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Tools for Personal Transformation: Karma
The Bhagavad Gita says "the course of karma is unfathomable." And so it is.
Spirit in action
In Sanskrit the word karma means action. Sanskrit provides a precise vocabulary for this abstract field that can help us navigate through it with more assurance. Every action creates an experience, and the memory of that experience is referred to as samskara. They are the mental impressions or patterns formed by repeated experience. These are seeds of memories both in our personal and collective consciousness as a result of past experiences.
As samskaras aggregate and combine with each other, they generate what are called vasanas. These are the latent tendencies for future actions. They are attitudes, inclinations and the seeds of desire. It would be fair to say that karma, memory and desire are the software of our soul as it travels through cosmic time. The samskaras and vasanas are the applications that our thoughts and actions write. The output or display of this process is referred to as samsara, the wheel of time. It is like playing a computer game that continues to direct, limit and reinforce our choices based on our past decisions. Time plays out like a wheel, going around and around, repeating the same patterns again and again.
A very simple way to interpret karma is that it is a conditioned response, the past influencing the circumstances of the present, as well as our tendencies for conditioned patterns of behavior. We become bundles of conditioned reflexes, constantly triggered by people and circumstances into predicted outcomes. Hence, karma is considered to be a prison, a bondage. The goal of the spiritual journey is to escape the prison of karma and bring about the true response of our soul, which is creativity. The more creative and unpredictable our response to the world, the more we are aligned with the creator of the universe. That's why the freedom that arises from transcending karma is referred to as liberation or moksha. In knowing our true essence beyond time, space and causality, we become free of the wheel of samsara.
Frequently when people refer to karma, they ask, "Does karma imply a deterministic universe?" The answer seems to be that the universe is simultaneously deterministic and creative. Where we fit in this immense landscape depends on our state of consciousness. The freer our consciousness is, the more freedom of choice we experience. In the state of avidya (ignorance), we function deterministically; in the state of vidya (enlightenment), we have infinite creativity or choice. Although the past determines the circumstances of the present, the choices we make in the present are a function of our state of awareness. The more awake we are, the more unconditioned and creative our responses to those circumstances will be.
The 4 kinds of karma
The Vedic seers made distinctions between different types of karma. The first type is called sanchita karma. This constitutes the entire database of all our past actions. And, because the seers did not view human existence as limited to one physical lifetime, they understood sanchita karma as the vast stockpile of karma that encompasses countless lifetimes in our past.
The second type of karma, prarabdha karma, is the particular actions that are programmed to be experienced in this lifetime. Prarabdha karma is actually a subset of sanchita karma in that it represents a small fraction of the karma from the pile of sanchita karma that is activated and ready to be experienced during the span of a lifetime. It is like taking a plateful of food from the kitchen for your meal — there is a lot more food in the kitchen to be eaten, but one plateful is all that is served up and ready to be eaten, and it is all you need at this time and place. These two types of karma represent past actions that will have consequences in our present and future circumstances. This is the part of karma that feels like fate and determinism.
Kriyamana karma is action that we create in the moment. It is the choices we make in our life now — what socks we put on in the morning, or what salad we order at lunch. Agama karma is the action of planning in the future. It is about the goals and intentions we have for what we want to happen in the future. Both kriyamana and agama karmas are actions that represent our creativity, actions that feel free and undetermined.
Karma powers combined
But all these aspects of karma blend into each other as well. The free choices we make now then become our determined karma in the future. We can also perform spiritual actions now that modify or transcend the binding influence of our past actions. When we experience our non-local Self, the Atman, in meditation, we awaken that inner essence that is beyond the influence of time, space and karma. So even though we think and act in the world of karma, we are no longer identified with it and therefore our Self is no longer bound to it. Also, as the silent witness, or sakshi, develops over time through meditation, simply being aware of our karmic patterns, or vasanas, will gradually serve to dissolve their intensity and grip on us, and thus more creativity and choice are available to us in whatever circumstances we find ourselves.
Finally, we can use the tool of sankalpa, or intention, to create new karmic patterns in our consciousness that will be supportive of our spiritual freedom, instead of enmeshing us in samsara further.
Karma is a prison to the soul, but the action of spiritual practice is karma that can liberate us from it as well. The Bhagavad Gita also says "yoga is skillful karma." If we learn to act from Self-awareness, every action is an act of creativity and freedom.
Read the first and last parts of this series.
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Featured projects and updates.
View allPi Day Contest
Dexter Industries has partnered with Instructables to bring a fun twist to National Pie Day! Enter any project built using a Raspberry Pi to win a GrovePi or GoPiGo.
We have developed a library for EV3 and Dexter Industries sensors. Our library is completely open source and you can see everything in ouropen source github repository.
Arduberry Airhorn
The Arduberry Airhorn project connects the web and a set of industrial air horns to alert us when a new backer backs our Kickstarter project.
See our latest projects.
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The BrickPi Starter Kit includes everything you need to get started with the BrickPi. It includes a BrickPi Advanced (w/case), BrickPi Power Pack, microSD Card, Mini Wifi Dongle, and the Raspberry Pi B+.
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Starter Kit for the GrovePi System. Includes the GrovePi and the Grove Sensor Starter Kit with different Grove sensors to get you started with the Raspberry Pi and the Internet of Things.
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View allHacking the Worm Brain with a GoPiGo and Raspberry Pi
The C Elegans worm is one of the most-studied animals in science. In neurobiology, it's the most basic brain model scientists use to study how the brain works. Now you can have a robot that thinks like one! The C Elegans worm brain has been brought to the Raspberry Pi Robot. The Connectome project has […]
GoPiGo and Java
Hot of the heels of our NodeJS announcement, GoPiGo is getting yet another language: Java. The library was added by prolific adder Marcello Barile. Thank you Marcello! You can now write Raspberry Pi robot programs in Java! Get Started You can find the full Java library for the GoPiGo in Github here. If you pull […]
GoPiGo in Node.js and C
When we originally designed the GoPiGo, we wrote the software in Python. We did this because it's an easy language to use and to learn. One of the major advantages of making open source hardware is that our community can help open up new things for our hardware. Folks have taken some of our projects and really […]
GoPiGo learns how to play at the Sandbox Summit 2015
The Sandbox Summit, a two-day educational conference, was held at one of MIT's beautiful creative buildings in Cambridge, MA. It opened with a "do whatever you want"-version of patty cake, which got everyone on their feet, and ended with everyone dancing around to "Happy". I know that may sound more like an Amway or Cutco […]
Using Weaved on the Raspberry Pi: Unleash the Internet of Things
There's this cool new thing, you might have heard of: the Internet of Things. You've probably seen lots of commercials from the likes of IBM or Samsung about how your dishwasher will be connected to your car, and your toilet will become wired to your telephone and your toaster will know your playlist. The future […]
GrovePi+ Starter Kit
This month we're re-introducing the GrovePi+ Starter Kit. The starter kit us updated with a new set of sensors, and the new GrovePi+ board. It comes in a handsome plastic case, along with printed instructions on how to get started. New in the Starter Kit Most notably, we've added a beautiful set of color printed instructions […]
Controlling Lionel Trains with the Raspberry Pi
What happens when you take an old Lionel model train system and add some web-control? This week, we set out to control a Lionel model train set with the Raspberry Pi. In this project, we go step by step through the parts, hardware, and software to control a Lionel model train set over the web. We […]
The Raspberry Pi 2 Will Work With Dexter Industries Products
TLDR: Our Products Work with the Raspberry Pi 2 Too long, didn't read the rest of the post: all of our boards and robots work with the Raspberry Pi 2 – just needs a simple update. The GoPiGo, the BrickPi, the GrovePi, and the Arduberry will all work with the new Raspberry Pi 2, but you have […]
Unboxing the Raspberry Pi 2
We received a Raspberry Pi 2 from Newark this morning! John was so excited. Notable Differences There's a chip on the bottom! The Raspberry Pi 2 ships with a nice little instruction booklet. This should be really helpful for new users. Notable Similarities Fortunately for us, the Raspberry Pi B+ and the Raspberry Pi 2 […]
Raspberry Pi Computer Vision Tutorial for the BrickPi
What if your robot could "see" the world around it? One of the most "eye-opening" things you can do with your robot project is to add vision. This is commonly called computer vision, and has recently been made affordable by the dropping cost of digital cameras (thanks to the massive amounts of smartphones being cranked out!). Even […]
Our Favorite Raspberry Pi Projects with the GoPiGo
We set out a few months ago to make it easy to turn your Raspberry Pi into a Robot. We wanted to make getting started as easy and as quick as possible, especially for beginners. Over the past two months, we've published a few tutorials on projects you can use with the GoPiGo. No technology is useful when […]
New BrickPi Raspberry Pi Case for the Model B+
We've just added a new Raspberry Pi Case to our lineup, the BrickPi B+ Case. This new Raspberry Pi Case offers a few advantages over the standard case that ships with the BrickPi Advanced: LEGO Mounting on all 6 sides. Case protection on all 6 sides. Cleaner fit with the Model B+ Raspberry Pi. This […]
Updated Scratch for the BrickPi (and other Graphical Programming Languages!)
We've just updated our instructions and improved Scratch for the BrickPi. It's now simpler than ever to get started making and programming a Scratch Raspberry Pi Robot! What's Changed with Scratch? This summer, we devoted a bit of effort to updating the the BrickPi software. It's now easier to install, and easier to program with. […]
(Re)Introducing the GrovePi
This month we're re-introducing the GrovePi, telling everyone about how awesome the GrovePi is, and re-introducing our redesigned GrovePi Starter Kit. What's the GrovePi? GrovePi connects your Raspberry Pi to the Grove Sensor System. No soldering or breadboard. Your Raspberry Pi computer enters the physical world. Think of it as LEGO for electronics. The Grovepi Starter Kit […]
EV3 Sensors and the BrickPi
Looking for adventure? Last month we quietly released a beta version of the BrickPi firmware that will allow you to use EV3 sensors and the BrickPi. We wanted to invite all that are interested pushing the state of the art further to give the firmware a test. (more…)
Introducing Our New Website
We've been working overtime this summer to get our new website up and running. Take a peek, you'll love how it looks! So what's new on the website? Pay with a credit card directly and securely on our website. Pay with your Amazon account on our website. Pay with your Paypal account on our website. Updated […]
A LEGO Digital Clock
Dwalton76 over at programmablebrick has built a programmable LEGO digital clock with the BrickPi. (more…)
Raspberry Pi Model B+ and Dexter Industries Hardware
Raspberry Pi Model B+ Recently the Raspberry Pi Foundation announced an "incremental" version of the Raspberry Pi Model B, the Model B+. While we were excited to see some improvements, we held our breath as we tested the Dexter Industries hardware. The Good news: everything fits and work with the new Model B+. (more…)
Connecting the Arduino and EV3
With a few months of EV3 under our belt, we thought we would share some of what we learned about connecting the EV3 with the Arduino. The Arduino is a fantastic system for tinkering with electronics. (more…)

subset: commoncrawl


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From: | Stefan Monnier |
Subject: | Re: Binding M-n and M-p to forward-paragraph and backward-paragraph respectively |
Date: | Fri, 08 Apr 2011 22:40:02 -0300 |
User-agent: | Gnus/5.13 (Gnus v5.13) Emacs/24.0.50 (gnu/linux) |
> I globally bind M-n and M-p to forward-paragraph and > backward-paragraph respectively. > Would it be okay to make these global bindings default? I don't thi"nk so. It's one of the few short keys left for major modes to bind to "next/prev" commands. Stefan
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Train Movies
See below for a list of movies where the train was central to the plot line.
Polar Express 2004 Tom Hanks Daryl Sabara Planes, Trains, and Automobiles 1997 Steve Martin John Candy Mission: Impossible 1996 Tom Cruise Jon Voight Money Train 1995 Wesley Snipes Woody Harrelson Throw Momma from the Train 1987 Danny DeVito Billy Crystal Night Train to Venice 1986 Hugh Grant Malcolm McDowell Runaway Train 1985 Jon Voight Eric Roberts The Great Train Robbery 1979 Sean Connery Lesley-Anne Down The Train Robbers 1973 John Wayne Ann-Margret The Train 1965 Burt Lancaster Paul Scofield Strangers on a Train 1951 Farley Granger Ruth Roman Night Train to Memphis 1946 Allan Lane Roy Acuff Night Train to Munich 1940 Rex Harrison Margaret Lockwood
Train movies have been around since the very beginning of movie making. The 40's had the Night Train series. The Train was generally a part of many western movies as well. Some more recent movies that have trains include Polar Express (most of the movie takes place on a train going to the North Pole to meet Santa) and Mission:Impossible (which ends up with a great series of stunts and chase sequences on a train). Strangers on a Train is an Alfred Hitchcock classic movie.
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An Examination of Connections in Mathematical Processes in Students' Problem Solving: Connections between Representing and Justifying
Representation and justification are two central "mathematical practices". In the past, each has been examined to gain insights in the functions that they have in students' mathematical problem solving. Here, we examine the ways that representation and justification interact and influence the development of one another. We focus on the problem solving activity of 12-14 year-old students. Overall, this work highlights that the two practices are tightly connected. Students' representations impact the way they form generalizations and subsequently justify their work. The work also provides insights in the development of representation and justification within the problem solving process. This work also provides insights where students' representational practices may hinder the development of advanced justifications, and provides directions for pedagogy and further research.
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Bike MS Events Bike MS: FedEx Rock-N-Roll September 12, 2015 Bike MS: Jack Daniel's Bike to Jack and Back October 03, 2015
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Life is a storm, my young friend. You will bask in the sunlight one moment, be shattered on the rocks the next. What makes you a man is what you do when that storm comes. You must look into that storm and shout as you did in Rome. Do your worst, for I will do mine! Then the fates will know you as we know you. |
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See Ya, GDC. Hello, PAX East
I�m still not fully recovered from all of the rad stuff that went on last week at GDC in San Francisco (see some of my coverage here, here and here), but nevertheless, I�m headed to Boston this weekend for PAX East. The ch... more


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Dear Neil
We've just received the wedding album and wanted to send you a note to let you know how much we love it. The album tells the story perfectly and of course its always a lovely to surprise to receive unexpected items too – the calendar is going straight on the wall at midnight on New Years Eve for all our friends to see. What we really wanted to say is that you really do have a gift – both in your artwork and also in managing people, we're still telling people now what a great job you did and what a difference you made to the atmosphere on the day.
Thank you very much for making a real difference to our wedding, you're hands down the best wedding photographer we've ever seen in action!
Dear Neil
Firstly, I am so sorry it has taken me this long to get in touch, since we have been back from the honeymoon we have been enjoying the photo's with close friends and family.
It was a great welcome home present to see the disks on the mat when we arrived!
Where do I start thanking you for everything you did for us on the day at South Farm and afterwards. You saw me at my worst and best (and then probably worst again!!) on the day, you were so calm and cheered me up on the morning when it was getting a bit tense, even making the tea, sorting my jewellery out and killing the wasps!
It was a fantastic surprise to see the pictures of the boys drinking Carlsberg out if the cans in the morning – the cheek!!! Haha and the photos of you in the booth – amazing! We laughed so much! The photos you took are nothing short of incredible and from when we first met you, you took on board the style we wanted and the pictures are simply perfect. The slideshow had us both in tears the first few times we watched it, especially the way you captured Chris's face just before the ceremony – so emoche! Everyone has commented on what a brilliant photographer we had and each time I proudly agree. You certainly are so so talented and great at what you do. I cant believe you got me in the grass – AGAIN. AND in my wedding dress??!!!!!! But i have to admit, it was again, my favourite picture of the day.From the pre shoot, to the day, to the slideshow, there is nothing i can fault it is just perfect and exactly what we imagined and hoped for, and more. Would love to see the out-takes haha! Can't wait for the album now!! (How long do you reckon they take, not that im being impatient.We would definitely like to see you again, who knows, next time it might be a family shoot.And i have vowed next time we throw a party we are having another booth, so its fab that you now have one of those too! Better late than never.Anyway, thank you again so so much and look forward to hearing from you soon!
Take Care
Lisa xx
I would like to share with you a bit of my wedding story.
As I was trying to get everything ready for my big day I was still missing a very important part: my photographer. After a few disappointments I finally found Invision's website. I phoned Neil minutes later and straightaway we clicked! JP & I had the great pleasure of meeting him at his place where he warmly welcomed us. As we watched his portfolio I knew that he would be THE ONE I needed to capture my special day.Did I mention that my family and friends were French with very little English? That did not stop Neil from just fitting in nicely on the day. He was nowhere and everywhere at the same time, on a chair, in the garden, lying on the floor, looking, taking in every detail that no one else would see.When we came back home, we felt particularly blue, we could not believe it was over so quickly! I was so impatient to get the pictures. I remembered then what Neil said to me, "if there is one thing one should not save money on in a wedding, it is definitely pictures! Only things you will have when it is all over!" And he is so right. His amazing pictures are the only things left from this unforgettable day.Neil has a rare talent and the ability to tell a story through images in a way that even a video cannot do. He is passionate about his job and aims for perfection. I have felt like a million dollar all day posing for him and I would highly recommend him to any couple.Ladies & gents don't go anywhere else: Neil is a MUST HAVE for your day!Neil, again, MERCI! Thank you so much for putting your amazing talent and passion in each of our pictures. All are French guests have never seen anything like it back home and love watching them over and over again!Love from France, Cha & JP.
Crathorne Hall Wedding Photography. "We would, without a doubt, recommend Neil to everybody.He photographed our wedding day/night and we couldn't have asked for a more professional, talented and friendly photographer.So many of our friends and family have commented on how fabulous our pictures are, thanks to Neil.We've been to a few weddings where photographers stand out like a sore thumb, Neil blended in amazingly well and felt more like one of our guests, whilst capturing some stunning shots for us to remember our special day. Thanks Neil! Lauren and Richard Dyson"
Downing College, Cambridge Wedding Photography. "We couldn't have wished for a better photographer. Neil was a delight to work with, made us and our guests feel at ease and while being unobtrusive, captured the really special moments and spirit of the occasion. The lovely photographs and beautiful wedding album which he put together for us using photographs of our choice, are a splendid memento and tell the whole story of our special day. We feel Neil went beyond the call of duty and would unreservedly recommend Invision Photography." Becky & John
University Arms Hotel, Cambridge Wedding Photography. "Neil, Thank you so much for our beautiful wedding photos; you've captured the day perfectly for us and we couldn't be happier with them! You understood exactly what we wanted , had fantastic ideas (great call with the Botanical Gardens!) and made us feel totally at ease in front of the camera. So many of our guests have commented on how hard you worked on the day – we couldn't have picked a better photographer. Thanks very much." Sonia & Iain
Doubletree Hotel, Cambridge Wedding Photography. "Dear Neil, Thank you so much for all your hard work with our lovely wedding photographs! We are so pleased with them and we really did appreciate all your efforts! You are definitely going to be highly recommended to anyone we meet who's looking for a photographer! Thank you so much!" Amy & Alex Hilton
Bull Hotel, Peterborough Wedding Photography. "We just want to thank Neil on what a fantastic job he did photographing our wedding day. He was brilliant all the way up to the day, tailoring photography to our needs and discussing in detail what we would like on the day. On the day he was friendly, unintrusive and did a great job catching all our special moments. After the wedding we were invited around to see the wonderful photographs and discuss how we would like them presented. Thank you very much." Seth & Hannah
Ravenwood Hall, Suffolk Wedding Photography. "Hi Neil, our pictures are exceptional as we expected and your service was personal yet professional from start to finish. You managed to capture our emotions and feelings throughout the day beautifully. A big thank you. We treasure our picture of Ethan" Matt & Becky
Granchester Meadows, Cambridge Wedding Photography. "We have spent most of the last few hours looking at the pictures and slide show of our wedding. All of the pictures are absolutely stunning and we are so happy. Thank you so much for everything." Paul & Sue
Chilford Hall, Cambridgeshire Wedding Photography. "Hi Neil, the photos all look great. Thank you so much for the service you provided on, before and after our special day. We wish you the very best for the future." Stephanie & Adam
Slepe Hall, Cambridge Wedding Photography. "Looking at the photos is like reliving the entire wedding and we are so glad that we chose you as our photographer. Words aren't nearly enough to truly express our gratitude but thank you, thank you, thank you!" Sean & Linsey


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The Seven Gods were deities whom Lara was familliar with.
When it was revealed that Tchar was the saboteur who was attempting to prevent the other members of the Vedala expedition from reaching the Soul of the Skorr, Lara proclaimed: "In the name of the Seven Gods, why?" (TAS: "The Jihad")


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Welcome to E-Books Directory
This is a freely downloadable e-book.
Polymer Thin Films by Abbass A Hashim
Read this book online or download it here for free
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Polymer Thin Films
by Abbass A Hashim
Publisher: InTech 2010
Number of pages: 336
This textbook is written for researchers who have chosen to study an area that appeals to them and one in which they show a genuine interest. It is targeted together to form the knowledge pathway to obtain an advanced polymeric research in polymer thin film.


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Sudalai, A and Rao, Krishna GS (1989) Studies in terpenoids. LXXXVII. Synthesis of 1,1-dimethyl-7-isobutyryltetralin, and its conversion into 7-tert-butyl-1,1-dimethyltetralin, a rearrangement product of 10-methylenelongibornane. In: Journal of Chemistry, Section B: Organic Chemistry Including Medicinal Chemistry, 28B (5). pp. 369-371.
Full text not available from this repository. (Request a copy)Abstract
Starting from Me 4-phenylbutanoate, p-R1C6H4CH2CH2CH2R (I; R = CO2Me, R1 = H), the synthesis of 1,1-dimethyl-7-isobutyryltetralin (II; R1 = COCHMe2), a musk odorant class of compd., is described. Acylation of I (R = CO2Me, R1 = H) with isobutyryl chloride gives I (R1 =COCHMe2) which after borohydride redn. to I [R1 = CH(OHCHMe2] is reacted with excess MeMgI to furnish the diol I [R=CMe2OH, R1 = CH(OH)CHMe2]. Reoxidn. of the secondary alc. function of I [R = CMe2OH, R1 = CH(OH)CHMe2] back to the ketone, followed by cyclodehydration involving the tertiary alc. of I (R = CMe2OH, R1 = COCHMe2) gives the keto tetralin II (R = COCHMe2). Rearrangement of its keto side chain gives the tertiary ester II (R1 = CMe2CO2Et). Conversion of the ester function to Me group by std. procedures affords the tert-Bu dimethyltetralin II (R1 = CMe3), identical with the reported rearrangement product of 10-methylenelongiborane (III).
Item Type: | Journal Article |
Department/Centre: | Division of Chemical Sciences > Organic Chemistry |
Date Deposited: | 04 Dec 2007 |
Last Modified: | 27 Aug 2008 13:07 |
URI: | http://eprints.iisc.ernet.in/id/eprint/12737 |
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suedzucker ag (SZU:Xetra)
Executive Profile*
Thomas KölblFinance Director and Member of Executive Board, Suedzucker AG |
Age | Total Calculated Compensation | This person is connected to 141 board members in 4 different organizations across 9 different industries. See Board Relationships |
52 | -- |
Mr. Thomas Kölbl has been a Finance Director of Suedzucker AG since November 25, 2005 and its Member of Executive Board since June 1, 2006. Mr. Kölbl served as a Member of Management Board at Agrana Fruit US, Inc. Mr. Kölbl served as a Member of Management Board at Agrana Fruit France S.A. He served as Financial Director of Saint Louis Sucre (France). He has been a Member of Management Board at Agrana Beteiligungs AG since July 8, 2005 and is responsible for Internal ...
Corporate Headquarters*Theodor-Heuss-Anlage 12 Phone: 49 621 4210Mannheim, Baden-Württemberg 68165 Germany Fax: -- Board Members Memberships*There is no Board Members Memberships data available.Education*Unknown/Other Education Universität Mannheim
Other Affiliations* |
Annual Compensation*There is no Annual Compensation data available.Stock Options*There is no Stock Options data available.Total Compensation*There is no Total Compensation data available. |
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M. Mohammed Fikrat | Chairman, Chief Executive Officer, Managing Director, Member of Strategic Committee and Member of Human Resources Committee Cosumar SA | -- |
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Alexis François Eric Duval | Executive Chairman, Chief Executive Officer, Member of Executive Board, Member of Executive Committee and Chairman of Guarani Tereos Internacional S.A. | -- | Compensation as of Fiscal Year 2014. |
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NM weather compounds flu risks
UPDATED 10:31 PM MST Jan 08, 2013Winter can be a very uncomfortable season in New Mexico. As it turns out, the things that make it hard for the Land of the Enchantment also help the flu virus flourish.
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Specialty drugs increasingly used to treat chronic conditions
Specialty drugs increasingly used to treat chronic conditions
MANAGED CARE August 2007. ©MediMedia USA
In the beginning, about three or four years ago, specialty drugs were primarily used to treat rare genetic conditions such as Gaucher's disease or diseases such as multiple sclerosis. However, they are being used increasingly to control chronic illnesses, which accounts in part for the increased demand.
Although less than 3 percent of people are using specialty medications, these patients account for 25 percent to 30 percent of an insurer's overall costs. Express Scripts reports that claims for specialty drugs increased 18.8 percent between 2003 and 2004, compared with 9.4 percent for traditional drugs. The company expects spending on specialty drugs to double over the next four years, accounting for more than 25 percent of outpatient pharmacy spending by 2008. Duane Barnes, vice president of Aetna Pharmacy Management Fulfillment Operations and Aetna Specialty Pharmacy, says that "in 2005, specialty drugs accounted for about $55 billion in ... drug expenditures, but are expected to climb to $1.7 trillion by 2030."
Projected spending on specialty drugs, 2004 vs. 2008
Late-stage biotech drugs in development
Note: Percentages do not add up to 100% because some biotechnology drugs fall into more than one category.
Source: Curascript Pharmacy, 2004 Specialty Pharmacy Management Guide & Trend Report, June 2005.
Note: Totals are not 100 because percentages are rounded.
Source: Wyeth Trend Report Series 2007. Specialty Pharmacy Management Insights.
More like this
- Plans Change Tactics As Costs Keep Rising For Specialty Drugs
- Plans Struggle for Control of Specialty Pharma Costs
- Use a Value-Based Strategy for Biotech Medications
- Biggest increases in specialty drug costs seen in rheumatologic, cancer, and hemophilia agents
- A few specialty drug prices fall — all generics


text:
Russell Westbrook Says Winning NBA Scoring Title Means 'Shit' (VIDEO)
With the Thunder out of the Playoffs, Westbrook didn't want to hear anything about individual accolades.
adidas Crazylight Boost 2015 'Playoffs' (KICKS)
The adidas Crazylight Boost 2015 hits retail on July 1 for $140, peep these new Playoff colorways.
Anthony Davis Dominates San Antonio and Leads Pelicans into the Playoffs (VIDEO)
AD led the way for the 8-seeded Pels, scoring a game-high 31 points.
King of the Hill
Ivan Rabb is playing ball away from the rough East Oakland neighborhood he was raised in—and he's pushing himself forward nonetheless.
SLAM 188 is On Sale Now!
Our NBA Playoff preview is all you need to get ready for the postseason.
He'd much rather be in the Playoffs.
LeBron James on MVP: 'Who Would Be My Vote? Um, Kevin Love'
He was joking, folks!
Kevin Durant Says 'Hell No' He Won't Watch the NBA Playoffs
The results don't matter since OKC is out.


text:
Essential Visual Feedback Tools For Web Designers
- By Lusya Galkina
- September 16th, 2014
- 23 Comments
The creative process takes a lot of time, and web designers know it. When you factor in feedback from clients, the process takes even longer: numerous emails, revision notes, chats and meetings — that's what it normally takes to find out precisely what the client wants.
Fortunately, today's web provides various solutions to optimize the communication process. The first web services that allow users to report bugs on web pages appeared several years ago. Since then, tools and technologies have emerged to make the process more convenient and user-friendly. Today's market offers several useful useful products for visual bug-tracking, each with its pros and cons.
Read more...


text:
PREP WRESTLING: Panthers, Warriors eliminated from section tourneyFebruary 13, 2014WORTHINGTON — The dual wrestling seasons for Tracy-Milroy-Balaton/ Westbrook/Walnut Grove and Fulda/Murray County Central came to an end Tuesday. Both the No. 6-seeded Panthers and the No.... No comments posted for this article.
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News, Blogs & Events Web |


text:
The Whirlwind SEL A/B Instrument Switch Selector is designed to route one instrument/input to two outputs, OR two instrument/inputs to one output. The switching is achieved via dual mechanical push/push type switches. Its heavy-duty construction is virtually indestructible, perfect for demanding gigs. This foot switch box features professional 1/4" I/O jacks, A/B button, BOTH button, low-noise output, optical switching, and dual LEDs. Simply put, if you're a professional guitar hero or aim to be one, the Whirlwind SEL answers the call with affordability and versatility.
- No added pops or crackles
- Metal construction
- Durable switch buttons
- Standard 9V battery power
- Optional DC power supply available


text:
identify the error in the following sentence
See example:
Tricia is about worried Ward, he s been working too hard lately.
asked Aug 15 '12 at 01:10
dirty red
New member
1 answer
Tricia is worried about Ward; he's been working too hard lately.
link comment | answered Aug 16 '12 at 10:15 TweetingLaary New member |


text:
Billy Southworth
William Harold Southworth Position: Rightfielder
Born: March 9, 1893 in Harvard, NE
High School: Harvard HS (Harvard, NE)
(All Transactions)
Debut: August 4, 1913 (Age 20.148, 3,952nd in MLB history)
Rookie Status: Exceeded rookie limits during 1915 season [*]
Teams (by GP): Braves/Pirates/Giants/Cardinals/Indians/... 1913-1929
Last Game: July 9, 1929 (Age 36.122)
vs. PHI 3 AB, 0 H, 0 HR, 0 RBI, 0 SB
Died: November 15, 1969 in Columbus, OH
Buried: Green Lawn Cemetery, Columbus, OH
Inducted into the Hall of Fame by Veteran's Committee as Manager in 2008.
View Billy Southworth Page at the Baseball Hall of Fame (plaque, photos, videos).
Relatives: Cousin of Bill Southworth
View Player Bio from the SABR BioProject
About biographical information
Sponsor this page for $15 and help Baseball-Reference.com provide this service. Your message will replace this ad.


text:
The eSATA Extender Cable from Newer Technology allows you to use up to two extra SATA ports found on your Mac Pro's logic board. This extension cable is engineered to route accurately and properly inside your Mac Pro case. When using it, you'll be able to run up to two external eSATA devices and expand your hard drive configuration to up to 6 hard drives.
- eSATA extender cable for Mac Pro 12-Core, 8-Core, Quad-Core
- Enables connection of up to two (2) SATA-I or SATA-II devices
- Engineered for proper and accurate routing inside case
- Works with all Mac Pro versions


text:
Certificate of Compliance and Motion for Entry of Discharge Modified 11/04/2006 | |
OVERVIEW This event will be filed by the debtor/debtor counsel. It will provide a Certification that the no discharge related issues exist and that the debtor is eligible for discharge. The event also sets a Notice of Objection Deadline (minimum 30 days notice) for any objections and schedules the corresponding objection deadline. PROCEDURE


text:
Summer Fun Must Have Box — Revealed
by Ricki Rubin
Like us on Facebook
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Summer Fun Must Have Box — Revealed
To put together this POPSUGAR Must Have Summer Fun box, we racked our brains to figure out just what you need to kick off the season. Cool new shades and a soft, sexy sarong will keep your beach or pool routine chic. Plus, we want to keep you hydrated inside and out, give your home a scent makeover, and organize your bags so you can hit the road at a moment's notice. Whatever the season brings, we hope this box will have what you need. Enjoy and have an amazing Summer!
We have more special edition boxes coming, so check out POPSUGAR Must Have to sign up for our monthly subscription and more fun releases!
1 year
I like the name my parents selected for me "Honor Theresa" :) I go by "Honor" I'm always asked if I have a nickname, to which I always respond;; " o way I have the coolest name around, why would I need a nickname!"
1 year
My daughters name is Makiya meaning "Wise Child". I have never met another child with this name. :)
Link Love
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- Is Harry Styles leaving One Direction too?! — ET
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- 3 more alleged Bill Cosby victims come forward — The Superficial
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Notestein, Sky K. and Frazer, T. K. and Hoyer, M. V. and Canfield, D. E. (2003) Nutrient Limitation of Periphyton in a Spring-Fed, Coastal Stream in Florida, USA. Journal of Aquatic Plant Management, 41, pp. 57-60.
(The document's language is
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There is strong evidence to suggest that ground-water nitrate concentrations have increased in recent years and further increases are expected along portions of the central Gulf coast of Florida. Much of the nitrate enriched groundwater is discharged into surface waters through numerous freshwater springs that are characteristic of the area and the potential for eutrophication of their receiving waters is a legitimate concern. To test the potential effects of elevated nutrient concentrations on the periphyton community an in situ nutrient addition experiment was conducted in the spring-fed Chassahowitzka River, FL, USA, during the summer of 1999. Plastic tubes housing arrays of glass microscope slides were suspended in the stream. Periphyton colonizing the microscope slides was subjected to artificial increases in nitrogen, phosphorus or a combination of both. Slides from each tube were collected at 3- to 4- day intervals and the periphyton communities were measured for chlorophyll concentration. The addition of approximately 10 μg/L of phosphate above ambient concentrations significantly increased the amount of periphyton on artificial substrates relative to controls; the addition of approximately 100 μg/L of nitrate above ambient concentrations did not. The findings from this experiment implicated phosphorus, rather than nitrogen, as the nutrient that potentially limits periphyton growth in this system.(PDF contains 4 pages.)
Item Type: | Article | ||||||||||
Title: | Nutrient Limitation of Periphyton in a Spring-Fed, Coastal Stream in Florida, USA. | ||||||||||
Personal Creator/Author: |
Refereed: | Yes | ||||||||||
Journal or Publication Title: | Journal of Aquatic Plant Management | ||||||||||
Volume: | 41 | ||||||||||
Page Range: | pp. 57-60 | ||||||||||
Date: | 2003 | ||||||||||
Latitude: | 28.69 | ||||||||||
Longitude: | -82.644 | ||||||||||
Issuing Agency: | Aquatic Plant Management Society, Inc. | ||||||||||
Additional Information: | January 2003 | ||||||||||
Uncontrolled Keywords: | Nitrogen, Phosphorus, Bioassay, Eutrophication, Nutrient Enrichment; Chassahowitzka River; Florida; springs | ||||||||||
Subjects: | Management Biology Limnology |
Item ID: | 1642 | ||||||||||
Depositing User: | Stephanie Haas | ||||||||||
Date Deposited: | 07 Nov 2008 01:12 | ||||||||||
Last Modified: | 29 Sep 2011 20:15 | ||||||||||
URI: | http://aquaticcommons.org/id/eprint/1642 |
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text:
Demonstration of Unusually Wide Artery in the Maxillary Alveolar Bone Using a Reformatting Program of Computed Tomography: A Case Report
David Kohavi, DMD
This report describes the presence of an unusually wide branch of the posterior superior alveolar artery, which descends from the maxillary sinus through the maxillary alveolar bone to the palatal aspect of the alveolar crest. While this intrabony structure was clearly demonstrated using a reformatting program of computed tomography (CT), it was difficult to definitely identify by panoramic or periapical radiographs. Complications in implant treatment were thus avoided by preoperative analysis of the tomography. (INT J ORAL MAXILLOFAC IMPLANTS 1994;9:444-448)
Key words: anatomic variation, computed tomography, dental implants
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Thread Tools | Search this Thread |
21st February 2010, 01:41 PM | #1 |
diyAudio Member
Join Date: Jun 2007
Location: Mumbai/Delhi - India
Using toroid mounting bolt to secure PSU board?
Hi everyone,
im putting together an F2 clone and have a question about using the toroidal transformer's mounting bolt. The capacitor bank of my PSU is mounted to a metal sheet with clamps. this sheet has a hole in the centre. can i use the top part of the transformer's mounting bolt to hold this sheet in place? i will add an additional nut to the bolt to give some extra clearance between the top of the transformer and the bottom of the sheet. i am using a 1/2 in. bolt that is 5 in. long. one problem i can think of is that there is a greater chance of causing a shorted turn. Assuming that there is enough clearance around the sheet to avoid this, is there any other reason not to do it? cheers, mymindinside |
22nd February 2010, 07:53 PM | #2 |
diyAudio Member
Join Date: Jun 2007
Location: Mumbai/Delhi - India
I followed up with deep searching and have abandoned this idea.
i will hold the plate down with bolts on the four corners. this builder did something very similar, and people have advised him not to do it. cheers, mymindinside |
19th March 2010, 03:00 AM | #3 |
diyAudio Member
Join Date: Aug 2009
You can securely stick a lot of components with contact adhesive, even transformers. I know it sounds nutty but it works fine. You just need the right glue and give it a couple of days to dry. Its a very handy technique for capacitor banks, as long as you aren't going to want to swap caps.
Thread Tools | Search this Thread |
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text:
Bucs need to finish with a flourish
Comment on this storyAugusto Palacios is confident Orlando Pirates can brush off early-season issues in front of goal in time for Friday's Absa Premiership opener against Golden Arrows.
The defending league champions were reliant on some dodgy Kaizer Chiefs defending, and a last minute Benni McCarthy strike, for the victory on penalties over Kaizer Chiefs in the Carling Black Label Cup.
And last Friday, the Buccaneers had another goal-shy evening, needing a controversial late penalty to take down Bloemfontein Celtic in the MTN8 quarter-finals.
The loss of Tokelo Rantie, who formed an excellent partnership with Benni McCarthy last season, certainly appears to have had an early effect, but the Pirates coach did not seem unduly concerned, as he faced the media at Rand Stadium on Wednesday.
"I think it is the finishing that is a problem," said Palacios.
"But myself, I never blame the players. If we put in a clear picture, there was a shot by (Ndumiso) Mabena against Celtic, and then Daine Klate was alone and needed to be cool," added the Pirates coach, on an excellent chance the Bucs winger spurned at the end of the first half last Friday.
"We created chances. It also happened in the second half. In training we have been trying to arrive in the box in numbers and to be cool.
"We need to correct our mistakes and get back to our goalscoring combinations.
"To win with a penalty can happen in any game. We always insist on attack.
"If we were looking for extra time, we would never have attacked."
Mabena was the chosen partner for McCarthy against Celtic, and it remains to be seen if he is retained for the Arrows clash. The 25-year-old striker netted just three league goals last season and admitted he is keen to improve this season, though he has refused to set himself a target.
"I am just telling myself I have to convert all the chances I get inside the box."
With the potential talent available to Pirates, Mabena admits that there is no room for complacency in the Buccaneers line-up.
"It is not easy because there is no room for any lazy player in this team. It's all about Pirates, and not the individual," said Mabena.
"Playing with Benni gives me confidence that I am doing something very well that the coach needs at training – so I need to take that into the game."
One man Pirates will not be fielding for a while, it seems, is their new Zimbabwean striker, Takesure Chinyama. Palacios says it will take a while for Chinyama to adapt to the Pirates way.
"When we think he is ready he can play," said Palacios.
"It is not easy to play the type of football that Pirates play. You need to look at the different combinations of strikers in the team. He is new to the team and we need to mould him into the combinations we have. And there is a physical aspect. When he arrived we needed the physical trainer to work him individually. We did the same with (Onyekachi) Okonkwo. Some players train individually to try to arrive at the level of other players."
Pirates, of course, have raked in the trophies in the last couple of seasons, picking up the so-called "double-treble".
But Palacios does not appear to feel any extra pressure from defending silverware.
"I don't think about the Telkom or the MTN8. Any coach at Pirates, Chiefs, Sundowns and Swallows is under pressure – you always need to win.
"I must not take into consideration the past, I must take what happens now for me, and for me it is to win games.
"But with the quality of the players we have and the high spirit, I have confidence we can deliver." – The Star
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text:
Subject: Re: [OMPI devel] Use of OPAL_PREFIX to relocate a lib From: Sylvain Jeaugey (sylvain.jeaugey_at_[hidden]) Date: 2010-10-26 06:55:27
Hi all,
This problem may be a detail, but it bugs me a lot, so I'd like to have it fixed. Here is a patch that changes the path setting algorithm to "last component wins" instead of "first component wins".
This is as wrong as was the original code, except that it is consistent with the way autogen.pl generates static-components.h.
If nobody objects, I'll commit it tomorrow.
diff -r c9746f7a683a opal/mca/installdirs/base/installdirs_base_components.c --- a/opal/mca/installdirs/base/installdirs_base_components.c Tue Oct 26 10:56:53 2010 +0200 +++ b/opal/mca/installdirs/base/installdirs_base_components.c Tue Oct 26 12:48:41 2010 +0200 @@ -25,7 +25,7 @@
#define CONDITIONAL_COPY(target, origin, field) \ do { \ - if (origin.field != NULL && target.field == NULL) { \ + if (origin.field != NULL) { \ target.field = origin.field; \ } \ } while (0)
On Thu, 7 Oct 2010, Ralph Castain wrote:
> What you are seeing is just the difference in how the build system (old vs new vs RPM script) travels across the directory tree. The new build system and RPM do it in alphabetical order, so config comes before env. The old autogen.sh did it in reverse alpha order, so env came before config. I don't think anyone thought it made a difference, though you correctly point to one place where it does. > > Modifying the build system to have one place do it differently would be a mistake, IMO. The better solution would be to use priorities to order the processing, though that means two passes through the components (one to get the priorities, and then another to execute) and additional API functions in the various modules. > > > On Oct 7, 2010, at 6:25 AM, Sylvain Jeaugey wrote: > >> Hi list, >> >> Remember this old bug ? I think I finally found out what was going wrong. >> >> The opal "installdirs" framework has two static components : config and env. These components are automatically detected by the MCA system and they are listed in opal/mca/installdirs/base/static-components.h. >> >> The problem is that no priority is given, while the order matters : the first opened component sets the value. >> >> When I build the v1.5 branch, I get 1.env 2.config : >> const mca_base_component_t *mca_installdirs_base_static_components[] = { >> &mca_installdirs_env_component, >> &mca_installdirs_config_component, >> NULL >> }; >> >> When I build an RPM *or* the new default branch, I get 1.config 2.env : >> const mca_base_component_t *mca_installdirs_base_static_components[] = { >> &mca_installdirs_config_component, >> &mca_installdirs_env_component, >> NULL >> }; >> >> I don't know why the generated file is not consistent. It may be related to the order in which directories are created. >> >> Anyway, the first case seems to be what was intended in the first place. Since config sets all the values, having it in first position makes env useless. Besides, in the first configuration, env only needs to sets OPAL_PREFIX and since config sets all other pathes relatively to ${prefix}, it works. >> >> So, how could we solve this ? >> >> 1. Make autogen/configure/whatever generate a consistent static-components.h with env THEN config ; >> >> 2. Add priorities to these components so that env is opened first regardless of its position in the static components array ; >> >> 3. Any other idea ? >> >> Sylvain >> >> On Fri, 19 Jun 2009, Sylvain Jeaugey wrote: >> >>> On Thu, 18 Jun 2009, Jeff Squyres wrote: >>> >>>> On Jun 18, 2009, at 11:25 AM, Sylvain Jeaugey wrote: >>>>> My problem seems related to library generation through RPM, not with >>>>> 1.3.2, nor the patch. >>>> I'm not sure I understand -- is there something we need to fix in our SRPM? >>> >>> I need to dig a bit, but here is the thing : I generated an RPM from the official openmpi-1.3.2-1.src.rpm (with some defines like install-in-opt, ...) and the OPAL_PREFIX trick doesn't seem to work with it. >>> >>> But don't take too much time on this, I'll find out why and maybe this is just me building it the wrong way. >>> >>> Sylvain >>> >>> >> _______________________________________________ >> devel mailing list >> devel_at_[hidden] >> http://www.open-mpi.org/mailman/listinfo.cgi/devel > > > _______________________________________________ > devel mailing list > devel_at_[hidden] > http://www.open-mpi.org/mailman/listinfo.cgi/devel > >


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wonderful captured
hemhh..thank's brada :D
You're welcome :)
why the poor kid is tied up like that?
This is one culture in Indonesia lucifier.. name is Kuda Lumping..
and is the kid ok? i mean if it doesnt hurt him
she is ok.. The little girl did not get hurt because it was trained..
good to hear :)
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text:
Prototype 2
The game is great but the Controls are kind of wonky and lock on is bad
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I dunno - he feels really responsive to me. I just played thru P1 again over the last month or so and Mercer felt more fluid and "bouncy", but Heller moves more purposefully and still has the speed - Heller's jump has more distance - more like Hulk's jumping. I found once I got used to hitting and holding A only AFTER I touch the ground, his jump works just as well, albeit a bit differently. I like it because they are two different guys, so them having slight variations to their powers and movement makes sense..... --- XBL Gamertag - SkyNett / PSN ID - SkyeNett / Clan - TheSynndicate | |
From: Skynet82997 | Posted: 5/2/2012 12:38:26 PM | #002 This. I was a little upset with the change in the controls at first, but Helller's method of jumping has a lot more control to it, since you don't have to figure jump height out before you even jump. --- But Mommy, I don't want to go to school today. I want to stay home and bake cookies with you. | |
Hmm I see, I probably just need to play more, I'm sure I'll have it down by my Insanity playthrough. I definitely see what you mean when you compare his jump to the Hulk's. | |
Lock on is definitely worse in this game. --- Ye shall be as gods, knowing good and evil. | |
Yeah, lock on is bad. Controls are fine IMO. But lock-on, oh jesus. NO HELLER. I DON'T WANT TO LOCK ON TO THE SOLDIER DOWN THE ROAD. I WANT TO LOCK ON TO THE SUPERSOLDIER BEATING THE S*** OUT OF YOU BECAUSE YOU WON'T LOOK AT HIM. --- I'll just have to get a full apology from you later. RARITYCATCHME. | |
what I can't stand is sometimes a soldier will be right in front of you that you want to target. You hold down the LT, and it targets something else. Then you cycle through available targets with the right stick, and the soldier in front of you never gets targeted. The targeting needed more testing. | |
Lock on got a bit worse. I had no problem with it in the first game. In the first game, it usually targets whoever is most threatening. The second pretty much just targets whatever is in front of you. Annoying when you have helicopters shooting down at you. | |
lock on is very annoying. it locks on mission objectives or the biggest threat, instead of the closest threat. --- XBOX360 GT: AlphaUltima | |
Lock on got way worse. Jump/Glide/Dash controls make no sense now and are worse. Overall, game is better. --- ("o0o") My metroid thinks you are stupid. People who ..v...v disagree with metroids often get sucked dry. |
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Pre order incentive DLC? | Cashaddi | 1 | 4/16 4:24PM |


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Rain is Nice Thoughts
Love comforteth like sunshine after rain.
William ShakespeareAnd what's romance? Usually, a nice little tale where you have everything as you like it, where rain never wets your jacket and gnats never bite your nose, and it's always daisy-time.
D.H. LawrenceOne of the nice things about science fiction is that it lets us carry out thought experiments.
Rudy RuckerI think 'Hail to the Chief' has a nice ring to it.
John F. KennedyLove Poem
It's so nice
to wake up in the morning
all alone
and not have to tell somebody
you love them
when you don't love them
any more.
Being apart and lonely is like rain.
It climbs toward evening from the ocean plains;
from flat places, rolling and remote, it climbs
to heaven, which is its old abode.
And only when leaving heaven drops upon the city.
It rains down on us in those twittering
hours when the streets turn their faces to the dawn,
and when two bodies who have found nothing,
dissapointed and depressed, roll over;
and when two people who despise eachother
have to sleep together in one bed-
that is when loneliness receives the rivers...
I got a, you know, I stay in a little suburb, nice little like uh condo a little crib, know what Im saying? Got a couple dollars now.
Obie TriceWhen I woke up Sunday morning at the Open and stepped outside and felt the wind and rain in my face, I knew I had an excellent chance to win if I just took my time and trusted myself.
Tom KiteWhen I was a kid, we never heard of smog, ozone depletion, acid rain, green house gasses.
Dennis WeaverAfter you date a player or two it's nice to just chill with a guy that can keep it basic.
Angie MartinezThe only comfort comes in thinking about how nice it was to know them, and how nice it was to brush against goodness for a season.
Real Live PreacherWell, yeah, I get to decide what I publish, which is nice.
David AllenI actually enjoy being heckled; it keeps it interesting, and I think it is a nice feeling for people once they have left the show.
Johnny VegasI'd love to get pajamas. Good, nice and warm flannel ones.
Charlize TheronOne thing is having skated five of the best races I've probably could have skated. It was nice to peak at the right time and to do it in an important time in somebody's career.
Eric HeidenMy image had always been very heterosexual, very straight. So it was a nice experience for me, a chance to clarify my own feelings about gay and lesbian civil rights.
Bruce SpringsteenSo, I kind of rather was hoping that people thought it would have a nice mixture of different topics and it also takes in the fact that I've had two children recently.
Jo BrandI'm not in the advertising business, but I think it would be very nice if people went to see the film Hamlet, because it was made with love and integrity.
Julie ChristieA guest is like rain: when he lingers on, he becomes a nuisance.
Yiddish ProverbThe method of political science is the interpretation of life; its instrument is insight, a nice understanding of subtle, unformulated conditions.
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Category: Growth Inception Date 9/15/2005 Family: Federated Investors
Fund Analysis The Fund seeks long-term capital appreciation. Under normal market conditions the Fund invests at least 80% of its net assets in stocks of large-cap companies. The Fund utilizes a large-cap growth strategy. Performance
Calendar Year Returns
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1Forbes rates funds separately in both up and down market cycles. Funds are rated against their peers and are awarded letter grades (A+ to F) based on peformance in bull and bear markets. Market cycles are defined by an index or blend of indices. Stock funds, for example, are rated and benchmarked over four bullish and bearish cycles using the S&P 500 as a benchmark. The peformance benchmark for Balanced funds is a 50/50 blended index of the S&P 500 and the Merrill Lynch corporate/government bond index. Most bond funds are rated for five years, with each month treated as either a bullish or bearish month. Exception: taxable junk bond funds, which are presently rated over a 12-year period corresponding to the three most recent market cycles of the Merrill Lynch high yield bond index. 2Annual expense ratio plus brokerage commissions paid by the fund for buying and selling securities. p: Prior year. |
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Giorgio Gomelsky
Giorgio Gomelsky | |
Background information | |
Born | 28 February 1934 |
Origin | Georgia |
Occupation(s) | Music manager, record producer |
Years active | Mid-1950s–present |
Labels | Marmalade Records, BYG Records |
Associated acts | The Rolling Stones, The Paramounts, The Yardbirds, Magma, Blossom Toes, Julie Driscoll, Gong, Soft Machine, Material |
Giorgio Gomelsky (born 28 February 1934) is a film maker, impresario, music manager, songwriter (as Oscar Rasputin) and record producer. He was born in Georgia, grew up in Switzerland, and later lived in Britain and the US.
He owned the Crawdaddy Club in London where The Rolling Stones were house band, and he was involved with their early management. He hired The Yardbirds as a replacement and managed them. He was also their producer from the beginning through 1966. In 1967, he started Marmalade Records (distributed by Polydor), which featured "Julie Driscoll, Brian Auger and the Trinity", The Blossom Toes, and early recordings by Graham Gouldman, Kevin Godley and Lol Creme, who became 10cc. The label closed in 1969. Gomelsky was also instrumental in the careers of The Soft Machine, Daevid Allen and Gong, Magma, and Material.
He now lives in New York City.
Early years[edit]
Gomelsky was born in Tiflis, Georgia. His father was a medical doctor, and his mother was from Monte Carlo. The family left in 1938 and via Syria, Egypt, and Italy, in 1944 settled in Switzerland, the country where his father had trained.
Giorgio discovered jazz at the age of 10, while living in Italy. One Sunday he was caught out by the 4pm German curfew, so he stayed in the house of friends. Exploring their attic he discovered a gramophone and some jazz records. As a symbol of defiance he and his friends took to occasionally briefly blasting the music out of the window. Fortunately they were never caught. After the liberation, eventually black GI's arrived and furthered his jazz education.
He attended a Benedictine school in Ascona, near Locarno, Switzerland. With the war over, he was able to pool resources with friends to start a record collection. By 1946 the American Forces Network had been established and Giorgio was exposed to be-bop via the Cool City program on VOA. (In 1964, his father having died and left him some money, Giorgio would return to Ascona and stage a jazz festival in a local airfield.)
He attended a progressive private school, the School of Humanity run by Paul Gehheb, in the mountains of Switzerland. While on vacation, with friends, he travelled around Europe by bicycle. In post-war Germany, they found a thriving cellar-jazz scene in towns like Düsseldorf. They visited Milan, and pedaled all the way to Paris to see Charlie Parker perform at the Salon de Jazz.
His mother was a hat designer. Her father had worked for the Société des Bains de Mer (the casino operator) in Monte Carlo, a popular resort for the British, and so she spoke English and became an anglophile, with a particular love of English literature. Thus her employer, Claude Saint-Cyr of Paris, sent her to run her atelier in London. She would send her Swiss schoolboy son the English music paper Melody Maker on a weekly basis, from which Giorgio learned English and also became familiar with the British jazz scene.
There was still at this time limited opportunity to hear new jazz in Europe. Apart from Willis Conover on VOA. there was an Italian jazz radio show; Flavio Ambrosetti's show on Swiss Radio ran just 20 minutes a week; there was Charles Delaunay jazz show on Europe 1 in Paris; and Charlie Fox on the BBC; and maybe a couple of German shows. There was a scene in Copenhagen. Aficionados in many cities set up jazz appreciation societies, and Giorgio and friends set one up in Locarno. A trio was formed, Roland Schramlei on bass, Bert Armbruster on piano, and Giorgio on drums. Resources were so limited that, only possessing a ride cymbal, Giorgio would have to hire a drum kit every time they had an engagement.
The main jazz magazine was Les Cahiers du Jazz from Paris, and there was also one in Italy. In both countries the magazines organized the local Jazz Societies into Federations which could then stage concert tours. Giorgio followed their model and formed a Swiss federation that staged concerts. In 1954, having been denied permission to stage a concert during the Zurich Festival by the city fathers, the Federation staged a daring protest on a Sunday. The resulting publicity persuaded the City to reverse its decision, and thus the Zurich Jazz Festival was born (and exists to this day).[1]
Having become a Swiss citizen, Giorgio had to perform National Service, undergoing basic training with Swiss Air Force, where he flew Bucher biplanes. Although a proficient pilot he deliberately failed promotion tests and, after rejection, was then free to leave the country.
Film making in England[edit]
The weekly readings of the Melody Maker, and the lack of further documentation, convinced Giorgio that his vocation would be to film the burgeoning UK jazz scene. He had seen the 1948 film Jammin' The Blues and had formed forward-thinking stylistic ideas including synchronised fast cutting. He succeeded in obtaining a 500 UKP commission from a young Italian TV station and departed for England.
In London he established a relationship with the National Jazz Federation, run by Harold Pendleton, who also managed Britain's top jazz star of the time Chris Barber. Despite Giorgio's inclination to shoot the avant-garde Johnny Dankworth, Pendleton prevailed on him to shoot Chris Barber. The resulting piece, comprising four songs, intercut establishing and audience reaction shots from the Royal Festival Hall with separate studio session footage. The studio footage, shot in one day, used cutting-edge technology like large Mitchell cameras with 'elephant' suspended mics that restricted camera movements in the small studio, preventing Giorgio from getting all the angles he had hoped for.
This first film was sufficiently well-received that two years later Giorgio filmed Chris Barber for a second time – now a 3 camera shoot in b&w Cinemascope.
Harold Pendleton had started the National Jazz Festival and Giorgio had participated as a volunteer helper at the first one in 1959. He was able to secure the rights to film the 1960 festival, A producer/backer was found – Frank Green, the owner of a facility on Wardour Street where Giorgio had edited his earlier films. Filming was with 4 b/w cameras. Sound was recorded on the Leevers-Rich synchro-pulse system, allowing separate recording of audio on magnetic tape. The intercom between the cameras was the Royal Artillery's system which, designed to be heard over cannon fire, was so loud that at times it would get picked up by the stage mics! Giorgio edited two pilots from the footage, including a piece of the new Alexis Korner Blues Incorporated with Charlie Watts on drums, but Green was unable to find a buyer.
British rhythm & blues[edit]
Chris Barber's trad-jazz band had launched the skiffle craze, and their hit 'Rock Island Line' had made the band's banjo player Lonnie Donegan a star. As skiffle became passé, Chris, whose sets were structured around the history of jazz, began to feature blues in its place, utilizing his school friend vocalist/guitarist Alexis Korner, and harmonica player Cyril Davies.[2]
While the Barber blues set was strictly country style, Korner was set on expanding the sound to incorporate the more modern electric Chicago sound and an improvisational jazz approach. He formed his own group Alexis Korner Blues Incorporated and recruited musicians like drummer Charlie Watts and saxophonist Dick Heckstall-Smith.. Giorgio, then writing for Jazz News, became inspired by this to the extent of becoming evangelical. He coined the term BRB – British Rhythm and Blues, wrote articles, and bent the ear of anyone who would listen.[2]
Alex and Cyril had a club in a pub upstairs room on Wardour St where blues aficionados would gather on Wednesdays but they needed a larger venue for the noisy big band. With some difficulty, and support from Barber, Giorgio persuaded Pendleton to run a weekly Blues Night on Thursdays at his newly opened neighbouring club The Marquee. Korner's new band, and others, were duly booked. However the audiences were still limited to a small group of enthusiasts and the future was uncertain.[2]
A Jamaican Blue Beat club just off Portobello Road (immortalized in the move Scandal) was one of the hottest spots in London at the time. On a visit Giorgio had a chance encounter with its most notorious clients – Christine Keeler & Mandy Rice-Davies. He invited them to visit the Marquee Blues Night and they showed up the following week. The publicity generated was enough to give the night sufficient cachet to become fashionable and successful.[2]
Giorgio wanted to build on the success of The Marquee Blues night with more shows but Pendleton wasn't interested. Giorgio began to organize the bands, suggesting that they work co-operatively to obtain bookings and do other business, just as the earlier Jazz Societies had federated their efforts. He even persuaded the Portobello Jamaican club to host a couple of blues bands, howeber the regular patrons were not impressed.[3]
Giorgio then discovered an alternative venue – the Cy Laurie Piccadilly Club in Ham Yard. Formerly a major London hotspot, it was now on its uppers. He was able to secure a Saturday night for a fee of $5 and proceeded to stage the first festival of British Blues. Bands appearing included Alexis Korner's Blues Incorporated, Blues By Six (which included Nicky Hopkins), the Rolling Stones. Although attendance was slight, as a promotional device Giorgio prevailed on a number of friends to stand in line outside to attract the attention of passers by, and give the impression of a larger crowd. Pendleton was not at all happy with this local competition for his club.[3]
The Crawdaddy Club[edit]
Gomelsky was certain that the vitality of the genre depended on attracting new young fans, and that attracting young fans depended on involving young musicians. Giorgio believed that residencies were the key to building an audience for the new bands and, in an example of the lateral thinking instilled him in the Switzerland mountain school, hit on the idea of eschewing central London and weekday nights altogether – to become so far removed that Pendleton could have no grounds for complaint. Thus the Richmond Blues Association was formed and he secured a series of Sunday nights at the Station Hotel in Richmond, a suburb of West London. What Giorgio knew, from his earlier be-bop interests, was that the nearby Kingston Art School was a fertile hotbed of musical enthusiasm, and also there already was an established blues club in the basement of the ABC Cafe in nearby Ealing. Another group having dropped out The Rolling Stones were given the first residency. The first night only attracted three people, attendance not being helped by Giorgio, in a typical malapropism, accidentally writing "Rhythm & Bulls" on the advertising sign outside the venue. Nevertheless the talents of the Rolling Stones, and a promotional scheme that gave complimentary admission to any patron that brought two friends, soon led to healthy crowds.[4] Also, in order to liven up the proceedings, he convinced the Stones, whose repertoire was stretched by the demands of two 45-minute sets, to incorporate a 20-minute rave-up version of Bo Diddley's "Crawdad" (originally on the 1960 album Bo Diddley in the Spotlight) as the finale of their show.[5]
In fact Giorgio had taken on much of the responsibility for managing and promoting the Rolling Stones. Looking to get press on the band, he prevailed on The Richmond and Twickenham Times, a conservative local paper owned by TV presenter Richard Dimbleby, to send a reporter to the Station Hotel. Eventually a reporter, Barry Gay, undertook to write an article and visited with a photographer.[5]
Giorgio also considered he could exploit his reputation as a jazz writer and film-maker to generate interest in the band and entice the jazz critics to visit the Sunday Richmond sessions. He announced that he would make a short promotional film of these "illustrious unknowns". The news spread and influential writers – first Norman Jopling, and then Peter Jones – showed up, but no copy resulted. Peter Jones did, however, return bringing his friend Andrew Loog Oldham.[5]
Not having the facilities to film the band live at the club, he took them into the RG Jones recording studio in Wimbledon, one of the few independent studios in London at the time. Two songs were recorded and extra footage shot.[5] As Giorgio was editing he got a call from Gay, who was writing his article, asking how to name the club. Giorgio, on the spur of the moment, inspired by "Crawdad" – the high point of The Stones' show, with a chorus of "Hey, crawdaddy!" - came up with "The Crawdaddy".[5]
Somewhat to his surprise a full page feature duly appeared in the Richmond and Twickenham Times. Giorgio showed the article to acquaintance Patrick Doncaster, the music critic of the Daily Mirror, the largest circulation British daily newspaper. Doncaster was persuaded to, in turn, visit the club, and a half-page feature duly appeared in the next day's Mirror. The powers that be at Ind Coope Breweries, owners of the Station Hotel, were aghast at the degenerate behaviour displayed in the article and the club was evicted forthwith.[5]
Almost immediately Giorgio had to return to Switzerland for three weeks as his father had died. His colleague photographer Hamish Grimes went to Pendleton, who provided an introduction to Commander Wheeler, director of the Richmond Athletic Association. They had grounds, just a block away from the Station Hotel, where the National Jazz Festival was held. An arrangement was made for the club to move to a room, almost triple the capacity of the Station Hotel, below the grandstand.[5]
Later career[edit]
In the 1960s, Giorgio went on to manage and produce the The Yardbirds, and form a record label Marmalade Records. He also signed Julie Driscoll and Brian Auger & The Trinity and produced early recordings by Jeff Beck, Jimmy Page (both of whom played with the Yardbirds), Rod Stewart, and John McLaughlin (the album "Extrapolation"), Alexis Korner. Graham Bond and the Soft Machine.
He brought British rock musicians to record with American blues musicians including the Yardbirds featuring Eric Clapton with Sonny Boy Williamson, who was Giorgio's roommate for a period in Britain. Giorgio claims that Sonny Boy jammed with Rahsaan Roland Kirk in all keys on a single blues harmonica made to play in one key.
In the 1970s he became involved with progressive jazz rock bands such as Gong, Henry Cow and Magma. In the 80s he was pioneer of digital video winning awards for his work using the Video Toaster.
Through the 1970s to the 2010s from his recording and rehearsal studio in the Chelsea neighborhood of New York City, Giorgio has continued to nurture and mentor musicians. Following his relationship with the band Material, in the early 80s he produced "Tonka Wonka Mondays" at the Bitter End, featuring three bands a night who were unnamed "mystery guests", and then had professional music critics dissect their performances during the break: at the end of each evening, a better known featured guest would play their material backed up by "The House Band' led by composer / arranger Dave Soldier and featuring trumpeter Roy Campbell: featured guests included Wayne Kramer, Billy Bang, Frank Lowe, and Dennis Charles. Girogio was also a regular DJ at the club Tramps, introducing fans to an array of styles, including new African and experimental jazz music.
With the producer Joe Papp and early b-boy hiphop stars including Futura 2000, Mr. Freeze, Lori Eastside and composers Dave Soldier and Mark Mazur of Kid Creole and the Coconuts he attempted to produce the first hip-hop musical, Persons, at the Public Theater in 1982.
He was instrumental in bringing the important Czech group, the Plastic People of the Universe, to the international public eye by producing a benefit concert for the band's lyricist Egon Bondy at The Kitchen on 29 January 1989, featuring their exiled saxophonist Vratislav Brabenec and New York musicians including Ed Pastorini, the Soldier String Quartet, Craig Harris, Borbetomagus, Elliott Sharp and Gary Lucas, who played the Plastic People's repertoire. News of the concert in Prague is said to have helped to inspire the Velvet Revolution, a movement strongly influenced by experimental American rock and jazz music.
Giorgio was involved as guide, producer, and supporter to numerous adventurous New York bands including D Generation, 101 Crustaceans, and Band of Susans.
In 1978, having received a substantial royalty payment for his work with The Yardbirds, Gomelsky relocated to New York in an attempt to open up the American market to the European progressive jazz-rock bands he was working with. He established the Zu Club in Manhattan and after meeting 24-year-old bass player Bill Laswell, encouraged him to form a band, which began rehearsing in the club's basement.[6]
The band became known as the "Zu Band" until Gomelsky hooked them up with former Gong frontman Daevid Allen for a performance at his Zu Manifestival at the Zu Club on 8 October 1978, for which they became "New York Gong". Allen and the band amicably parted company when they "discovered they couldn't stand the European way of life" during a tour of France. The band then took the name Material, and their debut recording was 1979's instrumental post-punk industrial funk Temporary Music 1 EP for Gomelsky's Zu Records.
Production work[edit]
- The Soft Machine's first demos were recorded by Giorgio.
- Gong's Flying Teapot and Angel's Egg (both 1973) were created under Giorgio's auspices.
- Aphrodite's Child 666 (credited as "passing by")[7]
- Vangelis Hypothesis and The Dragon (1971) (unfinished – released later)[7]
See also[edit]
- Romantic Warriors II: A Progressive Music Saga About Rock in Opposition
- Romantic Warriors II: Special Features DVD
- ^ [1][dead link]
- ^ a b c d MacFie, Joly (8 April 2009). "Giorgio Gomelsky – The Birth of British R&B". Interview. Punkcast. Retrieved 9 April 2009.
- ^ a b MacFie, Joly (8 April 2009). "Giorgio Gomelsky – The First London Blues Festival". Interview. Punkcast. Retrieved 9 April 2009.
- ^ Mick Jagger, Keith Richards, Dora Loewenstein, Charlie Watts, Philip Dodd, Ron Wood (2003). According to the Rolling Stones. Chronicle Books. pp. 48–50. ISBN 978-0-8118-4060-6.
- ^ a b c d e f g MacFie, Joly (8 April 2009). "Giorgio Gomelsky – The Crawdaddy Club". Interview. Punkcast. Retrieved 9 April 2009.
- ^ "Martin Bisi interview". Furious.com. Retrieved 2014-02-03.
- ^ a b Antas and Dennis Lodewijks (6 April 2000). "Giorgio Gomelsky, working with Vangelis". Elsewhere and Odyssey. Retrieved 9 April 2009.
External links[edit]
- Giorgio Gomelsky at AllMusic
- Eurock Interview posted July 2003.
- Giorgio Gomelsky Discography
- James Phelge (April 2000). Nankering With the Rolling Stones. Chicago Review Press. ISBN 978-1-55652-373-1.
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Ny Carlsberg Glyptotek is an art museum of international stature in the centre of Copenhagen.
The Glyptotek houses over 10,000 works of art divided up into two collections.
One is of works from the Mediterranean cradle of Western culture, the other of Danish and French art from the 19th and 20th centuries.
"...It boasts the biggest collection of antiquities in Northern Europe"
(Three stars in Michelin's Green Guide)
Winner of Traveller's Choice 2014
Adults: 95 DKK
Under 27: 50 DKK
Groups of 10 or more: 75 DKK
Under 18: Free admission
Tuesday: Free admission
SEASON TICKET valid one year
1 person: 245 DKK
1 person + 1 guest: 395 DKK
Under 27 / 1 person: 150 DKK
Opening Hours
Tuesday – Sunday 11 am – 6 pm
Thursday 11 am – 10 pm
Monday closed
NB! Thursday 7.5.: 11 am - 6 pm
Opening hours on holidays and special occasions
Ny Carlsberg Glyptotek
Dantes Plads 7
1556 Copenhagen | Denmark
Tel. (+45) 3341 8141
Café Glyptoteket:
Tel. (+45) 3341 8128
Museum Shop
Tel. (+45) 3341 8151
Glyptoteket is located next to Tivoli, a five-minute walk from Copenhagen Central Station (Københavns Hovedbanegård)
Buses 1A, 2A, 11A, 40 and 66 stops just outside "Glyptoteket" in Tietgensgade.
Plan your transportation to Glyptoteket:
Car parking facilities near Tivoli and in the streets surrounding the museum.