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The Ultimate Guide to Getting Booked on Oprah LEARN how to become a guest on the Oprah Winfrey Show
Inside the Book... The Ultimate Guide to Getting Booked on Oprah
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Watch a clip of Susan on CNBC discussing The Oprah Effect
Dear Future Oprah Guest,
Getting on Oprah is like winning the gold
Getting on Oprah is like winning the gold.
You hear it all the time: Getting on The Oprah Winfrey Show Is just like winning the lottery. And it can be. Guests on the Oprah Show become famous and extremely wealthy! The only thing that stands between you and them is knowledge and desire. Do you want it more than everyone else? If so, you've won half the battle. The second half is learning how to make it a reality. The good news is that I can teach you the blueprint for getting on Oprah.
You need to have expertise, good timing, and a certain set of skills, to even be considered by the Oprah producers. Maybe you've already tried to contact the Oprah producers and have not received a reply. That would not be abnormal! Millions of people would love to be on Oprah and contact her show. If you are reading this page, you probably have just the right talent or expertise for Oprah, but you haven't been able to get the Oprah Show's attention. Maybe you know you've got a story that is so incredible the Oprah producers are sure to call you up in a flash…but they haven't. Maybe you've sent in a few or dozens of ideas without result. Let's keep that in mind, with the understanding that it is possible; you must prepare yourself for the ultimate success—being invited to be a guest on The Oprah Winfrey Show.
I'm Susan Harrow, media trainer & marketing strategist, and along with my team of experts, the best publicists in the business, I will hold your hand and show you how to get on America's #1 talk show. Collectively, we have worked with high profile people, best-selling authors, top experts, famous speakers, successful entrepreneurs, well-known non-profits, and people who are doing remarkable things inspiring others and changing the world. The kind of people Oprah's producers want. We have booked dozens of guests on The Oprah Winfrey Show, but virtually all the national TV talk shows that matter. Oprah is great, and I will show you how to get booked on her show if you follow my formula. But why stop there? Exposure to millions via the "mega-shows" can turn you into an overnight success. Our clients have been on Oprah, Larry King Live, CBS' 60 Minutes, Good Morning America, The Today Show, Rachael Ray, Donny Deutsch, Montel, Ellen, E! Entertainment Channel, ABC's 20/20, CBS' 48 Hours, NBC's Dateline, MSNBC, CNN, even Bill O'Reilly, and Fox & Friends, and more. My personal clients paid thousands of dollars for creating pitches and for extensive media training. Now I've encapsulated all that advice, and their experiences, into a definitive guide - one that's not available anywhere else, on or off the Internet.
You are cozied up next to Oprah on her glamorous stage. She focuses on you and asks for your expert advice in front of the 300 people in her studio audience and 49 million other people throughout the world watching from their homes, offices, and hotel rooms.
Appear on Oprah and be a star
The demand for your product goes sky high, your phone rings non-stop. You're invited to appear on more top national talk shows, the media suddenly wants you. You're in hot demand. You're a star. If you follow the guidance we're going to give you, you will increase your chances of being able to say, "I was on Oprah!" "The Ultimate Guide to Getting Booked on Oprah" is packed with my own personal experience, media training, and successfully creating angles for my Oprah clients. In it you'll discover a treasure trove of exclusive interviews with prestigious publicists, case histories of famous people, and the stories, trials, and tribulations of ordinary ones: authors, and entrepreneurs, and people like you. You are about to learn insider secrets, hot tips, "off the record" comments, and focused strategies that show you what it REALLY takes to get on The Oprah Winfrey Show and what's really involved in becoming a media sensation. The results will last you a lifetime.
Strategies to get noticed by Oprah's producers
Insider secrets that only producers and Oprah guests know
What other people have done to successful get booked on Oprah when they were virtual nobodies.
How to audition so they'll book you on the show
Ways to sell yourself, your products, and services seamlessly and gracefully once you land an appearance
In this one-of-a-kind breakthrough book lift the secret lid and reveal all the little-known secrets of professional publicists to take you and your business to the top. Plus, you'll get a sneak-peak at what REALLY goes on behind the scenes in the green room and off-stage before and after the show.
Be a guest on Oprah
Oprah guests all prosper in numerous ways, not just money or fame. Many have made connections that they would never have been afforded. Some have gotten golden opportunities or experiences. Still others have been able to make their dreams come true whether gaining enormous personal wealth or serving humanity. No matter what your dream, no matter what you want to accomplish by being on Oprah, I advise you to follow her advice: "Do the one thing you think you cannot do. Fail at it. Try again. Do better the second time. The only people who never tumble are those who never mount the high wire. This is your moment. Own it." Oprah's producers are looking for people who are following their dreams, making a difference, or making some kind of terrific product or offering a service. Whether you have a cake or a cause, getting on the Oprah Winfrey Show will change your life dramatically.
Tennessee T-Cakes on Oprah
Experts appear on Oprah
If you are thinking about looking for information in other places on the web or in the bookstore, it doesn't exist. This Super Kit is the first and only complete, fact-filled book about getting on Oprah, period.
"You will not find another book on the Internet or on the bookshelves that shows you how to get on Oprah and then make the most of your appearance." You may find this book on one other website, but that company has licensed this book from me. It's written by me and it's this same information—but you may not know it until you spend more money for the exact same book. "What you'll soon have to hold and read and study is the most updated, comprehensive information you can get. Period."
"The Ultimate Guide to Getting Booked on Oprah" is the first and only book that houses every piece of information you need to make your dream of being a guest on The Oprah Winfrey Show a reality. This book is so comprehensive and secretive that some of the publicists spoke so frankly they couldn't afford to have their names linked to such private insider information! Gain the edge that these publicists have as they share their secrets with you so you can… get on Oprah!
Strategies that prestigious publicists have used consistently to get their clients on Oprah
Techniques to capture a producer's interest in 20 seconds or less
How to handle everything from the pitch letter to the day you appear on the show
The secrets I have used to help authors, speakers, and entrepreneurs get more air-time while making their appearance on Oprah unforgettable
The 10 qualities that Oprah guests have in common
How to create an eye-popping pitch of your own that will WOW! producers
Little known information that producers don't want you to have that will give you an edge
Mistakes you can't afford to make that could get you banned from the show forever
Behind the scenes secrets you'll want to know so you can survive unexpected circumstances
Angles that have worked for unknown Oprah guests that will also work for you
The most important aspects to remember when you're on the air that will make your appearance a hit
What top publicists say "off the record" about the Oprah Show that they are afraid to say publicly on record
Why it's imperative to understand Oprah's history and preferences before you attempt to get on the show
The 3 magic words you need to know to succeed
What not to pitch—even though you'll be tempted
An in-depth exploration of what it takes to be a guest on the Oprah Show
The 3 times you should refuse to be on Oprah (WARNING: This will shock you)
Captivating story angles that are "media ready" and right for Oprah
Why you need to be prepared for anything even if you think the show is totally planned and scripted
This is a small price to pay for being on Oprah
You can fritter away thousands of dollars, and months and months of time trying to research and compile all the information yourself. But unless you are a publicist with decades of experience, you cannot compile this information yourself.
You can pay a publicist thousands of dollars to try to get you on Oprah, But they won't guarantee success.
Or, for a small fraction of that price, you can find out what it takes to get on Oprah in one step-by-step complete guide, with my "Get On Oprah 100% Satisfaction Guarantee."
PLUS: You can hire me for 2 hours to personally train you but I charge $500/hour. Get this Super Kit housing the same information for 10% off Now!
Use your time and effort to focus on making your dream of getting on Oprah a reality—today. When you order The Ultimate Guide to Getting Booked on Oprah: Super Training Kit you'll get all the products in the regular training kit:
The hard copy Oprah book
The Oprah E-book which contains the same information as the hard copy but which allows you to click right to important links on Oprah's website and other key links
2-CD set that has the most up-to-date information about what Oprah's producers are looking for now, how the show is structured, and how to navigate your way through the intricate maze to become a guest. And much more.
To see everything you get at a glance click here.
Joan Stewart, The Publicity Hound
On this first 70-minute CD Joan Stewart, The Publicity Hound and I discuss those and other changes you'll need to know in order to approach the producers the right way. In the past few years there have been changes in the types of guests the Oprah producers book on her show. Joan Stewart, The Publicity Hound and I reveal those secrets and other changes you'll need to know in order to approach the producers the right way. We'll share things like how you can still be included even in a celebrity line up and ways to prepare yourself for an often grueling production schedule during the taping of the show. We focus on critical topics that include how to prepare to pitch the producers so you are well represented and knowledgeable. We even give you resources that keep you up-to-date on upcoming shows that position you in the most advantageous way so that producers book you on the spot. Here's a secret that many people don't know and you'll learn more about in the book, but it's often to your advantage to suggest other guests, even your competitors, for the show segment that you're pitching. And we'll tell you how to go about doing just that. A common question is how many times you should follow up with producers once they've expressed interest. You'll find out. We'll also cover the three biggest mistakes that guarantee you'll never be on the show. (You'll want to pay close attention to this advice.)
Christine Kloser: The Conscious Entrepreneur
In the second 60 minute CD I discuss this very topic with Christine Kloser, The Conscious Entrepreneur. Getting into O, The Oprah Magazine can mean publicity on a grand scale. Not only is the magazine read by 2.65 million people, it's a magazine that doesn't get thrown away. So you don't get a mad rush of business once, but for many months. An entrepreneur increased her business by 60% in thirty days. Imagine what it would be like for you to do the same.
Appearing on the Oprah Show changes lives for many. But for others getting on the show barely creates a blip in their business. Find out what makes the difference between becoming a blockbuster business and just being another guest who can say they were on Oprah. The first thing I tell you during this interview with Christine is what the most important quality Oprah producers (and all producers) want in a guest. Then I reveal how sound bites can make or break your chances of being on the show or in Oprah's magazine.
You see, the huge mistake many people make is that they think that once they are booked on the show they've made it. They couldn't be more wrong. Getting booked is the very first step. Your APPEARANCE on the show, how you conduct yourself, the words you speak, the manner in which you deliver them, your rapport with Oprah and her other guests, how you're positioned, the way you look, and the subject matter you cover, is all important. This is what makes you a star or just another average Joe who got lucky and made it on the show. This is what will make the difference between selling thousands or millions of dollars worth of products, books or services, or getting support for your cause—or not. This is what makes or breaks your one chance to be all that you can be on the Oprah Winfrey Show.
I show you how to mentally prepare to do well and to be of service to others. This is one of the keys to being a great guest in any venue, and in particular for Oprah since this is her philosophy on life. The Oprah Magazine has more advantages than you may have imagined. Sometimes getting featured in the magazine is an entré into getting on the show and vice versa. You'll get tips about how you can get featured, profiled or mentioned in Oprah's magazine, plus the types of stories that interest O editors. One of the other key things you'll learn about is how to make it on to the Oprah's Favorite Things Show. If this were to happen to you it would be the gift of a lifetime.
Essentials that will help you acquire the skills you need to get noticed by the producers, pass the audition when they call, and then position yourself positively so you make an impression on her audience so they become your loyal clients, customers, buyers, and followers. And…6 examples of successful pitch letters written by professional publicists so you know how to write your own. One of the most common complaints from producers and reporters is that the pitch letters they get are irrelevant to their audience, don't have a solid news angle, are too long and rambling, or are just plain boring. On top of that they hate the fact that the person writing the pitch is often not a qualified expert with exceptional credentials. In other words their expertise isn't strong enough to rank them as an expert. All that can change when you read my step-by-step analysis of every paragraph of these letters showing you what the publicists did right and how you can too. I tell you EXACTLY what to do so you can have the same kind of results they did. You will have access to 6 successful formulas that Oprah producers prefer for pitch letters. You just follow my advice on how to plug in your information. Furthermore, these concepts aren't something I just pulled out of the air. I've studied the pitch letters that got results and then took them apart step-by-step so you could understand how they are constructed. Once you understand the process and logic you'll be able to apply it to your own ideas and story. Of course you will need to have the kind of story and information producers are looking for. And I show you what those are so you can do it yourself.
It's what people pay top publicists for. This is one of the most crucial aspects of getting a "yes" vs. a "maybe" or a "no". It's could mean the difference to you getting on the Oprah Show….or not. I show you clearly what you need to do every line of the way so you can do it yourself.
My clients include everyone from Fortune 500 CEOs to celebrity chefs, Internet millionaires, to best-selling authors and successful entrepreneurs, and even a star in the movie, "The Secret." My diverse clientele includes iVillage, PlanetRx, Design Within Reach, Yoga Journal, Debbie Ford, Pacific Bell Directory/The Yellow Pages, Bill Graham Presents, Gillette/Oral B, the North Face, and Random House. I've media coached people who have appeared on Oprah, CBS's 60 Minutes, Good Morning America, The Today Show, CNN, and more.
Hear from experts, entrepreneurs, authors, and speakers just like you. They share their trials and triumphs, their techniques and insights, and tons of tips so you'll know what works and what doesn't, in advance of that coveted Oprah producer's call…"You are on Oprah!"
When you become a guest on Oprah your credibility is guaranteed. Oprah is considered the "crème de la crème" of all talk shows. "As soon as you say 'Oprah' to people that's the magic word. They say, 'if Oprah had her on, I want her too.' 9 times out of 10 when I say my client has appeared on Oprah producers and editors from other top talk shows and print media book the appearance. No questions asked," says publicist Donna Gould (one of the experts I interviewed for this book).
I want to make sure that everyone can afford to receive this information. You couldn't hire me for 2 hours of my time for the cost of this kit. Plus, I couldn't even attempt to teach you all the information and secrets that are contained in "The Ultimate Guide to Getting Booked On Oprah" in 10 hours.
If you were to hire a publicist it would cost you $2,000-$10,000 per month on retainer to get you booked on a top talk show—and that's without any guarantee of success! One independent consultant charges over $1,500 to TRY to get you booked on Oprah. Another charges $30,000 once she books you on the show. (This is called "Pay for Placement").
I'm dedicated to developing easy to use, cost-effective resources that work for speakers, authors, experts, entrepreneurs, independent contractors, individuals, consultants, coaches small business owners, women in business, companies, and non-profits. You'll get 3 bonus extras when you purchase "The Ultimate Guide to Getting Booked on Oprah."
An actual publicist's pitch letter that got her client on Oprah—twice! You can follow this format EXACTLY to make your pitch letter a success. One of my clients, who was contacted by The Dr. Phil show, is using this formula right now! This bonus extra alone is priceless! But if we were to put a price on it, an accomplished publicist's expertise—would be worth over $500!
The Names of All Producers on the Oprah Show. This includes all the associate producers, senior producers, bookers, and even the production assistants as of 2008. You won't find a list like this anywhere. Currently, The Oprah Show rarely displays the producer's credits after the show so it's nearly impossible to find out their names. There is only ONE database that exists with Oprah's producers' direct numbers. (Not all of them either, just 15 out of 33). You would pay $495 for this database.
Another Bonus Extra! The Inside Scoop on Oprah's Book Club. You'll get this 7 page booklet FREE when you buy, "The Ultimate Guide to Getting Booked on Oprah." In this booklet you'll learn:
What makes an Oprah book.
What goes on behind the scenes of a best-seller.
What Wally Lamb (who landed in the #1 spot on the New York Times best-seller list and who sold over 3 million copies and after being on Oprah) says about success.
This is worth an additional $29.95 alone. NOTE: If you're a fiction author the information contained in this book doesn't particularly pertain to you. It is geared toward experts, non-fiction authors, speakers, consultants, small business owners, product manufacturers, non-profits, charities etc.
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$299 The Ultimate Guide to Getting Booked on Oprah E-Book & Hard Copy Binder.
Updated and Expanded version E-Book and Hard Copy Binder, you get both versions as there are links you'll need to accomplish your goal. With the 3 Bonuses worth over $1,000. This NEW version has the most current comprehensive information on The Oprah Show for this season, plus the stories and pitch letters from ordinary and extraordinary people who explain their strategies for making it on the show. The version that comes with the training kit (vs. the SUPER kit) just has the current correct information without all the new examples and case studies from people who have products, books, services or causes. You get 30+ extra pages of critical information that you can instantly apply to yourself to help you get on the Oprah Show. (293 pages)
$197 Get Into O Magazine E-Book & Hard Copy Binder.
Few people know that O Magazine is a secret back door to getting on the Oprah Show. There is a dynamic synergy between the magazine and the show. Some people get into the magazine first and then on the show and vice versa. Plus, not only is the magazine read by 2.65 million people, (mostly women), it's estimated that 6 people read every issue so you're actually reaching over 18 million potential clients, customers, buyers, funders or supporters. Getting in O, The Oprah Magazine has doubled many an entrepreneur's business overnight. Don't ignore this avenue which can bring you huge sales, lasting recognition, and great credibility. (139 pages)
$139.85 2 CD set & transcripts with Joan Stewart The Publicity Hound and Christine Kloser, The Conscious Entrepreneur.
I give you the key points about how the Oprah show works so you can plan your segment to the max. I explain the producer's process so you can prepare yourself properly for the information they'll need from you. I cover how to conduct yourself on an interview with producers so you'll wow! them and how to use O Magazine as a stepping stone to get on the show. This lively dialog will help you digest the dense information in the book. It complements your overall learning and success. (52 pages)
$99. The Sound Bite System for Success™ 6 CD Set, Online Course & Private Forum.
Many people reported back to me that after buying the Oprah Kit they got a call from an Oprah producer—but failed to get on the show. What a shame they didn't captivate the producer's interest with sound bites on the phone! If they had used The Sound Bite System for Success™ they might have had a different outcome. You need to prepare your sound bites BEFORE you get the call from the Oprah producer. It's too late once they are auditioning you for the show. Don't miss your chance by not being properly prepared. Go through this online interactive class so you'll be ready. (160 pages)
$79.90 CD & Transcript Using Sound Bites to Get on Oprah & Other Top Talk Shows with Nancy Juetten.
Nancy Juetten, of Main Street Media, is a Publicist who used the information in my Get Into O Magazine E-book to get one of her clients featured in the magazine. She interviews me in depth about ways to use sound bites so you get chosen to be on the show. In one hour I pack in as much information as possible about how to approach the Oprah show to get noticed. You'll hear about the 3 things you must do before you even begin contacting the media. Magic words and phrases to say to producers that keep them listening. This is the most current information you'll find on the subject. (32 pages)
$24.95 Sell Yourself Without Selling Your Soul® Hard copy book.
I put my heart and soul into this book so you would understand how to promote yourself with integrity and spirit without turning into an alpha male. Dozens of people have written to me saying that this book was their "Publicity Bible." After reading it you'll understand how the media system works so you can make it work for you. (400 pages)
$19.95 The Secrets to Getting Producers to Book you on Their Show.
When you get that coveted call from Oprah's producers you're not chitty-chatting you're being auditioned for the show. This book of tightly packed points shows you what you need to do to make the cut. (22 pages)
I gave this one-hour webinar to major corporations and boutique PR firms presented by Bulldog Reporter's PR University. Some of the companies on the call were Nestlé Purina, Coldwater Creek, Dreyer's Grand Ice Cream, Joico, and the International Fund for Animal Welfare to name just a few. During this fast-paced hour I spoke frankly about how both in-house corporate publicists and independent PR professionals could position and prepare their clients effectively for the Oprah Winfrey Show. I shared some big secrets to get their less experienced clients on the show and key back-door strategies that most publicists have never even considered. This information has never before revealed to an audience of non-publicists. You get the inside track.
To be truly effective you need to have a cohesive brand. Krishna De was the youngest person and the first ever female to be appointed to the board of Guinness Ireland (yes, the beer co.). She has helped brand such global companies as Smirnoff, Bombay Sapphire, Burger King, Häagen Dazs, and Pillsbury. De shows you how you can create recognition just like her top clients do. This is important in presenting yourself as a viable guest to Oprah's producers. Your brand needs to be easily understood in a few seconds. (32 pages)
Veteran journalist, author of the best selling book "Time Management In An Instant: 60 Ways to Make the Most of Your Day", and a featured contributor for the Huffington Post, PsychologyToday.com and Daytimer.com Karen Leland discusses how to boost your credibility and branding by combining blogging with social networking. You'll learn how to establish yourself as a thought leader, the proper way to guest blog, and ways to build an audience of loyal followers who want your books, products and services. Many unknown people are getting "discovered" by blogging. When Oprah's producers search for guests they troll the Internet and look for relevant material. If you're blogging about a subject they're searching for, they'll find you fast. (30 pages)
To get on Oprah you need to have TV experience. Whether in your own backyard or nationally McLeod shows you how to secure the interview so you can get TV experiences under your belt. Once you've done a few appearances you can use these as "demos" on your site so Oprah producers can see that you're experienced and put together. Lisa McLeod is the hilarious author of Forget Perfect and nationally syndicated newspaper columnist who, armed with only a laptop and a cell phone, booked herself on over 30 TV shows including Good Morning America, Fox News, Good Day Atlanta, and Living it Up with Ali and Jack. She shows you how to do the same. (39 pages)
When Oprah producers search for good guests they explore all media. Radio interviews are more slowly paced than TV so get your practice on radio first before yourself solid on the radio while avoiding the biggest mistakes that make radio producers cringe. Lisa Daily is an internationally syndicated columnist, media personality. and the author of Stop Getting Dumped!, Fifteen Minutes of Shame (Optioned as a movie), and How to Date Like a Grown up. She's been featured in The Washington Post, Cosmopolitan, and the movie DVD Hitch. She's booked herself on over 1600 radio shows in three years and shares her successful strategies with you. (28 pages)
Twitter is the hottest social networking tool for celebrities and regular folks alike. Created by Dan Hollings, the mastermind behind the marketing of the movie "The Secret", this information can't be bought anywhere else separately. Hollings has given us the privilege of making it available to my group. Hollings is one of the most sought after Internet marketers around. An Internet strategist to celebrities, talk show hosts, NY Times best selling authors, universities, world renowned entrepreneurs, and now...you. ABC News stated: "The marketing campaign behind 'The Secret' is going to go down in history as the greatest case study of viral marketing ever done. Anywhere." Hollings brings that same genius to Twitter in his training programs for entrepreneurs. Here Hollings gives you a taste of his ingenious formula for getting publicity, making connections and money in the Twitterverse. (100 + tips, tools & strategies)
I'm giving you over $670 of valued extras for your investment of $847! Secret surprise: I'm also going to give you 2 more valuable gifts that will help you on your Oprah journey. I can't wait to show them to you! So get started today on your journey to the bright lights of the Oprah Show Stage! P.S. Take a moment to think about how much you would pay to get on Oprah. Consider the amount of money you would make, the fame that would come with it and/or the amount of money and awareness you can create. What is that price? $10,000? $15,000? This is only an investment of $847 with a guarantee!
The Ultimate Guide to Getting Booked on Oprah: Super Training Kit (293 pages) ISBN 1-931007-80-2 HC-TK-0-7152-K (Ultimate Guide to Getting Booked on Oprah includes 293 pages) (Total pages for all products 1,227) $847.00 + postage and handling I understand I'm investing in your "The Ultimate Guide to Getting Booked on Oprah: Super Kit" at NO RISK whatsoever, because it comes with a full money back guarantee, (minus shipping & handling) which I can request anytime up to an entire MONTH from purchase! *Which Risk-Free Payment Option Would You Like? Click One Now* Choose one option: Pay in Full Now for Only $847 (best deal!) Pay in 2 Easy Monthly Installments of $448.50
The Ultimate Guide to Getting Booked on Oprah: Super Training Kit (293 pages) ISBN 1-931007-80-2 HC-TK-0-7152-K (Ultimate Guide to Getting Booked on Oprah includes 293 pages) (Total pages for all products 1,227) $847.00 + postage and handling
I understand I'm investing in your "The Ultimate Guide to Getting Booked on Oprah: Super Kit" at NO RISK whatsoever, because it comes with a full money back guarantee, (minus shipping & handling) which I can request anytime up to an entire MONTH from purchase!
Pay in Full Now for Only $847 (best deal!)
Pay in 2 Easy Monthly Installments of $448.50
The Ultimate Guide to Getting Booked on Oprah E-book
The Ultimate Guide to Getting Booked on Oprah Hard Copy Binder
Oprah: Training Kit
Oprah: Super Training Kit
2-CD Set of Christine/Joan
Case studies of people who made it on the show
8 Case studies
18 Case studies
Publicist pitch letters
2 Publicist pitch letters
8 Publicist pitch letters plus analysis of the formats so you can duplicate them
5 Extra steps including insider secrets, and more peeks behind the scenes to you can be better prepared.
Edited transcripts of CDs of Christine/Joan
Get Into O, Magazine E-book
Get Into O, Magazine Hard Copy Binder
2 CD set & transcripts with Joan Stewart The Publicity Hound and Christine Kloser, The Conscious Entrepreneur
The Sound Bite System for Success™ 6 CD Set, Online Course & access to Private Forum
CD & Transcript Using Sound Bites to Get on Oprah & Other Top Talk Shows with Nancy Juetten
Sell Yourself Without Selling Your Soul® Hard copy book
The Secrets to Getting Producers to Book you on Their Show E-book
Bonus case study of the blockbuster movie, The Secret - never before revealed.
BONUS: $299 Webinar: Placing Guests on Oprah and Other Top-Tier Talk Shows: Your Backstage Pass To Generating Instant Fame and Celebrity Status—Exclusive to PR Agencies and PR Departments at Corporations
BONUS: $39.95 CD & $39.95 Transcript What is Your Brand with Krishna De
BONUS: $39.95 CD & $39.95 Transcript Social Networking to build buzz for your service, product, book, or business with Karen Leland
BONUS: $39.95 CD & $39.95 Transcript Get Yourself on TV Any Time Any Where with Lisa Earle McLeod
BONUS: $39.95 Transcript Get Booked on Top Radio Shows with Lisa Daily
EXCLUSIVE!: $99.95 Ebook Twitter Your Way to Oprah
Hard copy binder
Regular kit
Super kit
$99 Instant download (157 pages)
$99 plus shipping (157 pages)
$147 plus shipping (157 pages)
$847 plus shipping (Total value: $1,538.25) (1,227 pages)
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"Thank you so much for writing the Ultimate Guide to Getting on Oprah. I read it several times cover to cover, using it as a workbook as you suggest. Not only do I better understand how producers think, but I also understand the importance of pitching creative story angles. I recently pitched an angle building on an upcoming show for Dr. Phil. I actually received a call from a producer at the Dr. Phil show that evening and felt very prepared to handle the phone call because of your guidance. I'll find out soon if I'll be a guest on the show and now I've got a contact there. Thank you so much for using your experience to help me reach my goals. I look forward to encouraging others and sharing this success story!"
Lisa Whitsett, Author, www.armorathlete.com
I loved your "The Ultimate Guide to Getting Booked on Oprah." It was so informative and effective in helping me put my message together, I subsequently ordered "Get a Six Figure Book Advance" as well. My goal is to write a book on youth sports safety for parents and coaches. As an interim step I have now started a blog, www.SportsSafetyIQ.com and have been working to get my message out to as many people as possible. Since getting both of those guides, I was booked as a guest on "One on One" with Steve Audubato (a NJ Cablevision show), have been a featured speaker at two of my clients' national conventions and was recognized last summer as one of Business Insurance's 50 Women to Watch in the insurance industry. You've helped me think in terms of sound bites, how to pitch my message and how to get visibility for youth sports safety, or as I refer to it ~ my "Miss America Platform." Thanks so much! Lori Windolf Crispo, CPCU. Senior Executive VP Bollinger Sports, www.SportsSafetyIQ.com
"The Ultimate Guide to Getting Booked on Oprah was well worth the cost! While I haven't yet appeared on the Oprah Show I have used what I learned to get a weekly segment on our local CBS affiliate. I pitched the idea to the morning news producer and used the tips Susan recommended to create a following and tie into the local news. The show has now moved to a live spot every Tuesday night so, as a regular, I'm getting the necessary TV experience to be an Oprah-ready guest. I have also learned how to "pitch" other segment ideas and create an audience for future news topic tie ins."
Dana Finch, award winning international speaker, communications architect & author of 8 books, www.DanaFinch.com
100% Satisfaction Guarantee Receive The Ultimate Guide To Getting Booked on Oprah: Super Training Kit entirely at our risk. We want our products to delight you. Within 60 days if you are not absolutely convinced that Susan Harrows strategies work, or if youre dissatisfied for any reason, we will refund your money (excluding shipping and handling). Yes I want to get on Oprah today.
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text: Home Surname List Name Index Sources Email Us | Twelfth Generation433. Joseph Blanton NOLLS was born on 27 November 1925 in McAlester, Pittsburg County, Oklahoma. He died on 19 December 1991 at the age of 66 in Carmel Valley, Monterey County, California. Joseph Blanton NOLLS and Amy Faye WALTERS were married on 30 November 1944 in Anchorage, Anchorage County, Alaska. Amy Faye WALTERS was born on 21 February 1920 in Idaho. She died on 7 March 1999 at the age of 79 in Ephrata, Grant County, Washington. Joseph Blanton NOLLS and Amy Faye WALTERS had the following children:

subset: commoncrawl


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Lovely says Karantiya is right. But let's forget this. Right now we should focus on our reputation, even though it has already started to tarnish. All are sad. Next day, in the morning police comes and tells the Kauski's that they have found something epic in this case. And this case seems as if it will be solve soon. Lovely says what it is. Tell us please. Vikash says well, we have found evidence to prove who the murderer is. All are shocked but happy. Vikash says this means that you can shift back to your house by tomorrow. All are excited. Vikash says all of you will move back to your house except Karantiya and Lovely! All are shocked! He adds you have the right to remain quiet, anything you say or do will be used against you in the court of law. He hand cuffs them and they leave a shocked Kaushik family.
Shubu says don't worry he will handle this. He asks Karthik to come with him to the police station and they follow the police vehicle. In some corner, we see someone talking to a police officer. The person says this is more Vikash. He did his job. Now this is what I'm waiting for. They shake hands and the scene shifts to the police station. Shibu says what evidence you have to prove these two kill Devishka? As a police officer, even I know that I must see evidence before you take someone. Vikash says wait a minute. He says we had some eye witnesses and even these pictures. Police shows the pictures and he and Karthik are shocked! Vikash says hope you understand. Shibhu ays can we meet them. Vikash allows.
Both couple has a little romantic something. Back home, all
are worried what has befallen their family. Nimmi says something is definitely
fishy and I know for sure that this is surely someone's conspiracy! All agrees.
Back at Police Station, Shibu assures them that they will be release soon. He promises
them that. Vikash says your time is up. Shibu and Karthik gives him a look and
is about to leave when Vikash says I'm sorry about this. However, both of them
will be on trial two days for now. Other than that, they will have to spend the
rest of days in jail. Shibhu says I will get back to you. They leave angrily! Another
police officer comes and gives Vikash the money and says the women said well
done, she will give you the rest tomorrow. Lovely sees this and think what
should she do! Something is definitely fishy. i will have to make a plan and tell Shibu about this, but how?
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Next day, the family comes to meet Karantiya and Lovely. Lovely secretly calls for Shibhu, she tells him that something is fishy. Shibhu goes to Vikash and says here are their bail papers. Vikash is shocked but had no choice but to release them. Shibu says be careful with who you mess with. Vikash says next tomorrow is their trial in court; let me see who you can save these murderers. Shibu gets angry and is going to attack him but Massa says don't worry with such people; they only know to provoke others to do wrong things. Massa says tomorrow we will see who is righteous and who the wrong one is. I hope it don't turn out to be the opposite of the current situation. Vikash gets angry and says get from here! Karthik says mind you tongue! And they leave.
After they leave, Vikash calls someone they are talking. He says they have gotten bail. Outside, Massaa says her purse is left inside. Lovely says oh god, I will get them for you.The person says no matter what make sure tomorrow they get life imprisonment! Vikash says Aarti ji don't worry, I have this under my arms! Aarti's face is reveal and she says thank you! Make sure nothing goes wrong and out plan is executed well. You will be paid you full amount after the court case. We will celebrate! Vikash and Aarti laughs over the phone! Vikash says Aarti, you dream of making the Kaushik life and reputation destroy is just one day away! Vikash says I hope you have got rid of the evidence. Aarti tells him that the evidence has been under the silk cotton tree behind the temple. Vikash says you put the evidence under the silk cotton tree? Behind the kali temple? Make sure you get rid of it this afternoon. He hangs up the call. And smiles.
Vikash sits and lovely comes in, Lovely says I have come to
collect Massa purse. She collects it while Vikash taunts her. Lovely says don't
get your hopes up! And she leaves. Outside, Massa says why you took so long.
Lovely says Vikash was taunting me. Karthik gets angry and says I will beat him
black and blue when I see him. Massa says don't be entangle in violence. All leave
home. Massa says lovely I need something's at the market, will you go buy them
for me. Lovely says sure, Nimmi come let's go. Nimmi and Lovely leaves. In market
they meet Aarti, Aarti screams murderer! Nimmi and Lovely shocked! Nimmi Angry!
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MKKPB{MahaEpi}-15th Oct11-Video PROMO !DVDQ!
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-Nipun97- | 6 | 847 | 13 October 2011 at 11:57am by nycsweetie | |
Author: sages Replies: 0 Views: 223 |
sages | 0 | 223 | 03 September 2011 at 1:00am by sages | |
pls update the last 2 episodes
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sages | 0 | 228 | 02 September 2011 at 5:41am by sages | |
MKKPB{MahaEpi}-27thAug11-Video PROMO !DVDQ!
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MKKPB{MahaEpi}-24thJuly11-Video PROMO !DVDQ!
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-Nipun97- | 5 | 626 | 20 July 2011 at 11:37am by ayeshanehal |
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text:
Newcastle Falcons 14-32 Northampton Saints, Aviva Premiership
Saints run four past Falcons
December 31, 2011
Ben Foden scored twice for Northampton
© Getty Images Enlarge
Northampton cranked up the pressure in the race for an Aviva Premiership play-off spot with a 32-14 victory over Newcastle at Kingston Park on Saturday. England fullback Ben Foden scored two cleverly worked tries at the start of each half to put the Saints in the driving seat. Giant prop Soane Tonga'uiha was driven over for the visitors' third while former Falcons man Tom May delivered the fourth try - and the bonus point - four minutes from time with his first touch after coming on as a late replacement. Victory helps Northampton leapfrog from sixth to third and leaves Newcastle firmly anchored at the foot of the table, which makes next weekend's home game against Exeter a must-win for the Falcons. Ryan Lamb kicked two conversions and two penalties, while Jimmy Gopperth kicked three penalties for Newcastle and Suka Hufanga scored a first half try. Northampton were 10-0 up in as many minutes against a Newcastle side who are notoriously slow starters, and the Saints scored their first try with embarrassing ease after Lamb's fourth-minute penalty. The try came from Newcastle's inability to win hardly anything at the line-out - they lost five out of eight of their own throws in the first-half - and the real surprise was that the Saints only made it really count when a slick move saw George Pisi push an excellent rolling kick behind the Falcons defence and the ball stood up nicely for Foden to cruise in at the corner, with Lamb converting. Gopperth's inside break and Hufanga's fast feet had the Saints backpedalling and Ally Hogg's drive brought a penalty, which the fly-half knocked over in the 14th minute. Another Gopperth inside break sent Hufanga racing in for a 20th-minute Falcons try. Gopperth surprisingly missed the conversion but, trailing by just two points, Newcastle were back in the game.However, their inability to win any consistent line-out ball was a persistent problem and Newcastle spent most of the time in their own half. Despite that, all Northampton had to show for all their possession was Lamb's 31st-minute penalty and in a rare period of Falcons pressure, winger Scott Armstrong conceded a 36th minute penalty which Gopperth kicked to bring the hosts to within two points again. Newcastle edged into the lead for the first time when Gopperth landed his third penalty early in the second-half - but it did not last long with Foden grabbing his second try in the 49th minute. It was almost a replica of his first half score, with Lamb this time pushing a rolling kick through and Foden surged after it - leaving flanker Richard Mayhew trailing to touch down in the corner. Lamb squeezed over the conversion for the Saints to lead 20-14. It was the signal for Northampton to turn the screw and from a lineout Soane Tonga'uiha was driven over in the 56th minute for 25-14. Had Vasily Artemyev been able to hang on to Lamb's lovely crossfield kick it would have been another try just a few minutes later. Gopperth's 66th-minute penalty miss just about summed up Newcastle's afternoon as they lost Tim Swinson to the sin-bin for a high tackle - and in the last 10 minutes Northampton did pretty much as they pleased. There were plenty of gaps appearing and Northampton's fourth try came from some slick inter-passing down the right, May scoring. It was enough to secure the four-try bonus point - and Stephen Myler converted. © ESPN Sports Media Ltd.
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text: Jun 5, 2013 16:39 Cajun Pepper Cabbage Cajun Pepper Cabbage Joyce A. Harris-Stokes June 05, 2013 Comments Cajun Pepper Cabbage Serves 6. Adapted by LSU School of Human Ecology from a recipe from Joyce A. Harris-Stokes in Tallapoosa River Electric Cooperative Alabama Living. 1⁄16 tsp. oregano 1⁄8 tsp. salt 1/2 tsp. Cajun Seasoning (see recipe) 1/4 tsp. black pepper 1/4 tsp. red pepper 1 cabbage, cut into small pieces 1 tbl. chopped jalapeño pepper 1⁄3 cup chopped onion 1⁄3 cup chopped bell pepper 1⁄8 cup butter (2 tbls.) 1. Combine all ingredients except butter in a bowl. 2. Melt the butter over low heat in a large saucepan. 3. Stir in the cabbage mixture. 4. Cook, stirring occasionally, for 8-10 minutes. Cajun Seasoning 2 tbls. paprika 1 tbl. salt 1 tbl. black pepper 2 tsps. garlic powder 2 tsps. onion powder 2 tsps. ground red pepper 1 tsp. dried oregano 1 tsp. dried thyme Mix all ingredients together. Store in a covered jar. Get The Advocate in your inbox Subscribe


text:
Winter's finally over and you're ready to roll down the road. Your horse is fit, you've been coached to new heights, and visions of blue ribbons dance in your dreams. Suddenly, your happy dream turns into a nightmare as you recall what happened last year at that horse show, when your horse needed to be re-shod at the show.
What's a horse owner to do?
You have a few options. Yo
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text:
After a lacklustre episode 11 and an average episode 12, "The Cyprus Agency," the episode 13 of "The Blacklist," finally delivers, hitting all the right notes to surprise and re-claim 'excellent'. It has all the elements that make a good crime thriller: a suave, calm, unrepentant criminal, a regular adoption business that balloons into a crime of a bigger, unimaginable proportion, the whiff of the haunting past, the killing of a bad rat, emotional decisions and the cold-blooded revenge seeker.
The episode opens with a zombie like woman, looking for her child. She approaches a cop to help find her child, saying "they took my baby." The lady is almost mumbling. Before the cop can help her, a man, with a thick moustache, comes, claiming to be her brother, to take her away. When the cop asks him to wait, the man shoots down both the cop and the woman.
Liz and Tom are watching the sonogram video of their unborn baby. The couple realise that it is real now. Liz tells Tom about her decision to quit the job for a while to take care of the baby. She believes the child is more important and does not mind losing the job.
Red gives Liz the file on Cyprus Adoption Agency, a "truly evil organisation." Liz sees no co-incidence in Red serving-up an adoption agency, especially at a time when Tom and she are adopting a baby. Red calls it "life is full of lovely little ironies." The agency's clients order from an unlimited genetic menu. It promises a genetically, perfect baby to its clients and delivers on its promise, as the babies offered by the agency have some genetic advantage. The evil, however, does not reside in the offer but how the babies are put-up for adoption. The babies are stolen from their mothers. This adoption agency is in the abduction business.
Red provides details on the baby who will be delivered next. Liz and Agent Ressler meet the couple who were going to adopt that baby. The couple is shocked to hear about stolen babies and agree to co-operate with the FBI. Ted Caldwell, the lawyer representing the agency, meets the couple for further discussion on adoption. However, Caldwell gets suspicious when the couple starts asking uncomfortable questions. He walks out of the restaurant to call-up somebody, telling the person about the questions.
Liz and Agent Ressler are keeping a watch on the couple and the lawyer. Sensing the lawyer might be up to something, they approach him, flashing their FBI IDs. Seeing the FBI agents, Caldwell is a bundle of nerves and looks terrified. Before he could reveal anything, a bus runs over him. He is dead.
One of Red's men tells him that Agent Malik is telling the truth. Agent Malik tells Red that they can help each other to find the truth, killing her would not serve any purpose. She also wants to get to the bottom of the truth about Garrick's attack on the post-office.
Liz and Agent Ressler visit the office of the agency and meet Owen Mallory, the CEO and founder of the Cyprus Adoption Agency. He promises them his full co-operation and feigns ignorance of any wrong-doing. Also, Mallory puts a full stop on adoption till the investigations are over. The FBI team takes all the files and data, with them.
At the FBI office, Agent Ressler tells Cooper that 27 adoptions were brokered in the last three years, which is unusual. Also, it is revealed that not a single adoption can be authenticated. Red tells Liz to find about parents and relations, and not babies. This advice gives results. Agent Ressler tells Liz that five women gave birth to 12 children out of 27. These women are described as smart, attractive and in their 20s. They have been missing for the last three years and were part of top universities. It looks like these women were abducted to give birth to babies for adoption. The truth turns out to be more horrifying than that.
Agent Malik steals Cooper's card and uses it to transfer confidential information into a drive. She gives this drive to Red. He tells her that their business is over.
With Aram's help, FBI team figures out the woman who will get abducted, next. Agent Ressler and Liz are unable to stop the thick moustache man from abducting the woman. The man's boss, Mallory, however, is not happy with this abduction, as the FBI is digging deeper. Mallory kills the thick moustache man. He meets a doctor at Galatea Fertility Clinic.
Digging more on Mallory's background, Liz and Agent Ressler find out that he was adopted at the age of seven by a couple. However, he was soon returned to foster care because he showed symptoms of severe attachment disorder.
The body of one of the missing women is discovered. This woman has been in induced coma, with the help of a powerful sedative, for the last three years. However in her coma state, she has given birth to babies, multiple times. The missing women have been used as vessels to nurture and give birth to babies.
The powerful sedative is rarely used and most of the pharmaceuticals do not store it. Red introduces Liz to one of his acquaintances. This man provides the information on the sedative as well as doctors using it. One of the doctors is a fertility expert. This leads Liz and Agent Ressler to Galatea Fertility Clinic. Mallory is having a meeting with his partner in crime. The two try running away but are soon caught. Liz finds the room where the pregnant, heavily sedated women are kept.
Mallory is unrepentant. He says his legacy is completed and no one can change that. Liz figures out that he is the father of the children. Mallory tells Liz that the couple who adopted him never wanted a child but an accessory to smile on their Christmas cards. He believes he was returned because he was defective -- a damaged good.
Red had said to Liz to not go ahead with the adoption if she has a shred of doubt about Tom. Liz had said that she does not doubt Tom. However at the end of the day, Liz tells Tom that she is not ready for adoption. Tom tries to convince her but fails. She tells him that they cannot say, without a shred of doubt, that their relationship is not broken. Tom tries finding solace in Jolene.
Diane finds Red in her living room. She is the bad rat who had betrayed Red and Cooper, leaking the blacksite information. She tells Red about Fitch protecting her and how he is part of the plan. Red cuts her, telling her that Fitch and he had decided to not interfere in each other's business. They have an agreement but there is no such agreement with Diane. He shoots at her. Diane says that she knows what happened that night and what happened to his family. Red is not interesting in knowing from her. He tells her: "... if you know the truth then somebody else also does." He puts more bullets in her.
Lady Kaplan, Red's cleaning lady, arrives at the spot to clean-up the mess. She is there to erase all the evidence against Red.
There is not a shred of doubt that this is one of the best episodes of "The Blacklist" Season 1. It provided a reason to look forward to next episode and also heightened curiosity about Red's past. Red is driven by his horrifying, undisclosed past. It is clear that he can go to any extent to find what he is seeking to find. Will he ever be caught? Or, the body counts will just keep rising and no one will be aware about that.


text:
Marg Helgenberger |
Catherine Willows |
George Eads |
Nick Stokes |
Paul Guilfoyle |
Captain Jim Brass |
Eric Szmanda |
Greg Sanders |
Robert David Hall |
Dr. Al Robbins |
Lauren Lee Smith |
Riley Adams |
Kate Vernon |
Dr. Penelope Russell |
Guest Star |
Jaime Ray Newman |
Melinda Carver |
Guest Star |
Liza Weil |
Risa Varness |
Guest Star |
Archie Kao |
Archie Johnson |
Recurring Role |
Liz Vassey |
Wendy Simms |
Recurring Role |
Jon Wellner |
Henry Andrews |
Recurring Role |
Several Battlestar Galactica (2003) alum appear throughout the episode:
Ronald D. Moore (Battlestar Galactica creator/producer) - Convention Attendee
Kate Vernon (Ellen Tigh) - Dr. Penelope Russell
Grace Park (Sharon Valerii/Boomer/Athena) - Convention Attendee, uncredited
Rekha Sharma (Tory Foster) - Convention Attendee, uncredited
Director Michael Nankin has also directed 8 episodes of Battlestar Galactica.
Michael Welch, who plays Steuben Lorenz in this episode,guest starred in a episode of Stargate SG-1.Stargate SG-1 is the longest running Sci-fi series in North America.
Kate Vernon played Dr. Penelope Russell in this episode who is also from the cast of Battlestar Galactica as Ellen Tigh.
Joshua Cox, who plays the commander in the opening scene, played a recurring character David Corwin on Babylon 5.
When Astro Quest Redux is presented to the convention fans and the camera pans across the shocked fans, one of them is Grace Park, an actress who played Boomer on the new version of Battlestar Galactica.
This episode doesn't just spoof Star Trek, it also spoofs the "reimagining" of Battlestar Galactica. In the scene where Astro Quest Redux is presented to the convention fans, the fan who yells "you suck!" is Ronald D. Moore, who was behind the new Battlestar Galactica series. He had his own tough time convincing fans of the old series of his vision when presented at the Comic Con in San Diego.
Dr. Russell: Derrida... Derrida would've called that...
Brass: An epistemological dichotomy? (pause) I just call it second degree murder.
Henry: She mad at you again? Why you two just get it over with? You've been dancing around it for years, just tell her how you feel.
Hodges: Tell her what, Mr. Andrews? That I'd never be able to give myself to her fully because I made a commitment to this lab, to the pursuit of justice. Do you think it's easy? In the dead of night, I can't help but wonder what it'd be like to savor the pleasures of ordinary men. Moonlight dinners, murmured endearments, the caress of a woman's soft skin, long languid walks on the beach...
Henry: But you hate the beach. It's understandable, I guess, considering your complexion.
Wendy: What happened?
Hodges: I was checking the unknown solubility in acetone, when I guess it caught on fire. My mind wandered.
Wendy: That's been happening a lot, Hodges. What's been going on with you?
Hodges: There's nothing going on. This is Crime Lab. Not some Tagillian Kasba.
Wendy: Excuse me?
Hodges: You, me, a DVD, I don't think that it's gonna help us catch a killer.
Wendy: Are you actually trying to blame all this on me?
Hodges: Not in so many words.
Wendy: Okay, you know what? I asked you to come over and watch a DVD, that's it. So, if you're having some fantasies about me dressed up in a tinfoil bikini, dancing around in a Kasba, on a strange alien planet, then ... good.
Hodges: Good?
Wendy: Yes, good. That means that you're not as oblivious as everyone around here seems to think you are. But the fact is, if you can't handle the way... If you can't handle the way those fantasies make you feel, don't turn all that around and blame me when you screw up.
Hodges: Don't worry about it. It's not gonna happen again.
Wendy: Well, that's the not only thing that's not gonna happen.
Hodges: Fine.
Wendy: Fine!
Wendy: You know, I was thinkin' that after shift, it might be nice to have a little AstroQuest mini-marathon. Like maybe, Yesterday's Tomorrow, parts 1, 2 and 3.
Hodges: You mean the time travel triology from season 4?
Wendy: Oh, yes.
Hodges: That's great, count me in.
Wendy: Good.
Hodges: I'll even spring for pizza if it's not too much of a crowd.
Wendy: Well, two is not much a crowd really, so...
Hodges: You mean just you and me?
Wendy: Yeah, you, me the blu-ray dvd box set, and a brand new plasma TV.
Hodges: Over your place?
Wendy: Yeah... that's where I keep my TV.
Hodges: 'kay. Sounds good.
Wendy: It will be.
Mandy: Be careful, that thing gave me a nasty little shock.
Wendy: Well, of course it did. This is the...
Hodges: Compliance yolk from the slavers of Serenidon. That's a classic.
Wendy: I know, right? (explains to Mandy) So the commander and his crew were basically forced into hard labor, right? By the planet's...
Hodges: Disembodied.
Wendy: ... disembodied rulers, yeah. And they make everybody wear one of these things around their necks.
Hodges: Yeah, and then if they don't follow orders they get shocked with this paralyzing pain. (goes to touch it)
Wendy: Hey, Hodges! You don't have gloves on. It hasn't been processed yet.
Hodges: Sorry.
Wendy: Don't make me use this. (walks off)
Mandy: What, if anything else did you do growing up?
Hodges: Sneer if you wish, but science fiction has been the inspiration for many great technological breakthroughs.
Mandy: I'm not knockin' it. I love sci-fi. You know, especially that talking horse show, that was one of my favorites.
Hodges: Mr. Ed?
Mandy: Yeah.
Hodges: Yeah, that's not science fiction.
Mandy: Sure it is. It involves an alternate universe in which a horse evolves a larynx.
Hodges: That's fantasy.
Mandy: No, fantasy is anything that travels faster than the speed of light, Hodges. Which is why, if Albert Einstein were alive, he'd slap your face.
Hodges: Hey, um, Catherine... Um, hypothetically, if I knew of some one in the lab having a relationship--
Catherine: What kind of relationship?
Hodges: Uh... personal, affectionate.
Catherine: Romantic?
Hodges: Okay. Um... hypothetically if I knew of someone in the lab having a romantic relationship... Would I be obligated to report them?
Catherine: Yes, to Ecklie.
Hodges: And hypothetically would they suffer consequences?
Catherine: Are they hypothetically on the same shift?
Hodges: Yes.
Catherine: Supervisor, subordinate?
Hodges: No.
Catherine: Then one of them will have to change shifts. But other than that, they should be fine. Just tell them to report it to Ecklie and to go for it. Life's too short, right?
Riley: Are we gonna have to figure out how many dumpsters 3,000 people can fill in three days?
Nick: Boy, I hope not. (runs the ALS over the chair) Whoa, I got a whole lot of geek love on the command chair.
Riley: Well, isn't that nice for them.
Greg: So, lemme get this straight, some nerd takes a cheesy 60's sci-fi show and turns it into something... A little bit more realistic, minus the spaceship of course, and the other nerds get pissed off enough that they beat him up and kill him over it?
Archie: Well, people don't like it when you mess with their heros.
Langston: Do you and Wendy always go to Whatifitcon together?
Hodges: Actually, it was our first.
Brass: So what happens to the rights with Jonathan out of the picture?
Melinda: They revert to me, I guess. What are you getting at?
Brass: Exactly what you think I am.
Nick: Jonathan Danson, 36 from Chowchilla, California. About 42 bucks and a coupla credit cards.
Wendy: So it probably wasn't a robbery. (Nick looks at her)
Nick: Bloody nose, scratches on the face, this guys been in a fight or something.
Hodges: You know, if there was a struggle, it'd be really hard to tell on a set like this. (Nick sighs, tries not to say anything)
David: Liver temp was 89.7 degrees, he probably died between midnight and 3am.
Nick: So, between then and now, there's probably been a few thousand people with access to this booth.
Hodges: You're gonna need a lot of tape lifts.
Wendy: And swabs.
Nick (sighs): Or I could run a vacuum cleaner over the scene and get exemplars from all these folks, keep you two knuckleheads busy for the next few months. How'd that be? Hmm? Do me a favor, beam yourselves back to the lab and let us do our job, please.
Wendy: Okay.
Nick: Thank you. Nice outfit.
Hodges: Wendy? You're Yeoman Malloy.
Wendy: You have a micro-probe.
Hodges: I can't believe this. You're a quester?
Wendy: I think AstroQuest is the greatest science fiction show of all time.
Hodges: I'm a Commander Bishop fan myself.
Wendy: Who isn't?
Hodges: Why Malloy?
Wendy: I loved her. I mean, I know that she was completely under written but, she as the only female bio-chemist on TV and I liked her spunk. Do you think that I got the collar right? Because I think that on the show it might've been a little more, um... swoopy.
Hodges: You... um, it looks perfect.
(on the phone)
Brass: Brass.
Hodges: Yeah, it's Hodges.
Brass: Who?
Hodges: From Trace, we have a situation at the Whatifitcon.
Brass: The Whatifit-what? How'd you get this number?
Hodges: I cloned Grissom's cell phone on a work-related matter. That's not important now. We have a situation. It's one of the exhibitors.
Brass: Can you be more specific?
Hodges: He's dead, Jim.
Langston: He was obviously in some kind of struggle, what do you make of this contusion here?
Doc Robbins: Well, it's on a pressure point. Maybe someone was trying some kind of sleeper hold.
Davis: You mean, like a seflon submission claw? That's real?
Doc Robbins: Well, you tell me. (does one to David)
David: Ah, okay, okay. Ow! Ow! (Doc Robbins lets go, they talk about other stuff for a moment) That hurt.
Doc Robbins: Good.
International Episode Titles:
Czech Republic: Návštěvníci (Visitors)
Original International Air Dates:
Australia: June 7, 2009 on Channel 9
Norway: June 9, 2009 on TVNorge
Slovakia: August 2, 2009 on JOJ
Sweden: October 19, 2009 on Kanal 5
Finland: December 30, 2009 on MTV3
Spain: February 2, 2010 on AXN
Germany: April 22, 2010 on RTL
Czech Republic: May 20, 2010 on TV Nova
Pre-production title name of Stoke on Duty.
Star Wars
The online translator used at the end of the episode converts the text from Latin characters to Aurabesh. Aurabesh is the character script used in the Star Wars Universe.
Star Trek
Hodges: We have a problem. It's one of the exhibitors.
Brass: Can you be more specific?
Hodges: He's dead, Jim.
This is a reference to a line frequently used by Dr. Leonard "Bones" McCoy to Capt. James T. Kirk in the original Star Trek series whenever someone died.
Episode Title: A Space Oddity
This is an allusion to David Bowie's song Space Oddity, released as a single in 1969.
This also could be an allusion to the title of Stanley Kubrick's 1968 sci-fi film 2001: A Space Odyssey.
Wendy's and one of Hodges' daydreams are rip-offs of scenes from the Star Trek episode "The Gamesters of Triskelion."
S 15 : Ep 18
Aired 2/15/15
S 15 : Ep 17
Aired 2/15/15
S 15 : Ep 16
Aired 1/27/15
S 15 : Ep 15
Aired 1/25/15
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Fernandabulous July 01, 2013 12:35 PM he's right, teams usually put their own best interests before any other consideration in formula 1 Reply Report abuse 8 agree 4 disagree
runnah July 01, 2013 1:20 PM A bit of a callous statement from Mr. Newey. I am sure if teams had known exploding tires was a possibility I am sure the other teams would have called for the 2012 sets. When approached the other teams were only basing their choice on tire wear, not safety concerns. Reply Report abuse 12 agree 10 disagree
Texas Roadhouse July 01, 2013 1:40 PM "Teams put their own interests before any other considerations"Absolutely correct - and include RBR in that statement too. Reply Report abuse 18 agree 0 disagree
107SS2009 July 01, 2013 3:56 PM Texas, once again I am agreeing with you.Mr Newey knows perfectly well that if his car was using the tyres like the other teams cars he is talking about he would have been on the other side of the fence. Reply Report abuse 5 agree 1 disagree
nealio July 01, 2013 6:03 PM A hypocritical statement from a team that has blocked track and tire testing consistently. Mr. Newey opens himself to charges that he is using a safety issue for the advantage of his own team agenda. Reply Report abuse 5 agree 3 disagree
kiwibob July 01, 2013 6:24 PM Who wants to bet that all teams agree to the new tyres for Germany and to be fair rbr were not one of the teams objecting just ferrari ,lotus and good old i don,t care about exploding tyres force india Reply Report abuse 1 agree 0 disagree
107SS2009 July 01, 2013 7:24 PM And who thinks that Pirelli can supply the new type of tyre construction inside four/five days? (for the German GP) Reply Report abuse 2 agree 0 disagree
rob01 July 02, 2013 1:58 AM Vettel was told over the radio that the team had added 2psi to the tires they just put on the car. That is a considerable amount of air/gas for an F1 car. Leads me to believe that the lower pressures coupled with a crumbly tire on the high speed circuit BOTH contributed to the blow outs. Tryiing to save tire wear with under inflations may work on the family car. Reply Report abuse 2 agree 1 disagree
JJJ July 02, 2013 2:01 AM Kind of dissappointing really that Newey would make a statement like this to push the RBR agenda. Yes, what happened last sunday was a shambles but although we have seen a couple flat tyres earlier in the year we haven't seen anything like the last race.It may well have been the track that created the problem and eventhough the tyres should still not blow up of course, at other tracks there may very well be no issue at all. There's no point in overreacting.Side note: it occurred to me that all the 4 drivers who had failures all have quite an aggressive style (well I don't know about Vergne but certainly hamilton, massa and perez). Maybe there's something there. They even said in quali you could hear Massa just jams in the throttle instead of progressively easing it in like some others. Reply Report abuse 2 agree 1 disagree
atxsxsw July 02, 2013 7:15 AM Glad someone with the integrity of Newey, who seldom speaks about anything, is willing to speak out. And for those that somehow seem to think this is being done to further some RBR agenda, there are two facts that seem to answer any doubters. First, RBR suffered no tire failures. And second, RBR has been the most competitive team on the current tires, handily leading both the constructors and drivers championships, even with Vettel's gearbox failure. Newey is right, if there had been a driver, corner worker, or spectator injured (or worse) due to the flying debris or a car spearing off the track after one of these catastrophic failures the failure to have taken the proper precautions would be disastrous for the sport. Reply Report abuse 2 agree 0 disagree


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- Published: New York : Putnam, c1982.
- Year Published: 1982
- Description: 107 p. : ill. ; 20 x 26 cm.
- Language: English
- Format: Book
ISBN/Standard Number
- 0399505997 :
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The way I understand it, ChocoPi has mainly brought three new things to Witchunt: 1. The Spy: A non-witch player who is aware of the coven, and can reveal it to the other faction(s). 2. GAs: The ability for dead players to influence the game. 3. The Werewolf: A scum role designed to make claiming unsafe. Although CPi seems t have always used all three, personalized witchhunts by other mods have been attempted (and are still being attempted) that ditched one or more of these elements. Most people seem to agree that spy ruins the game for scum, and that werewolf is, generally speaking, rather boring. The jury is still out on GAs. What I have in mind right now is to design a game that would, hopefully, serve as a prof of concept for ChocoPi's three innovations - I would love to prove conclusively that it is possible to work a spy into a proper game, for one thing. I believe WH5 clearly demonstrates that an abundance of very powerful abilities tends to stop the game from actually being played, so I'm going to try and lean the other way. Previous games also demonstrated that rules that create randomness in the starting gamestate are problematic, so no "lost" roles due to spy, lovers, or whatever. My proposed spy mechanic makes the spy low-power, as well as the counter to him. I accept that we would have to play without ChadMiller. Spy: Gets the link to coven chat. Not told who the coven are (coven is told names in PMs, but not roles), and everybody uses false names there, although they must be consistent. Siren (witch): Each night, may whisper the name of a player in coven chat. If that player has access to coven chat (and isn't the siren himself), he dies. So, the spy's list narrows down as time goes forward, and if Siren just randomly names all the top (non-coven) players early, the spy could come out with that info, revealing a list of important town players. WW+sacrifice (very early idea): Coven sacrifices one member, and posts a player/role list. Every correct match dies. I am mostly asking just how ridiculous this is. GAs (early idea): Coven in GAs can reveal themselves to get THREE votes henceforth. These are always no protect. This robs winning town of GAs, basically. It is assumed for now that basic roles such as priest, aco, necro and demon work roughly as usual. What's interesting, what's salvageable, and what's broken beyond repair?
It seems a little inappropriate to talk about this while WH5 is still going on. At the very least the comments I want to make are not appropriate.
is WH5 really going on, though? I think there's one night action until CPi can just declare a winner or something? Siren seems problematic: Best choice is to never use your power, as long as witches don't play terribly and reveal who they actually are to spy? Sacrifice: Theoretically it sounds good. In practice, it feels like it will kill the newbs, and still not let witches win against our experienced players?
Spy - If Witches always murder the previous Siren target, then Spy has no mechanical info (this seems ok as a default scum strategy) - now Spy is low enough power that witches don't need Siren. But take Siren away and Spy gets his free town list. Seems tricky, although nice concept. How about ... keep Siren, but Spy can Check a target each night (he has much more info to work with, but at cost of no Acolyte and Siren vulnerability). If this is too powerful, then add a 1-in-6 or whatever chance of receiving "no info" as a result. Demon knowledge or Haunt/Blocking would also keep this ability in check. Sacrifice - mechanism to stop mass town reveal, not really expected to be used? GAs - Sounds ok but isn't a GA-witch issue is that they have nothing to do? This doesn't address that. With no Spy knowing the whole coven, a Witch-GA group with the power to do something to aid their faction (Block/Haunt, Protect, whatever) would give them a reason to keep involved.
In keeping with the idea that a game is a series of interesting decisions, Siren is meant to be a sort of low-risk silencer, but there's still a net loss to calling out the wrong name. Siren's target dies at sunrise. Witches can still NK last night's siren pick, and it's not like Spy will want to claim just to name three town players. If spy gets a check (I really want to go for the lowest useful power level), I'd say he needs to match a coven name to a player name: "match ChadMiller as Daemonius" to get a result - otherwise he's just a better priest. Not exactly weak, that. I'd like more opinions on the sacrifice mechanic. Sotek, how likely would you be to call for sacrifice to get a mass-kill on N1?
In that version? Pfffft no. That said I suggest giving each witch a town role - either that doesn't exist for them to claim (ala spy in wh's) or that they have the powers of. and then just not have a kill-by-role guy.
This might work - vanilla Mafia, as far as I understand, is effectively this. However, it goes squarely against one of my design principles - no randomness in the starting gamestate. The thing I disliked most about Sotekhunt was that any single town role could, in fact, not be town at all. We also got the worst case situation of it, which didn't help. Okay, if the few people intervening don't jump all-out at stuff that's blatantly broken, it might be worth spending the time to come up with a complete ruleset using these spy/sacrifice rules. Maybe after Fryhunt or the next one...
Totally my idea. The design behind this idea was that you would have some number of "power town" roles. (Priest, Acolyte). These would always be town. Then you would have a much longer list (ideally ~2/3 of the roles) that are mechanically weaker roles (Vampire Hunter, Wizard). The witches would be drawn from these roles - so each witch has a "free" fakeclaim. So while there is some randomness in the initial gamestate, none of the key town roles are going to be witches, so you aren't going to have a repeat of Sotekhunt, where a crucial info role wasn't town. My initial thought was that witches would not receive the powers of their role (except the Cultist, whose witch power would to be keep his town power).
How about the mod iterates down the list of player - roles, and after three mismatches the killing ends? So you don't get free lucky shots in the dark against people you have no clue about
+1 for Patashu. Stolen. Arkaal: One problem is, "significant" roles will vary depending on how play turns out, and with each ruleset being tested for a total of one game... Sotekhunt made spiritualist a pivotal role, garciahunt relied on judge for two days, and WH5 made cupid a key role. I'm not saying the approach is wrong, either. I'd definitely play in it, and it just may be the best solution to most of our problems -- but it goes against my stated design goals in the OP, so not in my ruleset.
Here's a couple ideas from Tinyhunt for GAs that I thought I'd repost here. If protection succeeds, town is not informed of the target of the nightkill. Just that was no murder. Ghost Haunt: Dead witches get ghost chat ala WH5 but try to guess the role of the protect target to make protection fail. Spiritualist should probably get the info on ghost guesses as well. Also makes dead witches want to participate more in deception in GA chat. Might make GAs too conservative though. I haven't got any feedback on this idea yet.
If witches are in GA chat how would they ever mis-guess who is going to be protected? I like the change to protection though.
Not who, their role. That'd prevent a dead Aco from automatically claiming and saying "protect RandomPlayer123! He's the Priest!"
That one is very, very likely to go in. I'd consider PMing the target about it, though, and remove spiritualist. It'd be fun to have people claim "I was the one who survived the NK!" and see if they get believed (since witches could skip an NK and claim that to screw with town). Your ghosts idea with roles actually sounds interesting, but I'm still too blue-sky about GAs to settle on anything like that. Ghosts: How atrocious would haunting be if it allowed ghosts to PICK the result instead of "blocked"? Maybe they'd need to choose very specifically, so ms would get suspicious when he gets "Good" as a result. I'd consider letting the spiritualist get haunting targets.
That's okay. Just thought I'd throw it out there for you game designers to chew on. This is a minor improvement, I think. Spiritualist would almost have to get haunt info in this case because: "Well Priest you say that person checked evil on n3 but the ghosts were haunting that person that night so he's really innocent..." And this makes makes a nice play for witches as well. (Especially if spiritualist is dead.) Not sure it helps the "dead witches are bored" problem.
I don't like the ghosts picking check result idea. Blocking is already pretty powerful (people in the other game seemed to think it's automatically suspicious, but those people are wrong; ghosts should haunt likely check targets regardless of which side they're on) I do like the idea of not announcing GA bounces.
If I am ghost and am uncertain which of two guys to haunt, I will be more likely to pick the witch. Likewise, if I am priest and I check a guy as blocked, this will raise my suspicion of him! (outside of like, N1 checking Chad.) It won't raise it much because it was already high (or I wouldn't've checked him) but it will raise it slightly.
Is this GA stuff really worth all the trouble? I feel like the "reward" of dying is that you can finally talk openly... dump your info to open dead guys, maybe crazy predictions, basically be an observer at that point. Like, being forced to play these little mini-intrigue games, that have a minimal chance to cause a tiny effect on the game... it's just awful. Can we do away with them entirely?
yeah, this is what I was getting at what do people think of having the traditional "doctor" role (who can protect any target but self)? That's another role that can be powerful but also becomes completely useless if trueclaimed.
Hmm. That's a good question. I don't know. It sucks to join a game and then become a observer real fast. I like the idea of dead guys passing info / affecting the game still, but OTOH I guess that doesn't float everyone's boat.


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Agata Olek's yarn-covered grocery cart on Second Avenue at Fourth Street has received an addition.... A BEAU face ...
Meanwhile, when the cart was parked on Avenue A and Seventh Street, people eventually filled it up with trash...
Same thing happened on Second Avenue...
Meanwhile! Bonus photo! Here's Vashtie taking the cart for a spin...
[First three pics by Bobby Williams]
Friday, September 2, 2011
1 comment:
- KairosKim said...
no seriously
my bike
knit it
needs it
flat tire
z - September 2, 2011 at 9:28 PM
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Tech TipsThe Look of Varnished Wood |
Step one: Background colourPaint the fuselage a light tan acrylic. A 1:1 mix of Tamiya Buff and white, thinned with lacquer thinner works well. The lacquer thinner etches the paint to styrene, providing better adhesion than water or alcohol thinners. It is important to use an acrylic base colour because it is chemically impervious to the steps that follow. At this point it might also be useful to paint a test piece from the spares box. This can be used to experiment with different colours of oil paints and also to determine when the oils have dried following step 4. Step two: Applying the wood grainMix the wood grain colour from artists oil paints. The higher quality "artists grade" paints (as opposed to the "student grade") work much better because the pigments are much more finely ground. Windsor & Newton and Grumbacher are two good brands. The colour in the example was mixed from Windsor & Newton Burnt Sienna, Yellow Ochre and Raw Umber in an approximate ratio of 1:1:2. Once the base coat has cured, brush the oils onto the model with a broad, soft brush, and spread the paint around until the desired colour density is achieved. Don't spread it on too thick, or it will make the next step more difficult. At this point the oils will be workable for several hours. Take a broad (~1/2 inch), soft paint brush that is clean and completely dry, and drag it over the oil paint, leaving wood grain streaks. Jiggle the brush every now and then to give the grain a bit of variation. As the brush picks up the paint, wipe it off on a clean, lint free cloth. Lint free is the key phrase, as any speck of lint will adhere to the oil paint and mar the finish. Appendix: RecoveryThe beauty of this technique is that you can clean the oils off and try again if you goof up. Use a clean cloth and paint thinner (mineral spirits or turpenoid, not lacquer thinner) to wipe clean any mistakes and start over again at step 2. For my Albatros model, it took me about three or four tries to get the paint density and colour right, but it really was quite painless. Step three: Gloss coatLeave it alone to dry for at least a week (use the test piece to make sure), and then spray it with a clear acrylic gloss (e.g. Future floor wax) to protect the finish. Additional tipsThe colour of the background coat and the oils may be varied for different kinds of wood. However, be aware that selecting a good colour combination that gives that natural look is tricky. I recommend experimenting on a test piece first before committing yourself to apply the mixture on your latest wondermodel. I arrived at my blend of Burnt Sienna, Yellow Ochre and Raw Umber in a ratio of 1:1:2 after trying with Raw Sienna (too red), Yellow Ochre (too orange), and one or two mixed combinations. Laminated wooden propellers can be done exactly the same way, except that for the lighter layers, remove the oil paint with a fine brush moistened with paint thinner. You can also finish off with numerous coats of Future floor wax for a high gloss varnished look. |


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- Filed Under
Escorted by president of basketball operations and coach Stan Van Gundy and general manager Jeff Bower an hour before his initial news conference today, Jodie Meeks was touring the lay of his new land.
Meeks, a shooting guard who signed a three-year deal worth around $19.5 million, comes to Detroit with a shooting arm locked and loaded.
Last season with the Los Angeles Lakers, he had a career year, averaging 15.7 points while shooting 46.3% from the field and 40.1% from three-point range, which would have been tops among all Pistons guards a year ago. ...


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NWAR: Trench Warfare
Detective Nwar gets his hands dirty for a political campaign.
4.42 / 5.00 2,993 ViewsOK, so the Shadow "It Doesn't Matter" video is yet to materialize, and "Sonic Excelsior" is still in the development stages (I've been sidetracked by real life, computer problems, and other projects, so sue me. They're coming, people...). I did, however get struck with a bolt of inspiration recently and I decided to finally get started on that sprite series I've been meaning to start up for nearly two years. For the past two months I've labored over this nearly half-hour long pilot episode, tried to export it as a YouTube compatible file (but my symbols just weren't coming out animated, so I hung that up...), and finally split the episode into four acts to upload here on Newgrounds. Pardon the lack of sound, I had some...hickups...with the music I wanted to use and my microphone died on me a few months ago (No, I will not be using Speakonia voices... Unless it's for Metal Sonic... Sorries...) Hopefully, you will enjoy it. (P.S.: Yeah, the next episode will have music and there will be spoken dialogue as soon as I can get a new mic. This is the tip of the iceberg, guys and gals.)
Episode 1: Losing and Finding
Sonic's dear old Uncle Chuck has died, leaving Sonic millions of dollars, a huge friggin' mansion, and a multi-billion dollar company. Meanwhile, a strange (and dweebish) green hedgehog named Ashura has appeared... WTH, SEGA?!! Are you on cra-- ...Oh...wait...no...It's a sprite series...
(These credits roll at the end of Act 4, but in the name of good taste I've placed them here for acts 1-3...and, yes, Danielle Freeman is me.)
Written, Produced, and Directed By
Miss Danielle Freeman
Character Sprite Artists/Rippers
Sonic.....Clyent Nite
Young Sonic.....Shadow+Maria-Lo ver
Tails.....Clyent Nite
Knuckles.....Veckles the Echdina
Shadow.....Clyent Nite
Silver.....Clyent Nite and Phoenix
Ashura.....Clyent Nite
Amy Rose.....Gabriel AKA Frag
Rouge.....Gabriel AKA Frag
Cream and Cheese.....D.Burraki
Blaze.....andyvader et. al.
Shade.....Danielle Freeman
Uncle Chuck.....Xeric
Background Sprite Rippers
Heavy Megatal
HMS AKA Metallix
Gamenerd Advance
Custom Backgrounds and Props
Danielle Freeman
Set Design
Danielle Freeman
Unwitting Test Audience
Special Thanks To
Shadette, for the character design
that inspired the series.
All of the people out there who create,
rip, and post sprites on the web.
MMXI CatDragon Studios
youve really got something
the only reason im going to give you an eight out of ten is because you need o add sound or music. This is a great animation in itself and i was loving it but without music or sound it was just a little boring... You have really proven you can make an incredible film just make sure that you add sound to it next time okay mate?
-Josiah 360
Good animation...
...but without sound, music, etc, this movie can be really boring to watch at some points of the video. There was even a couple of times where I almost fell asleep due to lack of sound. Although, I did enjoy some of the animation you put in the movie.


text:
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US v. Wilson, 08-1963, concerned a challenge to the district court's imposition of a 48-month sentence in a prosecution of defendant for mail fraud in violation of 18 U.S.C. section 1341. In vacating and remanding for resentencing, the court held that the district court committed plain error by selecting defendant's sentence based on the clearly erroneous notion that she was responsible for the theft of fifteen hundred financial instruments. The court also held that the district court's reliance upon plainly incorrect facts affected defendant's substantial rights because there is a reasonable probability that, without the incorrect reliance, she would have received a more favorable sentence. Lastly, the court held that the district court's error, which implicated defendant's due process right not to be sentenced on the basis of material misinformation, jeopardized the fairness, integrity, and public reputation of the judicial proceedings.
Related Resource:
- Full text of US v. Wilson


text:
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Cagliari President Massimo Cellino explained why "a deal was done" with Napoli for Davide Astori and suddenly collapsed.
The defender had been expected to make the move down South last week for €12-14m, but the move was abruptly abandoned during the final negotiations.
"I am a friend to Aurelio De Laurentiis and we did have a deal for Astori," Cellino told Radio Kiss Kiss.
"However, Napoli did not make themselves heard for several days, ignoring both us and the player.
"At that stage Astori asked me if he should still consider himself a Cagliari player. I said yes, assuring him he wouldn't be sold."
Think you know your Italian football? Share your knowledge, tips and comments to win cash prizes in OLBG's tipster competition - £11,000 to be won monthly!


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1. Gloria Delgado-Pritchett, "Modern Family"
You may not understand most of what comes out of her mouth, but who cares? Gloria (Sofia Vergara) is one of the sexiest women to ever grace your TV screen. It's no wonder that stepdaughter/fellow homemaker Claire Dunphy (Julie Bowen) is suspicious that her husband has a crush on Gloria. Uh, who doesn't?!


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Registration will open soon for HYFHA's Winter Indoor Recreation Program for 2015. It will be held over 8 weeks, January - February, Sunday afternoons at East Coast Field Hockey's Indoor Facility on Chambers's Hill Road, 10 minutes from Hershey.
(Print a clean copy from the home page of HYFHA.)
East Coast Field Hockey Club National Academy and National training Center
Player's Name: Date of Birth: Age:____ Current Grade:____
Years Playing Field Hockey:_______ Position Played/Preferred: __________________Player's School District:__________________


text:
## In this issue
* Software Freedom Day
* Happy Birthday to GNU!
* GNU Planet
* gNewSense 2.1 released
* Spring 2008 Bulletin available online
* Submit your nominations for the 2008 Free Software Awards
* On the savannah, where the gnu roam...
* DRM down under
* Free Hexen and Heretic!
* Malaysian Government Dept switches to OpenDocument
[FSF] Free Software Supporter, September 2008
http://www.fsf.org –
Heretic and Hexen liberated!
http://www.fsf.org –
After several years of trying, members of the Doom community have succeeded in getting the source code to Heretic and its sequel, Hexen to be re-released as free software under the GNU General Public License.
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Created by C733tus 6 years 22 weeks ago – Made popular 6 years 21 weeks ago
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