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RT @WCNchris: join @WritersCentre & @SamRuddock at @hayfestival_esp this afternoon for #NatConv http://t.co/7uGCQp2x17
RT @WCNchris: the brilliant @pjkmorris on the illusion of the international book prize http://t.co/1wmR5B1Ehy #NatConv @WritersCentre @hayf…
Coming up at 15.30 GMT our #NatConv event from @haycartagena_esp with @BinyavangaW. Live coverage, pics, and comments here throughout.
Posted By: Elizabeth Hankins, 13 June 2014
I'm so excited to be shortlisted for the @WritersCentre @IdeasTap Inspires Brief! Congratulations everyone! — Errol Seymour (@E_Something) June 12, 2014 So delighted that I've been short-listed for #IdeasTapInspires @IdeasTap @WritersCentre fiction competition. Exciting stuff! #amwriting — Isabelle King (@IsabelleKingUK) June 12, 2014
I'm so excited to be shortlisted for the @WritersCentre @IdeasTap Inspires Brief! Congratulations everyone!
— Errol Seymour (@E_Something) June 12, 2014
So delighted that I've been short-listed for #IdeasTapInspires @IdeasTap @WritersCentre fiction competition. Exciting stuff! #amwriting
— Isabelle King (@IsabelleKingUK) June 12, 2014
I've been shortlisted for @WritersCentre's career development programme with @IdeasTap! Drinking tea out of a "Hercules" mug in celebration. — Polis Loizou (@PolisLoizou) June 12, 2014
I've been shortlisted for @WritersCentre's career development programme with @IdeasTap! Drinking tea out of a "Hercules" mug in celebration.
(tags: IdeasTap, Writing Competition, Young People)
Posted By: Laura Stimson, 05 June 2014
(tags: IdeasTap, Writing Competition)
Posted By: Rowan Whiteside, 04 April 2014
(tags: IdeasTap, Escalator, creative writing, Writing Competition)
Posted By: Rowan Whiteside, 28 January 2014
Last year we teamed up with The Literary Consultancy to offer writers from the East of England the chance to have their manuscripts critiqued for free by professional writers. TLC Free Reads gives talented writers honest, constructive feedback, providing the writers with a framework for improvement and helping them to progress with their writing.
Jen Morgan was offered a critique on her novel Stone Master.
(tags: TLC Free Reads, creative writing, East of England, Editing, Reading, Writing Competition, Industry News, New Writing)
Posted By: Rowan Whiteside, 05 December 2013
(tags: Escalator, Writing Competition, creative writing)
Posted By: Rowan Whiteside, 19 November 2013
Find out more about Escalator Literature Writing Competition.
View all the 2012 Escalator Winners.
(tags: Escalator, Writing Competition)
Posted By: Rowan Whiteside, 09 October 2013
Escalator Literature offers ten winning writers a year of professional development, including one-to-one mentorship with a professional writer, a series of workshops designed to help the writers improve all aspects of their craft, support on applying for an Arts Council England Grants for the Arts award and the ever essential peer support. Laura Stimson, Programme Manager at WCN, writes on our Escalator Literature Showcase, an evening event where our ten Escalatees read short extracts from their work to an audience of friends, family and literary agents. On Friday we celebrated the end of the Escalator Literature programme with a showcase event in London. This sounds rather final but in fact, it felt like the beginning of things, with the ten Escalator winners spending the evening talking to agents and each other about what comes next. I came into the Escalator programme half way through, having been on maternity leave, but feel I've gotten to know the ten writers quickly. They feel like a group, each of them integral to the dynamic, each of them glad to be part of a cohort. They're a lovely bunch. Chair of Mentors Michelle Spring kicked off the readings by introducing her mentees. First, Mary Nathan, whose novel Michelle described as having a vivid sense of time and place. Mary read from a scene of her intricately visualized book that was rather aptly set just the other side of Charing Cross Road, where the showcase took place. 'I smile widely enough so that it will reach my eyes,' she read, as her protagonist battles inner torment in Georgian England. Next up, Bridport short story prize winner Lynsey White, whom Michelle described as having moved 'confidently into the role of novelist'. Lynsey's almost Dickensian story, gleaming with curses and extraordinary characters, nods towards gothic fantasy. The chapter she read from, entitled 'Glass Worm', contains the unique description of glass harpsichord, its melody 'thin as a needle'.
(tags: Escalator, creative writing, East of England, Writing Competition)
Posted By: Rowan Whiteside, 27 September 2013
(tags: Escalator, New Writing, creative writing, Writing Competition)
Posted By: Rowan Whiteside, 15 November 2012
More to the point, why wouldn't you enter Escalator? Escalator isn't your ordinary writing competition- it offers so much more than prize money or a one-off publication. Escalator helps you develop as a writer, and it offers you the tools to carve out a writing career. Open to genre writers living in the East of England, Escalator is looking for high-quality entries. If you are one of our ten Escalator winners (that gives you pretty good odds by the way) then you get a years mentorship with an established professional writer. This year's judges and mentors are Natasha Cooper, Tobias Hill, David Rain Michelle Spring and Cathi Unsworth. (Read their biographies) You will also receive a series of professional development workshops, which will help you improve your writing, and navigate the tricky route towards publication. Of course, your fellow Escalatees will also provide peer support, and feedback, meaning that you always have your fellow winners to depend on. Wait, there's more! Writers' Centre Norwich will give you advice on how to apply for Arts Council grants, and coach you through the process as well as helping you with the always intimidating form-filling. Your work will also benefit from exposure to agents and publishers. And after you've completed your year's mentorship, you get to celebrate. Last years winners commemorated their achievement at Foyles, in the company of agents, publishers and of course, WCN staff. There are some lovely pictures from the launch, and an account of the evening on our latest news page. Still not sure whether or not to enter? Three of our past Escalator winners have very kindly each written us a blog which combined, are sure to convince you. Hayley Webster writes about how Escalator helped her discover her writing style, and made her realise that she didn't have to conform to others expectations of her writing. Belona Greenwood blogged about how winning Escalator meant she could make her living from words, and Emma Sweeney's piece is a moving exploration of her writing motivation. This year we're looking for entries from genre writers living in the East of England (that's Bedfordshire, Cambridgeshire, Essex, Hertfordshire, Norfolk and Suffolk). Whether you've completed your novel or just begun it, we're looking to see your entries! Send in your best piece of work by Wednesday 28th November 5pm. And remember, we're looking for genre writing, so crime, thriller, horror, fantasy, science-fiction, romance, historical fiction, genre mash-ups and a whole host of other genres are all welcome. Visit our Escalator homepage to find out more.
(tags: Escalator, Writing Competition, Norfolk, Norwich)
Posted By: Rowan Whiteside, 09 November 2012
Hayley Webster, Escalator winner in 2005, has kindly written us a blog about her writing experiences: I remember how I felt when I found out I'd won an Escalator award. Jubilant, excited, and a bit scared. Maybe a bit smug too, although I wouldn't have admitted that. I had about ten pages of Jar Baby written and no plan of where it was going. I like to write without planning, to surprise myself, but being backed by a prize felt very serious. Which, it turned out, was a good thing. I'd already been writing for a long time when I got the award. I had been a magazine journalist and completed my MA in Creative Writing at UEA the year before. The best thing about Escalator was the time it gave me to dedicate to writing nearly the whole book, and also the chance I had to meet some really inspiring and interesting other writers. It also gave me an extra boost to be 'taken seriously'. Filling in the grant forms was hellish – but being an Escalator winner meant we had help with that. Which, for me who can barely read a train timetable, was invaluable. Having 6 months to do nothing but write was wonderful, challenging and, in the end a struggle for me – which was another benefit of Escalator – it helped me find the sort of writer I am, and helped me get into a rhythm that suited me. I think, the best advice a published writer can give an unpublished one is that there are no exact rules or ways of getting published. You have to be honest with yourself about the sort of person and sort of writer you are. We met various agents and publishers through my MA and Escalator but I met my publisher, Robert Hastings of Dexter Haven, at a reading I was doing, unrelated to Escalator. We signed a three book deal. I am lucky to have found a publisher who champions and 'gets' the work. This is invaluable too. You hear the advice 'write 1000 words a day, without fail, if you are serious about writing'. I've never done that. During Escalator I discovered I like to write nothing for two months. Then 10,000 words in three days. Then some serious editing. Then maybe nothing for four months. Then another 10,000 words. I'm happy with that. At least I will be when I've finished the next one... Hayley Webster was born in 1977 and grew up in Burghclere, Hampshire and Thatcham, Berkshire. She is a graduate of the prestigious MA in Creative Writing at the University of East Anglia, where she was awarded a distinction. She was given an Escalator Award for Literature in 2005 and the writing of Jar Baby was backed by Arts Council East, who gave her a grant in 2006 to help in its completion. She has worked in women's magazines, and now lives in Norfolk with her family. Jar Baby was released on the 25th October of this year. Follow Hayley on Twitter. Find out more about Escalator Literature Competition, currently open for entries. (Closing date 28th November)
(tags: Escalator, creative writing, Writing Competition)
Posted By: Rowan Whiteside, 12 September 2012
Belona Greenwood has very kindly written us a blog about her experience of being an Escalator winner and how it changed her writing career: I don't know if it is a writer thing but I find it very uncomfortable when I tot up the passage of time. I have always managed to smudge the edges of dates, forget the anniversaries of things, lose my way in any calculation of when and where so it comes as a shock to realise that two years have passed since my year of mentoring on the Escalator scheme. My still-ongoing book is a creative non-fiction book, Shadow Madonnas, an Exploration of the Map of Spite; a history of unmarried mothers. My Escalator year was invaluable but nipped past at quite a rate. The danger is that research flowers into procrastination. Personally too, in those two years I struggled with writing my own narrative as a single mother as the spine on which to hang the histories of others. I have now turned the book on its head and I am writing it as a lively account of the lives of others. I watch very carefully the new months that pass and impose new deadlines on myself. It is a relief that although some books do get written very quickly with knife-sharp focus, some take years to complete. It is a relief that I am not alone in having to answer the question, 'is it finished yet?' and say almost sheepishly, 'No, not yet, 'I'm still writing it.' After a while nobody asks anymore and in a perverse kind of way there is a freedom in that sideline state and the only pressure on its long walk to the final full stop is my own. For those of us of an impatient nature, I think it takes a particular ability not to panic but to hold back and keep faith with a long project. It is easy to feel scared as those years creep past and a book is still not ready to slip into the current of words streaming into publication. Sometimes, I do panic, other times I add up everything else I am doing and don't give myself such a hard time. Since my Escalator year I have been lucky to earn my living with words in one form or another. I have written a non-fiction How To Write A Play book, thousands of words on features, plays and a children's novel for 9-12 year olds, The Circus of Miracles, finally edited and broken into chapters. Writing features for the excellent, independent Norwich Magazine and for a less excellent lifestyle magazine plus a monthly column with an Italian Magazine, has been like a flexing of writing muscle, a daily workout. Writing plays is a passion and my world is happily full of words. The trick I am still trying to work out is how to make sure it is also full of the time I need for the diet of writing that has a deadline measured in years rather than weeks or days. The Writers' Centre is a great support for emerging writers because it doesn't measure your work only on short timescales. What a relief! It keeps faith in all the chrysalids it has seen start the transformative process into professional writers.
Our new Escalator Literature Writing Competition will be opening soon. Keep an eye on the Escalator homepage and sign up for our e-newsletter to be the first in the know.
(tags: Escalator, creative writing, Norfolk, Norwich, Writing Competition)
Posted By: Rowan Whiteside, 15 August 2012
Tracy Ann Baines blogs about writers' fears, novel-writing and the benefits that a TLC Free Read can provide: Every writer's different. We all have our own way of working. There's no right or wrong way - no right place to start. But my novel started with NaNoWriMo. I sat at my computer, stared at the blank virtual paper, and realised - I had no idea what to write. But write I did. I had to. I'd taken up the challenge - write at least 50,000 words in a month. A character came to me - he had a name, a little brother, but he didn't have a story. I made it up as I went along. No plan, no synopsis, nothing. I let the story lead me into all kinds of places. Things I'd read or seen; newspaper reports, advertisements, a TV documentary all wove themselves into the narrative. And then I stopped. Something wasn't right. I started all over again. The story stayed the same but the POV changed. The story needed to be told from different perspectives, each character as important as the next. Five different characters = five different voices; two teenage boys, a teenage girl, a ten-year-old boy and a grandfather. Each voice needed to be distinctive and believable. Occasionally I'd write something which moved me to tears and I'd wonder- Is this real or am I deluding myself? Would others care about the characters I'd grown to love. And so it began…. The voice of self-doubt, growing ever louder… It's too complicated. I don't know what I'm doing. It's rubbish. I can't write. The voices don't work. The story doesn't work. Just give up now! The self-doubt remained but I kept on going until finally I'd typed 'The End.' I'd done it. I'd finished my novel in a month. Hurrah! But now what? I left it to gather dust. But then I heard about Writers' Centre Norwich offering six writers the chance of a free manuscript report from TLC. This was an opportunity I'd be foolish to miss. Anyway, I knew I wouldn't win. So with the deadline looming, and with no time to talk myself out of it, I posted my submission. I won! I was awarded a TLC FreeRead. Thrilled to be chosen, I edited my manuscript and sent it away. Nothing to lose. Everything to gain. I opened the report with nervous anticipation… 'an awful lot of potential… I enjoyed reading it.' 'Your main characters are believable and likeable… your writing style is, for the most part, eloquent and commanding.' 'Overall I think you demonstrate an excellent command of dialogue.' 'I found your plot entertaining and well conceived.' 'Overall your manuscript shows a keen attention to narrative, both in terms of style and substance… it's an engaging and, in parts, genuinely moving story.' Fantastic! Vindication that perhaps my writing wasn't as bad as I'd feared. That's not to say there wasn't work to be done. The reader thought I could do a little more to make the voices as distinctive as possible. I could perhaps streamline the plot and make it less hurried in the final third. 'teenage first person narratives are hard to write at the best of times… multiple narrators is even more of a complicated task…' To have your self-doubts dismissed or confirmed by a professional provides an important stepping stone. When we sit at our computers, staring at the words we've written, sometimes it's hard to see things clearly. Sometimes, the only way to find the courage to move forward is to have a professional read your work and suggest ways to proceed. So be brave. Grasp the opportunity. Because who knows where a TLC Free Read may lead… Tracy worked for several years in the film industry but now focuses on writing novels and scripts. Her writing has achieved some recognition with a variety of achievements. Her first children's novel, Pig-Boy & the Quest for the Cinnamon Forest, was shortlisted in Cornerstones Wowfactor competition 2007 and received an Honorary Mention in SCBWI-BI's Undiscovered Voices anthology competition 2008. Her children's fantasy, Escape From Above, was chosen as a promising entry in the 2011 Times/Chicken House competition and an extract published on The Times website. In 2011 Writers' Centre Norwich awarded her YA novel, Scarred, with a manuscript assessment from The Literary Consultancy. Her blog, tall tales & short stories, has been rated as one of the UK's Top 10 Children's Literature Blogs for the second time. Read Tracy's blog. Follow Tracy on Twitter.
Visit the TLC Free Reads Submissions Page to find out more.
(tags: creative writing, Editing, Free Manuscript Reading Service, Norfolk, Norwich, TLC Free Reads, Writing Competition)
Posted By: Rowan Whiteside, 20 July 2012
So you've written a book. Or a collection of short stories, or a play, or a treatment, or a collection of poetry... Congratulations! Now, what's next? It is difficult to negotiate the tricky world of publishing- what in the past was complicated is now made infinitely more so with the advent of online self-publishing. The TLC Free Reads scheme helps you to develop and promote your manuscript by providing you with sage industry advice and honest and constructive feedback. Writers' Centre Norwich, The Literary Consultancy and Arts Council England have teamed up to provide you with the opportunity to have your manuscript entered into the scheme. Specifically geared towards those on a low income (find out more about what low-income means) the TLC Free Reads provides a valuable service for aspiring writers across all genres in the East of England. If you don't fit exactly into the low-income criteria but feel that the service would otherwise be out of your financial reach then please do still apply and just attach an explanation!
What are you waiting for? Give your writing a chance to shine with the TLC Free Reads scheme!
(tags: creative writing, TLC Free Reads, Writing Competition, Writing Workshops)
Posted By: Rowan Whiteside, 11 July 2012
Carol Rifka Brunt was a runner-up for the New Writing Ventures Award in 2006, organised by Writers' Centre Norwich in our previous incarnation of New Writing Partnership. Carol began writing her debut novel, Tell the Wolves I'm Home because of the support and mentorship she received through the New Writing Ventures Award . Tell the Wolves I'm Home was published in the UK by Pan Macmillan in June of this year and was chosen as an Oprah Summer Reading book.
Carol's kindly written WCN a blog about her writing career, and the jump from writing short stories to creating novels:
I'm thinking about those times when you have to jump across a chasm. Maybe 'chasm' is a bit melodramatic, so let's just say gap. I'm thinking of the kind of gap that's just a few inches wider than feels comfortable. Something in your mind is not letting your body take the risk, so you wobble on the edge, almost leaping, but then pulling back again and again. I'm thinking about how there are lots of things in life that have that exact same feel. One of those things for me was the leap from writing short stories to becoming a novelist.I'd been writing short fiction for about ten years. Short stories are difficult to master. It's hard to get enough in each one without overloading it with too much. It's a balancing act. This meant that I could spend a lot of time tweaking and tinkering. And once all that was done I could spend a lot of time submitting to the best journals and being rejected. I contend to this day that it's harder to get a story accepted at one of the top tier UK or American journals than it is to get a novel published. And the thing is, even when stories were accepted or shortlisted for prizes like New Writing Ventures, I knew a relatively small number of people would read them.
What I didn't realise until years later, was that there was a comfort in that. I was on the safe side of success. Nothing could change if I stuck to shorts. It was easy to tell myself that a novel was too daunting. That I wasn't suited to the form. That was the chasm, the gap. That was my brain telling me not to take the risk.
Being shortlisted for the New Writing Ventures award in fiction came with the wonderful prize of a year-long mentorship program. Three times over the year I would be able to submit up to 20,000 words to my mentor. For someone who hadn't had the opportunity to enroll in an MA program, this was a true gift. At first I calculated the number of short stories I would be able to turn in. And during the first submission period I did turn in three well-polished short stories. I hovered on the edge of the chasm.
Then something clicked. This was it. If I couldn't take the leap under these circumstances, with all this support in place, when would I do it? What was I waiting for? I looked at what I had. There was one story that wouldn't leave me alone. There was a dying uncle painting a final portrait of his niece. I could smell the lavender and orange in the air of the Manhattan apartment. I could feel the tension between the two of them. What was the uncle dying of? Why was the girl so defensive? Seven hundred words turned into a few thousand and the pages kept mounting. I wasn't really writing a novel, I told myself. I was just seeing where this took me. And then, before I knew I was doing it, I had jumped to the other side of the gap. I was standing there looking back, understanding that if things went the way of my wildest dreams, many, many people might read my work.
At the time I wasn't sure how I had done it. The moment of jumping the gap was a blur. But looking back I think maybe it wasn't a leap at all. Maybe when the right support is in place, it's more like building a bridge.
Visit Carol's website.
Follow Carol on Twitter @CarolRifka
Find out more about the Writers Services WCN provides.
Discover Escalator, our yearly creative writing competition.
(tags: New Writing, creative writing, Publishers, Reading, Writing Competition)
Posted By: Rowan Whiteside, 30 May 2012
Julia Churchil from the Greenhouse Literary Agency got in touch to tell us all about The Greenhouse Funny Prize earlier on in the month. We thought it sounded brilliant, so we asked her to write us a blog telling us all about the prize and what Greenhouse are looking for. If your writing gets kids giggling, guffawing or cackling with glee, then read on!
Here's what Julia has to say about the Greenhouse Funny Prize:
Are you funny?
At the Greenhouse Literary Agency we love all sorts of writing for children. We love edgy, wincingly close-to-the-bone YA fiction, we love thrilling, commercial concepts with big surprises, and beautiful and heartfelt younger stories. I could keep going, but in short, we love quality. And there's something that Sarah and I agree that we don't see enough of: Funny.
I had the idea for a prize because every time I sit down with an editor and ask what they're looking for, they generally say, 'Funny. We need humour'. When I was little, half of my reading was humour – Dahl, the Ahlbergs, Just William, Mr Majeika, What-A-Mess, Fudge, Asterix. And there is loads of great humour on the market today - Wimpy Kid, Andy Stanton, Lauren Child, Dave Pilkey, David Walliams. Funny is selling in the shops, publishers are wide open to it, and yet we don't see that represented in our submissions inbox. We want more laughs.
The Greenhouse Funny prize is open to un-agented writers who are currently resident in the UK and Ireland. Entries will be judged by me and guest judge Leah Thaxton, Publishing Director of Egmont Children's Books (and discoverer of Andy Stanton).
The winner will get an offer of representation from the Greenhouse and a full weekend ticket to the wonderful Festival of Writing that runs 7-9 September '12 (worth £525). The winner will also be presented with a bottle of champagne at the Festival's gala dinner on the Saturday night. The runners up will each get five of my favourite funny books, and maybe even a comedy mug.
Our judging criteria is very simple. Funny, and we are wide open to all ages. The winner may be a picture book like Olivia or Don't Let the Pigeon Drive the Bus, or a young series à la Horrid Henry, Flat Stanley, The Great Hamster Massacre or Undead Pets, or for 8-12 year olds like Lemony Snicket or Ramona. It could even be for teen readers, like Louise Rennison, Does My Head Look Big in This? or The Princess Diaries. It's going to be the person with funny in their DNA.
Funny is subjective, of course. Perhaps the winner will have a slow-burning, gentle wit. Perhaps a Python-esque sense of the absurd. Or maybe the concept, and the freshness and immediacy of it, will do much of the heavy lifting.
1) To get a good sense of the voice and where the character is headed, we'd like to see the first 5,000 words PLUS a short description (a few lines) of the book AND a one page outline that shows the spine of the plot. The book does not need to be completed at the time of entry.
2) Please attach the 5,000 words to a word document and send your entries to email@example.com If you are submitting a picture book (or shorter fiction that comes in under 5,000 words), then send the complete text in a word document. The short description of the book and outline should be in the body of the email. PLEASE NOTE: This is different to our general Greenhouse submissions policy. If submitting work to the Greenhouse in the future (outside of the Greenhouse Prize), visit the How to Submit section of the website to find our submission guidelines.
3) You must be resident in the UK or Ireland.
The shortlist will be announced Monday 6 August. We anticipate that 6 writers will be shortlisted.
The winner will be announced Monday 13 August. If we get two or more outstanding entries, we may offer representation to more than one writer.
Entrants will not be acknowledged on receipt, but all entrants will be emailed when the shortlist is announced.
I'll confess it feels a bit disingenuous to offer representation as a prize, because when those great books come along, I'd offer to represent anyway. It also feels a bit reckless. What happens if it's all unfunny?! But I'm confident that at least one brilliant new voice will come to me if I open my arms and say out loud, 'Show me the funny'. I'm happy to be transparent and say this is a totally self-serving competition.
We just want to wave the flag to all those new writers tapping away in their sheds and spare rooms, and say, 'Hey! If it's funny, send to us! That's what we're looking for.'
Find out more on the Greenhouse Website.
Follow me on Twitter:@juliachurchill
(tags: creative writing, Writing Competition)
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I've been left to suffer.
feeling that I'll never be happy, ect. Typical depression and angst, nothing to be terribly concerned over :)
You love it.
But yeah, details.
"You can judge the whole world on the sparkle that you think it lacks" - Dawes, When My Time Comes (http://youtu.be/Z0FrcTX6hWI)
I do love it. As sick as it is, I don't think I could live without it.


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This man was selling scented candles on a small table in front of the Crawford Art Gallery. The sense of smell is one of our most primitive and releases memories and stirs emotions. He was doing a brisk trade.
When I saw his woolly red hat I had to make a portrait of him!
Pictured during the St Patrick's Festival Cork.
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Allanton Mill Dumfries Holiday Home sleeps 4-5
Allanton Mill is a high quality self catering holiday cottage in a converted former water mill dating back to 1739 near Auldgirth, Dumfries, which originally housed the grain drying ovens, mill stones and mechanics for the milling of local crops.
Recently converted, Allanton Mill still retains the original beams and the stone walls. Ideal for small groups or families looking for a self catering holiday in Dumfries & Galloway:


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Senior Member
I never seem to be tanky OR do damage...most games I play him, I just feel kinda useless. Help please!
Yma Sumac
don't get TF biggest noob trap on him gives like 7 AD from passive
I generally rush Iceborn Gauntlet then build Zephyr...is this good?
Start Machete. You are jungling, so this cannot be debated Boots and either sheen or spirit stone depending on level of income/ganks. Warmog > Frozen Fist > Lizard Elder SV Fill final slot with Cleaver or Bulwark depending on preference. Upgrade boots to mercs whenever.
He does great by building tanky. He has one of the best initiations in the game, and his W helps him soak up a lot of damage. If you want damage, I've heard zephyr is quite good on him but I wouldn't get it right after gauntlet. Maybe try some form of a health item after. Shurelya's works well as does a randuins, or warmogs.
As a S2 Heca main.... don't jungle him. The new jungle is not a good place for him. He can manage top, just go with one of the supersustain starts so that you can get though the first little bit. His full build, if you can farm it up, should be Iceborn, Swiftness Boots, Spirit Visage, Ruinic Bulwark, GA, and a situtational item. Either HP or damage usually. If you had to jungle, you would put a Ancient Golem upgrade to spirit stone there. The problem with the current jungle (fyi, it is getting nerfed... to be HARDER, and he is having enough problems staying high hp as is in it) is that it just doesn't support the amount of gold he wants. Heca is very gold dependent. Pretty much why he has to top now, as they nerfed jungle gold (R.I.P. HoG).
Kaiser Celedorn
Go tanky, don't try to get bunch of damage because it will actually end badly. This is what I do. philo + spirit stone early jungle (allow donation of blue), then rush iceborn gauntlet. Later on I build randuin + bulwark (or SV), Finish Spirit of the ancient golem, and then decide if I want shurelia's or some other item. My Thoughts: Iceborn is just too good to not get on him, his E becomes super powerful in ganks, combined with his Q after E hits it is as good as a perma-slow. Tanky is far superior because he is a very good sustain fighter with his W up, and then trying to kill the ADC or AP in a teamfight, while dropping IG slows all over for disruption. He doesn't have a lot of Burst potential, so therefore damage doesn't seem to be a great option.
Spirit of the lizard elder is awesome on him Iceborn is core spirit visage is really nice for his W and gives MR new youmuus active is way better than S2 youmuus usually wrap up his build with a zephyr or a ravenous hydra for moar damage boots are boots of swiftness or merc treads depending on the enemy comp a good thing to note is that he gets most of his damage out of CDR ^ this build has 40% exactly little bit of AD and tanky items with CDR give him alot of damage and teamfight presence


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The 48th annual Economic Forecast Luncheon will address what's ahead in 2012 for unemployment, the housing market and the stock market nationally and in Arizona. More than 1,000 people are expected to attend the event at 11:15 a.m. Dec. 7 at the Phoenix Convention Center's West Ballroom.
"Arizona's economy bottomed out this year, although we continue to face headwinds that will affect growth in 2012, such as Euro problems, our own fragile national economy, credit markets and the housing hangover," research professor Lee McPheters said in a news release. "However, based on the latest trends, it looks like 2012 will be better than this year, and it could even be quite a bit better."
The luncheon is co-sponsored by the Department of Economics at Arizona State University's W.P. Carey School of Business and JPMorgan Chase. Admission is $90 per person. Proceeds support student scholarships, faculty research and other activities in the economics department at the business school. For information and to register, go to wpcarey.asu.edu/efl or call (480) 965-3531.


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Love it! I tried shade #2 which is a little light for me, but LOVE the way it makes my skin look. I will be buying shade #3!! Should be perfect for the Summer!
2 out of 2 people found this review helpful. Did you? Yes No
I must admit that when I first purchased this product I didn't care for it. I think it was the moisturizer I was using underneath it. I have changed moisturizers and really like it now. I have oily, acne-prone, dry in places, red, sensitive skin (sounds like fun right?). This product did not add any moisture to my face as it claims. I still have to wear a moisturizer underneath, and I alternate between Olay SPF 30 and Clinique Redness solutions. I feel like this product does provide good SPF coverage. I use the Shade 2 and I have fair skin. The color is just a tiny bit too dark but I don't mind. The coverage is nice, somewhat heavy. I like the way it evens out my skintone, which is very uneven. This product lasts all day with just one touch up in the afternoon, but even if I don't touch up my makeup still looks nice. Overall this a good product. The only thing I would change would be to make it more moisturizing and have more colors available.
2 out of 2 people found this review helpful. Did you? Yes No
This was a great product - kept my skin pretty matte all day. Only thing I didn't like is that the darkest shade was still too light for my skin. The rep tried to convince me that it matched but I bought it and tried it for a few days and just could not accept the lightness of the shade. If Clinique makes a few more darker shades I would definitely try it again.
3 out of 4 people found this review helpful. Did you? Yes No
I've been wearing Shade 1 for a couple of months now, and I really like it. What I was really looking for with this product was something with a reasonable SPF that would offer a good makeup base. After adventures with SPF tinted moisturisers (always seened to be greasy and melt off after an hour or so) I decided to give this a try - despite the price. It's thick and applies somewhat like a sunscreen, also taking a few minutes to settle on the skin. For a BB cream it also offers pretty good coverage. If I'm having a good skin day, a bit of concealer and bronzer and I'm good to go. On most days though I add some foundation and it does seems to go on more smoothly. I do wish this wasn't so expensive, and also offered a better shade selection, but I'd be happy to re-purchase.
1 out of 1 people found this review helpful. Did you? Yes No
I gave into the BB Cream craze and bought this the other day at Sephora. I have to say, after 2 days of wearing it, I am completely hooked. I am one of those rare individuals who is extremely fair, but has yellow, not pinkish undertones, so I always have trouble finding foundations and powders that are 1 - light enough and 2 - not pink! I bought this in shade 01 and I am glad I tried it in the store first because I had I ordered it online, I would have been put off by the "pinkiness" of it. Shade 02 was way too dark for me, even though it is more yellow. I tried a smear of 01 on my face, browsed Sephora for a little bit, came back and looked at my face in the mirror, saw I didn't look like I had doused my face in calamine lotion, and decided to buy it. I could always return it, right?
I used it yesterday for the first time without moisturizer underneath because I have extremely oily skin and I didn't think the extra moisturizer under this would be a good idea. What I immediately noticed was how little product I needed. I started with very little because I figured I could always apply more - so not necessary!!! All it took to cover my entire face was one tiny little squeeze of product.
The texture is thick, like a foundation, but I was able to spread it easily with just my fingers. It probably would have been even easier had I had a foundation sponge, but it wasn't a necessity.
The coverage was excellent - it was like every red spot and flaw disappeared within seconds after applying it. I did put a little too much on my cheek, where I first began applying, but I just smoothed it out with my finger. I could have skipped concealer all together, but I have bad dark circles under my eyes, so I felt safer using it. I did feel I looked pretty pale (I usually wear powder foundations, so they don't cover as much), so I put on a little BE Warmth bronzer and Tarte Flush cheek stain - my babysitter kept telling me how good I looked :)
After a few hours, it did settle into my fine lines, but any liquid foundation I use does this since my skin is so oily. One thing I will say, I don't think this would be a great product for really dry skin - I had a small dry patch on my cheek and I could see it after a while. I think if someone with dry skin were to use this, they should just make sure to put a moisturizer under it or mix it with a moisturizer. This product seems to be more about the coverage than the moisturizing properties IMHO.
Overall, I am very pleased.
I think this is definitely worth the money because you use so little and the benefits are excellent.
3 out of 3 people found this review helpful. Did you? Yes No
I won't lie, I'm kinda in love with Clinique's BB cream in shade 01. I'm a very fair redhead with combo skin, but the closer I got to 30, my skin was getting really blotchy and I was consistently breaking out. Whether that was due to some skin sensitivity or laziness with my skin care routine, I don't know. Probably both; I'm always running late in the morning, so the less I have to do to look ready for the day the better off I am.
I've been using the BB cream for a month and it does almost everything that I want in one step. It's not too heavy, provides good coverage and sufficient sunscreen, has some mattifying effect, and doesn't cause breakouts. The only two problems I've had with it is that it doesn't provide enough moisture for my skin by itself, so it can settle and I would say pixelate--it almost separates into tiny dots in certain areas. I've also found that I can absolutely use too much of it in one go and end up looking mask-like, even with some serious blending. That being said, a small amount with a light moisturizer underneath does wonders and helps simplify my morning regime. And yeah, it's expensive, but I'm willing to pay for both the quality and the convenience.
Will try to update with how long the tube actually lasts and any issues that might develop with the packaging once I get down to the last dregs.
3 out of 3 people found this review helpful. Did you? Yes No
I have normal to dry skin. My skin didn't like this. It dried my skin out! And the color doesn't match my skin tone. This product might work for people who have oily skin.
3 out of 3 people found this review helpful. Did you? Yes No
This product is pretty sweet. I had been using a Missha BB for nearly a year because I had yet to find anything else that set as nicely on my combo but often more on the dry side skin. It was great but the closest color to my skin, No. 23, still wasn't as exact as I hoped and needed to be de-pinked with bronzers and mixing other foundatioms in. In the last few weeks I've been using Vichy Dermablend in Nude as my friend loves it so oi figured why not...and it is awesome but tends to get dewey in some spots to the point of easy transference after a few hours. No big deal, I just swept on some powder to reset it and it looked just fine.
I went to the Clinique counter at Macy's earlier this week and asked for a sample of their BB out of curiosity. The SA gave me a very generous little pot of it and I still have most of it left after using it daily on my face and neck for 5 days. I apply it with my fingers after washing my face with a mild cleanser, depending on the day sometimes mositurizing before application sometimes not. A couple of dots is all I need and 2 is pretty much my exact skin color. It blends well but dries quickly so you have to work fast. When done the coverage is medium and the finish is matte (on me at least). Then I dab the Vichy over it if I need a little more coverage of dark marks. A dusting of shimmery blusher or bronzer (because the overall effect is so matte I usually opt for some shimmer) and I'm done.
I've realized this BB is great on its own, but makes an even better primer for the Vichy which does not get overly-dewey at all anymore nor transfers! The SA told me when I bought the full bottle today that she uses it this way too, as a primer. But the coverage is def good on its own depending on your redness/dark spots and most of mine are middle-range dark (old marks left from breakouts/ occasionally tiny burst capillaries).
The bottle will likely last a while since I use so little. The packaging could be improved with a pump but the squeeze tube is fine for me. The price is common for a BB, 30somthing bucks (I got the free gift thing also so not complaining this time :) ). A word of caution: this product may highlight dry patches if you have them. I would buy again on the condition the tube lasts a while.
3 out of 3 people found this review helpful. Did you? Yes No
Soooooo disappointed with this BB Cream. My mom got it first and raved about it, so I had high hopes for this product. All of the stores around me were sold out, so it took a while for me to be able to get a sample.
Color 1 is very light and very pink, which only made my pinkish skin look worse. Color 2 is more golden, but is far too dark for my pale skin. I gave Color 1 a try for two days underneath my foundation, hoping that putting foundation on top would make a difference, but it didn't. I felt like I was wearing a thick, greasy mask and I looked extremely oily by the end of the day despite having touched up with powder throughout the day.
For $37, I expected far, far more from this product.
I tried the lightest shade and the middle shade which was way too dark. So I purchased the lightest shade. I applied it after my moisturizer with a foundation brush. It blended pretty well but was a bit thicker than what I'm used to. When I was done, my skin looked sickly. I'm not sure if it would have looked better under foundation but I didn't try it.


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found a new home!
Plenty of my friends are looking
for one too. Find a pet to adopt.
Find a pet to adopt |
My name is Domino!
Facts about Domino
- Breed: Domestic Shorthair
- Color: White (Mostly)
- Age: Kitten
- Sex: Male
- ID#: Handsome!
- Hair: Short
Domino's Info...
I am good with cats.
My name is Domino and I am 9 weeks old. I am very handsome, but I don't let that go to my head. I am sweet, loving and I love to play. I was rescued by Feline Finish Line Rescue from a kill shelter where I was going to be euthanized with my moma and siblings when I was 4 days old.
Other Pets at Feline Finish Line Rescue
Why Adoption is a Great Option
Domino, a Catasauqua Domestic Shorthair kitten was adopted! Here's how you can benefit by looking at adoption as an option to buying a Domestic Shorthair for sale in Catasauqua, or seeking a Domestic Shorthair kitten from a breeder in Catasauqua.
- Rescues and shelter volunteers in Catasauqua already know the personality and tendencies of their pets. This means they can match you with the right pet. That will makes it much easier transition to owning a pet for yourself and your new pet.
- On average adoption fees are much less than you'd pay a Catasauqua breeder, or pet store. Plus most often rescue pets have already been to the veterinarian for a check-up, had a round of vaccinations, and are spayed or neutered. That is a lot of savings!
- You will become a hero, and give a needy dog or cat a loving home. In fact, there are even Domestic Shorthair breeders who help with Domestic Shorthair rescue. One puppy or kitten adopted in Catasauqua paves the way for another one to be saved.


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About FAC Rev Raymond Jackson 7 Sermons New Visitors Home Pastors Israel in the End Time Contenders Audio Tapes Conferences Prayer Request Testimonials Modern Issues Download Charts
Welcome to the Faith Assembly Church web site! If you have never been to our church before and would like to know where it is located and the times of the services, feel free to visit our New Visitors area. We have recently added access to higher quality broadband archives and podcasts that can be played on demand. A new group of songs is also now available under FAC music.
As you explore the site, you will find information on publications that are printed by Faith Assembly, be able to send prayer requests, read testimonies, hear songs of praise and worship. You are also able to worship with us by logging onto our live services or watching the archives of services past.
Again, thank you for stopping by our web site. We hope that you will enjoy what you are able to read and hear while you are here. If you would like, send us a message and let us know how you like it.
God bless you!
The Congregation of Faith Assembly
Located at: 1715 Old Potters Lane, Jeffersonville, IN 47129 Mail to: P.O. Box 2368 Clarksville, IN 47131-2368 Phone: 812-282-4926 |


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is the world's largest technical society dedicated to the global aerospace profession.
Every year, National Engineers Week is held on the third week of February. It is observed by more than 70 engineering, education, and cultural societies, and more than 50 corporations and government agencies. The purpose of National Engineers Week is to call attention to the contributions to society that engineers make. It is also a time for engineers to emphasize the importance of learning math, science, and technical skills.The celebration of National Engineers Week was started in 1951 by the National Society of Professional Engineers in conjunction with President George Washington's Birthday. President Washington is considered as the nation's first engineer, notably for his survey work.
From 17 to 23 February, the nation will celebrate "National Engineers Week," which highlights engineers, engineering, and the remarkable ways they have transformed our lives. As reflected in this year's theme, we will "Celebrate Awesome!" AIAA headquarters will join in celebrating your awesomeness by raising awareness of the wide-ranging contributions that aerospace eingineering brings to society. From GPS systems in our cars, to the modern convenience of commercial flight, to our ability to explore and further understand our universe - without aerospace eingeers, and engineers from a myriad of disciplines who work in the areospace industry, our world world be a different place altogether.Full Story >
26 February 2013AIAA Utah Section Concludes Activity-Filled National Engineers Week 2013
More Info >25 February 2013AIAA Delaware Section and ATK Host "Introduce a Girl to Engineering" EventDelaware Online – Eight-Graders STEM Lessons Roar to Life (includes video)
Kevin Ford, Commander Expedition 34, Pays Tribute to National Engineers Week 2013 from the International Space StationWatch Video >
Build your own trivia questions from AIAA's resources:
We want to thank the volunteers who participate in any type of outreach that shares your passion for engineering. From answering Ask An Engineer questions, to judging a student conference paper, to mentoring a young professional, to speaking about your career with other professionals, all contribute to sharing the enthusiasm for what you do every day. Local section interactions inspire people of all ages every day!
View the AIAA Regions & Sections Schedule for National Engineers Week 2013.


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3 Market Street Suite 426
Plainsboro, NJ 08536
DIG Yoga is a health-conscious, eco-friendly, people-oriented yoga business. Everything about DIG must reflect this inclusive and life-affirming philosophy.
204 North Union Street
Lambertville, NJ 08530
Gratitude Yoga integrates the physical practice of yoga with mindfulness meditation practices and the cultivation of compassion.
27 Witherspoon Street
Princeton, NJ 08542
Onsen for All offers support to people who are seeking an affordable, positive, pro-active approach to a healthy and balanced life.
4451 Route 27 at Raymond Road
Princeton, NJ 08540
At PCYH, yoga is not simply a form of exercise, it is a life practice. By establishing a regular practice, you can realize a deepening connection with your spirit. Each class deepens your connection to your true self.
Orchard Hill Center
88 Orchard Road, Skillman NJ 08558
Experience a whole range of energy cultivated in yoga from the sweaty purification of vinyasa and the tapas of standing and balance poses to the stillness of inversions and meditation.
80 Nassau Street, 2nd floor
Princeton, NJ 28542
Yoga Soul is a vibrant yoga community dedicated to elevating physical, mental and spiritual health. All of our classes are open to all levels of students.
64 Princeton Hightstown Road
Princeton Junction, NJ 08550
YogaStream is an energizing, alignment-based and core-focused style that taps into your innate current of strength with each practice. Classes incorporate a variety of exercises and inversions to improve strength, flexibility, and endurance.
44 Spring Street (entrance on N. Tulane) Princeton, NJ 08542