text:
Doctor insights on:
Can Eating Ice Hurt You
Will eating ice hurt me?
Maybe: You can break your teeth so my dentist fiends from on this. It could be a sign of anemia if you crave ice and other things like chalk or dirt. If you just like to eat ice once in a while it probably won't hurt you. ...Read more
See 1 more doctor answer
Why does my back hurt after drinking something, like ice tea, don't drink sodas, im also gaining weight when im not eating much, what's going on?
See your doctor: See your primary doctor, who can ask you questions, examine you, and order tests as needed. ...Read more
Managing Neck Pain (Checklist)
Does eating ice cream affect stomach ulcers? Hurts my stomach about 10mins after eating ice cream. The pain is where the ulcers are
Not expected: Actually cream tends to soothe the ulcer pain temporarily but does slow down your stomach emptying and thus may worsen your symptoms if you have reflux problem. You need to see a doctor see most ulcers can be permanently cured by a short course of medications if caused by a bacterium called h pylori. ...Read more
My chin hurts after hitting it on a dumbbell. Ice it?
Sore chin: If the chin is just sore after hitting it with a dumbell, then i would ice it 20 minutes every hour for the first 2 days. If you are not allergic, you can also take an anti-inflammatory medicine like advil or naproxen. If there is any change in your teeth fitting together, then you should definitely see a dentist or physician. ...Read more
Managing Neck Pain (Checklist)
I broke ankle- still hurts/ slipped on ice, what to do?
It depends ....: Pain and swelling is normal and may last for several months after a foot injury. Recovery depends on the location and type of fracture, the individuals healing ability, and the treatment. Factors that may speed your recovery include: immobilization, elevation, good nutrition, and physical therapy. Have it evaluated and get the appropriate treatment. ...Read more
See 1 more doctor answer
My shoulder really hurts all of a sudden. What do you think is the problem? What should I do? I have tried ice but it still hurts!
Hard to tell: Your pain could be from several sources. If you didn't have an injury and it started hurting after activity you may have just flared up your rotator cuff depending on your age. Other causes include a "pinched nerve", frozen shoulder or adhesive capsulitis (common in women age 40-60 and begins with pain), or referred pain from a cardiac or intrabdominal source. Start with rice and see md if worse. ...Read more
Managing Neck Pain (Checklist)
I fell in the ice & hurt my ankle I can still walk put it hurt when I step on it.?
Need eval: See an orthopaedic surgeon or your primary physician and start by getting an x-ray. ...Read more
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- Can you get herpes from eating after someone?
- Can your kidneys hurt if you dont drink enough water?
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text:
March 5, 2009 from 4pm to 5pm – http://www.thinkatheist.com/page/for-the-atheists Godlessness knows that we all have loads of fun on the podcasts and if you've been on the site for more than a one visit, chances are you know Morticia. She's rarely gotten the chance to participate… Organized by Morticia | Type: talkshow
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A new survey done by Lex, the leasing company, highlights what a disingenuous bunch we are. Forty-five per cent of motorists said they'd love to use their cars less, if only public transport were better - up from 23 per cent in 1988. And yet, even if congestion got twice as bad, only 7 per cent of commuters said that if push came to shove they'd switch to public transport. For school runners and shoppers, the figure is even lower (4 and 5 per cent respectively). Yet these very same people demand better public transport, presumably so that other drivers can use it.
Personally, I'm not in the least surprised by drivers' reluctance to "go public", but I am somewhat perplexed at the reasons why they want to stay clear of rail and Routemasters. One reason, apparently, is that most drivers surveyed actually enjoyed "chore" journeys. Sixty-six percent of the 1,287 motorists interviewed said they liked driving to work, and six out of ten drivers said they enjoyed school runs. If that's true, then there is surely no hope of prising people out of their cars.
Within a fortnight of that Lex survey, another one landed on my desk (how do these people ever have time to run a business?). This one, however, proved rather more instructive. Whereas the great British motorist's views on motoring are inevitably skewed by social mores and the need to "say the right thing", you can't get away from plain facts and figures. And the Lex Vehicle Leasing Reliability Survey is a straight mechanical reliability report on the 88,048 vehicles in that company's vast fleet.
It could well be the most representative reliability survey of them all because, unlike the Which? and Top Gear JD Power surveys, forms are not filled out by moaning Minnies who self-select themselves to air their grievances. Equally, unlike the JD Power survey, dealer support cannot twist the results: it's just down to the car, in this case all L-to-R- registration vehicles.
There are a number of big surprises. First, cars are getting less reliable, just as manufacturers try to pretend otherwise. You now have a one-in- four chance of getting stranded during the year. Last year, you had a one-in-five chance.
Japanese cars built in Britain are much less reliable than Japanese cars built in Japan. This makes common sense to you or me, but it's certainly not what Nissan and Toyota have been propagating. Also, the second most reliable make of car in use in Britain is a Jaguar. I personally find this amazing, not least because a couple of years ago Jaguars were about as trustworthy as Bill Clinton's marriage vow. They are now more than four times as reliable as Fords, whose "best practice" reliability standards Jaguar has allegedly been copying.
The most reliable make of car is Mitsubishi, which is about the only Japanese maker who hasn't set up shop in Britain. Surely this is no coincidence. Citroen is the maker of the least reliable vehicles on British roads (although my father-in-law's five-year-old ZX has never let him down), followed by Alfa Romeo (no surprise). Third worst maker is Rover, whose alleged and much hyped reliability renaissance - first under Honda's guidance, now BMW's - has proved to be about as believable as the great British public's views on giving up motoring.
Independent Partners; Do you need financial advice on your investments, pension or insurance? Book a free consultation with an independent Financial Adviser at VouchedFor.co.uk
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text:
Compix and Digital Alert Systems Partner to Provide Future-Proof Networked EAS Solutions
IRVINE, Calif. â June 9, 2009 â Compix, a leading developer of broadcast-quality character generators (CGs), announced today it has partnered with Digital Alert Systems (DAS), a pioneer in the development of enhanced Emergency Alert System (EAS) solutions, to provide customers with a complete, flexible, and future-proof EAS solution. All Compix CG systems can be networked with the state-of-the-art DASDEC EAS encoder/decoder products from DAS in a cost-effective solution. The technology from DAS enables local and remote control over EAS messaging and offers support as federal guidelines and standards, such as CAP, evolve and new alerting requirements arise.
"EAS systems from Digital Alert Systems are uniquely positioned to provide extensive legacy capabilities, as well as forward-looking support for new requirements as federal mandates come down," said Lan Merrill, director of technology at Compix. "The combination of our CG technology with the DASDEC systems gives broadcasters the flexibility and functionality they need to deliver EAS messaging over analog channels, digital channels, and digital sub-channels â and it does so at a fraction of the cost of a typical competing solution."
The Linux-based DASDEC combines legacy EAS compatibility and modern LAN-based software-driven communication methods and technology to address the needs of broadcasters transitioning from an analog to an all-digital broadcasting environment. The DASDEC system from DAS can be networked with one or more Compix CG systems to support EAS messaging over multiple channels. Because Compix products are among the few CG systems to accommodate signals ranging from composite analog to HD-SDI, they give broadcasters the flexibility to work in any format or resolution.
The DASDEC system boasts an installed base of more than 1,000 systems in Broadcast, EOC, Cable, and IPTV applications. The integrated solution uniting the DASDEC EAS solution with Compix systems allows new and established DAS customers to implement and control EAS locally at the broadcast station level or leverage one DASDEC system across multiple affiliates, controlling connected facilities remotely from a network operations center.
"Compix is the rising star in the character generator systems, and the company's expertise has enabled a very smooth interfacing of the company's CG technologies with our DASDEC system," said Bruce Robertson, COO at Digital Alert Systems. "The convenient and reliable communication of all text from our DASDEC system to Compix Media CGs gives our clients access to high-quality, uniquely cost-effective solutions capable of addressing current and future EAS requirements."
More information about Compix Media and its product line is available at www.compix.tv.
# # #
About Digital Alert Systems, LLC
Digital Alert Systems has pioneered the next level of enhanced Emergency Alert System (EAS) and pending CAP (Common Alerting Protocol) solutions with the state-of-the-art DASDEC, an IP-based, Linux-driven, browser-operated, FCC-certified EAS encoder/decoder that will provide optional CAP encoding/decoding. The single 2-RU chassis brings EAS in line with today's communication standards, providing the hardware configuration and software expansion ability to meet the pending CAP requirements. Founded in 2003, the company uses IP-based technologies to improve the cost and operation of FCC-specified EAS encoders and decoders. Digital Alert Systems' technologies are compatible with analog environments and older-generation encoders/decoders while providing support for the transition to digital television. More information is available at www.digitalalertsystems.com.
About Compix Media Inc.
Compix, the "character-driven" company based in Irvine, Calif., is a global provider of the world's most affordable broadcast graphics systems. Also referred to as character generators (CGs), Compix systems have been on the air 24/7 since 1986, in more than 17,000 locations, spanning over 80 countries. Generating award winning, elegant, and easy-to-use solutions, Compix systems are available in single and multichannel analog, SD-SDI, and HD configurations. Every Compix broadcast graphics system boasts 100 percent broadcast quality and cutting-edge features and is backed by the remarkable Compix Freedom Support Plan. Compix clients include all major television broadcast and cable networks, post, sports, educational, military, worship, government, and corporate facilities. More information about Compix is available at www.compix.tv.
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text:
Come and play board games! If you can, bring games for everyone to enjoy. Hope to see you there!
I think I'm going to appear, as the kids are at their grandparents' house, and I've just spent most of the week painting the front room and catching up on house projects.
I'll bring a small-ish selection of cooperative games. Definitely Sentinels off the Multiverse (sorry you and Mike can't make it, Anne), probably some combination of Forbidden Island/Forbidden Desert/Hanabi.
June 19
We have an "emergency Pathfinder game session" Thursday evening, before the rest of our adventuring party heads to California for three weeks. I would say "I hope I don't die", but my character already died last week. Mike runs a deadly game.
June 17
I'll be bringing (a borrowed copy of) Agricola, if anyone wants to play. What other games are you guys and gals bringing?
June 17
I'll be late, probably be coming by to see if there's a second round of games I can get in on.
June 15
I decided to start Reno Motorcycle Riders Group because I wanted to be part of a group of people who enjoyed my passion... I was excited and nervous. Our group has grown by leaps and bounds. I never thought it would be this big.
— Henry, started Reno Motorcycle Riders
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Visitor rating: by 69 visitor(s) | 31819 view(s)
Hot girl with tight body stripping in front of the web camera, shaking and flashing her sexy body to some fine music.
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A bunch of wild club girls flashing their booties and dancing very sexy in some night clubs recorded on camera and mixed in this great video clip.
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Mar 18, 2009
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text:
Coke Zero rethinks European ad strategy
By Matthew Chapman, marketingmagazine.co.uk, Tuesday, 21 August 2012 08:30AM
Coca-Cola is reviewing its marketing strategy for its Coke Zero low-calorie drink across its North West Europe and Nordics (NWEN) region.
It is understood that the brand may move away from its 'Taste the Possibilities' campaign, introduced in February as part of a wider global push created by Ogilvy Brazil.
The soft-drinks company has hired ad agency Crispin Porter & Bogusky to refresh the strategy for Coke Zero. Coca-Cola's latest move to shake up its advertising in the region follows the appointment of BETC London to its Diet Coke ad account earlier this month.
Coca-Cola NWEN is understood to be seeking greater autonomy from the global business to better appeal to tastes of local markets.
News of the shake-up follows confirmation that Coke Zero is to reprise its tie-up with the James Bond franchise for the forthcoming movie Skyfall, to be released on 26 October.
A Coca-Cola spokeswoman said: 'Coke Zero's 2012 campaign is built around inviting consumers to 'Taste The Possibilities' and is an evolution of its campaign from the previous year. We recently announced the brand's Bond SKYFALL partnership, with forthcoming activity amplifying this across a fully integrated marketing campaign. It is too early to comment on any activity beyond 2012.'
This article was first published on marketingmagazine.co.uk
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text:
Move over, Banksy: Meet the next generation of artists coming up from the street
Thanks to Banksy, there's money - lots of it - in illegal wall painting. But can artists who made their names on the streets keep their credibility when the galleries flash their cash?
Luti Fagbenle may be the luckiest man alive, what with being young, handsome and the owner of a film company in Notting Hill. Oh, and the recipient of £208,100 for doing nothing. One Sunday morning last autumn, scaffolding appeared on Fagbenle's office wall as Portobello Road market was in full swing.
When it came down a few hours later, the wall had been sprayed with graffiti. Being streetwise, Fagbenle did not dance with rage. Instead, he called in an expert, who confirmed that the stencilled figure of a painter at his easel was by Banksy, the artist once described as a cross between Michelangelo and the Scarlet Pimpernel. In April, Banksy's Space Girl and Bird sold at auction for £288,000, 20 times its estimate. Accordingly, Fagbenle put the work on his wall up for sale on eBay, where, last month, it fetched slightly less. But then, as its seller wisely noted, whoever bought the piece was also buying a wall, and walls are tricky to take home.
A happy ending – though it might not have been. Before Fagbenle had had time to confirm his work's provenance, it had been dogged. For those of you over 19, dogging is not what you're thinking. In the context of graffiti – or street, cult or urban art – to dog is to add to, or re-graffitise. (This may be the moment for a short graffitist's glossary. A writer = a graffiti artist; a burner = a masterpiece. To buff = to paint over, usually by enraged local councils. To bite = to imitate, or possibly rip off. Thus, from a blog: "All graffiti is born from biting, someone creates a style and others copy it.")
Now, Banksy has always been good about dogging. One of his works – a mural of two characters from Pulp Fiction on an air shaft at Old Street Tube station – was once dogged by a 19-year-old writer called Ozone, who added insult to injury with the tart line, "If it's better next time, I'll leave it." When Ozone was run down and killed by a train he was trying to spray-paint not long afterwards, Banksy's website ' mourned him thus: "When we lost Ozone we lost a fearless writer and, as it turns out, a pretty perceptive art critic. Rest in piece (sic)." The dogged mural was later buffed (see above) by Transport for London, then re-dogged by Banksy as a memento mori in Ozone's honour: it now depicts a putto in a flak jacket, contemplating a baseball-capped skull. But would Banksy's collectors – and these include Brad Pitt and Angelina Jolie, who recently spent £1m on his work – be as broad-minded about dogging as the artist himself? In other words, is a dogged Banksy as good a buy as an undogged one?
It's the kind of question that taxes art dealers mightily. On Tuesday, a sale of urban art – a term about which more later – will be held at the Bond Street auction rooms of Bonhams, the house that sold Space Girl and Bird. Along with a number of Banksys, this sale will include works by Paul Insect, D*Face, Invader, Toxic and Cyclops. There will be no walls for sale, though, nor Tube carriages or ventilation shafts. The auction is billed as the "first devoted solely to urban art", a term notable for its avoidance of the words "street" and "graffiti". In terms of technique, the works in Bonhams' sale are no different from those in most art auctions. For all the grunge of their imagery – spray-painted policemen with smiley faces, stencilled Churchills with green mohicans, HM The Queen sticking out her tongue – these are not things of the street. They are canvases, drawings and small-run screenprints, signed and numbered.
Bonhams' Gareth Williams, in charge of the sale, suggests its logic. "In 2003," he says, "you could have picked up a Banksy print for £300. Last year, we sold one for just under £300,000." Will Brad and Angelina be there? "We very much hope so." The figures are compelling, but why are there no walls? Williams picks his words with care. "What we're selling isn't street art," he says. "People have seen art in the street and liked its aesthetic, but the market has moved on. The Banksys in our sale are on a different level from the one in Portobello Road. We're very conscious of not wanting to get involved in the whole question of ownership, nor of encouraging people to go out and damage private property."
It's an interesting point. Whatever else Banksy's Portobello Road stencil may have been, it was an offence under the Criminal Damage Act 1971. To sell it at public auction might be to incite crime. This, presumably, accounts for the caginess of the Lazarides Gallery in London's Soho, which represents Banksy, Paul Insect, Invader and various other artists in Bonhams' sale. It was at Lazarides that Brangelina splashed out their £1m on Banksy; in July, an entire show of works by Paul Insect was bought off the wall for a knockdown £500,000 by one Damien Hirst. Yet, according to the gallery's PR company, Lazarides had forbidden its artists to talk to the press in the run-up to the Bonhams sale, so that my phone calls and emails were left unreturned. (So, too, was my call to Luti Fagbenle.)
This caution also explains the curious shifts in name of the thing that Lazarides and Bonhams are selling. Lazarides goes for cult art, Bonhams prefers urban art. Both terms put space between themselves and the legally troublesome street art, which in turn distances itself from the downright criminal graffiti art. "Naming is a tricky issue," agrees Tate Modern's Cedar Lewinsohn, who has just finished writing a book on the subject. "I went for 'street art'. Some artists like it, some don't, but it was the easiest in the long run," he admits.
Lewinsohn's own interest in the subject began on trawls of the East End art scene, where he "kept seeing better art between galleries than in them". He points out that what ' is happening in London now happened in New York in the 1980s with the crossover from graffiti to fine art by people such as Jean-Michel Basquiat and Keith Haring. (Bonhams has included Haring prints in its sale, giving some historical legitimacy to the current generation.) "Street art and graffiti art are two different things, and the artists are hyper-aware of that," says Lewinsohn. "But if the best ones want to make some money out of what they do, then why not?"
One answer to this comes from an artist known in the graffiti world as Aroe. The difference between the graffiti Lewinsohn sees on East End walls and work by the same artists in West End sale rooms is that the former is illegal, the latter not. Put another way, urban art is to graffiti what Cliff is to Elvis: a derivation, but a distant one. Illegality is part of the aesthetic of graffiti art, what it is about. Lawful graffiti art is a contradiction in terms, as are screenprints and numbered editions that claim graffiti credentials.
The latter irritate Aroe, who has faced continuous brushes with the law over his 20-year career. (His spelling of "arrow" was chosen because double letters and w's don't look good in spray-paint). "I've just had a prosecution against me fail, in spite of house raids," he says. Having hung up his spray can, it was, he hopes, his last. "The three ways you can end your career as a graffiti artist are to be caught, injured or quit," he says. "The last is the most difficult, and I chose it."
All of which is to say that graffiti art is a genre with strict rules. To write well is not enough. Respect is earned through a combination of skill and notoriety, the last – pace Ozone – based on a daredevil disregard for personal safety. Aroe once pulled the emergency cord on a packed Madrid metro and sprayed the train while it stood in the tunnel: "That," he says, flatly, "got me my name." This willingness to risk death is part of graffiti's aesthetic, visible to other writers and "the roughnecks in the street" – you and me – who see the end product. We're not talking conventional art appreciation here. "The point," Aroe says, "is to annoy the greatest number of people you can."
As you might expect, his views on street art are robust. "Real graffiti artists couldn't give a shit about selling a canvas for £20,000," he says. "If people want that, good luck to them. What irritates me is when they piggyback on what we do, claiming a credibility they haven't earned. There's a world of difference between sitting in a studio making screenprints and spending 20 years evading guards to paint trains."
As you will read in the interviews on these pages, this is not a view shared by the artists whose work is in Bonhams' auction. Yet Aroe raises a compelling question: can grit be bought and sold? Urban art is the new hot collectible, and not just for Hollywood stars and the ubiquitous Russians. There will also be institutional investors at Bonhams' sale, buying Banksys for their market potential. But will they be getting blue-chip stock, or mere derivatives? *
The Urban Art sale, including works by D*Face, Cyclops, Adam Neate, Nick Walker and Andrew McAttee, will take place at Bonhams, London W1 (020 7393 3900) on Tuesday. 'Street Art' by Cedar Lewinsohn (Tate Publishing, £18.99) is out in May. Interviews by Hannah Duguid. With thanks to Steve at www.artofthestate.co.uk
Sickboy: The all-rounder
Sickboy has a slogan that he sprays on surfaces across London: "Save the Youth".
"It's not that I'm trying to 'save the youth'. It's just a line from a Northern Soul tune," he says. "I like the sentiment of it and the lettering – and it's a bit more interesting than "Stop the War". People are jumping on the political bandwagon, because work with that sort of message has a niche, but most of my work is not political."
The 28-year-old sees himself as neither a street nor a graffiti artist, but as somewhere between. "If anything I'd rather be seen as a graffiti artist, as I come from a graffiti background. Graffiti has a stronger subculture; anyone can be a street artist."
Now his paintings and prints sell in galleries and online. He makes a comfortable living although, he insists, he has never compromised his art for commercial reasons. When a print run is released, it sells out in minutes.
He continues to work on the streets, picking the right spot, which is ideally a large wall near a main road and close to traffic lights where drivers can stop to admire his craft. "Most of the time," he says, "I just want to make people smile."
Adam Neate: The maverick
Neate, 30, roams the streets of London salvaging scraps of cardboard or wood, on which he paints tense, angst-ridden human forms. He then leaves the work hanging from a nail or attached to a lamppost for passers-by to pick up.
"I put it out for people to enjoy," says the 30-year-old. "I never went to a fancy art college; I just enjoy painting. I didn't get any feedback for years as I never saw where the paintings ended up."
Neate wasn't interested in the commercial art world until a gallery unexpectedly approached him, at which point he gave up his day job as a graphic designer and took to painting full-time on canvas, with an astonishing degree of success. A recent painting sold at auction for £78,500.
Now, he divides his time between producing highly finished paintings for the gallery, and his street paintings, which are rough and made quickly.
Success has an inevitable price; he's had trouble with stalkers. "An old man on a bicycle with a basket used to follow me around picking up my paintings. I had to change my route to avoid him."
These street paintings now go for £2,000 on eBay. Not that Neate minds: "Of course some people sell them; it's human nature," he says. "It doesn't bother me what happens to them once they're gone."
Andrew McAttee: The fine artist
Before studying fine art at Central St Martins in London, McAttee was a graffiti artist, spray-painting large, colourful pieces on walls at night.
"I didn't take my graffiti painting into art school," says the 35-year-old. "I separated the two and just did graffiti in the holidays.
"I never use my street tag in my canvases, but I think describing me as a sellout for working on canvas is a weak argument. They're completely different things.
"It's frustrating that people try to pigeonhole me as a street artist or graffiti writer. It's all very tenuous."
After leaving St Martins, McAttee worked on canvas for five years, then went through a crisis about his work and decided to go back to painting on the streets full-time. "It was a kind of breakdown," he says. "From making grey canvases I went to spray-painting large pieces that were colour assaults. It was a release of frustration."
Influenced by Pop Art, comics and, of course, graffiti, he uses spray-paint and acrylic in acid candy colours – lilac, pink and blue – to make images that burst from the canvas in a psychedelic explosion. It's happy art, with not a hint of grim reality. "I call it 'poptimism'," he says. "I know it's not for everyone."
D*Face: The player
"D" still works on the streets, using humble stickers as his tag, yet he is one of the more ambitious and professional street artists around.
From his well-organised studio, with a full-time assistant, he is putting together a museum exhibition of his work in Hamburg and gallery shows in New York and London – as well as continuing large-scale street work.
Recently he took over three billboards on the A3, painting "Call in Sick" in giant letters for people driving past on their first day back to work after the New Year.
"I don't see myself as a sellout [for selling through galleries]," he says."It's about integrity. I work with museums and on the street — the two can co-exist. I would rather live as an artist and make money from it than be a pure graffiti writer and have to take a second job in order to live."
His works on paper and canvas, often featuring death and destruction, have a political anger against the injustices of consumerism and war. His aesthetic is influenced by comics, skateboarding and punk.
Now in his mid-thirties, he started out as an illustrator who, frustrated with the creative constraints of his industry, took to graffiti in his spare time. "It was just a way to fill a gap," he says. "It wasn't such a big deal back then; we just enjoyed it."
Aroe: The purist
A graffiti writer since the age of 13, Aroe makes a strong distinction between what he does and "Hoxton trendy" street artists.
"Street art and graffiti are completely different," he says. I do graffiti just for the fame and for respect from peers within my sub-culture. For those so-called street artists, it's all about money. They would be laughed off by proper graffiti artists. It's not about their work, it's their attitude. I'm not interested in galleries.
"I'm not a trained artist and I don't look at it as something noble; I'm just writing my name – although I would never damage a private house."
Aroe makes huge pieces the world over: he has covered buildings in San Francisco and Brighton and his tag adorns trains in India and Eastern Europe. This year a music festival is inviting him to Senegal, to put on a graffiti showcase and give a masterclass.
While his attitude to his art may seem radical, his life is anything but. In his late thirties, he lives in Brighton, where he has a house, a full-time job, long-term girlfriend and four children. "Me and my girlfriend have a car each," he says. "I suppose you could say it's a middle-class life, although I don't really see myself as middle class."
Cyclops and Sweet Toof: The tag team
Cylops and Sweet Toof blend easily into the young artistic crowd that hangs around Brick Lane, east London – which is fortunate, as the pair wish to remain anonymous. (They were recently arrested for some graffiti that looked similar to, but was not, their work: "The police kept us until 5am, then let us go.")
The distinguishing feature of their graffiti, which is all over east London, is a tooth, a skull and a character called Lenny.
"We do large-scale stuff," says Sweet Toof, an affable type in his early thirties. "We want to stop people in their tracks, or make them chuckle on their way to work. It's about reclaiming space. We have to put up with advertising, that can take up the whole side of a building. We have no say in that." Cyclops, a little angrier, adds: "Your opinion doesn't count if you have no money."
Both are trained artists: Sweet Toof graduated from the Royal College a few years ago; Cyclops, in his late twenties, is still studying fine art. Their gallery paintings sell for thousands, yet they have not abandoned the spirit of their work. "With the gallery stuff," says Sweet Toof, "it's a disciplined approach for the canvas. With the street stuff, it's the other side where we can go out and paint the town red."
Nick Walker: The existentialist
The late, great director Stanley Kubrick employed Walker for his final film, Eyes Wide Shut, to recreate graffiti along the streets of New York. "It was the worst style of graffiti; it had to look as if it had been done by crack-heads," says the 39-year-old.
Walker never trained at art college. He started his career as a graffiti painter, writing on the streets of Bristol. It was when he moved to London that he started to work on feature films.
For Judge Dredd, the Sylvester Stallone vehicle, he studied Hebrew and Japanese letters to come up with a futuristic style.
He still works on the street but does not consider himself a graffiti artist. "I'm just an artist," he says. "That's how I make my living."
There is an existential flavour to his art. "The whole thing with graffiti is that it's about making your mark, leaving something behind," he says. "We are here to create."
He uses images of butterflies, because they live for only a week, to depict the fragility of life. "These butterflies shed their colour before they die," he says, mournfully.
Not that his work is always so serious. His Moona Lisa, for example, is an image of the Mona Lisa showing her bare behind to the viewer.
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given adams streak so far after two episodes of only haveing 2 team members while blake. and parnell and kristina move fast and get their teams built . given his streak of not being able to grab any one including even the four chair turn which is his thing. will his streak finaly die in tonights voice or will it continue and wind up with adam having to do like he did the first season hear people who were sent packing perform again and hit his button or not. as another round of the voice may either show adam back in the game or still stuck in slow getting team members.
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and thus not only putitng dems in a catch 22 either stick with the president and boycott the speech that israil pm benjimin Netenyahu is making or wind up going and being nice and respect full and listen to it even as most say its helping the repubs call to move for more sanctions on iran and thus also risk a military fight as the president points out who also is not meeting with ben due to not wanting with elections in israil coming up that he endorses ben. but mostly the repubs are now going to lay their little hand of attack against the president by having netenyua come with out telling the president to speak . boehmers doing.
and next for the new week for the south dakota legislature after spending last week making the nra really not happy by voting down all gun bills before them including one that would let even security guards at the capitol pack heat with out a permit. the legislature will start the week with getting highway and road repair funding dealt with plus also making it so bikers saftey will be improved on the road by dealing a bill that would make it so drivers have to have a cushion of three feet behind some one on a bike . in other words unlike last week with one issue and three bills. the state legislature will start the new week with two issues the big one being road repair at last.
and when he finds himself about bankrupt including having to put a for sale sighn on the polar bear and also replacing his hounds with poodles. and also proving that mr. burns is not really up to date on things. desperate for money mr burns falls for a nigeria scheme. while homer and lisa hang out for take your daughter to work day again. only to wind up having to watch the princes sister which has marge mad since he could be home doing that with maggie. and then sparks fly when she sneaks off to moes and the two hit it off . even after learning she is from nigeria and moe admits he fell for a scam. to homer who comes looking for her and then even chases them as they go on a date around town and moe gets a kiss only to have her admit to her brother who is upset and cancels the deal for goats that she has no feelings for moe. plus the fact she even holds up the qwiki mart. as moe gets love denied again and mr burns proves he is so old he is even dumb enough to fall for a scam. on the simpsons.
so much for as star trek fans and even pulling off a last minute flight miracle and after getting blessed on social media for saying due to a previous commitment he would not be able to make it to Leonard NImmoy's funeral only to wind up found to be headed there after all. so much for thinking west burro would finaly be staying in their little hole or gave up at last targeting funerals . as up to their old tricks and seeing a chance again west burro made it known they are going to picket the funeral. mostly due to Nimmoys star trek co star George Takie being gay. plus figuring since he was such a big star the funeral would have a big crowd for them to spread their hate. hope west burro is ready to risk the wrath of star trek fans who will if need to come to protect Leonard family and mourners from their garbage not to mention is west burro dumb enough to tick off shatner too. as crawling out of their hole west burro is looking to Leonard nimmoy's funeral to grab the spotlight again. and winding up learning that trekers can be a bunch you don't mess with .
and soon gamblers who come to deadwood will wind up being able to try their luck at craps and roulete and keno instead of just the vidoe lottery and card games. and also may let deadwood be able to compete more with the casinos and get more people maybe to visit. once daugard takes his pen and signs the bill okaying the games which voters aproved for deadwood. and the bill got through the south dakota legislature without much trouble and some luck as now deadwood just waits to soon to cash in some new players with new games. waiting now for the governor to pay out by singing the bill .
and after a bill that would keep the homeland security funded for three weeks from the house due to the tea party and conservatives voting it down much to boemer dismay as the senate wound up passing a clean bill. and knowing as the clock ticked down to a homeland security shutdown that the repubs would be blamed . at the very last minute the house wound up passing a last minute funding bill to keep the lights on but temp for a least a week.and the bill has been signed by the president. as the repubs now lick their wounds and try to figure out how to keep homeland security going but also make sure to prevent the presidents immigration orders from going into play and also wind up not taking some damage. plus the drama has just proven to both boehmer and mitch that they will find it really hard to be able to get their agenda done with full support. not to mention boehmer has to wind up having to make a deal with dems to get things done now.crisis adverted homeland security still operating .
and it finaly happens red. and liz and the rest of the team wind up going after their first lady black lister though they start out thinking the killer is male only for red to set liz straight when guys are found to be turning up dead with an arrow through the heart. as red winds up chasing a mystery guy from the number he got from the safe and setting up a meeting only to have other plans go into play including liz revealing though it could just be a set up she does know where the fulcrum is but has red call her bluff by asking what it is. and then as they go after the deer hunter a woman who was abused by her ex and decide to help other woman. with liz due to learning she could face charges from tom killing the harbor master. she almost reaches the breaking point and kills the deer hunter. as red winds up with a new mystery and maybe a set up by some one new on the blacklist.
and wasting no time over the fcc ruling to protect net neutrality using telecom rules. which means ips under the rules will have to treat all content equaly even as the new rules have already gotten promises of court battles including by the big telecomes like verison and at&t , congress is wasting no time and planning to stop the fcc in its tracks with talk lead by south dakota 's own thune to take legislative action mostly a bill thune is cooking up an d already seeking support that would stop the fcc in its tracks by stopping their power to even make the rules. as the fcc choice on net neutrality has unleashed a scramble. lawsuits and congress looking to do a stop though the bill is liable to get vetoed.


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Ticket Package to Sam Adams Octoberfest
Sam Adams Castle at SoHo Studios – Wynwood • Wynwood, FL
Friday, September 19 or Saturday, September 20
What you get
- Ticket Package to Fifth Annual Sam Adams Octoberfest
- Includes One or Two Beer Fills (Depending on Package)
- Enjoy Live Entertainment & More
- Choice of Three Ticket Packages
For the past four years, Sam Adams Octoberfest has been bringing the revelry and tradition of Germany to Miami in a fun-filled celebration. Now, toast to good times and good friends at the fifth annual Sam Adams Octoberfest, held on September 19 and 20.
This traditional festival transforms Soho Studios into the Sam Adams Castle while celebrating all that is the true Bavarian tradition. Along with a truly amazing list of seasonal brews, you'll find authentic German food along with genuine music and entertainment -- truly something for every taste and the perfect way to really get in the spirit of the season.
Choose from the following offers:
$10 ($20 value) for a GA ticket package, including:
• One single-day GA ticket
• One 16-ounce beer
$14 ($29 value) for a Stein ticket package, including:
• One single-day ticket
• Commemorative half-liter stein
• One beer fill
$25 ($50 value) for a VIP ticket package, including:
• One single-day VIP ticket
• Commemorative Sam Adams half-liter stein
• Two beer fills
• Souvenir Bavarian hat
• Private restrooms
• Access to The Pavilion
Sam Adams Octoberfest's Website
Fine print
REFUND POLICY: This event is nonrefundable. No full or partial refunds are given to customers who miss an event. In the event of a cancellation, your voucher will be fully refunded • Each voucher is good for 1 person • Must be 21+ with valid ID to consume alcohol • The deal is valid only for tickets on the date[s] of the event as listed and may not be exchanged or redeemed for any other dates • Purchaser may change the name of the individual retrieving tickets up to 24 hours in advance of event via the LivingSocial website event details section; no name-changes or alternate pick-ups permitted without notice at venue • Entire value must be used in a single visitMore upcoming events
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VIP Nightclub Package + Open Bar & Transportation
Locations vary by date (Friday, Saturday, or Sunday). Please check the website for day-specific locations.
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Ticket to Club Crawl with Drink and More
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LEGOLAND Florida
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Ticket to Miami Rat Pack Tribute Show
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Miami, FL
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Saturday Mar 28
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Latest Metal News
Last updated on February 27, 2015 at 8:03 AM ET
We post metal news every day, throughout the day, covering thousands of metal bands including underground and unsigned bands.
Below is the latest news, but check back often for updates. You can also browse our news archive or find news by band.
3 news articles posted today (and counting...)
Enslaved Releases Lyric Video For New Track
A lyric video for the new track "One Thousand Years of Rain" is available from Enslaved in the player below. In our own review for the upcoming new album "In Times" (check it out here), xFiruath states of the song: "'One Thousand Years Of Rain'...kicks off with a faster pace and offers up some of that stunning 'RIITIIR' vibe of harsh/fast blended with clean/melodic. The track throws a curve ball five minutes in, slowing down and unexpectedly throwing in Viking gang chants."
"In Times" is set for release on March 6th (EU), March 9th (UK) and March 10th (North America) via Nuclear Blast Records.
The track list is:
1. Thurisaz Dreaming (see music video here)
2. Building With Fire
3. One Thousand Years Of Rain
4. Nauthir Bleeding
5. In Times
6. Daylight
Check out "One Thousand Years of Rain" here: More...
Soen Releases "Kuraman" Lyric Video
Swedish progressive metal act Soen released a new lyric video for the track "Kuraman." The song appears on the latest album "Tellurian," which is available via Spinefarm Records.
The band is embarking on a European tour this week. Check out the clip here:
Dark Sarah Signs To Inner Wound Recordings
Inner Wound Recordings announced the signing of the cinematic metal project Dark Sarak to the label. The debut album "Behind The Black Veil" will be released on May 8th in Europe and on May 12th in North America.
Dark Sarah is the new project from Heidi Parviainen (ex-Amberian Dawn). The debut album called "Behind the Black Veil" leads you through the psychological adventure of Sarah, who is hovering between her two personalities. Dark Sarah's music combines metal, film music and theatrical elements. Sarah's thoughts are at best depicted in the dialogues (duets) with guest vocalists - "The Fate": Manuela Kraller (ex Xandria), "The Queen of No Good": Inga Scharf (Van Canto) and "The Moon": Tony Kakko (Sonata Arctica).
The production, orchestrations and mixing was handled by Mikko P. Mustonen of Pathos Music (Delain, Sonata Arctica, Ensiferum) and the album was mastered by Henkka Niemisto of Chartmakers (Volbeat, Sonata Arctica, Korpiklaani). The artwork was created by Jan Yrlund of Darkgrove Design (Apocalyptica, Ensiferum, Sirenia).
The track listing is:
1. Save Me
2. Poison Apple
3. Hide And Seek
4. Memories Fall (feat. Manuela Kraller)
5. Evil Roots (feat. Inga Scharf)
6. Violent Roses
7. Hunting The Dreamer
8. Fortress
9. Silver Tree
10. Sun, Moon And Stars
11. Light In You (feat. Tony Kakko)
12. Sarah's Theme
13. Memories Fall (orchestral version)
14. A Grim Christmas Story More...
We're just getting started today. Click a date below to read more recent news.


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In Michael Orthofer's most recent post on Ryunosuke Akutagawa's The Mandarins, he focuses on the writer himself:
As we slowly wind up the discussion, moving towards The Life of a Fool and Cogwheels (which I figure will be the appropriate notes to end on), I'm still struck by how much a proper (?) sense of the author eludes me. Try as I might, Akutagawa remains something of a mystery-man to me. And though I'm generally not big on worrying about the author behind the texts I find myself looking for more of a hold here—in part because even after reading this collection, which comes after I've read quite a few different Akutagawa translations over the years, I still don't feel I know him or his writing that well.
Part of the problem with being able to identify a "Akutagawa story," may be the various translations made of Akutagawa's work, and the nature and quality of these early translations. Quoting from Donald Richie, Orthofer brings to the forefront the negative effect marketing can have on the publication of translations:
"Another problem with the foreign translations, besides their sheer number, is that Akutagawa was translated early. As a result, these first translations range from the unscholarly to the appalling. One of their unwelcome qualities is that they insist upon the exotic—this being one of the few ways to sell Japanese literature in the early days. An unfortunate result is that Akutagawa is made to seem quaint and curious, a mere purveyor of the exotic."
I'm not so sure things have changed that much when it comes to selling Japanese books, or any country's literature for that matter. Although nowadays there seems to be two marketing trends that reflect some of the things we've been discussing in terms of the goal of translation: emphasize the foreignness, the oddness or make the book so smooth it doesn't appear to be a translation at all.
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen's most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre's novel, Guys Like Me, we're shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob's bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza's debut novel attempts this,. . .
Antoine Volodine's vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those "who know," and guesswork. That's not to say that, were. . .
It hasn't quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .


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If your average catch in Pathfinder Reservoir is four rainbow trout in half of a day, expect to start catching three.
The same goes for Alcova, Seminoe and Boysen reservoirs, among others.
The Wyoming Game and Fish Department is cutting about 25 percent of the fish it normally stocks from more than 140 Wyoming waters. The cuts are in response to a funding shortfall after the Wyoming State Legislature decided not to raise license fees this year.
No one will likely notice a change in the large waters in 2014, said Mark Fowden, chief of fisheries for the department. But by 2015, fish won't be as plentiful. More cuts have not been proposed nor approved, but the possibility has local anglers worried.
"We would eventually be fished out," said John Blyth, owner of Four Seasons Anglers in Laramie. The Laramie plains lakes depend exclusively on yearly fish stocking and cuts could be more prominent there and in other small lakes and reservoirs. The first reduction won't permanently hurt the fisheries, but they could if reductions continue, he said.
"It would have a great impact on business and fishing in the area."
Game and Fish's fish culture department raises more than four million of fish each year to be placed in Wyoming's lakes and rivers. From large reservoirs like Flaming Gorge to alpine lakes high in the Big Horn Mountains, few Wyoming lakes and reservoirs don't receive supplemental fish.
The department keeps brood stocks -- adult fish it can breed -- of 18 types or strains of fish. Officials raise fish like rainbow, brook and brown trout for sport fishing. Wyoming's hatcheries raise all four strains of cutthroat trout for sport fishing and also to help replenish Wyoming's native populations, Fowden said.
Wyoming's hatchery system is the only one in the world to successfully raise golden trout.
And it's expensive.
The department's 10 fish hatcheries and rearing stations cost Game and Fish just under $5 million each year, 43 percent of the fisheries budget. Revenues from $24 yearly resident and $14 daily nonresident licenses don't pay for fish stocking and the rest of the fisheries department.
Fowden lists five reasons for the high cost: Maintaining the brood stocks, fish food, utilities, distribution and personnel. Utilities, for example, have risen 110 percent since 2004. The cost of feed has risen 165 percent.
Keeping breeding fish healthy and disease-free requires constant monitoring.
"We control our fish disease destiny for all waters other than the North Platte River, which headwaters in Colorado," Fowden said.
A disease in the headwater spreads to the rest of the river. Whirling disease, which makes fish spin in circles until they either starve or are eaten, started in the North Platte out of state most likely from a private fish stocking company, he said.
Nonnative fish like rainbow trout have built sustainable populations in plenty of rivers. Lake populations are a different story. Natural reproduction in Pathfinder, for example, can't begin to sustain the lake's trout population.
Trout move up the North Platte River to spawn, but are eaten by walleye when they come back down the river as babies, Fowden said.
To combat predation, officials stock 9-inch trout that have a fighting chance.
"If they stopped stocking, there would be virtually no trout left in Pathfinder," Fowden said.
Pathfinder angler Randy Bird isn't worried about the 2014 cuts. The fishery is so strong he thinks it can withstand one year, but he hopes it won't continue.
He and his family can fish on Pathfinder and catch plenty.
"For me personally, I love trout, and I love that fishery," he said. "Some lakes you don't catch but one fish here or there and you get bored. They need to do what they can do to keep the culture program going."
Pathfinder isn't the only reservoir facing a future with fewer fish.
Without the department's stocking program, most of Wyoming's lakes and reservoirs would lose their trout. Fishing is a $200 million industry in Wyoming with more than half of that money coming from boating anglers. The bulk of the anglers on boats are fishing for trout.
"It would be a $110 million loss to the state to lose the trout reservoir fisheries," Fowden said.


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RATINGS: 162 WEIGHTED AVG: 3.35 SEASONAL: Special EST. CALORIES: 219 ABV: 7.3%
COMMERCIAL DESCRIPTION Belgian Ale brewed with Brettanomyces
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