 White 32GB Audiophile Photographer, videographer, audio engineer
|Nov 17, 2012, 10:00 PM
My Workflow - Not For everyone
First off, I have a Nikon D90 set to capture JPEG + RAM, and I have Photoshop Elements 6. Also, I'm an amateur photographer who does it just for enjoyment and not for work. All pics are downloaded into Adobe Bridge (came with PSE). The acceptable RAWs are moved to a file folder labeled with the day's date and stored in a Documents folder on a HD separate from the HD storing iPhoto. All the acceptable JPEGs are sent from Bridge to PSE for tweaking before being sent to iPhoto. The tweaking usually involves light and color enhancements. In iPhoto the JPEGs are filed in Albums according to subject.
This workflow was not learned - it simply evolved over the past 12 years of my doing digital photography.
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|Nov 17, 2012, 10:03 PM
Also, most digital darkroom software have an export-to-JPEG or JPEG preview feature which automatically generates JPEGs upon import, negating the need for a RAW+JPEG shooting mode.
Also, just wondering, do you use the Dvorak layout?
MacBook Pro 15" 2.2Ghz hi-res glossy, 16GB RAM, 840 EVO 250GB, WD Blue 1TB Optibay iPhone 5 White 32GB Audiophile Photographer, videographer, audio engineer
|Nov 18, 2012, 12:04 AM
A question comes to mind already, from reading the above 2 replies.
(PS: Thanks for sharing them)
What is the "basic" criteria for color/sharpness/contrast adjustments? Again, speaking as a complete beginner here, I find it a bit overwhelming.
One benefit I have found in shooting and importing raw+jpeg is that the jpeg already has had some adjustments made to it (in-camera) and usually looks a bit more lively and dynamic than the raw file (I have heard that this is normal, as the raw is completely unprocessed and tends to look more flat before it's gone through post).
To me, not knowing where to start, the jpeg gives me a general idea of what I should be aiming for in terms of color saturation, sharpness, etc.
Does that make any sense?
|Nov 18, 2012, 12:22 AM
First, let's start with the white balance. Try to find a white or gray area in a photo, such as a white wall. The white balance tool should give the Kelvin temperature of the light in a RAW file. If it's daylight, it should be around 7000K, and indoors should range from 2000 to 4500K. Play around the Kelvin slider a little bit to make the white or gray as neutral as possible; you can check this by putting your cursor over the area and seeing the RGB measurements of the color (stuff like 255,255,255). The three values should be equal; when this is achieved, the photo should have a more correct white balance. Of course you can intentionally warm or cool the photo to give it a certain atmosphere. Most cameras set on auto white balance tend to give close-to-accurate white balances, so most adjustments here will be within 500K of the default value.
As for contrast, when you put a photo through a post-processing RAW engine, the engine usually automatically adds a hue and contrast boost already to it. If you find it lacking, add a little bit but not too much of saturation, contrast and vibrance; give yourself ±10%.
Sharpness, I keep mine maxed out to keep the photo as sharp as possible, especially since my main lens (24-70 f/2.8L) isn't a very sharp lens. I don't bother with this setting much.
Another reason you should use RAW is that it has 12 to 14 bits of color data. It has therefore 6 bits more of dynamic range that the computer can take advantage of, and usually it is in the highs. Which means that if you overexpose, you can recover the overexposed bits by pulling down the extra 6 bits of data into the 8 bit space.
This setting is called the "Recovery" slider in Aperture, not sure about others. It can also be achieved by pulling the high limit in the expanded curve graph (the one where the axes go above 1) to 1. Keep it zero if the exposure was correct to begin with; increase recovery accordingly to get more dynamic range.
In general, aim for the most natural settings you can find. Overly saturated photos may look more colorful, but after a while it's too vibrant to be considered realistic. You'd want a photo to be as close to reality as it can be. What I try to do is picture that I'm in the scene, and change the setting so that when I'm there, it could pass for reality.
MacBook Pro 15" 2.2Ghz hi-res glossy, 16GB RAM, 840 EVO 250GB, WD Blue 1TB Optibay iPhone 5 White 32GB Audiophile Photographer, videographer, audio engineer
|Nov 18, 2012, 12:34 AM
I use LR4, but most of those things you mention are roughly equivalent in both LR4 and Aperture.
Interesting what you said about the "realism" vs. the "more colorful". What I find hard to wrap my mind around there is that the "realistic" photos (at least the ones I get out of my gear, unprocessed) tend to look very dull and flat and "grey", in a sense. I'm not talking about adding a tone of saturation, but I find most pics need a little bit of nudging in the saturation dept. to look remotely appealing (excluding B&W of course).
One thing I did not quite understand in your response. You mention that most raw engines automatically add a bit of contrast and hue. I was under the impression that viewing a raw file in LR or Aperture would show me the data in its raw form (as shot) without adding anything to it. Is that not the case?
|Nov 18, 2012, 07:21 AM
I have used LR as my main cataloging and editing environment for years, first on PC and now on OS. I have PS6 but folks can also use PSE 11, which is a bargain, to do their pixel editing as needed. You can also use plugins in Nik, OnOne, Topaz, and others as desired to give extra flexibility, speed, and features.
An beginner using OS might want to try Aperture as it is about half the cost of LR. Aperture also shares the same library with iPhoto. Any plugins purchased for Aperture likely can also be used with LR.
Personally I never shoot lossful 8 bit compressed jpg files. The only reason I would do so is if I am in a situation like a sports or news photographer who needs to deliver a photo to a news service NOW. Instead I shoot raw files to capture and preserve as much data as possible. Once I have the data via a 12 or 14 bit raw file, I can do anything I like to a copy of the file during post processing.
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Last edited by MCAsan; Nov 18, 2012 at 07:26 AM.
|Nov 18, 2012, 07:26 AM
My own workflow is Photo Mechanic->RAW Engine->Aperture (obviously, latter two could be the same). I use a variety of plugins with Aperture such as Nik/onOne. Photo Mechanic is great for very quickly rating/culling, adding lots of metadata, renaming, backing up to multiple locations, etc.
|Nov 18, 2012, 08:16 AM
The idea with RAW is that the files provide you with a significantly larger amount of data for fine tuning by you. A RAW file, straight out of your camera into your viewer, may look like crap compared to a paired JPEG. It's what you do, and can do, with the RAW file and all that data that makes the difference.
Food for thought...At this point, if you're like me, you may not want to spend countless hours sitting at a computer tweaking and fine tuning images. You may prefer to be out taking shots and honing your skills with camera instead of the computer. If that's the case, JPEG images instead of RAW can work very well for you (I can practically hear the collective gasp!).
P.S. Whatever workflow you develop for yourself, be patient and give yourself time. I'm new at this myself, but many of the photographers that post here have worked very hard at developing their skills over a long period of time.
Last edited by Cheese&Apple; Nov 18, 2012 at 08:35 AM. Reason: Added P.S.
|Nov 18, 2012, 09:46 AM
JPEG vs RAW
To Prodo123 who asked if I use "Dvorak layout". I don't, and I don't know what it is!
2008 Mac Pro 3.1, 2X 2.8 GHz Quad, 6 GB RAM, 320 GB + 1.5 TB + 3TB internal HD, 2 TB external HD, OS 10.6.8, 27" NEC Multisync EA273WM
|Nov 18, 2012, 10:21 AM
|Nov 18, 2012, 10:47 AM
|Nov 18, 2012, 11:38 AM
That said, getting a RAW image that doesn't look dull isn't really hard, though. I look back at some of my images as they progress through time and I can see that at the beginning I was obsessed with saturation But now, I'll typically nudge the contrast/curves a bit, maybe some saturation (but more often than not, none), some sharpening, noise correction if needed. I may spend a couple of minutes on each image, at most. Images I really like I may go back and tweak a little more. I find messing about with RAW images fairly relaxing, but that's just me.
|Nov 18, 2012, 11:38 AM
To answer your original question....
Basically, Prodo123's first answer is very close to what I do, except I use Lightroom instead of Aperture. I will add a couple of comments however. I don't delete the images on my cards until I put them back into my camera. I have my images set to back up nightly to an external HDD. In case there is an issue with the back-up script, and the internal HDD crashes I will still have the images on the card. I simply put the cards I've exported from on shelf. When I need some cards to go shooting with I grab a couple extra ones from the shelf, which will be the oldest (I always have a couple of cards in the camera bag as well.)
I also do a quick 1 star sort. I don't know if this is how Prodo does it, but I go through the images very quickly, and make a snap judgement. You can do hundreds of images in very short order. A few minutes, perhaps. The basic criteria is... Is this image crap or not? If it's not crap, gets 1 star (don't spend time deciding how how good it is ... this is just a yes/no star). Second star is done the same way... quickly, and without thinking too hard. Do I want to see this image again? Yes/No. Sometimes, I might pause and give an image 3rd star during this process ... it simply means I'm marking the images I want to start working with.
I will also add a bit about white balance. When you shooting, take the time to find something grey in the same light as what you are shooting. That is... if you are shooting something in the sun, find something grey that is also in the sun, not the shade). Capture an image. Cement, pavement, a piece of galvanized metal, etc. Or carry a grey card. This is especially helpful when conditions aren't sunny... sunny is easy.
Back at the computer take a WB reading from your grey patch. You can now use that for all the images taken in that session.
You mentioned you used Lr. Do you use the Synch option? Take one really good image from the session. Work on it 'til you're happy. Limit yourself at this point to tools that don't make any local adjustments (Cropping, spotting, the brush and graduated filter, etc). So, Exposure and WB, and tone curves, etc. Then "Synch" those adjustments across the session.
Edit your images down to just a few from any one session, and only work on those. If you are trying to make 25 images look great, you will get frustrated. So, concentrate on just 3 or so.
One of the strengths of Lr is that they have put the editing tools in the order you must often use them. Start at the top, and work your way down. Exposure adjustments first, then recover the shadows and highlights if you need to. etc etc.
Do you know you can save preset Tone Curves? If you find that you always set the curve a certain way (more or less) save it. You can have one for cloudy days, sunny days, etc. Then you can apply the preset curve to an image, adjust as necessary, and then synch it across it the session.
But ultimately... doing post work is a necessary evil. I agree that it is not what I would like to be doing.
My friends, love is better than anger. Hope is better than fear. Optimism is better than despair. So let us be loving, hopeful and optimistic. And we'll change the world. - Jack Layton
|Nov 18, 2012, 12:10 PM
The first image is the very RAW image that Aperture starts with. This is with the default hue and dynamic range boost that RAW engines use. As you can see, this is what people mean by gray, flat RAW files.
The second is with both boosts maxed out as is default with all RAW processors. More lively colors.
The third and final image has a slightly warmer color temperature (6254K vs 5967K), little bit of recovery of the highlights, slightly darker exposure, and a small saturation and vibrancy boost.
The fourth photo shows a slightly overdone contrast, saturation and vibrancy edit. As you can see the moss is way too green, the pine needles too yellow and bright, and the rocks too blue. The squirrel looks okay, however. Notice how the bright, vibrant, off-center colors tend to bring your eye from the subject of the photo; this is a good sign that it's overdone in that area of the photo.
The fifth and final photo shows the same photo as the fourth, only with the "overdone" edits applying only to the squirrel to bring out its brown color. A cool thing about Aperture is that its adjustments work the very same way as Photoshop's adjustment layers and layer masks; you can paint certain effects in and out, and that's what I used to make the colors on the squirrel pop while keeping the rest of the photo natural.
The natural look is my personal preference, and whether an adjustment is overdone or not is certainly relative to that standard. If you like your photos colorful and vibrant, you're more than welcome to push the saturation bar up
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|Nov 18, 2012, 12:48 PM
Excellent comments, both Prodo and Snberk, thank you.
I guess to answer the "why put a card in your camera at all" question (even though rethorical): I didn't say I didn't want to post process my photos. But ultimately, at this stage, being new to it all, I want to focus on taking pictures. I'd rather be outside for 4 hours shooting, and spend 30 minutes on the computer culling and cleaning up a bit, than spending 30 minutes shooting and 4 hours painstakingly editing. If that makes sense.
As I get past the learning curve, I am not averse to doing more advanced editing and getting more out of my software. But for now, I want my focus to be the actual art of taking the pictures. That is plenty to learn as it is.
Having said that, I appreciate both of your detailed comments. I'm starting to get a feel for what to look for and for certain patterns that I'm seeing everyone repeat, even though their workflows may vary, namely: culling using the rating system first, in order to be able to focus on a handful of images for post work. As someone pointed out: Trying to edit 30 photos can quickly get very frustrating. 5 photos, on the other hand, I can focus on, I can give more attention to, etc.
Keep em coming!
|Nov 18, 2012, 01:06 PM
The trick is to learn to be efficient in your processing. Both Lightroom and Aperture include tools to help you to process masses of photos quickly.
I also agree... concentrate on just few images at a time. As you learn how to make these images really shine, you will also probably find that your picture taking process also changes. Ideally, for some photos, before you actually push the button you will already have started thinking about the post processing. This is called 'pre-visualization'.... Ansel Adams coined the phrase. It likely won't happen for every photo... but for some, at the moment you push the button you will have already decided that this image is going to be great because you can already see the finished image in you mind. It's a great feeling.
Adobe has a some very good (and often overlooked) learning resources on their website. Very knowledgeable posters. Ignore what you can't don't currently know, and build on the techniques that you sorta know. Pretty soon you will be able to go back and look at the stuff you initially ignored, and it will actually make sense.
I'm lucky, in a weird way. I live north-ish.... so right now my days are short, and the nights are long. Lots of time to spend in front of the computer!
My friends, love is better than anger. Hope is better than fear. Optimism is better than despair. So let us be loving, hopeful and optimistic. And we'll change the world. - Jack Layton
|Nov 18, 2012, 03:17 PM
In the good old days there were two basic parts to photography: capture and process. Anyone with a camera was doing the capture part. But when it came to processing film, most photographers set their film off to a lab where all manner of magic was applied. The other choice was the photographer set up their own dark room and learned to do the mojo magic themselves. The point being that someone somewhere was doing processing. Finished prints or slides are not produced by a SLR or DSLR.
So the question is....do you want to shoot a scene and let the camera be your lab (producing a lossful jpg) or do you want to learn how to process you images yourself using any number of software tools? Either way the magic has to happen somewhere.
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|Nov 18, 2012, 05:27 PM
I thought I would share my "old" workflow for those in the forum who have never dirtied their fingers with stop bath.
Shooting: Use a hand-held light meter to read the general light and make a good guess as to how much to over or under expose to get the details where I wanted them in the final print. Took the shot and bracket one over and one under. The "rich kids" had spot meters and took several readings of the subject and picked their exposure using Jedi Magic aka the Zone System.
Film Processing: I set up my darkroom water bath, developer, stop bath and fixer to the right temperature. Around 72 degrees. Kill the lights and pop the film canister in total darkness, feeding the film into the developer reel by feel and dropping it into the developer canister and smack it on the table to free any air bubbles that may be on the emulsion. Turn on the safe light and start the clock, methodically turning and tilting the canister for around three minutes (more or less to over or under develop the film, depending on how you shot it in the first place). Drain the canister and add stop bath. If I used a second canister for the stop bath I killed the lights and moved the reel from the developer to the stop bath. Repeated the swish and roll thing. Repeated this with a fixing solution that neutralized the remaining salts and chemicals. Turned on the lights and opened the canister, placing it under the water wash for a good amount of time. Took the finished roll to the drying rack and dipped it in photo flow, (Never, ever put a film reel in photo flow. It will develop from the outside in for the rest of time.) Come back tomorrow...
Remove the film from the dryer and cut it into strips, placing each into a protective sleeve.
Proofing: Set up print developing chemicals and enlarger. The chemicals are similar to film processing with trays for developer, stop bath, fixer and a running water wash at around 70 degrees. Put the safe light on and put the film strips emulsion side down on a sheet of print paper in a glass frame and expose it to light from the enlarger. Process in the same order as with film. This is a rather flexible process as opposed to all the timing done with the film. You watch the image develop and stick it in the stop bath to freeze the process. Run this contact sheet through a large heated drum dryer, face up for gloss and face down for matt finish. Look at the contact sheet with a loupe to "edit" the ones you want. These are "starred" by scribbling on them with a pen (not the negatives, of coarse!).
Printing: Pick what you want to make a print from and return to the darkroom. Place the negative in the carrier and clamp it into the enlarger. Flick it on and adjust it until the image is cropped as desired on the paper deck. Set the timer for 5 seconds and place a small strip of photo paper in an important part of the image. Cover 3/4 of it with another sheet of photo paper and start the timer. Move the mask and repeat this three more times. This gives you a sliver of the image exposed for 5, 10, 15 and 20 seconds. Develop this and take it out into the light to pick the best exposure time. Set that time into the timer and expose a full sheet of paper. Develop this by eye, watching the image as it appears. Changes in temperature can speed or extend development, so I rubbed my hand over areas that needed more detail. If there are parts of the photo that need longer or shorter exposure, another print is made blocking (dodging) light with moving objects or lengthening it by moving a piece of cardboard with a hole over the image and extending the exposure (burning). The most common burn and dodge tool is the human hand. Long time film photographers can do remarkable things with their hands.
Wash the print well and run it through the aforementioned dryer.
Easy, right? And this is for black and white. Color is a whole different ball game that I never dabbled in.
Digital allows you to chop this process into tiny pieces with a ton of control over each one. Any you never get the smell of stop bath on your fingers.
How to Post, Quote and Multi-Quote Photos - My Google Docs Folder 12/2011
I'm out of my mind, but feel free to leave a message.
|Nov 18, 2012, 07:30 PM
Do we think that Ansel Adams would have used Photoshop?
Give the hours he spent on lab work on a single image, he would today be a LR/PS maven. He would up to his ears in plugins.
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|Nov 18, 2012, 08:21 PM
How to Post, Quote and Multi-Quote Photos - My Google Docs Folder 12/2011
I'm out of my mind, but feel free to leave a message.
|Nov 18, 2012, 09:20 PM
However, you forgot an important part. The trip to the pub/bar/road-house with another photographer where you debated the finer points of a 2 bath fixer vs 1 bath, or dilution vs extended time.
I could easily see Ansel working on a digital file to get it perfect, and then sending it out to have a negative burned. Which he would then print from. Though, I would also guess that he would still do those amazing finger things when he decided it was easier to dodge and burn rather than re-burn the negative.
But I think he would still print on photo paper, for the quality of the papers.
My friends, love is better than anger. Hope is better than fear. Optimism is better than despair. So let us be loving, hopeful and optimistic. And we'll change the world. - Jack Layton
|Nov 23, 2012, 06:02 AM
I am largely a hobbyist.
I shoot RAW only. Aperture's autofix is better than the JPEG, so if nothing else I can use that and have a better picture than shooting JPEG in almost the same amount of time.
Import into Aperture into one project, then split based on day & event/client/project. Some projects are low volume and cover multiple days, but typically it's one project per day and if I was doing different things, multiple projects for a day.
Starting the oldest, I then go through every photo and reject the bad ones (9 stars!), which hides them. I then go through doing the 1/2/3 star trick. At three stars I start editing, and then rate those with 3/4/5 based on how much I like them.
I try to throw out redundant photos. Stacks work really well for this. Group the mostly identical shots, pick the best one and reject the rest.
When I'm happy, I go to the built-in Rejects smart album, and delete everything. I'll probably also delete all the 1/2/3 photos as well that don't have sentimental value.
I try to remember that if I think "maybe I could fix this later" I should just throw it out. Life's too short. I really do know which ones are good when I'm going through them.
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|Nov 23, 2012, 12:00 PM
Can't find the source for the quote, but trust me (ii remembr the smell of stop bath well and the sting if i had any cuts on my fingers)
I also think there are some terrific inkjet papers these days (saw a big jump in quality at Fotofest in 2010)
[clever pop culture quote here]
Last edited by bocomo; Nov 23, 2012 at 12:09 PM.
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|Feb 27, 2013 01:49 PM
All times are GMT -5. The time now is 09:52 AM.


text:
ENUMCLAW, Wash. - A young woman was rescued at Crystal Mountain Tuesday after being buried by an avalanche.
Paul Baugher, the director of the ski patrol, said it happened just after 2 p.m. this afternoon.
We just had 40 inches of snow in a 30 hour period, said Baugher who added that the storm brought strong winds too.
Baugher received the alert that three people were caught in a small avalanche in the Northway portion of the ski area. Two men were able to dig themselves out, but a young woman was buried.
A rescue team and other skiers went to the area where the woman was last spotted, and they used long metal probes to find her. Baugher said she was buried under at least a couple feet of snow for 10 to 15 mintues. However, when the team brought her to the surface she was conscious and breathing.
She was fine, said Baugher.
She was checked out by doctors and had no medical problems.

subset: commoncrawl


text:
In coming up with a career high in points and rebounds to lead Southwest past Red Springs 77-65 Monday night in the opening round of the NCHSAA 1-A boys' basketball playoffs, senior Corey Wohlever was just doing what coach Tommy Barnes asked him to do.
"Coach, he told me to be a big man. So I be a big man," said the 6-foot-7 1/2 Wohlever, who scored 27 points and pulled down 20 rebounds. "I'm the only senior on the team. So I was trying to lead the team to victory. That's what we did tonight."
Led by Wohlever, the taller Stallions dominated the boards 49-29, which also contributed to a 22-11 advantage in second-chance points, although the victory wasn't easy against a team that is far better than its final 6-17 record would indicate.
"That was a pretty good basketball team," Barnes said. "Their record is kind of deceiving, which I didn't take them lightly no way because at this point you never do. I thought our guys played well. … Good way to start the first playoff game."
Fifth-seeded Southwest (18-5) will travel to East Columbus (12-12) on Wednesday for a second-round game. East Columbus, seeded fourth out of the Three Rivers Conference, beat Lakewood 64-49 Monday night.
Along with Wohlever's 27 points, J'Veon Walker was also in double figures for the Stallions with 18 points while Jeffrey Williams and Jonathan Williams each had 9 points. Red Springs had three players in double figures, led by Jamison Baker with 19.
"They just outrebounded us," Red Springs coach Glenn Patterson said. "They had a lot of second and third opportunities at the basket. Those are things we talked about at halftime, trying to box out. I told them we're not as big as those guys so let's put a body on them when the ball goes up.
"We went out and did that for a few possessions, but then we stopped. Any time you've got a team that's that big and capitalizing on opportunities around the basket and you don't do your job of boxing out, the end result is going to be a loss."
The 12th-seeded Red Devils led 12-11 at the end of the first quarter on a 3-pointer by Jaqwan McLaurin with 12 seconds left and pushed the lead to 16-13 before the Stallions went on an 11-0 run to go up 24-16 with 3:32 left in the opening half behind three buckets, two on follow shots, by Wohlever.
Southwest led 32-24 at intermission.
The Stallions seemed to take control with a 10-4 start to open the second half on a 3-pointer by Jonathan Williams 14 seconds into third quarter and a three-point play by Walker for a 42-28 lead with 5:38 left.
But the Red Devils refused to go quietly, pulling within eight twice in the next few minutes before Southwest answered. Then with 5:07 left in the game Red Springs cut the lead to 59-52 on a bucket by Quinn Lowery and then forced Southwest into two straight turnovers.
But the Red Devils came up empty on their next two trips down court, and Jonathan Williams drove down the lane to push the lead back to 61-52 with 4:26 left. Red Springs cut it to seven three more times, but Southwest scored six straight points on follow shots by Jeffrey Williams and Wohlever sandwiched around two foul shots by Walker to all but clinch the win.
In losing to East Carteret 62-45 Friday night in the Coastal Plains 1-A Conference tournament final, Barnes wasn't pleased with his team's half-court offense, a problem he was determined to fix — starting with his team's playoff opener.
The fix included feeding Wohlever and 6-6 Malique Judd down low over and over.
"Since the other night I'm bound and determined for us to set up and start some running some half court (offense)," Barnes said. "You go a big man inside. We're going to go to him because we can get it to him and then everything else is going to revolve around that."
Wohlever's good with that, especially when it produces a win.
"Me and Malique, twin towers, we went down low and we got some buckets and layups and transition stuff. It was kind of easy for us, I guess," Wohlever said. "But at the end of the day it's called a win…, and you keep moving on. But we've got to keep playing good."
Red Springs 12 12 15 26 — 65
Southwest 11 21 18 27 — 77
Baker 19, Okonkwo 14, Lowery 12, Fairley 8, McLean 5, Blue 4, McLaurin 3. Totals— 27 7-18
Wohlever 27, Walker 18, Jo. Williams 9, Je. Williams 9, Jordan 7, Judd 6, Johnson 1. Totals— 31 11-20 77
3-Point Goals— RS 4 (Baker 2, Okonkwo 1, McLaurin 1). SWO 4 (Walker 2, Jo. Williams 1, Jodan 1). Rebounds— RS 29 (Baker 5, McLean 5, Blue 5). SWO 49 (Wohlever 20). RECORDS— RS: 6-17, season complete. SWO: 18-5, at East Columbuson Wednesday.


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1 — Grainger Stadium hosts week for National Association of Intercollegiate Athletics baseball tournament.
3 — Authorities say computers could lose Internet in July, following the arrest of four Estonian computer criminals.
4 — Former Kinston policeman, Gordon Eisenhower Jackson, is found innocent in pepper-spray incident.
5 — Kinston High School basketball coach, Wells Gulledge, receives the key to the city.
7 — John Bell edges out incumbent Stephen LaRoque in House District 10 Primary election.
9 — Former UNC/Kinston High defensive back, Christopher Hawkins, is arrested in a May 3 shooting into a Kinston home.
9 — Thirty-six students in the inaugural class at Lenoir County Early High School graduate.
9 — Andy's in La Grange is robbed at gunpoint.
11 — Special Olympics North Carolina-Lenoir County holds annual track and field competition at South Lenoir High School.
14 — Lenoir County Board of Education cuts more than $1 million from salaries.
15 — Arendell Parrott Academy names playground after 6-year-old Ava Kendall, who died in a car accident April 9.
15 — Parrott Academy's Patriots golf team won fifth state championship in 10 years at Mid Pines Golf Club in Pinehurst.
17 — Six presidential Lenox China patterns are on display at the Kinston-Lenoir County Visitor's Center.
17 — The Salvation Army celebrates its 125th anniversary.
17 — The N.C. Senate approves HB 5, introduced by Rep. Stephen LaRoque, which repeals annexations by Kinston and eight other cities.
18 — The U.S. Court of Appeals dismissed a Kinston citizen lawsuit in favor of nonpartisan voting.
18 — Jones County Relay for Life nets more than $45,000.
19 — Parrott Academy softball team wins second straight NCISAA state 2A championship in Charlotte.
21 — South Lenoir High/ECU graduate, Wayne Brock, named Chief Scouting Executive of the National Council of Boy Scouts of America.
22 — Following a recount of votes, John Bell remains winner of the Republican Primary for N.C. House District 10.
23 — Relish Magazine filmed a webisode at Chef and the Farmer, featuring Amy Roth of the Relish Cooking Show.
24 — Ben Knight and Vivian Howard, co-owners of Chef and the Farmer, are awarded the 2012 Small Business Award by the Kinston-Lenoir County Chamber of Commerce.
29 — Kinston City Council approves the Lenoir County Sportsman's Club's plans to build a skeet range and hunter education center.
29 — Jones County Superintendent Michael Bracy is named 2012-2013 Southeast Region Superintendent of the Year.
29 — The annexation repeal bill, HB 5 introduced by Rep. Stephen LaRoque, passes final vote.
30 — Tropical Storm Beryl brings flooding to Eastern North Carolina and a tornado to Carteret County.
30 — Guy Vernon Smith III, the 10-year director of the CSS Neuse historic site, dies from cancer.
31 —The family of the late Dr. Charles B. Randall dedicates the Pet Memorial Garden at the Rotary Dog Park and sprinkles the ashes of police K-9, Otto Ringo.
2 — Freedom Communications announces sale of its Florida and North Carolina papers — including The Free Press — to Halifax Media Group.
5 — Transit of Venus, a once-in-a-lifetime celestial display, appears over Kinston around 6 p.m.
6 — Lenoir County Board of Education unanimously approves an updated dress code policy.
6 — U.S. Assistant Secretary for Vocational and Adult Education Brenda Dann-Messier visits several STEM East facilities, including Contentnea-Savannah K8 School.
7 — Kinston High School's varsity boy's basketball team members receives state championship rings during a special ceremony.
9 — Adrian Paez finishes fifth in his Kinston High class, but as an illegal immigrant would not be able to enroll in college.
9 — The Troops Come Marching, a Civil War reenactment, is first of the Second Saturday programs held at the CSS Neuse and Governor Caswell Historic Site in 2012.
12 — Farmers face mixed emotions about a drought-free, yet abnormally wet and cool spring.
12 — Angela Potter, former Greene County Schools employee, sentenced for embezzling around $500,000 from the district.
13 — Inmate Thomas Ray Dawson Jr. sues Lenoir County Sheriff Billy Smith for cruel and unusual punishment.
13 — Freedom Communications announces selling its flagship newspaper and remaining properties to a Massachusetts firm.
13 — About 7,000 turkeys die in a fire at Butterball's Hill Top Farm in La Grange.
15 — Kelly Cannon, exercise specialist at Lenoir Memorial Hospital, is named as director of the Woodmen Community Center.
16 — Juneteenth recognizes final enforcement of the Emancipation Proclamation at the Kinston-Lenoir County Public Library.
18 — Fairview Cemetery in La Grange opens up to mausoleum burials.
18 — Kinston City Council approves a $95.1 million budget.
22 — More than 500 people participate in Lenoir County Relay for Life, which raised $182,000.
23 — CSS Neuse remains, weighing 107 tons, are moved nearly 3 miles to downtown Kinston.
23 — Miss Kinston/Lenoir County, Arlie Honeycutt, is crowned as Miss North Carolina and will represent the state in the Miss America Pageant in January.
24 — The Viking Press, Kinston High's newspaper, receives 20 awards in Chapel Hill.
25 — Millard Goodman of Kinston runs his vehicle into Jimmy-D's restaurant in Albrittons.
25 — SB 472, which could cause Kinston a $1 million loss of utilities revenue, is sent back to committee on rules.
25 — Jones County commissioners trims $11,000 from the Trenton Public Library budget.
26 — Three area varsity football teams are ranked in the top 10 of the N.C. Prep Football News/NCPreps.com 2012 preseason poll — Kinston (No. 2 in 2A), Ayden-Grifton (No. 5 in 1A) and Jones Senior (No. 9 in 1A).
26 — Halifax Media Group closes purchase deal on The Free Press and 18 other former Freedom Communications newspapers.
27 — CrateTech Inc. sets up shop at Global TransPark to support Spirit AeroSystems.
29 — Halifax Media Group CEO Michael Redding visits his new employees at The Free Press.
30 — North Lenoir High's Brent Williams is named county-wide athletic director.


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Booker T. Washington State Park is a 353-acre park situated on the shores of scenic Chickamauga Lake.more like this »
In the fall of 1863, Union and Confederate forces met at Chickamauga Creek in one of the bloodiest battles in American history. The site includes the battlefields, the Fuller Gun collection, a multi-media presentation on the battles, the National Cemetery, and monuments to units on both sides.more like this »
The 1,200-acre Harrison Bay State Park, with approximately 40 miles of Chickamauga Lake shoreline, was originally developed as a Tennessee Valley Authority recreation demonstration area in the 1930's.more like this »
Hi. It appears that you are visiting us from outside of Tennessee. Listed below are links that were of interest to other non-residents. We hope that you find them helpful.


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Gallery: Adorable Crocheted Cozies Make Pet Turtles Stand Out
From a distance, turtles can be easily spotted while out and about wearing a cute cozy.
Sure, the green and yellow hues of an au-natural tortoise shell may be beautiful in its own right, but it can make them nearly impossible to spot while their enjoying a stroll through the lawn. By adding a colorful touch of handcraft, Katie transforms a turtle's normally austere camouflaged motif into one that reflects a bit more personality.
Katie's crocheted creations can be found for sale on her Etsy shop, with 10% of the proceeds going to benefit the International Reptile Rescue in Canby Oregon. She also blogs about her experience raising and rehabilitating rescued tortoises on her personal blog.
Via Laughing Squid
Photos by Katie Bradley


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"I am flabbergasted by how beautiful my daughters invitation turned out!! I chose with the pearl shimmer and it just makes the photos so exquisite. We have received many many compliments by friends and family on the quality of the invitation, this is for sure an invitation people will keep and not throw out. I am EXTREMELY satisfied to say the least."
"I was very impressed and pleased with our daughter Birthday card invitation, It was very easy to personalize,The designer work with me all the time, He was very professional and He was asking me for every little detail. We can get the color the we want. When we received the box by mail we cant wait to opened it. The most beautiful invitation ever see !! Colors, size, quality and presentation its exceeded my expectation. Thanks so much!! ""
"After 8 years of using Tiny Prints, this was my first time using the Design Service. On this particular card there wasn't an online option for Text on the backside - I clicked on the Design Service and wrote out what I needed (which was directions for the parents of my guests) - Perfect - Excellent - Timely Within a day or two the Design Service emailed me and I had a Proof waiting for my approval. No changes needed - the Design Service was intuitive and quick. The team totally understood what I was attempting to achieve without much guidance. I need more of that in my life in general and was happy to have Tiny Prints do it so effortlessly."
"I ordered the shimmer and rounded corners. The paper was thick, glossy and high quality. Had the design team put something else in place of the initial and it came out perfect Colors were vivid. Cannot go wrong with this invite."
"I was very skeptical about this product because the original invitation we had in mind were out of stock. My daughter and I wanted something just as original and beautiful as the first ones we had looked at from another company. I was very impressed and pleased with my Quinceanera invitation. They were beautiful and I have gotten so many compliments just by my family alone. We can hardly wait to see what the guests think. The service was absolutely impressive and so was the delivery. Thank you tinyprints for your fabulous professional job on my daughters invitations. A 110% satisfied customer. :)"


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Fancy Nancy: The 100th Day of School
Fancy Nancy: The 100th Day of School (Hardcover)
Related Editions
With the 100th day of school just around the corner, Nancy finds herself utterly stumped. She cant think of anything exciting, special, or imaginative enough to bring in to class to commemorate the day. Just as Nancy begins to lose hope, she finds inspiration from an unexpected sourceand learns that even sad events can bring with them a glimmer of beauty.
This sweet and touching story is the newest addition to the Fancy Nancy I Can Read series. With simple text, eye-popping illustrations, and a glossary of Fancy Words in the back, this is a perfect choice for young readers everywhere.
About the Author
Jane O'Connor and Robin Preiss Glasser are the author and illustrator of the #1 New York Times bestselling Fancy Nancy series. Jane lives with her family in New York City. Robin lives with her family in Southern California.
Desde la publicacion de Nancy la Elegante, el closet de Jane O'Connor cuenta con tantas boas, coronas y atuendos brillantes que a veces sus amigas no la reconocen por la calle. Aun reside (esa es una palabra elegante para decir que vive) en la ciudad de Nueva York con su familia y su companero canino, Arrow.
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Research Output for N D Crossman
Note: The 2012, 2013, 2014, 2015 publications have not been audited.
Jump to: Publications | Grants and Consultancies | HDR completions
N D Crossman may be from another institution or only recently joined Deakin University.
2013 External
Bark, R.H.*, Peeters, L.J.M.*, Lester, R.E., Pollino, C.A.*, Crossman, N.D.* and Kandulu, J.M.* (2013) Understanding the sources of uncertainty to reduce the risks of undesirable outcomes in large-scale freshwater ecosystem restoration projects: an example from the Murray–Darling Basin, Australia, Environmental science and policy, vol. 33, pp. 97-108, Elsevier, Amsterdam, Netherlands [C1]
ERA journal ID: 36370 – Scopus EID: 2-s2.0-84879356048
Citation counts: Scopus - 1, Thomson - 1
DRO entry for this publication
2012 External
Prosser, Ian*, Crossman, Neville*, Mahoney, Jan*, Rustomji, Paul*, Chen, Yun*, Brown, Alice*, Robson, Barbara*, Sherman, Brad*, Sims, Neil*, Jolly, Ian*, Colloff, Matt*, Pollino, Carmel*, Arthur, Tony*, Doody, Tanya*, Cuddy, Sue*, Webster, Ian*, Lester, Rebecca, Benger, Simon*, Liu, Shuang*, Ghirmay, Hiyoba*, Nolan, Martin*, de, Groot Dolf*, Bark, Rosalind*, Hatton MacDonald, Darla*, Tapsuwan, Sorada*, Kandulu, John*, Jackson, Sue*, Morrison, Mark*, Merrin, Linda*, Schmidt, Becky*, Ahmad, Maryam*, Gallant, Simon*, Wurcher, Ben*, Maddison, Charles*, Mulcahy, Mary* and Jennings, Rebecca* (2012) Assessment of the ecological and economic benefits of environmental water in the Murray–Darling Basin : The final report to the Murray–Darling Basin Authority from the CSIRO Multiple Benefits of the Basin Plan Project, CSIRO, Canberra, A.C.T. [A4.1]
DRO entry for this publication
Grants and Consultancies
No grants and/or consultancies found or audited – the 2014 HERDC financial return has not been completed or loaded as yet.
Higher Degree by Research Completions supervised by N D Crossman
No completions found or audited.
- Legend:
- * Not a member of Deakin University at time of output.
DRO to publications collection last synchronised: Tuesday 2nd June 2015 10:04pm


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Tiny Tina
Tiny Tina's personality is quirky and hyper-active. Although mainly sticking to her afore mentioned personality, we see Tiny Tina has a very serious side to her in the misson: You Are Cordially Invited.
Tiny TIna's personalty is said to be inspired by that of her voice actor, Ashly Burch of Hey Ash Whatcha Playin' and sister Lead Writer Anthony Burch.[1.]
Main Story
Tiny Tina is a 13 year old demolitons expert who helped out the main cast fight against Hyperion in the battle of New Haven. Tiny Tina helps the Vault hunters blow up a Hyperion Train believed to have the Vault Key in the quest 'A Train To Catch' .
Side Quests & Echo Logs
In the side-quest line 'You Are Cordially Invited' you invite Flesh-Stick a bandit that killed her parents to a "Tea Party". At the "Tea Party" Tiny Tina gets avenges her parents' death by torturing him via electrocution and finally killing him.
By listening to an Echo Log in the Wildlife Exploitation Preserve, (found here,) we learn more about Tiny Tina's origins. In the Echo Log, a Hyperion worker by the name of Flesh Stick injected slag into both of Tiny Tina's parents. Tiny Tina then uses a grenade given by her mom in order for her to escape the facilty.[2.]
What Links Here
Characters | Varkids | A Train to Catch | Mine All Mine | The Pretty Good Train Robbery | Tundra Express
Open References & Sources (5)
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Step up to Ultegra DI2 and prepare to be amazed. True electric shifting has arrived to the Ultegra-level group and it's everything we hoped for. Easy shifting at the touch of a finder, accurate, and effortless. This rear derailleur handles a maximum cog of up to 28T to accomodate your wide-range gearing needs.
Please Note: All Di2 components on the bicycle require the same firmware version. Using Di2 components with different firmware versions may cause malfunctions. To update the firmware on your components, use the Di2 system checker from Shimano by clicking here.
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Very smooth, consistent shifting in all weather conditions. Current model is kinda clunky looking but works perfectly every time.
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Please note this offer is only available to physical shipping addresses in the 48 continental United States (no PO Boxes), and oversize charges still apply on some heavy/large items.


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Item 11083
For thousands of years cavemen hunted fearsome creatures like the woolly mammoth scavenging the hides to create insulation from the cold. But hides are smelly, flea infested and none too fashionable. So we proudly present the Woolly Mammoth Cap. Built for beastly cold, it's tightly woven boiled wool for incredible warmth, wind resistance and itch-free comfort. Blended w


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Code: BLISS25 | Expires: 06/03/15
These warm and cozy prints are sure to compliment your gourmet kitchen. The prints are accented with cream matting and a custom brown frame. Ready to hang and give your home décor an instant makeover.
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Splash News
Leah Messer has a hot bikini body and isn't bashful about showing it off. The 20-year-old star of Teen Mom 2 and mother of Ali, who recently tied the knot with Jeremy Calvert after divorcing baby-daddy Corey Simms, is also a lot more scandal-free than the other Teen Moms, without any arrests to her name.
Jenelle Evans is a Teen Mom 2 bad girl who loves flaunting her new fake boobs in bikinis. Evans, who has been on-again-off-again with Gary Head, has been arrested for assault several times and has also been involved in a nude photo scandal.
Splash News
Maci Bookout is a not-quite legal bikini babe – but that doesn't stop her from boozing! RadarOnline.com recently obtained an exclusive image of the hot-bodied Teen Mom drinking at a 4th of July party.
16 & Pregnant and Teen Mom 2's Kailyn Lowry recently lost a lot of weight and has gotten some major body-art etched on her slimmed down figure, but the single mother of Issac has managed to stay out of trouble for the most part.
16 & Pregnant bikini babe Mackenzie Douthit is a 17-year-old cheerleader engaged to her baby-daddy.
With her nude photo scandal, substance abuse issues and domestic violence history, Amber Portwood is the most scandalous Teen Mom of all times. Currently behind bars serving a 5-year prison sentence for drugs, the troubled 21-year-old's little girl, Leah, is now living with baby-daddy Gary Shirley.
Splash News
Farrah Abraham is a sexy Teen Mom and she knows it! The single mother of 3-year-old Sophia, who proudly shows off her fake boobs in skimpy bikinis, has avoided personal scandal more than most of the other Teen Mom's, and is currently on the lookout for a new baby-daddy.
16 & Pregnant and Teen Mom star Alexandria Sekella is the sexy single mother of 1-year-old Arabella. Though her baby daddy battled substance abuse problems while she waspregnant and the couple is no longer together, the Pennsylvania teen is back on the market and dating.
Teen Mom star Catelynn Lowell, who is getting ready her baby daddy (they put their daughter Carly up for adoption) Tyler Baltierra, recently dropped a massive amount of weight and showed off her slimmed down figure on Twitter.
Teen Mom 2 star Chelsea Houska may not have a whole lot of scandal to her name, but the 20-year-old wants to strip down and bare her body for Playboy.
Who Is The Sexiest Teen Mom?


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Overview of content related to 'licence'
This page provides an overview of 1 article related to 'licence'. Note that filters may be applied to display a sub-set of articles in this category (see FAQs on filtering for usage tips). Select this link to remove all filters.
The verb license or grant licence means to give permission. The noun license (American English) or licence (British English) refers to that permission as well as to the document recording that permission. A license may be granted by a party ("licensor") to another party ("licensee") as an element of an agreement between those parties. A shorthand definition of a license is "an authorization (by the licensor) to use the licensed material (by the licensee)." In particular a license may be issued by authorities, to allow an activity that would otherwise be forbidden. It may require paying a fee and/or proving a capability. The requirement may also serve to keep the authorities informed on a type of activity, and to give them the opportunity to set conditions and limitations. (Excerpt from Wikipedia article: License)
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|Article summary
The Filling in the PIE: HeadLine's Resource Data Model
John Paschoud explains the concepts of representation and use of metadata in the Resource Data Model (RDM) that has been developed by the HeadLine project.
March 2001, issue27, feature article


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Cat Malignant Histiocytoma
Cat Malignant Histiocytoma
What are histiocytes?
Histiocytes are one of many types of white blood cells. They are an important part of immune systems. There are two types of histiocytes, dendritic and macrophages. The dendritic types assist lymphocytes in the identity of foreign substances or altered materials. The macrophages will remove all damaged cells, clear intracellular pathogens and foreign bodies.
Cutaneous (skin) histiocytosis is a benign condition. Most will appear and disappear quite quickly. On the other hand, malignant histeocytosis is very different. They no longer look like the white cells in the tissues. They will display many signs of malignancy. They will appear either on the skin or spleen as a single tumor. It can also appear on multiple organs that can involve the cat's liver, bones, kidneys and spleen.
They appear as white or gray lesions. Sometimes they appear with some red spots that are based on the amount of bleeding or premature death of the cells. The lesions are not encapsulated, which means they are not confined.
Signs and Symptoms of Malignant Histiocytoma in cats
Signs such as Cat Anorexia followed by Cat Loss of Weight, Cat Lethargy and Cat Fever are the most common symptoms. Shortness of breath, some neurological signs and lameness can also occur in cats.
Treatment Options
Your initial visit to your veterinarian will include x-rays, ultrasound and a variety of blood tests.
The x-rays will allow the vet to visualize the mass in the mediastinum and also the potential for lung involvement. Enlargement or malformation of the other potentially affected organs can also be seen on x-ray. These would include a cat's liver, lungs and even spleen.
By aspirating fluids from the affected area the vet can determine if the blood cells, both red and white, fall within normal parameters. Counts of the abnormal cells will determine the degree of the progression of the disease.
Immunohistochemistry is another form of test that will aid in the diagnosis of types of cancers. It will also assist your veterinarian in determining the prognosis. This is especially true with secondary tumors. Secondary malignant tumors are those that begin in one organ and metastasize to another. It is also instrumental in determining what is malignant and what is benign.
Various forms of chemotherapy have been used in combination. The survival times with these substances ranges from a few months to 5 or 6 years. Treatment varies from study to study and results vary from cat to cat.
Although Cat Cancer of any type is somewhat rare in cats, when it does occur it can be a devastating experience for both the cat's owner and family as well as the cat itself. Treatment can be very painful and prolonged. Discomfort is always there and steps need to be taken to ensure that your cat is kept as comfortable as possible.
One of the most important steps in recovery is nutrition. This cannot be overemphasized. Proper diet will help restore energy levels and improve the general attitude of the cat.


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Clash of the Clans
Saturday's matchup has some added Scottish flare
August 24, 2012
There's some added Scottish bite to this week's match against Cascadian rivals Portland Timbers. Two of the Timbers' Scottish players are former Rangers F.C. players who suited up alongside Vancouver's Kenny Miller back in Glasgow in an Old Firm rivalry against Barry Robson with his former club Celtic F.C. The legend Carl Valentine caught up with a few of them to get a preview of this Saturday's clash of the clans.


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Live Stats to Begin on Saturday
September 10, 2009
MISENHEIMER, N.C. – The Pfeiffer University Sports Information department announces the beginning of live statistics for most home athletic contests during the 2009-2010 seasons. Fans will be able to follow live events online through the athletic webpage at www.gofalconsports.com.
Providing live stats at Pfeiffer will be a first in the history of the athletic program. The first live stats event will take place this Saturday afternoon, September 12th at 2:00 p.m. as women's soccer will take on Belmont Abbey in the Conference Carolinas opener. The men will follow at 4:00 p.m. with live stats as well.
Fall sports that will feature live stats include men and women's soccer along with women's volleyball. In the winter, links to live stats will be provided for men and women's basketball. During the busy spring season, live stats will be provided for as many events as possible including baseball and softball with a dash of men and women's lacrosse.
Fans can visit the individual sports schedules for links to live events or visit the "fan center" page on gofalconsports.com. Under "fan center" fans can click on "live stats" and then choose the sport they wish to follow.


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Offshore Drilling
Offshore Drilling
Offshore drilling refers to the practice of drilling a well to extract underwater oil and gas resources. The term is generally used in reference to oil drilling in ocean waters but offshore drilling also includes drilling in lakes and inland seas.
In 1981, Congress banned offshore drilling for oil and gas in much of the federal waters off America's coastlines and President George H.W. Bush in 1990 issued executive orders supporting the 1981 ban and restricting federal offshore leasing to Texas, Louisiana, Mississippi, Alabama and parts of Alaska. His son, President George W. Bush, rescinded the executive orders in July 2008 but the ban remains in place due to the federal law passed by Congress.
Major offshore drilling installations are located in the Gulf of Mexico, the North Sea, Newfoundland, Nova Scotia, West Africa, Southeast Asia, in the coast of Russian Far East, and in the Campos and Santos basins off the coast of Brazil.
The focus of environmental concerns surrounding offshore drilling have to do with the potential to spill oil into the ocean waters and onto the shore during the drilling process and while the oil is being transported back to the coast via tanker or pipeline. In addition, the drilling can potentially disrupt the marine and ocean ecologies.
On March 31, 2010, President Obama proposed to expand U.S. offshore oil and gas drilling dramatically, potentially opening up large swaths of the Atlantic coastline, the eastern Gulf of Mexico and the north coast of Alaska.
The proposal would end the moratorium on offshore drilling from northern Delaware to central Florida, and would also expand operations off the Gulf Coast and launch energy exploration into the Chukchi and Beaufort seas in the Arctic Ocean. Alaska's ecologically sensitive Bristol Bay would stay off-limits.
Obama hinted at the possibility during his State of the Union address in January 2010, when he mentioned the need to make "tough decisions about opening new offshore areas for oil and gas development."


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Product: Mobile > Cell Phones > Verizon Wireless Cell Phones > SCH-I500
By default, your mobile device should mount the microSD card automatically. If it does not, you can manually mount the card by opening Applications > Settings > SD card & phone storage > Mount SD card. This will ready the card for use as a storage location on your device.


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Notify Me! The product you are searching for is out of stock. If you wish us to notify you when the product is in stock please submit your name and email.
|The Hundreds Slant Over 5 Panel features a woven labe at the front with "The Hundreds' slant print throughout and a nylon adjustable closure at the backside.


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D. Eugene Redmond Jr. MD
Professor of Psychiatry and of Neurosurgery
Departments & Organizations
Office of Student ResearchStem Cell Center, Yale: Stem Cells and Tissue Repair; Tissue Specific Stem CellsNeurosurgery | Psychiatry: Neural Transplant and Neurobehavior Program; Redmond Lab
Research Interests
Dopamine; Fetal Neural Tissue; Gene Therapy; MPTP Primate Model; Neural Grafts; Parkinson's Disease; Stem Cell more...
- M.D., Baylor University, 1968
Selected Publications
- Redmond, D. E., Jr. (2011). Behavioral assessment in the African green monkey after MPTP Administration. Neuromethods. E. Lane and S. Dunnett, Springer Science. 61: 401-435.
- Hurley, P. J., J. D. Elsworth, et al. (2011). "Aged monkeys as a partial model for Parkinson's disease." Pharmacol Biochem Behav 99(3): 324-332.
- Markakis, E. A., K. P. Vives, et al. (2010). "Comparative transduction efficiency of AAV vector serotypes 1-6 in the substantia nigra and striatum of the primate brain." Mol Ther 18(3): 588-593.


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View Diary: Manhunt continues for Boston Marathon bomb suspect Dzhokhar Tsarnaev (358 comments)
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text:
|All Children's to Benefit from the Honda Grand Prix 5K Run, Walk and Wheel-a-Thon on March 23 - Vinoy Park
Come be a part of the Honda Grand Prix of St. Petersburg. You'll never get closer to the action! Experience every curve, every straightaway- right on the track! This is your big chance to run, walk or wheel the race circuit; check out the pace cars on display and meet IndyCar drivers. The entry fee for the 5K Run, Walk and Wheel-a-Thon is $25 before March 21st and $30 the day of the event. Proceeds from the event will benefit All Children's Hospital.
More information is available at: http://www.imathlete.com/events/hondagrandprixrunwalkandwheel


text:
The Cats, already injury depleted, have been rocked by news that recalled Bok Conrad Jantjes may miss the start of the Super 14.
Keo.co.za has learnt that Jantjes, the stand-out Cats performer in last year's Super 12, is struggling with an Achilles injury that might force him to go under the knife.
"The problem's more wear and tear," Jantjes said. "We're giving it 10 days to see if it recovers, and if it doesn't then surgery might be the only option. I'm too scared to ask the doctor how long I'd be out for, but let' s just say at least a couple of weeks.
"I think it's a case of it not being used to the higher work load of pre-season training. I played a lot of rugby last year and we've stepped it up in the lead up to the Super 14, so hopefully a bit of rest is all it needs."
Jantjes did not perform to his expectations on the end-of-year tour, and admits his frustration at not being able to get stuck in immediately to ensure his Bok credentials are not doubted.
"I am very irritated by this. I had a good run last year but I'm feeling great and ready for the season. Hopefully the setback will prove minimal but at the moment it's hard to tell."
Jantjes' concern is shared by coach Frans Ludeke, who already has his first three flyhalves struck down.
"I'm really worried about Conrad because there's been no reaction to treatment yet," Ludeke told keo.co.za. "We'll make a call on what to do in 10 days, but it's safe to say that we're all really hoping that rest is all that is needed. It's very worrying, he's one of our key players."
The recent run of injuries have already underlined the value of acquiring Earl Rose, with the versatile player able to cover both flyhalf and fullback.
Rose starts at 10 on Thursday against the Pumas in Witbank, with Oginga Siwundla standing in as fullback.


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text:
Regionals Home Page
Last Updated on Wednesday, 19 June 2013 14:12
USYS Regional Homepage
The Road to the USYS National Championships begins at the State Cup level with winners advancing to regional competition. For the second summer in a row, Rush teams will be present at all four Regional competitions. Colorado and Florida have had teams advance from group play and win Nationals. New Mexico Rush is the only other club to advance past Regionals to date.
Click on the regions below for schedules, teams and history.
|Region I
|Region II
|Region III
|Region IV


text:
September 30, 2011
Sarah M. Wycoff, 61, of Delaware, died early Friday morning (Oct. 7, 2011) at Grady Memorial Hospital.
She was born March 25, 1950 in Delaware to the late Arvin and Iva (Morris) Thomas. She was a lifelong Delaware resident and homemaker. She was an auxiliary member of AMVets Post 104 and Delaware Moose Lodge. She married her childhood sweetheart and beloved husband of 40 years, Dallas Wycoff, who was her world and best friend. Together they raised a loving family and experienced both the joys and tribulations of life. Dallas passed away in 2006, when her world forever changed. She was always caring and thoughtful. She was also very compassionate and strong-willed. She loved all children, especially her grandchildren and great-grandchildren. She enjoyed being surrounded by her family and watching game shows. Simply put, her family described her as "awesome."
Those left to cherish her memory include her daughters, Joyce (Brian) Alexander of Marysville and Melinda Ross of Delaware; treasured grandchildren, Megan, Kara, Shayna, Derrick, Nick, and great-grandchildren, Blaze, Ella, Parker, Dallas who know her as "Mae Mae;" brothers, Mervin (Dorothy) Thomas of Marion and Allen "Pete" (Betty) Thomas of Delaware; and dear canine companions, Stewart and Gizmo.
She was also preceded in death by brothers, Donald and Raymond Thomas; and sisters, Juanita Bennett and Esther Colgan.
Friends may call from 5 to 8 p.m. Monday at the DeVore-Snyder Funeral Home, 75 W. William St., Delaware, where services will be held at 1 p.m. Tuesday with the Rev. Jeff Slider officiating. Burial will follow in Oak Grove Cemetery.
Memorial contributions can be made to the American Cancer Society.
Condolences may be expressed at snyderfuneralhomes.com.


text:
Dining Out
Dining Out
For many of us, dining out is an inevitability in today's society. Unfortunately, restaurants are huge sources of excess and waste. Not only is food wasted, but water, energy and resources (like paper and other materials used to make containers and packaging) are, as well. This is bad news for the planet because it depletes resources and contributes to CO2 emissions and climate change.
Many dining establishments are part of the movement to improve the environmental-friendliness of the industry. Restaurants have started buying energy credits, running on alternative energy, conserving water and materials, buying and serving local food and many other green efforts. Diners can also work toward making it a greener experience by not wasting food, drinks and materials and frequenting local and sustainable eateries. (Photo: Flickr)


text: The Deloitte & Touche (M.E.) Knowledge Centers leverage world-class expertise to deliver specialized capabilities to businesses. Deloitte has targeted the Middle East for significant investment after identifying it as a priority market representing superior growth opportunities. This is accompanied by a focused strategy of expansion in key business areas and a continued emphasis on recruiting and retaining the most talented professionals from the region and other countries to serve Middle East companies. Deloitte's Knowledge Centers in the Middle East form part of this expansion strategy, matching Deloitte's local and global service and industry strengths with our regional clients' growing need for innovative and comprehensive solutions.


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C: \ System Utilities \ Backup & Restore \ iMacsoft iPhone Call List to PC Transfer 2.9.0.0614
iMacsoft iPhone Call List to PC Transfer 2.9.0.0614 - Detailed Description Page
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iMacsoft iPhone Call List to PC Transfer, the excellent iPhone Call List transfer software, is specially designed for iPhone users. It can fast transfer iPhone Call List, Music, Video, Podcast, TV Show from iPhone to PC and iPhone to iTunes library directly. This iPhone Call List to PC Transfer can also transfer Music, Video, Podcast, TV Show from PC to iPhone efficiently and simply.
iMacsoft iPhone Call List to PC Transfer, the excellent iPhone Call List transfer software, is specially designed for iPhone users. It can fast transfer iPhone Call List, Music, Video, Podcast, TV Show from iPhone to PC and iPhone to iTunes library directly.
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iMacsoft iPhone Call List to PC Transfer can manage your iPhone, iPod touch, iPad like a portable hard disk. Also you will find that Quick Search and Filter tools help you hit what you want as easily as iTunes does.
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3.iMacsoft iPhone Call List to PC Transfer can also transfer Music, Video, Podcast, TV Show from PC to iPhone for viewing;
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5.Works with all types of iPhone/iPod/iPad, including iPhone, iPhone 3G, iPhone 3GS, iPhone 4, iPhone 4S, iPod classic, iPod shuffle, iPod shuffle 6, iPod nano, iPod nano 5G, iPod nano 6G, iPod touch, iPod touch 4, iPad, iPad 2, the new iPad, etc;
6.Open your iPhone, iPad and iPod with Windows Explore to make you manage it as a portable hard disk;
7.Transfer playlists from iPhone/iPod/iPad to local folder or iTunes directly;
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Recent Changes: Not Established
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text:
Maharishi Mahesh Yogi, the "giggling guru", died today at the age of 91. He was famous for founding the Trancendental Meditation movement, and for his involvement with popstars such as the Beatles. It's often believed that John Lennon wrote the line "You made a fool of everyone," from his song Sexy Sadie about him.
His obituary can be read here.
He's no longer "flying" on mats, now he's hopping on the clouds.


text:
Tour de France
- Posted by alex
- 27 June 2012
You may have spotted this video on our Twitter feed, but the Tour de France starts this weekend with the prologue in Liège, Belgium.
Over the next couple of weeks, the world's most famous riders will be pushing themselves over some of the most breathtaking and backbreaking stages of cycling known to mankind.
There will be sweat, blood, tears and glory.
We'll be tuning in for a stage or two and running the office sweepstake in true convoluted howies fashion; an undecipherable points and scoring system with the victor buying an espresso machine for the kitchen with their winnings (hopefully).
In honour of this epic race, we've created these Tour de France t-shirts of the month. They're only around for the duration of the Tour and we'll be giving one away every week on the Blog and Facebook, so watch this space...


text:
Photo by Bill Westmoreland
Sherrie Maricle has played with jazz legends, leads an all-woman big band, and forges new roads for women in jazz. [29:28]
Photo by Michael G. Stewart
In Translation: Verónica Castillo expands a traditional Mexican art form, the Tree of Life, to express the need for social justice in the 21st century.
Photo © Gene Tomko
Louisiana Swamp blues singer, composer and pianist Carol Fran looks back at her 60-year career.
Photo courtesy of RADiUS-TWC
Meet some of the greatest back-up singers! It may be only "Twenty Feet from Stardom" but director Morgan Neville shows us just how long that walk can be.
Photo courtesy of Brian Kisida
"Art Makes You Smart" and Brian Kisida co-published a study that proves it! [27:05]
Photo by Michael Wilson
It's a music-filled podcast with New Orleans composer, producer, and pianist Allen Toussaint who combines elegance with funk. [29:29]


text:
Oscar Rene Colegio MD, PhD
Assistant Professor of Dermatology
Departments & Organizations
Yale Medical Group
LCME Medical Students Subcommittee
Office of Student ResearchCancer ImmunologyTransplantation Center, Yale-New HavenDermatology: Full Body Skin Exams for Organ Transplant Recipients; General Dermatology: Yale Dermatology Associates
Research Interests
Squamous cell carcinoma; Casal cell carcinoma; Melanoma; Tumor-associated macrophages; Immunology; Hypoxia; Epithelial-mesenchymal transitions; Solid organ transplantation more...
- BS, University of Texas at Austin, 1995
- Ph.D., Yale University, 2003
- M.D., Yale University School of Medicine, 2004
Selected Publications
- Colegio OR, Chu NQ, Szabo AL, Chu T, Rhebergen AM, Jairam V, Cyrus N, Brokowski CE, Eisenbarth SC, Phillips GM, Cline GW, Phillips AJ, Medzhitov R. Functional polarization of tumour-associated macrophages by tumour-derived lactic acid. Nature. 2014 Sep 25;513(7519):559-63.
- Liu LS, McNiff JM, Colegio OR. Palmoplantar peeling secondary to sirolimus therapy. Am J Transplant. 2014 Jan;14(1):221-5.
- Liu LS, Colegio OR. Molecularly targeted therapies for nonmelanoma skin cancers. Int J Dermatol. 2013 Jun;52(6):654-65.


text:
Light pole keeps runaway dump truck off Highway 99
Michael O'Leary / Special to The Herald
A dump truck rolled away traveling east on 148th St. SW north of Lynnwood on Wednesday. The truck was unoccupied. The truck, which crashed into a light pole and stopped before entering Highway 99, spilled some diesel as a result of the accident. Snohomish County Sheriff's Deputies and Fire District 1 responded to the incident.
"It was a runaway truck," Snohomish County Sheriff's Office spokeswoman Shari Ireton said.
Initial reports indicate that the truck driver parked his rig, put on the air brakes and walked away, Ireton said.
The truck started rolling down a hill and was headed toward the busy intersection of Highway 99 and 148th Street SW when it crashed into the pole, according to accident reports.
No one was hurt, but it could have been a dangerous situation had it not run into the pole, officials said.
Even though the truck didn't end up in the middle of the thoroughfare, the accident did slow traffic for about 90 minutes.
Roughly 75 gallons of diesel fuel were spilled onto the street, said Leslie Hynes, a spokeswoman for Snohomish County Fire District 1.
Snohomish County public works crews joined firefighters in using sand and other materials to soak up the mess.
The crash happened at 10:23 a.m. Wednesday.
Some lanes of the highway were closed for the cleanup.
The accident remains under investigation.
Eric Stevick: 425-339-3446; firstname.lastname@example.com
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beautiful, the chosen few words describe to those couple who genuinely love each other
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Maplecroft analyse over 500 global risks to provide a comprehensive portfolio of indices, maps, scorecards, briefings and in-depth reports as well as company ratings in a Climate Innovation Index.
One of Maplecroft's areas of focus is the development of tools to inform businesses about climate change related risks. At the core of this is Maplecroft's Climate Change Atlas, a suite of indices, maps and scorecards and briefings assessing climate related risks. The focus is the Climate Change Vulnerability Index, which assesses vulnerability on a sub-national scale to climate hazards, the sensitivity of communities and the capacity of societies to adapt.
Organizations, institutions and private sector companies at all levels and in a wide range of sectors can become engaged with the NWP by becoming a partner and making Action Pledges. Information about how organizations can become engaged with work on adaptation under the NWP can be found here.
© 2014 United Nations Framework Convention on Climate Change


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