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About this item
Get pure drinking water virtually anywhere using the Camco Water Filter with Hose. It helps reduce bad taste, odor, chlorine and other impurities in water with its 100-micron fiber filter. This durable-exterior Camco filter is engineered with a wider body increases water flow and has a large capacity that can last an entire camping season. The high-flow carbon filter also contains KDF to help prevent bacterial growth. It comes in a light blue color that is easy to see and includes a flexible hose protector to minimize kinking.
Camco Water Filter with Hose
- Helps reduces bad taste, odors, chlorine and sediment in drinking water
- 100-micron fiber drinking water filter is ideal for RV use and many other applications
- Durable-exterior mount filter has a wider body to increase flow
- Includes a flexible hose protector to minimize kinking
- High-flow carbon filter contains KDF to prevent bacterial growth
- Has a large capacity that can last an entire camping season
- Color: blue with yellow connector
Model No.: | 40043 |
Shipping Weight (in pounds): | 1.25 |
Product in Inches (L x W x H): | 11.5 x 3.0 x 3.0 |
Assembled in Country of Origin: | USA |
Origin of Components: | USA |
Walmart No.: | 1019574 |
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text: went here for breakfast tuesday january 20th! the food was very good as always! the waitress was very cold and just had an aire about here! he brang the food and sit it on the table dint say a word, like we wasnt even there.......we waited and waited on her to come back with more coffee she never... read more

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Whoo Hoo! Lets play ball!Submitted by #1 Braves Fan (not verified) on Wed, 06/13/2012 - 1:16pm.
People, we have the opportunity to have the Braves here in Wilmington! Gotta get this done, taxes or no taxes. It's the great American Pastime in our Great American City. Can you feel it? »
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1000+ commercial properties for sale found
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1,217 sq ftRetail Property (out of town) for sale 93 Westy Lane, Latchford, Warrington, WA4 1QY
A substantial DETACHED RETAIL PROPERTY with separate GROUND AND FIRST FLOORS. The property is situated next door to a Co-op convenience store just off the A50 Kingsway South in Latchford. There is an open forecourt to the front that PROVIDES PARKING for upto 4 cars. More details ›
£148,375 Guide Price
Guide Price £148,375
1,187 sq ftMixed Use for sale Unit 3 Chips 2 Lampwick Lane, Manchester, M4 6BU
Chips isn't your average building. Designed by Will Alsop, Chips presents the first commercial opportunity available in New Islington, Manchester and the chance to locate in one of the area's MOST SIGNIFICANT BUILDINGS. More details ›
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400,000 sq ftWarehouse for sale Crewe Commercial Park Crewe, CW1
Located off J16 of the M6 with PRIME ROAD AND RAIL CONNECTIONS. Offering considerable DESIGN AND LAYOUT FLEXIBILITY to meet individual business requirements More details ›
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54,300 sq ftLight Industrial for sale Orion Park, Crewe, CW1 6NG
After success of the initial phase of development, the developers are prepared to consider either build to suit opportunities for individual occupiers SPECIFIC REQUIREMENTS or alternatively will give consideration to individual plot sales of survey land. More details ›
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Offers Invited
592,416 sq ftCommercial Development for sale Highgate, Tunstall, Stoke-On-Trent, ST6 4JU
The site benefits from a PLANNING CONSENT (dated 17th May 2013) for a FOOD STORE OF 72,000 SQ FT (6,688 sq m), four non-food retail units, including a drive-thru and public house. The site is located at the EDGE OF TUNSTALL TOWN CENTRE More details ›
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15 acresLand for sale Green Fold Way, Leigh, WN7
UNSURFACED LAND SUITABLE FOR A VARIETY OF USES. EXCELLENT ACCESS to Junction 23 of the M6 which is approximately 3.5 miles to the West of the site, with Leigh town centre approximately 0.25 mile to the North of the site. More details ›
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29,329 sq ftOffice for sale APV House, Speedwell Road, Parkhouse Industrial Estate East, Newcastle Under Lyme, ST5 7RG
Freehold landmark THREE STOREY OFFICE premises with 164 CAR PARKING spaces. Very PROMINENT LOCATION with IMPOSING VIEW overlooking the A34 Total NIA extends approximately to 29,329 sq ft. Over 5,000 sq ft currently let and income producing will be of interest to investors and owner occupiers. More details ›
100,000 sq ftWarehouse for sale One 100, Road One, Winsford Industrial Estate, Winsford, CW7 3NZ
4000+ people are employed on the estate. OCCUPIERS INCLUDE; Linpac Material Handling, Boughey Distribution, H&M Hennes, Henkel Loctice, Iveco, International Paper & Advanced Medical Systems. Location enables EASY ACCESS to markets in the North West, Midlands, Wales and the port of Holyhead. More details ›
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52,269 sq ftResidential Development for sale Brook Street, Wrexham, LL13
Student Halls of Residence with APPROVED PLANNING PERMISSION for 21st century student complex. The SITE has APPROVAL for Two blocks of 3 storey student accommodation providing 21 CLUSTER TYPE FLATS giving a total of 107 en-suite bedroom spaces built over an undercroft PARKING. More details ›
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185,487 sq ftCommercial Development for sale Midpoint 18, Middlewich, CW10 0TN
The Warehouse is located in Middlewich in an ESTABLISHED distribution location. The unit comprises 12.5m eaves height, EXTENSIVE 53m yard, 18 dock level doors, 4 level access doors, gate house and FLOOR LOADING 50KN sq m More details ›


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Quinoa Stir Fry With Spinach & Walnuts
Total Time
10 minsCook
30 minsFound this in Prevention Magazine, this is easy, healthy and most importantly...very tasty. You can substitute any cheese for the Parmigiano-Reggiano cheese. I recommend a strong hard cheese, but I have used all kinds and they all work. When I'm in a rush, I leave out the walnut pieces. A great side dish or when I am really lazy, add some cooked chicken for a great meal.
Nutrition- 236.59 ml quinoa (measured dry)
- 29.58 ml extra virgin olive oil
- 2.46 ml minced garlic clove
- 118.29 ml walnut pieces
- baby spinach leaves
- 236.59 ml grape tomatoes or 236.59 ml cherry tomatoes
- 118.29 ml parmigiano-reggiano cheese, grated
- fresh basil leaf (to garnish) (optional)
- Place quinoa in small bowl, add water to cover, and swish to rinse. Pour into mesh strainer and drain well.
- Heat oil in medium skillet. Add quinoa. Toast, stirring, over medium heat until golden (about 10 minutes) Add garlic and cook for 1 minute. Add salt and 2 cups of water. Heat to boil. Cover and cook over medium-low heat until water is absorbed, about 15 minutes.
- Spread walnuts in small skillet and stir over medium-low heat until toasted, about 5 minutes. Set aside.
- When quinoa is cooked, add spinach and tomatoes to skillet. Stir fry over medium heat until spinach is almost wilted and tomatoes are warmed, about 1 minute. Stir in walnuts and cheese. Garnish with basil. Serve warm.
Nutrition Info
Serving Size: 1 (111 g)
Servings Per Recipe: 4
- Amount Per Serving
- % Daily Value
- Calories 360.4
- Calories from Fat 195
- 54%
- Total Fat 21.7 g
- 33%
- Saturated Fat 3.9 g
- 19%
- Cholesterol 7.2 mg
- 2%
- Sodium 174.1 mg
- 7%
- Total Carbohydrate 31.2 g
- 10%
- Dietary Fiber 4.4 g
- 17%
- Sugars 1.4 g
- 5%
- Protein 12.4 g
- 24%
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Aylar Dianati LieFacts about Aylar Dianati Lie
PicturesBiography for Aylar Dianati LieAylar (آیلار) (birth name: Aylar Dianati Lie, also known as: Aylar Lie, Diana Lie, Princess Diana, Aylar Dianati, Aylar Dianati Lie and Sharareh Lie) was born in Tehran (Iran) 12 Feb. 1984 (31 years ago), and came to Norway at the age of three. Due to a turbulent domestic situation she was taken away from her parents and grew up in foster care. Although she moved from Iran at an early age, she has always felt strong ties to her Persian roots and great love for her foster parents as well as her biological parents.At the age of 16 she was invited to Iran on holiday by her biological father. Her father had nearly lost contact with her, with him living abroad in Iran. What started out as a short vacation in Iran to regain lost family ties, turned out to be a nightmare; she was kept back in Iran against her will for nearly two years. After finally managing to escape out of Iran and back to Norway, a time of desperation started to emerge. She wanted to trace her roots and regain her lost contact with her biological mother in the US but this decision was to change Aylar's life for good. Within two months of living in the USA, Aylar was plunged into a world dominated by drugs, pornography and abuse. After nearly an overdose on drugs, she finally understood that the time had come to change her life if she wanted to stay alive. She returned back to Norway seeking medical care and feeling the safety of her foster parents. After medical treatment and gaining her self confident she decided to enter the Miss Norway (Frřken Norge) pageant in the summer of 2004 (11 years ago). With her growing success in the competition, unfortunately rumours started to spread about her past. Just as she made it among the top 10 finalists, the media got hold of proof of her participation in adult entertainment which led to her being disqualified (This was the first time the Miss Norway pageant had experienced such an event) and Aylar and her life story got an enormous media coverage. Her disqualification and past being exposed in the media was an enormous personal setback. Within a very short period Aylar decided to get breast implants, and created the concept of her self as "Aylar" and brought together a team of beautiful and talented models in her "Team Aylar". Soon she went on to quintessential of the word "glamour model" in Norway. In 2005 (10 years ago) she decided to remove her breast implants, and put the role of being a national tease on the shelf. In dec. 2005 (10 years ago) she was featured in the Sunblock music video "I'll Be Ready" By the summer of 2006 (9 years ago) she had made a cover song of the popular eighties pop song "Boys Boys Boys" and sold out six times platinum. What originally was supposed to be a summer gig, turned out to wet her appetite for following her dream of being an artist. In 2007 (8 years ago) she was featured in the Basshunter music video "Now You're Gone" and then in 2008 (7 years ago) was featured in Basshunter music video "All I Ever Wanted". Filmography
TV-shows (series)
Guest appearances
Music videos
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Reza Farahan
The second season of Shahs of Sunset was not good for Reza Farahan and Mercedes "MJ" Javid's long-established friendship. The addition of Reza's shiny new toy, Lilly Ghalichi, MJ's partying, Asa Soltan Rahmati and Golnesa "GG" Gharachedaghi's season-long feud, and Reza's ego explosion were just a few of the events that caused a rift between the friends.
According to Reza's blog, he went to the season two reunion with the sole purpose of revealing "truths" and confronting MJ about her issues with alcohol and pills.
Here's a 'would you rather' scenario, courtesy of Shahs of Sunset. Would you rather see Mike Shouhed in the buff or be styled by Reza Farahan? Of course, that may not be the most difficult of decisions…
Two of the stars of the Bravo hit are focusing on clothing this week…one is hellbent on taking it off while the other fancies himself a designer. I don't doubt you can guess who is doing what, right? Mike is excited to bare it all for Playgirl, and he is revealing that he's not the only one who is thrilled with the news. Meanwhile, Reza is teaming up with a family member to market a new clothing line.
So, Golnesa "GG" Gharachedaghi, Mercedes "MJ" Javid, Mike Shouhed, Lilly Ghalichi, Asa Soltan Rahmati, and Reza Farahan sat down with Andy Cohen for a Shahs of Sunset season two reunion special, and it was just as over the top and ridiculous as I expected it to be.
Why, Bravo, Why?!?
The short recap: Lilly annoys. Asa mouths wow and Mike smiles pretty. Mean girls Asa and Reza attack GG and MJ. Asa mouths wow and Mike smiles pretty. Reza pouts when he doesn't get enough attention. Asa mouths wow and Mike smiles pretty. I pretend Lilly's hair and boobs form an alliance to take down Asa and Reza.
Season 2 of Shahs of Sunset has taken Bravo viewers by storm. The hard-partying Persian crew has learned from its network counterparts and created some over-the-top drama. Friendships have been formed and destroyed. Relationships break-up as quickly as they began. Whether Golnesa "GG" Gharachedaghi is swimming in whiskey and battling Asa Soltan Rahmati or Reza Farahan is stirring the pot, people are watching, and they are enthralled. Of course, don't even get me started on the shallowness of self-proclaimed Persian Barbie Lilly Ghalichi!
Mercedes "MJ" Javid was at the center of controversy this season, as she tried to play the middle man for friends turned foes. Her partying was called into question, and her relationship with biffle Reza suffered. Not phased, MJ has been sharing her path to self-confidence. As she should…MJ and cast mates have almost reached Housewives franchise status. The gang is getting a two-part reunion and a lost footage show. That's how you know you've arrived, Bravo style!


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Like Ficarra and Requa's 2011 comedy Crazy Stupid Love, Focus begins promisingly and bops along enjoyably for a while, only to run out of steam…
Like Ficarra and Requa's 2011 comedy Crazy Stupid Love, Focus begins promisingly and bops along enjoyably for a while, only to run out of steam…
David Cronenberg's film of Bruce Wagner's Hollywood satire-nightmare turns ludicrous situations into operatic tragedy.
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
A 2015 table of contents for reviews written by students in the Columbia Links journalism program of the film "Smile" by Marquis Daisy.
A review of Marquis Daisy's "Smile" by Chicago Urban League student Matthew Reilly.
Captain's log: eight fifth graders, one adult, one James Cameron movie.
A 2015 table of contents for reviews written by students in the Columbia Links journalism program of the film "Smile" by Marquis Daisy.
An FFC looks at the "Taken" saga.
Writer/director Richard Linklater and editor Sandra Adair discuss "Boyhood" as part of the Film Independent Directors Close-Up series.
An obituary for actor/filmmaker Leonard Nimoy.
Crazy "Citizenfour" lawsuit; How to work with your spouse and not kill each other; Chicago's abuse-laden "black site"; Lesser-known MLK speech; Friday is global record…
You may recall the story from the news in 2000. The cops in a small Texas town arrested 40 black people on drug charges in a sweep of a public housing complex. They were working on a tip from a single informant, a former mental patient who had good reason to cooperate with them. Dee, a young mother of four, who was not found with drugs and had no history of drug use, was arrested primarily because she went outside to drag her little girl to safety.
She, along with the others, is offered a plea bargain: If she pleads guilty, she gets probation. She refuses to plead guilty.
"American Violet" is clear about the motivation for such raids with little or no evidence. A guilty plea helps the district attorney build up a record as a crime fighter, even though he is the one who has committed the crime. A defendant who pleads guilty cannot continue to live in public housing and will always have a felony on the record.
But if Dee caves in, she goes free and is reunited with her children. Her snaky ex-husband has snatched his kids and moved them in with his new girlfriend, who has a history of child abuse.
This is all based on an actual case (the names have been changed). This stuff happens all the time, and is far from rare in Texas, a state with a shameful record of law enforcement practices. The movie occasionally intercuts commercials from the Gore-Bush campaign then under way, to no particular purpose, except to remind me that as Texas governor, Bush commuted the sentence of only one of the 152 people put on Death Row under his reign, even though public defenders presented no defense at all for 41 of them and a third of their defense attorneys were later disbarred or sanctioned.
"American Violet" stars Nicole Beharie, a recent Juilliard graduate in her second role, as Dee Roberts. It is a stunning performance: She is small, vulnerable, fearful for her children, but damned if she will plead guilty to a crime she did not commit. She stands firm even as her mother, Alma (Alfre Woodard), begs her to take the plea; Alma argues the harsh racial realities of their town.
When Alma vows to stay in jail, she attracts the attention of the American Civil Liberties Union, which sends a lawyer named David Cohen (Tim Blake Nelson) down to defend her. Because he needs a local partner, he persuades the lawyer Sam Conroy (Will Patton), a former D.A., to join him; Sam refuses at first, but agrees out of guilt because he knows full well how the system works.
The D.A. is Calvin Beckett (Michael O'Keefe), a man of whom it can fairly be said that he has no interest at all in whether the people he has arrested are guilty. How would it look in an election year if he went around dropping drug charges? And now the stage is set for a docudrama that may have an outcome we already know, but is a loud lesson about truth, justice and the Texas Way. I know I'll hear complaints from Texans of a certain stripe. They won't see this film. They know all they want about the ACLU from their favorite broadcasters.
Some critics have found "American Violet" to be too mainstream, too agenda-driven, too much like made-for-TV, with not enough "suspense." Say what? Dee is innocent, her lawyers are putting themselves at risk because of their outrage, and the D.A. is a heartless scofflaw. If the movie tries to have fun concealing that, it's jerking our chain.
What works for me was the strength of the performances, beginning with Nicole Beharie as the convincing heroine. Alfre Woodard in attack mode is formidable; Tim Blake Nelson underplays as a determined, methodical lawyer, not a showboat, and Will Patton in some ways steals the show as a good man who has done bad in the past, knows it and is trying to make up. As Beckett, Michael O'Keefe is rock solid as a man who has more important things on his mind than justice.
"American Violet," it's true, is not blazingly original cinema. Tim Disney's direction and the screenplay by Bill Haney are meat and potatoes, making this story clear, direct and righteous. But consider the story. How would you feel if this happened to you? What if cases like this were to lead to disregard of due process of law at even the highest levels? I wish I could convince ... hell, never mind. I can't. That district attorney? Still in office.
Captain's log: eight fifth graders, one adult, one James Cameron movie.
This message came to me from a reader named Peter Svensland. He and a fr...
As we mourn Abrams' macho Star Trek obliteration, it's a good time to revisit that most Star Trek-ian of accomplishme...
Glenn Kenny comments on awards season, Sean Penn, Neil Patrick Harris, and the actual Oscars.


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New Home school mom!
Hi! My name is Bree! I am a new home school mom. I have a preschooler and a toddler. I was home schooled myself k-12 but I have a lot to learn about home schooling my own kids.
I would love to get ideas and meet other home school moms.
on Mar. 1, 2012 at 10:40 PM
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on Mar. 2, 2012 at 12:23 PM
Welcome! I'm Shannon mom to 2 boys. We have been HS for almost a decade. Welcome to the group!
How awesome! Welcome to the group! I'm assuming you had a good HS experience since you chose to HS your children as well :)
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10 Ways to Save Using Your Credit Card's Online Shopping Mall
How can I earn cash rewards shopping online?
One valuable credit card perk that is often overlooked is online rewards malls or "shopping portals." Your credit card's bonus mall is one of the fastest ways to earn rewards, and it's free to eligible cardmembers. The next time you decide to shop online, consider making your credit card issuer's website your first stop. Shopping through your credit card's rewards mall gives you access to exclusive discounts and can help you earn double or triple rewards, like unlimited 5-20% cash back at hundreds of retailers--- all with a click of your mouse.
How to Earn Cash Back on Your Next Purchase
1. Apparel
Whether you are shopping for new shoes, a particular coat, or simply looking to save on everyday fashions, your credit card's reward mall is a convenient way to quickly browse and compare prices at a variety of retailers from specialty to department stores. Simply search by retailer or product and you can see your eligible bonus rewards along with coupon codes and special offers like free shipping deals.
2. Travel
Your credit card website may not be at the top of your places to book travel, but it's where you can find exclusive deals and discounts on airfare, hotels, car rentals, cruises. For example, Discover cardmembers can earn between 5-20% Cashback Bonus on purchases made through ShopDiscover at a variety of travel, car-rental and vacation sites.
3. Appliances & Electronics
Shopping for a new computer, TV or home appliance? Credit card companies often partner with many consumer electronics retailers allowing you to earn cash back or points on a variety of home electronics and appliances through their rewards mall. This could add up to substantial savings on big ticket items like a new plasma TV, refrigerator or washer and dryer. For instance, Discover, cardmembers can earn up to 20% Cashback Bonus at a variety of electronics stores with the added assurance of built-in protection perks such as price protection, Purchase Protection, extended product warranty and return guarantee on eligible purchases made with their Discover card.
4. Home Improvement
From décor to home remodeling, your credit card's bonus mall can help you save on time and materials for your next project. Discover cardmembers enjoy 5-20% Cashback Bonus on hardware and home furnishings at many popular online retailers. For example, if you're in the market for new kitchen cabinets or hardwood flooring, cardmembers can simply enter the product or manufacturer they are looking for in the search box and ShopDiscover will return a list of related products with their cost, a price comparison, and a direct link to the retailer's website.
5. Beauty Products
Each year, Americans spend billions of dollars on beauty products ranging from cosmetics to skin care products and designer fragrances1. With partnerships with major cosmetic brands, beauty superstores, and department stores, your credit card rewards mall can help you save on your favorite or go-to make-up or skin care items. In addition to free samples, you can earn cash rewards and take advantage of free shipping deals.
6. Eyewear
Purchasing your eyeglasses, contact lenses and sunglasses through your credit card rewards mall can lead to big savings in the form of cash back, free shipping and special rebates. For instance, Discover cardmembers can take advantage of up to 20% Cashback Bonus and special rebate offers when ordering contacts or sunglasses through ShopDiscover.
7. Flowers
Whether it's a special occasion, holiday or 'just because', flowers are a timeless gift. Savvy cardmembers can earn double points or cash rewards on flower purchases made through their credit card rewards mall. Discover cardmembers enjoy as much as 20% Cashback Bonus at several popular florist chains through ShopDiscover.
8. Sporting Goods
Are you in need of new running shoes, fitness apparel, golf clubs, or looking to save on your child's sporting equipment? Shopping through you credit card rewards mall is a great way to compare prices and earn cash rewards on a variety of sporting goods, for you or the sports enthusiast in your life.
9. Jewelry
Considering buying a new watch or a diamond bracelet for special someone? Believe it or not, your credit card rewards mall can offer large savings with cash back or double points on purchases ranging from designer watches to engagement rings and diamond necklaces at major jewelry stores and online retailers.
10. Daily Deals
Daily deals allow people to save on a variety of experiences from dining, shopping entertainment and everyday services. Buying a daily deal through your credit card's rewards mall can help you save even more, like earning extra 5-20% Cashback Bonus or double rewards points on top of your purchase.
How Do Credit Card Shopping Portals Work?
First, find out if the credit cards you have are eligible to earn rewards through an online shopping mall. If your card is eligible, you must log in to your credit card account to be connected to their online shopping portal. Once you are logged in to your credit card's shopping mall, you will be able to browse from a list of online retailers and see the available rewards and discounts. When you click on a select merchant, your web browser will be forwarded to that retailer's website and a file will be saved on your computer so that your cash back rewards or points will be automatically applied at check out when you use pay using an eligible card. Any purchases made through your credit card's online shopping mall will be credited to your rewards total. When used responsibly, online shopping malls can help you get the most rewards for every dollar you spend.
1Source: Statista " Cosmetic Industry Statistics"
Discover Card believes that consumers should be armed with the information they need to help them make informed credit decisions.


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Catt Sadler net worth and salary: Catt Sadler is an American correspondent and TV show host who has a net worth of $2.5 million dollars. Catt Sadler was born in August of 1975 in Indiana and has two siblings, a brother and a sister. Sadler made her on-screen debut at the age of 11, when she appeared in the movie, Hoosiers. After graduating from high school, she went on to study journalism at Indiana University. She is best known for her work as a co-anchor for E! News Weekend, which appears on the E! Network. She also worked on The Daily Ten before the show was canceled. After graduating from college, Sadler moved to California in order to further her work as an on-screen journalist. She got her start by appearing in various VH1 shows, then hosted The Bay Beat in which she interviewed various celebrities. She married her boyfriend from college, Kyle Boyd in 2001. The couple had their first son shortly after. At this time they moved back to Indiana, before having their second son in 2005. Then in 2006 they moved back to LA where Sadler began working for E!. She and Boyd divorced in 2008 and Sadler remarried British film producer Rhys David Thomas in 2011.
Catt Sadler
Catt Sadler is an American correspondent and co-anchor for "E! News Weekend". She previously appeared on The Daily Ten. The Los Angeles Times named Catt Sadler one of the top 10 up-and-coming broadcasters in entertainment.
Date of Birth
- August 21, 1975
- 5 ft 4 in (1.65 m)


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The celebrations for the 125th anniversary of the Indian National Congress will be held in the city from September 22 to 26, Manas Bhunia, president of the West Bengal Pradesh Congress Committee, announced on Saturday.
Speaking to The Hindu from New Delhi, Mr. Bhunia said he had requested the high command to approve the city as the venue for the Eastern Zonal Conference in the wake of the party completing its 125th year.
"At the direction of party president Sonia Gandhi, the request was accepted at a meeting convened at the Congress headquarters today [Saturday] by K. Keshava Rao, who is a general secretary of the Indian National Congress and in-charge of West Bengal. The meeting was attended by the representatives of the party's State committees in West Bengal, Orissa, Jharkhand, Bihar, Chhattisgarh and Andaman and Nicobar Islands," Mr. Bhunia added.
He said that both Ms. Gandhi and All-India Congress Committee general secretary Rahul Gandhi will be attending the celebrations on dates "according to their convenience."
"The conference will highlight the Congress's struggle against the British regime as well as its effort in nation-building for the last 63 years since Independence," Mr. Bhunia said.
Keywords: West Bengal PCC, Congress Anniversary


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It's a real-life mystery cliffhanger. We've come up with a list of possible reasons a large crater on the biggest object in the asteroid belt looks lit up like a Christmas tree.
Sen. Al Franken says regulating the Internet like a telephone service is the only way the FCC could withstand legal challenges from the telecom industry.
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Keywords: First-aid kits
Historical Items Showing 2 of 2 View All
Item 7420
Title: First aid exhibit, Camp Winnebago, ca. 1950
Contributed by: Camp Winnebago
Date: circa 1950
Location: Fayette
Media: cordboard, paper, glass, plastic
Item 74852
Title: Electrical first-aid kit, ca. 1914
Contributed by: Maine Historical Society
Date: circa 1914
Media: Glass
Exhibits Showing 3 of 3 View All
Wired! How Electricity Came to Maine
As early as 1633, entrepreneurs along the Piscataqua River in southern Maine utilized the force of the river to power a sawmill, recognizing the potential of the area's natural power sources, but it was not until the 1890s that technology made widespread electricity a reality -- and even then, consumers had to be urged to use it.
Civil Defense: Fear and Safety
In the 1950s and the 1960s, Maine's Civil Defense effort focused on preparedness for hurricanes, floods and other natural disasters and a more global concern, nuclear war. Civil Defense materials urged awareness, along with measures like storing food and other staple items and preparing underground or other shelters.
Washington County Through Eastern's Eye
Images taken by itinerant photographers for Eastern Illustrating and Publishing Company, a real photo postcard company, provide a unique look at industry, commerce, recreation, tourism, and the communities of Washington County in the early decades of the twentieth century.


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German Retail Sales Increased for a Second Month in September
Oct. 31 (Bloomberg) -- German retail sales increased for a second month in September as rising wages and unemployment near a two-decade low boosted consumer confidence.
Sales, adjusted for inflation and seasonal swings, rose 1.5 percent from August, when they advanced 0.1 percent, the Federal Statistics Office in Wiesbaden said today. Economists forecast a gain of 0.3 percent, according to the median of 17 estimates in a Bloomberg News survey. Sales dropped 3.1 percent from a year earlier, due partly to the fact that September 2011 had one more shopping day.
While Germany's jobless rate rose for the first time in three years in September, at 6.9 percent it is still close to the lowest since reunification. That will help to drive consumer sentiment to a five-year high in November, market research company GfK predicted last week. Still, business confidence is at a 2 1/2 year low as the debt crisis curbs exports and damps growth in Europe's largest economy.
"Higher unemployment won't necessarily have an effect on retail sales right away," said Alexander Krueger, chief economist at Bankhaus Lampe KG in Dusseldorf. "But it probably will at some point, and that's why I expect consumers' purchases to fall in the coming months."
While the German economy may contract in the fourth quarter, private consumption will continue to support growth, the Bundesbank said last week. Financial markets have also rallied since the European Central Bank pledged to do whatever it takes to preserve the euro.
Metro AG, Germany's biggest retailer, said yesterday it's ready for the Christmas season and "positive" on the outlook for the fourth quarter, boosting the shares after third-quarter earnings missed estimates.
To contact the reporter on this story: Stefan Riecher in Frankfurt at firstname.lastname@example.com
To contact the editor responsible for this story: Craig Stirling at email@example.com


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Description:New York Mets Media Relations Director Jay Horwitz is the king of the accidental phone call. He 'butt dials' current or former members of the organization several times per week, and sometimes several times per day. He speaks to WSJ's Wendy Bounds about the technological mystery that is his BlackBerry. (6:12)
Source: WSJLive
Tags: The Wall Street Journal , WSJLive , barry bonds , brian costa


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This small fountain is at the base of the old walls of the Rocca of Umbertide. |
The small brass-tone plaque placed by the city government reads:
La fontana della Lira
Lira Fountain
On January 1, 2002, the lira, which had been Italy's national currency ever since the unification of the country in 1861, was replaced by the euro; and while lira-denominated coins remained exchangeable for the new money (until 2011, even), in Umbertide someone came up with the idea of involving the city's children in this work of civic pride: for the price of an ice-cream cone — a 1000‑lira coin was about 50c U.S. — they could contribute to the beautification of their environment.
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text: Based on our extensive hands-on time with the game, making a Stuntman movie is tough. And, at least on the San Francisco set for a fictional police film called "Overdrive," fairly unforgiving. The stunt icons come at you at a fast clip, forcing you to make decisions on the spur of the moment. If we reacted a second late or turned a degree too far, we'd often end up against the side of a building or the back of a trolley car, wheels spinning and going nowhere. Nothing like slowly reversing, white tail lights and all, to stop the breakneck pace of a motion picture in its tracks. Screw up five times and the director forces you to start over again without finishing the circuit.


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Across the arts, digital expression now forms an integral part of mainstream art practice and web platforms have largely replaced promotional brochures and adverts. Interaction between publicly-funded galleries and what could be described as their 'audiences' extends way beyond physical visits. Where previously galleries just needed to have a nice looking website, today it's all about being optimised for mobile and being active in social media too. Here, I provide a commentary on the user experience by sampling selected gallery websites, highlighting good examples, and at the end suggesting some areas for improvement.
Since this is my personal assessment of a sample of publicly-funded UK based galleries, I've reduced the commonly-used user experience quality criteria. Similarly, given publicly-funded arts websites can't hope to keep pace with the speed of new technologies adopted by commercial websites, I've not focused on whether any site's design is 'of the moment'. If you're reading this, do ask yourself, how well does your gallery website score on the following criteria?
1. Are you meeting the needs of the customer, without fuss or bother and with elegance and simplicity of design? Digital products should be a joy to use!
2. Organised or cluttered?
Yorkshire Sculpture Park (YSP) has probably one of the simplest and most effective landing pages – a background shot of the park with the message: "Good morning (or afternoon) from Yorkshire Sculpture Park. What would you like to do today?" Below this are links to seven areas of the site, with the 'search' function prominent.
3. Clear or confusing strapline?
One of the clearest straplines I've found is this: "FACTis a Liverpool-based cinema, art gallery and the UK's leading organisation for the support and exhibition of film, art and new media." In a similar vein, Firstsite offers: "Contemporary visual arts in Colchester". But does the enormous sized type currently in favour with many designers help or hinder the website experience?
4. Understandable language and terminology, presented legibly?
Does your site use "clear, straightforward expression, using only as many words as necessary…avoiding obscurity, inflated vocabulary and convoluted sentence construction"?
Good examples of galleries describing what they do in plain English include:
At Ikon there is encouragement to "Try our Family Trail, Art Explorer Bags and enjoy the creative materials in the Resource Room." For activities outside their building, the FACT and John Hansard sites headline 'Community' in contrast to terms such as outreach or off-site that are less familiar to the general public.
5. Friendly or aloof?
Describing an organisation with 'we' and 'our', keeping sentences short and terminology straightforward all contribute to a friendly feel. Rather than the usual 'sign up for emails', the message at Centre for Contemporary Art Derry and Oriel Davies is to "stay in touch". Being able to 'like', 'share', blog or comment on a website are known to enhance the user experience and encourage return visiting. Where they exist, the bloggers on gallery sites are generally staffers, although FACT extends an invitation to guest bloggers who – in support of their career development – get a full credit and biography. (As do guest bloggers on the Interpretation Matters site!) It's always good to ask users for 'feedback' – although Ikon's site which directs you to a separate site and very few comments, dated 2013, is likely to discourage others from joining in.
Although gallery websites state prominently that entry is free, they do want donations, patrons and seek paid-for members and supporters. Many stress their charitable status and general good work in economic or social terms.
Do galleries come over as artist-friendly? It's a pity that most don't include any statement of policy or intent which could support transparency and common purpose in the professional visual arts. Exceptions include:
6. Easy or hard to navigate and spend time in?
I spent some time on each site, exploring menu structures and trying searches. FACT's menu item 'Get involved' is one of the most inviting. Genuinely warranting the adjective "unique", the sub-menu comprises:
Community, Learning, Health, Young People, Military veterans, Artists, Research, Write for FACT, Volunteer
Although this might appear convoluted, it does give users a real flavour of this organisation's specific role in its location, and complements its fundraising approach.
With two thirds of adults going to gallery or museum websites to find out about exhibitions or buy tickets, a 'What's on' calendar format for these activities – such as on the Centre for Contemporary Art Derry and Ikon sites – does enhance the customer experience.
Navigating the sheer quantity of wordage held on some websites can be daunting for users, especially as up to 80% may be doing so on a smart phone, multitasking as they take the tube or grab lunch. Good search functions and content tagging – being aware of the kinds of words or phrases users search on – definitely makes a site more interactive and encourages people to stay longer.
7. Do videos help or not?
We're used to liking and sharing the videos that continuously pop up on our social media profiles. Digital trends analysis shows that it's short clips that are the most popular. Are galleries capitalising on this to widen and sustain website visitors?
I looked at sites including Whitechapel, FACT, Arnolfini, and YSP that have portfolios of videos, including interviews, gallery education and interpretation materials – and Baltic have created a separate digital content site to host their materials. But with few exceptions, viewing figures per video are in the low hundreds, raising the question of whether the investment in video production will pay off in the longer term.
8. Is the site's function clear or ambiguous?
Although widening participation in the arts – getting to the hard-to-reach or socially-disadvantaged sections of society – is an aspiration for arts funders and government, it feels like income generation has become a core function of many galleries.
Balancing a gallery's international and art market status with its charitable intent and aspirations to support local communities presents a challenge – or perhaps a mismatch – in terms of the website's function and messages. Although half of the Whitechapel Gallery's main menu areas focus on income generation, with the 'Buy art' section containing works from £115 to nearly £7,000, searching on 'community' reveals it also has a further function and role of:
"Connecting with people living and working in East London to explore notions of community, place and identity."
A donate button or call is included on the majority of sites I visited. But what are donations used for?
And finally, what gallery websites should avoid:
I'm concluding with some suggestions for how gallery websites might be improved. Based on the selection I've looked at, things I'd most like to see removed – as soon as possible – are:
Not only do these auto-changing banner images do a disservice to the artists whose images are sometimes not credited, market research shows that website visitors tend to see them as adverts and quickly learn to ignore them. Few actually notice the messages they are intending to convey.
You've got one chance to impress a web visitor so take advice from the writing professionals – leave out jargon and boastful subjective claims like 'best ever'. Web users are busy. They want to get the facts, fast.
I'd edit out terms that are commonplace at present on gallery sites such as: "world-class", "mould-breaking", and "internationally-acclaimed". Many institutions also claim to be "leading" in the sector – sometimes in Britain or Europe or the region. Practically everything is described as "exciting" or "innovative". Get rid also of the art jargon terms such as "emerging and international artists", "curatorial and critical practices" and "site-specific", and say "painting" rather than "art work". And in the spirit of 'keep it simple' – it's far better to have 'eat' rather than 'consume' and 'drink' rather than 'beverage'.
All public galleries develop ways of handling those visitors who don't know the protocols – the people who think it's OK to run around the artworks, use a mobile in the galleries and expect to stay in a warm building on a cold day for as long as they can. Although some galleries tackle this by putting rules and regulations for visitors on the website, wouldn't it be more effective to communicate direct to this minority of visitors by using some well-placed notices around the building?
But there's a wider issue. Nowadays, consumers including gallery visitors expect to choose when and how they interact with others. Many of tomorrow's gallery visitors – today's 'children and young people' – are digital natives, using their technology constantly. Working on the 'you'll like this because your peers do' principle, social media and image sharing sites are increasingly important filters, helping us to decide what we do, buy or campaign for. So I'd argue that in an age when such digital behaviour is commonplace and funded galleries are committed to increasing awareness and participation as part of widening audiences through attracting all sections of society to their programmes, discouraging in particular the use of mobile phones in galleries is counterproductive.
Download article Gallery Websites Resource
Also available in the Resources menu.
Susan Jones is a published writer, researcher and consultant within the contemporary visual arts. Specialising in working with small-scale, practice-led and networked initiatives, she advises on strategic and organisational development and vision planning, communications and digital strategies, and project and organisational evaluation. Follow her on Twitter @SusanJonesArts
Good news! Following last year's period of planning and development, it's a tremendous pleasure to announce that Interpretation Matters has been awarded project funding from Arts Council England!
This means that over the next two years, we can further develop and animate this website, work more closely with galleries and their audiences, and continue to facilitate discussion and debate about written interpretation produced by galleries.
In the summer months, you should see a presence for Interpretation Matters in many galleries across the country and on many more websites, as we reach out to gallery visitors and ask them to feedback on their textual experiences in the country's galleries. This site will provide a neutral platform for that feedback and discussion to take place between galleries and their visitors. Do you have something to say about your gallery experience? Comment on any page on this site, or email email@example.com
With the help of artist Alistair Gentry, I will be working with project partners the De La Warr Pavilion and the Bluecoat to run a series of workshops with staff and visitors looking in detail at how their written interpretation is produced and received. There will also be an interactive text-exhibition at the Bluecoat, to further stimulate discussion with their visitors.
Around autumn, watch out for The Interpretation Matters Handbook, which will be published by Black Dog Publishing. Aimed at a general interested-in-art audience, it will be packed with contributions from a very interesting range of artists, curators, academics and, er, me. It will include audience voxpops, so if you are a gallery keen to facilitate this, or a gallery visitor and fancy getting your quote and picture in the book, please do contact us on firstname.lastname@example.com
Do you work at a gallery and want to get involved? There are two ways to do this:
First, if you are interested in gathering honest and unselfconscious feedback from your visitors, please do contact me for a display poster, and the Interpretation Matters Call to Action for your website.
Second, if you want to review your own process of producing written interpretation, Alistair and I have developed a workshop programme that facilitates this in an effective and painfree way!
We're also looking for destination marketing and local authority websites who would like to upload the Interpretation Matters Call to Action on their visual arts page.
Finally, we are always looking for more resources, whether in the form of guides, discussion of models, personal or organisational experience, or simply an interest and informed knowledge in this area. Again, if you would like to contribute, don't hesitate to email me at email@example.com
I hope to hear from a lot of you over the coming weeks and months, and I thank you for your continued support and interest.
Interpretation Matters is all about the written material found in galleries - the text panels on the walls, providing context for the work on show, and the printed booklets that describe the works or overall programme. Usually "under-the-radar", the aim of this site is to highlight this important area of gallery practice.
Interpretation Matters is conceived and directed by arts writer Dany Louise.>


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The European Commission announced on Sunday an additional 65 million euros ($84 million) in aid for Syrian refugees and internally displaced, warning the crisis is "already at breaking point".
The announcement was made in a statement released to coincide with a visit to Syrian refugees in Jordan by humanitarian aid commissioner Kristalina Georgieva.
"The more atrocities and fighting go on in Syria, the more people run. There are no indications whatsoever that this ... is going to go down," Georgieva told AFP after visiting the Zaatari refugee camp in Jordan's north.
As temporary home to more than 160,000 Syrians, Zaatari is equivalent to the kingdom's fifth largest city, according to the United Nations.
"We have to dig deep into our pockets (to help the Syrians) because the worst is yet to come. The crisis is beyond humanitarian response. We need to do more and we need do more in a better way," Georgieva said.
The UN humanitarian office said on Tuesday that the number of displaced persons has gone up from around two million people to 4.25 million.
The figures -- combined with more than 1.4 million Syrians who have fled abroad -- mean that more than a quarter of Syria's pre-war population of 22.5 million have been forced to quit their homes since the conflict erupted in March 2011.
In its statement, the commission said it was announcing an additional 65 million euros "in response to the rapidly growing scale of the humanitarian crisis resulting from the conflict in Syria".
"The additional funding will be spent inside Syria, to assist the more than four million people who have been forced to flee their homes, and in neighbouring countries that have generously welcomed some 1.4 million refugees."
Jordan says it is hosting more than 500,000 Syrian refugees and the UNHCR expects the number to soar to 1.2 million by the end of 2013 -- equivalent to a fifth of the kingdom's population.
"Unless all those involved in the fighting as well as the international community find a political solution to the violence very soon the humanitarian community will simply be unable to cope with the unprecedented scale of the needs -- we are already at breaking point," Georgieva warned in the statement.
She told AFP that 60 percent of the refugees are under 18.
"That means a whole generation is at risk of being lost in this conflict. This requires the international community to find ways to help the youth of Syria," she said.