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The Kardashians Officially Cut Offt Blac Chyna

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Harris: I have let down my team
Comment on this storyJohannesburg - A New Zealand rugby player has come forward as the U20 player accused of rape in South Africa.
Hooker Nathan Harris, 20, said in a statement on Thursday that he had let down his team and his family.
He denied the rape charge, but said he had broken team rules by allowing a woman into his room.
"For that I am truly sorry and I want to apologise to my team mates, team management and to all the parents and friends who supported our team, but especially to my family for the distress this has caused them all," he said.
Harris confirmed that no other team members were involved in the alleged rape, which took place after the New Zealand U20 team, dubbed the Baby Blacks, lost to their South African counterparts in Cape Town on Friday.
Police in Cape Town said they had taken DNA samples from two players after a 22-year-old woman claimed she was raped in a hotel after the match.
"I have learnt a lot and now I am hoping for a good outcome so I can get on with my life," Harris said. - Sapa
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Sept. 1 (Bloomberg) -- Ralph Schlosstein, chief executive officer of Evercore Partners Inc., talks about the U.S. Justice Department's antitrust lawsuit against AT&T Inc.'s $39 billion takeover bid for T-Mobile USA Inc. Schlosstein, speaking with Betty Liu on Bloomberg Television's "In the Loop," also discusses investment strategy and the impact of the European debt crisis and U.S. growth uncertainty on global financial market volatility. (Source: Bloomberg)
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Zulu DJ Software Free 3.43
Zulu DJ software is the complete DJ solution. An easy-to-use interface makes mixing your favorite tracks easy. Apply effects on the fly while mixing your favorite music. Zulu DJ supports all of the latest audio file formats so playing and mixing your favorite songs is simple and fun. Automatic beat detection ensures that your tracks will be perfectly synced.
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Little WarsLittle Wars was written by the famous author H. G. Wells in 1913 and is a set of rules for playing with toy soldiers. Its full title is Little Wars: a game for boys from twelve years of age to one hundred and fifty and for that more intelligent sort of girl who likes boys' games and books.Little Wars is considered by some to be the first modern table op war game. It included fairly simple rules for infantry, cavalry, and artillery in the form of a toy 4.7 inch naval gun that launched projectiles, usually small wooden dowels to knock down enemy soldiers. In addition to it being a war game, the book hints at several philosophical aspects of war.OCo Excerpted from Wikipedia, the free encyclopedia." |
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User Review - Viji Sarath (Bookish endeavors) - Goodreads�..let us put this prancing monarch and that silly scare-monger, and these excitable "patriots," and those adventurers, and all the practitioners of Welt Politik, into one vast Temple of War, with ... Read full review
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User Review - John Beach - GoodreadsThis was fun. Made me want to go out and buy some toy soldiers and find someone to play against. (Pity that the chances of finding good, wooden-dowel projecting toy guns is about 0% these days.) Made ... Read full review


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Sat, Jul 5, 08 at 17:56
I just recently planted a Japanese Maple. After about 4-5 or weeks or so, the leaves are turning green. My parents tree has always had the red leaves. Why are mine turning green? Is there something I need to add to the soil or what do I do? It is in the sun in a well drained area. We have had a lot of water this spring. I want my red leaves back! |
Follow-Up Postings:
- Posted by gardengal48 PNW zone 8 (My Page) on Sat, Jul 5, 08 at 21:01
What kind of Japanese maple is it? When you refer to the "parent tree", does that mean this one is a seedling of a larger, established tree? If so, there can be considerable variability between the parent and the offspring with one often bearing very little resemblance to the other. And of course you do realize that Japanese maples come in a very broad range of leaf colors and that many selections go through a series of colors through the seasons, red being only one. And the amount of sunlight the tree receives can also impact leaf color, especially in midsummer. |
Some reversion to green is normal in mid summer in many cultivars. |
- Posted by weeping_willow (My Page) on Sun, Jul 6, 08 at 17:26
I bought it at a store. My parents(mom & dad's) tree has always had ONLY red leaves. I didn't know there were other kinds that turn different shades through the year. That must be what I have...I lost my paper that came with the tree. So I don't know what kind it is(cultivar). Thanks for responding! :) |
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A handmade dress can become a family heirloom. Create this one-of-a-kind dress in fun fabrics for any little girls, sizes 2T to 10. It's perfect for school or play. Detailed instructions for every step are included. This is the dress she will cherish.
Every girl wants to match her favorite doll. This pattern is an easy version of the Cherished dress for girls by Melissa Stramel. Featuring a cute button front and unique pockets, it's sure to please any little girl and her dolly. It's made to fit 18" dolls such as American Girl, Madame Alexander and Our Generation and 15" dolls such as American Girl Bitty Baby and Gotz. Also included are instructions for a miniature market tote from the Bountiful Pattern, also by Melissa Stramel. Make this the one she will Cherish!
Now for the details on how to get them: You can order any of my patterns as paper pattern or e-patterns. These are all now available in my new shop. We are doing some website maintenance and the shop will be linked from there over the next few days. In the mean time, just click the link above to order! I need to mention that the patterns are not in my hands just yet, but I anticipate they will be here next week. Or you can go for the e-pattern option which will be send quickly. Of course, you can also order through QuiltWoman.com. This is especially a good place to order from for wholesale and distributor orders of the paper patterns. And coming really, really soon you can order all of my e-patterns at a distributor rate through Patterns Gone Digital! This is also an option for stores. There are a few other places that are selling them -- as I get them I will add them to a new page that tells you where you can buy. Retailers, if you have my paper or e-patterns, please let me know and I'll include you!
I hope you Cherish this dress!
O give thanks unto the LORD; for he is good; for his mercy endureth for ever. 1 Chronicles 16:34


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1 cup buttermilk
1 tbsp. hot sauce
4 skinless, boneless chicken breasts
1½ cups whole wheat or regular panko bread crumbs
3 tbsp. Parmesan cheese
1½ tsp. onion powder
1½ tsp. garlic powder
2 tsp. black pepper
1 tsp. cayenne pepper
1 tsp. paprika
Organic olive oil spray
1. Preheat oven to 400. In a bowl, combine buttermilk and hot sauce. Add the chicken and allow it to marinate in the refrigerator at least 1 hour.
2. Combine bread crumbs, cheese, onion powder, garlic powder, black pepper, cayenne pepper and paprika in a self-sealing, gallon-size plastic bag.
3. Remove chicken from the marinade and place it in the bag. Shake well, until chicken is evenly coated. Lay chicken on lightly oiled baking sheet and chill uncovered for 30 minutes. Lightly coat with spray oil. Bake 15 to 20 minutes, turn over and bake 15 to 20 minutes more or until done.
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SOUTHERN OVEN UNFRIED CHICKEN Recipe


text: The Volume Eight wiki last edited by Billy Batson on 06/28/13 01:31PM View full history Unraveling the tangled mystery of the Trust as Wylie Times becomes the latest Minuteman to be reactivated by the Trust's one-time enforcer Agent Graves. But which side will he choose? Plus, an introduction by crime novelist Jason Starr (Twisted City, Tough Luck).


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adidas Chelsea FC Home Mini Soccer Kit
The inspiration for the new 2010-2011 adidas Chelsea home soccer kit came from classic Chelsea jerseys that evoke special memories for Chelsea's loyal fan base. The new adidas Chelsea Home mini kit takes inspiration from past home jerseys. The addition of a red collar and trim is a tribute to the Chelsea Pensioners who famously and proudly wear red coats (Chelsea were actually nicknamed The Pensioners between 1905 & 1952). The adidas Chelsea Home Mini Kit also encompasses a contemporary v-neck design with laser cutting detail inspired by design elements of Stamford Bridge stadium. The main body of the jersey integrates mesh into the fabric creating a striking design with pure performance benefits for wicking sweat away from the body. Show your support by purchasing the adidas Chelsea Home Mini Soccer Kit from soccerloco.com today!SKU | P95892-ADIDAS |
Gender | Youth |
Club | Chelsea |
League | English Premier League |
Brand | adidas |
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The rules are simple, Sam. You don't take a joint from a guy named Don and there's no dogs in the car!
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I don't stand on the "hate" side of the fence, but I'm not exactly ready to profess my love for the revised Mazda 3. I continue to think the new nose looks more like a Peugeot than an RX-8, and my inner Luddite continually screams: "but the old 3 wasn't broken!"
For the record, neither is this one. If you can get past the 3's new threads, you'll find much, if not all, of what made the first-generation car a hit. I cannot sing enough praise for this car's chassis, which remains sharp in corners yet compliant over broken asphalt. This 2.5-liter I-4 provides plenty of oomph, and the six-speed manual (a surprising rarity in this class) is silky smooth. The interior also offers a host of amenities that aren't typically found on a $22,000 hatchback, including leather seats, navigation, and a Bose surround-sound system.
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Since 1976, Keith and Betty Ketring have been combining their interests in woodworking and fine-art prints by preserving their clientele's artworks and heirlooms with custom frames. Their inventory of framing materials includes a spectrum of moulding styles—from stark black to ornately carved and gilded—as well as conservation glass and a multitude of colorful mats.
On October 5, 1905, years of invention and failure culminated into history as Wilbur Wright took to the sky in a craft that soared through the air for 24 miles. More than a century later, just a few miles from the field over which it first flew, the 1905 Wright Flyer III—now designated a National Historic Landmark—spreads its wings at Carillon Historical Park, inspiring visitors with its tale of innovation, persistence, and progress, and the aptly named "Wilbur Wright: A Life of Consequence" exhibit. Nearby, the park's Heritage Center features the year-round Carousel of Dayton Innovation, which contains 31 figures, a 38-foot hand-painted mural illustrating the turn of events in the Wright Brothers flying exhibits, and rides for $1.
As impressive as they are, the airplane and carousel are only a few of Carillon Historical Park's myriad attractions. Named for the 151-foot-tall Deeds Carillon, whose 57 bells have been pealing since 1942, the campus spreads across 65 acres. Just south of downtown, 30 historical buildings, including the 28,000 sq.ft. Heritage Center of Dayton Manufacturing and Entrepreneurship, draw visitors into Dayton's past and share in the park's devotion to history, heritage, and progress. Early settlement structures such as the Newcom Tavern—the oldest building still standing in Dayton—sit alongside other original buildings such as an 1815-era stone cottage. The park also includes replica buildings, such as the Deeds Barn and the Wright Cycle Shop, which recreate the birthplaces of the automobile self-starter and the airplane.
The park's transportation theme continues with an 1835 B&O steam locomotive and an interactive 1/8 scale railroad available to ride on select days for an extra fee and whose train cars carry passengers more effectively than 1/8 scale feet would. Nearby, the first Chevy S-10 truck minted by GM's Moraine Plant in 1988 mingles with a fleet of vintage and classic autos. After admiring their hulls, visitors can swing by Culp's Café—named and modeled after the eatery where widow and mother of six Charlotte Gilbert Culp served pies in the '30s and '40s—and order burgers or soda-fountain creations off a '40s-style menu. Before leaving, guests can peruse Wright brothers paraphernalia and items from the park's 1930s letterpress printing shop at the museum store or sign up for educational programming that teaches lost arts such as candle dipping and butter churning.
With a plethora of frame and mat samples, Deck The Walls can satisfy any and all framing fantasies. The expert framespeople can make diplomas radiate (most framing starts at $99), dorm-room movie posters sparkle (24"x36" pieces start at $99), and sports jerseys shine. The design wizards can also find a home for any prized possession, such as shoebox photos, baby booties, ticket stubs, medals, and really good pot roasts. Deck The Walls' lifetime guarantee and assurance that all work is done on-site means your frameables won't be subject to mistreatment at underground commercial framing facilities.
A crowd of 12,000 gathered across Wright Field on September 3, 1971. The reason: President Nixon had arrived to dedicate the new National Museum of the U.S. Air Force. It was a crowning achievement for the Air Force Museum Foundation, which continues to support the museum in its mission to inform the public on the Air Force's history and heritage. The museum's collection charts military aviation history?from the Wright Brothers to World War II to present day.
Museum admission and parking are always free. Current exhibits include more than 360 aerospace vehicles and missiles, and cover a time span from the beginnings of military fight to today's war on terrorism.
The Gallery for Young People offers summer art camps, field trips, and classes for kids and teens, helping them create art using a variety of media. Kids aged 3?5 start out by working with charcoal, paint, pastels, and papier-m?ch?. As students get older, lessons become more challenging, encouraging them to craft mixed-media self portraits and study printmaking. The studio also hosts exhibitions of the children's work to showcase their unique accomplishments.
Since its founding in 1998, the Northwest Ohio Railroad Preservation, Inc. has been dedicated to preserving, and educating others about, the rich history of the railroad in Northwest Ohio. The center's sprawling gift shop and museum, which features two model-train layouts, explore the role of trains in American life in the past and the present. Outside, quarter-scale deisel and steam trains chug across a field crossed with railroad tracks with dozens of gleeful passengers in tow. As part of its celebration of all things railroad, Northwest Ohio Railroad Preservation, Inc. also curates seasonal events, such as train rides brimming with holiday festivities.


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Browsing the "adidas Originals Roundhouse Instinct" Tag
adidas RH Instinct Launch with Pusha T and Fabolous at Moe's Sneaker Spot
August 8, 2013 BY Brendan Dunne / 0 0 / 5
There's a new iteration of Moe's Sneaker Spot that's about to open out in Jamaica, Queens. And, as is the custom with Moe's Sneaker Spot, they're making s...Read More
adidas Originals Roundhouse Instinct – "Electricity" + "Blast Emerald"
July 24, 2013 BY Brendan Dunne / 2 0 / 5
The adidas Originals Roundhouse Instinct was officially unveiled just last week, with the debut colorways for the new shoe keeping things reasonably tame. Throwing that sort of caution...Read More
adidas Originals Roundhouse Instinct
July 18, 2013 BY John Kim / 1 0 / 5
adidas Originals reaches back to 1995 with the new Roundhouse Instinct as we get a first look at this refreshed design. Combining the anatomy of the Roundhouse Mid with the reversible ...Read More


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Taylor Swift's 'Red' Surprise Guests Lead The Week in Celebrity Twitpics
That wasn't the only trick up Taylor's sleeve...Sara Bareilles also made an appearance at the concert on the same night. The singers shared the stage for a duet of Sara's new song "Brave."
At Tuesday's Staples Center show, Taylor brought out Tegan and Sara. The duo collaborated with the pop star on their song "Closer" bringing the sold out Staples Center audience to their feet.
Taylor's best friend Selena Gomez is also on tour right now. The Stars Dance singer, who just finished the Canadian leg of her tour, has been working hard. She posted a photo on Instagram of herself relaxing on a private plane, icing her knees and sipping on a drink from McDonald's.
The popular fast food chain made its way into another singer's Instagram photos. Rihanna stopped by a McDonalds to order some food while in New York City. We don't know what she ordered but it's safe to say nothing can ruin that perfect figure.
Make sure to check out the rest of this week's Twitpics in the gallery above!


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Follow-Up Postings:
- Posted by johnsonm08 5 (My Page) on Thu, Sep 20, 12 at 10:40
We had low 40's here a couple of weeks ago, and one of mine was left out for about a week of night time temps of at least 42.. It doesn't seem to have suffered any ill effects. The soil was dry, so that probably helped. We had low 30s Tue night-Frost warning- I hate this time of year too--I cant fit my car in the garage right now. Mike |
40's was the lowest it's gotten here and daytime is still around 80 so I have a couple more weeks until I must absolutely move everything. I wasn't worried about damage to the seedlings. I am just hoping I got them in fast enough that they don't go dormant. I want to see the freaking flowers already. Besides the greenhouses I also take over the garage in the winter. I have that set up with HID lights, no cars. It doesn't bother me. For some reason I don't like parking in the garage, even when it isn't being used for plants. |
Theres some big fat caudex's growing there :D how old are your seedlings? |
karyn, You have quite a collection there. I have to keep myself in check, but it sometimes hard. Moved my seedlings (Adenium) in a week ago and put out for the day as day temps. are still good. I do not have your numbers. My Pachypodiums I have had in for a bit longer and don't put them out for day. All of your Adeniums look wonderful. I love the one in the small pot, very bulbous caudex. Your lighting set up is great. A friend of mine uses a similar set up and has the wall at back and upper shelf lined with Milar and does it ever reflect the light. Do your Adeniums usually go dormant with the light set up? rcharles |
I woke up to a bunch more yellowing leaves. I probably should have taken these in before they began dropping leaves. I'm not sure that I can keep them from going dormant. If you move them early enough and keep them under lights at least 14 hrs a day you can prevent dormncy. It's more the length of daylight then temps that control dormancy. Even plumerias in warm areas go dormant in the winter. Those are all about 3.5 years old but this was the first year that I'd trimmed them back. I usually wait for blooms before pruning but these had become so lanky that I couldn't look at them anymore. Several have nice caudexes developing. I also like that almost perfectly round one. I hope it keeps that shape as it grows. My pachypodiums are still outside. My P. bicolor has lost almost half it's foliage already. The T5 lights are pretty decent but I like HID lights better. The mylar definetly increases the reflection but I can't use it with the T5 set up as these are against a LR wall. HID systems are so much brighter but there's no way I can use them in a living space. They're just too darn bright and they also generate quite a bit of heat. I use MH and occasionally HPS lights in the garage and don't even need additional heating when they are on. I used to have a 'plant room' in an extra bedroom and you could see the lights from the street. People walking and even driving by would slow down to look. I'm surprised that I never had a visit from Mr. Officer ; ) It really made it look like a 'grow house'. |
Those lights do cast a lot of light and I had thought about the neighbor wondering. He works at the police station. I started so many Adenium seeds this year and was over faced with the thought of keeping them all winter. I ended up trading some to a fella close by that has an unbelievable Succulent & Cacti nursery. Took up the plants, not expecting to get anything and he started giving me plants in exchange. Could hardly refuse, although I should have. Like a child in a candy store. I got P. gracilis, P. decaryi, Orbea, Duvalia, Jatropa (Buddha tree) and a bunch of Lithops. Hoping that my Adeniums do well over the winter. Thanks for all of your help, rcharles |
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Book your room at Hilton Garden Inn- Grand Forks/UND
Two queen beds
Max Occupancy: 4 guests (up to 3 children, 3 infants)One king bed
Max Occupancy: 2 guests (up to 1 child, 1 infant)Junior Suite, One King Bed, Non-Smoking
Max Occupancy: 3 guests (up to 2 children, 2 infants)Deluxe Suite, One King Bed, Non-Smoking
Max Occupancy: 4 guests (up to 3 children, 3 infants)3-star hotel near University of North Dakota
Situated in Grand Forks, this hotel is within 1 mi (2 km) of North Dakota Museum of Art, University of North Dakota, and Alerus Center. Ralph Engelstad Arena and Altru Main Clinic are also within 2 mi (3 km).
Nearest Transport Options
Nearest Airports
Hotel Features
This smoke-free hotel features a restaurant, an indoor pool, and a fitness center. WiFi in public areas is free. Other amenities include a bar/lounge, a spa tub, and a business center.
Room Amenities
Rooms feature refrigerators, room service, and coffee makers. Free weekday newspapers, hair dryers, and ironing boards are among the other amenities that guests will find.
Information missing or incorrect? Tell us!


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I am developing an Outlook plug-in with which I want to prefill From, To or BCC fields when a new mail item is created. Can you point me to the event that I can use to do that and on which object. Thank you.
Take the 2-minute tour
Stack Overflow is a question and answer site for professional and enthusiast programmers. It's 100% free, no registration required.
Latch onto the This should be a good jump-start for you, but you really should read the Outlook Object Model overview to better understand plugin integration. |


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sign out Welcome, (edit)
Published:June 6, 2014 3:00AM
TRUNK SALE -- The Mahoning County Junior Fair will hold a trunk sale from 8 a.m. to 6 p.m. Saturday. There will be more than 30 vendors and concessions by the Junior Fair Board. Vendor...
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As far as anything with a 27in screen can feel floaty, this all-in-one does. The clear perspex hanging from its edge-to-edge glass screen gives it a lightness from the front, though you'll find it more industrial from other angles.
Stand on your own foot
An unusual 'unistand' cleverly incorporates the power connector, and it folds flat into the back panel if you decide to wall-mount the device.
The Aspire's 1080p screen and 10-point multitouch makes it ideal for Windows 8's touch-enabled interface, and the stand rakes between 30-80º to provide an angled touchtyping surface.
But take a look around the back and you'll find two HDMI inputs (and one HDMI-out), a socket for the built-in TV tuner, a Blu-ray drive and an impressively svelte form that makes the Acer look like an ideal telly replacement.
More after the break...
TV replacement?
But the 7600U's innards are a mixed bag. The CPU is a 2.5GHz Intel i5 mobile variant, which is just about fast enough to run Win 8 without too many problems, and a discrete mobile graphics chip drives the display – but fan noise can occasionally be distracting.
It's thin enough to wall-mount, and the webcam doubles as an extra user-interface – bundled software sees your hand as a mouse. Viewing angles and screen performance are great, but audio is a little weak and gives way to a rattly, raspy distortion if pushed. The Acer goes a long way, but it's not perfect.
Acer Aspire 7600U
Fully featured as a media-devouring nexus, but it might not be the desktop of your dreams


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Senior Member
>200 mb patch just for a new champion? how?
Thanks to Riot for Nami <3 She's a lot of fun to try out ^^ She looks cool, sounds so bubbly and hyper, and best of all, I love her abilities ^^
Junior Member
First time posting after lurking for a bit. Just got Nami a couple of hours ago, and I think she is great at support... as ap, not so much (though maybe i did not try her that much) Her W makes it very easy to get assits (maybe too much), and a well placed E can benefit the adc a lot. I still have to master my aim with her ulti, but that will come in time. Thanks Riot for another great hero (one that is not so dark as the last one that were launched.
I love you Riot! *saves up RP* T.T
SO uh yea.. 4/5 ranked games showing had at least one nami. 2 had 2 namis. Must be powerful for that kind of early excitment.
why cant i buy her skin separately??
x.x so pretty
This champion is so fun and I am in love with her skin.
Lorenzo de Medic
Honestly, riot is so scared to make a broken champ they are going to make weak awful ones like Nami. Her heal is too weak, the damage isn't great, her ult doesn't slow for that long, her E is great, and her stun is meh. Over all she needs a buff to be considered anywhere near the standard for support


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A running tip that will save your skin
We're not talking about better performance, but potentially saving your life.
Angela Macdonald-Smith 5:34pm The dive in oil prices could wipe more than $30 billion from Australia's export bounty from liquefied natural gas in 2017-18, gouging a huge hole in revenue compared to the projections of just a year ago, according to Westpac economists.
PETER HANNAM The flagging Australian solar industry will get a $33.3 million boost as the government's green investment bank combines with a Chinese partner to spur companies to take up more photovoltaic panels.
Mathew Carr Europe's attempt to revive its carbon market is being thwarted by a lack of pollution.
China's state planning agency has ordered the city of Shanghai and the provinces of Zhejiang, Jiangsu and Guangdong to draw up plans to reduce coal consumption in a bid to improve air quality, according to a policy document released on Wednesday.
PETER HANNAM Australia's ranking among investors in large-scale renewable energy plummeted in 2014, dropping behind much poorer nations.
NICOLE HASHAM NSW faces three weeks' worth of gas shortages in winter next year and the state government might have to invoke emergency powers to ration gas supplies, a leading energy company has warned.
Ehren Goossens Materials that may be cheaper and more efficient than silicon at converting the sun's rays into electricity could be key to the next generation of solar power, scientists say.
PETER HANNAM Australia's small-scale solar energy industry held steady in 2014 although uncertainty about the Abbott government's support for renewable energy and rising costs for imported panels as the dollar wilts are casting a cloud over the sector.
BRIAN ROBINS Snowy Hydro has bulked up its power generation assets further with the acquisition of a gas-fired peaking power station in the Hunter Valley.
BRIAN ROBINS The Australian Energy Regulator has found that while average spot prices in Queensland eased in 2013-14, they were 14 per cent higher than NSW prices.
PETER HANNAM Australia is the worst-performing developed nation when it comes to climate-change action, a survey by European non-government organisations shows.
PETER HANNAM Australian researchers have achieved world-beating levels of converting sunlight into electricity, potentially making large-scale solar plants more competitive with other energy sources such as coal.
Developing countries may need as much as $US250-$US500 billion per year by mid-century to deal with the fallout from climate change, a UN report has warned.
Alex Morales A major threat to fossil fuel companies has suddenly moved from the fringe to center stage with a dramatic announcement by Germany's biggest power company and an intriguing letter from the Bank of England.
Germany's top utility E.ON says it will split in two, spinning off power plants to focus on renewable energy and power grids, in a dramatic response to industry changes that could trigger similar moves at European peers.
PETER HANNAM Australia's carbon emissions from the main electricity sector continue to climb, driving up the national total just as nations gather in Peru to negotiate a global pact to halt climate change.
PETER HANNAM The state's chief environmental regulator has quietly begun a year-long study of fugitive methane emissions in a bid to calm community concerns about the coal seam gas industry.
PETER KER Having reluctantly accepted mining on their ancestral lands, the indigenous people who live beside the nation's biggest uranium mine could soon watch see their industrial interloper depart.
STEPHEN CAUCHI Cheap coal-fueled electricity is touted by miners and politicians as a way out of poverty for developing nations, but apparently Africa hasn't been listening.
PETER KER Mackenzie says BHP would invest in other commodities if the world moves quickly to a "green horizon"
Diane Cardwell For the solar and wind industries in the United States, it has been a long-held dream: to produce energy at a cost equal to conventional sources like coal and natural gas.
Germany is working on a new law to force energy companies to shut down several more coal-fired power plants as it tries to reach ambitious climate goals, a document seen by Reuters showed on Sunday.
PETER KER Shareholders say remuneration is out of sync with sliding commodity prices.
Governments are far off track in combating global warming and should phase out net carbon dioxide emissions by 2070, well within the expected lifetime of people born today, a UN study said on Wednesday.
Jim Polson A majority of Americans support tougher pollution limits on coal-burning power plants even if it means paying more for electricity.
PETER HANNAM Methane levels near coal seam gas fields in Australia have been found to be as much as triple normal levels, raising renewed doubts about the global-warming benefits of using the gas compared with other energy sources.
China needs to hit its "peak coal" use by 2020 if it is to fulfil its commitment to end growth in climate-warming carbon emissions by the end of the next decade, an influential government think tank said on Tuesday.
PETER HANNAM Half the firms surveyed backed deeper cuts than 5 per cent of 2000-level emissions by the end of the decade.
Debjit Chakraborty and Ganesh Nagarajan India said its renewable-energy industry must eventually learn to live without government support and that it's seeking to generate five times more power from solar by 2022 than is currently installed.
PETER HANNAM The Abbott government has been left squirming on another climate front after key ally Canada said it will contribute to a United Nations climate fund to help impoverished countries cope with global warming. Tony Abbot has said that Australia will not be contributing to the fund.
MICHAEL WEST If you joined the dots you'd conclude that taxpayers are going to subsidise Queensland's Galilee Basin coal project, despite the G20 calls to end subsidies, low coal prices and some dubious economics.
PETER HANNAM The US-China pact to curb greenhouse gas emissions is "unprecedented" but won't be enough to prevent dangerous climate change, said Pep Canadell, the head of CSIRO's Global Carbon Project.
GrainCorp fears this year's harvest from Australia's eastern states will be below average amid hot, dry conditions in many areas.
PETER HANNAM Ross Garnaut, a China expert and compiler of two emissions trading reviews for governments, said the US-China deal represents a bigger shift for the Americans.
PETER HANNAM Global energy demand growth will halve by 2025 but fossil fuels will continue to dominate, leaving the planet on a warming trajectory of 3.6 degrees, according to the International Energy Agency.
PETER HANNAM Labor's decision to end talks for a compromise leaves the government no options but to try to secure another Palmer United Party back-flip.
PETER HANNAM Soaring gas prices have prompted the NSW government to expand its energy efficiency support program to include gas as well as electricity.
LATIKA BOURKE A major report into climate change says Australia will need to substantially lift its carbon emission reduction target to 40 per cent by 2025 and is calling on political leaders to look beyond the short-term debate focused on the 2020 goal.
Australia should reduce net emissions by 40 per cent by 2025 and decarbonise the economy by 2050, a climate body report says.
PETER HANNAM Claims by federal politicians that new coalmines in Australia would lift hundreds of millions out of poverty were merely echoing hyperbole by big mining companies, The Australia Institute said in a new report.
PETER HANNAM Australia's electricity sector has responded to the end of the carbon tax and rising gas prices by burning more coal, lifting carbon emissions and making it harder for the Abbott government's direct action policy to meet the country's 2020 target.
UN calls to curb greenhouse gas emissions by ending most electricity generation using coal will face some tough challenges, with coal mining going through a growth spurt in countries such as Australia.
PETER HANNAM Opinion Direct Action, the centrepiece of the Abbott government's efforts to address climate change, remains a largely unknown quantity even in the wake of this week's breakthrough deal between the Coalition and Clive Palmer's Palmer United Party.
Bloomberg News China is on course this year to build four times the total wind power installed in all of Denmark as developers push to build the turbines ahead of cuts to incentives originally designed to spur the industry.
Mark Kenny, Lisa Cox Tony Abbott has left open the possibility of a return to emissions trading in a trade-off for the Palmer United Party's support for his controversial Direct Action climate policy.
PETER HANNAM The Abbott government appears poised to fast-track the approval of plans to dump millions of tonnes of dredge from a coal port expansion on to internationally significant wetlands.
Justin Doom Emerging markets are installing renewable energy projects at almost twice the rate of developed nations, a report concluded.
PETER HANNAM Proponents of Australia's largest prospective coal mines say they are undeterred by the decision of two leading US banks not to participate in any funding of a related port expansion in Queensland.
MICHAEL KOZIOL Whitehaven Coal managing director Paul Flynn has delivered a spirited defence of the coal industry as an economic and environmental good, saying we may be relying on the fossil fuel to tackle climate change.
PETER HANNAM Lowering the renewable energy target is likely to undermine existing investments while freezing new ones, and open the federal government to demands for compensation, a leading law firm has said in a report.
We're not talking about better performance, but potentially saving your life.
Businesses are being urged to assess their security measures in the wake of the Sydney siege and Charlie Hebdo attacks.
After bureaucracy temporarily stopped Temple Bruer exporting to China, it is ramping up sales now to this lucrative market.
A free independent guide from SMH with expert information.
A free independent guide from SMH with expert information.
A free independent guide from SMH with expert information.
A free independent guide from SMH with expert information.
A free independent guide from SMH with expert information.
A free independent guide from SMH with expert information.
A free independent guide from SMH with expert information.
A free independent guide from SMH with expert information.


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Solid. That's the best way to describe the RX350 and may go a long way toward explaining why so many people buy it. Certainly, they are not after style. I actually admired the original RX (it was pretty rare back then to see a car from the factory with clear tail lights), but this latest model looks pinched in all the wrong places.
Neither is it all that luxurious feeling, with lots of matte black surfaces made of decent, but not necessarily premium, soft-touch plastic. Other crossovers we've sampled recently, including the Cadillac SRX, the Audi Q5, and the Lincoln MKX, offer more design flare, both inside and out.
But where the Lexus beats them all is in its vaultlike solidity. As Phil noted, much of this feeling comes from the beautiful wood-trimmed steering wheel, which turns with surprising heftiness. In serene silence, the RX tames Michigan's pothole-infested roads with nary a squeak. The closest comparison might be the BMW X5. But whereas the Bimmer's solidity translates to athleticism, the Lexus feels overwhelmingly secure. Considering that many crossover customers are looking for the passive safety of a truck, Lexus does well to make its medium-sized RX feel like it owns the road.
David Zenlea, Assistant Editor


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Art Contests, Competitions, Offers & Shows
Where You Pay Money or Send Art:
Will They Be Good for Your Career?
Or Are They Dead Ends, Time Wastes or Scams?
All artists wanna sell lots of art and get lots of press and have lots of shows and be lots of famous, right? Well, any artist who's made it will tell you that achieving these goals is a long, arduous and step-by-step process. That said, there's no shortage of artists out there who not only want it fast but who also believe they can get it fast. For those of you might who fall into that category, there's no shortage of promises and propositions floating around-- offers to streamline the process and advance you to the endgame, some of which sound immensely compelling and all which can be yours for varying amounts of outlay-- either cash or art or both. Yes, in exchange for your hard earned dollars you can have endless opportunities to be a part of artist contests, competitions, exhibitions, juried shows, non-juried shows, art websites, and included in artist books, directories, encyclopedias, annuals and guides, and get gallery representation or exhibitions or shows, and more.
Now some of these pay-to-play offers and invitations may well be worthwhile, but they can also turn out to be wastes of time or money or at worst, outright scams. We all want it now, but please, whatever the proposal, use common sense and investigate it fully first. Maybe much of what you're about to read is stuff you already know, but just to make sure we're gonna review and refresh anyway. Keep in mind that not all offers and opportunities similar to those mentioned here are problematic; some may actually get you somewhere. But any solicitation involving either your money, your art or both should be fully researched before signing on-- especially when you're being contacted out of the clear blue by businesses or individuals you've never heard of before. There's hardly anything more irritating than sending your money or your art off into the cosmos and receiving little or nothing in return, or worse yet, getting hoodwinked by a hustler. So let's play safe, play smart and bolster the knowledge base...
* Paying for mailing or email lists of galleries, agents, collectors or any other arts-related professionals, businesses or institutions that can supposedly advance your art career. This is often a waste of time and money not only in terms of buying the lists, but also with respect to time and costs of crafting professional sounding emails or if you're sending actual mail, designing and printing mailers. Why? Because you don't even know who you're emailing to, what their areas of specialty are or how specifically to explain why they should be interested in your art.
Mail or email lists tend to be arbitrary and non-targeted (and sometimes not even accurate), meaning that the overwhelming majority of recipients will probably have little or no interest in your art right from the get go, and the rest will likely have no interest either because they have no idea who you are or why you're contacting them. When your email or mailer looks like it's going out to tons of recipients at once, don't be surprised if no one responds. If you can't make a gallery feel like you care, then chances are really excellent that they won't care either.
The right way to do it? Instead of spamming everyone at once, search potential galleries or art world contacts one-by-one to determine whether your art is something they might be interested in seeing more of and learning more about. Getting personal is absolutely the best way to go. Still itching to buy that mailing or email list? Ask the company selling the list for the names of 10-20 artists who have already bought it, contact them and find out how effective the list was. If the seller refuses to give names, it's probably best to move on.
* Galleries that want a chunk of money up front to give you shows or wall space, especially those that tantalize you with the prospect of getting exposure in major art centers like New York or London, and especially those with fees ranging into the thousands of dollars. To begin with, what incentive does any venue have to sell your art when you pay them in advance? Certainly a lot less than they have if you don't pay them anything, and the only way they make their money is by selling your art (like the large majority of galleries actually do).
To begin with, if one of these galleries contacts you, you have to figure out whether the even know who you are or what your art looks like or whether they're just spamming from an email or mailing list they assembled or bought. It's your responsibility to find these things out. (Hint: I occasionally get offers to pay to show my art at galleries, but guess what? I'm not an artist.) By the way, some of these galleries make it seem like all artists pay for their shows, no matter what galleries they show at. THIS IS NOT TRUE AND IT NEVER WILL BE.
Some of these galleries also make it seem like they have a selection process for the artists they exhibit. They may or may not, but it's your responsibility find out, to learn what that process is, and to get specific details directly from the source. You want that process to be something more than you write them a check; they give you a show.
Having said all this, if you're still interested in paying for a show and the gallery seems genuinely interested in you and your art, make sure you stand some chance of getting a reasonable return on investment by fully researching the opportunity first. See whether their shows get reviewed online at websites other than the gallery's. Either ask the gallery for the names of at least 10 to 20 artists who have paid for shows there or take the names of 10 to 20 artists off the gallery's website (this is better than asking). Call or email those artists, and ask how successful their shows were, how much art they sold, whether they would do it again, etc. If enough of them give you the thumbs-up, go for it.
* Show offers that promise reviews of your art, exposure to curators or museums, significant advertising and other forms of art world publicity in exchange for a fee. Again, it's your responsibility to verify all such claims. Besides their own websites, do they have a significant online presence? Which curators will see your art? What publications will print the reviews and are they in-house (published by the people offering the show or exposure) or independently published ones that are read and respected throughout the art world? Ask which critics will write the reviews (or have written reviews of their past shows or events)? And ask for examples of those reviews. What publicity will you get? Where will the advertising appear? What past successes can the gallery or enterprise report? Do they even know who you are and what your art looks like or is their offer simply part of a mass mailing or emailing? Once again, either ask them for the names of 10-20 artists who have paid for these services or better yet, take those names directly off of the offerer's website and call or email them to find out what they got for their money.
* Competitions, juried shows, contests, or annual exhibitions where you pay to participate, especially those held at retail galleries, especially those without a history or tradition or without recognizable jurors or sponsors or locations, especially those with significant entry fees. Verify the history, tradition, significance, and jurors of any such offer before entering or sending money. Verify that they have a track record of successfully getting their exhibiting artists somewhere. Even when a juror or jurors have profiles in the art community, always investigate the opportunity fully before paying.
For example, I received an offer once about a competition that had supposedly been going on for the better part of 20 years. I emailed the sponsor and asked them to email me the winners of the past competitions in this series and, you guessed it, I never heard back. Still thinking about entering? Then here's the drill: Check the contest or competition's online profile and make sure it extends beyond the people or organization sponsoring it. Get the names of artists who have already participated, either from the website's lists of previous participants or directly from the people producing the competition, and do due diligence. Whether artists won or lost is not what you're after, but rather did they make any sales or get ANY feedback or positive response or career advancement whatsoever? If you're gonna pay, it's always nice to get something in return. Simply seeing pictures of your art on a website or hanging in a show may be personally gratifying, but is that really enough?
* Books, magazines, or other types of directories that offer to include your bio and images of your art in exchange for anywhere from hundreds to thousands of dollars. Some publishers claim that they send their publications out to thousands (or more, sometimes many more) of international dealers, curators, museums, distributors, and collectors. Any such claims MUST be verified, not only in terms of whether the purported recipients actually receive the publications, but more importantly, whether they take them seriously. Before you send any money, ask for the names of 10-20 museums, galleries, or significant art world notables who receive the publication, and then selectively contact them to see whether they're ever heard of it, seen it, or taken it seriously. Ask where you can buy the publication. More importantly, tell them where you live and ask where you can see a copy of the publication in your area. Ask for the names of people or galleries or institutions that who can show you a copy of the book. If you get evasive answers to these kinds of requests and come away without being able to see a copy of the publication... well, you know the rest.
Some of these publications sound really important and have hifalutin words in their titles like Masters of this, Genius of that, International this, Best of that, Collectors or Connoisseurs choice of this or that, and so on. If you're not any of these things now, do you think paying money to be included in publications like this will suddenly change that status? Doubtful-- especially if all you have to do get in is write a check. Again, no matter how fantastic it sounds to included in anything like this, thoroughly research all such publications in advance to determine whether either they or their books have a significant online or art world profile, one that extends significantly beyond whoever publishes them.
* A variation on the above example is periodicals that will give you an article in exchange for purchasing a certain amount of ad space. People in the art business know which publications operate this way and generally do not take their content very seriously because it's based on who pays rather than on who's good. Again, always research first. Contact artists who've taken out ads or who have been featured in articles and see what they have to say. If you hear enough positives, go ahead and participate. If not, it's probably best to move on.
* Websites offering to sell your art online for a fee. Some have high online profiles; others just say they do. Some are good for selling art; others just say they are. For instance, I once received an invitation to sell my art (I'm not an artist, remember?) on "one of the world's most important art sites" which turned out to be nothing of the sort. Corroborate all such claims with concrete proof, in this case, that this website is a major online player. You can check any website's traffic and rankings on sites like Alexa. After researching their rankings, check online reviews of the site, contact participating artists who show on the site to see how they're doing and find out what kinds of returns they're getting on their investments. Selling art online is never easy, especially if you're not well known, especially on a website that offers thousands of works of art by hundreds of artists-- selling art against these kinds of odds is almost like winning the lottery.
* Anyone who wants money up front to be your agent, broker, or representative. As with galleries where you pay up front, these individuals have significant less incentive to peddle your art when you pay them first. In fact, paying them to represent you may actually be a disincentive-- they've already made their nut. But wait; it can get even worse. For example, you pay them X amount of dollars to represent you for three months or six months or whatever, the time passes, they sell nothing, and then they ask for more money, perhaps giving you the impression that sales are in the offing, it takes time to get your name out there, whatever.
If you're really intent on pursuing a fee-based agent or representative, ask for names of artists who they represent. Get at least ten names, preferably more, and find out how often and how much those artists sell through that agent or representative or how their art world profiles have been enhanced as a result. Now if a healthy percentage of the artists report that they're making money after expenses, fine. Otherwise, you're taking your chances.
* First-time contracts with dealers, agents, or galleries you're not familiar with or haven't done business with before that make serious demands. These include requiring long-term exclusivity agreements (greater than six months or a year) to represent all of your art, to be your sole representative over large geographical areas like statewide or nationally or internationally, that require you to pay them a commission on any art you sell regardless of who you sell it to or where you sell it, granting them reproduction rights to works of your art that pay no residuals or royalties to you, or similarly one-sided concessions. These are the kinds of terms you might consider only after a relationship has already proven to be profitable over a significant amount of time, and that all parties involved work extremely well together.
* Offers to purchase get-rich-quick instructional books or courses that supposedly teach you how to make big money selling art on eBay, online, or in any other circumstance.
* Unsolicited offers from total strangers to build you a website that will sell lots of art.
* Unsolicited offers from total strangers to get you high rankings on online search engines.
* Any offer from anyone who clearly does not know who you are or what your art looks like, for example, emails from individuals or organizations that begin with the words "Dear Artist."
* Beware of any email correspondence you receive that includes a strict disclaimer instructing you not to share the contents with anyone, or asking you to delete it from your computer for any reason. If they want you to delete it, find out why the sender would not want as many people to know about the offer as possible. Individuals or businesses offering opportunities for artists, or who want artists to participate, generally want as many artists to know about and sign up for their services as possible. They also tend to post their offers freely to social networking websites, encourage artists to share the offers with other artists, post them on calls-for-artists websites, and do whatever else they can do to get the word out. Instructing people not to tell anyone about an offer in a threatening way is not at all typical, and definitely cause for concern.
* Find out how anyone who contacts you has heard about you. Ask what they know about you. Ask them to describe your art, like what specific pieces they're interested in and why. If they're so sure they can advance your career, you would assume they've researched you, and are familiar with your resume and what your art looks like. You want to make sure you're not just another name on a bulk mailing or email list, and that those making the offers know who you are. It's your job to separate out those genuinely interested in your art from those genuinely interested in your money.
* Ask for references including enough contact information to verify that they are who they represent themselves as. These include names of artists whose art they've sold, or who have gotten shows, reviews, or won prizes as a result of their participation. Verify that whoever or whatever it is has the reputation or influence they claim to have, online as well as in other sectors of the art community. Significant online profiles, third-party press in established art world publications, or reviews by respected critics are always good signs.
* You are perfectly within your rights to ask companies producing shows, fairs or exhibitions specific questions about past events that they've organized. These might include requests for estimates of the amounts of art that have sold, attendance figures, satisfaction levels of artists or exhibitors, other forms of "return on investment", or about any other concerns you might have. If you don't get the information you're looking for-- and especially if you get run-around answers, hostile answers, evasive answers, answers that throw everything back on you, etc-- then this is likely NOT an opportunity for you. You want straightforward direct honest responses from people who seem to be concerned about you and your artistic well-being. If the organizers make claims about getting artists exposure, providing resources or giving access to certain sectors of the public that you wouldn't otherwise have, then you deserve to know exactly what that means-- in terms of concrete verifiable facts and results.
* Does an application form for a show, publication, gallery, fair or other type of offer clearly state whatever fees you'll be required to pay if you get accepted? Are all fees clearly displayed somewhere on the website or in the email making the offer? If not, why not? If not, ask whether any fees are involved and where you can read about them. Before you fill anything out, get complete disclosure on costs. If websites or emailers are less than forthcoming or responsive when you ask about fees, it's best to move on. In general, beware of any offers that initially come across as being free or low cost, but actually charge significant amounts of money for services.
* If your email correspondences with an organization or website making an offer put any kind of pressure on you to sign up, be careful. For example, if they state that the offer is a "once-in-a-lifetime" or "limited time" opportunity for representation, international exposure, career advancement, etc, ask them to explain exactly what they mean-- with facts.
* If an email or website lists stores, galleries, institutions or other retail outlets where their publication or publications are distributed and available for sale, call those places to confirm that this is actually the case. Only being available on websites like Amazon or print-on-demand sites, their own websites, or other mega-sites that sell millions of books and publications is not enough. You need evidence that the publications are actually selling and being read by people who count.
* If an email or website claims that they get large amounts of online traffic, check those claims out on websites like Alexa. Compare their website rankings to those of websites that you know and are familiar with in order to verify that any claims of having high rankings or online profiles are true (or not).
* Search online using the title of the event, or the name of the gallery or individual making the offer. Exercise due diligence here; don't just read a few top search results (those results usually belong to the parties making the offers, not third-party search results). And watch out when all you come up with are press releases written by the parties making the offers and posted on free press release websites. You want information from sources other than whoever is making the offers.
* If you're not familiar with the names of the individuals or businesses who have contacted you, search their names along with words like "reviews", "complaint", "scam", "spam", "warning", "fraud", "legal", "judgment", "court", "defendant", "creditor", "bankruptcy" and see what comes up. You can never be too careful.
* Does the organization sponsoring the offer say they're a non-profit? If yes, verify that they actually are by typing their name into this IRS Charity and Non-Profit search form.
* If you get an email that mentions certain works of your art, your art in general, or seems otherwise personally intended for you, copy phrases directly from the email of perhaps 5-15 words each (one phrase at a time), put them in quotes, and search them on Google. You want to make sure that the exact same email has been sent out repeatedly and to multiple artists.
* Type the address of the business, gallery or other venue into Google, and locate it on Google Maps and Google Street View. Does the organization have a physical location like a gallery, an office, a home office, or is it just a post office box?
* Speak to a principal either by phone or Skype (with camera on) or in person. Making personal is often far superior to going back and forth in impersonal emails. You really want to get a sens of who you're dealing with.
* When verifying claims, never accept generalities. For instance, a statement like "this publication will be distributed to museums worldwide" is not adequate. You want specific names and contact information. Complete contact information is essential-- names, street addresses, phone numbers, websites, emails.
* Always remember-- fame is not bought; it's earned.
* Email requests to buy your art that provide little or nothing in the way of details about the person who's emailing you, additional contact information, where they live, how they found out about your art, what they like about it, etc.
* Email requests to buy your art, but that do not mention you by name and contain no specific information about either you or your art.
* Email requests to do business with you where you are asked to reply to an email address different than the originating address (unless the sender has a verifiable explanation for using an alternate email address).
* Requests to complete transactions in unconventional ways including but not limited to unusual ways of making payment, unusual shipping requirements, lack of verifiable contact information, unwillingness to speak by phone, etc.
* Buyers who start making excuses in order to explain why transactions must be completed in unconventional ways. Scam transactions often involve buyers who make excuse after excuse in order to justify their unusual shipping, payment or receiving requirements.
* Offers to purchase your art where the purchase is paid for by one party and the art shipped to another party. This has the potential to result in a complaint that the art was never received and a subsequent request for a complete refund.
* Shipping addresses that are not verifiable residential or business addresses, but turn out to be mail services, drop-off or pick-up locations, or PO Boxes.
* Offers to pay for art with a credit card that is in a different name than that of the person buying the art. Verify all third-party transactions before accepting payment, and make sure that the cardholder is aware of the purchase being made on their card. Personally speak with the cardholder to verify that the charge is legitimate. Also find out how the purchaser knows the buyer (the person whose credit card is being charged). Don't forget to get the card's security code and billing zipcode. And ship the art only to the address of the cardholder. If you have any questions, contact your credit card service.
* Offers to pay for your art in forms of cash, including wire transfer to your bank account, money order, Western Union, cashier's check, escrow services, or personal check-- especially when the amount of the payment is greater than the cost of the art (you are then given instructions to cash the money order or whatever, then send the buyer the art plus the amount of the overpayment. The bad news? The check or money order often turns out to be counterfeit).
* Offers to pay for the art where the money is sent to you by services, websites or businesses you've never heard of and cannot verify.
* Offers to do business that involve having your art picked up by curriers or third-party intermediaries instead of standard shippers, or requests to ship to addresses or countries that are different from where the people making the offers are located.
* Unsolicited communications from anyone you don't know claiming to have a piece or pieces of your art sold, to send them the art, and that they'll pay you either upon receiving it or after they get paid for it. These may occasionally be legitimate, but make sure you get full contact information and references, and verify whom you're dealing with before shipping anything off in the mail.
* Unsolicited or unqualified requests to send samples of your art to dealers, galleries, agents, or representatives you're not familiar with.
* Anyone who contacts your gallery, agent, representative or friends claiming that you're in trouble, that you need money, and to send that money to a third party fast-- either by wire transfer or by Western Union. I've heard of at least one gallery falling victim to this.
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Thu, May 18, 06 at 0:56
Follow-Up Postings:
- Posted by dirtdivarocks z6 SW PA (My Page) on Thu, May 18, 06 at 22:19
It looks just like sum and substance. It will continue to grow and get larger. I have one about that size. I have had it for two years. I have read they can get as large as 8 feet wide. I love my hosta plants! Enjoy! |
thank you! |
If it was at an abandoned house, it probably isn't Sum and Substance. Just a guess. It's most likely august lily (named because of the white lily like flowers blooming in august.) Here's a link with pictures to compare yours to. |
Here is a link that might be useful: august lily
The veins are right for sum and substance. |
NO, it does not look like any of mine. phil |
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| Email | Full Article (TrendHunter.com/id/190351) |
Making your own shoe jewelry is a kitschy, cost-effective method to switching up an old pair of shoes for the new season. Using this handy DIY, any lady can make her own adornments that can transform a cheap pair of flats into gorgeous shoes ready for the red carpet.
Just follow the DIY instructions over at Honestly…WTF and you'll be able to make a bunch of different ones in a single afternoon. Head to a thrift store or ask some relatives if they wouldn't mind donating some old costume jewelry to the cause.
This shoe jewelry DIY has me imagining a professional young lady who keeps these handy at her desk in the office. Once five o'clock hits, she slips them onto her shoes and is ready for cocktails with friends.


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It's not rocket science... but it's close!
Tuesday, 19 March, 2013 - 18:30 to 20:00
This event is being held in partnership with our cluster secondary colleagues. In it, children will be led through a variety of aerodynamic activities that will show you not only why planes stay in the air, but also give participants the chance to make and fly one of their own. We will be checking out jet propulsion so there will be plenty of whizz and bangs too.
Booking information:
Free, pre-booking required
Engineering, Technology and Transport
Age group:
Join the debate...


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Has this already been done? If not, post when your due date was and when you had your baby...just for fun. I'll start.
I was due Dec 14 and I had my son (first child) on Dec 9.
I was due Dec 14 and I had my son (first child) on Dec 9.
Mesha and Wade. Miracle baby born 12-17-12
I'm a homebirthing, homeschooling, farm-life loving, SAHM of 6 kids! Check out my blog: http://twelve-acres.blogspot.com/
First time Mommy. Baby Jayden 11/30/12
Delilah Amelis
Born 12/15/2012 6lbs 1oz 19.5in
"I'll love you forever. I'll like you for always. As long as I'm living, my baby you'll be." <3


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(12-10-2012 01:53 PM)user_3n5kp Wrote: I just inadvertently won a box of these on eBay for $105.00. To be honest, I don't even really want it anymore but after I lost the last one to you I entered a high bid of $105 and got it...Want another one? hahahah. Any MJs in there?
(12-10-2012 04:39 PM)buckunteer Wrote: Just the bronze base which I already had. Also, not sure if you were joking, but if I have any cards you need, I'd consider a cash/trade combo. Can't spend that much though til after the holidays, but I did enjoy the break! Sorry crime, just the bronze base GP too, I've lost my touch even for trade bait!
(12-10-2012 09:05 PM)user_3n5kp Wrote: Still debating if I want to rip it. That mj gold refractor is a sexy card. It's likely not in there but still looks like a fun rip and I've never opened a single pack of these. Will look at the trade stuff though.


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Boat sales down for November
Posted onNovember data for all boat categories declined, with a few low-volume states posting marginal growth.
These preliminary statistics include 27 early reporting states, which represent approximately 60 percent of the national market. Only states that currently provide weekly or monthly information are included in this summary. Percentage change is presented on a calendar-year basis to reflect actual results.
Fiberglass boats in the 14- to 30-foot segment were down 46.3 percent for the month. Aluminum boats sales fell in November by 35.4 percent. PWC posted the smallest decrease of the month with 29.9 percent.
The retail market for new boats continued to shrink in November. These declines appear more severe because of the low unit volume for the month, but still indicate the market has not bottomed out.
Retail activity is expected to remain soft going into the first quarter of 2009.
Rosen is the national marine sales manager for Statistical Surveys Inc., the Grand Rapids, Mich.-based firm that tracks retail boat sales.
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Customer Reviews
1 Item(s)
per page
Posted: 2/4/2013
Reviewer: CJ
Works great and easy to install
Installed an 8"damper on the old wood stove in our new home and have gotten much more heat out of it. No installation instructions :( but a youtube search found a great video. Only quibble on the product is the spring on the handle will slide out of position when you have to push in the damper to adjust it. It could be anchored a little tighter.
1 Item(s)
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OBAMACARE FALLOUT: Obama Insider: "Excruciatingly Embarrassing for the White House… Bungled Badly… Hope They Fire Some People…"
Add former White House Press Secretary and close Obama confidante Robert Gibbs to the list of administration allies who are troubled by the health law's rocky launch. During an appearance on MSNBC today, Gibbs stated, "Let's just say this is excruciatingly embarrassing for the White House and for the Department of Health and Human Services. This was bungled badly. ... This is a website architecture problem. … I hope they are working day and night to get this done. And when they get it fixed, I hope they fire some people that were in charge of making sure this thing was supposed to work. We knew there were going to be some glitches. But these were glitches that go, quite frankly, way beyond the pale of what should be expected."
By all accounts, the first two weeks of open enrollment have been a nightmare, and it is one the administration knew was coming. For months members of this committee have cautioned that the law was not ready for prime time. CNBC explains that Aetna's CEO, "said his giant company's role as an alpha tester for the system gave it a sense of how many problems the health insurance marketplace faced on the eve of its launch." The New York Times adds, "In March, Henry Chao, the chief digital architect for the Obama administration's new online insurance marketplace, told industry executives that he was deeply worried about the Web site's debut." Nevertheless, administration officials did not stray from their insistence that the law was "working the way it is supposed to."
The Wall Street Journal explained, "The problem might have been largely averted if consumers had been able to browse plans without going through the complex registration process first, experts say." However, this was a deliberate choice the administration made. "Federal officials had debated internally whether to allow users to view plans without applying, according to people familiar with the process. An HHS spokeswoman said the agency wanted to ensure that users were aware of their eligibility for subsidies that could help pay for coverage, before they started seeing the prices of policies."
As The Washington Post's Ezra Klein notes, "One of the Obama administration's jobs, separate from all of the political stuff we talk about here, is to simply run things like this well, to run their signature legislative initiative well. … On that, so far, this has been a big failure."


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Columbia Women's Plus Sizes Mix It Around Vest
Save $20.01 (31%)
Tech Specs:
Mild Temperatures
When there's a chill in the air, this level of outerwear is the right fit to keep you warm.
Product Information:
This water repellent vest is lined with extremely comfortable fleece to keep your core warm whether you're skiing, snowboarding, or sledding with the kids! Its modern classic fit makes it a great layering piece when you decide to wear it overtop your favorite turtleneck or long sleeve waffle shirt. The hand pockets store your small items securely in the Columbia® Women's Mix It Around™ Fleece Vest.
- Water repellent vest
- Lined with fleece to keep you warm
- Hand pockets to store your small belongings
- Modern Classic fit
- Fabric: 100% polyester smooth microfiber. 100 polyester Micro Fleece
- Style: AW1488
- Columbia
Country of Origin: Vietnam
Web ID: 34654626