text:
Lo41° Partly Cloudy
Hi58° Slight Chc Showers
Lo34° Partly Cloudy
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Hi58° Slight Chc Rain/Snow
Lo33° Mostly Cloudy
Hi56° Slight Chc Showers
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The history of the Entiat tribe and my great-grandfather Chilcosahaskt was little known until recently when Chelan County Public Utility District and the town of Entiat began an extensive upgrade of Entiat Park. This has led to an opportunity to record history for posterity.
Crystal Nevins never had a drink until she was 26. Though both her parents were alcoholics and the other adults in her life could not be counted on, she resisted.
Access to justice and due process of law are concepts many of us take for granted.
In the Methow Valley, it's not a question of if your car is going to hit a deer, it's when.
Imagine living in a homeless shelter for more than 20 years.


text:
Tomato Pruning Help
So my jetstar tomatoe plants are getting really big now and they are super full. I didn't realize I was suppose to be pruning them and I'm worried that maybe there too full to grow a good amount of tomatoes from all the shade. Is it a must to prune them also is it too late now?
Nothing says you are "supposed" to prune them. Pruning is strictly optional and is NOT required for any reason. In some situations it may have some advantages, in other situations it is detrimental to the plant and to fruit production.
Without knowing where you live or even your garden zone there is no way to know if your plants might benefit from pruning or not.
The Growing Tomatoes forum here is the place for this question and you will find many discussions there about it as well as a FAQ on Pruning.

subset: commoncrawl


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Mama No Kesshin
English Title: Mom Makes Up Her MindMama No Kesshin (Mom Makes Up Her Mind) (1982) Season 1 Episode 151- Meiken Jorî Cartoon Episode Guide
This page has been viewed 9 times this month, and 264 times total.
- Meiken Jorî Cartoon Episode Guide
- Toho Productions.
Co-Produced By: Visual 80 Productions, MK Company
- Cartoon Characters: Sebastian, Jolly, Poochie, Garcia, Old Seasal.
English Characters: Sebastian, Belle, Poochie, Grandfather Cecil, Anne-Marie, Isabel, Sarah.
- Originally Released in 1982.
- Season: 1
- Color
- Running Time: 30 minutes.
- Japan / France
Cartoon Summary:
Isabel makes a speedy recovery. She must decide whether to stay or take Sebastian on the road with the Carlos Company. Dr. Phillips proposes to Anne Marie.
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Do you have anything to add to this page? Have we made any mistakes... or do you ahve any additional information about Mama No Kesshin? If so, we would love to hear from you. Please send us a quick note with your additions or corrections to this page, and we will make the corrections as soon as possible!Report Errors / Submit Additional Information
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Tawfiq Zayyad
Tawfiq Ziad (Arabic: توفيق زيّاد, Hebrew: תאופיק זיאד, also spelt Tawfik Zayyad or Tawfeeq Ziad, 7 May 1929 – 5 July 1994) was a Palestinian politician well known for his "poetry of protest".[1]
Born in the Galilee, Ziad studied literature in USSR.[2] After returning home, he was elected mayor of Nazareth on 9 December 1973, as head of Palestine 48 Rakah, a communist party, a victory that is said to have "surprised and alarmed" Israelis.[3]
Elected to the Knesset in the 1973 elections on Rakah's list, Ziad was active in pressuring the Israeli government to change its policies towards Arabs - both those inside Israel and in the occupied Palestinian territories.... more »
Click here to add this poet to your My Favorite Poets.
Tawfiq Zayyad Poems
Here We Will Stay
In Lidda, in Ramla, in the Galilee, we shall remain like a wall upon your chest, and in your throat like a shrad of glass, a cactus thron,
On The Trunk Of An Olive Tree
I shall carve my story and the chapters of my tragedy, I shall carve my sighs On my grove and on the tombs of my dead; ......I shall carve the number of each deed
Pagan Fires
At our ease We take the thread of light From the knots of darkness, Tend the nursery of dreams,
I call to you all
'I call to you all: I take your hand and hold it tightly.
With My Teeth
with my teeth I'll protect every inch of my homeland
All I Have
I never carried a rifle On my shoulder Or pulled a trigger. All I have
Galilee 400 Years
The earth is turning the wheel of history is turning
The Impossible
It would be a thousand times easier for you to lead an elephant through the eye of a needle
Passing Remark
When they ran over her, the mulberry tree said: 'Do what you wish, but remember
They Know
But they know that my country has known a thousand conquerors and they know that the thousand
Comments about Tawfiq Zayyad
Maya Angelou
(4 April 1928 - 28 May 2014)
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(26 April 1564 - 23 April 1616)
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(12 July 1904 – 23 September 1973)
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(19 January 1809 - 7 October 1849)
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(1 February 1902 – 22 May 1967)
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(31 May 1819 - 26 March 1892)
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(16 August 1920 – 9 March 1994)
Here We Will Stay
In Lidda, in Ramla, in the Galilee,
we shall remain
like a wall upon your chest,
and in your throat
like a shrad of glass,
a cactus thron,
and in your eyes
a sandstorm.
We shall remain
a wall upon your chest,
clean dishes in your restaurants,
serve drinks in your bars,
sweep the floors of your kitchens
to snatch a bite for our children
from your blue fangs.
Here we shall stay,
sing our songs,
take to the angry streets,
fill prisons with dignity.
In Lidda, in Ramla, in the galilee,
we shall remain,
guard the shade of the fig
and ...
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Fly tie wrangler
RENVILLE -- He takes tiny fishing flies that he creates in the comfort of his home in Renville to the big wilderness rivers of Montana and Colorado, and succeeds.
"I like to fool the fish, offer them something that they think is their food,'' said Dennis Ulrich in describing just one of the reasons he enjoys the art of fly tying.
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A Dignity of Dragons
By Jacqueline Ogburn; Nicoletta Ceccoli (Illustrator)
(Houghton Mifflin Books for Children, Hardcover, 9780618862542, 32pp.)
Publication Date: May 2010
Shop Local
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To catch a glimpse of one unicorn is lucky;
to see a grace of unicorns is to witness a marvel.
In this book, you will also find . . .
a riddle of sphinx,
a splash of mermaids,
a dignity of dragons,
and more.
With inventive groupings, luminous artwork, and a fact-filled glossary, A Dignity of Dragons makes for a bestiary to treasure. For within its pages, you'll learn about all the creatures you may be lucky enough to see, if you know where to look.
Nicoletta lives and works in San Marino, Italy. Awarded with the Andersen prize, "baia delle favole" as best Italian illustrator of the year in 2001, Nicoletta has also received the silver medal from the Society of Illustrators of New York.


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If you golf, you've heard of a 'Poor Man's Pebble' in reference to Pebble Beach. Well, this is a 'Poor Man's Tesla'...btw, this is a complement. Like other posters have said, you're getting the Tesla motor without having to put down another $20k+. Prior cars include an Audi A4 and Jeep Grand Cherokee. While this does not include 4WD it matches/exceeds their speed/torque off the line, has as much storage as the Jeep, and is a smoother ride than either. Yes, I'm pleased. I understand the model is being phased out by end of 2014 due to meeting of CA EPA regulations so get one while you can.
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Laura Mack, MA, BS
adjunct faculty, The hunter division of humanities
firstname.lastname@example.com, firstname.lastname@example.com
- Graduate of The London Academy of Music and Dramatic Art
- MA, BS, Eastern Michigan University
- ABD, University of Michigan
- Composition 101 & 102
academic Research/interests
Post-Civil War Vermont history
areas of expertise
Writing fiction; Web copy
Why I teach
I teach because I was mentored by wonderful, dedicated teachers. They taught me that there is no better way to live and think than to help others to do so.
Favorite Book
At the moment, Wolf Hall and Bring Up the Bodies by Hilary Mantel
Favorite film
Everything is Illuminated
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I love being part of a community that cares about teaching and learning.
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text:
A fuse arrangement for use in a vehicle is provided having a configuration wherein a common bus terminal connected to a voltage supply is connected to terminals of one or more axial fuses. The other fuse terminals are, in turn, connected to a wiring harness that is located on an opposite side of the fuse box from the common bus terminal in a base of a fuse box. Additionally, the present invention includes a fuse array including a planar substrate with fuses constructed on the substrate by film metallization. Furthermore, the invention includes a carrier strip used for packaging automotive fuses that is made of a flexible material capable of being rolled into a package for shipping to an end user. The invention also includes a mini fuse having reduced terminal spacing for use in vehicles with mixed voltage systems wherein the reduced terminal spacing fuse is used for a particular voltage.
1. A fuse arrangement for a vehicle comprising:
a wiring terminal having a plurality of discrete circuits extending therefrom;
a common bus assembly; and
a plurality of rows of fuses used in the vehicle and disposed between the plurality of circuits in the wiring terminal and the common bus assembly, the common bus assembly configured to be removable and reinsertable to contact the fuses in the rows to thereby connect electrically to the plurality of discrete circuits.
2. The fuse arrangement of
a housing having a cover and a base portion, wherein the wiring terminal is contained within the base portion and the common bus assembly is contained within the cover of the fuse box.
3. The fuse arrangement of
4. The fuse arrangement of
5. The fuse arrangement of
6. The fuse arrangement of
7. The fuse arrangement of
8. A fuse box arrangement for a vehicle comprising:
a fuse box having a base and a cover;
a common bus terminal within the fuse box, the common bus terminal connected to a voltage supply;
a plurality of wire terminals within the fuse box, each of the plurality of wire terminals connected to a discrete circuit; and
a fuse array having a plurality of fuses used in the vehicle and arranged between the base and the cover of the fuse box, the fuses electrically connecting the common bus terminal with the discrete circuits, wherein the common bus terminal is completely translationally removable from and translationally reinsertable onto the plurality of fuses and is also separable from the discrete circuits.
9. The fuse box arrangement of
10. The fuse box arrangement of
11. The fuse box arrangement of
12. The fuse box arrangement of
13. The fuse box arrangement of
a planar, electrically insulating substrate having at least two planar sides;
a metallization pattern disposed on at least one side of the planar substrate, the metallization pattern comprising at least one fuse element;
a protective coating disposed on at least a respective portion of at least one side of the planar substrate and covering at least a first portion of the metallization pattern; and
a second portion of the metallization pattern that is not covered by the protective coating, the second portion configured as a contact portion of the fuse array.
14. The fuse box arrangement of
15. The fuse arrangement of
16. A fuse box for a vehicle comprising:
a base and a cover that is completely removable with respect to the base;
a common bus terminal that attaches to and is completely removed with one of the base and the cover from the other of the base and cover, the terminal also completely separable from a plurality of discrete circuits; and
a plurality of fuses used in the vehicle and housed between the base and the cover that electrically couple to the common bus terminal and the plurality of discrete circuits.
17. The fuse box of
18. The fuse box of
19. The fuse box of
20. The fuse box of
21. The fuse box of
The present invention relates generally to fuse boxes for vehicle electrical systems. More specifically, the present invention relates to fuse arrangements that can be used in vehicle fuse boxes.
Of course, it is known to use fuses in vehicles such as an automobile. Typically, such fuses are located within one or more fuse boxes that are located within the vehicle. The fuse boxes provide a central location for the placement of fuses. Each of the electrical circuits within the vehicle is routed through the fuse box and to a fuse. This allows the fuses to protect the wiring and the load from harmful overcurrent conditions.
Referring to FIG. 1, a typical fuse box used in an automobile is illustrated. The fuse box 10 is typically constructed of rigid plastic and includes a base 12 and a cover 14. The base 12 includes a number of terminals 16 a and 16 b disposed in a bottom portion 18 of the base. These terminals are electrically connected to fuse receptacles 22 on a top portion 20 of the base.
Each fuse receptacle 22 contains two �female� apertures 24 that receive corresponding �male� fuse blades 28 of a typical radial-type automotive fuse 26, shown in FIG. 2. The particular terminals 16 a and 16 b connected to a fuse receptacle 22 a are, in turn, respectively connected to a power source (e.g., B+) and an electrical load 25 within the vehicle. Hence, the power terminal 16 a and the load terminal 16 b are spaced close together for each circuit routed through the fuse box 10. This close spacing can be disadvantageous due to excess heating that can occur at the terminals. Further, since all of the power and load terminals 16 are closely located to one another in the bottom portion 18 of the fuse box 10, the heating that occurs can become excessive, particularly in newer automobile electrical systems having higher load requirements.
Additionally, the standard automobile fuses known in the art (e.g., see FIG. 2) are manufactured as singular devices. Fuses shipped to the end user (e.g., an automobile manufacturer) are typically packaged as singulated devices that are delivered in bulk or placed within a �tube�, taped together or that use other similar packaging that is convenient for the end user when inserting the fuses into the above-described fuse boxes. However, such packaging is costly and time intensive for the fuse manufacturer since the fuses must be individually separated and packaged.
Furthermore, fuse boxes known in the art (e.g., see FIG. 1) are designed to receive individual fuses that must be individually inserted into the fuse box. Because fuses are individually placed in the fuse box, the number of manufacturing steps increase, thereby also increasing the complexity of placing and connecting the fuses in the fuse box when multiple fuses are required.
Another issue with fuses boxes is size. As with any component used in a vehicle, size is increasingly a concern. Automobile manufacturers are constantly striving to reduce the size and weight of most automobile components. Fuse boxes, due to their current structure and the arrangement of the fuses and related components, create some unique issues in attempting to reduce the size of same.
Accordingly, there is a need for an improved fuse box and fuse arrangement.
The present invention provides improved fuse arrangements as well as improved fuse boxes.
In an embodiment of the invention, a fuse arrangement is provided having a wiring terminal with a plurality of discrete circuits extending therefrom. In addition, the arrangement includes a common bus assembly. At least one axial fuse is disposed between the wiring terminal and the common bus assembly such that the common bus assembly is electrically connected to the wiring terminal through the at least one fuse. The placement of an axial fuse between the common bus assembly supplying a voltage and the wiring terminal serves, in part, to diminish the heat generated in the arrangement by allowing heat to more readily dissipate. In addition, the use of common bus assembly decreases the complexity of the fuse arrangement. Moreover, this arrangement allows one to design fuse boxes having a reduced size.
In another embodiment of the invention, a fuse array is constructed with a planar insulating substrate having two planar sides. A metallization pattern is disposed on at least one side of the substrate and comprises at least one fuse element. A protective coating is disposed on the sides of the substrate and covers at least a first portion of the metallization. The construction of one or more fuses on a planar substrate affords modularity in the fuse design and allows for easier insertion and removal of fuses within a fuse block.
In another embodiment of the invention, a packaging apparatus for vehicle fuses includes a carrier strip having at least one rail comprised of a flexible material. In addition, a plurality of fuse assemblies are integrally connected to the at least one rail and are also configured to be separable from the rail by an end user. The carrier strip is capable of being rolled to form a package for shipping to the end user. The use of a carrier strip having integral fuse assemblies and the capacity to be rolled-up for shipping reduces manufacturing steps and costs for the fuse manufacturer. Additionally, since the fuse assemblies are configured to be separable from the rails of the carrier strip by an end user, the ease with which the end user may place and connect fuses within a fuse box, for example, can be increased.
Accordingly, an advantage of the present invention is to provide an improved fuse arrangement for fuse boxes.
Another advantage of the present invention is to provide improved fuse boxes for vehicles.
Still further, an advantage of the present invention is to provide fuse boxes for vehicles having a reduced size.
Moreover, an advantage of the present invention is to provide for improved means for providing fuses to manufacturers of fuse boxes.
Additionally, an advantage of the present invention is to provide a fuse box arrangement that diminishes the heat generated.
Further, an advantage of the present invention is to provide a fuse arrangement that decreases the complexity of the assembly of a fuse box.
Another advantage of the present invention is to provide an improved method for manufacturing and constructing fuse boxes.
Another advantage of the present invention is to provide an improved fuse for use in vehicle fuse boxes.
other objects and advantages of the invention will become apparent upon reading the following detailed description and appended claims, and upon reference to the accompanying drawings.
References made to the attached drawings, wherein elements having the same reference numeral designations represent like elements throughout and wherein:
FIG. 1 is a perspective drawing illustrating a fuse box arrangement known in the art.
FIG. 2 is a perspective view of a conventional radial-type fuse used in the fuse box shown in FIG. 1.
FIG. 3 is a sectional view of a fuse box arrangement according to an embodiment of the present invention.
FIG. 4 is a section diagram illustrating a fuse box according to an alternative embodiment of the present invention.
FIG. 5 is a section drawing of a fuse box according to yet another embodiment of the present invention.
FIG. 6 is an illustration of a fuse array according to an embodiment of the present invention.
FIG. 7 is a top section view of the fuse array shown in FIG. 6.
FIG. 8 is an end section view of the fuse array illustrated in FIG. 6.
FIG. 9 is a cut away view of the fuse array shown in FIG. 6 illustrating a metallization pattern.
FIG. 10 is an illustration of a fuse packaging arrangement for axial-type fuses according to an embodiment of the present invention.
FIG. 11 is an illustration of a fuse packaging arrangement for radial-type fuses according to another embodiment of the present invention.
FIG. 12 illustrates a small automobile fuse according to an embodiment of the present invention.
The present invention provides improved fuse arrangements and fuses boxes.
In part, the present invention provides a fuse box arrangement for a vehicle that diminishes the heat generated by typical fuse boxes that include closely spaced terminals due to both supply and load terminals being located on one side of a fuse box. Additionally, the present invention provides a fuse arrangement that decreases the complexity of assembly of a fuse box and also the placement and connection of the fuses. Moreover, the present invention provides an arrangement for packaging fuses that facilitates the ease of manufacturing as well as placement and connection of the fuses by an end user. Further, the present invention provides concepts and arrangements that allow one to design and manufacture fuse boxes having a reduced size.
Referring now to the figures, FIG. 3 is a sectional view of an exemplary fuse box arrangement according to the present invention. The fuse box, shown generally at 40, includes a base portion 42 and a cover 44. In the embodiment illustrated, within the base portion 42, is a wiring harness 52 having a plurality of terminals 53 that connect with fuses (i.e., fuses 48 l-48 n collectively referred to herein as fuses 48). The wiring harness 52 is connected to a plurality of conductors 56 that supply current to loads within a vehicle containing the fuse box 40.
In the embodiment illustrated, the cover 44 includes an integral common bus terminal 46 that connects with each of the fuses 48 via the fuse terminals 49. The common bus terminal 46 is preferably connected to the positive terminal voltage B+ of the vehicle battery, shown connected at node 54. As seen in FIG. 1, the positive terminal voltage B+ of the vehicle battery powers a plurality of rows of automotive fuses.
In the exemplary embodiment, each of the fuses 48 is an axial-type fuse comprised of a fuse body 51 that encloses a fuse element 50. In addition, each of the fuses 48 has a pair of opposing terminals 49 connected to the fuse element 50 that extend outward from the fuse body 51 in opposing directions.
When the fuse box 40 is assembled, a terminal 49 of each of the fuses 48 is inserted into a receptacle 55 within the base 42 that connects to the terminals 53 within the wiring harness 52. Preferably, the receptacles 55 are of a female-type that receive a male-type terminal 49 of the fuse 48. However, the receptacle 55 can also be constructed as a male-type plug that receives a female-type terminal 49 of the fuse 48.
The opposing terminal 49 connected to receptacle 55 for each fuse 48 is connected to the common terminal bus 46 having similar receptacles (not shown) to those receptacles 55 in the base 42. Since the common bus terminal 46 is integral with the cover 44 of the fuse box 40, connection of the common bus terminal 46 is made with the terminals 49 of each of the fuses 48 when the cover 44 is placed on or mated with the base 42. To accomplish this connection, the location of the common bus terminal 46 within the cover 44 is placed such that it is directly vertical above the receptacles 55 within the base 42 when the cover 44 is mated with the base 42.
It will be appreciated that the singular common bus terminal 46 enables ease of connection of the voltage B+ to a group or all of the fuses 48 within the fuse box 40. Additionally, this arrangement affords quick connection or disconnection of the fuses from the battery voltage B+. Moreover, the arrangement of the present embodiment creates separation of the voltage supply terminal (i.e., the common bus terminal 46) from the terminals 53 that supply the loads within the vehicle. Thus, the heat generated at the terminals 49 of the fuses when current flows through the fuses 48 is more easily and efficiently dissipated since the two opposing terminals 49 are spaced apart. This efficient heat dissipation allows the fuse box 40 to more easily be adapted for higher voltages and currents that may be utilized in the vehicle.
In an alternate embodiment, a fuse box 60 shown in FIG. 4 illustrates a common bus terminal 62 that is separate from the cover 44 of the fuse box 60. Thus, the common bus terminal 62 of the present embodiment can be used to connect either all of the fuses 48 within the fuse box or a portion of the fuses 48 with the battery voltage B+. An advantage of this arrangement is that the fuses are not disconnected from the supply voltage B+ when the cover 44 of the fuse box 60 is removed from the base 42. A further advantage is that separate common bus terminals can be provided for select groups of fuses 48. Thus, more than one common bus terminal may be provided within the fuse box 60.
FIG. 5 illustrates yet another alternate embodiment of the present invention wherein the wiring harness 52 is located within the cover 44 of a fuse box, shown generally at 70. In this embodiment, the wiring harness 52 may either be attached to the cover 44, similar to the common bus terminal 46 shown in FIG. 3 or separate from the cover 44, similar to the common bus terminal 62 in the embodiment of FIG. 4. The fuse box 70 of FIG. 5 also includes a common bus terminal 72 within the base portion 42 of the fuse box that is, in turn, connected to the battery supply voltage B+.
As discussed above with respect to FIG. 3, the separation of the common bus terminal supplying voltage B+ and the wiring harness 52 affords improved thermal dissipation for a vehicle fuse box. Moreover, as will be apparent, such a construction may allow one to design and provide fuse boxes for vehicles having a reduced size.
To further improve the thermal properties of the fuse box, in each of the embodiments of FIGS. 3 through 5, the fuse box housing may be constructed of a thermally conductive material that further facilitates removal of heat from the fuses and other wiring and devices contained within the fuse box. In an embodiment, the fuse box may include, in its interior, thermally conductive materials to facilitate the diffusion of heat that is generated.
FIG. 6 illustrates another embodiment of the present invention for positioning fuses on a rigid substrate. In particular, FIG. 6 illustrates a fuse array 80, preferably for use in a vehicle. The array includes an insulative substrate 92 constructed of ceramic, plastic or some other similar rigid insulator. Preferably, the substrate 92 is a thin elongate rectangle having two planar sides 83 as shown in an end view of the fuse array in FIG. 8.
Disposed on both sides of the substrate 92 is a metallization pattern 88 that is formed to construct the fuse elements 90. Associated with each fuse element 90 is a contact portion 86 that contacts with fuse block terminals (not shown); the block terminals, in turn, are connected to discreet circuits supplying loads within the vehicle. The metallization pattern 88 also includes a common bus terminal 91 on a portion of the substrate 92 having contact portions 84 that connect to a supply battery voltage B+. Preferably, the patterned fuse elements 90 on one planar side 83 of the substrate 92 are offset from those fuse elements disposed on the other side of the substrate 92. Illustrative of this arrangement, FIG. 9 shows a fuse element 90′ that is disposed on the side of the substrate opposite to fuse elements 90 and also offset.
Also included in the fuse array are protective coatings 82 disposed on each planar side 83 of the fuse array 80 as shown in FIGS. 6 through 8. These protective coatings 82 are constructed of an insulative material enabling the fuse array to be held by a user during insertion in or removal from a fuse box.
Of particular note, FIG. 9 illustrates that the fuse elements 90 are constructed as axial-type fuses. Such construction enables the common terminal bus 91 to supply voltage on the top portion of the substrate 92. This is advantageous in that, as discussed previously, separation of the load supplying terminals 86 of the fuses from the terminals connected to the voltage supply terminal (i.e., 91) affords improved heat dissipation properties.
Also of particular note, the substrate 82 covers only a portion of each side 83 of the substrate 92. The portion of the substrate 92 that is not covered forms a contact ledge 85 formed of the exposed metallization pattern (i.e., common bus terminal contacts 84 and fuse element contacts 86) that connect to terminals within a fuse box. Thus, the receiving fuse box (not shown) contains a slot having a number of contacts corresponding to the number of contacts on the fuse array 80, wherein the contact ledge portion 85 fits into the slot within the fuse box. The arrangement may also be advantageous in that a plural number of fuses can be connected and disconnected easily and quickly.
FIG. 10 illustrates an embodiment of the present invention for packaging and/or providing to an end user fuses that are used within a vehicle fuse box. Specifically, FIG. 10 illustrates a carrier strip 100 that includes a plurality of fuse assemblies 102, each fuse assembly 102 having a housing 104 and a fuse element 106 contained within the housing 104. In the particular embodiment illustrated in FIG. 10, the carrier strip 100 includes two parallel rails 110 and 112 that respectively connect with terminals 107 within the fuse assembly 102. The parallel rails 110 and 112 further include indexing holes 108 that index the location of each particular fuse assembly 102.
When constructed, the carrier strip 100 is integrally connected with each of the fuse assemblies 102. That is, the carrier strip 100, including the fuse assemblies 102, is constructed of one sheet of material preferably copper, zinc or other suitable metal for fuse construction. Furthermore, the carrier strip 100, being constructed from a thin metal sheet made of copper or zinc, has a high degree of flexibility. Thus, the carrier strip 100 including the fuse assemblies 102 is capable of being rolled onto a spool for shipping purposes.
By providing the fuse assembly 102 rolled on a spool, a number of advantages are achieved. One advantage is ease of handling. The end user can merely unroll the carrier strip from the spool and then separate the fuse assemblies 102 from the rails 110 and 112 for use as individual fuses. Preferably, the fuse assemblies 102 are separated from the parallel rails 110 and 112 by cutting the metal at the regions indicated by reference number 109.
The above embodiment has been described with respect to axial-type fuse assemblies. However, as illustrated in FIG. 11, the present invention can also be used for radial-type fuses 124 whose terminals 128 are connected to a single rail 120 of a carrier strip assembly.
With both embodiments of FIGS. 10 and 11, the carrier strip includes indexing holes 108 and 130, respectively, that can be further used by the end user to delineate the location of the fuse assemblies 102 or 122 when being separated from the carrier strip rail. For example, in an automated separation process that separates the fuse assemblies from the rails of the carrier strip, the indexing holes 108 or 130 can engage with pegs radially projecting from a drive wheel, the pegs spaced an angular distance around the circumference of the wheel at a distance that is equal to a linear distance �d� between the indexing holes in the rails of the carrier strip. Thus, when the drive wheel has rotated through an angular distance equal to �d�, a cutting operation can be performed to separate the fuse assembly from the rails of the carrier strip.
The above described packaging apparatus is advantageous in that the fuse manufacturer can assemble multiple fuses from a single metal sheet. The fuses can be easily packaged for shipment to an end user by rolling a carrier strip having the multitude of fuses onto a spool or other similar device.
FIG. 12 illustrates another embodiment of the present invention wherein the terminal spacing of small standard automotive blade fuses is reduced. In particular, FIG. 12 illustrates a small automotive fuse according to the present invention including a housing 142 containing a fuse element (not shown). Extending out of the housing are a pair of blades 140 respectively connected to each side of the fuse element. Typically, in small automotive fuses known in the art, spacing �s� between the center point of the terminal blades 140 is set at an accepted industry standard. However, the spacing �s� is also constrained by the height �h� of the housing assembly.
The present invention includes a small automotive fuse 144 that reduces the spacing �s� between the terminal blades 140. In order to accomplish this reduction in spacing, the height �h� of the fuse housing 142 must be increased to accommodate for a reduction in the width �w� of the housing 142 due to the reduction of the spacing �s�. That is, when the spacing �s� is reduced, the width of the housing �w� is reduced in order to have a corresponding reduction in the housing holding the blades 140. Accordingly, since the area within the housing 142 is reduced due to a reduction in the width �w�, the height �h� of the housing 142 must be increased in order to regain the original area, which is necessary for the fuse element.
A purpose of the invention shown in FIG. 12 is to reduce the spacing �s� between the terminal blades 140 to approximately 5.6 millimeters, for example, so that this fuse may only be inserted into a correspondingly sized fuse receptacle within an automobile fuse box. Conversely, standard automobile fuses such as that shown in FIG. 2, cannot be inserted into the reduced spacing receptacle in the fuse box that accommodates the fuse shown in FIG. 12. Accordingly, the circuit connected to the small fuse 144 with reduced terminal spacing can be connected to a circuit having a different voltage supply from the standard 12 volt supply used in most automobile systems.
Especially advantageous is the use of the small fuse 144 with higher voltage systems within a vehicle. Hence, standard 12 volt rated fuses could not be inserted into the fuse box receptacle intended for the higher voltage small fuse 144 having reduced spacing. This thereby acts as a safeguard against improper and dangerous insertion of fuses into receptacles having voltages exceeding their rating.
It should be understood that various changes and modifications to the presently preferred embodiments described herein will be apparent to those skilled in the art. Such changes and modifications may be made without departing from the spirit and scope of the present invention and without diminishing its attendant advantages. It is, therefore, intended that such changes and modifications be covered by the appended claims.
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This is 9x18 Makarov Brown Bear 95gr. Full Metal Jacket Ammo. This ammo is manufactured by JSC Barnaul Machine-Tool Plant in Russia. The Barnaul plant is considered the premier ammunition plant in Russia, and they supply the majority of the ammo to the Russian military. This ammo is 100% non-corrosive and new factory ammo. It has a lacquered steel case and bimetal bullet. This ammo comes in 50rd boxes.
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FOXBORO — When it comes to team-building, Bill Belichick and the Patriots are nothing if not consistent.
New England selected 12 players in this year's draft, addressing a wide variety of needs. But six of the dozen draftees share a common theme — they all went to schools that had coaches who have deep roots in the Belichick program. Cornerback Devin McCourty (Rutgers), defensive end/linebacker Jermaine Cunningham, linebacker Brandon Spikes and tight end Aaron Hernandez (Florida), offensive lineman Ted Larson (North Carolina State) and defensive lineman Brandon Deadrick (Alabama) are all products of school's where a trusted Belichick confidant is in place.
Greg Schiano at Rutgers. Urban Meyer at Florida. Tom O'Brien at North Carolina State and Nick Saban at Alabama. When in doubt, keep it in the family. It's been a philosophy the Patriots have adhered to for several years — between 2002 and 2005, seven of the 31 players the Patriots drafted came from schools where a former Belichick assistant or confidant was in charge.
It doesn't always work — the Patriots brought in a half-dozen Florida products back in 2006, and four years later, none of them remain on the roster. (In fact, some, like Chad Jackson, flamed out in spectacular fashion.) But when the rookies from one of those schools arrive in Foxboro for minicamp, the program seems remarkably familiar, and the monumental transition from college to the pro game is made that much easier because there's a consistency in place that might not exist with another team. Chances are, they've already interacted with Belichick — he speaks on those campuses all the time, and frequently has an opportunity to gauge their character in a way other coaches don't. And he knows his comrades wouldn't steer him wrong on a player.
And he knows those coaches have put their players through what might best be described as a starter version of his system during their collegiate careers.
"I know a lot of the times we did things the way they do in New England; we did things like that in Florida," Spikes said. "Seeing the success that we had with the guys that we had with us, I pretty much know what to expect, I think, right now."
"Belichick and I already have somewhat of a relationship because he's so close with Coach [Urban] Meyer and he was at our practices," Hernandez said Saturday. "I've known Belichick for a while now, so I felt comfortable around him when I went there to see him at the combine."
"It's basically the same defense," Deaderick told reporters Saturday who asked about the difference between Alabama and New England. "They have the same terminology, the same lingo, so it's going to help me out a lot."
Here's a Patriots-centric look at four other things we learned from this year's NFL draft:
We are only halfway through the offseason, but the two major team-building exercises — the draft and first rush of free agency — have pretty much come and gone and the Patriots have done little to address the pass-rushing woes that plagued them on so many occasions last year. New England was 23rd in the league last season with 31 sacks, and had just one player with more than five sacks (Tully Banta-Cain with 9½).
This past weekend, they added one legit pass rusher in Cunningham, who had 18½ sacks as a collegian at Florida and will likely figure into the mix as an outside linebacker in New England. With the re-signing of outside linebacker Banta-Cain, the Patriots did keep their best pass rusher on the roster, but they still haven't made any other impactful personnel moves to address their most glaring defensive weakness last season.
Two things to keep in mind here: One, since being taken in 2008, outside linebacker Shawn Crable has yet to see the field. The team might feel that Crable has reached a point in his development where he's healthy, and could be that edge rusher that the Patriots so desperately need. If he is, you could him with someone (Cunningham?) to provide sustained pressure from the outside.
Two, there's plenty of time between now and the start of training camp, which means there's plenty of time to make a move — a trade or pickup off the waiver wire always remains a possibility. Remember when New England was struggling against the run, and picked up Ted Washington on the eve of the 2003 season? While those kinds of deals are few and far between, they do exist, and New England has pulled them off in the past.
"There's a long time before we play a game," Belichick said Friday when asked about not emphasizing the pass rush, "so we'll see where things are at that point in time."
Brian Hoyer (undrafted free agent, 2009), Corey Bramlett (undrafted free agent, 2006), Matt Cassel (seventh round, 2005), Kliff Kingsbury (sixth round, 2003), Major Applewhite (undrafted free agent, 2002) and Tom Brady (sixth round, 2000). All were late-round "developmental" quarterbacks picked up by the Patriots in the Belichick Era.
Welcome to the club, Zac Robinson.
After spending a portion of the pre-draft process sniffing around several collegiate quarterbacks — including Northwestern's Mike Kafka, Cincinnati's Tony Pike and Rusty Smith of Florida Atlantic— the Patriots chose Robinson in the seventh round. A 6-foot-3, 214-pounder, Robinson completed 610-of-999 passes (61.1 percent) for 8,317 yards, 66 touchdowns and 31 interceptions in 3 1/2 seasons as a starter with Oklahoma State.
He also rushed for 1,858 yards and 22 touchdowns in his collegiate career, but don't expect Belichick try and make him into the next Julian Edelman, a college quarterback who made the successful transition to wide receiver as a rookie last season.
"I don't see it right now," said Belichick when was asked if Robinson had any positional versatility. "We're going to play him at quarterback and we'll see how it goes. I don't anticipate him playing receiver. I expect him to play quarterback."
That was good news to Robinson, who told reporters he was simply excited to get a chance to work with Brady.
"I'm excited to learn behind the best quarterback in the NFL in Tom Brady," Robinson said. "I'm looking forward to soaking in everything he says."
He figures to be in competition with Hoyer for the No. 2 job.
"I'm not thinking about that right now," Robinson said. "I'll let the chips fall where they may. I'll go in and start working hard and learn the playbook as fast as I can. I'm looking forward to getting started."
The Patriots came into the weekend with only one tight end on their active roster, Alge Crumpler. They ended up picking up a pair of possible impact tight ends in Gronkowski and Hernandez and adding real depth at a position of need.
While Crumpler's skill set is pretty well established — he figures to be the primary blocking tight end — the two roles for the two rookies are also pretty sharply defined, at least at this stage of their careers. According to Belichick, Gronkowski brings more value in the running game, while Hernandez is more of a pass-catching presence.
"Aaron's probably a little quicker and has had a little more production in the passing game. Rob's probably had a little more production in the running game over the course of their careers," Belichick said. "Not that they both don't do both. They both have production blocking and in the passing game and after the catch. [But] I would say Rob's a little better blocker at this point and Aaron's a little better in the passing game at this point."
The Patriots made substantial improvements on special teams over the weekend. With the selection of return man Devin McCourty and punter Zoltan Mesko, New England addressed two areas where they struggled at times last season: the Patriots were last in the league in punting average last season (39.7 yards per punt) and net punting average (36.4) and tied for 30th in number of punts downed inside the 20 (18). Meanwhile, a year after trading away kick returner Ellis Hobbs, a collection of players tried their hand at the job with varying degrees of success — New England was in the middle of the pack in most major kick return categories, including total kick return yards and average yards per return.
No one is sure how he will figure into the mix at cornerback in his first year, but it's clear that McCourty's best chance to see the field as a rookie will come on special teams. At Rutgers, he had six blocked punts, one blocked field-goal attempt and a 98-yard kickoff return for a touchdown. He also took over kickoff return duties as a senior, averaging 25.43 yards on 14 returns, including a 98-yard touchdown.
"I think he's had some production in kickoff returns," Belichick said of McCourty. "He's an excellent cover guy — covering kicks, gunners, special teams, kickoff coverage, hold up on the punt returns. He's had a very significant role in the kicking game and was very good at it. He blocked kicks. He's versatile. He can do a number of things for us in the kicking game."
As for Mesko, he was considered one of the finest collegiate punters last season — as a captain with the Wolverines last year, he led the Big Ten and finished eighth nationally in punting with a 44.46-yard average. The 2009 Ray Guy award (nation's top punter) finalist was a second-team All-American in his final season at Michigan. If you're looking to use a fifth-round pick on a punter, Mesko might be your guy.
Plus, he's president of the Tom Brady Fan Club.
"I might be a little star-struck to say hello to him because he's a Michigan guy," Mesko said on a conference call with reporters Saturday. "I'm sure I'll get over that. But I would love to get to know Tom Brady. He's a special person. … The Patriots were my favorite team growing up, just watching Tom Brady. He was my favorite player."
Greg and Chris talk with Mike Reiss from ESPN Boston in hour 2 of NFL Sunday to discuss a variety of offseason happenings with the Pats and throughout the league. Greg and Chris also get into the NFL Draft and where Mariota and Winston will go.
Mike Reiss calls the guys to talk about the offseason news for the Pats. He talks about the Pats/Jets tampoering fiasco, free agency, where he sees Ridley and Connolly ending up, if the Patriots would be interested in Reggie Wayne and more.
In the first hour of the show, Greg and Chris discuss the news coming out of the owners' meetings this week and rule changes. Belichick's blow-up over the league not wanting to spend on endzone cameras was well documented and the guys react. They also talk about the Jets ridiculous tampering charges, free agents still lingering out there, where Stevan Ridley will land and the RB position in New England. Dickerson and Price briefly discuss the adventures of Tom Brady before being joined by WEEI.com's Mike Petraglia to talk all things Pats in the offseason.
Brow Buff's Sam Packard and Ben Kichen break down Marcus Smart's unfortunate ball tap, debate leadership in the Celtics locker room, and rehash the great Kevin Love to Boston rumors.
Flannery joins Mut to break down the Isaiah Thomas trade to Boston and what it means for the Celtics this season and in the future. Paul also chats with Mut about the other deals that happened at the NBA's trading deadline
We talk to Chris Mannix from SI to break down the C's acquisition of Isaiah Thomas and the crazy trade deadline in the rest of the NBA.
Joe and Alex talked with the Sox AGM about the state of the team as Opening Day approaches.
Mut, Tomase, and Bradford kick things off talking about Shane Victorino taking offense to people reading into some comments he made about trading for Cole Hamels. They also discuss Blake Swihart and how soon he could be up if Christian Vazquez starts the season on the DL.
Joe Kelly joined the Hot Stove show where he talked about being ready for his next spring training start after a biceps ailment forced him out of his last outing, he talks about his NCAA brackets and how teammate Wade Miley has a perfect bracket still.
Peter Chiarelli joined the Sunday Skate crew to talk about the Bruins playoff push heading into the final handful of games of the regular season. Chiarelli talked about avoiding some of the overly negative feedback he gets while realizing that the team does have real issues. He discusses what went down at the trade deadline and if he was happy with the outcome, Lucic having a down year and underperforming, the salary cap and if he considers it as big of an issue as it's been made out to be and what the future holds for the team.
It's a big hour #2 for the Sunday Skate dudes - they talk about the B's defenseman and what the future looks like at that position, with both moves the team can make and younger guys in the AHL. They also get into the Bruins philosophy on bringing guys up and sending them back down and how players deal with that. Finally, the boys are joined by Bruins GM Peter Chiarelli to discuss EVERYTHING.
The Sunday Skate crew gets the show going discussing the Bruins big, impressive victory over the NY Rangers yesterday. What can you take from that game? According to LB - Lyndon Byers - who called the guys from the road, not a lot. LB drops a dime on what was going on with the Rangers yesterday. DJ and Joe discuss Claude's lines and groupings and the importance of Ryan Spooner. They also get into Lucic, his contributions this year and if he can turn things around.
The top stories of the day as recounted by Kirk Minihane.
The guys discussed the controversial Indiana law.
The guys opened the show by discussing the Presidents visit yesterday.
Michael Holley comes in for the crossover, and continues the discussion with Tim over what will happen if the Patriots face any type of punishment for the deflated footballs in the AFCCG.
With the Wells report seemingly wrapping up (we hope), Tim and Lou got to talking about possible fines and punishments the Patriots must face. It's possible that the Patriots will face a small fine, but should they take that laying down? The conversation brings out a little passion from BOTH sides.
Jackie Mac talks about the Celtics win over the Hornets last night and their chances of making the playoffs.
Dale, Michael and Jerry Thornton discuss Robert Kraft's testimony and the Hernandez trial overall as it continues to unfold.
We wrap up the day with the best in sound that you may have missed from throughout the day.
Dale, Michael and Jerry discuss 'Pasta' and his solid rookie year, and make a few statistical comparisons.
Chris Price joins Mut to talk about how Revis will heat up the Jets-Pats rivalry next season
Mut opens his show talking about the New York Jets filing tampering charges on the Patriots
Mikey, Mut, and Lucy are talking about all things New England sports, the Red Sox spring training, more Darrelle Revis and Jets talk, and some Bruins mixed in.
Will Noonan joins Chris in the studio to review Wrestlemania and Raw.
Dino, Gerry and Kirk talk about Kirk's massage and crap all over Sausage.
Ben and Adam finish the odyssey that is the history of Wrestlemania. Wrestlemanias 21-30 are discussed and analyzed.
The latest feud between Shank and Papi was discussed.More from this show
The guys discussed the disgusting protests at the scene of Officer Moynihan's shooting.More from this show
The top stories of the day as recounted by Kirk Minihane.More from this show
Dino, Gerry and Kirk talk about Kirk's massage and crap all over Sausage.More from this show
We listen in on Adam Shefter's deflategate report on NFL Live on ESPN, and discuss when we can expect this whole mess to come to a head.More from this show


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dawn lacroix
Doris Agius
Chuck Crosoli
NIcole Lecuyer
Donna Potter
Paul Acker-Taxis
E Smith
Sri Maddukuri
Eldwin Gajate
Helen Dodsoin
Joe Woller
Joseph G. Paquette
Candy Leblanc
Candy Bowman
Beverly Morgan
jeff hopkins
27 current and former members of NH's General Court joined together in a public letter urging Senator Elizabeth Warren to run in 2016
Victory: Chicago Mayor Rahm Emanuel must face a runoff election and successfully defended 7 progressive City Council Members.
Oregon's U.S. Senator Ron Wyden could face challenges in his new 2016 reelection fight if he votes with Senate Republicans in favor of the job-killing Trans-Pac
@johnjharwood Warren just got 42 Senate Dems on record for #SSexpansion. That's the progressive leaderships Dems deserve to have in Senate
.@dailykos reports a MAJORITY of @housedemocrats back the @usprogressives's People's Budget. http://t.co/2iFNXNoQl8
#TBT to earlier this week when @tedcruz doubled down on his science denying rhetoric on climate change. http://t.co/MA0DHK23bN
Democracy for America | PO Box 1717 | Burlington, VT 05402Phone: 802-651-3200 | Fax: 802-651-3299
Democracy for AmericaPO Box 1717Burlington, VT 05402Phone: 802-651-3200Fax: 802-651-3299
Paid for by Democracy for America and not authorized by any candidate. Contributions to Democracy for America are not tax deductible for federal income tax purposes.


text:
A Framework for Consent-Based Communications in the Session Initiation Protocol (SIP)
|Document type:
|Expired Internet-Draft (sipping WG)
|Document stream:
|Last updated:
|2006-12-14 (latest revision 2006-06-12)
|Intended RFC status:
|Other versions:
|(expired, archived): plain text, pdf, html
|IETF State:
|WG Document
|Document shepherd:
|No shepherd assigned
|IESG State:
|Expired (IESG: Dead)
|Responsible AD:
|Jon Peterson
|Send notices to:
|email@example.com, email@example.com, email@example.com
This Internet-Draft is no longer active. A copy of the expired Internet-Draft can be found here:
The Session Initiation Protocol (SIP) supports communications across many media types, including real-time audio, video, text, instant messaging, and presence. In its current form, it allows session invitations, instant messages, and other requests to be delivered from one party to another without requiring explicit consent of the recipient. Without such consent, it is possible for SIP to be used for malicious purposes, including amplification, and DoS (Denial of Service) attacks. This document identifies a framework for consent- based communications in SIP.
Jonathan Rosenberg <email@example.com>
(Note: The e-mail addresses provided for the authors of this Internet-Draft may no longer be valid)


text:
Beautiful bright healthy teeth have long been associated with signs of youth. Many characteristics of our teeth and smiles can reveal the signs of aging. The colour, shape, and length of our teeth change over the years due to normal wear and tear. "Gravity", and natural facial changes make our lower faces shrink and sink in, resulting in less of our upper teeth showing as we speak and smile. Loss of collagen and diminished muscle tone allow wrinkles to form around our mouth and lips.
During the last generations, lost teeth were considered an inevitable consequence of aging. Now we know how to better care for our smiles as they age. With modern advances, you can have a comfortable, healthy smile for life!
Must-Do, Ages 60+
For the most part, losing your teeth during your golden years has little to do with getting old and almost everything to do with gum disease or decays. It's common as we age because our immune systems can't fight off inflammation as easily. Regular check-ups and cleanings greatly help protect you from this problem.
Many medications precipitate dry mouth, a side effect which can hurt your oral health. Keep us up to date on your medications and any medical issues you're having. Here are few tips that you should take into consideration;


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mitral valve regurgitation
I was just diagnosed with hypotension and mitral valve regurgitation. In the event that surgery is required, I am looking for information from anyone who has gone through it.Thank you for any information.
my mom has this, except she has hypertension. My mom also has more than one valve effected. She has to take anti-biotics before she goes to the dentist because something if there's an infection it will go straight to your heart and then keep swishing around in there. Has your doctor said anythign about that? if not you may want to ask before you go to the dentist again.
Let me know if you have anymore questions, I can go ask my mom for you. She hasent had to get surgery though, she might cause now more than one valve is effected.
HI,soccerstar,thanks for writing. Yes, my doctor told me about needing antibiotics prior to dental work. I was just wondering about the surgery because I don't know how long I have had this (I'm 45), and I don't know how long they let this type of thing slide before they operate. I just read that it is best to have the surgery done early because your heart might not be healthy enough to operate on if you wait.You might want to tell your mom that.Hope all goes well if she has the surgery.A.
What exactly did your dr. say about the level of your regurgitation? I also have mitral valve prolapse and my regurgitation has been defined in the past as "trivial" - almost nothing. Has your dr. actually said you will need surgery? Some people with MVP and regurgitation so bad do need to have their valve repaired but this number is rare compared to the millions who have MVP. Are you symptomatic or was this found on routine exam?
You've probably had MVP all your life.
I understand the desire to operate when you are young and healthy (like Arnold Schwarzenegger did when he repaired his heart problems because he said he wanted it done at the peak of his health). For me though I guess I feel like we'll cross that bridge if it ever comes up. Unless my dr. said absolutely have this done I wouldn't worry over it.
MVP with no or very little regurgitation is considered a common and benign event. I understand though it's still scary to get a diagnosis of anything especially related to the heart - I read and read everything I could get my hands on after I found out I had it.
I don't have info on completing the surgery, but would recommend a second opinion regarding the MVP simply based on my own experience.
I was misdiagnosed with MVP.
I was in my late teens and the diagnosis severely curtailed my activities. For about 15 years I took antibiotics before any dental or surgical work. So, I was basically told I could die any minute, but not too likely, so there was no need for surgery.
The error was discovered in a follow up by my current GP who apparently just needed to see the print out. My heart does beat "to its own drum" if you will (ventricular arrhythmia) and I do have a murmur...but 2 subsequent echos show no MVP.
I hope you do not need surgery. If you do, read, ask questions, and be comfortable with the DR/Surgeon and procedure.
Well wishes to you.


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2005 Saturn L300 Price Analysis
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Jobs Report: U.S. Economy Added 295,000 Jobs In February, Unemployment Down To 5.5%
Stronger than expected February jobs gains are solidifying investors' views on the Fed's rate hike timeline at the same time that stagnant wages are maintaining uncertainty for average Americans.
Employers added 295,000 jobs in February, according to the latest payroll report from the Bureau of Labor Statistics. read »Samantha Sharf, Forbes Staff


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GHEA is partnering with Teach Them Diligently for the 2015 Annual Convention at the Cobb Galleria!! Click on the banner on the GHEA home page for more information. GHEA members receive $10 registration discount!
High School and Beyond Workshop Place: At the home of Ruth Martin at 1345 Chandler Road, Lawrenceville, GA 30045. Date: Saturday, May 2, 2015 from 9am to 5pm Topics: Encouragement for the Long Haul Planning for High Preparing for College Curriculum Choices Record keeping, Transcripts, calculating GPA Much more! Speaker: Ruth Martin Ruth began homeschooling in 1983 and graduated all three of her children from a non- accredited,...
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DERBY: Derby Theatre / Derby Live
NOTTINGHAM: Playhouse
STRATFORD UPON AVON: Royal Shakespeare Company (Royal Shakespeare Theatre and Swan Theatre)
WORCESTERSHIRE: Malvern Theatres
WOLVERHAMPTON: Grand Theatre
For full details visit: www.rsc.org.uk
Click to peruse:
DEATH OF A SALESMAN - Royal
Shakespeare Theatre - 26 March – 2 May 2015
THE JEW OF MALTA - Swan Theatre: 18 March – 8 September 2015
LOVE'S SACRIFICE - Swan Theatre: 11 April – 24 June 2015
THE MERCHANT OF VENICE - Royal Shakespeare Theatre 14 May – 2 September
OTHELLO Royal Shakespeare Theatre 4 June – 28 August
By Arthur Miller
Directed by Gregory Doran
Royal Shakespeare Theatre: 26 March – 2 May 2015
Press night: Wednesday 1 April, 7pm
Casting is announced for Gregory Doran's production of Arthur Miller's 1949 Pulitzer prize-winning play Death of a Salesman, opening in the centenary year of Arthur Miller's birth. Previews start from 26 March, with the press night on Wednesday 1 April, 2015.
After a life of honest hard work, it is salesman Willy Loman's birth right to retire with his loving wife whilst his sons continue his legacy. Yet as old age and retirement approaches Willy struggles to reconcile his long cherished dream with the life he has actually lived. Miller's play of failed dreams and thwarted ambition is surely the greatest 20th Century American tragedy ever written.
As previously announced, Antony Sher and Alex Hassell return to the RSC following their roles as Falstaff and Prince Hal in Henry IV Parts I and II (currently running in London at the Barbican until 24 January 2015) to play father and son, Willy Loman and Biff. Playing Willy's loyal wife is Harriet Walter, who was last at the RSC as Cleopatra in Gregory Doran's 2006 production of Antony and Cleopatra. Harriet's other theatre credits include the recent all-female production of Henry IV at the Donmar Warehouse and Women Beware Women at the National. Completing the Loman family, as younger son Happy, is Sam Marks, who also returns following his role as Poins in Henry IV Parts I and II.
They are joined by Paul Birchard (Older Waiter); Ross Green (Stanley); Emma King (Miss Forsyth); Miranda Nolan (Letta); Sarah Parks (The Woman); Guy Paul (Uncle Ben); Joshua Richards (Charley) and Brodie Ross(Bernard). Further casting to be announced.
The production is designed by newly appointed RSC Director of Design Stephen Brimson Lewis with lighting by Tim Mitchell. The music is composed by Paul Englishby with sound by Martin Slavin.
To book tickets call 0844 800 1110 or online at www.rsc.org.uk
Night: Wednesday 1 April, 7pm
RSC Ensemble is generously supported by THE GATSBY CHARITABLE FOUNDATION and
Death of a Salesman is presented by arrangement with Josef Weinberger Limited
£5 tickets for 16-25s
The £5 ticket scheme for 16 – 25 year olds gives access to £5 tickets for all RSC productions whether we are performing in Stratford-upon-Avon, London or on tour. Tickets can be booked in advance on the phone, online or in person with some available for sale on the day of the performance. The scheme is supported by Project Partner, BP.
Production Access
Information: www.rsc.org.uk/visit-us/access.aspx
Friday 24 April, 7.15pm – Audio described performance
Friday 1 May, 7.15pm – Captioned Performance
Saturday 2 May, 1.15pm - Audio described performance
By William Shakespeare
Directed by Polly Findlay
Royal Shakespeare Theatre: 14 May – 2 September 2015
Press night: Thursday 21 May, 7pm
Live from Stratford-upon-Avon: Wednesday 22 July 2015
By William Shakespeare
Directed by Iqbal Khan
Royal Shakespeare Theatre: 4 June – 28 August 2015
Press night: Thursday 11 June, 7pm
Live from Stratford-upon-Avon: Wednesday 26 August 2015
Casting is announced for the Royal Shakespeare Company's (RSC) summer productions of The Merchant of Venice and Othello, running in repertoire in the Royal Shakespeare Theatre and broadcast worldwide 'Live from Stratford-upon-Avon'.
Makram J Khoury, one of the most celebrated actors in Israel, makes his RSC debut to play Shylock in Polly Findlay's production of The Merchant of Venice. The Palestinian-Israeli actor has worked on stage and screen for over 50 years; he was awarded the 2014 Jerusalem Film Festival's Achievement Award and the Israel Prize for acting, regarded as the state's highest honour. Makram's credits include international films such as Fatih Akin's The Cut, which was nominated for the Golden Lion at the Venice Film Festival 2014, Steven Spielberg's Munich, Natalie Portman's Amos Oz adaptation A Tale of Love and Darkness, and Richard Raymond's Iran-set Desert Dancer, as well as Israeli comedy Sukaryot and Magic Men, for which he won an Israeli Film Academy award for best actor. His extensive theatre and TV credits include touring with Peter Brook's theatre production 11 and 12 and Channel 4's BAFTA winning drama Complicit.
Joining Makram, and also making her RSC debut in the role of Portia, is Patsy Ferran. Winner of Most Promising Newcomer at this year's Critics' Circle Awards, Patsy is currently playing Jim Hawkins in the National Theatre's production of Treasure Island, also directed by Polly Findlay. Her other credits include Blithe Spirit (Gielgud Theatre West End) and The Angry Brigade (Paines Plough).
The Merchant of Venice cast also includes: Nadia Albina (Nerissa); David Ajao (Singer/Citizen of Venice); Jamie Ballard (Antonio); Scarlett Brookes (Jessica); James Corrigan (Lorenzo); Eva Feiler (Lady/Attendant); Owen Findlay (Salerio); Jacob Fortune-Lloyd (Bassanio); Guy Hughes (Singer/Citizen of Venice); Rina Mahoney (Portia's Servant/Duke of Venice); Ken Nwosu (Gratiano/Morocco); Brian Protheroe (Aragon); Jay Saighal (Solanio) and Tim Samuels (Launcelot Gobbo/Tubal).
The Merchant of Venice set is designed by the renowned German designer Johannes Schütz; the costumes are designed by Anette Guther with lighting by Peter Mumford. The music is by Marc Tritschler with sound by Gareth Fry. Movement is by Aline David.
As previously announced Hugh Quarshie and Lucian Msamati return to the RSC to play Othello and Iago in Iqbal Khan's production. Joining them in the role of Desdemona is Joanna Vanderham, who makes her RSC debut. Joanna, best known for playing the lead character of 'Denise Lovett' in BBC's The Paradise, has also starred in feature film What Maisie Knew and BBC drama Dancing on the Edge. Joanna will next appear in Jimmy McGovern's Banished on BBC Two in early March and as 'Marian Maudsley' in a new BBC adaptation of L. P. Hartley's classic novel The Go-Between in July.
The cast for Othello also includes: Nadia Albina (Duke of Venice); David Ajao (Montano); Scarlett Brookes (Bianca); James Corrigan (Roderigo); Ayesha Dharker (Emilia); Eva Feiler (Citizen of Venice); Owen Findlay (Gentleman of Cyprus); Jacob Fortune-Lloyd (Cassio); Guy Hughes (Soldier); Rina Mahoney (Citizen of Venice); Ken Nwosu (Gentleman of Cyprus); Brian Protheroe (Brabantio); Jay Saighal (Gentleman of Cyprus) and Tim Samuels (Lodovico).
The Othello set is designed by Ciaran Bagnall with costume design by Fotini Dimou, and lighting by Ciaran Bagnall. The music is composed by Akintayo Akinbode with sound by Andrew Franks. Movement is by Diane Alison Mitchell and the fight director is Kev McCurdy.
Press night: Thursday 21 May, 7pm
Live from Stratford-upon-Avon: Wednesday 22 July 2015
Press night: Thursday 11 June, 7pm
Live from Stratford-upon-Avon: Wednesday 26 August 2015
The RSC Ensemble is generously supported by THE GATSBY CHARITABLE FOUNDATION and THE KOVNER FOUNDATION
The BP £5 ticket scheme and BP Shakespeare Pass for 16 – 25 year olds gives access to £5 tickets for all RSC productions in Stratford-upon-Avon, London or on tour. Tickets can be booked in advance on the phone, online or in person with some availability for sale on the day of the performance.
Production Access Information: www.rsc.org.uk/visit-us/access.aspx
The Merchant of Venice
Saturday 4 July, 1.15pm & Friday 7 August, 7.15pm – Captioned Performances
Wednesday 29 July, 7.15pm & Saturday 22 August, 1.15pm - Audio described performances
Friday 17 July, 7.15pm & Wednesday 12 August, 7.15pm – Captioned Performances
Friday 10 July, 7.15pm & Saturday 25 July, 1.15pm – Audio described performances
Made in Stratford-upon-Avon - Seen around the world
Everyone at the Royal Shakespeare Company, from actors to technicians, milliners to musicians, plays a part in creating the world you see on stage. Our work begins its life at our Stratford workshops and theatres and we share it with audiences across the world through our touring, residencies and online activity. So, wherever you experience the RSC, you experience work that is made in Shakespeare's home town.
Shakespeare has been performed and celebrated in Stratford for centuries and the RSC has trained generations of the very best theatre makers since the Company was founded in 1961. We pioneer contemporary approaches to Shakespeare's plays, as well as staging the work of those who inspired him and the work of today's playwrights. www.rsc.org.uk
By Christopher Marlowe
Directed by Justin Audibert
Swan Theatre: 18 March – 8 September 2015
Press night: Thursday 26 March, 7pm
By John Ford
Directed by Matthew Dunster
Swan Theatre: 11 April – 24 June 2015
Press night: Monday 20 April, 7pm
Full casting is announced for the Royal Shakespeare Company's summer productions of The Jew of Malta and Love's Sacrifice, continuing a commitment to celebrate the work of Shakespeare's contemporaries in the RSC's intimate Swan Theatre.
Making his RSC debut Justin Audibert directs Christopher Marlowe's play of religious conflict and revenge, The Jew of Malta. Justin is the Artistic Associate for HighTide Festival Theatre and Red Ladder; his recent credits include Beached (Marlowe Theatre/Soho Theatre) and Hamlet (Watermill Theatre). Returning to the RSC, having played the title role in Gregory Doran's productions of Henry IV Parts I and II, Jasper Britton plays the complex Machiavellian protagonist, Barabas. The Jew of Malta plays in the Swan Theatre from March 2015 with a press night on Thursday 26 March.
Love's Sacrifice is directed by Matthew Dunster who also makes his RSC debut with this rarely performed thrilling revenge tragedy powered by the destructive force of unrequited love. Matthew is an Associate Artist at the Young Vic and his forthcoming production Liberian Girl opens at the Royal Court in January 2015. Staged for the first time in 400 years, Love's Sacrifice was the winning play of the Scholar's Pitch, a challenge set by RSC Artistic Director Gregory Doran for academics to suggest a forgotten 17th century play that would appeal to a modern audience.
At the centre of this tale of jealousy is the beautiful Bianca who will be played by Catrin Stewart, most well-known for her recent roles as Jenny Flint in Doctor Who and Emma in Ruth Jones' Sky 1 comedy drama series, Stella. Playing her devoted and jealous husband the Duke of Pavy, a character with echoes of Shakespeare's Othello, is Matthew Needham. Matthew returns to the RSC following the 2013 productions ofCandide and Titus Andronicus and is currently appearing in The Knight of the Burning Pestle at the Sam Wanamaker Playhouse. Love's Sacrifice plays in the Swan Theatre from April 2015 with a press night on Monday 20 April.
The productions are cross-cast. The cast for The Jew of Malta includes: Andy Apollo (Don Lodowick); Sheila Atim (Attendant); Jasper Britton (Barabas); Guy Burgess (First Knight); Beth Cordingly(Bellamira); Geoffrey Freshwater (Friar Barnadine); Marcus Griffiths (Calymath); Rhiannon Handy (Attendant); Simon Hedger (Merchant); Julian Hoult (Merchant); Matthew Kelly (Friar Jacomo); Annette McLaughlin (Katherine); Lanre Malaolu (Ithamore); Matthew Needham (Pilia-Borza); Steven Pacey (Ferneze); Richard Rees (Martin del Bosco); Colin Ryan (Don Mathias); Nav Sidhu (Callapine); Catrin Stewart (Abigail) and Gabby Wong (Abbess).
The cast for Love's Sacrifice includes: Andy Apollo (Ferentes); Sheila Atim (Julia); Guy Burgess (Nibrassa); Beth Cordingly (Fiormonda); Geoffrey Freshwater (Abbot); Marcus Griffiths (Roseilli); Rhiannon Handy (Colona); Simon Hedger (Guard); Julian Hoult (Attendant); Matthew Kelly (Mauruccio); Jamie Thomas King (Fernando); Jonathan McGuinness (D'Avalos); Annette McLaughlin (Morona); Matthew Needham (Duke of Pavy); Richard Rees (Petruchio); Colin Ryan (Giacapo); Nav Sidhu (Attendant); Catrin Stewart (Bianca) and Gabby Wong (Attendant).
The Jew of Malta is designed by Lily Arnold with lighting by Oliver Fenwick. The music is composed by Jonathan Girling with sound by Claire Windsor. Movement is by Lucy Cullingford and the Fight Director is Kev McCurdy.
Love's Sacrifice is designed by Anna Fleischle with lighting by Lee Curran. The music is composed by Alexander Balanescu with sound by Ian Dickinson. Movement is by Charlotte Broom and video design byDick Straker.
Press night: Thursday 26 March, 7pm
Press night: Monday 20 April, 7pm
The RSC Ensemble is generously supported by THE GATSBY CHARITABLE FOUNDATION and THE KOVNER FOUNDATION
tickets for 16-25s
The £5 ticket scheme for 16 – 25 year olds gives access to £5 tickets for all RSC productions whether we are performing in Stratford-upon-Avon, London or on tour. Tickets can be booked in advance on the phone, online or in person with some available for sale on the day of the performance. The scheme is supported by Project Partner, BP.
Access Information: www.rsc.org.uk/visit-us/access.aspx
The Jew of Malta
Thursday 14 May, 7.30pm & Wednesday 10 June, 7.30pm – Captioned Performances
Saturday 23 May, 1.30pm & Saturday 27 June, 7.30pm - Audio described performances
Love's Sacrifice
Friday 29 May, 7.30pm & Tuesday 23 June, 7.30pm – Captioned Performances
Saturday 13 June, 1.30pm & Wednesday 17 June, 7.30pm – Audio described performances
Made in Stratford-upon-Avon - Seen around the world
Everyone at the Royal Shakespeare Company, from actors to technicians, milliners to musicians, plays a part in creating the world you see on stage. Our work begins its life at our Stratford workshops and theatres and we share it with audiences across the world through our touring, residencies and online activity. So, wherever you experience the RSC, you experience work that is made in Shakespeare's home town.
Shakespeare has been performed and celebrated in Stratford for centuries and the RSC has trained generations of the very best theatre makers since the Company was founded in 1961. We pioneer contemporary approaches to Shakespeare's plays, as well as staging the work of those who inspired him and the work of today's playwrights. www.rsc.org.uk
Book Online - www.nottinghamplayhouse.co.uk
On tour across the UK from March 2015
Press Night: Tuesday 17 March, Nottingham Playhouse
Designed by Tom Piper; Movement
by Liz Ranken; Lighting by Olly
Fenwick; Sound and Music by Jon Nicholls
Award-winning theatre company Shared Experience, renowned for its boldly imaginative adaptations of literary classics, today announces full casting for the world première of Mermaid, its modern re-imagining of Hans Christian Andersen's classic fairy story of The Little Mermaid. Mermaid opens in Nottingham and tours to Leeds, Mold, Richmond, Cardiff, Southampton, Edinburgh, Watford and Oxford from 13 March to 23 May 2015.
Joining Natalie Gavin and Polly Frame, are Ritu Arya, Finn Hanlon, Miranda Mac Letten, Steve North, Amka Okafor and Sarah Twomey. Writer and director Polly Teale transports the story to a contemporary setting in this unique, new production which is designed by Tom Piper, who recently designed 'Blood Swept Lands and Seas of Red at the Tower of London'. Mermaid is a powerful coming of age story about love, loss and longing.
Shared Experience has created a pioneering, participation project around Mermaid and are recruiting young women between the age of 14 to 20 to perform on stage and create the sound of the mermaids' magical singing. In each of the cities the tour is visiting, Shared Experience is searching for a chorus of young women who will work with the company and become part of the production. The heart of the play explores coming of age and sexual awakening, and its themes centre on self-image and identity. Mermaid's young 'mermaids' will also take part in a nationwide project that accompanies the show that looks at the effect of the media on girl's sense of self and empowers them to challenge myths about femininity.
Ritu Arya plays Mermaid 2. Theatre credits include A Fire of Small Virtues (Arcola Theatre), Funk (Soho Theatre), Secret Cinema presents The Grand Budapest Hotel (Secret Cinema), The Collector (Gilded Balloon/ Arcola Theatre),Blood and Honour (Arts Theatre), Carpe Diem (National Theatre), Liar Liar (Unicorn Theatre) and O.K Tata Bye Bye (Royal Court Theatre).Television credits include Doctors, Sherlock 3: Sign of Three and The Tunnel. Radio includes In Aldershot for BBC Radio 4.
Polly Frame plays The Mother/Grandmer/Queen. Theatre credits include Arcadia (Tobacco Factory), Twelfth Night (Filter Theatre), Pastoral (Soho Theatre), After Miss Julie (Young Vic), The Crossing 66 Books (Bush Theatre), The Comedy Of Errors (Stafford Shakespeare Festival), Earthquakes in London (RNT), The Count of Monte Cristo (West Yorkshire Playhouse), Macbeth (Chichester, West End & Broadway), Home-Work (Bodies in Flight for Singapore Esplanade), A Response to Twelfth Night (Filter), The Prime of Miss Jean Brodie and Poor Mrs Pepys (New Vic), ACDC (Royal Court), Cleansed (Arcola), Who By Fire and Skinworks (Bodies in Flight), Seven and a Half Minutes of Happiness, Di-sect and Eve (Bristol Old Vic). Television credits include Man Down, The Tunnel, Coronation Street, Holby City, Doctors, The Curse of the Hope Diamond, Silent Witness, EastEnders, Bunny Town, Sea of Souls, Accused, Life Begins, New Tricks, Meet the Magoons, The Giblets, and Servants. Film credits include: Macbeth, Half Light, and Duplicity.
Natalie Gavin plays Blue. Theatre credits include the widely acclaimed production of The Crucible directed by Yäel Farber at The Old Vic and Bracken Moor (Shared Experience). Television credits include Prisoners Wives, The Syndicate and Shameless. On film, she portrayed a young Andrea Dunbar in The Arbor, the film about the late Bradford playwright, with other film credits including Hector, Jasmine, and The Knife That Killed Me. Radio credits includeWho Cares? for Radio 4.
Finn Hanlon plays Prince. Theatre credits include War Horse (national tour), A Midsummer Night's Dream, Twelfth Night, The Taming of the Shrew, Henry V and The Winter's Tale (Propeller), The Trial (Watford Palace Theatre),Private Peaceful (tour), Beautiful Thing (BAC), Once We Were Mothers (Orange Tree), Tartuffe and 'Tis Pity She's A Whore (Bristol Old Vic). Television and film includes Being Human, Not Me, and Tristan and Isolde.
Miranda Mac Letten plays Mermaid 1. After graduating from London Contemporary Dance School, Miranda became an apprentice for Punchdrunk's and the English National Opera's The Duchess of Malfi, and she has continued performing professionally in The Drowned Man: A Hollywood Fable, the biggest and most ambitious production yet from the award winning Punchdrunk. Site specific and immersive theatre has featured heavily in Miranda's career going on to be part of Bold Tendencies' Titus Andronicus, a collaboration with Parkour practitioners, beat boxers and actors. Other companies she has worked with include Secret Cinema, Smallpetitklein, Gideon Reeling. C-12 Dance Theatre, The People Pile and Bicycle Ballet. She is also founder of her own company kerfuffle Dance.
Steve North plays King. Theatre credits includes War Horse (RNT/West End), Meeting Joe Strummer (Edinburgh Fringe First Winner & National Tours), Pretend You Have Big Buildings (Royal Exchange, Manchester), Not The Love I Cry For (Arcola Theatre), and Fever Pitch (Arts Theatre & National Tour - nominated for Best Actor in the Manchester Evening News Awards). Television and film includes: War Horse NT Live (National), Holby City, Doctors, Doctor Who: A Christmas Carol, Mongrels, EastEnders, The Bill, Whistleblower, Casualty, Midsomer Murders, Sense & Sensibility, Murphy's Law, Is Harry On The Boat? and London's Burning.
Amaka Okafor plays Mermaid 3. Theatre credits include Glasgow Girls (Glasgow Citizens and Stratford East), The Snow Queen, The Three Musketeers, Beauty and the Beast, The Tempest, Cinderella (Unicorn Theatre), Dr Korczak's Example (Manchester Royal Exchange and Arcola), The Bacchae (National Theatre of Scotland), Branded (Old Vic), Tracey Beaker Gets Real (National Tour, Nottingham Playhouse Theatre). Television includes the regular character of Jasmine in the BBC children's series Grandpa in my Pocket, The Bill and Doctors.
Sarah Twomey plays Little Mermaid. Sarah graduated from the Royal Academy of Dramatic Art last year, and Mermaid will mark her professional stage debut.
Since 1976, Shared Experience have pioneered a thrillingly distinctive performance style that celebrates the union of physical and text based theatre. It was Shared Experience's work in the 1970s that sparked the contemporary British interest in stage adaptations of literature, with landmark productions of Arabian Nights and Dickens's Bleak House. Since 1987 continuing with Nancy Meckler and Polly Teale, the company has produced acclaimed adaptations of Jane Eyre, War and Peace, A Passage to India, Orestes - Light and Blood, War and Peace, Mill on the Floss, Anna Karenina, Gone to Earth and critically acclaimed new writing such as After Mrs Rochester, Bronte, Speechless, Mary Shelley and now Mermaid.
Polly Teale (writer and director) has created a unique body of work that has won critical and audience acclaim with productions transferring to the West End and touring internationally. An award-winning theatre practitioner, she has been joint artistic director of Shared Experience since 1995. She authored a number of original plays and stage adaptations. Her seminal 1997 adaptation of Charlotte Bronte's novel Jane Eyre was followed by After Mrs Rochester, her original play about the author Jean Rhys being locked in a room with Bronte's mythical mad woman. For this production Polly won the Evening Standard Award for Best Director and the Time Out Award for Best West End Production. Polly is currently working as Director on a feature film based on the Brontes.
Tom Piper (designer) is an award-winning designer and is the Associate Designer of the RSC. His recent work there includes Antony & Cleopatra (RSC/Miami/New York), Boris Godunov, Much Ado About Nothing, Macbeth And City Madam, the Histories Cycle (Courtyard Theatre and at the Roundhouse), designing Richard II, Henry IV – Parts 1 And 2, Henry V, Henry VI – Parts 1, 2 And 3, and Richard III - for which he won the 2009 Olivier Award for Best Costume Design and was nominated for the 2009 Olivier Award for Best Set Design - , As You Like It, The Grain Store, The Drunks and Antony And Cleopatra. Other recent designs include: Hamlet, Libertine, King Lear (Citizens Theatre, Glasgow); Bakersfield Mist (West End); Red Velvet (Tricycle Theatre & New York); Bracken Moor (Shared Experience & Tricycle Theatre); Goodbye To All That (Royal Court Theatre & Theatre Local); Richard III, The Tempest and As You Like It (Bridge Project at BAM and the Old Vic); Dealer's Choice (Menier Chocolate Factory and West End); Plough And The Stars, The Crucible and Six Characters In Search Of An Author (Abbey, Dublin). Tom is the designer for the critically acclaimed exhibition, Blood Swept Lands and Seas of Red at the Tower of London. Tom collaborated on the exhibition Shakespeare: Staging the World in 2012 as part of the Cultural Olympiad.
Mermaid is a co-production between Shared Experience and Nottingham Playhouse Theatre Company.
Theatre Walk
Eagle Centre
For more details or individual advice/help - email: firstname.lastname@example.com


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Custer County commissioners took official action Monday to terminate the half-cent county sales tax passed approximately 3½ years ago by voters to help pay a $10-million civil judgment against the county. However, the tax won't end until June 30.
A poster depicting all the Presidents of the United States who were wrestlers adorns the office window of head coach Shawn Finch, where it faces the Clinton High wrestling room for all his grappler
Clinton High School Legal Teams have kicked off their season with scrimmages against other schools, teacher coach Kathy Kelley said.
Arapaho-Butler basketball teams weren't the only residents of their towns who had a busy weekend;
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Clinton, OK 73601
Phone: 580-323-5151
Fax: 580-323-5154