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When Lulu agreed to perform on 1000 Facials, she said that the only thing she wanted to be sure of was that her eyes didn\'t get any sperm in them. We told her that as a professional, getting cum in her eyes was something she needed to deal with on her own time. When she showed up wearing a sexy pair of eyeglasses we knew they wouldn\'t be enough to keep the whole facial cumshot from seeping into her eyelids but at least now she has learned an important lesson. Big cumshots can\'t be stopped with designer eyeglasses, maybe next time she\'ll try wearing a snorkel!
Lulu Learned What A Big CumShot Looks Like Up Close
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This product has additional required/recommended options. To configure, add to your cart.
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Product Features:
- Oval basin couples functionality with aesthetic appeal
- Covered under Kohler's limited lifetime sink warranty
- Constructed from vitreous china providing a classic look and feel
- Simple, streamlined design that's as versatile and attractive
- Sleek look of an integrated basin with timeless design
- Undermount installation delivers the classic look and feel to any bathroom
- Center drain location provides optimal draining capability
- All hardware needed for installation included
Product Technologies / Benefits:
- Undermount Sinks: Create a seamless counter-to-basin transition. Sleek styles and ease of cleaning are what makes these the preferred design choice.
Product Specifications:
- Overall Length: 19-1/4" (measured from the left outer rim to the right outer rim)
- Overall Width: 16-1/4" (measured from the back outer rim to the front outer rim)
- Height: 7-1/2" (measured from the bottom of sink to the top of the rim)
- Basin Width: 14" (measured from the back inner rim to the front inner rim)
- Basin Length: 17" (measured from the left inner rim to the right inner rim)
- Basin Depth: 4" (measured from the center of basin to the rim)
- Installation Type: Undermount
- Number of Faucet Holes: 0
- Drain Outlet Connection: 1-3/4"
Additional Kohler Links
This Kohler item can also be referenced by the following color/finish specific model #:
- Kohler K-2210-N-47
Almond - Kohler K-2210-N-96
Biscuit - Kohler K-2210-N-7*
Black - Kohler K-2210-N-K4*
Cashmere - Kohler K-2210-N-NY
Dune - Kohler K-2210-N-95*
Ice Grey - Kohler K-2210-N-55*
Innocent Blush - Kohler K-2210-N-33*
Mexican Sand - Kohler K-2210-N-G9*
Sandbar - Kohler K-2210-N-0
*Discontinued model or finish
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Michael, have you consired adding a video playback benchmark to that set of tests? OpenGL video playback is yet another area where the OSS drivers could use improvement, so that might make a good test subject.
Phoronix: A Fresh Look At The Nouveau Gallium3D Performance
Last week we provided a fresh look at the AMD Radeon Gallium3D performance using the latest development code for the Linux 3.0 kernel and Mesa 7.11 library. Today we are now looking at the Gallium3D driver performance of the Nouveau driver that is reverse-engineered to support NVIDIA GeForce graphics processors.
Michael, have you consired adding a video playback benchmark to that set of tests? OpenGL video playback is yet another area where the OSS drivers could use improvement, so that might make a good test subject.
I think a drop of 15% for linux 3.0 is not that moderate. Does someone know the reason?
video playback is pretty subjective and its not like opengl video playback accelelerates anything other than putting the image on the screen. Not the actual decoding.
Though I like to see these results, I'm quite sad and disappointed that Nvidia doesn't open at all their specs.
I would also love to help as a student in Software engineer, I might be able to help, but the documentation to get involved in http://nouveau.freedesktop.org/wiki/ or any link content in it, is not that helpful. (But I know you guys don't have that much time to do it, so don't feel any criticism in this comment)
I don't have time to spend talking around IRC and so on, I do really need an offline documentation that I would be able to read and learn from it. Maybe more devs are like me. Hope you guys listen to this
But anyway thanks for the good work. /me like not to be forced to configure my resolutions when switching from internal to external screen.
There is actually some written documentation in envytools. But you can't entirely avoid IRC since either the doc is incomplete and/or you won't get many of the gpu concepts by only reading the docs. Also nobody is documenting source work as this would likely double or tripple the effort needed to get something working. SO either you have to understand what the code is doing from looking at it or you have to ask in IRC to get used to it.
It appears to be not that simple, as the MythTV folks tried to explain to me the other day. Besides, putting the image on the screen is an activity which may or may not be accelerated, just think scaling, DMA transfers, colorspace conversion.
I agree this issue is subjective, but then what better way is having an objective benchmark, say, some set of standardized MPEG-2, MPEG-4 etc videos, rendering via a standardized player (eg. mplayer -vo gl) and then compare frame rate accuracy and CPU load. That would make a hell of a lot of sense to me.
There two parts to video acceleration (well, you could break it down further, but for he sake of argument lets say two): decode and rendering.
Decode take the compressed video stream converts it into YUV (usually) frames for display. iDCT and MC are the major stages in decode. XvMC and VA-API implement decode.
Rendering takes the decoded YUV frames and displays them. Scaling and colorspace conversion are the major stages in rendering. Xv and most OpenGL video implementations implement rendering.
Thank you very much for that explanation, as I said, I'm very busy. My exams are just over.
I would really like to help, I bet it's a hell of an experience behind the nouveau driver.
Sadly. It's as difficult as it is interesting to work on nouveau driver.
Anyway, I'll be following nouveau driver progress closely.
Right now that's all I can do, and I am really disappointed about it, I wish I could really do more. But I do really understand it's difficult for the devs to keep a documentation up to date and usable.
It's not their fault though, I really like nvidia. I did some awesome algorithms using CUDA. (yes, cuda is really powerful, much more than Opencl it's not comparable).
I might be a dreamer, but Hopefully one day, Nvidia will become Open Source friendly.
This day, things will be so different that world will bond in respect. But well... That's not the TOP next priority


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The best, lightest, most maneuverable Caboose yet!
The Caboose Ultralight is so compact, maneuverable and lightweight you might forget that it's a tandem stroller! At a mere 21 pounds the Caboose Ultralight is 20% lighter weight than the original model and far lighter than most double strollers. The Ultralight is also ultra-maneuverable because it has sealed ball bearing wheels. (If that doesn't mean anything to you; it is faster and smoother. Think rollerblades and skateboards.) Moms and Dads will really love the neoprene Cool Essentials Parent Organizer too. It has plenty of room to store your keys, cell phone, etc and the cup holder will help keep your drinks cool. And, the deluxe sun canopy offers more protection for your children on sunny days out.
- Universal car seat attachment works with most infant seats (see chart on photos page)
- Lightweight aluminum frame, 20% lighter than the Original Caboose
- Overall stroller weight: 21 lbs
- Oversized canopy with sun visor extension
- Includes Essential Neoprene Parent Organizer
- Patented Stand-On Tandem design with padded rear seat allows standing child to take a rest
- Locking, front swivel wheels make the Ultralight super maneuverable
- Deluxe, fully adjustable 5-point harness in front seat and 3-point harness on rear bench seat
- Comfortable three-position front seat with adjustable footrest
- Foam covered handles for both parent and rear standing child
- New, larger storage basket under seat with elastic sides for easy access
- Super compact trigger fold design
- Linked brakes
- Child tray with cup holder
- Appropriate for children from 6 months to 45 lbs.
Specifications: See image below
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12 Sided Dice, D12
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The story of Jackie Robinson, the first African-American to play in American Major League Baseball, focusing on the two years of his life after he entered the game in 1947.
Read Full Production Details
To get showtimes, select a county to find cinemas showing this movie in your area.
42 proves an important theory on biopics: a historical figure can be too significant for the Hollywood treatment.
Jackie Robinson's impact on baseball and race relations in the United States was monumental and writer/director Brian Helgeland's adaptation of the athlete's life goes to great lengths to drive that home. Chronicling most of Robinson's early career, where he quickly jumped from playing in the Negro leagues to the minor leagues to the majors, 42 ham-fists the big picture into Robinson's astonishing climb to success. It lauds Robinson as a Christ-like figure instead of painting him as a human overcoming great odds. The movie demonstrates that Robinson was driven by his love of the game, not a mission of integration. Early in his career, he says to a colleage, ''I'm just a ball player.'' The man replies, ''No, you're a hero.'' There's no denying the man was right, but the movie plays out from his point of view rather than putting us in Robinson's cleats. 42 is a glossy treatment that never gets beyond the text book reading.
Chadwick Boseman stars as Robinson, plucked from obscurity by Brooklyn Dodgers General Manager Branch Rickey (Harrison Ford) to become the first African-American baseball player in the Major Leagues. The road to acceptance is expectedly bumpy: Robinson starts at the Dodgers training camp where he's hazed by teammates and townspeople alike. Rickey keeps him in check with routine inspirational speeches, all boiling down to keeping his temper in check and ears turned off to racist remarks. Ignoring the ignorance comes easy to Robinson, miraculous in historical context but making the action 42 a tedious affair. It's one scene after another of Robinson holding strong against white opposition and breaking boundaries with pure talent. Staged in a strangely claustrophobic and theatrical fashion, the movie lacks a necessary fire, even when Boseman, Ford, and Nicole Beharie as Jackie's wife Rachel, are firing on all cylinders.
42 has a lot of filler, with every actor in the ensemble getting their moment of bigotry and subsequent reversal, along with scenes that seemingly go nowhere (an extended scene between Rachel and a babysitter signals danger for Jackie's son, but fails to impact the story). But every didactic stretch of race drama is made up for by one intense scene, perfectly orchestrated by Helgeland on every level. In a game against Philadelphia, Robinson is verbally harassed by Phillies player manager Ben Chapman. Actor Alan Tudyk bravely inhabits the vile role, spewing every racial slur and wisecrack under the sun as Robinson attempts to cope. It's a tremendous sequence that pushes Robinson to his breaking point, a moment with enough drama to sustain an entire movie, as opposed to being the pinnacle of an overwrought life story.
There's a fakeness to 42 that overshadows the performances, with '40s baseball scenes enhanced by CG backdrops and a swelling score by Mark Isham that uses traditional violins and trumpets to force emotion down our throats. Robinson, and Boseman as a capable performing bringing him to life, can live on his own, but Helgeland insists on echoing the inherent drama of the ball player's story with Hollywood pizazz. From the film's first minutes, found documentary footage from the early '40s accompanied by voice over from Robinson's personal mythologist, reporter Wendell Smith (Andre Holland), 42 is factory-made biopic. A lively ensemble keep it afloat with Ford's gruff muttering working for Rickey, and T.R. Knight, Hamish Linklater, and Christopher Meloni add a dash of comedic flavor to the droll history lesson. But this is Jackie Robinson! A man whose story deserves a home run, not a bunt. Showing him as a ball player, not a hero, would have knocked 42 out of the park.
What do you think? Tell Matt Patches directly on Twitter @misterpatches and read more of his reviews on Rotten Tomatoes!
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Karl Lagerfeld celebrated this century's skirt-suited success story Tuesday with an incredible Paris collection that had journalists gawping at an enormous globe right under the Grand Palais exhibition hall's glass roof.
Dotting the sphere were 300 Chanel flags, each representing a boutique.
"The spirit of the show was Chanel's globalization," Lagerfeld said.
But was the fall-winter 2013-14 show also a celebration of the German-born designer? He celebrates three decades at the creative helm this year, during which he's overseen the transformation of Chanel into a truly global empire.
"I can be very happy... When I started we had three or four (boutiques) 30 years ago," Lagerfeld said. "But it's not an ego trip. Psychoanalysis kills creativity."
At a combined age of around 180 years old, it looks like there's no stopping either Lagerfeld or Chanel. "Look," he said pointing at an empty part of the globe. "There is still space left."
The show's 79 varied looks brimmed with ideas, classic and new, and showed that the designer in his late 70s is still a creative force to be reckoned with.
Models, including Stella Tennant, walked around the circular globe runway sporting stylish new winter concepts in tones of blue, gray, purple, pink and black.
Zippable leather leg sheaths—like leggings that start at the thigh and end at the ankle—were warm but allowed thighs to be exposed. And coat silhouettes were cut away squarely in the middle of thighs so legs are visible even on those cold December days.
"It's romantic. I loved the coats," said actress Milla Jovovich, from the front row. "It's early 20th-century Coco, but he's made it uber-modern."
Chained black biker boots also made the show fresh.
Rebelling against the age of austerity, Alexander McQueen turned to the embellished excess of England's Elizabeth I.
Held in the marble interiors of Paris' Opera Comique, this show was an intimate presentation owing to designer Sarah Burton's maternity leave, with just 10 looks.
But when it's delivered with the fastidious density of Alexander McQueen, 10 creations are more than enough to have an impact.
The black-and-white dresses had regal pearl visors, and ruffs and Elizabethan furbelows and played with the hard, severe structures and cinched waists of last season's accomplished homage to the queen bee, as well as some softer voluminous ensembles.
Tuesday's show showed that Burton had read into her fashion history, with the black looks referencing the Spanish renaissance's royal infanta— and then subverting it, making pearls look like metal rocker studs.
Other pearl patterns were designed to the form of gothic stained glass windows.
But for all the excellent workmanship, much of the collection looked like costume design and sometimes lost its subversive message through sheer theatrical excess.
Hermes pared down the energy of last season for fall-winter 2013-14 in what was a more classical, intimate ready-to-wear affair.
High waists and furs gave proceedings a glamorous edge, with models sporting Greta Garbo waves in their hair.
Long tan coats thrown nonchalantly over shoulders and rich capes slightly alluded to a mystery—evoked also in the show setting.
Guests were led up wonky stairs into a sprawling wooden library. Initially, it felt like an Hercule Poirot murder mystery. Models in the 38 looks in mainly gray, brown and black snaked in and out of the guests, who sat comfortably drinking old-school spritzers.
As ever, Hermes is synonymous with luxury—seen here in full-grain leather, cashmeres, and sumptuous linens. But somehow the vibrancy of last season seemed muted.
It was the white collars and sublime colors of Vermeer's masterpiece "The Girl with the Pearl Earring" on the mood board for Valentino.
Using the Flemish masters as a starting point, designers Maria Grazia Chiuri and Pierpaolo Piccioli delivered a more varied silhouette than last season in vase, trapeze, tulip and column-shaped. It was a welcome change.
Short-skirts and some sporty looks with a cool circular edge pattern in red, pale pink, green and blue signaled a slight relaxing for the house known for its austere edge.
But this is Valentino, and the high white Flemish-style collar and frequent full-length sleeves ensured this was not forgotten.
Still, not all the looks worked. A red dress with white fur collar looked overly theatrical—but this was unimportant, given the show's rich pickings.
Thomas Adamson can be followed at http://Twitter.com/ThomasAdamsonAP


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Bonvenon! | Esperanto |
jonsatriani says: This is an almost identical setup to the one I have, so naturally I think it's excellent :P Posted 4 years ago |
maurice.molier says: Looks like a good setup to me. I now have a setup with many lists personal and work related. This does not work for me that well. Seems I have not enough overview this way. Posted 4 years ago |
malisabright says: Thanks. I've been toying with RTM (again) lately and am trying to decide how to set things up. I came to the forum to look for 'advice' on using multiple/specific lists vs. just using tags. Both of the first two posts are helpful to me. Posted 4 years ago |
malisabright says: I'm slowly developing my system. Best new find--when I search on a tag (from the tag cloud, which I love) and I'm looking at a project and think of a missing task, when I enter it from that screen, it automatically inherits that tag. Nice. Posted 4 years ago |
jenbertotti says: matthiask82, Posted 2 years ago |


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Mick Jagger's "I Can't Get No Satisfaction" is more than just a classic rock and roll song; it's become something of an anthem for a nation of dissatisfied consumers. After all, who hasn't at one time been aggravated by know-nothing salespeople, product warranties that only cover things that aren't broken or companies with endless voice mail loops that never lead to a live human being?
But while Jagger could only get "useless information supposed to fire my imagination," consumers remodeling their kitchens are finding quite the opposite. In fact, today's consumers are not only getting plenty of useful information to fire up their imaginations, they're also getting plenty of satisfaction when it comes to their kitchen remodeling experience. See Related Editorial
That's according to a recent consumer survey conducted by Kitchen & Bath Design News and sister magazines Qualified Remodeler and Residential Design & Build, which polled 500 consumers across the U.S. who have recently engaged in a major kitchen remodel.
Even when unexpected challenges arise, consumers are largely relating positive feelings about their kitchen remodeling experiences, with the vast majority giving their dealer or designer high marks for customer satisfaction. In fact, nearly three quarters (73.1%) said that, based on their remodeling experience, they would refer their dealer or designer to friends or relatives (see Graph 1).
Additionally, on a scale of 1 to 10 (with 10 being most satisfied), consumers rated their overall satisfaction level at a solid 8.
This is in spite of the fact that more than half (55.2%) said they experienced unanticipated problems during the course of the project (see Graph 2). Those problems ranged from unexpected delays (53.4%), added costs (15.5%), conflicts with the designer, dealer or installer (13.8%), product shortcomings (10.3%) and undue disruption of home life (8.6%), among others (see Graph 3).
Yet despite these problems, satisfaction levels stayed high, suggesting that dealers are doing a better job of educating their clients, managing client expectations and communicating effectively.
In fact, according to the survey, more than three-quarters of those polled rated their dealer or designer as "good" or "excellent" in terms of providing product information and explaining the work (see Graph 4), while nearly 70% rated their dealer or designer as either "good" or "excellent" in terms of responsiveness to the client's questions and concerns.
Nearly 75% gave "good" or "excellent" marks to their dealer or designer for the quality and supervision of installation, while some 55% rated their dealer or designer as "good" or "excellent" at post-job follow through. Still, there's clearly room for improvement here; 17.9% of those surveyed felt their dealer or designer did a poor job at post-job follow through – a critical juncture of a project, as it's the dealer's last opportunity to leave the client with a positive impression.
Price Acceptance
Consumers' perceived "sticker shock" has long been viewed as a potential challenge for kitchen dealers and designers, in large part because consumers often have no idea what a new kitchen costs. Unlike home prices, which are constantly in the news, or car prices, whose price-driven ads saturate newspapers, radio stations and TV, the price of a new kitchen can be more complex.
While product prices can be pretty straightforward, many consumers have no idea how many other elements there are to a remodeling project, from design fees, fabrication and installation costs to fees for electricians and plumbers, costs for getting permits and other incidentals. As a result, price misinformation can be a problem, and the result has often been that consumers feel "ripped off" simply because they didn't have realistic price expectations.
But that may well be changing as kitchen remodeling becomes increasingly mainstream, thanks to design TV, massive advertising campaigns on the part of home center chains and design firms, and a growing emphasis on the home. In fact, one of the most notable results of the survey was that the majority of consumers (74%) rated the price and financing for their kitchen remodel as "excellent" or "good" (see Graph 5). Another 14% rated it fair, with only 12% giving this a "poor" rating.
Consumers surveyed also gave designers high marks when rating the fairness of their prices, rating them an average of 7.6 out of 10 (with 10 being most fair). This suggests that kitchen dealers may be making inroads into overcoming one of the major challenges that has plagued the industry in recent years.
That's not to say there were no price surprises. Some 42.6% of consumers surveyed said the overall cost of the project was higher than what they expected. However, more than half (50.9%) felt the cost of their project was in line with what they expected, and another 6.5% said it was lower than what they expected (see Graph 6).
This suggests that dealers and designers are doing a better job at educating consumers about price expectations, which may well be contributing to the overall increased satisfaction ratings dealers received.
The survey also showed a positive trend in terms of consumer satisfaction with kitchen dealers' ability to stay on budget, with 65% of those surveyed scoring their dealer as "excellent" or "good" at coming in on budget (see Graph 7).
Still, there is room for improvement here; 18.6% of those surveyed felt their dealer or designer did a "poor" job of coming in on budget, while another 14.4% rated this only as "fair."
Likewise, dealers didn't fare as well at keeping the project on its promised timeline; a whopping 25% rated dealers or designers as "poor" at this, while another 13% said their dealer or designer only merited a "fair" mark for this (see Graph 8).
Choosing a Firm
The survey also looked at consumers' reasons for selecting (or not selecting) a specific design firm. And, not surprisingly, the results overwhelmingly confirmed the importance of referrals or positive word of mouth in growing a business, with this being chosen as the most frequently cited reason for going with a specific designer or firm.
Price was the second most commonly voiced reason for choosing a firm, while the dealer or designer's ability to coordinate the entire job (or offer "one-stop shopping") was the third most popular reason for selecting a designer or firm.
Consumers were also highly influenced by firms that offered what the consumers viewed as "the best ideas for the project," as well as designers who showed the ability to personalize the project with unusual products or design elements.
Interestingly, consumers seemed less swayed by the appearance of the showroom, the availability of financing or the brands carried.
The survey also showed that consumers like to shop around before making a decision; consumers said they got an average of 3.75 cost estimates before choosing their dealer or designer.
Why Remodel?
So, what's driving all of these remodels? Consumers cited a variety of reasons for embarking on a kitchen project, with 18.2% seeking a bigger space and updated finishes and appliances, respectively, 10% needing better utilization of the existing space, 37.3% wanting a combination of these factors, 3% looking to accommodate special needs, and another 13.3% citing "other" as their reason for remodeling (see Graph 9).
The vast majority of surveyed consumers' projects included cabinets (86.4%), flooring (85.5%), lighting (83.6%), appliances (79.1%) and a sink (78.2%). Almost half (49.1%) of all projects included added storage, 46.4% incorporated an island and 27.3% contained a pantry (see graph 10).
Interestingly, contemporary kitchens seemed to be gaining ground over traditional ones, with sleek lines and more modern styling noted by many as something they desired in their kitchen design.
However, consumers from both groups expressed a desire for a kitchen that would be both simple and classic in its appeal.
Specific product choices showed few surprises: Stainless steel is still the big winner for appliances and sinks, while granite was the number-one pick for countertop materials.
In cabinets, maple was the most frequently chosen wood species, with oak and cherry also cited as popular choices. Again, simple Shaker styles were most popular among consumers surveyed, and while many said they liked decorative moulding and accessories, the trend seemed to be toward more scaled down rather than ornate versions. When asked what made their kitchens unique or distinctive, consumers most frequently cited responses included decorative accessories, mouldings, etc. (42.7%), unusual or specialty lighting (41.8%), undercabinet lighting (37.3%), a built-in recyling area (31.8%), a pantry (27.3%), decorative tile work (25.5%) and a wine cooler or wine storage (22.7%).
Consumers Seen Driving Key Kitchen Design Trends, Experts Note
ORLANDO, FL – Today's kitchen consumers are driving a multitude of important trends in kitchen design for both new and remodeled homes, a trio of well-known design professionals said last month.
The designers – Kitchen & Bath Design News columnist Mary Jo Peterson, CKD, CBD, CAPS, of Mary Jo Peterson Inc., in Brookfield, CT; Mary Jo Camp, CKD, CBD, CID, of the Rohnert Park, CA-based Standards of Excellence and Connie Edwards, CKD, CBD, of American Woodmark Corp. – said that prominent among those kitchen trends is the increased use of multiple work zones.
Addressing attendees of the International Builders Show here, the designers noted that kitchen work zones are growing in size and number, and are occasionally even overlapping.
And those zones not only include products and space for food prep, cooking, baking and cleanup, but special zones for entertainment (including products such as built-in coffee makers, espresso makers, wine coolers, specialty refrigeration, warming drawers and steam ovens); storage zones that are becoming increasingly sophisticated, visible and accessible; children's zones and work stations with access to computer hookups, security systems, smart home benefits, multiple phone and cable connections and other technology.
Also being increasingly designed into kitchens, at the request of consumers, are "multiples" on key kitchen features, including dual sinks, dishwashers, ovens, refrigerators and microwaves.
Among the other key kitchen trends noted at last month's IBS were:
- A continued move toward open floor plans, higher ceilings, more windows and kitchens that relate directly to the outside, with a continual blending of exterior and interior and a greater use of natural materials.
- An increased use of color to entice the buyer, create architecture, unify spaces, provide a sense of comfort, echo nature and dramatize a space.
- Cabinet finishes that are trending darker and warmer – and which feature richer finishes, often with glazes.
- A movement toward cleaner cabinet lines, with simpler door styles and streamlined designs with cleaner moldings and strong horizontal elements gaining favor.
- An emphasis on aging in place, with more attention paid to improved flexibility, lighting, access and placement of components
- Decorative hardware that helps set a theme for the kitchen.
Older Baby Boomers: Still Seeking Upgraded Living Spaces, Key Amenities
CHANTILLY, VA—The first wave of the nation's Baby Boom generation may be thinking of retiring, but they're hardly the retiring type when it comes to the features they want in the homes they plan to occupy in the future.
In fact, the 50+ population is not looking for housing traditionally associated with that of past aging populations. And, although it's difficult to make generalizations, most baby boomers don't see themselves trading down in the future – but, instead, expect to be moving up to the best housing they've ever had, even if it means taking out a hefty mortgage to finance their lofty aspirations.
That was the conclusion of a panel of speakers at a recent symposium for seniors conducted by the National Association of Home Builders here.
"It's onward and upward all of the time" for this enormous and affluent demographic group, said Jack Haynes, executive v.p. of the National Builder Division at Countrywide Home Loans.
"Probably the most striking thing we've found over the last few years is that many home buyers over the age of 50 are not simply cashing out on the equity they've built in their family home, nor are they downsizing to a less expensive house or apartment," Haynes observed.
According to a study conducted by Countrywide in conjunction with the Washington, DC-based NAHB, about 25% of home buyers aged 50 and older were paying more for the home of their golden years than for their previous home – and their new homes were likely to feature extravagant, next-generation options and amenities.
It's a trend that appears to be intensifying among the baby boom generation – the 77 million people born between the years of 1946 and 1964.
"We did not hear the word 'downsizing' in any of our focus groups," said William Feinberg of Feinberg and Associates, an architecture and design firm based in Voorhees, NJ. "These people are looking for a new home as something to treat themselves with."
Today's 50+ homeowner "is not intimidated by finance," Haynes echoed.
According to Myril Axelrod, president of Marketing Directions Associates, leading-edge boomers – some 30 million strong – are not interested in either traditional attached housing or in moving to a smaller house. However, she said, they do want to get rid of any parts of a house that are not being used so that they can enjoy larger spaces in the rooms they use the most.
Lots of open space, fewer walls and plenty of flow are key preferences.
Buyers from the leading edge of the boomer generation are also looking for kitchens with lots of light that double as the social center of the home for informal entertaining.
"And, the men are as interested as the women in the kitchen," Axelrod noted. "Kitchens with two work areas give them a chance to get into the act."
Flex space providing buyers with the opportunity to individualize their homes is also a plus, and boomers will spend freely for customized design and upscale features, Axelrod added.
Chuck Covell, president of Greenbelt, MD-based Bozzuto Homes, said that his company discovered the boomers' propensity for more rather than less quite by accident, when prospective 50+ customers wanted to combine two of the average 1,000-sq.-ft. units that his company has been offering since the 1980s in four-story elevated buildings. Covell said that his empty-nester customers started to request "strange things," such as putting a shower in the master bath and doing away with the tub.
In preparation for new residential developments targeted at older buyers, Covell said he realized that his company was missing the mark on the standard features it was offering. "You have to be a good listener," he said, "and focus on things you never heard before."


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It is a very useful technique in bread baking. I'm not sure how necessary it is for making pizza dough, but I've been doing it with my pizza dough too. I hope someone can explain If there is a reason why it's not recommended for pizza dough.
TomN- you don't get the ball-climbs-the-hook problem apparently (which was the whole point of the original thread). Do you know why? What model mixer do you use? Do you have a "C" hook or a "Spiral" hook?


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Michigan State Spartans Gear
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When the season changes, the nights get longer and the days get colder. Each fall Monarchs games get a little bit frostier and the light windbreaker you've had in your closet for three years will not hold up. Dress for warmth and Old Dominion pride with the Flanker fleece jacket from Columbia. It features an embroidered team logo on the chest, elastic cuffs and bungee drawcords at the hem. You'll sit comfy cozy at the next Monarchs game, no matter how cold the weatherman says it will be!
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To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
This is the first in a series of reviews rounding up the Lens Metrics Scores on 35mm primes for Canon, Nikon and Sony. We start by looking at options for Canon EF, and with several own brand and 3rd-party options on the market, there are plenty of choices available. Ranging in price from $320 to $1843, however, it's tough to decide which one is best for you. So let's take a closer look at image quality, features and value for money to help you decide. |
Canon's EF 35mm f2 has been around for quite a while, launched in late 1990, 22 years ago, it predates digital photography as we know it. Does this matter? Apparently not, this small, old, cheap lens continues to be a worthwhile piece of equipment, albeit on a rather basic level, but in this age of super-zoom lenses, this light, compact workhorse is worth looking at. Here are the DxOMark test results, while waiting for those of the new version of the Canon EF 35mm f / 2 IS USM released last November. |
Added by GrahamTebby |
June 23, 2013
Presentation of data
Firstly, thanks for making all this data available, it's a wonderful resource. Im red green colour blind so I can't actually read the charts - any chance that you can use old fashioned graphs of data lists?
Thanks Graham Tebby Reply | Read all replies for this comment |
Added by Emilie_DxOMark |
July 03, 2013
Re: Presentation of data
Thanks for your interest in DxOMark. Unfortunately we have no plan to change our color chart in the short term. Sorry :) Best regards, The DxOMark team Reply |
Added by AP7 |
December 19, 2012
Not very competitive in price and AF motor
Canon Ef 35mm f/2 is certainly competitive optically.
But, Canon needs to lower the price and put faster and quieter AF motor to make it competitive with Nikon, Sony 35mm f/1.8 lens. Reply |
Added by clkirksey |
March 01, 2012
Canon 35mm lenses
You have no test data for these lenses. Why? It is not like these are some freak lenses. Right? BTW I do rely on your site to provide me with alot of trade data. Thanks
Reply |


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The Afghan government must work with neighboring countries to protect human rights while facing an increasingly bloody insurgency, Amnesty International said today as a conference in Istanbul broug...
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Officials gathered at an Istanbul conference on Afghanistan must keep human rights a central focus of their plans for regional security.
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Young Syrian activist Hanadi Zahlout, who had been held in incommunicado detention at an unknown location after her arrest on 4 August, has now appeared before a court and is in regular contact wit...
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Foundation chooses class
by MBJ Staff Published: March 14,2014
Tags: Alane Young, Celeste Oglesby, Dannon Butts, Eric Powell, Gavin Shepherd, Gretchen David, Gulf Coast Business Council Research Foundation, Heath Thompson, Jennifer Sutton, Kelly Lucas, Laurie Jugan, Lee Klein III, Lori Harper, Mary Bourdin, Michael Heindl, Monte Luffey, Patrick Guild, Sherri Bevis, Sugar Stallings
The Gulf Coast Business Council Research Foundation has chosen 19 Gulf Coast leaders to participate in the 2013 Masters Program. The program was developed in 2007 to identify and develop emerging leaders of the Mississippi Gulf Coast. Members of the class are: Sherri Bevis, South Mississippi Service Coordinator, Mississippi Secretary of State; Dannon Butts, manager […] [...]


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Posted November 26, 2012
Bane of the Cosmic Forge, maybe, which I played through for the first time a couple years ago. Splendid use of language to create atmosphere.
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ML Racks
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Notable Fractional Programs
Buyers' Guide » 2014
August 14, 2014
Global deliveries of turbine business airplanes increased 7.2 percent in this year's first quarter over the first quarter of 2013, according to the General Aviation Manufacturers Association. The jump in deliveries will most likely mean a boost to business at centers that perform aircraft completions and refurbishments and companies that provide interior components.
August 10, 2014
Your aircraft represents a wonderful business tool but also one of your largest potential exposures to catastrophic loss—one that could wipe out what you have spent years building. The importance of properly insuring against such loss should be obvious. Here's a look at the most critical coverage types and clauses.
August 4, 2014
When you're buying a jet, months of work culminate the moment you sign the papers. You're finished with research, analysis, due diligence and inspections. You've had the last of your consultations with brokers, attorneys, accountants, pilots and mechanics. The marathon has been run and now you can reap the rewards.
July 29, 2014
Air Charter Service
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July 22, 2014
Which of the major bizav access models—charter, jet card or fractional ownership—best suits you? To begin to answer that question, determine which of the statements below apply to you. If more than half of the statements for an access option apply, it could be a good choice. Note, though, that not all statements carry equal weight; the hours you fly annually can trump other factors in determining whether a solution is appropriate.
July 20, 2014
Given the complexity of the deal and the money at stake, making a business aircraft change hands can seem almost like an act of magic. And as in Disney's The Sorcerer's Apprentice, acts of this sort are best left to professionals—specifically, aircraft brokers and their teams.
July 10, 2014
As soon as its first owner departs from the manufacturer's delivery center, a new airplane technically becomes used (or preowned). For various reasons, however, 10 years after an aircraft's final production date is generally considered the milestone separating "newer" used business aircraft from "older" ones.
July 9, 2014
Here's a look at the world's leading business jet manufacturers and their current and upcoming models.
"Let me be straight with you. What I'd rather have is an airplane. We just had a third kid. I don't like flying commercial. I like to take my family to Hawaii. When I go east, I'd like to have pilots I know. "


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Hong Kong, Greenpeace activists hold large "black cloud' balloons at the Hong Kong's flagship Apple store. Greenpeace's international Clean Our Cloud campaign is calling on industry laggards Apple, Microsoft, and Amazon to join the growing number of tech companies who are taking steps to power their electronic data centers substantially with renewable energy
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Date: Thursday, May 10, 2012
Time: 9:30 a.m. - 3:30 p.m.
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Cloak of Invisibility
this wiki
Cloak of Invisibility | |
Deathly Hallow information | |
Also known as |
Invisibility Cloak |
Manufacturer | |
Made | |
Usage |
Cloak |
Owners |
- ""The Cloak of Invisibility," he finished, enclosing both line and circle in a triangle."
- —Xenophilius Lovegood[src]
The Cloak of Invisibility is a magical artifact used to render the wearer invisible. It is also the third and final of the three Deathly Hallows, and in The Tale of the Three Brothers, was the only Hallow that Death did not manufacture upon his encounter with the Peverells, it having been already in his possession at that time; he had to give it up to fulfill Ignotus' request to evade death until the end of his mortal days. According to legend, whoever united the Cloak with the Resurrection Stone and the Elder Wand would become the Master of Death.
It was the only known invisibility cloak that would not fade with age and would provide everlasting protection to the wearer, something no normal invisibility cloak could provide. As such, it was the only Hallow known to have been successfully passed down from generation to generation since Ignotus' time. In 1991 it passed to the possession of Harry Potter who used it to great success in the Second Wizarding War and resolved to pass it down to his own children.
Mythic origins of the Cloak of Invisibility
According to The Tale of the Three Brothers in The Tales of Beedle the Bard, a wizarding fairytale, three brothers were out travelling the world. They came upon a river that was too deep to wade through and too dangerous to swim across. So the brothers used magic to conjure a bridge. They got to the middle when Death appeared and spoke to them. Angered that they had outwitted him, Death offered each brother a "prize" for beating Death. The eldest brother asked for an unbeatable wand, and Death created a wand of Elder and gave it to him. The second brother requested the ability to return those who have died, and Death gave him the Resurrection Stone. The youngest brother did not trust Death and requested the ability to leave without being followed by Death. Unwillingly, Death handed over his own Invisibility Cloak, and they parted ways. Death soon claimed the two elder brothers, but he could not claim the youngest until he grew into an old man when he gave the Cloak to his son and joined Death as old friends.Many familiar with the Deathly Hallows believed the Peverell family to be the brothers in the tale. Antioch Peverell, the eldest, taking the Elder Wand; Cadmus taking the Resurrection Stone; and Ignotus, the youngest, claiming the Cloak from Death. It is more likely, however, that they were simply three immensely powerful wizards who created the items themselves. This is the view of Albus Dumbledore, who believed that the Cloak was created by Ignotus, himself, and used throughout his lifetime.
Recent History
The Cloak of Invisibility was passed down Ignotus' family line and eventually ended up in the hands of his final known descendants, the Potters. It eventually ended up in the hands of James Potter, the father of Harry Potter. James used the Cloak of Invisibility in many of his misdeeds at Hogwarts School of Witchcraft and Wizardry and kept it afterward. Around the time that Lord Voldemort was hunting the Potters for their son, the Cloak of Invisibility came to the attention of Albus Dumbledore when James showed him the Cloak, and Dumbledore, who had searched for the Deathly Hallows in youth, asked to borrow the Cloak from James to study it. After James was killed, the Cloak was left in Dumbledore's possession.
Ten years later, Dumbledore gave Harry Potter the Cloak of Invisibility as a Christmas present anonymously and told him to "use it well." This would be one piece of advice that Harry would use quite well over his school life and beyond, as the Cloak of Invisibility aided Harry on countless trips and missions, including his hunt for Lord Voldemort's Horcruxes. It was not until 1998, that Harry learned the true nature of his own Invisibility Cloak and its true identity as the Cloak of Invisibility, as spoken of in the legend of the Deathly Hallows. As Ignotus' last remaining descendant, the Cloak was rightfully Harry's and was kept by him after Lord Voldemort's defeat. Harry resolved to pass it on to his own son one day, just as his ancestor Ignotus had done with his son.
- "It's never occured to me before, but I've heard stuff about charms wearing off cloaks when they get old, or them being ripped apart by spells so they've got holes in. Harry's was owned by his dad, so it's not exactly new, is it, but it's just... perfect!"
- —Ron Weasley on the Cloak of Invisibility[src]
The Cloak of Invisibility is especially powerful. It is resistant to jinxes, hexes, and other spells which would normally damage or otherwise render a normal Invisibility cloak ineffective. For example, just before the Battle of Hogwarts in 1998, while Harry, Ron, and Hermione were huddled under it, a Death Eater's Summoning Charm had no effect on removing the Cloak of Invisibility. It has also remained completely effective throughout its long existence of around seven centuries, unlike the other cloaks which lose their power over time. Even the Thief's Downfall did not affect it at the very least.
Although powerful, the Cloak of Invisibility is not infallable. While the Cloak itself resists spell damage, it does not shield the wearer from spells used against them personally. For example, Harry was immobilized while under the Cloak twice during the 1996–1997 school year. In addition, it will not hide the wearer from detection that is not based on optical sight, such as Alastor Moody's magical eye, magical creatures such as Dementors, or spells such as the Human-presence-revealing spell, or the Marauder's Map.
As the last of the Hallows, the Cloak is shown as the wide triangle that encompasses the circle and the line intersecting at their very middle; and being the only one to be properly treated as an heirloom, the Cloak of Invisibility seems to represent survival at most. It may also represent a certain goodness of spirit, as the artifact is the only one of the Hallows whose power can be shared by two or more people at once.
Known uses
1971 to 1978
- James Potter used it to sneak into the kitchens to steal food (mentioned in 1991) and to accompany Remus Lupin to the Shrieking Shack (mentioned in 1994).
- Harry Potter hid beneath it to sneak into Restricted Section of the library to find out about Nicolas Flamel in 1991.
- Harry used it to view the Mirror of Erised along with Ron.
- Harry, Ron, and Hermione rotated use of the Cloak to help care for Norbert, Hagrid's dragon.
- Harry and Hermione sneaked Norbert out of the castle to Charlie Weasley's friends with the Cloak.
- The trio went under the Cloak to the Third Floor Corridor when they saved the Philosopher's Stone.
- Harry and Ron used it to get out of the castle to follow the spiders.
- Harry went to Hogsmeade underneath the Cloak, because he wanted to remain hidden during his second visit in 1994.
- Harry, Ron, and Hermione used the Cloak to visit Hagrid before the Hippogriff, Buckbeak was sentenced to death for attacking Draco Malfoy.
- Severus Snape also used it on the same day to hide in the Shrieking Shack in an attempt to capture Sirius Black.
- Harry went to Hogsmeade under the Cloak, as he wanted to having a nice relaxing time without having to deal with any criticism about his being in the Triwizard Tournament from the non-Gryffindor students.
- Harry ventured out to see the dragons for the First Task in 1994.
- Harry went to the Prefects' Bathroom and back to the Common Room to work on the egg's clue under it in 1995.
- The trio used the Cloak to visit Hagrid when he returned from his mission to the giants in November, 1995.
- Harry used the Cloak to sneak into Dolores Umbridge's office to use the Floo Network in 1996.
- Hermione and Harry sneaked back into Umbridge's office under the Cloak the day of the Battle of the Department of Mysteries.
- Harry, Ron, and Hermione used the Cloak to follow Draco Malfoy to Knockturn Alley in 1996.
- Harry tried to eavesdrop on Draco Malfoy on the Hogwarts Express under the Cloak in 1996.
- At Professor Slughorn's Christmas party Harry used it to eavesdrop upon Malfoy and Professor Snape.
- Harry also used the Cloak when he was trying to catch Malfoy in the Room of Requirement the same school year.
- Albus Dumbledore ordered Harry to wear the Cloak during their trip to the Horcrux cave in 1997.
- Harry witnessed Dumbledore 's murder while immobolised under the Cloak.
- Harry was hidden underneath the Cloak after the trio escaped the Wedding of William Weasley and Fleur Delacour and during the Luchino Caffe Duel on the same night.
- Harry, Ron , and Hermione rotated using the Cloak to spy on the Ministry of Magic in August of 1997.
- They used it during the Infiltration of the Ministry of Magic with Harry underneath it most of the time.
- The trio used it for security while Apparating to various places in the countryside in 1997 and 1998.
- Harry and Hermione visited Godric's Hollow while disguised as Muggles by using Polyjuice Potion and hiding under the Cloak on Christmas Eve 1997.
- Harry was hidden underneath the Cloak when the trio were searching for Xenophilius Lovegood's house just before the New Year in 1997.
- On the same day, Ron was hidden in order to protect his alibi during the Ambush at the Lovegood House.
- Harry and Griphook hid beneath the Cloak on 1 May, 1998 when they broke into Gringotts Wizarding Bank.
- The same night, the trio Apparated to Hogsmeade to break into Hogwarts.
- Harry and Luna used it to view the statue of Ravenclaw with her diadem in the Ravenclaw Tower.
- The trio used it during intervals of the Battle of Hogwarts in which they did not want to be seen.
- Harry hid under it when Lord Voldemort thought he was dead during the Battle of Hogwarts.
- After Luna distracted everyone in the aftermath of the battle, Harry used the Cloak to find Ron and Hermione and tell them everything that had happened.
Behind the scenes
- Although superior to any other cloak in terms of durability and longevity, the Cloak was unable to hide Harry from certain methods of magical detection, such as Alastor Moody's Magic Eye, Marauder's Map and the Human-presence-revealing spell. It was also unable to hide Harry from creatures able to sense location by methods other than primarily sight, such as Dementors and Nagini.
- The Cloak also had the limitation of only being able to hide what it was large enough to cover - it did not grow with the user(s), and if any part of them accidentally slipped past the boundaries of the Cloak, that part risked exposing their presence to anyone nearby. Thus, as the trio grew taller, they often had to stoop more to be completely covered by the Cloak.
- While it shields the wearer from sight and cannot be harmed by any class of spell aimed at it, the Cloak does not act as a shield against spells, curses, or hexes, aimed at the user, as Harry is affected by the Full Body-Bind Curse curse twice while under The Cloak in 1996- 1997.
- The Cloak's appearance in the movie differs from the one described in the book. In the book, it is described as a fluid-like, silvery material.
- When asked which of the Deathly Hallows they preferred, Hermione Granger chose the Cloak of Invisibility, while Ron chose the Elder Wand, and Harry chose the Resurrection Stone. [1]
- The Cloak has some similarities to the One Ring from The Lord of the Rings as both are ancient magical artefacts that render the user invisbile. The protagonist uses each strategically at many points in his adventure and an ancient "Dark Lord" (Death and Sauron respectively) crafted each. However, the Cloak is not known to have any inherent evil power.
- It could be possibly that Harry used the Cloak in his Auror years, until he decided to pass it on possibly to either James or Albus.
- In many eyes that follow the tales of the Hallows, they considered the Cloak of Invisibility to be the less important and less talked about. It is considered to be the weakest out of the Hallows, but later on it is seen that is could possibly be the most important and strongest out of the three Hallows.
See also
- Harry Potter and the Philosopher's Stone (First appearance)
- Harry Potter and the Philosopher's Stone (film)
- Harry Potter and the Philosopher's Stone (video game)
- Harry Potter and the Chamber of Secrets
- Harry Potter and the Chamber of Secrets (film)
- Harry Potter and the Prisoner of Azkaban
- Harry Potter and the Prisoner of Azkaban (film)
- Harry Potter and the Goblet of Fire
- Harry Potter and the Goblet of Fire (film)
- Harry Potter and the Order of the Phoenix
- Harry Potter and the Order of the Phoenix (video game)
- Harry Potter and the Half-Blood Prince
- Harry Potter and the Half-Blood Prince (film)
- Harry Potter and the Deathly Hallows
- Harry Potter and the Deathly Hallows: Part 1 (Appears in flashback(s))
- Harry Potter and the Deathly Hallows: Part 1 (video game)
- Harry Potter and the Deathly Hallows: Part 2 [2]
- LEGO Harry Potter: Building the Magical World
- LEGO Harry Potter: Characters of the Magical World
- LEGO Harry Potter: Years 1-4
- Harry Potter and the Forbidden Journey
- Harry Potter Trading Card Game
- Harry Potter LEGO Sets
Notes and references


text:
Aug 27, 2012 4:34 AM
TONIGHT!! Monday August 27th Vipers Softball U14 U16 & U18 tryouts
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2012 - 2013 Vipers Softball tryouts.
Vipers Softball will be rostering players in the following divisions 14U 16U & 18U
All players are required to attend one workout with the possibility to be asked to attend a second
There is NO FEE to attend our tryouts.
If you cannot attend scheduled workouts, please contact firstname.lastname@example.com to set up a private workout.
Please visit www.merrimackvalleyvipers.org for additional info.
MONDAY AUGUST 27TH 6PM TO 8PM ALL Positional Players.
Location: Methuen YMCA field
129 Haverhill Street, Methuen, MA 01844
Online Golf Tee Times with Last Minute Tee Time Deals & Discounts
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Registration Options in Seattle - Ballard
You have selected the class below:
Seattle - Ballard: Ballard Community Center - Outdoor Space Click for directions
Day | Class | Time | Start | End | Meetings | Class Code |
Wed | Soccer 1 | 4:45-5:30pm | 4/24/13 | 6/12/13 | 8 | 100080 |
Ballard Community Center manages this location and can be reached at: (206) 684-4093. If you're interested, you can click here www.seattle.gov/parks/Centers/ballard.htm to visit the city's website.
Online Registration
You can sign up for this Kidz Love Soccer class through the Ballard Community Center by clicking here. Please note, the city requires you to log into their website and use the class code (100080) to register for this class.
Walk-In Registration
Complete the form in the Ballard Community Center's activity guide. Drop off the form and payment at:
Ballard Community Center 6020 28th Ave NW Seattle, WA 98107


text:
Here's mine Post yours :P
mine :D
you should have known
hahahaha!!!! cookies!!!
Last edited by Hellsbadass; 05-27-2008 at 01:30 AM. Reason: Automerged Doublepost
Originally Posted by ZonDer Here's mine Post yours :P wait isn't this your desktop? BWHAHAHAHAHA!!
Last edited by TOBI!; 05-27-2008 at 01:46 AM.
WHY DOES YOUR SIG SAY RIP TOBI!! im not dead
LOL Tobi not you, my budgie(parakeet) named Tobi, I found him dead this morning.
Originally Posted by Shisui LOL Tobi not you, my budgie(parakeet) named Tobi, I found him dead this morning. poor birdy...............
mine is my avatar
POOOR TOBI!!! Poor lil birdie He lived a good life
Originally Posted by TOBI! wait isn't this your desktop? BWHAHAHAHAHA!! Yeah,that was my desktop over a year ago when Vista was in beta mode and I used longhorn skin. Now it's Vista Enterprise (x64) Service Pack 1.
Last edited by ZonDer; 05-27-2008 at 01:42 PM.
you always have fun as a mod! hihi :D
Last edited by Domi; 05-27-2008 at 08:46 PM.
2 screens btw ^^
2 screens, ok now i understand.:D
my dektop will be up
no response on mine? :*(
mine lol
Forum Rules


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From June through August, Haverford College is home to many different sports and educational programs.
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Local Favorites
Kansas means great homecookin' and homegrown goodness at plenty of local shops and eateries. Find your favorite flavor below - and see delicious recipes inspired by Kansas products and restaurants in KANSAS! Magazine
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Featured Listings
The BBQ Shack
1613 E Peoria St
Paola, KS 66071
Phone: (913) 294-5908
Paola, KS 66071
Phone: (913) 294-5908
As seen on The Food Network's Diners, Drive-Ins, and Dives, The BBQ Shack really does go whole hog. While specializing in whole roasted hogs, The BBQ Shack offers succulent hickory smoked pork ... More
The Gathering Place Lodge
105 South Main Street
Dexter, KS 67038
Phone: (620) 886-1703
Dexter, KS 67038
Phone: (620) 886-1703
Located in a historic downtown building, the original home of Henry's Candy Factory, the setting looks like a table in Grandma's kitchen. From the vintage tablecloths, beautiful dinnerware and ... More
Sacks 5th Avenue
501 W 5th
Hutchinson, KS 67501
Phone: (620) 664-5102
Hutchinson, KS 67501
Phone: (620) 664-5102
Food is made to order, no frozen hamburger patties here! Curb service is available and "call aheads" are welcome. More
Saddlerock Cafe
15 South 6th St
Council Grove, KS 66846
Phone: (620) 767-6411
Council Grove, KS 66846
Phone: (620) 767-6411
Home cooking at its best! This is an unique full-service family restaurant featuring American and Mexican food. They serve homemade breads and cinnamon rolls. Most of the area's ranchers, cowboys ... More
Sale Barn Cafe
116 Harvest Drive
Paola, KS 66071
Phone: (913) 294-3335
Paola, KS 66071
Phone: (913) 294-3335
This special spot is open only on Fridays from 11 a.m. to about 2 p.m. The daily special may sell out early as the auction crowd varies. Visitors enjoy watching livestock trade hands at this ... More
Sam & Louie's New York Pizzeria
2150 N State St
Iola, KS 66749
Iola, KS 66749
Sam & Louie's is a casual, New York style pizzeria. Our menu consists of more than just great pizza- Italian pastas, handmade calzones and strombolis, salads, appetizers, sandwiches and burgers ... More
Sandbar Subs at Zarco 66
Santa Fe Cafe
9946 Santa Fe Dr
Overland Park, KS 66212
Phone: (913) 648-5402
Overland Park, KS 66212
Phone: (913) 648-5402
We are a neighborhood Breakfast & Lunch Cafe located on the historic Santa Fe Trail. Our menu features Biscuits & Gravy and the walls have classic wertern art. As comfortable as your Kitchen at ... More