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Munich + Bavaria
Things to do in Munich + Bavaria
The big open space atop the long Lufthansa check-in desk is home to an in-house art gallery, which features a changing cast of Munich-based artists. The endless white walls are an ideal context for big-scale canvases—and you're not likely to see these artists anywhere else.
Housed in two adjoining buildings in the Allstadt district, this contemporary art gallery is one of the largest in Germany. Originally established in 1851, the Bayerischer Kunstgewerbe-Verein (Bavarian Arts & Crafts Association) was founded to promote the work of local craftspeople.
A car-delivery center accessorized with restaurants and shops. The swooping glass-and-steel leviathan, designed by Austrian firm Coop Himmelb(l)au, looks like a spaceship touching down.
Low-stakes gambling (slot machines and video card games) are legal in Germany, but in typical German fashion, the airport location of this casino chain is spotless to the point of being sterile. Video slots and card games accept bets starting at one euro.
Internationally renowned jeweler that also makes objects in iron and rock crystal.
A bustling boîte in the fashionable Glockenbach neighborhood where a herd of wall-mounted plastic animals is the primary décor.
A car-delivery center accessorized with restaurants and shops. The swooping glass-and-steel leviathan, designed by Austrian firm Coop Himmelb(l)au, looks like a spaceship touching down.
Germany's big name in international fashion, known for its sober, clean-lined business and leisure wear, has multiple boutiques in the airport that feature a range of Hugo Boss, Boss Women, Boss Black, and Boss Orange clothing (smart, black suits and candy-colored dresses from about $600 and $450
Olympic Pedigree: 1972 Games' home to track and field, boxing, weight lifting, archery, modern pentathlon, swimming, wrestling, cycling, fencing, handball, gymnastics, judo, soccer, and volleyball.
One-of-a-kind shop with art and furnishings made of 100 percent wool felt.
Once per decade since 1634, the Bavarian village of Oberammergau has put on the Passion Play—a performance that recounts the life of Jesus. The next show is in 2010. Tickets are hard to get, but are included on itineraries from Tauck.
For years, the German label with the French name had a slogan—"Unfortunately expensive"—that defined its niche perhaps too sharply. Fabrics are rich, colors conservative (navy blue and gray dominate), and the tailoring modern.


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Drywall tape problem where wall meets ceiling
janralixJanuary 9, 2012
In a 35-year-old apartment bathroom I have a situation where the drywall tape in the wall/ceiling juncture is coming loose on the ceiling. In other words, there is a crack where the tape is letting loose on the ceiling. It's not a hairline crack - it has already separated.
Is there a quick and easy way to fix this? The ceiling is textured (not popcorn, but the old-style "stomped" and painted mud) and I really don't want to get into re-doing that if I can help it.
Wet the area to soften things up, push it down and put a coating of joint compound over it. See if that will get it. I don't know how much luck you'll have with an epoxy, but good luck

subset: commoncrawl


text:
Guilherme Carmona Universidade Nova de Lisboa Faculdade de Economia Campus de Campolide 1099-032 Lisboa Portugal phone: (351) 21 380 1672 firstname.lastname@example.com http://docentes.fe.unl.pt/∼gcarmona Education 1997–2002 Ph.D. in Economics, University of Minnesota. 1991–1996 Licenciatura in Economics, Universidade Católica Portuguesa. Research Interests Economic Theory, Game Theory, Money and Banking, Financial Economics Employment 2002–current Assistant Professor, Department of Economics, Universidade Nova de Lisboa. 2000–2002 Instructor, Department of Economics, University of Minnesota. 1995–1997 Teaching Assistant, Department of Economics, Universidade Católica Portuguesa. Publications 2008 Intermediate Preferences and Behavioral Conformity in Large Games, Journal of Public Economic Theory, forthcoming. 2008 Purification of Bayesian-Nash Equilibria in Large Games with Compact Type and Action Spaces, Journal of Mathematical Economics, forthcoming. 2008 Repeated Games with One – Memory (with Mehmet Barlo and Hamid Sabourian), Journal of Economic Theory, forthcoming. 2008 A Remark on the Measurability of Large Games, Economic Theory, forthcoming. 2008 On the Full Dimensionality Assumption for the Discounted Folk Theorem, Economics Letters, 99, 357-359. 2008 Large Games with Countable Characteristics, Journal of Mathematical Economics, 44, 344-347. 2007 Bank Failures Caused by Large Withdrawals: An Explanation Based Purely on Liq- uidity, Journal of Mathematical Economics, 43, 818-841. 2006 A Strong Anti-Folk Theorem, International Journal of Game Theory, 34, 131-151. 2005 On Games of Perfect Information: Equilibria, ε−Equilibria and Approximation by Simple Games, International Game Theory Review, 7, 491-499. Publications (cont.) 2005 On the Existence of Equilibria in Discontinuous Games: Three Counterexamples, International Journal of Game Theory, 33, 181-187. 2004 On the Purification of Nash Equilibria of Large Games, Economics Letters, 85, 215- 219. Submitted papers • Polytopes and the Existence of Approximate Equilibria in Discontinuous Games, sub- mitted to Games and Economic Behavior, 4rd round. • Existence of Equilibrium in the Common Agency Model with Adverse Selection (with José Fajardo), submitted to Games and Economic Behavior, 2nd round. • Nash Equilibria of Games with a Continuum of Players, submitted to the International Journal of Game Theory. • Equilibrium Outcomes in Repeated Two-Person, Zero-Sum Games (with Luís Car- valho), submitted to the International Journal of Game Theory. • On the Existence of Pure Strategy Nash Equilibria in Large Games (with Konrad Podczeck), submitted to the Journal of Economic Theory. • An Existence Result for Discontinuous Games, submitted to the Journal of Economic Theory. Working papers On Social Institutions, Risk Sharing and Monetary Trading. • On the Optimality of the Equality Matching Form of Sociality, with Hamid Sabourian. • Social Norms and Monetary Trading, wp 418, Nova. • On the Notion of Social Institutions, wp 421, Nova. On Banking. • Bank Failures Caused by Great Depressions, with Pedro Amaral. • On the Existence of Equilibrium Bank Runs, with Luís Vasconcelos. On Game Theory. • Bounded Memory with Finite Action Spaces, with Mehmet Barlo and Hamid Sabourian. • Strategic Behavior In Large Games, with Mehmet Barlo. • Two Simple Proofs of a Theorem by Harris, wp 486, Nova. • Time Dependent Bounded Recall Strategies Are Enough to Play the Discounted Re- peated Prisoners' Dilemma, with Mehmet Barlo, wp 449, Nova. • Limit Equilibria of Games with a Continuum of Players. • Characterizing Equilibria in Economies with a Continuum of Agents. Courses taught Nova Graduate courses: Game Theory, Microeconomic Theory, Advanced Macroeconomics Nova Undergraduate courses: Game Theory, Information and Games, Monetary Economics, Calculus, Economics of the Uncertainty and Information Minnesota Intermediate Money and Banking, Principles of Microeconomics, Intermediate Macro- economics Thesis committees 2008 João Aguilar, Diogo Moreira, João Carp, Pedro Robalo, João Figueiredo, Luís Sobral, António Pista, Madalena Santos, Ana Gonçalves, Luís Gouveia (M.A., Nova). 2007 Ana Simões, Marília Araújo, Ana Paquete (M.A., Nova). 2006 Sara Alexandre, Márcia Oliveira (M.A., Nova). 2004 Sandra Gomes (M.A., Nova). 2003 Nuno Gouveia, Nuno Alves (Ph.D., Nova). Awards and scholarships 2008–2009 Research Grant "Optimal Agency Contracts," project leader (with Luís Vasconcelos), FCT, Portugal. 2006, 2007 Research Grant, Nova Fórum, Portugal. 1997–2001 Doctoral Studies Scholarship, FCT, Portugal. Invited presentations 2008 University of Cambridge (Cambridge, UK), Third World Congress of the Game Theory Society (Evanston, USA), Arrábida Workshops on Complexity (Arrábida, Portugal). 2007 SAET Meeting (Kos, Greece). 2004 Universidade do Minho (Braga, Portugal), Sabancı University (Istanbul, Turkey), Southern Methodist University (Dallas, USA), Universität Basel (Basel, Switzerland). 2003 European Central Bank (Frankfurt, Germany), SAET Meeting (Rodos, Greece), SED Meeting (Paris, France). 2002 Federal Reserve Bank of Atlanta (Atlanta, USA), Cornell University (Ithaca, USA), Queen's University (Kingston, Canada), University of Iowa (Iowa City, USA). 2001 Universidade Nova de Lisboa (Lisbon, Portugal), Universidade de Aveiro (Aveiro, Portugal). Conference presentations 2008 17th European Workshop on General Equilibrium Theory (Paestum, Italy), 2nd Annual Meeting of the Portuguese Economic Journal (Évora, Portugal), EEA Meeting (Milan, Italy). 2007 Reciprocity: Theory and Facts (Verbania, Italy), 16th European Workshop on Gen- eral Equilibrium Theory (Coventry, UK), EEA Meeting (Budapest, Hungary), Asset (Padova, Italy). 2006 Asset (Lisbon, Portugal), EEA Meeting (Vienna, Austria). 2005 Public Economic Theory Meeting (Marseille, France), 14th European Workshop on General Equilibrium Theory (Zurich, Switzerland). 2004 Asset (Barcelona, Spain), European Meeting of the Econometric Society (Madrid, Spain), Second World Congress of the Game Theory Society (Marseille, France). 2003 Asset (Ankara, Turkey), European Meeting of the Econometric Society 2003 (Stock- holm, Sweden), 12th European Workshop on General Equilibrium Theory (Bielefeld, Germany). 2002 Asset (Paphos, Cyprus), Game 2002 (Tilburg, Holland). 2001 XIV Italian Meeting on Game Theory and Applications (Ischia, Italy). 2000 V Workshop on Macroeconomic Dynamics (Vigo, Spain). Organization of conferences 2007 Organizer of the Inova Seminars, Nova 2006 Co-organizer of the 15th European Workshop on General Equilibrium Theory, Nova 2005 Organizer of the Summer School on Game Theory, Nova 2005 Organizer of the Summer School on Modeling the Evolution of the World Economy, Nova Refereeing Review of Economic Studies, B.E. Journal of Theoretical Economics, Discrete Applied Mathematics, Economic Theory, Games and Economic Behavior, Journal of Economic Theory, Journal of Mathematical Economics, Portuguese Economic Journal, Revista Brasileira de Economia. Supervision 2006–2008 Doctoral research by Luís Carvalho, Nova 2008 Master-level research by António Pista, Nova 2008 Master-lever research by Luís Sobral, Nova
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Willennar Genealogy Center Facebook Page
DeKalb County IN Genealogy Society
Indiana Genealogy Databases, Indexes, & Internet Resources by County
Family Search: Family Search is a free database provided by the Church of Jesus Christ of Latter Day Saints. You do not need to register to search, but you must register in order to build and save a family tree.
Ancestry.com: To use Ancestry, with no additional cost, you can use our subscription available at the Genealogy Center.
10:00 a.m. - 5:00 p.m.
12:00 p.m. - 8:00 p.m.
Thursday - Saturday
10:00 a.m. - 5:00 p.m.
Item Requests
If you would like to request an item for interlibrary loan or for the library to purchase, please do so here.
If you would like to request a meeting room or register for a program, please email our Information Desk at firstname.lastname@example.com or call at 260-925-2414 ext. 120
February 14, 2015
Eckhart Winter Research
Are you looking for something to warm up your winter? Make reading and research your winter sports at Eckhart Public Library.
Readers and researchers of all ages can earn prizes for six weeks as part of Eckhart Winter Read, Monday, January 5, through Saturday, February 14.More information about Eckhart Winter Read can be found on Charlie Chat!
September 10, 2014
Family History Fall Bootcamp
The Willennar Genealogy Center is offering a Family History Fall Boot Camp! If you want to learn more about researching family history or genealogy, this is the course for you!"Boot camp" runs for four Wednesdays in a row. Attendees will watch a 30-minute DVD lecture by Dr. John Philip Colletta, a genealogy professor, and then, with the help and guidance of Willennar Genealogy Center staff members, including supervisor Jenny Kobiela-Mondor, will be able to begin putting what they learned into practice using Willennar Genealogy Center materials.
July 16, 2014
John Martin Smith Collection Presentation
Staff of the Willennar Genealogy Center will give a presentation on their current work with the John Martin Smith Collection next week.
Genealogy assistant Mike Mapes will give a short talk at 6 p.m. Wednesday, July 16, at the Sinclair Station at 1304 N. Main Street.
The talk will be followed by an open house, where guests will be able to take a closer look at various items of interest from the collection. Genealogy interns Amber Braun and Chelsea Molin will be available to talk about their work with the collection and answer questions.
Guests will also have the opportunity to learn how they might get involved through volunteering.
|Friday, April 3rd
|10:00 AM Library Closed: Spring Break
|Wednesday, April 8th
|6:00 PM Family History Boot Camp: Part One
|Tuesday, April 14th
|6:00 PM Board of Trustees Meeting - April
|Wednesday, April 15th
|6:00 PM Family History Boot Camp: Part One
|Wednesday, April 22nd
|6:01 PM Family History Boot Camp: Part One
|Saturday, April 25th
|2:00 PM Research Your House
|Wednesday, April 29th
|6:00 PM Family History Boot Camp: Part One
|Monday, May 11th
|6:00 PM Board of Trustees Meeting - May
|Wednesday, May 13th
|4:00 PM Friends of the Library May Book Sale: Friends Member Exclusive
|Thursday, May 14th
|10:00 AM Friends of the Library May Book Sale


text:
Learn how easy it is to sync an existing GitHub or Google Code repo to a SourceForge project! See Demo
bock+uml@... said:
> The modular version with debuging enabled works fine, but the version
> I'd like to use (without debuging) oopses:
> Kernel panic: Kernel mode fault at addr 0x4280e000, ip 0x400e3958
Stack trace?
Dear list,
I've got a stupid bug in my recent 2.4.22-6um kernel.
I'm running 2.4.23 with skas3 on the host (a via epia/666 with 256MB
Ram), have TEMPDIR on tmpfs and try to run 2.4.22-6um patched with mppe
and super-free-swan.
The static version (e.g. no modules) works fine, but I've to choose
between mppe or freeSwan (as both defnie sha1 / md5 and i'm not able t
link both).
The modular version with debuging enabled works fine, but the version
I'd like to use (without debuging) oopses:
Kernel panic: Kernel mode fault at addr 0x4280e000, ip 0x400e3958
shortly after starting klogd
daemon klogd -u syslog
when started during boot it's unable to print [ok], when started from
the shell it sometimes returns to the input prompt but panics right
i've suspected faulty memory, but running memtest86 for 12 runs did not
turn up any error.
Starting more programs on the host, to change the memory map did not
help either.
Any ideas how to debug this?
OTOH: if I would be able to use super-freeswan, pppoe (rp-pppoe) and
pptp with mppe from a not modular kernel I'd be even more happy.
But I only got linux-2.4.19-openssl-0.9.6b-mppe.patch and can't
find a more recent version.
BTW: I'm running Trustix 2.0 on both host and instance.
/"\ Goetz Bock at blacknet dot de -- secure mobile Linux everNETting
\ / (c) 2003 as GPL 2.0
X [ 1. Use descriptive subjects - 2. Edit a reply for brevity - ]
/ \ [ 3. Reply to the list - 4. Read the archive *before* you post ]


text:
FULL RESOLUTION - 778x1024
News » Published months ago
Is this Natalia Velez the Actor?
Share your thoughts on this image?
28th February 2015 @ 05:06am
Natalia Velez's Don Juan magazine cover photo is creating further discussion about her as a potential actress in movies both in Latin American and North ...
12th August 2014 @ 10:24am
Colombian model Natalia Velez has revealed her concerns about climate change
PAST NEWS Get To Know: Natalia Velez
22nd July 2012 @ 01:14pm
Natalia Gutierrez Velez is one of the hottest models around at the moment.


text:
The transmission drive selector module may fail resulting in the loss of gear selection capability. This condition can leave the vehicle stranded, and will require replacement of the drive selector module.Google+
Car Problem Reports
Mercedes-Benz GL550 The Transmission Drive Selector Module May Fail
Mercedes-Benz GL550 Problem
7 Reports
Model Years Affected: 2008, 2009, 2010
Average Mileage: 62,333 mi (40,000 mi - 87,000 mi)
Visitor, 2008 Mercedes-Benz GL550, 87,000 mi
Car stopped and would not move neither forward or backward. Turned
Engine off and restarted and could moved it slowly to my home 2 miles away
Had it towed to Mercedes and after days the came back and said that I needed
To change the transmission.
Myrnest, 2009 Mercedes-Benz GL550, 60,000 miRookie
Warning message states car not in park when it is, then will not shift to drive or reverse. This happens then it work then it does'nt.
Visitor, 2010 Mercedes-Benz GL550, 40,000 mi
It would not shift out of park, no lights came uo the dash. We had the Drive Selector Module replaced.


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(P5) 'March of the Fallen' p.2
Credits & Info
- Date
- 07/15/2007
- File Info
- Song
- 2 min 38 sec
- Score
- 3.76 / 5.00
Related Content
Heard in 1 Entry!
View all submissions featuring this audio file.
You might also enjoy:
Licensing Terms
- Attribution:
- You must give credit to the artist.
- Noncommercial:
- You may not use this work for commercial purposes unless you make specific arrangements with the artist.
- Share Alike:
- If you alter, transform, or build upon this image, you may distribute the resulting creation only under a license identical to this one.
- Score:
- Rated 3.76 / 5 stars
- Plays & Downloads:
- 3,836 Plays | 409 Downloads
- Share Links:
- Genres:
- Easy Listening - Classical
- None
Author Comments
Rated 4.5 / 5 stars
Well, after listening to all of the many songs that were featured in the Paladin flashes, it's great to know that the last one turned out to be my favorite of them all! Thank you for all of the work you put into making these!
Rated 5 / 5 stars
man, you have awesome audio skills, keep up the good work =)
Rated 5 / 5 stars
Another Brilliant Song
Again man im loving your music. I think, Scratch that. I AM going to download these and put them onto my iPod. Lovin' it keep up the good work


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Aspiring internet DJ's, the Washington Post's got a crash course in how to record your own podcast (downloadable audio show). Now anyone with an internet connection can listen to the sound of you making lunch! Don't you just love the internet? (Photo by Make magazine's Phillip Torrone.)
Hosts of other popular chats
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Welcome to the website for Christ the Redeemer Lutheran Church and Preschool in Brecksville, Ohio! A member of the Evangelical Lutheran Church in America (ELCA), our congregation's mission is to engage people in the ministries of worship, learning, witness and service that the Word of God in Jesus Christ may transform their lives. CRLC is a congregation that draws people to the transforming love of Christ through opportunities for diverse worship and learning, spiritual growth, personal stewardship and service to the community and the world.
CRLC Members: Please sign in to access Weekly & Monthly Insights, and Pictures of Events. Photos can also be viewed on the Individual Ministries pages.
Mid-Week Lent 2015
Again this year we plan to have a light meal, a time for fellowship and
a study prior to the worship service. This will begin on the week
following Ash Wednesday (February 25th).
The meal time will begin at 6PM.
The Wednesday night study this year will be "Fear" – How does fear permeate into our daily lives? How do we identify it? What do we do with it? Each week we will spend some time with
each of the themes as noted below, these will also serve as the subject of the worship homily as we see this around those who dealt with Jesus.
Themes for our upcoming Wednesday worship services:
ASH WEDNESDAY – February 18th
The Imposition of Ashes & Worship – @ 7:00 PM
WEDNESDAY – February 25th @ 7:00 PM
"Fear of Shame… Fear of Affirmation"
WEDNESDAY – March 4th @ 7:00 PM
"Fear of Rejection….Fear of Acceptance"
WEDNESDAY – March 11th @ 7:00 PM
"Fear of Failure… Fear of Success"
WEDNESDAY – March 18th @ 7:00 PM
"Fear of Loneliness… Fear of Intimacy"
WEDNESDAY –March 25th @ 7:00 PM
"Fear of the Unknown…Fear of the Known"
PASSION/PALM SUNDAY – March 29th
MAUNDY THURSDAY – April 2nd @ 7:30 PM
GOOD FRIDAY – April 3rd @ 7:30 PM
EASTER VIGIL - April 4th @ 7:30 PM
SUNRISE: 6:30AM in the outdoor chapel
The Crosswalk and Outdoor Chapel is open! The snow covered branches are beautiful!
Camp Mowana: Sunday, March 15, 2015; 11:00 am - 4:00 pm
Come and experience a fun-filled free day of camp! Play games, make a craft, tour the grounds and facilities, meet some summer staff, sing songs and have your questions answered. This is a great opportunity for people new to camp to have a sneak preview of what camp is like or for campers from previous summers to come back and enjoy camp and to bring a friend. A great summer camp program sampler. Please plan to join us for worship at 11:00am. Lunch begins at noon and snack food is available throughout the day. Everyone is invited. Please bring a friend. Call the camp for more information at 419-589-7406. It is located near Mansfield off Rt. 71.
Kaley O'Donnell, Pastor Randy's daughter, is currently serving in the YAGM (Young Adults in Global Mission) program of the Evangelical Lutheran Church in America (ELCA) in the United Kingdom in Streatham, a suburb of London. She began her term in August 2014 and will serve in the mission field for one year. (Marikka Pretz-Anderson and Jackie Schuhle also participated in this ministry.) You can follow Kaley on her blog at http://teacupsandtestament.blogspot.com/
Click here to read Kaley's most recent newsletter.


text:
Vuthy "Woody" Kuon – author, illustrator, cartoonist, publisher, and speaker visits Johnston McQueen, tells students how one teacher made a difference in his life. By Diane Perkins Vuthy "Woody" Kuon recently spoke and autographed books at Johnston-McQueen Elementary School. Kuon was born in Cambodia in the 70's during the civil war. His entire …
Tag Archive: Cambodia
May 08 2012
It takes one "good" teacher
May 8, 2012
Permanent link to this article: http://www.easttexasreview.com/it-takes-one-good-teacher/
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Description: Designed for Michael Miller Fabrics, this cotton print feature large tossed daisies. Colors include citron, white and grey. Daisies are about 5.00''. Use for quilting and craft projects.
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New to Typophile? Accounts are free, and easy to set up.
hi everyone.
i posted here a little in the past, (hopefully more in the future).
my name is yaron and im a 25 years old design student from israel.
im now working on a fake rebranding for a left-wing non-partizan israeli organization that demonstrates for peace, human rights and against the israeli wall.
the original organization, still active in israel is "gush shalom" (something like peace-block) and i have renamed it to "peace core" as in "hard core", but also a core of which peace grows from.
it's an exercise in the design school and not for real, but it's a very interesting
task that combines rebranding, type handling, and advertising.
im now working on the logo that combines three languages - hebrew, arabic and english.
the logo is intended to be united (by using similar graphic language in each font), inseperable (thus naturaly connected by using ligatures between the languages) and strong (by using bold wheights, because the organization is considered a militant [but non violent] organization for peace).
my biggest problem is designing in arabic, sadly i don't know arabic. i don't know what's cool inarabic or what good fonts can assist me. only for the logo, the task is quite hard, as i try to make the connection flow in harmony.
a good guy from lebanon assisted me and found for me an arabic type called "S kira" which can be good with some thickening and adjustments.
the hebrew type is "extrim black".
and the english one is "Futura LT ExtraBold".
im open for any type/composition/linguistic suggestions. i also need names for three good fonts that are good for text (and the slogan below the logo).
previous sketches :
and here: http://www.flickr.com/photos/yaronimus/367882739/
i have attached a PDF file of the recent sketches.
thank you all.
|logo sk1.pdf
I no nothing about arabic/arabic fonts but the logo is tough man, I really like it. I can see it now spray painted on the side of a white Toyota landcruiser covered with road dust, shimmering in the heat haze,
You have combined the three scripts really well, which is an accomplishment--congratulations.
My only question would be about the very bold letters. Your current logo looks very aggressive, which I think conflicts with the concept of peace. I would think that for the concept you would want something with more balance and repose--more classic in feel rather than aggressive-modern.
William, it depends whether one thinks this juggernaut of warmongering can best be stopped gently or aggressively. In making this judgement one might take into account how much real effect the most recent round of US voting has had...
Yaron, good call posting this here. I see you've changed things around. One thing I preferred in the old one is the counter-balancing of the ordering of the languages between the main logo and the subtext; in this one I would put the Hebrew first and the Arabic second in the subtext.
Otherwise though this is a nice improvement. Some suggestions:
1) I don't know enough about Hebrew type, but in terms of style it seems well-matched to the Arabic. The English however is too mainstream, not rigid enough; instead of Futura I'd use something like DIN, ot maybe something a little bit softer, and more contemporary, like Klavika*.
2) I would close up the gaps around the Arabic "seen" at the baseline - it's inappropriately unconventional this way. I think the Hebrew (and certainly the English, even if you change it to something like Klavika) is relatively conventional, no?
3) Considering the "tah-marboota" (the last letter of the first word in the Arabic) only occurs as the last letter of a word, I'd close up the wordspace, maybe even completely, or almost completely. The Hebrew and English are enjoying a nice tightness, and the Arabic could too.
4) By being absorbed into the Arabic "meem", isn't the top-left letter in the Hebrew getting lost, causing confusion? Maybe the word is clear enough thanks to context and familiarity however.
5) I know the Arabic font you're using in the main logo has a little bit of a readability issue, but I think you should try to use it in the subtext too - the Hebrew and English fonts are the same after all.
6) In the main logo, the Arabic is too strong - try shortening the ascenders.
7) In the subtext, the English should be a bit darker, and the wordspace greater (or maybe better: lesser in the Arabic and Hebrew).
8) I would right-justify the bottom two lines in the main logo (to get the two "E"s lined up, avoiding that distracting slight difference).
* http://www.processtypefoundry.com/typefaces/klavika/index.html _
If expense is an issue, you might get Eric to donate an EPS of your setting,
seeing as how it's for a good cause. But it's a great font to own too.
Good luck with the effort, and I don't mean just the logo!
I don't know anything about non-english characters, but it's my understanding that even the slightest change could alter their meaning; so I would be cautious of your "multilingual ligatures."
With that said, I do think it's a very powerful mark. I think the aggressiveness that William is talking about is what, to me, makes the logo stand out. It's soaked in irony. In the U.S. especially (thanks to the media), many (ignorant) people see the Middle East as dangerous and threatening. So associating this belief with peace creates a more memorable mark. Much MUCH better than using a dove or an olive branch! ;) It's very masculine, which also sets it apart from the cliche delicate peace logos.
I also agree with Nicholas - I'd love to see it spray painted on the sides of buildings and sidewalks.
Nice work.
> even the slightest change could alter their meaning
It depends on the script. I wouldn't:
1) characterize it as "slightest change" in general.
2) say that Latin is less susceptible to this than average.
Natural languages have a lot of redundancy (English is like 50%)
so context and familiarity tend to forestall any potential confusion.
It is interesting to compare the logos of the real organizations.
Here is the Hebrew version of the Gush Shalom logo. This combines cursive and square Hebrew letters pretty successfully.
However, the international version is a bit of a mess.
The international logo of the organization Peace Now makes more of an effort, but still is not so good. The serif 'shalom' with the bold sans 'achshav' [now] in Hebrew works, but they don't do the same with the mirrored English, spoiling the balance of the logo.
Your real logo for a fake organization is much better. I think the real ones need you, Yaron!
> the Gush Shalom logo. This combines cursive and square Hebrew letters pretty successfully.
Bill -- I don't think so. This is kinda fine -, ah 'nice' try.
[> The international logo of the organization Peace Now
The link isn't right ]
David, thanks, I fixed the link. You're right of course on the combination of cursive and square letters being weak. I was being too generous, because at least they were trying! 'Nice Try' is much closer to the mark.
No problem :)
> The serif 'shalom' with the bold sans 'achshav' [now] in Hebrew works,
BTW, the serif is Koren (a forerunner of the full Koren Bible); the bold sans is Haim
wow, thank you all!!
nicholas gross - thank you!! i do feel that the logo has a real problem with the composition, something in it looks to "stacked" rather than really placed in order.
William Berkson - well it's all about the attitude of the organization. they claim to be a militant organization for peace, so the type matches the feel they want to promote. it's a choice i could made between a more smooth and reconciliation feel, and a more "we have to unite and fight (with no violence offcourse) for it".
living in israel, i have to say that the 90's were all about dreams for peace, thus the dove and olive branch. people were hopefull that the next decade will be different. the word peace was used many times. but in time i think both sides got more cinical, apathic, and desperate about the current situation. i personaly feel, that a shout would do more than a wisper. there is an israeli song that goes something like this: "sing, a song for peace, don't whisper a prayer. sing, a song for peace, in a great shout".
hrant - your helping is awesome. you are right about the english type. i think it's boring, it has no "personality" and i believe it will create problems in the future because it has no interesting features to use. however the DIN font has no wheight that is black enough to match the others. i haven't seen any suitable wheights from that family and neither does klavika. any other ideas for an english font would be welcomed.
im working on the the other things you mentioned as well righ now, so i will get back here with the changes as soon as im done.
sch2525 - thank you, that's exactly what i wanted to say in the logo.
i will add and just say that yitzhak rabin, once an israeli prime minister that was assasinated was well known as the "soldier of peace" for his actions for peace. this is a kind of explanation to what i want the logo and the rebranded organization to express. it's all about uniting fiercly and non violently for peace.
a question - is there a way to actualy show the images i attach here, inside the post, (rather than just being a link)?
thank you so much william!!
however, i believe i have much work on it.
it's so strange about the "shalom achshav" logo. it was designed by one of israel's most celebrated designers - dan reisinger. you'd expect to find a better combination in the english and arabic designs. i remember saying that to myself when i did the initial research.
>dan reisinger
He's the fellow who did the wonderful El Al logo, right? That combines Latin and Hebrew script so well. Maybe he did just the Hebrew logo, and the English and Arabic were tacked on later? The full thing is unbalanced.
yep. reisinger the original el al designer. you should see his other designs for el al. some of them are so cool.
but i was miss-informed - the "peace now" ("shalom achshav") logo was designed by another famous israeli designer - david tartakover.
sorry, my bad..
Very dark weights in a semi-rigid contemporary design: somebody help!
> david tartakover
I think he was once featured in Baseline magazine,
and I remember liking a good deal of his work.
Hi, just a little update, i've tried using a different font for the english, it's called "Aachen". I don't think it's good for this logo though, i think the previous trial was better (with that mainstream font).
any suggestion for a suitable english font? (perhaps slab serif but not condenced looking and offcourse black).
What happened?! I think this is worse in a bunch of ways, sorry! The hole between the Hebrew and English, the distracting serifs in the English, the collision between the Arabic and English... Retreat! RETREAT!!! :-)
yes sir! :D
I agree fully with hrant. The English looks too detatched. And the 2nd Arabic character from the right creates a messy area where it contacts with "C-E" in Peace, unlike where the Arabic connects to the Hebrew, which flows very well.
still i have a huge problem with the composition, i cannot proceed untill i sort it out. it doesn't align in a nice way.
note the problematic difference between the letter P and the hebrew letter that is attached to it - "gimel". the inner space of the P is not aligned with the letter.
is the arabic changes good HRANT?
still the lower (subtext) part is unfinished. this is rebranding, so i have been thinking of using different fonts for the lower part - more readable fonts, so i'll have a kind of "set" of two fonts for each language - head line font and text font, (that will be kind of consistent throughout the language - hebrew text font will match the english and arabic in form).
why can't i insert pdf's here?
You must edit your original post and insert them there. PDFs only attach in the original post.
hi miss tifany, do you meen in the first message opening this thread?
Hi. Yes that is what I meant.
> it doesn't align in a nice way.
Agreed, although alignment shouldn't be allowed to become the goal. Don't aim for perfection; not because it's unattainable, but because it's bad for you.
To me the main alignment issue is that the Arabic is too far to the right, which is exaggerated due to the descender of the "meem". What I would do is push the descender of the meem further out and shorten it to the bottom of the first line of Hebrew/Arabic. Going further, I'd probably move the first word in the Arabic to the left, reducing the length of overlap in the "waaw"-"E" ligation (and yes, breaking the alignment between the lefts of the "waaw" and "E").
> the inner space of the P is not aligned with the letter.
This I don't understand.
> i have been thinking of using different fonts for the lower part
Might be a good idea, although it will be tricky to do it well.
Fonts are like teenagers: beyond a few they become impossible to manage! :-)
Anyway, I suggest focusing on the main logo first.
Something else: I know that previously I had voiced a suspicion that merging the descender of the "meem" with the Yod might cause trouble, but now the Arabic and Hebrew are fully detached... That, coupled with the fact that the Hebrew and English are in such a strong embrace, I think sends a message that would echo general Arab resentment, which I'm sure is contrary to what you want.
>That, coupled with the fact that the Hebrew and English are in such a strong embrace, I think sends a message that would echo general Arab resentment, which I'm sure is contrary to what you want.
yea, i find that true and problematic, perhaps i'll have to turn this over more. im about to go nuts. this is so hard. i think that i tried to make all languages have equal treatment, but maybe another structure will be more suitable, a triangle perhaps (though it's hard to use 6 words in a logo, let alone putting them in a triangle.
>This I don't understand.
view attached image, look at the red line.
another composition sketch.
this time i adjusted the vertical widths of the strokes of the arabic so they would look like they are equal to the vertical width of the hebrew type.
i aligned them as you can see, and maybe here it's a good start to make some cross language ligatures.
i like it less, it's less brilliant, but it looks promising.
what say you?
(i attach the work process and the latest sketch).
> this is so hard.
Reminds me of something... :-/
> look at the red line.
I see the line, but not the problem. :-)
But if you really want to you could
make the head of the "P" larger so
the red line bisects the counter.
The new structure looks decent, and it's much safer/easier.
One thing you might try there is dump the Yod and cut a horizontal slit towards the top of the alif to make a "stub" that's the Yod. Come to think of it you could try that in the original structure too, but on the tail of the "meem".
>One thing you might try there is dump the Yod and cut a horizontal slit towards the top of the alif to make a "stub" that's the Yod. Come to think of it you could try that in the original structure too, but on the tail of the "meem"
hrant, im having a problem to understand. could you please make a small demonstration?
(btw, here's another composition)
(am i exaggerating here?)
Yaron, I like your earlier version better, in that it knit together. I thought that the multi-lingual ligatures were a good idea.
I don't see the problem of Arabic looking separate. I can't read Arabic script, but I thought that it was integrated with the Hebrew by last Arabic letter merging with the nun sofit and with the English by the first Arabic letter merging with the E. So wasn't the whole thing linked, and nothing slighted?
Your latest look to me like a series of words instead of a coherent design.
Quick and dirty attempt:
The alignments are unresolved - although I might say that that Arabic "noon" sticking out in the second one represents a person... You know, "it sll starts with the individual". Or something. ;-)
Exagerating? Not sure what you mean.
But I do think: it's a bit too plain; and the Arabic is too far right.
One interesting thing about your last attempt though is that, where previously the English/Futura was out of character with the whole, here it seems to be acting as a nice separator, preventing the three components from merging a little bit too strongly (hindering the reading).
Hrant your re-work left off the nun sofit in 'garin'.
When you said the Arabic and Hebrew were separate I guessed you might have mistaken the nun sofit for only a flourish on the Arabic, but it's not.
Also I don't think readability is the main thing in a logo. The balance of priorities much more toward having it cohere and be aesthetically strong. If you have to look twice at the shin/c ligature, it's no problem for a logo; it just makes it more memorable, providing it looks good.
By the way, in looking up 'garin', I see that it means 'stone, kernel or nucleus'. Is there any connotation of 'nuclear' as in 'nuclear weapon'?
Yaronimus, your vertical version looks like a robot to me. Almost like a Transformer; maybe a Peace Core Hummer could turn into the Peace Core logo Transformer? That would make a good flash animation, no? haha
In your sketch that you posted at 6:22pm yesterday, the very top version reads "Peace olgi" to me because my mind wants to continue reading English despite the new characters.
Hrant's new alignment (bottom mark) looks very balanced. Nice job for just something "quick and dirty." ;)
> left off the nun sofit in 'garin'.
Oh, yes. Well, you know what I meant. :-) But no, I knew it was a full
letter (as my original complaint about possible illegibility reveals).
> I don't think readability is the main thing in a logo.
In general I agree, but:
1) You don't want to have letters virtually absent (like the nun sofit in the very first version).
2) When it comes to multi-script logos it's important for a reader to quickly pick out the parts he can read and those he can't. Note how Scott is tempted to read "Peace olgi"! Because I can read Arabic I didn't see that at all at first.
The shin/C ligature on the other hand is definitely OK, I agree.
> Is there any connotation of 'nuclear' as in 'nuclear weapon'?
Yes, we don't want to remind people that Israel has 200 of them ready to go. :-/
> looks like a robot
It can also be seen as a building, assumedly a place of worship.
Probably not good here.
i was so stuck with the logo.
i suddenly remembered the movie "contact" with jody foster. in the movie they recievend some blueprints from aliens in order to build a kind of portal. they couldn't assemble them properly, something wasn't right, untill some character solved the problem by assembling it in a 3d way, instead of the normal 2d blueprint.
anyway, then i realised that i can try using a different angle and assembling. not 3d offcours, but in a different direction.
this logo is so hard. it's like a gigsaw and a peace treaty.
I like 14 best, as it has the visual idea of 'core' with the English and Hebrew words for core at the core. I just worry that it might be too complex and busy.
A simpler solution would be just to put all the 'Peace' words on the top line and the 'core' words on the bottom, with the English starting at the left and the Hebrew at the right and the Arabic in the Middle. This may not work or be boring visually though, I don't know.
The diamond shaped logo with the horizontal lines underneath gives it some pizzaz also.
I like these explorations. Especially when the Hebrew and Arabic fuse while the English acts like a third party. On the other hand, most of those attempts have one serious problem or other (and in all of them the Arabic too large/dark). Number 1 is nice as an arrow, but too spread out; 2 is kind of a half-baked arrow; 3 and 5 are hard to read; 4 has great potential; 6, 7 and 8 could work, but probably not very well; 9 has potential; the rest are trying too hard, and will be pretty impossible to tame I think.
Number 4 is interesting, dynamic, edgy and balanced except for the Arabic being too strong. I would make this one work. Alternatively 9 has a more classical feel, if you don't mind the centrality of the English (and the somewhat Arabic motif of the diamond). If you go with 9 you need to make the diamond equal-sided (right now it's rectangular) by shortening the top-left and bottom-right sides or lengthening the other two sides*. In the former case the bottom-right is easy (just shorten the alif and lam - the first two letters in the second Arabic word) and the top-left has some room in the last letter of the Hebrew. In the latter case you can easily place a tatweel (apparently a better term than kashida) after the "seen" but I'm not sure how best to lengthen the first word of the Hebrew (maybe by over-shooting the last letter outside the diamond, which might actually be a nice match to the Arabic "meem" which is already doing that).
* Or a combination of both.
All that said, are you sure you want to give up on your previous attempts?
> with the English and Hebrew words for core at the core.
No concern for the Arabic? You could at least wonder
out loud which of the two Arabic words is the "core".
In fact in 14 the Arabic reads out of order.
> I just worry that it might be too complex
Sounds familiar. :-)
>which of the two Arabic words
I assumed it was the bottom right, which puts it not as much at the core, which is a weakness in the design; I don't know how much.
The English words are appropriate because the English and then the Americans have been key power players over the past century, along with the Arabs and the Jews. And all three will have to play a part to create peace--may it come soon.
Hrant, I do think simplicity is generally a virtue in logos. You disagree?
> the English and then the Americans have been
> key power players over the past century
Because they like Eastern Mediterranean food? My wild guess is it's because they have something to gain (at the expense of others). The Jews are Arabs are the two protagonists here, the ones with life, land and dignity to worry about (as much as the West plays favorites so heavily). The reason to have English in the logo is mostly due to the fact that it's currently the lingua franca of the world.
Simplicity: I think it has a role to play, but too often it becomes a goal in its own right, harming the actual effectiveness of things. More than something you read, a logo is a shape you observe and memorize. In this case for example it might make great sense to have the English carry the burden of legibility while getting the Hebrew and Arabic to make the logo attractive and memorable. This happens to be something 9 does very well.
>9 does very well
Somehow I didn't focus on 9. You're right, it is strong. And I agree with what you say about simplicity here. Also with your comment about the others being hard to 'tame' I think we are of the same mind on this. There is a problem about the English in 9 not quite working visually. Should it be one line instead of two?
I think if you made it one line it would "wash out" so to speak.
Another option is what 7 is trying, but I think it's totally not working.
One other appropriate thing about 9 that I just realized is that it looks like this
tricky-to-balance thing is pivoting on the English... which is of course entirely
too accurate! :-/
Looking again I think maybe the problem is that if there are two lines the point of diamond should be directly over the apex of the A. I'm not sure, but work on alignment & spacing may make the whole thing click.
thanks for all of the attention and help, results will come soon :)


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no spring growth on caryopteris
lily603(6)May 11, 2014
now may 11th and no sign of life on caryopteris. hope this past winter didn't do it in. anyone else?
Mine seem to vary with the kind. My 'sunshine blue' are budding normally on the branches. Another kind (either 'dark knight' or 'first choice') is just starting to show some growth near the base. I think it was killed to ground level since none of the branches up higher are showing any sign of growth.
ken_adrian Adrian MI cold Z5
in my z5 MI ... everything is near on 2 - 3 weeks late .. patience ..
both of mine appear to have died back to the ground .... [some peeps prune them to the ground every spring.. so that isnt a big deal] ...
one of mine is showing new shoots ... just barely an inch or two... and i didnt get on my knees to look at the other ...


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iOS and Mac OS X will not merge, it just makes no sense. Apple have made it abundantly clear that they have NO plans to do so, and to think that they'll make a MacBook Air with iOS, is extremely poor foresight - that just won't happen. The Mac UI has evolved over many, many years around the mouse and keyboard - it's NOT designed for touch, and Apple are not going to be putting touch into laptops, not for the foreseeable future, if ever:
According to Phil Schiller, merging the OS X and iOS operating systems would be a "waste of energy."
Schiller was giving an interview with MacWorld on the eve of the Mac's thirtieth anniversary. Asked about the chances of such a convergence, Schiller had the following to say:
"We don't waste time thinking, 'But it should be one [interface!]' How do you make these [operating systems] merge together?' What a waste of energy that would be."
Apple's software head, Craig Federighi, added that, "The reason OS X has a different interface than iOS isn't because one came after the other or because this one's old and this one's new. Instead, it's because using a mouse and keyboard just isn't the same as tapping with your finger."
"You don't want to say the Mac became less good at being a Mac because someone tried to turn it into iOS," Federighi continued. "At the same time, you don't want to feel like iOS was designed by [one] company and Mac was designed by [a different] company, and they're different for reasons of lack of common vision."
Apple's insistence on keeping OSX and iOS separate is in marked contrast to Microsoft, which has been working toward merging the desktop and smartphone operating system worlds for some time now. Microsoft's desktop Windows 8 OS featured a touch-friendly interface, with Metro-style apps — of the sort seen on the Windows Phone. MS also made Windows RT: an ARM-compatible version of Windows 8.
Read more at http://www.cultofmac...AvQGZRiwgoxP.99
Do you guys listen to "MacBreak Weekly" on TwiT, with Leo Laporte? If you don't, you should - they're REALLY on top of their game, and these guys have SO many connections in high tech, they're worth paying attention to.
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text:
Dear PaAACT Members:
It is our time for the Gift of Love Program again. The Pennsylvania Section of the AACT collects candy donations from our member companies and delivers them to children in area institutions of need. With the cold winter, we need to come together and warm the hearts of
many children this year.
Your generosity benefited children at many local institutions. The institutions that received donations were: St Christopher's Hospital for Children, Shriners Hospital, Mercy Hospice, Wills Eye Hospital, St. Edmond's Home, Presbyterian Children's Village, Jefferson University Hospital, Divine Providence Village, Royer-Greaves School for the Blind, and Community Action of Delaware County.
Monetary contributions were also received that allow me to buy many stuffed bunnies for the younger children unable to indulge in sweets this past year. If the monetary option is selected, please make checks payable to AACT Gift of Love. The location to send your candy and monetary donations is below:
Gift of Love
C/O Ellen Fox
512 Sharptown Road
Swedesboro, NJ 08085
Please get involved and send your candy donations by March 25, 2015. We need your help! Volunteers are welcome to help deliver donations. We usually deliver Wednesday, Thursday and Friday before Easter. Corresponding dates are 1st, 2nd and 3rd of April, 2015.
Thank you in advance for your generosity and support and if you have any questions please feel free to contact me at firstname.lastname@example.com or 484-686-0007.
Ellen Fox
Bill Fawley
Gift of Love Co-Chairs.


text:
A Healthcare Carol
- Peter J. Pitts, a former FDA Associate Commissioner, is Partner/Director of Global Health at Porter Novelli and President of the Center for Medicine in the Public Interest. The opinions expressed are his own. -
Late one recent wintry night in the midst of the Senate's deliberations over healthcare reform, having worked hard on trying to reconcile the many swirling eddies of the current debate, I retired to bed for a few hours of fitful respite. That is until I was awoken from my solemn slumbers by a billowy translucent apparition who identified himself as the Ghost of Healthcares Yet-to-Come.
'ÄúAway ye spirit,'ÄĚ I intoned, 'Äúfor I need my sleep and indeed see you for what you really are 'Äď a detail rep for Lunesta.'ÄĚ 'ÄúNay,'ÄĚ replied the apparition. 'ÄúI am here to reveal to you alternate realities for healthcares yet-to-come.'ÄĚ And, with a wave of his spectral hand, appeared a magical black bag. 'ÄúLook within,'ÄĚ he intoned.¬† 'ÄúAnd see how the future of American healthcare can unfold.'ÄĚ 'ÄúDid you bring a pizza by any chance,'ÄĚ I queried? 'ÄúSorry, can'Äôt do that any more,'ÄĚ the ghost replied.¬† 'ÄúLet our journey begin.'ÄĚ
And from inside his satchel he ceremoniously withdrew a heavy, leather-bound tome with a caduceus embossed on the cover. 'ÄúWhat alchemist'Äôs manual is this?'ÄĚ asked I. 'ÄúIt is,'ÄĚ whispered the spirit, 'Äúfrom the cabinet of doctors Pelosi and Reid.¬† It is the final version of healthcare reform legislation.'ÄĚ
'ÄúOh splendid visitor,'ÄĚ I pleaded. 'ÄúMay I gaze upon these pages and take notes for my blog? 'ÄúNO!'ÄĚ the ghost sternly admonished. 'ÄúYou may look at the book, but may never read what is inside 'Äď just like members of Congress before the final vote.'ÄĚ
'ÄúNot fair,'ÄĚ said I. 'ÄúAlas,'ÄĚ the specter replied. 'ÄúSuch is the future when healthcare legislation is focused primarily on politics rather than on advancing the public health.'ÄĚ
'ÄúBut it need not be that way,'ÄĚ my navigator continued. 'ÄúLet us move on an alternate future.'ÄĚ And with that he once again reached down into his black bag, revealing not a book but a Kindle. 'ÄúPower it up,'ÄĚ he directed. 'ÄúAnd see another future for American healthcare.'ÄĚ
And it was wondrous. A future of enhanced access, innovation and accelerated approvals. A future where, with appropriate FDA guidance, pharmaceutical companies actively engage in social media.¬† A future where insurance companies reward its customers for medication compliance, weight loss, smoking cessation, and disease prevention.¬† A future with a national standard for electronic medical records and e-prescribing.¬† A future where the insurance industry offers high-quality health policies across state lines to the many millions of previously uncovered Americans at significantly lower costs.¬† A future where reimbursement decisions are based on patient-centric concerns rather than 20th century cost-centered models.¬† A future where physicians are compensated fairly by Medicare and Medicaid.¬† A future where, through enhanced transatlantic regulatory harmonization, there is no 'Äúapproval gap'ÄĚ for drugs, devices, or diagnostics. A future where the only doughnut hole question we consider is cream-filled or regular. A future where drug importation is a side show panel not in the U.S. Senate, but at Ripley'Äôs Believe-it-or-Not.
'ÄúCan we peer into the future of the FDA,'ÄĚ I wondered.
'ÄúYou'Äôre such a wonk,'ÄĚ said my ethereal companion. 'ÄúIf you insist.'ÄĚ
And insist I did.  As I browsed further into the magic Kindle I saw an FDA that's both regulator in protecting the public health and colleague in helping to advance it via the Reagan Udall Foundation. I saw an FDA with a cutting-edge information management system. I saw an FDA that embraces predictability over ambiguity. I saw an FDA that understands the unintended consequences of early risk communications.
'ÄúIs such a future possible,'ÄĚ I asked.
'ÄúIndeed it is,'ÄĚ the eidolon answered.¬† 'ÄúIt is possible if we believe.'ÄĚ
'ÄúIf we believe in what,'ÄĚ I asked.¬† 'ÄúIn Santa Claus?'ÄĚ
'ÄúNo, intoned the wraith, 'Äúin the Non-Interference Clause. If we believe in free market competition and personal responsibility; in putting and keeping the patient in the center of every conversation; at long-term rather than short-term savings; in hard facts rather than political platitudes; in allies rather than enemies. If we believe that, in order to save lives, reduce costs, enhance quality, and deliver on the promise of robust health to all groups of Americans, all of the players in the health care debate – including government – must work together as a team, as a unit, as a public health defense force armed and ready to advance the public health.'ÄĚ
'ÄúHow can we ensure this pathway,'ÄĚ I beseeched. "Let me tell you,'ÄĚ said the phantasm, 'Äúwhat my friend Ebenezer Scrooge once said to a colleague of mine. He said that men's courses will foreshadow certain ends, to which, if persevered in, they must lead.'ÄĚ
"But,'ÄĚ I asked, 'Äúif the courses be departed from, the ends will change. Say it is thus with what you show me." But, before he could answer, I saw an alteration in the Phantom's hood and dress. It shrunk, collapsed, and dwindled down into a bedpost.
I awoke. Yes! And the bedpost was my own.
We welcome comments that advance the story through relevant opinion, anecdotes, links and data. If you see a comment that you believe is irrelevant or inappropriate, you can flag it to our editors by using the report abuse links. Views expressed in the comments do not represent those of Reuters. For more information on our comment policy, see http://blogs.reuters.com/fulldisclosure/2010/09/27/toward-a-more-thoughtful-conversation-on-stories/
Apparently, somebody's been breaking out the Medical Christmas Marijuana a little early this year.


text:
GA Woman pleads guilty to mishandling more than 1,200 mammograms
Perry, GA (WMAZ) — Prosecutors say 10 women with cancer were told their mammograms were clean.
And now the woman accused of lying about those results, is headed to spend the next several months in prison.
Rachel Rapraeger accepted a plea deal in court in Perry, Georgia Tuesday.
Rachel Michelle Rapraeger sat in front of Judge Katherine Lumsden and several women who Rapraeger told had negative mammogram readings, when in fact a doctor never read the results.
Rapraeger gave Sharon Holmes a false reading in December 2009. Two months later Holmes found out she had breast cancer, and it had spread into her lymph nodes.
Rapraeger's attorney says she was overworked and overwhelmed. He said she wasn't supervised like she should have been, and she says a hospital employee gave her radiologist's pin numbers.
Rapraeger plead guilty to ten counts of reckless conduct and one count of computer forgery.
Lumsden sentenced her to twelve months probation for each of the ten counts of reckless conduct -- and ten years to serve up to 160 days in a state detention center.
But Holmes isn't satisfied with Rapraeger's punishment.
Sharon Holmes now calls herself a survivor, and has been in remission for three years.
And Rapraeger was not taken into custody Tuesday afternoon.
But the judge ordered her to start serving her sentence Thursday morning.
It's not known yet which state detention center she will be going to.


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As Seen On Enocha of Locks and Trinkets! LuLu*s Exclusive! Dial in your layered look with the Long Number White Maxi Top! Soft and lightweight jersey knit falls like never before into an extra long sleeveless top with slits down the sides. Layer this top over shorts or fitted dresses for a cutting edge look. Unlined. Model is 5'9" and is wearing a size X-Small/Small. 68% Polyester, 27% Rayon, 5% Spandex. Dry Clean Only. Made With Love in the U.S.A.
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Please note that by offerding or buying this sale you are entering into a binding contract. In offerding or buying you are agreeing to all Hess Fine sales policies.
Hess Fine Art has been setting the standard for online sales sellers since 1997. You can count on us to be factual and have clear accurate photographs which are not "edited" to deceive.
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Israel War Lapel Badge Medal Idf Army Zahal Award Pin 4 War Pin
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text:
Articles By: David Chaplin
21st June, 2010 11:50 am
Labour needs a better answer on the deficit
10th May, 2010 8:20 am
Labour must wake up to the opportunity for a progressive consensus
5th April, 2010 6:16 pm
It's good to talk: How Labour is generating an enthusiastic support base for the campaign
17th March, 2010 10:37 am
Labour's manifesto should challenge Cameron on his 'change' agenda
13th February, 2010 9:42 am
New media – so what?
15th January, 2010 9:07 am
Causes to fight for: Young Fabian day on LabourList
5th June, 2009 1:24 pm
Labour can avoid meltdown: but Gordon, why stay?
20th April, 2009 9:02 am


text:
David White Appointed to AFTRA Health & Retirement Board
In a move designed to advance the process of unifying the SAG and AFTRA pension and health plans, SAG-AFTRA national executive director David White has been appointed to the AFTRA Health & Retirement Funds' board of trustees, the union confirmed Monday.
The appointment came Saturday during the union's national board meeting.
In a statement to The Hollywood Reporter, White confirmed the appointment and added, "I look forward to working on behalf of the Funds' participants," referring to union members who receive AFTRA health or retirement benefits.
White was already a trustee of the SAG Pension & Health Plan. The move makes him the only person to serve on both boards – and thus the only person duty-bound to serve two different sets of participants. That may be a tough juggling act as discussions between the two organizations continue.
White replaces AFTRA trustee Stephen Burrow.
SAG P&H and AFTRA H&R are legally independent of the union and each other. Each is governed by a board of trustees composed half of SAG-AFTRA appointees and half of management appointees. SAG P&H has a total of 36 trustees and AFTRA H&R has 22. The union appointees include union staff and members. The management appointees come from the executive ranks of studios, TV networks, and the advertising industry, among others.
Although the unions merged more than 10 months ago, the two P&H/H&R plans have not announced any concrete progress towards unification, which was one of the key arguments for the merger. Members continue to fail to qualify for health coverage or pension credits, sometimes falling short of necessary thresholds by just a few hundred dollars.
According to a statement released by the union Sunday, "the trustees of [the two plans] ... continue formal communications regarding the issue of reciprocity and, ultimately, merger between the plans, and discussions are progressing between the two organizations."
Bookmark The Hollywood Reporter's Labor Page for the most in-depth coverage of entertainment unions and guilds.
Email: jhandel99 at gmail dot com
Twitter: @jhandel
Never miss a story. Stay up-to-date with THR's Daily Headlines.
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CAA vs. UTA, Corporate Raiding and the Ghost of Ed Limato (Analysis)
Gavin Polone on TV's Dirty Secret: Your Agent Gets Money for Nothing (Guest Column)
'Game of Thrones' Star Emilia Clarke on Playing Sarah Connor, Turning Down 'Fifty Shades' and Moving on From Nudity
Reality Power: The Declining Clout of the Broadcast Unscripted Chief
Why More 'Star Wars' Actors Haven't Become Stars
The Uncensored, Epic, Never-Told Story Behind 'Mad Men'
Justin Bieber Roast: Ludacris Speaks Out About "Over the Line" Paul Walker Jokes


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Diall Gloss Melamine Faced Chipboard (Mfc) Furniture Panel (W)600mm (L)2440mm (T)18mm
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UCLA Bruins vs Oregon Ducks Highlights from Autzen Stadium
|Jonathan Garza
|Story last updated: October 26, 2013 at 4:02 pm
It's on to Eugene as the UCLA Bruins attempt to knock off the third-ranked Oregon Ducks at Autzen Stadium without three starters.
Follow along as we bring you the highlights from tonight's contest.
Myles Jack caused Keanon Lowe to fumble the ball on a pass from Marcus Mariota, which turned into this Brett Hundley quarterback keeper for an early score by UCLA.
Rodney Hardrick converted a fake punt for 66 yards, allowing De'Anthony Thomas to punch in a 1-yard touchdown run as the Ducks even things up.
After a failed fourth down attempt UCLA watched Oregon drive and finish with this Byron Marshall 40-yard touchdown run, giving the Ducks their first lead of the night.
What a hit here by Jordan Zumwalt, taking down Thomas. The play was checked for targeting but stood as was.
How about this fancy footwork by Hundley? Sure he would proceed to throw an interception but it was nice to see him utilize his mobility.
How about this blocked punt by Myles Jack? He's having a great game in just the first half already.
Hundley rebounds by finding Thomas Duarte for this 11-yard touchdown pass, evening the game once more closing in on halftime.
Beware Anthony Barr, who recovers this Marcus Mariota fumble to prevent Oregon from scoring. Tie game through two and a half quarters.
Here's Marshall once more, this time scoring from 11 yards out, giving Oregon a lead again.
Mariota finally gets his first TD pass of the game, connecting for eight yards with Bralon Addison. Oregon is beginning to feel comfortable.
Have you gotten tired of Marshall yet? Here's his third score of the game, a 3-yard run.
The Thomas Tyner filled drive culminated in a 2-yard TD run for the freshman. It's a blowout.


text:
In my site ,in a table of particular i have to insert a image as background.I did that but the image looks like double image as the image is smaller than cell width and height it is getting overlap.
In background image cell i used no-repeat to end the repeat display of same image,but it is not working.I am designing web page using html in django framework.
template is
<td background="{{ STATIC_URL }}images/sample.JPG" no-repeat;>
May i know how to cancel the repeat display of same background image in a table cell.


text:
Aprilaire 4246 700 Series Humidifier Water Distribution Tray
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About this Product
The Aprilaire 4246 is a water distribution tray for 700 series humidifiers. It evenly distributes water across the entire evaporate panel, providing the most evaporation from the humidifier possible. This Aprilaire water distribution tray attaches to the U-shaped scale control insert for a reliable installation. It's recommended that this tray is replaced every five to eight years, or whenever the liner inside is damaged or worn down.
- For use with the following Aprilaire models:
- 700
- 760
- 768
- Type: Replacement part
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I'm considering buying and self-installing (I'm not a plumber) an Aprilaire Model 700M humidifier. Are full installiation instructions included.
Per Aprilaire, the 700M must be PROFESSIONALLY INSTALLED to be eligible to receive the 5 year warranty through the manufacturer. The warranty is void unless the humidifier is installed by qualified heating and air conditioning contractors due to possible misapplication of product.
If you are a new customer, please register first:
You may also be interested in the following products:
Aprilaire Replacement Scale Control Insert for 558/550A/550 Humidifiers
Aprilaire Automated Humidistat (Outdoor/Indoor)
Aprilaire Model 2400/5000 Air Cleaner Pleat Spacer
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I'm just playing around with some different ideas to create a joint based facial muscle rig that provides nice sliding skin and nice animation control. I have tested out a cool sticky lips system too which is totally joint based.
Model courtesy of Ty Shelton.
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Andy Warhol (1928-1987)
Nine Jackies
Acrylic, oil, and screenprint on linen
Overall: 60 3/8 × 48 1/4 in. (153.4 × 122.6 cm) Overall (each): 16 1/8 × 20 1/16 in. (41 × 51 cm)
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Whitney Museum of American Art, New York; Gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President
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In 1964, Andy Warhol appropriated newspaper photographs of Jacqueline Kennedy for a series of dramatic paintings in which he depicted the moments before and after the assassination of her husband, President John F. Kennedy. The top row of Nine Jackies features a smiling Jackie, the President's face barely visible to her left. This image stands in juxtaposition to the shot that appears in the painting's middle row, taken during the ceremony in which Kennedy's flag-draped coffin was carried to the Capitol, and to the bottom row picture, snapped as a grief-stricken Jackie stood by Lyndon B. Johnson's side during his swearing-in ceremony. To produce this painting and the others in the series, Warhol photo-mechanically transferred the images of Jackie onto silkscreens, which were then printed onto canvas. The works combine two of his signature themes—celebrities and fatal disasters—yet these closely cropped, voyeuristic newspaper pictures differ from the glossy publicity stills that the artist typically used as the basis for his work. Now embedded in our national consciousness, the images of a bereft widow in the hours and days after her husband's death reveal emotions that were then rarely seen in public. By using photographs from before and after the event, Warhol created a modern history painting in which the murder of a president is unseen yet tragically present.


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Tolvald's Cave
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Tolvald's Cave is located in Eastern Skyrim. You can find it by traveling North of Riften, close to the mountains to the East.
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David Rone, most recently a VP at the Walt Disney Co., has joined Fox Sports Networks as senior VP of regional network development. In his new job, Rone will lead the company's efforts in acquiring regional sports programming rights. At Disney, Rone was VP, business development for corporate alliances.
* * *Terry Danuser has joined management and production company Mastermind Entertainment as a partner and manager. He has worked for over 20 years as a manager, producer and agent. Most recently, Danuser headed up his own management company, whose clients he will bring to Mastermind. His production credits include HBO's "Drop Dead Gorgeous" and "Live from Carnegie Hall" for Cinemax.
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