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Objects of Myth and Memory
- Dates: October 4, 1991 through December 30, 1991
- Collections: Arts of the Americas
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February 1991: EXHIBITION: OBJECTS OF MYTH AND MEMORY: AMERICAN INDIAN ART AT THE BROOKLYN MUSEUM
PRESS PREVIEW: Thursday, October 3, 1991, 10:00-noon
EXHIBITION DATES: October 4 - December 29, 1991, The Brooklyn Museum.
To travel to The Oakland Museum, tentatively scheduled winter/spring 1992; The Heard Museum, Phoenix, tentatively scheduled fall 1993.
CONTENT: This is the first major exhibition ever to focus on the large and uniquely well-documented American Indian collection that Stewart Culin, the Museum's curator of ethnology, acquired in the field between 1903 and 1911, and the first in several decades that displays objects from this important collection. Organized as a history of collecting, the exhibition will include more than 250 objects illustrating the richness and diversity of the native arts of the Southwest, California, Northwest Coast, and Plains.
The exhibition tells the story of the formation of this large and uniquely well-documented collection. The visitor can track Culin's progress in the field and observe the objects at the moment they changed hands and moved from one culture to another. Presented in a dynamic context of exchange, the objects reveal the associations, the myths and memories, that they accumulated over time and make tangible a complex network of social and economic interactions between natives and nonnatives.
Convinced that the Indians were vanishing, Culin set out to preserve their past in the Museum. By 1911, he had acquired more than 9,000 objects and documented not only the objects but also the process of collecting itself. By examining the vantage point of the collector, the exhibition raises important questions about the objectivity of ethnological collections and early Museum representations of Native American cultures. In addition, the exhibition aims to dispel the still popular myth of the vanishing Indian and to promote a better understanding of a vital and continuing part of our national artistic heritage.
The objects selected for the exhibition demonstrate the extraordinary breadth of the collection and its regional strengths. They include major art forms such as polychrome ceramics, embroidered textiles, and elaborately costumed kachina dolls from the Southwest; ceremonial baskets and featherwork from California; monumental wood carvings from the Northwest Coast; and spectacular feather headdresses and beadwork from the Plains. Finely crafted toys, games, and household implements provide insights into the arts of daily life, while unique and rare items document Culin's acumen as a collector.
INTERPRETIVE MATERIALS: An introductory multimedia slide show will feature commentary on Culin's collection and on the stories he recounted in his diaries by three contemporary Native Americans from the Southwest and California. Object and wall labels will be drawn primarily from Culin's field diaries, which provide a firsthand account of the individuals and events that shaped the collection and describe exactly how and why the objects were acquired.
CATALOGUE: A fully illustrated, 320-page catalogue will include two interpretive essays on Culin, four regional essays, and 318 catalogue entries. Written by Diana Fane, Ira Jacknis, and Lise M. Breen, the catalogue will be co-published by The Brooklyn Museum and the University of Washington Press.
PUBLIC PROGRAMS: There will be a series of programs that emphasize the strength and vitality of current Native American arts. These will include an artist-in-residence program and a film and video series featuring a large number of documentary and experimental works by Native American artists. A symposium will examine the intellectual and ethical questions raised by the exhibition about ethnological collecting and early museum representations of American Indian cultures. Many of these issues will also be explored in a study program for high school students. Other educational programs include gallery talks, school group tours, open houses for teachers, and family workshops.
ORGANIZATION: The exhibition has been organized by The Brooklyn Museum. It was conceived and organized by Diana Fane, Curator of African, Oceanic, and New World Art, with Ira Jacknis, Assistant Curator for Research, and Lise M. Breen, Research Associate.
SPONSOR: This exhibition and catalogue were made possible with the generous support of the National Endowment for the Humanities and the National Endowment for the Arts, federal agencies; The Luce Fund for Scholarship in American Art, a program of The Henry Luce Foundation, Inc; and the Rockefeller Foundation. Additional support for the catalogue was provided by the B. Gerald Cantor Art Foundation and The Andrew W. Mellon Foundation.Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1989 - 1994. 07-12/1991, 246-249. View Original 1 . View Original 2 . View Original 3 . View Original 4
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July 1991: The history of collecting will be the theme of a major traveling exhibition of approximately 250 Native American objects acquired in the first decade of this century by Stewart Culin, curator of ethnology at The Brooklyn Museum from 1903 to 1929. Unique among major 19th-century museums in combining the arts and sciences, The Brooklyn Museum's ethnographic collection has been crucial to the definition and appreciation of Native American art in this century. The Museum's ethnographic collections have always been appreciated for their aesthetic value as well as their anthropological importance.
Organized by geographical region, the exhibition, entitled Objects of Myth and Memory: American Indian Art at The Brooklyn Museum, will present a wide range of rare and finely crafted objects that have not been on public view for several decades, accompanied by Culin's detailed documentation concerning their acquisition. The exhibition will travel to The Oakland Museum, where it will be on view February 28-May 24, 1992, and to The Heard Museum in Phoenix, where it is tentatively scheduled for the fall of 1993.
On annual field trips to the Southwest, the Plains, California, and the Pacific Northwest, Culin collected more than 9,000 artifacts including those that had been used for ceremonial purposes, household utensils, hunting implements, masks, dolls, games, and textiles.
He was the first to collect systematically among the Navajo, and his Pomo material is among the most comprehensive in existence. The objects that he acquired were obtained directly from the Indians, in some cases by actually going from door-to-door, as well as from collectors and traders. By his own account, he bought with a "lavish hand," occasionally buying an entire lot because he wanted only one piece in it.
Culin succeeded in developing warm personal relationships with many Indians who provided him with information on the history and significance of the objects they sold or made for him: the young Navajo medicine man, Little Singer, who identified and explained old objects and whom Culin commissioned to make Navajo games; his Zuni interpreter, Nick Graham who who provided information to Culin on his rivals in the field as well as about Zuni ceremonies; Mary Azbill, a leader of the Maidu community in Chico, California, who was fluent in several European and Indian languages; a Pomo Indian named Goose, whom Culin dubbed "the old philosopher"; and ethnologist Francis La Flesche, who was raised as an Omaha, and was also an expert on the the neighboring Osage.
Changed economic and social circumstances often allowed Culin to acquire objects that had previously not been for sale, while economic need or religious conversion brought family heirlooms and ceremonial artifacts into circulation. He even managed to purchase rare and unusual ceremonial materials which were seldom, if ever, shown to outsiders, much less offered for sale. Where objects were missing from a set or from a particular area of a collection, he would often commission a native artisan to replicate a piece.
Like many other curators of the time, Stewart Culin was driven by a sense of urgency. Nevertheless, his collection of American Indian objects is unique because he meticulously documented each acquisition in field notes, in reports to the Board of Trustees of the Museum, and in letters from the field. In planning the exhibition, project director Diana Fane and curatorial consultants Ira Jacknis and Lise M. Breen sifted through this material, much of it never before subjected to scholarly analysis. They discovered that detailed descriptions existed of the circumstances surrounding the acquisition of a majority of objects in the collection, often including information on who had owned or made it and why the object had been sold.
It is Stewart Culin's written material, especially his expedition reports, that inform the exhibition as well as the accompanying catalogue. His writing also reveals decisions that shaped the collection. For example, although he considered the Hopi the more important tribe, he opted to collect from the Zuni rather than compete with the strong Hopi collection at the Field Museum in Chicago. From his day-to-day accounts of working in the field emerge tales of competition among individual ethnologists and museums—venality, duplicity, and even a possible murder—as the American West was mined for Indian artifacts. For Culin, exhibitions rather than research, were the primary motivation for his collecting. As a curator he prided himself on mastering the language of things—getting objects to tell him their story and then coaxing and arranging them to tell that story to the world. The more than 9,000 American Indian objects that he managed to acquire in less than a decade were quickly put on display, almost in their entirety, in quick succession following each of the several trips he made to the West between 1903 and 1911. Now that much of it is being exhibited for the first time in decades, Culin's collection can be reevaluated and the complex myths and memories embodied in the objects he acquired can be appreciated.
In 1911, after a final season of collecting in Oklahoma among the Osage, Stewart Culin declared the collection at The Brooklyn Museum to be complete. The remainder of his career was spent developing other strong ethnographic collections, including Asian and African, for the Museum.
Objects of Myth and Memory was made possible with the generous support of the National Endowment for the Humanities and the National Endowment for the Arts, federal agencies; The Luce Fund for Scholarship in American Art, a program for the Henry Luce Foundation, Inc.; The Rockefeller Foundation; and The J. M. Kaplan Fund. Additional support for the catalogue was provided by the Iris and B. Gerald Cantor Art Foundation and The Andrew W. Mellon Foundation.
The fully illustrated, 320-page catalogue ($28.95, paper/$60.00 hardcover) will include two interpretive essays on Culin, four regional essays, and 318 catalogue entries. Written by Diana Fane, Ira Jacknis, and Lise M. Breen, it is co-published by The Brooklyn Museum and the University of Washington Press.
A number of public programs will accompany the exhibition, including a symposium, a film and video series, gallery talks, school group tours, open houses for teachers, and family workshops.
There will also be a complementary exhibition, A Dialogue with Tradition: Three Contemporary Native American Artist Families, which will present approximately 30 objects created by aagroup of contemporary Native American artists who will participate in an artist-in-residence program at the Museum.Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1989 - 1994. 07-12/1991, 121-125. View Original 1 . View Original 2 . View Original 3 . View Original 4 . View Original 5
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July 1991: The Brooklyn Museum will present an exhibition of works created by contemporary Native American artists from the Southwest and California who have actively sustained traditional crafts within their communities. Entitled A Dialogue with Tradition: Three Native American Artist-Families, the exhibition offers a rare opportunity for East Coast audiences to see the work of important artists who are widely recognized within their regions. It will open on October 4 and remain on view through January 27, 1992.
A Dialogue with Tradition is designed to complement the Museum's major exhibition Objects of Myth and Memory, a historical exhibition drawn exclusively from the American Indian collections that Stewart Culin, the Museum's first curator of ethnology, acquired in the field between 1903 and 1911. Including approximately 35 objects made between 1970 and 1991, A Dialogue with Tradition will dispel the myth of the "vanishing" Indian that inspired Culin's fervent collecting and provide a contemporary Native American perspective of their traditional arts.
The exhibition will introduce three accomplished artist families from the Southwest and California, two geographic areas Culin emphasized in his collecting. The first section of the exhibition will present ceramics made by the Nahohai family of Zuni, New Mexico. In teaching her family, Josephine Nahohai has transmitted the traditional methods of pottery production, from collecting the clay on the mesa to firing the pottery in an open fire. Included will be works by Josephine, her sons Randy and Milford, and Randy's wife Rowena that preserve and elaborate upon the ancient tradition of Zuni pottery design.
The second section of the exhibition will feature an impressive array of traditional Hupa-Yorok artifacts made by George Blake of northwest California. A variety of objects such as elegantly carved elk-horn spoons and purses, a sinew-backed bow, and spectacular featherwork regalia attest to his virtuosity in a wide range of traditional materials. A baby basket made by his wife, Annabelle, will also be on display.
The intricate craft of Pomo basket weaving is introduced in the exhibition's final section by California weaver Susan Billy. In addition to her baskets, the exhibition will include a selection of pieces by Ms. Billy's grandmother, Cruz I. Billy, and her great-aunt and mentor, Elsie Allen, one of the foremost practitioners of her craft. These works include simple utilitarian containers as well as fine feather-covered ceremonial baskets.
In conjunction with A Dialogue with Tradition, the Museum will present an Artist-in-Residence program in which the exhibiting artists will serve one-week residencies at the Museum demonstrating and discussing their artistry.
A Dialogue with Tradition was co-curated by Diana Fane and Ira Jacknis, Department of African, Oceanic, and New World Art, The Brooklyn Museum. The exhibition and its associated Artist-in-Residence program were made possible in part by the National Endowment for the Arts, a federal agency, and the Arc of Circumstance Fund in the Community Funds, Inc.Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1989 - 1994. 07-12/1991, 259-261. View Original 1 . View Original 2 . View Original 3
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August 1991: The permanent exhibition of North American Indian art at The Brooklyn Museum has been completely reinstalled for the first time in more than thirty years in the Hall of the Americas. It will go on view to coincide with the opening on October 4, 1991 of Objects of Myth and Memory, a major traveling exhibition of American Indian art organized by The Brooklyn Museum.
Conceived to reflect the major strengths of the Museum's collections, the North American Indian installation is divided into Northwest Coast, Southwest, and Plains sections. Many of the objects included have been off view for more than three decades. They will be contained in two of the four large display cases that have long occupied the Hall of the Americas where the Museum's collection of art from the Americas and the Pacific Islands is displayed.
The Plains sections will consist largely of objects from the Nathan Sturges Jarvis collection, one of the earliest documented Eastern Plains collections in the United States. It was assembled in the 1830's and acquired by the Museum in 1950. Prestigious garments, many of them decorated with painting; colorful beads and quillwork; pipes; and war clubs are among the objects displayed.
The artistry of the Northwest Coast tribes is represented by a variety of objects, from huge wooden potlatch figures to small, delicately carved ivory shaman's charms. Also on display will be a detailed scale model of a Haida chieftain's house, which was built expressly for the Columbian Exposition in Chicago in 1893. The majestic totem poles and housepost, which have long fascinated visitors, will remain on view.
The previous installation contained no pots or textiles. Now from the Southwest there will be an array of 19th century pottery from several Pueblos, including a group of finely painted Zuni water jars and contemporary ceramics by some of the great names in Pueblo pottery, such as Maria Martinez and Margaret Tafoya. Also displayed will be a number of important textiles, including a Hopi wedding blanket and two exceptional Navajo blankets.
The reinstallation has been organized by Diana Fane, Curator of African, Oceanic, and New World Art. The reinstallation of the Jarvis collection has been funded, in part, by support [from] the National Endowment for the Arts, a federal agency.Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1989 - 1994. 07-12/1991, 164-165. View Original 1 . View Original 2
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August 1991: In conjunction with The Brooklyn Museum's major traveling exhibition of Native American art, Objects of Myth and Memory: American Indian Art at The Brooklyn Museum, and its complementary exhibition, A Dialogue with Tradition: Three Native American Artist-Families, the Museum will offer a selection of programs for adults, families, and children. Included in the programs is the six-week series Native American Film and Video: A Walk in Two Worlds, which examines the wealth and diversity of film and video both by and about Native Americans; an important daylong symposium with internationally prominent guest speakers; an artist-in-residence program featuring the three artist-families from A Dialogue with Tradition; and a Native American storytelling series for all ages.
Saturday, September 7, 11 a.m.
Education Division, 1st floor
Johnny Moses, also known as Whis Tem Men Nee (Walking Medicine Robe), is a youthful spiritual teacher and leader of the Red Cedar Circle. Through storytelling, song, dance, and ritual, he will offer an experience of the depth and richness of an original "New World" way of being. For all ages, with sign-language interpretation for the hearing impaired.
Sunday, October 6, 2 p.m., for adults
Education Division, 1st floor
Ms. Billy, one of the country's leading contemporary weavers, is among the group of Native American artists from New Mexico and California whose work is featured in the Museum's exhibition A Dialogue with Tradtion: Three Native American Artist-Families. Specializing in the tradition of intricate Pomo basketry, she will demonstrate the materials and techniques of her art, discuss historical objects, and place her work in the continuum of Pomo tribal traditions.
Sunday, October 13, 2 p.m.
Iris and B. Gerald Cantor Auditorium
This film and video program examines the Native American community's struggle to find an identity while living in both Native American and American cultures. Guest speaker: Lloyd Oxendine (Lumbe), Curator of Contemporary Art, American Indian Community House Gallery.
Akuhtavahmaweeseeh: Red Dawn, 1987, Larry Cesspooch (Ute) of the Ute Indian Tribe Audio-Visual, 20 minutes, video.
Honored by the Moon, 1990, Mona Smith (Dakota), 15 minutes, video.
In Our Language, 1982, Edgar Heap of Birds (Cheyenne), 6 minutes, video.
Navajo Talking Picture, 1986, Arlene Bowmman (Navajo), 40 minutes, film.
Return of the Sacred Pole, 1990, Michael Farrell, 28 minutes, video.
Sunday, October 20, 2 p.m.
Iris and B. Gerald Cantor Auditorium
The unique experimental work of Hopi video artist Victor Masayesva, Jr., is featured in this program. Part poem, part essay, part documentary, his tapes express a distinctly Native American aesthetic. Guest speaker: Victor Masayesva, Jr.
Pot Starr, 1990, 6 minutes.
SISKYAVI--the place of Chasms, 1991, 28 minutes.
Hopiit, 1982, 15 minutes.
Ritual Clowns, 1988, 18 minutes.
Saturday, October 26, at 10 a.m.
Iris and B. Gerald Cantor Auditorium
This important daylong symposium will examine intellectual and ethical questions concerning ethnological collecting and early museum representations of American Indians. Participants in the morning session will place Culin's collecting philosophy in a comparative and historical context and, in the afternoon session, will offer multiple perspectives on questions of connoisseurship and interpretation. Internationally prominent scholars, curators, and art dealers will participate. Funding for the speakers' travel to the Symposium was provided by the Samuel H. Kress Foundation. The cost of the Symposium is $20 for nonmembers and $10 for members, senior citizens, and students.
Sunday, October 27, 1 p.m.
Education Division, 1st floor
In conjunction with Family Members' Day, storyteller Stephanie L. Betancourt will narrate, while her family enacts Native American stories. With sign-language interpretation for hearing-impaired visitors.
Sunday, October 27, 2 p.m.
Iris and B. Gerald Cantor Auditorium
This special program of works for young viewers and their families, developed in collaboration with Lloyd Oxendine and the Native American Heritage Committee, is offered on the Museum's Family Members' Day and features Native American storytelling, with special emphasis on the role of the bear in two Native American tribes.
Why the Bear Clan Know Medicine, 1990, Aysha Quinn and John Sturgeon, 11 minutes, video.
Tiwa Tales: Little Filth and the Tlachees, 1990, Chuck Banner, Maggi Banner (Hopi), and Joseph Leonard Concha (Tiwa), 17 minutes, video.
I Am Different from My Brother, 1981, Tony Charles, director; produced by the Native American Public Broadcasting Consortium, 20 minutes, video.
Bear Dance, 1988, James Ciletti, 13 minutes, video.
Saturday, November 2, 2 p.m., for adults
Sunday, November 3, 11 a.m., for families
Education Division, 1st floor
Randy, Rowena, Milford, and Josephine Nahohai are a family of artists nationally renowned their Zuni pottery. They are one of a group of Native American artist-families from New Mexico and California whose work is featured in the Museum's exhibition A Dialogue with Tradtion: Three Native American Artist-Families. They will demonstrate the materials and techniques of their art, discuss historical objects, and place their work in the continuum of Zuni tribal traditions. Following the demonstration, adults and children can work together in a hands-on workshop. For reservations call (718) 638-5000, ext. 230.
Sunday, November 3, 2 p.m.
Iris and B. Gerald Cantor Auditorium
These film and video works reflect the diversity of aesthetic styles and interests of Native American makers experimenting with form and technique. Guest speaker: Elizabeth Weatherford, Head, Film and Video Center, National Museum of the American Indian.
Intrepid Shadows, 1966, Al Clah (Navajo), 18 minutes, silent film.
That Which Is Between, 1989, Mona Smith (Dakota) and Nan Toskey, 8 minutes, video.
Sharp Rocks, 1988, Pierre Lobstein and Edgar Heap of Birds (Cheyenne), 6 minutes, video.
Surviving Columbus, 1990, George Burdeau (Blackfeet) and Larry Walsh, 30 minutes, video.
Sunday, November 10, 2 p.m.
Iris and B. Gerald Cantor Auditorium
The voices and visions of Native American women are highlighted in this program. Guest speaker: Kamala Cesar (Mohawk), Artistic Director, Lotus Fine Arts.
Ten Dollars of Nothing, 1989, Sara Diamond, 11 minutes, video.
Wind Grass Song: The Voice of Our Grandmothers, 1989, Jana Birchum and Tori Breitling, 20 minutes, film.
In the Heart of Big Mountain, 1988, Sandra Johnson Osawa (Makah), 28 minutes, video.
To Protect Mother Earth, 1989, Joel L. Freedman, 59 minutes, film.
Saturday, November 16, 3 p.m.
Education Division, 1st floor
Donna Couteau from the Sac and Fox Nations and her husband, Joe Cross, of Kaddo/Potawatomi, will honor the earth through a combined storytelling-performance program, concentrating on stories from the Southwest. With sign-language interpretation for hearing-impaired visitors.
Sunday, November 17, 2 p.m.
Iris and B. Gerald Cantor Auditorium
Two issues have dominated the political struggles of Native Americans: land claims and freedom of religious expression, basic rights that they are still fighting for. Guest speaker: Tonya Gonnella Frichner (Onondaga), attorney and President, American Indian Law Alliance.
Our Sacred Land, 1984, Chris Spotted Eagle (Houma), 28 minutes, film.
The Spirit of Crazy Horse, 1990, James Locker, 58 minutes, video.
Leonard Peltier, 1989, Hart Perry, 4 minutes, video.
Saturday, December 7, 2 p.m. for children
Sunday, December 8, 2 p.m. for adults
Education Division, 1st floor
The Blakes, who specialize in creating ceremonial objects, featherwork, basketry, and Yurok carving, are one of a group of Native American artist-families from New Mexico and California whose work is featured in the Museum's exhibition A Dialogue with Tradtion: Three Native American Artist-Families. They will demonstrate the materials and techniques of their art, discuss historical objects, and place their work in the continuum of Yurok tribal traditions. Following the demonstration, children can participate in a hands-on workshop. For reservations call (718) 638-5000, ext. 230.Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1989 - 1994. 07-12/1991, 262-267. View Original 1 . View Original 2 . View Original 3 . View Original 4 . View Original 5 . View Original 6
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September 1991: For the first time in the Museum's recent history, material from the collections of the Library and Archives of The Brooklyn Museum will be displayed in conjunction with a major exhibition, Objects of Myth and Memory: American Indian Art at The Brooklyn Museum, on view October 4-December 29, 1991. The exhibition, which has been organized as a history of collecting, consists of more than 250 objects from some 9,000 collected in the first decade of the century by curator Stewart Culin.
During his tenure as the Museum's first ethnologist (1903-1929), Stewart Culin also amassed a large and varied personal research collection which the Museum acquired after his death. The Stewart Culin Libary and Archives contain some 7,000 books and pamphlets, 28 expedition reports, 810 documentary photographs, and approximately 1,000 sketches, oils, and watercolors, as well as numerous correspondence and research files, manuscripts, and clippings.
Through this important and unusual research collection emerges a detailed, firsthand account of the individuals and events that shaped the art collection that Stewart Culin acquired for The Brooklyn Museum which includes not only works by Native Americans, but objects from Asia, Africa, and Eastern Europe as well.
Selections from Culin's Library and Archives relating to Native American art and culture will be on view on the second floor at the entrance to the Museum Library as well as at the entrance to Objects of Myth and Memory in the Robert E. Blum Gallery on the first floor. Stewart Culin's progress in the field may be tracked through his vivid narratives in the expedition reports and his acquisition and documentation procedures in chapbooks, catalogue cards, and labels. Photographs, sketches, manuscript materials, and books collected by Culin will also be on display. Among them are documentary photographs by Ben Wittick, a sketch of a Zuni game by pioneer ethnologist Frank Hamilton Cushing, and a letter from trader John Hubbell concerning the purchase of a Navajo shield on view in the main exhibition.
The exhibition of selections from the Culin Library and Archives has been funded in part by the National Endowment for the Humanities, a federal agency.
The Museum Library and Archives will reopen to the public by appointment starting October 2, after closing for several months because of severe budget cuts to the Museum by the City of New York.Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1989 - 1994. 07-12/1991, 256-257. View Original 1 . View Original 2
Press Coverage of this Exhibition
- THE NEW SEASON: THE ANNOTATED CALENDAR; ANTIQUESSeptember 8, 1991 By RITA REIF"Here is a selective guide to cultural events in New York and beyond in the months ahead. Programs may change. Dates and locations for some events have not been made final; other events are sold out. Unless indicated, all dates listed are openings, all addresses are in Manhattan, and all telephone numbers have a 212 area code. Addresses for..."
- DON'T MISSSeptember 29, 1991 "This list of fall cultural events in New York City was compiled by Roberta Smith (art and photography), Rita Reif (antiques), Paul Goldberger (architecture), James R. Oestreich (classical music), Jennifer Dunning (dance), David Richards (theater), Jon Pareles (pop-jazz), Caryn James (film), Bill Carter (television) and Peter M. Nichols (video),..."
- ART VIEW; Eye of Newt? Try Scalp Of WoodpeckerOctober 6, 1991 By Michael Kimmelman"A reminder of the Brooklyn Museum's importance to the cultural life of New York City and beyond has arrived in the form of "Objects of Myth and Memory." By turning to its storerooms, the museum has put together a sweeping survey of American Indian art. The show, which remains on view through Dec. 29 before traveling to Oakland and Phoenix, presents..."
- ANTIQUES; The Fanciful False Faces of Pre-Columbian AmericansOctober 6, 1991 By RITA REIF"In the pre-Columbian Americas, every day was Halloween -- a time to wear masks. Masks were worn by children, shamans, dancers and ballplayers and accompanied rulers to the grave. Masks were donned to help win battles, conceal identities and throw great parties -- all of which is documented in the exhibition "Faces of Eternity: Masks of the..."


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EWM Foundation has been supported by a vast range of players, managers, members of the media and club personnel who all share our passion, which has been integral in achieving not only raising awareness of issues within football and sport, but also perceptions within society.
We invite passionate and understanding people who would like to implement their own experiences for the benefit of others, by asking them to represent one of our programmes which are relevant to themselves.
- Asmir Begovic
- Mamady Sidibe
- Keammar Daley
- Richard Hughes
- Linvoy Primus
- Oscar Jansson


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Emily Pilloton is the founder of Project H Design, a charitable organization that supports, inspires, and delivers humanitarian and life-improving product design solutions. Emily is also a design educator, Managing Editor of Inhabitat, and global design nomad "based" in San Francisco. She was trained in architecture and product design with degrees from UC Berkeley and the School of the Art Institute of Chicago, and has written for Inhabitat, GOOD Magazine, I.D., ReadyMade and others.
Prior to her forthcoming trips to South Africa and Uganda for Project H initiatives, Kate Andrews caught up with Pilloton for DESIGN 21 to talk about Project H Design and Pilloton's ambition to bring a bigger social conscience to product design.
What does the 'H' stand for?
It stands for Humanity, Habitats, Health, and Happiness. Project H Design (http://projecthdesign.com/) champions the idea that industrial design, at all stages of the design process, can and should be a tool to address social issues, a vehicle for global life improvement, and a catalyst for individual and community empowerment. At all stages of the design process, our values at Project H are simple: good design for the greater good.
How does Happiness fit in? Is there such a thing as "happy" design?
When I first founded Project H, the "tagline" was initially "product design initiative for humanity, habitats, and health." My mother was the one who ultimately convinced me that happiness is not just a feeling but a value, a priority and ultimately something that can be designed. Designing for happiness is something we, unfortunately, do not see enough of in the design process.
Why did you start Project H?
I founded Project H last year, as a way to provide more social discourse within the design industry, and to build something that had a real social and global impact. With groups like Architecture For Humanity gaining huge momentum and support from the architectural world, I felt there was a counterpart that needed to play catch-up within the industrial design world.
At the same time, having worked as a designer, critic and design writer, I was noticing that there is a human element of green design that's severely lacking. Much discussion of "sustainable design" comes down to materiality. Is a $1500 bamboo coffee table really greener than a $2 water filtration device for a developing community? Design should not just be "green," but address basic human needs, improve lives, enable people and economies, and re-invest that human capital back into more productive and socially-sustainable worlds.
In March 2008, Project H delivered 70 Hippo Rollers to Kgautswane, a rural community of upwards of 130,000, five hours drive from Johannesburg, South Africa. Project H raised the funds for all 70 – their initial target was 50 Rollers.
Image courtesy Project H
What is Project H currently doing?
Right now, the two big projects are H is for Hippo project and the upcoming Project H: Design for Education Summer Studio, which will start June 2nd at the California College of Arts in San Francisco. It is an interesting alignment of programming, as the Hippo project is about the delivery of an amazing existing product, while the Design for Education studio works at the beginning of the design process, through design academics.
Kgautswane women with their new acquisitions.
Image courtesy Project H
What is the H is for Hippo project?
The Hippo Roller is a rolling barrel water transport device that allows the millions whose livelihoods depend on the daily fetching of water to do so more safely and efficiently. You fill up the barrel, screw on the cap, attach the handle bar, and roll it home. There is less stress on the human body than traditional methods of water-fetching, and the roller holds up to five times more water than traditional methods, freeing up hours for women and children (whom traditionally fetch the water) to run businesses and go to school.
We ran a campaign to fund and personally deliver 50 rollers to Kgautswane in South Africa, a community of 17 villages. In two weeks, we had funded 75, which I'll be picking up and handing over to families in Kgautswane the last week of March. The project was primarily a fundraiser, but really a catalyst for change and larger water design projects. It also shows the immense potential to bridge the design and philanthropic communities. The ability for designers to invest in products they admire and a tangible result for donors to understand is really a unique opportunity and untapped resource for both worlds.
Thousands of Hippo Rollers are currently being used throughout Kgautswane, South Africa.
Image courtesy Project H
The Hippo Roller allows for more water to be transported more easily.
Image courtesy Project H
What is the Design for Education project about?
The eight-week summer studio will be held at the California College of Arts, and will look at ways in which the industrial design process can produce tools for elementary education. Using a Ugandan school for AIDS orphans and a local, socioeconomically-privileged school district as contrasting case studies, we'll work firsthand with "clients" (children, parents, educators, orphans, corporations, manufacturers), research the social context, and propose product solutions. The results could be a book, toy or an interactive system, but the idea is to turn real world issues into a tangible, object-based solution.
The power of this program is that it exists at the beginning of the design process and has the potential to ripple throughout the students' careers. I hope we can integrate this curriculum at other schools around the world, too. The subject matter might change (Design for Health or Homelessness, for example), but teaching optimism and potential through design academics remains central.
What are the bigger intentions for Project H Design?
There are a million things I'd like Project H to do, but if in five years Project H has helped shift the design industry towards a more human-centered, generous and still profitable entity, I'll be happy. If Project H helps design academics to develop curricula which value design for the greater good, I'll be inspired. Through partnerships with manufacturers, the distribution of life-improving products, or curricular development with design schools. We hope to be an organization that inspires goodness in designers, both as professionals and individuals. One particular challenge we'd like to address is the business case for amazing humanitarian products. For example, the Hippo Roller helps a lot of people, but because the end user cannot afford to be the purchaser, most rollers have to be subsidized, whether through donations, grants, or corporate sponsorships. It's not a sustainable business model and there's no assurance of consistent distribution. This poses new business and design questions – how do you design for lower production costs so that the product IS affordable or how do you find other funding structures? Do you go the BOGO [buy one give one] route where first-world consumers buy one and one is donated? Or do you sell a similar product at [camping/outdoor store] REI to fund the developing market distribution?
How would you assess the state of design right now? What are the opportunities?
There is a certain ubiquity to the "global warming is inevitable and catastrophic" school of thought that many see as a scary doomsday type problem. Which, from one perspective it definitely is. However, I think there's another way to look at it. Our global state is an opportunity to look beyond boundaries and to develop a one-world approach for design and business. We have an exciting opportunity to redesign our entire world! Designers are now realizing they need business sense whilst businesses are recognizing they need good design. As we realize that good design is only as good as its collaborators, we will find new avenues to make bigger changes more quickly.
And what role do designers play in all this?
I think designers have a responsibility to use our skills as a tool for good. Design, at its core, is about problem solving, so let's use it to solve some of the world's biggest problems. Let's make that the priority. Project H is small [many days a one-woman operation], but it's the small things that enable greater impacts. Just as the Hippo Roller is a catalyst for community economies and education, Project H hopes to be a catalyst for the design industry, to step up and make a difference.
Posted April 01, 2008


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Eric Meyer reviews the essentials of using CSS to create a site, make minor changes, or do a complete overhaul.
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To investigate the physiological effects of modulating the abundance of Munc18c or syntaxin 4 (Syn4) proteins on the regulation of glucose homeostasis in vivo, we generated tetracycline-repressible transgenic mice that overexpress either Munc18c or Syn4 proteins in skeletal muscle, pancreas and adipose tissue seven-, five-, and threefold over endogenous protein, respectively. Munc18c transgenic mice displayed whole-body insulin resistance during hyperinsulinemic-euglycemic clamp resulting from >41% reductions in skeletal muscle and white adipose tissue glucose uptake, but without alteration of hepatic insulin action. Munc18c transgenic mice exhibited approximately 40% decreases in whole-body glycogen/lipid synthesis, skeletal muscle glycogen synthesis, and glycolysis. Glucose intolerance in Munc18c transgenic mice was reversed by repression of transgene expression using tetracycline or by simultaneous overexpression of Syn4 protein. In addition, Munc18c transgenic mice had depressed serum insulin levels, reflecting a threefold reduction in insulin secretion from islets isolated therefrom, thus uncovering roles for Munc18c and/or Syn4 in insulin granule exocytosis. Taken together, these results indicate that balance, more than absolute abundance, of Munc18c and Syn4 proteins directly affects whole-body glucose homeostasis through alterations in insulin secretion and insulin action.
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Japan User Posts + Reviews
And no, I don't mean eat everything in sight. What I mean is try everything, and this doesn't just apply to food. My motto throughout our trip to Japan was "I came...more
I love Tokyo and the crazy cuisine, but often after a few days in Japan, I need a solid, meal withouth any surprises. It helps to learn a few japanese words, like chicken or vegatarian....more
A general tip, Japan is well organized country. I take a small backpack with me that has enough room to carry one or two days clothes and limited amount of things needed to get ready....more
Central Kyoto is easy to walk but put on comfortable shoes.. and note that on my tour, you can always hop the subway back across town. Do all the big tourist stuff 1st; then hit some...more
My name is David and I am planning to be in Japan in March to May. This is a trip to discover a different side of Japan that the average tourist dose not get to see. I was in Japan 2...more


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Leadership Team
Industry Veterans
Codero's entire team is deeply committed to satisfying you, and it starts with our senior leadership team. We are big enough to manage your complex, hosting requirements, but not so big that we've lost the personal touch. Our leadership team is actively hands-on and available to all our customers via social media, email, and phone. We are literally just a quick and easy click or phone call away and we invite you to connect with us and start the conversation today. Your satisfaction is how we judge our success, so please reach out and talk to us. We want to hear from you!
Emil Sayegh, President and Chief Executive Officer (CEO)
Emil Sayegh is the President and Chief Executive Officer (CEO) of Codero Hosting. Emil joined Codero in January 2012, after launching and pioneering successful Cloud Computing and hosting businesses for Hewlett-Packard, and Rackspace.
At HP, Emil was the Vice President of Cloud Service where he led HP's entry into public cloud services. Prior to HP, Emil was the Vice President, and General Manager of the Cloud Computing Division at San Antonio-based Rackspace, the leading global provider of hosted IT services. During his tenure at the helm of the Rackspace Cloud, Emil led the company's entry into the public cloud market, and positioned it to effectively compete with the likes of Amazon AWS. At Rackspace, Emil also served as the Vice President of the Product Group, where he oversaw the global product roadmap, and lead the successful launch of the Private Cloud service and the Hosted Exchange service.
Prior to joining Rackspace, Emil spent more than 15 years in the IT industry in various successful roles. Emil was Services Marketing Director at Dell where he oversaw the global services roadmap development and marketing organization. Additionally, he served in leadership positions at several notable companies including RLX Technologies (acquired by HP), Compaq Computers (acquired by HP) and W.L. Gore and Associates. Emil holds nine patents. He earned a Bachelor Degree from the School of Engineering at the University of Texas at Austin, and a Master Degree in Technology Commercialization from the School of Business at the University of Texas at Austin. Emil lives in Austin, Texas with his wife and four children. He is an avid Texas Longhorns fan, and an active outdoorsman who loves to ski, hunt, fish, boat, and travel.
Follow @esayeghChandler Vaughn, Sr. Vice President of Product Development
Chandler comes to Codero from SunGard where he was the Vice President of Cloud Product Development. Chandler ran SunGard's design and engineering efforts for the Cloud and Managed Services businesses. Chandler also defined the technical strategy for both the Recovery Services and the Managed Services businesses. Furthermore, he served as the founder and head of the Cloud Computing Research Center at the University of Texas at Austin, an experience from which he was named as the inventor on several pending patents for Distributed Block Storage.
Before joining SunGard in early 2010, Chandler worked at Rackspace and launched both the Rackspace Cloud Servers and Cloud Files products lines. He also led the Product Management and Product Marketing team for the Rackspace Managed Hosting business through their accelerated growth prior to IPO.
Chandler holds a Bachelors of Engineering Management from the University of Texas at Austin, and a MBA from Rice University. Chandler lives in Austin with his wife, is active in Austin Startup scene, and in his free time provides mentorship to local entrepreneurs and students.
Follow @chandlervaughnEli Bowman, Chief Financial Officer (CFO)
Eli Bowman has served as Codero's VP of Finance & Controller since October of 2008. Prior to this, Eli was the company's Director of Business Analysis, focusing on mergers & acquisitions. Eli came in to the industry in 2006 after serving as a Financial Planning & Analysis Manager for GE's insurance division. Prior to that, Eli held the role of Senior Product Analyst, leading the pricing efforts for exotic Natural Gas hedges, for Aquila Energy.
Eli has a Bachelors Degree in Actuarial Science & Mathematics from the University of Central Missouri. While away from the office, he likes to spend his time outdoors with camping and hiking, playing sports of all kinds, and cooking. He especially enjoys teaching and coaching his two children
Follow @bowmaneliJason Ackley, Vice President of Operations and Network Engineering
Jason is the VP of Operations and Network Engineering at Codero Hosting. He manages all our Data Center Operations, in addition to our Network Engineering, and Network Operations Team in Austin, Phoenix, and Dallas. He joined Codero after successful tenures at Rackspace and other high tech companies. At Rackspace, Jason was in charge of new datacenter network implementations, cloud computing networks and network scaling and optimization. He was instrumental in implementing IPv6 for the entire organization, along with heading up outage analysis and remediation planning.
Prior to joining Rackspace in June 2007, Jason honed his technical knowledge of high performance network architectures working at Sony (Sega) and various ISP services companies. An avid participant in the technology community, Jason assists vendors and works with them to develop industry specifications and test out new products. He lives with his wife and two children in Central Texas and in his free time enjoys hunting, camping, biking, water sports and flying fixed wing and rotary aircraft.
Follow @defaultgwJeff Friedman, Vice President of Sales
Jeff Friedman is the Global Vice President of Sales at Codero. Jeff manages Codero's global sales activities including direct, and indirect channels. He is in charge of bringing new customers to Codero, as well as ensuring our current customers have the solutions that enable them to scale their hosted infrastructures to meet the growth needs of their businesses.
Prior to Codero, Jeff was the Vice President of Sales at 8th Level, a firm targeted to the startup and technology industry and Sr. Director of Digital Sales at Cox Media Group, where he spent seven years driving all digital sales and increasing revenue for his division by greater than 100x. Jeff has also lead sales efforts at several technology companies such as iMALL (Acquired by Excite@Home), Fly Technology (Acquired), TriNet, 1-800 Registry, Mall.com (Acquired), and IBM.
Jeff holds degrees in Marketing and Computer Information Systems from Arizona State University. He lives in Austin, TX with his wife and 10-year-old twins, and enjoys the outdoors, world history, college sports, coaching little league baseball, and being a competitive runner.


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All ages come together to celebrate the life and triumphs of one of our nation's greatest heroes, Dr. Martin Luther King, Jr. Special guests will pay tribute through theatrical performances and stories, and all ages can share their dreams, personal heroes and peaceful testimonies through art projects, videos and collaborative community activities.
Special Guests
Karen's Fun House performing A Tribute to Dr. King and Heroes of the Civil Rights Movement
Baltimore Urban Debate League presenting award-winning student speeches
Illstyle & Peace Productions performing the dance and music celebration, Become Your Dreams
The Walters Art Museum
Monday, January 17, 10–4 p.m.
Media Contact
Amy Mannarino, 410-547-9000, ext. 277, email@example.com


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@pollick, I get bad leg cramps in bed, but I think they're triggered by cold air suddenly hitting my bare leg. The pain is just about unbearable for the first few minutes, then the spasms start to calm down and I can try to stretch out my leg. I'll have to try your pressure point idea, if I can remember to do it while my leg muscles are seizing up.
I've tried the soap bar thing mentioned in the article and I think it's more of a psychological trick than anything else. I'll keep bananas around for the magnesium, but maybe I should look into some supplements, too.


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Our Members: Our Members' Activities > Germany > Berlin > Berlin
The Energy Saving Partnership: a Berlin Success Model
The city of Berlin uses an estimated 5,000 buildings for which it pays a total of around Euro 180 million for energy supply. The so-called Energy Saving Partnership was developed in response to a massive billion Euro programme of investment demand, lack of budget and the need for a 25% reduction in CO2 emissions on the level in 1990 by 2020.
A private specialised energy service company "the contractor" brings know-how and the necessary financial means into the project. It is then their responsibility to ensure adequate investments are made in the buildings and thus to guarantee the energy savings. Both partners share a handout of the cost reductions.
The project was first launched in 1996 with two pools of about 100 properties. Due to the projects outstanding success, there are now 26 pools of buildings with more than 500 properties (about 1,400 buildings) to be signed. Whilst investments amount to more than Euro 60 million, the guaranteed energy saving is up to 26 % ( about 14 million annual saving), the contract period 8 to 14 years and CO2 reductions about 600.000 tons from 1996 to 2012, meaning that Berlin enjoys an annual saving of Euro 3.2 million.
Picture credit: City of Berlin


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design studio
Design Studio I challenges the students to explore new ways of approaching the design process. Through sketching exercises, observations, and the research of design fundamentals, projects are designed from initial concept to completion and presentation.
Special topics include exploration of the role of the senses in design, sustainability, universal design and ADA. 2009- 2010 design projects focused on spas, museums, live-work lofts, and celebrity suites.


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Finsdal Farm/Norway Home PageUpdated September 6, 2000 |
Tor K Kristiansen
Joa Alle 38
Sola, Norway, N-4000
4751652549 |
I have researched families in the Marnardal municipality north of Mandal in Norway, and some others.Commonly occuring names are:BjĝrnestĝlBrelandBueFinsdalFuglestveitGangsaaHeddelandHolmeslandKlevelandNomeSkjeveslandSkjĉveslandUslandĜyslebĝ |
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The content shown on this page has been submitted by a Genealogy.com customer, and is not subject to verification by Genealogy.com. Neither Genealogy.com nor its affiliates are responsible for the accuracy of any information contained on this page. The opinions expressed on this page are the author's alone and not the opinions of Genealogy.com.
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The Chuckwagon Cafe
Main Navigation
Home Page
Chuckwagon History
Contact Me
Cafe Menu
Photo Album
Chuckwagon Articles
Chuckwagon Thursdays
Cowboy Catering
Located Hwy 59
Moscow, TX. 75960
Wed 7 a.m.-2 p.m.
Thur-Sat 7 a.m.-9 p.m.
Sun 11 a.m.-3p.m.
Monday and Tuesday
Accept Major Credit cards with the exception of American Express
The meals at the Chuckwagon Cafe are served in an atmosphere of the past and present. Whether you want a burger or steak we will do our best to make it a meal that you will remember. Cowboy style that's the way we cook with a variety of down home menu items. Hand breaded chicken fried steaks, daily lunch specials, sourdough biscuits, BBQ, homemade desserts like cakes, pies, bread puddings and cobblers. So get yourself something to drink and give us a little time and we will serve you up some "Cowboy Grub"
We make homemade pies everyday!!
These are dutch ovens, that are used to cook over
hot coals. The pot that does it all, bake, fry, or roast.
Learn to cook with these, and you to will be able to create
some (Black Pot Magic).


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Nobody does dark lips like Rihanna! The singer attended a charity basketball game at Brooklyn's Barclays Center on August 21, wearing a super-sexy dark red lip. Click below — we'll show you how to get her look!
Rihanna, 26, looked gorgeous as she sat courtside, watching her ex, Chris Brown, participate in a Roc Nation charity basketball game on Aug. 21. Even though Rihanna failed to crack a smile, it was fine because she was still showing off her red hot lips! Get Rihanna's look now.
Rihanna's Red Hot Lip At Charity Basketball Game — Get The Look
RiRi loves wearing dark lipstick and we think it looks great on her! We love that she dressed casually, but made a statement with her bold lips.
Lucky for her, she has her own signature shade. Shop MAC Viva Glam Rihanna Lipstick HERE to get her sexy courtside look.
This shade of red is perfect for making a statement, whether you're glammed up or dressed down! It has a blue-red tint with a frost finish — it applies with a subtle shine and gold sparkle.
Rihanna's Gorgeous Courtside Look
Rihanna may have been watching the game, but we were definitely watching her! She let her long black extensions flow in loose waves with a center part, and left her makeup rather natural looking, minus a little help from false eyelashes.
She also flaunted a jeweled upper lip that ALMOST tricked us into thinking she had a septum piercing — false alarm, though!
We love this dark look on RiRi and we can't wait to see her wear it again. What do you think about her dark red lips, HollywoodLifers?
– Kindra Bailey
More Rihanna News:
- Rihanna Swaps Sneakers For Heels In Hot Pink Frock For Drake Reunion
- Rihanna Shows Nipples & Underwear On 'Monster' Tour — Sexy Or Sleazy?
- Rihanna's Sexy, Bold Red Lip On Night Out — Get The Look
View Comment
Posted at 10:36 PM on August 30, 2014
Posted at 12:22 PM on August 25, 2014
This was not Chris's game. despite what media outlets reported, she was an invited guest through Roc Nation. She was not stalking him fools. TMZ, ET, HL and others ( Liars) please do your research before you try and sell crap to your readers about Rihanna. Check her twitter account and the game's poster she was always schedule to attend the game.
Posted at 10:07 PM on August 22, 2014
Looking at her , and can.t help but remind myself all of the times Chris publicly dissed her and humiliated her, and treated her like she never existed … Look at her now , she is SO strong, and so beautiful, and Alive and doing HER
DIE HATERZ !! could easily add and "Shoot yourself Chris" , but I know she loved that creature far too much and I don`t even think she even "hates" him now
Just simply let go of ..everything negative connected to Drama
Posted at 3:14 PM on August 22, 2014
HL went and steal some idiotic ppl article and post it. That's why they didn't bother to do research cus they're completely morons. Oops I forgot they got no Degree. Rihanna is a Special Guest and she's a Roc Nation Record Label Artist. CB is the outsider, someone invited him and you can guess he already knows Rih was there. Love the Way Rih and some ppl pay him dust.
Thats how you hurt an attention wh0re.
Ignore her.
She even put in that oogly azz nose ring for extra affect…
Chris had attention slore on [mute]
This is the first time she humbled herself and closed her legs.
Homegirl next to her thought it was sooo funny.
Ms Afghanistan 2015 :source mto
reply to Ms Afghanistan 2015 not me
Posted at 3:03 PM on August 22, 2014
Are you really that stupid?
Posted at 2:10 PM on August 22, 2014
Get your facts straight instead of always trying to sensationalize a story. It was a ROC NATION event with Rihanna in the headline. Chris was a last minute guest…she was not there for him. Hmmm…why would he all of a sudden want to participate in an event where Rihanna is before he drops a single? Get smart.
Posted at 2:00 PM on August 22, 2014


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Converting PS and PDF files with pstoedit
pstoedit lets you convert Postscript and PDF files to vector-based image formats.
Postscript and PDF are excellent formats for viewing and printing documents, but if you ever try to edit a PDF or Postscript file, you'll soon discover that your options are limited. Experts may argue that Postscript code is editable as it is, but if you ever try to edit a Postscript file directly, you'll find that the process is anything but convenient. pstoedit is a command-line tool that offers a simple solution to the problem of editing Postscript and PDF.
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Old Vulnerabilities Are Kept Alive Through Bad Configuration
HP's annual Cyber Risk report offers a bleak look at the state of IT.
Linus Torvalds Announces Linux 4.0
But what do the big numbers really mean?
Microsoft Frees CoreCLR
.NET Core execution engine is the basis for cross-platform .NET implementations.
New Trojan Attacks Linux Servers
The Xnote trojan hides itself on the target system and will launch a variety of attacks on command.
Cisco Releases Annual Security Report
Spammers go low-volume, and 90% of IE browsers are unpatched.
Zero Day Exploits Target Flash
Adobe scrambles to release patches for vulnerable Flash Player.
Intel Unveils Compute Stick
Four-inch-long computer on a stick lets you boot a full Linux system from any HDMI display device.
Obama Proposes Personal Data Notification Law
New statute would require companies to report break-ins to consumers.
TGXf Project Warns of File Transfer through Screen Pixels
Weird data transfer technique avoids all standard security measures.
Industry Giants Announce a Fix for the Password Mess
FIDO alliance declares the beginning of the end for old-style login authentication.


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I carried for the first time today. I won't get my CCW until next week, but I was scheduled to go meet a guy off of craigslist to buy some ammo (never happened) from so I brought my handgun. I open carried my 1911 in an Uncle Mikes law enforcement kydex holster.
It's was really awkward to say the least. I'm sure I'll get over the feeling, as my plan is to open carry, but I'm sure you all went through the same thing.
My fear was I'd get questioned and not have a CCW permit (not required) but the cop wouldn't know open carry is legal without a permit.
When I got to the furniture store we asked for the woman who had been working with us. Waited a few minutes and she finally was able to stop by and help us. She was a little taken back asking "what's that on your hip?" I just raised my arm and then put my arm back in pocket.
She left for a min and when she returned she was pleasant but asked why I had a gun on me. I just replied that it's legal and my job is to protect my fiance here (who was with me). She smiled and we got down to couch business.
I got no dirty looks from any of the customers, I just felt most conscious around the employees who I don't think even noticed.
Oh well, it'll be a little less awkward when I get my card.


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Richie's Concession Trailer Plan #1
With Concession Trailer Plan #1, you receive:
- 1 - 16 ft. Italian Ice refrigerated
concession trailer - 160 - 2.5 gallon containers of Richie's Super Premium Italian Ice (2 pallets)
- 1 - Menu board
- Multiple Roll away upright storage freezers
- 1 - Transportation tote
- 2 - insulated freezer bags
- 1 - 6ft. table with colorful display cover
- 1 - Free Sample sign
- Cups, koozie cups, t-shirts, scoops, neon serving spoons/straws, sample spoons, tip can and tote to hold all supplies
Consult Richie's Sales Office @ 617.387.3188 or email Richie's for Concession Trailer Plan #1 pricing.
When we say low-risk, high-profit potential, we're not kidding.
Consider this for first order income:
Number of containers: |
160 |
Realize $19,600.00 Gross First Order Sales Potential
Avg. one - 80 container order/month = 960 containers/year = 33,600 servings/year x $3.50/serving = $117,600.00 Gross Annual Sales Potential!
Concession Trailer Re-order Example: 80 - 2.5 gallon containers of Shipping (estimated): |
$200.00 - $400.00 |
All Richie's Program Plans must be pre-paid in full prior to order fulfillment.
Richie's Program Plan Accepted Payment Options:
- Check (Please include Plan Option on check memo field)
- Money order
- Credit Card
Once your payment is received, your Italian Ice unit will be reserved for you.
You can take delivery of your Italian Ice unit, product and supplies once payment in full is received by Richie's.
Please note options for Italian Ice product delivery to your destination of choice:
- Receipt at area cold storage facility of your choice
- Receipt direct to your location of choice provided you have forklift to unload product
Note: Italian Ice product will not be delivered and unloaded by hand.
For more information about Richie's Program Plans, contact our Sales Office at 617.387.3188 or via email at firstname.lastname@example.com.
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Boom Boom Room Defendant Sentenced to Life in Prison for Sex Trafficking of Minors and Production of Child Pornography
Wifredo A. Ferrer, United States Attorney for the Southern District of Florida, Assistant Attorney General Lanny A. Breuer of the Justice Department's Criminal Division, and John V. Gillies, Special Agent in Charge, Federal Bureau of Investigation (FBI), Miami Field Office, announce today's sentencing of James Mozie, 34, of Oakland Park, on charges of sex trafficking of minors and production of child pornography. At today's sentencing, U.S. District Judge William P. Dimitrouleas sentenced Mozie to life imprisonment, to be followed by ten years of supervised release.
On December 20, 2011, Mozie was found guilty of all charges against him after trial. More specifically, the jury found defendant Mozie guilty of all ten counts in the indictment, including sex trafficking of minors and conspiracy to commit sex trafficking of minors. Mozie was also convicted of production of child pornography.
At trial, seven different victims, many minor runaways at the time they met Mozie, testified that they worked or were recruited to work as prostitutes at Mozie's residence, which he advertised as "The Boom Boom Room." According to the trial evidence, The Boom Boom Room, also known as Lot 29, operated for more than a year as a house of prostitution. Mozie advertised the business through the use of mass text messages to his contacts, letting people know about the activities taking place at the house each night. When customers arrived, they paid a cover charge to the security guard working the front door. The females, many of them minors, worked in the house dancing for tips and engaging in sexual activity with male customers for money.
Seven victims, all minors when the offenses occurred, testified that when they first arrived at the residence, Mozie had them complete an application asking for information such as name, stage name, date of birth, and specifying what sexual acts they were willing to perform. All of the minor victims testified that they provided their correct dates of birth to Mozie, who advised them not to tell customers that they were underage. Several of the minor victims testified that before working as a prostitute for Mozie, he required them to have sex with him as part of their "orientation," which he explained was his way of "testing the merchandise." They also testified that Mozie would take sexually explicit pictures of them, which he attached to the text messages advertising the brothel.
Previously, co-defendant Laschell "Shelly" Harris pled guilty to one count of sex trafficking of a minor and was sentenced to 13 years in prison. Co-defendant Willie David Rice pled guilty to one count of being a felon in possession of a firearm and was sentenced to four years in prison.
Mr. Ferrer commended the investigative efforts of the FBI, the Broward County Sheriff's Office and members of the FBI's Minor Vice Task Force. The case was prosecuted by Assistant U.S. Attorneys Harry Wallace and Corey Steinberg and Department of Justice Trial Attorney Thomas Franzinger of the Child Exploitation and Obscenity Section in the Justice Department's Criminal Division.
A copy of this press release may be found on the website of the United States Attorney's Office for the Southern District of Florida at http://www.usdoj.gov/usao/fls. Related court documents and information may be found on the website of the District Court for the Southern District of Florida at http://www.flsd.uscourts.gov or on http://pacer.flsd.uscourts.gov.


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Watch breaking news videos and read news updates about President Felipe Calderon on FOXBusiness.com.
law enforcement agencies. George Mexico for 35 years latest book Mexico narco violence and failed state. president Felipe Calderon . Crackdown on and corruption. Once she got in office he film there were brought on clean country that the
until 2020. "Shaping a global economy fit for the 21st century is our greatest challenge," former Mexican President Felipe Calderon and chair of the Alliance wrote in the report. The Alliance is a public and private group tied to the WEF
situation looks like it's going to do about. Welcome Eagles certainly inherits the drug war from outgoing president Felipe Calderon . We don't have been yet on exactly what the security strategy is going to be. But it seems that the incoming
construction equipment to operate. The project was originally scheduled to be completed by summer of next year. President Felipe Calderon , who leaves office on Dec. 1, has been an energetic proponent of wind power, and companies such as cement-maker
virus, couldn't immediately say whether the Mexican government would also be using their vaccine. Mexican President Felipe Calderon said Wednesday his country expects to vaccinate this week more than 1 million girls between the ages of 10
Revolutionary Party, or PRI, July 1. Mr. Pena Nieto takes office Dec. 1 but wants to work with congress and President Felipe Calderon in pushing an overhaul agenda immediately. Mr. Suarez, appointed by Mr. Calderon three years ago, outlined
oil discovery in the deep waters of the Gulf of Mexico, near the Mexico-U.S. maritime boundary, President Felipe Calderon said Wednesday. Mr. Calderon said the initial estimate of a deposit in the Perdido area on Mexico's side
Mexican President Felipe Calderon said Tuesday the "end of the tunnel" on the global financial crisis is in sight, with hopes that Group of 20 leaders can announce
allegations that the company paid bribes in Mexico to speed permits for new store openings. The office of President Felipe Calderon said in a statement that, if the accusations are true, then the issue is a local matter as bribes for construction
future presidents will have even *more* decisions to make. It's all-consuming." Leader: Mexican President Felipe Calderon "One of the most courageous presidents in the world. The U.S. must provide more help to him and Mexico NOW


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It's your right to speak out.
If you have a problem or complaint about our social care services for children and young people we want to know.
We know it's not always easy to speak out, but it's your right to say how you feel about things that affect you and to be listened to.
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The United Nations Convention on the Rights of the Child says that children and young people have the right to tell people what their views are on all things that affect them, and to be listened to. The 1989 Children Act says that children and young people's views about their 'care' must be listened to. Other laws say that the Children and Young People's Service must find somebody to help you sort things out if you have got a problem with us. The Children and Young People's Service wants to know about any problems you have with our care of you. We can't try and sort things out unless we know. Things you say make things better for other young people.
The first step to making things better is to talk to someone you trust about the problem. Talking to someone can often stop a small worry becoming a big one. You could try talking to:
If you're 'looked after' by Leicester City Council's Children and Young People's Service, there's a person called the Children's Rights and Participation Officer who you could ask to try and help make things better. This person will make sure you know your rights and that you are treated fairly if, for example, you're:
Ring (0116) 2528409 to speak to the Children's Rights and Participation Officer. You can leave a message on the answerphone if they are not there.
If talking to someone you trust helps, then great! If not, there's a complaints procedure that can be used to try and sort out the problem. Using the procedure, which is not as scary as it sounds, just means contacting the Complaints Manager. You can have someone help you or speak up for you any time when you're using the procedure, the Complaints Manager can help with this too. It could involve an Independent Advocate.
The job of the Complaints Manager is to help you and social care staff look at the problem and make sure it's sorted out fairly. The Complaints Manager is in charge of the complaints procedure, which has these sorted out fairly. The Complaints Manager is in charge of the complaints procedure, which has three stages:
While all this is going on, the Complaints Manager will make sure that you know what's happening. If you're still not happy at the end of stage three, then don't give up. The Complaints Manager will let you know where you can get more help or advice. This is usually from the Local Government Ombudsman.
The Local Government Ombudsman investigate complaints about Council services. They would usually like you to complete this complaints procedure before they investigate, but you could contact them at any time.
Local Government Ombudsman
The Oaks No2
Westwood Way
Westwood Business Park
Coventry, CV4 8JB
Tel: 024 7682 0000
Fax: 024 7682 0001
Email: firstname.lastname@example.com
You can write to the Complaints Manager:
Children's Complaints Manager
Leicester City Council
6-8 St Martins
Email: firstname.lastname@example.com
If you wish to speak to the Complaints Manager:
Tel: (0116) 0116 256 8383
If you are 'looked after' by the Children and Young People's Service, the Children's Rights and Participation Officer can also help you:
Tel: (0116) 0116 252 8409


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ATLANTA—Fifty years ago, more than 100 of Atlanta's cultural leaders traveled to Europe to tour the sights and demonstrate the ascendant southern city's commitment to culture.
It was 1962 and the city was thriving, but business and political leaders worried the growth wouldn't continue if the city didn't improve its arts scene. The city's cultural development would be altered forever by the trip.
The group was on its way home June 3 when its chartered Air France plane crashed on takeoff at Orly Field in Paris, killing all but two flight attendants.
Out of the city's grief grew a desire to memorialize the lost. That led to the establishment of what became the Woodruff Arts Center, which today is home to world-class cultural institutions.


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What Do Marking Flag and Tape Colors Mean?
Marking flags and tape are used in a variety of industries to keep everybody on the job site safe and informed, and they come in a variety of colors to convey the type of underground utility. Since there are so many colors, each with different meanings, it can be difficult to remember what color means what. To make it easier, here is a chart showing what each marking flag and tape color means:
White: Proposed Excavation
Pink: Temporary Survey Markings
Red: Electric Power Lines, Cable, Conduit and Lighting Cables
Yellow: Gas-Oil-Steam, Petroleum, and Gaseous Materials
Orange: Communications, Telephone, Cable TV, Alarm and Signal Lines
Blue: Potable Water
Purple: Reclaimed Water, Irrigation and Slurry
Green: Sanitary Sewers, Storm Sewers, Drain Lines
Marking flags and tape are used in so many industries, like utility construction, pet containment, hardware, forestry, landscaping, line locating, advertising, and lawn care, that it is good to have an understanding of what each color means so that you can stay safe.
If you need marking products, the only place to go is Utility Locating because you will get the best prices and best selection on everything from marking paint and marking flags to caution tape and underground tape.


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The Transportation Security Administration (TSA) thus far, has been more problematic than useful. The extreme surveillance of citizens, the NDAA implemented, ACTA signed which in essence censors our freedom of speech on the Internet and the TSA defines an imposition on our privacy in every area of our lives. This infographic sums the TSA up quite well.
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From Wikipedia, the free encyclopedia - View original article
The MAPK/ERK pathway (also known as the Ras-Raf-MEK-ERK pathway) is a chain of proteins in the cell that communicates a signal from a receptor on the surface of the cell to the DNA in the nucleus of the cell.
The signal starts when a signaling molecule binds to the receptor on the cell surface and ends when the DNA in the nucleus expresses a protein and produces some change in the cell, such as cell division. The pathway includes many proteins, including MAPK (mitogen-activated protein kinases, originally called ERK, extracellular signal-regulated kinases), which communicate by adding phosphate groups to a neighboring protein, which acts as an "on" or "off" switch.
When one of the proteins in the pathway is mutated, it can become stuck in the "on" or "off" position, which is a necessary step in the development of many cancers. Components of the MAPK/ERK pathway were discovered when they were found in cancer cells. Drugs that reverse the "on" or "off" switch are being investigated as cancer treatments.[1]
Overall, the extracellular mitogen binds to the membrane receptor. This allows Ras (a GTPase) to swap its GDP for a GTP. It can now activate MAP3K (e.g., Raf), which activates MAP2K, which activates MAPK. MAPK can now activate a transcription factor, such as myc.
Receptor-linked tyrosine kinases such as the epidermal growth factor receptor (EGFR) are activated by extracellular ligands. Binding of epidermal growth factor (EGF) to the EGFR activates the tyrosine kinase activity of the cytoplasmic domain of the receptor. The EGFR becomes phosphorylated on tyrosine residues. Docking proteins such as GRB2 contain an SH2 domain that binds to the phosphotyrosine residues of the activated receptor.[2] GRB2 binds to the guanine nucleotide exchange factor SOS by way of the two SH3 domains of GRB2. When the GRB2-SOS complex docks to phosphorylated EGFR, SOS becomes activated.[3] Activated SOS then promotes the removal of GDP from a member of the Ras subfamily (most notably H-Ras or K-Ras). Ras can then bind GTP and become active.
Apart from EGFR, other cell surface receptors that can activate this pathway via GRB2 include Trk A/B, Fibroblast growth factor receptor (FGFR) and PDGFR.
Activated Ras activates the protein kinase activity of RAF kinase.[4] RAF kinase phosphorylates and activates MEK (MEK1 and MEK2). MEK phosphorylates and activates a mitogen-activated protein kinase (MAPK).
RAF, and MAPK are both serine/threonine-selective protein kinases. MEK (also known as MAPKK) is a tyrosine/threonine kinase.
In the technical sense, RAF, MEK, and MAPK are all mitogen-activated kinases, as is MNK (see below). MAPK was originally called "extracellular signal-regulated kinases" (ERKs) and "microtubule-associated protein kinase" (MAPK). One of the first proteins known to be phosphorylated by ERK was a microtubule-associated protein (MAP). As discussed below, many additional targets for phosphorylation by MAPK were later found, and the protein was renamed "mitogen-activated protein kinase" (MAPK). The series of kinases from RAF to MEK to MAPK is an example of a protein kinase cascade. Such series of kinases provide opportunities for feedback regulation and signal amplification.
Three of the many proteins that are phosphorylated by MAPK are shown in the Figure. One effect of MAPK activation is to alter the translation of mRNA to proteins. MAPK phosphorylates 40S ribosomal protein S6 kinase (RSK). This activates RSK, which, in turn, phosphorylates ribosomal protein S6.[5] Mitogen-activated protein kinases that phosphorylate ribosomal protein S6 were the first to be isolated.[4]
MAPK regulates the activities of several transcription factors. MAPK can phosphorylate C-myc. MAPK phosphorylates and activates MNK, which, in turn, phosphorylates CREB. MAPK also regulates the transcription of the C-Fos gene. By altering the levels and activities of transcription factors, MAPK leads to altered transcription of genes that are important for the cell cycle.
The 22q11, 1q42, and 19p13 genes are associated with schizophrenia, schizoaffective, bipolar, and migraines by affecting the ERK pathway.
Uncontrolled growth is a necessary step for the development of all cancers.[6] In many cancers (e.g. melanoma), a defect in the MAP/ERK pathway leads to that uncontrolled growth. Many compounds can inhibit steps in the MAP/ERK pathway, and therefore are potential drugs for treating cancer,[7][8][9] [10][11] e.g., Hodgkin disease.[12] RAF-ERK pathway is also involved in the pathophysiology of Noonan's Syndrome, a polymalformative disease, where Simvastatin was proposed as a way to improve CNS-cognitive symptoms of the disorder.
The first drug licensed to act on this pathway is sorafenib — a Raf kinase inhibitor.
Other Raf inhibitors : SB590885, PLX4720, XL281, RAF265, encorafenib, dabrafenib, vemurafenib.[11]
Some MEK inhibitors : XL518, CI-1040, PD035901, MEK162, selumetinib,[11] Trametinib(GSK1120212)[13]
Protein microarray analysis can be used to detect subtle changes in protein activity in signaling pathways.[14] The developmental syndromes caused by germline mutations in genes that alter the RAS components of the MAP/ERK signal transduction pathway are called RASopathies.


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If you've ever engaged the services of a penetration testing company, you know they're not cheap. In fact, it's not unusual to feel you've been slapped, thrown in a bag, and hung up to dry. These types of costs can be absorbed by larger companies and enterprises, but not smaller ones, which lack the budgets to…
Tag Archive for Security
On the June 24, 2014 Virtualization Security Podcast, we discussed SecDevOps with Andi Mann of CA Technologies. Andi pointed out fairly early that he does not like the term or the "DevOpsSec" term. Security needs to be considered at every step of the way, he stressed: neither before nor after Dev, but marching along with…
On June 24, 2014, a former editor of a now-defunct British tabloid newspaper (some will disagree with the use of the prefix "news") was found guilty of phone hacking. Phone hacking is the practice of intercepting and listening to a phone's voicemail messages without the owner's knowledge or permission.
While at VMworld 2013, I started to ask 5 security questions that have been bothering me for some time now. Some of these questions apparently have no answers currently and others only have operational answers, no technology. Security of a secure hybrid cloud is a mix of procedures, policies, operations, and technology. These questions are about various aspects of virtual and cloud environments that have been nagging at me for some time now as well as problems I have faced managing our own cloud instances. Perhaps you have questions you would like to add to the list, if so please share.
At VMworld 2013 and on the Virtualization Security Podcast there were many conversations about VMware NSX. These conversations ranged from how will we implement this new technology to security, scale, and other technical questions. In addition, NSX and what was needed to make it a reality may be the answer to a nagging security question. Brad Hedlund, from the VMware NSX team, joined the Virtualization Security Podcast to share with us some of the details around VMware NSX prior to the podcast.
At the recent Misti Big Data Security conference many forms of securing big data were discussed from encrypting the entire big data pool to just encrypting the critical bits of data within the pool. On several of the talks there was general discussion on securing Hadoop as well as access to the pool of data. These security measures include RBAC, encryption of data in motion between hadoop nodes as well as tokenization or encryption on ingest of data. What was missing was greater control of who can access specific data once that data was in the pool. How could role based access controls by datum be put into effect? Why would such advanced security be necessary?
Is the cloud too much of a good thing? Virtualization and Cloud Computing have been one of the biggest technological advancements of the twenty first century and it continues to grow at an amazing pace. Cloud computing has started to obtain mass appeal in corporate data centers as it enables the data center to operate like the Internet through the process of enabling computing resources to be accessed and shared as virtual resources in a scalable manner. Each day there seems to be a new announcement or press release about a new product or service that has been released utilizing some form of cloud computing and I do not see this trend changing anytime soon.
On the May 30th Virtualization Security Podcast, Michael Webster (@vcdxnz001) joined us Live from HP Discover to discuss what we found at the show and other similar tools around the industry. The big data security news was a loosely coupled product named HAVEn which is derived from several products: Hadoop, Autonomy, Vertica, Enterprise Security, and any number of Apps. HAVEn's main goal is to provide a platform on top of which HP and others can produce big data applications using Autonomy for unstructured data, Vertica for structured data, Enterprise Security for data governance and hadoop. HP has already built several security tools upon HAVEn, and I expect more. Even so, HAVEn is not the only tools to provide this functionality, but it may be the only one to include data governance in from the beginning.
I recently read the book Project Phoenix by Gene Kim, Kevin Behr, and George Spafford. If you are in development, IT, and Security it should be #1 on your reading list. In this book the authors discuss all the horrors we hear about in IT with a clear direction on how to fix them. There is politics, shadow IT, over zealous security professionals, over worked critical employees, lots of finger pointing. But there is a clear solution, at least as far as the story goes. We also know that DevOps works, most of the time.


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ACParadise Network:
American Cosplay Paradise
American Cosplay Experience
American Cosplay Snapshots
I like to derp around in armor during my free time. I'm sure one day, I'll grow old and find a more stuffy, appropriate hobby, but until shuffleboard or stamp-collecting sounds appealing, I'll keep doing this to kill a few weekends a year.
Unfortunately, I don't do much in the way of photoshoots. I hate the tedious process and squirm like a three-year old who would much rather be playing, so my cosplay profiles always end up being a bunch of candid hallway shots, which is fine by me :3
I am waaaaaaay too lazy to upload all my costumes, so my older (embarrassing) stuff is still on my cosplay.com acount http://www.cosplay.com/member/46125/
Recent Updates
Newest Favorites
Newest Fans
Recent Comments
- kapalaka says, "HAHAHHAHAHA I love the personal thoughts. Faith this is so awesome!!! So this is what your chainmail was for. I want to cosplay a burly man now damn it! ;_; Soooooo now that you're back into making costumes...."
- For Farin from Lord of the Rings
- kapalaka says, "WINNAAARRRRR!!!!!! :D Amazing job and well deserved! Dem scales, seriously!"
- For Rathian Armor from Monster Hunter
- kapalaka says, "Oh ho ho, what are you doing alone in these woods fair maiden? You know I'm pretty good at sweeping mahself. How's about I... SWEEP you off your feets? OH HO HO HO HO!"
- For Plum Kitaki from Apollo Justice: Ace Attorney
- kapalaka says, "You look lovely in this kimono!!! <3 *_* I love these colors on you, I can't believe I missed this at AFO. :("
- For Plum Kitaki from Apollo Justice: Ace Attorney
- kapalaka says, "You look so amazing in this. When is the next time you are wearing it? I'd love to see it in person!"
- For Queen Brahne from Final Fantasy IX


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Jump to: Article Number of items: 1. ArticleSpencer, P., Greenman, J., McKenzie, C., Gafan, G., Spratt, D. and Flanagan, A. (2007) In vitro biofilm model for studying tongue flora and malodour. Journal of Applied Microbiology, 103 (4). pp. 985-992. ISSN 1364-5072 This list was generated on Fri Mar 6 02:58:29 2015 GMT. |


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