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KTM PowerParts
Brake disc protection for your Offroad KTM
Your rear brake disc is protected in the best possible way in the most extreme situations, the hardest battles and unexpected crashes with the KTM Brake Disc Guard. Made from high-strength aluminum, it protects your disc from stones or other obstacles but also from scratches, no matter how badly you might crash.
And of course there is also the perfect Brake Disc Guard for the KTM Freeride 350, soon to be available from KTM dealers.
Crash Protection made easy
Everyone is talking about the new KTM 690 Duke, the bike that is not only the most powerful single cylinder but also ideal for entry-level riders. And so the Dukes belonging to new riders can stay protected from damage in occasional crashes, the KTM PowerParts Department has pulled out all the stops to develop parts for the protection of the bike.
These are not only ideal for driving school bikes and all beginners – or those returning to motorcycles – but also for anyone who wants to squeeze the most out of their Duke and try out the occasional stunt. So the CRASH PADS at the front and rear protect the fork and swing arm from damage while the CRASH PADS FOOTRESTS save the entire pillion foot peg system from scratches or even worse.
The ALUMINIUM HANDGUARDS – which come in either orange or black – offer special protection for the handlebar and all the associated levers, so preventing either the brake or clutch lever from snapping off. And last but not least the completely newly developed CRASH BARS, also available in orange or black, protect the tank and the plastic parts. In an ideal situation this combination of parts – the crash pads, hand guards and crash bars – will mean that the bike is neither scratched nor damaged in any way at all.
Except for the crash bars, all of these parts are also available for the 125 and 200 Dukes.
KTM PowerWear
No more waiting – the new KTM PowerWear Spring Collection heralds the arrival of the new season
We've been looking forward to this for a while, but now it is finally here – the new KTM PowerWear Spring collection has arrived. Both the new catalog and the 'feel good' collection are available now at KTM dealers. And we're not just talking about trendy colorful leisurewear for racers and girls, but also about cool accessories – whether it is the new women's watch, new additions to the popular KTM bag and luggage series, mini teddy key rings and reflector badges for the junior racers and much more.
Naturally there is also the range of functional clothing that is just right for the new KTM Freeride: the stylish offroad outfit developed in cooperation with O'Neal, the specialist for Freeride, Mountain Bike and Motocross gear.
Power colors and cool new slogans to put you in a good mood
Live with speed – it's good for you! Any questions? The T-Shirt with this slogan in orange on flamboyant bright blue fabric is the absolute 'must have' for every racer this spring: completely on trend and at the same time ready to race. The special high quality cotton blend fabric with an uneven surface gives the whole thing an unusual but cool color effect.
Available in sizes: S-XXL
Going into spring with humor
Newly arrived and never been seen before at KTM: the WALL TATTOO. And not just any one, this is a very special witty text:
This text was already very popular on the KTM man collection's boxer shorts. So why not have it in big format?
Whether it is in the workshop, kitchen or toilet or hung over the bed, this large format is certain to bring a smile to any lips.
The wall tattoo will stick to all smooth and silicone-free surfaces (wallpaper, fine plaster, tiles, glass, plastic etc.) and can be removed without leaving any residue. Size: about 134 cm x 62 cm


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SGI® InfiniteStorage™ GatewayLower the Cost of High Volume Storage with Intelligent Data Management SGI InfiniteStorage Gateway is a purpose-built appliance that enables IT organizations to readily free primary storage capacity and reduce the cost of storing massive data volumes to as little as 1/10th* the cost of primary storage, while maintaining seamless user access. Align Data Activity with Best Storage Medium, Automatically Seamless Online Access Wherever Data Resides Heterogeneous Storage Support Proven in Largest BIG DATA Environments Easy to Connect and Administer Quickstart Service
Datasheet: SGI Quickstart Service for SGI InfiniteStorage Gateway (PDF) * "1/10th" is based on the purchase cost/GB of primary network-attached storage products from selected leading vendors determined from pricing data as of September 2013, in comparison to the purchase cost/GB of an InfiniteStorage Gateway fabric consisting of the appliance and tape storage, when migrating 3 -10PBs of data. Actual savings will vary depending upon primary storage utilized, volume of data migrated, and fabric storage mediums. Contact SGI for details. | |

subset: commoncrawl


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Date and Time:
Wednesday 3/6/2013Program:
This class is for individuals who have completed beginning computer skills in English. The class runs for four consecutive weeks March 6, 13, 20, & 27 from 5:30 to 7:30 PM and is held in the Computer Learning Center on the library's main floor. Classes funded by Illinois Department of Commerce and Economic Opportunity.


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The Pulmonary Hypertension Association is home to a growing community of families with children affected by PH. Connect with others who share your experience and learn about the resources available to you as your family adjusts to life with this illness.
The more you know, the better equipped you'll be to advocate for your child in a variety of situations. While there's currently no cure for PH, there are PH-specific therapies available to manage symptoms and improve your child's quality of life. Explore the pages below to learn more about making informed choices and ensuring your child receives the best care possible.
Lips Painted Blue - An Animated Series
Watch this cartoon series with your child to help them learn more about children living with PH.
Find activities and tips for your child!
Visit PH Kids
Order our free information packets for families to learn about resources and programs for you and your child!
Order a free information packet
Our team of mentors is standing by for caregivers and parents looking for one-on-one, email-based support.
Email a PH Email Mentor
Stay informed about current research, events, and more.
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Infant botulism is an illness that can occur when an infant ingests bacteria that produce a toxin inside the body.
The condition can be frightening because it can cause muscle weakness and breathing problems. But it is very rare: Fewer than 100 cases of infant botulism occur each year in the United States, and most babies who do get botulism recover fully.
Infant botulism is treatable, but because of its severity, it's important to learn the symptoms so you can recognize it early. Also know that honey is a known source of the bacteria spores that cause botulism. For this reason, honey shouldn't be given to babies under 12 months of age.
About Infant Botulism
Infant botulism can occur when a child ingests spores of Clostridium botulinum bacteria, which are found in dirt and dust and can contaminate honey. This illness typically affects babies who are between 3 weeks and 6 months old, but they're susceptible to it until their first birthdays.
These bacteria are typically harmless to older kids and adults because their mature digestive systems can move the spores through the body before they cause any harm.
But very young babies haven't developed the ability to handle the spores yet. So once an infant ingests them, the bacteria germinate, multiply, and produce a toxin. That toxin interferes with the normal interaction between the muscles and nerves and can hamper an infant's ability to move, eat, and breathe.
Two other types of botulism tend to affect older kids and adults: wound botulism occurs when the bacteria infect a wound and produce the toxin inside of it; foodborne botulism is usually caused by eating home-canned foods that contain the toxin.
Signs and Symptoms
Symptoms of botulism appear between 3 to 30 days after an infant consumes the spores. Constipation is often the first sign of botulism that parents notice (although many other illnesses also can cause constipation). Call your doctor if your baby hasn't had a bowel movement in 3 days.
Other symptoms can include:
- flat facial expression
- poor feeding (weak sucking)
- weak cry
- decreased movement
- trouble swallowing with excessive drooling
- muscle weakness
- breathing problems
Infant botulism can be treated, but it's important to get medical care as soon as possible. Call your doctor right away if you see any of the warning signs in your baby.
Infant botulism is treated in the hospital, usually in the intensive care unit, where doctors will try to limit the problems the toxin causes in the baby's body. The toxin can affect the breathing muscles, so doctors may put the infant on a ventilator. Because the toxin can affect the swallowing muscles, they may give the baby intravenous (IV) fluids to provide nourishment.
An antitoxin is now available for the treatment of infant botulism called Botulism Immune Globulin Intravenous (BIGIV), which should be given as early in illness as possible. Babies with botulism who have received BIGIV recover sooner and spend less time in the hospital.
With early diagnosis and proper medical care, a baby should fully recover once the effects of the toxin wear off.
Like many germs, the Clostridium botulinum spores that cause botulism in infants are everywhere in the environment. They're in dust and dirt, and even in the air. Experts don't know why some infants contract botulism while others don't.
One way to reduce the risk of botulism is to not give infants honey or any processed foods containing honey (like honey graham crackers) before their first birthday. Honey is a proven source of the bacteria and has led to botulism in infants who've ingested it. Light and dark corn syrups were thought to be a source of spores, but no proven cases of infant botulism have been attributed to ingesting them. However, check with your doctor before giving these to an infant.
Reviewed by: Joel Klein, MD
Date reviewed: October 2011
Note: All information is for educational purposes only. For specific medical advice, diagnoses, and treatment, consult your doctor.
© 1995-2015 The Nemours Foundation/KidsHealth. All rights reserved.


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The following performance groups are open to all students of the University who qualify by audition:
Not more than eight hours earned in ensembles may be counted toward a degree unless specified.
Back to Music
MUS 110X Class Piano for Non-Music Majors. [MUSI 1101] Basic techniques of piano playing. Development of musical literacy with respect to the keyboard. Designed for the non-music major. Two hours lecture and practice. Credit 1.
MUS 111X Class Piano, Level 1. [MUSI 1181] Basic techniques of piano playing. Development of musical skills with respect to the keyboard. Designed for the music major who has little familiarity with the keyboard. Two hours lecture and practice. Credit 1.
MUS 112X Class Piano, Level 2. [MUSI 1182] Basic techniques of piano playing. Development of musical skills with respect to the keyboard. Prerequisite: MUS 111X. Credit 1.
MUS 113X Class Piano, Level 3. [MUSI 2181 ] Basic techniques of piano playing. Further development of musical skills with respect to the keyboard. Prerequisite: MUS 112X. Credit 1.
MUS 114X Class Piano, Level 4. [MUSI 2182] Basic techniques of piano playing. Enhancement of musical skills to provide minimum competencies on keyboard necessary for completion of the music degree. Prerequisite: MUS 113X. Credit 1.
MUS 113: MUS 116 Study of Woodwinds. [MUSI 1166]: [MUSI 1167] Basic techniques of teaching and playing clarinet, saxophone, oboe, bassoon, flute, and piccolo. Three hours lecture and practice. Credit 1 each.
MUS 117: Singers Diction. 117: English and Italian. 118: French. 119: German. MUS 119 These courses are designed to familiarize singers with the pronunciation of each language as sung in choral music, recital literature, and opera. Prerequisites: MUS 117: none; MUS 118: MUS 117 and 119; MUS 119: MUS 117. Credit 1 each.
MUS 162 Fundamentals of Guitar. [MUSI 1303] Basic guitar technique for the beginning student is combined with a study of the fundamentals of music notation. Not open to music majors. No prerequisite. Credit 3.
MUS 165: MUS 166 Fundamentals of Singing. A study of the physiology of vocal music production and the development of the singing voice. Emphasis on correct breathing, tone placement, vowel formations, stage presence and musical interpretation. Not open to students majoring in Music. Credit 3 each.
MUS 213: MUS 216 Study of Brasses. [MUSI 1168]:[MUSI 2168] Basic techniques of teaching and playing trumpet, trombone, French horn, baritone, and tuba. Three hours lecture and practice. Credit 1 each.
MUS 226 Conducting I. An introduction to the basic techniques of conducting choral and instrumental music. Prerequisite: MUS 123 (Theory II) and Sophomore standing. Credit 2.
MUS 262 Advanced Guitar. Continuation of fundamentals of guitar with guitar techniques for advanced students combined with study of fundamentals of music notation. Credit 3.
MUS 310 Study of Percussion. Basic techniques of teaching and playing all percussion instruments. Three hours lecture and practice. Credit 1.
MUS 313: MUS 316 Study of Strings. Basic techniques of teaching and playing violin, viola, violoncello, and string brass. Three hours lecture and practice. Credit 1 each.
MUS 417 Recital. A public solo performance reflecting the work of one full semester of preparation at the upper division level under supervision of the applied music faculty. The student must be concurrently enrolled for applied music instruction and must have his/her program approved by his/her professor. A Recital Hearing must be passed at least two weeks prior to the scheduled performance. Credit 1.
MUS 424 Conducting II. The study and application of advanced conducting technique as applied to instrumental and choral ensembles with emphasis on the development of analytical and interpretative skills. Prerequisite: MUS 223, 224, and 226 or consent of instructor. Three hours lecture. Credit 2.
MUS 461 Techniques for Wind and String Instruments. A study of the literature, methods, and teaching techniques of wind and string instruments. May be taken by conference. Prerequisites: Senior standing in music performance and consent of instructor. Credit 3.
MUS 462 Vocal Pedagogy and Techniques. Introduction to the teaching of voice, in both the private and group settings. Students will survey different schools of approach and study of the physiology of singing. Prerequisite: successful completion of sophomore proficiency in voice. Credit 3.
MUS 122 Theory of Music I. [MUSI 1211] An introduction to the fundamental materials and structures of music. All diatonic scales and intervals, notation and structure of basic rhythmic organizations, and simple vertical sonorities are explored, using the keyboard as an adjunct tool. A study of tonality, key systems, and simple phrase and period forms are applied to creative work in order to integrate all concepts with the student's work in applied and historical studies. The semester ends with an introduction to the study of tertian harmony as exemplified in tonal music and including diatonic triads. Credit 2.
MUS 123 Theory of Music II. [MUSI 1212] Continuation of THEORY OF MUSIC I, expanding the tertian harmonic vocabulary to include the dominant seventh chord, and an introduction to secondary sevenths, secondary dominants and leading tone chords, and modulation. The study of ternary, binary, and through-composed forms and their application to creative work. Prerequisite: MUS 122 and 124 or permission of the instructor. Credit 2.
MUS 124 Musicianship I. [MUSI 1216] Intensive drill in the development of sight-singing and aural skills. The material used is coordinated with that of THEORY I. Credit 2.
MUS 125 Musicianship II. [MUSI 1217] Continuation of MUSICIANSHIP I. Material is coordinated with that of THEORY II. Prerequisites: MUS 122 and 124 or permission of the instructor. Credit 2.
MUS 161 Introduction to The Study of Music. [MUSI 1301] The study of the fundamentals of music, including major and minor scales, rhythm, chords, sight-reading, and ear-training. Not open to music majors or minors. Credit 3.
MUS 222 Theory of Music III. [MUSI 2211] A continuation of the study of harmonic and melodic materials of tonal music expanded to include all characteristic diatonic and chromatic resources and their application in keyboard work and creative projects. Formal procedures studied include the larger traditional structures such as the rondo, sonata, and contrapuntal forms. Prerequisites: MUS 123 and 125 or permission of the instructor. Credit 2.
MUS 223 Theory of Music IV. [MUSI 2212] A study of musical materials and structures that evolved in the late nineteenth and twentieth centuries. Emphasis is placed on the investigation of the entire panorama of twentieth century music including folk, ethnic, and jazz idioms in addition to the developments in the classical tradition. Prerequisite: MUS 222 and 224 or permission of the instructor. Credit 2.
MUS 224 Musicianship III. [MUSI 2216] Continuation of MUSICIANSHIP II. Material is coordinated with that of THEORY III. Prerequisites: MUS 123 and 125 or permission of the instructor. Credit 2.
MUS 362 Orchestration And Analysis. A study of basic techniques of instrumentation, including ranges, transpositions, and characteristics of band and orchestral instruments. Practical application in the form of projects for various instrumental combinations. Prerequisite: MUS 222. Credit 3.
MUS 363 Structure and Analysis. A study of musical structure and design from all historical periods. Introduces diverse methods of musical analysis to gain an ability to distinguish various stylistic idioms. Emphasis is placed on analytical findings as it relates to application in teaching, performance, music therapy, conducting, and/or composition. Prerequisite: MUS 223. Credit 3.
MUS 370 Class Composition. An introduction to the craft of composition. Projects involve the application of basic creative techniques which generate complete pieces, diverse stylistic idioms, and aesthetic considerations. May be repeated for credit. Prerequisites: MUS 222 and 224 or permission of instructor. Credit 3.
MUS 371, 372 Junior Composition. The study and practice of strict composition. Reference is made to the practices of the eighteenth and nineteenth centuries, but with emphasis on the stylistic idioms of the twentieth century. May be taken by conference. Prerequisite: MUS 223. Credit 3 each.
MUS 464 Seminar in Composition. Creative activity in the composition of larger forms under individual faculty supervision. Prerequisite: MUS 372. Credit 3.
MUS 465 Counterpoint and Analysis. A survey of polyphony of the eighteenth through the twentieth centuries with emphasis on creative projects. Prerequisite: MUS 222 (Theory of Music III). Credit 3.
MUS 474 Twentieth-Century Musical Styles. Trends, techniques, and the various styles of musical composition in the twentieth century, beginning with Impressionism, studied conceptually and aurally. Concepts are applied to exercises in composition. Prerequisite: MUS 223. Credit 3.
MUS 138W Survey Of Music Literature. [MUSI 1308] The fundamentals of music terminology, standard instrumental and vocal forms, and representative composers and compositions from secular and sacred music of most eras. Writing Enhanced. Prerequisites: MUS 122, 124 or school consent. Credit 3.
MUS 264 History of Rock, Jazz, and Popular Music. [MUSI 1310] A survey of the history of jazz, rock, and popular music beginning with their common origins in African, European, and late 19th-century southern folk music. Continues through the latest trends and includes individual musicians as well as stylistic details. No prerequisite; for non-music majors. Credit 3.
MUS 265 Music Appreciation. [MUSI 1306] A general survey of music literature designed for the non-music major. Representative composers and their works are studied through recordings, lectures, reports, and live performances. Credit 3.
MUS 339 Introduction to Music Education. A survey of the responsibilities, competencies, and contemporary issues that pertain to the professional music educator. Credit 3.
MUS 367, 368 Studies in Music for Children. Introduction to Kodály philosophy and materials, Orff techniques and instruments, folk song analysis, solfege, Dalcorze concepts and methods of other pedagogues in the field of elementary music. Several types of curricula for grades K-6 are presented. Prerequisite: MUS 123. Credit 3 each.
MUS 376, 377W, 378W History of Music. A study of musical styles, forms, and textures in history from antiquity to the present. The first course (MUS 376) includes music from antiquity through the Renaissance. The second course (MUS 377) covers the period from Monteverdi to Beethoven. The third course (MUS 378) begins with the later works of Beethoven and extends to the present era. MUS 377 and 378 are Writing Enhanced. Prerequisites: MUS 138; junior standing or consent of instructor. Credit 3 each.
MUS 468 Seminar in Research and Creative Activities. A course in which the undergraduate student may pursue advanced specialized study under faculty supervision in the areas of composition, music literature, analysis, and research. May be repeated for credit. (This course may be taken for Academic Distinction credit. See Academic Distinction Program in this catalog.) Credit 3.
MUS 210X Practicum in Music. Supervised pre-clinical experience in community settings; each semester of study is correlated with the population being considered in the corresponding core music therapy course. Credit 1 (4 semesters).
MUS 238 Introduction to Music Therapy. A survey of the role of music as therapy in educational, psychiatric, hospital, nursing home, and prison settings. No prerequisite. Credit 3.
MUS 239 Psychology of Music. A study of the effect of music on the mind. Topics include musical acoustics, music perception, and experimental research in music. No prerequisite. Credit 3.
MUS 336 Instrumental Skills for the Music Therapy Setting. Study of instrumental skills as applied in the music therapy setting utilizing guitar, dulcimer, keyboard percussion, and Latin American instruments. Research findings in the music therapy literature will be used in structuring improvisational opportunities for specific music therapy populations. Prerequisite: Music or music therapy major. Credit 3.
MUS 365 Observation and Measurement in Music Therapy. A study of current assessment and evaluation procedures used in music therapy and the application of observational recording techniques in educational, social, and therapeutic settings. Prerequisite: Admission to music therapy program. MUS 210 must be taken concurrently. Credit 3.
MUS 366 Music Therapy Techniques I. An examination of music therapy techniques used in the special education setting and current legislation related to education of students with disabilities and music/ music therapy to be provided. Prerequisite: MUS 365. MUS 210 must be taken concurrently. Credit 3.
MUS 495 Music Therapy Techniques II. A study of music therapy procedures used with adults in aging adult settings and an examination of issues concerning the use of music therapy within this population. Prerequisites: MUS 365. MUS 210 must be taken concurrently. Credit 3.
MUS 496 Music Therapy Techniques III. A seminar presentation of contemporary issues in the field of music therapy. Prerequisite: MUS 365. MUS 210 must be taken concurrently. Credit 3.
MUS 497 Internship in Music Therapy. First three-month period of supervised clinical experience at site approved by the American Music Therapy Association (AMTA). Prerequisite: Completion of all coursework. Credit 3.
MUS 498 Internship in Music Therapy. Second three-month period of supervised clinical experience. Prerequisite: MUS 497. Credit 3.


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CAD5.00 Jan 01, 2015 to Dec 31, 2015
This covers: Fee for the site, CPR course, first aid kits, donations, petty cash for events
Payment is accepted using:
Refunds are not offered for this Meetup.
Welcome to Cows! Canada Outdoor World Seekers (COWS), located in Toronto, Ontario, Canada, is a very active and dynamic Not-For-Profit corporation focusing mainly on outdoor activities. We encourage you to join and enjoy our varied adventures such as hiking, international trips, etc.
For 2014 our yearly membership fee is $10. Please pay using PayPal or any electronic payment method within five days of being approved or you will be removed. In other words, you have five days to check us out, show us you're serious and make a commitment. Only paid up members can RSVP to our events.
Because we have to issue receipts and comply with the Canada Revenue Agency requirements, we only accept electronic payments. As a result, organizers do not handle money for membership fees and meet-ups. When you are approved, you will be given a temporary title (5 Days). After you pay our membership, you will see a 'Moo4' designation beside your name. A Moo4 means that you have paid your membership for 2014.
We share quarterly financial information with all members. Please see our accounting sheet under files section.
As a group, we have adopted the following COWmandments:
1. You shall be fun and positive and be open-minded about yourself and other COWS. You shall leave your personal and/or professional issues at home or at work.
2. We encourage you to log in to our website at least once every 90 days to keep your account active.
3. You shall bring a guest(s) to one event for free and include his/her name(s) when you RSVP. If your guest wishes to attend future COWS events, please have them register as a member of COWS.
4. All of our organizers are volunteers whose passion is the outdoors and having fun. We do not do this for a living.
5. Honor and respect your RSVP commitment. "Yes"means "Yes". Late cancellations, within 24 hours of the event, shall be marked as No Show at the discretion of the Event Host.
6. "No Shows" are taken seriously. Three "No Shows" removes you from the herd. Once removed for "No Shows", you may re-apply for membership six months from your removal date. If removed a second time, you have to wait 12 months to re-join.
7. You shall not contact 'Holy Cow' to report other members unless you feel threatened or harassed.
8. You shall contact drivers directly for rides. Cows Inc. does not arrange carpooling. Please respect your fellow Cow's car. Bring an extra pair of shoes so as not to dirty your fellow Cow's car after a muddy or wet hike. You will take your trash with you when you leave the vehicle. Do not expect your driver to clean up after you.
Once you are accepted by a driver as part of his carpool, you must honor that commitment. Do not cancel carpooling at the last minute and leave the driver with no time to look for your replacement. If you do, please be courteous and considerate by paying your share of the carpool, even if you are no longer attending the event. Last-minute cancellation for carpooling is no less than one week before the event.
9. You will be responsible for your own safety. You are expected to follow the COWS hiking safety guidelines and the event organizers' rules. At no time will you put yourself nor any COW at risk during any COWS hike or outdoor event.
10. You shall not ruin your fellow Cows' fun time. You shall not make negative comments about another member nor tarnish anyone's reputation. Neither will you say anything negative about your fellow Cow's religion, race, colour or beliefs.
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Please use a name using the English alphabet. Do not use a name that starts with an ampersand, a squiggle, or any other character that will make searching your name difficult. Because we may have several members with the same name, your last name can start with your initial. For example, Donna R. or David P or David Peer. Avoid nonsense names such as The Phantom for example, single letter names, capital letter names such as, RDJ or some such combination.
Disclaimer: Cows Inc. is a not-for-profit corporation and by rsvping to the events, you assume responsibility for you own safety and are bound by the terms of our waiver. See link for more waiver details. Waiver form
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The Cleveland 3957-6, 6" extended shank, high-speed steel (HSS) drill bit has a 30-degree helix angle, with a 135-degree split-point and uncoated surface treatment, which helps optimize performance in general-purpose drilling applications. Conforms to NAS 907 Rev. 14 type A specifications. The shank diameter is the same as the drill size. This drill features an extended length shank for those applications requiring a long reach.
The 3957-6 series performs best when drilling into various steels such as free-machining stainless steel, carbon steel, non-ferrous materials, and aluminum. With no coating or surface treatment, this uncoated tool can be used on a broad range of materials. Spiral flutes act as a passageway for chip extraction from the hole and for coolant to enter the hole. The twist of the flutes brings chips up and away from the cutting edge. 135-degree drill point reduces walking when starting a hole and penetrates more easily than a convention point. Round shanks allow use with a wide variety of tool holding systems. While the 3957-6 series was designed for the aircraft industry, it also works well in other industries. The extended shank provides longer reach than standard jobber-length drill bits. HSS is a common, general-purpose steel for cutting tools, offers toughness and shock resistance, and is compatible with a variety of materials.
The tolerances for various aspects of the Cleveland drill bits are: drill diameter range through 1/8" +0.0000"/-0.0005", over 1/8" to 1/4" +0.0000"/-0.0007", over 1/4" through 1/2" +0.0000"/-0.0010", over 1/2" to 1" +0.0000"/-0.0012", over 1" to 2" +0.0000"/-0.0015", over 2" to 3-1/2" +0.0000"/-0.0020"; drill overall length and flute length #80 through 1/8" +0.1250"/-0.0626", over 1/8" to 1/2" +0.1250"/-0.1250", over 1/2" to 1" +0.2500"/-0.1250", over 1" to 2" +0.2500"/-0.2500", over 2" to 3-1/2" +0.3750"/-0.3750"; drill point angle diameter range 1/16" to 1/2" included angle 118 or 135 degrees +/-5 degrees, over 1/2" to 1 1/2" included angle 118 degrees +/-3 degrees, over 1-1/2" to 3-1/2" includes angle 118 degrees +/- 2 degrees; drill lip height diameter range 1/16" to 1/8" total indicator variation 0.0020", over 1/8" to 1/4" total indicator variation 0.0030", over 1/4" to 1/2" total indicator variation 0.0040", over 1/2" to 1" total indicator variation 0.0050", over 1" to 3 1/2" total indicator variation 0.0060".
Drill bits are cutting tools used to make holes in a range of materials. They are used in machines such as handheld portable drills, drill presses, machining centers, and lathes. Drill bits come in a variety of types and lengths. Twist drill bits are the most common type of drill bit. They are a round, twisted shaft, end-cutting tool with two or more cutting edges and two or more flutes. Extra-long drill bits (also called extension) are twist bits with extended lengths for drilling deeper holes or greater reach. They are longer than long length bits.
Greenfield Industries manufactures tools under the brand names Cleveland, Chicago-Latrobe, Cle-Line, Vermont Tap & Die, Bassett, Putnam Tools, Geometric, Vers-O-Tool, H & G, and Acme-Fette. The company owned by Top-Eastern Group and headquartered in Seneca, SC, makes tools that meet American National Standards Institute (ANSI), National Aerospace Standard (NAS), and Deutsches Institut für Normung (DIN) standards.
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Edwards, George, 1694-1773. / A natural history of birds, the most of which have not hitherto been figured or described, and the rest, by reason of obscure, or too brief descriptions, without figures, or of figures very ill design'd, are hitherto but little known
[The demoiselle of Numidia], pp. [Plate] 134-134
Page [Plate] 134
This material may be protected by copyright law (e.g., Title 17, US Code).| For information on re-use, see http://digital.library.wisc.edu/1711.dl/Copyright


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Surprising A's meet up with Tigers' star power
Detroit Tigers, meet a bunch of guys who weren't expected to be anywhere near Comerica Park this time of year but somehow won the American League West and don't seem inclined to leave Motown without a couple of wins on their way to October legend.
In other words, this American League Division Series matchup, which begins in Detroit on Saturday at 6 p.m. ET on TBS, is full of star power and a possible story for the baseball ages. And it's pitting two very good teams against each other for the right to advance to the AL Championship Series.
"I think it's been an unbelievable year for baseball, and the Oakland A's are part of the story," Tigers manager Jim Leyland said on Friday at Comerica Park as the teams worked out. "We have our own thing with the Triple Crown with [Miguel] Cabrera, but Baltimore and the Oakland A's have been the great stories of the year as far as the team goes.
"So when you get to this point, you're going to play a good team. You can bank on that."
The A's have become more than a good team, and they arrived from what seemed to be out of nowhere. They were picked last in their division, they began the season with a few of their now-key contributors on the roster of the Triple-A Sacramento River Cats and they had a starting rotation of veterans Bartolo Colon, Brandon McCarthy and a bunch of rookies. Later in the year, Colon was suspended and McCarthy was injured and the rotation was all rookies. Now look at them -- division champs who spent all of one day, the 162nd and last day of the regular season -- in sole possession of first place. They've won six games in a row.
"I don't think anybody would want to play us," A's outfielder Josh Reddick said. "I don't think we're going to be underestimated as much as we have all year now, that's for sure."
And don't expect Oakland to underestimate Detroit, which ran away with the AL Central last year and was picked by pundits to do the same in 2012. The Tigers were an inconsistent bunch for much of the season and lagged behind the Chicago White Sox in the Central standings, but a late-season rally, aided by AL Triple Crown winner Cabrera's sizzling September, enabled them to close the deal at the right time.
"I think it's been a little different type year, obviously," Leyland said. "Last year, we had a great run at the end, and we had a pretty good run at the end this year. Last year, it was decided pretty early. This year, it hasn't been.
"But basically we're here now. So it's pretty much the same. It's a good feeling to get here, and hopefully we'll be able to advance."
Cabrera figures to have a big say in that matter. His final line of a .330 batting average, 44 home runs and 139 RBIs made him the first Triple Crown winner since Carl Yastrzemski in 1967, and that can't be overlooked by the A's.
But as Cabrera admitted, the pressure and focus required to pull off that individual feat has subsided in the 48 hours leading up to Game 1, and now he's prepared for the next challenge. The more important one.
"I feel much better right now," Cabrera said. "I think these two days off helped me a lot to get over the Triple Crown race, be ready and focused about tomorrow's game. Try to go play a good game tomorrow."
The Tigers will get a boost in that area with last year's AL MVP and Cy Young Award winner, Verlander, set to take the mound in Game 1, while the A's will go with rookie right-hander Jarrod Parker, who went 13-8 with a 3.47 ERA this year.
For Verlander, who's won his last four starts, it helps to have a healthy respect for the competition, particularly when that competition has somehow managed to come into this series being billed as a Cinderella story despite the fact that they won 94 games and the Tigers won 88.
"It's just a group of guys that don't give up," Verlander said. "And I think they probably like the fact that a lot of people are saying they might be the underdog in this series, even though they've won more games than us, which is crazy."
Crazy is a good word to describe the 2012 postseason in general and this series.
Take the fact, for example, that those 94-win A's are starting a rookie who didn't even make the club out of Spring Training in Game 1 and seem to be absolutely thrilled with the choice.
Parker, after all, has gone 4-1 with a 2.63 ERA and 33 strikeouts in his last six starts, which have totaled 41 innings. This after the A's lost McCarthy to a head injury after the veteran was struck with a line drive on Sept. 5 and lefty Brett Anderson went back on the disabled list with an oblique strain.
Now Parker gets the toughest assignment of his young life: Verlander in hostile territory with a huge October game on the line.
"His style is pretty incredible to watch," Parker said of Verlander. "And it's something you do as a pitcher. You want to see other guys and kind of compare them to your game and critique it and do that kind of stuff. So I think going against Verlander in the first game is pretty exciting."
A's: Anderson an option for Game 3?
Left-hander Brett Anderson, who sat out much of the season while recovering from Tommy John surgery but returned to be a pivotal member of the A's starting staff, was hoping to be a factor on the mound for the A's in the postseason, and it could happen as soon as Game 3 back in Oakland. The left-hander, who sustained a right oblique strain two weeks ago, came out of a Monday bullpen session in good order.
"That's probably fair," manager Bob Melvin said when asked if Anderson is being considered moving forward. "When [he'll pitch,] we're not sure."
The A's went 3-4 against the Tigers this season, most recently losing two of three in Detroit in mid-September. In that series, Oakland was outscored 18-4 in the first two games, before beating the Tigers, 12-4, in the finale. They couldn't solve Cabrera, of course, who went 5-for-11 in the series with three homers.
In one start against the Tigers this year, Parker allowed two runs with four walks and five strikeouts in 5 2/3 innings.
"They're a dangerous lineup, obviously," Parker said. They've got a guy that won the Triple Crown. And they've got Austin Jackson leading off. And they've got a lot of weapons and great hitters and great players."
Tigers: Will Miggy Magic continue?
First the Triple Crown, now an AL Division Series appearance. How could it get better for Cabrera? Well, judging from what he's done with the bat lately, don't be surprised.
Cabrera hit .429 in the final month of the season to claim his second straight batting title, and he seems like he's just warming up.
"It seems like almost on a nightly basis, he does something that makes his peers go, 'Wow,'" Verlander said. "And that's not easy to do. You have a bunch of guys that have been here for a long time and you have them kind of shaking their head, saying, 'How did he do that?' That's pretty special."
Don't forget Fielder. The big first baseman hit .337 (67-for-199) with 12 doubles, 14 home runs and 36 RBIs over his past 58 games dating back to Aug. 1.
Verlander has faced the A's twice this season, and he won both starts. The first came May 13 in Oakland, when the Tigers ace dominated the A's, giving up one run on two hits in seven innings while striking out eight in a 3-1 victory. The next meeting came on Sept. 18 at home, when Verlander blanked the A's on five hits over six innings, striking out five and walking three, in a 6-2 win.
"[In the recent start], the lineup was entirely different than the first time I faced them," Verlander said. "A revolving door of guys there in Oakland. But you can't ever take guys for granted no matter whose name is on the back. Obviously this group of guys have done a fantastic job, and they had one of the best records in baseball. So they're doing something right."
Worth noting
The A's hit .252 with seven home runs against Detroit pitching this season. Seth Smith batted .417 with two home runs against the Tigers this year, and Josh Reddick hit .357 against Detroit with two homers.
Jackson this year became the fifth player in Tigers franchise history to reach double digits in doubles, triples, home runs and stolen bases in multiple seasons, joining Curtis Granderson (2007, 2008), Charlie Gehringer (1929, 1930), Ty Cobb (1921, 1925) and Bobby Veach (1920, 1921).


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March 17 is time to celebrate Ireland's contribution to the world. Brown soda bread has got to be up there as one of the island's finest offerings – and we've got the recipe
Irish or not, the world goes green on St Patrick's Day.
When it comes to dinner, green food can get a little unusual, but if you're not inclined towards pea soup or emerald-coloured cupcakes, don't panic. Ireland has lots of recipes up its sleeve, from beef and Guinness stew to bacon and colcannon.
Should you be planning a St Patrick's Day party this year, you'll need something super-tasty to nibble on as you raise your glass of Guinness to all things green. Let us suggest some brown soda bread and smoked salmon pate. Homemade.
Daunted? Worry not, because here Lesley Keogh of the beautiful and historic Village at Lyons in Ireland's gorgeously green County Kildare shows you how to tackle it with your very own hands.
If it looks saintly, imagine how it tastes.
Serves 6
The ingredients: 220g plain flour (2 cups) 220g wholemeal flour (2 cups) ½ tsp salt 1 tsp baking powder or bicarbonate of soda 500ml buttermilk (2 cups)
The method:
Mix all the dry ingredients together in a bowl.
Make a well in the centre and pour in the buttermilk, use your hands to draw the flour and milk together.
Next, pour ingredients onto a floured surface and lightly form into a round (do not over-knead).
Cut a cross on the top (Irish lore says it lets out the fairies).
Place onto a floured baking tray and put into a pre-heated oven 180ºC for about 35-40 minutes.
When you take the bread out, turn it upside down and tap the bottom. If the bread sounds hollow it's done.
Leave to cool on a wire rack.
Think a friend might enjoy this article? Click to save and share
The ingredients:
225g (8oz) smoked salmon 225g (8oz) creamed cheese 1 tsp horseradish sauce 1 tsp lemon juice A few sprigs of dill
Place all the ingredients in a food processor and blend. It's as simple as that!
Then serve with a crisp green salad, or some watercress for a shamrock-style effect. Don't use shamrock – as pretty as it looks, it's not actually edible. Watercress makes a good edible substitute.
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September 4, 2011
Eric Bossi Rivals.com Basketball Recruiting
Anybody who saw Baylor's exciting football win over TCU on Friday night knows that it was wild in Waco over the weekend. If anything, it couldn't have hurt when it came to wooing hoops target L.J. Rose. ...More... To continue reading this article you must be a member. Sign Up Now!
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Detwiler out to deal Nats even with Cardinals
WASHINGTON -- The Cardinals took Monday's series opener, 3-2, setting the stage for Tuesday night's battle between St. Louis' Adam Wainwright and Washington's Ross Detwiler.
As the Nationals try to even the series, they will be playing behind their best pitcher so far this season.
Detwiler, a Wentzville, Mo., native and former Missouri State pitcher, will go against his once-local team carrying a 0.90 ERA, the best in the National League. The 6-foot-5 lefty had a strong outing in Game 4 of the 2012 National League Division Series against St. Louis and has yet to allow more than one run in any start this season.
Detwiler has been enjoying this success despite -- or perhaps because of -- his fastball-heavy arsenal. He has thrown his fastball a Major League-leading 92.5 percent of the time, mixing a four-seamer with a sinking two-seamer.
"That's what Ross does," catcher Kurt Suzuki said. "He's got a little deception. He's a tall guy, throws really hard, got a lot of movement on his fastball, keeps the ball down in the zone but can elevate the ball when he wants to. He's not afraid out there. Hitters know he's going to throw his fastball, and he goes out there and he challenges guys. That's what makes him so good."
Wainwright also has been on his game this season, going 3-1 with a 2.48 ERA in four starts. More impressively, he has racked up 28 strikeouts without a single walk in 29 innings, making him the first hurler since 1900 to notch 25 or more strikeouts and no walks in his first four starts of the year. He also is closing in on the Cardinals' all-time record for walk-free innings (40), set by Slim Sallee in 1913 (Pea Ridge Day is second, at 29 2/3 innings in 1925).
"I know this is going on," Wainwright said on Friday. "I am being deliberate about it, that's kind of my intention going out."
Cardinals: Lineup more than sum of its parts
St. Louis began Monday fourth in the National League in runs despite ranking 12th in batting average and OPS. That's due in large part to how the team has hit with runners in scoring position: an MLB-leading .368 average, including .408 with two outs, entering the day.
Several Cardinals have struggled at the plate this season, with five regulars hitting .250 or below and only one having more than two home runs.
"We're fighting right now, and a number of these guys would say they're not where they want to be on offense," manager Mike Matheny said. "But overall, we just have to figure out ways to keep making it happen."
Nationals: Rendon introduces himself to home crowd
Top prospect Anthony Rendon made his Major League debut in place of injured third baseman Ryan Zimmerman on Sunday in New York. He went 0-for-4 in that contest but fared better in his first game at Nationals Park on Monday, slicing a game-tying RBI double into the right-center-field gap for his first big league hit and RBI in the fourth inning.
Manager Davey Johnson said there is no doubt Zimmerman will reclaim the third-base job when he comes off the disabled list, but in the meantime, the 22-year-old Rendon believes he can contribute.
"I feel awesome," Rendon said. "I'm pretty confident I can be here, but there's only one way to find out. I've got to try to go out and see if I can play up here, and we'll see what happens."
• Closer Rafael Soriano was out on paternity leave on Monday, following the birth of his son. He is set to return on Tuesday.
Worth noting
• One of Wainwright's toughest outings came last Aug. 31 at Nationals Park, when he surrendered six runs on nine hits in 2 2/3 innings.
• The Nationals entered Monday with 40.6 percent of their hits having gone for extra bases, the highest in the NL and second in baseball behind the Indians. Ian Desmond leads the way with 12 extra-base hits, including a double on Monday.
Andrew Simon is a reporter for MLB.com. This story was not subject to the approval of Major League Baseball or its clubs.


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The Moorish Chief
Eduard Charlemont, Austrian, 1848 - 1906
Oil on panelDimensions:
59 1/8 x 38 1/2 inches (150.2 x 97.8 cm)Curatorial Department:
European Painting
Cat. 951Credit Line:
John G. Johnson Collection, 1917
Oil on panelDimensions:
59 1/8 x 38 1/2 inches (150.2 x 97.8 cm)Curatorial Department:
European Painting
* Gallery 155, European Art 1850-1900, first floor (Annenberg Galleries)
Accession Number:Cat. 951Credit Line:
John G. Johnson Collection, 1917
Social Tags [?]
19th century realism [x] african warrior [x] guardian [x] orientalism [x] tarik "the greatest story never told" [x]Explore the Collections
Standing in front of an arch that closely resembles the architecture of the Alhambra in Spain, the Moorish chief exudes power and mystery. This painting was probably shown at the Paris Salon exhibition of 1878 with the title Le Gardien du serail (The Harem Guard).
Charlemont was a Viennese artist known primarily for his nudes and portraits. While this subject was unusual for him, it was very popular in Europe at the time.
* Works in the collection are moved off view for many different reasons. Although gallery locations on the website are updated regularly, there is no guarantee that this object will be on display on the day of your visit.


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- 16 inch wreath form- you can pick these up at any craft store. you can also use 18 or 12 inch
- 4 inch burlap- for this wreath I used about 12-15 yards ( one roll is 10 yards). You can pick this up at any craft store.
- scissors
- embellishments- optional
by laura janning
hello. I have been wanting to make a burlap wreath for a long time. I could build you a kitchen but a burlap wreath "NOT". I have all the fixing too. You made it so simple. Will get one together this weekend. Is it ok if I share your post.
Thanks so much from a happy new follower. Sheryl
Thanks for this! I just bought the same wreath and bunny from Pier 1 yesterday, hope you don't mind if I copy
ReplyDeleteThe cutest one I have seen yet! I've got to try this! I do love it. You make it look so easy!
ReplyDeleteI would love a few more directions on how to get started....I got all the stuff but I can't seem to get it started...what am I missing?? Help please :)
ReplyDeleteBeautiful!!! This is my first visit to your blog and I'm a new follower via L.F. I'm going to head to the store today and buy a metal wreath...maybe 2 or 3... :-).
I'd love it if you shared this at a party I have going on at Project Queen. Here is the link if you are interest.
Have a great day!
ReplyDeleteHello!! I love this idea!!! What size was your wreath frame? The largest size???
ReplyDeleteShe says 4" but all I could find locally was about 4 1/2". It worked out great. I found it at Michaels.
DeleteWhat size burlap ribbon ? 4" wide? and how many yards did it take? How big was the wire wreath form? Thanks for the information.
How do you get started with the loops? I can't wait to make this cute wreath!
thanks for replying. I finally got it to work somehow, not sure if it was the right way. haha my email is email@example.com
Thanks so much,
can you send me the notes too?! im sitting here with my burlap all rolled out and cannot get it to work without the green showing through!!! im dying to make this before sunday! firstname.lastname@example.com
DeleteHi! A little late to the game, but also trying to get this started, can someone please share the notes? email@example.com. Thanks!
DeleteMe too. Got everything here but I can't get the loops to work :/ my email is firstname.lastname@example.com. Thanks!!
Deletewould love to learn how to weave the burlap thru the wire as well. Thank you!
DeleteI want to know how to get the loops started please. My email is email@example.com
DeleteIf it's not too much trouble, could you send them to me as well? Thank you!
Yes, please tell me how you made you're loops
Brittanyfayelindsey email@example.com
Yes, please tell me how you made you're loops
Brittanyfayelindsey firstname.lastname@example.com
Is your burlap 4 inches wide? I may need to order it since I don't think it is carried locally. Thanks for your help! I love your beautiful wreath!
ReplyDeleteGreat idea to loop up the burlap! I would have bought your wreath if it was for sale in a store!
ReplyDeleteBeautiful! Want to make, but, I guess, I am not smart enough to figure out the looping process! Any help would be greatly appreciated...... thanks for sharing!
I made your wreath yeaterday! It turned out great! If I can do it, anyone can! I made rosettes with summerish fabric to embellish it!
Hi~So cute~!!, I really want to make this wreath, but I just have a question on how you started the ribbon. Did you secure it to the wire with hot glue to start it off? And was the ribbon wired? I did not find the burlap ribbon at Hobby Lobby. I will try Joanne's and Michaels tomorrow. If I can't find it there, I will have to order it on-line. Thanks for the extra help.
ReplyDeleteC'est vraiment magnifique ! vous êtes une artiste !
Congratulations for your work so beautiful (I know ,my english is very bad ,sorry ...)
j'aime beaucoup faire du point de croix et du crochet ,et vous ?
Bon week-end
lOVE YOUR BLOG!! Can't wait to make the burlap wreath. Look forward to seeing more great ideas!
ReplyDeleteI love this wreath Laura! Thanks so much for sharing! I cannot wait to try it out...gotta love pinterest!
ReplyDeleteI love this wreath! I have a burlap garland that I bought at the flea market that I have been trying to use. This will be perfect! Could you please send me the extra instructions you mention to other commenters above? I am not sure how to get it started, how to secure the loops and if they all come from below or are they woven up and down through the frame. Maybe I am over thinking this, but I would appreciate your help! Thanks for sharing this wreath. I am your newest follower!
ReplyDeleteCould you post the "how you get started" notes on your blog that you are emailing to people? Thanks - love, love, love the wreath!
ReplyDeleteI am wondering also if you could post how to get started and if you attach the burlap to the ring somehow.
ReplyDeleteLaura, I would like to know how to get it started as well and also how to secure the burlap. Please send me a tutorial if you don't mind. I'm sitting here with everything I need to get started.
Thank you,
I finally got my supplies after seeing this awhile back. Could someone please send me the notes to get started. I can't seem to figure it out.
Hi, this wreath looks so cute! I got all the supplies, but I can't seem to get it started. Could you send me the notes? My email is email@example.com. Thank you!
ReplyDeleteLOVE this and your blog! Can I, too, get the getting started notes? email@example.com
thanks for sharing your talent & instructions!
I too would love the notes on making the burlap wreath. Please send to firstname.lastname@example.com Thank you, it is darling.
ReplyDeleteI (like many other people!) would like notes on how to get started & on securing the burlap to the wreath. Thank you! email@example.com
ReplyDeleteI could use some help getting started and understanding what you mean about the looping. firstname.lastname@example.com Thanks!!
ReplyDeleteI would like any extra instructions for the burlap wreath. I have the materials but can't get started. Thanks. Ms. Catlady -- firstname.lastname@example.com
ReplyDeleteHi Laura and everyone!
Any ideas or steps on how to start this?
Hi Laura and everyone!
Any ideas or steps on how to start this?
I am not clear on how to loop it? Any detailed instructions out there someone can email me? email@example.com
Thank u
I am not clear on how to loop it? Any detailed instructions out there someone can email me? firstname.lastname@example.com
ReplyDeleteI bought all the stuff and cannot seem to get started either...could someone please send me the notes as well. I also amnot sure how to secure to the wreath. Thank you
I am trying to do the burlap weath and i am having a hard time to start it, can u help me out. Thanks marla
ReplyDeleteCan you please send me the notes on how to get started. firstname.lastname@example.com
ReplyDeletePlease send detailed instructions on starting this wreath. Would like to try this.
Thank you
I am also looking for more information on how to get started with the looping process. And, how do you secure the first piece of burlap to the wreath? Thanks so much for your help. The wreath is gorgeous!
I also would like the detailed instructions. Love Love this wreath and would like to get one made for Fall. Thanks for your help and great project!
What do you use to tie on the frame? And what about the burlap that is wired edge? Would that work?
Would also love the instructions on getting started.
I would sure appeciate the extra notes on getting started too.
Thanks so much!
curlsontop@gmail dot com
Love the wreath but would like to have detailed directions also please email to me firstname.lastname@example.com
ReplyDeleteI love your blog, but cannot get the burlap wreath started. Could you email me directions also? Thanks. firstname.lastname@example.com
ReplyDeleteCan you please post the additional directions for getting this started? it would be very helpful to many--
Ok everyone I just figured it out. You don't wrap the burlap. You just pinch the fabric to make a double layer and push it up through the slots in the wire frame. I pinched it through the top slot then the middle slot then through the bottom. Once I had made one pass down I brought the fabric back to the top slot and started over. You just make sure both of the pieces you pinch up through the slot make the ruffle size you want. You have to do a few passes before it resembles the actual wreath you are envision so dont give up!
ReplyDeleteI would love the extra instructions too! Thanks! email@example.com
ReplyDeletePlease email me the extra instructions as well. Love this wreath and want to give it a try :) email@example.com Thanks!!
ReplyDeleteLove your wreath.... I was having trouble starting mine and found this site that followed your lead and has details on how to start the wreath
I had to use 2 30 foot rolls of the burlap to cover it properly. I just started looping, and I didn't secure the ribbon starting out. After several loops it starts holding itself together. It looks fantastic, thank you!
ReplyDeleteNot sure on the "looping" process. Can you please send me instructions? email@example.com Thank you!
ReplyDeleteHi, I can't figure out the looping process. Can you please send me a more detailed instruction? Thanks!
Please send me the instructions for the burlap wreath......email@example.com
ReplyDeleteI just made this wreath....It looks great and was super easy! Couldn't find the rolls of burlap so I bought it and cut my own 4 in strips. Only took a few minutes to figure out the looping. Total cost $12! I now have enough burlap left to make a couple more. Great idea!!
ReplyDeleteThank you so much for posting this! Just created a great wreath and looks like I'll be making more as Christmas gifts. Very easy and so pretty!!!
ReplyDeleteMay I get detailed instructions too, please?
Thank you.
This is adorable!
I am going to attempt this and I thought I would try to start off with the detailed instructions. Please send them when you can, Emily
Thank you!!
I tried to make this but am at a loss as to the details for looping the burlap. Please e-mail me back with the details - thank you!
My e-mail address is: firstname.lastname@example.com
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Hey - love this wreath and I've always wanted to learn how to make one! Your instructions are great but I do have a question - how are you securing the loops to the metal wreath frame?
So cute .but I do wish you had put more pictures or information. .could not really tell what you were doing ,it went from empty wreath to almost finished. And didn't say how..
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There are several amazing benefits that can be easily gained through eye exercises. Without a doubt eyes are one of the most significant parts of the human body, but still people take them for granted.
As of today, many people are suffering from eye problems like glaucoma, color blindness (a growing problem in kids), cataracts, astigmatism, conjunctivitis or myopia (the single most common type of eye disease, according to Duke Center for Human Genetics). Doctors and patients both agree that proper eye exercises can be helpful in relieving stress and eye strain. Therefore, it is important that you take out time to work your eyes so that your eye muscles become useful and strong. The exercises will not only improve your eyesight but at the same time it will stop from deteriorating more.
The eye is the most beautiful and magical creation of God and hence it needs proper care and attention. Most people rely on their sense of sight more than any other senses. It helps them to perform their daily household chore, take care of loved ones, getting dressed and performing their work at the workplace.
But as you can read on the government site Healthy People, it's becoming an ever increasing problem.
Hence it is difficult to imagine a life without the ability to see. Here are some simple and quick eye exercises that can help people to maintain healthy eyesight.
1. Begin with Simple Warm-Ups
It is advisable that you should never get engaged in progressive exercise with proper warm ups. You could start by covering your eyes and then cupping your pals. Uncover your eyes only when you see complete blackness. You can repeat this exercise several times.
2. Focus Exercise
Hold on to a pen or other object in front of your eyes, keep at arm's length. Then slowly bring the object in front of your nose and then simply follow it with your eyes until you cannot focus any more. Repeat this exercise for around 10 times.
3. Eyeball Movement
You need to roll your eyes clockwise for a little time and then anticlockwise for a minute or two. This exercise helps in maintaining agility and strength.
4. A Simple Massage
Everyone loves a good and soothing massage. Just relax up your eyelids by closing your beautiful eyes and massaging them in a circular movement for a few minutes. Then gently press with three fingers of your each hand on your eyelids. Hold them for a couple of seconds, then release and repeat the exercise. Soak a towel in warm water and then apply it on close eyelids.
Everyone needs to devote at least half an hour to fitness and eye exercises, in order to improve your vision. With regular practice you can help your eyes to get relaxed and enhance your vision naturally. You can browse through are several websites that offer beneficial eye exercises.


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Padres look to sweep away Cards in matinee
Despaigne brings varied mix of pitches into matchup with Miller
Padres rookie right-hander Odrisamer Despaigne opened his career with five starts of six or more innings with two or fewer runs, though that streak ended his last time out as he had his first subpar outing in the big leagues.
He'll look to get back on track Thursday afternoon at Petco Park as San Diego tries for a three-game sweep of the Cardinals.
Despaigne (2-2, 1.66 ERA) failed to get out of the fourth inning in his last outing, and the Padres fell, 5-3, to the Braves. His start went south when he fielded a chopper back to the mound and tried to nail a runner advancing from second to third. Instead he committed an error on the throw, which ultimately extended the frame.
Despaigne's five walks didn't help.
"It looked as though he was trying to be a little too fine," said Padres manager Bud Black. "He just couldn't throw a first-pitch strike."
Still, the Cuban defector's multiple arm angles, variety of offerings and varying velocities have mostly vexed teams.
"He's never going to show you the same pitch. It's either going to be a different slot [or] a different speed," said catcher Yasmani Grandal. "He's not going to be the guy who consistently throws 92, 93. He's gonna throw 87, 90, 91, and when he needs to bump it up, he'll bump it up. That's what he does."
On Thursday, St. Louis will answer with right-hander Shelby Miller (7-8, 4.20 ERA), who'll be making just his second start since the club briefly moved him to the bullpen so it could limit the 23-year-old's innings count.
Miller was decent in his last outing, allowing two runs on three hits in 5 2/3 innings, but he had to settle for a no-decision in the Cardinals' 6-3 win over the Cubs.
Padres: Cashner could rehab next week
Andrew Cashner threw his second bullpen session this week on Wednesday at Petco Park, and the right-hander could be ready for a rehab assignment by next week.
"He feels good -- he turned a number of pitches loose at the end," Black said. "I expect by sometime next week when we're on this road trip he might be pitching somewhere in our Minor League system."
Black said Cashner mostly threw fastballs and changeups but also mixed in some sliders, which had previously been blamed for elbow soreness that sent Cashner to the DL in May. He returned for three starts in June and was then sidelined again because of his right shoulder, which has bothered him intermittently throughout his professional career.
When Cashner (2-6) has been available this season, he's flashed the potential to be an ace for San Diego, recording a 2.36 ERA in 12 starts with 59 strikeouts in 76 1/3 innings.
Cardinals: Uncertainty for Martinez
Right-hander Carlos Martinez was among the ptichers roughed up in a 12-1 loss to the Padres on Wednesday night, allowing two runs in 1 1/3 innings.
Martinez began the season as the club's setup man before having a stint in the starting rotation. He was moved back to the bullpen recently when Miller moved back to a starting role, and the club on Wednesday traded for another starter, Justin Masterson.
What's next for Martinez?
"I think we're just going to have to wait and see," said manager Mike Matheny. "I know he's out here working. I was watching him throw a throw a flat-ground bullpen [on Tuesday]. I know he wants to compete, too. We'll just have to keep watching."
Matheny added that Martinez might serve in a long-relief role or in late-inning situations.
"It's nice having a guy like that ready to go," he added. "We're not opposed to throwing him in shorter situations. The game just has to dictate that."
Worth noting
• After they wrap up a six-game road trip Thursday, the Cardinals will begin a six-game homestand on Friday, opening with a critical three-game series against the Brewers.
• A win Thursday would give the Padres their first series sweep since they took three straight from the Reds on June 30-July 2.
Adam Lewis is an associate reporter for MLB.com. This story was not subject to the approval of Major League Baseball or its clubs.


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Last modified by Ed Daniel on 2010/11/23 09:50
OW2 Annual Conference November, 24-25, 2010 La Cantine Paris, France. |
Open Source for Open Clouds
November 24-25, Paris, France
A unique opportunity to learn more about open source cloud projects
that will shape the computing landscape over the next ten years.
Supported by a group of industry-leading, globally renowned IT organisations, coming from industry, public administrations and research institutes, OW2 is becoming a major player in open source software. The OW2 annual conference is a unique opportunity for professionals to discover, learn and exchange knowledge, best practices and real-world experiences on open source middleware, generic enterprise applications and cloud computing platforms.
Who should attend the OW2 2010 Annual Conference?As an international high-technology conference, the event will gather attendees and speakers from Europe, USA, China, India and Brazil and will feature 2 days of high profile technical sessions. Software architects, developers, as well as managers and decision-makers in the open source field will be there to share their experiences and network with peers. Why attend?
OW2 Annual Conference is an opportunity to network with key open source industry leaders and broaden your technical knowledge. Benefit from high technical expertise and acquire a deep understanding of advanced middleware technologies through tutorial sessions on the main OW2 technologies. Discover the latest technology trends and the recent involvement of OW2 Community towards an open and interoperable cloud, highlighting the recent Open Source Cloudware initiative (OSCi). New this year..
The Annual Conference is an independent event. Last but not least, as an open community, we wanted to have an « open conference », offering the opportunity to the whole community to be active and express their views and experiences, this will now be possible through the « unconference sessions ». OW2 Annual conference 2010 program will feature:
- Keynote address: Jean-Bernard Stefani, Research Director, INRIA
- The Open Cloud Summit: Ignacio Llorente - OpenNebula, Bret Priatt - OpenStack and Denis Caromel - ProActive.
- Round tables
- A series of half-day tutorials on leading OW2 projects (Bonita, JOnAS, Spagic, Talend, Trustie, Xwiki, etc) - Several thematic sessions with over 30 presentations, with speakers from Europe, Asia and the Americas
- Guest open source cloud projects
- Social event: the Free Beer Party
- Unconference sessions


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Databases: Gale, INSPIRE, Journal & Courier and More
When prompted, enter the password, "inspire" to gain access.
INSPIRE, magazine indexes, encyclopedias, and other databases, including the new the Testing & Education Reference Center (TERC) designed to help students — from high school to graduate school to specialty school and beyond and the Small Business Resource Center for how-to information on small business planning, bookkeeping, financing, human resource management, marketing, regional tax laws or starting a home-based business.
CONSUMER REPORTS magazine online is available for you use while you are in the Library. Please ask for help using this online service at the Reference Desk on the second floor.
Access to the Grant Select database is now available through all patron computers and wi-fi connections in the West Lafayette & Tippecanoe County Public Libraries. COMING SOON - patrons will be able to log in OUTSIDE the Libraries with their barcode number and password. We will make an announcement as soon as this is available.
The West Lafayette Public Library is now subscribing to ProQuest for access to articles in the past issues of the Journal and Courier and other newspapers. http://search.proquest.com If you are outside the library you will need your library card for access.
The library is also subscribing to AtoZdatabases.
Premier Reference and Marketing Database including 30 million business profiles & 220 million residents. Ideal for sales leads, mailing lists, market research, employment opportunities, finding friends and relatives, and much more!


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would rather go without it myself and try to make natural food.
Compared to your previous effort, are you getting closer or further away from Pino's?
John, That looks great Could you help out a noob and give some details on your prep, fermentation, bake temp and bake surface.ThanksRob


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title says it. im a little sketched out about going for airs cause im worried my board will flip and ill take a seat right on my fins.
advice? opinions?
title says it. im a little sketched out about going for airs cause im worried my board will flip and ill take a seat right on my fins.
advice? opinions?
commit, your gonna take some slams either way.
try to kick your board away if its aboutta slice you up
Try them in a wetsuit, neoprene will take the gash first.
youll be good, just go for it. stay compressed and comitted.
word thanks for the encouragement
your not doing it rightt. seems as though from your 1 sentence explaining your airs is that you lean back too much when you try an air, causing your board to come out over you and fly in the air. the key to airs is to not go for height, but go for length and keep your momentum, and stay over your board.
admittedly mine are spastic bunny hoops with little function but i suppose you could start off maybe with the grab or double grab to keep more compressed. seems the ones that i make are mostly backside for whatever reason
No offense but if you asking on how to do an air on a forum you are not good enough to even be doing airs. I'd suggest learning some nice rail to rail surfing. Solidify your bottom turn! Work on tail wafts THEN move to airs. NOTHING is more ugly than someone racing the line and doing a \"bunny hop air\"....YUCK!!!
I started skating when I was 8 (now 20). One of the best things you can do to practice is skate a half-pipe/mini-ramp, it'll teach you body control in the air which is probably what youre looking for. Rail-to-rail surfing is essential though, ever wonder why kelly wins all the time, watch his carves.