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20 Caprices for Trumpet
Allen Vizzutti Presents
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20 Caprices for Trumpet (Allen Vizzutti Presents). For Trumpet, Cornet. De Haske Play-Along Book. Play Along. 44 pages. De Haske Publications #1043607400. Published by De Haske Publications (HL.44004884).
ISBN 9043119903. Play Along. 9x12 inches.
These 20 caprices are fun to play, but also challenging, so that they may be enjoyed for many years. Rests are written in to help with pacing and endurance, and the key signatures are all three flats, three sharps, or fewer.
- Fanciful (Vizzutti)
- Russian Caprice (Vizzutti)
- Canzonet (Vizzutti)
- Capriccio 'On A Half Step' (Vizzutti)
- Caprice Of Peace (Vizzutti)
- Humoresque (Vizzutti)
- Isle Of Capri (Vizzutti)
- Capriccio Down Low (Vizzutti)
- Capriccio Espanol (Vizzutti)
- Intermezzo (Vizzutti)
- Ratamacue (Vizzutti)
- Leito (Vizzutti)
- Monotone (Vizzutti)
- Fanfare (Vizzutti)
- Farandola (Vizzutti)
- Capriccio Italien (Vizzutti)
- Computer Caprice (Vizzutti)
- Cartoon Caprice (Vizzutti)
- Romance (Vizzutti)
- Cappuccino (Vizzutti)
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20 Caprices for Trumpet
Allen Vizzutti Presents
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20 Caprices for Trumpet
Allen Vizzutti Presents
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More by this Composer: Allen Vizzutti Sheet Music Allen Vizzutti B-Flat Trumpet Sheet Music Allen Vizzutti Cornet Sheet Music
Instrument: B-Flat Trumpet Sheet Music Cornet Sheet Music
Format: CD, Audio & More Play Along
Series: De Haske Play-Along Book


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Chippendales Get Lucky 2015 Tour
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Switch things up for Taco Tuesday!
Switch things up for Taco Tuesday!
This is the dessert people BEG me to bring to parties.
Does anyone else smile when they hear the words, Crab Rangoon?
You'll never buy a rotisserie chicken again.
This big beautiful bowl of fried rice may look & TASTE like rice, but it's NOT!
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Get your Game on! What is the Best Smartphone for Gaming?title
Gaming is no longer restricted to chunky consoles which take up monstrous amounts of space below your TV. In fact, mobile gaming is becoming one of the Read More...Read More
Snap-tastic! The Best Camera Phone from MWC 2015!title
Smartphone specs are all well and good – but sometimes, all we want is a device which can take a half decent picture during a family holiday. Read More...Read More
Making 'Sense' of HTC Sense 7 on the One M9title
The HTC One M9 has officially arrived, bringing a new design, upgraded specs and an improved camera. But there's one more thing HTC has stuffed into its Read More...Read More
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So says Maine Republican legislator Scott Lansley, who sponsored the resolution barring his state from issuing a national ID.
Friends Like These: Why Petrostates Make Bad Allies
So says Maine Republican legislator Scott Lansley, who sponsored the resolution barring his state from issuing a national ID.
So says the governor of Montana to the Department of Homeland Security mandate that he issue a national ID card.
Today the Supreme Court, in one of the most important securities law rulings in years, Stoneridge Investment Partners v. Scientific-Atlanta, decided that fraud claims are not allowed against third parties who did not directly mislead investors but were business partners with those who did. Investors, the Court said in a narrow 5-3 ruling (Justice Breyer took no part in the case), may only sue those who issued statements or otherwise took direct action that the investors had relied upon in buying or selling stock – whether that involved public statements, omissions of key facts, manipulative trading, or other deceptive conduct. One impact of the decision is likely to be the end of a $40 billion lawsuit against financial institutions growing out of the Enron scandal.
Although this was the result expected by Court-watches, the split decision – along the usual "liberal/conservative" lines, with Justice Kennedy writing the opinion as he has tended to in such situations – was a bit of a surprise. The opposite result would have been disastrous for Wall Street, with massive ramifications on the economy as a whole. It would also have greatly expanded the court-created private right of action that is not expressly spelled out in the relevant securities laws. Ultimately, the Court's ruling in Stoneridge wisely prevents an implied cause of action against the whole marketplace in which those who do directly mislead investors do business.
At his press conference announcing the REAL ID Act last week, Department of Homeland Security Secretary Michael Chertoff said:
We are not going to have a national database. REAL ID does not require that states start to collect additional information from applicants that they have not already created. We are not going to wind up making this information available willy-nilly. In fact, the steps we are taking under REAL ID will enhance and protect privacy rather than degrade and impair privacy.
…[A]mong the things we're doing under REAL ID is requiring that state motor vehicle agencies have in place background checks and security plans for their databases at – in terms of the motor vehicle information. Traditionally, again and again we have seen corruption at motor vehicle agencies leading to people improperly disseminating personal information. These security plans and these background checks will actually minimize the risk that employees will improperly take that information and disseminate it.
Meanwhile, Section 508 of the Court Security Improvement Act of 2007, signed into law by President Bush last week, allows federal judges and Supreme Court Justices to withhold their addresses from the REAL ID database system, giving the addresses of their courts instead.
The federal judiciary evidently doesn't trust Secretary Chertoff's assurances.
Today, the Department of Homeland Security issued final regulations implementing the REAL ID Act, our moribund national ID law that several states have already refused to implement.
The regulations, in two parts, can be found here and here.
I will have more to say after studying them, but the House Committee on Homeland Security's chairman has already registered his preliminary objections. Cost issues, the difficulty of implementing this national ID, and privacy issues concern Chairman Thompson, who notes that DHS has spent close to $300 million on programs that have been discontinued because of failure to adhere to privacy laws and regulations.
REAL ID is, of course, a wasteful affront to privacy whether or not DHS follows all the rules. The department is not in a position to correct the errors in this fundamentally misguided policy.
Candidates are in hot pursuit of the party nominations and eventually the presidency. That means they are defining enemies, inducing fear, and offering voters hope — that their enemies will be punished and their fears relieved.
The rhetoric of campaign finance regulation is replete with such enemies — the special interests, "Big Money," the rich and so on — and one set of friends, "reformers." Barack Obama has been especially skillful practicing this politics of fear to pave the way for additional restrictions on money in politics.
However, the reality of campaign finance regulation is a lot different from the rhetoric, and the 2008 campaign has already brought an exemplar of regulation absent romance.
Unity08 is an organization that tried to put together a "centrist, bi-partisan approach to the solving of our nation's problems and the possibility of an independent, unity ticket for the presidency." Unity08 sought to be a movement first and a third party with a candidate, second. I use the past tense here because a posted letter to their supporters suggests their effort has come to an end.
Unity08's analysis of the reasons for their failure merits attention. They now lack enough members or money to go on. The two are interdependent: more members generate more money and vice versa. The Unity08 leaders think a lack of money posed the biggest obstacle:
The Federal Election Commission … has taken the position that we are subject to their jurisdiction … and, therefore, that we are limited to $5000 contributions from individuals (even though the Democrat and Republican Parties are able to receive $25,000 from individuals). Needless to say, this position by the FEC effectively limited our fundraising potential, especially in the crucial early going when we needed substantial money fast to get on with ballot access and the publicity necessary to build our membership. We were caught in a peculiar catch-22; we wanted to break the dependence on big money by getting lots of small contributions from millions of members, but needed some up-front big money to help generate the millions of members to make the small contributions. And the FEC (in effect, an arm of the parties) didn't let that happen.
The need for large donations to build fundraising capacity was first discovered by the best political science book you never heard of. Contribution limits complicate political organizing by outsiders and thereby stabilize the status quo and benefit those who hold power.
Campaign finance regulations are sold as a panacea for all that ails Americans. They are said to foster competition, prevent corruption, and purify political speech. The Unity08 leaders have found out the truth about such regulations. Such rules are largely created to stifle electoral competition to help out one party or the other, or — as in this case — to permit both parties to stifle a third alternative. Such regulations don't outlaw competition; they do establish arcane rules that discriminate against outsiders like Unity08.
When a candidate starts demonizing Big Money, remember Unity08 and the reality its leaders discovered, too late for their cause.
Yesterday the Supreme Court heard argument in Baze v. Rees, otherwise known as the "lethal injection case." Contrary to popular perception—and the wishes of certain activist groups—Baze considers neither the constitutionality of lethal injection as a method of execution nor the validity of the death penalty itself. Instead, the issue is whether the particular three-chemical formula used by most states that employ lethal injection causes undue pain and suffering such that the method violates the Eighth Amendment's proscription of "cruel and unusual punishment." The Court's decision—likely to be 5-4 with Justice Kennedy the swing vote as always—may turn on what weight the justices place on the availability of other " drug cocktails" that purportedly accomplish the same result with less chance for "undue pain and suffering." But that critical point raises two further (non-legal) questions: 1) Whether the case is about little more than delaying executions that will take place regardless of this particular ruling; and 2) Why haven't all the relevant states simply adopted the "better" chemical protocols and rendered this case moot? Ultimately, this high profile case is a waste of judicial resources.
This work by Cato Institute is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.


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← You did not specify any titleLoading editor
Hey Andrew! I only just noticed that you undid my July 2013 edit of Characters performed by their opposite gender on the basis that there's nothing to indicate the gender of Ming the peacock.
I would argue that there is, but not on the basis of his Jimmy Durante voice. He's blue and has a fully plumed tail, and this indicates that he is a boy.Loading editor
Hi, Grant! Good evidence. Your original edit didn't say, and the skit doesn't use gendered pronouns.
When I get a chance, I'll adjust (or feel free to do it yourself; we're moving house, following nearly two months sans internet, so I've been scarce for awhile). I would recommend mentioning the reasons in the edit summary, and in this case maybe a brief parenthetical after the name "(based on coloring and plumage)," since they won't be obvious to everyone. If I have time, I'll try to do so myself.Loading editor
Sounds like a good plan. :) I just did it.Loading editor
Plumage aside, if Ming is identified as a "peacock" then Ming is a boy. Female peafowls are "penhens" while male peafowl are "peacocks." There is no such thing as a female peacock.Loading editor
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Hey, I feel like I haven't asked you a question in forever! Have you seen Songs From Iftah Ya Simsim? Paul uploaded it, and it's got tons of information, but it's almost all in Arabic. You don't have any friends who can translate Arabic, do you? I was going to ask if Wikia has anybody who can help us translate it. I wouldn't expect them to do the whole inside cover, but I'd love to at least get the song titles, and maybe any cast and crew information that we need.Loading editor
What ho! Things have been very complicated the last six or seven months (I owe you a long e-mail), but that's neat. I'll check with my friend in Israel, when he has time; I know he can read *some* Arabic, but he might also know who to pass it on to (the reflection on the photo obliterates some of the text, though, and other lines are blurred).Loading editor
Well, it's nice that we have one of the record labels, too, which should help out a lot with song titles and maybe songwriter/translator names. I found it funny that it says "Made in France" in English on a record that's recorded in Arabic!Loading editor
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Hey, nice screenshots! I added them to a gallery on Gerry Parkes so we don't lose them.Loading editor
Thanks! Yeah, I'd been meaning for ages (before he passed on) to create something similar to Sesame Street Cast in Other Roles. I wasn't sure whether to make it a standalone page though. I'll probably just work on it there for now, and if it becomes too full/unwieldy, break out. I'll re-arrange in chronological order and add specifics (I just got caught up in other things this week).Loading editor
I love it. I don't think I've seen a single thing he's done other than Fraggle Rock.Loading editor
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Heya. I just went through the Redbook entries for GMC and I couldn't find anything about Christopher Reeve. Do you remember where you saw that?Loading editor
It was scrawled in a note (not in actual text). However, I'm about to get out my copy of "Imagination Illustrated" as well. It's possible, since they drew from the same source, I confused which was which. I'll get back to you.
Aha, pg. 130 of Imagination Illustrated, although I thought the same note page (listed as being from 1979, Jim Henson's own brainstorming notes) was on Redbook somewhere. The note pad of "Plots." Here's the relevant text: "Some very good looking dashing leading man type to be Kermits rival - Robt Redford? Chris Reeve?/he's totally in love with Piggy - she treats him like dirt." The next specifies "Piggy works for older woman she worships, turns out to be big criminal." Obviously that was reversed in the final form.Loading editor
Aha, I knew it was on Redbook too. Link to the exact note: http://www.henson.com/jimsredbook/wp-content/uploads/2011/07/GMC_10616_JHNotes_Plot.jpg
Link to the larger page with that note page: http://www.henson.com/jimsredbook/2011/07/771980/Loading editor
Awesome, thanks! I did a text search in my digital version of Imagination Illustrated, but now I know why it didn't come up.Loading editor
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does anyone know the sesame street episode number with the plot of the count's countdown?Loading editor
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How do I add another album release to a page?Loading editor
Which album are you trying to add?
Basically, just add a new line in the list. We usually use asterisks, *, for items in a list. Type the name of the album and place it in brackets, like so: [[Name of Album]].
If the album doesn't have a page yet, it's usually wiser to create it first. Check Category:Sesame Street Albums first though (especially since sometimes titles were changed for re-issues, and single releases are covered in their own list). Hope this helps! (I'm going to be offline for awhile, but if you're still having trouble, let me know what it is specifically and I'll reply when I can.)Loading editor
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Here's the image from the press kit for you. SS's social media stuff made a promo post for it too if you'd want to use that as well.Loading editor
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Thanks for cleaning those up. The uploader adds it automatically. I've asked Wikia to disable that, they said they would, so I'm just waiting for the change to implement.Loading editor
Yeah, there are still a couple of automatically added categories (like for CC image licenses) which I couldn't take out at all because they're embedded in the code, not added manually. See here.
I also need to ask Danny what he wants to do about Category:Soakies (he added the category tag a little while ago but didn't actually create it). The main problem was the Wikia switch which made redlinked categories look blue, so you don't notice if you tagged a non-existent category or misspelled an actual one.Loading editor
Also, right now we have no double redirects, all broken redirects are fixed, and only two unused videos (added just yesterday so I'm giving the user some time). Yay for a clean Wiki.Loading editor
Yay, a clean wiki is a happy wiki! We had a lot of unused videos about a month ago until I cleaned a lot of them up. It still bugs me that we have no way of knowing when one of those videos goes dead until we randomly happen upon it.Loading editor
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Hey, Julian said they did a completely different joke in German when they get to the poster that says, "Die[,] Muppets"! Have we ever made a page that's called something like "Muppet Gags that Don't Translate"? I wonder how many times this has happened.Loading editor
Hi! Belated reply, but I've still been diving into the German stuff. Peter Flechtner, who dubbed Jean-Pierre Napoleon and has one or two other Muppet connections, was in Schindler's List! (Small part as an SS officer; we still just have the VHS, so I'll need to pick it out.)
Anyway, the answer is yes! Sometimes it's something not translating, sometimes it's changing it for local reasons. This doesn't just happen with phrases but also references to people or movies and so on. One change on Die Muppet Show which I still don't fully comprehend is switching Mickey Rooney (in the Paul Williams ep) to Mickey Mouse! (Rooney was known in Germany, but then again, unlike say John Wayne, never quite as big, plus it's unclear just what age they thought their target audience was). But a bigger one occurred in the Rich Little episode (which was based on dodgy imitations of mostly US celebs anyway, some of which are hard to figure out even without dubbing!) Anyway, the W. C. Fields impression in the cold open... is referred to by Scooter as Bill Ramsey, an American singer who hit it big when he moved to Germany. He is a little chubby, but certainly didn't say "Godfrey Daniels" (that was kept) or wear a scarf and top hat.
I had to cancel Netflix for now, cutting back on things, but before I did, they added Spanish dubs of Muppet Movie and Great Muppet Caper (not the original Muppet Movie dub; this one seems to have been done during the 1990s when Disney had the video rights, but not sure if it was released then, and GMC never had a theatrical dubbed release in Latin America as far as I can tell). In Caper, they drop the Dear Abby joke (instead, Fozzie says "I'll choose the paper that carries the comics," since that's more universal.)
There's also creating new jokes, often out of character names (in both the German and Israeli Sesame dubs, Guy Smiley is renamed to reflect a celebrity TV host or quizmaster from that country; or Lefty becoming "Schlemihl," with obvious connotations.)Loading editor
Cool, thanks! Did laserdiscs ever have multiple tracks in different languages? I was thinking how people would get copies of older movies, back when another company owned them, and the dubbing might have been different, like what happened to Muppet stuff. I guess the only other way would be to track down foreign copies, and invest in foreign players to play them on!Loading editor
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Correct me if I'm wrong, but I think two of your examples for a "medium" reference have nothing to do with the use of the word in terms of Television and Radio (the James Coco one and the El Sleezo one).Loading editor
They derive from Fred Allen's original quote, though (which circulated widely, although eventually most people forgot exactly what he said, or where, and some added the "rare" part), which was delivered by a radio star on radio. So it doesn't matter what they're referring to, it all goes back to the same source. (I had to do some digging to track down the exact date and the exact wording.)Loading editor
In the case of the Fozzie bit, they're referencing the misquote but actually come closer to what Allen said. Here are some examples of the variations, and that's just from print sources (online you find more). Also, Leslie Halliwell inexplicably attributed it to Ernie Kovacs; I can't find any substantiation to that, and any that do assign it to Kovacs cite Halliwell (also with the "rare" part, which was already being added when still attributed to Allen in magazines in the 1950s and 60s) or nobody, but if he did say it, it was after Allen (more likely, it's because it *sounds* like something Kovacs might have said.)
That part would be too much detail for the article anyway (I actually hesitated to add the passage originally just because I'm proud of the find and I'm wanting to work it into a book, with other entries on how popular culture confuses the origins of characters and settings, from Frankenstein's Monster to Sherlock Holmes to "the butler did it"). But that may never come to pass and it's good info that needs to be shared, though I doubt it will ever stop the misquoting, any more than "Play it again, Sam" or "Judy, Judy, Judy" will disappear (the latter seems to come from Cary Grant imitators, and specifically Will Jordan as far as my researches show).Loading editor
Ah, I get it now.Loading editor
I wouldn't have tracked it down at all if I hadn't found an early magazine reference which specified that he said it to Tallullah Bankhead (which meant it had to be The Big Show, where both were regulars, and I just had to find some copies online, listen to a few until I reached it, mark the date, and transcribe... all of which was easier said than done, but very satisfying to finally cite the exact source!)Loading editor
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text:
THE Netflix of #BLACKBUSINESS #URBANEVENTS PROMOTIONS. Create a Profile at WWW.BLACKFOLKHOTSPOTS.COM for us to start promoting your business.
September 15, 2012 to September 12, 2013 – book expos! Sept. 2012 Atl October Chicago Nov. Jax Fl Feb 2013 Vegas March Atl April New Orleans May Huntsville AL June … Organized by Lisa Perry | Type: book, expos
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Steely Library phone number: 859.572.5457
Art (Web Resources)
What are you trying to find?
Art Web Resources
- These are suggestions only and do not reflect the full range of materials that may be useful to you.
- If you need additional assistance, Ask Steely Library!
- Visual Arts Career Guide
"Explore careers in Art [through] links to job descriptions, which include information such as daily activities, skill requirements, salary and training required. To learn more about Art, follow the related links below the career descriptions section."
- Metropolitan Museum of Art Timeline of Art History
"The Timeline of Art History is a chronological, geographical, and thematic exploration of the history of art from around the world, as illustrated especially by the Metropolitan Museum of Art's collection."
- Artcyclopedia
A fast way to find brief information on 7,000 artists, and links to at least one image of the artists' work. Searchable by movement, medium, subject, or nationality, plus a link for doing picture searches.
- Artlex Art Dictionary
Features "definitions for more than 3,600 terms used in discussing art / visual culture, along with thousands of supporting images, pronunciation notes, great quotations and cross-references."
- Art & Architecture Thesaurus Online
AATO contains more than 125,000 terms covering "fine art, architecture, decorative arts, archival materials, and material culture" and is more than a thesaurus, including brief definitions (the searchable "notes" field) and an impressive, easily navigable hierarchical tree. Extensive and still growing, it includes historic and contemporary terms.
- AICT (Art Images for College Teaching)
Royalty-free image exchange resource for the educational community.
- Mark Harden's Artchive
Good general site for fine art scans, art exhibit reviews, online exhibitions, art criticism and commentary, and links to museum, artist, and resources sites.
- Smithsonian's Archives of American Art
"Since 1954, the Archives has collected roughly 16 million letters, photographs, diaries, oral history interviews, sketches, scrapbooks, business records, and other documents that support the study of the history of the visual arts in America."
- Mother of all Art History Links Pages
This site offers links to art history departments around the US, research tools, online exhibits and much more.
- World Wide Arts Resources
"The largest site for contemporary art, art news, art history, contemporary artist and gallery portfolios, online since 1995."
- Printmaking Link Web Site
From Middle Tennessee State University Art Department. "If you are a printmaker you should be able to find something that interests you here."
- Alternative Museum
"The Alternative Museum was originally founded in 1975 as the Alternative Center for International Arts Inc. TAM served the public with more than 375 exhibitions and over 500 concerts and panel discussions as it provided a new paradigm for contemporary arts institutions. Projects focused on the pressing social and political issues of our times."
- American Visionary Art Museum (AVAM)
Website of this national museum, located in Baltimore, Maryland. The museum is dedicated to outsider and visionary art.
- Art Crimes: The Writing on the Wall
A graffiti site.
- d'ART
"d'ART is a marketplace and community of fine artists and dealers. Use our marketplace to peruse the offerings of over 4,000 artists from around the world.Use our community to blog or find information on over 12,000 artists.Use our web directory to locate art resources not on on this website. Just looking for some posters to hang on the wall? Search the internet's top poster sites at posterbrowser.com."
- International Directory of Art Libraries
"This Directory is provided as a means to access nearly 3,000 libraries and library departments with specialized holdings in art, architecture, and archaeology throughout the world. Data recorded for each institution includes address, telephone and tele-facsimile numbers, hours of operation, annual closings, and listings of professional personnel. It also includes electronic mail addresses of individual librarians and direct web links to institutional home pages."
- ArtPlace.com: The Mixed Media Store!
A "resource for the mixed media, textural, or sculptural artist … The online store offers various lines of products that have an endless variety of uses. These mediums and products offer hundreds of ways to produce unique, creative, quality fine art and crafts. These products are used by doll makers, sculptors, life casters, architectural artists, painters, printers, and even repair and construction specialists … The interactive portions of the site and the galleries are a place for our customers, clients, friends, and anyone who loves art to find ideas and great creative works of art. "
- ArtSchools.com
A "Directory of Art & Design Schools and Art & Design Degrees."
Museum Links:
Art Museum NetworkThe official website of the world's leading art museums.MuseumStuff.comDirectory to Museums OnlineThe Virtual Library: Museums in the USAFeatures links to 402 art museums located in the United States.Virtual Library Museums Pages"A distributed directory of on-line museums."
- The Cincinnati Art Museum
- The Contemporary Arts Center, Cincinnati
- The Taft Museum of Art, Cincinnati
- American Museum of Photography
- Fine Arts Museums of San Francisco
- The Getty
- The Metropolitan Museum of Art
- Museum of Contemporary Art, Chicago
- Museum of Modern Art, New York
- Museum of Neon Art
- Museum of Online Museums
- National Gallery of Art
- National Museum of Women in the Arts, D.C.
- Smithsonian American Art Museum
- Kyoto National Museum, Japan
- National Museum of African Art
- Tate Britain Museum
Steely Library phone number: 859.572.5457


text:
great place to stay if you are traveling around Tuscany. It is run by a lovely family. the owner Milena is very attentive, she welcomed us with a tasty traditional italian dinner as we couldn't really go anywhere because of the snow. Beautiful hotel, super clean and we felt very welcome.
Location: Italy > Tuscany > Province of Siena > Chiusi
Free Parking
Ranked #2 of 11 B&Bs / Inns in Chiusi
Price Range (Based on Average Rates): $
Number of rooms: 3
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- Also Known As:
- L'Albero Di Gameli Chiusi, Italy - Tuscany


text:
Archive Page - 08/16/13 41 years, 2,180 covers and 55,278 stories from PEOPLE magazine's history for you to enjoy
Latest News!
- Cate Blanchett on Watching Her Three Sons Bond with Baby Edith: It's Extraordinary
- The Best Photos from the Week of Mar. 23- Mar. 29, 2015
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People Top 5
LAST UPDATE: Tuesday February 10, 2015 01:10PM EST
PEOPLE Top 5 are the most-viewed stories on the site over the past three days, updated every 60 minutes
- May 06, 1996
- Vol. 45
- No. 18
Jason & Jeremy London
More in the Archive
Today's Photos
March 30, 2015
Blake Shelton, Destiny's Child, Claire & Don and More!
Treat Yourself! 4 Preview Issues
The most buzzed about stars this minute!


text:
I'm going to brew a clone of Weihenstephaner Vitus Weizenbock this weekend. I've done some research, but haven't found a recipe that has been executed and reported back with results. So, here's the recipe I am going to use:
Batch size: 5.5 gal
Color: 6 SRM
7.5 lb White Wheat Malt
3 lb Belgian Pilsener
3 lb German Vienna
3 oz Melanoidin Malt
1.5 oz Hallertau Mittelfruh (3.4% AA) 60 min
Yeast: Weihenstephaner 3068 (with yeast starter for appropriate cell count)
Mash: 148F 75 min
Boil: 90 min
Ferment: Pitch at 62F and raise to 68F as fermentation progresses. Cold condition at 45F for 3-4 weeks after fermentation has completed. Bottle to 3 vols CO2.
I'm hoping that the FG gets to 1.009-10, as this is about where Vitus gets to. I'm sure they use decoction, but this is my first attempt at this clone so I'll just stick with single infusion. I chose to go with Vienna malt, as it gives a nice bready, light sweetness that I think I taste in Vitus. I'm doing the cold conditioning because that is what Weihenstephaner does. They then bottle with lager yeast, but this info I'm unsure about. I'll probably just add priming sugar after cold conditioning and hope that it carbs.
Any thoughts on my recipe? Thanks.
This is a bit ironic for me.Yesterday I bought a single bottle of Vitus just to try,I thought
it was excellent.I am going to keep an eye on this thread to see where it goes.I wish
I could help you out here but cant.Maybe some of the other members will chime in.
I would like to give it a shot myself.
Vitus is my favorite weizenbock. I like the amount of banana you get with the sweetness up front and dry finish. And it's surprisingly light for a 7.7% ABV beer. I plan to brew this every 4-5 months until I get a recipe that I am happy with. I'll either update this thread or start another once I've got some results.
Nothing substantial to add about the recipe, but a local place has this on tap and its a dangerously great beer. Let us know the outcome and good luck.
Brewed this up yesterday. Almost everything went as planned. OG was 1.069 and pitched yeast at 62F. Had tons of hot and cold break in the boil kettle. So much that it kept clogging my braided SS filter on my dip tube. I had to take the filter off and just ran most of the break into the fermentor. I'm going to use a secondary for cold conditioning, so this shouldn't be much of an issue. And I'm going to top crop the yeast, so I won't need to worry about rinsing the trub out to save it. Airlock is bubbling away this morning!
Moved to secondary yesterday with the gravity at 1.011. Tasted the hydrometer sample, and it doesn't taste much like Vitus. There is hardly any noticeable banana, and not a lot of clove either. Something about my fermentation process must be off. My last weizen tasted a lot like this, with almost no banana and clove. I get some wheat flavor, a little bubble gum and strawberry, some tart sourness, and some tangy flavors. I'm wondering if I'm overpitching or over-aerating. I use yeastcalc.com to calculate cell counts and just pitch the normal ale rates. Perhaps this is too high for Wyeast 3068. Also, I use an aeration stone and pump pure oxygen for 45-60 seconds into the wort. Perhaps I'm not "stressing" the yeast out enough to get the banana flavors. Any thoughts?
Never used 3068 but fwiw I think you're right. As I understand it, hitting the wort with an O2 stone would be counter productive to ester production since it ultimately increases the total number of cells. Maybe a smaller starter with no O2 the next time around. For posterity do you know how many cells you calculated to pitch?
Also, how were temps? Did you let it rise to 68 per your initial recipe?
I pitched ~260 billion cells. I fermented at the stated temps. I pitched at 62F and did the bulk of the ferment at 62-64F. Then when it was almost finished I raised it to 68F over a couple of days. It was held at 68F for 5 days and then transferred to secondary.
I think next time I'll underpitch the yeast, maybe 150-170 billion cells, and then just give a short 10 sec blast of oxygen (or maybe none). My only concern is that it will not attenuate as well. I'd like for it to finish between 1.012 and 1.008, so that it has a dry finish like Vitus. Anyone get 3068 to attenuate well after underpitching?


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DV Stove for basement?
Hey guys, we are looking at installing a LOPI DV gas stove in our finished basement (just under 500 sq ft). The previous owners did a great job finishing the basement but it is constructed in a manner that a door can't really be installed on the stairway. Without a door, is installing the stove and trying to heat our basement useless? We'd really like to make use of it but it is cold down there in the winter and space heaters aren't too effective. Thanks Chris
We have a gas DV fireplace insert in our living room. It gets pretty warm near the fireplace. We keep the thermostat about 10 feet from the fireplace and it automatically turns it on and off to maintain the temp setting.
I think that for a room your size, you need to take into account the fact that these DV devices throw off a lot of heat, but do not distribute it very effectively. So the farther away you are from the unit, the cooler it would be. You might want to make sure the unit you select comes with a blower. If you can, check out the blower, because some of them are pretty noisy. We never use ours for that reason, but we don't need it.
I'm tempted to say you should consider 2 small units instead of one big one, so you'll get better heat distribution. But that might be overkill. A lot depends on the shape of the room, the location of the stairwell relative to the stove, etc. If the room is pretty square, a centrally located unit will probably work, provided it's not too close to the stairwell, which might draw the heat up and out the room. But if the room is long and narrow, 2 units would probably be optimal.
I hope these comments are helpful. Good luck


text:
what to do first ?
flash phillz recovery or the bootloader through odin ? which one to do first ?
XDA Developers was founded by developers, for developers. It is now a valuable resource for people who want to make the most of their mobile devices, from customizing the look and feel to adding new functionality.
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text:
Connected BooksSee More Connected Books
If you like this, Harlequin recommends
- More Than She Bargained For
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Libby Westerling has put herself up for sale at a charity auction to raise funds for the children's ward she works on. She's not looking for romance--she's asked her brother to buy her! Instead cool, sexy Dr. Andreas Christakos makes the highest bid.
Andreas and Libby don't realize they are about to work together--and Libby is not in the market for a man. But this gorgeous Greek doctor is determined to change her mind--and he'll do whatever it takes....


text:
I'm having an issue with the dismissModalViewControllerAnimated method.
The header looks like this:
#import <UIKit/UIKit.h>
#import "AppDelegate.h"
#import "GADBannerView.h"
#import "weatherSetUp.h"
@interface weatherPicViewController : UIViewController{
In my viewController.m file I call
weatherSetUp *views = [[weatherSetUp alloc] initWithNibName:nil bundle:nil];
[self presentModalViewController:views animated:YES];
This all works fine, In my weatherSetUp file once the user has completed set up I was to dismiss the modal view. I do it by calling this method in the above viewController.m file:
[self.parentViewController dismissModalViewControllerAnimated:NO];
[self dismissModalViewControllerAnimated:NO];
[self dismissModalViewControllerAnimated:NO];
[self.parentViewController dismissModalViewControllerAnimated:NO];
NSLog(@"Model gone!");
But none of these work.
This is the header file of my weatherSetUp file:
#import <UIKit/UIKit.h>
#import "viewController.h"
@interface weatherSetUp : UIViewController
And the only method I've implemented is:
NSLog(@"CLick ");
viewController *viewEr = [[viewController alloc] init];
[viewEr dismissModal];
All the NSLog's work when I click the button, I've searched on here and tried too the above ways of dismissing it and none of them work, any ideas?


text:
Nearly 800 Jobs Axed at Delphi's Steering Division
Posted: 02/16/2009 - Nearly 800 jobs are being eliminated at the steering division of Delphi Corp. near Saginaw, Mich.
Posted: 02/16/2009 - Nearly 800 jobs are being eliminated at the steering division of Delphi Corp. near Saginaw, Mich.
Posted: 02/16/2009 - Nevada gambling regulators have warned casinos in the state about a card-counting program that works on Apple Inc.'s iPhone and iPod Touch that illegally helps players beat the house in blackjack.
Posted: 02/16/2009 - State Employees Continue to Bear the Burden of the State's Budget Crisis
Posted: 02/16/2009 - The sounds of the last desperate minutes in the cockpit aboard Flight 3407 could be clues to the cause of a crash that came violently and suddenly, with the doomed plane dropping steeply and pitching and rolling like a rollercoaster.
Posted: 02/16/2009 - President Barack Obama plans to appoint senior administration officials - rather than a single "car czar," as had been discussed - to oversee a restructuring of the auto industry.
Posted: 02/16/2009 - One month after Roland Burris was sworn in to the U.S. Senate to represent Illinois and fill Barack Obama's vacant seat, he's hearing calls for his resignation.
Posted: 02/16/2009 - A South Carolina sheriff said Monday he was not going to charge swimmer Michael Phelps after a photo of the 14-time gold medalist showed him smoking from a marijuana pipe.
Posted: 02/16/2009 - Secretary of State Hillary Rodham Clinton, on her first trip abroad as President Barack Obama's chief diplomat, arrived in Tokyo with a warning to North Korea that it needs to live up to its commitments to dismantle its nuclear programs.
Posted: 02/16/2009 - President Barack Obama's economic team tried to keep Democratic allies negotiating the stimulus bill from limiting paychecks for bank executives at banks in need of a bailout. Treasury Secretary Timothy Geithner and economic aide Lawrence Summers failed.
Posted: 02/16/2009 - President Barack Obama's chief spokesman said Monday that he will make a decision "within days, not weeks," on how many additional troops to send to Afghanistan, and when.
Posted: 02/16/2009 - In the midst of tough economic times and scarce state resources, Governor Sebelius has outlined simple and no-cost steps to prepare Kansas for future transportation opportunities.
Posted: 02/16/2009 - Nuclear-armed submarines from Britain and France collided deep under the Atlantic Ocean earlier this month, causing damage to both vessels but releasing no radioactivity, a British official said Monday.
Posted: 02/16/2009 - A northeast Ohio farmer who died of cancer has been laid to rest with the help of some of the llamas he raised on his farm.
Posted: 02/16/2009 - A winter storm that could be the largest of the season is bringing heavy rain and mountain snow to Southern California.
Posted: 02/16/2009 - Mad at disgraced investor Bernard Madoff? There's a toy just for you. One of the vendors at this week's Toy Fair is offering the "Smash-Me Bernie," a $99.95 Madoff lookalike doll that wears a devil-red suit and carries a pitchfork. It comes with its own hammer _ so you can pulverize it.
Posted: 02/16/2009 - The grandmother and mother of the almost month-old octuplets have made peace with each other.
Posted: 02/16/2009 - Just days after the nation honored the 200th anniversary of his birth, 65 historians ranked Abraham Lincoln as the nation's best president.
Posted: 02/16/2009 - Roadside bombs struck two minibuses filled with Shiite pilgrims returning to Baghdad on Monday, killing eight people, officials said, in the latest of a series of deadly attacks targeting the pilgrims.
Posted: 02/16/2009 - The sounds of the last desperate minutes in the cockpit aboard Flight 3407 could be clues to the cause of a crash that came violently and suddenly, with the doomed plane dropping steeply and pitching and rolling like a rollercoaster.
Posted: 02/16/2009 - Members of a historic church in Lawrence are collecting money to preserve the nearly 100-year-old building.
Posted: 02/16/2009 - Dorothy MacKey
Posted: 02/16/2009 - Thelma Rice
Posted: 02/16/2009 - Duane F. Pomeroy
Posted: 02/16/2009 - Dolores Lambrecht
Posted: 02/16/2009 - The Kansas Senate debates a bill that would ban smoking in most public places in the state.


text:
Read: An Oral History of Mad Men's Killer Episode "The Other Woman"
The Mad Men fans among us will never forget "The Other Woman." In a season filled with beautiful, heart-wrenching, affecting episodes, "The Other Woman" stands out as one of the best, and we aren't the only ones who think so: The episode is nominated for Emmys in the acting, writing, and directing categories this year. Not only that, the Daily Beast is publishing a two-part oral history on the episode with Christina Hendricks and Matthew Weiner, part one of which went up today.
The oral history provides a great analysis of the episode, with some interesting behind-the-scenes tidbits and plenty of back and forth between Hendricks and Weiner. There's also some discussion of its sexist themes, including the way Don's Jaguar pitch worked as a metaphor for the objectification of women, both then and now. Here's Hendricks on her character, Joan, and the way audience members reacted to the controversial decision she made in "The Other Woman":
There were very few options for women at this time at work. As a single mother, how do you rise at work? How do you make more money? How do you support your family? Luckily, we have a lot more options these days. It's not fair to compare the situation to 2012, but people can't help it because that's where we live, and that's what we do, and that's who we are. We get emotional, thinking, "I would never do that. I can't believe it." Well, you would never do it now.
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What is the consensus of strongest built DA revolver of the major brands. I think I would have to say,in this order.
1: Ruger
3: Colt
Feel free to disagree.
The rest of the world gets it,why can't we?
"The United States can survive a Barack Obama,who is, after all, merely a fool. It is less likely to survive a multitude of fools such as those who made him their president".
Out of the Czech Republic
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I concur.
Personally think Dan Wesson should be at the front of that list. But there is room for discussion based (in part) on frame size.
What we have here is... failure- to communicate.
Ruger is definatly the strongest when referring to the Redhawk and Super Redhawk.
I agree with C3 that Dan Wesson belongs on the list...
Amendment II:
"A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed."
Life Member NRA
Life Member NAHC
Former President of the ECPT (Eifel Combat Pistol Team)
Agree with Dan on the Korth. I think those were made of leftover armor plate from German Panzers. Tough.
Ruger does not have a revolver that will handle the 500 or the 480 Limbough. I doubt if I spelled that right. The Ruger 480 is a downloaded version of the 480 L and has pushed the Redhawk to its max. So S&W has it over the Ruger on your list. There are other revolvers out there that are stronger but I stayed to your list.
Patron Member NRA
"I would not be an old man if I had not been an armed young man." JTJ
I was taught to respect my elders but they are getting harder to find.
The list was just IMO. feel free to list yours.


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Fat Tuesday, one of the most coveted times of the year, where guilt-free binge eating is acceptable and encouraged. While I'm not Catholic, I still choose to participate in Fat Tuesday shamelessly. Although Fat Tuesday isn't really any different than any other day, lent, on the other hand is a different story.
I grew up in a small country town where half of my high school was Catholic, nonpracticing Catholic at that. And while the majority did not attend weekly mass, the one thing they participated in was Lent. I'm not Catholic, in fact I'm probably the opposite of Catholic, but I still enjoy participating in this six week experience.
A lot of other people, whether they are religious or not, participate as well. The idea of lent is to prepare yourself through prayers, repentance of sins, and thanksgiving all leading up to the week surrounding Jesus' resurrection.
I would go out on a limb and say that a lot of people who participate in the act of lent are not preparing themselves for the Holy week, myself included.Ultimately I think lent has come down to a mid-year crisis of forgetting our New Year's resolutions and trying to justify the cheating that happened two weeks after the new year. Ironically, the redemption a lot of people seek for cheating diets and lost volunteer motivation is not the redemption that is meant to be given.
I like to think of lent as sort of a fasting experience. Fasting is typically giving up food or something sustaining in order to grow closer to God. During lent, the time spent eating or doing or using whatever it is you gave up is meant to be a time where you seek God's direction and guidance. Now how am I supposed to do that if I have a caffeine headache from giving up pop, you ask? Simple. Don't.
Lent, if not meant to help you recognize that you are a sinner, is just another way for people to claim religion or get back in shape. If you are not seeking God daily, then he probably won't show up when you're crabby from sugar withdrawal or irritated with a caffeine headache. If you're not willing to give up little things like social media or sweets everyday in order to see God work then what makes you think that six weeks out of the year is going to do anything?
I'll let you in on a secret; I complain, a lot. It's true, complaining is how I get through the day. I complain about how much I complain. It's sort of ridiculous and I'm sure my friends are tired of hearing it. So in rebuttal to their constant nagging, I've decided to give up complaining for lent.
Six long weeks of keeping my irritation and annoyance to myself. I'm not sure if my head will explode from holding it all inside, but I presume that it will brighten my spirit subtly and will make my presence much more enjoyable. (I'm giving up sweets as well, I could stand to lose a few pounds. My body is temple unto the Lord, right?)
I don't plan on using this six-week period to better myself but I plan on using it better the world around me. This is going to be the spring board for what I want my life to reflect. When this lent period is over, I don't want to go back to the way I was. Who wants to gain the 20 pounds they lost right after they just started looking hot? I want my life to be different in the words I say and the attitude I present. I want to keep that 20 pounds of complaining off my shoulders and out of my heart.
So why did I ramble on and on about something that most people already know about? I just want to push your comfort zone. I want you to take this seriously, and to really immerse yourself in the time you spend away from this world and the time you spend with God.
Fat Tuesday is meant for binging food, not binging sins. And lent is meant to cleanse you from sins and not just from food.


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Originally written on Puck Daddy | Last updated 11/19/14
Looking back at our 2011-12 Puck Daddy staff prognostications, none of us picked the Rangers to finish lower than third. However, none of us picked the Rangers to finish first, either. And right now, they're leading the Eastern Conference with a 22-8-4 with 48 points. What's gone right? Some expected heroes, some happy accidents. Here are seven reasons why the Rangers are the beasts of the East. 1. Henrik Lundqvist, Henrik Lundqvist and also Henrik Lundqvist He's been the foundation, the backbone and the hero for this franchise since the lockout, keeping average teams in the playoff hunt. This is an above-average team in front of him, and Lundqvist has been even better: 1.95 GAA, .936 save percentage and a 15-7-4 record. Lundqvist can be a slump-buster or someone that can keep momentum building. He lost one start in November, winning eight. He hasn't suffered three consecutive regulation losses since Feb. 27-March 3 of last season; and that was only the second time it happened in ...
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A wavelet-based method for denoising broad-band noisy audio signals is proposed and implemented. The method is a modified algorithm based on the method of Coifman and Wickerhauser (1992). The modified algorithm shows noticeable improvement in quality and computation overhead compared to the original method when denoising digitized music signals with different levels of additive broad-band noise. Several implementation issues are described.
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From my thesis research I am getting the impression that FFMeta represents the first time an organization commissioned a typeface intended to become its typographic identity on all printed output (at least in the context of organizational systems, obviously newspaper and magazines commissions predate it). Is this correct, or is the popularity of FFMeta overshadowing another important design?
Commissions are much earlier. Goudy did Pabst for Pabst. Californian for the University of California, etc. I wouldn't be surprised if this goes back to the 19th century...
Even in the near past, Kurt Weidemann's Corporate A,S and E predates Meta. I agree that there are probably lots of instances.
C.M., CEO of Franksco, commissioned Al Cuin (Senior Art Director of York Scribal Branding) to design a new face for standardised use on communication material throughout his enterprise. That wasn't exactly a typeface, but nevertheless kind of a forerunner, no?
Goudy did Pabst for Pabst.
Pabst was used for advertising and doesn't really fit into the context of a identity system; at least not in the context of corporate identity as established during the 1930s and what that has evolved to today.
Kurt Weidemann's Corporate A,S and E predates Meta.
It predates Meta actually being turned into a usable font, but the commission—which is what I am interested in—for Meta came in 1981, and the Corporate A, S and E series were designed from 1985-1990, implying a 1984/1985 commission.
That wasn't exactly a typeface, but nevertheless kind of a forerunner, no?
I think that there's a pretty big gap there in terms of context.
Keep in mind that I am not asking about commissions for specific uses, I am looking at a commission of a typeface that was meant to be used for everything, not just running copy or advertising or a signage system. I am looking for the commission that said "we want to stop printing everything from business cards to our truck lettering in Helvetica and print everything in our own typeface" and I think that the Meta commission might be that moment.
"the commission...for Meta came in 1981"
I didn't know that!
Maybe the work of Peter Behrens for AEG
In Italy, in the '50s, Giulio Einaudi (one of the most important publisher, in Italy), commissioned a Garamond to Simoncini. Einaudi still uses Simoncini Garamond. It was discussed in a recent thread.
An earlier thread...
>"at least in the context of organizational systems"
How about Bell Centennial??
James, rather than ask if Meta was the first, you could have asked - "under what definition of corporate branding font would Meta be classed as the first?" ;-)
FF Meta was commissioned by Deutsche Bundespost in the 80s (what is your source for 1981?), but not accepted. The design was done in 1985. It later became the corporate identity typeface for MetaDesign. In addition to the Wiki, you can read about the history of FF Meta/PT55 in Erik Spiekermann's own blog, he put an article from Baseline 7, 1986 online.
Edward Johnston' Railway Type (1916) would also qualify, wouldn't it ?
The Romain du Roi was commissioned by King Louis XIV in 1692--for exclusive use by the crown, I believe. That might be the first.
RdR - I was thinking the same thing - http://typophile.com/node/38885
Cheers, Si
FF Meta was commissioned by Deutsche Bundespost in the 80s (what is your source for 1981?), but not accepted
I double-checked my source (Revival of the Fittest) and the commission date was actually 1984, my notes were wrong. Thanks for pointing that out.
How about Bell Centennial??
From what I've read Bell Centennial was specifically designed to improve legibility in phone books.
Edward Johnston' Railway Type (1916) would also qualify, wouldn't it ?
Edit: Sorry, lost my reply here. Anyway, Railway, at least from my reading, began as a letting/type system for signage and was adapted for other purposes later.
I have remembered that I know someone here in Washington who did a doctorate thesis on the history of identity system, I'll probably drop by her office tomorrow.
Let me try a different track: does anyone know of a written history that explicitly covers this subject? I'm not having much luck with my school library's catalog, and going after one possible example at a time is sort of like playing whack-a-mole.
do you know alexander lawson's anatomy of a typeface?
might be interesting for you.
James, Volkswagon got VAG Rounded in 1978, I believe. And I'm pretty sure that corporations, or at least a few publicly funded ones, in Germany in the 1930s had their own typefaces, too. In any event, Meta is most definitely not the first commissioned identity typeface. I don't know where you'll find the literature that you are looking for (your best bet would be to start a research MA program and write it yourself).
It's a question of feasibility.
How would a large corporation have handled its everyday media at diverse locations, in the past, at various times in history?
And what kind of media would they have been?
For instance, a corporation would have had many suppliers: a design firm for its identity, perhaps another for packaging, an ad agency to handle national media, but local offices, outlets and distributors would have used local suppliers and marketing firms for things like co-op ads, flyers, point of purchase material, brochures and signage, as well as in-house material, as few branch offices/plants would have had their own print shops.
In the past, where would local suppliers have got custom fonts from? The cost would have been prohibitive to outfit provincial type and signage shops with a custom face.
That is why in the early years of corporate identity, there was a nice dove-tail with modernist simplicity by using Futura, Univers and Helvetica as the text font component of an ID, because they were readily available everywhere. These faces were often used indiscriminately and interchangeably--if for no other reason than it made life more interesting for local designers.
So pre-digital it was quite feasible for a consumer product corporation to have a custom face for a national advertising campaign (and that was happening in the 1950s in the US, using relatively inexpensive phototypositor technology), or for a publication or publisher to have a custom face (they controlled printing centrally), but for companies with more generic or diverse requirements, not so easy.
Corporations that are more centralized and vertically integrated, such as a national post office, and are not so reliant on local print suppliers, producing more of their literature in one place, so would have been better able to implement a custom face.
Thanks for all the help everyone. I'm in the library sifting through a pile of books right now, but Behrens definitely designed Behrens-Antiqua as the AEG identity face back in 1906, although I'm not sure it's use went beyond a promotional campaign.
And Dan, you're right, pushing into this subject with any serious depth would be a undertaking worthy of a long master's thesis. But it's definitely cool stuff.
There's also Volvo's proprietary headline face, and the special headline Garamond that H. Zapf drew for Bell in the 70's/80's. Both were headline faces only though. I do think Goudy's Californian or maybe his Scripps Oldstyle satisfy more of your criteria. They were intended for broad use by the commissioning body.
Thanks Carl, I'll look at Californian.
On a related note, if anyone out there writes or edits/compiles a design history book, please get the publisher to index it. I really don't know how some history books are expected to be of use to anyone who hasn't got limitless to kill reading long essays.
I believe that Herbert Bayer's "universal" typeface was commissioned by Walter Gropius ca. 1925 as the official typeface of the Bauhaus (similar to California in this regard?)
…except that California was actually produced. Universal never became a metal typeface. Bayer drew it, and you can see the pictures. Later, he and other people used the basic graphic idea on various letterprojects (like the title on the cover of the magazine die neue linie). But those letters were just drawn, they were not part of a typeface, which anyone could set. So Universal was not the Bauhaus's (or anyone else's) "typeface." This is a very important distinction that more people to work into their vocabulary when talking about letters in the visual environment, I think.
Wasn't Eastern Souvenir commissioned in the 60s (maybe the 70s) by Eastern Airlines.
I've decided to go with Behrens Antiqua as the first typeface produced for use in what could be considered a modern identity system. It isn't the total identity face I'm looking for, but really answering that question is too much for me. On the upside, this thread and the related writing and research have made me realize that Meta, on of the typefaces that spurred much of my research, isn't particularly relevant to my thesis.
As Dan noted, Bayer's Universal Alphabet was not a typeface. It was an attempt at total reform of the alphabet, and Bayer developed it on his own, not as a commission. New alphabets and orthographies were a really hot topic at the time, and the new alphabet was one of many—often very good—such ideas that came out of Weimar Germany.
Wasn't a lot of the early, as in Incunabula early, type derived via commission? I seem to recall something about rich aristocrats or priests or something commissioning type for their exlcusive use.
Something like what happened with the Janson "Garamonds" and the French government might be considered a forerunner of the identity system as well.
Wasn't a lot of the early, as in Incunabula early, type derived via commission?
Again, similar concept, very different context.
Again, similar concept, very different context.
But if we look at the first italic of Griffo for Manutius, maybe not. It was designed for a new serie of books: "portable books in the nature of manuals" (see Harry Carter, A view of early typography). moreover "the Venetian Senate gave Aldus exclusive right to its use" (see http://en.wikipedia.org/wiki/Italic_type).
It was the distinctive typeface for that kind of books and it was imited to print counterfeit edition of manutius "portable books" in Lyon.
Well, it was not exactly a corporate font, but something similar.
(Forgive me for my english)
"Wasn't a lot of the early, as in Incunabula early, type derived via commission? "
Yes. Nearly everything, from the 'beginning', was commissioned. When did founders start designing products for public purchase? (lol) At first, I thought this thread was simply trying hard to write a paper on Meta. :)
Now, I see that it is trying to distinguish between commissions exclusively for a commercial identity as opposed to an identity of any kind, (including a qualitatively superior identity). I just don't know the answer, and, I do not think one answer can be correctly established. But if the question is "when", I think the point's being missed anyway, with "why" being what's important to any thesis on the subject.
Centaur -- originally a titling fount for the Metropolitan Museum of NY in 1915. And later adapted and extended. Not as old as others suggested, but essentially a custom typeface.


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