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Encouraging children's friendships
What Schools Can Do
For children who require individual help several different formats are presently in use:
- Children are taught social skills individually by an adult coach or counselor and then they practice the new strategies.
- Peer pairing therapy; two children with difficulties interact while they receive feedback from an adult coach. In some instances a shy child is matched with a more outgoing child.
For group interventions in the classroom:
- Conflict resolution programs teach children alternate ways of handling problems through peer counselors or adult-supervised techniques.
- Collaborative learning, cooperative assignments and games or "buddy systems" may foster alliances and encourage positive peer interactions.
- Reinforcement of appropriate social skills may enhance a socially reluctant child's social interaction.
What Parents Can Do
- Let your child know that you feel friendships are important and worth the effort.
- Respect your child's social style; some children do best with a host of friends, and some do best with a few close friends. Some make friends quickly, and some warm up to friends slowly.
- Find practical ways you can help your child make room in his/her life for being with other children. This is especially important if your child is shy or reluctant about peer interactions. For example, be flexible about family schedules so that your child can find time to be with friends. Offer your home or offer to accompany children on outings. You might also make arrangements for your family to spend time with another family that has a similar-age child. Or, you could make concrete suggestions, such as "You can invite somebody to go to the pool with us on Saturday?"
Although some parents may sometimes feel as if they're being too pushy by adopting such strategies, recently completed research shows that children who were more well adjusted socially had parents who were more involved in their children's social activities.
If your child has a problem with a friend, encourage him/her to talk about it and think together about some possible ways to handle similar situations when they arise in the future. It is important to help the child handle the situation in a positive way, and too help her understand her own reactions and feelings. For example, if a friend was uncaring or made an insensitive remark you might say "Maybe your friend was having a bad day" rather than "She was mean to you on purpose because she really doesn't like you."
If your child was teased, help him plan good ways of responding in the future. Sympathize if the child is upset, but try to be matter-of-fact (even if you are upset yourself) and let him know that all kids get teased at one time or another. Find out exactly what he is being teased about; there may be something he can or should do to correct a situation that may be irritating to his peers. Remind him that ignoring teasing, instead of responding emotionally, reduces the chances of teasing recurring. Role play typical situations and develop adaptive ways of responding to teasing. In general, involving teachers can make the situation worse, unless the problem has snowballed and involves a consistent pattern in which your child is being victimized by the same classmates repeatedly.
If your child is finding it difficult to be with other children or to make friends, which may be the case with children having hearing, speech or other problems, or who are very shy, try to create easier situations for socializing. You might invite just one child over to play, since larger groups complicate social interaction. Monitor their play and intervene when necessary to help things along. It's best to help them reach their own solution to a difficulty rather than solving the problem for them.
Model appropriate social behavior; children learn a great deal from their parents. If your child seems increasingly anxious about socializing, shows no interest in peers or is consistently unable to get along with classmates, consider professional help.
Know your child's friends. With adolescents, parents have less opportunity to control their youngster's peer networks; nevertheless parents should remain involved and interested in their youngster's social life - should be knowledgeable about their child's friends, get to know them, ask questions about social activities and stay informed.
When parents don't like their child's friends
Parents all want their kids to have friends who are polite, honest, and bright, who don't drink or smoke or use drugs. Parents want to protect their kids and at the same time encourage independence. Many of the friendships parents worry about are short-lived. Often children discover that a friend they admired at first is really not so terrific. Allowing an objectionable friendship to run its course, will work better than actively trying to stop it. Address the need that the friendship satisfies; ask the child what it is that he likes about that particular friend. The answer may give you some clues about the real reason he's attracted to that friend. However, parents have to distinguish between experimentation and danger. Children have to learn to deal with all kinds of people, and short of keeping them in the house day and night, there aren't many alternatives. When the issues are threatening and potentially dangerous, such as when the child aligns himself only with children who are belligerent or who engage in antisocial or delinquent acts, then parents have a responsibility to discourage the association. When behavior is unacceptable it must be stopped.
Parental support, trust, patience, common sense, and luck will help children acquire the ability to deal competently with social interactions. Children need knowledgeable and sympathetic guides to help them get along with people, feel good about themselves, and be responsible for their actions.
About the Authors
Alice Pope, Ph.D., Associate Professor of Psychology, St. John's University, has authored numerous publications on peer relations.
1. Rose, AJ & Asher, SR. (2000) Children's friendships. In Close Relationships: A Sourcebook . Thousand Oaks, CA: Sage Publications.
2. Hartup, WW & Stevens, N (1999) Friendships and adaptation across the life span. Current directions in psychological science. 8, 3, 76-79.
3. Ladd, GW (1990) Having friends, keeping friends, making friends, and being liked by peers in the classroom: Predictors of children's early school adjustment? Child Development, 67,1081-1100.
4. Berndt,TJ & Keefe, K (1992) Friends' influence on adolescents' perceptions of themselves in school. In DH Schunk & JL Meece (Eds.) Student Perceptions in the Classroom (pp. 51-73). Hillsdale NJ: Erlbaum
5. Dishion, TJ, Andrews, DW & Crosby, L (1995) Anti-social boys and their friends in early adolescence: Relationship characteristics, quality, and interactional process. Child Development, 66, 139-151.
Related Books
Good Friends Are Hard to Find F. Frankel Perspective Books 1996
Teaching Friendship Skills (Primary Version and Intermediate Version) P. Huggins The Assist Program Sopris West 1140 Boston Avenue Longmont, Colorado 80501
Bullies and Victims: Helping Your Child Through the Schoolyard Battlefield S. Fried & P. Fried Evans Books 1996
AboutOurKids Related Articles
Back to School for Kids With Special Needs
Stress in Children: What It Is, How Parents Can Help
About the NYU Child Study Center
The New York University Child Study Center is dedicated to increasing the awareness of child and adolescent psychiatric disorders and improving the research necessary to advance the prevention, identification, and treatment of these disorders on a national scale. The Center offers expert psychiatric services for children, adolescents, young adults, and families with emphasis on early diagnosis and intervention. The Center's mission is to bridge the gap between science and practice, integrating the finest research with patient care and state-of-the-art training utilizing the resources of the New York University School of Medicine. The Child Study Center was founded in 1997 and established as the Department of Child and Adolescent Psychiatry within the NYU School of Medicine in 2006. For more information, please call us at (212) 263-6622 or visit us at http://www.aboutourkids.org/.
Reprinted with the permission of the NYU Child Study Center. © NYU Child Study Center.


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Wonder Woman
Odyssey Vol. 2
By J. Michael Straczynski; Phil Hester (Illustrator); Don Kramer
(DC Comics, Hardcover, 9781401234317, 192pp.)
Publication Date: March 13, 2012
Other Editions of This Title: Hardcover, Hardcover, Paperback, Paperback
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Enter your zip code below to find indies closest to you.
Due to mysterious circumstances, Diana must track down the truth behind what's happened to her timeline and face the biggest stunner of all--Who or what destroyed Paradise Island? To add to her troubles, new versions of familiar foes are introduced as JMS's run with the Amazon Princess comes to a close. All bets are off in this all-new direction for the long-running series that's perfect for new readers as Wonder Woman embarks on an odyssey to find her past and gets a new costume, a new set of foes and a new tone from the ground up!
J. MICHAEL STRACZYNSKI is a writer and television producer who has worked in a variety of media, including comics, novels, TV, film, and radio dramas. He is perhaps most known as the creator and showrunner of the Babylon 5 TV series, and its spin-off Crusade. He was also the creator of Jeremiah for Showtime. Straczynski has written numerous film scripts, including Changeling starring Angelina Jolie, which was nominated for a BAFTA Award for Best Original Screenplay. His comics work includes Rising Stars for Top Cow/Image, The Amazing Spider-Man, Supreme Power, and Thor for Marvel, and now SUPERMAN and WONDER WOMAN for DC Comics. He is also the author of the SUPERMAN: EARTH ONE graphic novel.
"a tale that hits at the core of who Diana is and what truly makes her one of DC's great icons"—IGN


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The BlogHappy Hour Links: Noise6:31 PM, Jul 23, 2013
• By MICHAEL WARREN
Did Mitch McConnell's campaign "try to threaten" primary opponent? Peter Beinert: These Republicans sure are crazy. Rand Paul, not ready for prime time. Democratic women are oddly silent on Democratic sex scandals. You know, Elizabeth Warren's not done much so far. She's not a witch, but she may want to be a senator again. Chronicle of Higher Education: Mitch Daniels was right about Howard Zinn. Lefty wins the British Open, will have a hefty tax bill as a result. Recent Blog PostsThe Weekly Standard ArchivesBrowse 20 Years of the Weekly Standard |


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The White Supremacist Infiltration of Rap Music
by Solomon Comissiong
Hip Hop music has been hijacked by corporate Klansmen who suppress the righteous lyrics of artists "like Dead Prez, Capital X, Immortal Technique, Rebel Diaz, Jasiri X, and Bahamadia." Rap artists that have enslaved themselves to the production of stereotypes and gratuitous violence should be rehabilitated, if possible, but "we must boycott any music that denigrates people of color and women."
The White Supremacist Infiltration of Rap Music
by Solomon Comissiong
"The white corporate media that popularize racially stereotypical images hate black people just as the KKK does."
The late great African freedom fighter, Harriet Tubman, once said, "I freed a thousand slaves. I could have freed a thousand more if only they knew they were slaves." This statement clearly alludes to the fact that, after a long period of brutal enslavement, many (not all) Africans had been force-programmed to accept their inhumane bondage as "normal." Generations of Africans were born into one of the world's most brutal forms of bondage: chattel slavery. Thus, they were literally forced to endure a most unnatural state of being. Africans were brutally beaten, raped, lynched and worked to death, for hundreds of years. Their European enslavers were nothing less than devils roaming planet earth.
Despite these horrendous conditions there were some Africans who were oblivious that they were, in fact, enslaved. This aspect of slavery presented arduous challenges to freedom fighters such as Harriet Tubman, Nat Turner, Denmark Vesey and Gabriel Prosser – trying to free those who were unaware of their bondage, physical or mental. Fast-forward to the year 2013, this remains an arduous task.
Chattel slavery may be a thing of the past, however, the US prison industrial complex legalizes mass incarceration/enslavement of African/black men and women. The 13th Amendment to the US constitution attempts to justify it, stating, "Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction." Mass incarceration is involuntary servitude, where prisoners are forced to make products (lingerie, computer components, clothing, etc.), all to be sold within the so-called "free market." Capitalism, institutional racism and white supremacy are all key ingredients within this brew from hell.
"Mass incarceration is involuntary servitude."
Today, mental slavery is perhaps even more prevalent than the physical form, and it takes place within many different platforms. One of these platforms resides within the duplicitous realm of mainstream, corporate-backed Hip Hop.
Hip Hop is a culture created and cultivated by African/black and Latino youth who had been systematically marginalized by the United States' white supremacist and instituitionally racist society. These youth created Hip Hop as a means to express themselves – socially, politically and culturally. Hip Hop's creation and inception was free of Euro-American influence – at least within the earliest stages. These youth of color did not need their medium manipulated or diluted by white people who never gave a damn about them or their communities. In essence, youth of color did not need to have Hip Hop altered and co-opted by white America in the same manner that Blues, Jazz and even Rhythm & Blues (Rock n Roll) was. However, Europeans are always on the lookout for cultural "products" to exploit. People of color should be extremely wary when white people start to take an interest in our community or cultural creations.
In the case of Hip Hop, exploitation of the cultural medium is the most significant contribution white people and their media corporations have had on rap music (one of the elements of Hip Hop Culture). These corporations have created virtual plantations with slave masters disguised as CEOs and overseers masquerading around as record executives and A & R (artists and repertoire) folks. Their goal has always been to make as much money as they can, exploiting Hip Hop and its artists of color, all the while reshaping it into something that comports with their racist sensibilities.
White corporations that have stretched their slimy tentacles over commercial rap music are the Ku Klux Klan (KKK) of the media. The KKK is a white supremacist hate group whose origins date back to the 1800s. The white corporate media that popularize racially stereotypical images hate black people just as the KKK does. They are hell bent on destroying the images and minds of millions of black youth, actively suppressing any culturally empowering or politically revolutionary oriented aspects within rap music. They could not give a damn about the systematic oppression levied upon communities of color. They are no different from the virulently racist Euro-Americans who created racist and dehumanizing imagery during the early 20th century, and prior. And like today's corporate Ku Klux Klan media, they used those racist images to sell their products.
"Corporations have created virtual plantations with slave masters disguised as CEOs and overseers masquerading around as record executives and A & R (artists and repertoire) folks."
It has become convenient to solely lay the blame on black and brown rappers (they are not emcees) for the psychologically destructive lyrics and images they display within their "music." These young men and women are nothing more than tools used by white record executives to accumulate boatloads of money. This is always done at the black community's expense. It is tragically disconcerting that many of these young men and women are mostly oblivious to the fact that they are being exploited like prostitutes. The shiny trinkets and money these corporate slave masters throw at misguided rappers are rewards used to keep them mentally obsequious to capitalism and the plantations they dwell in. They are not unlike the enslaved Africans whom sister Harriet Tubman was trying to convince that they were, in fact, slaves.
Of course, there are some so-called rappers who are willing participants in the own exploitation. They have become more than comfortable with the lavish lifestyle their corporate media slave masters have rewarded them with. It matters little to them that the stereotypes they are helping their white puppeteers promote, are causing tremendous psychological damage to youth of color. These willing participants are more like Sambo from Harriet Beecher Stowe's Uncle Tom's Cabin. They truly enjoy being the overseer of the white media's premeditated destruction of the African/black psyche and image. They are consorting with what should be seen as a direct enemy to the black community.
"There was two kind of slaves. There was the house negro and the field negro. The house negro, they lived in the house, with master. They dressed pretty good. They ate good, cause they ate his food, what he left. They lived in the attic or the basement, but still they lived near their master, and they loved their master, more than their master loved himself. They would give their life to save their masters house quicker than their master would." – Malcolm X
Corporate backed African/black Hip Hop artists should abscond from the plantations they have been programmed to mentally dwell within. They should rebel against their media slave masters (i.e., Warner Music Group, Sony Music Group, Universal Music Group, etc.) and create music collectives and art that directly empowers, edifies and politically inspires the communities from which many of these artists come. In essence they should invoke the spirit of many of our ancestors who rebelled against the oppressive and unnatural conditions they were held in. Just as the Africans rebelled during the Haitian Revolution, these African/black Hip Hop artists should do the same – inspiring Hip Hop artists all over the corporate media airwaves (plantations) to emancipate themselves.
"Some so-called rappers are willing participants in the own exploitation."
These artists need to say, "To hell with the corporate music/media Ku Klux Klan," and begin to pool their money, resources and time, in efforts to develop truly independent African/black record labels. However, before they can do any of that they will have to be made aware of their present status as subjects within the thriving plantations created for their ilk. Fans, concerned Africans and supporters of Hip Hop will need to be the ones to bring this fact to their attention. They need to be reminded that if you can't write or rap about the institutionally racist and systemic issues that plague their communities, how can you even consider yourself a free man or woman? If the corporate media plantation (and those who control it) prevents you from utilizing your music to empower your people, you are far from being free.
Hip Hop was crafted by people of color within neglected and oppressed communities. Hip Hop was created by African/black youth with Latino youth significantly contributing to its cultivation and development. It is a means of expression. It has long been a medium used to exert resistance to various forms of oppression. It is reprehensible that it is now being used as a tool to further oppress and keep youth of color from seeing US society for what it truly is – a wasteland of white supremacy and structural racism. This is exactly why these Ku Klux Klan music groups, and media corporations (Viacom, Clear Channel, etc.) do all they can to suppress the music of artists like Dead Prez, Capital X, Immortal Technique, Rebel Diaz, Jasiri X, and Bahamadia, among many others. These artists, their imagery, and music are routinely suppressed from the mainstream airwaves.
While the Klan media suppresses songs like: "Malcolm, Garvey, Huey" by Deaz Prez, they promote songs like "Birthday Song" by 2 Chainz featuring Kanye West.
One song ("Malcolm, Garvey, Huey") has lyrics like this: "I live, I die, I organize,
Everything I do - revolutionize, I build what's good for the whole damn hood, Study G's like these, really think you should, I study Malcolm Garvey Huey, Malcolm Garvey Huey."
The other song ("Birthday Song") has lyrics like this: "When I die, bury me inside the jewelry store When I die, bury me inside the Truey store True to my religion, two of everything I'm too different So when I die, bury me next to 2 bitches."
It should be blatantly obvious why the Klan corporate media would suppress the liberating lyrics of artists like Dead Prez: they are empowering and edifying, especially to youth of color. However, the lyrics from artists like 2 Chainz, are mentally destructive, misogynistic (especially to women of color) and racially stereotypical. Many of the other songs the Klan media promote depict black men directing senseless violence toward one another. Klan media give the thumbs up to this type of rap music because, like the real Ku Klux Klan, it is capable of destroying black lives, one young mind at a time.
"It is time we helped free them by demanding they end their 'coonery' and start making music that uplifts and inspires the oppressed masses to resist."
Hip Hop is not the problem, the white media corporations that have hijacked it are. Yes, there are rappers (not emcees) who are willing to do whatever it takes to earn a quick buck and get famous. They are prisoners of war in the battle against capitalism and white supremacy. It is time we helped free them by demanding they end their "coonery" and start making music that uplifts and inspires the oppressed masses to resist. Many of these rappers are misguided. This tends to happen within extremely white supremacist societies, as is the case with the US. It pressures the racially oppressed to assimilate as a means toward "getting ahead," in life. The notion of "getting ahead" is merely relative, as well as a wretched illusion. While they believe they are "getting ahead," they are really falling behind culturally, losing their identity, and perpetually being used as pawns. Their existence within the corporate music industry has been made possible by an inherently racist and exploitative system. This system prevents them from mentally venturing away from the "plantation." Their minds must be freed. If they are eventually freed they will one day undoubtedly regret the decisions they once made simply to "cash in" and gain "fame" by lacing their lyrics with sexist, misogynistic and racially stereotypical content.
"The house Negro, if the master said 'we got a good house here' the house negro say 'yeah, we got a good house here.' Whenever the master would said 'we,' he'd say 'we.' That's how you can tell a house Negro. If the master's house caught on fire, the house Negro would fight harder to put the blaze out than the master would. If the master got sick, the house Negro would say 'What's the matter, boss, we sick?' We sick! He identified himself with his master, more than the master identified with himself." – Malcolm X
We must free those who are oblivious to their slave-like status within corporate backed Hip Hop. We must let them know of the powerful role they can play within a much-needed social revolution. We cannot support the plantations they dwell on by buying their music. After all, would you go to a "slave auction" and purchase human chattel or anything sold by a "slave master"? No, our objective would not be to support the reprehensible institution of slavery, our objective would be to free those standing on the auction blocks. And we must let it be known why we are boycotting the purchase of music from corporate Hip Hop plantations.
"And if you came to the house Negro and said 'Let's run away, Let's escape, Let's separate' the house negro would look at you and say 'Man, you crazy. What you mean separate? Where is there a better house than this? Where can I wear better clothes than this? Where can I eat better food than this?' There was that house Negro. In those days, he was called a house nigger. And that's what we call him today, because we still got some house niggers runnin' around here." – Malcolm X
Of course there will continue to be those rappers and record executives of color that will continue to side with their "Massas," just as there were during the times of chattel slavery. Those are the individuals who know the nature of the so-called "game," and to some degree profit from the system. It matters little to them how many women/girls are targeted as sexual objects because of the music they help promote. They could give a damn about the young boys who are transformed into sexual predators because of that same music they promote. And they clearly don't give a damn about the image of people of color or the endorsement of the senseless structural violence they champion, each time they follow their master's orders. They have clearly made their deals with the devils of capitalism and white supremacy. Money is the name and selling out their communities is the "game." These "Sambos" understand full well the damage they are helping to create.
"They have clearly made their deals with the devils of capitalism and white supremacy."
Music has the ability to inspire and motivate those who seek freedom and justice. The beat of drums serves as a pulse for the movement, along with the voices of those chanting, singing, or even rapping. Take for instance the Stono Rebellion of 1739, where dozens of enslaved Africans in South Carolina decided to no longer accept the unnatural state of slavery. They refused to live any longer within those inhumane and brutal conditions. These courageous Africans banded together, led by an African named "Jemmy," and proceeded to recruit/free as many of their brothers and sisters as they could. The beat of their native African drums set the audio tone for resistance. The history of the Americas is punctuated with such rebellions. However, far too many of us have allowed an oppressive system to teach us our history, and because of this we are unaware that resistance is within our cultural DNA.
"But that field negro, remember, they were in the majority, and they hated their master. When the house caught on fire, he didn't try to put it out, that field negro prayed for a wind. For a breeze. When the master got sick, the field negro prayed that he died. If someone come to the field negro and said 'Let's separate, let's run,' he didn't say 'Where we going?' He said 'Any place is better than here." – Malcolm X
It is long overdue that we regain our cultural resistance, identity, and mediums, in order to serve our struggle for human rights, liberty, and social justice. It is time we gathered all of our "drums" (and voices), to begin the necessary process of mentally liberating as many of our brothers and sisters from the corporate media plantations on which they subsist. Hip Hop is not for oppressors. We should never allow it to be utilized against our own collective interests. However, we cannot free those who are willing to be liberated if we refuse to speak out. We must boycott any music that denigrates people of color, women or supports senseless structural violence. We must be willing to organize and educate as many misguided rappers as we can – converting them into Emcees aptly educated to deliver lyrical daggers at systems of oppression. Hip Hop must be ripped out of the hands of the Ku Klux Klan music groups, and placed back in the hands of the people.
Let the spirit of our ancestors guide us. Forward Ever, Backward Never.
Solomon Comissiong is an educator, community activist, author, and the host of the Your World News media collective (www.yourworldnews.org). Mr. Comissiong is also a founding member of the Pan-African collective for Advocacy & Action. Solomon is the author of A Hip Hop Activist Speaks Out on Social Issues. He can be reached at: email@example.com.
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This is really a great page! In talks about rap music, Hope to read more articles in order for me to know more about rap music. Surely recommend this to my friends who is really a big fan of rap music. Keep me in-touch here.-->> real datpiff plays
Also See Article by Homeboy Sandman @ Davey D's Hop-Hop Site
Besides this piece showing how corp media capitalist hi-jacked hip-hop / rap by pushing gansta-rap, there's this piece from Davey D w Homeboy Sandman [I think he also did an interview w Jared Ball on this topic] showing the links between media corporations pushing gangsta-rap to that of the Prison-State [see: Jailhouse Roc: 'The FACTS About Hip Hop and Prison for Profit' @ http://hiphopandpolitics.com/2013/04/24/jailhouse-roc-the-facts-about-hip-hop-and-prison-for-profit/ ]:
}' It's about media powers seeking out the biggest pretend criminal kingpins they can find, (many of whom adopt the names of real life criminal kingpins like 50 Cent & Rick Ross), and exalting them as the poster children for hip-hop culture. It was about an art form reduced to product placement, the selling of a lifestyle, and ultimately, a huge ad for imprisonment…
An anonymous email was sent out to various members of the music and publishing industries giving an account of a meeting where it was determined that hip-hop music would be manipulated to drive up privatized prison profits…
According to data from [ironically 'Stop & Frisk'] Bloomberg, the largest holder in Corrections Corporation of America is Vanguard Group Inc. Yet Vanguard also holds considerable stake in the media giants determining this country's culture. Vanguard is the 3rd largest holder in both Viacom & Time Warner. Vanguard is also the 3rd largest holder in the GEO Group, whose correctional, detention services boast 101 facilities…' {
- So we've got Media corps pushing & popularizing gangsta rap to our Black youth on the front-end while investing heavily in the 'Prison Industrial Complex' on the back-end- HUMM...
The twisted logic of the capitalist system
This is a great article Solomon! I agree with you that hip-hop artists are 'house negroes'. However, the way I see it is that, there is an irrational logic endorsed by the capitalist system which associates wealth and its accumulation as virtuous. Max Weber in this book The Protestant Ethic and the Spirit of Capitalism argued that the Calvinistic conception of work was understood to be consistent to that of the work ethic of capitalism. Therefore, a true and virtuous Christian was required to be industrious and not idle according to the parables of the talents--in so doing making work agreeable with the gospel mission. It is no wonder why Karl Marx said, '...religion is the opium of the people.' I guess he likened it to the addictive nature of hard substances which makes one enslaved to them. Nevertheless, I don't think Marx despised religion as such but he was critical in the manner it acted in congruent to capitalistic goals. Of course Adam Smith was the first to make this association between capitalism and how it finds a natural expression in Christian principles of work. But as a theologian this reasoning is fallacious at best. Nonetheless, this is not my point here. I am merely saying that the philosophical and intrinsic properties of money can easily allow it to possess multiple qualities at the same time. These qualities can be imagined of in the form of freedom. In essence hip-hop artist assume that money is able to liberate the black community. It is true that there can be no freedom without economic freedom. But this does not necessary mean a person who is economically viable is also mentally free. But this is the irrational logic of the capitalist system that assumes, because we are free to buy as many low quality Chinese goods as we want and eat until we look like pigs consequently we are free. Capitalism has created slaves out of all of us. We are all slave workers who live on slave wages. I don't understand how somehow cannot see that we have become consumerist and enslaved to the spiritual and religious mantra of more and bigger is better. Yet the ecological consequences are rarely factored into the rationale of this lassaiz-faire financial capitalism. If anyone has ever read David Harvey's book, The Enigma of Capital and the Crises of Capitalism, one will understand the correlation between poverty in third world nations and the way first world countries control the IMF, World Bank and the WTO. Why don't thess artists rap about these issues and inspire the young. Yet all we have to endure is about cars, whores and bling. According to Harvey, there are currently 2 billion workers who are earning a dollar or under a day. But hip-hop has lost its revolutionary and subversive spirit that it has been left hollow inside. There is nothing like, 'we should be part of the system and then change it from the inside,'--this pseudo-revolutionary mentally is what most of these artists believe in. Money is such a unique entity that it can simultaneously function as a 'means' and an 'end'. It is easy to see how the lure of making money is great and this it true for all of us. However, absent of the moral will power and well thought through ideas, real change can never take place. I listen to artists like Dead Prez and occasionally 2PAC but that is as far as I go with hip-hop. There is just too much drivel and derogatory lyrics out there that I am on the verge of giving up on Hip-Hop. As an African, I am kind of disappointed with my brothers and sisters who have wilfully sold themselves back into slavery.
I agree with all you say.
We're done. The capitalist model devours itself, faster and faster as time goes on. This empire is over. It is just a short time until chaos. U think the weather is bad? I am applauding every money worshiping bastard in this country to keep up the good work of destroying the worst system ever devised. We live under a dome that has spread worldwide with, Hate, Hate, and Hate.
X was right.
Don't forget too, that racism was just as responsible for the collapse as hustlin' for a buck in detriment to ur fellow travelors. (Racism, Capitalism and Calvinism. Take ur pick of order of importance.)


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Grand Mesa is just one of many scenic areas that include B&Bs to enjoy along the way
Bed & Breakfast Innkeepers of Colorado has just released the 2009 State Bed & Breakfast Guide, complete with state map, full color photos of each member property, rates, a description and website address of each B&B and a handy grid of specific amenities. In addition, a scenic byways map with inn locations will help you plan your trip around the state of Colorado while experiencing some of the most beautiful byways in North America. Order your FREE Colorado State B&B Directory now.
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This month, try Eastholme in the Rockies' Amish Breakfast Casserole (see at end of page). It's the perfect accompaniment to your breakfast brunch and so delicious that you'll want to travel to one of our Bed & Breakfast Innkeepers of Colorado member B&Bs just to personally sample our breakfasts inn-style!
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Close by B&Bs include Lovett House B&B in Cedaredge, Bross Hotel in Paonia or French Country Inn and Smith Fork Ranch in Crawford. For details on Colorado and National Scenic Byways, visit www.ColoradoScenicByways.com or for more Colorado travel ideas, visit www.Colorado.com
Amish Breakfast Casserole
Compliments of Eastholme in the Rockies B&B Cascade, Colorado
1 lb. sliced bacon, diced
1 med. Sweet onion
6 eggs, lightly beaten
4 c. frozen shredded hash brown potatoes
2 c. shredded mild cheddar cheese
1-1/2 c. small curd cottage cheese
1-1/4 c. shredded Swiss cheese
Directions: In large skillet, cook bacon and onion until bacon is crisp, drain. Mix together the remaining ingredients, stir in bacon mixture. Transfer to a greased 9 x 13 pan. Bake, uncovered at 350 degrees for 35-40 minutes or until eggs are set and bubbly. Let stand 10 minutes before serving. Yields: Serves 8 - 10
Click Here for additional Bed & Breakfast Innkeepers of Colorado Member Inn recipes and watch soon for the new edition of their new state B&B association cookbook.


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This is one of the more unusual vegetarian African appetizers. Note the combination of bananas, chiles, and ginger which make for a sweet and spicy taste.
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Copyright© 1997-2015, Sunbelt Shows, Inc. No portion of this site may be reproduced in any medium without the written permission of the copyright holder.


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What does RZH mean in Media?
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Ashley Ryan
Department: Humanities & Communication
Program: Philosophy & Cinema Media Studies
Senior Ashley Ryan's time at Flagler has been filled with hard work, discipline, and a good amount of ambition. During the 2014 Honors Day, it all culminated in her receipt of the Distinguished Student Award in Philosophy and Religion, an award given to students who, in the judgment of faculty, best represent their major or minor in terms of academics, citizenship, service and the spirit of the discipline.
But this isn't the first time Ryan has been recognized for her hard work and the merit of her research. Her paper, titled "The Message of Platonic Myths and the Birth of a Modern Mythology," was selected as one of the top papers at the Pop Culture and Philosophy Undergraduate Conference at Georgia Southern University and was included in the GSU undergraduate journal, "The Indefinite Dyad." The paper was also accepted into the regional Southern States Communication Association Undergraduate Honors Conference.
Ryan also received a grant from the newly created Undergraduate Research Department and gave a presentation during Honors Day on her paper entitled "Biblical References in the Pop Culture Artifact 'Revolution.' " She presented this paper as part of a panel chaired by Dr. Wysocki at the PCAS (Pop Culture Association of the South) conference.
Ashley, who is the current president of the Philosophy Club, has worked closely with professors such as Dr. Hugh Marlowe (Philosophy) and Dr. Wysocki (Communication) to write her successful papers and become a more self-reflective individual. Because of the accessibility and mentorship of such Flagler professors, Ryan explains, "I have reached new intellectual and creative heights that I never thought possible."
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So don't hanker for any peaks, just be where you are totally, utterly, and the goose is out! Hanker for the peaks, and the goose is in the bottle. Those peaks are the bottle, those goals are the bottle. They keep you encapsulated, they keep you imprisoned. The future is your bondage and the present is your freedom.
Here I differ totally from Jesus, from Buddha, from Krishna, from Mahavira, from everybody else. Knowingly, unknowingly, they have created a pattern of imitation for humanity. I want to destroy this whole pattern, this whole status quo. I want you to be just yourself. Whatsoever you are, you are beautiful as you are; you need not be somebody else to be beautiful.
That's the only way to enjoy, but it is up to you. If you want to suffer.and there are people who love suffering, they cannot live without suffering; their only joy is in suffering and more suffering. The more they suffer the more they feel that they are doing something great. Then it is up to you; then don't make any fuss about it, then go to the peaks. But the peaks won't satisfy you because from those peaks you will again be looking far ahead for further peaks.
The headmistress of a girls' boarding school was abruptly awakened one night by one of her students, a rather mature-looking sixteen-year-old. "Miss Forbes," she cried, "I've just been raped!"
"Now, be calm, Melissa," the headmistress told her firmly. "The first thing you must do is to go to the refrigerator and eat half a lemon."
"Half a lemon?" asked the surprised student. "Will that keep me from getting pregnant?"
"No," admitted the headmistress, "but it will get rid of that silly grin."
That's what religious people have been doing: removing all your smiles, making you look as sad as possible, as long-faced as possible.
Christians say Jesus never laughed. If it is true, then whatsoever he has said is wrong. If what he has said is right then this cannot be true, because the man continuously says, "Rejoice! I say to you again and again rejoice!" And Christians say he never laughed! Laughter seems to be mundane for them, laughter seems to be worldly; it is not good for holy people. Holy people have to be continuously sad, hence they have created a long tradition of sad, ill, sick, pathological people whom they worship.
The more pathological you look the more you will be worshipped. The more you are a sadist and a masochist the more you will be worshipped. Torture yourself and teach others to torture themselves - they call it asceticism - become a monk, renounce the world.


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Ninja (eBook)
Ninja (eBook)
In this revelatory book, acclaimed author John Man's thrilling historical account brings to life the world of the ninjas, the Japanese "shadow warriors," whose otherworldly skills as assassins and spies still seize our imaginations like few characters before or since. Ninja is the first major history of these legendary masters of stealth warfare.
Out of the violent chaos of medieval Japan, a remarkable band of peasants from the mountainous Iga and Koga provinces rose to become some of the world's most feared warriors. These poor villagers trained to perfect the art of ninjutsu—the deadly union of martial skill and deception—to defend themselves against far more powerful warlords, samurai, bandits, and warrior monks who sought to exploit them. They disciplined their minds as much as their bodies—sitting under waterfalls to purify themselves and adhering to mystical religious beliefs. By 1500, the ninja's extraordinary talents, from infiltrating cliff-top castles to carrying out daring strikes for the imperial shoguns, were in demand across Japan.
Today, however, these real-life ninjas are overshadowed by legend and pop-culture caricatures. Could they fly? Climb walls? Cast spells? Survive being boiled alive? Or make themselves invisible? Drawing on a wealth of historical texts, local Japanese sources, and his long study of medieval Asia, John Man unravels the authentic ninjas, taking us back a millennium to their origins in China, through to their heyday in the bloody civil wars that ended with the unification of Japan in 1600.
But the story does not end there. Man argues the Japanese tradition of shadow warfare survived quietly for centuries before reemerging through the Nakano Spy School, the elite twentieth-century military-intelligence academy whose graduates operated one of the most extensive spy networks during World War II. Now in his nineties, one former Nakano soldier named Onoda Hiroo may be the "last of the ninjas."
Compelling and absorbing, Ninja propels us from feudal Japan to the modern day, revealing at last the fascinating true history behind one of the world's most enduring legends.


text:
Search Marketing Standard has re-published an article I wrote about online forms design. If you haven't checked your forms lately, now is a great time to do so.
Search Marketing Standard | In Rare Form: Best Practices For Online FormsThe article, called In Rare Form: Best Practices for Online Forms, is loaded with actionable advice for immediate application.
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text:
General Topics
General Messages
> >>>BIGGEST Choke of 2003?
View Full Version :
>>>BIGGEST Choke of 2003?
Nov 4th, 2003, 01:44 AM
I reckon Hantuchova leading Molik 6-2, 5-2 40-0
And losing 2-6, 7-5, 6-0 :eek: :eek: :eek: :eek: :o
Nov 4th, 2003, 01:48 AM
Hahaha.....but this one is a MAJOR choke too...but it ain´t the biggest. The biggest has become one of the all-time greats. Go figure!!
Nov 4th, 2003, 01:48 AM
didnt serena save 2 match points Molik saved 3
Nov 4th, 2003, 01:49 AM
and besides alicia was ranked like 60s and daniella in top 10 kim and serena has similer rankings
Nov 4th, 2003, 01:50 AM
didnt serena save 2 match points Molik saved 3
I don't think that's the match they are talking about...
Nov 4th, 2003, 01:50 AM
Poll added :wavey:
Nov 4th, 2003, 01:53 AM
Kim Clijsters! Pick a Slam match she lost.
-Lead Serena 5-1 in the third at the Australia; lost the match 7-5 in the third.
-Didn't even show up in the French finals 0-6 4-6
-Lead Venus by a set and a break at Wimbledon; Venus was INJURED, and couldn't close it out
-Couldn't beat Henin, who survived a 3 hour marathon with Capriati.
Biggest chock? Clijsters
Nov 4th, 2003, 01:55 AM
sshhhhh! Don´t tell nobody!
Nov 4th, 2003, 03:04 AM
pick any match where kim clijsters was up and then her game fell apart.
there are too many to pick just one...
get it together kim for 2004!!!
Nov 4th, 2003, 06:14 AM
bump :)
Nov 4th, 2003, 07:22 AM
I must say that infamous AO match of Kim against Serena.Even I felt for her.It must have really hurt.:sad:
Nov 4th, 2003, 07:34 AM
Vera @ New Heaven bcoz the way how she was dominating first and 2nd set before choke...
Nov 4th, 2003, 07:36 AM
It was between Vera/Anna and Kim/Serena for me.
The latter wins because Kim had MP and Vera didn't, but both were just hideous, simply hideous.
Nov 4th, 2003, 10:39 AM
Kim/Serena at AusOpen, simply because it was a Slam
Vera in New Haven is really big, but in small tournament
Anna/Vera in Linz was not a choke at all
Nov 4th, 2003, 10:45 AM
NEW HAVEN: Zvonareva LEADS Pistolesi 6-0, 5-1, loses last two sets 6-7, 3-6
LINZ: Pistolesi LEADS Zvonareva 2-6, 6-3, 5-1*, loses last set 5-7
Nov 4th, 2003, 10:45 AM
HELLO After dani was up 6-2 5-2 she lost the next 12 games :rolleyes:
Nov 4th, 2003, 01:05 PM
Kim's match was not the biggest choke :rolleyes:
You have to also look at the quality of player they supposedly "choked" against. Serena's a player who can turn on her best tennis and come back against anyone. And they had already split sets, so it wasnt like Kim was completely dominating Serena, like it was the case in some of those other matches in the poll. Cant believe that match is leading the poll! :eek:
I think the biggest choke was Vera vs Anna P. No one should ever lose a match after leading 6-0 5-1.
Nov 4th, 2003, 01:08 PM
And also up there is Serena leading Mauresmo 6-1 4-2 in Rome, but then losing the next two sets 7-5 6-3 :rolleyes:
Nov 4th, 2003, 01:09 PM
most painful loss was Kim vs Serena
most annoying was Jennifer vs Justine
most pityful was Hantuchova's
Nov 4th, 2003, 01:10 PM
wasn't Serena leading a set and 5-3 in Rome?
not that it makes it any better :rolleyes::)
Nov 4th, 2003, 01:28 PM
Yeah....Serena started to get the annoying abilitie to let people in matches again. She has to start working on that again...she nearly blew the match against Jen at wimby as well...she was completely cruising and then when serving for the match she goes down breakpoint after breakpoint. Not good.
Nov 4th, 2003, 06:18 PM
Kim vs. Serena :(:(:(
Nov 4th, 2003, 06:22 PM
Poor Anna P in Linz, she was close to collapsing :(
I chose Kim @ the AO.
Nov 4th, 2003, 06:25 PM
Philly wasn't a choke Ai played one shakey service game the rest is history.
Nov 4th, 2003, 06:31 PM
A few honorable mentions:
Henin-Hardenne def. Capriati (U.S. Open semi)
Henin-Hardenne def. S.Williams (French Open semi)
Both Capriati and Williams had many chances and probably should have won those matches in straight sets, but got tight when it counted most, and Justine just kept on fighting.
Nov 4th, 2003, 06:53 PM
Aus Open: Davenport lead Henin 5-7 7-5 4*-1 , i think if she won that match it wouldve set a better tone for lindsasy year
Nov 4th, 2003, 06:59 PM
Don't forget Mauresmo's rather poor loss to Clijsters in Rome, worse as it came in the final. There she was up a set and *6-5, serving for the title, and proceeded to lose the next eight games of the match. The crowd contained a lot of French pro-Mauresmo supporters as well, so the last set was pretty painful...
Nov 4th, 2003, 07:00 PM
Aus Open: Davenport lead Henin 5-7 7-5 4*-1 , i think if she won that match it wouldve set a better tone for lindsasy year
Yeah that was two chokes in one....first Juju, then Lindsay.
Mrs. Peel
Nov 4th, 2003, 07:05 PM
To many chokes to choose from!
I chose Zvonereva/Pistolesi because that was serious meltdown of epic proportions...6-0, 5-1 ?!?!?!?!?!?!?!?!?!?!? WTF?!?!
If they are passing out crowns or badges for Queen of the Choke it would be Kim...her Grandslam finals have been disgraceful.
French Open 03 and US OPEN 03 :o :o :o :o :o :o :speakles:
Weren't both of these finals under an hour?
She just gave them away!
Nov 4th, 2003, 07:05 PM
zvonareva @ new haven :o
Venus Forever
Nov 4th, 2003, 07:42 PM
Biggest choke with a lot on the line: Kim Clijsters
Biggest choke Score wise: Vera Zvonareva
Nov 4th, 2003, 08:18 PM
Vera :kiss:
Nov 4th, 2003, 08:28 PM
Ai/Amelie, only because I liked the outcome!
Nov 4th, 2003, 08:32 PM
[QUOTE=Mrs. Peel]To many chokes to choose from!
I chose Zvonereva/Pistolesi because that was serious meltdown of epic proportions...6-0, 5-1 ?!?!?!?!?!?!?!?!?!?!? WTF?!?! {end quote}
Wasn't this the one where Vera broke down crying...fell onto the baseline... and had to be helped off the court by Anna?
Nov 5th, 2003, 02:54 AM
I reckon Hantuchova leading Molik 6-2, 5-2 40-0
And losing 2-6, 7-5, 6-0 :eek: :eek: :eek: :eek: :o
Poor thing.i hope she pulls a Shaugnesy and puts on about 2o lbs of m uscle and makes some sort of a return to form :bounce:
Nov 5th, 2003, 02:58 AM
dokic pierce
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West Ham sign Brazilian striker Wellington Paulista
Published on Jan 12, 2013 6:29 AM
LONDON (AFP) - West Ham on Friday signed Brazilian forward Wellington Paulista on loan from Cruzeiro until the end of the season.
Wellington had been a long-term target for Hammers manager Sam Allardyce and the Premier League club have an option to sign him on a three-year contract if his loan spell proves successful.
The 28-year-old, who has yet to make his Brazil debut, finished last season as Cruzeiro's top scorer with 27 goals and has also played for the likes of Santos, Botafogo and Palmeiras during a much-travelled career.
Wellington is Allardyce's fourth January signing following deals for Joe Cole, Sean Maguire and Marouane Chamakh.
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Wilmette Public Library Upcoming Teen Events
How to Begin the College Search Process
When: Saturday, April 18, 2015 - 2:00 PM - 3:00 PM
Where: Auditorium
In this presentation, Quest College Consulting will provide high school families with tips and advice on how to start and breakdown the college search process. This program is designed for both parents and students. This is an interactive presentation so please bring your phone or tablet if you own one.


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Personal property is the "800 pound gorilla" of an estate. Dealing with personal property issues consumes most of an executor's time and causes most of the aggravation. These 10 tips on how to sort through an estate's personal property can turn a stressful undertaking into a manageable process.
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Tag Archives: antiques shop
How antiques and vintage dealers can use Facebook to build trust without alienating customers
What consumers want is to trust the person they will be buying from. How then, can an antiques dealer use social media to build relationships with new customers? A social media strategist offers vintage sellers five tips.
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How eBay's fraud protection plan boosts your sales (even if you don't sell on eBay)
Columnist Wayne Jordan says eBay's Fraud Protection Program is a response to the atmosphere of distrust – distrust that has existed in the art and antiques market for decades. Without trust, a loyal user base cannot be established, and without loyal customers a company cannot grow. He gives credit to eBay for making an effort to sort all of this out and claims the company's efforts to control fraud help all online sellers. Read More +
Why don't antiques dealers just cut prices and move old merch? Because we don't like losing something once we own it
Wayne Jordan looks at the true cost of holding on to inventory too long and why it's very common in the antiques trade: "Even when faced with compelling financial data (like inventory turns and profits) dealers still hold on to their beloved inventory. The essence of loss aversion is that simply owning something increases its value (to us). We don't like losing something once we own it. Antiques dealers are also collectors, and they tend to get attached to the items the buy" Read More +
How to be the antiques dealer who knows something about art
Antiques dealers who have found that their large furniture items aren't selling would do well to remember that most rooms have more wall space than floor space. The good news for antiques dealers is that they can profit handsomely from the every-day, run-of-the-mill unsigned art they find at estate sales, garage sales, and auctions. Columnist Wayne Jordan offers a primer on the two most important rules dealers should remember when selling art and how to select quality pieces that sell.
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Madison-Bouckville Antique Week planning for 2,000 vendors at 40th annual event
BOUCKVILLE, N.Y. – This year marks the 40th anniversary of Madison-Bouckville Antique Week, slated for Aug. 15-21 in Bouckville, a town located in central New York state, not far from Syracuse and Utica and right on State Route 20. The event will play host to over 2,000 dealers and vendors and is expected to attract 45,000 people or more to its many fields.
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Do you base your antiques inventory prices on value, cost or gut feelings?
Wayne Jordan has a "Home Alone" moment after reading a report claiming that artificially inflating prices for Kindle and iPad ebooks "creates value" for consumers. "I read that statement and screamed. Macaulay has nothing on me," he writes. Dealing in unique objects, antiques sellers may price inventory at the intersection of supply and demand. However, many use three pricing strategies: research, cost (amount paid) and "gut feeling" to move their merchandise. Jordan looks at the pros and cons and explains how all three can help sales.
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Five ways to finance your antiques business without a bank loan
Applying for a bank loan for your fledgling Antiques business is a quick and easy process: you fill out the loan application, and the bank says "No!" It's sad but it's true. Bankers just don't understand the antiques trade. Behind the Gavel columnist Wayne Jordan shares five choices that small businesses sometimes use for quick cash. He sorts through the good, the bad, and the ugly of them to see what might make sense for your business.
You CAN get Gen Y to step foot in your shop: What antiques dealers can learn from junk mail – Part 2
In this follow up to his popular article What antiques dealers can learn from junk mail, columnist Wayne Jordan shares tips and tricks any dealer can use to spice up ad copy and boost store traffic.
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What antiques dealers can learn from junk mail
Antiques dealers and other small business owners can seldom afford to hire an agency to develop their ads. For this reason, small businesses ads are almost always poorly written and ineffective. Nevertheless, small businesses are still in need of effective advertising. By following a few simple guidelines, antique dealers can produce effective advertising copy that will have a positive effect on their sales. Read More +


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Product Number: | WE94521 |
Item Price: | $33.99 |
Availability: | Currently Out of Stock, click the alert icon to be notified when product is available. |
Shipping Weight: | 1.55 lbs. |
Endorsed by the wild-child, celebrity Willie Robertson and his crew of pro athletes and county music stars, this kit is filled with the tools needed for a wide range of equipment repair jobs. It's like a portable gunsmith shop—consisting of the most common tools to fix your bow, firearm, and other gear—giving shooters the extra confidence they need when away from their home bench. From scope mounting to firearm disassembly and more, the Weaver Buck Commander Series' Soft-Sided Tool Kit is capable of tackling all your equipment repair needs. The kit comes complete with a Buck Commander heavy-duty, soft-sided pouch to keep everything organized and ready to go!


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Thu | ||
Start: 7:30 pm
Colfax Avenue: Jamie Ford, the New York Times bestselling author of the beloved Hotel on the Corner of Bitter and Sweet, will read from and sign his new novel Songs of Willow Frost ($26.00 Ballantine). Set against the backdrop of Depression-era Seattle, Songs of Willow Frost is a powerful tale of two souls—a boy with dreams for his future and a woman escaping her haunted past—both seeking love, hope, and forgiveness.
Can't make it to the signing? Request an autographed copy here: firstname.lastname@example.com
Jamie Ford's website
Start: 7:30 pm
Highlands Ranch: Spencer Quinn, author of the brilliant New York Times bestselling Chet and Bernie mysteries, will read from and sign the The Sound and the Furry ($25.00 Atria), the sixth book in the series. In this new book, canine narrator Chet and his human partner P.I. Bernie Little are handed a hard case in the Big Easy. With top-notch suspense, humor, and genuine insight into the ways our canine companions think and behave—all set against a rollicking new Louisiana backdrop—The Sound and the Furry is "nothing short of masterful." —Los Angeles Times
Can't make it to the signing? Request an autographed copy here: email@example.com
Spencer Quinn's website
Start: 7:30 pm
Historic LoDo: Our guest panelists, including moderator Carol Berg (last year's Writer of the Year winner), and this year's Writer of the Year finalists—romantic fantasy author Marne Ann Kirk; historical and contemporary romance author Cindi Myers; and humorous mystery author Linda Joffe Hull—will present a discussion entitled "Ask an Author about Writing and Publishing." Door prizes, including one RMFW membership; one RMFW Colorado Gold Conference free admission; one RMFW retreat entry (this event is a $230.00 value for RMFW members and a $270 value for non-members); and books by all of our panelists will be drawn throughout the evening. Rocky Mountain Fiction Writers' website


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Supported Site Rowan University
If you are from this institution and wish to report data, please login.
Project Summary
The PhysTEC project activities at Rowan University enable Rowan to make our local effort a national model and one that will make a real impact in the State of New Jersey and surrounding region. Rowan is an ideal institution for a PhysTEC comprehensive grant; we have over 150 physics majors (and growing), a very strong Science Education program, a new tenure-track line in Physics Education, Learning Assistant courses, and a host of new, innovative ideas with the momentum to match. Through the PhysTEC grant, Rowan is developing the next steps to establishing a permanent framework for recruiting, retaining, training, inducting and mentoring future physics teachers. The PhysTEC grant provides the "linchpin" for success – the Teacher-in-Residence (TIR).


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You are exactly right,Submitted by Guest1334 (not verified) on Tue, 06/12/2012 - 11:24am.
You are exactly right, Vog46. This is an instance that many people, along with myself, agree with. I have no problem with voluntary annexation, it gives the people a voice. If a community wants to be annexed, let them vote on it, and go from there! »
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That would actually lead to more touchbacks. If a returner was ready to receive the ball at the 1, he could just let it bounce and catch it in the endzone. It would actually end up being like punts where the player figures out a yard where it doesn't make sense to catch it, and if the kickoff is going to go past that he just backs up.
If you wanted more live returns, only give the receiving team the 10 yard line on a touchback.


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In this discussion, We will introduce about the use of
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 tag is used for defining the row of cells in a table. The
 tag is used within the
 tag and can have more than one  tag. This tag must have opening and closing tags.
The declaration of this tag is as:

 Table Data
 |
This tag don't have any specific attributes
Example: tr_tag.html
<!DOCTYPE html>   <title>Example of tr tag</title>  Example of tr tag.

  Gyan	  Singh

  Ankit	  Kumar

  Bikrant	  Singh

   |
Recommend the tutorial |


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Denaq 6-Cell 5200mAh Lithium Battery for DELL Laptops
Whether you're at home or on-the-go, a long life lithium-ion laptop battery will ensure that you have the power you need, when you need it.This is a new 6-cell rechargeable battery for your DELL laptop computer. Providing 5200mAh of capacity, this quality battery will keep you charged up at home and on the go.
Denaq 6-Cell 5200mAh Lithium Battery for DELL Laptops
Weights & Dimensions
Product Type: Alkaline/Lithium; Rechargeable | Country of Manufacture: China |
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Denaq is located in Pennsylvania, with manufacturing outlets located in both Hong Kong and China. They carry only the very best in high-capacity laptop batteries and power adapters. The products come with outstanding warranties, and the commitment to customer service is second to none.Denaq 6-Cell 5200mAh Lithium Battery for DELL Laptops
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Write the first review Reference
6-Cell 5200mAh Lithium Battery for DELL Laptops is also sometimes listed under the following manufacturer numbers: DQ-KM742-6


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Vilanch, Bruce (b. 1948)
An award-winning comedy writer, Bruce Vilanch has other strings to his bow. He has appeared on stage, television, and film, writes for The Advocate and other publications, and is a tireless proponent of glbtq causes. Born in New York City on November 23, 1948, Bruce Vilanch was adopted at the age of four by Dr. Jonas Vilanch, an optometrist, and his wife, Henne Vilanch, a homemaker who loved show business and performed in charity shows. Vilanch grew up in Paterson, New Jersey. As a child he modeled, mainly in the "Charming Chub" division of Lane Bryant, and also did some acting in summer stock. Vilanch realized early in life that he was gay and learned to use humor "partly to deflect peer-group persecution." After high school Vilanch enrolled at the Ohio State University, where he appeared in student productions and wrote reviews in what he hoped would be preparation for a playwriting career. "I was going to be Neil Simon, batting out one Broadway show after another," he said in 1999. As it turned out, his writing career began instead at the Chicago Tribune, where he got a job as a reviewer and columnist. After he reviewed a performance by Bette Midler, she called him, and in the course of their conversation Vilanch suggested that she ought to put more jokes into her act. When Midler asked him for some comic lines, Vilanch, who was then moonlighting as a cabaret performer, offered some, thus beginning a long professional relationship. In addition to providing material for Midler's club act, he co-wrote the 1980 film Divine Madness (directed by Michael Ritchie) for her as well as her television specials Bette Midler: Ol' Red Head Is Back (1978) and Bette Midler in Concert: Diva Las Vegas (1997). Vilanch quit his newspaper job in 1975 and moved to Hollywood to do comedy writing full-time. He continued to write material for Midler and also for the variety shows that were popular at the time. He worked with stars like Carol Burnett and Dean Martin and wrote gags for The Brady Bunch Variety Hour (1977) and The Donny and Marie Show (1976-1979), where he faced, wrote Stephen Holden, "the formidable task of making Donny and Marie Osmond sound semi-hip." Vilanch's aspirations to become the next Neil Simon did not meet with success: his 1978 musical, Platinum, closed after only 33 performances. The failure of the play was a great professional disappointment to Vilanch, but his comedy-writing skills were still much in demand. Vilanch used his talents not only to earn a living but also to fight AIDS. He had experienced the devastation of the pandemic at first hand. "When you have to bury three or four friends a month, that's tough," he said of those grim days. Vilanch began performing regularly at benefits and remains strongly committed to the cause of AIDS research and education. Over the years Vilanch has become recognized as the premier comedy writer for awards shows. His material has become a fixture of Oscar, Emmy, and Tony Awards telecasts. Vilanch has won two Emmy Awards himself for his work on the Academy Awards shows in 1991 and 1992. Vilanch became an audience favorite when he joined the cast of the revival of the television game show Hollywood Squares in 1998. During his four-year stint with the program he was also head writer, providing witty banter for the celebrities who took part. Vilanch was both the subject and star of Andrew J. Kuehn's 1999 documentary Get Bruce!, which featured interviews with stars such as Midler, Robin Williams, Billy Crystal, and Whoopi Goldberg, who all benefited from Vilanch's comedy writing talents. Also appearing was Vilanch's mother, who stole all her scenes. Vilanch is extremely close to her and credits her with developing his sense of humor. Vilanch took to the stage in 2000 with Bruce Vilanch: Almost Famous, a show about his life and career. After treating the spectators to behind-the-scenes tales of his work with performers on television shows and on stage--Tallulah Bankhead and Sophie Tucker among the latter--Vilanch fielded questions from the audience and responded with characteristic wit. Vilanch has recently appeared in the musical Hairspray (book by Mark O'Donnell and Thomas Meehan, music and lyrics by Marc Shaiman and Scott Wittman) based on the 1988 John Waters film of the same name. Vilanch played Edna Turnblad, the role originated by Divine in the movie, with the show's national touring company in 2003, and the following year he replaced Harvey Fierstein in the Broadway production.
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Atletico Madrid are lining up 10m move for Tottenham winger Bentley
England winger David Bentley could be on his way to Spain asAtletico Madrid are ready to make a cut-price offer to rescuehim from his Tottenham hell. Manager Harry Redknapp has told the former Blackburn Rovers star hecan leave White Hart Lane in the summer and Spurs are now ready to take what they can get. Wanted: David Bentley (right) is set to be offloaded by Spurs Flop Bentley set for Spurs exit as Redknapp rates Modric and LennonTOTTENHAM FC: All the latest news from across the webUnited and Liverpool are set for summer tug-of-war over Lennon Bentley, 24, arrived at Tottenham for £15million last summer but he has not played since a 1-1 draw against Sunderland at the start of March and the Spanish giants are set to table an offer, believed to be around £10million. Aaron Lennon and Luka Modric are ahead of Bentley in the pecking order at the North London club and Redknapp said: 'It has been tough for David. He has worked hard but Aaron has been in terrific form. 'David wants to play. He is a terrific talent but Aaron and Luka Modric have been in superb form.' Atletico were among a clutch of clubs vying for his signature before Spurs landed the 24-year-old. Atletico are now back in the frame, which would give Bentley regular games to try to win a World Cup place under Fabio Capello. Tottenham would use the money to help finance a summer spending spree, with Sunderland striker Kenwyne Jones and Middlesbrough's Stewart Downing on their radar.
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Best of 2009
TheGrumpyHatter: Best of 2009
TheGrumpyHatter: Best of 2009
It's probably telling that the game I played the most over Christmas Eve, Christmas Day and Boxing Day was Shadow Complex. I find it hard to place exactly what it is that draws me in so much to this game. On the surface, it's simply a solid Metroidvania. But fact that every secret is visible on the map makes all of the collection seem so simple. Instead of running around the entire castle in Castlevania with some magical equipment that makes a noise when a secret wall is near, all you have to do is look around the screen a little. This draw of this collection mechanic was enough to make me start a new game immediately after the credits rolled the first time around.
I feel like a bit of a jerk for putting this so low, but Dragon Age simply suffers from the unfortunate circumstances of being a Christmas gift. I simply haven't had the time to get deep enough to really say whether the story and gameplay stay interesting. Everything I've heard says that is true, but obviously this isn't a list of the games I heard were pretty great. So far, I've found the dialogue and story entirely engrossing. The core of the combat is very solid, but I want to see how higher level characters can handle situations differently, because it seems it could get a little boring after so many hours.
Every time a new numbered Guitar Hero game comes out, I find myself surprised by how much of an improvement it is on the last. Just like World Tour's before it, this engine smooths out the rough edges of the franchise and adds quite a few conveniences, such as easy hyperspeed selection and party play. The song selection interface isn't great, but it works. As the name suggests, this is still a guitar centric game, and the guitar charts are the focus. It seems difficult guitar charts are more fun in this engine, while easy charts are more fun in the Rock Band engine. The singing is actually fun, a huge improvement over the last engine. I haven't played much of the drums, but what I have played continues to prove that an increased window to hit notes is silly on drums. I've also been pleasantly surprised by the songlist. It's weird, and in places esoteric, but it contains quite a few gems.
Let me be perfectly clear. This game has many, many problems. There are lots and lots of glitches. I doubt we're ever going to see the sound working perfectly. And when they do fix bugs, it takes a long time. I lost count of the number of kills I saw Evelyns get because towers wouldn't attack them while they were invisible. The "launch" was bungled horribly, and when they finally did put the store up it didn't really work. I endured animation bug that basically made Twisted Fate's Pick a Card worthless for a couple of weeks.
Nonetheless, this game is one of the most fun team multiplayer games I've ever played. The teamwork necessary to do well is probably daunting to some, but I have the luck to have a group of friends I regularly play with, and more importantly, voice chat with.


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As a recent owner of a Stainless Sig P229, I need some help in how best to clean it.
As I understand it, I should use TW-25B, at least according to Sig. However, I'm looking for a lot more detail.
Can any stainless owners recommend materials for cleaning, lubricating, and preserving (separately or in combination) a stainless handgun?


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Waianae Coast Comprehensive Health Center (WCCHC) has provided a unique, integrated model of health care delivery that addresses not only an individual's health care needs but that of family and the community, since operation in 1972.
WCCHC believes that providing quality and accessible healthcare is just the beginning and that job training, economic development and cultural proficiency are also vital to the health of a community.
The Health Center never turns anyone away and it is a safety net for uninsured, medically underserved patients, serving 31,000 patients annually through five clinic sites located on the Waianae Coast, and in Kapolei and Waipahu.
Services range from primary care to a 24-hr emergency room -- including laboratory and radiology -- to community health outreach, a fitness center, preventive health services, adult day care, transportation, pharmacy, specialty services, behavioral health, health career training and more.
Waianae Coast Comprehensive Health Center Main Campus
86-260 Farrington Highway
Waianae, HI 96792
Telephone: (808) 697-3300
Website: http://www.wcchc.com/
CLICK HERE for more information on how you can support Waianae Coast Comprehensive Health Center.
Aired: October 30, 2013
Child & Family ServiceThis week's Community Care Connection features a non-profit organization that partners with Hawaii families to address serious life issues. Child & Family Service touches more than 40,000 lives each year by meeting families where... LEARN MOREAired: Oct 23, 2013 |
Family Programs HawaiiDevelopment Director for Family Programs Hawaii Connie Sizemore talks with Jennifer Robbins about keeping children out of the child welfare system, supporting children who are currently in foster care, and helping to transition youth out of foster care... LEARN MOREAired: Oct 16, 2013 |
Special OlympicsSpecial Olympics Hawai'i unleashes the human spirit through the transformative power and joy of sports everyday around our islands. Through work in sports, health education and community building, Special Olympics is addressing inactivity, injustice... LEARN MOREAired: Oct 9, 2013 |
Goodwill HawaiiPresident and CEO of Goodwill Hawaii Laura Smith wants to inform the community of their mission to help people find employment. They also invite the public to support them by donating clothes and household items to raise money for job training and employment programs... LEARN MOREAired: Oct 2, 2013 |
Archive: November 2013 | October 2013


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DACF Home → About Us → Commissioner's Office → Conservation Easement Registry
Conservation Easement Registry
The Maine Department of Agriculture, Conservation and Forestry maintains a mandatory statewide registry for conservation easements held in Maine (33 MRSA, §479C).
All holders of conservation easements on real estate in Maine must establish an account with registry, register their easements and confirm the monitoring status of their easements. The annual account renewal and reporting deadline is March 30.
New accounts can be established and new conservation easements registered at any time of the year. The registry has been set up on-line for account holders easy use and management of the holder's information. Account holders are able to manage and edit your information on line and download it for off-line use.
Getting Started: Establishing an account in the Maine Conservation Easement Registry (PDF)
Please email us for more information.
Reminder: To comply with statutory requirements, Easement Registry account holders are required to renew the registration of their Registry account annually between January 1, 2015 and March 30, 2015. Please use a valid credit card (MasterCard or VISA) to pay for your organization's registration.