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Mathematics across the Iron Curtain: A History of the Algebraic Theory of Semigroups, by Christopher Hollings
The theory of semigroups is a relatively young branch of mathematics, with most of the major results having appeared after the Second World War. Semigroup theory might be termed 'Cold War mathematics' because of the time during which it developed. This book describes the evolution of (algebraic) semigroup theory from its earliest origins to the establishment of a full-fledged theory. A major theme of the book is the comparison of the approaches to the subject of mathematicians in the East and West, and the study of the extent to which contact between the two sides was possible.
The AMS Bookstore offers an extensive collection of books on the history of mathematics. Go to the links below to browse specific titles.
History of Mathematics Series The titles in this series offer compelling historical perspectives on the individuals and communities that have profoundly influenced mathematics' development.
Collected Works Series This series presents the substantial body of work of many outstanding mathematicians. Readers can follow the major ideas and themes that developed over the course of a given mathematician's career.
AMS Chelsea Publishing Series Mathematicians continue to mine and utilize insights and results from classic mathematical literature. The mission of this series is to make some of the most important classics available to new generations of mathematicians.
Non-Series Books The American Mathematical Society publishes and distributes many titles that do not fit into a specific series. Discover our diverse offering of books, including many titles on the history of mathematics, including biographies, and historical perspectives.
AMS History of Mathematics, Volume 1: A Century of Mathematics in America, Part I, Edited by Peter Duren, with the assistance of Richard A. Askey and Uta C. Merzbach The first 100 years of the AMS: profiles of mathematicians, the mathematical community during the world wars, the growth of mathematical fields...
AMS History of Mathematics, Volume 2: A Century of Mathematics in America, Part II, edited by Peter Duren, with the assistance of Richard A. Askey and Uta C. Merzbach The histories of mathematical activity at the major U.S. institutions; the influence of women in mathematics; the flowering of applied mathematics...
AMS History of Mathematics, Volume 3: A Century of Mathematics in America, Part III , edited by Peter Duren, with the assistance of Richard A. Askey and Uta C. Merzbach The mathematics and mathematical personalities in some of the nation's prominent departments.
A Semicentennial History of the American Mathematical Society, 1888-1938 Volume 1, by Raymond Clare Archibald The first fifty years of the AMS: the founding, Bulletin of the AMS, meetings, officers...
Semicentennial Addresses of the American Mathematical Society, Volume II The second semicenntennial volume: developments and trends in fields including differential equations, harmonic analysis, geometry, topology...
Mathematics into the Twenty-First Century, Felix E. Browder, Editor The proceedings of the AMS centennial symposium.
History of the Second Fifty Years, American Mathematical Society, 1939-1988, by Everett Pitcher The second fifty years of the AMS: Mathematical Reviews®, primary journals, membership and dues, international meetings, policy committees, finances...
AMS Presidents: A Timeline. Browse through the timeline to learn about AMS presidents since the Society's founding in 1888. Each page includes the president's institution and date of doctoral degree, a brief note about his/her academic career and honors, as well as links to more extensive biographical information and descriptions of mathematical work.
This Mathematical Month: A Brief Look at Past Events and Episodes in the Mathematical Community. Monthly postings of vignettes on people, publications, and mathematics to inform and entertain.
Feature Column: Monthly Essays on Mathematical Topics. See columns by David Austin, Bill Casselman, Joe Malkevitch and Tony Phillips on history of mathematics and historical figures.
The articles are listed below in reverse chronologcal order by publication date.
"Andrew Fielding Huxley (1917-2012)", Michael C. Mackey and Moisés Santillán, Coordinating Editors, May 2013 "Remembering Raoul Bott (1923--2005)", Loring W. Tu, Coordinating Editor, April 2013 "Remembering Walter Rudin (1921--2010)", Alexander Nagel and Edgar Lee Stout, Coordinating Editors, March 2013 "Daniel Quillen," Eric Friedlander and Daniel Grayson, Coordinating Editors, November 2012
"One in a Million---Remembrances of Laurie Snell (1925--2011)," by Dan Rockmore, October 2012 "Glimpses of Benoît Mandelbrot (1924--2010)," by Michael F. Barnsley and Michael Frame, Editors, September 2012 "Remembering Jerry Marsden (1942-2010)," by Tudor Ratiu and Alan Weinstein, Coordinating Editors, June/July 2012 "Remembering Herbert Federer (1920--2010)," Harold Parks, Coordinating Editor, May 2012 "Memories of Vladimir Arnold," Boris Khesin and Serge Tabachnikov, Coordinating Editors, Part 1: March 2012 and Part 2: April 2012 "Peter Hilton: Codebreaker and Mathematician (1923-2010)," Jean Pedersen, Coordinating Editor, December 2011
"Remembering Constance Reid (1918-2010)," by Jerry Alexanderson. November 2011
"S.-S. Chern (1911-2004)," S.-T. Yau, Coordinating Editor. October 2011
"Gerhard Hochschild (1915-2010)," Walter Ferrer Santos and Martin Moskowitz, Coordinating Editors. September 2011
"A Tribute to David Blackwell," George Roussas, Coordinating Editor. August 2011
"Remembering Johannes J. Duistermaat (1942--2010)," Victor Guillemin, Álvaro Pelayo, San Vu Ngoc, Alan Weinstein, Coordinating Authors. June/July 2011
"Remembering Leon Ehrenpreis (1930-2010)," by Daniele C. Struppa, Hershel Farkas, Takahiro Kawai, Peter Kuchment, Eric Todd Quinto, Shlomo Sternberg, Alan Taylor. May 2011
"Remembering Paul Malliavin," by Daniel W. Stroock, Marc Yor, Jean-Pierre Kahane, Richard Gundy, Leonard Gross, Michèle Vergne. April 2011
"A Tribute to Henry Helson," Donald Sarason, Contributing Editor. February 2011
"Every Waking Moment: Ky Fan (1914-2010)," by Bor-Luh Lin. December 2010
"Ilya Piatetski-Shapiro, In Memoriam," Jim Cogdell, Steve Gelbart, and Peter Sarnak, Coordinating Editors. November 2010
"Alice Turner Schafer (1915-2009): Remembrances," edited by Anne Leggett (with contributions by Georgia Benkart, Bhama Srinivasan, Mary Gray, Ellen Maycock, and Linda Rothschild). October 2010
"A Tribute to Henri Cartan," Luc Illusie and Pierre Cartier, Coordinating Editors September 2010
"Remembering Paul Cohen (1934-2007)," Peter Sarnak, Coordinating Editor. August 2010
"Remembering John Stallings," Danny Calegari and Benson Farb, Coordinating Editors. December 2009
"Andrew Gleason (1921-2008)," Ethan D. Bolker, Coordinating Editor. November 2009
"Remembering Atle Selberg, 1917-2007," Dennis Hejhal, Coordinating Editor. June/July 2009
"Homage to Henri Cartan (1904-2008)," by Michèle Audin. May 2009
"Tribute to André Lichnerowicz," by Yvette Kosmann-Schwarzbach. February 2009
"William J. LeVeque, 1923-2007," by James Maxwell. November 2008
"Michel Kervaire (1927-2007)," by Shalom Eliahou, Pierre de la Harpe, Jean-Claude Hausmann, and Claude Weber. September 2008
"James Eells" (1926--2007)," by Domingo Toledo. June/July 2008
"Victor Klee (1925-2007)," by Peter Gritzmann and Bernd Sturmfels. April 2008
"Irving Kaplansky's Role in Mid-Twentieth Century Functional Analysis," by Richard V. Kadison. February 2008
"Irving Kaplansky (1917-2006)," by Hyman Bass and Tsit-Yuen Lam. December 2007
"Emma Lehmer (1906-2007)," by John Brillhart. December 2007
"Remembering Philip Rabinowitz," by Philip Davis and Aviezri Fraenkel. December 2007
"A. Everett Pitcher (1912-2006)," by Steve Weintraub. November 2007
"George Mackey (1916-2006)," by Robert Doran and Arlan Ramsay. August 2007
"The Mathematical Contributions of Serge Lang," by Jay Jorgenson and Steven Krantz. April 2007
"George B. Dantzig (1914-2005)," by Richard Cottle, Ellis Johnson, and Roger Wets. March 2007
"Interview with John Horton Conway", by Dierk Schleicher. May 2013 "A Walk through Johnny von Neumann's Garden," Freeman Dyson, February 2013 "Israel Moiseevich Gelfand", Vladimir Retakh, Coordinating Editor, Part I: January 2013, and Part II: February 2013 Srinivasa Ramanujan: Going Strong at 125 Krishnaswami Alladi, Editor, Part I: December 2012 and Part II: January 2013. "A Fresh Look at Francesco Severi," by Judith Goodstein and Donald Babbitt, September 2012
"Winifred Edgerton Merrill: 'She Opened the Door'," by Susan E. Kelly and Sarah A. Rozner, April 2012
"Interview with Abel Laureate John Tate," by Martin Raussen and Christian Skau. March 2011
"Reminiscences of Grothendieck and his School," by Luc Illusie et al. October 2010
"Interview with Mikhail Gromov," by Martin Raussen and Christian Skau. March 2010
"Encounters with Mischa Cotlar," by John Horváth. May 2009
"Hans Grauert: Mathematiker Pur," by Alan Huckleberry. January 2009
"Who is Alexander Grothendieck?," by Winfried Scharlau. September 2008
"Memories of Shourik," [reminiscences about Alexander Grothendieck], by Valentin Poénaru. September 2008
"Interview with Martin Davis," by Allyn Jackson. May 2008
"Interview with George Csicsery," by Bill Casselman. May 2008
"Interview with Srinivasa Varadhan," by Martin Raussen and Christian Skau. February 2008
"Interview with Stephen Smale," by George Szpiro. September 2007
"Alfred Tarski, Friend and Daemon," by Benjamin Wells. September 2007
"Interviews with Three Fields Medalists," (2006 recipients Andrei Okounkov,Terence Tao,and Wendelin Werner) by Vicente Muñoz and Ulf Persson. March 2007
"Interview with Mikio Sato," by Emmanuel Andronikof. February 2007
"Mikio Sato, a visionary of mathematics," by Pierre Schapira. February 2007
"Interview with Lennart Carleson," by Martin Raussen and Christian Skau. February 2007
"Interview with Joan Birman," by Allyn Jackson and Lisa Traynor. January 2007
"Mathematical Methods in the Study of Historical Chronology," by Florin Diacu. April 2013 "The Influence of Benoît B. Mandelbrot on Mathematics," by Michael F. Barnsley and Michael Frame, Editors, October 2012 "Galois for 21st-Century Readers," by Harold M. Edwards, August 2012
"A Revolution in Mathematics? What Really Happened a Century Ago and Why It Matters Today," by Frank Quinn. January 2012
"The 1904 St. Louis Congress and Westward Expansion of American Mathematics," by David Zitarelli. September 2011
"Differential Topology 46 Years Later," by John Milnor. June/July 2011
"How a Medieval Troubadour Became a Mathematical Figure," by Michael P. Saclolo. May 2011
"A brief but historic article of Siegel," by Rodrigo A. Pérez. April 2011
"Federigo Enriques's Quest to Prove the "Completeness Theorem"," by Donald Babbitt and Judith Goodstein. February 2011
"Intuition and Rigor and Enriques's Quest: a Modern Analysis," by David Mumford. February 2011
"The Contribution of John Parker, Jr. to American Mathematics," by Steve Batterson. February 2011
"Real Face of János Bolyai," by Tamas Denes. January 2011
"Changing Faces: The Mistaken Portrait of Legendre," by Peter Duren. December 2009
"Bôon;cher, Osgood, and the Ascendence of Mathematics at Harvard," by Steve Batterson. September 2009
"Guido Castelnuovo and Francesco Severi: Two Personalities, Two Letters," by Donald Babbitt and Judith Goodstein. August 2009
"Connected Sets and the AMS, 1901-1921," by David Zitarelli. April 2009
"The Last Poem of James Clerk Maxwell," by Daniel S. Silver. November 2008
"A Remarkable Collection of Babylonian Mathematical Texts," by Joran Friberg. October 2008
"A Centennial Celebration of Two Great Scholars: Heiberg's Translation of the Lost Palimpsest of Archimedes---1907; Heath's Publication on Euclid's Elements---1908," by Shirley Gray. August 2008
"Henri's Crystal Ball," by Philip Davis and David Mumford [on the 100th anniversary of a lecture by Henri Poincaré]. April 2008
"The Father of the Father of American Mathematics," by Steve Batterson. March 2008
"Differential Geometry, Strasbourg, 1953," by Michele Audin. March 2008
"A Note on the Geometry and Descartes's Mathematical Work," by Michel Serfati. January 2008
"Descartes, the Pioneer of the Scientific Revolution," a review by Michel Serfati of Descartes: A Biography, by Desmond Clarke. January 2008
"The Felix Klein Protocols," by Eugene Chislenko and Yuri Tschinkel. September 2007
"The Uneasy Relationship between Mathematics and Cryptography," by Neal Koblitz. September 2007
"Memories of Prague," by Lipman Bers [with pictures]. August 2007
"Two Problems that Shaped a Century of Lattice Theory," by George Grätzer. June/July 2007
"The Vision, Insight, and Influence of Oswald Veblen," by Steve Batterson. May 2007
"Linear Programming and the Simplex Method," by David Gale. March 2007
Browse Notices of the AMS online back to 1995.
Readers may now view online the first century of the Bulletin of the American Mathematical Society, from 1891 to 1991, searchable and fully integrated with the modern Bulletin. The approximately 84,000 pages of the Bulletin are freely accessible to all.
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Dark elves, disembodied advanced species and one befuddled human woman take a world by storm.
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Published By: Devine Destinies
Bronte is terribly frightened the first time Kosta speaks to her mind—he's a dog, after all. Turns out that's nothing compared to the fear she experiences when she learns there's some kind of secret operation going on practically at her front door. She's got to stop it somehow to save her country—but who will believe a twelve-year-old and a telepathic dog? What will she have to do to convince the authorities it's all real? She only has Kosta to turn to and confide in, but what can he do, and at what cost?


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Parenting via long distance
Hi everyone, I have been asked for advice on how to be a long-distance parent by Michael 780154, age 40, of Riverview, Fla. He said that he works a rotating shift, his ex-wife is moving even farther away with their children. My impression is that his job isn't portable.
I decided to open up this question to you, the experts of Catholic Match, about how to parent long distance.


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Definition | Causes | Risk Factors | Symptoms | Diagnosis | Treatment | Prevention
A dermatofibroma is an very common skin growth. It is a small, firm bump on the skin. The dermis layer of skin contains nerve endings, glands, and vessels. The bump is an overgrowth of the tissue in the dermis layer. The bump is generally pinkish-brown in color. It is often found on the legs. Sometimes more than one appears. Generally, they are harmless and are not connected to skin cancer.
Copyright © Nucleus Medical Media, Inc.
The cause is unknown. Dermatofibromas sometimes appear after a minor injury to the skin. This can include an insect bite or a prick of a thorn.
These bumps rarely cause symptoms. However, it is always important to see a doctor about any new skin growth.
Your doctor will ask about your symptoms and medical history. A physical exam will be done.
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If diagnosis is not certain, the bump can be surgically removed. The removed tissue will be examined under a microscope.
Dermatofibromas do not go away by themselves. Treatment is usually not necessary. It may be done if they are causing you some discomfort (itching or pain) or you feel they are unattractive. They do not pose any risk to your health.
Talk with your doctor about the best plan for you. Treatment options include the following:
The dermatofibroma may be cut off surgically. This can be done with local anesthesia.
Keep in mind that the dermatofibroma is usually deep. The removal will leave a scar.
Liquid nitrogen can be used to freeze the bump and flatten it out. This method usually leaves a white mark behind. The dermatofibroma may also eventually grow back.
There is no way to prevent dermatofibromas.


text:
(Washington) - Senator Sam Brownback (R-KS), Chairman of the United States Helsinki Commission, announced that the Commission will hold a hearing on the problem of human trafficking of American citizens in the United States:
EXPLOITING AMERICANS ON AMERICAN SOIL: DOMESTIC TRAFFICKING EXPOSED 2:00 – 5:00 p.m. Tuesday, June 7, 2005 2237 Rayburn House Office Building
The featured panelists will be:
Panel I Dr. Susan Orr Associate Commissioner Administration on Children, Youth and Families U.S. Department of Health and Human Services Representative of the Federal Bureau of Investigation – To be announced. Panel II Mr. Frank Barnaba President & Founder Paul & Lisa Program Ms. Norma Hotaling Executive Director & Founder Standing Against Global Exploitation (SAGE) Project Ms. Leisa B. A survivor of domestic trafficking
The Commission on Security and Cooperation in Europe, also known as the Helsinki Commission, is a U.S. Government agency that monitors progress in the implementation of the provisions of the 1975 Helsinki Accords. The Commission consists of nine members from the United States Senate, nine from the House of Representatives, and one member each from the Departments of State, Defense and Commerce.
Click here for the previous year's Press Releases


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Does this solve the no nvidia blob access issue? Or is this something else entirely?
Phoronix: NVIDIA Publishes PRIME Helper Patches
NVIDIA is still working on a way to implement buffer-sharing for their closed-source Linux graphics driver...
Does this solve the no nvidia blob access issue? Or is this something else entirely?
And does it have any drawback to using DMA-Buff like initially intended?
All this appears to do is consolidate code that was duplicated between the nouveau/radeon/exynos drivers.
So the intro about the binary driver is a red herring.
It looks as DRM interface to DMA-BUF, shared by drivers. Almost certainly it won't impose GPL requirement for usage, and so lets NVIDIA blob use DMA-BUF implicitly. It won't allow use cases of DMA-BUF with proprietary drivers, though. At least while devs remain stubborn
Maybe NVIDIA should open their kernel part, like mobile GPU people did. Clever driver work is mostly done in userspace (although it would still be very useful to nouveau folks for easier RE).
I suspect a lot more is done in kernel space by the NVIDIA driver because of their need to share that driver codebase with OSX and Windows (on Windows in particular a lot more driver stuff is done in kernel AFAIK)


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Ideal for our school staff!
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The author has ignored many factors except for education's quality,retirement and healthcare system which some readers have commented.he has a simplistic conclusion about demographic dividend.Some other factors also are crucial or important, as follow:
1)Life expectancy. Working age,15 to 64 years-olds, in the chart is not accurate or a reflection of reality.Many retirees,even some over 70 years old, still work or live healthfully in Japan and its life expectancy is 83.4 years old.How many people in developing countries still can work effectively and healthfully at 60 years old? Or already died before their 60 years-old's birthdays,even died young considering their life expectancy.
2)Production efficiency and tools.A farmer with a large and advanced combined harvester can defeat easily 300-500 farmers with primitive tools such as oxen or by hand.Obviously the former can bring more demographic dividend.Adding a citizen in different countries will bring different demographic dividend,of which some are larger,some(Child labour) can be neglected.
Southeast Asia and Africa,even the Arab region,are in population explosion.The poor alway are surplus in every country,if those poor can be called demographic dividend,the world don't lack of demographic dividend.History won't repeat itself simply,I believe that robots will be cheaper and be used widely in the future.
So some developed countries demographic dividend have been underestimated seriously.


text:
this wiki
CHARACTER Miles O'Donovan | |
Appearance(s): | Grand Theft Auto: Liberty City Stories |
Full name: | Miles O'Donovan |
Gender: | Male |
Home: | Liberty City |
Nationality: | American |
Main affiliation: | Forelli Family Leone Family Sicilian Mafia |
Businesses: | Liberty City Hall |
Voiced by: | John Braden |
Miles O'Donovan is a character from the Grand Theft Auto series who appears in Grand Theft Auto: Liberty City Stories as a minor role. He is the Mayor of Liberty City from 1998 until 2001. In Grand Theft Auto III, O'Donovan was voiced by the late John Braden.
Miles O'Donovan ran against Mayor Roger C. Hole in the previous election for the position of Mayor in Liberty City in 1992. However, O'Donovan failed but had gained support due to a series of scandals that Mayor Hole was involved in. It is rumored that O'Donovan himself has a past of corruption, drug abuse, and prostitution.
He runs for Mayor a second time in a special election following Mayor Hole's death at the hands of Toni Cipriani. Cipriani and Salvatore Leone (Don of the Leone Family) oppose O'Donovan with their own candidate: Donald Love. Cipriani campaigns for Love, however after a link between Love and the Leone Family are found, Love loses most of his popularity and fortune.
Following his election victory, O'Donovan helped to end the industrial action of ferry workers on Portland and Staunton Island. O'Donovan promised that the ferries would remain in Liberty City and that jobs would not be lost. Despite his promise, the ferries stopped transporting between Portland and Staunton Island between 1998 and 2000 (in Grand Theft Auto Advance the ferry terminals, by 2000, had been demolished and paved over}.
O'Donovan, as one of his first moves, has the Liberty City Police Department arrest Salvatore Leone, putting him on trial. Salvatore Leone is released after Cipriani kills Paulie Sindacco and increases activities against the Sindacco Family and the Forelli Family. Salvatore, in his belief that O'Donovan will drop the charges, leads to Massimo Torini (member of the Sicilian Mafia and opponent of Salvatore) to kidnap O'Donovan. He takes the captive Mayor to Portland Rock, and ends up indebted to Toni and Salvatore after they rescue him. Salvatore tells the Mayor that he belongs to him, and from then on has the Mayor in his pocket.
O'Donovan does not appear in Grand Theft Auto III, but is mentioned on the Liberty Tree website. O'Donovan is said to have endorsed nail guns [1] (his brother is CEO of Donovan Hardware) and has done little good for Liberty City, except the increase of hardware stores by two folds since his election. This includes little work on transportation, such as the closure of the ferries and lack of improvement on the Portland El. However, O'Donovan had made some improvements, including promising to renew the Red Light District's license and revamp the area. [2] O'Donovan, in April 2001, also purchases police helicopters for the Liberty City Police Department [3]
Mission appearances
- GTA Liberty City Stories
- The Sicilian Gambit (Defeated)
- ↑ Mayor O'Donovan Denies Misuse of Government Funds Over Nail Gun Fiasco. Joel Stahlman and Liberty Tree.
- ↑ 'Red Light' Licenses up for Renewal. Thomas Shaw and Liberty Tree.
- ↑ Police Helicopters To Help Fight Crime. Trudy Fink and Liberty Tree.


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Eleanor McHugh, a physicist by training, will be talking about how to make *nix systems work naturally within the Ruby environment.
The Unix Way
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Ruby provides some "really lovely" utilities:
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text: There are no translations available. Homeopathic Materia Medica by FarringtonRUBIACEAE( )Today, gentlemen, we have before us an order of plants from which we derive three very valuable drugs, CINCHONA, IPECACUANHA and COFFEA. This order also gives us GAMBLER (a drug not used in our materia medica) and MITCHELLA, besides several dyes, as the famous Madder and Galium. From the fact that these dyes are red, the order derives its name. The first one on the board is the CINCHONA, frequently, although improperly called CHINA in our nomenclature. We will now proceed with its consideration: Cinchona.


text:
30 Fonts To Last A Life Time
Posted on 02'08 Mar
Here are 30 of the Best Fonts / Typefaces that every designer must / should own sorted by alphabetical order. There are 15 serif fonts and 15 sans-serif fonts. These fonts will last you your whole career!
A brief description of what each font is best suited for is provided however are not limited to this.
There are some top free cool fonts that are downloadable in this collection and some that come with your operating system… the others are not so free but they sure will help you improve your typography! They include original PC, Mac and Truetype fonts.
You may also be interested in How To Choose A Font or the Top 5 Typography Resources of all time. Also don't forget to subscribe!
15 Serif Fonts
1. Adobe Caslon
Magazines, journals, text books, corporate communication.
2. Adobe Garamond
Textbooks and magazines
3. Bembo
Posters, packaging, textbooks.
4. Bodoni
Headlines, text, logos. (I couldn't get big preview for this font.)
5. Clarendon
Dictionaries and headlines.
6. Courier
Tabular materials, technical documentation, word processing.
7. Excelsior
Newsletters, Reports, Proposals.
8. Lucida
Low resolution printing, small point sizes, reversed out half tones.
9. Minion
Limited edition books, newsletters, packaging.
10. Perpetua
For displays with fine lettering, long pages of text, chiseled text.
11. Sabon
Books and corporate communication.
12. Stempel Schneidler
For displays and fine publications that need a legible text type.
13. Times New Roman
Newspapers, magazines, corporate communication.
14. Trajan
Books, magazines, posters, billboards, anything to do with the ages or religion.
15. Walbaum
Magazines, journals, text books, corporate communication.
15 Sans-Serif Fonts
1. Akzidenz Grotesk
Large Signage, all purpose for print media.
2. Avenir
For books with large amounts of text
3. Bell Centennial
For listings and very poor printing conditions.
4. Bell Gothic
For very small amounts of text that contains large amounts of information.
For signage, posters and displays.
6. Franklin Gothic
Newspapers and where available space is limited.
7. Frutiger
Large signage, all purpose font for print media.
8. Futura
Large displays, small text in books.
9. Gill Sans
Signage, all purpose font for print media.
10. Helvetica
Large or small text, all purpose type figure.
11. Meta
Text, number, especially corporate communication.
12. Myriad
Large displays, all purpose media.
13. Trade Gothic
Newspapers and classified ads, advertising, multimedia.
14. Univers
Packaging, signage, text books.
15. Vag Rounded
Instruction manuals and print advertising.
Source: From the book "30 Essential Typefaces for a Lifetime" by Imin Pao and Joshya Berger. A history of typography is also found in this book as well as more information on each font and the designer.
To buy most of the fonts above I would recommend MyFonts or ITC Fonts however you must shop around!
Don't forget to subscribe to this blog so you don't miss out on future posts!
What are your favourite 3 fonts? Any fonts that should or shouldn't be here?
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425 JUST™ Creative Comments
Nice list, and dugg. But I'm disappointed that you don't have links to the fonts.
I'm not the typical Digg crowd, but those that are digg crowd-ish, will bury you for that Google AdSense unit. I have experience that suggests that you should remove them or else be buried (you won't get much clicks from diggers, SU is better).
Sumesh's last blog post..How to access FTP servers without any software
hehe… I've started writing a post on these 30 fonts last year, but somehow left it in my Drafts and never got back to it. I do like your approach and brief notes on when each of these types works the best.
inspirationbit's last blog post..A Bit Of Literature – Never
I'm going to have to disagree concerning Trajan. It's used too much.
This post sucks. Why?
1) its called "30 Fonts That ALL Designers Must Own" but you could not find a preview for Bodoni (don't you OWN the fonts?).
2) Showing the name of the font in preview? Seriosly, how does the rest of the font look like? next time try with "The Quick Brown Fox…"
3) Vag Rounded on instruction manuals?
I wish you included a link to download them! No wonder people come form Digg for it getting disappoint only seeing a review!
Good Luck ;)
Vinay's last blog post..Facebook Anthem – I'm Getting Bored of Facebook
Great selection of fonts. And is interesting how you specify the way that these can and are used. A font that i really like that was not included in the sans-serif font is Interstate, a very clean and readable typeface that can be used in a number of ways. I am not sure if it a font a designer MUST own, but it is in my list of top sans serif font.
Adrian's last blog post..Inter Abroad
Great lineup of fonts, I have a standard attitude towards fonts that cost hundreds of dollars, there are so many nice ones available for free, so I would never pay for a font, got to keep the cost down for the client.
miro's last blog post..The "Huge†Security Guide
Well, I agree with many of the selections I disagree with a few as well. I know they're culled from a book, so please don't think I'm criticizing you, but the original authors.
Courier? Seriously? I could go my entire life without using a monospaced font. If we want technical, typewriter-styled fonts there are quite a few others out there that are not kerned so horribly.
I personally don't see the need for Bell Centennial ever, since there are many quite good fonts out there that will suit its purpose.
Meta…and don't get me wrong I friggin LOVE meta, is quite trend laden, and isn't a lifetime type of font like Garamon or Sabon. Meta's was back 'in' last year, so expect it to be 'out' for 2008.
And I'd completely disagree with them regarding Times. Nobody 'needs' Times New Roman, but it's ubiquity simply means we'll never get rid of it. For you aspiring typographers out there, anything where Times will suit, try Minion or Garamond instead.
I'm surprised that there isn't a single 'web friendly' font like Georgia or Verdana in the list. These fonts are important because they are designed better for on-screen reading compared to others (turn of anti-alising on your system and look at these fonts…they're still legible at nearly every size, now look at Garamond without it…yuck.) which is critical today, and will definitely be needed for a lifetime.
It would be nice if the Serif fonts listed if they have small caps for numbers. (Georgia has small caps for numbers).
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For Serif faces, I think ITC New Baskerville is one of the best transitional/modern serifs and needs to be part of every designer's repetoire, and for slabs/Egyptians Rockwell deserves the spot more than the mono-spaced typewriter font Courier. It's hard to quibble over the sans list. Maybe Thesis Sans deserves a look, and Gotham is a nice face, but with any list you can always find others to include.
Another tough day for your server huh Jacob?
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Jacob, I was a little surprised that your commenters did not pick up one error: your Lucida sample is not set in Lucida, but in Excelsior. Not that I mind: I am not a huge fan of some of the Lucida subfamilies.
On your choices themselves, this collection is not a bad mixture. These families are good workhorses.
Favourites for me would be Jean-François Porchez's Sabon Next (published by Linotype), Plantin and Century Old Style. For egyptians, Century Expanded remains one of my favourites.
Sans serifs: we have an internal Swiss typeface which we tend to use instead of Helvetica, but since it's not publicly available we can't realistically count it.
Hey Jacob – cool list. I don't do a lot of design, but I dabble here and there. Not big on a few of the fonts, but will try using most of the others a bit more. Thanks!
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Aquà podréis hallar otra recopilación http://del.icio.us/yadgana/fonts
The title of this page (in my browser) is "30 Best Fonts, Downloadable Fonts, Free Fonts, Cool Fonts for Designers,†yet as far as I can tell, all the links go to ITC, who charge for their fonts.
Also, I don't like most of those fonts. The only ones on that list that I like are Courier, Times, Trajan, and Helvetica. I could not disagree more with Wisefool9, who said that there is no need for Times; if I were the client, I would certainly not let the designer use Minion or Garamond in place of Times. ITC Garamond might be OK because its x-height is more than half its cap-height; regular Garamond is too distorted for me.
Fonts that should be included? Let me check my font folder…A.C.M.E. Explosive is the only decent free comic book font; for money, Whizbang or Comicraft's Gibbons. Everyone should have a good Souvenir, a good Benguiat, and a good Cooper Black for their retro needs. At least one decent calligraphy font is necessary; the best is RSLaserLondon, an outline version of the old London from the 1980s Macintosh "city fonts.†For simulating computer text, real, actual computer fonts are necessary, like OCR A Extended, November, PC Senior, and one of the many old-style video game fonts like Joystick/Emulator/Arcade. For typewriter fonts, VTCorona and American Typewriter. And here's one that just recently came up in a project: ModeSeven. A friend of mine needed a font to make a video he was editing look like someone was changing channels on a TV, and he turned to me for advice. I used to have the right font, but after racking my brains I couldn't think of its name, so I asked the LiveJournal community "fontaddicts,†and someone gave me the name. See the result here: http://www.youtube.com/watch?v=wvn6kvVLbjc
(Edited to turn notification of followup comments on and replace HTML directed quotes with copied-and-pasted directed quotes. If post appears twice, please delete first version.)
I'll make two quick points here. First, I found this page through etc. (http://www.fortysomething.ca/mt/etc/archives/007242.php), and not Digg. I seriously believe no self-respecting blogger should 'try' to land on Digg. That's the same way Dvorak writes technically and logically incorrect articles to ruffle up feathers, but get tremendous page views for PC World. If your posts are good, people will come, and this is the second time I've bumped through here … so yes, your posts are good.
That cleared up, I would really suggest picking fonts (even though I know you didn't pick these) which look good anti-aliased as well as aliased. The reason for that is different OSs handle aliasing in different ways. XP is terrible as kerning with anti-aliased turned on, while Vista is slightly better. You can't turn it off in OS X at all. 'Verdana', 'Georgia' are industry standards and hence favourites of web designers. Microsoft added 'Cambria' which is also a font I love. I believe 'Consolas' (a rather inferior but manageable port of 'Monaco' of OS X) is the future of monospace fonts because it actually looks beautiful (something monospace fonts usually don't).
All that said, I loved 'Clarendon', 'Stempel Schneidler' and who doesn't love 'Helvetica' :)
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Nice collection there, as a writer I have a great familiarity with Courier (especially Dark Courier). On the whole though, I definitely prefer the sans-serif fonts.
PJ's last blog post..Bernadot Studios
Here's a site that allows you to choose from many different fonts to generate graphics. Good for trying out different fonts with different effects…http://www.smashupgrahpics.com
I do agree that everyone is entitled to there own opinion. I also believe that this list could have been better. Some of the fonts are so similar to one another, that I couldn't really see a "must have" reason to purchase these fonts. If a font family runs you (generously) $100 per. you would be looking at a $3,000 purchase. If this guide is for entry level designers or non-designers, I would hate to send them in the wrong direction for such a large amount of money. All and all you could just change the title to "30 Tried and True Fonts."
Ha! The typeface so revered they made a movie about it shouldn't be on the list?
Care to give a reason?kristarella's last blog post..Top GIMP tutorial sites
The reason fonts like Helvetica and Times get used so much is because they're so perfect. There's nothing wrong with using a font that's been used a million times before if it's the perfect font. There /is/ something wrong with using a funny-looking font just because it's new or rarely used.
Comic Sans gets a bad rap, but it's just used in the wrong places. Used correctly it's a beautiful font.
Kristine – dafont.com or Divide by zero are alright for free font, but remember that most of them have limited weights and styles (maybe no bold or italic) they might have characters missing (very unlikely to have a full character set with degree symbols and all that) and the creators probably didn't spend hours checking all the kerning possibilities. Typefaces are expensive because they're damn hard to make. That said, I've got a fair few of the free ones, they're good for the occasional novelty.
Alexander – you're entitled to those feelings and thanks for sharing. I'm inclined to agree with Felicity that it's a well done typeface that deserves to be used… not sure about the merits of Comic Sans though. It has been used and abused and I cringe when I see it.
kristarella's last blog post..Top GIMP tutorial sites
This is a great site, I work for an IT Help Desk. This was a huge help when suggesting fonts to users. You get dugg for this article, but I dont mean to nit pick, there are a few spelling errors throughout the article. Nothing to big its just because of my teachers when I was in school. Making us spell check everything we ever did on the computer. Like i said digg worthy article. Nice work.
To the person (people) criticizing Courier:
You will never be able to appreciate the beauty of courier until you regularly use it. I only had to use courier because… a class in college mandated the font for all papers. At first I was thinking one thing: More space, less words.
Now that the semester is over, I've really, really come to love the font. It's an awkward member in the Typography family, like that quiet-kind cousin you have that's always studying art somewhere in Russia or something… but you (should) still love it.
Really though… Courier is awesome. There have been points in my designing where only Courier has done the job because you feel you need something you'd never otherwise consider.
Typical traditional list. Timeless. Dull also. Typical hollistic typographer's view on fonts. What customer cares about the tiny differences within these fonts? The list could easily be reduced to 10. And then add some fonts which compete because of their strong distinguished character or based on their application environment (newspaper/web). Come on guys, wake up. It's 2009!
I generally use Trebuchet MS or Lucida. The information above helped though….. I liked many of your logo designs as wel, not to forget the lovely 3D bottles :)
My favourite fonts are again Trebuchet MS and Zapfino!!! I am not fond of typography though…..
Your website is cool, feels good to see all the fresh colours.
Well-made website!!!! :)
Courier? What? Lubalin Graph is a perfectly weighted slab serif that can be used for body or display copy. Rockwell is much better, too.
Univers & frutiger a re a little redundant as well. Same with the Bells. For serifs, I think you could limit it to Helvetica, Futura, Avenir, VAG, Century Gotic (not even mentioned?) and maybe Rotis Sans or Avenir. Also – Garamond is way better (imo) then Clarendon. I feel like the x-height on Clarendon moves the balance up to much – it feels awkward.
This is a great list specially for web designers when they are designing the graphics for the websites they are developing. Thanks.
I might sound like a n00b, but these are not web safe fonts and hence are not recommended for use for showing text on HTML pages. Correct me if I'm wrong.
I would love to have a list of web safe fonts or nearly web safe fonts that are recommended for use. Do you have any suggestions?
Thanks in advance
These are the top fonts according to the deviantart community. -
@Pali Madra
If you are concerned how these fonts are going to look on the web, simply look at this page on the web and then you will see how they look on the web. Well actually it's not that simple. Because people have various resolution screens, it's good to check how your page looks with various resolutions. And working in 'ems' is practical here.
hi, just thought i'd pass along that i found all the fonts listed on the top-30 countdown above for free on: http://www.fontyukle.com/en/
not sure how they get away with offering them free, but they do and the fonts seem to be authentic (i.e. not some crummy auto-trace knock-off of the original font).
What type faces in your collection are free? I had them all until my computer "whiz" whizzed them out. Whatever you can spare, would be greatly appreciated. Thanx. Dick Commer
Wow, I can't believe some of the comments on here. As designers one of the fundamental part of design is typography, yet most of the comments are people complaining, about the cost, the similarity and what's not on the list.
Beautiful selection Jacob, love all the fonts listed.
And to the complainers, not everything in life is free. sometimes to get the nice things in life you have to sacrifice one thing for another.
Some of these fonts are pretty much the same. I really don't think that all designers MUST own these. There are some great ones though that everyone should have.
I have used some of these fonts on my sites: E-9 Ecig and Real Ecig and Dragonfly Ecigs and Endless Vapor -
I agreet that these are good solid texts that can be used effectively in a wide variety of media. I wish, however, that there were some more 'interesting' or 'fun' ones on this list. Many of them look extremely similar. You should do a blog post of your favorite creative ones or perhaps some type faces that you created on your own.
I can't believe the absolute rudeness of some of the comments on here! If these people think they are as good as they are .. they obviously shouldn't need to come to the site, let alond post comments like that. Talk about egos! Well done on the initiative to put this site together, Jacob. I've been enjoying it.
I agree with a lot of these, but not Lucida and Courier. Really, Courier? We're getting to a point where monospaced typefaces aren't exactly "needed" or appealing, as we control our letterforms and typesetting a lot more acutely on a computer. If we need to aim for a typewriter look, then I say American Typewriter should be on this list instead.
Sabon and Stempel are solid, fantastic choices though, especially for those who want a change from Caslon and/or Garamond (which may be said to be overused, as well, though still timeless, like Helvetica). :)
@Mayene de Leon and anyone else who thinks American Typewriter is a good typewriter font, you're wrong, but you're probably too young to be familiar with typewriters. Almost every mechanical or electric typewriter ever made created fully monospaced text. The American Typewriter font is not properly monospaced. By my estimate about 75% of fonts found on the web with "typewriter" in their names share this glaring defect.
To check, compare the width of EVERY character in the font, including especially those that would be very wide or very narrow in a normal proportional font — uppercase W and M, lowercase i and l, space and all punctuation. If you put "wide" characters on one line and "narrow" characters on the line below, do the same number of characters always come out to the same line length, or do you find that somewhere along the way, characters on one line are no longer aligned with characters on the other?
Another common failing of "typewriter" fonts: Most real typewriters had no numeral "1″ [one] character. Typists would use a lowercase "l" [ell] (or sometimes capital "I" [eye]) instead. If you're intending to reproduce real typewritten text, the font should have a "1″ glyph which is the same as the "l" glyph (or you should make that substitution), unless you're replicating the output of a high-end typewriter such as an IBM Selectric II, which did have a separate "1″ character.
Jacob, I was a little surprised that your commenters did not pick up one error: your Lucida sample is not set in Lucida, but in Excelsior. Not that I mind: I am not a huge fan of some of the Lucida subfamilies.
On your choices themselves, this collection is not a bad mixture. These families are good workhorses.
Favourites for me would be Jean-François Porchez's Sabon Next (published by Linotype), Plantin and Century Old Style. For egyptians, Century Expanded remains one of my favourites.
Sans serifs: we have an internal Swiss typeface which we tend to use instead of Helvetica, but since it's not publicly available we can't realistically count it. -
thees are great fonts!! can u please let me know where can i download them on a single click..i mean a zip folder ??Thanks
Couldn't disagree much more with this list… while you nailed some of them, they were common sense ones. Personally I feel that the styles of these fonts are incredibly repetitive and none provide much 'life' to any project. If someone had to survive as a designer using JUST these fonts for the rest of their career, they would fail. Looking through some of your designs of logos and such, I see that most of your font based work doesn't even use modified versions of these fonts. Maybe your headline should include an omission for designers who focus on logo/identity design?
It's funny hearing someone like Wisefool9 say they can do without monospaced fonts. Clearly he doesn't understand what monospaced fonts are for.
It's a typical comment from someone that doesn't know that they don't know an awful lot of things. Since they are so ignorant of their own ignorance they assume everyone else has the exact same needs as them.
Great collection, i will gladly use some of them in my next designs! Thanks for sharing.
http://www.mammothpixel.com – free logo designer
Decent list, I personally prefer the look of century gothic then future, but futura has a much larger family and can be used for more.
Trajan is used too much but its much better then the alternative, papyrus.
Its solidly made still.I disagree with the comment about courier new, although maybe not an essential and it is disliked by many, when used right it can be quite effective.
A lot of nay-sayers in here, mind you there is also a lot of designers out there that dont know a thing about fonts.
Sure you could use a fancy over complicated font from dafont.com, but a nice, clean, simple font that has been developed with time and knowledge, if used correctly, will be much more effective.
Quote: «Andrew, I got the list from a book.»
Nice work. I wonder what's the origin.
I don't know if i'm the first one to mention this, but your sample for univers is not a univers. I assume it's a Monotype News Gothic. May be you could change that on occasion.
There is a list of the «best 100 fonts» that i have to mention here, because it's a wonderful inspiration. (Though its in german)
I am writing an essay about writing and typography. So may be someone is interested in having a look at my fonts and give me some feedback.
Anyway thanks
If this is from a book, you really ought to give them credit. Especially since you can't seem to defend their choices for them (because this is likely from an outdated classroom typography book).
I know this blog post is from 2008, but still. Pretty shitty to not give credit.
Interesting piece. Yes, most of these fonts will probably be around forever.
Just recently read an amusing piece about another font which has had people calling for its execution pretty much since its birth… http://bancomicsans.com/main/
Holy. Fucking. Crap. What a pretentious post.
Seriously, COURIER a must-have for a fixed-width font? You clearly have no idea what's been going on in the fixed-width font departement in the last, oh, 30 years. There's a whole lot better out there. (and I'm not talking about American Typewriter)
Trajan a must have?
If you say things like this, I'm not going to take you seriously.
Great list. Nice to have one's own choices supported from time to time.
For a magazine I design I use ITC stone serif – which is great, but I have been wanting to try something else. Bembo is beautiful for body text, but somehow seems too formal for a magazine. Might actually go with Caslon I think…it has a certain quirkyness that's reminiscent of Cooper. I've also become a huge fan of Bodoni's italics – use it all the time for pullquotes, but for body text at about 8pt, I find the thick/thin lines a bit tricky to read.
As for sans fonts…it's amazing…I always try to stay away from Helvetica, trying everything from Interstate to Akzidenz and Din, but again and again and again I keep coming back to it…I guess it really is just too damn perfect – However I exclusively currently use Helvetica condensed (light, bold and ultra light)…always been a fan of condensed fonts.
Also – I have to agree with Fellcity about Comic Sans…I do hate the font, but have actually used it once or twice in print – it WAS used ironically and in jest, but it's still there for all to see. Any font can be beautiful in the correct context, which is what makes typography and design so exciting and so frustrating because there are so many options and you never know when to stop looking and trying…the perfect font could always be the very next one you try. I suppose that' why we do stick to ones we know and love – and I agree mostly with this list – although I'm still to find a need for Courier ever.
I like this list. I came across this site http://fontcab.com – it's specifically made to download commercial fonts for free.
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Monday, 30 January 2012
Boden does Parisian Chic
Has anyone else noticed that the Boden catalogue has gone all Parisian Chic for spring? When Ines de la Fressange published her style guide last year, grown-up women swooned. A Mexican wave of approval swept the blogosphere as we all agreed we wanted to look like Ines. Be like Ines. And so, here we have un petit hommage. Shot in the French capital, on a gorgeous model (quite similar to Ines' daughter Nine, don't you think?) wearing timeless basics - the blazer, the tan leather jacket, the jeans - to create that pared-down, 'made in Paris' look.
Meanwhile, in an intriguing sartorial twist over at the haute couture shows last week, Ines de la Fressange swapped Parisian Chic for English Heritage:
Make that flannel, corduroy and tweed. Maybe she's working on another style guide? What do you think?
16 comments:
- déjà pseu said...
They (Boden) certainly seem to be trying, but looking at the pieces more closely, I see detailing that nixes it for me. The white topstitching on the blue jacket, the too-twee buttons on the coat.
And Ines...I love English Heritage but think she's lost the plot here. Even so, she's probably having fun with it, so E for Effort. - 30 January 2012 at 21:39
- Aesthetic Alterations said...
I love that Ines can have fun with clothes! It's wonderful.
Meanwhile, the Parisian Chic styling is great for disseminating the aesthetic. I like it much more than the over-stylized "I'm just throwing things together" of J Crew. - 30 January 2012 at 22:04
- Patti said...
Hmmm, I guess my eyes have seen a lot of Parisian Chic, because that English look Ines threw together looks very interesting right now (I'd forgo the flannel).
- 30 January 2012 at 22:36
- kathy peck said...
Ines could wear a grain sack and make it look chic, as could her daughter. It's a great guideline for me, but like everything else, I have to tailor it for my body, or sometimes I feel maybe I should give up wearing just what makes me look slimmest, and have more fun?
- 31 January 2012 at 01:43
- the gardener's cottage said...
i swear i was just going to say she could wear a feed sack and kathy beat me to it. seriously, i think she could. i love tweed and flannel so i'm all aboard!
- 31 January 2012 at 02:35
- Fleur said...
Looks cute to me!
- 31 January 2012 at 02:38
- MyStyle said...
Hi my dear-great key pieces that look stylish and I love how Ines looks too x
- 31 January 2012 at 09:45
- Chicatanyage said...
I'm not normally a fan of Boden, a bit tooo classic for me but these pieces look more interesting. Will check out bearing what deja pseu said.
- 31 January 2012 at 11:53
- Vanessa@Luxuria said...
I must admit I do like Boden :-)
- 31 January 2012 at 18:11
- age-isjustanumber said...
I know the whole Parisan look is the main idea in the blog, but love the mish mash of the English Heritage, shes looks gorgeous !
I love the hobo vintage look and defo hats !!!
Great page x - 1 February 2012 at 21:58
- dina vanessa mercado said...
classic but very sophisticated too... great styles and very impressive... love love love your post!!! great blog!! following you now... hope you could visit my blog too.. kissess!!!
- 2 February 2012 at 05:51
- metscan said...
Commenting a bit late again, but is that really Ines in the last picture?
If so, bad, bad.
The other clothes, shown above, look ok on just about any slim, nice looking girl. I would not suggest them for mature women.
We have other brands to choose from. - 2 February 2012 at 12:46
- Fashion, Art and other fancies said...
I do agree. Ines has fun with fashion and that's how it should be!
- 2 February 2012 at 16:33
- That's Not My Age said...
deja pseu - you're right, the detailing, it can be a bit twee and as we all know, less is definitely more.
- 3 February 2012 at 19:12
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- 22 March 2014 at 08:58
- Karla Bathrick said...
I love this jacket. I'm in the market for one myself.
tan leather jackets for men
- 24 March 2014 at 12:27