text:
54 result(s) matching "upload-avatar", (0.05 seconds)
Can't upload avatar
I have been trying to put up an avatar for weeks now, I've done everything short of sacrificing some small animal on an altar...
yes it's a 64x64 gif, yes it's under 10k, I've using all the different browsers...
I know I had one enabled maybe a year back, but it went missing and I haven't been able to upload a new one since...
Anyone else having problems? Any ideas what might be keeping me from uploading an avatar?
Upload .wav file
Hi everybody,
I'm a new PD developer and I need your help to start working with it.
I have a task to upload .wav file from my hard disk and play it using PD patches.
So can you please send me an explanation or an example how to do that?
Best regards,
Could somebody plz upload pd-extended 0.43.1?
I've been trying to download it from this website. [http://puredata.info/downloads/pd-extended/releases/0.43.1][0]
And I can't download pd-extended 0.43.1 (beta release) for mac os x(intel).
If anybody already have downloaded mac os x version of this, please upload one in the forum.
Thank you.
[0]: http://puredata.info/downloads/pd-extended/releases/0.43.1
Help uploading avatar
Hey Maelstorm, this is the avatar I want, thanks for you help
[0]: http://www.pdpatchrepo.info/hurleur/avatar_64.gif
.MOV/.MP4 glitcher
I have built a pd abstraction that glitches .MOV/.MP4 files. This is the result of a long process that involved the study and understanding of the way .MOV files work and their atom structure. Having learned a lot while developping my jpeg and mp3 glitchers, I have been willing to transpose this knowledge to the video realm. To make a long story short, my abstraction locates the mdat atom of the file, reads its length and glitches it in a user-controlable way, while leaving the rest of the filestructure untouched, allowing various degrees of glitchiness with very few unreadable files.
Of course, the bigger the files, he longer the processing time. I have able to glitch a 250 meg MP4 (40 minutes of video) in a bout 1 minute on a macbook pro running under OS 10.10 with the latest stable version of PD extended. On slower computers, processing may take up to 5/6 minutes. Also note that results will vary according to the codec used for compression. I have been able to get good results with H264, but they should all work. As usual with glitch, results will also vary according to the player you use. I personnaly prefer VLC . Some files may appear broken on some players and play just fine on others... Usually, if a file breaks in the process, just tweak the settings a bit to get less glitched file, it should work eventually. This is particulary thrue with small files.
Here's a bunch of stills I took from one processed video:
![vlcsnap-00001.jpg](/uploads/files/upload-bcc2c359-4154-42b8-a2c9-4ab0f3ee29c7.jpg) ![vlcsnap-00002.jpg](/uploads/files/upload-51f5f79c-f1e1-42da-996e-e8ae3b743b14.jpg) ![vlcsnap-00003.jpg](/uploads/files/upload-7be4bbe8-9624-4d34-bf38-fbd8b5a73ff1.jpg) ![vlcsnap-00004.jpg](/uploads/files/upload-106f16ef-7d19-4013-a5c4-9053326be7cf.jpg) ![vlcsnap-00007.jpg](/uploads/files/upload-f2164670-2528-444a-b59b-f3e05e286871.jpg) ![vlcsnap-00010.jpg](/uploads/files/upload-64b09c67-2b81-4ee0-a2b3-5f855a9f23ac.jpg) ![vlcsnap-00015.jpg](/uploads/files/upload-7f18b0ec-d8bf-42ff-b996-fee70acbaf1a.jpg)
Here's the pd extend abstraction:
It's a graph on parent abstraction, so the idea is to open it like an object in a blank canvas.
And here's the standalone version for mac:
Your comments are welcome!
GUI objects and color scheme
Hello all,
I am very glad to announce that I completed the new themes for pd and they are ready to be used! I wrote an extensive README file which is included in the pd-alternative-themes.tar.gz, so please take your time to read it.
Here are some images of all the finished themes:
Black on white
Dark Solarized
Light Solarized
White on black
* * *
I created a video explaining how to install them, but I really recommend you to read the README file included in the package!
* * *
You can download the package from this thread: [pd-alternative-themes.tar.gz](/uploads/files/upload-750090cb-e1c9-43f6-9aca-700c902fb747.gz)
...and also from link: http://s000.tinyupload.com/?file_id=89349775172872680313
* * *
I'd be glad to hear what you think about it! All feedback is welcome.
I hope you will all enjoy it.
Gilberto Agostinho
mp3 glitcher
Hi there,
I've built an abstraction that glitches mp3 files.
It uses some of the concepts I discovered when I was working on the jpeglitcher. After reading some documentation about the mp3 file structure, I tried to find the "sweet spots" of these files: the places where a single byte change causes the greatest possible sonic mutations.
An mp3 file is made of a succession of frames. One frame is 26,122449 ms of audio, whatever the bitrate, frequency... After a period of trials and experimentations, I realized that the best places to glitch within these files where the so called "side information" area and the audio data itself. Messing around with frame headers, as I did in the beginning, was quite hazardous: files would easily break and, if readable, they just sounded too "destroyed" and sufferd heavy time domain damage.
I think about this abstraction as a synthesis tool: a unique way for producers to process drum loops (for instance) or any other part of a song. If you use the random number glitch, each instance of glitch of the same, unalterd original file will give you a different result. Moreover: a glitched mp3 will sound differently in every software player: vlc will have its own interpretation, probably very different from Itunes or any other DAW sequencer you import this file into...
For instance, [drumloop5.mp3](/uploads/upload-62bd4e8f-44db-4d5a-aee2-b8df602d2393.mp3) can turn into [glitch3.mp3](/uploads/upload-c8d52035-5395-460b-9561-9b7839b6c89e.mp3) or [glitch6.mp3](/uploads/upload-82386f58-06d6-45d8-ad7c-7496336ea98a.mp3) or even [glitch8.mp3](/uploads/upload-b6dd8550-85f6-4fde-8c04-32cd27a071c4.mp3) opening new possibilities for experimental musicians.
The mp3glitcher is a CPU hungry abstraction when it comes to the actual glitching process. A typical 4'00" song can take up to 90 seconds to process on an old computer (but far less on more recent systems...) so don't panic if you don't get a result immediately. Also do not use this on a variable bitrate file as (for some reason beyond my comprehension) it will most likely not work.
Please feel free to use this tool and give me comments about it, so I can make it better.
Tested on mac (OS 10.5 and 10.9) and PC (win. xp/7). recquires pd-extended. The zip files is the stand alone version for mac
Reading in a list of symbols with qlist
Yes, you can generate send and receive names and pretty much anything from a symbol.
If you have a list of symbols you can pump them, one at a time, into the name of your abstractions, and use them as you wish. An example might be forthcoming,............ duh ........... here it is... its a mess and you will have to make what you can and then do some research...
and you need these two in the folder as well:
and here is an example text file for that folder, in case anybody else is interested:
open it [iem_p_example2]
click the bang at the top as before
click the bang on the left to send it all to slist
(replace these bangs with delayed loadbangs once your work is complete)
now open [example2] ...... at the bottom in the middle...
and inside [example2] .....
open [pd example_abstr] .... at the bottom again
and you will see a number of patches have been created
They have been given numbers, and names........ your names from your list
And inside each one, where $1, and $2 are used (NOT! in a message box.. that is another matter)
the $1 and $2 will have been replaced by the number and the name that you see in the title of each little patch (abstraction)
Notice that they were in fact created by $2 and $3 in the message (in example2.pd) that created all of these abstractions. $1 in that message gave the position of each abstraction on the canvas, so that they were not on top of each other.
IF YOU SAVE THIS PATCH WITH YOUR CHANGES......... delete all of the abstractions and the contents of the slist window in [iem_p_example] before saving..... or you will end up with multiple copies of the abstractions on top of each other every time you save!!!!!
Best.. going to bed... sorry.... hope that makes sense...
UPDATED 28.02.2015 11h02 central European time
GUI objects and color scheme
@gsagostinho HI Gilberto, I made some abstractions for finding the path name of the root canvas in pd-extended using hcs/window_name, ggee/getdir, and ekext/cup. It requires another abstraction called patchdepth. Here they are if you're interested (though I'm not sure if they would work on l2ork
Polyphonic Microtonal Synth
No problems at all.
Have a look on this and see if it behaves as you want. I can explain the algorithm to you if something is not clear. I am using an abstraction named __[abstraction]__, which can take two arguments (one is the midi note and the other is the name of the note, used to bend the pitch. This way, each single key will have its own oscillator, and so you will have true polyphony.
![Screenshot from 2015-01-31 20:29:15.png](/uploads/files/upload-96c83d8f-9671-48d3-90f6-e63e8faa517c.png)
Please save this file as _abstraction.pd_, since normally downloading files from this forum messes their names up: [abstraction.pd](/uploads/files/upload-095fd979-a882-482e-bcce-2ae6c434b9d1.pd)
![Screenshot from 2015-01-31 20:29:18.png](/uploads/files/upload-e40d553b-afdb-4a26-bc21-06bbbf7e9047.png)
And here is the main patch: [patch3.pd](/uploads/files/upload-80b137e2-2b18-4b2e-b28d-c21f198ae9d8.pd)
I hope this helps, and let me know if anything here is confusing, ok?
Take care,
NOTE: I don't have a MIDI keyboard connected to my notebook right now, so you will need to test it and let me know if it is working for you or not, ok?
Pd & [Csound6~] basics...
I am slowly picking up Csound. At the moment, I am mostly looking to use Csound instruments controlled by processes set up in Pd, using [Csound6~].
I have had success sending noteon & noteoff messages from Pd with a few instruments described in the *FLOSS* manual, and in Boulanger's *Csound book*. However, some instruments have been giving me trouble, and while I can load them in and hear a little example score playback, in some cases I cannot figure out how to control noteon & noteoff through Pd.
One such instrument is attached to this post. This is adapted from Dr. Russell Pinkston's phase modulation instrument, number 1203 from Boulanger's *Csound book*.
I have included three versions, the first .CSD file uses 'mididefault' and 'midinoteoncps' to allow MIDI control of noteon/noteoff, while the second version uses cpsmidi and ampmidi. The third version is nearly identical, but does not include any of the MIDI input information, and includes a default score section which performs a few notes.
Neither of my first two .CSD instruments are currently outputting sound when triggered via MIDI (using 1203.pd).
I have investigated the following two documents, which have not really been of help for this particular instrument:
I wonder if anyone here is experienced in integrating Csound instruments into Pd, and if I could benefit from their observations of adapting Csound instruments for real-time control via [Csound6~].
Many thanks!
[1203.csd](/uploads/files/upload-adfb3905-be7a-4887-bb29-99a291c61c51.csd) [1203_two.csd](/uploads/files/upload-f29b0b07-d1f2-466c-b44f-90aac80ccf61.csd) [1203_three.csd](/uploads/files/upload-a4ffefd4-5e2c-4052-8a49-ab50c347dab6.csd) [1203.pd](/uploads/files/upload-3ec0485a-b403-412e-8b23-0e73a5e0200b.pd)
Highpass (hip~) not working as expected
Heya folks,
Iam using puredata vanilla to develope a mobile app with libpd. I dont use any externals from PD Extended,
Playing with the [lop~] [bp~] and [hip~] filter I recognized some strange behaviour. The lowpass is working well. But the highpass filter does not work for me. Filtering a [pink~] signal with [hip~ 20000] does not filter the signal like i would expect. Look at the following images illustrating the problem. Iam using a patch with 4 serial highpass filter with the same input frequency. Until 6000Hz everything is fine, but then things do not work as anticipated. Using a [noise~] instead of [pink~] makes the filter even more impractical.
Maybe Im totally wrong and thats the normal way it should work?
The Test Patch: [hip-test.pd](/uploads/files/upload-92cd4aca-48e9-405d-9c68-accfd28a1dda.pd)
0Hz Filter: ![0-hip.png](/uploads/files/upload-a0729132-48f1-4902-92ca-20f96a1e37d4.png)
6000Hz Filter: ![6000-hip.png](/uploads/files/upload-a6cd32a4-942d-485b-a8f8-14fd4cf06dd9.png)
20000Hz Filter![20000-hip.png](/uploads/files/upload-e08c98cd-219c-49c9-9645-3f6da8e5e5f2.png)
Thanks in advance!
Edit: I have been playing around with the [bp~] filter and noticed some strange behaviour, too. Until 13kHz everything is working as expected. However cut-off frequencies above this value are not working anymore and the cut-off will still stay at 13kHz. The [vcf~] is working fine and it does what it is meant to do.
Graph on Parent box
That's a nice tool. However, its usage is far from obvious.
I am going to explain, in an easy-to-understand way, how to use it.
* * *
HOW TO USE THE GOP BOX RESIZER (= or, in simpler terms, the red rectangle resizer)
1. First of all, you have to download and decompress the thing. And **put those two files into your abstractions folder** (Pd's search path). (They are called **mygop_Main** and **mygop_abs**).
2. Click File, New, and **create some abstraction**, for example:
![slider and numberbox.PNG](/uploads/files/upload-006118c8-ca53-42f9-aef4-3da624e666fd.PNG)
3. In the same patch, **put a new object and, within this object, type mygop_Main**
4. You should see the following, in which a mygop_Main thing has appeared:
5. **Select all** of your abstraction, **except (!) the mygop_Main object**, and **cut it**.
6. **Open** the **mygop_Main** object and, **within it, paste your abstraction**.
7. **Adjust each of the 4 values until** you get the **important elements of your abstraction surrounded by the red rectangle**.
8. **Delete the following** thing:
9. While you are still in this same window, called mygop_Main.pd, **save** the thing **with a suitable no-spaces-in-between name**, (for example, slider&number). Notice that, you should **save it in your abstractions folder** (so that you can call it at some time in the future, when you'll need it).
9. That was **the end**. Now you can **close all remaining windows mercilessly**.
Have a nice day
metroo: a Swiss Army knife bpm metro
This is a **bpm metro** abstraction.
The idea behind it is having a simple and **versatile bpm metro while keeping all Pd metro's classic characteristics**.
So you should feel perfectly at home with it.
![Type metroo and your bpm.PNG](/uploads/files/upload-500a9580-e25c-4258-b9ea-968400760ad4.PNG)
Latest version:
v2: [metroo.pd](/uploads/files/upload-48913f96-3f48-4fbe-95ac-01bca4dcfb31.pd)
• Latest modifications:
1. TAP drops decimal places so that reading the bpm number box becomes more friendly.
2. TAP did a weird thing when you first clicked on it. It suddenly showed a very slow tempo. So I modified how timer is banged. And now it works beautifully.
2. the ms number box has a minimum value of 1 ms. This is because metro, which is at the heart of metroo, cannot go faster than 1 ms. If I allowed metroo to show something like 0.5 ms, that would be highly misleading.
3. small improvement in the loadbang section for clarity.
Older versions:
v1: [metroo.pd](/uploads/files/upload-48913f96-3f48-4fbe-95ac-01bca4dcfb31.pd)
I would like to express my special thanks to **Gilberto** (**"gsagostinho"**) whose useful comments and ideas that made metroo better.
Artificial Intelligence (part 1): pdana
**Tongue-in-cheek artificial intelligence**, for your pleasure.
These abstractions are the ideal companion. Whatever you are doing, their good-naturedness together with their good humour will facilitate your workflow.
They have been designed with the musician and dsp pd'er in mind: the **cpu does notice the presence** of these abstractions at all...they don't exist. However, they are cute little things for everyone to have, and not only for "Chowning" people.
A key point, is that pdanas are **VERY easy to tweak, even for beginners**. All the **explanations you need are inside them**, in a clear and logic manner (IMHO). Really basic entities.
**About function and control:**
* pdanas communicate by writing text on the console.
* you can turn them on and off (clic on her shoulder and she's freezed).
* make them less talkative.
* ask them to be silent.
* put them in crazy mode (I enjoy this one).
* and you can add lots of phrases to their collection of phrases (very easily, really). Since I decided to keep them simple and tweakable, their collection of phrases is very small. A good way to increase a pdana's range of expressions is to find some sayings or jokes you like, add them to her list, and she will enjoy saying those from time to time. Another good possibility, is to add some Pd related reminders.
**About editing a pdana abstraction**:
I think the best way to edit them is to open them through **File > Open**. I think that's the **safest way**. I don't recommend editing them after having typed their name. This encapsulation Pd thing is awesome but I get confused sometimes. In any case, if you spoiled a file, you can get it back from this forum.
So just drop the one you like in your abstractions folder, and call her by typing her name. Their names are just pd + ana (+ black or + alien).
**Happy downloads**:
[netreceive] #bundle, how do I use them?
That's strange that it can't find the help files. I've attached them here.
JPEG glitcher
I'v build a jpeg glitching abstraction using GEM and mrpeach. It is based on the works by [Antonio Roberts](http://www.hellocatfood.com/pure-data-file-killer/) and [Ted Davis](http://www.ffd8.org/header_remix/). ![jpegglitcher.jpg](/uploads/upload-ac10635e-0e21-417c-954a-41e100b68364.jpg)
My intention was to get a better undrstanding of the JPEG file structure and find a way to alter the files creatively without destroying them. My first attempts at JPEG glitching consisted in random byte replacement and ended up in lots of unusable / unaestethetical files. After some web searching, I realized that most of the job should be done in the file header by altering specific bytes and carefully avoiding others. This approach allowed me to get visual alterations that go beyond what is usually seen under the "glitch" flag (particle effects, saturation artifacts, file size alterations, to name a few).
The idea here was to build a "swiss knife" for JPEG glitching: a software tool that could alter a JPEG picture in any possible way without destroying it, thus providing glitch artists with a tool that would enable them to create something like a "glitch vocabulary" to express themselves.
You can get an idea of what this tool can do [here](https://www.flickr.com/photos/schafferdavid/sets/72157647333834452/)
This is version 1 of the first of several (I hope) glitching objects. I'd like to push the exploration towards sound and video as well. If there are people out there interested in collaborating, please get in touch, I'll be happy to talk to you.
This is a GOP abstraction: it is meant to be used within a patch and has full control thru inlets, enabling you to trigger it remotely the way you want. There's a mac version and a pc version. They've been tested under pd-extended 0.43.4/OSX Mavericks on a MacBook Pro and pd-extended 0.43.3/Windows 7 on an Acer revo desktop. I do not have any other system to test it on, so please report any bug encountered. There's also a standalone version for mac,for those who do not have Pd installed.
And let me know what you think...
(repost) Measuring the elapsed time for GUI (hsl slider) object events in Puredata?
@gsagostinho, @xbarbie - many thanks for the comments!
> that a line object, for instance, makes the output be constant.
That is not the issue here; to clarify better, I made a new patch, [test_slider2.pd](/uploads/files/upload-cb275f3f-00de-4e18-a733-0e7d83df6751.pd):
And to show what I get on my system, I made a video capture:
Notice how I drag the mouse slowly, and the other fader generally follows - but then suddenly, it jumps? That is because of the very small times occasionally provided by [realtime] - which would be the zeros if [timer] is used. So it cannot be "that any fluctuation is due to your control of the mouse, how fast you click and drag".
> I don't know what causes problem on your system, because on my (Pd-extended on Win7 x64) it's working OK: ...
> IMHO the question was, why he got those zero times, which I could not reproduce.
Thanks for this - this helps narrow down the issue; would you mind running `test_slider2.pd` and reporting if you get the jumps like I do in the video?
Now I think probably the problem is in the behavior of X windows event queuing (at least the version on my old Ubuntu 11.04), and possibly the way it interacts with pd-extended-0.43.4; would be nice to read reports of the behavior on newer Linuces too, if the "jumpiness" occurs there too.
Thanks all for the discussion - cheers!
Curiously, you (@gsagostinho) felt the attack was too harsh, and that some depth was needed (@LiamG). I felt that too, mostly the attack thing problem. So I analyzed the sound a bit further...
This is the data:
1. In the game, when you click on a light pad, there's a sound emission every ≈ **2** seconds.
2. An emission is formed by a main sound, let's call it *W*, and 3 echoes...let's call them *w*. So you can think of an emission as formed by 4 beats, the 1st one being stronger. So an emission is: ***Wwww***.
3. *W* seems to last **500** milliseconds, and it has a typical **decaying exponential envelope**.
4. Obviously, there's some **ping-pong delay effect**. Its delay time ≈ **375** milliseconds (≈ 160 bpm).
(This means that echoes happen every 375 milliseconds).
![One emission.png](/uploads/files/upload-dd3478c8-c47b-435b-a2d1-16331180e10b.png)
5. **Phase is fixed**. W always starts start in the **positive** domain.
6. Curiously, there is **no (obvious) slow attack, W starts straightforwardly as a normal sine tone** (and decays exponentially over 500 ms). So the attack is as fast as possible.
7. **No reverb** going on, or so it seems.
8. The **stereo balance of *W* (i.e. "position"), is not easy to understand**. It seems to be randomly drifting from left to right, a sort of random LFO thing? For example, clicking on the left zone of the game does not automatically produce a louder sound at your left ear.
![Many emissions.png](/uploads/files/upload-8d15d0f6-a903-46d9-924b-61a8f207fa5a.png)
CONCLUSION (rough!):
we may have felt the attack was **too harsh and that there was little depth due to the absence of the (2-stereo) ping-pong effect**. (Also, having seen flashing lights may have had some weird effect in the way we initially processed the sounds). So, if you want to recreate that specific kind of sound...**the answer is neither slow attack nor reverb. Ping-pong delay is the answer**.
Reading a text file and dynamically changing the size of the array
Hi and welcome to this forum,
Try having a look on this patch I prepared for you, I use __[msgfile]__ and I think it is doing what you are looking for:
![Screenshot from 2015-01-04 16:23:48.png](/uploads/files/upload-cb4cffcc-80cb-4f58-87e2-5f44c52f32f8.png)
I also had to modify your Samples.txt file, because __[msgfile]__ needs a semicolon `;` separating every single value.
I hope this solves it.
Take care,
pd vanilla new release
I tried those two releases, but no way...
One month ago I installed pd version 0.46-1 and it perfectly worked...
these are the windows that opens when I launch Pd:
...and as I told the console windows is stuck to 1%.
One thing that let me guess that I may have problems with Tcl/Tk is that when I click Pd on the menù bar I get:
instead of a Pd menu.
Could this help?
Gilberto, thank you for the advice, but I worked some years with MaxMSP so I guess it would be easy for me to finally move to Pd. I would prefer not to give up with vanilla.
How to bend a cable in Pure data
**Download**: [node.pd](/uploads/files/upload-54c1a176-2287-48d4-9319-58ac73742f85.pd)
1. Save **node.pd** into Pd's path.
2. Then call it by typing **node** into an object box.
3. Open it. You'll see both control and audio nodes, which you can copy and paste into your main canvas.
"**Foolish proof of concept**":
![node demo.PNG](/uploads/files/upload-093a778b-b70c-4b04-aff4-972ee0cb6aba.PNG)
**Some observations**:
Notice that it's **not always easy to see whether you are making a connection correctly**. For example, you may find the problem of having a node that has two cables going out of its outlet. For solving this, move the node a bit to the sides until you see if eeverything's OK. Alternatively, reconnect.
The other important thing to notice is that **these nodes are just minute subpatches with an active GOP**. If you open one of them, you'll find just an inlet and an outlet. This is great since **from one node you can branch a lot of extra cables.**
Multi-slider, a slider with n number of variables
I'm sure that most of us have wished for a tool like this before, so I tried my hand at patching it. My aim was to create a single object that can hold an arbitrary number of sliders, defined by the right inlet, which are all sent to output as a list.
![Screenshot from 2014-11-26 16:25:42.png](/uploads/files/upload-fe13b165-6a02-4ac4-8e5f-12503cb3bce9.png)
Unfortunately, it's not perfect: there are two flaws which prevent [multisl] from functioning like a proper abstraction.
1. You can't use more than one [multisl] object at the same time. I wasn't able to get the $0's working correctly here, and I don't think that it's possible with this design. I can explain why below if anyone is interested. **--edit: fixed!!**
2. You can re-size [multisl] using creation arguments, but it gets ugly. PD asks if you want to save the multisl.pd file, and I don't know how to get around this one. I'm using [donecanvasdialog( to re-size the GOP window, but this trips the save query. Additionally, moving a resized [multisl] sometimes pulls the canvases apart (I don't know why!) **--edit: fixed!!**
These problems aside, [multisl] works well, and might be useful to someone who wants to build a sampler.
![Screenshot from 2014-11-26 16:23:27.png](/uploads/files/upload-e2757222-c0ca-40cd-a16a-bce21cbabdff.png)
*Here, [multisl] is placed behind the array, to define four (or any) number of points along it.*
[multisl-1.2.zip](/uploads/files/upload-b0708aaf-5255-41e5-96bb-7f2f17507a4b.zip) edit: v 1.2 incorporates the two fixes mentioned above.
redsize: a graph on parent box resizer
With this tool, you can **resize the red rectangle** thing, easily.
**Downloads (download both files!):**
1. It is an abstraction, so you put it in your abstractions folder (Pd path). In fact, there are two files: **redsize.pd** and **redsize_abs.pd**.
2. Activate graph on parent, (if you haven't done it yet).
3. Call redsize into your subpatch, abstraction, or whatever, by typing **redsize** into an object box.
4. You are going to see this:
5. Open it, and there you´ll find all necessary controls and simple instructions. Basically, you'll control the red rectangle from a small window.
Notice that it's a variation on the work done by @sensn who generously shared it 3 months ago here: http://forum.pdpatchrepo.info/topic/8590/graph-on-parent-box/
Also, his recent comments have made me correct a few bugs! Thank you sensn.
Can someone explain to me what's going on in Johannes Kriedler's looping patch?
Hi folks,
Some context: I am building my own "oneshot" drum sampler and realized I got clicks/pops in the audio if I triggered notes too quickly. I was looking online for solutions and came to part of [Johannes Kriedler's tutorials](http://www.pd-tutorial.com/english/ch03s04.html#id426491). I think some kind of amplitude windowing is what I need so as to ensure that each sample starts and stops at "0" amplitude to avoid clicks (see my included patch and sample).
Anyways before shamelessly copy-and-pasting Kriedler's patch into my own, I want to understand exactly what's going on. Below is a picture of Kriedler's example with **[[my comments in brackets]]**.
![Screen shot 2014-11-08 at 10.25.20 AM.png](/uploads/files/upload-271603bb-2034-4998-8494-7e481a1bf863.png)
Pd file in case the picture isn't big enough: [kriedler.pd](/uploads/files/upload-20b68b16-feea-43e5-821e-10a2d97cb46b.pd)
Can anyone explain to me what's going on here?
My patch for reference: [pdforum.zip](/uploads/files/upload-50613a6a-7a3f-47f0-b191-9fd83f163f5f.zip)
Abstracted patch seems to work but not its calling patch
This little exercise patch somehow computes the successive factorials of a counter and the computation stops when the counter reaches the number Maxcount.
![Screen Shot 2014-11-06 at 21.55.00.png](/uploads/files/upload-f50a195d-1495-468b-a5fa-ffe33c8c6e05.png)
I am here interested to work for abstractions, starting with this one
![Screen Shot 2014-11-06 at 22.00.24.png](/uploads/files/upload-fc98ef14-1fd9-430d-bb50-67319f298ae1.png)
which replaces the center top incrementation process.
This abstraction - called "+=1" - looks fine : after one bang, the abstraction outputs the value 1.
But the calling patch doesn't output the value 1 as shown here :
![Screen Shot 2014-11-06 at 22.00.04.png](/uploads/files/upload-f35a0b1b-4d09-40d5-b67c-b46f2a0f45fe.png)
I don't understand that the "+=1" abstracted patch outputs 1, and that this value "1" is not pushed down to the "product" box to make the 1 * 1 operation : who can help discover the error ?
[OLD] metroo (metro with plus & minus buttons)
@gsagostinho Great! Thanks for your feedback.
You're right about mismatch. The problem was that [unpack] received things it didn't have a method for. It was a tricky problem. So I created a message-diversity manager, based on [route], in the so called "selector mode".
![message-diversity manager.PNG](/uploads/upload-f1fe364e-2e31-4de0-9abd-c69bd992f965.PNG)
There you can see that, now, metroo can do the same as Pd's metro.
"float" is for incoming numbers such as 0 and 1, and nonzero numbers, e.g. 77 or 101,...Pd's metro accepts nonzero numbers...and they act like a 1! So metroo has to do the same.
Then if you throw metroo a [banana(, it tells you it has no method for it! Well...that's what the rightmost reject outlet is useful for. So, now, metro and metroo behave alike.
I think this version is the clone we were dreaming of. Besides, I've followed your advice on the colour and flashing of the bang object. Now, it's a standard bang.
Other things to notice, just in case sbdy wants to give it a try, and find some bug:
1. [metroo] **accepts creation arguments**. Type **[metroo 120]** and it should appear at that tempo. However, **if you don't specify a tempo, it defaults to 100bpm**. It remembers your creation argument/tempo, but it doesn't remember your latest adjustment. As always, if you want it to remember your latest tempo, use [loadbang] plus the corresponding message, connected to metroo's right inlet:
2. I've added **a little ON/OFF** number box. With this, you can start and stop metroo without using other objects.
3. Now, the **flashing bang can also be used "manually"** for sending out bangs, even while it's active. Lots of uses for this.
4. You can **slide the bpm number box as well as the ms number box**.
5. The **minimum bpm is 10**. This is because slower bpm values have really large beats...and it can be very confusing if you change the bpm and nothing happens during a whole minute! So its limit is 10 bpm.
help to understang Ringmodulation
Hi and welcome to this forum,
I will try to address your first question (the second one is not very clear to me, you used a lot of terms that I do not know). I think that the best way to understand amplitude modulation (and ring modulation) is to realize that the output signal is dictated by the _interaction_ of both input signals, not by themselves. In a certain way, it is the same as asking why when you multiply two numbers the result is different than both of them.
When you multiply two signals, they simply interact in a way that results in two frequencies that are not necessarily the same as their own. You can visually see this process in the images below. I created three arrays in Pure Data, one containing the resultant signal of RM between 500 and 900Hz. The second is a pure 400 Hz sine wave and the third is a pure 1400 Hz sine wave:
![Screenshot from 2014-10-31 01:32:05.png](/uploads/upload-e520bb4f-28b6-40d1-86fa-9ef10a0ff991.png)
Have a look what happens when I superimpose the result of RM with the 400 Hz:
![Screenshot from 2014-10-31 01:32:18.png](/uploads/upload-a93d5bda-7b27-4794-a6d7-425e37ceb04a.png)
And now when I superimpose it with the 1400Hz:
![Screenshot from 2014-10-31 01:32:40.png](/uploads/upload-63de124b-c19b-4454-83c4-c9a59fb8c70f.png)
Do you see how the peaks match? Can you __visualize__ that that output contains only those two frequencies and nothing else?
I myself simply accept that this is the mathematical reality of multiplying waves.
You can also see this other example: what happens when you modulate 900 Hz with an LFO of 1 Hz? Acoustically sepaking, the result is a 900 Hz with a 2Hz tremolo (the tremolo is 2 x the LFO, since the LFO ranges from -1 to 1), right? But now let's see this from the points of view of two bands. RM between those two frequencies will result in 901 and 899 Hz, correct? And what happens when you have two frequencies this close being played together? You get it: one single frequency and a heavy beating: 900Hz with a 2hz tremolo.
I hope some of this will help you understand this subject a bit better.
Take care,
writing the values of one array to another, at samplerate.
You can't use __[phasor~]__ to read an array via __[tabread~]__ like that, because the output of __[phasor~]__ is always between 0. and 1., while __[tabread~]__ uses a single integer number for each sample (that is, it has 44100 units for every second of sound at a sample rate of 44100). So if you want to use __[phasor~]__, you need this:
[phasor~ 1]
[*~ 44100]
[tabread~ array]
You will need to exchange the numbers above if your sample has a different size than 1 second.
Alternatively, you can automatize the process of copying one array into another by using __[line~]__ by simultaneously triggering the moment in which an array is to be copied, and to read it as well.
So have a look on this little patch below. This is before clicking in the message __[0, 44100 1000(__:
![Screenshot from 2014-10-30 21:14:26.png](/uploads/upload-a3fb4f0d-c06b-40b4-92c9-db44e94aee50.png)
And this is after:
![Screenshot from 2014-10-30 21:14:32.png](/uploads/upload-d60fdadd-0e62-4174-9e71-e48b9df89438.png)
You can find the patch here: [Untitled-2.pd](/uploads/upload-b5e337c2-bcd9-4f7d-a6e7-d7bbb2475f31.pd)
I hope this helps. Take care,
[OLD] metroo (metro with plus & minus buttons)
Hi, **bang**!
I can't look at your hack now, but I will, as soon as I can! I only have a few minutes for a quick post.
I've been working on a on another version, according to ***gsagostinho***'s useful suggestion!
**Would any of you please become [metroo]'s tester**?
**Since gsagostinho's suggestion is *keeping standard characteristics*, test if it really behaves that way, and beyond**.
I don't want to say much, just try to see if it really does the classic stuff plus the extra functionality...a classic on steroids!
Maybe we can have several nice variations, and learn a bit from our own mistakes.
I'm really curious about that quick 'n dirty hack. But that will have to wait, a few hours, hopefully.
In the meantime, let's see if you can destroy/test them. Thanks in advance!
**Download [metroo]** (not finished yet, of course):
Some pics:
[OLD] metroo (metro with plus & minus buttons)
**Update!**: this thread is OLD, please get the latest version of **metroo** at: http://forum.pdpatchrepo.info/topic/8768/metroo-a-swiss-army-knife-bpm-metro
Thanks! :grinning:
This is a **metro** object that has **plus and minus buttons** for **quick interaction**.
In the same manner as with the basic metro, you can also type a value, or slide the number box up and down as always...anything you like. It's robust.
![metroo 01.png](/uploads/upload-de9d1c69-b240-4998-bb05-e19c1c94043b.png)
* **plus and minus buttons**: each time you click one of these it's a **5** *bpm* step faster or lower, respectively. You can change the step easily inside (see the 2nd picture). (Also: carefully configured responsiveness as well as colour signalling when clicked).
* **on/off button**.
* **status**: shown by a blinking bang.
* and it has an **outlet**, of course!
The engine room:
![metroo 02.png](/uploads/upload-1d41431a-d8f9-4953-a2da-16fd5a3416f6.png)
**Tip**: remember that, for calling the object, it's just an extra "o".
If you like it, tell me how it's doing.
Building multi-part osc message with pack, possible timing issue
#### [Resolved] - see gsagostinho first reply for solution.
##### Troubleshooting listed below - you might have more luck understanding the issue by checking here first.
I've been working on using `[netsend]` and `[netreceive]` for sending OSC data between a series of audio clients.
I'm having trouble working out a way to send a multi part message. My issue is getting the timing right. I want to be able to build a multi part message like the one in black below. The image below is of a sub-patch which is "trying" to build a list which would then be send via `netsend`.
My real issue is working out how to provide all the parameters before finally sending the list.
If there was a way to use pack to construct a list then bank it to send it's data then I'd be right.
**Any ideas?**
###Troubleshooting - Update
Using print I'm seeing this signal flow which I can't explain.
If I send a bang in to inlet 1 - *Destination* **print 5** is triggered first then **print 4**. Is this normal?
Two snare patches.
I've been working on trying to make fairly accurate snare. I feel like I'm getting close, so thought I'd upload them. I've seen a few snare patches, and modelling a realistic one is way harder than it seems. I thought I'd upload them to add to the bunch.
Also, if you play with the values of #2, it's a pretty accurate kick!
Hi everyone!
Here is some new patch of mine:
ALFATAPE is an emulation of a simple 8-track-recorder.
It is built to use with a KORG nanoKONTROL2 controller.
You can re-assign, of course, to use with a different controller
(see README.pdf)
You *have* to use *some* midi-controller - only menu-kind-of-things are
accessible via mouse.
***EDIT: As for the new version (0.1.1) this is no longer true! You now can also
use your computers keyboard to control ALFATAPE. New Link below!***
The goal is simple:
- no mouse-use
- no visualized audio
- 100% destructive
- good transport-behavior
- easy to use
some ALFATAPE-features:
- 4 markers (set or go to)
- choice of two loops (range or punch)
- punch-in/out
- recording while looping
- slow rew/forward (while listening)
- fast rew/forward (while listening)
- bounce tracks together (in real-time)
- write out audio quickly as wav (rough-mix)
- latency-test
- "open", "save as" or "eject" tape
- 44.1k or 48k
- change input of individual tracks easily
- import audio to track (placing at zero)
In the main-folder you find a .png of the nanoKONTROL2 with the names of the
individual buttons/knobs/sliders (yellow) I'm referring to as for shortcuts and
You'll find a KORG nktrl2_data-file too which you can use for flashing your
nanoKONTROL for the use with ALFATAPE. In order to do so, you have to use
an application from KORG, called KORG Kontrol Editor. I used the KORG Kontrol
Editor v.1.3.0 under Linux with wine without any problems. This is not about PD,
but it's anyway a nice little peace of software: You can alter how the buttons/
knobs/sliders of your nanoKONTROL behave (momentary or toggle) and a lot
of other useful things...
Here's the zip:
You can alternately download ALFATAPE from my site too:
Hope you like it!
It's still alpha - I'm glad to hear what questions/problems you encounter.
Have fun!
Spectral interpolation
This patch allows us to make spectral interpolation between two 'Spear' files;
Using 'Spear'; analyze any length of sound, reduce the content of spectrum by deleting partials below x magnitude{dB} and x length{sec}.
After you've downloaded the spectral interpolation folder
open ~/spectral-interpolator-help.pd
1- type 1 on the number box
2- choose the .txt 'Spear' file {departure}
3- type 2 on the number box
4- choose another .txt 'Spear' file {target}
5- send an init bang
6- start playback \[you will hear the first sound character\]
after this steps you can navigate between two sounds using the yellow slider.
I used Dan Ellis' patch to import Spear file into Pd.
[1]: http://www.ee.columbia.edu/~dpwe/e4896/practicals.html#prac04
Send a blank space in message box?
Yes, the formatting is not helpful, but I just noticed that it is possible to upload pictures now. That will make it easier to show patches than it was in the previous forum format....
![beer.gif](/uploads/files/upload-945dbdbc-8b11-49a6-968b-85b975ca3831.gif) David.
How to bend a cable in Pure data
I love people who take the time to say thank you. That makes the day much better. :)
Now let me upload an alternative version, which slightly sacrifices looks for functionality. **This version makes it easier to see whether you are making an audio connection correctly**.
(Maybe you can make yourself an abstraction with both versions included).
pd-extended + Jack = nightmare!
Dear friends:
I'm opening this thread, after trying every single bit of information i could find over the internet to solve my problem. Lost nights n' nights trying to get better results, but i'm basically stuck on the same spot.
I'm trying to get my pure-data/jack setup on Ubuntu-Studio 14.04 RT kernel.
I've installed every package of KXStudio, and managed to get quite a good audio configuration:
As i read in many forums that pulseaudio is a common source of issues, **I've got rid of pulseaudio, it isn't installed at synaptics, nor running at all**.
I'm using qjackctl to configure my jack server, and i'm pretty sure everything is fine, since i'm able to configure jack as the adudio output in softwares such as mixxx and audacious, and i'm also able to use non-configurable (at least for me) software such as Firefox with alsa->jack configuration, all at the same time. Magic for my eyes n' ears :)
My problems start exactly when i try to use jack as the audio output for pd-extended (same error for regular pd, as a matter of fact).
To add a short background story, i'm trying (with quite sucess so far) to use pd-extended to get the some analog sensors (so far, i'm testing a potentiometer) plugged as analog inputs on my arduino-mega, connect my Arduino-Mega via StandardFirmata+pduino to pd-extended and use Jack to provide a Midi output to make "ctlout 1" object to connect with midi-input-able softwares such as Mixxx, and use it as a midi controller.
As of Pd-extended configuration, i'm doing quite nice, pd-extended is able to read my potentiometer values, which are scalled from 0-127 and are linked to a "ctlout 1" object.
The problem is, i'm not able to select Jack as an Audio Output on pd-extended!
After my jackd server is running (with qjackctl) and it is veryfied to work with the software/methods listed above, i open a terminal prompt and try "sudo pdextended" (i need super-user privileges so i don't get "Permission denied" errors):
The results are as such:
**[1]On Pd-extended terminal:**
*JACK: unable to connect to JACK server
JACK: server returned status 17*
**[2]On the terminal screen i used to call "sudo pd extended":**
*user@PC:~$ sudo pd-extended
priority 6 scheduling enabled.
priority 8 scheduling enabled.
Cannot connect to server socket err = No such file or directory
Cannot connect to server request channel
Cannot connect to server socket err = No such file or directory
Cannot connect to server request channel
Cannot connect to server socket err = No such file or directory
Cannot connect to server request channel
Cannot connect to server socket err = No such file or directory
Cannot connect to server request channel
Cannot connect to server socket err = No such file or directory
Cannot connect to server request channel
watchdog: signaling pd...
Cannot connect to server socket err = No such file or directory
Cannot connect to server request channel
jack server is not running or cannot be started
open: /etc/pd/gem.conf: No such file or directory
open: /home/pirata/.pd/gem.conf: No such file or directory
open: ./gem.conf: No such file or directory*
**[3]On qjackctl "Messages" screen i get as follow:**
*Tue Dec 2 16:55:15 2014: JACK server starting in non-realtime mode
Tue Dec 2 16:55:15 2014: self-connect-mode is "Don't restrict self connect requests"
Tue Dec 2 16:55:15 2014: ERROR: cannot register object path "/org/freedesktop/ReserveDevice1/Audio0": A handler is already registered for /org/freedesktop/ReserveDevice1/Audio0
Tue Dec 2 16:55:15 2014: ERROR: Failed to acquire device name : Audio0 error : A handler is already registered for /org/freedesktop/ReserveDevice1/Audio0
Tue Dec 2 16:55:15 2014: ERROR: Audio device hw:PCH cannot be acquired...
Tue Dec 2 16:55:15 2014: ERROR: Cannot initialize driver
Tue Dec 2 16:55:15 2014: ERROR: JackServer::Open failed with -1
Tue Dec 2 16:55:15 2014: ERROR: Failed to open server*
It seems to me there it's something related to wrong qjackctl settings, but if that's the case, why is it only related to pd-extended?
I'm adding Screenshots of my Qjack Settings
Since i cannot take a print-screen of Input/Output devices, that's my list ATM:
*hw:PCH - HD Intel PCH (hw:0)
hw:PCH,0 - CX20590 Analog (hw:0.,0) #thats my mic
hw:Loopback - Loopback (hw:1)
hw:Loopback,0 - Loopback PCM (hw:1,0)
hw:Loopback,1 - Loopback PCM (hw:1,1)
If any useful info is missing, please ask me for it, i'm REALLY into fixing this.
Thank you very much,
clearconsole: a button for compulsive console cleaners
This humble abstraction appears and cleans the console after you've typed **clearconsole** into an object box, precisely after 30 seconds. At any moment, you can click on it each time you need a new spotlessly clean console.
I find it useful for repetitive cleaning, especially when there are many open windows.
• *QUESTION*: **¿Can I save clearconsole together with my patch? What happens if I forget deleting it before saving my patch? Wouldn't that delete useful console notifications?**
• *ANSWER*: clearconsole **will still allow you to see any console notifications during 30 seconds**. Otherwise, you would never get to know that your patch has some problems. So yes, you can save it together with your patch...which is a nice thing for clean starts.
Have a nice day
(Please remember that this abstraction **requires** having installed the **hcs library**, which comes with **Pd-extended**).
Quick Question: Do you need to Allocate voices for Velocity Layers.
@jjegede01 I can answer the second part of your question:
![Screen Shot 2015-03-05 at 1.00.57 PM.png](/uploads/files/upload-1251b496-0d9f-449f-b85a-2d108914fcdf.png)
Use the middle inlet of **[notein]** to feed into **[moses]** object which will part the incoming data stream.
Here's the patch:[velocity_layers.pd](/uploads/files/upload-ad1616ce-e1ce-43ad-8353-36cbd994b50d.pd)
Looking for a distortion with same level as input
Hi all,
I believe that a variable __[clip~]__ solves this, doesn't it?
![Screenshot from 2015-03-03 22:15:41.png](/uploads/files/upload-b9656beb-1af3-40aa-b4a5-b01ea8d04208.png)
[expressive distortion.pd](/uploads/files/upload-d8b450d6-a6af-4fdd-858d-8ee57faaabe5.pd)
* * *
PS: I was using an older version of Landon's patch, but the principle is the same
EDIT: patch reuploaded, now it should have all connections
Expressive Distortion (by transfer function)
This is a very simple patch that DISTORTS your guitar (or any other instrument, or input, that you want), but it does so in the following way:
- if you play ***pp*** (pianissimo), the sound will be ***pp and distorted***.
- if you play ***ff*** (fortissimo), the sound will be ***ff and distorted***.
Let's explain it differently: you'll have distortion but at the same level as your input, i.e. NOT louder than what you played, as is usually the case. Well, at least, we roughly approximate to that ideal.
As you can imagine, this allows for expressive dynamic playing (or processing).
![Expressive Distortion (by transfer function).png](/uploads/files/upload-c7b27d8f-d8d4-42a6-865f-92fc5b416458.png)
- - -
- Warning: if you don't have much experience with Pd, spend a couple of minutes and make sure your system or headphones cannot output loud sounds.
[Expressive Distortion (by transfer function).pd](/uploads/files/upload-36b1847a-4669-4f47-abea-5b7685f9edb6.pd)
- - -
Extra info:
The origin of this patch is in the following thread: http://forum.pdpatchrepo.info/topic/9073/looking-for-a-distortion-with-same-level-as-input/5
More extra info:
I have uploaded a similar patch here:
- - -
Bug? Comments? Post them here. Or share your results at http://forum.pdpatchrepo.info/category/3/output
Cordially, Landon
Switching between inputs (multiple in, stereo out)
@tobix10 Would this work for you?
EDIT: I forgot to add in the picture the bottom **[hradio]** select which file to read.
![Screen Shot 2015-02-28 at 10.50.17 AM.png](/uploads/files/upload-cd48c867-efb9-4add-ba07-1e4d0fee553f.png)
You can create any pair you want using the two **[hradio]** at the bottom.
Here's the patch if you want to try it out: [test-multiwav.pd](/uploads/files/upload-dd7f9152-ac07-400a-bae1-111c26be4ce2.pd)
Expressive Distortion (for your guitar or any input)
This is a very simple patch that DISTORTS your guitar (or any other instrument, or input, that you want), but it does so in the following way:
- if you play ***pp*** (pianissimo), the sound will be ***pp and distorted***.
- if you play ***ff*** (fortissimo), the sound will be ***ff and distorted***.
Let's explain it differently: you'll have distortion but at the same level as your input, i.e. NOT louder than what you played, as is usually the case.
As you can imagine, this allows for expressive dynamic playing (or processing).
- - -
- Warning: if you don't have much experience with Pd, spend a couple of minutes and make sure your system or headphones cannot output loud sounds.
[Expressive Distortion.pd](/uploads/files/upload-11fff4d5-114a-4636-9c92-80a941fbbc45.pd)
- - -
Extra info:
The origin of this patch is in the following thread: http://forum.pdpatchrepo.info/topic/9073/looking-for-a-distortion-with-same-level-as-input/5
More extra info:
I have uploaded a similar patch here:
- - -
Bug? Comments? Post them here. Or share your results at http://forum.pdpatchrepo.info/category/3/output
Cordially, Landon
Make lots of connections at once
@LiamG nice one! I made something for connecting objects some time ago (but far from such complex object as yours), you have to select **two** objects, press button, and it dis/connects **all their nlets**, that's all. I wanted to incorporate keyboard control, but didn't want to make it part of same abstraction, then I left it as it was...:smile:
[connect.pd](/uploads/files/upload-25d7517f-0173-4160-97fd-438b44fbe012.pd), [connect-help.pd](/uploads/files/upload-78f183d8-fbf3-4fd1-9be5-4b5351da4d56.pd)
Reading in a list of symbols with qlist
Or a fancy gui version if you prefer:
![Screen Shot 2015-02-23 at 8.57.09 PM.png](/uploads/files/upload-1f60e996-c730-459c-aabd-efecb77fd016.png)
Here's the .zip: [dynamic-snd-rcv.zip](/uploads/files/upload-e5ae1686-a4fe-4b11-85a3-2b2532c874ed.zip)
Basically **[s$]** works by packing a float and a symbol into a list, such that any random float has a unique, user-definable identifier to go with it. **[r$]** initially listens to all data coming via the **[s a-list]**/**[r a-list]** pair (which are inside the abstractions), but then filters out based on what symbol you tell it to look for. You can define **[r$]** by clicking the L and then sending whatever data you want through a **[s$]** , or just typing it in manually. Long story short you can now dynamically define a **[receive]**
Because this is just proof on concept, and because I really should be starting on my university homework, I limited the amounts of data you can send through (which is 1 float). If you wanted to send more data through, you'll need to find a way to send a separate list of floats/symbols/whatever that you would pack BEFORE giving it to **[s$]** to pack with your "symbol argument".
Btw, the name "a-list" is completely arbitrary. It just can't be "$0-list" because the abstractions will have different $0 values and won't talk to each other.
Are you reading the latest help files?
How do I copy a normalized array?
For anyone interested I found a quicker way to code this. Use **[tab_copy]** from iem_tab. Note: I am only able to call this object when I give it two arguments (original array and the one to copy to). Here's an example;
![Screen Shot 2015-02-21 at 1.59.40 AM.png](/uploads/files/upload-f0b68555-56d7-4ccd-ab91-47512aab1a37.png)
This may only work in mono as I don't know if you can add multiple " destination" arguments, although I supposed you could just daisy chain a few **[tab-copy]**s together using the outlet to feed into other **[tab_copys]**.
Patch: [tab-copy-example.pd](/uploads/files/upload-312139e5-27e7-47b1-b8ac-28a0da6d9a5d.pd)
Saving & Recalling Arrays (Sequences)
@mattm Hi Matt,
I don't know if this is a more elegant solution or not, but I think I prefer it like this:
![Screenshot from 2015-02-12 13:08:23.png](/uploads/files/upload-a2b36c4a-5424-444c-9ffc-bf206e8a986a.png)
As you can see, now you simply hit a button to save to a state and hit another button to load a state. It seems to be working well now.
Please let me know if you need help understanding the patch, ok?
Take care,
Open/Close status of a subpatch
Something extra, for complementing the help @pulsed has given you, William.
You can use a bang, a little toggle, and $1 in the message.
![Banging a message through a toggle.PNG](/uploads/files/upload-09c3006d-bcd6-460c-bb06-080bcfecf509.PNG)
[Opening a subpatch with bang, toggle, and message.pd](/uploads/files/upload-8c92e6f2-9bbe-43a6-bd8e-2aa63d4ba69d.pd)
Cordially, Landon
Multigrains and Broadcast Messages
Sure. I've attached an example abstraction and host patch for the instances. There are two problems here:
1) When I call a second instance of the abstraction, it creates an additional outlet. I suspect that is an issue with my ordering in the abstraction.
2) When I call multiple instances, the unique [f $0] id changes in previous instances, which screws up previous relationships
separating message values
Oh, I see. So try this:
![Screenshot from 2015-02-07 18:45:42.png](/uploads/files/upload-b3cccf77-f05d-4ff5-a46c-49d2b71ed3f6.png)
It seems to work, although this may not be the most elegant solution in the world.
Hope this helps, take care,
EDIT: 14 was the device number in my computer, so remember to change it back to 1 in your case
Saving & Recalling Arrays (Sequences)
Hi mattm,
What about this solution here, is this what you are looking for?:
![Screenshot from 2015-02-05 21:23:14.png](/uploads/files/upload-cfdbcf92-bf5e-4f0f-8094-a68ba39a640f.png)
Here, you can select a state (A or B ) and then set it by moving the sliders around. If you select a state and click load, it will load that state. The states are also saved when you save the patch (since they are implemented by effectively writing messages). The drawback of this type of technique is that you will be asked if you want to save the patch when quitting Pd even if the patch "itself" was not changed.
Let me know if the patch is clear to you, and good luck,
keyboards GUI for MIDI
Hello all,
I fixed some bugs with this keyboard, and I also created a Pd-l2Ork version of it. You can download them from these links:
Pd-extended version: [keyboards-pd-extended.zip](/uploads/files/upload-7ded51df-f90d-49f6-984a-b370e2b7fa5a.zip)
Pd-l2Ork version (the build in their website is a bit old and you may need to compile it from source in order to use it: as far as I remember, the pre-compiled .deb build available in their website still does not allow images to be clickable, but I may be wrong with that): [keyboards-pd-l2ork.zip](/uploads/files/upload-92623b4d-17f2-4e3b-b36c-4d58838255db.zip)


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Click on link to view…Higher prices souring Americans' attitudes about retailers | CharlotteObserver.com.
Valentine's Day, one of the major spending holidays in the U.S. for consumers
For retailers across the country, Valentine's Day is more than just a little holiday to celebrate love. Consumer spending on Valentine's Day gifts results in major retail sales, that help many businesses meet their bottom line each year.
Record Valentine's Day retail spending is expected this year, according to a report from the National Retail Federation. And a recent survey said that Americans between 35 and 44 years old are most likely to celebrate Valentine's Day, while less than half of people at least 65 years old will commemorate the occasion.
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Looks like Cupid wants your money, and he'll get more of it than ever this Valentine's Day to the delight of loved ones and retailers.
We Are Hiring! New Year, New Job!
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subset: commoncrawl


text: Addresses the problem of estimating the structure and motion of a smooth curved object from its silhouettes observed over time by a trinocular stereo rig under perspective projection. We first construct a model for the local structure along the silhouette for each frame in the temporal sequence. Successive local models are then integrated into a global surface description by estimating the motion between successive time instants. The algorithm tracks certain surface features (parabolic points) and image features (silhouette inflections and frontier points) which are used to bootstrap the motion estimation process. The entire silhouette along with the reconstructed local structure are then used to refine the initial motion estimate. We have implemented the proposed approach and report results on real images


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Sunny Leone-Ali Quli Mirza come togetherWhile Sunny Leone has appeared in several special song and dance numbers since her Bollywood debut in Pooja Bhatt's Jism 2, she has never featured in one alongside her husband, Daniel Weber. Now, Mirror has learnt that the duo will star in a video ... Times of India, 1 month ago
Sunny Leone dishes out titillating 'Leela' after 'Jism 2', 'Ragini MMS 2'
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Mahesh, Pooja Bhatt react with anger at apathy, mourn Isha Mantry's death from drug overdoseFather-daughter duo Mahesh and Pooja Bhatt today mourned the death of costume designer Isha Mantry, who died allegedly due to drug overdose in Goa. Mantry, 28, who worked on films like Priyanka Chopra starrer Mary Kom, medical thriller Ankur ... Financial Express, 2 months ago
The best Bhatt girls
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Sequels Change is the name of the gameTheoretically, it is the most lucrative script concept: a sequel or a franchise on a successful movie. But how many sequels repeat the crucial names that helped make the original hit movie? Now that's an interesting study indeed! Take the latest release, Ab ... Bollywood Hungama, 2 days ago
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Now a sex worker will sound like a pro... Now a sex worker will sound like a professorThe CBFC's attempt to purge 'objectionable' words from films has been condemned by the fraternity. Kutte kaminey main tera khoon pee jaoonga... This line, synonymous with Hindi cinema, is no longer acceptable to the Central Board of Film ... Mumbai Mirror, 2 weeks ago
'A sex worker will sound like a professor now?'
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Bollywood's flops of January 2015: Sonakshi, Bipasha, Sonam fail to sizzleThe first month of 2015 has seen 14 films releasing in Bollywood and the month has been a huge disappointment for Bollywood fans. Three small films Take It Easy, Kabuli Pathan and Mumbai Can Dance Saala released in the first week of the month on ... Emirates247, 3 weeks ago
Bollywood's flops of Jan 2015: Sonakshi, Bipasha, Sonam sizzle-less
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Grand Masti - the most censored movie on TV with 218 cuts?02 According to a report in Mumbai Mirror, the CBFC revising committee has denied the release of MSG: The Messenger of God citing the reason that it might create law and order issues. Featuring a 'rockstar baba,' the film's trailer received over a ... Times of India, 1 month ago
Glad that Im accepted hereSunny Leone From pornstar-turned-actress, she is simply referred to as actress these days. And Sunny Leone has to thank 2014 for that as she managed to firmly entrench herself in Bollywood during the year. The actress, who will ring in the New ... Deccan Chronicle, 2 months ago
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Being Bold not a taboo anymore Bollywood ladies speak up' Katra ' is playing all over and really, it has to be clearly the hottest song of the year when it comes to visuals. Ok, so Sunny Leone's ' Baby Doll ' is in close contention as well and between the two of these, there is a close call for sure. Still, the ... Bollywood Hungama, 2 months ago
I'm here because of Salman: Sunny LeoneFrom Katrina Kaif to Elli Avram, Salman Khan has helped many damsels bag a role in Bollywood movies. Adding to the list is former porn star Sunny Leone, who also owes her success to the hunk. The Indo-Canadian porn star turned actress, Sunny Leone is ... Deccan Herald, 2 months ago


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Name: _________________________ | Period: ___________________ |
This test consists of 5 short answer questions and 1 (of 3) essay topics.
Short Answer Questions
1. What do the two policeman Rachel finds at her Washington home want to return to her?
2. What does Mark do in Harry's apartment that convinces Rachel to return to Washington with him?
3. What does Betty ask Rachel to bring to dinner to go with the lobsters?
4. Who takes Rachel to the hospital when she is at the Rice's house?
5. Who does Rachel visit the morning after she returns to Washington with Mark?
Essay Topics
Essay Topic 1
Discuss Rachel's success as a cook and food writer. What makes her television show a success? Why do readers find Rachel's writing so appealing?
Essay Topic 2
How is humor used in this novel in an effective way? Does Rachel like to use humor to deal with serious, distressing experiences? How so? Provide specific textual examples to support your ideas.
Essay Topic 3
Choose two secondary characters and explain their importance to the story. How do they influence Rachel? In what way do they help the plot advance? Provide specific textual examples to support your ideas.
This section contains 867 words (approx. 3 pages at 300 words per page) |


text:
I create and implement online marketing / social media strategies and plans always focusing on the ROI. I have managed a decent number of websites and social media sites with 10,000+ 20,000+ fans, 80,000+ fans.
I grew MomCenter Philippines' Facebook community to 80,000+ and improved their Facebook page's virality (talking about this) to 18,000.
In my recent stint as SEO / PPC / Mobile Media Specialist at Mobext, Inc, I recommended, deployed and monitored mobile media strategies; Relaunched and monitored Mobext PH's pay-per-click campaigns; Achieved and maintained 1st page ranking in Google.ph for keywords: mobile marketing agency; Optimized display banner ads; Spearheaded and managed Teletech's mobile paid search campaigns; Reached 3.15% click-through-rate (CTR) on Google Adwords; Achieved 15% conversion rate for McDonald's mobile paid search campaign; Worked hand in hand with Mobext's partner ad networks / vendors to achieve campaign goals and objectives; Created analytics report for client reference.
I use Hootsuite, Social Bakers and Google Analytics to determine the most meaningful and conversion-driving content, study the brand's competition, determine the fan page scores, posting strategy and engagement, identify and monitor a brand's most active and influential fans, including posts, comments and activity and more.
I am presently connected at Outsourced QAS, Inc. as Digital Marketing Specialist. I currently manage SEM and social media campaigns of 80/20 Internet Marketing.
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Here's what Howard Stern can teach you about business
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Spot the blemish: Simon Cowell sports mystery graze on his forehead as he enjoys cosy dinner with pregnant Lauren Silverman and Strictly rival Bruno Tonioli
It appears that Simon Cowell has been in the wars as he showed off a sizable cut about his eyebrow on Monday evening.
The TV mogul didn't seem to let his injury bother him as he headed out for dinner at West Hollywood restaurant Ago with pregnant girlfriend Lauren Silverman in West Hollywood.
The couple were not alone, as they were joined by flamboyant Strictly Come Dancing judge Bruno Tonioli and lauren's girlfriend, American designer Rachel Roy.
Scroll down for video
How did you do that? Simon Cowell with the mystery cut on his forehead
Simon Cowell and girlfriend Lauren Silverman were joined by Bruno Tonioli for dinner at AGO in West Hollywood
Little and large: Bruno hugs Lauren's friend American designer Rachel Roy as they leave the restaurant on Monday
Dressed in his trademark white shirt and jeans, the father-to-be displayed more than a little chest hair as he left the up-market eatery.
Carrying a packet of cigarettes, the 53-year-old appeared to be in good spirits while Lauren clung onto his arm.
He and Bruno appeared to be having a shirt off to see who would unbutton their shirt the lowest.
While 36-year-old Lauren, who had a huge smile on her face, displayed her growing bump in a short black dress and heeled sandals.
Yummy mummy: Lauren Silverman looked stunning in a bcack dress and tan heels
Amm smiles: Simon Cowell shows his dinner companions the door
Clearly not ready to embrace maternity chic just yet, Lauren showed off her long slim pins in the short number as she carried a large studded bag.
The quartet looked to have had a good night as they reluctantly left the restaurant together.
Their appearance comes as Simon is weathering stunning claims made by former girlfriend Sinitta that she had a termination after becoming pregnant with the X Factor mogul's child.
On Tuesday Sinitta's quest to set the record straight took a bizarre new turn.
Seemingly determined to tell the world her version of events, the 49-year-old singer has appealed to none other than Jeremy Kyle, begging the ITV host to let her appear on his famous daytime show.
The So Macho icon has also offered to take a lie detector test live on air to prove she is telling the truth about her allegations.
What's so funny? Bruno appeared to be in hysterics as he left the restaurant with the couple
Travelling in style: Simon and Lauren get into an awaiting car
After news emerged of the pregnancy, Simon has been regularly spotted out and about with Lauren after a string of high profile relationships.
Most recently the couple took a mini road trip to look at dogs at the Yellow Brick Road Kennels.
Simon has often spoken about his love for animals and recently announced his intentions to get two dogs, on his Twitter account.
tweeted: 'I am going to get two dogs when I get back. Probably cairn
terriers. If any rescue shelters have some who need a home let me know.'
Meanwhile Simon is currently filming the latest series of The X Factor in the US which is not proving a ratings hit.
Bump: Lauren's growing tummy can be seen beneath her black dress
The talent show launched to its lowest overnight ratings last week, though official numbers saw the premiere rating adjusted up to 6.45 million viewers.
The following audition episode saw the show fall further in ratings, achieving 6.43 million viewers. The equivalent episode last year had 10.15 million viewers.
X Factor's third season sees Simon Cowell and Demi Lovato return with new additions Paulina Rubio and Kelly Rowland, replacing Britney Spears and LA Reid.
Shirt off: Simon looked to be having a great time with his dinner companions
The couple were greeted by photographers as they emerged from Ago
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text:
Meeting of the Minds
On a cool Sunday afternoon this February [2014], in a darkened hall at the Alhamra Arts Complex in Lahore, a panel of six people sat…
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Baseball Primer Newsblog — The Best News Links from the Baseball Newsstand Sunday, February 17, 2013Carp crush Samurai Japan hopefuls in warmupIt would have gone even worse if they were facing the Gyarados. Gamingboy
Posted: February 17, 2013 at 05:56 PM | 5 comment(s)
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Tags: japan, wbc, world baseball classic Reader Comments and RetortsStatements posted here are those of our readers and do not represent the BaseballThinkFactory. Names are provided by the poster and are not verified. We ask that posters follow our submission policy. Please report any inappropriate comments. 1. Crispix reaches boiling point with lackluster play Posted: February 17, 2013 at 08:24 PM (#4371152)
It turned out that the Gyaradosball didn't exist.
2. Gold Star - just Gold Star
Posted: February 17, 2013 at 08:43 PM (#4371156)
Carp-crushing videos are big in some corners of the Internet...
3. What's the realistic upside, RMc?
Posted: February 18, 2013 at 07:41 AM (#4371240)...So I've heard.
"Carp crush Samurai...film at eleven!"
4. Willie Horton Hears The Who (Dan Lee)
Posted: February 18, 2013 at 08:19 AM (#4371245)a three-run homer to substitute Masamitsu Suzuki in the ninth.It's just like I've always said: Suzuki could hit 40 home runs a year if he wanted to.
Carp Crush is also the worst flavor of Mountain Dew.
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Senate to vote on Yellen for Fed chair in December: Senate aide
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WASHINGTON (Reuters) - The Senate aims to hold a vote in December to confirm Janet Yellen as the next chair of the Federal Reserve, a Senate Democratic leadership aide said on Thursday.
The current Fed No. 2 earlier won backing for her nomination from the Senate Banking Committee, which voted 14 to 8 to advance her confirmation to the full Senate for approval.
Yellen, nominated by President Barack Obama to replace current Fed chief Ben Bernanke when his term expires on January 31, is widely expected to win confirmation without a hitch. She would become the first woman to lead the U.S. central bank.
(Reporting by Richard Cowan; Editing by Chizu Nomiyama)
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Photos of the day
A victim attacked by the Lord's Resistance Army militia displays her injuries in Uganda, and more of our top photos from the last 24 hours. Slideshow


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Tulane: Caught in the Middle of a Disaster
This past week hurricane Katrina ripped through Louisiana, Mississippi and Alabama with New Orleans suffering some of the worst devastation as water levels rose throughout the city, leading to an unprecedented peace-time order to evacuate the entire area.. Students at Tulane University were set to start classes this week. At first the university was hopeful that it would be possible to resume classes on September 1. Soon that date was pushed back to September 7, but with 80 percent of the city flooded the university is uncertain now when the school will reopen. However, with the entire city being evacuated hope seems gone for this semester, if not longer.
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- Dutch sociologist says that what is new about mass killing is that we're embarrassed by it
- NYT History Book Reviews: Who Got Noticed this Week?
- Convicted felon Conrad Black has a new book out
- German Historian: Rich Greeks Evade Taxes Since 1830
- UK teaching "invented" history as EU propaganda, says Cambridge professor


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Album: Dr John, Locked Down (Nonesuch)
Friday 30 March 2012
Frequently in danger of slipping into heritage-artist cruise-control, on Locked Down Dr. John has received an energy transplant from producer Dan Auerbach, singer/guitarist with The Black Keys.
Album: Various Artists: Night Music: Voice in the Leaves (Louth Contemporary Music Society)
Friday 30 March 2012
Named after a piece by the Uzbek composer Dmitri Yanov-Yanovsky, Night Music: Voice in the Leaves explores music from the former Soviet Asian republics, played with dexterity and sensitivity by performers including the theremin virtuoso Lydia Kavina, who excels on Iraida Yusupova's "Kitezh-19", in which her eerily plaintive keening is allied to a tape of varispeeded chimes and plucked strings.
Adrienne Rich: Poet whose work fused the personal and the political
Friday 30 March 2012
Adrienne Rich was "one of the most widely read and influential poets of the second half of the 20th century", according to the Anthology of Modern American Poetry. The Oxford Companion to Women's Writing in the United States goes further, saying that "There is no writer of comparable influence and achievement in so many areas of the contemporary women's movement as the poet and theorist Adrienne Rich." Rich described herself succinctly as "a white woman, a Jew, a lesbian, and a United States citizen."
The Four Tops / The Temptations, 02 Arena, London
Thursday 29 March 2012
In jazz they're called ghost bands: the eerily deathless, headless groups of a Basie or Mingus, allowing the late leader's music to still be played.
Album: Rocket Juice & The Moon, Rocket Juice & The Moon (Honest Jons)
Friday 23 March 2012
In a week replete with intriguing cross-pollinations of style and sound, this may be both the most deliberate, yet the loosest-sounding.
Red Holloway: Jazz saxophonist who also played with John Mayall
Thursday 22 March 2012
Red Holloway, a tenor saxophone player who had a tone as big as the side of a house, made his name in jazz, but more quietly – or musically, more loudly – worked for John Mayall and a variety of rhythm'n'blues stars. "I enjoyed playing with Mayall," Holloway said. "He's a very good self-taught entertainer and I admire that. It takes an awful lot of nerve and perseverance to become successful like he did... We had a good working relationship."
Album: Dirty Three, Toward the Low Sun (Bella Union)
Friday 09 March 2012
There's a familiar elemental tone to the Dirty Three's latest album – except this time the oceanic influence is replaced by snow and sky and rain.
Evgeny Kissin, Barbican, London
Monday 05 March 2012
Evgeny Kissin likes to disconcert people, and at this Barbican recital he nipped onstage and started to play before the audience had registered he'd even arrived.
Paavo Berglund: Conductor celebrated for his interpretations of Sibelius and Shostakovich
Monday 05 March 2012
Today, a swift survey of the world's major orchestras might convey the impression that every second conductor is a Finn.
Album: Akademie Fur Alte Musik Berlin, Music for the Berlin Court (Harmonia Mundi)
Friday 02 March 2012
When Frederick II assumed the Prussian throne, his Berlin court became one of Europe's main centres of musical endeavour.
Clare Fischer: Composer, arranger and conductor
Thursday 01 March 2012
Clare Fischer, a prolific composer, arranger, conductor and keyboardist active in jazz, R&B and pop music for more than 60 years, died on 26 January in Burbank, California at the age of 83.
Andreas Staier, Wigmore Hall
Monday 19 December 2011
Ever since Glenn Gould's best-selling recording was released in 1955, Bach's 'Goldberg Variations' have been so popular as to be almost crossover fare.
Album: Atalante, Erin Headley, Lamentarium (Destino Classics/Nimbus Alliance)
Friday 16 December 2011
Erin Headley is the leading performer - probably the sole performer, in fact - on the lirone, a 17th century precursor of the cello with between 9 and 14 strings, whose sound was said to move the emotions uncontrollably.
James Rhodes, Queen Elizabeth Hall (4/5)
Monday 28 November 2011
Every concert programme tells a story, even one as exiguous as that for James Rhodes. Nothing about the works to be played, just a list – JS Bach, F Chopin, M Moszkowski, and a certain LV Beethoven, which suggests it was written by a computer.
New theory could prove how life began and disprove God
This is what it's like to be dead, according to a guy who died for a bit
'Cash for access' scandal: Sir Malcolm Rifkind says 'unrealistic' for MPs to live on £67,000 salary
'Jihadi John': CAGE representative storms off Sky News accusing Kay Burley of Islamophobia
Ukip would cut billions from Scottish budget to fund English tax cuts
Russia's roadmap for annexing eastern Ukraine 'leaked from Vladimir Putin's office'
- 1 The black and blue dress: Makers considering a white and gold version
- 2 Man to be beheaded in Saudi Arabia after ripping up a Koran and hitting it with his shoe
- 3 Husband and wife die holding hands within hours of each other after 67 years of marriage
- 4 PornHub turns masturbation into energy in bid to save the planet
- 5 The remarkable archaeological underwater discovery that could open up a new chapter in the study of European and British prehistory
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With the help of the Mississippi State Treasury and a team from ABC's Good Morning America, the Palmer Home for Children in Columbus received quite a surprise earlier this year.
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An Australian lifeguard has been charged after allegedly running over a man and a woman on a Gold Coast beach.
Police say the pair, aged in their 20s, were lying on a beach in Surfers Paradise when a slow-moving lifeguard vehicle ran them over.
Both suffered non-life-threatening injuries and were taken to hospital for treatment following the December 23 incident.
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He will appear in Southport Magistrates Court on February 5.
The incident was still being reviewed by Gold Coast City council.
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Check out Land's first ever solo show of new works Space 15 Twenty in Los Angeles.
Check out Andrea Wan's new solo show up at the BC Gallery in Berlin. The show is up until February 28th and you can view the show from Wednesday to Saturday 1-6pm.


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Road and Rail
Company Overview of Commonwealth Atlantic Properties
Company Overview
Commonwealth Atlantic Properties is based in United States. As of 1998, Commonwealth Atlantic Properties operates as a subsidiary of Brandywine Realty Trust.
2134 West Laburnum Avenue
Richmond, VA 23230
United States
Key Executives for Commonwealth Atlantic Properties
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With consistent timeslips in the low 8s, there were few stock suspension LS1 F-bodies on the planet that could keep pace with Tom Kempf's red turbocharged '00 Z28 (see "Red Rocket," March '07 GMHTP). The Stenod Performance custom turbo kit, Precision Turbo 101mm hairdryer and Wheel to Wheel Powertrain LQ9-based 370 had Tom running a best of 8.08 at 176 mph on drag radials. However, the release of the GM Performance Parts LSX Bow Tie block presented the perfect opportunity for him to pick up a few more cubes and add clamping force from the additional head bolts, not to mention a host of other benefits, including increased strength and oiling. By now I'm sure you've heard all about the features of this new block, but until now few have managed to demonstrate its awesome potential with an all-out forced induction race build. So we followed along as Wheel to Wheel's Billy Briggs, one of the best Gen III/IV builders in the business, put together Tom's motor to attain over 1,500 horsepower and 7-second timeslips.
LSX Engine Build - To The Extreme
A 400-Inch Turbo Lsx Build That Can Wax 8-Second Chumps Like A Candle
LSX Engine Build - To The Extreme
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