text:
Abstract Expressionism
by Gary Comenas
In the citations in the Abstract Expressionism chronology there is a code in parentheses. The first two letters refer to the work below - the numbers after the digits are the page numbers.
AA: Introduction by Matthew Baigell and Julia Williams, Artists Against War and Fascism: Papers of the First American Artists' Congress (New Jersey: New Brunswick Press, 1986)
AB: "The All American," Time magazine (March 15, 1954)
AC: "Interview with Jacob Kainen Conducted by Avis Berman At the artist's studio in Washington, DC August 10 and September 22, 1982," Smithsonian Archives of American Art http://www.aaa.si.edu/collections/oralhistories/transcripts/kainen82.htm
AD: Laura De Coppet and Alan Jones, The Art Dealers (rev. and expanded ed.) (NY: Cooper Square Press, 2002)
AE: Edward Alden Jewell, "Modernism's Pioneer; How '291' Precluded the Armory - Marin's Evolution - Polish and Other Shows," The New York Times, October 29, 1933 (Sunday), p. x5
AF: "The Art Students League," Traditional Fine Arts Organization (http://www.tfaoi.com/newsm1/n1m111.htm)
AG: Mary Davis MacNaughton, "Adolph Gottlieb: His Life and Art" in Lawrence Alloway and Mary Davis MacNaughton, Adolph Gottlieb: A Retrospective (NY: The Arts Publisher, Inc., 1981)
AH: Lawrence Alloway, "Adolph Gottlieb and Abstract Painting" in Alloway and MacNaughton, Adolph Gottlieb: A Retrospective (NY: The Arts Publisher, Inc., 1981)
AI: Arnauld Pierre, "The 'Confrontation of Modern Values': A Moral History of Dada in Paris," in Leah Dickerman with Matthew S. Witkovsky (eds.), The Dada Seminars (Washington: National Gallery of Art in assn. with Distributed Art Publishers, Inc, 2005)
AJ: "André Breton," http://fr.wikipedia.org/wiki/André_Breton
AK: Alan Riding, "Surrealism For Sale, Straight From The Source; André Breton's Collection Is Readied for Auction," The New York Times, December 17, 2002 http://query.nytimes.com/gst/fullpage.html?res=950DE5D8173DF934A25751C1A9649C8B63
AL: Andrew Ladis, "George Biddle, Raphael Soyer, and the Genius with a Thousand Faces," Coming Home: American Paintings, 1930-1950, from the Schoen Collection exh. cat. (Georgia Museum of art, 2003)
AM: American Abstract Artists website ("History" section)
www.americanabstractartists.org/history.htm (August 2007)AN: "Andre Breton's 42 rue Fontaine Art Collection goes to Auction," Afterimage, March-April, 2003 http://findarticles.com/p/articles/mi_m2479/is_5_30/ai_99309212
AO: "Andre Breton's collection on the block - Art World,"Art in America (February, 2003) http://findarticles.com/p/articles/mi_m1248/is_2_91/ai_97551501
AP: Henry Geldzahler, American Painting in the Twentieth Century (NY: Metropolitan Museum of Art, 1965)
AQ: Nicole Geblesco, "Surrealism and Psychoanalysis," http://www.answers.com/topic/surrealism-and-psychoanalysis?cat=health
AR: Raymond J. Steiner, The Art Students League of New York: A History (NY: CSS Publications Inc., 1999)
AS: Dorothy Seckler, Interview with Adolph Gottlieb, New York, October 25, 1967, Archives of American Art, Smithsonian Institution, Washington, D.C.
AT: Charles Harrison and Paul Wood (eds.), Art in Theory 1900-2000, An Anthology of Changing Ideas (Oxford: Blackwell Publishing, 2003)
AU: Catalogue 130-N: Modern Art: Rarities of the Avant-Garde, ars libri ltd., http://www.arslibri.com/cat130w30.htm
AV: "André Breton: L'écriture automatique: Surrealism, automatic writing and automatic drawing -> Angel Art!,"
http://www.angel-drawing.com/angel-art-breton.htmlAW: Glenn Collins, "Art, Wealth and Fillial Duty Ensnarl Dispute Over de Kooning's Assets," New York Times, June 8, 1989
AX: "Artists Meet Architects - 1944-1955," http://www.pushpullbar.com/forums/showthread.php?t=2206
AY: Peter Busa (1914 - 1985), Julie Heller Gallery, http://www.juliehellergallery.com/Julie%20Heller%20Gallery/Artist%20Images/
Peter%20Busa/Julie%20Heller%20Gallery%20%20Peter%20Busa%20Bio.htmAZ: Thomas B. Hess, Abstract Painting (NY: The Viking Press, Inc., 1951)
BA: Nouritza Matossian, Black Angel: A Life of Arshile Gorky (London: Chatto & Windus, 1998)
BAA: Quote comes from Matossian, p. 339 from a conversation between Léger and Gorky, translated by Gorky's wife Agnes.
BB: Interview with Bernard Braddon and Sidney Schectman Conducted by Avis Berman at New York, New York, October 9, 1981, Smithsonian Archives of American Art (http://www.aaa.si.edu/collections/oralhistories/transcripts/braddo81.htm)
BC: "Andre Breton, Father of Surrealism, Dies at 70," The New York Times (September 29, 1966)
BE: Avis Berman, "Willem de Kooning: 'I Am Only Halfway Through,'" Art News (February 1982), pp. 68 - 73
BJ: Letter from André Breton and his wife, Jacqueline (Lamba) Breton, dated September 8, 1940, written in Salon the day they left for Martigues. (http://www.geocities.com/surrealisme_in_nederland/manuscrits/bretonmanus.html)
BM: Barbara Haskell, Blam! The Explosion of Pop, Minimalism, and Performance 1958 - 1964 exh. cat. (NY: Whitney Museum in assn. with W.W. Norton & Company, 1984)
BP: Barbara Rose, "Jackson Pollock At Work: An interview with Lee Krasner," Partisan Review (47, No. 1, 1980, pp. 82-92) repr. in Pepe Karmel (ed.), Jackson Pollock: Interviews, Articles and Reviews (NY: Museum of Modern Art, 1999)
BR: Carol Vogel, "Big Risks at Fall Art Auctions," New York Times, November 1, 2006
BS: "Interview with Bernarda Bryson Shahn Conducted by Liza Kirwin In Roosevelt, New Jersey April 29, 1983, Smithsonian Archives of American Art, http://www.aaa.si.edu/collections/oralhistories/tranSCRIPTs/shahn83.htm
BT: John I. H. Baur, Bradley Walker Tomlin (NY: Whitney Museum of American Art, 1957)
BU: Berton Roueché, "Unframed Space," The New Yorker, 26, No. 24 (August 5, 1950), 16 repr. in Pepe Karmel (ed.), Jackson Pollock: Interviews, Articles and Reviews (NY: Museum of Modern Art, 1999), 18-19
BW: "Bradley W. Tomlin, Abstract Painter; Syracuse-Born Artist, Whose Works Are Included in Many Noted Collections, Is Dead," The New York Times (May 13, 1953), p. 29
CA: "City Art Gallery Moving," The New York Times, May 19, 1937, p. 21
CG: John O'Brian, Clement Greenberg, The Collected Essays and Criticism, Volume 2, Arrogant Purpose (Chicago: The University of Chicago Press, 1988)
CH: Charlotte Higgins, "Work of art that inspired a movement ... a urinal," The Guardian (December 2, 2004)
CJ: Carole Seymour-Jones, A Dangerous Liaison: Simone de Beauvoir and Jean-Paul Sartre (London: Century, 2008)
CL: No author cited, "The Rescue of Marc Chagall," The David S. Wyman Instiute for Holocaust Studies
http://www.wymaninstitute.org/education/Rescue%20of%20Marc%20Chagall.pdfCO: Barbara Rose, Claes Oldenburg (NY: Museum of Modern Art, 1970)
CR: Mark Rothko with an introduction by Christopher Rothko, The Artist's Reality: Philosophies of Art (New Haven/London: Yale University Press, 2004)
CS: Danny Postel, "Camus, Sartre, and Us: The Story of a Friendship and the Quarrel That Ended It: An Interview with Ron Aronson," Logos (Vol. 4, No. 1, Winter 2005)
http://www.logosjournal.com/issue_4.1/aronson_postel.htmCV: "Wolfgang Paalen Abridged Biographical Chronology," Frey Norris Gallery, http://www.freynorris.com/docs/Wolfgang_Paalen_cv.htm
CW: Selden Rodman, Conversations with Artists (NY: Capricorn Books, 1961)
DA: Ashton, Dore. A Critical Study of Philip Guston (Berkeley: University of California Press, 1990) http://ark.cdlib.org/ark:/13030/ft4x0nb2f0/
DB: David Bourdon, "Andre Masson at Zabriskie, " Art in America (April 1996)
http://findarticles.com/p/articles/mi_m1248/is_n4_v84/ai_18213411DC: Matthew S. Witkovsky, "Chronology," in in Leah Dickerman, Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris exh. cat. (Washington: National Gallery of Art, 2005)
DD: Associated Press, "De Kooning's Daughter Seeks Control of His Assets," New York Times, May 23, 1989
DJ: David E. Brauer, Jim Edwards... (et al), Pop Art U.S./U.K. Connections, 1956 - 1966 (Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 2001)
DK: Mark Stevens and Annalyn Swan, de Kooning: An American Master (NY: Alfred A. Knopf, 2006)
DL: Dulsie Lang as played by Holly De Jong in "Four and Twenty Blackbirds" (TV episode), Agatha Christie's Poirot (London: Picture Partnership Productions for Granada TV/ITV, 1989)
DR: Dr. Lori, "Teacher and painter John Sloan," http://www.drloriv.com/lectures/sloan.asp
DS: Deborah Solomon, Jackson Pollock, A Biography (NY: Simon and Schuster, 1987)
DT: Hansmaarten Tromp, "Willem de Kooning: 'Elke stijl is fraude," De Tijd, Oct. 21, 1977 cited in Stevens and Swan, p. 49, 43
DW: Thomas Girst, "Duchamp's Window Display for André Breton's Le Surréalisme et la Peinture (1945)," Tout-Fait online journal, Issue 4, 2002 http://toutfait.com/duchamp.jsp?postid=1249&keyword=#
EA: Edward Alden Jewell, "Whitney Exhibits Art of the Europeans," The New York Times (March 13, 1945)
EB: Interview with Ernest Briggs Conducted by Barbara Shikler At New York City, New York 1982 July 12, Smithsonian Archives of American Art
http://www.aaa.si.edu/collections/oralhistories/transcripts/briggs82.htmEC: Edward Alden Jewell, "Contrasts in Art: The Academy Opens Its Annual Against a Background of 'Modern' Shows..." The New York Times (March 18, 1945, Arts and Leisure section, p. x8)
ED: Joseph Solman, "The Easel Division of the WPA Federal Art Project," in Francis V. O'Connor (ed.), The New Deal Art Projects, An Anthology of Memoirs (Washington, D.C., 1972), p. 122 cited in Breslin, Mark Rothko, A Biography, p. 106
EH: Eleanor Heartney, "Hilla Rebay: Visionary Baroness," Art in America, September 2003
EW: "Robert Motherwell Chronology" in Louise Lindner Eastman, An Exhibition of the Work of Robert Motherwell, January 10-28 1963, to Accompany the First Louise Lindner Eastman Memorial Lecture January 14, 1963 (MA: Smith College Museum of Art, 1963)
FD: Fielding Dawson, An Emotional Memoir of Franz Kline (NY: Pantheon Books, 1967)
FG: Malcolm Goldstein, Landscape with Figures (NY: Oxford University Press, 2000)
FI: John Fischer, "The Easy Chair: Mark Rothko, Portrait of the Artist as an Angry Man," Harper's magazine, July 1970, pp. 16-23 repr. in Miguel López-Remiro (ed.), Writings on Art: Mark Rothko (New Haven: Yale University Press, 2006), pp. 130-138)
FK: Harry F. Gaugh, Franz Kline (NY: Abbeville Press Publishing Group, Inc., 1985)
FR: Franklin Rosemont, "Introduction," André Breton and David Seaman (translator) with text and illustrations by André Masson, Martinique Snake Charmer (Austin: University of Texas Press, 2007) http://www.utexas.edu/utpress/excerpts/exbremar.html#ex1
GA: Adolph Gottlieb Biographical Information, Mercury Galleries, http://www.mercurygallery.com/AdolphGottlieBio.html
GC: A Guide to Commercial Art Gallery Records in the Archives of American Art, http://www.aaa.si.edu/guides/pastguides/artgall/artgalvz.htm
GG: De Kooning, "Willem de Kooning: Geduldig genie," Volkskrant, Sept. 28, 1968 cited in Stevens and Swan, p. 55
GH: Geoffrey T. Hellman, "Comment.," The New Yorker, April 12, 1947, p. 23
GM: Gene Moore and Jay Hyams, My Time At Tiffany's (NY: St. Martin's Press, 1990)
HA: Michael Kirby, Happenings: An Illustrated Anthology (London: Sidgwick and Jackson, 1965)
HB: Henri Béhar, André Breton, Tate Museum, London http://www.tate.org.uk/servlet/ArtistWorks?cgroupid=999999961&artistid=807&tabview=bio
HC: Harry Cooper, "Jack Tworkov," Artforum International, Volume 38. Issue 8 (April 2000), p. 139
HD: Howard Devree, "Abstract Export; Controversial 'Vanguard' Work to Go to Paris," The New York Times ( Sunday, December 30, 1951) Arts & Leisure section, p. x9
HH: Hayden Herrera, Arshile Gorky: His Life and Work (London: Bloomsbury Publishing, 2003)
HM: Robert Motherwell chronology, Hackett Freedman Gallery, San Francisco
http://www.hackettfreedman.com/upload/Bios/RMotherwell_bio.pdfHS: Harold Stevenson, California Landscape: Journal notes for making a painting (Mitchell Algus Gallery, Tuesday May 18, 1999)
IA: "Art Notes/Plans of the Society of Independent Artists - New Exhibitions," The New York Times (January 20, 1917)
IE: "International Exhibition," The New York Times (February 16, 1913), News and Notes section of "Art at Home and Abroad" in part 5 of the magazine, p. 55.
IJ: Adrian Dannatt, "Obituary: Janice Biala," The Independent newspaper (London, November 30, 2000)
IK: Curtis Bill Pepper, "The Indomitable de Kooning," The New York Times Magazine (Nov. 20, 1983), p. 86 cited in Stevens and Swan, p. 56
IN: "A Mile of Pictures," The New York Times (April 11, 1917)
IP: William Wright, Interview with Jackson Pollock (late 1950), WERI radio station (Westerly, Rhode Island, 1951); Transcript in Pepe Karmel (ed.), Jackson Pollock: Interviews, Articles and Reviews (NY: Museum of Modern Art, 1999, pp. 20-23)
IS: Irving Sandler, A Sweeper-Up After Artists (London: Thames & Hudson Ltd., 2004)
JA: "John Sloan, Artist Dead at Age of 80," The New York Times (September 9, 1951)
JAX: John D. Angeline, "Davis, Dreier, Lissitzky: New Thoughts on an Old Series," PART 2 journal (NY: Art History Program Graduate Center, City University of New York, date unknown) http://www.brickhaus.com/amoore/magazine/Davis.html (September 2007)
JB: John Bernard Myers, Tracking the Marvelous (NY: Random House, 1983)
JB: Jan Bart Klaster, "De Kooning gaat door ik schilder mijn binnenste," Het Parool, May 11, 1983 cited in Stevens and Swan, p. 39
JC: "Jackson Pollock," California Arts and Architecture (April 1944), p. 14
JE: Letter from Harold Rosenberg to B.H. Friedman dated June 22, 1970
JF: B.H. (Bernard Harper) Friedman, Jackson Pollock: Energy Made Visible (NY: Da Capo Press, 1995)
JG: John Gruen, The Party's Over Now: Reminiscences of the Fifties - New York's Artists, Writers, Musicians, and their Friends (NY: The Viking Press, 1972)
JH: John Held, Jr., Interview with Allan Kaprow broadcast on Dallas Cable Access TV, 1988
http://www.mailartist.com/johnheldjr/InterviewWithAlanKaprow.htmlJJ: Kirk Varnedoe, Jasper Johns: A Retrospective (exh. cat.) (NY: The Museum of Modern Art, 1996)
JK: Interview with Jack Kufeld Conducted by Avis Berman, October 5, 1981, Smithsonian Archives of American Art, http://www.aaa.si.edu/collections/oralhistories/transcripts/Kufeld81.htm
JL: Joseph Liss, "Willem de Kooning Remembers Mark Rothko," Art News (January 1979), p. 41-4 quoted in Stevens and Swan, p. 147
JM: "Interview with Joseph Solman Conducted by Avis Berman at his studio at 156 Second Avenue in New York, NY, May 6 and 8, 1981," Smithsonian Archives of American Art, http://www.aaa.si.edu/collections/oralhistories/transcripts/solman81.htm
JN: Annie Cohen-Solal, Jean-Paul Sartre: A Life (NY: The New Press, 2005)
JO: Jonathan Jones, "Feeding Fury," Guardian newspaper, December 7, 2002
http://arts.guardian.co.uk/print/0,,4561386-110432,00.htmlJP: Deborah Solomon, Jackson Pollock: A Biography (NY: Cooper Square Press, 2001)
JQ: Jackson Pollock Biography, Guggenheim Museum, http://www.guggenheimcollection.org/site/artist_bio_129.html
JR: John Russell, Matisse: Father and Son (Harry N. Abrams, 1999)
JS: "Chronology of John Sloan," The John Sloan Manuscript Collection, (Wilmington: Delaware Art Museum, 2002)
http://www.delart.org/HFS_library/finding_aids/John%20Sloan%20Collection.htmJT: Michael Brenson, "Jack Tworkov, Painter and Art Teacher, Dead," The New York Times (September 6, 1982), Section 1, p. 32
JZ: J. Z. Holden, "Lee Krasner: Recollections, Cultural Context and New Perspectives,"
http://www.hamptons.com/detail.ihtml?id=1527&apid=3290&sid=3&cid=12&arc=1, April 18, 2007KD: "Interview with Samuel Kootz Conducted by Dorothy Seckler In New York April 13, 1964," Smithsonian Archives of American Art
http://www.aaa.si.edu/collections/oralhistories/tranSCRIPTs/kootz64.htmKK: Katharine Kuh, The Artist's Voice: Talks with Seventeen Artists (NY: Da Capo Press, 2000)
KV: Kirk Varnedoe, "Comet: Jackson Pollock's Life and Work" in Kirk Varnedoe with Pepe Karmel, Jackson Pollock (NY: The Museum of Modern Art, 1998)
LA: Letter from Mark Rothko to Barnett Newman (August 1946)
LB: Letter from Mark Rothko to Barnett Newman (June 17, 1946)
LD: Victor Bockris, The Life and Death of Andy Warhol (London: Fourth Estate Ltd., 1998)
LF: Malcolm Goldstein, Landscape with Figures, A History of Art Dealing in the United States (NY: Oxford University Press, 2000)
LH: Grace Glueck, "The Man the Art Wold Loves to Hate," New York Times magazine (June 15, 1975), p. 20.
LI: "Congress of American Artists, 1941 (Part 2)," http://www.gis.net/~scatt/heller/artists_congress02.html
LJ: Allan Kaprow, "The Legacy of Jackson Pollock," Art News (October 1958) repr. in Allan Kaprow (author) and Jeff Kelley (ed.), Essays on the Blurring of Art and Life (University of California Press, 2003)
LL: Lucy R. Lippard, Pop Art (London: Thams and Hudson Ltd., 2001)
LM: Lee Seldes, The Legacy of Mark Rothko (Cambridge: Da Capo Press, 1996)
LO: David Sylvester, "Content is a Glimpse," Location 1, Spring 1963, p. 45-53 cited in Stevens and Swan, p. 63
LP: Marco Livingstone, Pop Art: A Continuing History (London: Thames & Hudson, 2000)
LR: Nancy Princenthal, "Line readings: Arshile Gorky's drawings," Art in America (May 2004)
LS: "Louis Schanker 1903 - 1981, printmaker, painter, sculptor - 60 years of experimentation,"
http://www.louisschanker.info/ten.pdfLZ: Leah Dickerman, "Zurich," in Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris exh. cat. (Washington: National Gallery of Art, 2005)
MA: Julien Levy, Memoir of an Art Gallery (Boston: MFA Publications, 2003)
MB: Alice Goldfarb Marquis, Marcel Duchamp: The Bachelor Stripped Bare (Boston: MFA Publications, 2002)
MC: "$73M US Rothko Work Smashes Records," CBC Arts (with files from the Associated Press), May 16, 2007
http://www.cbc.ca/arts/artdesign/story/2007/05/16/auction-rothko-postwar.html?ref=rssMD: Mary Dearborn, Peggy Guggenheim, Mistress of Modernism (London: Virago Press, 2005)
MF: "Marvelous & Fantastic," Time magazine, December 14, 1936
MG: Joseph Solman biography, Mercury Gallery, Boston (www.mercurygallery.com/JoeSolmanBio.html)
MH: Melissa Ho, "Chronology of the Artists Life," Ann Temkin ed., Barnett Newman (Philadelphia Museum of Art, 2002), pp. 318-35 http://www.barnettnewman.org/chronology.php
MK: Mary Lynn Kotz, Rauschenberg: Art and Life (NY: Harry N. Abrams, Inc., 2004)
ML: Lindsey Gruson, "Art Dealer Convicted of Tampering in Rothko Suit," New York Times (December 5, 1982)
MM: Musa Mayer, Night Studio A Memoir of Philip Guston (London: Thames and Hudson, Ltd., 1991)
MO: Edward Alden Jewell, "Municipal Group Opens Art Exhibit; Display Gives Retrospective of the Temporary Gallery's Activities Since Inception," The New York Times, January 13, 1937, p. 19.
MP: Philip Shenon, "Dealer in Rothko Case Must Donate $100,000, The New York Times (May 14, 1983)
MR: Court of Appeals of New York, Matter of Rothko (43 NY2d 305), Court decision argued October 4, 1977, decided November 22, 1977, http://www.courts.state.ny.us/reporter/archives/rothko.htm
MS: Matthew Spender, From A High Place, A Life of Arshile Gorky (Berkeley: University of California Press, 2000)
MV: Carol Vogel, "A Pollock is Sold, Possibly for a Record Price," The New York Times (November 2, 2006)
MX: "Meyer Schapiro, Art HIstorian and Critic, Dies at 91," The New York Times (March 4, 1996), http://www.writing.upenn.edu/~afilreis/50s/schapiro-obit.html
NA: Roberta Smith, "Art Review | 'Société Anonyme' Lights From the Dawn of Modernism," The New York Times (October 24, 2006)
NE: Natalie Edgar (ed.), Club Without Walls: Selections from the Journals of Philip Pavia (NY: Midmarch Arts Press, 2007)
NF: "Franz Kline, 51, Painter, is Dead," The New York Times, May 15, 1962, p. 39
NG: "A Round of Galleries; Prints From Middle Ages to Present Day - Work by Many Artists Now on View," The New York Times, January 20, 1929 (Sunday), section: Arts & Leisure, p. x13
NK: Hilton Kramer, "Art: de Kooning of East Hampton," The New York Times, February 10, 1978, section: The Weekend, p. C19
NN: Howard Devree, "A Reviewer's Notebook; Briefs on a Score of Attractions in the Art Galleries as the Holidays Begin," The New York Times, December 22, 1935 (Sunday), p. x13
NO: Howard Taubman, "Orchestra Tours; Three American Ensembles Will Travel in Europe and Asia This Year," The New York Times, February 27, 1955, p. x9
NP: The New American Painting As Shown in Eight European Countries 1958 - 1959 (NY: The Museum of Modern Art, 1959)
NR: John Russell, "De Kooning: 'I See the Canvas and I Begin,'" The New York Times, February 5, 1978, section: Arts & Leisure, p. D1
NU: Aline Saarinen, "U.S. Lent Works On View in Paris; 100 Masterpieces of Gallic Art 'Go Home' in 'Salute to France' Exhibition," The New York Times, April 20, 1955, section: Food Fashions Family Furnishings, p. C37
OA: Philip S. Foner and Reinhard Schultz, The Other America: Art and the Labour Movement in the United States (London/NY:Journeyman Press Ltd., 1985)
OE: Paul J. Karlstrom (ed.), On the Edge of America: California Modernist Art, 1900-1950 (University of California Press, 1996)
OS: Interview with Alfonso Ossorio Conducted by Forrest Selvig In New York November 19, 1968, Smithsonian Archives of American Art
http://www.aaa.si.edu/collections/oralhistories/transcripts/ossori68.htmPA: Emile de Antonio and Mitch Tuchman, Painters Painting (NY: Abbeville Press, 1984)
PB: Daniel Belasco, "The Passion of Ben Shahn," United Jewish Communities
http://www.ujc.org/page.html?ArticleID=18424PC: Fairfield Porter interview by Paul Cummings, AAA, June 6, 1968, reel 4211 cited in Stevens and Swan, p. 78)
PF: Peter de Francia, "Coïgitum" [interview with Roberto Sebastian Antonio Matta Echaurren], Matta Coïgitum exh. cat. (London: Arts Council of Great Britain, 1977), pp. 3 - 12.
PH: William Hall Brock, "Phalanx on a Hill: Responses to Fourierism in the Transcendentalist Circle," Loyola University Chicago dissertation (1996) (http://www.billbrock.net/fch01.htm)
PI: "Philip Pavia" (obituary), The Times (May 23, 2005)
PJ: Janine Mileaf and Matthew S. Witkovsky, "Paris," in Leah Dickerman, Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris exh. cat. (Washington: National Gallery of Art, 2005)
PK: Pepe Karmel (ed.), Jackson Pollock: Interviews, Articles and Reviews (NY: The Museum of Modern Art, 1999)
PL: Antony Beevor and Artemis Cooper, Paris after the Liberation 1944 - 1949 (London: Penguin Books, 1993)
PM: John Russell, "Pierre Matisse, 89, Art Dealer and Promoter, Dies," The New York Times (August 11, 1989)
PN: Ben Sisario, "Philip Pavia 94, an Avant-Garde Sculptor, is Dead, The New York Times (April 15, 2005)
PO: Pat Hacket and Andy Warhol, Popism: The Warhol Sixties (New York: Harcourt Brace & Company, 1980)
PP: Kirk Varnedoe with Pepe Karmel, Jackson Pollock exh. cat. (NY: The Museum of Modern Art, 1998)
PQ: Ben Sisario, "Who Pocketed 3 Hunks of Bronze," The New York Times (March 26, 2005)
PR: David Blakeskley, "Project Burke: The FBI Files," Taking Burke On(line): The Kenneth Burke Bibliography and Archival Project, Site sponsored by the School of Liberal Arts and Department of English at Purdue University
http://www.cla.purdue.edu/people/engl/dblakesley/burke/projects/fbi/fbifiles3.htmlPS: Ben Sisario, "Salvaged From the Scrap Heap, a Sculptor's Weighty Work is Whole Again," The New York Times (April 1, 2005)
PSM: Patrick S. Smith, Andy Warhol's Art and Films (Michigan: UMI Research Press, 1986)
PV: John Richardson, A Life of Picasso, Volume II: 1907-1917 (London: Jonathan Cape, 1996)
RA: "Ryan Gallery is Lent to the City; Trustees of Estate Turn Over Building at 3 East 67th St. to Municipal Art Group," The New York Times, December 6, 1937, p. 25.
RB: Jared Jenkins, "Remo Bufano: Our Forgotten Ancestor," student paper for Trends in Contemporary American Puppet Theater (University of Connecticut, 1997) http://www.bimp.uconn.edu/library_publications_student_remobufano.htm
RC: "Robert Rauschenberg Chronologie," "Robert Rauschenberg, on and off the wall" exhibition (24 juin 2005 - 08 janvier 2006), Musee d'Art Moderne et d'Art Contemporain, Nice
(http://www.mamac-nice.org/francais/exposition_tempo/musee/raushenberg-2005/d_presse/chrono.html)RD: Robert Motherwell (ed.) and Jack Flam (intro.), The Dada Painters and Poets: An Anthology (2nd ed.) (Cambridge/London: The Belknap Press of Harvard University Press, 1982)
RE: "Roberto Matta," The Times (November 25, 2002)
RF: Academy Stars: Robert Henri (1865 - 1929), Pensylvania Academy of the Fine Arts (The Collection: Academy Archives)
(http://www.pafa.org/academyStars_p11.jsp)RG: Glenn Phillips and Thomas Crow (eds.), Seeing Rothko (London: Tate Publishing, 2006)
RH: Danielle Peltakian, Robert Henri Chronology, Sullivan Goss Gallery (Santa Barbara, California)
(http://www.sullivangoss.com/robert_Henri/#Exhibitions)RI: "Robert Henri and his Influence," Minnesota Museum of Art, http://tfaoi.com/aa/3aa/3aa432.htm
RK: Ruth Kligman, Love Affair: A Memoir of Jackson Pollock (NY: Cooper Square Press, 1999 ed., orig. publ. William Morrow & Co., 1974)
RL: By Robert L. Pincus, "Allan Kaprow; visionary helped shape 'happening,'" San Diego Union-Tribune (April 23, 2006)
http://www.signonsandiego.com/news/obituaries/20060423-9999-lz1j23kaprow.html.RM: Robert T. Buck (intro.), Essays by Dore Ashton and Jack Flam, Robert Motherwell exh. cat. (NY: Abbeville Press, Inc., 1983) (Albright-Knox Art Gallery:Oct. 1 - Nov. 27, 1983; Los Angeles County Museum of Art: January 5 - March 4, 1984; San Francisco Museum of Modern Art:http://www.freynorris.com/docs/Wolfgang_Paalen_cv.htm April 12 - June 3, 1984; Seattle Art Museum: June 21 - August 5, 1984; Corcoran Gallery of Art: September 14 - November 4, 1984; The Solomon R. Guggenheim Museum: December 7, 1984 - February 3, 1985)
RO: James E.B. Breslin, Mark Rothko, A Biography (Chicago: The University of Chicago Press, 1993)
RP: Carolyn Kinder Carr, "Rebel Painters of the 1950s," essay written for the "Rebels: Painters and Poets of the 1950s" exhibition at the Smithsonian National Portrait Gallery in 1996. (http://www.npg.si.edu/exh/rebels/painters.htm) (see also http://www.npg.si.edu/exh/rebels/)
RS: Robert L. Scott, "Diego Rivera at Rockefeller Center: Fresco Painting and Rhetoric," Western Journal of Speech Communication 41 (Spring 1977), p. 70-82
RT: Michael Corris, Ad Reinhardt (London: Reaktion Books, 2008
SA: Statement by Arshile Gorky given to the Museum of Modern Art, N.Y. in 1942 at the time they acquired Garden in Sochi, as quoted by Matossian in Black Angel (BA)
SB: Shulamith Behr, Expressionism (Movements in Modern Art Series) (London: Tate Gallery Publishing, Ltd., 1999)
SC: "Selective Auto-Elasto-Biographical Notes...," Matta Coïgitum exh. cat. (London: Arts Council of Great Britain, 1977), pp. 13 - 20
SD: Philip Rylands (ed.), Stuart Davis, exh. cat. (SIAE, The Trustees of the Solomon R. Guggenheim Foundation, Electa, Milan, 1997)
SE: Interview with Elaine de Kooning Conducted by Phyllis Tuchman August 27, 1981 (Smithsonian Archives of American Art)
SG: Serge Guilbaut (transl. Arthur Goldhammer), How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War (Chicago: The University of Chicago Press, 1983)
SH: Shelley Staples, Armory Show website, University of Virginia, May 2001, http://xroads.virginia.edu/~museum/armory/armoryshow.html
SI: Ben Sisario, "Who Pocketed 3 Hunks of Bronze?," The New York Times (March 26, 2005)
SJ: Edward Alden Jewell, "Season Just Closing Stressed War," The New York Times (June 7, 1942)
SK: Sanka Knox, "Sloan to Receive Paintings Award," The New York Times (March 15, 1950), p. 27
SM: 17 Members Bolt Artists' Congress; Charge Organization Backs Stalinist 'Line' and Can 'Only Damage' Free Art," The New York Times (April 17, 1940), p. 23
SR: Interview with Robert Motherwell Conducted by Paul Cummings At the Artist's home in Greenwich, Connecticut November 24, 1971, Smithsonian Archives of American Art, http://www.aaa.si.edu/collections/oralhistories/transcripts/mother71.htm
SS: Martica Sawin, Surrealism in Exile and the Beginning of the New York School (Cambridge: Massachusetts Institute of Technology, 1995)
ST: "Interview with Manuel Tolegian Conducted by Betty Hoag At the Artist's home in Sherman Oaks, California February 12, 1965," Smithsonian Archives of American Art,
http://www.aaa.si.edu/collections/oralhistories/tranSCRIPTs/tolegi65.htm)SV: Betty Lochrie Hoag "Oral History Interview with Frederick John de St. Vrain Schwankovsky, Laguna Beach, California, March 1, 1965, "Smithsonian Archives of American Art
SW: Tom Wolf, "Interview with Sally Avery Conducted by Tom Wolf At New York, New York 1982 February 19 & March 19," Smithsonian Archives of American Art, http://www.aaa.si.edu/collections/oralhistories/transcripts/avery82.htm
SY: David Sylvester, Interviews with American Artists (London: Chatto & Windus, 2001)
TA: "Americans in Paris," Time magazine, April 18, 1955
TD: Francis M. Naumann and Hector Obalk (eds.), Affectt Marcel, The Selected Correspondence of Marcel Duchamp (London: Thames & Hudson, Ltd: 2002)
TH: Thomas Hess, Barnett Newman exh. cat., The Tate Gallery June 28 -August 6, 1972 (London: Tate Gallery Publications Dept., 1972)
TJ: T.J. Demos, "Zurich Dada: The Aesthetics of Exile," in Leah Dickerman with Matthew S. Witkovsky (eds.), The Dada Seminars (Washington: National Gallery of Art in assn. with Distributed Art Publishers, Inc, 2005)
TM: "Beautiful Doings," Time, May 22, 1939
(www.time.com/time/magazine/article/0,9171,761401,00.html)TP: No author cited, "Artfinger: Turning Pictures into Gold," Time magazine (June 25, 1973)
TW: "On a Mexican Wall," Time, April 1, 1935
(http://www.time.com/time/magazine/article/0,9171,748696,00.html)UA: Alexander Keneas, "Enigmatic Giant of Modern Art; The Grand Dada Marcel Duchamp, Art Giant, Dies," The New York Times, October 3, 1968, p. 1
UJ: Janis Mink, Marcel Duchamp 1887 - 1968: Art as Anti-Art (Köln: Taschen, 2004)
UL: Ursula Lehmann-Brockhaus (née Schmitt), "Selected Exhibitions," Matta Coïgitum exh. cat. (London: Arts Council of Great Britain, 1977), pp. 51 - 53
US: Berton Roueche, "Unframed Space," (Jackson Pollock interview in "Talk of the Town" section), The New Yorker (August 5, 1950), p. 16
VA: Valerie Ann Leeds, "The Independents: The Ashcan School & Their Circle from the Florida Collections," Traditional Fine Arts Organization (repr. in Resource Library, August 22, 2005)
(http://www.tfaoi.com/aa/6aa/6aa55.htm)VH: Virginia Hagelstein Marquardt, "Art on the Political Front in America - From The Liberator to Art Front," Art Journal, Spring 1993
(http://findarticles.com/p/articles/mi_m0425/is_n1_v52/ai_14331401/pg_1)VP: Compiled by Catrina Neiman and Paul Nathan; Paul Bowles (foreword); Catrina Neiman (introduction); Charles Henri Ford (editor of View magazine), View, Parade of the Avant-Garde: An anthology of View magazine (1940 - 1947) (NY: Thunder's Mouth Press, 1991)
VR: Valerie Ann Leeds, "The Portraits of Robert Henri: Context and Influences," Traditional Fine Arts Organization repr. in Resource Library, August 2, 2005
(http://www.tfaoi.com/aa/6aa/6aa20.htm)WA: Miguel López-Remiro (ed.), Writings on Art: Mark Rothko (New Haven: Yale University Press, 2006)
WB: "Andre Breton," http://fr.wikipedia.org/wiki/André_Breton
WC: Brief Biographical Chronology of Wolfgang Paalen (http://www.paalen-archiv.com/literatur/Biographical-Chronology-WP.pdf)
WD: "William Baziotes, Painter, Dies; Leading Abstractionist Was 52," The New York Times (June 7, 1963)
WK: Wassily Kadinsky (transl. by Michael T.H. Sadler), Concerning the Spiritual in Art (London: Tate Publishing, 2006)
WP: Frances Stonor Saunders, Who Paid the Piper? The CIA and the Cultural Cold War (London: Granta Books, 1999)
WR: William Rubin, "Matta," The Museum of Modern Art Bulletin, v. 25, no. 1 (1957)


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The bride is the daughter of Tim and Kristy Ogle and Jennifer Brown, all of Cleveland. She is the granddaughter of Mike and Judy Ogle and Bob and Pat Simmons, all of Cleveland.
The bridegroom is the son of Tony and Melissa Spencer of Cleveland. He is the grandson of Wayne and Mary Cheatwood of Talladega, Ala., Jean Spencer of Munford, Ala., and the late Edgar Ray Spencer.
The wedding was officiated by Tony Spencer, pastor of The Journey Church. Nuptial music was provided by Allen Thompson an Josh Aidyn.
The bride was given in marriage by her father. Her maid of honor was Samantha Flachofsky of Cleveland. Bridesmaids were her sister Emily Ogle of Cleveland, Jenifer Christenbury of Cleveland and Hillary Ross of Knoxville.
Adian Cook of Cleveland served as best man to the bridegroom. Groomsmen were the bridegroom's brothers: Houston Spencer, Holt Spencer and Hayden Spencer, all of Cleveland.
Children in the wedding party were the junior bridesmaid Mary Grace Cheatwood and flower girl Sallie Beth Cheatwood, both of Lincoln, Ala., and ring bearer Brady Montgomery of Cleveland.
The parents of the bride gave the reception at the church. Shannon Peterson was wedding coordinator and Tootie Tirey and Hannah Johnson did photography.
After a wedding trip to Myrtle Beach, S.C., the couple is at home in Cleveland.

subset: commoncrawl


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Gustav II Adolf
Gustav II Adolf
biographical name(born Dec. 9, 1594, Stockholm, Swed.died Nov. 6, 1632, Lützen, Saxony) King of Sweden (1611–32) who made Sweden a major European power. The son of Charles IX, Gustav inherited his father's dynastic quarrels with Sigismund III Vasa and until 1629 faced a legitimist invasion from Poland. He ended the war with Denmark in 1613, but Sweden was forced to pay a crushing war indemnity. He ended the war with Russia (1617) and annexed Ingria and Kexholm. Internal tensions were largely resolved by his trusted chancellor, Axel Gustafsson Oxenstierna. Gustav's sweeping domestic reforms included establishing an efficient central administration and improving education. Resuming the war with Sigismund in 1621, Gustav obtained much of Polish Livonia (Latvia and Estonia). He saw his Polish campaigns as part of the struggle of Protestantism against the Counter-Reformation. He entered the Thirty Years' War in 1630 as a defensive maneuver, to secure the Swedish state and church from danger. An outstanding military tactician, he led an army of unusual quality, and his position was strengthened by alliances with France, Brandenburg, and Saxony. Success in the Battle of Breitenfeld let him sweep through central Germany and claim large territorial cessions, particularly Pomerania (1631). At Lützen in 1632, the Swedes defeated Albrecht W.E. von Wallenstein's army, but Gustav was killed in battle.
Variants of GUSTAV II ADOLF
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Exercise 2.72
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Consider the encoding procedure that you designed in exercise 2.68. What is the order of growth in the number of steps needed to encode a symbol? Be sure to include the number of steps needed to search the symbol list at each node encountered. To answer this question in general is difficult. Consider the special case where the relative frequencies of the n symbols are as described in exercise 2.71, and give the order of growth (as a function of n) of the number of steps needed to encode the most frequent and least frequent symbols in the alphabet.
Corresponding Section:


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There's been talk of a Zelda: Four Swords game for DS for a while now, so when we got our first look at Phantom Hourglass's multiplayer element, we were surprised to see that the co-op steal-a-thon we were expecting was nowhere to be found (although there are different coloured Links).
Instead, Eiji Aonuma and his portable Zelda team have come up with a fun little one-on-one battle game which has a red and blue Link fighting over scattered triforce pieces in a Pac-Man style maze.
You're tasked with collecting various triforce pieces and taking them back to your capture area on either side of the map. The bigger the piece, the more the points - though larger pieces slow you down.
The control setup is the same as in single-player; movement is managed by directing the stylus on screen and items are picked up by simply tapping them, and thrown in the same way. While this control method works well - and no-doubt opens up some interesting gameplay later on such as the drawn-path boomerang - we wish we had the option of using the d-pad as well.
But it's not just a simple game of 'Capture the Triforce'; as one player skims around the level pillaging triangles the other controls a team of three hard-nut Phantoms (the cloudy blokes from Wind Waker).
As the baddie player you command your henchman using a top-down map view to draw paths for them using the stylus, hoping to corner your opponent who is conveniently highlighted on your map. This is a great use of the stylus and requires real strategy to trap Link, who can only see your Phantom trio when he's carrying a piece of the tri-force.
Once the baddie player does eventually manage to capture Link (which the Phantoms do automatically upon encounter) player roles switch and the Phantom man takes the role of a second Link to capture more triforce pieces.
The field remains the same though; so if you're feeling particularly mischievous you can nick triforce pieces from your opponent's capture zone and return them to your own, making for some frantic revenge-fuelled bouts.
Graphically you'll know just how gorgeous this mode is if you've seen any of the movies or screenshots of the solo adventure thus far. Adopting the same 'art-shaded' graphical style from Wind Waker, a lot of the bells and whistles from the GameCube cousin are at work on the DS, including facial expressions and gorgeous character animation. All combined Phantom Hourglass looks fantastic, and is definitely a graphical height of the DS.
Affairs are bumped up a notch with the addition of special "safe zones" around the map where link can go invisible to the other player, as well as use various warps to other areas of the map. There are also items like the power gloves which let you pick up larger triangles without slowing down.
During our time with the game the safe zones seemed to provide the most strategy for the player controlling Link, as exits and entrances are usually swarmed by phantoms when the blonde haired hero is spotted slipping into them.
A quick warp to the other end of the map, and the cloudy bad guys are left struggling to stop you from snatching that last triforce piece.
It was certainly an enjoyable build on the GDC show floor but we don't know how long it'll last once the dual-screen Zelda is in gamers' hands.


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Sorry in advance, I'm kinda second-guessing myself as to if a bunch of problems put into one post is a good idea, but...
First, I recently bought a scented geranium that generated tons of yellow leaves. In the picture I picked some off, though there are still a lot in my opinion. It also has a few flowers, so I should cut them off, right? Oh, and it's a new plant. Next, there's some type of dracaena, that died, came back with a new leaf, and now is dying again...the leaf is drying out, and the new shoot on the other is browning. Finally, the bird's nest fern, which had a few dried, brown leaves at the bottom, and at the newer growth some fungus or bacteria is making brown spots. Also, the new growth in the center has stopped growing, though the root system is healthy. Thank you, and if I do (or have already done) something immature, I am a teenager. I didn't really feel safe before, but who stalks people on a garden forum, right? Ooh. Now I'm paranoid again...no more information available XD |
Follow-Up Postings:
- Posted by HelloPandaNF Zone Five (My Page) on Sat, Sep 22, 12 at 14:24
Oh, shoot. Um... is there a way to post more than one picture at a time? Might as well put up another... |
- Posted by purpleinopp 8b AL (My Page) on Sat, Sep 22, 12 at 15:37
Hi & welcome to Gardenweb! Always nice to see a young person interested in plants. The Geranium (actually a Pelargonium I think) looks like it's had battles with alternating too dry/too wet conditions. The soil might be inappropriate. Know nothing about bn ferns, but would suspect too much prolonged sogginess or root impairment of some type. You mention looking at the roots. Was there space in the pot, or was it just packed full of roots? Pic of the Drac? Being paranoid is a good thing on the www, don't share anything you're not comfortable sharing. Of course most people here seem extremely nice, but you just never know. Unfortunately, you can only put one pic at a time using the in-house upload facility. It's not unusual for someone to post a few times to show a few pics, no prob. There are free photo hosting sites that allow you to show pictures in a forum, such as photobucket and imageshack if you want to go that route. |
Panda, we are all going to be very interested in the quality of your potting medium. Many plant problems can be traced to what kind of stuff your plant is growing in. |
- Posted by HelloPandaNF Zone Five (My Page) on Sun, Sep 23, 12 at 9:18
Both of the plants are in the same soil and containers where they came in, though the fern's used to be soft, I think. Now it is very...squishy and hard (sorry, it's hard to explain.) Basically when the top dries out, it feels rough and dry, but poking it reveals the moisture underneath. Geranium soil looks dusty , but seems to drain very well (water comes out of the pot almost immediately.) Here's the dracaenae, thanks for reminding me! |
- Posted by HelloPandaNF Zone Five (My Page) on Sun, Sep 23, 12 at 9:23
And the one right next to it... The medium never dried out in quite a while, so maybe the roots are dead? It's a pretty small container... (Please don't mind the jade plant, it's kind of an experiment: coconut fibers can't even grow succulents, I guess.) |
- Posted by hopefulauthor z5IL (email@example.com) on Sun, Sep 23, 12 at 15:49
Hello, Hello Panda, Scented Geraniums. Scented Geraniums are fussier than standard types. Remove brown/dead leaves, and yes, it's a good idea snipping blooms. At the time, leaves should be focused on. In the future, once your Geranium resumes health, then concentrate on flowers. Birds Nest Fern...Asplenium. Never over-pot BNF. They do best when slightly rootbound. Soil should be well-draining with a little added Peat, house plant soil, bark, Perlite and tiny stones. During dry months, mist daily, and shower in sink once every other week. BNF needs bright, indirect light. No direct summer sun. An unobstructed, north or east window is fine. Do you have a picture of the whole plant? Your Dracanea looks similar to D.. Godseffiana, green version of D. Florida Beauty. This Dracaena is slow-growing, needs humidity and fresh, cirulating air. During summer, soil should remain moderately moist..winter, gray days, needs to dry between waterings, but again, humidity is important. I have a small Dracaena similar to yours. During winter, I set the pot in a plastic bag, leave the top opened. After watering, excess water is discarded from the bag. My Dracaenas are fertilized with Fish Emulsion or any oragnic fertilizer. I don't see a Jade in the pic. Toni |
- Posted by purpleinopp 8b AL (My Page) on Mon, Sep 24, 12 at 9:26
I think a 2nd pic of Drac didn't show up? Wonder what kind of Drac that is? When you browse for a pic, then click preview, the picture info is no longer in the browse box. So if you edit again, then click preview, the pic is no longer there. Do you think that's what happened? |
- Posted by HelloPandaNF Zone Five (My Page) on Wed, Sep 26, 12 at 20:36
Purple, Yeah I guess that must've happened, I tend to over-do the editing a little, even if it doesn't show... The dracaena is just a variegated sanderiana, I think. The leaf turned yellow now, but that new one still stands! Oh, and the BNF's roots pretty much hold the soil together, so I don't think it is over-potted yet. Perhaps it is humidity. NOW you can see the jade. ;) |
- Posted by purpleinopp 8b AL (My Page) on Thu, Sep 27, 12 at 9:09
Nothing wrong with trying to get it right, and I still publish typos too. If you can get in the habit of clicking back to edit, you'll only have to browse your pic once that way. I wish they would fix that, it's kinda new, so hopefully they'll tweak it more soon. How cute! I love tiny plants. Think you're right about it being D. sanderiana. These plants can be rehabilitated. As soon as you can, I would replace that soil with something new/better. Have you read any of the discussions about soil floating around here? By replacing old soil and not adding more water until plants have used the previous water, you should have good results. That old brown stem sticking up on the Drac could be trimmed if you want, it won't recover. I think we have a set of those same plates! |
- Posted by HelloPandaNF Zone Five (My Page) on Sat, Sep 29, 12 at 13:36
Okay, so as a recap... BNF should be repotted and misted Drac. Should be repotted And geranium should be watered more I think I got it. Thank you all for the help! Oh, uh purple...it's a little embarrassing, but that...isn't a plate under the pot. It's a yogurt container X) |
- Posted by hopefulauthor z5IL (firstname.lastname@example.com) on Sat, Sep 29, 12 at 14:42
Howdy Panda and Purple.... Panda, would you happen to know the scent of your Geranium? Eg, lemon, rose, etc. Back in early July, before I got sick, I placed a few orders from different nurseries. I remember ordering from one place, but forgot the others. Yesterday, a box arrived from Taylor's Greenhouses. Inside were two, little scented Geraniums. One is Gooseberry the other Rachael Marie..can't recognize RM's scent. Purple, would you happen to know the name of the scented Geranium that's suppose to keep mosquitoes away? Can't recall name..They make candles that smell like the plant..to me the fragrance is exactly like Raid! lol. Darn, what's its name. Anyway, it's the only scented Geranium I dislike. The smell is irritating..think I'm allergic to it. Panda...I grow various Dracaenas. Don't know how many times I tried D. Sanderiana. I'd see them in offices growing under artificial light, doing great. Small, 4" potted Sands are sometimes sold at Jewel's Grocer's for 1.00. A few years ago I decided to try one last time..went home, potted a few days later..it started dwindling within a weeks time. Then, a new concept popped in my brain.lol..How would it do in water? Wonder if cutting the top would help or kill this plant?? Panda, I'm not suggesting you grow your Dracaena in water..just mentioning it in passing. Can't wait to see your Geranium next spring. And other plants, too. Good luck, Toni |
- Posted by HelloPandaNF Zone Five (My Page) on Sat, Sep 29, 12 at 20:04
Thanks for the help um, author? Somehow I still can't feel comfortable with shortening the user names, sorry. And not just thanks for this time, for all my other posts you were helpful! I appreciate it a lot The geranium is supposedly lime, but I really don't smell anything from it right now. When it recovers, perhaps... I did grow "lucky bamboo" in water, it grew so fast!...then rotted at the base, so I am really not to keen on hydroponics. ;) |
- Posted by purpleinopp 8b AL (My Page) on Sun, Sep 30, 12 at 9:59
Toni, that's citronella. That's the one I have. It's a scent people either really like or really hate, nobody's ambivalent about that odor! Don't know how many plants one would need for them to actually repel mosquitoes... definitely more than 1! Not to put too fine of a point on things, but a plant in a cup or bottle of water is not really hydroponics. But I'm not bringing it up to be picky. It's a fun thing to do sometimes and if you'd like to try it again, just make sure nothing dead gets in the water. If something falls in, rinse everything and replace with fresh water. It's not normal for plants to rot when growing in water. They usually just don't do much though. This is how I keep Coleus, Persian shield, Perilla for winter. No reason at all to be embarrassed about a yogurt container. I call that thrifty and conserving/making the most of available resources. I've got plants growing in things that were not originally pots. If it's the right shape, won't fall apart when wet, and I can put a hole in the bottom, there's probably a plant growing in it. |
- Posted by hopefulauthor z5IL (firstname.lastname@example.com) on Sun, Sep 30, 12 at 11:13
Panda, my name is Toni..female, not Tony male. :) Sometimes screen names are too long to type, I haven't any qualms using part of a name or plant. lol. Lime, umm..I'm sure after your Geranium recovers you'll smell the scented leaves..but truthfully, not all Scented Geraniums emit strong fragrances..sometimes, in order to get a whiff, you have to rub a finger and thumb against the leaf. I've never smelled Lime Geranium, so don't know how strong the scent is. Wonder why your LB rotted?? Mine has been in water for years..don't do anything special. How often did you change water? Technically, keeping a couple plants in water would be considered hydroponcically, but there's a lot more involved than placing a plant in water for those serious hydroponic growers. I don't know all the specifics though. Purple, Thank You..Why can I not remember Citronella? Not the first time its name was blocked out. Duh. Do you know the reason Citronella kills mosquitoes? Is it the smell or something else? Something to research. Oh, just noticed you mentioned hydroponic. Purple, as I said, I don't know the specifics, but what did you mean when you said, 'they really don't do much though.' Lol, I save anything and everything that can be used as a pot or saucer. TV dinner trays are wonderful for small-potted plants. Ready-made roasted chickens make great terrariums. Plastic top that snaps in place with a 2-3" tray. Yogurt containers are perfect for rooting AV leaves and avacados pits. Very economical. Recyling is a great idea. We need to do something to save our planet. Toni |
- Posted by purpleinopp 8b AL (My Page) on Sun, Sep 30, 12 at 13:38
..."what did you mean when you said, 'they really don't do much though.'" I just meant that plants in water don't grow as fast, generally. If you take 2 identical cuttings and put one in water and one in soil, the soil one will almost always be bigger. If you ask about this kind of thing on the hydro forum, they don't appreciate it and say that's not hydro. That's cool, it is what it is no matter what folks want to call it, no sweat to me either way. I don't think citronella kills skeeters, just confuses their ability to sniff, or makes an area smell like there's no people, or they just find it offensive. Read all kinds of theories. I don't think anything will deter a hungry skeeter except a really strong wind. Fans are about the most effective thing, like rich people who used to have their servants fan them with big leaves to keep the skeeters off of them. Where's my cabana boy? Some recent repurposes: Bought a little tray of frozen cocktail shrimp and the clear lid looks like a "pot" to me. The lid to an already-baked cake. I like a frozen Stouffer's side dish once in a while and those little trays make great cooler ice, big and flat. |
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While Marvel's corporate policies don't allow for too much investment in their print business, they have been really ramping up the digital side of things. Why? Rob Salkowitz looks at the meta side of the new online comics line and AR experiments in terms of how it positions the company:
Future Comics: That Twitter comic by the Eyeshield 21 guy everyone is talking about
Yusuke Murata is the manga-ka behind the very popular American football manga EYESHIELD 21. In between massive ongoing series—his next project is called onepunchman—Murata started posting a webcomic via Twitter, bsed on yet another series, Hetappi Manga Research Lab R. The story involves Murata being chased over a cliff by an editor and looming deadlines—no paranoia there!—and he uses unique folded paper and lighting effects to give the story more impact.


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> school, nursery and childminder sites
under5s - links to school, nursery and childminder sites
Can't find what you are looking for ? Just
rainbow playgroup
An excellent website full of information about Rainbow Playgroup based in Axminster, Devon.
think small
Another excellent example of an individual childminder's own site. Think Small advertises the childminding service of Alison Cobb based in St.Albans, Hertfordshire.
Lucy Lockets
Ofsted registered childminder based in Macclesfield.
Scamp Camp
Scamcamp provides quality childcare for pre-schoolers in South Devon in a small home nursery environment, and has a quality website.
woodland tots childcare
Registered childminder in North Devon
kiddy kappers
Irene Drew is a registered Childminder in Dagenham Essex and Kiddy Kappers is her website.
willow rise pre-school
A great bright and colourful site with lots of useful information for parents. Another terrific example of an individual website. Try the games.
leighton buzzard childminding association
Provides support and information to both childminders and parents, mainly in the local area, but through the website provides information and answer queries from a much wider area. A lot of hard work has obviously gone into developing and keeping this site up to date. The amount of information and practical help is excellent, if you are a childminder this site is a must see !!!
child care enterprises inc
Based in Louiseville, Kentucky Child Care Enterprises provides childcare at 2 state registered centres. The site not only promotes the business but also has links to other sites with information of use to parents, such as educational sites, dental issues etc.
thinking things
This is a fantastic graphical website full of brilliant ideas and resources. It is the home of Snaith Primary School. I recommend that all parents and teachers log in and and have a look, excellent.
rosegrove nursery school
This is an excellent example of what can be achieved via the web. This site does not just promote the nursery but also includes useful resources and examples of children's work which the children and their parents can also access from home.
st.augustine's catholic school
Another great school site, with a variety of information suitable for all ages. I found a link from this site to some brilliant free animated images !!!
westfield day nursery
This site won an BECTa award this year, and it is excellent. There is plenty of information about the school including its OFSTED report and its policies and also some activity ideas and funstuff for kids to do. Go and have a look.
roseanne's childminding service
Another example of an excellent individual site. Roseanne Podmore is a registered childminder who lives near Bolton in the North West of England. Roseanne's site aims to inform parents of her childcare service and to help other childcare professionals with information and advice.
st. mary's school, fort vermilion, alberta, canada
Here's one 'made in canada'. Cathy Brand is the webmaster. You can read the principal's message or see what's on the lunch menu. Another great example of a school using the internet to communicate.
under5s - links to school, nursery and childminder sites
> school, nursery and childminder sites


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Well, after looking at all the beautiful pictures you all have of numerous blossoms at one time, I thought I would share the 1 flower I was lucky to get this year.
I was given this as a tiny cutting from someone and put it in a large pot. It looked so funny in this huge pot at first. I put it outside this summer and babied it along a little. It is now over 4 feet tall and I brought it in for the winter (it takes up my whole kitchen *lol*). It finally bloomed and I have been "posing" the flower for picture after picture. I simply love it. I would LOVE a cutting of a double if ever someone might have one to share. Because I live in Maine I need to try to winter it over. Any suggestions would be greatly appreciated. Enjoy!
Here is a link that might be useful: My Brug Baby
Follow-Up Postings:
Kim I can understand why you love it so much, it is a beautyfull flower, congratulations, Uschi |
- Posted by WickedHeart z11SanDiego (My Page) on Thu, Oct 13, 05 at 14:17
We would never laugh at your beautiful brug baby here. We are here to encourage and enable your brug habit. |
WickedHeart, just encourage more, deeper addiction, right? :))LOL Kim, your baby is beautiful. There's no reason to laugh. Maybe I have a reason to cry, because I lost my first buds :( Valentina |
- Posted by thezookeepper z6 PA (My Page) on Thu, Oct 27, 05 at 12:50
I have a double white I will send you a cutting of. -Kris |
- Posted by DottyinDuncan z8b coastal BC (My Page) on Sun, Oct 30, 05 at 12:15
I think you should get points for the lovely deep green leaves with no bug holes in them! Congrats, the flower is lovely too. |
Hi Kim..nice to run into you here. It's a lovely brug! I love the color. Nothing is as dramatic and anticipated as that first bloom. You'd have thought I gave birth when mine first flowered. I took pictures..invited people over..it was an event.!:) I recently brought it (an unnamed yellow) into the garage and the flowers make the whole garage smell amazing. It's new to me too so I hope we both have luck with this overwintering thing. Michele |
- Posted by wanna_run_faster 10 SoFLA /9 orl (My Page) on Sat, Jan 7, 06 at 19:36
your brug is beautiful! I lost 5 out 6 cuttings so you're already doing better than I could ever do! And I asolutely love your fuchsia! Do you keep it in the house all year? |
WRF Those are christmas cacti. Silly Brug grower!! Marion |
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Jeff McBride, renowned performer and one of the finest card manipulators of our time, teaches you the inside secrets of professional card manipulation. Routines, sleights, productions and flourishes are clearly taught and demonstrated, along with sample routines and the seasoned advice that only a working professional can provide. Many of these sleights and techniques have been closely guarded for years - never published, but only passed on from one professional to another. These can only be found exclusively on this set of studio - quality DVDs. Jeff leads you through each and every item, while giving you the little tips that make learning easier and performing more entertaining.
Never has video instruction been more valuable. You see how the sleights should look, precisely how they are timed and how they are performed in the real world. Now with the help of Jeff McBride, you can learn the baffling and sophisticated card manipulations you have always dreamed of performing!
Volume Two:
Back - Palming - Single Production; Thurston Five - Card Vanish and Reproduction; Preparing the Cards - Best Cards to Use; Split Fan Productions; Front Hand Split; Cards From the Silk; Gloves and Cards; Body Loads and Steals - Clips - Vesting; Acquitments - Reverse Benson Move; Flying Cards; Arm Spreads and Turnover Spread and Catch; Cardini's Bluff Spring - Waterfall Fan; Color Fanning - Color Changing Fan; Bluff Spread - Fanning Decks; Double Fan - Splitting the Fans; Rising Sun Fan; One - Hand Circular Fan; Windshield Wipers - Slow Motion Fans; 4 Ways to Fan a Fanning Deck; Double Tier Fan (Giant Fan)Wheel of Cards; Ganson's Glued Deck Version; Challenge Card Fan Production - Garcia.
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text: (06-03-2013 02:27 PM)crazyforkinsler5 Wrote: If you check under the sold tab on ebay, there have been 4 sell for between $8-$33 shipped. 2 sold for under $10. 2 sold for over $30 with no middle ground. The 2 highest were the same seller. 1 of his auctions was "private" so the bidders name was not displayed. On the other auction, the highest bidder had 100% of his bid activity with this 1 seller. So that's kind of misleading and would seem like the same bidder and buyer with different usernames. I would put the sell value somewhere under $15 honestly.


text:
Hello, I really am hoping that someone here can help me. I feel like I'm at a dead end here. We are in the process of a hue remodel. I have done a ton of work on my kitchen just to get it to the shape it is in now. I was so gross. So I know that it doesn't look like much but I am very proud of it.
I had made my mind up that the wall dividing the kitchen and the dinning room would be knocked out. My husband and I had decided that we wanted to close up the door in the kitchen and put French doors in the dinning area where the double window is now. The French doors will open up to the huge porch . By the way the desk that is in the dinning area will not be there much longer. As i got to thinking the other day I realized that I'm going to run into problms with the french doors . The table will be in the waybecause i planned on centering it once the desk is gone. I am not set on keeping the same table but I feel like this will be an issue regardless. can anyone help me on possible layouts or show me similar pics of kitchens that could be like mine and what you have done. as you can see our home is very small. I have tossed out the idea of a breakfast bar where the wall is now but i just don't know how to incorperate it. And we have 4 people in our family. I really don't want us all sitting right next to each other eating . Please help me I feel like I'm lossing my mind! |
Follow-Up Postings:
- Posted by AnnieDeighnaugh (My Page) on Tue, Aug 21, 12 at 7:27
It's very hard as you've posted pics one in each post, and at that, some are not showing up for me....and we really could use a floor plan. It would be much more helpful for us to understand what you are dealing with. To put pics in one thread, you need to copy the image address (usually ends in .jpg) and paste it where the xxx is as follows, replacing the parentheses with pointy brackets instead (less than and greater than sign). (img src="xxx") |
- Posted by angela12345 (My Page) on Tue, Aug 21, 12 at 9:05
Jenny, start with reading the information contained in this thread ... http://ths.gardenweb.com/forums/load/kitchbath/msg0720230510755.html including following the links provided to read the information contained in the links. A little ways down, read how to get emails sent to you a 3 step process. I am going to try to get all of your info consolidated here for you. Come here to this thread to discuss your project, don't start new subject threads. People will be able to help you much easier with everything together here in one location. |
- Posted by angela12345 (My Page) on Tue, Aug 21, 12 at 9:48
It is not letting me post the pics in thread so I have to link to them. You will have to click on each one individually, sorry !! - Angela Pic 2/6 another angle of dining area (did not show up for me to link - A) Pic 3/6 entry to kitchen pic, this is the wall that i want to knock down (did not show up for me to link - A) Pic 4/6 inside kitchen, thats the door we want to close up Pic 5/6 another in kitchen Pic 6/6 another angle in kitchen |
- Posted by angela12345 (My Page) on Tue, Aug 21, 12 at 9:57
Responses Received so far from the Other Threads �RE: inside kitchen Unsolicited assistance I know, but maybe helpful nonetheless. �RE: inside kitchen �RE: inside kitchen Its up to you, I'm not trying to tell you what to do. Everyone here wants to help but its alot easier if all your info is together. |
- Posted by angela12345 (My Page) on Tue, Aug 21, 12 at 10:14
OK, I think I got all of them. Commence with the reply postings . . . !! |
- Posted by Jennyms319 (My Page) on Tue, Aug 21, 12 at 19:34
Sorry everyone, I really messed this all up. I will try to repost with all the pics in one post. I don't know what i was thinking.this remodel has caused me to go crazy! Thanks |
- Posted by angela12345 (My Page) on Tue, Aug 21, 12 at 23:48
Jenny, don't start another new post, you can just add pictures to this post. Also, could you draw out your current floor plan layout and write in the dimensions ? Or, if you already have a layout idea of what you want to do with your kitchen, post it here. And remember to update your profile so you can receive emails. http://ths.gardenweb.com/faq/lists/kitchbath/2011124917007513.html |
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Getting tickets for the Edinburgh International Festival
Pick up last-minute tickets at the door an hour before showtime. In years past, the Hub brochure, available at the central box office, has listed discounted tickets for dress rehearsals. To get a jump on advance booking for next year's festival, join the members program.


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John "Scarecrow" Chandley, RIP
2:10 pm in Uncategorized by Jane Hamsher
John Chandley's son Christopher just called to say that John passed away last night.
As many in the community know, Scarecrow had been battling lung cancer for several months.
His children were with him when he passed. Christopher said "he loved you and he loved his work at Firedoglake."
He was a brilliant writer and editor, a loyal friend and a deeply moral and committed soul. He will be terribly, terribly missed.
Update: Perris had a great suggestion. Please feel free to leave a commemorative link to your favorite posts from Scarecrow in the comments.
Here's mine — when Scarecrow figured out what caused the Deep Horizon oil rig to blow a week before BP did.


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The Original Discount Furniture has been providing quality furniture to Fort Pierce and its surrounding communities since 1970. Our company features a 30,000 square-foot showroom with dining and living room furniture, mattresses and much more. We can supply all of your home furniture at great prices!
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AP Photo/Michael Conroy
In football, offensive and defensive coordinators routinely watch their own team's games from the comfort of a booth high in the sky and they call in plays to players and coaches on the field via headsets. Some coaches have access to televisions to watch replays and can make suggestions to the head coach about plays that should be challenged.
In basketball, the assistant coaches (who are crammed between the head coach and bench players) twist their necks in an effort to see around the monsters covering all 94 feet of hardwood. Occasionally, the assistant coaches crank their head skyward to look at the replay being shown on the JumboTron directly above their heads.
Coaches in the booth
One or two assistant coaches from each NBA team should sit in a booth during the game. Like their NFL counterparts, these coaches would be able to watch the game unfold live at the same angle they review the game on tape. Why should they receive their game day information at a different angle than the one at which they review and teach the game?
There is obviously technology available to communicate effectively between the booth and the bench. It may look strange to see Stan Van Gundy wearing a headset, but who cares? The person on the other end of the headset may provide him with priceless information that will improve his team and the product on the floor.
Filling suites
Some NBA teams have struggled to fill all of their suites on game nights in the midst of the tough economy. This has led to some of the best seats in the stadium sitting dark while the greatest athletes in the world showcase their talents on the court below. Moving coaches to the booth would turn the light back on in at least two suites each night and provide a little boost to arena's struggling to maintain an upbeat atmosphere.
Courtsides seats
Finally, removing two coaches from each bench means that four additional courtside seats will be available for paying customers each night. Over the course of 41 home games, teams would essentially be able to sell 164 additional court tickets. Mix in a few playoff games and moving the coaches to the booth could be a real moneymaker for the league.


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Mining company Glass Earth Gold claims a "new and significant highgrade gold intercept" after drilling in the "Central Zone" of the WKP gold-silver prospect in Waihi.
Glass Earth Gold's president and chief executive officer, Simon Henderson, said that the new intercept displays the full gold potential of the WKP prospect.
"We had already found a broad intersection of over 150 meters of mineralisation across the Central Zone, and to hit highgrade intersections where we didn't expect adds real excitement to our current exploration."
The mining company had drilled through to a 9.7-meter interval, resulting in a find of over 17 grams/tonnes of gold and over 24 grams/tonnes of silver.
Glass Earth Gold's (35%) and Newmont Mining's (65%) joint venture began drilling exploration at Waihi's WKP prospect with DDH WKP 24 in March of 2010.
Glass Earth Gold is one of New Zealand's largest gold exploration companies, with the miner having held a net cash position of C$3.6 million at the end of the fourth-quarter in 2011 to fund exploration progress.


text:
English Standard Version (ESV) | New International Version (NIV) |
23 For if anyone is a hearer of the word and not a doer, he is like a man who looks intently at his natural face in a mirror. | 23 Anyone who listens to the word but does not do what it says is like a man who looks at his face in a mirror |
The English Standard Version is published with the permission of Good News Publishers. (English Standard Version - The Holy Bible Online) | Scripture quoted by permission. Quotations designated (NIV) are from THE HOLY BIBLE: NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by Biblica. All rights reserved worldwide. (New International Version Bible Online) |


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Every community has its collective memories, joyous and horrid, and every significant public act has a way of being absorbed by, folded into, a community's collective memory in some lasting way. This is why the billboards lining Atlanta's highways, at least 80 of them picturing terrified-looking black boys under the banner Black Children Are an Endangered Species is remarkably vicious.
And in any case, the 1st amendment, whatever luncies it does protect, protects far, far more of the ideas you and i share in common, court-year-in and out.
Yeah...abortion isn't how black people are losing their children. Those posters are almost as offensive as you not discussing 4 of the 5 reasons why they are and leaving your heritage out of it.
I just do not think they need this..:(
Rated with hugs
While I find Freebobaffett's comment bordering on lunatic, I have decided to leave it here for now. We need reminders on occasion that Open isn't close to being free of racism and antiSemitism.
This is one of the most revolting, nauseating, misogynist, racist, manipulative, disgusting, appalling pieces of propaganda I've seen in awhile. (And I had this reaction seeing it not for the first time, but the second).
Yes, I agree with their First Amendment right to free speech. And I'd encourage anyone who is inclined to comment to bombard their website with appropriate comments (subtracting four-letter words, of course) and enlighten anyone who seems to believe this sort of...stuff.
Thanks Jon.
Thanks for writing about a very difficult subject that should much much more exposure.
the 1st amendment, whatever luncies it does protect, protects far, far more of the ideas you and i share in common that can't matter - the 1st amendment only matters if it protects the ideas I despise as well as my own.
I believe that if black women are capable of making their own intelligent decisions about their own bodies they are equally capable of making their own decisions about this billboard and they know better than I do what's killing off their kids.
Come on, Jon...that is a painful memory for only blacks? It's a painful memory for Atlantans. It's a painful memory for me as well-- that whole time was terrifying for all families...and still leaves the lasting effect of nightmares and waking up in sudden fear as long as this many years later for some....we had so many friends, black and white, in fear for their child's life, and no one knew it would only be black children, only be boys at the time, we only knew children were being murdered, at least to begin with...and there was not a memo out saying, "Don't worry whites, this will only be black boys killed." We were all afraid.
While I get what you're saying here, and yes, the billboards don't belong up in my opinion, neither do many billboards the right-to-lifers put up there....my issue here is there's a racial tone here that all whites in Georgia would like this, instead of the proper one, which is all very right-wing, fight against abortion groups would like this billboard, not only whites fight against abortion...at the top you make a racial tone, that the whites are the wicked sign makers(and they may be, but it's a Lifer group! Not a racial group), at the bottom you replace white with evangelical....please stop assuming white and evangelical and right-wing are all interchangeable in Georgia or anywhere, they're not!
Evangelicals and Jews(if you capitalize one religious group, wouldn't you capitalize the other?), Whites, Blacks....you just lost me on this one, not near enough nuance, way too much sweeping assumption about racial and religious groupings and how "they" are.....
My point was that this article that you all seem to be sopping up like so much crap on your dinner plates is irresponsible and offensive. It left out a lot of important information and brought in an entirely unrelated topic (I'd love to discuss the plight of the Jews with y'all, especially the Italian Jewish community in Rome with which I'm intimately familiar). It pointed out one thing, but didn't connect it to the obvious things it should have.
It's exactly what wrong with our journalism today...and, it would seem, the consumers of the same. Watch The Colbert Report. It'll simultaneously teach you about satire and truthiness.
But, now I have to write about this, link to this blog, actually source facts and show you what I'm talking about...great.
Can't wait 'til never when you yell as loudly that I'm obviously not a racist as you did when you said I was.


text:
I urgently need assitance regarding the assesor report for the vehicle damage.I was involved in accident with my wife vehicle while I was still covered as a driver.The assesor intend to nuklify the claim due to te fact that my wife did not disclose that I have judgements in my name.
The facts of the matter are as follows
1.I have insured my own vehicle with the same company from 2012 until July 2014.
2.When we purchase another in April 2014 under my wife name, we reqestred quotes from various companies .I personally contacted my current insurer which I could not obtained quote, as I was told to provide credit reports.
3.I never did since at the same my wife has obtained her own insurance from her own previous company.
4.In June while my wife was busy with another insurance and financial products.She was refers to the group company that deal with car insurance since it will work cheaper for them.
5.The consultant contacted her , and it was from the same company that I approach initially. Indeed tgere was savings of about R1000,00.She advice them they still have to contacted me to provide my banking particulars. Which they did with full cognizance that I did calll previously for the same.
6.First indtalment did not go through , as they did not collect.This prompted my wife to contact them. In which the arrangements for tge deductions on the 15 July was made from my account and was succesfull.
7.In July I contacted insurance again to terminate my Hilux cover since I have sold the vehicle, in the same I was provided with house and contents insurance.
8.After I was involved in the accidents the insurance raised the following matters.
I.The policy is still active with the other company, which we knew upin taking their policy that policy lapsed since no premium payments were made.
ii.That I have judgements and they assumed my wife knew , and she did not disclosed.While two judgement are for 2010 and have been paid, and the other one is for 2013 which im currently servicing.
From this background its clear no reasonable duty care was taken by insurance since they were aware of my situation which they were suppised to notify the policy holder.Equally I was never made her aware if that since neither the insurance has brought that into my attention.
in the light of the aforementioned we need counsel, in how to tackling the insurance, to make them settle damages.


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Nagoya, Nagoya Desu | 2011
Blogging around Japan and other places
by Demian Flores
Nagoya, Nagoya Desu is a series of books based on my blog of the same name. It's an account of my time living in Japan but taking time to visit many places around Asia and the globe.
Blog can be found at: http://pacificwestside.blogspot.com.
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Nagoya, Nagoya Desu | 2008 Published January 30, 2013
Nagoya, Nagoya Desu | 2009 Published January 28, 2013
Nagoya, Nagoya Desu | 2010 Published January 23, 2013
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Indicative Rate* $299.00 to $647.00 Accommodation Only
Perched on the hill top overlooking the majestic Whitsunday Passage, Peppers Airlie Beach offers stylish and elegant accommodation in the heart of Airlie Beach.
Accommodation includes beautifully appointed one, two and three bedroom apartments and three and four bedroom houses, all with majestic views of the Whitsunday passage and wide breezy verandas maximising the tropical lifestyle experience. All apartments feature bathrobes, broadband internet access, clothes dryer, daily room service, direct dial telephone, flat screen television with cable, in-house movies, hair dryer, in-room safe, in-room pay for view movie system, mini bar, reverse cycle air conditioning, spa bath, self contained kitchen including cook top, oven, tea/coffee making facilities, fridge, freezer, microwave and dishwasher.
... moreThe resort offers a multitude of leisure options including the culinary delights of the exceptional Tides Restaurant & Bar, pure pampering and relaxation at the on-site endota spa or you can simply resting by the stunning wet-edge resort pool. In the town of Airlie Beach you will discover a selection of shops and boutiques intertwined amongst a variety of dining and entertainment venues.
The Whitsundays protected waterways, myriad of islands and Great Barrier Reef are all at your fingertips when holidaying at Peppers Airlie Beach.
... less
Children are welcome.
There is access for guests with a disability. One Bedroom Apartments have disabled facilities.
General Comments
For full terms and conditions please visit the Peppers website.
How To Get There
Driving directions From Proserpine Airport to Peppers Airlie Beach 38.3 kilometres - about 45-55 minutes.
Head north-east on Lascelles Avenue towards Bruce Highway 3.6 kilometres, turn left at Bruce Highway 10.1 kilometres, turn right just after Proserpine heading towards Airlie Beach/Cannonvale 22.9 kilometres. Turn left at first roundabout continue down main street until you approach another roundabout, continue through roundabout to the right. Continue along Shute Harbour Road until you reach the third roundabout and turn right onto Hermitage Drive,
first left off Hermitage Drive onto Mount Whitsunday 1.7 kilometres. Peppers Airlie Beach is located on your right half way up the hill.
The luxuriously appointed one bedroom self-contained apartments include a separate lounge and dining area and accommodate two adults in either king or twin single bed configurations. Disabled facilities are available.
One bedroom or motel room
From | To | Inclusions |
$299.00 | $359.00 | Adult Room Only |
Children: Children are welcome.
Disabled: There is access for guests with a disability. One Bedroom Apartments have disabled facilities.
Fitted with designer decor and premium appliances, the two bedroom self-contained apartments include a separate lounge and dining area and the ability to sleep four people. Bedding configurations include either king or twin single beds. Both bedrooms have their own ensuite.
Two bedroom with lounge
From | To | Inclusions |
$419.00 | $503.00 | Adult Room Only |
Children: Children are welcome.
The spacious self-contained three bedroom apartments are designed to capture the tropical North Queensland atmosphere and accommodate six people in either king or twin single bed configurations. Each room enjoys its own ensuite.
Three bedroom with lounge
From | To | Inclusions |
$539.00 | $647.00 | Adult Room Only |
Children: Children are welcome.
* Please note: These rates are indicative based on the minimum and maximum available costs of listed products and services. To obtain a firm price from the provider, please use the contact the operator. All prices are quoted in Australian dollars.


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quizballs 187 - general knowledge quiz - questions without answers
free general knowledge quiz - questions and answers - for pub quizzes, pub games, team games, learning and fun
This is a Businessballs Quizballs quiz. Quizballs are free quiz questions and answers for trivia quizzes, team games, pub quizzes, general knowledge, learning and amusement. Use the quiz and questions and answers to suit your purposes, either as a stand-alone quiz, or to cut and paste to make your own quizzes. Quizballs accepts no liability for any arguments, lost bets, or otherwise unfortunate consequences arising from any errors contained in these quizzes although quite a lot of effort is made to ensure that questions are clear and answers are correct. Please notify us of any errors, or questions or answers requiring clarification. These quizzes are free to use in pub quizzes, trivia quizzes, organisational events and team-building, but are not to be sold or published, which includes not posting them on other websites, thank you. These are the quiz questions. Here are the quiz answers with the questions. A link to the quiz answers also follows the questions below. Spelling note: Some UK-English and US-English spellings may vary, notably words ending in our/or, and ise/ize. Where appropriate please change the spellings to suit your local situation. Corrections to quizzes are shown on the Quizballs index page - see Quizballs corrections. |
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quizballs 187 - free general knowledge questions for trivia quizzes and pub quizzes
- 'Liquor amnii' is normally found in: Pregnant women; Cuban bars; East-London pie shops; or Catholic churches?
- What colour/color is the second 'O' in the standard original Google logo: Blue; Green; Red; or Yellow?
- Spell: Seperater; Separator; Separater; or Seperator (meaning a thing that separates other things)?
- The fuel injection system replaced what traditional device for blending air and fuel in car combustion engines?
- Plovers or dotterels are a type of birds classed as a: Hawks; Waders; Ducks; or Cranes?
- How many square feet is a full sized (doubles) regulation tennis court (excluding the space around the marked lines to run about): 1,104; 1,456; 1,728; or 2,808?
- A Pelton wheel converts what power into usable energy?
- A phot is a unit of measurement of: Camera shutter-speed; Light brightness; Radioactivity; or Colour/color intensity?
- What factual UK radio show at 2012 is the world's longest running and has featured guests' choices including a blow-up doll, suicide pill, and (misheard), 'a penis'?
- The Kowloon Peninsula forms the southern part of what 'special administrative' territory? - bonus point - what is the other SAR of C?
- As at 2012 what 115-island Indian Ocean nation has the smallest population (about 86,000) of any African country?
- Which country has the international telephone dialling code 27?
- A TRS connector (tip, ring, sleeve) is more commonly known as a (what) plug?
- What length is the shortest side of a right-angled triangle whose longest sides are 4cm and 5cm?
- A framework beam - a fink - that supports a wide-spanning roof is also known as a '(what nationality) truss'?
- The Turbans, The Five Satins, and The Diamonds helped establish what musical style: Glitter-rock; Doo-wop; Reggae; or Heavy metal?
- How many cross-stars feature in the Subaru automotive badge logo?
- What connects the terms Parliament, Murder, Exaltation, and Unkindness? - and a bonus point for what each term refers to?
- Spell the Russian composer's name Pyotr Ilyich ... : Tchaichovsky; Tschaikofsky; Tchaikovsky; or Tchaikovski?
- What psychological condition was named after Greek legend of a beautiful hunter who fell in love with his own reflection?
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text:
Sat, Jul 9, 11 at 17:09
Follow-Up Postings:
Very cute! |
I like it! Goes well with your Stella daylillies |
- Posted by marylee_2010 (My Page) on Sat, Jul 9, 11 at 19:52
Very nice. I like it. "Marigold" has given it new life. Marylee |
- Posted by jeannespines 4 (My Page) on Sat, Jul 9, 11 at 21:03
Oh, I like that "Marigold" color, too! & your planted concrete bowl looks perfect on it! (along side your daylilies!) Good idea! TFS! Jeanne S. |
- Posted by concretenprimroses 4B NH (My Page) on Sat, Jul 9, 11 at 21:45
Its lovely Sam! Kathy |
- Posted by nanagrandma 9 SouthWest Calif (My Page) on Sat, Jul 9, 11 at 23:12
Yellow is such a fun color and it makes your chair and daylilies pop! Cute Corner Scene Nanagrandma |
- Posted by luna_llena_feliz (My Page) on Sat, Jul 9, 11 at 23:41
The new color on your chair matches so well with your day lilies. Brings some extra color to the garden. I like your bowl too planted with succulents. That chime looks very pretty too. |
- Posted by purplemoon z9 Phoenix (My Page) on Sun, Jul 10, 11 at 1:56
PERFECT ! I love the vignette you've created there. hugs, Karen |
I have a little red rocker upstairs that belonged to daughter; NOW I know what to do with it! Thanks! |
- Posted by marlene_2008 7 (My Page) on Sun, Jul 10, 11 at 10:13
Very pretty garden area! Love the marigold color as well...really makes it pop! |
Love the marigold color. Compliments the flowers beautifully. Great little spot. |
You know if you'd only shown me the picture of the rustic chair, I would have thought that was fabulous. BUT this makes it TOOOOOTALLY pop! I normally don't go with a yellow/gold this shade...but you might convert me, this is lovely! |
I love the chair and I think marigold is my new favorite color also. I love yellow in the garden. |
Perfect color for complimenting the flowers around it. Warms up the area & makes you take notice!. Jan |
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