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- 2 of 23
Keep Your Older Horse Comfortable During a Trim
September 18, 2014
Farrier Kirk Adkins of UC Davis demonstrates techniques to help your old horse feel better during a trim.... Read More
Equine Protozoal Myeloencephalitis Update
September 11, 2014
Learn about the newest advances in testing for and treating EPM in horses, as well as long-term management strategies.... Read More
How to Choose Hind Leg Protection for Your Horse
September 11, 2014
Get tips on choosing hind leg protection for your horse from Nicole Carroll of Walnut Creek, California.... Read More
How to Apply Polo Wraps
September 04, 2014
Learn the do's and don'ts of wrapping a horse's legs with polo wraps.... Read More
Equine Pharmacology, Therapeutics, and Toxicology
August 29, 2014
Find out the reasons why competition horses might test positive for certain drugs and substances... Read More
5 Things You Need to Know: Senior Horse Dental Care
August 28, 2014
Dr. Dominic Dawson explains common old horse dental issues and makes recommendations for care.... Read More
How to Read a Horse's Lip Tattoo
August 21, 2014
Northern California horse identifier Patrick Kealy explains how to read a horse's lip tattoo. ... Read More
Extracorporeal Shock Wave Therapy
August 16, 2014
Shock wave is a noninvasive, nonsurgical therapy for orthopedic conditions. Learn how it can help your horse.... Read More
What has Surprised You about Working as an Intern Vet?
August 14, 2014
Dr. Lauren Trager shares what it's like to transition from veterinary school to an internship.... Read More
What is an 'Intern Veterinarian'?
August 01, 2014
Have you ever wondered what it means to be an intern equine veterinarian? Dr. Abigail Velting explains.... Read More
Genetics, Health, and Equine Performance
July 31, 2014
University of Kentucky geneticist Dr. Ernest Bailey shares updated information about inheritance in horses.... Read More
Preventing Infectious Disease in Horses When Traveling
July 24, 2014
CSU Veterinary Teaching Hospital's director of infection control offers tips to protect your horse.... Read More
Improve Your Position Over Jumps
July 17, 2014
Greg Best describes "the perfect leg position" and the role of a rider's knees as pivot points while jumping. ... Read More
How to Space Cavallettis
July 10, 2014
Nicole Carroll, of Leap of Faith Farms in Walnut Creek, California, explains how to properly space cavalettis.... Read More
5 Things You Need to Know: Colic
July 03, 2014
Equine surgeon Dr. Sarah le Jeune shares what every horse owner needs to know about colic.... Read More
Airway Remodeling in Heaves
June 30, 2014
Dr. Jean-Pierre Lavoie answers the question of whether airway remodeling is reversible in horses with heaves.... Read More
What's the Difference between PSSM Types 1 and 2?
June 26, 2014
Dr. Stephanie Valberg explains the differences between these two diseases that cause horses to tie up.... Read More
Buck Brannaman on How to Prepare Your Horse for a Vet Visit
June 19, 2014
Clinician Buck Brannaman shares what you need to know to get a horse ready for a veterinary exam.... Read More
How Buck Brannaman Keeps his Horses Healthy on the Road
June 12, 2014
Clinician Buck Brannaman and his horses travel 40-plus weeks of the year. Find out how he keeps them healthy.... Read More
5 Things You Need to Know: Fescue Toxicosis
June 05, 2014
Dr. Cynthia Gaskill shares important things mare owners need to know about fescue toxicosis.... Read More
International Symposium on Equine Reproduction Coverage
May 30, 2014
Gluck researchers highlight topics covered at the 2014 International Symposium on Equine Reproduction.... Read More
5 Things You Need to Know: Snake Bites and Horses
May 29, 2014
Learn from a critical-care veterinarian what you should do if you suspect a snake has bitten your horse.... Read More
Set Ground Lines for Jumps
May 22, 2014
Nicole Carroll talks about setting ground lines for jumps.... Read More
How to Maintain Your Trailer
May 15, 2014
Tips on keeping your horse trailer ready to roll with Peter Matheson of Performance Trailer Service.... Read More


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Regions:Dover/Somersworth -Great Bay - Rochester - Portsmouth | |
Berwick Eliot Kittery North Berwick Lebanon South Berwick York | |
Go Mobile: http://mobile.fosters.com Lee Scouts joining thousands
Thursday, October 10, 2013
LEE -- Boy Scout Troop 459 in Lee will join more than 6,000 Scouts and their leaders set up camp at MASSJAM 2013 on the Barnstable Fairgrounds on Cape Cod in Falmouth, Massachusetts to test their scout craft skills on Columbus Day weekend, October 12-14.
In their spare time, Scouts will visit a midway that will have a variety of exhibits and displays by organizations such as Massachusetts Division of Marine Fisheries and US Coast Guard. A favorite spot will be the area set aside for patch and souvenir trading. |


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BHP upbeat on resource tax outcome
PUBLISHED: 07 Jul 2010 00:05:00 | UPDATED: 07 Jul 2010 08:17:38PUBLISHED: 07 Jul 2010 PRINT EDITION: 07 Jul 2010BHP Billiton chairman Jac Nasser has moved to shore up support for Canberra's revised resource tax by declaring it a "good foundation" for the future as smaller oil and gas companies intensified their objections.
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Companies | BHP Billiton Ltd, Cooper Energy Ltd |
People | Jac Nasser, Martin Ferguson, Andrew Robb, Joe Hockey, Michael Scott, Don Argus, Ken Henry |
Topics | Company News, Metals & Mining, Economy /Taxation |


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American Standard 1583.470.020 Universal Shower Drain
Product Description
Available while supplies last.
This is a drain only. Whirlpool tub sold separately
This Universal Shower Drain by American Standard is offered in a white finish.
Non-symphony universal drain
- Required for installation
- Universal design works with all American Standard baths and whirlpools
- Rotary knob controls pop-up drain stopper
- Brass construction
Note: This is a drain only. Whirlpool tub sold separately.
Materials: | Brass |
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Tuesday, February 08, 2011
Thundercats, HOOOOOO!
Yeah, you remember. There's been a lot of talk about Thundercats remakes and I heard about the new Cartoon Network show, so I decided to fanart my own Lion-O as I'd like to see him remade. This is till a work in progress, but the little kid inside of me got really excited so I had to post a WIP.
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Jandy 3456 Sheer Descent Energy Filter w/o Gauge
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About this Product
The Jandy 3456 is an energy filter for your Jandy pool feature systems. Installation of the Jandy 3456 is required for separate pump installations in your Sheer Descent applications. The Sheer Descent Energy Filter prevents large debris from entering your Sheer Descent units, allowing for safe, unclogged water features in your pool. In pool operations only requiring 60 gallons per minute, you can use up to one Sheer Descent filter. For higher water requirements, you can place two ore more filters that plumped in a parallel fashion. When installing the 3456 Energy filter, a seperate return line with a three way valve must be plumbed in a manner where water can be balanced between the Sheer Descent Waterfall and return back to the pool.
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Great episode!
Shared publicly -Greg heads to Key West for some fun in the sun!
5 comments
My favorite episode yet. This will be a definite future trip for me! Thanks for the inspiration.
Hi Patricia, You will LOVE it! Thanks for watching!
Thanks, Alex!
~<3~ I Love the show, and thank you for sharing such great beauty! ~<3~
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1969 Ford Mustang Mach 1 1 of 1482 S Code 390-320hp Auto power steering power brakes working rim steering wheel working factory clock tinted... More
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15 July 2014
Like their human counterparts in the recent football World Cup, Germany will be the team to beat at the RoboCup Championships in Brazil. VIDEO
09 October 2013
The founder of the international RoboCup soccer tournament will deliver a public lecture at UNSW on Thursday 10 October.
10 July 2013
A team of soccer-playing robots programmed by UNSW engineering students has placed fourth in the 2013 RoboCup competition in the Netherlands.
05 July 2012
A team of UNSW software engineers has won the bronze medal in the annual RoboCup competition, where autonomous humanoid robots compete for supremacy on the soccer pitch.
25 June 2010
UNSW's action androids have made it to the grand final of the world's biggest robot soccer competition - only to be knocked out by a team from Germany.
07 July 2009
The UNSW rescue robot team has turned in a powerful performance at the world championship RoboCup 2009 competition in Austria.
29 August 2007
Emma Field and Nicole McKeon will be among 500 school students - and a record number of girls - bending it like Beckham on the robotic "soccer field" at UNSW this week.
17 August 2007
More than 500 school students from around the state, including a record number of girls, have showcased their computer and robotic expertise at UNSW.


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Energy. LEDs use 30% less energy than CFLs. However CFLs are still 75% more efficient than incandescent lamps so wait till your CFLs burn out before replacing them. If you have a low quality CFL, one that flickers, takes a long time to come on or is the wrong color, consider replacing the lamp sooner so you lose the aggravation.
Life. Some lamps (light bulbs) may be a bit cheaper, but read the labels. LED lamps should last 25,000 hours and have a 5-10 year warranty. It's true and big box stores absolutely honor these guarantees, so save your receipts.
Hazardous Waste. Yes, all fluorescents are filled with mercury vapor. LEDs contain none. They also don't produce any UV light.
Color. Light color made by CFLs and LEDs is measured in Kelvin (K). When tungsten filaments, like flames, get hot they glow red (2700K) then when hotter, they get bluer (5000K). Warm light reminds us of candlelight while 5000K is often called daylight, though most of us don't think of sunlight as being blue. Determine what color of light you like and stay consistent with what you buy. Big Box stores have changed the language to Soft for warm colored light and Bright for cool colored light so don't let them confuse you. Or look at the color temperature on the label.
Volume of light. Wattage equivalents are confusing so instead look at the lumen output. With my old eyes, I like to read using 1,600 lumens which is the same as a 100w incandescent, an 18w LED and a 23w CFL. Often big box stores sell 75w or 69w incandescent, 13w CFLs, or 9w LEDs. It is harder to find the higher wattage lamps.
Color Rendering Index (CRI). Fabrics and paints look different under various types (colors) of light. CRI describes what percentage of colors that lamp renders. A light showing 80% of all colors is better than something that shows 70%, but it's not as good as showing 90% of colors. CRI may not be listed on every package but spend extra money to get an 80 CRI or higher lamp when possible.
There is no Ameren Rebate for Residential projects and we can't offer the big box prices without the rebate/ incentive.
]]>Did you know that Nicaragua is the second poorest country in the Western Hemisphere? We work with the most vulnerable. Bring light into the lives of these children by supporting our Solar Panel installation in Northern Nicaragua
News-DemocratOctober 2, 2014 Updated 18 hours ago
Computer programming company Juggle.com and the home of Swansea resident Nick Hilpipre will be two of 70 sites to host open houses across the state as part of the Illinois Solar Tour. Visitors can see for themselves how Illinois homes and businesses are using solar, wind, and geothermal in this free, self-guided tour from 10 a.m. to 2 p.m.
Hilpipre purchased his home in May 2013 and had solar panels installed earlier this year. The Swansea resident's house at 2 Holly Ridge Court is solely powered by electricity. He also drives a Chevrolet Volt, which can be powered by electricity and recharged from inside his garage.
Hilpipre's panels are under a 25-year warranty and are expected to operate long after that. His 10-kilowatt system generates electricity for his 4,000-square-foot home, which also taps into a special program that helps customers to track their hourly electricity usage online and conserve energy during peak hours.
He also had a net meter installed at his house that permits reverse flow of any excess electricity that Hilpipre's solar panels generate to go back to the grid. He signed an interconnection agreement with Ameren stating that he would provide the utility with any excess electricity. The program is complex, Hilpipre said, but it essentially credits him with any electricity that he gives back and helps drive down his utility bill.
Hilpipre said that after two summers he has witnessed a noticeable savings on his energy bills.
"My monthly electricity bill this summer over the last year's electric bills are lower," Hilpipre said. "The first summer, it cost about $90 a month. Now it's probably $10 to $15 a month."
After solar panels were installed at the Juggle.com office at 33 Bronze Pointe, located off North Illinois Street in Swansea, the company has produced approximately 13,000 kilowatt hours of energy a year, which is the equivalent of an average residential home's electric usage. These panels have saved the business approximately $1,300 a year on its electricity bill.
"We are experiencing savings in energy cost by having those panels on the roof," said company chief financial officer Dave Levinson. "We have been extremely happy with the system and its performance."
Both Juggle.com and Hilpipre took advantage of state and federal rebates in order to afford the panels and installation. Hilpipre said his panels and installation cost $40,000 before the rebates. The rebates cut that cost in half. He has been told that the pay back for his investment will be realized in 10 to 12 years.
The Illinois Department of Commerce and Economic Opportunity administers an annual 25 percent to 40 percent state solar and wind rebate program. All Ameren Illinois electric and gas customers are eligible. According to Juggle.com, the cost of solar equipment is dropping by 15 percent a year to go along with federal and state incentives.
St. Louis-based StraightUp Solar installed the solar panel systems at Juggle.com and Hilpipre's home. The company also has completed installations at McKendree University in Lebanon and America's Central Port in Granite City and Madison. Financing is available at 0 percent same as cash for 12 months. Low interest loans and mortgage home loans are also available.
Aside from the 25 percent to 40 percent rebate for Illinois customers, the company can also help clients with a 30 percent Solar Federal Tax Credit on installations. Customers lock in a 5 cents per kilowatt hour rate. That is lower than the current utility rates, which range from 8 cents to 12 cents per kilowatt hour and will likely increase by 5 percent each year. This also creates a tax-free return on the home or business owner's investment and can help increase their property value by $10,000 to $50,000, according to StraightUp Solar.
StraightUp Solar also says Illinois is poised to become one of the top 10 solar markets in the nation following the a solar renewable energy credit that was passed by state lawmakers in June. The law that goes into effect next year will allow solar system owners to sell their green energy value to The Illinois Power Agency, which must ensure that utilities achieve 25 percent renewable energy production by 2025 to meet Illinois' renewable portfolio standard law. This is in addition to a 30 percent federal income tax credit that is available through 2016.
Contact reporter Will Buss at email@example.com or 618-239-2526.
"It's time to join the revolution," UBS wrote in a note to clients, in what could be interpreted as a pointed rejoinder to those governments and corporates that believe centralized fossil-fuel generation will continue dominate for decades to come.
By 2030, according to UBS analysts, this combination will deliver a payback time of around three years. Right now, the payback is probably around twelve years, enough to encourage the interest of early adopters. (You can read more here on why EVs will make solar viable without subsidies.)
The UBS report focuses on Europe, where the firm forecasts that Germany, Spain and Italy will be leaders because of high electricity and fuel costs in those countries.
UBS forecasts that EVs and plug-in hybrids will account for around 10 percent of the market in Europe by 2025. "While the initial growth should predominantly be driven by incentives and carbon regulation, the entry into the mass market should happen, because EVs will pay off," wrote the analysts.
"The expected rapid decline in battery cost by [more than] 50 percent by 2020 should not just spur EV sales, but also lead to exponential growth in demand for stationary batteries to store excess power. This is relevant for an electricity mix with a much higher share of [more volatile] renewables."
In this decentralized electricity world, UBS wrote, the key utility assets will be smart distribution networks, end-customer relationships and small-scale backup units.
Those utilities that are able to move with the times — and the technologies — should be able to extract more value in highly competitive supply activities, as customer needs will be more complex. Those that cling to the past could face impending doom.
"Large-scale power generation, however, will be the dinosaur of the future energy system: Too big, too inflexible, not even relevant for backup power in the long run," UBS wrote.
UBS contends that centralized fossil-fuel generation will become "extinct" — and that it will happen a lot sooner than most people realize.
The bank predicts that a significant number of large-scale centralized plants could be gone within a decade. "Not all of them will have disappeared by 2025, but we would be bold enough to say that most of those plants retiring in the future will not be replaced."
UBS also torpedoes the theory that the retirement of some more expensive plants will cause a rebound in wholesale prices. "The last survivors will be the low-marginal-cost plants," wrote the bank. "We believe that what is perceived as an 'optionality' in conventional power generation by some investors will never materialize."
"Large-scale power stations could be on a path to extinction," concluded the analysts.
Giles Parkinson is the founding editor of RenewEconomy. The full version of this piece was originally published at RenewEconomy
These are two of the most frequent questions that we hear about solar power in the St. Louis region. Here are some simple guidelines for starters:
1. A solar panel's DC power rating equals approximately
15 watts / ft2
2. Most viable roof areas allow approximately 70% of the space to be effectively used.
3. Three good rules of thumb for determining how much energy solar power systems in the St Louis region under good conditions (no shading and southern orientation) will produce on average for each rated KW DC of installed capacity.
1. 1 KW DC ~ 4 kilowatt-hours (kwh) of energy/day
2. 1 KW DC ~ 120 kwh/month
3. 1 KW DC ~ 10% of an average Illinois/Missouri home's requirement of 1,100 kwh/month
So, let's run through an example of a home that could be 2/3 solar powered:
Available roof space = 30 X 20 feet = 600 ft2
Usable roof space = 600 ft2 X 70% = 420 ft2
Solar on the roof = 420 ft2 X 15 watts/ft2 = 6,300 watts (6.3 kW round to 6 kW)
Production = 6 kW X 4 = 24 kWh/day = 8,760 kWh/year (estimate)
Average home usage/year = 13,200 kWh (1,100 kwh/month)
Percentage solar powered = 8,760 kwh/13,200 kwh = 66%
Number of modules = 24 x 250-watt or 20 x 300-watt
A typical 100% solar-powered house would require approximately a 9 KW array:
Production = 9 kW X 4 = 36 kWh/day =13,140 kWh/year (estimate)
Average annual home usage = 13,200 kWh (1,100 kwh/month)
Percentage solar powered = 13,140 kwh/13,200 kwh = 99.5%
Number of modules = 36 x 250-watt or 30 x 300-watt
Roof area covered = 9,000 watts/15 watts/ft2 = 600 ft2
5.9 KW Example (Missouri)
9.5 KW Example (Illinois):
April 2014
Some customers want or need additional security that power will be available to their solar powered house. In this case, whether batteries are part of the solar array or not, adding a generator can add peace of mind.
For on-grid systems, a generator may decrease the battery-bank size, or eliminate it all together. For instance, a customer with a relatively reliant grid and an incentive structure that doesn't offset battery costs may be better off maximizing their funds to increase their solar array as opposed to adding batteries. If back-up power remains important, then a generator may provide an appropriate solution without batteries. In the scenario where there is a grid-tied solar array and a generator, the two must be wired to ensure that grid-tied solar array doesn't recognize the generator output as energy from the grid and attempt to feed power back to the grid. This can be accomplished with appropriate automatic disconnects and wiring design.
Much like batteries, generators add a layer of complexity to the solar system and may require maintenance and have a shorter life span than the solar array itself. The generator's life expectancy can be increased by choosing a well-regarded manufacturer with a good warranty (minimum two-year warranty is recommended).
Additional considerations include sizing the generator and the AC voltage output. For off-grid systems, a generator is typically sized to supply the full charging capacity of the inverter plus additional loads needed during charging. Most generators in home systems are 2,500 watts or greater. Regarding AC voltage, some generators only produce 120V and others are either field-configurable or are 120/240V with a switch.
As noted in the previous article, combining a generator with your off-grid solar array will provide additional capacity to the system and potentially allow you to consider a smaller battery bank since the generator can offset the shortfall when there is limited sun. Or, adding a generator to your grid-tied (no battery) solar array may provide back-up power while maximizing your solar production.
*Reference Article: Engine Generator Basics by Allan Sindelar, Home Power Magazine 4/30/12
Solar in effect, let's you "own" your utilities, instead of the utility "owning" you. You may have noticed more and more neighbors and businesses installing solar panels on their rooftops. The number one reason people choose solar power for their home or business is that it saves them money.
This is especially important to those wanting to reduce their monthly recurring (and increasing) bills. Ask yourself, "How much do I pay for electricity?" For many people, it's the second largest expense right after their mortgage.
Now, think about your monthly bills – do you think a higher electricity bill is in your future? (Hint: Ameren Mission had a 10% rate increase in 2013. On average, the energy inflation rate over the past 5 years is 7.2%).
At the same time, the cost for getting solar panels installed has gone way DOWN. The average cost of a PV module has fallen 80% over the last 5 years.
Solar is one of the smartest improvements a homeowner can make, as no other's primary purpose is to dramatically lower monthly expenses.
If your average electric bill is $150 a month, over the next 12 years you'll pay approximately $28,000 to your electric company!
Imagine fixing the cost of your electric bill forever. To get you started immediately, please FILL OUT THIS FORM.
It's a reality now, thanks to solar financing options. There are multiple, affordable financing options now available to homeowners. That's the reason more and more people are "going solar". People who understand finance look at their return on investment (ROI) and see that their savings add up to as much as 15% return over time. In many cases more than they could have earned with mutual funds, CDs, bonds or any other investment vehicles.
Solar comes with a 25 year production guarantee, is maintenance-free, and if you have the space – can eliminate all the kilowatt hour charges on your bill… even those generated a night.
The 30% federal tax credit (refund) available on the full price of any grid-tied system, makes the purchase that much easier, but is also slated to expire in December 2016.
To get you started immediately, please fill out this form. We'll give you a call to discuss how solar might work in your situation, including if your location is suitable for solar, what size system would be best for your needs, and general pricing.
Then we'll also ask a few and if we can meet your needs schedule a skilled and experienced solar project developer to come to your site. At your property, we will complete a one-hour evaluation, then talk about equipment choices and present a customized proposal (bid) while there or within 1- 2 business days!
So you decided to be a pioneering paradigm shifter a few years ago by being the first kid on your block to install solar. Some people thought you were crazy, but you knew you were the smart one, and today each time the sun shines on your patch of silicon you're smiling from ear-to-ear as you watch more of your neighbors following your early adopter lead.
Want to know how to further inspire a solar Tribe to create a sustainable world? Check out the StraightUp Solar's new set of solar benefit-enhancing services we call "StraightUp Solar Plus" or just "SUS+" for short.
Once we mastered the art of how to catch all those free little photons, it just seemed obvious we should next work on how to best put them to work for creating a sustainable world. Turns out, the answer is pretty "StraightUp"-so now we're starting to think more like a "photon and electron management company."
We've done the math and it turns out you can drive a solar electric vehicle today for about 2 cents a mile. Don't believe us? We personally and your fellow SUS tribes folk are already doing it, and we believe it so strongly we now offer a free Schneider Electric Level 2 EV charger with any new 5+ kW system. Want us to add one to your current array? $1,099 gets you there plus you can also apply a 30% Federal Tax Credit.
With technology improving and prices dropping rapidly, it also makes great sense for building owners to consider efficient LED lighting retrofits and energy storage systems-with or without a solar array (but we still like solar-powered buildings the best)! We can easily make those things happen now. Contact email@example.com and he can tell you how.
Advocate Always – Four Years of Service and a Path Forward
For the last four years I've held the title of President of the Missouri Solar Energy Industries Association (MOSEIA); and I've held the burden and the gift that comes with the title. As an industry, we weathered many storms. I've been fortunate to be at the helm and work alongside other motivated and generous friends and colleagues as we've navigated turbulent times. Regardless of the title, I welcomed the work. I'm better for it, and I hope MOSEIA is as well. Now, MOSEIA has a great new board and I will happily shift to a more supportive role that allows more focus on StraightUp Solar.
As an industry we've grown and matured immensely in these four years… READ MORE. The Ameren Missouri solar rebate that kick-started the industry is gone for now, but we haven't lost the reason we started our work in solar. We started to expand Missouri's energy options to include clean power that benefits us all. We started because we believed having a choice for that clean power. We started so that we could grow jobs, companies, and friendships. We've done that – and now we look toward the next level of sustainability that only a collection of believers can provide.
At StraightUp Solar we call that collection of believers a Tribe. I love our Tribe – the people that have chosen us to work with them as they fulfill their choice for solar power. I love our Team – the people of StraightUp that work daily to fulfill our promises to the Tribe. We work hard to uphold our promises through our CLEARE Values: Community First, Leadership, Educate, Advocate Always, Respect and Excellence.
As we all look forward, our belief in what solar means (a choice, a sustainable world, self-powered energy security) is even stronger than before. I'm proud that our team of leaders at StraightUp will continue to Advocate Always through industry associations. Shannon Fulton, Director of IL Business Development, will continue on in her role as President of the Illinois Solar Energy Association. Erin Noble, Director of Staff, will help lead MOSEIA as a newly-elected board member. Congratulations and much appreciation to them both.
After seven years leading StraightUp and four years leading MOSEIA, I'm even more hopeful than before. I believe in our cause, in our Team, and our Tribe. It's a good time to be in solar.
- Dane
Shannon Fulton, SUS's Director of Illinois Business Development, returned last month from Uganda where she served as a WE CARE Solar Ambassador training local health facility staff on the installation, use, and maintenance of WE CARE's Solar Suitcase. WE CARE stands for Women's Emergency Communication and Reliable Electricity and provides an innovative solar solution designed to provide lighting and enable communication to save the lives of mothers and babies during childbirth.
Having previously traveled to Eritrea as a Solar Suitcase Ambassador, Fulton's role on this trip was to train approximately 30 local health inspectors and cold chain technicians how to install, use, and maintain the Solar Suitcase systems…READ MORE The Solar Suitcase systems incorporated special components for this area of Uganda to accommodate Uganda's reduced solar resource due to its elevation and misty microclimate.
Following two weeks of Solar Suitcase teaching and installation, the students were well prepared to carry-out the remaining installations on their own and understood well how to teach health centers staffs about the use and maintenance of the systems.
"It feels great to know that after we leave woman no longer have to give birth by the light of a cell phone or a kerosene lamp. Solar saves lives," says Fulton. She is also proud that WE CARE recognizes technology transfer alone is not enough and reports "From the very beginning, health worker training was an important focus of WE CARE Solar programs. Not only are installers and health center workers trained to improve the health center conditions and ultimately reduce infant and mother mortality, but the children and community members are often at the same time receiving their very first electricity education. How wonderful that their first experience with electricity is a solar-powered one!"
Read more about Shannon's trip: https://www.facebook.


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Press release from CNW Group
Taiga Building Products Ltd. Announces Steady Third Quarter Results
Thursday, February 09, 2012
Taiga Building Products Ltd. Announces Steady Third Quarter Results21:05 EST Thursday, February 09, 2012BURNABY, BC, Feb. 9, 2012 /CNW/ - Taiga Building Products Ltd. ("Taiga" or the "Company") today reported its quarterly results for the three months ended December 31, 2011.The Company's quarterly results for the three months ended December 31, 2011 are presented in accordance with International Financial Reporting Standards ("IFRS") and comparative information for the corresponding 2010 results have been restated accordingly.Earnings Results - Three Months Ended December 31, 2011The Company's consolidated net sales for the quarter ended December 31, 2011 were $203.1 million compared to $198.4 million during the same period last year, an increase of $4.7 million or 2.4%. Taiga continued to see a stronger demand for its product offering into the winter season compared to the same period last year.Gross margin for the quarter ended December 31, 2011 was $18.6 million compared to $18.4 million over the same period last year. Gross margin percentage for the quarter was 9.2% compared to 9.3% over the same period last year. Stronger gross margin performance trends were muted by a one time inventory writedown of approximately $0.3 million.Net loss for the quarter ended December 31, 2011 was $1.7 million compared to $1.2 million for the same period last year. The net loss increase was attributable to one time compensation and inventory writedowns of $0.6 million.EBITDA for the quarter ended December 31, 2011 was $4.4 million compared to $5.1 million for the same period last year.Earnings Results - Nine Months Ended December 31, 2011Consolidated net sales for the nine months ended December 31, 2011 were $744.6 million compared to $753.5 million over the same period last year. The decrease was largely caused by a weaker performance in the first quarter due to lower commodity prices and poor weather. Taiga performed stronger in the second and third quarter as market demand recovered from a slow seasonal start.Gross margin for the nine months ended December 31, 2011 increased to $73.3 million from $71.1 million over the same period last year. Gross margin percentage for the nine months increased to 9.8% from 9.4% during the same period last year. The increase was due to more stable commodity prices compared to the same period last year.Net earnings for the nine month period ended December 31, 2011 were $5.2 million compared to $6.0 million during the same period last year. The decrease was due to higher operating expenses, and one-time inventory writeoffs, which were partially offset by strengthened gross margin.For the nine month period ended December 31, 2011, EBITDA was $27.2 compared to $27.5 million over the same period last year.Condensed Consolidated Statement of Earnings For the Three Months Ended(in thousands of Canadian dollars, except for per share amounts) December 31, 2011 2010Sales $203,050 $198,415Gross margin 18,607 18,440Distribution expense 4,777 4,170Selling and administration expense 10,257 9,953Finance expense 1,355 1,285Subordinated debt interest expense 4,016 4,016Other income (42) (24)Loss before income taxes (1,756) (960)Provision for (recovery of) income taxes (13) 283Net loss (1,743) (1,243)Net loss per share(1) (0.05) (0.04)EBITDA(2) 4,393 5,079The following is the reconciliation of net earnings to EBITDA: Three Months EndedDecember 31,(in thousands of Canadian dollars) 2011$2010$Net loss (1,743)(1,243)Income taxes (13)283Finance and subordinated debt interest expense 5,3715,301Amortization 778738EBITDA 4,3935,079For the Nine Months Ended(in thousands of Canadian dollars, except for per share amounts) December 31, 2011 2010Sales $744,648 $753,547Gross margin 73,259 71,089Distribution expense 14,262 13,183Selling and administration expense 34,262 33,370Finance expense 4,402 3,723Subordinated debt interest expense 12,048 12,048Other income (64) (758)Earnings before income taxes 8,349 9,523Provision for income taxes 3,132 3,519Net earnings 5,217 6,004Net earnings per share(1) 0.16 0.19EBITDA(2) 27,164 27,527The following is the reconciliation of net earnings to EBITDA: Nine Months EndedDecember 31,(in thousands of Canadian dollars) 2011$2010$Net earnings 5,2176,004Income taxes 3,1323,519Finance and subordinated debt interest expense 16,45015,771Amortization 2,3652,233EBITDA 27,16427,527Notes:(1) EPS is earnings per share calculated using the weighted average number of shares.(2) Reference is made above to EBITDA, which represents earnings before interest, taxes, and amortization. As there is no generally accepted method of calculating EBITDA, the measure as calculated by Taiga might not be comparable to similarly titled measures reported by other issuers. EBITDA is presented as management believes it is a useful indicator of a company's ability to meet debt service and capital expenditure requirements and because management interprets trends in EBITDA as an indicator of relative operating performance. EBITDA should not be considered by an investor as an alternative to net income or cash flows as determined in accordance with IFRS.The foregoing selected financial information is qualified in its entirety by and should be read in conjunction with, our unaudited interim consolidated financial statements for the quarter ended December 31, 2011 and accompanying notes and management's discussion and analysis which will be available shortly on Sedar at www.sedar.com.Forward-Looking Statements:This press release contains certain forward-looking information and statements relating, but not limited, to future events or performance and strategies and expectations of Taiga. Forward-looking information typically contains statements with words such as "consider", "anticipate", "believe", "expect", "plan", "intend", "likely", "may", "will", "should", "predict", "potential", "continue" or similar words suggesting future outcomes or statements regarding expectations, beliefs, plans, objectives, assumptions, intentions or statements about future events or performance. Examples of such forward looking statements within this press release include statements relating to: our anticipated results of operations, including cost reduction savings; our expectations regarding market conditions; the sufficiency of our cash requirements and our ability to remain in compliance with our debt covenants. Readers should be aware that these statements are subject to known and unknown risks, uncertainties and other factors that could cause actual results to differ materially from those suggested by the forward-looking statements.These forward-looking statements reflect management's current expectations or beliefs and are based on information currently available to Taiga and although Taiga believes it has a reasonable basis for making the forward-looking statements included in this document, readers are cautioned not to place undue reliance on such forward-looking information. By its nature, the forward-looking information of Taiga involves numerous assumptions and inherent risks and uncertainties, both general and specific, that contribute to the possibility that the predictions, forecasts and other forward-looking statements will not occur. These risks include, but are not limited to, changes in business strategies; the effects of litigation, competition and pricing pressures; changes in operational costs; changes in laws and regulations, including tax, environmental, employment, competition, anti-terrorism and trade laws; and Taiga's anticipation of and success in managing the risks associated with the foregoing. A further description of these additional factors can be found in the periodic and other reports filed by Taiga with Canadian securities commissions and available on Sedar (http://www.sedar.com).These forward-looking statements speak only as of the date of this press release. Taiga does not undertake, and specifically disclaims, any obligation to update or revise any forward looking information, whether as a result of new information, future developments or otherwise, except as required by applicable law. For further information: For further information regarding Taiga please contact: Tom Stefan CFO & Vice President, Finance and Administration Phone: 604-438-1471 Fax: 604-439-4242 Mark Schneidereit Manager, Corporate Planning Phone: 604-438-1471 Fax: 604-439-4242


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Trident Gallery is pleased to announce The Art of Natural History, an exhibition reprising last year's winter partnership with the Museum of American Bird Art at Mass Audubon in Canton, Massachusetts, the home of Mass Audubon's remarkable collection of art. Last year's evolving, trans-discipline Winter Meditations exhibition brought over thirty works of art from the Museum for display at Trident Gallery alongside selected works by gallery artists. Each work of art from the Museum's collection depicted a bird species that can be seen on Cape Ann in the winter, a principle of selection inspired by the annual Cape Ann Winter Birding Weekend in early February, a three-day festival sponsored by Mass Audubon in partnership with the Cape Ann Chamber of Commerce.
This year's exhibition will display eight exquisitely detailed watercolor paintings by Robert Verity Clem (1933–2010) from the Museum's collection of over thirty. Six of Clem's paintings were part of Winter Meditations, including two never before seen in public. Trident Gallery donated frames in order to display them. This year's selection of eight includes the Northern Shrike shown last year and a new painting never seen before in public, a gouache of Sanderlings also painted in the late 1960s and sharing the minimalist aesthetic of Northern Shrike. Here is one heartfelt tribute to Clem which gives some idea of his reputation among natural history artists. Also on display from the Museum's collection will be four small sculptures by Larry Barth (b. 1957). Larry Barth is considered by many to be the preeminent contemporary bird sculptor. A brief bio is here.
The highlight of last year's loan was a group of six magnificent double elephant folio prints by John James Audubon, and about fifty guests attended ornithologist and Gloucester resident Chris Leahy's fascinating talk at the gallery on Audubon's life and art. He will be giving a longer version of this talk at the Sawyer Free Library near Trident Gallery on Tuesday, January 27th.
As the Cape Ann Winter Birding Weekend grows and, united with two events in Newburyport the weeks before and after, becomes as we hope a 16-day-long celebration of winter bird life on the North Shore, I look forward to making an annual winter tradition of partnering with Mass Audubon to put on an art exhibition and programming at Trident Gallery which focus on natural history.
This year again, by popular demand, artist Sandy McDermott will lead a drawing workshop on Drawing at Trident Gallery on drawing wildlife from nature 1–3pm Friday, Feburary 27th. See below for more information
And once again, complementing the Museum's collection within Trident Gallery will be works of art for sale: a selection of meticulous and fascinating drawings and new photography by Charlie Carroll, watercolors of birds by Marion Hall, and drawings by Gabrielle Barzaghi and Susan Erony.
Director Matthew Swift has curated The Art of Natural History with two organizing ideas. The first is Charles Darwin's famous closing paragraph of On The Origin of Species, in which the figure of an "entangled bank" testifies eloquently to the extraordinary complexity and interdependency of the natural world:
The second organizing idea is for the art in the exhibition to straddle the boundary between documentation and interpretation of the natural world, between dispassionate observation and emotional responses (such as seeing "grandeur in this view of life"), between rationality and human desires. What first appears to be a boundary is on closer inspection a zone, a liminal territory in which all that we may discover reveals something essential about human nature—the territory in common of art, theology, and science.
The Cape Ann Winter Birding Weekend has been postponed to February 27 – March 1.
The workshop "Drawing Wildlife from Nature" is consequently postponed to Friday, February 27.
Selected Works in the Exhibition
Favorites brings together a selection of twenty-two black-and-white and five color photographs which are among the artist's favorites from his distinguished career.
Lynn Swigart's photographs offer visual delight without sentimentality or pretension. His eye for abstract beauty does not submerge but instead completes and elevates the human reality of the scene. This vision gives us works of art in which solitude and communion become united and indistinguishable, moments of contact between permanence and impermanence. "You, too, have this marvelous world passing before you," say these photographs — a cherubic face with an infectious smile, a boy's joyful stride with a balloon, a moon discovered in a metal tank, a cobbler at work, a turn on an empty carousel.
Lynn Swigart was born in Kansas City MO in 1930 and spent his youth in Clinton IL. He began working as a professional photographer in 1951 and has studied with photographers Minor White, George Tice, and Gus Kayafas. He began photographing in Gloucester in 1976 as he began work on a project that resulted in the book Olson's Gloucester (LSU Press, 1980) and an associated exhibition which toured the country. Swigart's photographs have been exhibited in museums and galleries across the United States, and his work has been collected by prestigious institutions, including the Center for Creative Photography, the Carpenter Center for the Visual Arts at Harvard University, the Stanford University Museum, the Illinois State Museum, and the Cape Ann Museum.
Slideshow of prints currently in the Gallery. Most are on display. They are silver gelatin prints, and a few color chromogenic prints.
Trident Gallery represents contemporary artists on historic Cape Ann, Massachusetts, and is a gateway to the contemporary art of the region, serving clients who are starting or building collections.
Every five weeks, the gallery presents a new exhibition of contemporary art from Cape Ann, enhanced by presentations and discussions. Selected inventory by represented artists is always available to view in the gallery, and more extensive inventory by appointment.
Gallery Director Dr. Matthew Swift curates and produces the exhibitions and inventory of Trident Gallery, drawing on academic expertise and four generations of involvement in Cape Ann art.
The Trident Live Art Series presents performances by seasoned professionals showing experimental and collaborative work in the intimate salon setting of the gallery.
Live Art Series Director Sarah Slifer Swift curates and produces the performance series, drawing on two decades of experience in the United States and abroad as a dance artist, choreographer, and producer.
Through ambitious and discerning programming, Trident Gallery is a leader of the vital arts scene on Cape Ann and a primary place to engage with the region's rich artistic legacy and continuing importance.
Trident Gallery is located in a purpose-built space within the elegant Gloucester Safe Deposit and Trust building of 1880 in the heart of historic downtown Gloucester and the Harbortown Cultural District. At the back of the spacious main gallery are a library and a small gallery within a former bank vault.
The rugged and beautiful region of Cape Ann has attracted great artists for more than a century and a half. Gloucester was called the art capital of the United States in 1925,† and although that heyday has passed, something about this island has continued to captivate generation after generation of painters, writers, musicians, sculptors, artisans, playwrights, and dancers. It may be the birds in the marsh or the distant surf in the granite teeth. It may be the people who welcome the eccentric and find strangers worth talking to. Or it may be an effect of the calm and furious sea. We don't know, but vital art springs repeatedly from this rocky coast.
Today, as in the past, a large community of artists thrives here, sustained and guided by a keen sense of place, by connections to each other, and by the long tradition of artistic excellence on Cape Ann.
Works of art with meaningful connections to Cape Ann take diverse forms. Some depict or transform scenes of the region; others are profoundly rooted in the artist's experiences of Cape Ann's towns, landscapes, and sea horizons, and its vibrant matrix of interwoven communities.
Biographical information, Director's introductions, and selections of available work by gallery artists will be on the Trident site soon. Meanwhile, for further information, please follow links to artists' web sites where available, and inquire at the gallery regarding available work.
Gabrielle Barzaghidrawings | Zygmund Jankowski1925–2009paintings |
Nadine Boughtondigital collages | Ruth Mordecaipaintings, collages, monotypes |
Winston Swift Boyerphotographs | Eileen Muellerpaintings |
Charlie Carrolldrawings, watercolors, photographs | Joe Poirierpaintings |
Susan Eronypaintings, mixed media paintings | Patti Sullivanpaintings |
Dennis Flavinpaintings, drawings | Lynn Swigartphotographs |
Pamela Ellis Hawkesphotographs, alternative process photographs | Ed Touchettepaintings, drawings |
featured artists
Albert Alcalay 1917–2008paintings, drawings, prints | Nell Blaine1922–1996paintings, drawings, prints |
Roger Martinb. 1925paintings, collages, prints |
Information on the current and just-concluded exhibitions are above at the top.
Trident Gallery is pleased to present an exhibition of Eileen Mueller's recent oil paintings of the landscapes and sea vistas of Cape Ann, which add a fresh, intimate, and modern chapter to the continuing story of American art told on Cape Ann since the mid-nineteenth century.
Mueller has lived and painted on Cape Ann for more than twenty-five years: she has inhabited its places of beauty, discovered its enclaves, studied its legendary light, and found creative sustenance as a devoted and valued member of its cultural institutions. The native muses of stone and sea, the landscape and its people, provide her subject matter; and native muses inspire her painting style.
The exhibition Muses reveals the consequences of a turning point in Mueller's work when, five years ago, restless, she began to shed the prevailing idioms of Cape Ann painting, liberating passion and talent for expressiveness and abstraction. Her recent work enlarges the legacies of the region's modernist stars: in her new paintings are the monumental forms of Marsden Hartley, the abstract energy of Nell Blaine, the astonishing freedom of Zygmund Jankowski's brush, and the glowing details of contemporary impressionism, all expounded with a balanced intimacy of contact between perceiving subject and perceived object which is uniquely her own.
Mueller has studied at deCordova Museum, Montserrat College of Art, and the School of the Museum of Fine Arts, Boston. Her paintings have been shown widely in New England and New York and have been collected by the Cape Ann Museum and other prestigious institutions. She is a Copley Artist in the Copley Society of Art and a member of the North Shore Arts Association.
Works in the Exhibition
Trident Gallery is pleased to present an exhibition of Susan Erony's art of testimony, remembrance, and affirmation of the human capacity for good and evil.
Erony's work has been exhibited in museums and galleries in Germany, Switzerland, Austria, Italy, and throughout North America, and has been collected by leading institutions and private collectors.
Review reintroduces collectors and the public to the artist's disciplined and forceful body of work from 1993 to the present, and to her themes of inhumanity and displacement, the solace and refuge of art, and the interplay of innocence, knowing, and not wanting to know.
In her most recent work, Erony continues to employ unusual and freighted materials in mixed media constructions — cement, seaweed, silk, lead, rust, and burned paper — and haunting images of her own eyes become potent emblems of a moral witness.
Every piece Erony makes is a profoundly thoughtful artistic statement. Review includes The Zimas," a large-scale oil portrait of a Polish family murdered by the Nazis; "Promised Land," a mixed media painting incorporating the lining of a coat belonging to her father, who came to the United States as a refugee from anti-Semitic violence in Ukraine; and "Listening Ritual,"a mixed media painting embedded with thousands of pieces of steel shot, individually glued.
"I believe that art can save the world," states Susan Erony. "I expect still in my heart that if one sees a great painting that one will become enlightened, and that's what keeps me going."
Exhibition materials available online:
Works in the Exhibition
August 1 – September 1, 2014
"Mordecai paints with a physicality that made me want to close my eyes and run my hands over her art."
— from the review by Cate McQuaid in the Boston Globe, August 20.
"Several large works dominate the room, but large or small, every one carries the sense of masterful construction."
— from the review by Keith Powers in the Cape Ann Beacon, August 7.
"As seen across several media comprising this exhibition, Ruth Mordecai's creative accomplishment is enormous," said Judith Tolnick Champa, Editor-at-Large, Art New England. "She never ceases to explore."
— from a contributed review by Judith Tolnick Champa, Editor-at-large, Art New England.
Trident Gallery is pleased to present an exhibition of new paintings, collages, and monotypes on paper by Ruth Mordecai.
In Ruth Mordecai's works on paper, most often black and white paint or collage defines sculptural forms, and added lines expand the work into pictorial space, exploring memory and spiritual resonance through cultural symbols such as apples, baskets, and ladders. Color is spare but prominent.
Mordecai takes up philosophical and religious questions through a visual exploration of shared symbols. Her works on paper embody exquisite sculptural tensions of gravity and balance, or else are sculptural forms imbued with the movement of painterly gesture. Her love for the human form and for our spiritual relationships to shared symbols endow her work with depth and warmth.
Mordecai describes her process as "the stacking of various images that over the years have become the iconography of the work: Jacob's Ladder, the moon, apples, an ancient sun, a horizon line, a basket or wagon or figures in dance." Ruth Mordecai earned a BFA and MFA from Boston University College of Fine Arts. For twenty-five years she made sculpture and painted in Boston's Fort Point District. For the last fifteen years, she has painted in a studio on Rocky Neck in Gloucester.
Ruth Mordecai has shown in Boston, New York, and Washington, DC, and her art is in prestigious collections, including the Museum of Fine Arts, Boston; the Israel Museum (Jerusalem, Israel); the Rose Art Museum; and the Wiggin Prints and Drawings Collection of the Boston Public Library. She is represented in Boston by Soprafina Gallery and in Gloucester by Trident Gallery.
Trident Gallery is pleased to present Harbortown 2014, an exhibition celebrating Gloucester Harbor and the area's legacy of more than 150 years of excellence in the visual arts.
Harbortown 2014 proudly displays works of art by eighteen Cape Ann artists, including four guest artists and introducing Gloucester artist Ed Touchette, now represented by Trident Gallery. Complementing the exhibition, specially selected additional works of art by these artists will be available to view in the gallery on request.
"I want this exhibition to invite us to look at Gloucester, the city which grew up around a harbor on this rocky extremity of Massachusetts," says Gallery Director Matthew Swift. "Gloucester has been a port city for four centuries. Recently, downtown embraced a new name for itself, Harbortown, when it received state recognition as a cultural district. What does this say about who we are today?"
"Living by the sea in Gloucester, we see horizons, grand perspectives that offer more than can be understood, giving us a way — a salty, tempestuous way — to think about the twin horizons of the past and the future. We came from the sea long ago, most of us as immigrants, all of us much earlier as walking fish; and in another few centuries, our city at the edge of the continent may be back under the sea."
This exhibition is about these ideas and others — it is about what some of today's artists here are thinking about and saying."
Gloucester Harbor is America's oldest seaport.
Trident Gallery is located in the heart of downtown Gloucester and the Harbortown Cultural District.
Trident Gallery is pleased to present an exhibition of figure paintings and drawings by Dennis Flavin. New and recent works on canvas and paper are displayed with earlier paintings illuminating Flavin's path from realism to abstraction into the uninhibited and confident expressive style which has earned him notice and acclaim.
After training at Vesper George School of Art and the Gloucester Academy of Fine Art, Flavin painted on Cape Ann for nearly four decades before his first public exhibition in 2012, which resulted in immediate attention from curators: a solo exhibition at the Cape Ann Museum followed in 2013, and subsequently his work has been shown at Trident Gallery.
In Flavin's best work from the 1980s and 1990s, strong colors and forms, gauzy layers, and nightmarish distortions threaten to subdue realism. Flavin experienced a breakthrough in 2007 when he began to paint "completely from [his] mind, not looking at anything other than [his] canvas." The freedom was exhilarating, and making art became an increasingly intense experience. In this creative trance, Flavin and his creation mutually transform each other. Neither has independence, and there is no intermediating scene between the artist's creative engagement with memory, composition, color, and form, and his sensory engagement with the art surface. "When you paint," says Flavin, "you have to have emotional feeling, you have to take risks, … you can't hold back."
The new direction led Flavin at first into purely abstract paintings and then toward figure paintings possessing an exalted energy and expressiveness which his foray into abstraction seems to have uncorked.
The signature of Flavin's evolving style is a riotous abundance of color, which creates meaning and honors the subject by attesting with nuanced craftsmanship to its inner complexity. Likewise, there is more than sensual richness in Flavin's thickly layered oil and pastel medium, which corresponds to a history of evolving versions of the figure, layers of experience that have built up a unique personality and work of art.
Trident Gallery is pleased to present an exhibition of exceptional and historically important oil and watercolor paintings from the estate of Zygmund Jankowski (1925–2009). Jankowski was a dedicated and innovative painter, a colorful and generous personality, and a loved and respected teacher on Cape Ann from the 1970s till his death in 2009. His paintings have been exhibited nationally and internationally, and he is one of the most important artists of his time in the Cape Ann tradition, influential both as a painter and as the colleague and teacher of a generation of artists.
The exhibition coincides with the release on May 3d of a book on the artist, having nearly 100 pages and as many images, presented with the artist's words from published and personal sources, and with remembrances and commentary by friends, colleagues, and students.
"The cycle of seasons is deeply imprinted in human consciousness; it matters to everyone and has meaning for all. The idea behind Winter Meditations is to remind ourselves how engaging with art deepens our experience of life by drawing forth our own creativity. Good art has the power to enlarge our views, develop our sensibilities, and fuel our spiritual journeys, but viewing art becomes a dry exercise if we lose touch with the experience of art as a creative act itself. I want to mount an exhibition which emphasizes the pleasure and creativity in the viewer's experience of art, rather than the goal of grasping the artist's unique gifts and vision, which though important can distract us from the reasons we value the hard work of artists so highly in the first place; the reasons we choose to bring art into our homes, schools, and workplaces; the deep, human reasons why stories, images, movement, and music matter."
From Friday, January 24th, through Sunday, March 2d, Trident Gallery is proud to host a loan from the Massachusetts Audubon Museum of American Bird Art of more than 30 prints, paintings, and miniature sculptures by the renowned and important artists John James Audubon, Milton Avery, Andy Warhol, Allen James King, Robert Verity Clem, Lars Jonsson, and others. All the works of art depict bird species present on Cape Ann in winter, and their exhibition constitutes a new extension to the Cape Ann Winter Birding Weekend (Friday–Sunday, 31 January – 2 February) a festival which celebrates the winter bird life of Cape Ann, especially those Arctic species rarely encountered farther south. Sponsored by Mass Audubon and the Cape Ann Chamber of Commerce, the event draws several hundred participants to hear expert presentations and embark on bus tours and a boat trip to see the birds. A birding guide for the event in past years, Director Swift has this year orchestrated the festival's new art component at Trident Gallery.
Works of art by Gabrielle Barzaghi, Winston Swift Boyer, Charlie Carroll, Susan Erony, Dennis Flavin, Eileen Mueller, Joe Poirier, and Lynn Swigart will be on display during the entirety of Winter Meditations. In the final phase, Persephone's Return, additional works of art by these and other Trident Gallery artists will take the place of the departing Mass Audubon winter bird art.
The following events are free and open to the public. Space is limited for the workshop and performance events. Guests may reserve seats by contacting the gallery no later than 24 hours before an event at 978-491-7785 or by e-mail at email@example.com. Please claim reserved seats no later than 10 minutes before the scheduled start time. Scheduled events are subject to change due to unforeseen circumstances. Please check the web site or call the gallery shortly before an event to confirm its status, especially when winter weather seems likely to impede travel.
evokes the contemplative stillness of winter
honors the skill and habit of close observation of life shared alike by artists and naturalists
Artist Sandy McDermott will lead off the Winter Birding Weekend with a workshop at Trident Gallery on the close observation and field sketching of birds and other wildlife.
No prior drawing experience is necessary. Free. Reservation required.
Live animals of any type can be a challenging subject to draw. Birds especially are constantly moving. How does one attempt to render them?
Observation is key. Come to this workshop and learn how to combine fast sketching with quick observation! You will learn how important it is to keep your eye on the subject, not your paper. You will also learn how to focus on parts of a bird first, rather than the whole portrait. Basic avian anatomy and topography will be discussed. Weather depending, we'll step outside to draw from life. Photographs and mounted specimens will also be used.
Workshop plan: Orientation (15m), Drawing and observation exercises (45m), Avian anatomy (20m), Sketching outdoors, weather permitting, otherwise from photos (20m), Discussion and review (20m).
Please bring with you (1) a 9"x12" or larger sketchpad (newsprint pads not recommended), (2) drawing pencils (4B, 2B, F, and 2H as a suggestion), (3) black permanent or felt-tipped pen, (4) a white eraser, and (5) a kneaded eraser. If you have any questions about supplies please call or email the gallery.
Trident Gallery is delighted to present a reading by acclaimed poet Brendan Galvin, a Guggenheim Fellow and the author of sixteen collections of poetry, including Habitat: New and Selected Poems 1965-2005 (2005, LSU Press), a National Book Award finalist, and Whirl is King: Poems from a Life List (2008, LSU Press), a collection of his poems about birds. Reservation recommended.
Critical Praise for Brendan Galvin
"Few living poets are as memorable in their descriptions of the goings-on in the non-man-manufactured world."
-- The New York Times Book Review
"Over the past four decades, in an era deeply suspicious of the relationship between language and external reality, Brendan Galvin has been quietly reminding us that the best poetry can deepen our understanding of the natural world and of each other."
-- National Book Award statement
"Brendan Galvin is an essential presence in contemporary American poetry."
-- Tar River Poetry
"If future literary historians wish to demonstrate an excellent late-twentieth-century non-formalist who writes directly and accessibly, let Galvin be their example....More toughminded than most of his peers, Galvin is also far less predictable."
-- X.J. Kennedy, Shenandoah: The Washington & Lee University Review
"Brendan Galvin has an exciting gift for finding the unexpected word that proves miraculously perfect in its setting."
-- The Atlantic Monthly
About Brendan Galvin
Brendan Galvin is the author of sixteen collections of poems. Habitat: New and Selected Poems 1965-2005 was a finalist for the National Book Award. Ocean Effects appeared in fall, 2007. His translation of Sophocles' Women of Trachis appeared in the Penn Greek Drama Series in 1998. Whirl Is King appeared from in 2008. The Air's Accomplices, a collection of new poems, is forthcoming from LSU Press.
His awards include a Guggenheim Fellowship, two NEA fellowships, the Sotheby Prize of the Arvon Foundation (England), the Iowa Poetry Prize, and Poetry's Levinson Prize, as well as the first OB Hardison, Jr., Poetry Prize from the Folger Shakespeare Library, the Charity Randall Citation from the International Poetry Forum, the Sewanee Review's Aiken Taylor Award in Modern American Poetry, and the Boatwright Prize from Shenandoah.
He has published over 500 poems in magazines, textbooks and anthologies, including 21 poems in The New Yorker. His fiction, critical reviews, and book reviews have appeared in numerous publications including Crazy Horse, Laurel Review, Ploughshares, Northwest Review, and Poet Lore.
He has been Wyndham Robertson Visiting Writer in Residence in the MA program at Hollins University, Coal Royalty Distinguished Writer in Residence in the MFA program at the University of Alabama, Tuscaloosa, visiting writer at Connecticut College, and Whichard chairholder in the Humanities at East Carolina University.
He grew up in the Boston area and lives in Truro, Massachusetts, a small town on outer Cape Cod.
dwells on loss, desire for change, the inevitability of change, hope for spring's renewal, and the bonds with others which the pressures of winter's deprivations renew
Trident Gallery warmly welcomes Rufus Collinson, Poet Laureate of Gloucester, who will give a poetry reading marking the beginning of "Longing." Reservation recommended.
Ruthanne (Rufus) Collinson has worked as a journalist, photographer, bookkeeper and turkey farmer. Two books of her poetry have been published by Folly Cove Books, Turning the Stones (1997) and Traveling to You (2008). A paper flyer is also available, and a jpg like the one below but with venue information suitable to email to your friends.
Trident Gallery is very pleased to host a poetry reading by editor, scholar, and poet David Rich. Reservation recommended. A paper flyer is also available, and a jpg like the one below but with venue information suitable to email to your friends.
Naturalist Chris Leahy is a charismatic and popular speaker as well as a noted author and editor. Raised in Marblehead and a resident of Gloucester since the 1970s, Leahy will speak particularly about the birds of Cape Ann as he adapts a talk he has been giving at the exhibition "Audubon's Birds, Audubon's Words," at the Museum of Fine Arts in Boston to the forty works of bird art currently at Trident Gallery.
Leahy's interests in natural history are comprehensive, and he is a recognized authority on birds and insects; he holds the Gerard A. Bertrand Chair of Natural History and Field Ornithology at Mass Audubon; he has led natural history explorations to over 70 countries on all of the continents; he is the author of The Birdwatcher's Companion to North American Birdlife (1,072 pp), Birds of Mongolia (forthcoming), The Nature of Massachusetts, The First Guide to Insects, "A Guide to Winter Birding on Cape Ann," and other publications.
The talk will last about an hour. No reservation needed. Chris will move around the gallery. Some folding chairs will be provided. A flyer is available in PDF and JPG formats.
celebrates the sure signs of spring which appear in early March
An evening of music and dance performance heralds the return of spring and again unites the visual and performing arts, marking the beginning of "Persephone's Return." Multi-instrumentalist composers Nathan Cohen and Anthony Leva explore sonic geographies and genres. Dancers Olivier Besson and Chandra Cantor improvise duets with poetic intimacy, striking clarity, and dynamic surprise.
Seating is limited. Reservation strongly recommended: email@example.com, 978-491-7785, or respond to the Facebook event.
A flyer is available in PDF and JPG formats.
November 29 – January 5, 2014
First come, first served. Bring your intellectual appetite, moral cravings, and spiritual hunger, and find satisfaction in art, which may be taken home immediately to nourish families, invigorate infants, and revitalize the elderly. Art is wholesome and recommended for all living, loving beings.
Art may be taken home when purchased; walls will be replenished.
Three Artists in Dialogue with the Past: Gabrielle Barzaghi, Nadine Boughton, and Susan Erony
The title of Gabrielle Barzaghi's major new work "How to Stay Alive in the Woods," a grid of 15 drawings, refers to a wilderness survival manual published in 1956. Her "Paleolithic Picnic" is a series of nine drawings illuminating a world that is dim, primeval, and as familiar as a myth.
Nadine Boughton stitches together imagery from the popular magazines of 1945–1965 into witty and trenchant digital collages that blend nostalgia for the past with the darkness beneath the pleasures of modern living. Her series of eight collages titled "The Pleasures of Modern Living" is displayed in the Vault Room at Trident Gallery.
Susan Erony's painting "The History of Eugenics, Part I" is a copy of an eighteenth-century drawing by Dutch anatomist Petrus Camper showing a "progression" from ape to ideal human. Her work prompts solemn consideration of the perils of transplanting ideas between cultures, of our appetite for reason and order, and of both the powers and the limitations of visual images.
"Home: The Inaugural Exhibition"
twelve artists representing the excellence and variety of contemporary fine art on Cape Ann
Friday, August 30, 2013 – through – Monday, October 14, 2013
Artists: Albert Alcalay, Winston Swift Boyer, Charlie Carroll, Susan Erony, Dennis Flavin, Pamela Ellis Hawkes, Zygmund Jankowski, Ruth Mordecai, Eileen Mueller, Joe Poirier, Patti Sullivan, Lynn Swigart.
Gallery Director Dr. Matthew Swift has assembled 39 works of art that explore ideas of "home," a theme he will examine in programmed discussions, gallery conversations, and written materials.
Home is a point of departure and a place of return.
Home is the place of one's dwelling or nurturing — Gloucester, Cape Ann, the United States, the planet Earth.
Home is the seat of one's domestic life and overlapping communities; it is a place of safety and comfort.
Home is a target, the destination of a creative mind striving to think, to forge meaning, to provoke, to pay homage, to become beautiful.
Stone Stairway Stories is a performance piece by Carl Thomsen (dance) and Julie Cleveland (digital piano), which continues Thomsen's decades-long exploration of the interface between dance, music, and storytelling. In this performance, the storytelling will come from the audience: the dance and music will reflect and respond to the experiences and memories of the audience, elicited through a series of questions, answers, gestures, and movements offered by those in attendance.
Carl Thomsen was the Artistic Director of Dancers Courageous Inc., a dance and theater company and school in Gloucester from 1995–2005. His previous shows have included Clear Away (1998), which told the story of a fisherman lost at sea and the subsequent healing of the community; Gift of Vision (2001), which looked at the life and times of Gloucester painter Fitz Henry Lane; and Silent Men Speaking (2006), a powerful look at the lives of three Vietnam veterans' lives before, during, and after the war. Thomsen, after 35 years in theater and dance, is now a remodeling contractor but continues to do his own theatrical work. He also made his "legitimate" theater debut last year with Cape Ann Shakespeare Troupe. He has three sons and lives in Essex.
Julie Cleveland is a pianist, teacher, and composer, trained in both classical and jazz piano and composition. As a free improviser, she's been especially influenced by jazz pianist Keith Jarrett. Lately she's been improvising on pieces from Bartók's Mikrokosmos and is undergoing the somewhat daunting task of learning the piano solo of Mahler's Adagietto, written for string orchestra and harp, on synth. She also plays the melodica and is working on tangos by Piazzolla and Gardel. Julie is a private piano and music instructor, teaching both kids and adults out of her downtown Gloucester studio (CapeAnnPiano.com). She's grateful to the Trident Live Art Series for the opportunity to collaborate with Carl on Stone Stairway Stories.
Reservations are strongly recommended. Please see the Live Art Series section for further information.
Opening Reception: Lynn Swigart: Favorites
Part I: Kate Tarlow Morgan, dance and storytelling. Part II: Sarah Slifer Swift and Loren Doucette, dance and painting.
Light refreshments and conversation to follow performance.
Reservations are strongly recommended. Please see the Live Art Series section for further information.
Thursday, November 13, 5:30–8:30pm
Gala Preview of Boston International Fine Art Show (in Boston)
Boston International Fine Art Show (in Boston)
Saturday, November 8, 7:30pm
As part of the 7th Annual Cape Ann Film Festival, and in anticipation of the Lynn Swigart: Faviorites exhibition, Trident Gallery will host a showing of the film Finding Vivian Maier, a 90-minute documentary film about street photographer Vivian Maier.
Cape Ann Community Cinema passes and tickets purchased in advance are preferred, but all forms of payment will also be taken at the door, $10.50. Students and 60+ $9.
Sunday, August 17, 8pm
A dance-media performance in collaboration with the internet, by dancer and performance artist Vincent Cacialano, visiting from the UK.
Light refreshments and conversation to follow performance.
Reservations are strongly recommended. Please see the Live Art Series section for further information.
Artist's Reception for Ruth Mordecai: New Works on Paper
Ruth Mordecai: Meet the Artist
During the reception at 6pm, artist Shep Abbott will unveil his hand-painted 8' x 8' mural map of Gloucester Harbor, entitled "Le Beau Port" and accurately representing Gloucester Harbor and all adjacent buildings and facilities.
Dennis Flavin: Conversation with the Artist
Saturday, May 24, 5pm
Cellist, singer, and composer Kristen Miller will play a set of her lush and original work, and dancer Junichi Fukuda will present his solo "Eclosion."
A performance surprise is also in store.
Light refreshments and conversation to follow performance.
Reservations are strongly recommended. Please see the Live Art Series section for further information.
Four articulate, interesting speakers who knew Zygmund Jankowski
Saturday, May 3d, 5–7pm
Reception and Book Launch Party for Zygmund Jankowski: A Celebration of Life
Sunday, April 6th, 5pm
Trident Live Art Series: Antennae
Emily Beattie and Brian Knoth present an interactive dance and sound performance at Trident Gallery.
Sensors detecting Emily's movement drive the production of sounds through a system developed by Knoth. Space becomes an instrument that Emily can play, bending sound with her body. The dancer negotiates a compilation of interactive, recorded, and live sounds, exploring what it might look like to decipher noise through the body, searching for a solid signal.
Saturday, March 29th, 5pm–7pm
Artist's Reception for Pale Shadows: Cameraless Images by Pamela Ellis Hawkes
January 17th – March 9th
Eight events in eight weeks were held as part of the trans-discipline exhibiton Winter Meditations.
Saturday, December 14th, 3:30–5pm
Open House, with the three other galleries of the Pleasant & Main Art Zone, during the Middle Street Walk prior to the Annual Lobster Trap Tree Lighting at Police Station Plaza. (For the flyer and schedule, follow the link and see the Facebook photos.)
All four galleries will have refreshments. Visit all four to collect the pieces to assemble your very own Plesant & Main Art Zone Art Cube! It's an ornament, an earring, a cube of chance, a miniature art gallery, and more!
Friday, November 29th (Black Friday), 5pm–7pm
Opening Reception for Walls of Plenty
When you come, check out the grand opening of Trident Gallery's new neighbor, Blue River Diamonds, open 6am–6pm that day.
Saturday, November 2d, 5pm
Panel Discussion with the Artists of Three Artists in Dialogue with the Past
Friday, October 18th, 4pm–8pm
Opening Reception for Three Artists in Dialogue with the Past
Saturday afternoon events associated with Home: The Inaugural Exhibition focus on artists featured in the exhibition. Prepared remarks of 30–45 minutes will be followed by discussion and light refreshments. Additional works of art by the subjects will be on display during each event.
Saturday, September 21st, 5pm
"Home, Safety, and Art"
Presenters Matthew Swift and Susan Erony will speak on the work of artists Albert Alcalay and Susan Erony. Both Alcalay and Erony's father emigrated to the United States to escape persecution. Additional works of art by Alcalay and Erony will be on display.
Saturday, September 28th, 5pm
"Perspectives on Cape Ann"
Remarks and discussion on the diverse representations of Cape Ann by painter Joe Poirier and photographers Winston Swift Boyer, Charlie Carroll, and Lynn Swigart. Additional works by these artists will be on display. Presenters to be determined.
Saturday, October 5th, 5pm
Paths to Abstraction
Gallery Director Matthew Swift and artists Dennis Flavin and Ruth Mordecai offer remarks and discussion on abstraction in the careers and works of artists Dennis Flavin, Ruth Mordecai, Eileen Mueller, and Patti Sullivan.
Saturday, October 12th, 5pm
Ephemerality and Permanence
Gallery Director Matthew Swift offers remarks and leads discussion on ephemerality and permanence in the work of artists Pamela Ellis Hawkes and Zygmund Jankowski. Prepared remarks of 30–45 minutes will be followed by discussion and light refreshments. Additional works of art by Jankowski and Hawkes will be on display.
The Trident Live Art Series, curated by Sarah Slifer Swift, sponsors free performances in the gallery space, presenting talented artists whose work forges new dimensions of aesthetic experience. Live Art Series Performances are listed on this web site and announced in the gallery's Newsletter and social media.
Seating is limited for Live Art Series events. Guests may reserve seats by contacting the gallery at +1 (978) 491-7785 or by e-mail at email@example.com, or by joining the corresponding Facebook event. Trident staff will respond promptly to all requests for reservations. Please claim reserved seats no later than 10 minutes before the scheduled start time. If all seats are reserved, some standing room or floor seating may be available, depending on the nature of the performance.
Trident Gallery Director Matthew Swift may be reached at the gallery +1 (978) 491-7785 and email@example.com. At this time, the Director is not seeking new art for the gallery.
Trident Gallery is in downtown Gloucester, Massachusetts, on Main Street at the corner of Duncan Street (which becomes Pleasant Street as it crosses Main). Click here for a map and notes on nearby parking.
The MBTA Gloucester train station on the Rockport fork of the Newburyport/Rockport commuter rail from Boston is half a mile, a 10 minute walk from Trident Gallery according to Google Maps.
Gallery Hours commencing 29 January 2015 for the exhibition The Art of Natural History
Monday, Friday, Sunday 10am–5pm
Wednesday, Thursday 12pm–5pm
Saturday 10am–7pm
Tuesday and any other time by appointment


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Pictures of Celebrity Engagement Rings 2011-04-04 15:34:58
A Glimpse at Celebrity Engagement Rings!
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A Glimpse at Celebrity Engagement Rings!
This past year saw a crop of celebrity engagements — and with it a new collection of dazzling engagement rings. From the blindingly beautiful to the vintage-inspired, we've got a look at the engagement jewels ranging from royalty to one of our favorite supermodel-meets-Hollywood couples — and plenty more from our Fab celebs. Click through to glimpse blissful baubles and decadent engagement rocks, then tell us your favorite!
Read More Celebrity Engagement Rings2011 Wedding SeasonMiranda KerrZoe SaldanaKate MiddletonCelebrityGinnifer GoodwinWeddingNatalie Portman
3 years
I am so into engagement ring snooping. I love Megan's, Reese's and Emily's rings. Though they're not shown here, I also love the rings Gwyneth Paltrow and Ashley Judd have.
Link Love
- Lacoste and J.Crew teamed up to make the polo shirt of your dreams — InStyle
- Put some pep in your step with this wear-now Spring trend — Lucky
- These rules prove that fashion really is a way of life — Who What Wear
- We'll be counting down the days until this Uniqlo capsule collection — The Cut
- Style books aren't just for coffee tables — HuffPost Style
- You'll never guess what Kate Spade's making now — Racked
- You may want to leave the pastels at home this Spring — SheFinds
- This must-have street-style accessory is something you already own — Style.com
- Here's what the fashion term "modern" means once and for all — Man Repeller
Latest Fashion


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Adam Smith, Assistant to the Director of Institute for Core Studies, is the faculty member in Italy with the Freshmen Passport Program. He'll also be blogging about his experience overseas! Stay tuned!
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Jewish authors are hinting at something that cannot yet be spoken of out loud.
0 commentsDr. Nora Gold's acclaimed Fields of Exile, the first novel about anti-Israelism on campus, was published this spring. Gold is the founder and editor of Jewish Fiction .net, the Writer-in-Residence and an Associate Scholar at the Centre for Women's Studies in Education, OISE/University of Toronto, and a board member of the Jerusalem-based Dafna Fund. www.noragold.com
Gold is a contributing blogger for Haaretz Jewish World.


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Betamethasone - Is this medication suitable for treating Granuloma Annulare?
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- 10 Feb 2012 by R Veiss
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- granuloma annulare, betamethasone, medication
Answers (1)
10 Feb 2012
Betamethasone is а corticosteroid that works by inhiЬiting the body from releasing cellѕ and chemicals thаt cаuse inflammation, redness, swelling and itching οn the skin.it will make soмe relief fгom the symptoмs of thө infection... Your dermatologist may prescribe a steroid cream to apply, or inject steroids directly into the spot to help it disappear faster.it should be used according to your dermatologist's directions..
good luck..
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Haiti Waking Up 5 Years later
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