text:
Major Section: OTHER
Example Forms: (table acl2-defaults-table :defun-mode) ; current default defun-mode (table acl2-defaults-table :defun-mode :program) ; set default defun-mode to :program
See table for a discussion of tables in general. The legal keys for this table are shown below. They may be accessed and changed via the general mechanisms provided by tables. However, there are often more convenient ways to access and/or change the defaults. (See also the note below.)
:defun-modethe default defun-mode, which must be
or :
See defun-mode for a general discussion of defun-modes. The
key may be conveniently set by keyword commands
naming the new defun-mode, :
and :
See program and see logic.
, cause ACL2 to insist that most events are redundant
(see redundant-events); if :warn
, cause a warning instead of an error
for such non-redundant events; else, nil
. See set-enforce-redundancy.
:verify-guards-eagernessan integer between 0 and 2 indicating how eager the system is to verify the guards of a defun event. See set-verify-guards-eagerness.
:compile-fnsWhen this key's value is
, functions are compiled when they are
'd; otherwise, the value is nil
. To set the flag,
see set-compile-fns.
:measure-functionthe default measure function used by
when no :measure
supplied in xargs
. The default measure function must be a function
symbol of one argument. Let mfn
be the default measure function and
suppose no :measure
is supplied with some recursive function
definition. Then defun
finds the first formal, var
, that is tested
along every branch and changed in each recursive call. The system
then ``guesses'' that (mfn var)
is the :measure
for that defun
:well-founded-relationthe default well-founded relation used by
when no
is supplied in xargs
. The default
well-founded relation must be a function symbol, rel
, of two
arguments about which a :
rule has been
proved. See well-founded-relation.
:bogus-mutual-recursion-okWhen this key's value is
, ACL2 skips the check that every function
in a mutual-recursion
(or defuns
) ``clique'' calls at least
one other function in that ``clique.'' Otherwise, the value is the keyword
(the default) or :warn
(which makes the check but merely warns
when the check fails). See set-bogus-mutual-recursion-ok.
:irrelevant-formals-okWhen this key's value is
, the check for irrelevant formals is
bypassed; otherwise, the value is the keyword nil
(the default)
or :warn
(which makes the check but merely warns when the check
fails). See irrelevant-formals and see set-irrelevant-formals-ok.
:ignore-okWhen this key's value is
, the check for ignored variables is
bypassed; otherwise, the value is the keyword nil
(the default)
or :warn
(which makes the check but merely warns when the check
fails). See set-ignore-ok.
:inhibit-warningsACL2 prints warnings that may, from time to time, seem excessive to experienced users. Each warning is ``labeled'' with a string identifying the type of warning. Consider for example
ACL2 Warning [Use] in ( THM ...): It is unusual to :USE ....Here, the label is "Use". The value of the key
is a list of such labels, where case is
ignored. Any warning whose label is a member of this list (where
again, case is ignored) is suppressed.
See set-inhibit-warnings and also
see set-inhibit-output-lst.
:bdd-constructorsThis key's value is a list of function symbols used to define the notion of ``BDD normal form.'' See bdd-algorithm and see hints.
:ttagThis key's value, when non-
, allows certain operations that
extend the trusted code base beyond what is provided by ACL2. See defttag.
See defttag.
:state-okThis key's value is either
or nil
and indicates whether the user
is aware of the syntactic restrictions on the variable symbol STATE
See set-state-ok.
:backchain-limitThis key's value is either nil or a non-negative integer. It is used to set the backchain limit upon starting rewriting. See backchain-limit.
:default-backchain-limitThis key's value is either nil or a non-negative integer. It is used to set the backchain limit of a rule if one has not been specified. See backchain-limit.
:rewrite-stack-limitThis key's value is a nonnegative integer less than
(expt 2 28)
. It is
used to limit the depth of calls of ACL2 rewriter functions.
See rewrite-stack-limit.
:let*-abstractionpThis key affects how the system displays subgoals. The value is either
or nil
. When t, let* expressions are introduced before printing to
eliminate common subexpressions. The actual goal being worked on is
:nu-rewriter-modeThis key's value is
, t
, or :literals
. When the value is
, the rewriter gives special treatment to expressions and
functions defined in terms of nth
and update-nth
. See
:case-split-limitationsThis key's value is a list of two ``numbers.'' Either ``number'' may optionally be
, which is treated like positive infinity. The
numbers control how the system handles case splits in the simplifier.
See set-case-split-limitations.
:include-book-dir-alistThis key's value is used by
's :DIR
argument to
associate a directory with a keyword. An exception is the keyword
for the distributed ACL2 books/
directory; see include-book,
in particular the section on ``Books Directory.''
:match-free-defaultThis key's value is either
, :once
, or nil
See set-match-free-default.
:match-free-overrideThis key's value is a list of runes. See add-match-free-override.
:match-free-override-numeThis key's value is an integer used in the implementation of add-match-free-override, so that only existing runes are affected by that event.
:non-linearpThis key's value is either
or nil
and indicates whether the user
wishes ACL2 to extend the linear arithmetic decision procedure to include
non-linear reasoning. See non-linear-arithmetic.
Note: Unlike all other tables, acl2-defaults-table
can affect the
soundness of the system. The table mechanism therefore enforces on
it a restriction not imposed on other tables: when table
is used to
update the acl2-defaults-table
, the key and value must be
variable-free forms. Thus, while
(table acl2-defaults-table :defun-mode :program),are all examples of legal events (assuming(table acl2-defaults-table :defun-mode ':program), and
(table acl2-defaults-table :defun-mode (compute-mode *my-data*))
is a
function of one non-state
argument that produces a defun-mode as
its single value),
(table acl2-defaults-table :defun-mode (compute-mode (w state)))is not legal because the value form is
-sensitive.Consider for example the following three events which one might make into the text of a book.
(in-package "ACL2")The second event is illegal because its value form is(table acl2-defaults-table :defun-mode (if (ld-skip-proofsp state) :logic :program))
(defun crash-and-burn (x) (car x))
-sensitive. If it were not illegal, then it would set the
to :
when the book was being certified but
would set the defun-mode to :
when the book was being loaded
by include-book
. That is because during certification,
is nil
(proof obligations are generated and
proved), but during book inclusion ld-skip-proofsp
is non-nil
(those obligations are assumed to have been satisfied.) Thus, the
above book, when loaded, would create a function in :
mode that
does not actually meet the conditions for such status.
For similar reasons, table
events affecting acl2-defaults-table
illegal within the scope of local
forms. That is, the text
(in-package "ACL2")is illegal because(local (table acl2-defaults-table :defun-mode :program))
(defun crash-and-burn (x) (car x))
is changed locally. If
this text were acceptable as a book, then when the book was
certified, crash-and-burn
would be processed in :
but when the certified book was included later, crash-and-burn
would have :
mode because the local
event would be skipped.The text
(in-package "ACL2")is acceptable and defines(program) ;which is (table acl2-defaults-table :defun-mode :program)
(defun crash-and-burn (x) (car x))
in :
mode, both
during certification and subsequent inclusion.
We conclude with an important observation about the relation between
and include-book
, certify-book
, and encapsulate
Including or certifying a book never has an effect on the
, nor does executing an encapsulate
event; we
always restore the value of this table as a final act. (Also
see include-book, see encapsulate, and
see certify-book.) That is, no matter how a book fiddles with
the acl2-defaults-table
, its value immediately after including that
book is the same as immediately before including that book. If you
want to set the acl2-defaults-table
in a way that persists, you need
to do so using commands that are not inside books. It may be useful
to set your favorite defaults in your acl2-customization
see acl2-customization.


text:
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Like all collectibles, some sports cards increase in value and a few can become very valuable. Determining a card's value is based on a number of factors including the popularity of the player, the card's scarcity, it's condition, and demand among collectors. A card can be scarce but if there's no demand for it, it's value may not be to great. Q: What are some of the ways to collect cards ? There are several different ways to collect cards. For example, you can try to collect all the cards in a given set. Or you can focus on cards of your favorite team or even just your favorite player. Some people only collect Rookie cards while others only collect cards of Hall-of-Famers. Because of the high cost of vintage sports cards today a growingly popular way to collect sportscards is "Type Collecting". "Type Collecting" is collecting just one of each "type" (or different issue) made. To keep costs down, on some of the scarcer more expensive issues you can simply add a less expensive "common" to your collection. While on more common or recent issues you can select your favorite player or a card from your favorite team. No matter how you collect - the key is to have fun ! |
1974 Topps StampsTopps released this 240 stamp issue in 1974. These 1 by 1 1/2 stamp are unnumbered and feature a color photo with the player's name, team and position inside a colored oval at the bottom of the stamp. Very similar to their 1969 Topps Stamps issue, the 1974 Topps Stamps were issued in panels of 12 stamps. Alomg with the stamps, Topps also issued a set of 24 stamp albums, one per team, to store the stamps. Due to double prints and different combinations of stamps on panels there are actually 24 different 12-Stamp panels. The stamps were not inserts but a totally separate issue and were sold in packs containing one 12-Stamp panel along with one stamp album.The 1974 Topps Stamps set is packed with SuperStars including over 23 members of the Baseball Hall-of-Fame with greats such as Nolan Ryan, Hank Aaron, Johnny Bench, Ernie Banks, Pete Rose, Reggie Jackson, Al Kaline, Joe Morgan, Willie Stargell, Tom Seaver and plenty more !!! The set even contains seldom seen ROOKIES of Dave Winfield and Dave Parker.
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text:
April 25, 2013
2551 views
High-speed coverage of 4/15 shakes us
It took 18 years to track down and capture Ted Kaczynski, a.k.a. the Unabomber. Last week, it took just four days to find the two men who set off bombs at the Boston Marathon. Most of us went along on the manhunt, at least virtually. Three people died in the initial explosions, and dozens were injured. Who can say what the trauma is to the rest of Boston, caught in the crossfire of violence, and to us, watching from our media outposts?
Randi Kreiss, Ted Kaczynski, Unabomber, Boston Marathon, Columbine, Aurora, Newtown, pressure cookers, Suspect 1, Suspect 2, black hat, white hat, backpacks


text:
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text:
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Entrelac Knitting
taught by Gwen Bortner
Yes, you can do entrelac! It's the best-kept secret in knitting. Learn this technique and three included patterns with the irrepressible Gwen Bortner.
Other projects made as part of this class:
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Here are some details about my project: | |
Category | Knitting |
Type | Accessory |
Sizing | Women |
Style | Classic |


text:
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Arizona Cardinals
Potter, Massie helping improve Cardinals' pass protection
Over the last three weeks, ten NFL teams have allowed more quarterback sacks than the Arizona Cardinals.
Let that sink in.
The San Diego Chargers, Jacksonville Jaguars, Dallas Cowboys, Green Bay Packers, Baltimore Ravens, Chicago Bears, Detroit Lions, New York Jets, Seattle Seahawks and Tennessee Titans have all allowed more quarterback sacks than the Cardinals' seven in that time span.
Considering that the Cardinals allowed opponents to perform 29 sack dances in a four-week span, there's significant process being made.
What's been different?
First, rookie Nate Potter was inserted at left tackle, and has been a major improvement over journeyman D'Anthony Batiste, who started the first nine games of the season. Potter will make his fourth straight start against the Seattle Seahawks at Century Link Field Sunday.
"For a rookie player, he's done a nice job. He's gotten better and better," Cardinals head coach Ken Whisenhunt said. "This will be a real test, in that noise, and they've got really good rushers in (Chris) Clemons and (Bruce Irvin) and they do a number of different things to take advantage of that, so this will be a real test for him."
According to ProFootballFocus.com, Potter is coming off his best performance of the season in last Sunday's loss to the New York Jets. The former Boise State All-American allowed just one quarterback hit against the Jets.
Potter got his feet wet in Week 9 when he replaced Batiste in the middle of the Cardinals loss to the Green Bay Packers at Lambeau Field, and has built on that strong first showing.
"To go in against Clay Matthews in the first game he had to play, which is a similar-type situation, from there, he's gotten better and better," said his head coach. "I think that he's still a rookie and this will be a new situation for him, but he's going to be a good football player."
Whisenhunt is also pleased with how Potter has played in other areas.
"He's actually done a good job with the run blocking," he said. "I think what you see from him is that he understands the game and his technique is good. He may not have the bulk or the strength yet to move it like you think he will be able to one day.
"He's conscious of trying to work his feet and work his hands and you see him come off the ball -- he does a lot of things very athletically, which for a guy his size, when his strength catches up to it, you like that combination."
Potter hasn't been the only rookie tackle to show major improvement in the last few weeks. Right tackle Bobby Massie, after giving up 13 sacks in a six-game span, has shored up the right side. Massie hasn't given up a sack since a Week 8 loss to San Francisco on Monday Night Football.
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- Steve Keim, AZ Cardinals GM - Wednesday May 6Steve Keim tells us why he loves Rodney Gunter so much. He also addresses the Michael Floyd trade ru
- Gerald Christian, Cardinals tight end - Tuesday May 5Gerald Christian talks about what it's like to be Mr. Irrelevant.
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FRIDAY NIGHT VIDEOS October 19, 2001 7:48:30 PM UTC This installment of Friday Night Videos is a special one for us to present, as it is unlike all the others. Usually you'd be reading an excessive amount of verbiage building up the video right now, but as we said, this is unlike the others. The
MORE SILVER FOR THE TOUR October 19, 2001 7:25:51 PM UTC Currently in Australia, Nickelback will be landing back in the United States come Monday (10/22). Shortly thereafter they are heading out on a headline tour of their own. Well, even with being in a time zone 12 hours away, they have just confirm
THREE FOR THE ORACLE October 19, 2001 7:18:14 PM UTC Just a quick line, 4 more tour dates have just been confirmed for Dry Kill Logic and Ill Nino. Three are on The Oracle Tour with Kittie. They are as follows: 11/10 - Minneapolis, MN - Ascot Room 11/11 - Edgerton, WI - Club Rave
GOD HATES THE WORLD October 19, 2001 7:08:56 PM UTC Once again, ya didn't really think we'd go a day without mentioning the blessed event that is Chimaira touring with Slayer (yes, the ultimate band does exist), did ya? Of course not. So, what new news do we have to report? Not much, bu
STARTING MONDAY October 19, 2001 6:56:22 PM UTC So, Monday (10/22) is the official start date for The Oracle Tour, headlined by Kittie, featuring Dry Kill Logic and Ill Nino. What's in a live show? In case you haven't caught Ill Nino or Dry Kill Logic lately, you are in for so
WORDS FROM SLIPKNOT October 18, 2001 7:15:48 PM UTC Slipknot will be extending their travels in the US. Originally the band was to hit Europe for a tour starting on November 2nd, but the plans have changed. A message about the upcoming postponement of their European tour from the band is as follows
BACK IN THE MIX October 18, 2001 6:57:32 PM UTC As this is being written, somewhere in Cali mixing of the upcoming Coal Chamber release is feverishly being worked on. The mixing of this project, which started back on the first of this month, is over halfway complete. Eight songs have been finis
GOOD FREE SHIT October 18, 2001 6:46:18 PM UTC Just a quick line...great news actually... After months of back and forth with the marketing powers that be, we are happy to tell ya that we are going to start giving away concert tickets here on the site. No Shit.
THE ULTIMATE TOUR UPDATE October 18, 2001 3:54:08 PM UTC C'mon now...you really didn't think we could go one full day without mentioning news from the upcoming God Hates The World tour, did ya? Well, this blessed event which has Chimaira touring with Slayer (yes, the ultimate band does ex
COMIN TO MINNEAPOLIS October 18, 2001 1:14:16 PM UTC As you know, starting October 21st and running until November 24th, Dry Kill Logic and Ill Nino will be touring with Kittie, on what has been dubbed The Oracle Tour (yes, someone got big bucks to come up with that name...just ki


text:
Situated above the Arctic Circle in northern Norway, Tromsø is a town of about 70,000 inhabitants. Its breathtaking Arctic scenery is ideal for photography – and due to its location in the middle of the Aurora Borealis zone, Tromsø is also the ideal destination for viewing the exotic northern lights during clear winter nights.
Despite its relatively small size Tromsø offers many activities that visitors can enjoy. The town is a base for winter sports, such as downhill skiing, snowshoeing, dog and reindeer sledding and glacier hiking. Tromsø ¬– or Romsa as it's called in Sami languages – is also a centre of Sami culture in Norwegian Lapland and hosts Sami Week every February.
In Tromsø there are many attractions that reveal more about Norway's fascinating history, such as the Polar Museum or the Tromsø Museum, which also hosts the word's northernmost botanical garden. The town is also known for the Arctic Cathedral, a church that has become Tromsø's most famous landmark.
The airport is located 3 km northwest of Tromsø.
Finnair flies to Tromsø from 2 January 2015 until 27 March 2015.


text:
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text:
Dangerous Drugs and Product Liability Law
It is difficult for a consumer to adequately assess the safety of a drug before taking it based on limited knowledge. Instead we rely on others such as drug manufacturers, distributors, doctors and pharmacists to help us make the right decision regarding pharmaceutical drugs. While many drugs do what they are intended to do and help relieve our pain or improve our health, some drugs are defective and dangerous. If you have suffered injuries, or a loved one has died, because of a defective or dangerous drug then you may be entitled to damages.
When is a Drug Defective?
There are three ways in which a dangerous drug can be found defective and defendants can be found liable for injuries resulting from the drug's use. Specifically, a drug can be found defective for any of the following reasons:
- Defective Design: if the drug was dangerous because of the way that it was designed and a person was injured as a result then a possible cause of action exists. Dangerous side effects that show up years after the drug has been on the market may be classified as a defective design, for example.
- Defective Manufacturing: a drug may also become defective in the manufacturing phase. The design may be safe but a step may have been altered during the manufacturing phase that was not recognized by quality control causing a defective drug to enter the market.
- Defective Marketing or Failure to Warn: if marketing, advertising or personal counseling from a doctor or pharmacist failed to warn you of the drug's dangers then the drug is considered dangerous or defective and you may have a cause of action.
Generally, you will need to prove that the drug was defective in at least one of the ways described above and that you were injured as a result of that defect. Many times a defective drug product liability case involves more than one of the above theories and is brought against more than one defendant.
Who May be Sued for Injuries Caused by a Defective Drug?
The defendants in your case will depend on when you allege the drug became defective. If the drug was defective in the design or manufacturing phase for example, then the drug's manufacturer and testing laboratory may be defendants. If the drug was defective because of defective marketing or because you did not receive proper warnings about the drug's side effects then you may have a claim against the drug's manufacturer, pharmaceutical representative, your doctor who prescribed the drug, a hospital or clinic which provided the drug to you and the pharmacy which filled your prescription.
What are the Potential Damages in a Dangerous Drug Product Liability Lawsuit?
If you are successful in proving that one or more defendants is responsible for the injuries you incurred due to a defective product then you may be entitled to damages. Compensation can be significant and may include past and future lost wages, medical bills, out of pocket expenses and pain and suffering.
If you have suffered injuries from a defective drug then it is important to contact a product liability attorney as soon as possible to discuss your legal options and potential recovery.
The information on this page is meant to provide a general overview of the law. The laws in your state and/or city may deviate significantly from those described here. If you have specific questions related to your situation you should speak with a local attorney.
Additional Vioxx Articles
- What is Vioxx?
- What is the COX enzyme?
- Defective Drug Warning Labels and Off-Label Use
- Why has Vioxx been withdrawn from the market?
- Were there any warning flags that led to Merck's recall of Vioxx?
- What evidence supports the withdrawal?
- Did the Food and Drug Administration (FDA) require this action?
- What action did the FDA take?
- Why wasn't the APPROVe trial stopped earlier?
- What did the FDA know about the risk of heart attack and stroke when it approved Vioxx?
- What are NSAIDs?
- Does the withdrawal of Vioxx from the market suggest that other drugs in the same class are dangerous?
- Was there a request for a Vioxx recall by the FDA?
- Can my pharmacist continue to fill my prescription for Vioxx?
- What other drugs are similar to Vioxx?
- I had a prescription for Vioxx, and now that Vioxx is off the market, what questions should I ask my doctor in choosing a different COX-2 inhibitor?
- How can I report a serious Vioxx side effect to the FDA?
- Where can I get more information on Vioxx?
- What is a black box warning?


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"Right now I definitely believe we're way further ahead," Wilson said, according to ESPN.com. "It's exciting. You have an itch because you know how to do it at a very high level. And the best part about it is we can continue to do it better."
The Seahawks changed some things at receiver with Golden Tate gone, Percy Harvin healthy and new additions with rookies Paul Richardson and Kevin Norwood.
More than anything else, Wilson said he wants to see improvement in himself.
"There's a lot more ways we can be better," Wilson said. "And there's a lot more ways that I can get better. That's the great part about it. I continue to try to stay focused on what I can control and continue to grow in every way possible."
Wilson, 25, also believes the best days lie ahead for many of his teammates.
"I think everybody feels that way," he said. "We want to uplift each other. The biggest thing is staying connected throughout the offseason with everybody, making sure everybody is on the same page and still talking the same language in terms of how we want to be successful.
"Just trust in the process of learning. Trust in the process in getting prepared for a great season and see how far we can take it."


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The key phrase "closing the income gap between rich and poor" is simply double-speak for "destroy the middle class". Guess who pays for everything? Hint: it's not the rich - they're too busy running the show, and it's not the poor - no offense, but they can't afford it.
When the US personal income tax was made Law on the premise "only the rich will be taxed" in 1913, there were NO taxes below (today's equivalent) of $320,000. Now, $250,000 is "rich"?
Connect the dots.
I agree, no government can venesect the rich continually; they're rich cuz they're smart. Liquid money is "as shy as an antelope" they say . . . and it's mobile.
And obviously, the poor can't lift themselves up by their own bootstraps.
So, who is left, earthbound and always available?


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Wagan Tech
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WAGAN Corporation is in the business of high-tech automotive accessories. We are committed to delivering products that support the needs of today's and future fast paced lifestyle with comfort and convenience.
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Wagan continues to partner with Sirona Cares Foundation to provide energy to the poor. Executive Director of Sirona Cares Foundation, Michelle Lacourciere, received the National Jefferson Award for her projects in Haiti in June 2014. Read more on Sirona blog.
The Weather Channel featured many products, including three of Wagan's: 2639, 2485 and 2020. View full article to watch video clip.
Read more: Wagan products on the SpringDrivingEssentials by Weather Channel


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The hackers are giving regular shouts out to "DFNCTSC," the Defonic Team Screen Name Club, a group of hackers that briefly found notoriety in 2005 after hacking Paris Hilton's Sidekick and posting her contacts online.
When asked if DFNCTSC was responsible for the hack, however, the account replied "nope #lulzsec foo[l]," resurrecting the name of the Anonymous-affiliated group that made a big splash in 2011. It later emerged that LulzSec's leader, Hector "Sabu" Monsegur, was working for the FBI in secret. This tweet from an Anonymous-associated account was retweeted by @BurgerKing while the hacker was in control of the account.
We're guessing the @burgerking social media team is having a bad day...
— Anonymous (@YourAnonNews) February 18, 2013


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"Hello, my name is John. I'm a recovering architect."
I like all sorts of towns, cities and buildings, but what I design are Classical buildings and Traditional towns and cities. You can see some of them at www.massengale.com.
With Robert A.M. Stern I wrote a history of architecture and urbanism in the Progressive Era, New York 1900, Metropolitan Architecture and Urbanism 18901915 (Rizzoli, 1983) as well as an introduction to the history of suburbia before sprawl, The AngloAmerican Suburb (St. Martin's Press, 1981). With Victor Dover, I am writing Street Design, The Art & Practice of Making Complete Streets (J. Wiley & Sons, 2013).
I'm a Board Member of the Congress for New Urbanism, the former Chair of its local chapter, CNU New York, and a former Director of the Institute of Classical Art & Architecture and Federated Conservationists of Westchester County.
A co-founder of the New Urban and Traditional Architecture Councils.I was also a co-founder of the pro-urb list, a forum on the internet for an advanced discussion of New Urbanism. And in this blog you will find some postings from that list, along with other writings and clippings on architecture, urbanism, Classicism, Tradition, metaphysics and culture.
Copyright © 2004 – 2006 John Massengale
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Whit Stillman: The Last Days of Disco, With Cocktails at Petrossian Afterwards
Mead & McKim White: The Architecture of McKim, Mead & White in Photographs, Plans and Elevations
Jacob Needleman: The American Soul: Rediscovering the Wisdom of the Founders
James Hillman: Soul's Code: In Search of Character and Calling
Robert A. M. Stern: New York 1900: Metropolitan Architecture and Urbanism 1890-1915
Donald A. Norman: Emotional Design: Why We Love (Or Hate) Everyday Things
J. Frederick Kelly: Early Domestic Architecture of Connecticut
Russell Versaci: Creating a New Old House: Yesterday's Character for Today's Home
Philip Bess: City Baseball Magic--Plain Talk and Uncommon Sense about Cities and Baseball Parks
Stern, Gilmartin & Massengale: New York 1900 : Metropolitan Architecture and Urbanism 1890-1915
Hegemann & Peets: The American Vitruvius: An Architects' Handbook of Civic Art
Raymond Unwin: Town Planning in Practice: An Introduction to the Art of Designing Cities and Suburbs
Ray Gindroz: The Urban Design Handbook: Techniques and Working Methods
Andrés Duany, Elizabeth Plater-Zyberk, Roberto Alminina: New Civic Art : Elements of Town Planning
Fassbinder's BRD Trilogy (The Marriage of Maria Braun / Veronika Voss / Lola) - Criterion Collection
The Lord of the Rings - The Fellowship of the Ring (Platinum Series Special Extended Edition)
The Lord of the Rings - The Two Towers (Platinum Series Special Extended Edition)
The Third Man (50th Anniversary Edition) - Criterion Collection
There's Something More About Mary (Widescreen 2-Disc Collector's Edition)


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Tag: The Organization
DEATH ANGEL's TED AGUILAR 'More to Conquer, Relentless Touring!' an interview
by admin on Aug.30, 2010, under interviews
The Bay Area Thrash Scene of the early 80's has been well documented. The most successful metal band of all time, Metallica, helped define it's sound, and give San Francisco it's second major music 'scene' (the first being the flower power, hippy, acid rock scene of the 60's). Bands like Testament, Exodus, Death Angel, Possessed, Heathen, and Vio-lence where at the forefront of the new scene.
Death Angel released three albums to much critical acclaim and built a very strong following. With the release of ACT III the band seemed poised to jump from a well known underground band to commercial success, but a bus accident at the beginning of the tour cycle sidelined the band with injuries, and they eventually separated in 1991. Fast forward ten years to Thrash Of The Titans a benefit for Chuck Billy, the singer of Testament, who was diagnosed with throat cancer. Many of the 'old school' Bay Area Thrash bands united and reunited for this epic event and cause. Death Angel was reborn with a new guitarist and due in part to the crowd response, and the persistence of a record label, Nuclear Blast, the band decided to hit the road and actually record an album. The last 9 years has seen three new albums, several successful tours, and a resurgence of the Bay Area old school Thrash Scene.
Ted Aguilar has been with Death Angel now since the Thrash Of The Titans show in 2001. And while the band was on tour with Soilwork this summer, I chatted with Ted Aguilar after their Raleigh, North Carolina show (and heated Galaga video game match!) about Death Angel, a proposed tour of China, the first ever 'metal' themed cruise ship, the soon to be released Relentless Retribution (September 14th on Nuclear Blast), what it feels like to be starring three years of non stop touring straight in the face, and how he was able to take the stage at Thrash of the Titans after only two rehearsals with the band ('fuckin' nervous man, fuckin' nervous!' was his response)
AWAY TEAM: This is 'Slim' Jim Keller with Awayteam.com and I'm sitting here with Ted Aguilar from Death Angel. I want to thank you very much for taking time out again for this interview. Congratulations on the soon to be released 6th studio album from Death Angel entitled Relentless Retribution.
TED AGUILAR: Yes!
AWAY TEAM: So how long have you been with Death Angel?
TED AGUILAR: Nine years now this is my 3rd album with them.
AWAY TEAM: Ok so when they reformed…
TED AGUILAR: Yeah I've been with them since Thrash of the Titans.
AWAY TEAM: What brought you on board to Death Angel? They reformed for the benefit for Chuck Billy called the Thrash of the Titans and it was the first time that they'd gotten together in eleven years to perform and so how did you end up in the band?
TED AGUILAR: Actually, I've known the guys for a long time even back in the 80's. I'd been to majority of all their hometown shows from Ultra-Violence until Act III. And when the band started to reform I guess everyone was into it except Gus (Pepa) the other rhythm guitar player. And I mean he just wasn't into it, he was in the Philippines at the time he just basically checked out of music, well heavy music in general. I'd known Rob (Cavestany), and Rob gave me a call and said, 'Hey man you want to do it? Gus can't do it.' and at first I was like, 'Are you SURE?' I don't wanna step on anybody's toes since Death Angel was more of a family unit. He goes, 'Nope Gus can't do it.' So in 2 rehearsals I had to learn all the songs on my own and you know I jammed out with some individuals just to kinda get some ideas of the structures of the song. We did 2 rehearsals like 2 days before Thrash of the Titans and boom did the show. It was fun man. I was nervous as a motherfucker though I'll tell you! But it was fun.
AWAY TEAM: Kind of a big stage to take on for your first with only 2 rehearsals under your belt
TED AGUILAR: Two rehearsals and its Death Angel's first gig in 11 years! You gotta be on your game! I was nervous as a motherfucker. These guys know the songs inside out I mean they grew up writing it so it was like second nature to them.
AWAY TEAM: So what were you doing before you got the call?
TED AGUILAR: I just played in a couple local bands nothing really big, just jamming around with friends and local bands just played around the Bay Area. And my band played with Rob and Mark's (Osegueda) band Swarm at the time. We did a few local gigs together and that's how I guess I got the gig. They never actually told me I was in the band they go 'You wanna jam?' and 9 years later here I am today man!
AWAY TEAM: Still waiting to sign the contract right!
TED AGUILAR: I'm still waiting! I didn't even get a handshake! Put it that way.
AWAY TEAM: So your first album with Death Angel was Art of Dying. What was it at that show or shortly after that they decided or you all decided you should reform properly and actually do something with this?
TED AGUILAR: Well that show was supposed to be a one-off. I mean from what the guys told me Death Angel wasn't meant to reform, they were just done. They went out on a high note of Act III and they started doing other various projects as The Organization, Swarm, Silver Circus and Big Shrimp and all that stuff. Right after we did Thrash of the Titans… I loved it, and the rest of the guys just felt the overwhelmingness of the crowd. Just very into the band. We didn't realize how much Death Angel was missed. So after that show there was other offers coming about and I guess we decided let's just do one more round of touring put out a live album and that's it, call it a day. But as soon as we went to Europe the crowd was just amazing! The first time we went there we headlined the F&R in 2002 July of 2002 I believe then we did the Dynamo Festival and those shows are just like, 'Holy Shit!' I mean metal is big in Europe and again we didn't realize how much fans around the world missed Death Angel. And we did that and went back out on the road again we got this offer to do two weeks in Europe on a festival with Testament. Nuclear Blast started coming around offering us you know… they wanted to sign us without even hearing new songs! They just loved the band, loved the legacy, 'we'll sign you!' So from there on we just said well let's give it a shot we did and we released Art Of Dying, we released Killing Season, now we're going to release Relentless Retribution and it's been a great ride and we still got more to conquer! More to conquer!
AWAY TEAM: Well you're currently on tour with Soilwork, Swashbuckle and Mutiny Within; I saw maybe 5 dates left after tonight, what's next?
TED AGUILAR: After this we're going to go home and kinda hang out with family real quick. Just hang out and chill, then the album comes out as you know September 14th, everyone go out and get it!
AWAY TEAM: On Nuclear Blast. Find it on Nuclear Blast; pre-order it now you get a T-shirt with it…
TED AGUILAR: There you go! And there's gonna be there's a limited DVD too. It's the making of the record which I kinda filmed, directed, and produced the whole thing. I had someone else edit it. It's the making of the record from the first riff all the way until the last riff and into the recording studio and whatnot. And September we're going to do the Mezcal Metalfest the last week of September with Twisted Sister, Destruction, God Forbid, and Obituary. Then in October we're going to South America for the first time which we're really excited about then we come back in November. December we're going out to Europe with Kreator, Exodus, and Suicidal Angels and that's going to be a thrash fest festival across Europe! Come back for the holidays then in the new year we pick up at that 70,000 ton metal cruise we're doing with Testament, Forbidden, Exodus, Fear Factory, Uli Roth, Trouble, Swashbuckle, so many bands! Then right after that we start our headlining U.S. tour and who knows what's going to come after that. I know next summer we still have to do the major European festivals so relentless touring, relentless touring.
AWAY TEAM: So springtime we should see you back in the States then on the road…
TED AGUILAR: Around springtime yeah around there.
AWAY TEAM: Early summer before the European festivals kick in?
TED AGUILAR: Yeah then go back to Europe for the summer festivals then maybe come back in the fall too. Relentless touring! Who knows? But that's the plan.
AWAY TEAM: On this album you have two new musicians (Damien Sissom – bass, Will Carroll – drums) on it, has that changed how you guys write?
TED AGUILAR: Well it definitely changed this time around because we have a new rhythm section. Andy Galeon and Dennis Pepa are no longer with the band due to personal and family obligations. They couldn't go out on tour basically so we got a new rhythm section and when we got them, before we even started writing a record, we went out on tour with them. Just played the old songs and we noticed they have a thrashier element. So it was kinda good to go out on the road with them and play some of the old songs and get a feel of what's going on. I've known Damien and Will for awhile, I've played with them, so I know what their vibe is about. But it was good in a sense for Rob and Mark because it's probably the first time in Death Angel history they got to jam with somebody who are not family, somebody totally new. So when we came to writing the album Rob kinda knew what styles Will played, he knew Will's a thrash drummer, basically like full on thrash drummer, Damien's a thrash bass player but with a sense of like, ala Cliff Burton, Steve Harris, all those great players. So Rob wrote accordingly to that. The band's been through a lot of ups and downs in the past couple of years losing members and a lot of personal things going on internally and externally. So all that influence and jamming with new people helped create this record which is the most aggressive and thrashiest record since Ultra-Violence. You know a lot of double bass a lot of fast parts and it feels like a new band. When you listen to the record, for us, it seemed like a new band getting its first record deal, excited! Just going out there again you know? It's kinda like they helped bring that excitement back which was kinda tapering off with Dan and Andy because they just weren't into it any more. You can't really force anybody to be into something when they're not. And it was really hard for the band because those guys had been with the band since the inception and a lot of fans are like, 'Oh man! What're they gonna do?' But this album's going to really prove that Death Angel can go on and we're happy about that.
AWAY TEAM: That's one thing I'd noticed with the Art of Dying and Killing Season. Act III to most fans out there was the 'be all end all' Death Angel album and it was probably the most diverse out of the three original albums, very funky, a lot of different styles woven through the basic Bay Area Thrash sound and with the Art of Dying & Killing Season and what little bit I've heard of Relentless Retribution it's like you have gone more towards the straightforward thrash. Is that more angry or just…
TED AGUILAR: It's a combination of things. I mean it was intentionally to do that and two it was like I said we'd gone through a lot in the past couple of years so all that vibe went into that, and Rob being the sole the chief writer on this one. Art of Dying was good you know it got our feet wet with the band discovering themselves again because it'd been a long time. Killing Season was a great record where everyone like pretty much honed in, but then again, like I'd said in the past couple of years there was tension within the band of collaborating. I mean collaboration is good sometimes you know and it works well when it works well and the past couple of years with everyone it was hard in a sense. And when everyone collaborated it made Death Angel, but this one was more Rob wrote everything. I mean he had the ideas, he had the thing, there was no fighting, there was no pushing and pulling. It wasn't like, 'No this has to be that way!' 'No this is that way!' Rob had so much ideas, and so much to let out, that with our new rhythm section and we heard what Rob was writing and we'd go, 'that's it!' You know he was feeling it, he had all this vibe and ideas, we just ran with it. It was easier for Rob to write. There was no pushing and pulling, he had everything, we just added to what he did. It's like I said being a band, being in a first band, someone forms a band, 'I got all these songs let's do it, let's do it, let's do it!' And when it came to the lyrics, Mark wrote the majority of the lyrics. There's 12 songs on the record. Mark wrote 9 of them and Rob wrote the other 3 and it's a heartfelt record. Mark finally got to release. Mark had a lot… you know we all went through a lot of stuff. We were all able to release, and that's why the record's more thrashy, more aggressive. It was purposely done that way. Along with the fact of what we went through, so we're stoked about it. We're just stoked. And it still has Death Angel elements in there. It doesn't have the sing-along's like some stuff on Act III, but there's melody. It's just aggressive melody. Who knows how well this album does. We could go on the road even longer. That's something we want to do. It's something a proper band should do. And that's something we never got to do with Art of Dying and Killing Season. Due to the fact that a couple of the guys in the band either didn't want to tour… we get booked a tour and go 'I can do that first half but not the second half' it's like we gotta do it all! But now that those roadblocks are not there we are able to just tour and we need to tour to promote the record and to get in people's faces. A lot of people want to see us live and they don't want to wait 4 years for us to come by. So we want to keep comin' and coming around.
AWAY TEAM: Yeah I'm getting tired of driving 5 hours to see you guys!
TED AGUILAR: Yes yes yes! We want to keep touring a lot so we can hit other markets where people don't have to travel to. We're hitting these markets where people have to travel because we haven't come around a lot. The more we come around we can hit other territories. The word gets out 'hey come over here instead of over there'. Cool. You know maybe hit your town so you don't have to drive!
AWAY TEAM: So you're doing South America and with the European festivals you're hitting a lot of Europe, what is probably like the one market or the one place you guys haven't played that you want to?
TED AGUILAR: Oh South America, one. Central America, probably want to go to Africa. I've heard they have shows in Africa. Morocco, Sepultura just did Morocco, they had a couple festivals in like Dubai. We've done the Philippines which is great awesome and …
AWAY TEAM: How are you guys accepted there?
TED AGUILAR: Great!
AWAY TEAM: I think you and Journey 'cuz of their new lead singer…
TED AGUILAR: Yeah yeah!
AWAY TEAM: You guys are pretty much the favored children of the Philippines.
TED AGUILAR: Pretty much yeah! Well Journey more than us! We were accepted really well and the fans were awesome the people there were awesome. We want to go back to Japan, we've been to Japan, but I know there's other territories. There's talks of Malaysia, Indonesia, China, and you know Hawaii… There's so many places, it's just trying to get out there. It is hard but we'll play everywhere where it's feasible. If we can get out there without losing it, losing our asses, we'll play! We'll definitely play.
AWAY TEAM: In the age of downloading, you guys unfortunately don't make a lot money anymore on the actual album sales. Labels and no offense to Nuclear Blast and some other great labels out there but the big labels we'll say are slowly but surely crumbling. And if they don't change their business model then they're not going to exist in the next few years. Can you still exist and can you make a good living doing this full time?
TED AGUILAR: If you play your cards right!
AWAY TEAM: It's about being in your blood and wanting to play. That's one thing. But being able to survive in today's market…
TED AGUILAR: A lot of bands seem to do it, I mean a lot of younger bands. Thing is to tour one, merchandise of course, you can download music but you can't download a shirt. And we get people go 'oh I've seen your YouTube performances' great! And they come out to see us. Yeah you can see it on YouTube, but it's not the same as going to a live show. Downloading does hurt and I've talked to people in bands and labels, it hurts but you gotta embrace the internet. I see it as touring, your merchandise, and just playing your cards right, and just embracing the internet. Don't kind of shun it, it's there, it's not going away. The days of making money off platinum records seems to be over. Not even pop artists sell as much as they used to but…
AWAY TEAM: Which is good actually!
TED AGUILAR: Well in a sense, but for bands like us we gotta go out and tour. And the live show's where people really see us. And the more we tour the more merch you sell or whatever and just gotta keep going. Putting out records cause the diehards will buy the records and in this day and age you got people like me and you who still buy records. The newer generations don't seem to, a lot of the hardcore scene people kinda like download, but a lot of metal kids that I talk to, that I meet, have bought CDs and vinyl and want to sign it. So that's good that they're buying it. But it's just touring and word of mouth the old school way.
AWAY TEAM: Well, used to be when you're starting out you lived on the road. You lived in the back of a van and you toured incessantly just to get your name out there. Now you have to tour incessantly to put money in your pocket! As you get older it really starts to wear on you more, how do you keep up the intensity? Because you guys put on a phenomenal show! Like I was telling Mark (Osegueda – singer) before we started the interview, I've been following this band since '87. I'm from the Bay Area originally and there was a high school radio station KVHS that played metal, and that's all they played! That was my introduction to Death Angel in '87. They played the Ultra-Violence and I was hooked instantly. I've seen you guys live, since you got back together, I've seen you probably 5, 6 times. And they are just amazing shows! And the intensity on that stage whether it's a huge room or a very small room, you guys just slay. How do you keep up that level of intensity and that energy night after night being on the road for say another 2 years now?
TED AGUILAR: One we try to stay healthy eat right on the road a lot of us exercise a lot you know
AWAY TEAM: And a lot of Galaga!
TED AGUILAR: And a lot of Galaga!! We exercise a lot, we watch what we eat basically, and we're not excessive drinkers. We don't do drugs, an occasional puff here and there with the guys. Who doesn't? It's basically just really taking care of yourself. Plus when we play the songs that we play we're just so into it, it just makes us go crazy night after night whether it's a small crowd or a big crowd. We throw out the energy and the crowd throws it back at us. We love to do it, we love to go out there and perform. People come to see a show we're going to give you a show! Plus we're from the old school, where we go to a show and fuckin' Iron Maiden, Judas Priest, old Metallica, all those bands they put on a show. KISS for example! So we kinda like are influenced by that, but how do we do it? We just rest, exercise, and try to work out and be cautious of intake.
AWAY TEAM: Well I thank you very much it's been a pleasure again thank you for taking time out of your busy schedule
TED AGUILAR: No problem man thank you
AWAY TEAM: Good luck with Relentless Retribution and the next 16 months on the road and hopefully we'll see you again in Raleigh in the spring.
TED AGUILAR: Raleigh or wherever you live! Hopefully you know the more we tour, and if the record gets pretty successful which we hope… Countin' on you guys to buy it so we can hit more than just one city per state you know? So everyone can come out, we're into it! Hope you're into it too. Relentless Retribution September 14th via Nuclear Blast GO BUY IT! Come see the shows!
Thank you to Ted Aguilar for the time he took out of his Galaga match to sit and talk with me, Francois for ensuring the interview happened, Charles at Nuclear Blast for setting it up, and Melissa for her great transcription services as always.
Relentless Retribution can be pre-ordered here.
For more DEATH ANGEL click here.
Photos courtesy of Barry Knain
CD Review: DEATH ANGEL – Relentless Retribution
by admin on Aug.24, 2010, under reviews
Death Angel
Relentless Retribution
Nuclear Blast
6 out of 10
I had the opportunity to interview Death Angel two weeks ago, and sitting talking with Mark Osegueda, I mentioned how I first heard about the band. It was on a Concord, Ca high school radio station, KVHS. In 1987 all they played was Hard Rock, Heavy Metal, and mostly Bay Area Thrash Metal. One afternoon they threw on The Ultra-Violence. The 10 minute instrumental title track to Death Angel's first album. I forget where I was headed, but I do remember it didn't matter anymore. I drove to Tower Records and picked up The Ultra-Violence immediately. KVHS turned me on to many great bands and albums. They are still around today, still playing great Metal and Hard Rock, and all run by high school kids.
Death Angel is still around today also. They are releasing their sixth studio album Relentless Retribution on September 14th. Yes it's been 23 years since their first release and they are only on their 6th album now. We all were robbed of a few years of new Death Angel music due to a bus accident in 1990. But thanks to the Chuck Billy Cancer Benefit Thrash Of The Titans in 2001, the band reunited and has released 3 stellar albums in the last 9 years.
The lead off track 'Relentless Revolution' heralds Death Angel's 'new' sound of a more straight ahead thrash, than the groovy funkified thrash that they exhibited and became famous for on Frolic Through The Park and Act III.
While 'Claws In So Deep' showcases Rob Cavestany's vocals alongside Mark's, and some great acoustic guitar playing midway through the song. 'Claws So Deep' reminds me more of The Organization (the band minus Mark after the 1991 breakup) than Death Angel, but is a great song none the less.
'River Of Rapture' starts out run of the mill, but soon turns into a guitar orgy of riffs and sounds. The breakdown and solos save this song from mediocrity along with Mark's vocals on the second half of the song.
Unfortunately not many songs jump out at you, or stick with you through repeated listening. And this is from someone who has been a vocal proponent of theirs since they reunited. I have pushed their previous efforts of The Art Of Dying (amazing album) and Killing Season (also a very strong album) on everyone I can. And while this IS Death Angel, it isn't quite up to previous efforts. 'Claws In So Deep', 'Volcanic' and 'This Hate' are the strongest cuts on this disc.
That being said, GO SEE THEM LIVE! They still put on a hell of a show. You won't be disappointed, and you will thank me later.
For more DEATH ANGEL click here.
To pre-order RELENTLESS RESTRIBUTION click here.


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This ring is true to size and is beautiful! I'm absolutely in love with my wedding ring; cleaning it is quick and effective. 6 months of constant wear and it still looks brand new.
My fiancé purchased this ring as my wedding band, and I couldn't be more happier with it. The overall quality of this ring is great and goes perfect with my engagement ring. We do plan on buying one more so I can put one band on each side of my diamond. Im sure that will seal the deal.
Instant delivery, got it right when I needed it. The ring could look more impressive, but not as much as the timing at when it arrived.
I would not recommend this to my enemy. I ordered two, as wedding bands to go on both sides of my engagement ring. When I received them in the mail, I received two separate rings. On one ring, when I turned the ring so that the diamonds face the floor, and I could view the "under side" of the ring -- I could see the diamonds from the bottom, the diamonds were not encased fully. On the other ring, when I flipped it over and looked at the "under side of the ring" it was encased and it appeared to be better quality. Overstock exchanged the "cheaper ring" with one that matched the encased ring... I thought my worries were over. However, withing a few short days, one of the diamonds fell out of the rings that had a fully encased bottom. I would NOT purchase this ring... It is made cheaply and the quality is terrible. Spend a little more money and get better ones.
The ring is very petite (see the image where it is on a hand) but looks exactly as it did in the picture and arrived within days.
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- About Us
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This course consists of two parts: A) Practical Theology Seminar (0.5 Credit for RGF3040) - a seminar for first year students to develop the skills of theological reflection through which to reflect on personal faith development, a call to ministry, and an integration of personal experience and theology into a development of ministerial practice. Class participation, personal reflection papers, a final synthesis paper as well as workshops in pastoral skills, liturgy and personal identity will help to facilitate formation. B) Theological Reflection Seminar (0.5 Credit for RGF3040) - follows or runs concurrently with the theological field education ministry placement. The process of theological reflection enables the student to understand and assess their ministry in the context of personal faith and the theology they are studying in the total program. The remainder of the weekly meetings are spent in theological reflection on case studies of ministry events experienced by class members. Means of Evaluation: Case studies. Pass/Fail course.
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Adam Arklight and his band of super-hotties are ready to take over the world, but not if the macho, mutant hero Blade has anything to say about it. Still, it's tough when your opponents are ridiculously cute girls in really sexy school uniforms. But with this much at stake maybe even Blade can keep his mind on the job and his eyes on the prize. (Yeah, right.)
Contains episodes 13-24.
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The Council Has Spoken!! This Weeks Watchers Council Results 5.25.12
JoshuaPundit on May 25 2012 The Council Has Spoken!, the votes have been cast, and the results are in for this week's Watcher's Council match up. What is peace between nations? What does it consist of and how does it … Continue reading


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I have been involved with Project Unify for 4 years and I am now a Special Olympics North America sub committee co chair, so excited about that as well and getting to meet new Project Unify players as well and travel alot during my Project Unify career. I am glad to have Rebecca being on our Project Unify as a chaparone and person to help us. I am glad I have a state mentor named Leann Powell. She helps me when I struggle or when I am getting upset about things that I stress over during my Project Unify meetings and am glad she travels with me. I am also happy that I have Sam Mcleod as my mentor as well. They are all great people to work with. I love Project Unify. This is my last year on Project Unify. I am going to miss it after am done in North Carolina next summer for the meeting for Special Olympics. I am going to cry after meeting new Project Unify members who are going to take over our spots when we leave.
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Revolution 9 has not been seen in 763 Phish shows.
It was played at 0.06% of live shows.
There have been 810 shows since the live debut.
Revolution 9 has been played, on average, once every 1668 shows.
Since its debut, Revolution 9 has been played, on average, every 810 shows.
It was played 1 time(s) at the following show(s):
Show Date | Venue | Gap | Set | Song Before | Song After | Notes |
1994-10-31 | Glens Falls Civic Center, Glens Falls, NY | 904 | 2 | Cry Baby Cry -> | *** | Phish debut. He Ent to the Bog was played on a tape in the background. Fish on vacuum. |
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Mutually-assured (economic) destruction
Interview by
Mar 7, 2014
Journalists and scholars see reasons this is -- and isn't -- deja vu all over again.
Weekly Wrap: Derivative fight!
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Catherine Rampell and Felix Salmon join Kai Ryssdal to bid farewell to Ben Bernanke, analyze Argentina, and argue about calculus
Weekly wrap: Good news in the jobs report? + #longreads
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Heidi Moore from the Guardian and the Wall Street Journal's Sudeep Reddy join host Kai Ryssdal to look back at the week's business news and forward at where the economy is going after today's jobs report.
Weekly Wrap: As goes housing, goes the economy? + #longreads
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Nov 29, 2013
Cardiff Garcia from FT Alphaville and Bloomberg's Nela Richardson join Lizzie O'Leary to look back at the week's business news and forward at where the economy is going.
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A look back at the business and economic news of the week, with Sudeep Reddy of the Wall Street Journal and Leigh Gallagher of Fortune.
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Leigh Gallagher, editor of Fortune Magazine, and Sudeep Reddy from the Wall Street Journal recap the week in news.
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The government shutdown means no unemployment numbers have been released for September.


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Schlage F40-FLA-BRK Privacy Flair Door Leverset with the Decorative Brookshire Rose
For over 90 years, Schlage has been making homes more stylish and secure with the best door locks and door hardware. Today the Schlage family of products also includes the very best in electronic locks, keyless door locks, and home security. Let Schlage's hardware and security solutions protect and enhance the things that matter most to you.
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Infinity Blade II is the second game in the fantasy action adventure role-playing game series for the iPhone 4S and iPad.
With Earth no longer able to sustain life, huge artificial satellites called near-orbitals were constructed for people to live on.
Alive-4-Ever is one of the finest two-stick shooters on iDevices.
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Among the rocks in a deep mineshaft of similar games, California Gold Rush is a treasure.
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gjohnson523 @MalloryProsser but was it to the tune of the final note of silent night
464 days ago.
Mr_PrettyFlacko Higley High Silent Night 2014 was a success. A great great success, all I gotta say. Thanks to everyone who was a part of it.
dzz__nots Silent night was so awkward lol.
izzy101kkim @sydott how was the game? #silentnight
465 days ago.
Managercpr What a night, one of my idols @carmeloanthony dropped 62 points, Varsity's silent night game was a success, & I hit a three #SportsCenter


text:
FRANKFORT, Ky. (7/12/13) – Agriculture Commissioner James Comer today cheered House passage of legislation to allow university research on industrial hemp. The measure was an amendment to the farm bill that passed in the U.S. House of Representatives.
"Without a doubt, this was an historic day for industrial hemp in America," Comer said. "There's a long way to go in the legislative process. And I won't be satisfied until Kentucky farmers can legally grow industrial hemp again. But I am pleased that we have made it this far."
"We're excited that the hemp amendment was included in the farm bill that was passed today," said Eric Steenstra, president of Vote Hemp. "This moves us one step closer to our goal."
The amendment would allow colleges and universities to grow hemp for research purposes in states where hemp production is allowed by state law.
U.S. Rep. Thomas Massie of Vanceburg was one of three co-sponsors of the amendment and has filed a bill that would remove hemp from the federal definition of marijuana. Massie joined Comer, Rep. John Yarmuth, and Sen. Rand Paul to testify before the state Senate Agriculture Committee in support of a bill sponsored by state Sen. Paul Hornback to create an administrative framework for industrial hemp production in Kentucky. State Sen. Robin Webb also spoke out in favor of the bill, and state House Majority Floor Leader Rocky Adkins mounted a last-ditch effort that led to passage of the bill.
U.S. Sen. Mitch McConnell and Reps. Andy Barr, Brett Guthrie, and Ed Whitfield also have publicly supported restoring legal hemp production to Kentucky.
"It wasn't that long ago that people told us we wouldn't even get a sponsor for the bill in the state Senate," Comer said. "Now we have a state law for regulating hemp production, and one house of Congress has passed legislation to allow colleges and universities to grow hemp. This has been an amazing journey. And we're not finished."
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Information provided by Ted Sloan
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