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Sequencing: Cut and Paste Activities | Paperback
by Evan-Moor Educational Publishers (Author), Jo Ellen Moore (Author)
List Price:
Page Count:
20 Pages
Publication Date:
June 01, 1988
Sales Rank:
Product Description
How did the caterpillar become a butterfly? Ask your students to put a sequence of four pictures in the right order and they'll tell you. It's just one of the 20 activities in Sequencing, Cut and Paste Activities many of which are open ended, that invite your kindergarten and first grade students to cut and paste a series of simple, charming illustrations. Some of the picture stories included are: a dog washing his car a rabbit eating an ice cream cone a bear going skiing as well as a child opening a present a child building a sand castle Teachers can use this book to: encourage children to explore the various ways the pictures on certain pages may be sequenced sequence 3-, 4-, and 5-part picture stories use the picture for discussion to practice oral language skills and to increase vocabulary use the finished picture stories as a basis for writing stories
Short Story Sequencing
by Evan-Moor Educational Publishers (Author)
This book contains 20 stories of familiar How to activities, each told in four or six brief segments, that your students can cut and paste into a logical sequence. Each of the 20 stories is illustrated with line art of a fuzzy bear doing fun things like washing his dog, painting a fence or eating a pizza. The stories are written in simple sentences using pictures to illustrate difficult vocabulary.
Cut & Paste Sight Words Sentences
by Rozanne Lanczak Williams (Author), Barbara Maio (Author)
Over 100 Sight Words Featured
Help beginning readers master over 100 sight words using the unique, hands-on approach in this resource. Step-by-step directions tell how to use the sight words on each reproducible to teach an entire lesson reinforcing sight word recognition, sentence structure, vocabulary development, and higher level comprehension skills.
Read, Think, Cut & Paste
by Evan-Moor Educational Publishers (Author)
Read, Think, Cut & Paste contains wonderful illustrations and simple stories for children to cut and paste into the correct sequence. The activities in this book practice skills such as:
* Reading for meaning
* Using picture and context clues
* Sequencing events in a story
Cut and Paste: Language Arts (Cut & Paste)
by Jodene Smith (Author)
Each book in this series provides a variety of motivating, interactive activities to help young students master concepts and content. The "cut and paste" format allows students to try a variety of possibilities before gluing down their final answers.
Sequencing & Memory (Brighter Child Workbooks)
by Brighter Child (Compiler)
Sequencing & Memory provides young children with a strong foundation of early learning skills essential for school success. Offering preschoolers 80 pages of full-color activities, easy-to-follow directions, and complete answer key children will have fun learning sequencing and memory skills! Features activities that teach: *Numbers 1 to 10 *First, next, and last *Ordinal numbers *One-to-one correspondence *More and fewer *Few and many *Comparing *Patterns *Same and different *Classifying...
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By NADA Chairman Forrest McConnell, III — March 2014
Next month, attention shifts to the New York International Auto Show—the host of the fifth annual NADA/J.D. Power Automotive Forum. Whether you're a new-car dealer, automaker, supplier or journalist, the full-day forum will provide you with unique and relevant perspectives about the opportunities and challenges facing key players in the industry.The forum is an ideal venue to talk about what makes auto retailing a true economic engine—the franchised dealer network. Last year, the industry rebounded to sell 15.6 million new cars and light trucks in the U.S, and we're expecting sales to increase this year. New-car dealers employ 1 million people across the country.The franchised dealer network, which as you know has been the topic of much recent debate, is the most efficient and cost-effective way of selling and servicing vehicles anywhere. From sales and financing to performing repairs, warranty and recall work, we provide our customers with unparalleled service. It's a message NADA and its members are promoting this year, and one that I will reinforce during my opening remarks at the Automotive Forum in New York City on April 15.The featured industry speakers are Mary Barra, CEO of General Motors Co., and Joe Hinrichs, executive vice president and president of the Americas for Ford Motor Co.A panel session on the luxury market includes an all-star lineup: Michael Bartsch, vice president of Infiniti Americas; Steve Cannon, president and CEO of Mercedes-Benz USA; Uwe Ellinghaus, Cadillac's global marketing chief; Scott Keogh, president of Audi of America; and David Zuchowski, president and CEO of Hyundai Motor of America. IHS chief economist Nariman Behravesh will provide a macro-economic overview, and John Humphrey, J.D. Power senior vice president of Global Automotive Practice, will provide an industry briefing on the North American market.A panel session on Wall Street's perspective of the auto industry will feature Adam Jonas, managing director of Morgan Stanley; Itay Michaeli, Citi auto analyst; and John Murphy, managing director of Bank of America Merrill Lynch. Registration for the Automotive Forum includes access to all networking events and the auto show's press preview on April 16-17.We hope to see you there. Click here for the complete agenda or to register.Forrest McConnell, IIINADA Chairman

subset: commoncrawl


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PR: What Not to Do: Crappy Ads
- Posted by Johanna on December 28, 2006 at 7:58 pm
- Category: Comic News
I can understand the Wizard-owned InQuest running this ad (from last month's issue), clearly targeted only at boys (or lesbians, I suppose, but I suspect the only time Wizard staffers think about lesbians is while watching two girls get it on in porn).
Geek question: Why is Cassie being used to promote the Legion of Super-Heroes set when she's not a member?
Feminist question: Why doesn't Cassie get referred to by her title, Wonder Girl? Is it suggestive of too much power for the boys to be comfy fantasizing about her? And why does she look like she's tying herself up, with all those lasso coils?
Geek giggle: Filename pun. VS ad is v. sad.
As I said, that didn't particularly surprise me, given the venue and audience. What did was the Pulse running this Flash ad (which I've broken into a sequence of screen-captured gifs; there was another girl picture I didn't bother to capture included). They must be pretty hard up.
Does implying your target audience member is a loser with supposedly attractive women sell a lot of mobile phone services?
25 Responses to "PR: What Not to Do: Crappy Ads"
- Kevin Church Says:
December 28, 2006 at 8:39 PMRE: The latter. My god.
- Michael Grabois Says:
December 28, 2006 at 8:49 PMI can't explain why the ad features Cassie instead of a Legionnaire, but Cassie is there because while the new deck primarily features the Legion (roughly half the deck, therefore they get top billing), the Teen Titans comprise about 1/4 of the deck, with the remainder made up of Darkseid, the events of Infinite Crisis, and the current DCU (like the 52-featured characters).
Also, her card is technically called "Cassie Sandsmark Wonder Girl", maybe that's why the ad refers to her as Cassie.
I know you said you were looking forward to this set. There's a checklist with pictures of each card over here, let me know if there are any cards you want if it's just a few. I have duplicates of most of the Commons and some of the Uncommons, but none of the Rares (and I only have 1/3 of the Rare set).
- Johanna Says:
December 28, 2006 at 9:05 PMCool, thanks for the offer! I'll have to do some research.
- Guy LeCharles Gonzalez Says:
December 28, 2006 at 10:17 PMI'm glad someone else noticed the Platinum ad. I wasn't really surprised by the ad itself as much as I was by the Pulse running it.
As for Cassie, the way Vs. works with characters whose mantles have been held by different people is they're identified by their names first. That way you can play more than one Wonder Girl or Hawkman, but only one Superman or Batman.
- Dan Says:
December 28, 2006 at 11:06 PMDoes implying your target audience member is a loser with supposedly attractive women sell a lot of mobile phone services?
-snarky elitist geek response-
Yes, to the same people who bought Angelina and who think Rob Liefeld is a decent artist. Plus, most of them still live in their parents' basements, so they have lots of disposable income. Though who they might talk to is anybody's guess.
- Loren Says:
December 29, 2006 at 12:50 AMI think the Platinum Ad is trying to target the moron I happened to overhear at the store this evening. He was talking to somebody on his cell phone and said, "Yeah, I'm married now. Can you believe it? To fuckin' Heidi. Yeah, the one with the big tits. Yeah, that's her." He actually said that. I had to write it down.
I just kept saying to myself, "No, I can't believe you're married."
Anyway, I imagine him being the target audience.
- David Oakes Says:
December 29, 2006 at 2:16 AMFanboy Question:
Why are Cassie's breasts smaller than her head? Is that allowed?
(And what is up with her head in the ad? It looks normal in the card, as far as I can tell.)
As for the Platinum ad, when Quesada (Jemas?) took the reins at Marvel he explicitly said they were targeting the "still lives in mother's basement" demographic. And look where they are today. No one ever went broke underestimating the sex drive or self-loathing of a comic fan.
- Johanna Says:
December 29, 2006 at 6:21 AMGuy, I'm suddenly motivated to find cards and have all the Green Lanterns duke it out. Thanks for the explanation.
Loren, I'm speechless.
- Ed Sizemore Says:
December 29, 2006 at 9:03 AMAnother question, why is Cassie drawn to look exactly like the cheerleader in Heroes?
- Ed Sizemore Says:
December 29, 2006 at 9:08 AM{Read the following with extreme sarcasm} When did Platinum Comics become a subdivision of Avatar? I thought they were suppose to be a distributed by Image? So when is the Lady Death crossover going to happen?
- Johanna Says:
December 29, 2006 at 9:06 AMI think that question answers itself. :)
- Paul Sizer Says:
December 29, 2006 at 11:23 AMI kept seeing that idiotic ad with that woman's ass flashing me everytime I went to read stuff on THE PULSE and thought "Can we please find ANYTHING ELSE to put there?" I felt like I was at a porno site (of which I've only read about…)
And of course, if I ever got into the pants of any woman drawn by Liefeld, the only thing I'd do for her is crack her back for her so she could stand up straight!
- david brothers Says:
December 29, 2006 at 11:36 AMAs for the Platinum ad, when Quesada (Jemas?) took the reins at Marvel he explicitly said they were targeting the "still lives in mother's basement" demographic. And look where they are today. No one ever went broke underestimating the sex drive or self-loathing of a comic fan.
That was Jemas, and I still can't tell how serious he was about it. Source here.
Bad Girls for fan boys, sometimes I call them date books. We have quite a few male readers who live in the basement of their parent's house in Queens. For them, an evening with Elektra is as good as it gets. Tell you what though, the Marvel Universe has always had female characters front and center, and we have always had a big female following for the comics, for the X-Men TV show, and now for the movie.
I mean, that kind of mocking is usually reserved for, uh, brutal mocking, not sales pitching. Plus, considering some of the other shenanigans that Jemas got down to during his tenure, I'm almost sure that this was 10% hype, 90% dis. Maybe 30-70. I wish I could hear his tone when he said that, though.
More on topic- those ads are ridiculous. I'd like to not think that the average comics fan is into that, but I may be being a bit too optimistic. I wonder if any other industries use self-loathing to sell their goods?
- bnjammin Says:
December 29, 2006 at 1:05 PMI agree with David Oaks. Why aren't Cassie's boobs bigger? DON'T THE FOLKS UNDERSTAND ANYTHING ABOUT MARKETING!??! :-)
- one diverse comic book nation » THE SHORT STACK: Diversity On The 'Net - December 29, 2006 Says:
December 29, 2006 at 8:44 PM[…] Crappy Ads – Johanna from Comics Worth Reading points out some not-so-feminist comic related ads (from Comics Worth Reading […]
- Karen Says:
December 29, 2006 at 11:32 PMI wonder if any other industries use self-loathing to sell their goods?
The "self improvement" industry (dieting, plastic surgery, bigger boobs inna pill, etc) is always a safe answer.
- Lyle Says:
December 30, 2006 at 1:55 AMKaren, good point, I recall a few friends' stories about 24 Hour Fitness sales persons…
- David Oakes Says:
December 30, 2006 at 2:00 AMAs I read the sidebar for the other blogs, the picture of the redhead gets cut off right at fist level. Question their Marketing, but their Graphic Designer knows his layouts.
(Which would be a pun, if I thought he was.)
- david brothers Says:
December 30, 2006 at 2:17 AMOne more thing–
What kind of smelly, friendless nerd even has a mobile phone, anyway? Who are they gonna talk to? They don't have any friends!
The question of the day is, Who are they selling this to?
Can you imagine a guy (or girl) being so hard-up that he has to buy a cell phone to ogle some poorly drawn comics girls? I mean, it's not even Frank Cho, Amanda Connor, or Adam Hughes. It's J. Random Liefeldson, copier of the '90s "Big Hair, Bent Spine" style.
The more I think about it, the more depressing that ad becomes!
- Mithel Says:
December 30, 2006 at 6:18 PMYe Gods, the spine contortions have reached Liefieldian proportions, to the escape pods!
Also, it makes me a little bit sick that these ads could even be conceived in the first place, much less be published, and frankly, I'm insulted that they would think such a thing would appeal to me as a consumer.
Also, RE: Losers and their phones, losers often have loser friends who they call and discuss how better to abase themselves before the idol of unrealistic sex objects in a vain hope of finding human companionship before the age of 78.
- notintheface Says:
December 30, 2006 at 7:14 PMI've got a great idea for Rob Liefeld and his various imitators: Use these drawings to advertise for a chiropractor or a scoliosis foundation. Kind of a "Don't let this happen to you" type of thing.
- Otaku-Lad Says:
January 1, 2007 at 3:13 PMOf course you can't get into her pants.
Have you ever tried to get into the pants of someone 2 dimensional? Very, very difficult…
- Lea Says:
January 4, 2007 at 5:06 AMAh, that Platinum ad…it demonstrats so well why Platinum is the respected industry leader.
And it sure makes me feel extra good about their involvement with the organization that aids missing (exploited?) children.
Godalmighty, comics are stupid.
- Crocodile Caucus » Friday Tidbits Says:
February 9, 2007 at 2:53 AM[…] of dysfunctional comic fanboys what's up with these ads Johanna found. Hoo-boy, that's why I only visit major comics sites when a comics blogger says there's […]
- american otaku Says:
April 4, 2007 at 6:29 PMI agree. why do they always think that fans of comics or manga or completely dip snits. I mean, we do have a life. but I guess they wouldn't know that because they are too busy staring at their own computer, fantasizing up these dumb ads that they thing WE would be fantasizing over. they are making what they want to see, not the other way around


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What Do You Think This Stroller is Worth? Find Out at the World's Largest Yard Sale Tomorrow
My wife bought this Wonda-Chair stroller system 18 years ago at a garage sale. It was to be the stroller for our children, but alas we never had any kids. We have finally made the difficult decision to part with it... and, the perfect place to do that is the World's Largest Yard Sale on Saturday (August 25th) at the Outlets in Loveland.


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RSVP to our Next Webinar or Submit Your Pitch for Review!
The Founder Hotseat is hosted by the Founder Institute - the world's largest entrepreneur training and startup launch program, helping aspiring founders across the globe build enduring technology companies. In our four-month, part-time program, you can "learn by doing" and launch a company through structured training courses, practical business-building assignments, and expert feedback. Plus, you are not required to quit your day job to participate.


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Unmanned aerial vehicles (UAVs), now commonly referred to as remotely piloted aircraft (RPA) or remotely piloted aircraft systems (RPAS) by federal agencies, standards bodies, and military organizations worldwide, are again the hottest topic of discussion in the military/aerospace (mil/aero) community.
What has the industry, and the greater public, buzzing? The prospect of sitting in a window seat of a commercial passenger airliner, glancing out the tiny window to your left or right, and seeing a remotely operated unmanned aircraft. This scenario could become reality, in less than three years, and many people are apprehensive. It's not just Joe Q. Public that's up in arms, either; air traffic control operators, military pilots, helicopter owners and operators, and other aerospace professionals have voiced concerns.
The Federal Aviation Administration (FAA) Modernization and Reform Act of 2012 (Section 332) calls for the integration of civil unmanned aircraft systems (UAS) into the National Airspace System (NAS). In fact, it specifies that the U.S. Secretary of Transportation consult with representatives of the aviation industry, Federal agencies that employ unmanned aircraft systems technology in the NAS, and the UAS industry on the development of a comprehensive plan to safely accelerate the integration of civil unmanned aircraft systems into the national airspace system. The deadline for this safe integration of civil UAS into the NAS, although desired "as soon as practicable," is September 30, 2015.
This geek doesn't envy the FAA. Its UAS integration plan needs to take into account avionics technologies and subsystems, including sense-and-avoid capability; rulemaking, operator licenses, and vehicle registration; certification, flight standards, and air traffic requirements; and more.


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The BMW GINA Light Visionary was revealed a couple of weeks ago, and now it's a styling act of inspiration for al the new BMW Z4.Our spies in Nurburgring took a new video with the freshiest BMW model, and we can see another prototype taking the world by storm.
The style is clearly not as exccentric as the GINA model, but there are clear design lines which evidently shows the concept's styling.The new headlights and grill are not to mention about them, but you should take the design lines on the hood which flow eloquently to the side panels.The concept's lights get hidden behind the cloth layer, and that means, that the rear is of course quite different.
The 2010 model will get a hard-top following in line with the new BMW 3-Series Convertible, by the time the current prototype comes as a soft-top convertible.The Z4 M and Coupe version should get the M3′s 4.0 litre V8 ENGINE.
In teh next year at the Geneva Motor Show it's expected the be unveiled the new prototype of BMW Z4.


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A writer's guide was composed with which to sell and define where the Trek universe was in the 24th Century. The United Federation of Planets was a more appealing ideology to an America keen to see where the Reagan/Gorbachev faceoff was taking them. Starfleet's meritocratic philosophy had always embraced all races and species. Now Earth's utopian history, featuring the abolishment of poverty, was brandished prominently and proudly. The new Enterprise, NCC 1701-D, was no longer a ship of war but an exploration vessel carrying families. The ethical and ethnical flagship also carried a former enemy (the Klingon Worf, played by Michael Dorn), and its Chief Engineer (Geordi LaForge) was blind and black. From every politically correct viewpoint, Paramount executives thought the future looked just swell!
Roddenberry's feminism now contrasted a pilot episode featuring ship's Counsellor Troi (Marina Sirtis) in a mini-skirt with her ongoing inner strengths and also those of Dr. Crusher (Gates McFadden) and the short-lived Tasha Yar (Denise Crosby). The arrival of Whoopi Goldberg in season 2 as mystic barkeep Guinan is a great example of the good the original Trek did for racial groups--Goldberg has stated that she was inspired to become an actress in large part through seeing Nichelle Nichols' Uhura. Her credibility as an actress helped enormously alongside the strong central performances of Patrick Stewart (Captain Picard), Jonathan Frakes (First Officer Will Riker), and Brent Spiner (Data) in defining another wholly believable environment once again populated with well-defined characters. Star Trek, it turned out, did not depend for its success on any single group of actors.
Like its predecessor in the 1960s, TNG pioneered visual effects on TV, making it an increasingly jaw-dropping show to look at. And thanks also to the enduring success of the original show, phasers, tricorders, communicators and even phase inverters were already familiar to most viewers. But while technology was a useful tool in most crises, it now frequently seemed to be the cause of them too, as the show's writers continually warned about the dangers of over-reliance on technology (the Borg were the ultimate expression of this maxim). The word "technobabble" came to describe a weakness in many TNG scripts, which sacrificed the social and political allegories of the original and relied instead upon invented technological faults and their equally fictitious resolutions to provide drama within the Enterprise's self-contained society. (The holodeck's safety protocol override seemed to be next to the light switch given the number of times crew members were trapped within.) This emphasis on scientific jargon appealed strongly to an audience who were growing up for the first time in the late 1980s with the home computer--and gave rise to the clichéd image of the nerdy Trek fan.
Like in the original Trek, it was in the stories themselves that much of the show's success is to be found. That pesky Prime Directive kept moral dilemmas afloat ("Justice"/"Who Watches the Watchers?"/"First Contact"). More "what if" scenarios came out of time-travel episodes ("Cause and Effect"/"Time's Arrow"/"Yesterday's Enterprise"). And there were some episodes that touched on the political world, such as "The Arsenal of Freedom" questioning the supply of arms, "Chain of Command" decrying the torture of political prisoners and "The Defector", which was called "The Cuban Missile Crisis of The Neutral Zone" by its writer. The show ran for more than twice as many episodes as its progenitor and therefore had more time to explore wider ranging issues. But the choice of issues illustrates the change in the social climate that had occurred with the passing of a couple of decades. "Angel One" covered sexism; "The Outcast" was about homosexuality; "Symbiosis"--drug addiction; "The High Ground"--terrorism; "Ethics"--euthanasia; "Darmok"--language barriers; and "Journey's End"--displacement of Indians from their homeland. It would have been unthinkable for the original series to have tackled most of these.
TNG could so easily have been a failure, but it wasn't. It survived a writer's strike in its second year, the tragic death of Roddenberry just after Trek's 25th anniversary in 1991, and plenty of competition from would-be rival franchises. Yes, its maintenance of an optimistic future was appealing, but the strong stories and readily identifiable characters ensured the viewers' continuing loyalty. --Paul Tonks


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