text:
CLI zmmailboxmove Network Edition only
From Zimbra :: Wiki
- This is archive documentation, which means it is not supported or valid for recent versions of Zimbra Collaboration. |
- This article is a Work in Progress, and may be unfinished or missing sections. |
Article Information |
This article applies to the following ZCS versions. |
For the most recent information on this CLI, including syntax and description, see ZCS Administrator's Guide Network Edition > Appendix A Command-Line Utilities.
Contents |
ZCS 6.0.x
This command is used to move a mailbox from one Zimbra server to another. Mailboxes can be moved between Zimbra servers that share the same LDAP server. All the files are copied to the new server and LDAP is updated. After the mailbox is moved to a new server, a copy still remains on the older server, but the status of old mailbox is closed. Users cannot log on and mail is not delivered. You should check to see that all the mailbox contents were moved successfully before purging the old mailbox.
zmmailboxmove {-a <arg>} {-t <arg>|-po} [options]
Long Name | Short Name | Description |
--account | -a | <arg> Email address of account to move |
--help | -h | Shows the help for the usage options for this command |
--overwriteMailbox | -ow | Overwrite target mailbox, if it exists |
--purgeOld | -po | Purge old mailbox on previous server. After a mailbox has been successfully moved to a new server, perform purgeOld to remove the mailbox and its contents from the previous server. |
--server | -s | <arg> Mail server hostname. The default is the localhost. Server where the --account mailbox is located. |
--targetServer | -t | <arg> Server where mailbox is moved to Use -t option to move a mailbox from the current server to the new server specified by the option. |
--authtokenfile | -Y | Use auth token string (has to be in JSON format) from command line |
--authtoken | -y | Use auth token string (has to be in JSON format) from command line |
In these examples, two separate command lines are used to move the mailbox and to purge the old mailbox. This is because -t and -po are mutually exclusive.
- To move a mailbox from the default server to the target server:
zmmailboxmove -a firstname.lastname@example.com -t server2.domain.com
- To move a mailbox from the default server to the target server, while overwriting any existing mailbox for the account on the target server:
zmmailboxmove -a firstname.lastname@example.com -t server2.domain.com -ow
- To purge an old mailbox from the default server, after checking that the contents of the mailbox were successfully moved to the target server:
zmmailboxmove -a firstname.lastname@example.com -po
ZCS 5.0.x
ZCS 4.5.x
Verified Against: ZCS 6.0 | Date Created: 5/4/2006 |
Article ID: http://wiki.zimbra.com/index.php?title=CLI_zmmailboxmove_Network_Edition_only | Date Modified: 03/25/2015 |


text:
UrlAuthorizationModule Class
Verifies that the user has permission to access the URL requested. This class cannot be inherited.
Namespace: System.Web.Security
Assembly: System.Web (in System.Web.dll)
The UrlAuthorizationModule type exposes the following members.
Name | Description | |
CheckUrlAccessForPrincipal | Determines whether the user has access to the requested file. | |
Dispose | Releases all resources, other than memory, used by the UrlAuthorizationModule. | |
Equals(Object) | Determines whether the specified object is equal to the current object. (Inherited from Object.) | |
GetHashCode | Serves as the default hash function. (Inherited from Object.) | |
GetType | Gets the Type of the current instance. (Inherited from Object.) | |
Init | Initializes the UrlAuthorizationModule object. | |
ToString | Returns a string that represents the current object. (Inherited from Object.) |
The UrlAuthorizationModule determines whether the current user is permitted access to the requested URL, based on the user Name or the list of roles that a user is a member of. For information about how the user name is determined, see ASP.NET Authentication. For information about how to manage user roles, see Managing Authorization Using Roles.
Authorization for a user or a role is managed using the authorization configuration element. You can allow or deny a user or a role using the allow or deny subelements, respectively. The allow and deny subelements are interpreted in the order they appear in the configuration. Once an element specifies that access is allowed or denied, the UrlAuthorizationModule completes its authorization check. For example, the following authorization section from a Web.config file requires users to log on (by denying anonymous users), and then allows only users in the Administrators role to have access. Users not in the Administrators role are denied.
<authorization> <deny users="?" /> <allow roles="Administrators" /> <deny users="*" /> </authorization>
A user or role must be specifically denied to refuse the user or role permission to a URL. That is, if the previous example had not specified the <deny users="*" /> element, then all authenticated users would have been allowed access to the requested URL, regardless of what role they were a member of.

subset: commoncrawl


text:
Page 6 of 6 Previous
• 1/2 c. seasoned breadcrumbs
Preheat the oven to 350 degrees. Butter an ovenproof baking dish. Cut each leek half into a 6-inch length and rinse well under running water. Cook in salted boiling water for 5 minutes, or until slightly tender; drain.
Put the leeks, cut-side up, in the prepared dish, pour in the cream, and sprinkle with the cheese, salt and pepper. Bake for 10 to 15 minutes, or until the cream has thickened and the cheese has melted.
Remove from the oven and preheat the broiler. Sprinkle the leeks with the breadcrumbs, then place the dish under the broiler, 4 inches from the heat source, for 2 to 3 minutes, or until lightly browned. Serve immediately.
Nutrition information per serving:
Calories 322 Fat 21 g Sodium 1,000 mg
Carbohydrates 24 g Saturated fat 12 g Calcium 295 mg
Protein 12 g Cholesterol 62 mg Dietary fiber 2 g
Diabetic exchanges per serving: 2 vegetable, 1 bread/starch, 1 high-fat meat, 2½ fat.


text:
Poster printing
Examples of Vinyl postersYou guys are great! Thank you for the fast turn around on the banners we ordered. You will be our #1 choice for our trade show graphics. May 20, 2013 a 11:00 am I tried to get my poster printed at Kinko's, but their website is cluttered and unorganized. After some time trolling their website, I found out they couldn't even print my poster and I started freaking the f**k out so I did an exhaustive yelp search of the best custom print jobs in San Diego. Voila, that is how I found your business and chose to trust y'all with my exquisitely designed poster. April 3, 2012 a 11:15 am Review By: Andre Neason (23 September 2011)
Rating: The posters 858 Graphics made for us got us noticed at the trade show. Thank you for all your patience during the design process.
Poster Printing San Diego Your poster will be created and handled by a skillful and knowledgeable staff, so you never have to worry about your poster getting done the right way. Our full color custom posters are made with the highest quality UV inks using the latest Roland and HP printers. Your posters can be printed on a large selection of specialty materials including Matte, Gloss, Artist Canvas, Eco Friendly and more. All of our posters are printed on premium photo paper to ensure the best quality and resolution possible. Poster prints come in a huge variety of sizes and can be placed on an easel to be displayed or can be placed in a double sided metal frame for maximum exposure. To add greater durability to your poster you can print your poster on different materials such as: Area's Services Chicago,Boston, New York, Carlsbad,Denver, Washington, Laguna,Coronado, Del Mar, El Cajon, Escondido, La Jolla , La Mesa , Las Vegas, Little Italy, Los Angeles, Mission Beach, Mira Mesa, Mira Mar, National City, Oceanside, Old Town, Orange County, Pacific Beach, Poway, Rancho Bernardo,Saint Louis, Santa, Ysabel, San Ysidro, Phoenix,Salt Lake City,and the world


text:
New York-based extreme metal pioneers SUFFOCATION entered the studio on January 31 with Joe Cincotta (who worked on the band's last two releases) to begin recording its new album, "Blood Oath". The follow-up to 2006's self-titled record will be mixed by Zack Ohren (ALL SHALL PERISH, DECREPIT BIRTH) and cover artwork will once again be brought to life by Jon Zig (DEEDS OF FLESH, DISGORGE, GORGASM). Songtitles set to appear on the CD include "Dismal Dream", "Undeserving", "Confines of Disillusion", "Blood Oath", "Come Hell Or High Priest" and "Provoking the Disturbed".
Commented the band: "We've just completed another shift at Full Force Studios (6pm - 2am, typical shift). As for a progress report — we've completed all the drum tracking and rhythm and bass guitars as of this past Sunday. What we'll have left to do starting today is record guitar solos and getting Frank (Mullen) in there to lay down the vocals. We're looking to wrap it up next week and start rehearsing a set for the upcoming Blood Apocalypse tour soon after that. All in all, we can honestly say this record is SLAMMIN' HEAVY and we got some nice little twists for ya' too. We look forward to crushing some stages for you all real fucking soon! Also, videographer Jon Bickford has been in the studio with us shooting the final segments ('Blood Oath' studio sessions and interviews) to be included in the forthcoming SUFFOCATION DVD!" "Blood Oath" is tentatively scheduled for an early summer release in Europe and North America via Nuclear Blast Records. SUFFOCATION recently announced dates for its upcoming headlining run dubbed the Blood Apocalyspse tour. Support will come from of the best names in extreme metal today, including WHITECHAPEL, BENEATH THE MASSACRE, DECREPIT BIRTH, VEIL OF MAYA and PSYCROPTIC.SUFFOCATION Checks In From The Studio
To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends). To report any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, please send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details.


text:
- Home
- Search results for: '1-3 A4 Double Sided Compliment Slips'
Search results for '1-3 A4 Double Sided Compliment Slips'
Your search returns no results.
Compare Products
You have no items to compare.
My Cart
You have no items in your shopping cart.
Shop By
Currently Shopping by:
- Category: Stationery Remove This Item


text:
Our Mission | Our Students | Our Faculty | Our Community | Our Alumni
At the MFA program in Creative Writing and Literature at Stony Brook Southampton, we welcome aspiring writers who seek to create original work primarily in fiction, poetry, or creative nonfiction. We offer guidance that is friendly, rigorous, professionally useful and hands on. Enrollment in our writing workshops is capped at twelve.
Unlike most MFA programs, ours encourages students to take workshops in all kinds of writing, rather than being tracked upon acceptance into a single genre. We invite students to explore, in the belief that writing outside their genres informs their primary areas of interest.
Beyond the familiar categories of fiction, poetry and creative nonfiction, we offer workshops in other forms of creative expression relevant to understanding and mastering a world constructed out of words and images. Recent course offerings have included graphic novel, children's literature, and poetry with a bookmaking emphasis.
Our literature courses are taught by working writers, with an eye to how reading informs craft. (More traditional graduate literature courses are also available.) And devoted genre-busters will find ample opportunities to collaborate with practitioners in theater, film and the visual arts.
Those disciplines attract an equally broad range of distinguished professors, whether during the summer sessions or throughout the year.
We foster a communityunited in its commitment to writing as art but inclusive of those who do not fit neatly into the constraints of the academy. Literary success comes in many forms, from active publication to more idiosyncratic allegiances to the creative process.Our students display a range of interests and experience; they include recent college graduates, post-career professionals, working journalists, secondary school teachers, editors, and professors seeking to make a transition from scholarly to creative writing. Some arrive with full-time lives to seek part-time studies. Others come as full-time students who find the affordable off-season housing in the Hamptons to be an extremely agreeable way to pursue the writing life.
Still other students combine coursework at Stony Brook Manhattan with workshops at the Southampton campus during the summer. Even commitment-phobic writers have a place here, taking short-term courses of study. (Sorry, you have to be just as talented a writer as the MFA students to get a spot in workshops.)
To serve this thriving and diverse community, we offer courses year-round. Traditional semester-long courses meet during weekdays and on evenings at both Southampton and Manhattan. We also offer weekend intensives during fall and spring terms. In addition, nearly all of our students register for a course or two during the intensive summer sessions at Southampton.Manhattan track students, poor dears, are actually required to take at least one working vacation in the Hamptons. Finally, during the winter break, we offer opportunities to take workshops abroad, in such locations as Florence, Italy; Havana, Cuba; and the Turkana Basin, Kenya.
All of our courses, whether in creative writing or literature, are taught by practicing writers who are themselves producing original work. Our full-time core faculty is joined by a regular cast of over thirty visiting writers who provide creative breadth to the program or bring expertise in more specialized areas of creative writing.
These distinguished authors rotate into the schedule throughout the year, teaching in the regular term at Southampton or Manhattan, in the summer at Southampton, or in the winter sessions.
We also welcome a parade of visiting writers to both Manhattan and Southampton through our reading series, Writers Speak. In the spring, we bring to campus a series of literary agents, who hold individual conferences with students in thesis.
All our faculty members, full time and visiting, have joined us because they care about encouraging new voices.
Stony Brook Southampton is part of Stony Brook University, widely regarded as one of America's distinguished institutions of higher learning. Our program enjoys all the opportunities and privileges of such a resource: access to the vast holdings of the Melville Library, graduate courses in other disciplines, including the English Department, a Provost's Lecture Series in which our students present their works in progress, and centralized administrative support at the Graduate School, the Office of Financial Aid and the Registrar.
But encamped as we are on a separate arts campus, Southampton's MFA Program is able to offer a customized experience for the directed creative artist. In other words, come here to get your work done.
"If you're dreaming of becoming the next J. K. Rowling, we've got the perfect place for you—the Southampton Children's Literature Conference." – School Library Journal |
Kid at Heart?
The MFA program offers courses in writing children's books, including the one-year Children's Lit Fellows, but for an intensive focus, you can't beat the Southampton Children's Literature Conference, a unique forum in which to study and discuss the craft of writing for children. World-renowned authors, illustrators and editors come to Southampton every July to offer inspiration and guidance. These summer workshops, lectures, group discussions and special presentations are open to new, established and aspiring writers.
Drama Queen?
We have impressive theater and film programs on campus that offer scriptwriting workshops with some of the top names on Broadway and in Hollywood.
These are open to creative writing students, who work alongside playwrights and screenwriters. Some of our students have written scripts for their thesis projects in collaboration with TAF faculty.
Helen Simonson (MFA,2008), the author of Major Pettigrew's Last Stand, wrote this New York Times bestseller as her thesis in our program."What is truly amazing about this program," she writes, "is that not only did I have the chance to learn craft from some of today's greatest writers in their fields, but also that these famous talents treat the students as fellow writers. To have my work taken completely seriously was at first a shock and then a complete joy."
"This leadership also encourages the student body to treat each other exceptionally well, in workshops where tough criticism is delivered in an atmosphere of trust and mutual growth."
"They say you can't teach writing and yet I could feel my skills expanding weekly in this program. There's something in the water of the East End of Long Island that nourishes art of all kinds."
Other alumni have gone on to publish in The New Yorker (poet and Cave Canum Fellow Michelle Whittaker, MFA 2011) and other magazines and journals, including our own The Southampton Review. Victor Giannini (MFA 2012) published his first novella with Silverthought Press in 2012, and Dorothy Marcic (MFA 2013) saw her play Sistaspremiere Off Broadway at St. Luke's Theatre.
The Grand Prize Winner of the prestigious 2012 Women in Film & Video/New England Screenwriting Competition, Tracy King-Sanchez (MFA, 2012) writes, "What I love most about the MFA Program - and I do mean love, not like, or admire, or look on with fond memories; I'm talking straight up, in your face, one-restraining-order-away-from-stalking LOVE - is this thing they do called teaching. Sure, a lot of other places lay claim to this teaching fad, but the folks at Southampton do it in a way that stretches not only your creativity, but every cog and peg that goes into forming and nurturing a writer who continues to push past the edges of her world, both real and imagined. Under the tutelage (see, they even taught me how to use big-girl words) of Roger Rosenblatt, Jules Feiffer, Julie Sheehan, William Burford, Ying & Yang Duo Caglioti & Reeves and the countless name-dropping, rock-star-worthy gurus, I have learned not only the importance of craft, but that, without a clear, authentic and, above all else, honest voice, my words would be as flat as the blank page which calls out to every writer with a story that must be told."


text:
on the Web! |
Pinedale Online > News > May 2009 > Lion show roars with success > Mr. Trebble |
Back to Article © Photo by Janet Montgomery |
William Stevens, far right, plays Mr. Trebble, the music teacher, who shows up at the cafeteria to conduct a few notes from the students (left to right, Catie Hott, Brittney Hill, Rose Oberreit, Sylvee McClure and Shilo Thayne) while Cha Cha Cha checks out the school lunch fare of hot dogs with mustard. |
Copyright © 2009 Pinedale Online. All rights reserved. |


text:
Reading About the Financial Crisis: A 21-Book ReviewAndrew W. LoMassachusetts Institute of Technology (MIT) - Sloan School of Management; Massachusetts Institute of Technology (MIT) - Computer Science and Artificial Intelligence Laboratory (CSAIL); National Bureau of Economic Research (NBER) October 26, 2011 Abstract: The recent financial crisis has generated many distinct perspectives from various quarters. In this article, I review a diverse set of 21 books on the crisis, 11 written by academics, and 10 written by journalists and one former Treasury Secretary. No single narrative emerges from this broad and often contradictory collection of interpretations, but the sheer variety of conclusions is informative, and underscores the desperate need for the economics profession to establish a single set of facts from which more accurate inferences and narratives can be constructed. Number of Pages in PDF File: 41 Keywords: Financial Crisis, Systemic Risk, Book Review JEL Classification: G10, G18, G20, G28, G30, G38, E60 Date posted: October 27, 2011 ; Last revised: January 10, 2012Suggested CitationContact Information
© 2015 Social Science Electronic Publishing, Inc. All Rights Reserved.
Terms of Use
Privacy Policy
Contact Us
This page was processed by apollo2 in 0.500 seconds


text:
SCENIC 1000 PC PUZZLES BY FRED SWAN (Item #W80981)
Each of these scenic 1000 piece puzzles are sure to bring you home as the images are richly rural – a way of life fondly remembered by many but only experienced by few. Vermont's Fred Swan is the state's most recognized landscape artist and incorporates amazing detail in each of his puzzles. Made in the USA.
Items #
Product Name
In Stock


text:
Bollito Misto
- Total Time:
- 3 hr 20 min
- Prep:
- 40 min
- Cook:
- 2 hr 40 min
- Yield:
- 8 to 10 servings
- Level:
- Intermediate
- 4 pounds beef brisket or top round
- Salt and freshly ground pepper
- 4 cups beef stock or broth
- About 4 cups water, enough to cover the beef
- 2 onions, peeled and quartered
- 4 celery stalks, cut in 1/2
- 1 bay leaf
- 4 carrots, peeled and cut into thirds
- 1 pound small boiling potatoes
- 1/4 teaspoon salt
- 1/2 teaspoon freshly ground black pepper
- Gorgonzola Sauce, recipe follows
- Salsa Verde, recipe follows
- Gorgonzola Sauce:
- 4 ounces Gorgonzola
- 2 cups mayonnaise
- 1 tablespoon Dijon mustard
- 1/4 teaspoon salt
- 1/4 teaspoon freshly ground black pepper
- Spicy Salsa Verde:
- 1 cup chopped parsley leaves, about 1 bunch
- 2 shallots, chopped
- 2 tablespoons chopped capers
- 2 cloves garlic, minced
- 2 teaspoons hot sauce, or 1/4 teaspoon red pepper flakes
- 1/4 teaspoon salt
- 1/4 teaspoon freshly ground black pepper
- 2 tablespoons sherry vinegar
- 1 1/2 cups extra-virgin olive oil
Heat a large braising pot over medium-high heat. Season the beef with salt and pepper. Sear the beef, browning it on both sides, about 5 minutes a side. Carefully add the stock and enough water to just cover the meat. Add the onion, celery, and bay leaf. Bring the liquid to a boil. Lower the heat to a simmer, cover, and cook for 1 hour. Add the carrots and potatoes and cook until the meat is tender, about another hour. Carefully lift out the meat, place on a cutting board, and cover with foil. Strain the vegetables from the stock. Discard the celery, onion, and bay leaf. Arrange the carrots and potatoes on a platter and cover with foil to keep warm. Continue cooking the stock uncovered over medium heat until reduced by half, about 20 minutes. Meanwhile, slice the meat against the grain, on an angle. Arrange the meat alongside the carrots and potatoes on the platter. When the stock has reduced, season with salt and pepper, to taste, and transfer to a gravy dish. Serve the Bollito Misto with the gravy and bowls of the Gorgonzola Sauce and the Salsa Verde.
Gorgonzola Sauce:Put all the ingredients in a food processor and combine until smooth. Serve in a side dish.
Yield: 1 1/4 cups
Spicy Salsa Verde:In a bowl, stir all the ingredients together until combined. Serve in a side dish.
Yield: 1 1/2 cups
Recipe courtesy Giada De Laurentiis
Cooking Tips
More Recipes and Ideas
Fritto Misto
Recipe courtesy of Justin Warner
Fritto Misto with Two Mustard Sauce
Recipe courtesy of Michael Chiarello
Vegetable Fritto Misto with Lemon Mayonnaise
Recipe courtesy of Giada De Laurentiis


text:
The surname KATOH is not included in the US Census Bureau's ranking of surnames with 100 or more people. Since fewer than 100 people with this surname were included in the 2000 Census, it is relatively uncommon.
Source: "Genealogy Data: Frequently Occurring Surnames from Census 2000", US Census Bureau.
Accoring to the US Census Bureau, Katoh ranked #83,097 in frequency out of 88,799 surnames for which statistics were released from the 1990 Census.
Source: "Frequently Occurring Surnames from Census 1990", US Census Bureau.
Histopolis currently has 0 grave(s) with the surname Katoh.
The surname Katoh has a Soundex code of K300. The following 182 surname(s) may sound similar to Katoh since they share the same Soundex code.


text:
A project of People For the American Way dedicated to monitoring and exposing the activities of the right-wing movement. Learn More >
How Homosexuality is like 'When Teenage Girls Start Wearing Makeup'
Yesterday, Religious Right broadcaster Janet Parshall hosted ex-gay activists Joe Dallas and Nancy Heche, actress Anne Heche's mom, to discuss their new book "The Complete Christian Guide to Understanding Homosexuality."
A caller, John, said that based on his personal experiences with gays and lesbians he doesn't consider homosexuality to be an "emotional or choice-oriented kind of decision" as they seem "compelled to be this way."
Heche responded that gays and lesbians might seem different from straight people because they are trying to conform to the norms of the gay community, much like "when teenage girls start wearing makeup then they all want to wear makeup and if the in-group is wearing frilly skirts and ruffle t-shirts then everybody is going to wear a ruffle t-shirt."
Caller: Their behavior doesn't seem to be affected, it seems to be genuine and it seems that they are compelled to be this way. I don't know if it's hormonal differences or whatever chemical differences in the endocrine system in the body that affect the brain and the body but there is something going on that's more than just emotional or choice-oriented kind of decisions that these people make.
Heche: What I think is that oftentimes once one associates herself or himself with a gay community or a gay fellowship group they settle in and want to make a distinction from others — others in the heterosexual world — they want to make a distinction and a statement about who they are. I'm just saying this might be 1 percent of the people you're talking about or 99 percent, but sometimes I think people make a point to adapt and adopt to the community that they are associating with. It's kind of like this when teenage girls start wearing makeup then they all want to wear makeup and if the in-group is wearing frilly skirts and ruffle t-shirts then everybody is going to wear a ruffle t-shirt. That might be very oversimplifying it but I think it is maybe a tiny explanation for a small group of people that you're talking about. Does that make sense? Do you understand what I'm saying?
Dallas, meanwhile, said that even if it becomes scientifically proven that homosexuality is not a choice, gays and lesbians should suppress their sexuality in the same way that individuals who have predispositions to violence must suppress their violent urges.
Parshall: Let's just say for discussion sake that we come out with a peer-reviewed, vetted, highly-scrutinized study that says: Tada! Definitively there is a gene, you are predisposed. God is not the author of confusion, He tells us in His word 'don't frustrate your children,' so would God then say, 'I've designed you that way and then I'm going to turn around and say that if you act on that behavior I'm going to call it a sin'? This is an argument all three of us have heard many a time, so how do we respond to that?
Dallas: First of all, even if we are born with something it does not mean that God designed that something. There are many external and internal inborn realities that God never intended. So I would not presume that if something is inborn that God ordained it, whether we are talking about something as serious as a birth defect or if we're talking about, as you said Janet, a predisposition. I do think that for that individual who has a predisposition, whether it is to violence, or addictive behavior or homosexuality, that will be an area of weakness in their life and if they want to live an obedient life they're going to be called to deal with that area of weakness in their life. But the fact that it may even be inborn would not be an excuse to indulge it.
Filed Under
Ex-GayShare this post
Related Items
Trending Topics
RWW Social Media
Most Popular
Bachmann: Rapture Imminent Thanks To Gay Marriage & Obama
4/20/15 @ 12:30pm
Revolution! Anti-Gay Activists Threaten Uprising If Supreme Court Approves Marriage Equality
4/24/15 @ 1:25pm
Franklin Graham Furious That Marvel's Iceman Is Gay
4/23/15 @ 2:00pm
Mike Huckabee Defends Ex-Gay Therapy, Warns Gay Rights Will Outlaw Christianity: 'God Help Us All'
4/23/15 @ 1:15pm
Right-Wing Pundits: Obama Persecuting Bachmann With 'End Times' Joke
4/28/15 @ 10:50am


text:
In a way too early NBA mock draft, I take a look at which players each team should go with based upon their regular season records. A few players saw their stock jump after strong NCAA tournament … [Read more...]
Denver Nuggets vs Sacramento Kings Preview
It is early but the Denver Nuggets already might have played their worse game of the season (we hope). Last Saturday November 1st the Nuggets lost 102-91 to the Oklahoma City Thunder. The scoreboard … [Read more...]
Part Three: Sacramento Kings Player Projections
Just eight days away from the Sacramento Kings' tipoff and Isportweb's third and final season preview has finally arrived. In our first two previews we analyzed the Kings' roster and competition. It … [Read more...]
Sacramento Kings Season Preview: Team Projections
It's just about half way through NBA preseason, and isportsweb is back for its second round of season previews. In our first preview, we picked apart the Kings roster. Now, it's time to create a bold … [Read more...]
Sacramento Kings Season Preview: Roster Analysis
In the midst of their rebuild, this offseason treated Sacramento with a flurry of roster moves. The Kings achieved three major goals this summer: 1. adding veteran talent, 2. avoiding the luxury tax, … [Read more...]
Sacramento Kings: Evaluating Darren Collison signing
Earlier this week, the Sacramento Kings agreed to lock up former UCLA point guard Darren Collison for the mid-level tax exception of $5.3 million/year. When looking at the face value of this … [Read more...]
Sacramento Kings potential draft day moves
The draft is upon us as the Sacramento Kings offseason has finally begun to reach clarity since Rudy Gay's decision to return to Sacramento. Now that the Kings are financially burdened by Gay's $19.3 … [Read more...]
Can the Sacramento Kings trade for Kevin Love?
According to Yahoo Sports, the Sacramento Kings told the Minnesota Timberwolves that their No. 8 NBA draft pick would be available in a trade for star Power Forward Kevin Love, and that they are also … [Read more...]
Sacramento Kings: Offseason Goals
Now that the Sacramento Kings' season is officially over, it is time for GM Pete D'Alessandro to focus on making this team into a playoff contender again. The Kings are posed with a variety of … [Read more...]
Derrick Williams' struggles in the pros
Minnesota Timberwolves draftee Derrick Williams had high hopes coming into the pros. His game at Arizona was tremendous and it seemed he had the confidence to carry that over into the NBA. D-Will … [Read more...]


text:
GEN News Highlights : Jan 28, 2014
Imperial College London is teaming up with information and communications technology (ICT) solutions provider Huawei to invest in and open a data science lab to be dubbed the Imperial College - Huawei Data Science Innovation Laboratory. Both the ICT firm and the college say the new lab will bring Imperial's faculty and researchers from Huawei together to develop new applications using data science research in areas including healthcare.
According to Imperial, the Imperial College - Huawei Data Science Innovation Laboratory represents the first major corporate partnership within its new Data Science Institute, the aim of which is to cultivate collaborations between Imperial's experts and research partners to develop big data technologies. Imperial and Huawei signed a memorandum of understanding back in July where they both agreed to look for a chance to team up; the new lab is a product of that memorandum.
Per the collaboration, Huawei will invest in equipment including cloud-computing servers, a research and innovation fund; it will also spring for the new lab's operational costs.
"By bringing its experts together with our engineers we believe we can create new products and services that will harness the huge potential of big data," said William Xu, CEO of Huawei Enterprise Business Group, in a statement. "This collaboration with Imperial also bolsters the wider partnership program we have with British universities, which includes working with other institutions around the U.K. on the 5G technologies that will revolutionize how we communicate in the future."
© 2013 Genetic Engineering & Biotechnology News, All Rights Reserved


text:
Below are the first 10 and last 10 pages of uncorrected machine-read text (when available) of this chapter, followed by the top 30 algorithmically extracted key phrases from the chapter as a whole.
Intended to provide our own search engines and external engines with highly rich, chapter-representative searchable text on the opening pages of each chapter.
Because it is UNCORRECTED material, please consider the following text as a useful but insufficient proxy for the authoritative book pages.
Do not use for reproduction, copying, pasting, or reading; exclusively for search engines.
OCR for page 1
Executive Summary
The chemical sciences have made enormous contributions to the well-being
of our nation and to that of the world as an economic driver and through the
manufactured substances that range from life-saving pharmaceuticals to materi-
als that improve the safety of our automobiles. At the same time, the relationship
between the chemical sciences and the environment is on less firm ground. Indeed,
to a great extent the environmental movement in the 1970s began in response to
harmful effects of certain industrial chemicals. It matters little that those harmful
effects were unintentional, because the harm was real.
Over the last several decades, chemists and chemical engineers indeed, the
entire chemical enterprise have made remarkable progress on several fronts.
Earlier practices of disposing of chemical waste directly into the air, water-
ways, and soil largely have been replaced with approaches that have much lower
environmental impact. Industrial and automotive smog have been greatly reduced,
our rivers and streams are much cleaner than they were three decades ago, and we
have almost completely eliminated the use of chlorofluorocarbons (CFCs) and
other halogenated compounds that cause ozone depletion in the stratosphere.
Modern pesticides are safer for the environment and are used in much smaller
quantities, and the chemical industry has adopted a program of Responsible Caret
in which it practices stewardship of the chemicals it produces from cradle to
grave. Perhaps most importantly, the research activities of chemists and chemical
engineers have made huge strides toward understanding the chemistry of the envi-
ronment at a fundamental level.
http://www. americanchemistry. com/
OCR for page 1
However, much remains to be done. The challenge is global in nature: not
only do countries around the world face environmental problems, but pollutants
generated in one location are transported across continents and oceans. Similarly,
the different parts of the environment are interconnected, and attempting to man-
age environmental sinks separately will only move the problem from one phase
to another. The magnitude and scope of the problem is huge, and the inescapability
of environmental problems demands major effort in science and engineering. In
November 2002, as part of Challenges for the Chemical Sciences in the 21st
Century, the Board on Chemical Sciences and Technology convened the Work-
shop on the Environment in Irvine, California. The workshop organizing com-
mittee assembled a group of top environmental scientists to deliver plenary lec-
tures (Appendix C), and an outstanding group of chemical scientists and
engineers from academia, government, national laboratories, and industrial
laboratories was recruited to participate in the workshop (Appendix F). Through
the use of extensive discussion periods and breakout sessions, input from the
entire group of participants was obtained during the course of the workshop. The
results of the breakout sessions are presented in Appendix G. and written versions
of the speakers' presentations are provided in Appendix D. In combination with
other references cited in this report, the data collected at the workshop provide
the basis for this report.
The structure of the Workshop on the Environment followed that of the par-
ent project and each of the other workshops that were held as part of the study of
Challenges for the Chemical Sciences in the 21st Century (Materials and Manu-
facturing, Energy and Transportation, National Security and Homeland Defense,
Information and Communications, and Health and Medicine). Under this struc-
ture, the workshop addressed four specific themes:
1. Discovery: What major discoveries or advances related to the environ-
ment have been made in the chemical sciences during the last several decades?
2. Interfaces: What are the major environment-related discoveries and chal-
lenges at the interfaces between chemistry-chemical engineering and other disci-
plines, including biology, information science, materials science, and physics?
3. Challenges: What are the environment-related grand challenges in the
chemical sciences and engineering?
4. Infrastructure: What are the issues at the intersection of environmental
studies and the chemical sciences for which there are structural challenges and
opportunities in teaching, research, equipment, codes and software, facilities,
and personnel?
Workshop participants provided a broad range of experience and perspec-
tive, and their discussions and presentations identified a wide variety of opportu-
nities and challenges in chemistry and chemical engineering. These opportunities
and challenges, which are documented throughout this report (including many of
OCR for page 1
the specifics described in Appendix D and Appendix G), led the committee to its
overarching conclusions.
Conclusion: Chemistry and chemical engineering have made major con-
tributions to solving environmental problems.
Specific areas of accomplishment include
� major increases in analytical capabilities detection, monitoring, and
� increased understanding of biogeochemical processes and cycles;
advances in industrial ecology new attitudes about pollution prevention;
development of environmentally benign materials (e.g., CFC replace-
� new methods for waste treatment and pollution prevention;
� green chemistry and new chemical processes;
� discovery of environmental problems and identification of their underly-
ing causes and mechanisms; and
� development of improved modeling and simulation techniques.
Conclusion: Collaboration of chemists and chemical engineers with sci-
entists and engineers in other disciplines has led to important discover-
These contributions have enhanced both basic understanding and the solu-
tion of environmental problems through work at the interfaces of the chemical
sciences with biology, physics, engineering, materials science, mathematics, com-
puter science, atmospheric science, meteorology, and geology.
Conclusion: Manifold challenges and opportunities in chemistry and
chemical engineering exist at the interface with the environmental sci-
By responding to these opportunities and challenges, the chemical sciences
community will be able to make substantial contributions to
� fundamental understanding of the environment,
� remediation of environmental problems that currently exist,
� prevention of environmental problems in the future, and
� protection of the environment.
The stakes for responding to these challenges are high because regulatory
decisions might cost or preserve billions of dollars, impact millions of human
lives, or even determine the fate of entire species.
Much of the discussion at the workshop emphasized the interrelated nature
of the many parts of the environment. Typically, it is not possible to take action in
OCR for page 1
one area without creating at least the possibility of impacting other areas as well.
In order to avoid such undesired consequences, a systems approach will be needed
for the discovery and management of problems of the atmosphere, water, and
soil. This will be necessary not only for understanding the complexity of each
medium but for avoiding regulatory-driven tendencies to simply shift impacts
from one medium to another.
A life-cycle systems approach, similar to what has been developed to evalu-
ate energy impacts, will facilitate sound management of environmental impacts.
This will provide a clear understanding of both where and when environmental
impacts occur in the life of a product, process, or service. It also will make it
possible to appreciate all impacts, and to see how interactions and alternatives at
each point in a life cycle can influence other parts of the life cycle. For chemical
processing and manufacturing, significant impact can occur at various stages,
including extraction and preparation of raw materials, conversion of raw materi-
als into products, separation and purification of materials, product distribution,
end use of products, and final disposition after the useful life of products.
Conclusion: A systems approach is essential for solution of environmen-
tal problems.
The systems approach will be needed in several areas, including
� actions that affect any of the three principal environmental sinks (air, wa-
ter, and soil) and the biological systems with which they interact, where attempts
to manage each of them separately will surely transfer impacts from one medium
to another;
� spatial management of environmental-impact sources where the impacts
are generated in a processing and manufacturing sequence; and
� temporal management of environmental-impact sources when the im-
pacts are generated in a processing and manufacturing sequence.
The use of systems approaches will necessitate simulation and modeling of
enormously large and complex systems. This will require significant computa-
tional resources, intensive efforts in complex optimization, and formulation of
mathematical models. Input and expertise from a broad array of scientific, engi-
neering, and social disciplines will be an essential part of developing the neces-
sary tools.
Conclusion: Solving environmental problems will require intensive
mathematical modeling, complex optimization, and computational re-
Systems approaches will necessitate extensive collaborations among a wide
range of scientific, engineering, and social disciplines. Modeling of large envi-
OCR for page 1
ronmental systems (e.g., climate modeling that spans large temporal and spatial
ranges) will generate massive datasets, fast and robust networks, and powerful
computers for processing the data arrays.
A broad array of research challenges face the chemical sciences, both in
areas of fundamental understanding and for specific environmental problems.
Conclusion: Important opportunities exist for chemists and chemical en-
gineers to contribute to a better understanding of the environment.
Many of these research opportunities will involve work at the interfaces with
other disciplines or interdisciplinary collaborations with scientists and engineers
from those disciplines. Just as these collaborations have led to significant progress
in the past, they should be expected to play an important role in the future to fully
understand and solve environmental problems. Examples include the need to un-
derstand (or better understand)
� structure-toxicity relations;
� chemical processes at the molecular level;
� biological and physicochemical interactions in response to environmental
� fate and transport of anthropogenic chemicals;
� biogeochemical cycles;
� gas-to-particle conversion in the atmosphere;
� functional genomics and the chemical processes that govern organism-
environment relationships; and
chemical-gene interactions in the real environment.
As we continue to better understand the underlying science of the environ-
ment, further advances will require new tools and instruments.
Conclusion: Chemists and chemical engineers will need to develop new
analytical instruments and tools.
These tools and instruments will have to function effectively in an increas-
ingly complex research arena that involves measurements of vanishingly small
quantities of substances in the presence of contamination from other chemicals,
under circumstances that make sample acquisition difficult. They will have to
address three principal areas of measurement:
1. laboratory analyses
2. field measurements
3. theoretical tools for modeling and comparison with experiment
Conclusion: Improved methods for sampling and monitoring must be
OCR for page 1
Chemists and chemical engineers will have to address the challenges of
sampling and monitoring air, water, and soil more extensively and more
frequently than can be done now. This will require improvements in instrumenta-
tion, in sampling methodology, and in techniques for remote measurements.
Conclusion: The new approaches of green chemistry and sustainable
chemistry offer the potential for developing chemical and manufactur-
ing processes that are environmentally beneficial.
We are still in the early stages, but successful examples already have been
reported. If the necessary investment is made in these new directions, chemists
and chemical engineers will be able to make major strides in improving environ-
mental quality.
Conclusion: Strong and continued support of the chemical sciences will
be an essential part of the federal research investment for understand-
ing, improving, and protecting the environment.
Chemists and chemical engineers will be able to respond effectively to the
challenges described here only if they have the resources needed to carry out the
necessary research. This impact of support will be enhanced if it facilitates inter-
disciplinary research and encourages industrial partnerships. The scientific
progress resulting from such support will inform and enable the policy-making
and decision process that is essential to future environmental improvement.


text:
Major in Liberal Studies
Bachelor of Science Degree • School of Arts and Sciences
Liberal Studies Major
Program Details
The major in liberal studies is designed as a general liberal arts degree. It was developed for students with experience or training as professionals or para-professionals in areas such as corrections, counseling, Health Studies, and teaching. It is also of value to persons with other backgrounds. The major provides students with a broad liberal arts context; it does not provide a professional credential.
Total credit hours required for degree: 120
(See also General Education Core)
Course | Credit Hours | ||
Core | 34-55 | ||
Major Course Requirements | |||
Four courses (at least twelve credit hours) must be selected from each of these three groups: | |||
Group 1: Society and BehaviorAny 300/400-level courses from at least two of the following areas: Anthropology, Economics, History, International Studies, Government and Politics, Psychology, and Sociology. | |||
Group 2: Art and LanguageAny 300/400-level courses from at least two of the following areas: Communication Arts, English, Film Studies, Fine Arts (except studio classes), Foreign Languages, Music, Philosophy, Theatre, and World Literature. | |||
Group 3: Science and MathematicsAny courses not already used for core from at least two of the following areas: Biology, Chemistry, Environmental Science, Geology, History and Philosophy of Science and Technology, Mathematics, and Physics. | |||
36 | |||
In special circumstances, other subject areas appropriate for the three groups may be approved by the School Dean. | |||
Electives | |||
The student must complete sufficient elective courses to earn at least the minimum credit hours required for this degree, and at least 60 credit hours of the 120 required must be in the liberal arts and sciences. |
Admissions Events
Meet students and faculty, tour campus, and join us for lunch. Learn more / register
Q&A with staff followed by a campus tour.
Learn more / register
Learn more about programs, financial aid, student life, more.
Learn more / register
Upcoming events >


text:
Hang tight!
Recipe by heatherdickason
"Another one of those I wonder how this would taste moments. Where crispy meets soft and hot meets cold. It turned out better than I had hoped for. A cheap meal that's really easy and filling. Serve with the dressing of your choice."
Hmm. None of these ingredients are on sale today.
Show ingredients on sale
Sort stores by
Save money at local stores when ingredients are on sale!
Watch video tips and tricks
1 cup uncooked white rice
2 cups water
1 tablespoon vegetable oil
2 skinless, boneless chicken breast halves
1/2 head lettuce, chopped
no seasoning?
2 Ratings
* Percent Daily Values are based on a 2,000 calorie diet.
Chicken Rice Salad II
Serving Size: 1/4 of a recipe Servings Per Recipe: 4 Amount Per Serving Calories: 520 Calories from Fat: 66
The new crop of asparagus is finally here. Enjoy it in hundreds of different ways.
Waffles make Sunday mornings special, but they're great for lunch and dinner, too.
Delicious recipes, party ideas, and cooking tips! Get a year of Allrecipes magazine for $7.99!
See how to make a super-simple, comforting winter casserole.
This chicken and rice casserole is simple and tasty.
See how Chef John makes rich, deeply flavorful arroz con pollo.


text:
L.A.-based digital mag Spenser treks east to visit Duxbury's Island Creek Oysters. Lucky for us, Spenser, whose name is derived from the Middle English word for butler (who knew?) and not from the hero of Boston crime novels, really likes our oysters a lot. The piece features fun quotes from ICO's Skip Bennett and "hip thirty-something" Shucked author Erin Byers Murray, as well as a smattering of ruggedly gorgeous photos of life by the sea. Check it out. [Spenser]
Californians Notice Island Creek Oysters
Spenser magazine spotlights Duxbury's Island Creek Oysters.


text:
Comfort Suites Peoria Sports Complex 8473 West Paradise Ln. Peoria, AZ 85382 Phone: (623) 334-3993 Fax: (623) 486-0496 |
Piestewa Peak
2800 East Squaw Peak Lane
Phoenix, AZ 85016
+1 602 254 6500
Mo to Su from 05:00 AM to 11:00 PM
Centrally located, Piestewa Peak is a part of the Phoenix Mountains. There are over a dozen trails which one can hike and enjoy a panoramic view of the Sonora Desert. For those who wish to simply observe nature, the park affords that opportunity as well. Covered areas in a well-maintained picnic area allow visitors to observe the local wildlife and plants. Remember your sunscreen, hat, and plenty of water when visiting the park.Earn valuable points toward free nights.


text:
Sanaryelle Sim- We made our way down the hall, passing hurrying guards soaked from working on deck. We made it to my room, which was just a bit larger than Idriel's. I was glad the guard followed at a distance as we went inside. 3/22/2011 #391 |
Fishy Biscuits ~Idriel~ I went straight to the porthole when we got inside the cabin, and gazed out of the rain-splattered glass. A flash of lightning lit up the sky, and I smiled. It really was beautiful. 3/22/2011 #392 |
Sanaryelle Sim- I steadied myself against the wall, and gave a small smile as Idriel gazed out of the porthole. I was just going to stand by, and let her enjoy this. The last thing she wanted right now was some old fart talking her ear off. 3/22/2011 #393 |
Fishy Biscuits ~Idriel~ I stared out for what seemed like ages, just watching the rain sheeting down, and the occasional flash of lightning. I really wanted to go up onto the deck and watch it properly, getting soaked too, just like I always used to, but I figured that that would be pushing my luck. 3/22/2011 #394 |
Sanaryelle Sim- "Time's up," said the guard. I looked at him crossly. 3/22/2011 #395 |
Fishy Biscuits ~Idriel~ I ignored the guard, and kept staring out the porthole. The guard gave the chain a small tug, distracting me for a moment, but I didn't want to go. Not yet. 3/22/2011 #396 |
Sanaryelle Sim- "Just one more minute," I said to the guard, who heaved a large sigh, but nodded. 3/22/2011 #397 |
Fishy Biscuits ~Idriel~ One more minute wasn't nearly enough, I thought. I wanted to stay here until the storm was over, so I could watch it all. 3/22/2011 #398 |
Sanaryelle Sim- "Minute's up," said the guard sharply. When the Abhorsen didn't move, he cracked the chain like a whip. "Easy there," I said, giving the guard a disapproving look. 3/22/2011 #399 |
Fishy Biscuits ~Idriel~ The guard gave the chain a sharp tug, and I had to move away from the porthole to avoid falling over. I still stumbled a little, anyway. I sighed, then looked back, trying to catch another glimpse outside, but the guard was already pulling me out of the door. 3/22/2011 #400 |
Sanaryelle Sim- We returned to the Abhorsen's room in silence. The guard locked the chain in place, and peevishly left the room, slamming the door behind him. 3/22/2011 #401 |
Fishy Biscuits ~Idriel~ I sighed as I sat down on the bed, then looked at the old man. 'Thank you for that,' I said quietly. 3/22/2011 #402 |
Sanaryelle Sim- I nodded. "I hope it helped." 3/22/2011 #403 |
Fishy Biscuits ~Idriel~ I nodded. 'I think it did,' I said. 'It seems like ages since I've seen the sky.' 3/22/2011 #404 |
Sanaryelle Sim- "Only a couple more days now," I said reassuringly. 3/22/2011 #405 |
Fishy Biscuits ~Idriel~ 'I guess so,' I said, sighing. 'Although that seems like such a long time.' 3/22/2011 #406 |
Sanaryelle Sim- "Just keep yourself busy, and it'll go by quickly," I said. 3/22/2011 #407 |
Fishy Biscuits ~Idriel~ 'Busy...' I said dryly. 'It's a little difficult to find things to do when you're chained to a bed, in a small, dark room.' 3/22/2011 #408 |
Sanaryelle Sim- I sighed. "I know. But there are always books. Or - you could write." 3/22/2011 #409 |
Fishy Biscuits ~Idriel~ 'Write what?' I asked, listening to another clap of thunder from outside. 3/22/2011 #410 |
Sanaryelle Sim- "Well... you kept a diary, didn't you?" I said. "Maybe you could start a new one." 3/22/2011 #411 |
Fishy Biscuits ~Idriel~ I snorted. 'I don't think I'm going to make that mistake again,' I said. 3/22/2011 #412 |
Sanaryelle Sim- I was silent for a moment. "Is there anyone you would like to write to?" I asked. "I could send the letters once we reach Belisaere." 3/22/2011 #413 |
Fishy Biscuits ~Idriel~ I thought for a moment. I wanted to write to Oliver, asking him where he was, but he might not bother replying. I also wanted to write to Cariel, but I didn't want her to worry about me. 'I don't know,' I sighed. 'Maybe. I suppose I could try writing to someone, anyway.' 3/22/2011 #414 |
Sanaryelle Sim- I took some sheets of paper, a quill pen, and an ink bottle from one of the desk drawers, and located a book large enough to act as a lap desk. 3/22/2011 #415 |
Fishy Biscuits ~Idriel~ 'Thanks,' I said, taking the items and arranging them on the bed. It would be rather difficult to write with the ship rocking like this, but I could only try, really. And maybe it would make me feel better, too. It would at least help to pass the time. 3/22/2011 #416 |
Sanaryelle Sim- "I can leave, if you want, and come back later," I said. "I don't want to use up all of my visiting time in one go." 3/22/2011 #417 |
Fishy Biscuits ~Idriel~ 'Okay,' I said, nodding. 'I guess I keep forgetting that your visiting hours have been cut a bit.' 3/22/2011 #418 |
Sanaryelle Sim- "And do try to eat something, won't you?" I said, gesturing at the food that remained on her end table. 3/22/2011 #419 |
Fishy Biscuits ~Idriel~ I looked at the food, but I still didn't feel very hungry. 'I guess I'll try,' I said. 'I'm not sure if it'll work, but I'll at least try.' 3/22/2011 #420 |
Forum Moderators: Fishy Biscuits Sanaryelle |
Membership Length: 2+ years 1 year 6+ months 1 month 2+ weeks new member |


text:
Welcome to the forum:
Welcome to the iThemes, PluginBuddy and WebDesign.com forum. We've created several tutorial video's to help you get you started with using the forum, please check them out!
Also take note of the forum guidelines.
Support hours:
Our moderators actively respond to forum support requests during normal business hours which are Monday-Friday, 8am - 5pm Central Standard Time, typically within one business day. Although some moderators choose to work during the weekends, we can not guarantee immediate attention to your requests. Thanks for understanding.
What is included with support:
Premium support includes theme/plugin issues such as: bugs encountered under normal operation, how to use basic features, basic WordPress help, and basic help with customization (meaning we point you to resources and will help in more depth as time allows). More information.
Pre-Sales: It Looks Like Another Process Might Already Be Trying To Backup Your Database
#1 Guest_Jason_*
Posted 11 August 2014 - 08:47 PM
'Something went wrong with your backup. It looks like another process might already be trying to backup your database. Please try again in a few minutes. If the problem persists please contact support.'
The path to the server is correct and the folder has permissions set to 750. What else can cause this issue? There are no other backup/security plugins installed.
Posted 12 August 2014 - 08:34 AM
Does the site have the ithemes security plugin? If you have purchased the iThemes Security Pro plugin, please post your support request here: https://ithemeshelp.zendesk.com/home
If you are using the free version, please post on the WordPress.org support forums: http://wordpress.org/support/plugin/better-wp-security


text:
Brow Lifting With Dysport
- Full Text View
- Tabular View
- No Study Results Posted
- Disclaimer
- How to Read a Study Record
The purpose of this study is to provide data to assess Dysport™ injections as a treatment therapy for brow ptosis. This study will assess the outcome of brow lifting with use of Dysport.
Condition | Intervention | Phase |
Brow Ptosis Lid Ptosis |
Drug: Dysport |
Phase 4 |
Study Type: | Interventional |
Study Design: | Allocation: Non-Randomized Endpoint Classification: Efficacy Study Intervention Model: Single Group Assignment Masking: Open Label Primary Purpose: Treatment |
Official Title: | Brow Lifting With Dysport |
- Correction of brow ptosis with dysport injection [ Time Frame: 6 Months ] [ Designated as safety issue: No ]Subjects will be assessed using 5-point brow positioning grading scale at baseline, day 14, month 1,2,4 and 6 months.
Enrollment: | 24 |
Study Start Date: | September 2011 |
Study Completion Date: | December 2012 |
Primary Completion Date: | July 2012 (Final data collection date for primary outcome measure) |
Arms | Assigned Interventions |
Dysport injections into the glabella and orbicularis oculi muscles with dose based on muscle mass.
Drug: Dysport
Patients entering will be based on gender and assessment of the glabella region (including the corrugators, procerus, and medial frontalis muscles). Muscle mass will be graded separately for males and females as +, ++, or+++ (light/small, moderate/medium, or heavy/large). Male patients will receive 0.3 mL to 0.4 mL (60, 70, or 80 units) in five equally divided doses of Dysport™ and female patients will receive 0.25 mL to 0.35 mL (50, 60 or 70 units) in equally divided doses of Dysport™ at 5 designated injection sites in the glabellar region. On (Day0) patients will be treated with Dysport™ 10 to 20 units bilaterally to the depressor component of the orbicularis. The dosing for patients will be based on assessment of orbicularis muscle mass. Patients will receive .05 mL to 0.1 mL (10 or 20 units) in two equally divided doses of Dysport™. Muscle mass will not be graded based upon gender for this region.
Detailed Description:
One of the most common reasons that patients present to both dermatologists and plastic surgeons is for brow and lid ptosis. Although some patients that present for these entities require surgery, most will decline to have surgical intervention. Alternative treatments include brow lifting with botulinum toxins.
Brow lifting with botulinum toxins may be performed by injecting the muscles responsible for brow and lid depression. These muscles include: the corrugators, procerus, medical aspect of the frontalis and the depressor component of the orbicularis oculi muscles. By relaxing these muscles, the brow elevators may be able to lift the brow and help both brow and lid ptosis. This trial is unique as it utilizes Dysport to treat an entire anatomic muscle group (the brow depressors) rather than injecting isolated muscles._
Ages Eligible for Study: | 25 Years to 75 Years |
Genders Eligible for Study: | Both |
Accepts Healthy Volunteers: | Yes |
Inclusion Criteria:
- Healthy male or female subjects of any race, 25-75 years of age
- Mild to Moderate brow ptosis (2 or 3 on a 5-point Brow Positioning Grading Scale)
- Subject has signed the IRB-approved Informed Consent Form and the Authorization for Use and Release of Health and Research Study Information (HIPAA) form prior to any study-related procedures being performed
- Subject is able to follow study instructions and likely to complete all required visits, as assessed by the Treating Investigator
- Subject has had a urine pregnancy test evaluated as negative* within 7 days prior to planned study treatment, has used contraception for at least a month prior to planned study treatment, and agrees to use contraception for the duration of the study
- Subjects of childbearing potential must have a negative urine pregnancy test result at Baseline and practice a reliable method of contraception throughout the study:
A female is considered of childbearing potential unless she is:
- postmenopausal for >12 months prior to study drug administration;
- without a uterus and/or both ovaries; or
- surgically sterile (e.g., tubal ligation) for >6 months prior to study drug administration.
The following methods of contraception, if properly used, are generally considered reliable for females of childbearing potential who may participate in the study:
- hormonal contraceptives† (oral, patch, injection, implant);
- male condom with intra-vaginal spermicide or diaphragm or cervical cap with spermicide;
- vaginal contraceptive ring;
- intrauterine device;
- surgical sterilization (bilateral tubal ligation);
- partner vasectomized††; or
total sexual abstinence*.
Hormonal contraceptives must be started at least 90 days prior to study drug administration, and intra-uterine contraceptive device must be placed at least 30 days prior to study drug administration.
- Vasectomized >3 months or with a 0 sperm count; * Female subjects of childbearing potential who are not sexually active are not required to practice a reliable method of contraception. They may be enrolled at the Investigator's discretion provided that they are counseled to remain sexually inactive for the duration of the study and understand the possible risks involved in getting pregnant during the study.
Exclusion Criteria:
- Previous injection of botulinum toxin of any serotype within 6 months, Previous injection of semi-permanent fillers in the upper face (i.e. glabella, periorbital, temporal areas) within the last 12 months. Previous injection of permanent fillers in the upper face (i.e. glabella, periorbital, temporal areas) are excluded
- Subjects who are pregnant (positive urine pregnancy test), breast-feeding, or who are of childbearing potential and not practicing a reliable method of birth control
- Subjects planning a facial cosmetic procedure during the study period or with prior cosmetic procedures (i.e., surgery) or visible scars that may affect the evaluation of response
- Facial asymmetry, ptosis, excessive dermatochalasis, deep dermal scarring, thick sebaceous skin, or an inability to substantially lessen upper facial rhytids even by physically spreading them apart
- Previous cosmetic surgery to the upper face (e.g., periorbital surgery, brow lift, eyelid or eyebrow surgery, etc.)
- Laser resurfacing, or soft tissue augmentation in the periocular area in the 12months preceding Visit 1
- Medical condition that may increase their risk of exposure to botulinum toxin including diagnosed Myasthenia Gravis, Eaton-Lambert Syndrome, Amyotrophic Lateral Sclerosis, or any other disease that might interfere with neuromuscular function
- Current use of aminoglycoside antibiotics, curare-like agents, or agents that might interfere with neuromuscular (skeletal) function
- Profound atrophy/excessive weakness of muscles in target areas of injection
- History of facial nerve palsy
- Any patients with known autoimmune disease or compromised immune systems ie HIV, AIDS or current chemotherapy
- Infection at the injection site or systemic infection (in this case, postpone study entry until one week following recovery)
- Allergy or sensitivity to any component of Dysport™
- Evidence of recent alcohol or drug abuse
- Medical and/or psychiatric problems that is severe enough to interfere with the study results (Investigator opinion)
- History of poor cooperation, non-compliance with medical treatment, or unreliability
- Exposure to an investigational drug study within 30 days of the Baseline Visit
Please refer to this study by its ClinicalTrials.gov identifier: NCT01401803
United States, Florida | |
Kenneth R. Beer, M.D., PA | |
West Palm Beach, Florida, United States, 33401 |
Principal Investigator: | Kenneth Beer, M.D. | Kenneth Beer, M.D.,PA |
Responsible Party: | Kenneth Beer, Investigator, Beer, Kenneth R., M.D., PA |
ClinicalTrials.gov Identifier: | NCT01401803 History of Changes |
Other Study ID Numbers: | BrowDysport2011 |
Study First Received: | July 22, 2011 |
Last Updated: | September 24, 2013 |
Health Authority: | United States: Institutional Review Board |
Keywords provided by Beer, Kenneth R., M.D., PA:
periorbital glabella ptosis eyelid brow |
Additional relevant MeSH terms:
Prolapse Pathological Conditions, Anatomical Botulinum Toxins, Type A Neuromuscular Agents |
Peripheral Nervous System Agents Pharmacologic Actions Physiological Effects of Drugs |
ClinicalTrials.gov processed this record on April 16, 2015


text:
Australian Standard 8000 - Good Governance for Non-Profit Organisations?
Hough, Alan, McGregor-Lowndes, Myles, & Ryan, Christine (2004) Australian Standard 8000 - Good Governance for Non-Profit Organisations? Keeping Good Companies, 56(9), pp. 527-531.
Impact and interest:
Citation countsare sourced monthly from Scopus and Web of Science® citation databases.
These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science® generally from 1980 onwards.
Citations counts from the Google Scholar™ indexing service can be viewed at the linked Google Scholar™ search.
ID Code: | 23631 |
Item Type: | Journal Article |
Subjects: | Australian and New Zealand Standard Research Classification > LAW AND LEGAL STUDIES (180000) > LAW (180100) |
Divisions: | Current > QUT Faculties and Divisions > QUT Business School Current > Schools > School of Accountancy |
Deposited On: | 18 Jun 2009 00:02 |
Last Modified: | 29 Feb 2012 23:09 |
Export: EndNote | Dublin Core | BibTeX
Repository Staff Only: item control page


text:
Have you used this product? Write a review and tell us what you think.
Buy and ship to meOnce payment is authorised, the product will be shipped.* Free UK next day shipping on orders over £75 *
Free Tech Support
Customer Rewards Approved
The thunderous bass-drums, the ferocious in-your-face snares and the toms that will cut through your mixes with a crystal clear tone to die for.
Please note: you will need EZdrummer or Superior Drummer 2.0 to use this product.
Metal Machine is also available to download
Testament, Megadeth, Arch Enemy, Exodus, Killswitch Engage and Devildriver all call the same man to lay the final hand on their albums: Britain´s Andy Sneap. This highly in-demand producer/engineer has worked on numerous Grammy® Award-nominated albums, is known worldwide for having produced some of the heaviest releases this last decade and has had an instrumental role in shaping the sound of metal music as we know it in the new millennium. Now Toontrack is proud to present the first ever drum sample library to bear his unmistakable seal; Metal Machine EZX®
Metal Machines EZX is also available to download
Recorded by powerhouse drummer John Tempesta (White Zombie, Testament, Helmet) in Los Angeles´ Henson Recording Studios, formerly known as the A&M Studios, the Metal Machine EZX® lacks none of the metal traits you´d expect: the thunderous bass-drums, the ferocious in-your-face snares and the toms that will cut through your mixes with a crystal clear tone to die for.
• Three kits (2 x Tama Starclassic Bubinga, Ludwig Stainless Steel) as well as a large selection of snare drums and cymbals • Produced and engineered by one of the most successful and in-demand metal producers of the decade: Andy Sneap • Recorded at Henson Recording Studios in Los Angeles, USA • Mixed at Andy Sneap´s own Backstage Studios, Derbyshire, UK • Included MIDI played by John Tempesta
Metal Machine EZX Includes: Recording Gear:
Studio: Recorded April 2011 at Henson Studios, Studio B
Console: SSL 6000 E
Mics: Kick R in - SM91 Kick R in 2 - Audix D6 / AKGD12 on Stainless Steel Kick R out - Yamaha Sub Kick Kick L in - SM91 Kick L in 2 - Audix D6 / AKGD12 on Stainless Steel Kick L out - Yamaha Sub Kick Snare top - SM57 Snare bottom - SM57 Snare top 2: Beyer M-201 Hat: Shure SM7B Toms: Sennheiser 421 Cymbals/ride closed: Neumann KM184 OH's: AKG 414 Room mono: Neumann CMV3 Room mid: ribbon RCA77 Room far: Neumann U67
Instrument List:
Kicks (Left & Right): Tama Starclassic Quillted Sapele Bubinga 18x22" Tama Starclassic Bubinga 18x24" Ludwig Stainless Steel 14x26"
Snares: 14x7" Tama John Tempesta Signature Series snare drum 6.5x14" Tama Bell Brass snare drum 6.5x14" Ludwig Black Beauty 6.5x14" Ludwig Supraphonic 6.5x14" Sonor Artist Bronze snare drum 6.5x14" Dunnett Titanium 6x14" Masai Bubinga snare
Toms: Tama Starclassic Bubinga Quillted Sapele 9x10", 10x12", 14x14", 16x16" Tama Starclassic Bubinga 9x10", 10x12", 14x16", 16x18" Ludwig Stainless 12x15", 16x16", 16x18" Tama Starclassic Bubinga gong bassdrum 14x20" (Tom 5)
Hats: Zildjian Z Custom Master Sound 14" Zildjian Avedis Master Sound 14"
Rides: Zildjian Earth Ride 22" Zildjian A Ping Ride 22" Brilliant Finish
Crashes: Pos 1: 17" Z3 Zildjian prototype 16" Medium thin Zildjian prototype crash
Pos 2: 18" Medium Zildjian prototype crash 19" Medium Zildjian prototype
Pos 3: 19" Medium Zildjian prototype crash 18" Z3 Medium crash
Pos 4: 20" Z3 Medium Zildjian prototype 19" Medium Thin Zildjian prototype crash
Pos 5: 20" Medium Zildjian prototype crash 18" Medium Z3 Zildjian prototype
Pos 6: 19" Z3 Zildjian Thrash Ride 18" Medium Zildjian prototype crash
Splash: Pos 2: 10" Zildjian prototype splash
China 1: Zildjian Z3 19" Zildjian 19" Prototype China
China 2: 20" Oriental China Trash Z3 19"
Spocks: Pos 3: Zildjian Soundlab Prototype 18" Medium Thin/19" Z3 China Zildjian Soundlab Prototype 16" Medium Thin/19" Z3 China
"Even just playing a few single hits, you can´t help but be impressed by the classy sound that emanates forth - it sounds just like something from one of Andy Sneap´s commercial productions." - Computer Music (Rating 10/10)


text:
Cash Machine
"Cash Machine" | |||||||||||
Single by Hard-Fi | |||||||||||
from the album Stars of CCTV | |||||||||||
Released | 24 January 2005 | ||||||||||
Format | CD, Maxi CD, 7" | ||||||||||
Recorded | Staines, 2004 | ||||||||||
Genre | Indie rock | ||||||||||
Length | 3:43 | ||||||||||
Label | Warner Music | ||||||||||
Writer(s) | Richard Archer | ||||||||||
Producer(s) | Wolsey White, Richard Archer | ||||||||||
Hard-Fi singles chronology | |||||||||||
"Cash Machine" is the debut single by English indie rock band Hard-Fi, taken from their debut album Stars of CCTV. It was originally released on 24 January 2005,[1] where it was ineligible in the UK Singles Chart due to the inclusion of a sticker. After the success of singles such as "Hard to Beat", it was re-released on 26 December 2005 peaking at #14 in the UK singles chart and #15 on the US Modern Rock chart. There have been three different music videos: one low-budget for the original release, and two versions for the re-release.
Hard-Fi frontman Richard Archer describes this song as being about "Having no money"; the song however, is much deeper than that,[citation needed] it tells of the kind of life Archer may have lived before reaching success, "Go to a cash machine, to get a ticket home, a message on the screen, says don't make plans you're broke" and "I try to skip the fare, ticket inspectors there." Another issue that he mentions is "What am I gonna do? My girlfriend's [pregnancy] test turned blue (she had become pregnant)... I can't afford to be a daddy so I leave tonight".
Also interesting to note of this song is the reference/adaptation of an old folk song. The lyrics towards the very end of the song are: "There's a hole in my pocket! My pocket! My pocket!" This is an adaptation of the folk song, "There's A Hole In The Bucket." [2][3]
The original release of "Cash Machine" was not intended by the band to be chart eligible, instead it was released to get the band radio play and hype for the following release, "Tied Up Too Tight". As a result, it was released with a free sticker, a stunt pulled to force the single into being released.[4][5] The single sold approximately 3,000 copies, which was about how many copies of the single were actually released and would have reached #40 had it been eligible.[5]
The band had pre-planned to release the song later which turned out to be on 26 December 2005, where it reached #14 in the UK Singles Charts, #15 in the US Modern Rock chart and top 40 in the Netherlands, Italy and Ireland.[6]
The song is featured as part of the FIFA Manager 06 soundtrack.
Music videos[edit]
There are three different music videos for the song.
Original version[edit]
Directed by James Shanks
This is the original video which has Hard-Fi's boss "Mr. Big" telling the band that "the reason you boys are so skint is the record company hasn't paid us." He orders them to steal the tapes from a courier at Heathrow Airport. The band, wearing masks of political figures such as Queen Elizabeth II and Tony Blair, end up mostly fighting each other, while lead singer Archer discovers the case believed to hold the tapes. He is then held at gunpoint by the courier, but saved by the other three band members, guitarist Ross Phillips, drummer Steve Kemp and bassist Kai Stephens, who jump on the courier and take the case. The band cover him with Silly String and take the case to a hideout to discover that it contains only the courier's lunch. Archer then exclaims "Oh knickers!" and the others shake their heads in disappointment.
The video is interspersed with shots of the band playing in a field near an airport as large planes fly overhead. It contains a sly reference to their idols the Clash: during the performance in the field, Archer pulls a mask off of Stephens' face - in the video for "Rock the Casbah", when Joe Strummer reveals guitarist Mick Jones' face.
Archer explains that "The budget was less than £1,000. The whole budget was pizza, beer and world leader masks. The rest was favours from friends, but for the second one we had much more money. When we made that single we weren't signed to a major label yet but a small independent (who we're still signed to but have licensed to the major). So we had no money, we'd made this little mini-album for just £300 in a lock-up in Staines on a moldy old laptop that kept crashing. And we thought we needed a single and a video for it. But we had no money. A mate of mine was pretty good with a camera, and we decided to make a Heist movie, because we'd seen a documentary about a heist and the U2 "Beautiful Day" video - obviously that was done with CGI graphics and hundreds of thousands of pounds, but we thought 'Let's use our brains, our resources, what's round us. We live right underneath Heathrow Airport, let's go and do it for real.' So, we scouted the area, worked out which way the planes were flying, and got up early one morning, got the gear over the fence, set up and assessed the risks: Best case scenario, we could get away with it - unlikely; or we could get moved on, that wouldn't be so bad; arrested - tricky; or shot - dead. That's pretty bad. But we were there for about half an hour. The security must have seen us with all this gear, playing a gig at the end of the runway and thought we must've had permission. The hardest bit was we had a portable stereo playing the track to mime along to, which sounded loud in the room but outdoors with a 747 going over your head and the ground shaking you can't hear anything. So, if you look carefully we're all out of sync. And then we'd gone by then. I love it when a plan comes together."[7]
"We were trying to make an impressive looking video with no money. And of course, the airport's on our doorstep so we thought we'd use it. The guy who was directing it went into the visitors centre and said 'I'm moving into the area. Can you tell me where the planes will be coming in tomorrow cos I want to know how they relate to the house I'm buying.' So we found out which way they were coming in, got the gear over the fence and set it up thinking that any minute now, we'll be out of here and it will be all over. But I think the people who saw us - a band set up and playing music - though they must have permission otherwise it's too ridiculous, so they left us to get on with it. So we got what we needed then quickly got out of there."[5]
ATM version[edit]
Directed by Dougal Wilson
This is the second video made, but is the one most often used on television. This due to that many channels would not play either of the other two as they feature too much illegal activity.[8] This video is a more literal interpretation of the lyrics of the song (for example, Archer using a mobile phone while singing "I try to phone a friend - my credit's in the red"). It also shows the interior of a cash machine staffed by miniature humans, including the four band members, who are working in conditions akin to coal mines. The images are similar to the Fire planet from season 3 of the science fantasy television series Lexx. The video shows these people involved in all steps of making the money, from cutting down the trees used for the paper, to painting the money, to pushing it through the slot when someone requires it. The workers finally rebel, and destroy the interior of the machine in a series of explosions. Life-sized Archer comes to the machine shortly after these events and, finding a message declaring the machine out of service, again proclaims, "Oh knickers!"
Dougal Wilson, the director of the video, is also known for directing "Fit But You Know It" by The Streets, "Dream" by Dizzee Rascal, "Life in Technicolour II" by Coldplay and "Tribulations" by LCD Soundsystem.
Alternative version[edit]
Directed by Ben Crook
The third video is an X-rated version of the video which the band put up as a download for mobile phones and is still available on iTunes. The video follows a ten-pound note through several owners. It begins with Archer getting the note from a cash machine and giving it to a friend. The friend uses it to buy a beer. The bartender keeps the note in his back pocket and puts it toward buying drugs. The drug dealer collects money from a man on the street and gives the note as change. The man's wallet is pinched by a woman and given to another man, who takes the note from and takes it into a stripclub. A stripper's breasts are pixelated after she takes off her bra and the man holds the note out in front of her, begging her to go fully naked. The stripper takes the note, but it is taken from her by the club owner. He accidentally drops it in the alley behind the club, where it is again found by Archer. After examining it for a few seconds, he walks off with it and the video ends. Archer is the only Hard-Fi member to appear in this video.
Archer said, "When you first buy a mobile phone what's the first thing you do? Most of the traffic on mobile phones is obviously pornography, and we're just filling the niche between pornography and music, put them together and there you find the alternative Cash Machine video."
Track listings[edit]
Original release[edit]
- "Cash Machine"
- "Sick Of It All"
- "Cash Machine" [Old Video]
- "Cash Machine"
- "Cash Machine" [Acoustic]
- "Cash Machine"
- "Cash Machine" [Roots Manuva Dub]
- "Cash Machine" [New Video]
- "Cash Machine" [Old Video]
- "Cash Machine" [Making Of New Video]
Cash Machine - EP[edit]
- "Cash Machine"
- "Tied Up Too Tight"
- "Sick of It All"
- "Seven Nation Army" (The White Stripes cover)
Cash Machine has been listed for 12 weeks on the UK Singles Chart, 4 weeks in the Germany Singles Top 100 3 weeks in the Italian Top 50, 2 weeks in the Irish Top 50 and 1 week in the Swedish Top 60 . It entered the UK singles chart at #14 on 3 January 2006.
Chart (2005) | Peak position |
UK Singles Chart[6] | 14 |
US Modern Rock[9] | 15 |
Italian Singles Chart[10] | 25 |
Dutch Top 50 | 35 |
Ireland Singles Top 50[6] | 39 |
Sweden Singles Top 60[6] | 60 |
Germany Singles Top 100[6] | 75 |
Alternative covers[edit]
- ^ http://itunes.apple.com/gb/album/cash-machine-single/id341531478
- ^ 2005 Music Review of the song
- ^ Lyrics of the song "There's A Hole In The Bucket"
- ^ Will tied up to tight chart? Note: Drummer Steve Kemp confirms the information in this topic under the name "Steve-fi".
- ^ a b c Clash and burn with Hard-Fi
- ^ a b c d e Hard-fi - Cash Machine
- ^ Hard Fi Interview - INTERVIEWS - I Like Music
- ^ Hard-Fi : Media
- ^ US Modern Rock
- ^ "Classifica Mix & Singoli" (in Italian). Federation of the Italian Music Industry. Archived from the original on 6 May 2006. Retrieved 26 May 2012.
External links[edit]
- Cash Machine at Discogs
- "Cash Machine" original video on YouTube
- "Cash Machine" official video on YouTube
- Full lyrics of this song at MetroLyrics


text:
Big Bang Blue Daesung
Happy birthday to Big Bang"s Daesung
Full Name: Kang Dae Sung
Nickname: D–Lite (Delight)
Label: YG entertainment
Group: Big Bang
Position: Main Vocal
Birthday: April 26, 1989
Height: 178 cm
Weight: 63 kg
Blood Type: O
Religion: Christian
Education: KyeongIn High School
Languages: Korean, Japanese. ... Read more
BIGBANG's Daesung Successfully Wraps Up Solo Japanese Tour, + Reveals to Return with Big Bang
BIGBANG's member, Daesung, has sucessfully wrapped up his Japanese solo tour and encore concert on February 11th!
Holding concerts in Tokyo on January 31st and February 1st, as well as at the Osaka Jo Hall on February 10th and 11th, Daesung met with local fans with a new show, singing his latest songs from his first original album D′s Love at his encore tour.. ... Read more
Big Bang's Daesung Captivates Hearts Of 26,000 Japanese Fans With Encore Concert
BIGBANG's Daesung has captivated the hearts of Japanese fans with a sucessful concert in eight cities.
After successfully completing his solo arena tour D-Lite DLive 2014 in Japan D'slove in 2014, gathering 170,000 fans to 15 concerts in eight cities, Daesung launched the encore concert Encore!! 3D Tour [D-Lite DLive D'slove] on January 31 and February 1 in Yoyogi National Gymnasium.. ... Read more
UNIQ perform Big Bang"s "Blue"
Rookie group UNIQ cover Big Bang"s popular song Blue during their promotion in Taiwan, check out their performance below
... Read moreBig Bang"s Daesung (D-Lite) drops Japanese PV for his trot song "Look At Me, Gwisun"
Big Bang"s Daesung, who previously announced his upcoming Japanese mini-album "D-LITE", is giving fans an earlier treat with the PV for one of the tracks!
As mentioned before, this new trot genre mini-album "D-LIGHT" includes the Japanese versions of some of his Korean songs, such as "Look At Me Gwisun". The PV is for this track and it"s definitely sure to brighten up your day with some special surprise appearances! . ... Read more
Big Bang"s Daesung thanks fans for taking his "D"slove" album to #1 on the Oricon chart
Big Bang"s Daesung thanked fans for taking his latest Japanese solo album "D"slove" to the top of the Oricon daily album charts!
Daesung tweeted through the YGEX (YG Entertainment and AVEX) on July 16, "Because of you all, my album ranked in at #1 on the Oricon daily album chart," along with the photo of himself looking obviously overjoyed above. . ... Read more
Big Bang's Taeyang and Daesung to perform at NHK's "Music Japan"
Big Bang's Taeyang and Daesung will be making their first joint appearance on NHK's "Music Japan."
Last June 28th, YG Entertainment announced that the Taeyang and Daesung will be performing their own solo tracks on the show, which will be held at Tokyo Shibuya's NHK Hall on July 21st. . ... Read more
Big Bang's Daesung unveils Japanese short-version MV for 'Rainy Rainy'
Daesung (D-LITE) has unveiled a short music video for their upcoming Japanese release, "Rainy Rainy"!
The new track is a delightful ballad which taps into his fans" romantic sides, with a beautiful acoustic background which couples nicely with Daesung"s softer side. . ... Read more
Big Bang's Daesung reveals album jacket photos and track list for Japanese release 'D'slove'
With only two weeks until its release on July 16, Big Bang"s Daesung, who goes by D-LITE in Japan, revealed the jackets and track list for his Japanese album "D"slove".
SEE ALSO: [Album Review] GOT7 – "Got Love" . ... Read more
Big Bang's Daesung unveils official album covers for upcoming Japanese album, "D'slove"
Big Bang's Daesung continues his impressive streak in Japan and reveals the official album cover for his upcoming album, "D'slove."
On June 26th, YG Entertainment official released the official album cover and track list for "D'slove," unveiling Daesung's dramatic and edgy transformation. It was stated that Daesung actively participated in the production of this new material and involved himself in writing the lyrics for his tracks. . ... Read more


text:
Earn and learn at AEP, one of the nation's largest electric utilities. As a college co-op or intern, you'll have the opportunity to work alongside experienced professionals in your career area.
"The AEP Co-Op program is very unique ... it's one of the most unique in the nation. You get to physically do engineering. When you start with AEP, they give you a project and you take it from start to finish. I have so much potential for growth and the opportunities are immense."
Engineer III and Former Co-Op Transmission Tulsa, Oklahoma


text:
A Morty's TV Showcard
Search Showcards
Back to Show Index
Webster Resources
Air dates and titles for all 150 episodes
In .wav format from SoundAmerica.com
"Former Child Stars: The Story of America's Least Wanted" by Joal Ryan
The IMdb has complete cast information on this show. Get TV Guide for 55% off the cover price, delivered to your door.
Get TV Guide for 55% off the cover price, delivered to your door.
Movies Features the Cast of Webster
See Alex Karras in this epic Western!
FM(1978) VHS Energetic, music-filled comedy about a progressive radio station that's about to go commercial and how the veteran DJs rally together to fight for its independence. The inspiration for "WKRP in Cincinnati," the film stars Martin Mull, Cleavon Little, Michael Brandon and Alex Karras, with concert appearances by Linda Ronstadt and Jimmy Buffet. 104 min.
Win, Place Or Steal(1979) VHS Russ Tamblyn, Dean Stockwell and Alex Karras carry out a scheme to get rich quick: use a para-mutual machine for betting at the racetrack. They're off and running, and you'll be chuckling all the way! AKA: "The Big Payoff." 88 min.
When Time Ran Out(1980) VHS An all-star epic of disaster and survival which finds a volcano and a tidal wave threatening a lush tropical island. Paul Newman, Jacqueline Bisset, William Holden and Ernest Borgnine star in this Irwin Allen production. 144 min.
Masada (Mini-Series)(1981) VHS Peter O'Toole is the Roman general ordered to crush the Jewish uprising in Israel; Peter Strauss the rebel leader fighting for freedom. Their last stand: the "city in the mountain" called Masada. A dramatic true story of courage and faith. Complete mini-series; 394 min.
Porky's(1982) VHS Gut-busting comedy about youthful shenanigans in 1950s Florida that follows a group of hormone-driven high school buddies to a rowdy bar named Porky's and through one wacky experience after another. Surprise box office hit stars Roger Wilson, Kim Cattrall, Scott Colomby, Dan Monahan; directed by Bob Clark. 99 min.
Victor/Victoria [DVD](1982) DVD Victor/Victoria(1982) VHS Sparkling musical comedy stars Julie Andrews as a would-be chanteuse in '30s France who finally obtains a break...by disguising herself as a female impersonator! James Garner, Robert Preston, Alex Karras, Lesley Ann Warren also star under Blake Edwards' direction. 133 min. Widescreen (Enhanced); Soundtrack: Engllish Dolby Digital 5.1, French; Subtitles: English, French, Japanese, Portuguese, Spanish;
Buffalo '66(1998) DVD Offbeat dark comedy from writer/director/star Vincent Gallo, who plays a newly-freed ex-con out to kill the Buffalo Bills player whose gridiron miscue got Gallo in trouble with loan sharks and landed him behind bars. Along the way, however, Gallo kidnaps Christina Ricci and convinces her to pose as the "wife" he's talked about to his dysfunctional parents. Ben Gazzara, Anjelica Huston, Rosanna Arquette and Mickey Rourke also star. 110 min. Widescreen (Enhanced); Soundtrack: English Dolby Surround; production notes; biographies; trailer.
Susan Clark Appears in this Titles: Coogan's Bluff(1968) VHS Madigan(1968) VHS Colossus: The Forbin Project(1970) VHS Valdez Is Coming [DVD](1971) DVD Skin Game(1972) VHS Showdown(1973) VHS Night Moves(1975) VHS Hair [DVD](1979) DVD Murder By Decree [DVD](1979) DVD Promises In The Dark(1979) VHS Real Life(1979) VHS The North Avenue Irregulars(1979) VHS Porky's [DVD](1981) DVD The Choice(1981) VHS Porky's(1982) VHS Porky's (1982)/Porky's II: The Next Day [DVD](1983) DVD
Mistakes? Omissions? Drop me a line: Click Here
Copyright © 2013 MKH Industries - Mount Laurel, NJ USA. All rights reserved.


text:
Couches of the world, prepare for young Doctor Who fans around the globe to hide behind you next month – all at the same time. The BBC announced today that on Nov. 23 it will simulcast the beloved science fiction show's special 50th anniversary episode, "The Day of the Doctor," in at least 75 countries, including the U.S., where it will be shown on BBC America. Meanwhile, details of 3-D screenings in select cinemas here will be announced in the coming weeks.
"The Doctor has always been a time traveler – now he's traveling time zones," Doctor Who executive producer Steven Moffat said in a statement. "On the 23rd of November, it won't be the bad guys conquering the Earth – everywhere it will be 'The Day of the Doctor!'"
"The Day of the Doctor" stars current TARDIS-dwellers Matt Smith and Jenna Coleman together with previous occupants David Tennant and Billie Piper, as well as sci-fi icon John Hurt.