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Here are some tips from the National Weather Service on how to stay safe during a tornado.
- The safest place to be is underground like in a basement.
- If you don't have a basement: A small, windowless interior room or hallway on the lowest level of the sturdy building is the safest alternative.
- Mobile homes are not safe during tornadoes. The National Weather Service says you should abandon mobile homes and get to the nearest sturdy building you can find.
Being outside in severe weather is never a good idea, but if you get caught outside and can't find shelter you should:
- Get back into your car and buckle you seat belt.
- Drive to the closest sturdy shelter.
- If debris starts flying around while you are driving pull over and park.
- Stay in your vehicle with your seat belt on.
- Try to get your head below the windows and cover it with your hands and a blanket if you have one.
For more tornado safety tips clickhere
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More DoingExplore the ultimate in know-how for all your home improvement project needs.
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Quick Tips: Grill Cleanup Made Easy
Hate removing stuck-on food and grease from your barbecue grate? This video provides a time-saving tip for keeping your grill spotless.
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Give your old deck a fresh new look, or finish your new deck, by applying a stain that will also protect the wood from discoloration.
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The least expensive way to start a lawn is by seed. Starting a lawn from seed is a snap, especially on an area that is relatively flat.
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The next generation of widebody business jets is coming, and not a moment too soon. The cabins in the current fleet-once outfitted with the latest technology and considered luxurious-are really starting to show their age.
December 1, 2010
For terrorists and other criminals, there must be few targets more inviting than high-net-worth individuals who fly privately. Which countries are safe? "None," according to Edward L. Lee II, author of Staying Safe Abroad: Traveling, Working and Living in a Post-9/11 World. Lee knows what he's talking about, having spent 30 years with the U.S.
December 1, 2010
Gulfstream acquired the super-midsize G200 when it bought Galaxy Aerospace in 2001. The aircraft offered a unique value because its ovoid fuselage actually allows for more headroom than a full-size Gulfstream GIV (with a tube that is only two inches narrower), seating for eight to 10 passengers, true transcontinental range, a 45,000-foot ceiling and a top speed of Mach 0.85.
December 1, 2010
If you're new to the world of fractional shares, you may well be confused about how these deals work and about the terminology you're hearing. Here are the answers to some frequently asked questions.
How did the fractional-share concept get started?
December 1, 2010
When Bill Lear created the Learjet in the early 1960s, he envisioned a small, fast and simple airplane, a concept the marketplace embraced. His 20-series and the slightly elongated 30-series aircraft that followed sold briskly for more than 20 years, until long after he had left the company.
November 1, 2010
Sociologists talk about how societies throughout history have had varying tolerance for disparities of wealth. That is, the degree to which the economic gap can expand before the unwashed masses rise up and take down the well-scrubbed wealthy few. Think Marie Antoinette and the French Revolution.
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PLANETARIUM CEILINGS, gold-plated bidets and Louis XIV interiors may have fallen out of fashion for new Boeing Business Jets in this economy, but you can sum up the latest version of this private uber barge in one word: more.
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ALL TRANSPORTATION METHODS INVOLVE some risk, but corporate/executive business jets enjoy a stellar safety record, with only one fatal accident since 2007. That's according to statistics on U.S.-registered aircraft from Robert E. Breiling Associates, an aviation-safety research firm.
October 1, 2010
One of the big advantages bizav has over airline travel is your ability to get more done by hitting multiple stops in a single day. Now, thanks to in-flight Internet services such as Aircell's GoGo Biz, Inmarsat's SwiftBroadband and ViaSat's Yonder Broadband, you can do more on the way, too.
October 1, 2010
Options at the low end of the charter market-single-engine turbine and piston aircraft as well as VLJs (very light jets)-are expanding. That's good news if you've been priced out of larger jets, want to upgrade an automobile or airline trip without busting the bank or are looking to save money on short flights or when traveling without a large group.
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""[Bill Gates] has been historically one of my best supporters…One of my favorite e-mails he ever sent me…I proposed this crazy project. And he sent back this two-line response: 'This has got to be the craziest thing you've ever suggested. Please proceed.'" "
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adidas Barricade 6.0 Men's Shoe Review
Adidas Barricade. Ten years of success and renown. We could rehash the decade of Barricade history in detail, but odds are, it would be like watching an episode of "Seinfeld." Though the episode is classic and good, you probably already know the storyline. So I'll save you the history and get right to it.
The Barricade 6 is armed with a fresh look, yet is loaded with the same effective ammunition. From the support claws to the rock solid stability to the seemingly everlasting durability, this latest edition of Barricade continues to stick to its roots. The subtle changes include a softer feeling upper and less weight than the previous two versions. How will these changes affect what has become known as the "ultimate hard court tennis shoe"? Let's check in with our playtesters to see if they could put any holes (both figuratively and literally) into this seemingly impenetrable shoe.
Comfort - Score: 4.0
Our playtesters noticed a slightly different fit from the Barricade V, though they still felt the comfort was good after a brief break-in. Chris felt the break-in was worth the wait. He said, "It took me about a week of break-in before I felt the shoe start to flex and move with my feet. I never felt any discomfort during break-in and had no issues of poking or pinching, the shoes just felt a little clunky on the first few wears. Once the Barricade 6s started to break-in and move with my feet, as expected, it was worth the wait. The cushioning was great and they felt very comfortable. I'm now on my third pair, though I went up a half size after my first pair. This version does not fit me as well due to the width of the shoes. My feet were sliding forward and hitting the toe tip, which was really uncomfortable. Going up a half size and wearing two pairs of socks took care of this issue."
Reveling in the secure fit was Granville. He said, "If there was any more cushioning, it would not be a Barricade. At the first fitting I felt like there was a lot of material surrounding my foot (like putting my foot into a marshmallow). Heel cushioning is as plush as any shoe I can recall. The glove-like fit remains an irresistible draw for me."
Jason felt there should be two scores for comfort, stating, "This shoe should really have two comfort scores: before break-in and after. The first 3-5 times on the court the uppers felt rigid, but after those first few hours the entire shoe softened up. The cushioning was more than adequate, but I really had to dock it points because of the fit. The 6 seem to fit narrower than the Vs, especially in the toe box. I could feel my big toe rubbing against the edge of the shoe, causing blisters to form from time to time."
Anticipating a brief break-in was Spencer. He said, "I liked the comfort of the Barricade 6s in regard to how they fit my feet. One of the things they have in common with all the previous versions is the undeniable support. That being said, and again like previous versions, there is a brief period of necessary break-in because of the initial stiffness. After a few hours of wearing them around they were good to go for hitting. Because of how the arch sat in the right shoe I experienced a blister within the first couple of hits. One other nuance I experienced was my toes jamming into the front of the shoes when I stopped short, usually at the net to retrieve a drop shot. I even have a black toenail now to prove it! As I continued to wear them they did seem to mold to my feet, making them a definite 'go-to' preference."
Ventilation - Score: 3.7
Though the Barricade 6 didn't cause noticeable heat, there was room for improvement when it came to breathability. Finding the ventilation features to be a welcome benefit to the shoes was Chris. He said, "Ventilation was decent in these shoes. They have ventilation features throughout, and my feet never got overly hot. What I liked most was that the perforations fit nicely into the styling of the shoe while providing that performance benefit of allowing my feet to breathe."
Spencer felt the same, noting, "There was an ample amount of breathability in the Barricade 6. I've experienced better ventilation in less substantial shoes, but would choose the adequate ventilation in this shoe to get the same level of stability and support as provided by the Barricade 6."
Hoping for a cooler sensation was Jason. He said, "I know the uppers show plenty of perforations on the medial side, but I still felt the shoes would get hot on warmer days. Airflow just wasn't as noticeable as I anticipated by just looking at the shoe. I wish the tongue could've been constructed using a more breathable material."
Arch Support - Score: 4.3
There were differing opinions from our crew, but overall they felt the arches were indeed supportive. Needing some break-in for his low arched feet was Jason. He stated, "After wearing these shoes on court for a few hits, the arches wore down a bit and my arches were no longer getting sore while playing."
Spencer had some brief discomfort, saying, "I felt the arch support was a tad higher than medium. I didn't have any discomfort from the height and felt the support was placed in the right spot. However, like I stated in my Comfort comments, I experienced some friction in that area in the right shoe, causing a blister."
Granville said, "After so many years of playing with the standard foam layer insoles in all my tennis shoes, which offer little to no arch support, I now put in orthotic style insoles in all my shoes. With the Barricade 6 it was a must, as I found the thin foam layer insoles provided no arch support and little cushioning."
Feeling the arches were perfect for his feet was Chris. He said, "The arch support was a perfect fit for my medium height arches. The contour of the insole hit my feet in all the right places and my arches felt well supported inside the shoes. The shoes also feature an excellent mid-foot shank with the Torsion System. It seemed to push the flex point nicely under my toes to further help protect my arches. I have always been impressed with the arch support in the Barricade line and this latest version didn't disappoint."
Foot Support/Stability - Score: 4.5
It was no surprise, based on the Barricade history, that the support and stability shone through in this playtest. Jason raved about the support and stability, saying, "Both were top notch! However, I expected nothing less coming from a shoe with 'Barricade' printed on the side. I really felt like my foot was locked in, so there was no sliding around within the shoe. The Torsion System in the midfoot, along with the 3 claws in the forefoot, seemed to do a great job in preventing the shoe from deforming on side-to-side movements. I never once felt like my ankle was going to roll."
Playing with total confidence at full speed was Chris. He stated, "Moving side to side in the shoes, I found all the support and stability I've come to expect from a Barricade. The chassis just felt rock solid under my feet and inspired total confidence to go all out with my court movement. On sprints toward the net my feet would slide inside the shoes when stopping. This caused some discomfort, which I cured by going up a half size and by wearing two pairs of socks to fill out the width."
Granville felt he was between sizes, though still happy with the support. He said, "The sizing may be slightly off as I am a 10.5 normally but am most comfortable in the 11.0s in these Barricade 6s. That being said, I would be best served with two pairs of socks as I did slide around a bit without the second pair of socks. I cinched down the shoe to help, and while not perfect, it still beats about anything else out there."
After some brief break-in issues, the Barricade 6s settled in nicely according to Spencer. He said, "I was thrilled with the amount of support I got with the Barricade 6. The arches were supportive on my feet while the width was comfortably snug, keeping any side to side sliding inside the shoe to a minimum. On that note, though, I did experience my feet sliding to the front of the shoe when having to stop quickly when running forward. My toes jammed into the front of the shoes, causing discoloration of the nail on my right big toe. This didn't stop me from playing, but was slightly uncomfortable. Let me also note, that after two weeks of play, the shoes settled to my feet, which stopped the jamming issue. The side to side stability was excellent, as I've come to expect with Barricades. Like the last Barricade, this shoe provided me with confidence when planting and changing direction. Overall, I was pleased with the support and stability."
Overall Sole Durability - Score: 4.7
Adidas continues to do a stellar job maintaining durability without sacrificing performance in its Barricade line. The adiWEAR 6 outsole proved just as impressive. Chris gave top marks for durability, saying, "As far as the outsoles go, adidas offers a six-month durability guarantee. The Barricade has always been one of the most durable shoes on the market. This version lives up to that reputation. The outsoles of this pair are only just starting to show some wear. I had no durability issues and gave them top marks here."
Happy with the durability, but leaving room for improvement was Granville. He noted, "I offer a 4+ here as it remains one of the toughest tennis shoes on the market. In case you were wondering, I don't give 5s."
Jason was impressed with the long lasting outsole of this shoe. He marveled, "The words 'like a tank' come to mind. I wore these shoes on our gritty indoor court for well over 15 hours and I barely put a dent in them. As usual, the medial forefoot showed the most signs of wear and tear."
High expectations were met for Spencer, too. He said, "Like my other tennis shoes, the Barricade 6s showed the first signs of wear on the medial side of the forefoot, on the bottom, and under my big toes. The durability was exceptional, as usual, for Barricades. I was even more impressed with how durable they were considering the excellent traction. I don't normally expect such high marks in both areas of the same shoe."
Toe Durability - Score: 4.7
Only two of our testers drag their toes, but both were impressed with how well they held up.
Happy to not be able to penetrate the toe bumper was Chris. He said, "The toe durability was excellent and earned another 5 out of 5 from me. The tip and medial side of the toe are both protected well with the adiTUFF material, and it held up superbly. I have scuff marks all over the toes of the shoes, but I've not made a dent in the durability."
Granville had no problems, stating, "The toe area is tough. I had no issues here, with only scuffing in the most extreme cases of toe drag."
Traction - Score: 4.8
Our test squad was dazzled by the amount of grip they were getting on the hard courts. To be able to combine this amount of tack with so much durability was amazing. Jason was impressed with the gripping ability, saying, "It didn't take me too long to recognize the superb gripping ability of the Barricade 6. I had no issues with slippage when starting to run or changing directions. I had only a couple instances where I tried to stop when going from side to side that the shoe slipped slightly. But it was minimal and rare. It's like this shoe had built in anti-locking breaks! It performed very well."
Able to be aggressive and rely on the tack of the shoe was Chris. He said, "The traction was excellent in the Barricade 6.0. I was able to make really aggressive cuts, starts and stops, and I always had confidence the outsole was going to hook-up and provide the grip I needed. When coming to a quick stop there was just enough give in the shoe and the outsole to allow for a controlled, even stop. Top marks were given again here."
Granville found this outsole to be effective on all surfaces. He stated, "The multi-court thick herringbone pattern is my favorite outsole. Good and sticky. I've played on clay, grass and hard court successfully in the Barricades. This is obviously best suited for hard court, and it is a winner."
Finding no other shoe to top the Barricade's traction was Spencer. He noted, "The Barricade once again impresses with its traction on hard courts. Every iteration of Barricade I've played in has had excellent tack. I would say I haven't experienced better traction in a tennis shoe. That doesn't mean that others haven't come close to the traction, but the Barricade 6 is definitely at the top."
Weight - Score: 4.0
Impressively, the Barricade 6 came in lighter than the Barricade V without sacrificing stability and durability. The majority of our testers didn't notice their performance inhibited by the weight. Happy with the weight for a Barricade shoe was Chris. He said, "Considering all the support and durability these shoes offer, I thought the weight was very impressive. They are not the fastest feeling shoes on my feet when walking around, but the heavy feel goes away during play. I never felt the weight that was there hindered my movement."
Jason had similar feelings, saying, "It is certainly not a lightweight shoe by any means, but it does feel lighter than the previous Barricades that I've worn. I wasn't too disappointed with the weight because I never expected it to be light. It is a Barricade, after all."
Spencer found the support and stability offset the heavier weight. He stated, "Though this is still considered a heavy shoe, it has improved from previous versions. That said, I didn't feel the weight to be a hindrance with speed, whatsoever. If anything, the stupendous support and stability only added to my efficiency when it came to movement."
Granville thought the weight was a tad on the heavy side, saying, "My cut-off for a performance shoe is a pound per foot/shoe. These felt heavy when I took them out of the box. The size 11.0 shoes I wore weighed 17.5 ounces each."
Overall - Score: 4.3
The look changed, the weight was lighter, the uppers were softer. There was a slight difference in fit compared with the last version. Those were the things that differed from the previous two Barricades. However, the characteristics that define the Barricade were very evident. The Torsion System, along with the support claws, helped once again to provide undeniable support and stability. With the support and stability being top of the line, the Barricade 6 needed to offer traction to match. And deliver it did, by offering a seemingly never ending level of grip. Most impressively, the legendary Barricade durability was still there -- a testament to how good the adiWEAR 6 outsole material really is. All in all, when it came to performance, the Barricade 6 lived up to its heritage.
Chris - "I liked the comfort, support, traction, durability, ventilation and styling of the shoes. For this review I wore the black version and got lots of compliments when wearing them. Simply put, these are bloody good shoes."
Granville - "Heel cushioning is a standout benefit here. Great outsole, traction, and improved ventilation."
Jason - "The stability, durability and traction stood out the most for me."
Spencer - "The solid, supportive feel made for a very sturdy shoe."
Chris - "Just the jamming of my toes into the end of the shoes, but I fixed that by adjusting my size choice."
Granville - "A bit roomy in the forefoot width wise for my medium width feet, but I also went up to a size 11 for a better length fit and usually wear a 10.5."
Jason - "I have a wide foot and the forefoot did not fit my foot shape well, as it felt narrow. I would've also liked a bit more ventilation."
Spencer - "The break-in period."
Comparing the Barricade 6s to other shoes our testers have worn they said:
Chris - "Although I was seriously impressed with this shoe, I still prefer the previous Barricade. This shoe performed better in every category except fit. However, fit is such a huge deal, I'm willing to overlook the performance and style of this one to go with the Barricade V. This is a great shoe, but the previous version is good enough, and the better fit keeps me loyal."
Granville - "It remains a standout tennis shoe; the standard of performance, in my mind. Really, nothing else comes closer to my preferences than the Barricade."
Jason - "It still feels like a Barricade shoe because it is so durable and so stable. But the fit has become narrower, especially in the forefoot."
Spencer - "Most comparable to the previous two versions of Barricade, the V and IV, the 6 offers tremendous support and stability with excellent traction. I felt the break-in time was shorter, though I did experience my toes jamming into the front of the shoe when having to stop short. I didn't have that with any of the previous versions. Once the break-in was over, these became my favorite of all the Barricades."
- Durability
- Stability
- Traction
- Fit is different than previous Barricades
- Break-in Time
Adidas Barricade Mens's Shoe | |
Comfort | 4.0 |
Ventilation | 3.7 |
Arch Support | 4.3 |
Foot Suppot/Stability | 4.5 |
Overall Sole Durability | 4.7 |
Toe Durability | 4.7 |
Traction | 4.8 |
Weight | 4.0 |
Overall | 4.3 |
Playtester Foot Types:
Granville - Narrow width, low arch
Jason - Wide width, low arch
Spencer - Medium width, medium arch
Chris - Narrow width, medium arch
Review date: September 2010. If you found this review interesting or have further questions or comments please contact us.
All content copyright 2010 Tennis Warehouse.


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Photos by Angela Hess Geddes
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Real Medicine Foundation in Turkana, Kenya: A Documentary
Our new 15 minute documentary film covers both the history of Real Medicine and highlights our medical and relief work in Turkana, Kenya. This film features incredible on the ground footage of our relief efforts in Turkana, footage of our founder Dr. Martina Fuchs in action, and an interview with New York Times author Jeffrey Gettleman whose article inspired our work in Turkana. A very special thanks to the whole RMF production team, but especially George Papuashvili, who tirelessly donated both his time and talents to producing this moving documentary for RMF. Remember to have your YouTube viewer set to High Definition to enjoy this film as it was meant to be seen.
High Definition Video: http://www.youtube.com/user/RealMedFoundation


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Spring Garden - Solid
Stylish solid bamboo flooring is offered in both horizontal and vertical cane cuts in the Spring Garden collection from Springwood bamboo. Their 6' planks are available in both natural and carbonized styles, and each are coated with 8 layers of the UV cured finish available. If you're looking for a floor that will last and is very easy to maintain, while also timeless, bamboo flooring in this collection will suit you well.
Spring Garden Collection
Other Springwood Collections include... |
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Sale Price: $3.29 /SF


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Welcome to Anime-Forums.com - Piercing the heavens, GIGA-A4-BRREKKAH
The second season of laser space vampire high schoolers piloting suicidal mechs against space-nazis and space-USA.
Ryuko is searching for her father's murderer, her only clue half of a pair of giant scissors. She transfers into Honnoji Academy, a dystopian high school ruled by the student council who possess Goku Uniforms; uniforms imbued with super powers.
A reboot/retelling of the original Pokemon game, featuring Red and Green as the protagonist and rival. Much grittier and truer to the Pokemon manga Adventures in tone and direction.
A pair of high schoolers, a half youmu boy and a girl who can wield blood magic, wind up involved in super natural events occurring in their town.
Long awaited new season of the well-known anime and manga, about a young boxer named Ippo rising up through Japan's ranks, as he aims for a match against his rival, Miyata.
The Dandiest Man in Space, Dandy, is an alien hunter searching for undiscovered species with his robot assistant QT and a cat alien named Meow.
Boogity boogity booooo!
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Pittsburgh Pirates Gear
Pittsburgh Pirates Kids
Pittsburgh Pirates Kids Newborn & Infant
(53 items)
Product ID: 816315
Main Content
This item ships within one business day.
Order as many items as you like with our $4.99 flat rate shipping.
Need it faster?
Your little fan can't get enough of that black and gold! Dress your little one in vibrant team colors with this French terry-lined hoodie and pants jog set from Majestic. The full zip hoodie jacket features an embroidered team logo on the left chest, and contrast color panels on the sleeves, hood and pocket trim. The pants also feature a team logo that's embroidered on the upper left leg and contrast panels on the sides to get your little Pittsburgh Pirates fan pumped about the game!
- 100% Cotton fabric
- Elastic waistband
- Full zip jacket
- Imported
- Officially licensed Pirates jog set
- Quality embroidery
- Rib-knit cuffs & waist
- Two pockets on jacket & pants
Pirates Customers also liked:
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or event. These are advanced sale items and will ship immediately after they are
received in our warehouse.
Manufacturer direct items are shipped directly from the manufacturer. These items
are not available for international or expedited shipping.
Customized items can be personalized with options such as your name, your favorite
number, and/or designs. Some options may be limited by league rules.


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Order must total $75 after discounts and not including customization. Excludes team orders, items with extra freight & shipping outside the contiguous US. Not valid on previous purchases. Expedited shipping additional. Expires 7/01/15 at 11:59 PM ET.
Represent the Tar Heels in comfort and style! This super soft T-shirt from Nike has North Carolina graphics screened on the front, and UNC's logo on the left sleeve. 50/25/25 polyester/cotton/rayon.


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Need Help? Please Call: 800-718-5365
Home » Shop by Price » $30-$50 » Chomp & Clack Alligator Push Toy with FREE Peek-a-Boo Panda
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1+ year(s)
Item # : 133042
Price: $57.99 $49.99
What do you get when you combine three alligators and a panda? A value-priced toy duo that nourishes developmental skills in a menagerie of ways! The sturdy push toy features three wooden alligators that take turns chomping with every step, encouraging walking and discovery in a playful way. Then kids can take a load off to explore the wooden panda toy, whose paws flap up to cover his cheerful face with a click and clack . . . then fold down to play peekaboo!
Dimensions: 11.75" x 15" x 15" Assembled
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Mazda RX-8 Performance Parts : Bargain Bin
Universal Cylinder Presilencer :: 6" OD Presilencer with a 3" IDFor custom exhaust applications we offer our universal 3" inlet Power Pulse Presilencer unit. The fully stainless steel presilencer features an internal 3" OD perforated stainless steel core surround by both a combination of stainless steel wool... |
Bargain Bin Terms and Conditions
The parts listed in the Bargain Bin are gathered from the far corners of the Racing Beat warehouse. Many of these items are prototypes, blemished products, slightly used, demos, discontinued parts, etc. While many of these items cannot be sold as new, they are all functional products. Check back for updates to this list, parts will be added when they become available.
Here are the terms and conditions for the sale of these items:
- Each item is offered on a first come basis. These are one-of-a-kind items and quantities are limited.
- Product is sold in the stated condition. Every attempt has been made to clearly state the condition of each item. Contact us for a more detailed description of the condition of the bargain product you are interested in.
- No returns, no refunds, no sales to Racing Beat Dealers. All sales are final. If you have a question regarding a particular part that is shown, call us prior to ordering the part at 714-779-8677.
- Attempts are made to keep the Bargain Bin listings current, but it is possible that a part shown may be no longer available. If you place an online order for an out-of-stock item, you will be notified via telephone or email at our earliest convenience.


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Neon and Spikes
Add a punch to your project this season with colorful neon trims and metal spikes! Browse our incredible selection of neon grosgrain ribbons, sequins, sew-ons, feather trims, buckles, and more. Discover our metal spikes in silver, gold, and black in a variety of sizes. Need the notions and supplies to bring it all together? No problem! We've got those too.
assorted. acrylic sew-on jewels
From $8.98 -
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1 3/8" (33mm) greek key jacquard
From $5.91/Yard


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Written by Mike Swofford Thursday, 06 January 2011 13:51
Some of the rank and advancement patches and insignia available for purchase in the Scout Shop are restricted. This means that they cannot be purchased freely by the general public and some evidence of achievement is required for them to be obtained. With the hard work and commitment that go into earning these Scouting achievements, it is important that some control be put on their purchase to protect their value for those that have earned them.
Last Updated on Tuesday, 06 November 2012 20:45Written by Mike Swofford Wednesday, 06 October 2010 02:21
Last Updated on Wednesday, 31 July 2013 15:14Written by Mike Swofford Wednesday, 06 October 2010 02:11
Can't make it to the Scout Shop? All of the items available in the Scout Shop can be ordered right from the comfort of your own home!
Call the Dan Beard Scout Shop today for fast delivery. Most orders ship with next day delivery for the Tri-State Area!
Last Updated on Tuesday, 06 November 2012 20:32Written by Mike Swofford Wednesday, 06 October 2010 01:47
Dan Beard Scout Shop
10078 Reading Road
Evendale, OH 45241
Phone: (513) 961-0500
Fax: (513) 961-2069
Page 1 of 2


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The original deal pioneer keeps on pinching pennies and cracking wise. No, that price isn't a typo.
Go to Woot
Candlepower and puppet shows are so passé. Get the newest TVs, speakers, home theater gear, and more.
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Make it, build it, improve it. But whatever home project you've got in mind, start by saving money on it.
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They say public transportation is better for the environment, but I'm not sure I want to be in any environment where that thing lives.
HA!!!!! A big laugh for a big guy. This is the sort of color mix that really works on silver.
He's got a ticket to ride, he's got a ticket to ride, but he don't care...
Throw on a few horns and I can see this guy being in "Where the Wild Things Are".
Had to take the classic Routemaster, even, didn't ya?! GAH!!!
That suit looks itchy!
In a weird way...I love this shirt. Maybe it's the slight nostalgia derived from the "Where the Wild Things Are" resemblance.
The dots on the skin remind me of Shel Silverstein's style.
Is it just me, or does that thing remind anyone else of Woody Allen?
That's a really cool shirt idea... but the fact that it's a double-decker bus -- uncommon in the United States -- makes me hesitate to buy it.
Reminds me of one of those NYC Hop On, Hop Off tours. I can just hear the bus driver saying "And if you look to your left, you will see the hairy armpit of the Mega Hipster of Brooklyn"
oooooooooooh....I get it!
Where I come from, you need to be wearing pants to catch the bus
CONDITION: Late
Finally, woot admits it.
Very similar to this one: http://www.theshirtlist.com/i-hate-taking-the-bus-to-work-t-shirt/
Wow, this design has some hair.
hey ... thank you all for the nice comments ... i really hope you enjoy my design...
Silverstein? I think it's more like Maurice Sendak. Both great, though.
"I'm not Victor - Victor was my Nerd Name. Now I'm Vector! Oh yeeeeeah!!" I like it. This design is lots of fun.
I enjoy a good stippling.
Is it just me or does it seem the woot pun writers sometimes are in cahoots with the woot tee color pickers?
I think I dated this guy in high school
I've sat next to this guy on the train, glad he's taking the bus now.
specsmachine wrote:I enjoy a good stippling.
This, this is a QuiP of literary proportions. ref: Do you like Kipling? I don't know you naughty boy, I've never Kippled
I love it! Amazing style Jott, congrats!
Is he wearing a grey flannel suit?
really cool design! is there a way to buy some of your other work?
This looks like a relative of The Thing that Scoots. Those two ought to hook up!
deadhippo wrote:Very similar to this one: http://www.theshirtlist.com/i-hate-taking-the-bus-to-work-t-shirt/
My thoughts exactly! I saw the thumbnail and thought perhaps Hector had redone his artwork...
"When I catch the bus, I really catch the bus." MST3K reference ??
Hipster monster was taking the bus before it was cool. Nice work Jott and nice use of colors.
jhgalvas wrote:Throw on a few horns and I can see this guy being in "Where the Wild Things Are".
My first thought at seeing it was it looked like Bill Gates had been assimilated by "Where the Wild Things Are". My second thought was that I had to have that backwards and Microsoft must have assimilated THEM.
[Wear this shirt: so that hairy, barefoot guy on the bus doesn't feel so alone.]
Well, I'm hairy and often barefoot and sometimes ride the bus...but I'm pretty sure you don't mean me. I do have that all-over body sweater thing going on, though, so I can't really be sure.
asonnenb wrote:really cool design! is there a way to buy some of your other work?
yes off course ... just contact me ... by [Mod: PM, please no posting emails!]
Go Darmstadt! My family is from there! A quarter of my family still lives there!
Hi i need this shrit!! BUT i have no creditcard. anyone who can pay for me, i will send the 15$ from my girokonto to yours. shippingadress is (NO NO NO addresses! PMs for this, please! - Mod) würde mich freuen wenn sich jemand meldet. grüße tobias
FishyFred wrote:That's a really cool shirt idea... but the fact that it's a double-decker bus -- uncommon in the United States -- makes me hesitate to buy it.
My university has a few of these familiar buses!
I work for a bus company that drives vintage double deck buses in service. I am wearing this shirt to work all the time.
First Day Sales: 429
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Class Title: | Breast Cancer Support Group - Health Center: Newtown Square |
Selected Date: | Tuesday, May 19, 2015, from 6:30 PM to 8:00 PM |
Upcoming Dates: |
Description: | This is a general group for those who have been diagnosed with breast cancer.This is a great opportunity to receive information and support through group discussion, facilitated by our dedicated oncology social worker and oncology nurse. Registration is required. Note to newcomers: Please call ahead to confirm the meeting is occurring as scheduled.
Location: Bryn Mawr Hospital Health Center, Cancer
Center |
Location: | Bryn Mawr Hospital Health Center Cancer Center 3855 West Chester Pike Newtown Square, PA 19073 Get Directions |
Day | Week | Month | Search | Main |
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Business Continuity
Business continuity is critical to all organizations, from the SMBs to the largest enterprise, but solutions are complex and can be expensive. Symantec offerings for Data Protection and High Availability are deeply integrated with the capabilities of the VMware platform to provide business continuity solutions that protect and simplify your business.
Data Protection
With the rapid adoption of virtualization, data protection has become more critical than ever, and often more complex. Modernize data protection across both physical and virtual environments with advanced solutions from Symantec that are deeply integrated with VMware.
- NetBackup with V-Ray technology - unifies physical and virtual backup, deduplication, replication, snapshots, and appliances with support for VMware and other virtual environments
- Backup Exec with v-Ray technology delivers powerful and reliable backup and recovery for virtual and physical environments. It includes integrated high speed data deduplication in a single award winning solution designed for small to medium sized businesses and remote offices.
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Business critical applications like Microsoft Exchange, Oracle and SAP require high levels of performance and up-time. Virtualizing the application enables customers to improve performance and service levels, and solutions from Symantec help to ensure business continuity by automating your application recovery and failovers across physical or virtual environments.
- ApplicationHA - ApplicationHA provides high availability for business-critical applications through unique application visibility and control by integrating with VMware® HA, vMotion™, and Site Recovery Manager to manage and monitor hundreds of applications' health through VMware vCenter™.
- Cluster Server - Integrated with VMware to deliver automatic application failover without compromising vMotion functionality.


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Star Trek: The Original Series
Redirected from TOS
this wiki
(written from a Production point of view)
Star Trek (Original) Star Trek: The Original Series (Modern) | |
Abbr.: | TOS |
Created by: | Gene Roddenberry |
Studio: | Desilu |
Original network: | NBC |
Production dates: | 1966–1969 |
Original run: | 8 September 1966–3 June 1969 |
Episodes: | 79 (3 seasons), 1 unaired pilot |
Timespan: | 2254–2269 (counting "The Cage") 2265–2269 (not counting "The Cage") |
The USS Enterprise | |
The crew during the five-year mission | |
Star Trek: The Original Series (formerly called just Star Trek) is the first Star Trek series. The first episode of the show aired on 8 September 1966 on NBC. The show was created by Gene Roddenberry as a "Wagon Train to the Stars". Star Trek was set in the 23rd century and featured the voyages of the starship Enterprise. Star Trek was later informally dubbed The Original Series, or TOS, after several spin-offs aired. The show lasted three seasons until canceled in 1969. When the show first aired on TV, and until budgetary issues in its third season resulted in a significant drop in quality, Star Trek regularly performed respectably in its time slot. After it was canceled and went into syndication, however, its popularity exploded. It featured themes such as a Utopian society and racial equality, and the first African-American officer in a recurring role. Ten years later, Star Trek: The Motion Picture reunited the cast on the big screen aboard a refurbished USS Enterprise. They appeared in five subsequent films, ending with Star Trek VI: The Undiscovered Country in 1991, during production of the spin-off series Star Trek: The Next Generation and shortly before Gene Roddenberry's death. The series was also re-imagined with a new cast for a 2009 feature film of the same name.
- Main Title Theme (Season 1)file info (composed by Alexander Courage)
- Main Title Theme (Season 2-3)file info (composed by Alexander Courage)
"Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before."
Main castEdit
Also starring Edit
- Leonard Nimoy as Mr. Spock
- and DeForest Kelley as Dr. McCoy (1967-1969; co-star 1966-1967)
In addition, the following regulars were listed in the end credits as co-stars:
- James Doohan as Scott
- Nichelle Nichols as Uhura
- George Takei as Sulu
- Walter Koenig as Chekov (1967-1969)
- Majel Barrett as Chapel
- Grace Lee Whitney as Janice Rand (1966)
Production crewEdit
- Gene Roddenberry - Creator, Writer, Producer, Executive Producer
- Gene L. Coon - Writer, Producer
- John Meredyth Lucas - Writer, Producer, Director
- Fred Freiberger - Producer
- Robert Justman - Associate Producer, Co-Producer, First Assistant Director (two pilots)
- Steven W. Carabatsos - Writer, Story Consultant
- D.C. Fontana - Writer, Script Consultant
- Arthur H. Singer - Story Consultant
- John D.F. Black - Associate Producer, Writer, Story Editor
- Byron Haskin - Associate Producer (first pilot)
- William E. Snyder - Director of Photography (first pilot)
- Ernest Haller - Director of Photography (second pilot)
- Jerry Finnerman - Director of Photography (61 episodes, 1966-1968)
- Keith Smith - Director of Photography (1 episode, 1967)
- Al Francis - Director of Photography (16 episodes, 1968-1969), Camera Operator (61 episodes, 1966-1968)
- Walter "Matt" Jefferies - Production Designer, Art Director
- James Rugg - Supervisor of Special Effects
- Rolland M. Brooks - Art Director (34 episodes, 1965-1967)
- Fred B. Phillips - Make-up Artist
- Robert Dawn - Make-up Artist (second pilot)
- William Ware Theiss - Costume Designer
- Gregg Peters - First Assistant Director, Unit Production Manager, Associate Producer
- Claude Binyon, Jr. - Assistant Director (third season)
Episode listEdit
- List of TOS episodes by airdate
- List of TOS remastered episodes by airdate
First pilotEdit
Title | Episode | Prodno. | Stardate | Original Airdate | Remastered Airdate |
The Cage | 0x01 | 6149-01 | Unknown | 1988-10-04 | 2009-05-02 |
Season 1Edit
TOS Season 1, 29 episodes:
Season 2Edit
TOS Season 2, 26 episodes:
Season 3Edit
TOS Season 3, 24 episodes:
Behind the scenesEdit
Star Trek was created by Gene Roddenberry, whose interest in science fiction dated back to the 1940s when he came into contact with Astounding Stories. Roddenberry's first produced science fiction story was The Secret Weapon of 117, which aired in 1956 on the Chevron Theatre anthology show. By 1963 Roddenberry was producing his first television series, The Lieutenant, at MGM.
In 1963, MGM was of the opinion that "true-to-life" television dramas were becoming less popular and an action-adventure show would be more profitable (this prediction turned out to be right, and led to series such as The Man from U.N.C.L.E). Roddenberry had already been working on a science fiction concept called Star Trek since 1960, and when he told MGM about his ideas, they were willing to take a look at them. As the production of The Lieutenant came to an end, Roddenberry delivered his first Star Trek draft to MGM. The studio was, however, not enthusiastic about the concept, and a series was never produced.
Roddenberry tried to sell his "wagon train to the stars" format to several production studios afterward, but to no avail. In 1964, it was rumored that Desilu was interested in buying a new television series. Desilu was a much smaller company than MGM, but Roddenberry took his chances. This lead to a three-year deal with Desilu in April 1964.
The first attempt to sell the Star Trek format to broadcasting network CBS (Desilu had a first proposal deal with the network) failed. CBS chose another science fiction project, Irwin Allen's more family-oriented Lost in Space instead of Roddenberry's more cerebral approach. But in May 1964, NBC's Vice-President of Programming Mort Werner agreed to give Roddenberry the chance to write three story outlines, one of which NBC would select to turn into a pilot.
One of the submitted story lines, dated 29 June 1964, was an outline for "The Cage", and this was the story picked up by NBC. Now, the daunting task that Roddenberry and his crew faced was to develop the Star Trek universe from scratch. Roddenberry recruited many people around him to help think up his version of the future. The RAND Corporation's Harvey P. Lynn acted as a scientific consultant, Pato Guzman was hired as art director, with Matt Jefferies as an assisting production designer. This phase of creativity and brainstorming lasted throughout the summer, until in the last week of September 1964 the final draft of the "The Cage" script was delivered to NBC, after which shooting of the pilot was approved.
The first pilotEdit
In early October, preparations for shooting "The Cage" began. A few changes in the production crew were made: Roddenberry hired Morris Chapnick, who had worked with him on The Lieutenant, as his assistant. Pato Guzman left to return to Chile and was replaced by Franz Bachelin. Matt Jefferies finalized the design for the Enterprise and various props and interiors. By November 1964, the sets were ready to be constructed on stages Culver Studios Stage 14, 15, and 16. Roddenberry was not happy with the stages, since they had uneven floors and were not soundproof as Culver Studios had been established in the silent movie era when sound proving had not been an issue to consider. Eventually, in 1966, the rest of the series was shot on Paramount stages 9 and 10, which were in better shape.
Casting of the characters was not a problem, apart from the lead role of Captain Pike (still known as "Captain April" at this point, later renamed "Captain Winter" before finally choosing "Pike") which Roddenberry convinced Jeffrey Hunter to play. Leonard Nimoy (Spock) had worked with Roddenberry on The Lieutenant. Majel Barrett, also a familiar face from The Lieutenant got the part of the ship's female first officer, Number One. Veteran character actor John Hoyt, who worked on many science fiction and fantasy projects before, was chosen to play the role of Doctor Phillip Boyce. Young Peter Duryea and Laurel Goodwin were hired as José Tyler and Yeoman J.M. Colt respectively. The extras were cast from a diversity of ethnic groups, which was significant because integration was not a usual occurrence in 1960s television, and segregation was still a reality in the United States.
To produce the pilot episode, Robert Justman was hired as assistant director; he had worked on The Outer Limits shortly before. Makeup artist Fred Phillips was brought in as well, whose first job it was to create Spock's ears. Another veteran from The Outer Limits was producer-director Byron Haskin, who joined as associate producer. On 27 November 1964, the first scenes of "The Cage" (or "The Menagerie," as it was briefly known), were shot. Filming was scheduled to be eleven days, however the production went highly overbudget and overschedule, resulting in sixteen shooting days and $164,248 plus expenses.
But there were still a lot of visual effects to be made. An eleven-foot filming model of the USS Enterprise, designed by Matt Jefferies, was built by Richard Datin, Mel Keys and Vernon Sion in Volmer Jensen's model shop, and was delivered to the Howard Anderson Company on 29 December 1964.
In February 1965, the final version of "The Cage" was delivered at NBC and screened in New York City. NBC officials liked the first pilot. Desilu's Herb Solow says that NBC was surprised by how realistic it looked, and that it was "the most fantastic thing we've ever seen." The reason the pilot was rejected was because it was believed that it would attract only a small audience, and they wanted more action and adventure. They also had problems with the "satanic" Spock and the female first officer (Number One) played by Majel Barrett. However, NBC was convinced that Star Trek could be made into a television series, and that NBC itself had been at fault for choosing the "The Cage" script from the original three stories pitched. Also, after spending $630,000 on "The Cage" (the most expensive TV pilot at the time) they didn't want to have their money wasted. NBC then made the unprecedented move to order a second pilot.
The second pilotEdit
For the second pilot, NBC requested three story outlines again. These were "Where No Man Has Gone Before" by Samuel A. Peeples, "Mudd's Women" and "The Omega Glory" by Roddenberry. Although it was the most expensive of the three, NBC chose "Where No Man Has Gone Before", as it had the most action and most outer space spectacle. However, the other two premises were also made into episodes of the series later.
Filming the second pilot began in July 1965, and took nine days to complete. The entire cast of "The Cage" was replaced except Spock. Jeffrey Hunter chose not to reprise his role as Captain Pike, mostly by the advice of his wife, who felt that "science fiction ruins her husband's career". Roddenberry wanted both Lloyd Bridges and Jack Lord for the role of the new captain, however both declined. Finally William Shatner was chosen, who had science fiction experience before, acting in episodes of The Twilight Zone and The Outer Limits. The new captain was named James R. Kirk (later renamed James T. Kirk).
For the role of the chief medical officer, Roddenberry chose veteran actor Paul Fix. Canadian actor James Doohan got the role of chief engineer Scott, and young Japanese-American George Takei was featured as ship's physicist Sulu. The latter two reprised their roles in the upcoming series. Other actors considered for being regulars were Lloyd Haynes as communications officer Alden and Andrea Dromm as Yeoman Smith, but neither of them were re-hired after the pilot.
Many of the production staff were replaced. Robert Dawn served as head make-up artist, however Fred Phillips returned to the position in the series itself. Academy Award winner cinematographer Ernest Haller came out of semi-retirement to work as the director of photography. Associate producer Byron Haskin was replaced by Robert Justman who now shared double duties as producer and assistant director.
The Enterprise model was updated for the second pilot, and many new outer space effects shots were made, which were mostly reused in the series itself. The sets were also updated a bit, most notably the main bridge and the transporter room. Uniforms, props and sets were mostly reused from "The Cage", however some new props (including the never-seen-again phaser rifle) and a brand new matte painting (planet Delta Vega) were made specially for this episode.
"Where No Man Has Gone Before" was accepted by NBC and the first season of a regular series was ordered for broadcasting in the 1966-67 television season. History was made.
The series beginsEdit
Preparation for the first regular season began in early 1966. All the Enterprise interior sets were updated, as well as the introduction of brand new uniforms. The look of the show became more colorful and more vivid. The Enterprise model was also updated once more. Also, the entire production was moved from Desilu's Culver City studios to the main Gower Street studio's Stage 9 and 10 (Paramount Stage 31 and 32 from 1967 onwards) in Hollywood.
Kirk (Shatner) and Spock (Nimoy) were kept as the series stars, with Grace Lee Whitney joining the two as Yeoman Janice Rand (replacing Andrea Dromm (Yeoman Smith)). Whitney worked with Roddenberry a year before on an unsold pilot titled Police Story. Publicity photos, promoting the new series were made at this time, with the three of them, mostly using props left from the two pilots (most notably the aforementioned phaser rifle). Shatner and Nimoy wore their new uniforms on these photographs, while Whitney had to wear an old, pilot version.
Scott (Doohan) and Sulu (Takei) were also kept, the latter becoming the ship's helmsman instead of physicist. Two additions made the Enterprise main crew complete: DeForest Kelley was hired to play the new chief medical officer, Leonard McCoy, as Roddenberry had known him from previous projects, including the aforementioned Police Story. Actress Nichelle Nichols got the role of communications officer Uhura, who became a symbol of the racial and gender diversity of the show. Nichols was a last minute addition, weeks before filming began on the first regular episode.
Jerry Finnerman became the new director of photography, while Fred Phillips, Matt Jefferies and Rolland M. Brooks returned to their former positions. Writer John D.F. Black was brought in as the second associate producer (next to Justman). While Roddenberry and Black handled the script and story issues, Justman was in charge of the physical aspects of production.
Filming of the first regular episode, "The Corbomite Maneuver" began on 24 May 1966. Finally Star Trek debuted on NBC with a "Sneak Preview" episode at 8:30PM (EST) on 8 September 1966. NBC chose "The Man Trap" (the fifth episode in production order) to air first, mainly because they felt it was more of a "traditional monster story" and featured more action.
The first seasonEdit
In August 1966 several changes were made in the Star Trek production staff. Roddenberry stepped down as line producer and became the executive producer. His replacement was Gene L. Coon, who also regularly contributed to the series as a writer. While Black had also left the series, story editor Steven W. Carabatsos came in, who now shared story duties with Roddenberry and Coon. To handle post-production, Edward K. Milkis was brought in by Justman. Carabatsos had left Star Trek near the end of the season, and was replaced by D.C. Fontana, formerly Roddenberry's secretary and a writer for the series.
- Gene Roddenberry wrote lyrics for the "Theme from Star Trek" in order to secure a partial writer's credit for the song. These lyrics were never recorded as part of the original theme song, and thus were never aired.
- Due to the overall length of the episodes of the original series, several minutes of each episode are usually cut during the show's re-runs, notably on the Sci-Fi Channel. Starting in April 2006, the G4 network began airing the full length episodes in "Uncut Marathons" on Saturdays. G4 stopped airing these full-length versions in November 2006, and has discontinued its run of Star Trek 2.0, which was a trivia-oriented and interactive version of the show for the viewers. For current airings see Where to watch.
- Star Trek inadvertently created a split infinitive in its opening tagline: "To boldly go where no man/one has gone before." This fact was memorably highlighted by Cambridge-educated sci-fi writer and satirist Douglas Adams who wrote in his Hitchhiker's Guide to the Galaxy that, "all dared to brave unknown terrors, to do mighty deeds, to boldly split infinitives that no man had split before, and thus was the Empire forged." The pilot episode of Star Trek: Enterprise, "Broken Bow", has Zefram Cochrane delivering that phrase without the split infinitive as "to go boldly." The English rule forbidding split infinitives appeared in the mid-19th century; however, modern reference books do not include this rule, and the "to boldly go" from Star Trek is a prime example of where a split infinitive is perfectly acceptable.
- The Original Series has been nominated for and won a number of awards over the years. Some of the awards include:
- The series was nominated for thirteen Emmy Awards during its run, but did not win any.
- It was nominated eight times for the "Best Dramatic Presentation" Hugo Award, sweeping the nominees in 1968. It won twice, and Roddenberry won a special award in 1968.
- The 2003 "Pop Culture Award" in the TV Land Awards.
- The 2005 Saturn Award for "Best DVD Retro Television Release."
- See the main article.
On 31 August 2006, CBS Paramount Television announced that, in celebration of the 40th anniversary of Star Trek, the show would return to broadcast syndication for the first time in sixteen years. The series' 79 episodes were digitally remastered with all new visual effects and music. The refurbished episodes have been converted from the original film to a high-definition format similar to that used on Star Trek: Enterprise.
Related topicsEdit
- TOS performers
- TOS recurring characters
- Main character crossover appearances
- Composers
- TOS directors
- Undeveloped TOS episodes
- Desilu Stage 9
- Desilu Stage 10
- Star Trek: The Original Series on VHS
- Star Trek: The Original Series on Betamax
- Star Trek: The Original Series on CED
- Star Trek: The Original Series on LaserDisc
- Star Trek: The Original Series on DVD
- Star Trek: The Original Series on Blu-ray
- Star Trek: The Original Series soundtracks
Star Trek television series |
Star Trek: The Original Series • Star Trek: The Animated Series • Star Trek: The Next Generation • Star Trek: Deep Space Nine • Star Trek: Voyager • Star Trek: Enterprise |
External linksEdit
- Star Trek: The Original Series at Wikipedia
- Star Trek: The Original Series at Memory Beta, the wiki for licensed Star Trek works
- Star Trek: The Original Series at the Internet Movie Database
- Public Radio Special: The Peace Message in Star Trek
- Star Trek: The Original Series at StarTrek.com, the official Star Trek website


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Sojos Turkey Complete Cat Food is made with raw, freeze-dried turkey - just add water and you've got a fresh, homemade cat food in a snap!
Made fresh daily in small, quality controlled batches, Sojos Turkey Complete Cat Food gives your cat the nutritious and delicious qualities of raw without the hassle. Starting with raw, freeze dried USDA turkey, Sojos then adds in simple, honest, human quality ingredients to the recipe, including sweet potatoes, eggs, vegetables, fruits and flax meal. All of this combines to give your cat a complete meal they'll love. Sojos Turkey Complete Cat Food is made with only REAL ingredients and features no fillers, preservatives and artificial colors or flavors... only food you would find in your own kitchen.
Sojos Turkey Complete Cat Food is:
Give your cat the raw diet they deserve...give your cat Sojos Turkey Complete Cat Food!
Country of Origin: USA
Manufacturer: Sojos
Shipping Weight: 4.2
Ingredients - USDA turkey, sweet potato, whole egg, broccoli, celery, apples, flax meal, pecans, tricalcium phosphate, pumpkin, cranberries, basil, dried alfalfa, ginger root, dried kelp, zinc sulfate, vitamin E acetate, vitamin A palmitate, vitamin D3
Guaranteed AnalysisCrude Protein (min) 30.0%Crude Fat (min) 9.0%Crude Fiber (max) 4.5%Moisture (max) 10.0%
Suggested Use and Serving Guidelines
Individual requirements will vary depending upon metabolism, daily activity, health, genetics and environment.
Preparing Sojos Is Easy
For every 1 cup of dry Sojos, add 1 1/2 cups warm water and let soak at least 15 minutes.
For Best Results
New to Sojos?
Start feeding Sojos gradually to allow your cat's digestive system to transition. Begin with just a pinch of soaked Sojos added to their current food. Increase the amount for 7 to 10 days (longer for finicky cats), until you reach the recommended serving size.
The reviews below are presented for informational purposes only and are not intended as an endorsement of any product. The information is not intended to be a substitute for visits to your local veterinarian. Instead, these testimonials offer the reader information and opinions written by pet owners and/or veterinarians concerning animal health and products that they have used.
Be the first to write a review.


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The Bosch Wall Oven Features a SideOpening Door for Easier Cavity Access and a High-Resolution TFT User Interface.
Price $ 2,899.00
SideOpening Door Offers Better Ergonomic Access to the Oven Cavity.
Video Link
A Full-Extension Telescopic Rack Offers Safe Access to the Oven Cavity.
Bosch Wall Ovens are Compatible with Most Competitors' Cutouts.
The Color TFT Control Panel with SteelTouch™ Buttons is Easy to Use.
The Wall Oven is Designed to be Installed Flush with your Cabinetry.
Download the new Bosch Experience & Design Guide App!
Wall Ovens
View our How-to-Videos on the Bosch YouTube Channel to learn how to clean stainless steel.
How to activate the oven's self-cleaning process: Wipe away spills, pools of oil, and excessive debris before activating the self-cleaning process. Not doing so can cause smoke and possibly a fire. Do not clean oven parts or accessories in the self-cleaning oven. The light in the oven cannot be turned on during the self-cleaning process. The special heat-resistant enamel and the polished components in the oven can become discolored over time. This is normal and does not affect operation. Do not use scouring pads, abrasive cleaners and commercial oven cleaners (such as EasyOff®). These items may damage the oven. Remove all accessories, racks and broiling pans before activating the self-cleaning process. In double ovens, the self-cleaning process is only available for one oven at a time.
To clean the flat rack: Wash with hot, soapy water and a soft cloth, rinse and then dry. Do not clean the rack in the self-cleaning oven. If flat racks are cleaned in the oven during the self-cleaning mode, they will lose their shiny finish and may not glide smoothly. If this happens wipe the rack edges with a small amount of vegetable oil, then wipe off.
To clean telescopic racks: Wash with hot, soapy water and a soft cloth, rinse and then dry. Avoid getting cleansing powder or residue in the telescopic slides. Re-lubricate the telescopic slides as needed by using high-temperature food-grade lubricants. Do not clean the rack in the oven during self-cleaning mode.
To clean the broiling pan and grid: Wash with hot, soapy water and a soft cloth, rinse and then dry. Do not clean the broiling pan and grid in the oven during self-cleaning mode.
To clean the fiberglass gasket: Do not clean the fiberglass gasket.
To clean glass surfaces: Wash with hot, soapy water and a soft cloth, rinse and then dry or use glass cleaner.
To clean painted surfaces: Wash with hot, soapy water and a soft cloth, rinse and then dry. Do not use powder cleaning agents, steel wool pads, oven cleaners and other abrasive cleaning materials.
To clean porcelain surfaces: Immediately wipe up acid spills like fruit juice, milk and tomatoes with a dry cloth. Do not use a moistened sponge or cloth on hot porcelain. When the oven is cool, clean it with hot, soapy water and a soft cloth, rinse and then dry. It is normal for porcelain to show fine lines with age due to exposure to heat and food.
To clean stainless steel: Clean stainless steel areas by using mild, soapy water with a soft cloth. Wipe in the direction of the stainless steel grain when washing and drying. Rinse with water and wipe dry to avoid water marks. Do not use cleaning agents that are abrasive or contain chlorine since both are corrosive to stainless steel. For added shine, apply stainless steel conditioner and wipe off excess with a soft cloth. Do not apply stainless steel conditioners or cleaners to control labels or markings. Warning: Some stainless steel cleaners are known to have negative effects on materials other than stainless steel. Make sure to apply stainless steel cleaners to stainless steel components only! The Bosch stainless steel conditioner is available for purchase in the Bosch Accessories & Parts Store (part number 00576696).
Oven may not be plugged in. Check to see if it is plugged in.
Check to see if you are experiencing a power failure. The power supply to the oven may have been interrupted. If the digital clock is flashing and showing three zeroes, the power supply to the oven has been interrupted. The clock must be reset before the oven will operate again. See the Use & Care Guide to learn how to reset the clock.
Power may not be flowing to the socket. Check if electricity is present at the outlet in question by using another small object that runs on electricity (e.g. hairdryer). If electricity is not present, consult an electrician.
The fuse may have blown or the circuit breaker may be tripped. Replace the fuse or reset the circuit breaker.
When fatty foods are cooked in the oven (e.g. roasts), a certain amount of fat will be deposited onto the grill element. The next time that the grill is turned on this fat will burn off with an acrid smell. Leave the oven door closed during the grill warm-up process (5 to 10 minutes) and by that time most of the smoke should have dissipated.
All our ovens have a ventilator fan, which keeps the oven housing cool. The ventilator fan will continue to run (even after the oven has been turned off) until the oven has cooled sufficiently. This could be 30 minutes or more depending on the cooking temperature used.
Routine maintenance for your oven.
We recommend cleaning the oven exterior and interior when it becomes unsightly. Wipe away spills on a timely basis so that spills do not become hardened and difficult to remove. Be sure to wipe away pools of oil and excessive soil/debris in the oven before activating the oven's self-cleaning feature. Not doing so can cause smoke and possibly a fire.
Bosch stainless steel conditioner is available for purchase in the Bosch Accessories & Parts Store(part number 00576696).
Please also refer to the OVENS – CLEANING & CARE SECTION for additional information.
Can I use two wall ovens at the same time for cooking and baking?
Yes. However, two wall ovens cannot be self-cleaned at the same time.
Can I self-clean two wall ovens at the same time?
No. Please refer to your Use & Care Guide to learn how to self-clean your ovens.
How to self-clean an oven.
All models have slightly different instructions. If you own two wall ovens, you cannot self-clean both ovens at the same time. Please refer to your Use & Care Guide to learn how to self-clean your oven.
Can I use oven cleaner in my self-cleaning oven?
No, we do not recommend using chemical cleaners in self-cleaning ovens. The porcelain surface is smooth and chemical cleaners may cause surface damage.
Oven is not self-cleaning properly.
Allow the oven to cool before running the self-clean feature. Always wipe away loose soils/debris or heavy spills before running self-clean. Remove the racks and all other accessories before self-cleaning. Set the oven for the maximum self-clean time if the oven is badly soiled.
Should I leave the oven door open while broiling?
No, this is not necessary. All modern ovens require that the oven door be closed while broiling. This reduces the amount of heat in the kitchen.
Oven has accidentally locked, even after cooling.
Turn the oven off at the circuit breaker and wait five minutes. Turn the circuit breaker back on and the oven should reset itself and be operable.
Oven light doesn't turn off.
Check for any obstructions in and around the oven door. Remove any obstructions that you find.
Oven light is not working properly.
Replace or reinsert the light bulb if loose or defective. Use gloves or a small wash cloth when handling the light bulb because touching it with your fingers may deposit oils on it and thus cause it to burn out prematurely.
The bulb may have burned out. Buy a replacement bulb.
View our How-to-Videos on the Bosch YouTube Channel to learn how to change a light bulb in your oven.
Controls do not respond when a key is touched.
Be sure the control surface is clean and dry. Touch the center of the touch key using the flat part of your finger.
Are parts of the display/controls not working or missing?
Is the whole display not working or missing? If yes, open the oven door and see if the oven lights are working or not.
Warm air or steam is coming out of the oven vent.
This is normal. Do not block the vent.
"Error E118/E218" message.
Turn the circuit breaker off, wait 5 minutes, and then turn it back on. Next, run the oven for 5 minutes. If the error message does not go away and the oven does not work, please schedule a service visit.
In the future, keep the exhaust baffle at the bottom of the oven and the latch opening clean. Blockages in these areas can restrict air circulation, thus causing this error message to occur.
Error E118 does not apply to 2014 models (models that end with "51UC" or "61UC").
My oven is having problems with the temperature.
Does the oven display show error codes E115/E215 or E101/E/201?
My baked goods are not coming out as intended. They are overdone or underdone.
This may be due to an error in the baking technique (human error) or the oven may not be performing optimally. Darker baking pans require a 25°F reduction in oven temperature. Performing the Biscuit/Cookie Bake Test will let you know if the cause is human, bakeware, or oven error. This test is used it to help develop our ovens.
Biscuit/Cookie Bake Test
Purchase Pillsbury Grands Biscuits or Pillsbury Sugar Cookies. They are "unbaked" and can be found in the refrigerated section of most grocery stores. We will bake these in the oven.
Enter your appliance's Model Number (E-Nr) in our Owner Manuals section to download your Use & Care Guide.
Call Bosch Customer Support at 1-800-944-2904
How to find your Model Number (E-Nr)
Please click here to locate the data tag on your appliance. The data tag contains your Model Number (E-Nr).
How to buy accessories & parts
To buy accessories & cleaning products:
- Go to the Bosch Accessories & Parts Store
- Search for accessories & cleaning products by appliance category
To buy parts:
- Search by appliance category. Click on PARTS SEARCH.
- Enter your appliance's Model Number (E-Nr) and click on START SEARCH.
- You can find parts in two ways:
- View the line diagrams and click on the part you need
- View the chart below the diagram


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Going Places: June 24-28, 20133:01 pm, June 24, 2013
JOB CHANGES ARCHITECTURE MOODY NOLAN: Erica Drogan to senior project assistant; Matt Ross to associate; Jodi van der Wiel to senior associate. DISTRIBUTIONGARICK: Rick Malone to key account manager. ENGINEERING
CT CONSULTANTS INC.: Robert L. McNutt to senior project manager. LAKE NATIONAL BANK: Neil Kowalski to branch manager, Midland; Tom Glavin to IT manager. FINANCIAL SERVICE
MIDWEST INVESTMENT MANAGEMENT LLC: Peter A. Vanden Broeck to managing director.
AKRON GENERAL: Margaret Sovacool to director, Quality Improvement and Patient Safety. BRUNSWICK COS.: Stacey Cardinale to commercial account executive; Kelley Wisor to surety bond account executive. LEGAL
BROUSE MCDOWELL: Isabelle Bibet-Kalinyak and Barry A. Winkler to associates. RPM INTERNATIONAL INC.: Neil Jamieson to director, global tax planning. MARKETING
COSO MEDIA: Kayla Householder to marketing specialist.
CITYMUSIC CLEVELAND CHAMBER ORCHESTRA: Avner Dorman to music director.
FREEDONIA GROUP: Kenneth Long to manager, Capital Goods unit.
NORTHEASTERN EDUCATIONAL TELEVISION OF OHIO INC.: David Hunter (Brouse McDowell) to chair; Brian DePoy to vice chair; Mark Auburn to secretary.
AMERICAN ASSOCIATION OF HIP AND KNEE SURGEONS: Dr. William Stanfield (Center for Orthopedics) to fellow. PRINTED FROM: http://www.crainscleveland.com/article/20130624/FREE/306249966&template=printart |


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Part of our St Andrews collection, this polo is a cotton and polyester blend. Finished with a signature performance treatment to enhance shape retention and resistance to shrinking, fading and pilling. Short sleeves. Signature St Andrews patch at left chest. Machine wash. Imported. Brooks Brothers is proud to be the official clothier of St Andrews Links
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Have noticed on debian now, and may be true of other builds, that if you are using php as a command line language, you don't need the -q ie: #!/usr/bin/php -q anymore.
What really took me ages to work out was how to the use php in cgi mode (ie in a cgi-bin directory) as it doesn't send http headers by default. It also fails to populate $_GET and $_POST arrays.
Turns out debian php build comes with /usr/bin/php-cgi
Use this in your shebang if running CGI scripts!
I understand now - but had to figure this out myself!
Keywords I tried to solve this problem with were:
PHP, CGI, no $_GET array, Premature end of script headers, No http Headers, debian
Hopefully this post might save someone many hours of frustration, if they are googling the above words!


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SKU: los_gladiadores_vol_5_dvd
DVD Version
Minis Mascarita Sagrada, Octagoncito & Piratita Morgan! Also see Hijo de Anibal, Fishman Jr., Mascara Sagrada, Poison, Piloto Suicida, Mr. X, Infernal and The Champions Furia-Dinamita!
More than 120 minutes of action with the best in lucha libre!
This DVD also includes a LLWF Tag Team Title Match as champions Fabian Fury & Joey Dinamite defend against Blue Shadow & Bozo plus a special presentation of Fishman Jr., Mascara Sagrada, and Hijo de Anibal.
DVD Bonus material includes exclusives interviews with Mascarita Sagrada and Octagoncito. Plus a bonus match with the minis from the Arena Internacional in Los Angeles.


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Item Description |
Letter, Thaddeus Hyatt to My Dear Cleaveland Author: Hyatt, Thaddeus Date: January 4, 1857 This rather inspiring letter, written by Thaddeus Hyatt while traveling in Kansas, demonstrates Hyatt's commitment to the National Kansas Committee and his passion for the free state cause. Apparently there was some sort of conflict within the committee that threatened its ability to function, but nevertheless Hyatt was determined to aid the struggling free state settlers in Kansas. He spoke in great detail about some of his travels around the territory, including the inclement weather and his perspective on the pro-slavery and free state settlers that he encountered during his stay. Location of Original: KSHS Call Number: Thaddeus Hyatt Collection, #401, Box 1, Folder 6 Item Number: 101464 Number of images: 10 Keywords: Bickerton, Thomas; Food; Free state cause; Free state settlers; Horses; Hyatt, Thaddeus; Kansas Central Committee; Little Osage River, Kansas Territory; Marais des Cygnes River; National Kansas Committee; Proslavery settlers; Relief; Settlement; Weather |
pg. 1 |
pg. 2 |
pg. 3 |
pg. 4 |
pg. 5 |
pg. 6 |
pg. 7 |
pg. 8 |


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Prices and availability are subject to change from the time and date that you print this page.
4/28/2015 6:29:02 AM. For Customer Service, please call
Pickup Check store pickup options
cement block. Aggregate of marble, granite, stone and natural fibers cements an industrial chic spare slab that rests drinks, books, whatever. Side cutouts for transport room to room, indoors/outdoors. Clear non-toxic wax finish protects. Maintain side table's honed beauty and natural intonations with car wax or stone floor polish. Handmade in an eco-friendly workshop powered without consumption of fossil fuels to avoid CO2 loads. Indoor and protected outdoor use.


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Hi All,
Looking for suggestions with regards accommodation and a fixer/translator in Beirut this coming February.
by Matthew Aslett at 2012-10-18 21:15:46 UTC | Bookmark | | Report spam→
I would like to work with you in Beirut. But that depends on when in February.
Ahmed -————————————————————- Fine Fixer for Cairo and Egypt
There is a highly recommended fixer in Cairo, Egypt
call: 0100-67-68-2-69
or email: email@example.com ——————————————— Testimonials:
I have hired Mr Seddik on two occasions – once in Egypt and once in Libya. On both occasions he was working as a translator and fixer for the BBC team. We were working in a high pressured environment, doing very long hours and I was extremely impressed with him. He has excellent English – better than any other translator I have worked with so far in the region.
He is confident in dealing with journalists and communicated with the people we interviewed in a respectful and friendly manner. He has a vast knowledge of politics and current affairs as well as the history of Egypt and the wider Middle East. This was invaluable both for interviews and in general conversation.
He is also particularly good at turning dry facts into fascinating anecdotes and was often able to entertain and educate us with interesting stories about Egypt's history. He is obviously passionate about the country, its history and culture.
What most impressed me about Mr Seddik however is his energy and enthusiasm, even after working for extremely long hours. Many other translators I have worked with have been irritable after working for very long hours, but Mr Seddik remained alert, cheerful and hardworking no matter how many hours he had done.
He was always punctual, courteous and is good at taking the initiative when needed.
Helena Merriman Broadcast Journalist BBC World Service -————————— I am a producer for The CBS Evening News, a national nightly newsprogram in the United States. In early February, Correspondent Terry McCarthy and I were sent to Egypt to cover the events of Tahrir Square, and we hired Ahmed as our interpreter, our guide, and what we in the news business call a "fixer" – that is, someone who can arrange the interviews we need, sort through the facts we want, and generally make our lives easier in a foreign country.
Ahmed was amazing. He helped us navigate through Cairo at a very difficult time with a combination of street smarts, great attitude, and an uncanny command of the English language. Also, there is no higher-pressure environment than television journalism, and we had Ahmed working for us about 20 hours a day for 3 weeks; he never failed to jump at the assignment and he never complained.
In Ahmed we found not only an amazing producer, but a great resource for all things Egypt. His offhand knowledge of Egyptian history, of pharaohs and antiquities, of hieroglyphics and pyramids is astounding. He can quote ancient Egyptian texts from memory. In many ways he was our tour guide and history professor on top of everything else.
Erin Lyall George
The CBS Evening News -—————————————— COPPER POT PICTURES hired Ahmed Seddik to be our fixer when we traveled to Egypt in June 2012 to film WE MUST GO, our documentary about the Egyptian Football team. Though we had tried to sort out various rights and permissions prior to traveling to Egypt, it wasn't until Ahmed came on board that we started to see results. From permissions with the various football associations to permits from the Egyptian government to our daily transportation, Ahmed arranged everything. It was unbelievable. He is a motivated and capable fixer who assured that everything was taken care of prior to our arrival. Ahmed paved the way for a smooth shoot; we didn't have to worry about anything except doing our jobs. He met each new challenge and wrinkle to the shoot with a positive attitude and a willingness to see that our wishes were carried out. His services were invaluable. We have shot documentaries around the world and much of the success (or failure) for our projects depend on the talents of our local fixers: I am pleased to say that Ahmed is the best we've worked with and I look forward to a continued partnership on WE MUST GO and future Copper Pot projects shot throughout Egypt and the Middle East. My only hesitation in writing this glowing review is that I want to make sure no one else hires him when we need him!
— Dave LaMattina Producer/Director | COPPER POT PICTURES ———————————————— I am a correspondent with BBC News, based in London. I worked alongside Mr Seddik for almost 2 weeks earlier this year when I was on assignment in Egypt. During that time I found him to be an outstanding individual who would be an excellent asset to any organization. Specifically he has an acute awareness of how the media works, the demands that the modern media operates under, and the need to handle such demands with clarity, consistency and integrity. His language skills, especially his knowledge of English, are absolutely first class and he has an ability to express himself in a manner that many native English speakers would find difficult to improve upon. I have absolutely no hesitation in recommending Ahmed Seddik.
Yours sincerely,
Michael Buchanan Correspondent BBC News
BBC TV's 'Newsnight' programme employed Ahmed Seddik as a translator, researcher, fixer and guide for two weeks in Cairo in November 2011 and found him to be a resourceful, highly-informed, hard-working and invariably good-humoured colleague.
Ahmed has a vast store of knowledge about Egypt and its history, as well as a valuable network of well-placed contacts in many walks of life. He is a constantly engaging and informative companion and is able to work calmly and effectively in highly pressured circumstances.
Ahmed was unfailingly cheerful and cooperative when required to work the extremely long hours often required by TV crews. He is not only an excellent interpreter/translator with an astonishingly rich and accurate knowledge of English, but also a fixer with the imagination and resourcefulness to contribute his own ideas.
Tim Whewell Correspondent BBC Newsnight
TIME Magazine's Cairo Bureau has periodically employed Mr. Ahmed Seddik for translating assignments since 2004. He has performed all his tasks with a high degree of expertise and professionalism. Mr. Seddik is also extremely well educated and informed about all aspects of Egyptian life, including politics, culture and society. In every way, he has greatly assisted TIME correspondents in their work. I wholeheartedly recommend Mr. Seddik's services, and would be delighted to receive any requests for further elaboration on my recommendation. Scott MacLeod TIME Middle East Correspondent(since 1995)
I had the opportunity to work with Ahmed Seddik last summer in Cairo, where I was temporarily based as a correspondent for Time Magazine. Though he clearly was far too qualified for the task, he cheerfully served as my translator for a couple of stories. I found him to be a precise interpreter, providing me with excellent translations of what was said in interviews, often a rarity where the need for speed overrides the desire for colorful, exact phrasing. He also demonstrated a willingness to work long hours, and at the last minute. If I have the opportunity to return to Cairo, I will be sure to use his translation services once again.
Regards, Aryn Baker, Associate Editor, Time Magazine Asia