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Fishing Tackle - Rods & Reels, Bait & Lures, Rod Holders, Downriggers & Outriggers
Video Transcript
Hi, I'm Keith the boating guy and today I'm also the fishing guy. Now, if you're like most fishermen, you're always looking for ways to hook the big one. Well, I can't promise you'll come in with more fish then fish stories but I can talk about ways to tip the scales in your favor. Since most fishermen own multiple rods and reels, let's talk about where to stow your stuff first. To make the best use of space on your boat, outfit it with as many rod holders as you can. Rod racks are meant to be placed on the side of the hull, can hold up to six rods horizontally. Tube style rod racks are mounted vertically on the side of your boat's consol. They take up very little space. While flush mount rod holders need only a few inches of gunnel to add rod storage.Now, if you're wondering what gunnel is, it's the top edge of the boat's side that forms a ledge above the deck. Now, let's tackle- tackle. What do you do with all those lures, sinkers, bobbers, and other sorted weapons in your fishing arsenal. Tackle organizers are a great alternative to portable tackle boxes. Those shallow plastic trays have different size compartments that hold your lures and other gear securely in unused space on your boat. If you prefer live bait, you'll need a way to keep your bait fish alive. Larger boats often have built in bait wells, dedicated tanks with pumps and plumbing to provide clean aerated water big fish need. For smaller boats, a portable bait tank is a good idea. Of course, to catch fish you'll need to find them. You and I both know that's easier said than done but a good fish finder can help.
A fish finder is an electronic device that uses sound waves or sonar to see under the water. By processing the sound waves, a fish finder can determine water depth. Submerge structures are just where those little sneaky fish are hiding. A fish finder display shows you what the sonar sees. Displays vary by unit. Display resolution is measured in pixels. The higher the resolution, the sharper the picture. Be sure to look for a unit with a display that works well in direct sunlight. A fish finder's transducer sends out and reads sonar sound waves. The sound waves radiate from the transducer in a cone shape called a beam. A transducer with a wide beam width shows a larger area of the bottom in shallow water while narrow beam width works well in deep water. Fish finders work best if they're mounted in an area free from turbulent or bubbling water like off the right side of the transom and they're installed perpendicular to the lake bottom. Fish finders can provide other useful information. Some models have sensors that can read surface water temperature.
Paddle wheel transducers equipped fish finders provide fairly accurate boat speed which is good to know if you're trolling. Bottom hardness may be shown as a horizontal line on the display. Some models use fish icons to identify potential targets however fish arches which are formed as fish move through the sonar beam offer a much more accurate way to tell the difference between weeds that look like fish and actual real fish. Alarms that sound when you're in shallow water can stop you from running a ground or hitting bottom which is easy to do...
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text: Half Moon 2 - Study Plan Code: HM2-SP Price: $80.00 Quantity in Basket: none Eight pages of 11x17 set of drawings to better study the design of the house. Can later upgrade to Review Set. Shipping included. Half Moon 2 - Review Set Code: HM2-RS Price: $260.00 Quantity in Basket: none 11x17 mini set of Construction Prints marked �not for construction� to review the details. Includes Study Plan. Excludes Custom Energy Specs. Cost is deductible from future orders of Sun Plans� Construction Prints or CAD files. Shipping included. Half Moon 2 - Construction Prints Code: HM2-CP Price: $1,195.00 Quantity in Basket: none Six sets of 13 pages of 24x36 construction drawings. Includes Custom Energy Specs. UPS ground shipping included to 48 states in the United States. Half Moon 2 - CAD files Code: HM2-CAD Price: $1,645.00 Quantity in Basket: none Computer Aided Design files for having changes made by a local architect, design professional or engineer. Includes CAD Files, PDF Files, Custom Energy Specs, 11x17 drawings and a Copyright Release. Shipping included. Half Moon 2 - Mirror Reverse Code: HM2-MR Price: $250.00 Quantity in Basket: none Reverse the house so the living area is on the east. This is a service performed on the drawings ordered. All of the drawings will be true right-reading, mirror reverse drawings. Must be ordered with Construction Prints or CAD Files.

subset: commoncrawl


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Discover a selection of top forums jackson dancing on the internet. Come to share your passion on forums jackson dancing and meet other fans of jackson dancing. Then, why don't you create your own forum of jackson dancing ?
A place for Percy Jackson and the Olympians fans to roleplay.
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An RPG site that is based off of Rick Riordan's Percy Jackson series! Come join Camp Half-Blood and RP, chat, and meet new campers! Have fun and watch out for monsters!
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A Percy Jackson and the Olympians RPG. Free forum : Half-Blood Hill
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Demigods have choices to make: Become a hero and please the Olympians, or help the Titans tear Olympus down brick-by-brick: A Percy Jackson RPG
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Scarf Hem Dress
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Take a walk in an exotic Asian garden. Peony print dress with on-trend scarf hem has a blousy bodice accented with keyhole details and cut-in shoulders.
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No benchmarks? nv vs nouveau vs nvidia?
Phoronix: Using The Nouveau Driver In Ubuntu 9.04
As we reported in December, the Nouveau driver is available in Ubuntu 9.04. Unlike Fedora 11 where the Nouveau driver is being enabled by default on NVIDIA hardware, the Nouveau driver will be an after-installation option to Ubuntu users. In this article are the simple steps on how to enabled the Nouveau driver in Ubuntu and what you can expect from this open-source, community-spawned graphics driver.
No benchmarks? nv vs nouveau vs nvidia?
I'd really like to see the 2D benchmarks - an area both of nvidia's drivers have had frequent severe problems in.
Usually you install binary driver as soon as possible, but for U 9.04 some old gpus could not use it, therefore it would be interesting to see what that driver is capable on that gpus.
When I installed Ubuntu 8.10, I had to add a line in xorg.conf so it would know how to handle my SLI set up.
After many install issues, by far the worst installer I've ever encountered in linux, and driver issues, Ubuntu 9.04 is a no go for me. 9.04 found the proprietary drivers and let me install them, but on restart it had the exact same error as when I installed 8.10. Unfortunately the line I fixed in xorg.conf didn't work this time around.
I'm a dreamer, I dream of a time when I can game on my linux distro. Right now I just game with UT2k4 or Quake Wars but that 3D support is imperative. Guess it's back to 8.10. If these distro developers aren't careful, they could alienate what gamers who do use Linux or would like to switch to from Windows (me). I personally think everyday programs like games is what keeps Linux desktop from becoming mainstream. Why limit that by using drivers that don't work?


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Family Voiceshttp://www.familyvoices.orgThis website brings together families who have children with special health needs.
Consolidated Credit Counseling Serviceshttp://www.debtfree.orgThis group's mission is to assist families throughout the United States in ending financial crisis and to solve money-management problems through education and professional counseling.
Centers for Medicare and Medicaid Serviceshttp://cms.hhs.govThis website contains all the information you need to understand your health care.
National Foundation for Credit Counseling (NFCC)http://www.nfcc.orgNFCC is a national nonprofit network of centers designed to provide assistance to people dealing with stressful financial situations. Call: (800) 388-2227
National Association of Free & Charitable Clinicshttp://www.nafcclinics.org/The National Association of Free and Charitable Clinics (NAFC) is the only nonprofit 501c(3) organization whose mission is solely focused on the issues and needs of the more than 1,200 Free and Charitable Clinics and the people they serve in the United States.
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CarePages.com is health care's largest social network to provide the emotional support needed for healing and well-being. CarePages enables those involved in a health event to create private websites for sharing health updates, photos and supportive messages


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It's not really clear from my mailing list message or the article, but the indirect addressing support is currently for compute only. The TGSI->LLVM implementation for r600g and radeonsi does not translate indirect addressing yet, so that would need to be done before indirect addressing will work for graphics. In addition, the indirect addressing support in the backend is not really suitable for graphics, because it only supports a maximum of 16 dwords for indirect addressing, which is not really enough for most graphics shaders, especially since with TGSI one must assume that all registers might potential be accessed via indirect addressing.
My priority now is to improve compute support in the compiler, I don't have any near term plans to work on indirect addressing for r600g graphics shaders. However, the TGSI->LLVM piece will likely be implemented when indirect addressing support is added to radeonsi.


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An ongoing series of articles on songs & performances of the early Grateful Dead.
August 25, 2009
The Crowded Dead Stage 1967-1975
This list is mostly limited to electric Dead shows where someone outside the band added a musical contribution. It doesn't include the acoustic sets of 1969-70 (which often had many guests), since I'll be talking about those in another post (that will be a kind of "part II").
It doesn't include the New Riders - though I should at least mention the 3/18/73 New Riders show where Garcia, Weir, and Godchaux all join in.
It doesn't include announcers - some of whom, in the early days, are quite entertaining in their own right.
It doesn't include studio sessions (for instance, the Jon Hendricks session in March '67). For a good discography and listings of various studio collaborations, check www.deaddisc.com - and for Garcia's non-Dead projects, check www.thejerrysite.com (he played on SO many other bands' albums).
It doesn't include the collaborations with David Crosby in late '70 (for instance, the PERRO sessions or the 12/15/70 show), which could be a whole separate discussion.
It doesn't include the many tapes of Garcia jamming with other musicians - for instance, Country Joe (the Fillmore West '69 "Donovan's Reef jam"), Jefferson Airplane (Family Dog 9/6/69), the Allman Brothers (Cow Palace 12/31/73), or Doug Sahm (Austin 11/23/72), or various early jams with Jorma Kaukonen & Jack Casady.
But I did include a couple illuminating non-Dead shows that happen to be on the Archive, where Dead members have a strong presence, as well as the notorious Hartbeats shows since those have so much Dead material.
I've decided to skip the early '66 Acid Tests, since they're so full of audience mikes and Prankster chatter - the Dead themselves were the guests. So we'll start at the dawn of 1967:
12/1/66 Matrix - An unknown blues singer & harmonica player joins the Dead for Yonder's Wall and My Own Fault.
1/14/67 Great Human Be-In - During a speedy instrumental Schoolgirl, Charles Lloyd plays flute and does a jazzy, aggressive stream-of-consciousness rap.
6/18/67 Monterey Festival - This is the earliest version of Alligator we have - at the beginning of Alligator, someone's playing harmonica where the verses should be. It doesn't seem to be Pigpen, since it's off-key (meanwhile he's probably singing into a dead mike) and later in Caution he plays harmonica in his usual style - but I had the impression it might be someone familiar with the song.
7/23/67 Straight Theater - Garcia introduces Neal Cassady, who raps for a while while the Dead back him. For the first part they play an instrumental Lovelight (their first known version), then in the second part they get into a minimal 'space' - also the earliest space. Apologies for the link - it seems to be only two minutes (the original record was ten minutes, and even that was an excerpt).
6/19/68 Carousel Ballroom - After the Lovelight, the Dead stop the music for twenty minutes of audience chanting. For the second half of the show, the Dead are joined by an unknown guitarist, and perhaps Jack Casady.
9/20/68 Berkeley - In this snippet of a show, the Dead abort a short Eleven to go into drums - they're joined by two more drummers for a 25-minute drum solo, which ends the show with cries of "Ya, ya, yaketa!" Perhaps equipment or lysergic troubles prevented an Alligator jam - in any case, this must be the longest drum solo until 1978. http://www.archive.org/details/gd1968-09-20.sbd.miller.32900.sbeok.flac16
In October '68, during a temporary firing of Weir and Pigpen, a series of Mickey and the Hartbeats shows started at the Matrix - consisting of Garcia, Hart, sometimes Lesh, and any other musicians that might show up, jamming on a few Dead themes and some freeform explorations. Sometimes it's said that they were auditioning for new Dead members, but this is highly unlikely, since the other players were already in established bands. Garcia may have just wanted to open up a new side-project (we'd certainly see more of those in later years). It's less-known that Lesh isn't even playing during many of these shows - with the exception of 10/30/68, these are mostly Garcia/Casady duets. When Elvin Bishop shows up, the Hartbeats take a definite turn towards standard blues jams.
Not all the Hartbeats shows seem to survive - there are some undated fragments circulating - and occasional Hartbeats shows took place into '69, of which we only have the Aug 28 show with Howard Wales.
10/8/68 - Elvin Bishop & Jack Casady
10/10/68 - Jack Casady & 'Marvin' (blues singer & harmonica player)
10/30/68 - Elvin Bishop
12/16/68 - Jack Casady, Spencer Dryden, David Getz
12/24/68 - Garcia with Elvin Bishop, Steve Miller, Harvey Mandel (not on the Archive)
8/28/69 - Howard Wales
Early '69 was a conspicuously guest-free time as the Dead played their limited setlist with Tom Constanten at show after show. As I've mentioned before, in April/May '69 a little setlist upheaval started as the Dead started bringing back bunches of old covers, adding more variety (and sloppiness) to their shows. All of a sudden in late spring, we see a whole torrent of guests taking the stage in Dead shows, which would continue through 1970.
5/29/69 - Santana's drummers join the Dead in the Alligator drum section, and Garcia jams with the percussion; one of them sings a bit in Lovelight.
5/31/69 - Ken Babbs starts Baby Blue with a sad little rap; he's also heard rapping at length after Cold Rain & Snow.
6/6/69 - Jerry is too dosed to play, so Elvin Bishop takes his place for almost the whole show (except Lovelight). Needless to say, we get an extra dose of blues with Smokestack Lightning and Checkin' Up On My Baby. The Lovelight may be the longest ever, at 48 minutes (though some others come close).
6/7/69 - Janis Joplin sings with Pigpen in Lovelight in her usual blues-scat style. (This part of the show suffers from tape deterioration.)
6/8/69 - After an amazing first set, we get no less than two guests - Wayne Ceballos sings Lovelight instead of Pigpen (making it feel twice as long, though Pigpen seems to approve). Then Elvin Bishop (who played guitar in Lovelight) takes over again for a couple blues tunes with Pigpen, Things I Used To Do and Who's Lovin' You Tonight, before Garcia returns.
6/13/69 - Ron Hawkins sings Schoolgirl with Pigpen. Someone plays flute for a bit in the middle of Lovelight, and Ron Hawkins comes back for the raveup at the end.
7/7/69 - Deadlists suggests that Gregg Allman is playing organ in Lovelight. I don't think so - I only hear Constanten - but I'm including it here in case I'm mistaken. (In any case, this was the first show where they met the Allmans, and there was a jam after the show.)
7/12/69 - Madness breaks loose in Lovelight - Pigpen tries to get Mickey to sing, and Weir gives a mike to an enthusiastic audience member who starts shrieking and hollering the blues: "Let me tell you baby, you're a brown cow, let's go get stoned....."
8/3/69 - Very unusual (and anonymous) guests tonight - a fiddle player in Hi-Heel Sneakers, and then saxophone and fiddle in the Dark Star>Alligator>Other One>Caution jam. One of the most unique sets the Dead ever played, though the mix is poor.
8/16/69 - Ken Babbs raps for quite a while after Mama Tried. Someone also raps about the "third coast" at the beginning of Lovelight; this used to be attributed to Babbs, but it is actually some mysterious stranger.
8/21/69 - Charles Lloyd plays flute in Minglewood Blues and China Cat.
8/23/69 - After Pigpen has the crowd yell "Howdy!" he asks for a volunteer: "Anyone wanna come up and testify? - anyone, come up and say something! Y'all chicken?" Some crazed fellow takes him up on it and starts screeching, "Woo-hoo! Everybody get it on! Have a good ol' time! Baby baby, do ya feel it?" and makes a little speech.....
(There are many more Lovelights in '70/71 where Pigpen would give the mike to delirious romantics in the audience. I don't have the heart to seek out any more examples, though.)
9/7/69 - Not the Dead, but Garcia with some of the Jefferson Airplane playing some drunken garage-band oldies from their youth. A rare chance to hear Garcia singing Johnny B Goode (and the first known Big Railroad Blues) - but it's hard to believe he's playing guitar.
9/11/69 - There's a stray audience tape of an early Easy Wind in which Jorma Kaukonen may be playing slide; it's not on the Archive.
10/25/69 - Stephen Stills plays guitar in Lovelight.
11/7/69 - After Mama Tried, someone in the audience plays the Star-Spangled Banner on a pennywhistle, to general hilarity - the Dead respond with a few little traditional ditties.
11/8/69 - In the Caution jam just before the Main Ten, someone recites a little poem in a Dylanesque manner - perhaps John Dawson. (Released on the Dick's Pick.)
12/10/69 - Stephen Stills plays guitar in Casey Jones, Schoolgirl, and Morning Dew, and sings Black Queen. (He probably played in Lovelight as well, but it cuts after two minutes.) Black Queen is excellent.
12/29/69 - Soon after the jam starts in Good Lovin', a disturbed audience member yells into a mike, and they stop for a bit while he's hustled off-stage. This isn't a "guest appearance", but it helps remind us that in many shows (as Garcia occasionally mentions) the stage must have been full of people wandering around - kids, dancers, freaks, and so on.....
2/1/70 - Peter Green plays guitar in Lovelight, and another Fleetwood Mac member hollers for a bit.
2/4/70 - Though it wasn't part of the Dead show, several bands were being filmed at the Family Dog this night; and at the end of the evening there was an "allstar jam" including Garcia, Santana, and the Jefferson Airplane guitarists, part of which was broadcast. It's not on the Archive (or the 2/4/70 Download Series), but it is on youtube.
2/11/70 - For the Dark Star>Spanish Jam>Lovelight, an enormous crew including most of Fleetwood Mac and the Allman Brothers joined the Dead onstage - Peter Green, Duane Allman, Mick Fleetwood, Danny Kirwan, Gregg Allman, Butch Trucks & Berry Oakley.
3/8/70 - A mystery guest takes the mike after Pigpen's Katie Mae and "sings" a blues while Pigpen and the band accompany him - then he continues shouting and tunelessly bleating a harmonica all through Not Fade Away, while the Dead apparently ignore him. This was thought to be Wayne Ceballos; Pigpen seems to have encouraged him onstage, for some reason. (The link has a debate on whether this singer is Ceballos or not - which is ironic, since the genuine Ceballos on 6/8/69 is almost equally atrocious.) Hands-down the worst guest appearance.
3/17/70 - This famed show, where the Dead played with the Buffalo Philharmonic Orchestra, doesn't survive on tape. But there are descriptions of the show here:
(As for lost shows, I should also mention 5/10/70, where the Dead jammed with the Allman Brothers.)
4/9/70 - An unknown guest sings the improvised "Cowboy Song", an interesting Sugar Magnolia-type hoedown, as the audience stamp their feet. http://www.archive.org/details/gd70-04-09.sbd.hanno.6157.sbeok.shnf
6/7/70 - During the Other One drum solo, a lady gives a speech to the audience; not only that, but someone's singing off-mike during the Cryptical reprise. (Deadlists claims this is Robert Hunter.) Someone also sings "hey baby" over the opening of Cosmic Charlie. The Dead themselves, perhaps unsurprisingly, seem a little unfocused.
7/16/70 - At Bear's going-away party, Janis Joplin sings another Lovelight with Pigpen - this one is much raunchier than last year's.
8/19/70 - David Crosby plays guitar in Not Fade Away>Lovelight - unfortunately, in the audience tape it's hard to make him out.
11/11/70 - Jack Casady, Jorma Kaukonen, and Papa John Creach join the Dead during Goin' Down the Road and they play a series of fun jams, blues, and rockers to end the show.
11/16/70 - This Hell's Angels benefit has a few guests on several tunes - Steve Winwood on organ, Will Scarlet on harmonica, and perhaps Chris Wood doing some singing in Not Fade Away. (This show used to be known as 11/23/70, but 11/16 Fillmore has become the accepted date.) http://www.archive.org/details/gd70-11-16.sbd.winters.17361.sbeok.shnf
(There is also a Good Lovin' with Hot Tuna (Jorma, Jack, and Papa John) that used to be attributed to 11/16/70, but it's not on the Archive)
11/20/70 - The bonus set with Jorma Kaukonen and Jack Casady features quite a few hot jams and rockers, in better quality than 11/11.
11/21/70 - Only part of the set exists, a Cryptical>Other One medley. Ned Lagin says this was the first show he played with the Dead, but he wasn't plugged into the PA, so he's quite inaudible.
(Although it's an acoustic set, I should mention here the 11/21/70 Boston radio show they did after this performance - Garcia & Weir played several acoustic songs in which they were joined by Duane & Gregg Allman. This set's apparently not on deadlists or the Archive.)
12/31/70 - During I Know You Rider, you can hear a woman screaming continually for quite a while; the Dead ignore her. After the song, another woman says into a mic, "Um, excuse me, I forgot my cape in the corner over there...." As Deadlists puts it, "Plainly things were a little out of control backstage; perhaps there was a mic live that shouldn't have been." (This is also the show where the Dead direct a spotlight onto an audience taper - Garcia shouts, "There's bootleggers among us - let's find out who these people are!")
12/31/70 - After the Dead show, in the wee morning hours Weir came back for an extra set with Hot Tuna (Jorma, Jack, Will Scarlet on harmonica, Joey Covington on drums) - playing a selection of oldies, most of them in the Dead's setlists, but here done Hot Tuna-style. This is a rare example of hearing Weir (rather than Garcia) as a guest.
Guest appearances dropped off significantly in 1971, as the Dead tightened up their shows. In fact, there were none - except for three nights in the Fillmore East run in April:
4/26/71 - Duane Allman plays guitar in Sugar Magnolia, Hurts Me Too, & BIODTL. He's rather low in the mix (and the song selection could be better) - apparently these songs were almost released on the Ladies & Gentlemen set, but were halted by legal issues.
4/27/71 - The Beach Boys emerge from the mists of time for a little mini-set in the middle of the Dead's set.
4/28/71 - In an even more surprising emergence, Tom Constanten reappears - not for a whole set, interestingly, but he plays in the Dark Star>St Stephen>Not Fade Away medley. This was released on Ladies & Gentlemen.
One summer jam session must be mentioned:
8/21/71 at Mickey Hart's barn - The Dead jam for a couple hours with John Cippolina, David Crosby, Nicky Hopkins & Merl Saunders - and amazingly, it's taped:
12/31/71 also has a raucous midnight start - during the opening Dancin' in the Streets jam, the radio announcer mentions that two men "took off their diapers and are running around the stage nude!" Someone (perhaps one of these men) shouts "Happy new year!" and some random shrieks into a mic during the jam. Afterwards, Weir announces that the stage is a mess....
1972-73 saw a few more guest appearances:
3/25/72 - Bo Diddley plays a set of his songs with the Dead as backing band during the Academy of Music run. Part of it was released on a Dick's Pick (along with the one-time-only Are You Lonely For Me Baby, How Sweet It Is, and Pigpen's last Smokestack Lightning, from the Dead's set) - and a horrible AUD tape is here -
7/16/72 - At the end of the show, Dickey Betts and Berry Oakley join the Dead for a fantastic Not Fade Away>Goin' Down the Road>Hey Bo Diddley. (Duane Allman unfortunately couldn't appear, since by this time he had merged with infinity. By the way, the other two '72 Hey Bo Diddleys were done on 5/23/72 and 8/22/72, which are well worth checking out.)
9/10/72 - David Crosby appears in this excellent show, playing in Dark Star. (He's less evident in the following songs.)
9/30/72 - Several witnesses in the reviews here report a topless dancer onstage - unfortunately, she doesn't appear on the tapes..... But judging by the Veneta '72 film, such sights were common among Dead audiences.
10/9/72 - Grace Slick appears, not topless but apparently drunk - to start the second set, she sings a Janis-style rap while the Dead play a blues jam. She returns to make a little speech about the band before Truckin'.
12/31/72 - David Crosby shows up again to play guitar in the fantastic Other One>Morning Dew jam.
6/10/73 - In one of their giant '73 shows, the Dead give us a famed third set with Dickey Betts, Merl Saunders & Butch Trucks. Interestingly, Garcia picks That's All Right and Takes a Lot to Laugh from his Keystone setlists.
7/28/73 - The encore is the highlight of the show - Not Fade Away, Mountain Jam, and Johnny B Goode with the Allmans and the Band. One of the only times (other than 12/31/73) where you hear Garcia actually playing in a Mountain Jam, rather than just quoting Donovan's melody.
(A joint Dead/Allmans CD set was prepared some time ago from these '73 shows, but release has been delayed indefinitely.)
A new twist came in September '73. For eight shows in the 9/11 to 9/26 Northeast tour, Joe Ellis & Martin Fierro joined the Dead on horns for Let Me Sing Your Blues Away, the Weather Report Suite, Eyes of the World, Truckin' and Sugar Magnolia. These shows have aroused mixed feelings - while the horns added a free-jazz or New Orleans-ish tinge to the sets, some people feel they're more intrusive than enjoyable. It's also notable that the horns weren't added to other jam songs - and this tour in general was rather light on the deep jams. I suspect the horn players weren't given much practice time to work out arrangements - as a result, we get quite a few second-set jams of Truckin'>Eyes>Weather Report.
Though not a Dead show, 11/28/73 is worth mentioning since Garcia, Lesh, and Hart joined Ned Lagin for a Seastones concert - more prolonged and abstract than the usual Dead jam, but more listenable than Lesh & Lagin's 1974 adventures, since Garcia's doing some interesting things.
(This link also includes the 6/6/75 Seastones show, and outtakes from Tom Constanten's Tarot album, also with Garcia, Lesh & Hart.)
Starting on June 23, 1974, Ned Lagin & Lesh played some Seastones pieces in-between Dead sets at most of the '74 shows. These bass drones & synthesizer noises are a bit too experimental for most people; but there were a few times when the rest of the band would come out and turn Seastones into a full-band jam, leading into generally very spacy sets where Lagin could continue playing with the Dead:
9-11-74 Seastones>space>Eyes of the World>space>Wharf Rat
(not on the Archive)
9/21/74 Seastones>Playin' in the Band
10-16-74 Seastones>space>Wharf Rat>space>Eyes of the World
10-18-74 Seastones>jam>Dark Star>Morning Dew
(partially released on the Grateful Dead Movie Soundtrack)
Finally, there are a few 1975 guest appearances:
3/17/75 - Not a show but a session at Weir's studio, in which David Crosby & Ned Lagin rehearse with the Dead on Lagin's birthday - mostly on a couple Crosby songs, Low Down Payment and Homeward Through the Haze. Not one of the more interesting '75 sessions. (The 4/17/75 studio session is also said to have guests - Cipollina, Crosby & Lagin - but I couldn't bring myself to listen. I believe Lagin appears on a number of these studio rehearsals.)
3/23/75 - Ned Lagin (electric piano) & Merl Saunders (organ) join the Dead for this surprising Blues for Allah show. Not only is it a hardcore set to drop on an unsuspecting audience, it's unique in having three keyboardists.
(It's also not on the Archive anymore, since it was on the Beyond Description bonus CD.)
9/28/75 - Matt Kelly plays harmonica on Music Never Stopped and BIODTL. http://www.archive.org/details/gd75-09-28.sbd.fink.9392.sbeok.shnf (sbd)
http://www.archive.org/details/gd1975-09-28.fob.menke-falanga.motb-0069.91770.flac24 (aud)
Once the Dead started touring again, I don't recall any guests onstage until mid-'78, with the likes of Hamza el-Din, Lee Oskar, John Cippolina, and various Pranksters & motorcycles & banjo ladies....but that is a list for someone else to start.
28 comments:
Here are a few more that I list, with source for the information in brackets.
6/27/69: Tom Ralston (Cleanliness and Godliness Skiffle Band drummer) sits in for Hart @ start [Lost Live Dead, http://lostlivedead.blogspot.com/2009/07/june-27-1969-sonoma-county-fairgrounds.html].
6/13/70: Gary Duncan and Dino Valenti sit in on Good Lovin' and Lovelight [Deadlists].
7/14/70: "David Crosby plays 12-string guitar on Cumberland and New Speedway" [Deadlists].
9/17/70: "someone plays fiddle on Box Of Rain" [Deadlists]. Could be one of the NRPS guys, I guess, but anyway.
8/14/71: according to circulating recordings, David Crosby sits in on Johnny B. Goode and Uncle John's Band, though I just re-visited this and I don't hear him.Ah, thanks for the additions! Very useful.
I should have caught the 6-13-70 guests - I believe there is piano in there too, not sure who's playing that.
I mentioned the 1970 acoustic-set guests in the acoustic-sets post - but other than the usual NRPS guys & the couple you listed, the only other one I recall was David Grisman on mandolin at the 9/20/70 show.
Crosby can be a ghostly presence sometimes (as on the 8-19-70 tape). What's also interesting about 8-14-71 is that Ned Lagin says he was playing along with the Dead at those Berkeley shows, but wasn't plugged into the PA....this happened at several shows apparently, and I only mentioned it for 11-21-70 since there's not much use listing a guest you can't hear!
I should also note, I've read that someone (probably Joey Covington) is singing in the 1-23-70 Lovelight, but I haven't checked for myself yet:
http://www.archive.org/details/gd70-01-23.sbd.fixed.connor.18153.sbeok.shnfI went to listen to the 6-13-70 AUD again - wonderful show, in particular the Lovelight. I'm not sure I hear two guests in there (the Compendium reviewer says he can't hear them), but there may be a third guitar there.
Anyway, I think the piano on New Speedway is Pigpen, since he played piano for it at the Aug '70 Fillmore West shows as well.More to add!
Ned Lagin joined the Dead for Dark Star on 2-18-71 (clavichord) and 4-8-71 (electric piano). He's fairly clear in the 2-18 show (also during Wharf Rat & Candyman), but is barely audible on 4-8.
He also says he played in the Other Ones on 8-14 and 8-15-71. I'll have to check those again to see if he's audible....More corrections -
The "5/29/69" show is actually 5/11/69:
Also, this site has more details on the guests at the Fillmore West June 6 and 8, '69:
Looks like it was Wayne Ceballos (not Elvin Bishop) guesting on June 6; and there were apparently more guests on June 8 than you might think...
While I'm at it, deadlists also notes for the 4-15-70 Other One:
"A third guitarist sits in, and also someone on keyboards, and someone on congas (starting from during the first drums)."
(At some point I'll fix up this post....)After checking out the 4-15-70 show again - the first jam in the Other One does have a mystery organ player (thought not to be Pigpen), though I don't hear another guitarist.
Also, this site has a very lengthy discussion of Ned Lagin and his shows with the Dead:
http://lostlivedead.blogspot.com/2010/05/august-14-15-1971-berkeley-community.htmlA correction:
11-28-73 is not Ned Lagin. Collectors have long erroneously thought it was a Seastones show - but it's actually Garcia and Hart, doing an experiment in quadraphonic sound. (The full audience tape has just recently surfaced - it's basically 2 1/2 solid hours of space!) I'm not sure even if Phil Lesh was there (he's unannounced), though he should have been...
So strictly speaking, 11/28/73 no longer belongs on a "Grateful Dead guests" list, though 6/6/75 is still valid as far as I know!I forgot to note this before, but there's a more complete 8-minute copy of Neal Casady's 7-23-67 rap available as filler here:
(I must confess, though, that link has not been streamable in quite some time.)
That recording is only an excerpt; it was first released as a flexidisc in Hank Harrison's early-'70s Dead Book. Presumably he had a more complete tape of that evening, but no more of it has been heard since.Another minor correction - the 11/28/73 link here includes outtakes from Tom Constanten's Tarot album. Though long believed to have Garcia, Lesh & Hart playing on them, I think it's just TC's regular Touchstone/Rubber Duck band of the time, with no Dead involvement.
ReplyDeleteReplies- MaureenMay 13, 2013 at 2:44 PM
I was at one of the Tarot concerts in the 70's, Jerry Garcia was listed as a sometimes guest, and Tom Constanten had some involvement but wasn't there, I just passed on the playbill to a friend, but I think I still have a scan and a scan of the stub if you are interested.
Huckleberry AT ptd.net Hi Maureen,
I'd like to see the scan of the playbill.
HarryI included a scan of the program in this post:
It's been reported that there's a piano player in the post-drums jam on 4/7/71:
The most likely suspect is Ned Lagin, who also guested the next night. The piano is barely audible here, though. And unfortunately, the jam cuts after only two minutes!
It's quite possible this show was multitracked for the live album, though, so a complete copy of the jam might be in the Vault.
This is an unusually short show - at the end Jerry apologizes that they can't play more due to the curfew, and they may have been delayed and just played one long set that night rather than two. For now, we don't know how long that jam might have been - it could've turned right into NFA, or it could've wandered a while like the jam on 4/29/71.This is something I forgot to add earlier...
Tom Constanten briefly mentioned some early guest appearances:
"I remember a San Diego show where Santana sat in with us at San Diego State. [5/11/69] Also, the New Orleans Pop Festival where the Jefferson Airplane sat in with us. [9/1/69] There was also one time at a place on Sunset Boulevard called Thelma's...where Stephen Stills and David Crosby sat in with us. [12/10/69]"
It's interesting that TC remembers Crosby at the Thelma's show, since he's not evidenced on tape. But the really intriguing part is the Airplane sitting in at the New Orleans Pop Festival. Our tape of the show doesn't have them, and a festival seems an unlikely place for this to happen (due to many bands & lack of time), but there may well have been a post-show jam not on our tape. (Garcia and Hart would join the Airplane for a jam at the Family Dog just a few days later.)
Sadly, there is an identical situation from 1966 - on 7/16/66, the Airplane & the Dead played Midnight Hour together. (Notoriously sung by Marty Balin, Pigpen, Joan Baez, and Mimi Farina!) But it is not on our tape of the show.i attended the 7/16/72 hartford show and was about 30 feet from the stage. aside from what's already known, i clearly recall dickie betts coming out first during sugar magnolia although you can't hear him on the sb. also, jaimoe from the abb was playing as 2nd drummer on the whole closing segment from nfa through j.b. goode. you can hear two drummers pretty clearly especially during nfa. some of this may be easier to hear on the aud recording since the mix at the end was all over the place on the sb.
ReplyDeleteSomeone on dead.net recalled about one of the Boston Tea Party shows in October '69:
"Between sets there was a mime/music improv that involved a mime (I do not know who he was) with Jerry, Mickey and TC doing improv music behind him. It was different, strange and weirdly engaging."
This is likely to have been Joe McCord of the Rubber Duck Company.A couple more corrections -
David Gans has pointed out that it's not Ronnie Hawkins on 6/13/69 - it's Wayne Ceballos (of Aum), and the flute player was likely Gary Larkey (of Sanpaku). Those two bands opened that show.
Larkey is also the likeliest flute player on 8/21/69, not Charles Lloyd - Sanpaku also opened that show.
See this post:
(The guests on 8/3/69 haven't been conclusively identified yet, though.)
An Archive reviewer says the guest on 3/8/70 was "Paul Michael Cantrell (aka Rathead) jumping up on stage and playing harmonica during Pigpen's acoustic set. Pigpen didn't know what to make of it but they jammed together and he seemed to enjoy it cause he/they let him stay and play. The rest of the band came back and in a short time the majority of the audience ended up on the very small stage for the rest of the night!"
Sometime soon I have to update this post, there are way too many outdated mistakes...A new guest has been discovered!
In the Lovelight on 4/4/69, there is a different organ player, definitely not Pigpen or TC. He clearly isn't too familiar with the Dead's Lovelight, but he gives it a shot...
Sanpaku opened that night, and they had an organ player, so he would be my bet for this mystery guest.- jerlouvisDecember 18, 2013 at 1:05 PM
I just listened to the Beach Boys portion of 4/27/71 and was wondering what members of the Beach Boys were playing with the Dead because I don't hear much lead Garcia and the drumming sounds very mechanical and sort of loud.
ReplyDeleteRepliesIn Searchin and Cell Block 9, the Dead stay on the stage along with the Beach Boys - there are two drummers. (I think Lesh stays on bass but am not sure. Pigpen also sings in Searchin.) In Good Vibrations and I Get Around, the Beach Boys are by themselves. At least Garcia and Weir return for Help Me Rhonda; then for Okie and JBG, Kreutzmann is back as well, and there's more twin-drumming. (Not sure if Lesh plays in these, but I suspect he does.) As far as I know it's the full five-man Beach Boys lineup. Their regular bass player, Bruce Johnston, may have stayed on keyboard when Lesh was on bass.
Searchin and Cell Block 9 are probably the highlights, so far as this kind of thing goes; Help Me Rhonda would have been improved by a bit of tuning & rehearsal in advance...
- AnonymousJanuary 16, 2014 at 9:23 AM
I have a question. There was a tape from the 80's that I loved, and I can't find it... It's a normal show...not suggesting that I have some "secret show" or anything...I just can't find the tape and I can't figure out which show it is in deadbase, etc. .ANYWAY, during the Drums/Space there is a "guest." I think the person opened or something, but was invited on stage during drums and space... whoever they (or he) is, they are Indian (aka from India or something) and does this "chanting" sort of thing... Ahhh hummm durrrr ummmm haaaaa neeshhhh ahhhh hummmm dummmm kind of sound. Does anyone know what show that might be... again, normal show during the 80s. Anyone who knows their "dead" ought to know what I am taking about. THANKS!!!! Oh yeah... feel free to email me at firstname.lastname@example.com THANKS!!!!
ReplyDeleteRepliesMy best guess is that's Hamza el Din, an Egyptian musician the Dead met in '78 who guested with them frequently. These are a few shows he appeared in:
11/24/78 drums>Ollin Arrageed>Fire
8/5/79 drums>Ollin Arrageed>NFA
12/30/86 Hamza/drums>Iko
3/17/88 drums/Hamza>space>GDTRFB
12/27/90 drums/Hamza>space>Miracle
12/31/90 drums/Hamza>space>Other One
There may be other examples of chanting in '80s Drums>Spaces that I don't remember - the drummers sometimes brought on other guests. Another instance (not the one you're looking for) is 6/2/95, when Drums>Space had a break for the Gyoto Monks to chant for a bit...
The 7/28/73 Watkins Glen encore listed here is incomplete. That set is famous for the Dead, Allmans, and Band jamming on Not Fade Away, Mountain Jam, Around & Around and Johnny B Goode.
However, there was more to the set that never circulated with the Dead's tapes - Garcia played on a few songs with the Band before the big Allmans jams. The full set seems to have emerged only recently on Jim Cooper's audience tape of the show.
The encore set starts with the Band by themselves - Rick Danko sings a couple songs. (He sounds pretty drunk.) Then Garcia comes out to join them.
Richard Manuel (on piano) sings Have You Ever Been Mistreated, and Garcia takes the first solo; I think Robertson plays the following solo. Then Rick Danko does Da Di De Day, with a little solo from Garcia, who stays more in the background in this song. (It's hard to tell how many guitarists are onstage by this point, but I think Dickey Betts is in there as well.)
After NFA comes the highlight, Garcia & Danko singing Warm & Tender Love, with a nice Garcia solo. It sounds a lot like a lost JGB song.
The rest of the set is familiar from the Dead's tapes.
Since Around & Around, Mountain Jam and JBGoode are available in SBD with the Dead's show, it's likely that the earlier part of the set exists in SBD as well.
But for now it's available on a nice stereo AUD recording (along with the rest of the Band's show), well worth checking out.


text:
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For a variety of reasons, organizations have very strict policies regarding web site access. These policies usually mean that not all users have permission to access all web sites.
This article will explain two techniques that can be used to block web site access to specified groups of users at specified times, using Squid's built-in mechanism and using squidGuard.
In this article, the configurations shown are taken from real files that are used by my clients. I have attempted to write the configuration and installation procedures so that they will work with any operating system. However, where there are specific procedures, I only explain how to do things using an RPM-based Linux distribution.
In the last section, I list advantages and disadvantages using each technique. I also mention common problems that you may encounter during the installation and configuration phase.
During my work as a Linux consultant, I'm often asked to implement a mechanism that will stop internet users from accessing inappropriate sites, such as sites containing porn and other offensive or inappropriate material.
There are various reasons organizations might want such mechanisms implemented. The main reasons are:
- Limited bandwidth—Some of my clients have very limited bandwidth; they are usually connected to the internet using a dial up modem or a leased line, which allow very limited bandwidth (between 56Kbs and 128 Kbps). In such situations, management cannot permit employees to download inappropriate material as it uses up precious bandwidth.
- Organizational policy—Many organizations have very strict internet policies regarding offensive material. For this and other reasons, they don't want employees gaining access to inappropriate sites.
- Working hours—Many organizations don't want employees to access particular sites during certain hours.
Organizations implement web site blocking policy because of limited bandwidth, organizational policy or working hours
To implement this mechanism, I usually use Squid and squidGuard.
From an ethical point of view, before implementing this kind of policy, the users must be informed about the company's policies—it's even better if they are involved in the policy making process. The organization's internet users, management, and IT (Information Technology) department must define what kind of policy will be implemented.
The organization's internet users, management, and IT (Information Technology) department must define what policy the mechanism will implemement
Before implementing web site blocking policy, you have to ensure it conforms with any legislation.
Squid is a high-performance, proxy-caching server for web clients, supporting FTP, gopher, and HTTP data objects. Squid can also be used to implement access control.
SquidGuard is a fast and free filter, redirector and access controller for Squid. It was written by Pål Baltzersen and Lars Erik Håland.
In order to use Squid's built-in blocking mechanism, you don't need squidGuard, but you do need Squid to use squidGuard.
In order to use Squid's built-in blocking mechanism, you don't need squidGuard, but you do need Squid to use squidGuard
Squid's built-in blocking mechanism
In my experience, Squid's built-in blocking mechanism or access control is the easiest method to use for implementing web site blocking policy. All you need to do is modify the Squid configuration file.
Before you can implement web site blocking policy, you have to make sure that you have already installed Squid and that it works. You can consult the Squid web site_ _to get the latest version of Squid and a guide for installng it.
To deploy the web-site blocking mechanism in Squid, add the following entries to your Squid configuration file (in my system, it's called squid.conf
and it's located in the /etc/squid
acl bad url_regex "/etc/squid/squid-block.acl" http_access deny bad
The file /etc/squid/squid-block.acl
contains web sites or words you want to block. You can name the file whatever you like. If a site has the URL or word listed in squid-block.acl
file, it won't be accesible to your users. The entries below are found in squid-block.acl
file used by my clients:
.oracle.com .playboy.com.br sex ...
With the squid-block.acl
file in action, internet users cannot access the following sites:
- Sites that have addresses ending with .oracle.com
- Sites that have addresses ending with .playboy.com.br
- Sites containing the word "sex" in its pages
You should beware that by blocking sites containing the word "sex", you will also block sites such as Middlesex University, Sussex University, etc. To resolve this problem, you can put those sites in a special file called squid-noblock.acl
^http://www.middlesex.ac.uk ^http://www.sussex.ac.uk
You must also put the "no-block" rule before the "block" rule in the Squid configuration file:
... acl special_urls url_regex "/etc/squid/squid-noblock.acl" http_access allow admin_ips special_urls acl bad url_regex "/etc/squid/squid-block.acl" http_access deny bad ...
Sometimes you also need to add a no-block file to allow access to useful sites
After editing the ACL files (squid-block.acl
and squid-noblock.acl
), you need to restart Squid. If you install the RPM version, usually there is a script in the /etc/rc.d/init.d
directory to help you manage Squid:
# /etc/rc.d/init.d/squid reload
To test to see if your Squid blocking mechanism has worked, you can use your browser. Just enter a site whose address is listed on the squid-block.acl
file in the URL address.
In the example above, I block .oracle.com
, and when I try to access oracle.com, the browser returns an error page.
Using squidGuard blocking mechanism
SquidGuard is free, very flexible, very fast, easy to install and portable
SquidGuard is:
- Free
- Very flexible
- Very fast
- Easy to install; and
- Portable
You can use squidGuard to:
- Limit user web access to a particular web server or URL
- Stop some users from accessing forbidden web servers or URLs
- Block access to URLs matching a regular expression (list or word)
- Forbid the use of IP addresses in URLs
- Redirect blocked URLs to a smart CGI page
- Redirect popular sites to a local mirror
- Have different rules for different times; and
- Have different rules for different user groups
In this article, I will only use squidGuard to block users accessing some sites. Here is how you install squidGuard:
- Install BerkeleyDB version 3.2.9
- Install squidGuard
- Create a squidGuard configuration file that suits your needs
- Create the domain, URL and expression lists you want
- Test squidGuard
- Configure Squid to use squidGuard as the redirector
- Reload Squid
I will describe this procedure in the following sections.
BerkeleyDB and squidGuard installation
Before you can install squidGuard, make sure your system already has BerkeleyDB. You have to match the BerkeleyDB version with the squidGuard version for your system; for example squidGuard version 1.2.0-2 for Red Hat Enterprise Linux 3 needs BerkeleyDB version 4.1.
For RPM-based systems, you can do the following to check if your system has BerkeleyDB or not:
$ rpm -qa | grep db
If your system doesn't have BerkeleyDB, you must install it first. Here is the command to install the RPM version:
# rpm -ivh db-x.y.z.*.rpm
In my experience, the easiest method for installing squidGuard is by using the binary RPM version. A binary, RPM version of squidGuard for a Red Hat based system can be found on Dag Wieers web site
SquidGuard configuration and database creation
Before you can use squidGuard, you have to create the squidGuard configuration file and database. You should start the configuration file with only the configuration you need and then extend it later as required.
In my SuSE system, the default path for squidGuard Dag Wieers' RPM version is /etc/squid/squidguard.conf
. In other distributions, the configuration file could be /etc/squid/squidGuard.conf
or /etc/squidGuard.conf
. The default squidguard.conf
included with the RPM version can't be used without modification.
Usually my squidGuard configuration file has a structure like this:
- Path declaration
- Source group
- Destination group
- Access control rules
I will only describe the structure used by my configuration. If you want to know more about the squidGuard configuration, please see the file included in the squidGuard package (configuration.html or configuration.txt, in my system it is in /usr/share/doc/packages/squidGuard-1.2.0
Path Declaration
The path declaration defines the directory for the log files and the database list. For example:
dbhome /var/lib/squidGuard/blacklists logdir /var/log/squidGuard
This declaration will set:
- The directory for the squidGuard database list to
- The directory in which to store the log files to
**Source Group **
Source group has a general syntax like this:
src | source name { specification specification ... }
Specification can be any reasonable combination of:
IP addresses and/or ranges (multiple)
- ip xxx.xxx.xxx.xxx [...]
- ip xxx.xxx.xxx.xxx/nn [...]
- ip xxx.xxx.xxx.xxx/mmm.mmm.mmm.mmm [...]
- ip xxx.xxx.xxx.xxx-yyy.yyy.yyy.yyy [...]
- xxx.xxx.xxx.xxx is an IP address (host or net, i.e. 10.11.12.13 or 10.11.12.0)
- nn is a net prefix (i.e. /23)
- mmm.mmm.mmm.mmm is a netmask (i.e. 255.255.254.0) and
- yyy.yyy.yyy.yyy is a host address (must be >= xxx.xxx.xxx.xxx)
_IP address/range list (single): iplist filename _
- filename is either a path relative to dbhome or an absolute path to a database file
- the iplist file format is simply addresses and/or networks separated by a newline as above (without the IP keyword).
For example, the following snippet is in one of my client's squidGuard configuration file:
# # SOURCE ADDRESSES: # src admin { ip 10.10.0.10 } src users { ip 10.10.0.0/255.255.0.0 ip 10.11.0.0/255.255.0.0 ip 10.12.0.0/255.255.0.0 }
I define two source groups, the admin group, which has the IP address 10.10.0.10; and the users groups, which have IP addresses in subnetwork of 10.10.0.0, 10.11.0.0 and 10.12.0.0.
Destination Group
Destination group has the following syntax:
dest | destination name { specification specification ... }
Specification can be any combination of zero or one of each of:
- Domainlist (single):
domainlist filename
- URL list (single):
urllist filename
Filename is a text-based database file. You can define the file relative to the database directory path, or you can also define the file absolutely.
Below are the destination groups definitions from my client's configuration file:
# # DESTINATION CLASSES: # dest gambling{ log gambling domainlist gambling/domains urllist gambling/urls redirect http://localhost } dest warez{ log warez domainlist warez/domains urllist warez/urls redirect http://localhost } dest porn{ log porn domainlist porn/domains urllist porn/urls redirect http://localhost }
In the configuration above, I define three destination groups: gambling, warez** **and porn. Their domains and URLs are listed in files called domains
and urls
in the directories gambling
, warez
and porn
located in /var/lib/squidGuard/blacklists/
. When a user tries to access domains and URLs listed in the database, they are redirected to http://localhost.
Access Control List Rules
The Access Control List (ACL) combines the previous definitions into distinct rulesets for each destination and source group:
acl { sourcegroupname { pass [!]destgroupname [...] [redirect [301:|302:]new_url] } ... default { pass [!]destgroupname [...] redirect [301:|302:]new_url } }
Below is an ACL example:
# # Access Control Lists # acl { admin { pass all } users { pass !gambling !warez !porn all redirect 302:http://localhost } default { pass !porn all redirect 302:http://localhost } }
In this configuration:
- The administrators computer has access to every site.
- The user's computers are blocked from gambling, warez and porn domains and URLs listed in the database. When a user tries to access forbidden sites, he or she is redirected to http://localhost
- Computers not listed in the source group are not allowed to access porn domains and URLs. Again, they will be redirected to http://localhost when access porn domains and URLs
SquidGuard database
SquidGuard uses a database that can be divided into an unlimited number of distinct categories like "gambling", "warez", "porn" etc. Each category may consist of separate unlimited lists of domains, and URLs. You can download the blacklists database from here.
**Domainlists **
The domainlist file has a simple format:
domain domain ...
As an example, for a porn category:
SquidGuard will match any URL with the domain name itself and any sub-domains and hosts (i.e. playboy.com, www.playboy.com, whatever.playboy.com and www.what.ever.playboy.com but not .*[^.]playboy.com
(i.e. pplayboy.com etc.)).
The urllist file has this format:
with the proto://((www|web|ftp)[0-9]*)?
and (:port)?
parts and normally also the ending (/|/[^/]+\.[^/]+)$
part (i.e. ending /
or /filename
) taken out (i.e. http://www3.foo.bar.com:8080/what/ever/index.html
equals foo.bar.com/what/ever
For instance a category for banned sites could be:
foo.com/~badguy bar.com/whatever/suspect
All these URLs will match the above urllist:
http://foo.com/~badguy http://foo.com/~badguy/whatever ftp://foo.com/~badguy/whatever http://www2.foo.com/~badguy/whatever http://web56.foo.com/~badguy/whatever
but not:
http://barfoo.com/~badguy http://bar.foo.com/~badguy http://foo.com/~goodguy
Configuring Squid to use squidGuard
Because squidGuard is a redirector for Squid, it needs to be called from Squid. Add the following line to the Squid configuration file (squid.conf
) to instruct Squid to use squidGuard as a redirector:
redirect_program /usr/bin/squidGuard -c /etc/squidguard.conf
Please change /usr/bin/squidGuard
and /etc/squidguard.conf
to suit your situation.
Then tell squidGuard to compile its database:
# /usr/bin/squidGuard -C all
Reload Squid
You need to tell Squid to reload its configuration before you can use squidGuard:
- If you install Squid from RPM (SuSE):
# rcsquid reload
- If you install Squid from RPM (RedHat):
# /etc/rc.d/init.d/squid reload
- If you install Squid from tarball you can use the following command:
# /usr/sbin/squid -k reconfigure
SquidGuard in action
In this section, I will show a simple and useful squidGuard configuration to block porn sites.
logdir /var/log/squidGuard dbhome /var/lib/squidGuard/db dest blacklist { domainlist blacklist/domains urllist blacklist/urls redirect http://localhost } acl { default { pass !blacklist all redirect 302:http://localhost } }
069palace.com 0ver18.com 1-800-4hotsex.com 1-800-4sex.com 1-8004hotsex.com 1-xxx-live-sex-teen-pussy.nu 10000celebs.com 1000pictures.sinfulxxx.com 1000puresex.com 1001freepics.com ... playboy.com
00blow.com/analzone 00blow.com/menonly 0815.org/user/lolitainc 1-800-pussy.com/suzi 1-8004lovers.com/lessie2 1-and-only.com/members-only 100amateurs.com/bondage/images/domination 100amateurs.com/images/toys 100sluts.com/girlie 100teensluts.com/images/xpics ...
I redirect the blacklist to an HTML file.
... redirect_program /usr/sbin/squidGuard -c /etc/squidguard.conf ... acl our_networks src 192.168.0.0/24 127.0.0.1 http_access allow our_networks
When I try to access the Playboy web site at www.playboy.com, for example, I get an error message.
Closing notes
To implement web site blocking you can use Squid on its own or with squidGuard. Each has advantages and disadvantages.
Squid's built-in mechanism's advantages:
- It's very easy to install and configure
- It's very fast, because it doesn't need external programs
- It's easy to debug. When the blocking mechanism isn't working correctly, you know which program is causing the problem
Unfortunately, it also comes with disadvantages:
- It's not flexible. It's very hard to configure forbidden domains and URLs categorization.
- Maintainability. When you have several ACLs for blocking sites, it can be a nightmare to edit or modify them to suit your changing needs.
SquidGuard has the following advantages:
- It's very flexible. You can categorize domains and URLs—as many as you like.
- It's maintainable. You can define many ACLs to suit your needs without too much trouble.
But it also comes with some disadvantages:
- It's not easy to install and configure
- It's not very fast because it's called from Squid
- It's harder to debug when there is a problem. In such a case, you have to check the Squid and squidGuard configuration.
You may encounter the following problems during your installation and configuration phase.
Db package not installed
- Install the appropriate version required by squidGuard
Squid is not blocking
- Check the logs (
) - Check your
especially the acl rules - Reload squid
SquidGuard is not blocking
- Check the logs (
) - Check your
. If there is an error in this configuration file, squidGuard will not block anything. - Check the permission for blacklists database. Squid must be able to read the files in the blacklists directory.
- Recompile squidGuard database with
squidGuard -C all
Baltzersen, Pål and Lars Erik Håland, Configuring squidGuard, /usr/share/doc/packages/squidGuard/doc/configuration.html, 2002
Step By Step Install Guide for squidGuard 1.2.0 and BerkeleyDB 3.29
From: DaJoMu
Url: ?
Date: 2005-06-29
Subject: Proxy
i have to admit that I've never used squid, but most proxy servers ned to be set up in transpartent mode at least or one can bypass the proxy by changing the original proxy setting with i.e. 22.214.171.124:80
Maybe this will work even if the proxy is in transparent mode.
I have doen exactly that and nothing seeems to be blocked. What now?
i would like to block all of zangys my space.com and all of the other ones
i need help
Thomas Stone High School has a problem with not letting students that are done their work to play games. I think they are a little over the edge and need to chill out a bit. Can your website block other websites that block websites that have games.
Squid Configuration
I was installed SQUID 2 Stable 5 version, and Configured it as Child Porxy in hirarchi,but anyway i can not access form pages like gmail login
What can I do..?
Nipuna Perera
I was tried never_redirect
I was tried
never_redirect ALL
It was worked
Another Blocking software
You may try Dansguardian its pretty more easy to configure.
Here is a way around
You can always try a site like: bypass.thezerogroup.com
I use it to get to myspace while at work
blocking spcific sites
squid Blocking All urls else allow some
anyone can help how we can block all urls else some specific sites allow to visit them
Using a whitelist (Blocking all but a few URLs)
Create the access list (whitelist) as normal, then for your rule line use http_access deny !whitelist
This will deny access to any site that isnt on the whitelist.
Block pages
Is there a way to block pages but read the rules from a database?
I was reading something about squid helpers to do that... right? I basically I need to build an program for add and remove the access to some pages using squid and squidguard.
It is not mandatory to block to a group of users but if there is a way, this will be cool if there is not it is ok.
hello can i ask how to block proxy sites? is there an easy way?
softwares 4 stricted web sites
i need to open stricted web site in saudia arabia
The suggesion failed
I have tried fut failed to restrict orkut.com.........
can any one suggest me anything more other than that????????


text:
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Rosacea involves swelling of the blood vessels just under the skin. It may be associated with other skin disorders (acne vulgaris, seborrhea) or eye disorders (blepharitis, keratitis).
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Habif TP. Acne, rosacea, and related disorders. In: Habif TP, ed. Clinical Dermatology . 5th ed. Philadelphia, Pa: Mosby Elsevier; 2009:chap 7.
Goldgar C, Keahey DJ, Houchins J. Treatment Options for Acne Rosacea. Am Fam Phys . 2009 Sep;80(5).
Webster GF. Rosacea. Med Clin North Am . 2009 Nov;93(6):1183-94.