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Kaija Rolin Barrett, a 2014 graduate Eastside High School, was named to the Academic Dean's list at St. John's University in Queens, New York.
Georgia College recognized some of Newton County's own high achievers this week, awarding five degrees to local residents and honoring over two dozen students for their scholastic aptitude and hard work.
Karen Morris, a resident of Covington, made the Fall 2014 Academic Achievement List at Georgia Southwestern State University and was among 468 students recognized for scholastic achievement.
The school year is in full swing, and parents of school-aged kids have no doubt been involved in at least one fundraiser already. Fundraisers help schools raise money for supplies or special activities that may not have been included in the budgets established by the local school district.
The Georgia Department of Education announced on Dec. 18 that West Newton Elementary School has been removed from the list of State Focus Schools after successfully decreasing the number of students not proficient by 18 percent. Overall, 38 schools were named from either the Priority or Focus Schools lists.
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Livingston Elementary School announces its Students of the Month for September.
Representing the middle school for sixth grade was Madison Burnham, daughter of Carl and Stephanie Burnham of Conyers. For seventh grade, Haley Tyler, daughter of Jim and Laura Tyler of Monticello and Bridgette Phillips, daughter of Don and Shirley Harkins of Monticello. Eighth grade was represented by JaDe' Padgett, daughter of Wendy Cawthon and Ron Padgett of Jackson; Abby Hyde, daughter of Dennis and Jeana Hyde of Mansfield; and Cheyenne Galloway, daughter of Brent and Beth Galloway of Monticello. (Left) 2008 Homecoming Queen Sage Fuller crowned Cheyenne Galloway as queen for 2010.
The drama "A Raisin in the Sun" opens Wednesday in The Studio Building 1, Room 2100, of the Georgia Perimeter College Newton Campus, 239 Cedar Lane, Covington.
Junior firefighters: To prepare for "Fire Prevention Week" during the week of Oct. 3-9, Piedmont Academy students in pre-school and kindergarten had a special visit by the Jasper County Fire Department on Tuesday. The firefighter explained the importance of having a family fire safety plan, what to do if their home were to catch on fire and who to call, as well as "stop, drop and roll." The firefighter was dressed in their fireman's suit for the students and explained all the "bells and whistles" associated with their attire along with the tools they use to fight a fire ...
"New Orleans - Before and After Katrina" will be the focus of the annual Fall Symposium at Georgia Perimeter College Newton Campus. The three-day event, to be held on Oct. 6, and 7, will include speeches, student panel discussions, film screenings, New Orleans cuisine and a concert in the Crescent City's celebrated jazz tradition.
On site: Newton County School Superintendant Dr. Gary Mathews spoke to parents and teachers at Fairview Theme School on Tuesday evening.
Saturday school: The annual Ficquett Fall Festival raised money for the school and provided a good time for the students and their parents on Saturday.
Middle and high school students at Piedmont Academy participated in the recent See You at the Pole gathering.
Learning valuable skills: Members of Newton High School DECA collected canned goods outside of Kroger in Conyers Sept. 29, to replenish the local food banks and collected monetary donations in support of Georgia DECA Statewide Fall Community Service Project, Breast Cancer Research. Both organizations collected over 75 cans for the food banks and $165 towards The Breast Cancer Foundation. The group is lead by Quinita Morrow and Ken Ondracek.
The culture of New Orleans will be celebrated in a three-day symposium that begins Monday at Georgia Perimeter College Newton Campus.
The free event will feature film screenings, a jazz concert, food, panel discussions and speeches.
Dr. Melanie Lynn Hornibrook recently graduated from Medical College of Georgia.
Making plans: On Tuesday, Sept. 21, Ms. Morrow and the DECA Officers of Newton High School held their Official Officer Training. While conducting their training, DECA Officers planned out their yearly activities, including what they have planned for National DECA Week on October 1016. Some of the activities include a Community Service Projects with Porterdale, a "PINK Out" supporting Breast Cancer, Teacher Appreciation Day, DECA Spirit Day, Dress for Success and DECA Career Day.
It's back! Fall is the best time of year for family gatherings. The Ficquett Fall Festival is the major fundraising effort for the school. It will be fun-filled day to enjoy time with family, friends and the community. The profits support the continuing education of our children. Last year had over 300 people attend the festival.
The school is looking for businesses to purchase spaces and promote their goods and services. Space consists of two parking spaces or a 10x10 area. Please provide your own tent, table, chairs and/or generators. No electrical outlets are available due to safety ...
Hail to the queen: Nancy East was escorted to the field by her brother, Micah East, before she was crowned homecoming queen of Eastside High School for 2010.


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In the Light of His Glory
12 Hymns of Grace and Reflection
By Martha Mier
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In the Light of His Glory (12 Hymns of Grace and Reflection). Arranged by Martha Mier. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Hymn; Sacred. Early Advanced; Late Intermediate. 40 pages. Published by Alfred Music (AP.34932).
ISBN 073906956X. Hymn; Sacred.
These heartfelt arrangements are some of Martha Mier's favorite hymns. Their warm melodies and rich harmonies will bring hope, solace, and the nearness of God to listeners and performers alike. To assist in planning, approximate performance times are included with each arrangement. Titles: Amazing Grace * His Eye Is on the Sparrow * In the Garden * It Is Well with My Soul * Jesus Loves Me * Joyful, Joyful, We Adore Thee * Morning Has Broken * My Jesus, I Love Thee * Near to the Heart of God * This Is My Father's World * Turn Your Eyes upon Jesus * What a Friend We Have in Jesus.
About Sacred Performer Collections
Alfred's Sacred Performer Series offers church musicians a great source of beautiful piano arrangements of both traditional and contemporary sacred literature, ideal for use in general, seasonal, and special services such as weddings and funerals.
- Amazing Grace
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- In the Garden
- It Is Well With My Soul
- Jesus Loves Me
- Joyful, Joyful, We Adore Thee
- Morning has Broken
- My Jesus, I Love Thee
- Near to the Heart of God
- This Is My Father's World
- Turn Your Eyes upon Jesus
- What a Friend We Have in Jesus
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In the Light of His Glory
12 Hymns of Grace and Reflection
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subset: commoncrawl


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'This system needs to start fresh'
Judge Edwards pushed 'to clear the air' of 'lingering cloud'; DA Ballard urged 'not making things worse and not overreacting'
Superior Court Judge Christopher C. Edwards felt strongly that an alleged affair between fellow jurist Paschal A. English Jr. and defense attorney Kim Cornwell had caused the public's faith of the judicial system to waver.
And so it was that April 28, after waiting 16 days to research the matter himself, Edwards ordered District Attorney Scott Ballard and Public Defender Joe Saia to investigate the alleged extra-judicial affair, which has since been substantiated.
In a recording of the meeting (available online here), Edwards said he felt it necessary to address the matter in order to clear the circuit's standing in the public's eye.
"What concerns me is that this is the big unstated lingering cloud that is hanging over this entire system and I'm taking that off of you today because it has to happen," Edwards said.
He then laid out two potential repercussions the Cornwell-English relationship may have left in its wake. Perhaps some people were in jail who shouldn't be, and perhaps some weren't in jail who should be, Edwards suggested.
"This judicial system needs to start fresh," Edwards said later in the recording. "Everybody needs to clean their houses. People need to be advised ... you need to obey the highest standards because we're going to be under very strict scrutiny forever."
On the recording, Edwards recounted how the accusation came to his attention during an in-chambers conversation he witnessed more than two weeks prior between Judge English and a local divorce attorney. That attorney, Susan Brown, bluntly told English that rumors were circulating that he and public defender attorney Kim Cornwell were having an affair. Both English and Cornwell are married.
Judge English failed to deny the rumors during the exchange, Edwards noted. Edwards also recalled that at one point all of Cornwell's cases had been assigned to Judge English's courtroom, though the time frame in which that occurred was not explained on the recording.
That in-chambers meeting was the result of English asking Edwards to ask divorce attorney Susan Brown to appear in his chambers following a court hearing, Edwards explained.
Subsequently, DA Ballard's investigation focused solely on the time frame after the Cornwell-Judge English affair was substantiated by a deputy who caught them in the middle of a sexual act. According to Ballard, that probe found no indication of any courtroom improprieties.
DA Ballard, the county's top prosecutor, has since admitted in a newspaper column he wrote that it is likely "misconduct" took place prior to Oct. 13, 2008 when Cornwell and English were discovered by the deputy in a parked car in the Waterlace subdivision on the outskirts of Fayetteville.
Ballard's office stopped short of trying to prove any judicial improprieties, and he said that task will be left up to any criminal defendants or their attorneys who might wish to challenge the outcome of their case.
Ballard also has acknowledged that he knew Cornwell and English spent time together, but Ballard contends he was unaware of the affair until the investigation began in late April of this year.
Edwards's order to Ballard and Saia was to report their findings to two senior superior court judges from outside the circuit.
"What if somebody's in jail and they want to ask the question: 'Well, what did you two say about my case?'" Edwards said. "What can I do? There's nothing I could do or would do to insulate somebody who's convicted of a felony from being able to ask that question."
Edwards said if the affair could be proved, it might be fairly simple to set aside entire convictions. Those convictions would have been secured in criminal court, the only venue in which Cornwell represented clients before Judge English.
Ballard on the recording said the system should be careful not to overreact. Minutes later he agreed it was a valid concept to do what needed to be done to protect the circuit's injured reputation.
"I just think that the way we do it ... just needs to be with a mind towards not making things worse and not overreacting. I think it should be designed strictly toward finding the truth," Ballard said.
Doing so, Ballard added, meant not only determining if there was an inappropriate relationship, but also if that relationship affected any cases in a "pivotal way."
Also, if any such substantiation was made, a decision would need to be made on how to notify defendants who might have been affected by the judge-attorney relationship, Ballard added.
At the time of the April 28 recording, Judge English was serving his last three days as chief judge, having resigned the week prior, just four days following the resignation of fellow Superior Court Judge Johnnie L. Caldwell Jr., who later admitted that he made inappropriate remarks to female attorneys.
The recording of the April 28 conversation contained information that, according to Ballard, included more than half an hour of "off the record" conversation that was not reported by Edwards's court reporter.
Ballard contended at a June 11 press conference that he was unaware a recording was being made of the "off the record" conversation, though he was aware when it went back on the record that it was being reported by the court reporter.
Ballard also contended that in the course of the investigation he ran into trouble trying to acquire the recording of the off the record conversation, though ultimately he was successful in securing the audio. That audio formed the basis for much of this story and is available in its entirety online here..
I cannot see how an educated man can say that "After" they were caught, they did nothing wrong (Judge and Attorney). Logic would render that argument as "Short Sighted" and give the hint of "Quid Pro Quo" at the worst, incompetance at best. Therefore, it is my hope that he enjoys an alternative career choice after his name lands on a ballot.
This is not a judge I can respect. Please do not let it happen.
A Plan without Action is a DayDream
Action without a Plan is a Nightmare.
A bunch of out of control egomaniacs. No integrity, No responsibility.
They all need to be held accountable.
I have read-up on this "affair,"excuse the pun, and I think the thing to do is determine what "the system should start fresh," means!
Also, we should not "make things worse." I can only take that to mean make things better if we can.
Saying that all cases handled by the judge and the defense attorney after the judge was caught with the attorney who practiced in his court were all found to be fair, but did not check the cases before the catch would seem to have been a great burden for a DA. How does the DA determine what to charge and what not to charge in other cases. Isn't a judge asking him to do so enough?
Just who now will step forward and make proper charges to proper people and determine if anyone is in jail who shouldn't be and who should be that isn't? Are the jailed ones (if any) and the improperly loosened ones to do that themselves? (they aren't likely to do that).
Couldn't we all just "get along?"
Start with the Browns (Susan and Mark) and send them all away. Of course all the Judges are on the lame.
No cases in this county are without politics and most of the county / city officials need to come clean.
Oh no you didn't! Susan Brown deserves recognition! She had more guts than them all put together. She saw the schemes here and she fought back. I am glad she stood up. I will always remember her name if I ever happen to need help with anything. She sounds like a pretty solid attorney and person. And Judge Edwards too. I know they didn't want to go through all of this but how could could you ignore it? Ethically, you can't or you too are being unethical. Richard Hyde Rocks too! We have a rights here in the USA, thank God! What good are those rights on paper if we don't receive them in action. Go Brown, Edwards and Hyde!! I will even contribute to Edwards campaign! How refreshing!
Why would you drag Mark Brown into this? He has had nothing to do with any of this. You having proposed this bizzare recomendation begs the question; which is your dog in this fight?


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It would be hard to summarize the million gestures that were made to my body in those six days. Among the facial treatments I had at the talented hands of a certain Manuela, the most unusual was a buffing by means of a mechanized nozzle that emits a fine spray of minerals to remove the top layer of dry cells; according to the aesthetician's discretion it can be used with greater power and duration over areas where the skin tends to thicken, such as the chin and in between the brows. I was afraid this might irritate, but afterward my skin seemed to have entered a time machine, for once in the right direction—backward.
The hotel is in a building adjacent to the original Renaissance structure; through a long descending corridor you reach the newly constructed spa, which is unremarkable as architecture goes but was built down into the slope so as to be practically invisible at ground level. The complex consists of many private treatment rooms and several pools, among them the Bioaquam; the Acquagym for water exercises; the Kneipp, two long corridors of water, one hot, one cool, through which you walk in continuous loops, alternating the two temperatures, to improve circulation in the legs; as well as a sauna and a Turkish bath where the lights are kept low, making the delicate black-and-white mosaic interior seem very magical. There's even a shallow, round thermal pool for dogs: here they can waddle and be cured of their arthritis and rheumatism before returning to special, uncarpeted guest rooms.
The water of all the pools is kept at 97 degrees and contains no chemicals. Perhaps the most exceptional feature of Terme de' Medici—aside from the people who work there, who are refreshingly regional in their ways, since many of them were born and bred in the area—is the Bioaquam pool. This is a Jacuzzi to end all Jacuzzis: a vast round pool made of travertine marble and mosaic that merges into a narrow outdoor lap pool. When I asked the resident physician, Paolo Bruno, whether you could actually describe it as a Jacuzzi, he said that it's much too large and much too beautiful to be called that, and fits far too many people comfortably. All right: it has 22 jets at different heights set into its sides; four thrones you can sit on and have your shoulders and waist massaged; a large geyser-like fountain inside a circular enclosure that you can stand in to feel the water surging around you; a zigzag walkway with jets at the thighs and knees; and more jets everywhere that you can activate by pushing a black rubber button. All this is fine, to be sure, but what determines that you'll never be as happy in any other whirlpool, or whatever you want to call it, is the immense glass façade overlooking one of the most beautiful Tuscan valleys you've ever seen, with cypress, olive trees, the towers of the castle of Radicofani in the distance, and nothing to spoil the view. It is as it must have been several centuries ago, because this corner of Tuscany on the borders of Lazio and Umbria has been mysteriously overlooked by developers and tourists alike.
I'd go back right now for another dose. The combination of warm, enveloping waters from which you emerge with baby skin and rested nerves and the nimble, expert fingertips dabbing minerals and fine mud on your face and body while tickling nerve endings along your neck, is irresistible. So said the body, and for once we agreed.


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Spencer Kopf: Facts and Not Fiction in the History of the NFLPA
EDITOR'S NOTE: Our friend, Spencer Kopf, called in and was miffed to read an e-mail from Jeff Nixon that described the NFLPA's great historical contributions to advancing the livelihood of its players. The story was just that: A story. The real history and events during the negotiations of the 1982 strike were well-documented and supported by many of the players who were actually there when it all went down. Here's Spencer's letter:
Dear Jeff,
I have been asked by the undersigned former players to address your most recent communication to the NFL Alumni. In your March 2, 2013 post, you wrote:
"In 1982, our NFL Players Association demanded, among other things, that its members receive 55% of the league's gross revenues. The owners told us to take a hike. So we did, and we didn't return until seven regular-season games had been lost. The owners were forced to return $50 million to the networks. Although we were not successful in getting 55% of League revenues, we did accomplish some things that are still having a lasting impact on current players."
If by "we" you mean the NFLPA itself, you could not be wider off the mark. The players of the past certainly deserve credit for accomplishments that have benefited players of the present. However, by juxtaposing "our NFL Players Association" with "we" you have created (perhaps unintentionally) a false sense of equivalence. If the history of the NFLPA has anything to teach us, it's that the NFLPA has never acted as if it and its past constituents were one and the same.
Winston Churchill said, "History is written by the victors." This glib observation fails to recognize that plenty of history is written by the defeated. And perhaps worse, it fails to recognize that occasionally history is written by uncredited parties, who actually secured victories claimed by others. In The Unbroken Line, Billy Joe DuPree and I (along with a host of contributors) demonstrate that the NFLPA had very little to do with resolving the 1982 NFL labor dispute, despite what the NFLPA claims on its website (click HERE).
Jeff, you know this because you read the book and graciously supported its content and conclusions. Still, when Joe DeLamielleure responded to your March 2, 2013 post, you responded, I know the NFLPA was asleep at the wheel in '82 strike, but that was not the point I was trying to get across in the article. What I was trying do was make the active players understand why they have certain rights and why they are getting some of the great benefits they enjoy.
Yet in your March 2, 2013 post you wrote:
"Although some people feel that the strike of 1982 was a failure because we didn't get a guaranteed share of the revenues, or significantly improve player movement through free agency, I believe our NFL Players Association established one of the most important rights in the history of our collective bargaining agreements; The sharing of contract information with all players and their agents."
These and other statements in your post do not suggest that the NFLPA was "asleep at the wheel"; instead they suggest that the NFLPA was responsible for creating what was accomplished in the 1982 strike, which is false: there were accomplishments in 1982, but they were not created by the NFLPA. In fact, had the NFLPA done it their way, nothing would have been accomplished. Nothing.
The historical record speaks for itself. In 1982, the NFLPA promised a fund that players could go to during the strike to help pay their bills. This representation was never realized in the manner specified by the NFLPA. Furthermore, the NFLPA authorized to strike after the second game instead of waiting until after the fourth game, which would have allowed each player to vest for an "entire year." By striking after the second game, players had only two paychecks to support themselves in a projected long strike. Then, throughout the strike weeks, the NFLPA notoriously did not answer the questions of their constituents and their player reps, creating enormous discord and distrust.
Yes, the NFLPA demanded 55% of the gross, but it did not press to ask for many of the things that you listed as achievements. First, the 55% demand was a pipe dream (which I noted in my article in The Dallas Morning News in July 1982, long before the strike even commenced).
Second, that lengthy list of demands (which rather coincidentally can also be found in my article) was actually achieved by our maverick group of players: we sought those terms out ourselves and presented them to the NFL owners. The NFLPA didn't initially come up with those demands; we did. The NFLPA didn't achieve them; we did. Of course, our actions did put the NFLPA leadership in the position to draft and execute the final papers (because at that time they were the only authorized signatories). But to say that they achieved these victories is to be flat-out ahistorical.
Any claim that the NFLPA created the ability to resolve the situation and achieve these results is absurd; the historical record confirms this. During the seventh week of the strike, the NFLPA called the player reps to New York, and it informed them that the season would either end without resolution, or the players would go back to work without new contracts, without any new benefits, and without any monetary restitution for the games they had missed: they would be paid only for the remaining games played, best case. The union had zero leverage. And the owners knew it.
The NFLPA, in all of its wisdom, even recommended that the players should let the season go, if need be, to create a modicum of leverage for the next year. This advice, had it been followed, would have meant that all of the achievements you list as NFLPA achievements in 1982 would not have been realized for ten years or more. The owners knew immediately of this so-called tactic, and, because the owners knew that the players were ready to cross the line, the NFLPA had no actual leverage at all. For your statements to be correct about the NFLPA being responsible for the long list of achievements there had to be enough leverage to accomplish those goals. But there was no leverage. The items on your list (plus others) were presented by that maverick group of players to the owners. And it was only when the maverick group of players created an impenetrable legal situation that the owners' leverage was virtually nullified, forcing them to meet those demands. The mavericks' action, and not the NFLPA's, forced both sides to capitulate.
The NFLPA had no idea what was going on, let alone were they capable of achieving these goals. By the time the mavericks had set their plan into motion, the arbitrator was 3,000 miles away, and no substitute arbitrator had been thought of, let alone selected. Robert Newhouse (the 1982 Dallas Cowboy player rep for the NFLPA and a current Federal Bankruptcy Court Trustee) and Joe DeLamielleure (co-player rep for the Cleveland Browns and member of the NFL Hall of Fame), among others, can confirm this. On the 57th day, the NFLPA's efforts were in complete collapse. The NFLPA leaders told the player reps that the season would end, or the players would go back to work without an agreement, without benefits, without payment for missed games, and would play the remaining games under the same old salaries. So Joe DeLamielleure went home to get another job at Hawk Industries in Cleveland, Ohio. Robert Newhouse had not quite left to go home, but he was present and saw the union position in complete disintegration: it was obvious that there was mass dissension between the NFLPA leaders and the members, and that there either would not be a complete season or the players would return to work under the old terms without payment for the missed games.
The owners were in such a strong position that they were daring the players to continue the strike. The owners knew the most likely result would be that the players would take the season as-is and come back with their tails between their legs. But, as you know, at the final hour Robert Newhouse received a call from Billy Joe DuPree that some maverick players were taking immediate legal action against the union. This legal action process would simultaneously snooker the owners: because the owners would be unable to participate in those potential legal proceedings, they would be helpless to avoid economic disaster; therefore, they were compelled to reach a settlement. The mavericks had established the leverage that the union never did and never could achieve. I presented the terms to the owners, and then the owners informed the union that they had accepted those terms. The union leadership was then compelled to present the agreement to all of the player reps, as there was no arbitrator present.
Despite this knock-out tactic, the NFLPA actually recommended that this deal be rejected by the player reps! But the reps voted to accept the agreement that had been created. In their book Labor Relations in Professional Sports , Robert Berry, William Gould, and Paul Staudohar remind us of the way the deal went down:
Ratification of the agreement by the owners was made without incident. Although the union's executive board voted 6 to 1 against the agreement, the player representatives voted 19 to 6, with three abstentions, to send it to the players. Ed Garvey initially predicted that the players would reject the settlement . . . When the players finally voted . . . [t]hey accepted [the agreement] by a 3 to 1 margin . . . (pp. 145-46).
How anyone can even hint at giving credit to the NFLPA for securing terms that they initially advised the players not to accept is absurd to the highest degree. Why would they secure terms and then tell their constituents not to accept them?
Worst of all, the NFLPA's egregious record didn't stop after 1982. Despite the mavericks' efforts, the union learned nothing over the next five years (well, they did learn to claim credit for things they didn't achieve). They entered the 1987 negotiations as weak and inept as they were before. The owners, however, had learned from their mistakes, and they closed any possible avenue of leverage by establishing a right to have scab players play in the event that the NFL players would choose to strike. The union failed miserably in 1987, the players gave up, and the season restarted. The NFLPA was decertified as a union a short time thereafter.
And the NFLPA's deplorable behavior continued. In 2009, as you know, the NFLPA was found to have breached its fiduciary duty to retired players. They were hit with a judgment in the amount of $28 million for doing so. (Don't forget, $21 million of the judgment was for punitive damages.) The NFLPA has been led by essentially the same group of cronies for around thirty years. And all that they have proven in that time is that they cannot be trusted. They do not deserve any praise whatsoever.
As I quoted above, Jeff, you wrote in your March 2, 2013 post:
"Although some people feel that the strike of 1982 was a failure because we didn't get a guaranteed share of the revenues, or significantly improve player movement through free agency, I believe our NFL Players Association established one of the most important rights in the history of our collective bargaining agreements; The sharing of contract information with all players and their agents."
But lest we forget, Garvey himself desired to create an "era of protection" by getting rid of all individual player representation. That was the biggest issue Garvey presented in 1982, and he had the gall to do it under the guise of protecting the players. He wanted the union to represent all players, but under that scheme, there wouldn't be contract sharing between players and agents because there wouldn't be any agents. Worse, there would be a never-ending series of "conflicts of interest" between the union and the individual players for whom they intended to provide individual representation. As history shows, the players immediately and vehemently demanded that this issue be removed from that year 's NFLPA agenda. The union leadership backed off, but had they been operating in the best interests of the players, Garvey and company would never have come up with such a formula in the first place. The NFLPA leadership has consistently over decades ignored conflicts of interests. (Remember, for example, Tom Condon's sitting on the disability board for approximately two decades while simultaneously being Gene Upshaw's attorney and representing many NFL players.) With such a nepotistic group running the NFLPA, it's not difficult to see why so many conflicts of interests continue to arise.
There are many more examples of the NFLPA leadership's total disregard for the best interests of their retired constituents, especially those who played before 1993. Garvey behaved this way in 1982, and continuing in that same vein, Gene Upshaw infamously stated that he did not represent retired players because they don't pay him. DeMaurice Smith, a former assistant U.S. Attorney, claimed he would do a thorough due diligence before taking office; instead, he rehired virtually all of the executive management (including chief counsel Dick Berthelsen) who were besmirched in and after the 2009 federal court proceedings by both the judge and the jury.
The ten-year term of the new collective bargaining agreement is a travesty and is just another example of the incompetence and self-serving conduct of the NFLPA leadership. Quite frankly, it is another example of the total disregard for the health and financial well-being of pre-1993 former players. This most recent CBA has provided minimal assistance to pre-1993 players, many of whom will have passed away in eight years when the CBA expires. Meanwhile, the NFLPA leaders continue to receive obscenely large compensation. In The Unbroken Line, Billy Joe DuPree and I (citing investigative journalist Lauren Horwitch's article "Company Set Up by SAG's Allen Under Fire") wrote, Doug Allen, the former assistant director of the NFLPA and 1994 founder of Players, Inc., earned $466,281. The next year, he was paid $1.9 million. His wife, Pat, the former COO of Players, Inc., doubled her salary to over $600 thousand. And Gene Upshaw, the NFLPA executive director, raked in nearly $7 million (p. 223).
If compensation to the leadership were properly scrutinized and justly curtailed, the money saved could go to the retired players without affecting the union's budget or the current players' income benefits by even one penny. Best of all, this would help thousands of hurting, retired players, rather than enrich a handful of undeserving individuals. But nothing like this is imaginable given the current scheme. Is this the record of a helpful, honorable NFLPA?
In your March 2, 2013 post, you wrote:
"Each generation of NFL players has worked to increase their benefits……and benefits for the players that came before them. Why have these benefits increased with each and every new CBA? The simple answer: The NFLPA negotiated the benefit on behalf of former players. They have no obligation to do this, but they have, and for that…I am thankful."
While perhaps it wasn't your intention to begin with, by juxtaposing the initialism "NFLPA" (an organization which deserves no praise) with "each generation of NFL players" (who deserve all the praise) you give a false sense of accomplishment to the NFLPA leadership, who (unlike you and other former players) has no record of acting for the "we" whom you rightfully defend. And whatever accomplishments the NFLPA has achieved in the past thirty years, they pale in comparison to their failures: by being thankful, you show a willingness to give in, however slightly, to this clutch of vile characters. The reaction should be "too little, too late" not "thanks."
The NFLPA leadership's conduct of conscious indifference for pre-1993 NFL Player's is deplorable, especially in the face of achievements in Major League Baseball. Marvin Miller, the great executive director of the MLBPA from 1966 to 1982, demanded that each era of baseball players be required to provide substantial economic assistance to retired baseball players. He recognized that former players, by building the sport, had created the huge financial opportunities for the players who would come after them. But just the opposite is true of Upshaw, Smith, and their fiendish familiars.
How many times have we heard the rhetoric from NFLPA leaders such as DeMaurice Smith that, contrary to what you have asserted, the NFLPA does indeed owe a huge fiduciary duty to pre-1993 NFL players? But unlike the great Mr. Miller, the NFLPA leaders have shown that they are more concerned for their own wealth and unbridled influence than they are for those who sacrificed so much to create the financial opportunities and the health and other benefits realized by today's NFL players. It's not that the NFLPA doesn't have to assist former NFL retired players; it's that they have it set it up in such a way that they are not required to do so.
Then, when they throw a few bread crumbs to the floor, the NFLPA can fall back on the statement that technically they are not obligated to do even that. Jeff, I am certain that you meant well, but your article gave the impression that you credit the NFLPA for the accomplishments in 1982. Furthermore, I believe that you have too much integrity to be giving the NFLPA any credit or any benefit of any doubt, because there is no doubt about their dubious record. I began this message by slighting what a great English statesman once said. But Churchill did say one thing we can agree with: "Never give in, never give in, never; never; never; never in nothing, great or small, large or petty never give in except to convictions of honor and good sense." It makes absolutely no good sense to give credit to those who have no honor.
Ever your friend and comrade-in-arms,
Spence, on behalf of your devoted fellow Alumni Brothers listed below:
Spencer Kopf has been a licensed attorney in the state of Texas for 33 years, and offers expertise in the areas of corporate law, criminal law, sports and entertainment law, civil litigation, and contract negotiations.
At the age of 16, Spencer attended the University of Pennsylvania as a superior high school student. He attended Oklahoma City University on an academic and debate scholarship where he earned a B.A. and his Juris Doctorate. In 1982, he was appointed to the bench as a Municipal Court Judge in Collin County, and three years later, elected by his judicial peers to serve as the president of the Texas Municipal Courts Association – the first Municipal Court Judge from North Texas to be so honored. At 35 years old, Spencer was the youngest judge to ever serve in that capacity. He was also nominated by the Supreme Court of Texas to serve on the Judicial Qualifications Review Commission. At one point, Spencer represented one third of the Dallas Cowboys roster as their attorney.
Recently, Spencer co-authored the book entitled "The Unbroken Line" with former Dallas Cowboy Billy Joe DuPree. The book recounts the true story of the 1982 National Football League labor strike which he was instrumental in resolving.


text:
436 Critchley to Department of External Affairs
Cablegram K317 BATAVIA, 16 June 1949, 11.59 p.m.
Received 17 June 1949, 9.30 a.m.
Both Delegations have agreed provisionally to three documents [1] for a cessation of hostilities:-
(a) Cease-hostilities order (b) The proclamation (c) The regulations.
Only minor changes have been made to the drafts already forwarded by bag.
2. Cochran has made the following suggestions for overcoming the procedural impasse (see paragraph 5 of my telegram K31[6] [2]). No final agreement on cease-fire until after the Republican Government is restored but Hatta to write a personal letter to Van Royen stating (1) he finds the documents in their present form reasonable and satisfactory;
(2) he would be prepared to urge the adoption of policy formulated in these documents by the Government of the Republic as soon as possible after its restoration;
(3) he would consider only the lesser details covered by the documents subject to change after consultation on the return of the Republic of Djokjakarta and by mutual agreement between the Delegations;
(4) he would consider as immutable the following elements of the policy formulated in documents;
(a) that all hostilities between the parties, including guerilla warfare, was to cease;
(b) that all measures shall be taken to [cease fire and terminate all acts intended to harm the other party] [3];
(c) that both parties shall co-operate fully in maintaining law and order, in protecting all elements of the population, and in facilitating each other's measures of self defence;
(d) that the ending of military operations throughout Indonesia will render possible the maintenance of peace and order through the co-operation between the Netherlands and the Republican armed forces. Co-operation in patrolling, in avoiding clashes, and in maintaining peace and order shall be effected;
(e) that the armed forces of the Government shall not extend their delineated zones of patrolling or otherwise endeavour to improve their respective military positions at the expense of the other.
Patrols shall be limited to the maintenance of law and order, including the protection of all elements of the population;
(f) that there shall be neither prosecution by the course of law, nor measures of an administrative character against anyone who by the sole fact that he, by offering his services, by seeking protection or by acting in a scornful way, has taken sides in the dispute which has divided the Republic of Indonesia and the Netherlands;
(g) that those who have been deprived of their freedom, because of political convictions or functions, or because they have carried arms in the fighting organisations of one of the parties, shall be released as soon as possible;
(h) that there shall be free movement of the civilian population and free traffic of goods;
(i) that there shall be co-operation between parties in assuming responsibility for feeding, clothing and providing medical supplies and services for the population.
3. It is also suggested Van Royen reply in a similar strain to Hatta.
4. The Republican Delegation has taken the Dutch suggestions to the leaders at Bangka and the Netherlands Delegation is consulting The Hague.
5. Prospects appear hopeful but Van Royen says that the major problem is to explain the situation to the Netherlands Government, which was led to believe that the cease-hostilities agreement would be reached prior to the restoration.
6. It is most important that the Republican Government be restored without further delay. Anything which could be done now to urge this strongly at The Hague would be most timely.


text:
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text:
Outline for the book
Titles for Music |
This outline includes chapter headings and
subheadings, with page numbers.
There are also links to a
web page
with updates, additions, etc.
Chapter 1 Principles of Uniform Titles for
Chapter 2 The Initial Title Element
Chapter 3 Formulating the Initial Title Element: Generic
Titles (25.29)
Chapter 4 Additions to the Initial Title Element: Generic
Titles (25.30)
Chapter 5 Medium of Performance: Instrumental Music
Chapter 6 Medium of Performance: Vocal Music
Chapter 7 Numeric Identifying Elements (25.30C)
Chapter 8 Key (25.30D)
Chapter 9 Other Identifying Elements (25.30E)
Chapter 10 Distinctive Titles (25.3, 25.31A-B)
Chapter 11 Additions to Both Generic and Distinctive
Titles (25.32, 25.35)
Chapter 12 Collective Titles (25.8, 25.34)
Chapter 13 Works of Unknown or Collective Authorship
(21.5, 21.6)
Chapter 14 Manuscripts (25.13)
Chapter 15 References (26.1, 26.4)
Appendix A Thematic Index Numbers for Composers Whose
Works Are Assigned Numbers Other Than or in Addition to Opus Numbers
Appendix B Comparison of Music Uniform Titles and
LC Subject Headings
Appendix C Resources for Authority Work
1 Chapter 1 Principles of Uniform Titles for
2 What Does a Music Uniform Title Do? (25.1A)
3 A Brief Overview of Uniform Titles for Music
9 Where is a Uniform Title Used in a Bibliographic Record?
11 Uniform Titles and Authority Records
12 Headings and References
13 Other Fields
16 Abbreviations, Capitalization, and Punctuation
16 Abbreviations
17 Capitalization
19 Single Letters
19 Capitalization in Titles for Sacred
additional examples
21 Punctuation
21 Comma
21 Period
23 Semi-Colon
23 Other Punctuation: slash, colon,
ampersand, parentheses, dashes
additional examples
24 When to Include a Composer's Original Punctuation
in the Uniform Title
additional examples
New section: Titles With Separate Letters
or Initials Without Periods or Spaces Between Them
25 Punctuation Between the Name and Title Portions
of a Heading
25 Ending Punctuation
25 Within Elements of a Uniform
additional example
26 At the End of a Uniform Title
27 Accents, Diacritical Marks, and Special Characters
29 Chapter 2 The Initial Title Element
30 Determining the Composer's Original Title (25.27A)
31 Isolating the Initial Title Element (25.28)
32 Medium of Performance
32 Key
32 Identifying Numbers
32 Serial Numbers
33 Opus and Thematic Index
33 Date of Composition
34 Examples of the Process of Isolating the Initial Title Element
35 Determining Whether the Initial Title Element is Generic or Distinctive
36 Treatment of Titles Naming More Than One Type of Composition
additional examples
37 more information
38 Treatment of Terms Used in Phrases
38 Phrases That Include Medium of Performance
38 Bound Phrases
additional example
38 Titles With Embedded Medium
of Performance
additional examples
40 Works in a Numbered Series with Titles That Include
a Phrase With the Name of a Type of Composition
42 The Word "Double" or "Triple" in the Initial
Title Element
43 Chapter 3 Formulating the Initial Title Element:
Generic Titles (25.29)
43 Singular Versus Plural
additional information
45 Lost Works
45 Language of the Plural Form
of the Name of a Type of Composition
46 Sacred Music with Liturgical Titles
46 Cognates
48 Applying 25.29A1 to Titles Naming More Than One
Type of Composition
48 Singular Versus Plural
48 Cognates
49 Title on the Item Varies From the Composer's Original Title
50 When the Composer's Original Title is Not Used
51 Chapter 4 Additions to the Initial Title Element:
Generic Titles (25.30)
51 Medium of Performance (25.30B)
52 Numeric Identifying Elements (25.30C)
52 Serial Numbers (25.30C2)
53 Opus and Thematic Index Numbers
53 Key (25.30D)
53 Other Identifying Elements (25.30E)
55 Chapter 5 Medium of Performance: Instrumental
Music (25.30B2-B7)
55 Names of Instruments
57 Works for One Instrument
57 Keyboard Instruments
58 Percussion Instruments
58 Works for Computer, Electronics, Synthesizer,
or Tape
58 Works for More Than One Instrument, One Performer to a Part
59 Individually Named Instruments
59 Order of Instruments
59 Other Instruments in Score
61 Keyboard
Instrument When There is More Than One Non-keyboard Instrument
62 Two or More of an Individually
Named Instrument
additional information
66 One Performer
on Two or More Instruments
66 Keyboard
examples added
68 Works That
Include Computer, Electronics, Synthesizer, or Tape
69 The Rule of Three
69 The Exceptions to the Rule of
70 Standard Combinations of Instruments
70 Initial Title Element is Trio(s),
Quartet(s), or Quintet(s)
additional information
71 Initial Title Element is
Not Trio(s), Quartet(s), or Quintet(s)
additional information
73 Other Groups of Instruments
example added
78 Works for Large Ensembles, Two or More Performers to a Part
79 Instrumental Choirs
79 Solo Instrument(s) and Accompanying Ensemble
additional information and
change in policy by LC
83 Indeterminate or Unspecified Medium of Performance
83 Indeterminate Medium of Performance
83 Unspecified Medium of Performance
87 Chapter 6 Medium of Performance: Vocal Music
88 Works for One Solo Voice
88 Initial Title Element is "Song" or its
89 Accompaniment for Two
90 Accompaniment for Three or More
92 Initial Title Element is Not "Song" or
it Equivalent
93 Accompaniment for Two
94 Accompaniment for Three or More
96 Two or More Solo Voices
additional text; additional
96 Two Solo Voices of the Same Vocal Type
97 Two Solo Voices of Different Vocal Type
97 Three or More Solo Voices of the Same Vocal Type
97 Three or More Solo Voices of Two Different Vocal
98 Grouping Vocal Types According to Range of Voice
99 Works for Non-Solo Voices
100 Sacred Music With Implied Medium of Performance
102 Indeterminate Medium of Performance
103 Works That Include Narrator or Speaker
105 Chapter 7 Numeric Identifying Elements
105 Serial Numbers (25.30C2)
additional information
109 Ordinal Numbers
additional information
110 Language of a Term Associated With a Serial Number
111 The Initial Title Element is in English
and the Term Means "Number"
111 The Initial Title Element is in English
and the Term Does Not Mean "Number"
111 The Initial Title Element is Not
in English and the Term Means "Number"
112 The Initial Title Element is Not
in English and the Term Does Not Mean "Number"
113 A Range of Consecutive Serial Numbers
114 Opus Numbers (25.30C3)
116 A Range of Consecutive Opus Numbers
116 Posthumous Opus Numbers
116 Both Serial and Opus Numbers
additional examples
118 Thematic Index Numbers (25.30C4)
121 Examples of Thematic Index Numbers
additional examples
121 A Range of Consecutive Thematic Index Numbers
122 Other Kinds of Numbers
123 Chapter 8 Key (25.30D)
additional information
127 Chapter 9 Other Identifying Elements
127 Year of Completion of Composition
127 Exact Year of Composition
128 Range of Years of Composition
128 Estimated or Guessed Year of Composition
128 Year of composition is the Same
129 Year of Original Publication
129 Exact Year of Publication
129 Estimated Year of Publication
129 Probable Decade of First Publication
130 Any Other Identifying Elements
130 First Publisher
additional example
130 Place of First Publication
130 Edition
New section: The Name of the Person Who
Completed/Orchestrated Unfinished Sections
130 Text on Which a Vocal Work is Based
additional example
131 Author of Text
131 Number of Performers
131 Manuscript Repository and Number
additional information and
131 Order in Which the Work Appears in a Collection of
Several Composers' Works
132 RISM numbers additional example
133 Chapter 10 Distinctive Titles (25.3,
133 Formulating the Title
133 Initial articles
135 Subtitles and alternate titles
135 Introductory phrases
135 Separable statements of responsibility
136 Titles With Cardinal Numbers
136 Initial Cardinal Numbers Integral to the Title
137 Initial Cardinal Numbers Not Integral to the Title
139 Internal Cardinal Numbers Integral to the Title
140 Internal Cardinal Numbers Not Integral to the Title
141 Titles With Ordinal Numbers
141 Initial Ordinal Numbers Integral to the Title
141 Initial Ordinal Numbers Not Integral to the Title
142 Internal Ordinal Numbers Integral to the Title
142 Internal Ordinal Numbers Not Integral to the Title
additional example
143 Singular Versus Plural
143 Titles Consisting Solely of a Statement of Medium of Performance
143 Additions to Distinctive Titles to Resolve Conflicts (25.31B1)
144 Medium of Performance
additional example
145 Descriptive Term or Phrase
additional example
146 When Medium of Performance or a
Descriptive Term or Phrase is Not Used
146 Numeric Identifying Elements
147 Serial Number
additional example
147 Opus Number
147 Thematic Index Number
148 Omitting Medium of Performance For
a Better File Arrangement
149 Key
149 Other Identifying Elements
149 Year of Completion of Composition
150 Guessed Year of Composition
150 Range of Years of Composition
150 More Than One Method of Differentiation
150 Medium of Performance and Opus
151 Descriptive Term or Phrase and Thematic
Index Number
151 Descriptive Term or Phrase and Year
of Composition
151 Thematic Index Number and Year of
New section: Medium of Performance and Placement
in the Composer's Complete Works
152 Medium of Performance and Placement
in a Collection of Several Composers' Works
152 Other Means of Differentiation
153 Singular and Plural Forms of the Same Distinctive Title
153 Cadenzas
155 Chapter 11 Additions to Both Generic and Distinctive
Titles (25.32, 25.35)
155 Parts of a Larger Work (p,
n) (25.32)
156 Titled Parts
additional information
157 Opera Arias
158 Numbered Parts
158 Numbered Parts Without Titles
159 Language of a Term Associated With
the Number of a Part
159 The Term Means
159 The Term Does Not
Mean "Number"
additional examples
160 Other Kinds of Numbers
161 Numbered Parts With Titles
162 More Than One Sequence of Numbered
Parts With Titles
New section: Parts With Neither Titles Nor
164 Part of a Part
165 Resolving Conflicts in Titles of Parts
166 Medium of Performance
166 Descriptive Term or Phrase
166 Numeric Identifying Elements
166 Distinguishing Between Two or More
Parts With the Same Title Without Numeric Identifying Elements
additional examples
168 Medium of Performance and Position
Within the Larger Work
168 Key
168 Version
168 Subtitle of the Part
additional example
169 Sketches (25.35B)
169 Arrangements (o) (25.35C)
170 Alterations of Musico-Dramatic Works (25.31C1)
170 What Does Not Constitute an Arrangement?
172 Added accompaniments
additional information
172 Transposed Works
173 Revisions by the Original Composer
173 New Work
175 Same Work
176 Adaptations
176 Transcriptions
177 Paraphrases
177 A Work Based on Other Music
178 Vocal Scores and Chorus Scores
(s) (25.35D-E)
180 Librettos and Song Texts (25.35E)
181 Language (l) (25.35F)
182 Selections (k) (25.34C3)
182 Three or more non-consecutively numbered parts of a
larger work by one composer
183 Three or more unnumbered parts of one work
183 Examples of Additions to Uniform Titles for Music
185 Chapter 12 Collective Titles (25.8, 25.34)
185 Complete Works
additional information
186 Partial Collections
186 In the Same Form or Type For the Same
Medium of Performance
188 In Two or More Forms or Types For the
Same Medium of Performance
additional example
189 Orchestral Excerpts, etc.
189 Music From One
190 Music From Two
or More Works
190 In the Same Form or Type for Two or More
Mediums of Performance or One Broad Medium
191 In Two or More Forms or Types For Two or
More Mediums of Performance
191 Two or More Mediums Within One
Broad Medium
191 Two or More Diverse Mediums
of Performance
192 o in Collective Titles
192 Collections of Numbered Works With the Same Distinctive Title
194 Collections of Songs and Excerpts From Musicals and Revues (LCRIs 25.32B1
and 25.34C2)
195 Song Texts and Lyrics
195 Composers and Authors (25.10A)
197 Chapter 13 Works of Unknown or Collective Authorship
(21.5, 21.6)
197 Unknown or Uncertain Authorship (21.5)
198 Additions to Resolve Conflicts
additional example
199 Part of a Work of Unknown Authorship
199 Collective Authorship (21.6)
199 Works by four or more composers, with no single composer
attributed as the primary composer
199 Works by two or three composers
200 Previously Existing Music by Various Composers Adapted or Arranged Into
a Larger Work
203 Chapter 14 Manuscripts (25.13)
203 A Title Assigned to the Manuscript
203 A Name Given to the Manuscript or the Name by Which the
Manuscript is Known
204 The Heading of the Repository
207 Chapter 15 References (26.1, 26.4)
207 See (or Search under) references
208 See also (or Search also under) references
210 Misattributed works
additional information
211 Rules Specific to Uniform Titles (26.4)
212 References From Generic Uniform Titles
212 Initial Title Element
213 Medium of Performance
214 Numeric Identifying Elements
215 References for Works in a Numbered
Sequence of Works With the Same Title, for Different Mediums of Performance
216 Arrangements
216 References From Distinctive Uniform Titles
217 Abbreviations
217 Ampersand or Other Symbol Representing
the Word "and"
218 Letters, Initials, and Acronyms
219 Numbers
correction and additional
222 Dates
223 Alternative Forms of Words or
224 References From the Title of a Part of a Work
224 Parts With Distinctive Titles
224 Parts With Generic Titles
additional information
225 Translations
226 Conflicts
226 What Constitutes a Conflict?
228 Conflicts Between References and Headings
228 Conflicts Between References and
Generic Uniform Titles
229 Conflicts Between References and
Distinctive Uniform Titles
of Performance
Identifying Elements
of Completion of Composition
231 Conflicts Between References
of Completion of Composition
of Larger Work
of Performance
235 Appendix A Thematic Index Numbers for Composers
Whose Works Are Assigned Numbers Other Than or in Addition to Opus Numbers
additional entries
243 Appendix B Comparison of Uniform Titles for Music
and LC Subject Headings
244 Initial Element
244 Choice of Term
245 Medium of Performance
245 Name of instrument
246 Name of voice
246 Order of instruments
247 Number of instruments/voices
247 Medium of performance with three
or more elements
248 Standard chamber combinations
248 Omit medium of performance when it is implied.
250 Arrangements
250 Language
250 Selections
Appendix C Resources for Authority Work
251 Cataloging Tools
252 Language Tools
252 Complete Works
252 Thematic Indexes
253 Bibliographies and Discographies
253 General Encyclopedias
253 Internet Resources
254 Resources by Specific Time Period
254 Twentieth Century
254 Nineteenth Century
254 Seventeenth to Eighteenth Centuries
255 Before 1600
255 Women Composers
255 Black Composers
256 National Encyclopedias and Books
Argentina, Australia, Austria, Belgium,
Bolivia, Brazil, Canada, Czechoslovakia, Cuba, Denmark, England/Great Britain,
Estonia, Finland,
France, Germany, Holland, Hungary, Iceland,
India, Ireland, Israel, Italy, Japan, Latin America, Mexico, New Zealand,
North and South
America, Norway, Paraguay, Poland, Romania,
Russia/Soviet Union, Scotland, Silesia, South Africa, Spain, Sweden, Switzerland,
United States, Venezuela, Yugoslavia
263 Library Catalogs
264 Resources by Form, Genre, or Medium of Performance
264 Stage Works
264 Vocal Music
265 Instrumental Music
265 Band/Wind Ensemble
265 Chamber Music
266 Individual Instruments
Bassoon, Clarinet,
Double Bass, English Horn, Guitar, Harp, Horn, Keyboard, Oboe, Organ, Percussion,
Saxophone, Trumpet,
Viola da Gamba, Violin,
269 Bibliography
271 Index
p. 273
additional entries
p. 274
additional entry
p. 275
additional pages


text:
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HEELS: L.A.M.B., $206; zappos.com.Read MoreLess


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Who is worried about their first test? - page 3
Me! Its September 19. :uhoh3:... Read More
0Sep 12, '11 by NrsNiksterQuestions questions questions. oh did I say questions!?!?! As a RN, preparing for test in nursing school was very difficult, I must say. But please do as many questions as you can in regards to the subject and topic you are studying. the saunders comprehensive nclex book is a great holy bible during nursing school. Do as many as you can ladies and gents. Good luck.
0Sep 14, '11 by QuarterLife88, RNQuote from futurenurseya33So is mine. My first major exam anyway.Me! Its September 19.
I've already had a lab quiz - got 90% on that, so, so far so good. I'm currently studying for my first lecture exam though. The biggie. I'm annoyed because a lot of it is on the history and legal aspects of nursing, and tbh, it bores me to tears. I'm here for the science! -
0Sep 14, '11 by Pneumothoraxtook mine on Monday, felt ok about it. I didnt think it was as hard as i expected it to be. what really peeves me is they said we wont get our test grades until thursday because they didnt want us to be distracted or upset by or grades and not focus on patients during clinical...
UH WHAT?!...im sorry but if you are going to get so flusterd over a stupid test grade that it affects your performance in patient care---you need to reevaluate your priorites...and grow up..
ugh..i just wanna know how i did!!


text:
When John heard about Letty's accident, he rushed to Rose hospital. Marvin and Judi were already there, and Judi was telling a doctor what should be done for her mother.
"I said, 'Don't you think Mother should be making her own choices?'" John recalls. "And she said, 'Not when she's been diagnosed with textbook dementia.'
"I said, 'So, what--you've got a Ph.D. or M.D.?' But she just smiled and walked away."
It was at that point, John says, that the doctor told him Judi had already taken her mother to several doctors over the preceding two years to have her evaluated for dementia.
Dementia is a normal by-product of aging--although there can be other causes, such as alcohol use--that is marked by a subject's mental deterioration; dementia often continues to worsen through the aging process. It is one of the most frequent reasons given by petitioners asking for a court-appointed guardian. But the diagnosis is highly subjective, and the condition can vary in degree of incapacity from someone who keeps misplacing her car keys to someone who is unable to care for herself.
In the hospital, Dr. Deb Halterman was assigned to Letty's care; John says his mother complained frequently about her bedside manner. "She'd come in and pat my mother's hand and say, 'There, there,' like she was a child," he says. "It was condescending, and my mother was definitely not used to being treated that way."
John was also concerned because Halterman seemed to be communicating only with the Wolfs. Then one day he got a call from his mother. She was being sent for rehabilitation to Shalom Park, an expensive "assisted living" center near Cherry Creek Reservoir that was far from her home. She didn't want to go.
Calling around, John found Manor Care, a rehab center that was much less expensive and only two blocks from Letty's home. His mother liked the sound of that, he says. But when he told the doctor, she said it "wasn't in the plan."
The night before Letty was to be transferred, one of John's nephews called from the hospital. Letty was refusing to go to Shalom Park. His nephew asked John to calm his mother down.
John demanded to talk to Penny Timmen, a hospital social worker, who agreed to give Letty a couple more days to consider her options, he says.
But the next day, when John arrived to visit Letty, he found an ambulance van waiting to take her to Shalom Park. She was in her room, screaming that she didn't want to go. John told Timmen he was going to call the police.
"She said, 'Are you threatening me?' And I said, 'Take it however you want,'" he recalls. Timmen went to get another social worker, only to have her colleague side with John and Letty.
In the meantime, Judi, who was already at Shalom Park, had called and wanted to know what the delay was. Judi told their mother that if she went somewhere else, "Blue Cross won't pay," John says.
But Letty was adamant. In the end, she went to Manor Park and "fired" Dr. Halterman, as she noted in her book. At Manor Park, Letty was assigned a new doctor, Dr. John Westfall, whose clinic is affiliated with the University of Colorado Health Sciences Center. But Judi kept trying to convince her to switch doctors again, John says. At one point the rehab center sent Letty back to Rose for a test. While she was there, John received a call from a nurse, who said Judi had called Rose and told officials there that her mother had "fired" Westfall and rehired Halterman.
John raced to Rose and confronted his sister. He spotted Letty's medical records and asked his mother for permission to read them. In her notation about the plan to send Letty to Shalom Park, Dr. Halterman had written that she'd met "with the family" and Letty.
"She never met with me or my mother," John says angrily.
There was also a "transfer notification" that read: "I understand that I am being transferred from RMC Transitional Care Unit to...Shalom Park." The notification was signed not by Letty, but by "Judi Wolf--Daughter" and social worker Timmen.
John was outraged that Judi was making decisions for their mother when Letty was fully capable of making them for herself--and had the right to do so. He again threatened to call the police. "Judi threw on her mink coat and left," he recalls. (Timmen declined to comment, saying her role was "confidential." Through a spokeswoman, Halterman said that Letty hadn't been her patient for a year, then declined further comment.)
After 24 days at Manor Care, Letty finally went home. She still needed 24-hour care: She couldn't get around well, and if she fell again and cut herself, she would be in danger of bleeding to death because of Cumaden, a blood thinner that Dr. Westfall had prescribed to prevent blood clots in her hip area. To help with her daily needs, Letty had picked a certified nurse's aide with whom she got along well; the aide alternated time at the house with John. A nurse and therapist who worked for First Choice, an in-home health-care provider whose bills were paid by Medicare, also visited regularly.


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Rhymes With Party: Artie Lange
The radio personality and ex-Howard Stern sidekick returns to stand-up for one night at the Wilbur.
Tune in: After memorable turns in Old School and MadTV, Lange is back with a sports-comedy radio show.
Sat 7p. The Wilbur Theatre, 246 Tremont St., Theatre District (617-248-9700). $46-57 here.
Nearby: Emerald Lounge; Abby Lane; Jacob Wirth
Basquiat Meets Bowie: First Friday 80's Night
Celebrate the museum's new '80s art exhibition This Will Have Been with an appropriately themed party.
Regan-era rager: DJs Knife, Nite Train, and Paul Foley spin new wave, yacht rock, and old school hip-hop until 10p.
Fri 5-10p. Institute of Contemporary Art, 100 Northern Ave., Seaport (617-478-3100). $18 here.
Nearby: 75 on Liberty Wharf; Sam's at Louis Boston; The Daily Catch
Puritan Premieres: Puritan & Company
Local seasonal ingredients highlight the menu at this cozy just-opened spot (pictured above) from chef Will Gilson in Cambridge.
Hot seat: Grab a local brew on tap and some grilled oysters at the oyster and charcuterie bar in the back.
Open now. 1166 Cambridge St., Inman Square (617-615-6195).
Nearby: Trina's Starlite Lounge; Christina's Ice Cream; The Druid
Friendly Feast: Benevolent Brunch Battle
Sister restaurants Coda and The Salty Pig offer competing brunch menus, with all proceeds going to local charities.
Taste test: Coda offers eggs benedict and pecan-encrusted french toast, while the Pig serves up pork hash.
Sun 10:30a-5:30p. Coda Bar & Kitchen, 328 Columbus Ave, South End (617-536-2633). The Salty Pig, 130 Dartmouth St., South End (617-536-6200).
Nearby: Cinquecento; Clery's; Champions


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In today's NBA, there is nothing more important than looking cool coming to and from playing in a basketball game. That's why you see all these fancy outfits all the time. But one thing we never really think about is how silly these guys with the snazzy clothes must feel when they've picked out their freshest duds, only to see their team lose a game, which then makes it look like the player got dressed up for no reason. It's a total buzzkill sartorially.
And no one knows that better right now than J.R. Smith, who was super on board with the Knicks wearing black to the Celtics' funeral, right up until the part when the C's climbed out of the grave. From CBS New York:
"Well, we was going to a funeral, but it looks like we got buried," Smith said. "Basketball is a very humbling game."
Especially on nights like Smith had.
The NBA's Sixth Man of the Year missed his first 10 shots and finished 3 of 14 from the field as the Celtics stayed alive with a 92-86 victory Wednesday night, cutting New York's lead to 3-2.
The Knicks didn't have much of a choice but to wear their all-black street clothes after the loss.
"I'm done with this black stuff," said Smith.
First things first, props to J.R. Smith for having a line ready. If you're going to be publicly embarrassed, it's always wise to have a decent zinger in your back pocket to make it seem like you're at least levelheaded about what has transpired. It's comedy as a defense and it's a perfectly fine way of coping, or so I've heard.
And hey, if J.R. is putting away all his black clothes because he went 3-14 from the field when trying to close out his team's biggest rivals, now's a perfect time to do that. It's spring now, the weather is warming up and colors are going to be returning to everyone's wardrobes. Sure, you can wear black all year long, but now is the time to lighten things up. Not only are lighter colors going to keep you cooler in the heat, it's also seasonally appropriate to let a few bright hues show up from time to time. As a new-to-the-game fashionista, J.R. probably knows this and might just be letting people in on his new spring inspiration.
Or maybe he is just embarrassed that the Knicks made such a big deal about what they were wearing to the game, then followed that up by playing so poorly that he can't bring himself to live through Game 5 again. It's definitely one of those things, but good luck figuring out which one it is. Pretty tough case to crack.


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Vaclav Havel, the hero of Czechoslovakia's "Velvet Revolution" against communism, has died. He was 75.
Havel helped to lead his people to freedom without a single shot being fired.
The Prague native was widely seen as the intellectual conscience of the revolution against the Soviets in Eastern Europe.
He went from prisoner to president in 1989. That same year, the Berlin Wall fell and communism crumbled across the region.
Today people around the world are paying tribute to Havel.
"A great fighter for the freedom of nations and for democracy has died," said Lech Walesa, his fellow anti-communist activist who founded neighboring Poland's Solidarity movement.
"His outstanding voice of wisdom will be missed," he said.
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Weekend Kitchen: Paella
The delicate flavor of tender, spring-fresh vegetables star in this version of paella, Spains traditional saffron-scented rice dish.
By Janet Fletcher
For paella purists, the dish is really all about the rice. Not for them the versions that Spanish restaurants prepare to lure tourists, laden with chicken, shrimp, sausage and too much else. Aficionados want to taste the rice, preferably plump Spanish grains (Calasparra and Bomba varieties are tops) glistening with olive oil and scented with saffron. The grains must simmer in a well-seasoned broth in a wide, shallow pan so that the rice finishes clingy yet firm to the tooth.
With springs first flush of vegetables comes a reason to try a nearly meatless rendition of Spains most famous rice dish. Start with a sofregit (flavor base) of slow-cooked leeks, garlic, parsley and tomatoes. Add paprika for color, chorizo for depth. Scout farmersmarkets for the first tender fava beans, artichokes, peas and asparagus to scatter like green gems on the surface. Pour a Spanish wine, a youthful Ribera del Duero is a good choice, with your paella and follow with a crisp green salad.


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Recipient Years: 2013 • 2012 • 2007 • 2006 • 2005 • 2004 • 2003 • 2002 • 2001 • 2000 • 1999 • 1998 • 1997
Judy Bonanno, Bernice Clay, Karen Tatarsky, Jeremy Mackay, Mary Jane Sally, Fred DiRenzo, Mike McGuckin, Kelly Spokus, Valeris Schmidt, Keeling Broughan, Catherine Almskog, Kristin Jamski and Tina Cellucci (Dining Services "Sensations Team")
This team organized a special event committee for dining halls. The committee consists of 13 staff and student members. They saved money and significantly improved the variety and quality of special events in the dining halls.
Jim Krafcik (Alumni Affairs), Jean Monroe (UNIT)
Jim and Jean streamlined alumni mailings. They eliminated redundant mailings to the same individual or married couple. It saved $3,600 and natural resources.
Robb Williams, Aimee Orcutt, Jeff Pierce (Athletics - Sports Medicine)
This team received the work process improvement award for developing a new prescription drug program simplifying the prescription process for athletes and giving athletes 24-hour access to a pharmacy for filling of prescriptions. This saved an estimated $10,000 per year.


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Nintendo has acknowledged the existence of a game-breaking bug in Zelda: Skyward Sword and offered a workaround.
According to an email sent to affected players and reprinted on Zelda Informer, the issue results in being unable to progress in the Song of the Hero quest.
If the game has been saved after completing a certain sequence of events, it will no longer be possible to proceed using that save file, meaning players have to start over or revert to an earlier save to continue.
The situation is caused by performing the following sequence of events during the Song of the Hero quest. Beware of spoilers:
1. At the beginning of the quest, go to Lanayru Desert to retrieve the song of the Thunder Dragon.
2. In the Lanayru Mine, speak with Golo the Goron.
3. Complete the Thunder Dragon's event, and receive his song.
4. Before heading to the forest or volcano regions, speak with Golo in the mine again.
5. At this point, the forest and volcano events will no longer occur, making it impossible to continue.
This issue WILL NOT OCCUR if the Fire and Water Dragon songs have already been collected before collecting the Thunder Dragon's song. Talking to Golo in the Lanayru Caves will also NOT trigger this issue.
If the game has been saved after completing the sequence of events, it will no longer be possible to proceed through the game on that save file. The only options at that point are to either start the game over or to use an earlier save file to continue.
I wish I had a better answer, but I'm afraid there currently is no other fix available. I can assure, however, that we are documenting all feedback we receive on this issue. Thank you for your patience and support.
Skyward Sword is "rule-breaking, dream-weaving, tech-loving, heart-soaring stuff", according to our 9.8/10 Legend of Zelda: Skyward Sword Review.


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William Carey
0Mar 20, '09 by ALH2004I have a friend that graduated from William Carey a few years ago. I've heard both good and bad things about the program. I've heard that it's very student friendly, instructors really seem to care and are willing to work with students. I've also heard that a lot of their graduates have a hard time passing NCLEX. I don't know how true that is, but that is just what I have heard.
0Mar 23, '09 by Cmunst45636Thanks for the reply. Do you know what your friends GPA was? Also, did she/he take a pre-reqs at WC?
0Aug 25, '09 by CocoChanelI have a friend that graduated from WC about 4 years ago, but she took her prereqs at JD though. She said she enjoyed it and they really made an effort to work with her when she had her daughter prematurely in the middle of the semester. From talking to her it seemed like they had better clinical opportunities than we had at USM. I've heard both good and bad things about WC nursing school, but I guess every school has it's quirks. Good luck to you.
0Aug 28, '09 by phoenix_jaIm actually in the nursing program right now. William Carey has 100% NCLEX passing rate. Instructors help u alot. and the program is accelerated.
0Sep 3, '09 by Cmunst45636Im attending WCU right now. Im between both new orleans and gulfport campuses where I live...so I take classes at both. I know that the new orleans director said NO is the only one with 100% pass rate...that was 6 months ago. Do you like it?Which campus are you at? How are your clinical experiences?


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Thu, Sep 19, 13 at 22:16
Would it be a big mistake to use hardwood in the bathroom? |
Follow-Up Postings:
We've had hardwood in our powder room for 12 years and it looks great. No shower though, just a toilet and sink with vanity. No problems at all. You should be fine. |
I put hardwoods in my master bath and I love it. It has a Swedish finish, nearly impervious to water. I'd do it again in a heartbeat. |
- Posted by rebecca3142 (My Page) on Fri, Sep 20, 13 at 0:59
Yay! Thanks for the feedback. It is going to look better with a continuous floor. I'll look into that Swedish finish. |
- Posted by sjhockeyfan (My Page) on Fri, Sep 20, 13 at 1:05
Same here - the entire downstairs was hardwood including the powder room. |
- Posted by Lotteryticket (My Page) on Fri, Sep 20, 13 at 14:37
Ditto - hardwood in the powder room and laundry room for 12 years. Never a problem and very comfortable on even the coldest day. |
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Over the past several decades, many medical and mental health professional associations have rejected conversion therapy as ineffective, harmful or both. They have also disavowed the view that homosexuality is a pathology requiring a remedy, as has most of the organized Jewish community.
For Orthodox groups, though, homosexual behavior remains a violation of biblical prohibition. Nevertheless, the Rabbinical Council of America, the country's largest association of Modern Orthodox rabbis, acknowledged in a November 2012 statement "the lack of scientifically rigorous studies that support the effectiveness of therapies to change sexual orientation." In that statement, the RCA withdrew its support of a Jewish group called JONAH, Jews Offering New Alternatives for Healing. The group, which is unrelated to Nefesh, allegedly employed coercive techniques through which it claimed to reduce homosexual urges or even change homosexual individuals into heterosexuals.
In an ongoing lawsuit, several former JONAH clients say counselors from the group sometimes ordered them to remove all their clothing and touch their genitals. In other sessions, they were allegedly told to beat effigies of their mothers with tennis rackets or were subjected to homosexual slurs, according to the complaint.
JONAH clients would pay a minimum of $100 for weekly individual counseling sessions and another $60 for group therapy sessions.
JONAH has denied it employed abusive or coercive techniques.
Nefesh activists have distanced themselves from these practices. The campaign against the new law instead stresses therapists' desire to use conventional therapies to provide their adolescent patients with the option of seeking to live a heterosexual life that "will enable them to live healthy Torah lives," as stated in a recent Nefesh and Agudah press release.
"As a matter of policy, Nefesh International does not endorse any particular form of psychotherapy," the organization's president, Rabbi Simcha Feuerman, said in a written statement. "We do strongly oppose any effort to limit or restrict access of patients to any form of mental health services offered by duly qualified practitioners."
According to Feuerman, who is a licensed clinician, the New Jersey law will inhibit patients who themselves have concerns about their sexual orientation "from exploring the possibility of focusing on heterosexual desires, which are consonant with their own chosen religious and social goals."
The Jewish Daily Forward welcomes reader comments in order to promote thoughtful discussion on issues of importance to the Jewish community. In the interest of maintaining a civil forum, The Jewish Daily Forwardrequires that all commenters be appropriately respectful toward our writers, other commenters and the subjects of the articles. Vigorous debate and reasoned critique are welcome; name-calling and personal invective are not. While we generally do not seek to edit or actively moderate comments, our spam filter prevents most links and certain key words from being posted and The Jewish Daily Forward reserves the right to remove comments for any reason.


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In Grant Morrison's Final Crisis the supervillains are taking over killing heroes, abducting superpowered
kids, ripping the fabric of time. Can Superman and friends save reality
For Fans of... Infinite Crisis; Morrison's Seven Soldiers of Victory.
Discouraging. The first two issues are fitfully interesting, often
confusing. Morrison's trademark mix of wild sci-fi ideas and winky
satire falls flat here. Pretty art, though. B-


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Danny Guthrie is frustrated at being dropped from the Reading first team but has vowed to be ready for action when called upon.
The summer signing midfielder was not selected by boss Brian McDermott for last weekend's 3-3 draw with Fulham and is now not certain to be involved in Sunday's Premier League basement battle at Queens Park Rangers.
Guthrie has discussed the subject with his manager but has also reportedly snubbed a loan move to Nottingham Forest, as he remains fully committed to Reading.
He said in the Daily Mirror: "I spoke to the manager and he had his reasons for not picking me and that remains between us - there was no bust-up.
"It is frustrating, because I want to help this team. I just have to work hard for now and make sure I am ready and fully prepared when I am needed."


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SONIA JACKSON was put in ballet classes at age seven to help straighten her legs. She'd soon discover she loved performing. After graduating from Chapman College in Orange, California with a BA in Sociology, Sonia entered the corporate world in Human Resources in industries like banking and aerospace. Still, the performance world beckoned so she added stand-up to her list and hit the stage as a comedienne. Having entered the entertainment industry somewhat past the age of ingénue, Sonia felt a need to introduce herself in a memorable way, so she created a one-woman project called I'm Gonna Fly. Since then, she continues to expand in her acting and performance career creating projects like Conversations 'Bout the Girls.
JOSEFA SALINAS has been very successful in her career as an on-air radio personality, talent manager and accomplished author and journalist. After undergraduate studies at the University of Michigan, she worked at various radio stations in San Francisco and Los Angeles as a talk show host, DJ and promotions director. She also became a manager where she shaped the career of many artists and producers, including Grammy award winner Coolio. In 2001, she joined HOT 92.3, where she currently works as the weekday morning news anchor, community affairs director and host/writer/producer of "The Community Review," a one-hour talk show from 7-8 a.m. every Sunday. Her 20-plus years in radio led her to write "101 Things To Know Before You Date My Daughter, My Best Friend or Me!,"
Website: www.hot923.com/pages/josefasalinas.html
Conversations 'Bout the Girls, a fresh, inspiring performance piece, is about the relationship women have with their breasts. It brings into view the mysterious, sometimes misunderstood, and often controversial realm of women's bodies and body images.
Website: www.conversationsboutthegirls.com


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Stratfor Breach Leads To Over $700k In Fraud
Soulskill posted more than 2 years ago | from the send-them-a-bill dept.
68wiredmikey writes "It isn't often that after a data breach involving credit cards, the public is given information on the exact amount money lost by consumers as a result. Thanks to the FBI, however, we now have a better understanding of what 60,000 stolen credit cards translates to financially, as this data was included in their investigation notes while working the Stratfor case. The last time the public had something close to actual stats from the source, we learned that the TJX breach cost Visa $68 million in 2007, two years after the TJX network was compromised by Albert Gonzalez. Yet, those were Visa's estimates. Now, in the aftermath of the Stratfor breach, the FBI has attributed $700,000 worth of charge fraud to the 60,000 credit card records taken during the network compromise. AntiSec supporters walked away with 860,160 usernames and passwords, in addition to the credit card records."


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- Exchange: New York
- Sector: Communications
- Industry: Media
- Sub-Industry: Advertising & Marketing
Interpublic Group of Cos Inc/The
+ Add to WatchlistIPG:US
20.5900 USD 0.2700 1.29%As of 20:04:07 ET on 01/23/2015.
Company Profile for Interpublic Group of Cos Inc/The (IPG)
The Interpublic Group of Companies, Inc. is an organization of advertising agencies and marketing service companies. The Company operates globally in the sectors of advertising, independent media buying, direct marketing, healthcare communications, interactive consulting services, marketing research, promotions, experiential marketing, public relations, and sports marketing.
Contact Information
Interpublic Group of Cos Inc/The
1114 Avenue of the Americas
New York, NY 10036
United States
Key Executives for Interpublic Group of Cos Inc/The (IPG)
Michael I RothChairman/CEO | Frank MergenthalerExec VP/CFO |
Philippe KrakowskyExec VP/Chief Strategy & Talent Officer | Christopher F CarrollSenior VP/Chief Acctg Officer |
Andrew BonzaniSenior VP/Secy/General Counsel | Jerome J Leshne "Jerry"Senior VP:Investor Relations |
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Third Millennium Bible (TMB) | New International Version (NIV) |
6 Cry out and shout, thou inhabitant of Zion! For great is the Holy One of Israel in the midst of thee." | 6 Shout aloud and sing for joy, people of Zion, for great is the Holy One of Israel among you." |
Third Millennium Bible (TMB), New Authorized Version, Copyright 1998 by Deuel Enterprises, Inc., Gary, SD 57237. All rights reserved. (Third Millennium Bible Online) | Scripture quoted by permission. Quotations designated (NIV) are from THE HOLY BIBLE: NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by Biblica. All rights reserved worldwide. (New International Version Bible Online) |